WEBVTT - Richard E. Grant

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<v Speaker 1>The amount of people that have said to me, where

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<v Speaker 1>do you keep your skill?

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<v Speaker 2>Because they were convinced that or wanted to be convinced

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<v Speaker 2>that I had wanted.

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<v Speaker 3>Yeah, I've never had that. But people think I went

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<v Speaker 3>to Harvard because Skyler, the character I played in Goodle

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<v Speaker 3>he went to Harvard. Most people they're like, what was

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<v Speaker 3>Harvard by? It was amazing? Hello, I'm mini driver. I've

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<v Speaker 3>always loved Proust's questionnaire. It was originally in nineteenth century

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<v Speaker 3>parlor game where players would ask each other thirty five

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<v Speaker 3>questions aimed at revealing the other player's true nature. In

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<v Speaker 3>asking different people the same set of questions, you can

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<v Speaker 3>make observations about which truths appear to be universal. And

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<v Speaker 3>it made me wonder, what if these questions were just

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<v Speaker 3>a jumping off point, what greater depths would be revealed

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<v Speaker 3>if I asked these questions as conversation starters. So I

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<v Speaker 3>adapted Pru's questionnaire and I wrote my own seven questions

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<v Speaker 3>that I personally think are pertinent to a person's story.

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<v Speaker 3>They are when and where were you happiest? What is

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<v Speaker 3>the quality you like least about yourself? What relationship, real

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<v Speaker 3>or fictionalized, defines love? For you, What question would you

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<v Speaker 3>most like answered, What person, place, or experience has shaped

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<v Speaker 3>you the most? What would be your last meal? And

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<v Speaker 3>can you tell me something in your life that's grown

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<v Speaker 3>out of a personal disaster? And I've gathered a group

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<v Speaker 3>of really remarkable people, ones that I am honored and

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<v Speaker 3>humbled to have had the chance to engage with. You

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<v Speaker 3>may not hear their answers to all seven of these questions.

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<v Speaker 3>We've whittled it down to which questions felt closest to

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<v Speaker 3>their experience, or the most surprising, or created the most

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<v Speaker 3>fertile ground to connect. My guest today is the comparable

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<v Speaker 3>actor and author Richard E. Grant. I say incomparable because

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<v Speaker 3>I have genuinely never met anyone in my life who

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<v Speaker 3>is as curious, interested, fun, clever, positive and wise as Richard.

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<v Speaker 3>He's the person you're most pleased to see when you

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<v Speaker 3>walk into a room full of strangers or of friends.

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<v Speaker 3>And it's quite confronting interviewing him because he follows up

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<v Speaker 3>every question with one for you, and he won't stop

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<v Speaker 3>until you've answered it. And it's not as a deflection,

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<v Speaker 3>but it's because he's interested. I have three favorite movies,

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<v Speaker 3>and Richard's first movie with them, and I is one

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<v Speaker 3>of them. It is a film that is so perfectly

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<v Speaker 3>and eccentricly British, and the wayward, giant, roaring character of

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<v Speaker 3>with Noel, who Richard plays, is lodged forever and ever

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<v Speaker 3>in my heart, like the Queen and the Clash and

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<v Speaker 3>cucumber sandwiches. It's quite rare for actors to begin with

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<v Speaker 3>a moment of pure incandescence and to then consistently expand

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<v Speaker 3>beyond that in a unique and engaging way. I mean,

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<v Speaker 3>I think, but to me, Richard has done that throughout

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<v Speaker 3>his entire career. We talk about London and our loves,

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<v Speaker 3>about Oscars and competitive creativity and about loss. As ever,

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<v Speaker 3>it was a riveting and wonderful conversation. And if you

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<v Speaker 3>haven't already read his book A Pocket Full of Happiness,

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<v Speaker 3>I urge you to do so, because it is a

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<v Speaker 3>truly beautifully written book. And you can watch him later

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<v Speaker 3>this year in the movie's Death of a Unicorn and urrembug.

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<v Speaker 3>Do you know this was the first year in twenty

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<v Speaker 3>five years that I haven't gone to the Oscars or

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<v Speaker 3>any of the Oscar parties and just stayed at home.

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<v Speaker 3>I mean, it was very difficult to get from Malibu.

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<v Speaker 3>Everything shot, the roads were all still shut. There was

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<v Speaker 3>no possible way of doing it anyway, But it was

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<v Speaker 3>It was so interesting to just observe and to see

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<v Speaker 3>the pageant from a distance, because it really is a pageant.

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<v Speaker 4>It's funny, so observing big thing from not being there.

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<v Speaker 2>Yeah, how did that make you feel about it?

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<v Speaker 3>To actually realize that. I have always struggled with the

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<v Speaker 3>idea of competitive creativity, the idea that you would be

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<v Speaker 3>put into a position where you are are judging who

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<v Speaker 3>is best Jeremy Strong or Kieran Culkin or Edward Norton.

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<v Speaker 3>It's absurd when you break it down. And yet there's

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<v Speaker 3>this delight and wonder and the speech of the person

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<v Speaker 3>that does win, and the excitement, and there's there's something

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<v Speaker 3>It felt like it felt sort of Roman, That's what

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<v Speaker 3>it felt like. It felt like it was the Colosseum.

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<v Speaker 3>It just it felt like it was proper entertainment, that

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<v Speaker 3>you shouldn't really take any of it to heart at

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<v Speaker 3>all and just have a big fun party, win lou Straw, whatever.

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<v Speaker 3>And I think it was sort of seeing that and

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<v Speaker 3>the celebration more than the competition.

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<v Speaker 2>You know it's all competitions.

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<v Speaker 4>Yeah, when they focused on each person's face awful momer making.

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<v Speaker 2>But they you know before people are going to Louis.

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<v Speaker 2>It's we watched because you don't.

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<v Speaker 4>Get it livening My George and I watched the pil

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<v Speaker 4>activity and she could not dare to look at any more.

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<v Speaker 3>It was horrific. It's horrific.

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<v Speaker 4>Well she was then, because any time I don't have

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<v Speaker 4>been there six years ago was I can remember I

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<v Speaker 4>was in the third row.

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<v Speaker 2>Glen Clace was in the stunt blow in the middle

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<v Speaker 2>of the stunt bowen in a bold dress.

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<v Speaker 4>I remember an awfully pound train behind them, so she

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<v Speaker 4>looked like human Oscar and Olivia Oemen was eighteen brows

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<v Speaker 4>back in boone box and had done no publicity shooting

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<v Speaker 4>Brown and every single plandis and you know, all the

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<v Speaker 4>Vaga Solts everything.

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<v Speaker 2>Were the Glen close for a sixth nomination.

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<v Speaker 4>Gene on the Golden Globe, and I think the exact

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<v Speaker 4>same thing happened to Ignore as well, saying it's it's

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<v Speaker 4>absolutely brutal to anybody outside of Sherby's.

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<v Speaker 2>It's like with people worrying about that, and they love it.

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<v Speaker 3>They love seeing the faces of the gutted people, it's

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<v Speaker 3>like it's like, that's right, you didn't win.

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<v Speaker 2>I tell you what was so we are suing is

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<v Speaker 2>that I knew in Cavali that I was six years

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<v Speaker 2>ago that the other PHO nominee is because we all

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<v Speaker 2>got to know each other, as you know that I

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<v Speaker 2>got to know all the other guys almost.

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<v Speaker 3>Of five months political campaign, and we all.

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<v Speaker 4>Knew that Mahashel Ali was going to win because it

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<v Speaker 4>was it was a given at that point. And like

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<v Speaker 4>like qan Falcon this year, there's always one award where

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<v Speaker 4>it's absolutely ye, you're not able to prepare the speech

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<v Speaker 4>because you know, unless you dropped there and said, oh,

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<v Speaker 4>you know, as a results of this pressing, I've been here.

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<v Speaker 2>That's why I'm here. And as soon as.

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<v Speaker 4>The nominees came up and any Pillar and the other

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<v Speaker 4>two comedy partners in crime is sitting directly behind me

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<v Speaker 4>chapping off the shoulder and loser welcome to the Losers Club,

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<v Speaker 4>and they said ninety nine percent of the people that

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<v Speaker 4>they go back.

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<v Speaker 2>To, we're the majority. I said, there must have been

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<v Speaker 2>some percentage of your brain which I thought, no, there's

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<v Speaker 2>a chance on the worst. They said, you're lying, You're lying.

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<v Speaker 2>I said, believe me. I knew, we knew it was

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<v Speaker 2>a bottle, no chance. But you're talking about the Colosseum.

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<v Speaker 4>Thing is that it is not always about as we know,

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<v Speaker 4>it's not about the best. It's about they say deserves

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<v Speaker 4>the most or who is the most popular at this

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<v Speaker 4>point in time. And it's like the economy wanted to

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<v Speaker 4>give it to Charon Copkin.

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<v Speaker 3>Yes, yes, and they wanted to give it to Mikey Madison.

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<v Speaker 3>It's true. It's a funny sort of tidal thing. Like

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<v Speaker 3>it was really interesting just watching it, not being there

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<v Speaker 3>and not kind of getting ready to go out to

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<v Speaker 3>the parties and being in a state of sort of

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<v Speaker 3>you know, fizz and excitement. It was just to genially

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<v Speaker 3>watch it and to enjoy it and to listen. I

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<v Speaker 3>remember when I was nominated when they called it because

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<v Speaker 3>it was always the first category back in the day

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<v Speaker 3>best Supporting Actress. And my dad just like he was

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<v Speaker 3>holding my hand and he just leant over as they

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<v Speaker 3>were reading out the nominies and he was like, you

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<v Speaker 3>do know you're not going to win ant you I

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<v Speaker 3>was like, hold off, what I mean? Yes, But also maybe,

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<v Speaker 3>and he was like, I'm not this. I mean, it

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<v Speaker 3>was so funny and great to have him there, and

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<v Speaker 3>I was chuckling at him doing that in that moment.

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<v Speaker 3>It was like having someone pinching your finger when you're

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<v Speaker 3>getting an injection that you're busy looking at that thing

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<v Speaker 3>and thinking that's funny. Well, the hard thing's happenings.

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<v Speaker 4>When she came with me, Joan couldn't face good the

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<v Speaker 4>last minute. My daughter said, whatever happens. Do you know

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<v Speaker 4>that you're one of five actors on the planet this

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<v Speaker 4>moment because see dissmination. They can never take that away

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<v Speaker 4>from me for evermore until you're boxed up and blount.

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<v Speaker 4>It shall be am.

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<v Speaker 3>It's true.

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<v Speaker 2>And I know that you had this experience.

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<v Speaker 1>But the amount of people that have said to me,

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<v Speaker 1>where do you keep your skill?

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<v Speaker 2>Because they were convinced that or wanted to be convinced

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<v Speaker 2>that I had want Yeah, you know, after a while,

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<v Speaker 2>I just you know, civilians would say, you know, where

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<v Speaker 2>do you keep it? I'd say, I'll tell you what.

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<v Speaker 3>No, I've never had that. But people think I went

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<v Speaker 3>to Harvard because Skuyler, the character I played in Pople

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<v Speaker 3>he went to Harvard. Most people They're like they were like,

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<v Speaker 3>what was Horvord?

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<v Speaker 4>Like, well, that was great, you know, I'm in mensa.

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<v Speaker 3>It was amazing, it was lovely. I got my honorary

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<v Speaker 3>doctorate after playing a Actually who went there?

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<v Speaker 2>When? When?

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<v Speaker 4>When Wind not going to the oscars this year? Did

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<v Speaker 4>you suffer from fomo?

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<v Speaker 3>Actually? Actually no, it's funny I thought that I would.

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<v Speaker 3>I did. I did wake up in the middle of

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<v Speaker 3>the night at like two thirteen, and I was like,

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<v Speaker 3>and I knew all of my friends who would just be.

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<v Speaker 2>Rage for the granity Fair party.

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<v Speaker 3>Where and when were you happiest?

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<v Speaker 4>Well, it's like telepathic because it's just because we would

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<v Speaker 4>just have the oscars. I was sitting with our daughter

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<v Speaker 4>in an Italian restaurant at one thirty in the afternoon

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<v Speaker 4>in English time. We both had iPhones on the table,

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<v Speaker 4>leaning against the salt sellers. The names of the nominees

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<v Speaker 4>came up, and when Timothy's name didn't come up, need

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<v Speaker 4>always being pulled the boss the five. When Key didn't

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<v Speaker 4>come up, I thought, oh, that's it, and I, you know, spit.

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<v Speaker 4>Second I looked at our daughter and thought, I'm not

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<v Speaker 4>I'm not getting a nomination and dang. Next second, name

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<v Speaker 4>came up, So I think that's as you will know

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<v Speaker 4>more than anybody. That's it is that moment that you

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<v Speaker 4>feel the approbation or the sort of stample of approval

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<v Speaker 4>of your peers that they have you feel seen.

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<v Speaker 2>You know, you're think all away as an actor, and

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<v Speaker 2>you do the stuff. And I never won any award

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<v Speaker 2>or denominated for stuff ever was all so when this happened,

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<v Speaker 2>it was such an aut of body experience that that

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<v Speaker 2>moment I thought, I will never ever have this feeling

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<v Speaker 2>again in quite the same way.

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<v Speaker 4>And it's not like falling in larval, you know, when

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<v Speaker 4>you get married or the birth of your child. It

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<v Speaker 4>is something that is I don't know outside of that,

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<v Speaker 4>and you I take for an actor just that basic equation,

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<v Speaker 4>but a formula that I find most actors of big

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<v Speaker 4>ego low self esteem, which is always contradictive for people

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<v Speaker 4>to understand because they think, you know, you seem so confident,

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<v Speaker 4>you know what you have low self esteem? You go, yeah,

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<v Speaker 4>most actors I know do, but have a big enough

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<v Speaker 4>eager to go.

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<v Speaker 2>Give me the path over many drive. I can put

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<v Speaker 2>on a right.

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<v Speaker 4>And I can have Charlie hair, and I can puante

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<v Speaker 4>more teeth, dumb ike and stuff. And I think that

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<v Speaker 4>goes right back to being a kid, when it's like

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<v Speaker 4>watch me, Dad, watch me map, and when your whole

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<v Speaker 4>profession or it feels like your whole profession is kind

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<v Speaker 4>of going.

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<v Speaker 2>We see you.

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<v Speaker 4>That was absolutely Zilo working and as good as anything

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<v Speaker 4>every experience.

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<v Speaker 3>It's so good to hear you say that, because it

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<v Speaker 3>is an extraordinaryly rarefied experience and it is like a

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<v Speaker 3>bolt of pure lightning. And you're right, it's about being

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<v Speaker 3>I used to. I mean, I still think that ninety

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<v Speaker 3>percent of parenting is witnessing the whole look at me,

0:12:58.679 --> 0:13:00.079
<v Speaker 3>look at me on the swings man, we look at me,

0:13:00.160 --> 0:13:02.080
<v Speaker 3>look at me do this thing, And that taken to

0:13:02.120 --> 0:13:04.839
<v Speaker 3>the nth degree in kids who want to act and

0:13:04.880 --> 0:13:08.520
<v Speaker 3>who love acting and are that way incline, it is

0:13:08.559 --> 0:13:12.079
<v Speaker 3>about being witnessed. It's about being seen for this extraordinarily

0:13:12.240 --> 0:13:16.120
<v Speaker 3>ephemeral and creative and strange magic that lives inside an actor.

0:13:16.160 --> 0:13:18.480
<v Speaker 3>I know that sounds wildly poncy, but you know what

0:13:18.520 --> 0:13:18.880
<v Speaker 3>I mean.

0:13:19.840 --> 0:13:22.240
<v Speaker 5>On the world and only let me just stop you there, madam,

0:13:22.720 --> 0:13:26.880
<v Speaker 5>because I thought that it was a victim specifically to actors,

0:13:27.520 --> 0:13:32.120
<v Speaker 5>and yet if somebody has delivered something, or has done

0:13:32.160 --> 0:13:35.480
<v Speaker 5>some carpentry or fixed something or done with gardner whatever.

0:13:35.600 --> 0:13:38.880
<v Speaker 2>Somebody's come to do something. You know they're being paid

0:13:38.920 --> 0:13:39.720
<v Speaker 2>as we are paid.

0:13:40.800 --> 0:13:44.760
<v Speaker 4>They want to be acknowledged and praised for it, just

0:13:44.880 --> 0:13:46.920
<v Speaker 4>like the mediatest actor that I've ever timoplast.

0:13:47.000 --> 0:13:49.880
<v Speaker 3>Sometimes more so it's the acknowledgment of your work.

0:13:50.240 --> 0:13:52.560
<v Speaker 2>Yeah, yeah, yeah.

0:13:52.040 --> 0:13:55.120
<v Speaker 3>The exo because I think, like you've just said, whether

0:13:55.120 --> 0:13:57.760
<v Speaker 3>you're a carpenter or a plumber, or an electrician or

0:13:57.760 --> 0:14:00.320
<v Speaker 3>a teacher, the thing that you have inside I do

0:14:01.080 --> 0:14:03.800
<v Speaker 3>for it to become exo, to not be that internal

0:14:03.840 --> 0:14:06.280
<v Speaker 3>experience of this thing, is this thing that I love,

0:14:06.640 --> 0:14:08.440
<v Speaker 3>but rather to put it on the outside and then

0:14:08.480 --> 0:14:12.319
<v Speaker 3>to have people go, yes, indeed, I acknowledge that magic

0:14:12.720 --> 0:14:16.479
<v Speaker 3>is magic. It's fleeting, but it is so wonderful.

0:14:16.920 --> 0:14:18.680
<v Speaker 5>You know, it's all the climate I've been all the

0:14:18.679 --> 0:14:21.160
<v Speaker 5>time when people say they give somebody a gift, and

0:14:21.200 --> 0:14:22.120
<v Speaker 5>I hear the master.

0:14:22.000 --> 0:14:25.040
<v Speaker 2>Person, But did you like it? Did you really like it?

0:14:25.120 --> 0:14:28.320
<v Speaker 2>And think this is as needing as the only actor

0:14:28.400 --> 0:14:30.520
<v Speaker 2>kind of going. Have you seen my show? Did you

0:14:30.600 --> 0:14:33.880
<v Speaker 2>like that performance? For the basic rid.

0:14:34.200 --> 0:14:38.080
<v Speaker 3>One hundred percent is to feel useful, needed and acknowledged.

0:14:38.280 --> 0:14:41.000
<v Speaker 3>We just do it in like you know, clothes that

0:14:41.040 --> 0:14:44.000
<v Speaker 3>get judged and people who are annoyed by what they

0:14:44.040 --> 0:14:46.720
<v Speaker 3>can perceived to be an extraordinarily glamorous life. I would

0:14:46.720 --> 0:14:51.000
<v Speaker 3>like to tell you, honestly, Manchester is a great, worthy,

0:14:51.400 --> 0:14:55.800
<v Speaker 3>amazing northern city, but it is so dark and cold

0:14:55.920 --> 0:15:01.600
<v Speaker 3>and rainy and pretty doer. I was shooting in a

0:15:01.640 --> 0:15:04.440
<v Speaker 3>basement on a night shoot the other night, in the

0:15:04.480 --> 0:15:09.880
<v Speaker 3>freezing cold rain, thinking there is nothing less glamorous in

0:15:09.920 --> 0:15:13.920
<v Speaker 3>the whole world than pretending in a basement in the

0:15:13.920 --> 0:15:16.760
<v Speaker 3>middle of the night for money.

0:15:17.920 --> 0:15:20.400
<v Speaker 2>But it's still better than joming down a coal mine

0:15:20.400 --> 0:15:20.840
<v Speaker 2>every day.

0:15:20.920 --> 0:15:24.160
<v Speaker 3>In fact, that's exactly what jimmy Nesbit said. He literally

0:15:24.200 --> 0:15:26.960
<v Speaker 3>said that he went it beats going down a coal mine,

0:15:27.000 --> 0:15:42.520
<v Speaker 3>and I was like, correct, So what is the quality

0:15:42.680 --> 0:15:44.360
<v Speaker 3>you like least about yourself?

0:15:45.480 --> 0:15:48.640
<v Speaker 2>That doubt?

0:15:48.680 --> 0:15:52.040
<v Speaker 4>And I have that every day, even at sixty seven

0:15:52.120 --> 0:15:57.600
<v Speaker 4>three quarters. I try and that's why I yeah, Clampton shots,

0:15:57.640 --> 0:16:01.440
<v Speaker 4>but at the beginning of every job, in particular, that

0:16:01.400 --> 0:16:04.800
<v Speaker 4>that just comes in, like the ob truss lands on

0:16:04.920 --> 0:16:07.280
<v Speaker 4>each shoulder goes you can't do this.

0:16:07.360 --> 0:16:11.520
<v Speaker 2>Everybody the weed through is doing it. Williantly, and every

0:16:11.600 --> 0:16:14.520
<v Speaker 2>word that comes out of your mouth is like dropping

0:16:14.600 --> 0:16:17.720
<v Speaker 2>like a shrinking anvil, and people are going, oh my god,

0:16:17.760 --> 0:16:19.840
<v Speaker 2>we should have thought, you know, and I could just

0:16:19.960 --> 0:16:23.000
<v Speaker 2>see the name of the people, but would be my contemporan.

0:16:23.920 --> 0:16:27.080
<v Speaker 4>So that is the thing that I've come to accept,

0:16:27.080 --> 0:16:31.600
<v Speaker 4>that it's something that you have to just tell the

0:16:31.640 --> 0:16:34.800
<v Speaker 4>thing to shut up. But sometimes it does overwhelm you.

0:16:34.840 --> 0:16:37.920
<v Speaker 4>And right top after the first read through of something,

0:16:38.280 --> 0:16:41.120
<v Speaker 4>and after the first day of shooting, I anticipate that

0:16:41.160 --> 0:16:43.560
<v Speaker 4>I'm going to be fired the next day. And if

0:16:43.600 --> 0:16:47.280
<v Speaker 4>i haven't been, I think win win. And this is

0:16:47.320 --> 0:16:51.680
<v Speaker 4>not disingenious because I did a TV series that came

0:16:51.760 --> 0:16:55.080
<v Speaker 4>up earlier this year and after the weed through the

0:16:55.200 --> 0:16:58.120
<v Speaker 4>media actor, we did the weed through a chalklop in

0:16:58.120 --> 0:17:01.280
<v Speaker 4>the afternoon, and at four thirty in the afternoon, my

0:17:01.400 --> 0:17:05.520
<v Speaker 4>Asian coudinates said, little going back intomorrow because they've a placed.

0:17:05.240 --> 0:17:05.800
<v Speaker 2>The lead act.

0:17:05.920 --> 0:17:10.320
<v Speaker 6>Oh my god, fine, so you can be replaced like

0:17:10.400 --> 0:17:14.680
<v Speaker 6>that is very real. I mean, that's only happened twice

0:17:14.720 --> 0:17:17.840
<v Speaker 6>of my body is doing this, but the fact that

0:17:17.880 --> 0:17:22.040
<v Speaker 6>it has happened and it does happen, I find feeds

0:17:22.160 --> 0:17:25.040
<v Speaker 6>all that Parania, what's yours?

0:17:25.480 --> 0:17:30.320
<v Speaker 3>Oh God? I mean, there's a mercurialness that I find

0:17:30.440 --> 0:17:34.840
<v Speaker 3>terrifying in myself that I know I am a fundamentally

0:17:34.880 --> 0:17:38.360
<v Speaker 3>good person. I've observed myself for fifty five years. I'm

0:17:38.359 --> 0:17:41.080
<v Speaker 3>a good mother, and I know the nice things. But

0:17:41.160 --> 0:17:44.560
<v Speaker 3>there is just this kraken in me that comes out

0:17:45.240 --> 0:17:52.080
<v Speaker 3>sometimes of intolerance and impatience and not being aware of

0:17:52.119 --> 0:17:57.080
<v Speaker 3>how powerful I think I am in my reactions and

0:17:57.160 --> 0:18:01.240
<v Speaker 3>how that can affect other people. Made amends, truly, and

0:18:01.280 --> 0:18:02.879
<v Speaker 3>if that's the only thing that comes with age, is

0:18:02.920 --> 0:18:06.080
<v Speaker 3>an immediate and acute awareness. But in terms of like

0:18:06.640 --> 0:18:08.719
<v Speaker 3>the quality that I like least about myself, it's the

0:18:08.760 --> 0:18:10.880
<v Speaker 3>one that I need to shine the light on the

0:18:10.880 --> 0:18:15.920
<v Speaker 3>most is impatience and not realizing that that might hurt

0:18:15.960 --> 0:18:19.080
<v Speaker 3>somebody because of the way that I might react quickly

0:18:19.119 --> 0:18:19.680
<v Speaker 3>to something.

0:18:20.160 --> 0:18:22.879
<v Speaker 2>What this situation? Why you did lose it?

0:18:22.920 --> 0:18:27.520
<v Speaker 3>I was doing something that required complete attention and someone

0:18:27.640 --> 0:18:30.920
<v Speaker 3>kept asking me to focus on what they were doing,

0:18:31.560 --> 0:18:34.040
<v Speaker 3>and I said, I just need five minutes. I just

0:18:34.119 --> 0:18:37.600
<v Speaker 3>have to I'm really sorry, and I'd started there, and

0:18:37.640 --> 0:18:39.960
<v Speaker 3>then they kept asking me, and eventually I was like,

0:18:40.000 --> 0:18:43.320
<v Speaker 3>could you please just give me five minutes and it

0:18:43.480 --> 0:18:46.840
<v Speaker 3>upset the person, It really upset them. But what can

0:18:46.960 --> 0:18:50.560
<v Speaker 3>you do as like a fractured fragile human except to

0:18:50.600 --> 0:18:54.240
<v Speaker 3>go this is my shittiest bit and this is the

0:18:54.280 --> 0:18:57.240
<v Speaker 3>place that requires work. I am not perfect.

0:18:57.760 --> 0:19:01.960
<v Speaker 2>Now you see yourself as a fractured fragile people, I think.

0:19:01.760 --> 0:19:04.840
<v Speaker 3>We all are. And that's only looking at the fractured fragile.

0:19:04.840 --> 0:19:07.639
<v Speaker 3>But it's then there are the great, wonderful, generous, kind,

0:19:08.080 --> 0:19:12.399
<v Speaker 3>loving open parts of everybody that are comforting to others,

0:19:12.440 --> 0:19:14.960
<v Speaker 3>and that all the good things. But I do think

0:19:15.000 --> 0:19:17.720
<v Speaker 3>that we've sort of been told that we're meant to

0:19:17.760 --> 0:19:20.720
<v Speaker 3>be perfect all the time, and it's impossible. So all

0:19:20.720 --> 0:19:22.960
<v Speaker 3>you can do is when you see your imperfection happening,

0:19:23.160 --> 0:19:26.600
<v Speaker 3>I think, is to acknowledge it, to have an awareness

0:19:26.600 --> 0:19:30.359
<v Speaker 3>about it, to apologize if you need to apologize, To

0:19:30.440 --> 0:19:32.800
<v Speaker 3>sit down and have a proper talk with yourself about

0:19:32.840 --> 0:19:35.480
<v Speaker 3>this thing that you would continue you need and want

0:19:35.560 --> 0:19:40.240
<v Speaker 3>to change, and file it under in the serenity prayer,

0:19:40.240 --> 0:19:42.280
<v Speaker 3>God garant me the serenity to accept the things I

0:19:42.280 --> 0:19:45.280
<v Speaker 3>cannot change and change the things that I can. Did

0:19:45.359 --> 0:19:49.480
<v Speaker 3>you do what did you need to absolutely to absolutely apologized?

0:19:50.720 --> 0:19:53.639
<v Speaker 3>Explain what was going on. I'm really sorry that was

0:19:53.680 --> 0:19:56.280
<v Speaker 3>on me, that was my bad says what else can

0:19:56.320 --> 0:20:00.440
<v Speaker 3>you do? Accept a knowledge in the moment that you're

0:20:00.480 --> 0:20:04.159
<v Speaker 3>not at your best and say I'm really really sorry.

0:20:05.000 --> 0:20:07.040
<v Speaker 3>I think about when people have done that with me,

0:20:07.160 --> 0:20:09.800
<v Speaker 3>and if someone's looked me in the eye and apologized

0:20:10.000 --> 0:20:14.159
<v Speaker 3>for an unkindness or anger, it's very hard for me

0:20:14.240 --> 0:20:16.560
<v Speaker 3>not to forgive them because I think I feel like

0:20:16.960 --> 0:20:19.680
<v Speaker 3>it's the acknowledgment of that behavior that is the most

0:20:19.680 --> 0:20:20.199
<v Speaker 3>important thing.

0:20:20.320 --> 0:20:23.879
<v Speaker 4>Have you worked with an actor or producer who is

0:20:23.960 --> 0:20:26.560
<v Speaker 4>tefron coaching They don't care if they're runed all?

0:20:26.840 --> 0:20:30.200
<v Speaker 3>Yeah, I have. And also there seems to be absolutely

0:20:30.280 --> 0:20:32.840
<v Speaker 3>no consequence at all. But my mother used to say

0:20:32.840 --> 0:20:35.480
<v Speaker 3>to me, she was like the fact that there is

0:20:35.520 --> 0:20:38.480
<v Speaker 3>always consequence for you. Mini if you have a harsh word,

0:20:38.600 --> 0:20:41.639
<v Speaker 3>or you're sharp or something and someone tells you that

0:20:41.640 --> 0:20:44.040
<v Speaker 3>they feel bad, is that you have the opportunity and

0:20:44.080 --> 0:20:47.280
<v Speaker 3>the inclination to fix it and to work on it,

0:20:47.560 --> 0:20:50.399
<v Speaker 3>and that that's a gift rather than get constantly getting

0:20:50.440 --> 0:20:52.679
<v Speaker 3>away with it and having people speak badly about you.

0:20:52.720 --> 0:20:54.720
<v Speaker 3>But you carry on working, and you you know, do

0:20:54.800 --> 0:20:56.680
<v Speaker 3>you know what I mean when you said about doubt.

0:20:56.680 --> 0:21:02.600
<v Speaker 3>It reminded me of that Peter Strawn piece of writing

0:21:02.680 --> 0:21:06.480
<v Speaker 3>in Conclave that Ray Lyin says when he says, I'm

0:21:06.520 --> 0:21:09.400
<v Speaker 3>paraphrating if everything was certain, there would be no mystery,

0:21:09.680 --> 0:21:15.520
<v Speaker 3>and without mystery there would be no faith. So I'm

0:21:15.600 --> 0:21:20.639
<v Speaker 3>supplanting mystery for doubt and the opposite of certainty, and

0:21:20.680 --> 0:21:24.720
<v Speaker 3>that it does require a sort of a faith in

0:21:24.760 --> 0:21:27.040
<v Speaker 3>the innate unics of you and that.

0:21:27.000 --> 0:21:29.440
<v Speaker 2>People love you, or do you find that face?

0:21:30.600 --> 0:21:33.600
<v Speaker 3>I honestly think you have to set your coordinance for everything,

0:21:33.800 --> 0:21:37.560
<v Speaker 3>for everything that you want in yourself, that is difficult.

0:21:38.400 --> 0:21:41.320
<v Speaker 3>You have to set your coordinance towards that, and your

0:21:41.320 --> 0:21:43.800
<v Speaker 3>faith is that you hope that your ship will sail there.

0:21:44.080 --> 0:21:45.440
<v Speaker 2>If it doesn't, then what do you do.

0:21:45.480 --> 0:21:48.320
<v Speaker 3>You take a dead reckoning that is a sailing town, Richard.

0:21:49.080 --> 0:21:51.720
<v Speaker 3>You take a dead reckoning from where you are when

0:21:51.760 --> 0:21:54.320
<v Speaker 3>you don't know where you are and you don't know what.

0:21:54.480 --> 0:21:57.320
<v Speaker 3>You take a dead reckoning, which is from the last

0:21:57.359 --> 0:22:00.520
<v Speaker 3>known position. You take a reading of where you think

0:22:00.560 --> 0:22:03.160
<v Speaker 3>you might be going. But I think it's about intention,

0:22:03.600 --> 0:22:05.720
<v Speaker 3>not in so much in sailing. In sailing, you don't

0:22:05.720 --> 0:22:07.960
<v Speaker 3>want to just intend to get to where.

0:22:07.760 --> 0:22:12.520
<v Speaker 4>You're going, should there be an analysis of your lid

0:22:12.560 --> 0:22:14.480
<v Speaker 4>you put your boat in at ports and something like, right,

0:22:14.520 --> 0:22:16.400
<v Speaker 4>I'm intending to get to the Caribbean.

0:22:17.560 --> 0:22:19.879
<v Speaker 3>I'm intending Barbados by lunchtime.

0:22:20.760 --> 0:22:23.360
<v Speaker 2>I think that's a great course of action. Don't think

0:22:23.400 --> 0:22:25.760
<v Speaker 2>it along, just go for it.

0:22:30.440 --> 0:22:34.520
<v Speaker 3>What relationship, real or fictionalized, defines love for you?

0:22:36.720 --> 0:22:40.439
<v Speaker 4>I've thought, because of my parents for Aircomony's divorce, that

0:22:41.560 --> 0:22:45.560
<v Speaker 4>love didn't really exist in the way that the movies

0:22:45.560 --> 0:22:49.800
<v Speaker 4>and the books said that they did. And I thought, well,

0:22:49.920 --> 0:22:52.399
<v Speaker 4>if I never get mad and never have a child,

0:22:52.440 --> 0:22:55.639
<v Speaker 4>I'll somehow be im mute to all that stuff. And then,

0:22:55.680 --> 0:22:58.399
<v Speaker 4>of course, when I was twenty six, I met somebody

0:22:58.440 --> 0:23:01.160
<v Speaker 4>who you knew, called Joan Washington and fell in love.

0:23:01.280 --> 0:23:03.399
<v Speaker 4>That's the bit where you have no control over it,

0:23:04.480 --> 0:23:08.320
<v Speaker 4>And then you know, I think that's more than anything

0:23:08.400 --> 0:23:11.960
<v Speaker 4>about being love with somebody, is that you feel and

0:23:12.080 --> 0:23:17.199
<v Speaker 4>are truly seen like no other human being sees or

0:23:17.280 --> 0:23:20.639
<v Speaker 4>knows you in that way. That to me is the

0:23:20.800 --> 0:23:23.639
<v Speaker 4>greatest giftable and worth more than any money that I

0:23:23.720 --> 0:23:24.159
<v Speaker 4>might own.

0:23:24.880 --> 0:23:27.720
<v Speaker 2>How would you describe what it is for you?

0:23:28.600 --> 0:23:33.200
<v Speaker 3>It is the tolerance of that love is the love

0:23:33.240 --> 0:23:36.600
<v Speaker 3>that I experience with my son Henry and with my

0:23:36.720 --> 0:23:41.760
<v Speaker 3>boyfriend Addison. It encompasses all of the things that are

0:23:41.800 --> 0:23:45.159
<v Speaker 3>beautiful and difficult, so to be seen as a whole

0:23:45.359 --> 0:23:50.040
<v Speaker 3>human whats and all for better or worse, forever and

0:23:50.080 --> 0:23:53.040
<v Speaker 3>ever are men unconditionally.

0:23:53.400 --> 0:23:56.120
<v Speaker 2>And this is the first time you've been in love

0:23:56.520 --> 0:23:56.879
<v Speaker 2>like this.

0:23:57.480 --> 0:24:00.840
<v Speaker 3>I've been in love before, but there was all an imbalance.

0:24:01.400 --> 0:24:04.040
<v Speaker 3>There was never it was either never reciprocated in the

0:24:04.080 --> 0:24:07.439
<v Speaker 3>way I loved more or they loved more. This is

0:24:07.480 --> 0:24:12.480
<v Speaker 3>the love that I realized I dreamed about, of the symbiosis,

0:24:12.600 --> 0:24:15.479
<v Speaker 3>the roaring with laughter at the things that other people

0:24:16.000 --> 0:24:20.720
<v Speaker 3>found difficult. He minds the very the very best in

0:24:21.359 --> 0:24:24.520
<v Speaker 3>me and Henry, and the creation of our little family

0:24:24.800 --> 0:24:29.240
<v Speaker 3>is the light of my life. Truly, It's really simple.

0:24:29.320 --> 0:24:31.399
<v Speaker 3>It's so interesting when you say, at twenty six, you

0:24:31.400 --> 0:24:35.960
<v Speaker 3>know you met Joan, who was and is a spectacular spirit.

0:24:36.760 --> 0:24:39.560
<v Speaker 3>You knew when Joan had walked into the room. So

0:24:39.640 --> 0:24:42.639
<v Speaker 3>the idea that you that you met and that you

0:24:42.720 --> 0:24:46.320
<v Speaker 3>fell in love like I feel that incandescence and also

0:24:46.560 --> 0:24:50.840
<v Speaker 3>that that lasted and that lasts today. I think your

0:24:50.840 --> 0:24:54.480
<v Speaker 3>definition of love is I mean everybody's is different, right,

0:24:55.200 --> 0:24:57.119
<v Speaker 3>but it's a really beautiful one.

0:24:57.520 --> 0:24:59.960
<v Speaker 4>Have you ever had fan love for somebody that is

0:25:00.400 --> 0:25:02.120
<v Speaker 4>lasted beyond being a teenager?

0:25:02.280 --> 0:25:05.200
<v Speaker 3>Yes, I've loved Daniel day Lewis since I was twelve

0:25:05.280 --> 0:25:09.040
<v Speaker 3>years old and he went to my school. And I've

0:25:09.040 --> 0:25:10.600
<v Speaker 3>said this before on the show, and we were like

0:25:10.800 --> 0:25:13.600
<v Speaker 3>vaguely were not related by blood, but he is the

0:25:13.640 --> 0:25:16.159
<v Speaker 3>cousin of a man my aunt married, so there was

0:25:16.200 --> 0:25:19.199
<v Speaker 3>this tenuous connection. And he was incredibly kind to me.

0:25:19.920 --> 0:25:23.080
<v Speaker 3>And when I would stand in a driving rain watching

0:25:23.160 --> 0:25:26.280
<v Speaker 3>him play football and old boys matches, and I'd wait

0:25:26.280 --> 0:25:28.200
<v Speaker 3>and I'd walk back to the changing rooms with him,

0:25:28.200 --> 0:25:30.920
<v Speaker 3>and he'd give me advice on the National Youth Theater

0:25:31.080 --> 0:25:33.920
<v Speaker 3>and acting and just to keep reading and to keep

0:25:33.920 --> 0:25:36.280
<v Speaker 3>reading plays and to keep being in as many plays

0:25:36.280 --> 0:25:40.000
<v Speaker 3>as possible. And I love him with a complete devotion

0:25:40.160 --> 0:25:41.760
<v Speaker 3>that was forged when I was twelve.

0:25:42.040 --> 0:25:43.560
<v Speaker 2>And have you seen him as an adult?

0:25:44.080 --> 0:25:47.360
<v Speaker 3>I have, not frequently at all, just a couple of times.

0:25:47.960 --> 0:25:50.160
<v Speaker 3>We had a very long plane ride together, once which

0:25:50.240 --> 0:25:53.200
<v Speaker 3>was honestly epic because I kept falling asleep and then

0:25:53.240 --> 0:25:58.040
<v Speaker 3>waking up and I was still next to doubt, and

0:25:58.040 --> 0:25:59.640
<v Speaker 3>then I think at the Oscars or the Golden Globes

0:25:59.720 --> 0:26:02.760
<v Speaker 3>or something, and I went over that was the first

0:26:02.800 --> 0:26:04.440
<v Speaker 3>time I've seen him since I was a kid, and

0:26:04.520 --> 0:26:08.960
<v Speaker 3>said to him and his lovely wife, I said, you

0:26:08.960 --> 0:26:11.680
<v Speaker 3>you made such a difference. You made it okay that

0:26:11.720 --> 0:26:13.679
<v Speaker 3>I didn't get into the National Youth Theater, and that

0:26:14.400 --> 0:26:18.080
<v Speaker 3>you made it okay to sort of keep figuring it

0:26:18.080 --> 0:26:19.960
<v Speaker 3>out and you didn't have to follow anyone else's path.

0:26:20.359 --> 0:26:22.400
<v Speaker 3>But I mean, it is a particular definition of love.

0:26:22.760 --> 0:26:23.840
<v Speaker 2>It's a one side lot.

0:26:23.960 --> 0:26:27.239
<v Speaker 4>I have that with somebody brought Barbara streisand I've got

0:26:27.240 --> 0:26:31.080
<v Speaker 4>a two foot statue of her head sculpt But that

0:26:31.240 --> 0:26:33.560
<v Speaker 4>is a completely one way.

0:26:33.640 --> 0:26:36.040
<v Speaker 3>It's a one side, one side. It means it's perfect.

0:26:36.280 --> 0:26:39.119
<v Speaker 4>It is perfect and when you meet and it's not

0:26:39.200 --> 0:26:42.640
<v Speaker 4>a disappointment, you know the old never meet your heroes.

0:26:42.880 --> 0:26:45.760
<v Speaker 4>You've met yours multiple times. I've met mine multiple times,

0:26:46.040 --> 0:26:50.120
<v Speaker 4>and it is only an endorsement of that rather than

0:26:50.560 --> 0:26:51.320
<v Speaker 4>it being.

0:26:52.640 --> 0:26:53.280
<v Speaker 3>Disappointing.

0:26:53.400 --> 0:26:54.600
<v Speaker 2>Exactly exactly.

0:26:55.640 --> 0:26:58.400
<v Speaker 4>That is another amazing which you're supposed to path through

0:26:58.480 --> 0:27:02.680
<v Speaker 4>by the time adolescence has stopped and real well.

0:27:01.840 --> 0:27:04.280
<v Speaker 3>It is funny that I love that there are some

0:27:04.440 --> 0:27:08.560
<v Speaker 3>things that they're held in amber. They're held in some

0:27:08.560 --> 0:27:10.919
<v Speaker 3>sort of energetic amber inside you, and they're just not

0:27:11.000 --> 0:27:14.280
<v Speaker 3>subject to time. They just stay the way that they are.

0:27:14.400 --> 0:27:18.080
<v Speaker 3>Like I know that I will love Daniel Da Lewis

0:27:18.160 --> 0:27:21.000
<v Speaker 3>until the day that I die in a very particular, devoted,

0:27:21.160 --> 0:27:29.120
<v Speaker 3>appreciative way, just as you will love Barbara Streisand what

0:27:29.520 --> 0:27:32.600
<v Speaker 3>question would you most like answered?

0:27:34.000 --> 0:27:36.320
<v Speaker 4>I want to know what has happened to my vast

0:27:36.400 --> 0:27:39.120
<v Speaker 4>collection of Dinky toys that I had when I will

0:27:39.119 --> 0:27:41.520
<v Speaker 4>the ply, and to know where they are, That's what

0:27:41.600 --> 0:27:42.119
<v Speaker 4>I want to know.

0:27:42.840 --> 0:27:44.000
<v Speaker 3>Where were they last?

0:27:44.440 --> 0:27:46.320
<v Speaker 4>Well, they were all in Swazilang, which is now called

0:27:46.440 --> 0:27:51.320
<v Speaker 4>Esporteini in some hemisphere in Southeast Africa. And I think

0:27:51.359 --> 0:27:54.920
<v Speaker 4>that if I could have all my Dinky toys back then,

0:27:55.080 --> 0:27:58.320
<v Speaker 4>the meaning of life would be complete for me.

0:27:58.600 --> 0:28:01.680
<v Speaker 2>I would have no expectation. And beyond that, So, whether

0:28:01.720 --> 0:28:06.440
<v Speaker 2>they've been destroyed in playing war, or whether they are buried.

0:28:06.160 --> 0:28:07.840
<v Speaker 4>In the mud pies that I made when I was

0:28:07.840 --> 0:28:10.160
<v Speaker 4>a kid, whether they're buried in the garden of the

0:28:10.160 --> 0:28:12.080
<v Speaker 4>different houses that I grew up in, I don't know.

0:28:12.400 --> 0:28:15.320
<v Speaker 4>But that is the question I would like answered much

0:28:15.359 --> 0:28:17.960
<v Speaker 4>more than what I imagine most people ask is is their

0:28:18.000 --> 0:28:18.840
<v Speaker 4>life after death?

0:28:19.680 --> 0:28:22.959
<v Speaker 3>Yeah, that's the number one or isn't because dopes come back. Well,

0:28:22.960 --> 0:28:25.000
<v Speaker 3>there's not life like this. It's not the same.

0:28:25.240 --> 0:28:28.840
<v Speaker 4>This is it, This is it, this is it. I

0:28:28.880 --> 0:28:31.320
<v Speaker 4>agree with you, and I'm very I'm reassured by that.

0:28:31.640 --> 0:28:33.400
<v Speaker 4>I love No, this is it.

0:28:34.040 --> 0:28:34.159
<v Speaker 2>MM.

0:28:35.359 --> 0:28:38.000
<v Speaker 3>Will you live very presently? From the outside looking in

0:28:38.520 --> 0:28:40.800
<v Speaker 3>or just from the time that I've spent with you,

0:28:40.800 --> 0:28:42.520
<v Speaker 3>you live incredibly presently?

0:28:42.840 --> 0:28:45.600
<v Speaker 4>That you have to you know, all the philosopher I've read,

0:28:45.600 --> 0:28:47.760
<v Speaker 4>the analysis I've had, or the people that I've met,

0:28:47.840 --> 0:28:51.120
<v Speaker 4>or the people that I've admired, I think that to

0:28:51.160 --> 0:28:52.880
<v Speaker 4>live in a state of could have, would have, should

0:28:52.880 --> 0:28:59.360
<v Speaker 4>have is torture. That if only part of life is

0:29:00.080 --> 0:29:04.640
<v Speaker 4>you know, it's like remorse and regret. It doesn't fulfill anything.

0:29:05.720 --> 0:29:08.719
<v Speaker 3>It's a dead end. It's an absolute dead end. Regret.

0:29:09.560 --> 0:29:11.000
<v Speaker 3>There's only moving forward.

0:29:11.240 --> 0:29:15.360
<v Speaker 2>I've stop this going border by the minute, and I

0:29:15.440 --> 0:29:19.320
<v Speaker 2>can't stop this lava flowing. No, but I would like

0:29:19.320 --> 0:29:20.960
<v Speaker 2>my dinky toy collection.

0:29:20.920 --> 0:29:22.719
<v Speaker 3>On your dinky toys, you want to know where your

0:29:22.760 --> 0:29:25.920
<v Speaker 3>dinky toys are? Have anyone out there? I mean, are

0:29:25.960 --> 0:29:28.800
<v Speaker 3>there any identifying features that they have your name on them.

0:29:29.360 --> 0:29:34.480
<v Speaker 4>No, because dinky toys are these dinky they're tiny matchbox

0:29:34.600 --> 0:29:37.560
<v Speaker 4>cars and they are so cute, you know. So this

0:29:37.680 --> 0:29:40.720
<v Speaker 4>is completely pristian of thinking you're the Madeline. If I

0:29:40.760 --> 0:29:45.200
<v Speaker 4>found this match box dinky toy car or my childhood

0:29:45.440 --> 0:29:46.880
<v Speaker 4>would be returned to me.

0:29:46.960 --> 0:29:50.200
<v Speaker 3>Do you remember when the last time you saw them? When?

0:29:50.240 --> 0:29:50.680
<v Speaker 3>That was?

0:29:51.120 --> 0:29:54.360
<v Speaker 4>Well, when up until I was ten years old, up

0:29:54.440 --> 0:29:56.760
<v Speaker 4>until nineteen sixty seven, because I was born in black

0:29:56.800 --> 0:29:58.360
<v Speaker 4>and white, you see, because all my baby pictures on

0:29:58.480 --> 0:30:01.080
<v Speaker 4>black and white. God chrome hadn't quite come in there.

0:30:01.720 --> 0:30:05.400
<v Speaker 4>So yeah, that's that's well, all of them back.

0:30:06.200 --> 0:30:10.040
<v Speaker 3>Yours is now my number two favorite answer to that question.

0:30:10.400 --> 0:30:13.959
<v Speaker 3>My number one will forever be Jamina Jamil. When I

0:30:14.000 --> 0:30:17.000
<v Speaker 3>said what question would you? Mostly answered and like quick

0:30:17.080 --> 0:30:19.480
<v Speaker 3>as a snap, she was like, yeah, I really want

0:30:19.520 --> 0:30:22.680
<v Speaker 3>to know if any women really enjoy reverse cowboy.

0:30:24.120 --> 0:30:25.600
<v Speaker 2>The fuck? It's reverse cowboy.

0:30:25.760 --> 0:30:30.360
<v Speaker 3>It's a sexual position, Richard, and I did that cowboy?

0:30:31.120 --> 0:30:34.040
<v Speaker 2>Yeah you do with your hands? How how did that work?

0:30:34.080 --> 0:30:36.959
<v Speaker 3>If you're sitting on a man but you're facing backwards,

0:30:37.040 --> 0:30:45.320
<v Speaker 3>he's essentially waiting reverse cowgirl shit, reverse cowboy? Fuckar. I

0:30:45.400 --> 0:30:48.320
<v Speaker 3>love it when your producer has to put in the

0:30:48.440 --> 0:30:50.800
<v Speaker 3>chat it's reverse cowgirls.

0:30:52.320 --> 0:30:54.840
<v Speaker 4>The man is sitting on the chair or sitting Oh

0:30:54.920 --> 0:30:58.960
<v Speaker 4>my god, this is okay, and leadership it's the other way.

0:30:59.160 --> 0:31:01.920
<v Speaker 3>No, he's eyeing on the bed as far as I know,

0:31:02.120 --> 0:31:06.400
<v Speaker 3>and she is facing away from him, so he's looking

0:31:06.440 --> 0:31:09.800
<v Speaker 3>at her back. That's reverse cowgirl as far as I know.

0:31:10.000 --> 0:31:13.760
<v Speaker 3>Maybe I've been doing it wrong all these is well,

0:31:13.760 --> 0:31:15.640
<v Speaker 3>I've certainly been giving it the wrong name. I've been

0:31:15.640 --> 0:31:16.880
<v Speaker 3>calling it reverse cowboy.

0:31:17.320 --> 0:31:19.240
<v Speaker 2>I've had a very sheltered life that I had no

0:31:19.360 --> 0:31:20.720
<v Speaker 2>idea what you were talking about.

0:31:20.920 --> 0:31:21.800
<v Speaker 3>Well, now you do.

0:31:22.040 --> 0:31:22.320
<v Speaker 2>I do.

0:31:22.800 --> 0:31:25.200
<v Speaker 3>But as you can see, I'm a terrible teacher because

0:31:25.240 --> 0:31:26.280
<v Speaker 3>I don't know what it's called.

0:31:26.320 --> 0:31:31.280
<v Speaker 4>I'm not entirely Shane going to extract this particular moment

0:31:31.400 --> 0:31:33.120
<v Speaker 4>and say they were discussing.

0:31:34.080 --> 0:31:37.000
<v Speaker 3>We don't worry. It's me who looks bad, not you.

0:31:37.800 --> 0:31:55.480
<v Speaker 3>As per usual, what person place for experience most altered

0:31:55.480 --> 0:31:56.520
<v Speaker 3>your life?

0:31:56.760 --> 0:31:58.280
<v Speaker 2>London? London.

0:31:58.360 --> 0:32:07.680
<v Speaker 4>Everything that's has been life enhancing, life changing, life charging, reverberating.

0:32:07.760 --> 0:32:10.840
<v Speaker 4>Everything that has happened to me has happened in the

0:32:10.840 --> 0:32:13.520
<v Speaker 4>city in which I live and which.

0:32:13.320 --> 0:32:14.240
<v Speaker 2>I've speaking to you from.

0:32:14.280 --> 0:32:18.400
<v Speaker 4>Now I genuinely felt like when I emigrated here when

0:32:18.400 --> 0:32:21.200
<v Speaker 4>I was twenty five that I felt like Dick Whittington

0:32:21.280 --> 0:32:25.480
<v Speaker 4>and the Panther arriving with a rocksack of stuff. I

0:32:25.560 --> 0:32:30.000
<v Speaker 4>think I've come here to find my fortune, and everything

0:32:30.040 --> 0:32:30.880
<v Speaker 4>that has.

0:32:30.800 --> 0:32:35.880
<v Speaker 2>Happened workwise, love wise, family wise is so beyond anything

0:32:35.920 --> 0:32:39.240
<v Speaker 2>that I could have dared anticipate that I feel like

0:32:39.320 --> 0:32:40.400
<v Speaker 2>I've won the pot of gold.

0:32:42.560 --> 0:32:44.120
<v Speaker 3>And you attribute that to London.

0:32:44.520 --> 0:32:49.120
<v Speaker 4>Yeah, because the people are here, the spirit of the

0:32:49.120 --> 0:32:51.120
<v Speaker 4>place and the sense of you are, and the culture

0:32:51.120 --> 0:32:53.520
<v Speaker 4>and the history and just all of it, and the weather.

0:32:54.000 --> 0:32:58.120
<v Speaker 2>All of it contributed in a profound and even arbitrary,

0:32:58.520 --> 0:33:02.840
<v Speaker 2>chaotic way and has completely shaped my legs. And I've

0:33:02.880 --> 0:33:06.080
<v Speaker 2>now been here for forty three years and counting, so

0:33:06.080 --> 0:33:09.000
<v Speaker 2>I've lived here much longer than I lived in Swaza,

0:33:09.160 --> 0:33:12.080
<v Speaker 2>where I grew up. What's yours?

0:33:12.800 --> 0:33:17.400
<v Speaker 3>Oh my goodness, I think having Henry changed my life

0:33:17.720 --> 0:33:21.480
<v Speaker 3>so extraordinarily in a way I could never have imagined.

0:33:21.920 --> 0:33:27.400
<v Speaker 3>But before that, this one weekend where my lovely then

0:33:27.640 --> 0:33:30.680
<v Speaker 3>agent gave me the money to go to New York.

0:33:30.840 --> 0:33:32.680
<v Speaker 3>My first film hadn't come out yet, and she said,

0:33:32.680 --> 0:33:34.480
<v Speaker 3>I think you should go and meet some casting directors

0:33:34.480 --> 0:33:36.240
<v Speaker 3>in New York and I was like, I don't have

0:33:36.280 --> 0:33:37.920
<v Speaker 3>any money to get there, and she said, oh no,

0:33:37.960 --> 0:33:39.400
<v Speaker 3>I'm going to pay for your ticket and I'll pay

0:33:39.400 --> 0:33:41.680
<v Speaker 3>for a hotel just for a couple of nights. And

0:33:41.760 --> 0:33:45.680
<v Speaker 3>she sent me off, and in that time I met

0:33:45.680 --> 0:33:49.560
<v Speaker 3>a casting director who gave me a job. In the room,

0:33:49.840 --> 0:33:52.320
<v Speaker 3>there were two directors next door an actress had fallen out.

0:33:52.440 --> 0:33:55.960
<v Speaker 3>It was extraordinary coincidence. And I didn't go home. I

0:33:56.000 --> 0:33:58.600
<v Speaker 3>had a little tiny overnight, you know, two day case

0:33:58.640 --> 0:34:00.600
<v Speaker 3>with me and I didn't go home for two So

0:34:00.720 --> 0:34:03.480
<v Speaker 3>that experience going to New York on what was meant

0:34:03.480 --> 0:34:05.640
<v Speaker 3>to be for a weekend and my mother rather sniffy

0:34:05.800 --> 0:34:08.080
<v Speaker 3>looking over what I was packing, and when she saw

0:34:08.080 --> 0:34:10.160
<v Speaker 3>I wasn't packing any bras, she was like, oh, You're

0:34:10.200 --> 0:34:13.879
<v Speaker 3>never coming back. I wrote about it in my book

0:34:13.920 --> 0:34:16.120
<v Speaker 3>because it was so funny. It was such an amazing moment.

0:34:16.160 --> 0:34:17.560
<v Speaker 3>I was like, how the fuck? What does she know?

0:34:17.640 --> 0:34:19.440
<v Speaker 3>Of course I'm coming back and coming back on Monday.

0:34:19.480 --> 0:34:21.400
<v Speaker 2>Oh, how old I was?

0:34:21.800 --> 0:34:26.799
<v Speaker 3>Twenty three? Wow, I was a baby. Yeah, I was

0:34:26.800 --> 0:34:30.680
<v Speaker 3>a young twenty three as well. Yeah, So that was

0:34:30.920 --> 0:34:34.160
<v Speaker 3>so you've never looked, never looked back on an adventure

0:34:34.360 --> 0:34:36.440
<v Speaker 3>really like riding a wave like it has been, like

0:34:36.560 --> 0:34:37.120
<v Speaker 3>riding away.

0:34:37.440 --> 0:34:41.080
<v Speaker 2>You feel in America you are on a much better

0:34:42.040 --> 0:34:44.480
<v Speaker 2>surf wave and tide than you ever were in England.

0:34:44.680 --> 0:34:49.360
<v Speaker 3>Well, for a woman in England in the late eighties

0:34:49.440 --> 0:34:52.960
<v Speaker 3>early nineties to want to be as free and as

0:34:53.040 --> 0:34:55.880
<v Speaker 3>wild as I wanted to be, and as give me

0:34:56.040 --> 0:35:00.920
<v Speaker 3>life or give me nothing, it was incredibly unseen in London.

0:35:01.520 --> 0:35:06.320
<v Speaker 3>And there was something in America that embraced my feeling

0:35:06.320 --> 0:35:08.239
<v Speaker 3>of how far could I ride this wave? Like how

0:35:08.239 --> 0:35:10.279
<v Speaker 3>big could this wave be? How far could I go?

0:35:10.840 --> 0:35:14.879
<v Speaker 3>Oh my goodness? And I didn't feel like I could

0:35:14.920 --> 0:35:17.480
<v Speaker 3>do that in London. I didn't feel like that was supported.

0:35:18.200 --> 0:35:19.480
<v Speaker 3>If I were a man, I think it would have

0:35:19.480 --> 0:35:19.960
<v Speaker 3>been different.

0:35:20.600 --> 0:35:23.520
<v Speaker 2>Do you feel that London by comparison is provincial?

0:35:23.920 --> 0:35:27.719
<v Speaker 3>No, not provincial. But there was definitely a sneariness and

0:35:27.760 --> 0:35:33.320
<v Speaker 3>a sniffiness to the ambition that I had of the limitlessness.

0:35:33.560 --> 0:35:35.120
<v Speaker 3>It was like it wanted to put a cap on it,

0:35:35.160 --> 0:35:38.279
<v Speaker 3>and how dare you want more than what you have?

0:35:39.320 --> 0:35:43.960
<v Speaker 3>Which you know it's a conservative way of looking at things.

0:35:45.280 --> 0:35:50.200
<v Speaker 2>That is absolutely you've just nailed what I kind of Quintessentially,

0:35:50.880 --> 0:35:54.759
<v Speaker 2>British attitude is to ambition and success. If you're a

0:35:54.760 --> 0:35:58.839
<v Speaker 2>British actor and only said what are you doing next?

0:35:58.840 --> 0:36:01.880
<v Speaker 4>And you said, oh, I'm during Student Spielberg and then

0:36:01.880 --> 0:36:04.200
<v Speaker 4>I'm doing one of the curtain Tarantina. Having sort of

0:36:04.239 --> 0:36:07.960
<v Speaker 4>like played down where's in La or New York, somebody

0:36:08.000 --> 0:36:12.399
<v Speaker 4>says what are you doing next? I'm doing See, there's

0:36:12.400 --> 0:36:17.880
<v Speaker 4>a license to be as celebratory as you did without

0:36:17.880 --> 0:36:21.080
<v Speaker 4>it being sort poppy syndrome where there's a sort of

0:36:21.239 --> 0:36:25.040
<v Speaker 4>mate instinct or desire to catch you down to size.

0:36:24.800 --> 0:36:26.319
<v Speaker 2>And go who the hell did think you are?

0:36:26.400 --> 0:36:30.560
<v Speaker 3>And I don't I don't disbelieve that that humility is

0:36:30.719 --> 0:36:34.759
<v Speaker 3>important and that staying grounded and true. And I definitely

0:36:34.840 --> 0:36:39.160
<v Speaker 3>went out to the furthest reaches of the stars with

0:36:39.280 --> 0:36:42.440
<v Speaker 3>celebrity and fame and then came crashing back to earth

0:36:42.480 --> 0:36:45.680
<v Speaker 3>and that that was a good thing. But I wanted

0:36:45.719 --> 0:36:50.120
<v Speaker 3>that experience of absolute It's the same feeling of taking

0:36:50.160 --> 0:36:52.080
<v Speaker 3>off on a wave that you know is far too

0:36:52.120 --> 0:36:54.879
<v Speaker 3>fucking big for you and it's going to smash you,

0:36:55.280 --> 0:36:57.640
<v Speaker 3>but in that moment and if you make the drop

0:36:57.760 --> 0:37:00.239
<v Speaker 3>and you ride it, even for a few seconds, the

0:37:00.320 --> 0:37:04.719
<v Speaker 3>feeling is it is so extraordinary, You're in concert with

0:37:04.760 --> 0:37:09.160
<v Speaker 3>something that is so powerful and amazing and unfettered. I

0:37:09.160 --> 0:37:12.120
<v Speaker 3>think it was that feeling of that freedom that was

0:37:12.719 --> 0:37:16.680
<v Speaker 3>absolutely it was just divine and I made too.

0:37:18.000 --> 0:37:19.440
<v Speaker 2>You are fearless, you.

0:37:19.440 --> 0:37:22.359
<v Speaker 3>Know what, there's a fearless quality that might also be

0:37:22.719 --> 0:37:26.239
<v Speaker 3>WA's the word when it's a bit dangerous, folly, But

0:37:27.120 --> 0:37:29.640
<v Speaker 3>in the moment, there is a fearlessness that I embrace

0:37:29.840 --> 0:37:32.439
<v Speaker 3>that I love and I know I'm very good at

0:37:33.320 --> 0:37:37.560
<v Speaker 3>being able to support people who are not feeling fearless

0:37:37.640 --> 0:37:42.160
<v Speaker 3>and to really help them find that courage to find

0:37:42.200 --> 0:37:45.080
<v Speaker 3>I'm good at helping people find courage. I know that

0:37:45.080 --> 0:37:46.279
<v Speaker 3>that's a good thing about me.

0:37:46.719 --> 0:37:48.960
<v Speaker 4>Like you to funnel some down in my brain on

0:37:49.000 --> 0:37:52.560
<v Speaker 4>a daily basis, please feed me that fearlessness.

0:37:52.840 --> 0:37:54.160
<v Speaker 2>I'm very grateful for that.

0:37:54.280 --> 0:37:56.480
<v Speaker 3>Love. Well, it gets you into all sorts of it's

0:37:56.520 --> 0:37:59.360
<v Speaker 3>misinterpreted and its People don't like it. They don't like

0:37:59.400 --> 0:38:01.560
<v Speaker 3>seeing people feel is. They're like, why should you be

0:38:01.560 --> 0:38:05.560
<v Speaker 3>able to go and do that? How dare you h like?

0:38:05.760 --> 0:38:08.719
<v Speaker 3>That was always the feeling, certainly like in England, that

0:38:09.040 --> 0:38:13.000
<v Speaker 3>you had to be an awful, ambitious, terrible person in

0:38:13.160 --> 0:38:17.080
<v Speaker 3>order to want to go and embrace something unknown. Fully,

0:38:17.400 --> 0:38:19.760
<v Speaker 3>there was always that payment, and I think particularly for women,

0:38:19.880 --> 0:38:23.480
<v Speaker 3>like it was really unseemly for women to be ambitious

0:38:23.480 --> 0:38:26.000
<v Speaker 3>and wanting. Men are always allowed to be ambitious.

0:38:26.040 --> 0:38:26.880
<v Speaker 2>And do you think that's it?

0:38:27.200 --> 0:38:30.080
<v Speaker 3>Yeah? I think it's changing. I do, I really do. Yeah.

0:38:30.480 --> 0:38:32.759
<v Speaker 3>And I think as you get older, you're far more

0:38:32.800 --> 0:38:35.799
<v Speaker 3>able to articulate calmly. And what on earth are you

0:38:35.840 --> 0:38:36.400
<v Speaker 3>talking about?

0:38:36.440 --> 0:38:36.520
<v Speaker 2>That?

0:38:36.960 --> 0:38:41.399
<v Speaker 3>Having wonderful goals and dreams and ambitions and what you're

0:38:41.440 --> 0:38:44.840
<v Speaker 3>setting your course for is big and unbridled and beautiful.

0:38:45.000 --> 0:38:46.879
<v Speaker 3>Why on earth is that a bad thing?

0:38:47.239 --> 0:38:48.399
<v Speaker 2>How do you see world? Bait?

0:38:48.680 --> 0:38:52.080
<v Speaker 3>Gosh? I mean, I really strive for it to be

0:38:52.680 --> 0:38:57.160
<v Speaker 3>physically abundant. I really really hope. My neighbor she swam

0:38:57.200 --> 0:38:59.319
<v Speaker 3>every single day for the twenty years that we live

0:38:59.400 --> 0:39:03.640
<v Speaker 3>next door to each other. So from seventy until ninety

0:39:03.960 --> 0:39:05.680
<v Speaker 3>that's what I want. I want to be in a

0:39:05.680 --> 0:39:09.200
<v Speaker 3>black bathing suit, walking down to the ocean, diving in

0:39:09.680 --> 0:39:13.239
<v Speaker 3>at seventy eight, eighty eighty four, lying on my back the.

0:39:13.280 --> 0:39:16.160
<v Speaker 2>Next forty till you're ninety five, and then beyond that.

0:39:17.080 --> 0:39:21.560
<v Speaker 3>I'd really like to have a physical and mental acuity,

0:39:22.000 --> 0:39:24.680
<v Speaker 3>and I would really like to continue to sort of

0:39:24.760 --> 0:39:29.560
<v Speaker 3>share stories in some fashion. That's my dream. And for

0:39:29.640 --> 0:39:33.200
<v Speaker 3>my son and my partner to be healthy and happy.

0:39:33.520 --> 0:39:35.400
<v Speaker 3>That's it. Oh, that's my dream.

0:39:35.560 --> 0:39:37.720
<v Speaker 2>Simple. So you don't need to go to any therapy

0:39:37.840 --> 0:39:40.560
<v Speaker 2>or analysis from nowmers, because it's clear maybe you don't

0:39:40.680 --> 0:39:42.360
<v Speaker 2>do you.

0:39:41.600 --> 0:39:46.080
<v Speaker 3>You know, I have done god loads currently. I felt

0:39:46.320 --> 0:39:48.560
<v Speaker 3>very clear about the shit that I've got to work on,

0:39:49.280 --> 0:39:52.239
<v Speaker 3>and I will sit down and work on it. I'll

0:39:52.239 --> 0:39:54.239
<v Speaker 3>write about it, I will look at it, I will

0:39:54.239 --> 0:39:58.279
<v Speaker 3>turn it over, I will meditate, like I feel like

0:39:58.400 --> 0:40:02.600
<v Speaker 3>that's maybe what's glorious about being fifty five is that

0:40:03.600 --> 0:40:06.840
<v Speaker 3>I've observed the observable stuff about myself and now you

0:40:07.000 --> 0:40:11.120
<v Speaker 3>it's really just about working on it or enjoying, enjoying

0:40:11.160 --> 0:40:14.960
<v Speaker 3>the fruits of your labor, being available to help others

0:40:15.000 --> 0:40:18.920
<v Speaker 3>like I love I love working with younger actors and

0:40:19.000 --> 0:40:24.640
<v Speaker 3>actresses and so gee them along and God, don't worry

0:40:24.640 --> 0:40:27.840
<v Speaker 3>about that. And this is so brilliant. And you know

0:40:27.960 --> 0:40:29.600
<v Speaker 3>it wasn't like that when I was a kid.

0:40:29.719 --> 0:40:35.200
<v Speaker 4>Jenner Bob was really leveling. I've just been on holiday

0:40:35.560 --> 0:40:39.880
<v Speaker 4>on Lamu Island off the Kenyan Coast, two teenage girls,

0:40:40.280 --> 0:40:42.840
<v Speaker 4>one was eighteen, one was sixteen, and they said to me,

0:40:43.480 --> 0:40:48.160
<v Speaker 4>which female actor do you know holding high esteem?

0:40:49.000 --> 0:40:53.560
<v Speaker 2>I said, well, this person has had most nominations, and

0:40:53.600 --> 0:40:55.600
<v Speaker 2>I worried you that once on the iron lady paying

0:40:55.640 --> 0:40:58.000
<v Speaker 2>it's more bold. But the person that I'd been most

0:40:58.200 --> 0:41:03.160
<v Speaker 2>inspired by being around a Washington career all these decades

0:41:03.520 --> 0:41:05.319
<v Speaker 2>is male Street. And they had no idea who she

0:41:05.520 --> 0:41:08.520
<v Speaker 2>was christ or didn't know Male Street.

0:41:10.200 --> 0:41:12.960
<v Speaker 3>It all goes to dust, It all just goes to dust.

0:41:13.239 --> 0:41:16.799
<v Speaker 4>And they then said, well, what has she been in?

0:41:17.560 --> 0:41:20.560
<v Speaker 4>And I started scrubbing my brain and well, what would

0:41:20.640 --> 0:41:23.279
<v Speaker 4>they feasibly have seen? I said, have you seen Mama

0:41:23.320 --> 0:41:30.880
<v Speaker 4>mir No? And I thought, well, yeah, that was It's

0:41:30.920 --> 0:41:35.279
<v Speaker 4>sort of straight thing to hear. Yeah, sober and and

0:41:35.480 --> 0:41:39.520
<v Speaker 4>you know the only thing, Well, that's just the it's.

0:41:39.400 --> 0:41:42.240
<v Speaker 3>Just the way it is. You just do the work,

0:41:43.120 --> 0:41:44.799
<v Speaker 3>like you know how I feel about with no al

0:41:44.840 --> 0:41:46.800
<v Speaker 3>and you know that that's it. That's it's in the

0:41:46.840 --> 0:41:49.000
<v Speaker 3>same place that Daniel de lewis. It's in my heart.

0:41:49.239 --> 0:41:54.560
<v Speaker 3>It sits unfettered perfection. So to have made and you've

0:41:54.600 --> 0:41:57.200
<v Speaker 3>made many films that have that effect on people from

0:41:57.200 --> 0:42:01.759
<v Speaker 3>the player to take your pick, but that particularly is

0:42:01.800 --> 0:42:04.160
<v Speaker 3>it enough that you know what Meryl Street meant to you?

0:42:04.400 --> 0:42:06.880
<v Speaker 3>I know what you mean to me and what you

0:42:06.960 --> 0:42:09.879
<v Speaker 3>mean to my son, By the way, in having watched

0:42:09.880 --> 0:42:14.040
<v Speaker 3>with now, perhaps it's enough and that that's the evolution,

0:42:14.200 --> 0:42:16.000
<v Speaker 3>is that we all arrive at a day where the

0:42:16.000 --> 0:42:18.080
<v Speaker 3>teenagers go, I have no idea who you're talking about.

0:42:18.080 --> 0:42:22.160
<v Speaker 3>That's completely meaningless to me, and it's awful, And it's

0:42:22.200 --> 0:42:25.359
<v Speaker 3>also how it is. That is the.

0:42:26.160 --> 0:42:27.759
<v Speaker 2>Steve Martin said to me ten years ago.

0:42:27.800 --> 0:42:30.040
<v Speaker 4>We were talking about, you know, you're talking about that

0:42:30.080 --> 0:42:33.239
<v Speaker 4>point of retiring and it was pre only murders in

0:42:33.280 --> 0:42:36.360
<v Speaker 4>the building, sort of giving him a whole new career

0:42:36.440 --> 0:42:40.479
<v Speaker 4>on television. He said, most people's careers are over five

0:42:40.560 --> 0:42:43.000
<v Speaker 4>years before they realize.

0:42:42.560 --> 0:42:43.200
<v Speaker 2>That they are.

0:42:44.560 --> 0:42:48.480
<v Speaker 4>And he said, you have five YouTube clips of your career.

0:42:48.960 --> 0:42:52.760
<v Speaker 4>That's probably as good as I thought.

0:42:52.880 --> 0:42:54.719
<v Speaker 2>Yeah. Again, it's sort of reassuring.

0:42:55.239 --> 0:43:00.120
<v Speaker 4>It's so ephemeral a short short amount of time, so

0:43:00.239 --> 0:43:01.280
<v Speaker 4>enjoy it while it's around.

0:43:01.360 --> 0:43:03.840
<v Speaker 2>That's I suppose my philosophy. This stuff.

0:43:04.120 --> 0:43:06.799
<v Speaker 4>It sort of helps quell the doubt of you know,

0:43:06.840 --> 0:43:10.040
<v Speaker 4>I think, well, these teenagers didn't know who Males Street Bars,

0:43:10.080 --> 0:43:15.600
<v Speaker 4>I thought, Yeah.

0:43:13.480 --> 0:43:15.319
<v Speaker 3>Just all you can do is just keep is just

0:43:15.680 --> 0:43:18.200
<v Speaker 3>like keep showing up, keep on trucking, keep on trucking,

0:43:18.280 --> 0:43:20.600
<v Speaker 3>and keep hoping that there's a place for you in

0:43:20.640 --> 0:43:22.919
<v Speaker 3>the workplace that you can still offer.

0:43:23.000 --> 0:43:26.240
<v Speaker 2>At my stage of the world, old fart parts still available.

0:43:26.040 --> 0:43:29.799
<v Speaker 3>But you are so in demand. Richard, like, that's list.

0:43:30.280 --> 0:43:32.719
<v Speaker 2>It sounds like I'm hard pooning for you to reassure me.

0:43:32.840 --> 0:43:36.640
<v Speaker 2>I'm not. I'm just sending out the lines there of

0:43:36.760 --> 0:43:38.200
<v Speaker 2>the reality of what I think it is.

0:43:39.560 --> 0:43:42.640
<v Speaker 7>Yeah, because there are so many actors, don't you find

0:43:42.880 --> 0:43:46.600
<v Speaker 7>you look at online on Instagram all the people's dresses

0:43:46.640 --> 0:43:48.640
<v Speaker 7>and the stuff for the people who went to the Oscars,

0:43:48.640 --> 0:43:50.400
<v Speaker 7>and the people were with the Vanity Fair part. So

0:43:50.440 --> 0:43:53.480
<v Speaker 7>many people and there are so many people names I've

0:43:53.520 --> 0:43:53.920
<v Speaker 7>heard of.

0:43:54.120 --> 0:43:57.640
<v Speaker 2>But if I had to be in a lineup, would

0:43:57.640 --> 0:43:59.440
<v Speaker 2>I be able to identify room? Do you know who

0:43:59.480 --> 0:44:00.000
<v Speaker 2>everybody is?

0:44:00.400 --> 0:44:03.920
<v Speaker 3>No? I mean I know lots of them, but I

0:44:03.920 --> 0:44:07.520
<v Speaker 3>don't know loads. I also put that into the kind

0:44:07.560 --> 0:44:10.080
<v Speaker 3>of that there is so much content now, there are

0:44:10.120 --> 0:44:13.759
<v Speaker 3>so many more platforms for content. It used to just

0:44:13.800 --> 0:44:16.640
<v Speaker 3>be there are films and then there are you know,

0:44:17.200 --> 0:44:21.120
<v Speaker 3>network television and now it's just endless feeding the beast

0:44:21.160 --> 0:44:24.440
<v Speaker 3>of streaming. And I think that if you love it

0:44:24.480 --> 0:44:26.399
<v Speaker 3>and you're lucky enough, as you know, my dad said,

0:44:26.400 --> 0:44:27.880
<v Speaker 3>find what you love and get someone to pay you

0:44:27.920 --> 0:44:31.560
<v Speaker 3>to do it. So if someone is still paying you

0:44:31.640 --> 0:44:34.399
<v Speaker 3>to do this thing that you love, were quits in.

0:44:35.480 --> 0:44:36.719
<v Speaker 2>Now you're up. I agree, and.

0:44:36.680 --> 0:44:38.960
<v Speaker 3>That there will always be a wave, just as we

0:44:38.960 --> 0:44:42.000
<v Speaker 3>were the wave of young the new upcoming talent. There

0:44:42.040 --> 0:44:46.400
<v Speaker 3>will always be this replenishing wave. People will always be

0:44:46.480 --> 0:44:49.840
<v Speaker 3>moving into the next season of their life if they're lucky,

0:44:50.719 --> 0:44:53.680
<v Speaker 3>And that it's an aberration to think that that flow

0:44:53.719 --> 0:44:57.239
<v Speaker 3>should be anything other than that flow. That you know,

0:44:57.520 --> 0:45:00.759
<v Speaker 3>you can't buck against the seasons. You've got to embrace them,

0:45:00.920 --> 0:45:05.600
<v Speaker 3>right Indeed, indeed, I mean I'm saying this obviously, like

0:45:05.719 --> 0:45:08.080
<v Speaker 3>I don't do it every day. I'm trying to say

0:45:08.080 --> 0:45:10.880
<v Speaker 3>the best version of it, like it's really it's gutting.

0:45:11.680 --> 0:45:14.600
<v Speaker 3>Gravity is gutting gravity on one's face and bottom is

0:45:14.640 --> 0:45:17.440
<v Speaker 3>just terrific. Like that I could do without that. No

0:45:17.760 --> 0:45:28.560
<v Speaker 3>more reverse, no reverse Cowgirl for me because of gravity.

0:45:33.680 --> 0:45:35.080
<v Speaker 3>What would be your last meal?

0:45:35.360 --> 0:45:42.400
<v Speaker 4>A dozen oysters and two dozen giant Indian ocean prawns

0:45:42.440 --> 0:45:44.000
<v Speaker 4>that about ten inches long.

0:45:45.040 --> 0:45:48.439
<v Speaker 3>Ah, and that you shell yourself. This is that part

0:45:48.440 --> 0:45:49.120
<v Speaker 3>of the whole.

0:45:48.920 --> 0:45:53.239
<v Speaker 8>Thing, yahnu oh yeah, darling butter on top, and then

0:45:53.600 --> 0:45:57.120
<v Speaker 8>an entire Christmas pudding with light chi sorbe that only

0:45:57.200 --> 0:45:59.759
<v Speaker 8>I would get to eat and most people don't like.

0:46:00.440 --> 0:46:04.240
<v Speaker 2>So I've got twenty Chris well, where of a dining breed?

0:46:04.280 --> 0:46:04.480
<v Speaker 4>You know?

0:46:04.719 --> 0:46:09.120
<v Speaker 3>I know we are with lightweight, with light che yum.

0:46:09.760 --> 0:46:13.000
<v Speaker 3>That is very very delicious. I know that you would

0:46:13.120 --> 0:46:15.479
<v Speaker 3>recently you were in the ocean, did you eat some.

0:46:15.480 --> 0:46:19.200
<v Speaker 2>Drank pron and I had some for lunch today? What

0:46:19.320 --> 0:46:20.200
<v Speaker 2>was yours mine?

0:46:20.360 --> 0:46:22.239
<v Speaker 3>It's the roast chicken that my mother taught me to

0:46:22.239 --> 0:46:26.560
<v Speaker 3>make with the most delicious gravy, roast potatoes, some giant

0:46:26.560 --> 0:46:31.759
<v Speaker 3>pile of greens, roast parsnips, carrots, a Yorkshire pudding, amazingly

0:46:31.760 --> 0:46:35.520
<v Speaker 3>succulent chicken, and then apple and BlackBerry crumble with cream. Yeah,

0:46:35.600 --> 0:46:38.799
<v Speaker 3>I'm it's just ITT's pristian. It's the most delicious food.

0:46:38.840 --> 0:46:41.160
<v Speaker 3>When I was growing up, that was the most food

0:46:41.200 --> 0:46:43.120
<v Speaker 3>that we had was on a Sunday when one would

0:46:43.120 --> 0:46:44.640
<v Speaker 3>cook that. Like she was a really good cook, but

0:46:44.719 --> 0:46:46.879
<v Speaker 3>she was a sparse cook. She never cooked quite enough,

0:46:47.520 --> 0:46:51.640
<v Speaker 3>but on Sunday there was plenty, and I was quite

0:46:51.719 --> 0:46:53.440
<v Speaker 3>greedy and always hungry.

0:46:53.520 --> 0:46:56.919
<v Speaker 2>And what is the weirdest final meal that you've had

0:46:56.920 --> 0:46:57.720
<v Speaker 2>on any guest?

0:46:58.239 --> 0:47:04.560
<v Speaker 3>Offering up David, who is this extraordinary neuroscientist, like truly

0:47:04.600 --> 0:47:08.640
<v Speaker 3>one of the most fascinating like scientist people, a scientific

0:47:08.719 --> 0:47:12.480
<v Speaker 3>person I've talked to. He wanted a protein shape. He

0:47:12.520 --> 0:47:15.440
<v Speaker 3>wanted to still be feeding his brain protein and I

0:47:15.560 --> 0:47:20.239
<v Speaker 3>was like, but you're about to die well, And it

0:47:20.440 --> 0:47:23.120
<v Speaker 3>was just what I loved is that he was just

0:47:23.600 --> 0:47:26.120
<v Speaker 3>it was almost like the absolute denial that this was

0:47:26.120 --> 0:47:28.799
<v Speaker 3>his last meal. That was like, I'm still want to

0:47:28.800 --> 0:47:32.040
<v Speaker 3>be feeding protein to my brain, which, by the way,

0:47:32.080 --> 0:47:34.800
<v Speaker 3>for a neuroscientist, that's really on brand, Like that's really cool,

0:47:35.080 --> 0:47:38.160
<v Speaker 3>but like super super, super great and weird. I love

0:47:38.200 --> 0:47:39.120
<v Speaker 3>that answer, though we.

0:47:39.080 --> 0:47:41.240
<v Speaker 2>Couldn't be having a last meal with David Eagleman.

0:47:41.320 --> 0:47:49.440
<v Speaker 3>Then my last question is in your life, can you

0:47:49.520 --> 0:47:52.640
<v Speaker 3>tell me about something that has grown out of a

0:47:52.640 --> 0:47:53.719
<v Speaker 3>personal disaster?

0:47:54.360 --> 0:47:58.160
<v Speaker 4>Y Ah, When my father died of lung cancer at

0:47:58.200 --> 0:48:01.720
<v Speaker 4>the age of fifty two, when I'm twenty four, I

0:48:01.760 --> 0:48:05.919
<v Speaker 4>thought that if I lived till fifty three, I would

0:48:05.960 --> 0:48:09.839
<v Speaker 4>have kind of broken that curse or whatever it is

0:48:09.880 --> 0:48:13.160
<v Speaker 4>you call it. That's a benchmark of his life, so

0:48:13.440 --> 0:48:15.760
<v Speaker 4>that every year that I've lived since then has felt

0:48:15.800 --> 0:48:19.640
<v Speaker 4>like a bonus. But more than anything, I because I

0:48:19.680 --> 0:48:23.120
<v Speaker 4>was acutely aware of how young that was to die,

0:48:23.280 --> 0:48:26.600
<v Speaker 4>and as I got closer to fifty two myself.

0:48:26.280 --> 0:48:29.480
<v Speaker 2>I thought, wow, it really is just feel young. And

0:48:30.200 --> 0:48:33.200
<v Speaker 2>I think more than anything, it is galvanized my thinking

0:48:34.080 --> 0:48:39.200
<v Speaker 2>and desire to try and get everything I can out

0:48:39.239 --> 0:48:41.040
<v Speaker 2>of every day.

0:48:40.920 --> 0:48:46.120
<v Speaker 9>Of my life that I have because he's ended so

0:48:46.280 --> 0:48:48.960
<v Speaker 9>halfway through you know what he might have lived done

0:48:49.000 --> 0:48:52.800
<v Speaker 9>to so that that has had a profound ongoing effect

0:48:52.840 --> 0:48:53.799
<v Speaker 9>on that.

0:48:54.520 --> 0:48:55.400
<v Speaker 2>So whether you call that the.

0:48:55.480 --> 0:48:59.120
<v Speaker 4>Starst or not, I don't know, but it's absolutely galvilized

0:48:59.160 --> 0:49:02.759
<v Speaker 4>me when they know I'm very impatient and I just

0:49:02.840 --> 0:49:05.120
<v Speaker 4>want everything, and you know, I just feel like I'm

0:49:05.200 --> 0:49:08.440
<v Speaker 4>running at life going I'll gobble it up. So that

0:49:08.640 --> 0:49:13.000
<v Speaker 4>is what I think my father's death had that effect

0:49:13.080 --> 0:49:13.799
<v Speaker 4>on me.

0:49:14.480 --> 0:49:17.160
<v Speaker 3>That's amazing, that's really that's really amazing.

0:49:17.400 --> 0:49:18.480
<v Speaker 2>And what's yours.

0:49:18.760 --> 0:49:21.319
<v Speaker 3>I think that there was a big change when I

0:49:21.360 --> 0:49:23.920
<v Speaker 3>had Henry and I was a single mother, and I

0:49:23.960 --> 0:49:27.120
<v Speaker 3>really realized that that sort of going off around the

0:49:27.160 --> 0:49:30.400
<v Speaker 3>world making independent films was not something that I wanted

0:49:30.400 --> 0:49:32.759
<v Speaker 3>to do with a tiny baby on my own, and

0:49:33.120 --> 0:49:36.000
<v Speaker 3>that I couldn't necessarily make enough money doing that because

0:49:36.000 --> 0:49:40.120
<v Speaker 3>it wasn't particularly well paid at all, and I knew

0:49:40.160 --> 0:49:44.000
<v Speaker 3>I didn't want to be scrabbling to piece his childhood together.

0:49:44.320 --> 0:49:49.160
<v Speaker 3>So I made this very conscious turn into network television,

0:49:49.400 --> 0:49:52.160
<v Speaker 3>which I'm eternally grateful for, but it was it was

0:49:52.200 --> 0:49:56.520
<v Speaker 3>a sobering moment to move from the wildness of filmmaking

0:49:56.640 --> 0:50:02.560
<v Speaker 3>and this kind of immediacy into very prosaic and formulaic

0:50:03.400 --> 0:50:08.439
<v Speaker 3>creativity that sometimes didn't feel like creativity, and I knew

0:50:08.480 --> 0:50:10.160
<v Speaker 3>the reason that I'd done it, and there was a

0:50:10.200 --> 0:50:14.239
<v Speaker 3>heartbreak in it that was really difficult. But what came

0:50:14.280 --> 0:50:18.759
<v Speaker 3>out of that was this childhood. This eight years that

0:50:18.800 --> 0:50:21.360
<v Speaker 3>I was fortunate enough to be on two television shows,

0:50:21.880 --> 0:50:26.080
<v Speaker 3>paid handsomely, working with lovely people, and it wasn't going

0:50:26.160 --> 0:50:30.480
<v Speaker 3>to change the world kind of necessarily what we did,

0:50:31.160 --> 0:50:35.279
<v Speaker 3>but there was a steadiness and a kindness and a

0:50:35.400 --> 0:50:40.160
<v Speaker 3>wonder in watching Henry have this childhood of having tea

0:50:40.200 --> 0:50:43.000
<v Speaker 3>at home and oftentimes I could be there and that

0:50:43.040 --> 0:50:45.399
<v Speaker 3>I could put him to bed, and that I wasn't

0:50:45.440 --> 0:50:49.080
<v Speaker 3>worried about paying the mortgage, and I knew he was

0:50:49.120 --> 0:50:50.480
<v Speaker 3>going to be okay, and I could put money in

0:50:50.520 --> 0:50:54.240
<v Speaker 3>a college fund for him, and all of these things

0:50:54.239 --> 0:50:58.480
<v Speaker 3>and him turning out to just be this incredible person,

0:50:59.600 --> 0:51:05.839
<v Speaker 3>calm and funny, and that like I thought that, I'd well,

0:51:05.880 --> 0:51:08.000
<v Speaker 3>I'm giving up this whole thing, this dream that I've

0:51:08.040 --> 0:51:11.040
<v Speaker 3>always had, and I'm embracing this other kind of a life.

0:51:12.040 --> 0:51:13.920
<v Speaker 3>And I thought it was going to be terrible, and

0:51:13.960 --> 0:51:19.600
<v Speaker 3>all that grew out of it was wonderful. Win win, yeah, absolutely, win, win,

0:51:19.719 --> 0:51:24.480
<v Speaker 3>win win. Darning Richard, you provoke and like an interrogation

0:51:24.560 --> 0:51:26.960
<v Speaker 3>of life always whenever I'm with you, and I know

0:51:27.040 --> 0:51:29.279
<v Speaker 3>that you do that with everybody else. That is so

0:51:30.520 --> 0:51:37.200
<v Speaker 3>sincerely wonderful and amazing. And I know what profound sorrow

0:51:37.560 --> 0:51:41.080
<v Speaker 3>you have experienced and how you have turned that into

0:51:41.120 --> 0:51:43.920
<v Speaker 3>something that is a gift for everybody else will forever

0:51:44.000 --> 0:51:47.040
<v Speaker 3>be in total awe of you, because that's what that's

0:51:47.040 --> 0:51:51.040
<v Speaker 3>what you do. Truly amazing, amazing and wonderful. And I

0:51:51.120 --> 0:51:51.960
<v Speaker 3>can't thank you enough.

0:51:52.160 --> 0:51:54.960
<v Speaker 2>Thank you for having me on your Zoo mini driver, brilliant,

0:51:55.160 --> 0:51:55.640
<v Speaker 2>Thank you.

0:51:55.560 --> 0:52:01.520
<v Speaker 3>Thank you many Questions is hosted andritten by Me Mini Driver,

0:52:02.360 --> 0:52:06.520
<v Speaker 3>Executive produced by Me and Aaron Kaufman, with production support

0:52:06.600 --> 0:52:10.959
<v Speaker 3>from Jennifer Bassett, Zoey Denkler and Ali Perry. The theme

0:52:11.080 --> 0:52:15.760
<v Speaker 3>music is also by Me and additional music by Aaron Kaufman.

0:52:16.400 --> 0:52:22.040
<v Speaker 3>Special thanks to Jim Nikolay Addison, O'Day, Henry Driver, Lisa Castella,

0:52:22.320 --> 0:52:26.760
<v Speaker 3>Anick Oppenheim, a, Nick Mueller and Annette Wolfe, a WKPR,

0:52:27.040 --> 0:52:32.600
<v Speaker 3>Will Pearson, Nicki Etoor, Morgan Levoy and mangesh At Tigadore