WEBVTT - The Good Thief - Ep 1. How to Rob Banks and Influence People

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<v Speaker 1>Prologue, How to rob a bank. Here's the thing about

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<v Speaker 1>robbing a bank. As soon as you walk in the door,

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<v Speaker 1>every single second counts, so you better have a plan.

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<v Speaker 1>When Greece's top bank robber does a job, he and

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<v Speaker 1>his crew have it down to a science.

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<v Speaker 2>Can press.

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<v Speaker 3>The three of us enter the bank with our faces uncovered.

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<v Speaker 1>As the other two step team. I stood near the entrance.

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<v Speaker 1>Let's get a close up on this guy. He's in

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<v Speaker 1>his thirties, medium build, handsome with a square jaw. His

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<v Speaker 1>name is Costas Samaras. The press calls him the Artist

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<v Speaker 1>because he designs these brazen yet perfectly heists, with every

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<v Speaker 1>detail accounted for. The clock is ticking, but the Artist

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<v Speaker 1>is relaxed. Focused. He hangs back by the door while

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<v Speaker 1>his partners walk up to the teller and flash friendly smiles.

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<v Speaker 1>They also wave the semi automatics their kring, you know,

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<v Speaker 1>to move things along a little bit.

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<v Speaker 2>Dam Good morning, how are you doing.

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<v Speaker 3>We've come for a loan.

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<v Speaker 1>Yeah, they're not here for a loan. They keep it light,

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<v Speaker 1>but move fast. They know they have about four minutes

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<v Speaker 1>before the cops show up. And here in the small

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<v Speaker 1>city of Columbaca, Greece. There really isn't anywhere to hide.

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<v Speaker 4>A parents with them.

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<v Speaker 2>My two friends go to the central cass here in

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<v Speaker 2>the buck.

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<v Speaker 1>His friends they're brothers, and they're kind of famous in

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<v Speaker 1>these parts. Mikos is the older one. They call him

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<v Speaker 1>the Ghost. He's got a real talent for avoiding arrests.

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<v Speaker 1>He can't be god. Then there's the kid brother of Vasilis.

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<v Speaker 1>He's actually the reason I'm telling you this story in

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<v Speaker 1>the first place. Vasilis doesn't look like much, stocky, balding,

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<v Speaker 1>a little unassuming, but they call him Robin Hood because

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<v Speaker 1>he's the generous one. Whether he's a hero or a criminal,

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<v Speaker 1>well that depends on your perspective, but right now he

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<v Speaker 1>definitely looks more like a criminal. Robin Hood points his

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<v Speaker 1>gun at the teller and notices the man is shaking,

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<v Speaker 1>so he reassures him gently. Which is here to take

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<v Speaker 1>the bank's money, not your lives. Still, this is a robbery,

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<v Speaker 1>and they've got three minutes left the key.

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<v Speaker 5>Key.

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<v Speaker 1>Robin Hood and the Ghost walk over to the manager

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<v Speaker 1>who's frozen behind his desk.

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<v Speaker 3>Open the safe.

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<v Speaker 1>Now they're down to two minutes. The artist has his

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<v Speaker 1>gun tucked under his coat, and he's watching the front door.

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<v Speaker 3>At some point, the lady offers starts walking into the bank.

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<v Speaker 3>I'm standing next to her and say, come on in, lady,

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<v Speaker 3>come on in, but se notices the other two holding guns.

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<v Speaker 1>He turns back.

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<v Speaker 3>No, I'm leaving. I'm leaving, she says.

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<v Speaker 1>What this lady doesn't know is that these guys live

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<v Speaker 1>by a simple do no harm code. No drugs, definitely

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<v Speaker 1>no killing. They just want the cash. They don't want

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<v Speaker 1>to get caught up with blood on their hands. I

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<v Speaker 1>sawed to the brothers finish up. The brothers fill up

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<v Speaker 1>a few canvas bags with cash, and then time's up.

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<v Speaker 1>They need to exit.

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<v Speaker 2>Now we go outside, We get in the car, we

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<v Speaker 2>start driving, and within a few meters.

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<v Speaker 1>Someone is soothing others instead of minding her business. The

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<v Speaker 1>lady went for help, and now a cop has taken

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<v Speaker 1>aim at their getaway car like he's some kind of hero.

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<v Speaker 1>But these guys are pros. They don't even bother returning fire.

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<v Speaker 1>They just laugh and hit the gas, speeding toward one

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<v Speaker 1>of the stolen cars they'd stashed around town.

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<v Speaker 3>We took the road north, where it's where the other

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<v Speaker 3>getaway car was changed. Car changed close.

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<v Speaker 1>And just like that, the three men disappear into the

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<v Speaker 1>dark mountains that loom over Columbaca. That was June nineteen

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<v Speaker 1>ninety two, and they've made off with a crazy amount

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<v Speaker 1>of money. It's the equivalent of about one point four

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<v Speaker 1>million US dollars. In fact, it's the biggest bank robbery

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<v Speaker 1>in Greek history. This wasn't their first bank job, and

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<v Speaker 1>it wasn't their last either. To date, they've held up

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<v Speaker 1>dozens of banks. They've evaded police with comical ease, and

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<v Speaker 1>even when they did get caught, they broke out of

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<v Speaker 1>prison not once, not twice, but ten times. These days,

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<v Speaker 1>the artists and the ghost they're out of the game.

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<v Speaker 1>But Vasilis Palio Coostas Robin Hood, he's still on the run.

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<v Speaker 1>He's one of the most wanted men in the world,

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<v Speaker 1>with a bounty of more than a million euros on

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<v Speaker 1>his head. Despite the best efforts of the Greek police,

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<v Speaker 1>various intelligence agencies, and even inner poll it's been fourteen

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<v Speaker 1>years since anyone's caught a glimpse of him, and that's

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<v Speaker 1>turned into a bona fide folk hero. He's like a

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<v Speaker 1>storybook character with all these tales following him around. Of

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<v Speaker 1>being a criminal with a conscience of sharing his lute

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<v Speaker 1>with the poor mountain folk he grew up with. The

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<v Speaker 1>thing is this Robin Hood. He isn't a character someone invented.

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<v Speaker 1>He's actually real. I'm Miles Gray from Kaleidoscope and iHeart Podcasts.

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<v Speaker 1>This is the Good Thief Chapter one, Cops and Robbers.

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<v Speaker 6>You know something, Robin.

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<v Speaker 1>I was just wondering, are we good guys or bad guys?

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<v Speaker 2>You know?

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<v Speaker 1>I mean, are Robin the rich to feed the poor?

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<v Speaker 1>Rob That's a naughty word. We never rob so to

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<v Speaker 1>borrow a it from those who could have thought it.

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<v Speaker 1>When I was growing up, every kid I knew loved Robinhood,

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<v Speaker 1>and there was no shortage of versions. I mean, there

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<v Speaker 1>was the nineteen ninety one movie, you know, shout out

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<v Speaker 1>Morgan Freeman, The Painted Man. There was the other nineteen

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<v Speaker 1>ninety one movie Robin Hood Men in Tights, and then

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<v Speaker 1>there's that animated Fox. I mean, look, there's a lot

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<v Speaker 1>to choose from. Obviously, the Og legend has been around

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<v Speaker 1>a lot longer. For hundreds of years, people have composed ballads, poems, books, plays,

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<v Speaker 1>and now a podcast about this idea of a lone

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<v Speaker 1>swashbuckler who steals from the rich and gives to the poor.

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<v Speaker 1>It's an idea that just doesn't get tired, and these

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<v Speaker 1>days we need it more than ever. You see it

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<v Speaker 1>in the news all the time, rich and powerful people

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<v Speaker 1>patting their pockets at everyone else's expense, and if they

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<v Speaker 1>break a few laws along the way, they don't care.

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<v Speaker 1>For every evil billionaire that gets caught, there's one hundred

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<v Speaker 1>more getting away with it. But robin hoods, they give

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<v Speaker 1>us someone to root for and something to believe in.

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<v Speaker 1>It's the idea that we can take back what's ours.

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<v Speaker 1>That's what drew us to Vasili's Paliocostas. He sounded like

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<v Speaker 1>a crook with a conscience, a real life robin Hood

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<v Speaker 1>who's out there right now. But Vasilis Paliocostas is a

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<v Speaker 1>total mystery. Nobody knows where he is or who he

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<v Speaker 1>really is, how he got this way. We don't even

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<v Speaker 1>know if all the fantastic stories about his generosity are

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<v Speaker 1>true or if people just want them to be true.

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<v Speaker 6>So oh fuck may okay.

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<v Speaker 1>We assembled a team in Athens and decided to find

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<v Speaker 1>this robin hood ourselves.

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<v Speaker 6>It's like three as a woman, and what looks like

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<v Speaker 6>is that you can't see.

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<v Speaker 1>One of my partners in cracking this case is Daphne,

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<v Speaker 1>our producer and lead reporter in Athens. Daphne, I'm guessing

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<v Speaker 1>you'd heard of us Elis before we reached out to you.

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<v Speaker 7>Yeah, definitely. I mean, everybody in Greece really knows the

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<v Speaker 7>name Palo Costas. When we were children. I remember hearing

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<v Speaker 7>about them on TV, in the newspapers, you know, our

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<v Speaker 7>parents mentioning their names.

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<v Speaker 1>So what did you know about them?

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<v Speaker 7>I mean, I'd heard that Vasilis specifically got started early

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<v Speaker 7>in life, you know, in this kind of line of work,

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<v Speaker 7>partly because it runs in the family. He's got a

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<v Speaker 7>big brother, an older brother, Nikos, who he often partnered with,

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<v Speaker 7>the one you called the ghost.

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<v Speaker 1>And as we discovered, these brothers had a pretty wild upbringing.

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<v Speaker 1>Here's Christina, a reporter on Daphne's team.

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<v Speaker 8>Vasilisa Nikos grew up in a very poor farming family

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<v Speaker 8>in the mountains of northern Greece. The brothers were very

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<v Speaker 8>isolated until their teams and eventually they moved near the

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<v Speaker 8>city Strikla, and when they finally got a taste of

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<v Speaker 8>urban life, they well, they took advantage of it. Even

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<v Speaker 8>early on. The petty crimes they committed were pretty daring.

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<v Speaker 8>There's so many stories about them, but I think that

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<v Speaker 8>my favorite one from their early years was how as

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<v Speaker 8>Nikos was just starting in his life of crime, he

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<v Speaker 8>robbed a jewelry store directly across the street from a

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<v Speaker 8>police station. And what he did was that he padlocked

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<v Speaker 8>the police station doors and then walked right across the street,

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<v Speaker 8>smashed the window, and took off with a bunch of jewels,

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<v Speaker 8>and the cops couldn't do anything about it because they

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<v Speaker 8>were stuck inside.

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<v Speaker 1>I mean, to be clear, I don't condone stealing from

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<v Speaker 1>small businesses, but that's just funny.

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<v Speaker 8>It's creative, which became the hallmark of the Palokostas brothers.

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<v Speaker 8>They didn't just commit crimes, they did it with flair.

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<v Speaker 1>Of course, not everybody buys into the hype, including Vasilis Fimiu,

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<v Speaker 1>a cop who worked in the trica La police department.

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<v Speaker 1>He spent years trying to track the brothers down and

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<v Speaker 1>he knows better than anyone what they're capable of. So

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<v Speaker 1>Daphne headed north to meet him.

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<v Speaker 7>I'm with my team and we're driving to Tricarla, and

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<v Speaker 7>I should say tri Calai is not the grease you

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<v Speaker 7>probably know from tourist brush shaws. It's not like colin

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<v Speaker 7>ruins and sparkling beachside villas. It's a bit more provincial.

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<v Speaker 7>There's rocky green peaks, cliff top monasteries and these zigzagging

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<v Speaker 7>dirt roads.

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<v Speaker 8>Isn't it lovely how the mountains from a distance always

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<v Speaker 8>look blue. It's a bit strange looking at those mountains

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<v Speaker 8>whilst working on this project. I can't help but wonder

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<v Speaker 8>if the silica is somewhere close. Rumors do suggest that

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<v Speaker 8>he has secret hideouts all over, and there's others that

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<v Speaker 8>say that a network of supporters is out there helping

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<v Speaker 8>him stay hidden. The team was driving to Tricola to

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<v Speaker 8>meet with the man who once led to the effort

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<v Speaker 8>to catch Paalo Costas, retired police officer named Vasili Sefimu.

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<v Speaker 8>In two thousand and three, he received a special assignment

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<v Speaker 8>to scour those same mountains in search of the country's

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<v Speaker 8>most wanted man.

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<v Speaker 2>O Mother.

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<v Speaker 9>The team was formed to chase a Costas brother had

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<v Speaker 9>four people feeling this case on a daily basis around

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<v Speaker 9>the Clockma.

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<v Speaker 8>Is retired now, so we met with him at a

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<v Speaker 8>cafe in the old tricala prison that's now been turned

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<v Speaker 8>into a museum. He still maintains the gruffness of an

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<v Speaker 8>old school cop. He started police work back in the

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<v Speaker 8>eighties and proudly claims that during all that time he

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<v Speaker 8>never picked up a pantophile a pre investigation report. He

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<v Speaker 8>was always on the streets where the action was. In

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<v Speaker 8>nineteen ninety nine, he was working the streets of Athens,

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<v Speaker 8>but he decided to take his big city shops back

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<v Speaker 8>to his hometown and well, it didn't really take him

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<v Speaker 8>very long to find where the action was.

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<v Speaker 9>Attend the Printristulian and it was right before Christmas. December

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<v Speaker 9>two thousand and three, Sunday, we had intel that a

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<v Speaker 9>car had been stolen.

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<v Speaker 1>Ftmu and his partners are driving an unmarked car through

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<v Speaker 1>the mountains when they hear the dispatch radio crackle.

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<v Speaker 9>The car was seen on the mountain range of so

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<v Speaker 9>my team and I drove into the mountains to locate

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<v Speaker 9>him and track.

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<v Speaker 1>The police accelerate up these steep inclines. Suddenly Ftmu spots

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<v Speaker 1>the stolen car racing ahead and figures he can catch up.

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<v Speaker 4>But then when he sezes in the mirror, he speeds

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<v Speaker 4>up and drives higher again.

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<v Speaker 1>Ftmu steps on the gas and the engine grinds into

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<v Speaker 1>high gear. He's white knuckling it around a series of

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<v Speaker 1>hairpin turns. He thinks he's going to catch them, and

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<v Speaker 1>then he comes upon the car.

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<v Speaker 4>Give me a U turn and turns the car the

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<v Speaker 4>sideways bas The stolen car is just.

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<v Speaker 1>Parked there, and for a moment Ftmu is convinced he

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<v Speaker 1>has the fugitive trapped. But that thought only lingers for

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<v Speaker 1>a second.

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<v Speaker 4>We hear a barrage of shots. Bang, bang bang.

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<v Speaker 1>It's a gun, and not just any gun.

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<v Speaker 9>He had a scorpions, a machine gu The bullets were

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<v Speaker 9>flying everywhere above us, to the right, to the left.

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<v Speaker 1>Ftmu slams on the brakes. He opens a driver's side door, dusts.

0:14:37.840 --> 0:14:39.320
<v Speaker 1>He's rolling out onto the dirt.

0:14:40.320 --> 0:14:41.640
<v Speaker 4>We go out of the car and took cover.

0:14:42.280 --> 0:14:45.600
<v Speaker 1>He reaches for his service weapon and then opens fire.

0:14:46.680 --> 0:14:49.760
<v Speaker 1>Bullets fly. The police scramble for a ditch.

0:14:51.920 --> 0:14:54.520
<v Speaker 4>One of our bullets hit his car on the passenger

0:14:54.600 --> 0:14:58.400
<v Speaker 4>side and went through the windshiels then he refers to

0:14:58.560 --> 0:14:59.400
<v Speaker 4>left for the mountain.

0:15:00.720 --> 0:15:03.840
<v Speaker 1>If the Mu watches as the stolen car speeds away,

0:15:04.400 --> 0:15:13.000
<v Speaker 1>disappearing behind a cloud of dust. The officer's heart is

0:15:13.040 --> 0:15:18.320
<v Speaker 1>still racing. He looks around and notices something unusual. His

0:15:18.480 --> 0:15:22.560
<v Speaker 1>car is fine, like none of the bullets got anywhere

0:15:22.560 --> 0:15:27.040
<v Speaker 1>near him or his team. The crook, he realizes, was

0:15:27.040 --> 0:15:31.600
<v Speaker 1>shooting toward them, not at them, and that confirmed f

0:15:31.680 --> 0:15:35.920
<v Speaker 1>the MEU's suspicions. It has to be a Palocostis boy

0:15:36.080 --> 0:16:02.240
<v Speaker 1>behind the wheel. Chapter two, Hometown Heroes. Officer Ftimiu has

0:16:02.320 --> 0:16:06.520
<v Speaker 1>chased Vasilis Palocostis around Greece for years. There have been

0:16:06.600 --> 0:16:10.200
<v Speaker 1>high stakes chases and bullets flying, but he has a

0:16:10.320 --> 0:16:13.960
<v Speaker 1>funny relationship to his target. While he made clear to

0:16:14.080 --> 0:16:17.760
<v Speaker 1>us that he does not like Vasilis, in fact, Ftmiu

0:16:17.840 --> 0:16:21.280
<v Speaker 1>considers him a terrorist, he has come to have a

0:16:21.400 --> 0:16:26.480
<v Speaker 1>level of admiration for Vasilis's skill. Vasilis, he tells us,

0:16:26.800 --> 0:16:30.040
<v Speaker 1>isn't like other criminals. He's dangerous for sure. I mean,

0:16:30.120 --> 0:16:33.200
<v Speaker 1>dude is armed to the teeth, but he never shoots

0:16:33.200 --> 0:16:37.120
<v Speaker 1>to kill and his ability to get away every single

0:16:37.360 --> 0:16:42.760
<v Speaker 1>time is frankly impressive. But Christina, my colleague that we

0:16:42.800 --> 0:16:47.600
<v Speaker 1>met earlier, she discovered that in Vasilis' hometown, the admiration

0:16:47.760 --> 0:16:49.000
<v Speaker 1>goes a lot further.

0:16:50.000 --> 0:16:52.400
<v Speaker 8>As we were trying to get a read on how

0:16:52.480 --> 0:16:56.120
<v Speaker 8>locals view the Palocostas brothers. We met with Valiant claud,

0:16:56.360 --> 0:16:58.960
<v Speaker 8>a journalist who spent a lot of time in tricolars

0:16:58.960 --> 0:17:02.280
<v Speaker 8>reporting on their ures. She told us that the first

0:17:02.280 --> 0:17:04.720
<v Speaker 8>time she visited, she was struck by just how many

0:17:04.720 --> 0:17:12.199
<v Speaker 8>people sympathized with Vasilis. The locals, they were very reluctant

0:17:12.280 --> 0:17:14.720
<v Speaker 8>to talk to her, and the people who did talk

0:17:15.000 --> 0:17:20.720
<v Speaker 8>they said really good things about both Vasilis and Nas.

0:17:21.680 --> 0:17:25.919
<v Speaker 8>Apparently she encountered a man that was hitch hiking. They

0:17:25.960 --> 0:17:29.360
<v Speaker 8>decided to pick him up and they introduced themselves. They

0:17:29.400 --> 0:17:32.119
<v Speaker 8>said that they were journalists, that they wanted to do

0:17:32.160 --> 0:17:35.919
<v Speaker 8>a story on Costas, and the man turned around and said.

0:17:36.320 --> 0:17:37.400
<v Speaker 1>Vasilis is a good guy.

0:17:37.760 --> 0:17:44.440
<v Speaker 8>We we were classmates at the sixth primary school. He said,

0:17:44.880 --> 0:17:47.560
<v Speaker 8>I don't believe he's a common criminal. He's helping people,

0:17:47.960 --> 0:17:50.640
<v Speaker 8>and he pointed at the value that Costas brothers hadn't

0:17:50.720 --> 0:17:55.119
<v Speaker 8>killed anybody.

0:17:57.160 --> 0:18:01.120
<v Speaker 1>Valia kept hearing stories like this. People told her that

0:18:01.320 --> 0:18:05.080
<v Speaker 1>Jaaliocosta stole cars and returned them in mint condition with

0:18:05.400 --> 0:18:08.920
<v Speaker 1>wads of cash on the passenger seat. Others have reported

0:18:08.920 --> 0:18:12.280
<v Speaker 1>that he put young women through school, helped poor farmers

0:18:12.359 --> 0:18:15.720
<v Speaker 1>pay off loans. One time he stole a farmer's tractor

0:18:15.800 --> 0:18:19.160
<v Speaker 1>and returned it with the wagon filled with fresh hay.

0:18:20.040 --> 0:18:23.040
<v Speaker 1>Others said that when he robbed banks, he tossed money

0:18:23.040 --> 0:18:25.400
<v Speaker 1>out the window of his getaway car to the pedestrians.

0:18:26.520 --> 0:18:30.600
<v Speaker 1>It struck Valia that nobody had any real criticisms of

0:18:30.640 --> 0:18:34.400
<v Speaker 1>this guy, I mean, with stories like that. Of course,

0:18:34.480 --> 0:18:38.800
<v Speaker 1>Vassilis and his brother were celebrities here, but Valia noticed

0:18:38.800 --> 0:18:42.040
<v Speaker 1>that nobody seemed to have first hand experience with all

0:18:42.040 --> 0:18:45.719
<v Speaker 1>this generosity. Either it was always from a cousin's neighbor

0:18:46.200 --> 0:18:50.280
<v Speaker 1>or a friend of a friend, which felt suspicious. And

0:18:50.359 --> 0:18:54.040
<v Speaker 1>also she couldn't really nail down the details. The stories

0:18:54.040 --> 0:18:57.520
<v Speaker 1>are always a little vague, and when she pushed for more,

0:18:58.200 --> 0:19:01.160
<v Speaker 1>it seemed like there was something they didn't want to say.

0:19:02.000 --> 0:19:04.560
<v Speaker 4>In the perier, It's a strange thing.

0:19:05.160 --> 0:19:07.080
<v Speaker 8>It was as if they were trying to protect the

0:19:07.119 --> 0:19:10.359
<v Speaker 8>brothers and Vandigotta's feeling that they didn't want to say

0:19:10.400 --> 0:19:13.040
<v Speaker 8>too much. They only wanted to say the best things

0:19:13.080 --> 0:19:16.040
<v Speaker 8>about them. She would push back, but what do you think.

0:19:16.200 --> 0:19:19.240
<v Speaker 8>You know, they've lived a life of hard crime, and

0:19:19.280 --> 0:19:22.720
<v Speaker 8>they would always answer, I'm sure, but they've also been

0:19:22.760 --> 0:19:24.400
<v Speaker 8>helping lots of the locals.

0:19:25.240 --> 0:19:28.200
<v Speaker 1>I don't know about you, but this made my ears

0:19:28.200 --> 0:19:32.760
<v Speaker 1>perk up, Like why was everybody so tight lipped? Is

0:19:32.760 --> 0:19:37.040
<v Speaker 1>it possible they knew where Vasilis was hiding? After all,

0:19:37.560 --> 0:19:41.399
<v Speaker 1>this is his home turf. Those rugged mountains outside the city,

0:19:41.960 --> 0:19:46.120
<v Speaker 1>they're the perfect place to hide if you know your

0:19:46.160 --> 0:19:51.320
<v Speaker 1>way around. So is somebody watching out for Vasilis Palo Coostas.

0:19:52.119 --> 0:19:54.199
<v Speaker 1>We asked Vali if she ever got to the bottom

0:19:54.200 --> 0:19:57.720
<v Speaker 1>of it, but she said no. Every time she raised

0:19:57.720 --> 0:20:01.760
<v Speaker 1>the question of his whereabouts, she always got the same answer.

0:20:02.600 --> 0:20:05.960
<v Speaker 1>Vasilis Palio Costas is untouchable.

0:20:10.160 --> 0:20:13.760
<v Speaker 8>They were talking to Valley about Robinhood Balo Costas, and

0:20:13.800 --> 0:20:17.359
<v Speaker 8>they said, Vasilis is gone. The man knows the mountains,

0:20:17.560 --> 0:20:20.160
<v Speaker 8>he knows how to hide, he knows how to disguise himself.

0:20:20.720 --> 0:20:24.520
<v Speaker 8>He's brilliant, and no matter what happens, they will never

0:20:24.560 --> 0:20:28.640
<v Speaker 8>find him.

0:20:28.720 --> 0:20:36.520
<v Speaker 1>Chapter three, The Artist's Apprentice. For the past fourteen years,

0:20:36.600 --> 0:20:40.240
<v Speaker 1>Vasilis Palo Costas has been m i a, avoiding the

0:20:40.280 --> 0:20:45.760
<v Speaker 1>spotlight and the Greek prison system. Some say he's in Athens,

0:20:46.280 --> 0:20:49.199
<v Speaker 1>Others say he's hiding in the mountains of northern Greece.

0:20:49.960 --> 0:20:54.160
<v Speaker 1>Still others suggest he's kicking back, sipping on Margarita's on

0:20:54.160 --> 0:20:56.639
<v Speaker 1>one of the many far flung islands where Greeks go

0:20:56.760 --> 0:21:01.080
<v Speaker 1>to disappear. It's all hearsay. Daphne and her team spent

0:21:01.280 --> 0:21:05.720
<v Speaker 1>months pulling on threads, chasing internet leads and hitting dead ends,

0:21:06.160 --> 0:21:09.800
<v Speaker 1>but one name kept popping up. Of course, that's Samaras

0:21:09.800 --> 0:21:12.680
<v Speaker 1>oh Cosa Samaras Yamara.

0:21:13.560 --> 0:21:17.280
<v Speaker 7>We interviewed dozens of people, handful more that spoke off

0:21:17.280 --> 0:21:21.240
<v Speaker 7>the record, but many of them kept mentioning the name Samaras.

0:21:21.480 --> 0:21:26.720
<v Speaker 1>Coursta Samaras, also known as the Artist. Does the word

0:21:26.840 --> 0:21:30.960
<v Speaker 1>artist ring a bell, well, you should costa. Samaras is

0:21:31.000 --> 0:21:34.280
<v Speaker 1>the Artist, the criminal mastermind who was guarding the bank

0:21:34.400 --> 0:21:36.320
<v Speaker 1>entrance at the top of this episode.

0:21:36.680 --> 0:21:39.640
<v Speaker 6>Samaras is a career criminal. He spent twenty one years

0:21:39.640 --> 0:21:41.959
<v Speaker 6>in prison. He's seen the inside of twelve or thirteen

0:21:41.960 --> 0:21:45.160
<v Speaker 6>different jails, and he's also a bona fide escape artist.

0:21:45.720 --> 0:21:48.640
<v Speaker 6>He's escaped prison five different times.

0:21:49.240 --> 0:21:53.520
<v Speaker 1>George, another reporter on Daphne's team, dug deep into Samaras's

0:21:53.520 --> 0:21:57.399
<v Speaker 1>background to find out why this guy is so important.

0:21:57.400 --> 0:22:00.240
<v Speaker 6>Turns out Samaras actually played quite a big part to

0:22:00.320 --> 0:22:03.879
<v Speaker 6>Vasilis's origin story. Samaras is one of the main people

0:22:03.920 --> 0:22:06.840
<v Speaker 6>that help Vasillis go from poor Mountain kit to one

0:22:06.880 --> 0:22:10.240
<v Speaker 6>of Greece's most wanted criminals. And the trajectory is actually

0:22:10.400 --> 0:22:13.560
<v Speaker 6>kind of funny because originally Samaras was actually friends with

0:22:13.600 --> 0:22:17.560
<v Speaker 6>the older brother Nikos, but eventually he take Vasillis under

0:22:17.560 --> 0:22:17.920
<v Speaker 6>his wing.

0:22:18.440 --> 0:22:20.880
<v Speaker 1>And this was when in the in the nineteen eighties.

0:22:21.240 --> 0:22:24.960
<v Speaker 6>Yeah, that's right, Vasillis was about twenty years old. And

0:22:25.000 --> 0:22:27.720
<v Speaker 6>what's really interesting is that, you know, in addition to

0:22:27.760 --> 0:22:31.080
<v Speaker 6>teaching him how to pick locks and steal cars, Samaras

0:22:31.119 --> 0:22:34.840
<v Speaker 6>apparently taught Vasillis that the crime doesn't always need a victim.

0:22:35.280 --> 0:22:38.240
<v Speaker 6>You know, that crimes can be done morally and that

0:22:38.280 --> 0:22:41.359
<v Speaker 6>there can be this real honor amongst thieves in a sense.

0:22:42.320 --> 0:22:44.960
<v Speaker 6>We wanted to learn more about this so called moral

0:22:45.040 --> 0:22:48.440
<v Speaker 6>code to crime, so we track down somebody who wants

0:22:48.520 --> 0:22:53.680
<v Speaker 6>interview Samaras. An investigative journalist from Reporters United named Doloris

0:22:54.080 --> 0:23:00.000
<v Speaker 6>jdro Janos or Cos Samarass told us cost Us Samaras

0:23:00.200 --> 0:23:03.720
<v Speaker 6>obsessed with fighting any system that hurts the week and

0:23:03.760 --> 0:23:06.159
<v Speaker 6>He told us that what struck him is how Samaras

0:23:06.160 --> 0:23:08.880
<v Speaker 6>and the Palo Costas brothers were always thinking of things

0:23:08.880 --> 0:23:12.520
<v Speaker 6>in moral terms, Like he gave us this example of

0:23:12.600 --> 0:23:16.240
<v Speaker 6>a bank robbery and the fact that they're robbing a bank.

0:23:16.359 --> 0:23:19.080
<v Speaker 6>They're not, you know, robbing the people. They're not stealing

0:23:19.119 --> 0:23:23.520
<v Speaker 6>grandma and grandpa's pension. They're stealing from the strong. And

0:23:24.200 --> 0:23:26.960
<v Speaker 6>a lot of people would see that as a positive thing.

0:23:28.080 --> 0:23:31.800
<v Speaker 1>Okay, think about it. What have big, faceless corporate banks

0:23:31.880 --> 0:23:35.400
<v Speaker 1>ever done for you except try to nickel and dime

0:23:35.480 --> 0:23:39.120
<v Speaker 1>you with overdraft fees that don't make sense. A good

0:23:39.160 --> 0:23:42.679
<v Speaker 1>old fashioned bank robbery is kind of a perfect crime.

0:23:43.320 --> 0:23:47.240
<v Speaker 1>The banks are ensured the customer's personal accounts aren't touched,

0:23:47.600 --> 0:23:51.160
<v Speaker 1>and meanwhile the execs are probably committing white collar crime

0:23:51.280 --> 0:23:54.840
<v Speaker 1>literally as we speak. At least that's what Vasili Sin

0:23:54.880 --> 0:23:58.480
<v Speaker 1>Samaras thought, and that's what made them such a good team.

0:23:59.000 --> 0:24:03.600
<v Speaker 1>They punched up up, never down. Besides, it wasn't just

0:24:03.600 --> 0:24:07.159
<v Speaker 1>some of US's philosophy that impressed the Ladis. He was

0:24:07.200 --> 0:24:10.760
<v Speaker 1>also blown away by someone Us' determination to be free,

0:24:11.480 --> 0:24:14.879
<v Speaker 1>Like even when he got caught, he always found a

0:24:14.920 --> 0:24:23.280
<v Speaker 1>way to break out. Oh, somebodras. I'd better this for this.

0:24:23.440 --> 0:24:26.400
<v Speaker 6>So Thoris loved the facts that Samaras never gave up.

0:24:26.720 --> 0:24:29.240
<v Speaker 6>You'd expect that he commits a crime, gets caught, goes

0:24:29.280 --> 0:24:32.880
<v Speaker 6>to jail, and it's over. But no, he never let

0:24:32.880 --> 0:24:36.920
<v Speaker 6>the system or un arrest anyway get the better of him.

0:24:37.160 --> 0:24:40.399
<v Speaker 1>He just had this crazy never say die attitude, which

0:24:40.680 --> 0:24:44.639
<v Speaker 1>obviously rubbed off on Vassilis. One time, some of us

0:24:44.720 --> 0:24:47.399
<v Speaker 1>had just done a robbery and as he's racing away,

0:24:47.560 --> 0:24:51.920
<v Speaker 1>he gets cornered on a rooftop with nowhere to jump. Caught,

0:24:52.200 --> 0:24:55.960
<v Speaker 1>he ends up cuffed and taken down town. But just

0:24:56.080 --> 0:24:59.359
<v Speaker 1>a few days later, some of us puts his natural

0:24:59.480 --> 0:25:03.800
<v Speaker 1>charms to work. He befriends this prison guard and starts

0:25:03.920 --> 0:25:07.119
<v Speaker 1>shooting the breeze with him. They even share a meal together,

0:25:07.520 --> 0:25:10.840
<v Speaker 1>grubbing on chicken. When Samaras looks down at his hands,

0:25:10.880 --> 0:25:13.680
<v Speaker 1>where Greece has collected on his fingers.

0:25:15.400 --> 0:25:20.399
<v Speaker 4>Or go to samarasda idiot.

0:25:19.800 --> 0:25:22.960
<v Speaker 6>Samaras sees the opportunity. He asks the guard if he

0:25:23.000 --> 0:25:24.800
<v Speaker 6>can go wash his hands, and he lets him go

0:25:25.080 --> 0:25:28.679
<v Speaker 6>very calmly. Samaras goes into the bathroom and he heads

0:25:28.760 --> 0:25:31.960
<v Speaker 6>out of the bathroom window, and he goes out, hops

0:25:32.000 --> 0:25:34.920
<v Speaker 6>onto the roof terrace, looks around and heads to the stairs,

0:25:35.359 --> 0:25:38.200
<v Speaker 6>and at some point there's this lady and she's shouting, hey,

0:25:38.320 --> 0:25:40.520
<v Speaker 6>one of them is trying to get away police, but

0:25:40.640 --> 0:25:43.040
<v Speaker 6>he just jumps off the stairs and makes a run

0:25:43.040 --> 0:25:47.320
<v Speaker 6>for it. Samaras hadn't even been in prison for more

0:25:47.359 --> 0:25:49.520
<v Speaker 6>than a week, and he's already got his sight set

0:25:49.520 --> 0:25:51.640
<v Speaker 6>on freedom. You know, he wants to get out. He's

0:25:51.640 --> 0:25:55.840
<v Speaker 6>got this fire to be free.

0:25:59.800 --> 0:26:03.160
<v Speaker 1>And that's not even like one of the better Samaras stories.

0:26:03.560 --> 0:26:06.720
<v Speaker 1>One time he broke out by digging through walls and

0:26:06.800 --> 0:26:10.960
<v Speaker 1>hiding in the pits below vault toilets. Another time police

0:26:11.000 --> 0:26:14.480
<v Speaker 1>were transferring him by truck and he chiseled a hole

0:26:14.560 --> 0:26:17.320
<v Speaker 1>in the bottom of his holding cell while the truck

0:26:17.400 --> 0:26:20.760
<v Speaker 1>was speeding down a highway like Looney Tune style. He

0:26:20.880 --> 0:26:23.240
<v Speaker 1>just sawed his way onto the road and made a

0:26:23.240 --> 0:26:26.600
<v Speaker 1>break for it. And after that escape, who do you

0:26:26.640 --> 0:26:30.040
<v Speaker 1>think he called to come get him? That's right, his

0:26:30.240 --> 0:26:37.280
<v Speaker 1>young pupil Vasilis Palio Costas. For years, Samadas mentored Vasilis.

0:26:37.640 --> 0:26:40.760
<v Speaker 1>He taught him everything he knew how to commit an

0:26:40.800 --> 0:26:44.159
<v Speaker 1>ethical crime, one where no one got hurt how to

0:26:44.200 --> 0:26:46.679
<v Speaker 1>plan a heist and get away when there was no

0:26:46.760 --> 0:26:49.959
<v Speaker 1>exit in sight, and he taught him how to do

0:26:50.040 --> 0:26:55.440
<v Speaker 1>it with flair. But long after these lessons were over,

0:26:55.880 --> 0:27:00.000
<v Speaker 1>and long after the pair had parted ways, Vasilis paliokosa

0:27:00.160 --> 0:27:03.960
<v Speaker 1>Us would one up his mentor, hatching the jail break

0:27:04.400 --> 0:27:25.560
<v Speaker 1>that would make him a legend. Chapter four, A Great Escape.

0:27:28.240 --> 0:27:31.800
<v Speaker 1>Vasimply Spilio Costas is the legend he is today because

0:27:31.880 --> 0:27:37.720
<v Speaker 1>his mentor, Costas Samaras, taught him the ropes. Together they

0:27:37.800 --> 0:27:41.240
<v Speaker 1>perfected the art of the bank robbery. But here's the

0:27:41.280 --> 0:27:46.040
<v Speaker 1>strange thing. When Samadas talked to journalist told hodro Janos,

0:27:46.200 --> 0:27:48.360
<v Speaker 1>he was downright humble about his role.

0:27:51.920 --> 0:27:55.479
<v Speaker 6>He was actually surprisingly modest. He didn't take any credit

0:27:55.640 --> 0:27:59.080
<v Speaker 6>to teaching Greece's most wanted man. He just indicated that

0:27:59.160 --> 0:28:04.840
<v Speaker 6>there was this unbreakable bond between him and Vasilis. For Samaras,

0:28:04.960 --> 0:28:07.520
<v Speaker 6>when you're living in a legal life, it doesn't really

0:28:07.560 --> 0:28:10.760
<v Speaker 6>matter who teaches who, you know, what's more important is

0:28:10.840 --> 0:28:12.160
<v Speaker 6>that the camaraderie lasts.

0:28:14.080 --> 0:28:16.719
<v Speaker 1>I mean, there's a phrase thickest thieves for a reason.

0:28:17.560 --> 0:28:20.840
<v Speaker 1>After all those years of stick ups and escapes of course,

0:28:20.880 --> 0:28:22.760
<v Speaker 1>he's not just gonna go and snitch on his boy.

0:28:23.720 --> 0:28:26.840
<v Speaker 1>But the Laris wondered if it was something deeper than that,

0:28:28.000 --> 0:28:30.960
<v Speaker 1>Like maybe there's something else some of us doesn't want

0:28:31.000 --> 0:28:35.240
<v Speaker 1>to talk about, like how Vasili's escaped prison with more

0:28:35.280 --> 0:28:39.280
<v Speaker 1>panache than anyone before him, how he secured his place

0:28:39.520 --> 0:28:43.600
<v Speaker 1>as Greece's greatest living folk hero. Because forget the bank

0:28:43.680 --> 0:28:46.600
<v Speaker 1>robberies and the stories of his generosity, this is the

0:28:46.680 --> 0:28:51.240
<v Speaker 1>part that no rider could make up. Vasilis Paliocostas has

0:28:51.320 --> 0:28:55.959
<v Speaker 1>pulled off not one, but two of the most absolutely

0:28:56.120 --> 0:28:59.920
<v Speaker 1>insane prison breaks of all time, and once you hear

0:29:00.080 --> 0:29:02.479
<v Speaker 1>this story, it's easy to see why some of us

0:29:02.560 --> 0:29:08.800
<v Speaker 1>might be just a little jealous of his pupil Cut

0:29:08.840 --> 0:29:14.320
<v Speaker 1>to Athens, February two thousand and nine. Corridalos the biggest

0:29:14.320 --> 0:29:20.920
<v Speaker 1>maximum security prison in Greece. Corridaalos is Greece's Alcatraz. It's

0:29:20.920 --> 0:29:24.920
<v Speaker 1>where the countries of most dangerous criminals are detained, and

0:29:25.120 --> 0:29:30.360
<v Speaker 1>among them is Vasilis Paliocostas. He's been locked up for

0:29:30.800 --> 0:29:33.760
<v Speaker 1>just a few weeks on trial for a pass that

0:29:33.960 --> 0:29:37.880
<v Speaker 1>finally caught up to him. The verdict is coming soon,

0:29:38.400 --> 0:29:43.840
<v Speaker 1>and he knows he's probably facing a life sentence. Vasilis

0:29:43.880 --> 0:29:48.000
<v Speaker 1>is under heightened surveillance, kept in solitary with armed guards

0:29:48.040 --> 0:29:56.160
<v Speaker 1>and cameras monitoring his every move. Around three in the afternoon,

0:29:56.480 --> 0:30:01.640
<v Speaker 1>the beat of helicopter blades creates this Inside the jail cells,

0:30:02.360 --> 0:30:06.160
<v Speaker 1>a helicopter is hovering just above the roof of the prison,

0:30:06.680 --> 0:30:09.840
<v Speaker 1>right on top of the roof covering the solitary confinement

0:30:09.920 --> 0:30:14.160
<v Speaker 1>with a rope ladder drops from the chopper. People in

0:30:14.240 --> 0:30:17.560
<v Speaker 1>nearby apartments lean out their windows to see. Some grab

0:30:17.600 --> 0:30:22.280
<v Speaker 1>their cameras and start filming. Suddenly guards appear on the roof.

0:30:22.680 --> 0:30:26.200
<v Speaker 1>They start chasing after a shadowy figure scrambling up the

0:30:26.280 --> 0:30:31.760
<v Speaker 1>rope ladder into the helicopter, and then the chopper begins

0:30:31.800 --> 0:30:36.120
<v Speaker 1>to rise. The guards open fire, brace they're too late.

0:30:36.640 --> 0:30:40.280
<v Speaker 1>The helicopter rises above the hail of bullets and keeps climbing.

0:30:40.840 --> 0:30:46.640
<v Speaker 1>It reaches altitude, rotates northeast, speeds off towards downtown Athens,

0:30:46.680 --> 0:30:53.680
<v Speaker 1>and then the prison yard erupts with shears. Every inmate

0:30:53.920 --> 0:30:58.560
<v Speaker 1>knows who just escaped, and soon the world will.

0:30:58.400 --> 0:31:04.280
<v Speaker 9>Too feistinish sociality that the europo le Vai costas.

0:31:06.120 --> 0:31:26.240
<v Speaker 5>Vo escaping the Greek Alcatraz by helicopter is impressive, But

0:31:26.360 --> 0:31:29.760
<v Speaker 5>the most incredible thing is this wasn't the first time.

0:31:30.640 --> 0:31:33.720
<v Speaker 1>Just two and a half years earlier, Vasilis Palio Costas

0:31:33.840 --> 0:31:37.720
<v Speaker 1>had broken out of the exact same prison the exact

0:31:37.880 --> 0:31:42.520
<v Speaker 1>same way. Whatever heightened security measures were in place, they

0:31:42.560 --> 0:31:46.040
<v Speaker 1>weren't enough, because he managed to catch people off guard.

0:31:46.560 --> 0:31:49.560
<v Speaker 1>It's like a magician who performs a trick, explains how

0:31:49.560 --> 0:31:52.520
<v Speaker 1>he did it to the audience, then somehow does it again,

0:31:53.000 --> 0:31:58.120
<v Speaker 1>astonishing everyone. On February twenty second, two thousand and nine,

0:31:58.560 --> 0:32:04.040
<v Speaker 1>Vasilis Palio Costas disappeared into the sky. Since that afternoon,

0:32:04.160 --> 0:32:09.920
<v Speaker 1>fourteen years ago, nobody's seen him. The Greek police, Interpol,

0:32:10.520 --> 0:32:13.720
<v Speaker 1>even the world's top intelligence agencies. None of them know

0:32:14.040 --> 0:32:17.920
<v Speaker 1>where he's hiding, but that hasn't stopped them from looking.

0:32:18.560 --> 0:32:22.440
<v Speaker 1>Because Vasilis Paliokostas is much more than a clever fugitive

0:32:22.480 --> 0:32:26.400
<v Speaker 1>on the run. He humiliated the people who were supposed

0:32:26.400 --> 0:32:30.320
<v Speaker 1>to keep him behind bars. He is widely considered a

0:32:30.480 --> 0:32:34.880
<v Speaker 1>genuine threat to the rich and powerful. The authorities aren't

0:32:34.880 --> 0:32:40.000
<v Speaker 1>gonna let that slide, and yet so many people are

0:32:40.120 --> 0:32:44.560
<v Speaker 1>rooting for him to stay free. Maybe even me. There's

0:32:44.640 --> 0:32:49.240
<v Speaker 1>just something about a heroic outlaw getting one over the system,

0:32:49.400 --> 0:32:52.880
<v Speaker 1>a living, breathing exception to the rule that the rich

0:32:52.960 --> 0:32:56.640
<v Speaker 1>get richer. Maybe it doesn't have to be this way.

0:32:57.600 --> 0:32:59.920
<v Speaker 1>Maybe we just need the fairy tale to come to

0:33:00.120 --> 0:33:03.960
<v Speaker 1>life every once in a while. Either way, I want

0:33:04.000 --> 0:33:06.600
<v Speaker 1>to go deeper. I want to get lost in the

0:33:06.640 --> 0:33:09.320
<v Speaker 1>Greek mountains trying to find this guy. I want to

0:33:09.400 --> 0:33:15.040
<v Speaker 1>understand his motives, his instincts. But the first step has

0:33:15.040 --> 0:33:18.880
<v Speaker 1>got to be with the man who inspired the Greek robinhood.

0:33:19.480 --> 0:33:22.760
<v Speaker 1>We need to find his mentor the man they call

0:33:23.160 --> 0:33:25.200
<v Speaker 1>the artist Kostas.

0:33:25.480 --> 0:33:26.440
<v Speaker 6>Some of us.

0:33:30.880 --> 0:33:34.000
<v Speaker 1>This season on The Good Thief. Would this have been

0:33:34.040 --> 0:33:36.080
<v Speaker 1>a place that Panel Costas would come and hang out

0:33:36.960 --> 0:33:37.880
<v Speaker 1>in these villages?

0:33:38.080 --> 0:33:41.480
<v Speaker 8>If you say anything bad about Polo Costas, they will

0:33:41.600 --> 0:33:41.959
<v Speaker 8>kill you.

0:33:42.160 --> 0:33:44.960
<v Speaker 9>We went over to the embassy and there's this big,

0:33:45.080 --> 0:33:48.000
<v Speaker 9>humongous six foot rocket smoldering.

0:33:48.480 --> 0:33:50.040
<v Speaker 1>One of the reactions is to look for in a

0:33:50.120 --> 0:33:53.280
<v Speaker 1>robin hood. You put your hope in this robinhood.

0:33:54.960 --> 0:33:58.680
<v Speaker 8>It's brilliant and no matter what happens, they will never

0:33:58.720 --> 0:34:13.759
<v Speaker 8>find him.

0:34:14.120 --> 0:34:16.759
<v Speaker 1>The Good Thief is a Kaleidoscope production in partnership with

0:34:16.800 --> 0:34:20.920
<v Speaker 1>iHeart Podcasts. It's hosted by me Miles Gray. Our executive

0:34:20.960 --> 0:34:25.800
<v Speaker 1>producers are Mangesh Chatikadur Kosaslinos Oz Wollashan and Kate Osborne.

0:34:26.200 --> 0:34:29.560
<v Speaker 1>From My Heart executive producers are Katrina Norvel and Nikki Etor.

0:34:30.360 --> 0:34:32.360
<v Speaker 1>We are so grateful to our partners at the Greek

0:34:32.400 --> 0:34:35.319
<v Speaker 1>Podcast Project in Athens, without whom this show would not

0:34:35.360 --> 0:34:40.400
<v Speaker 1>be possible. That's executive producer Daphne Carnesis, field producers Christina

0:34:40.440 --> 0:34:45.480
<v Speaker 1>Pilioni and George Miatis, and sound designer Nikos Sclavenitis, who

0:34:45.560 --> 0:34:49.120
<v Speaker 1>edited and mixed this episode and provided the English voice

0:34:49.120 --> 0:34:52.920
<v Speaker 1>of Kosa Samaras. Here in the US, Mary Phillips Sandy

0:34:53.000 --> 0:34:56.200
<v Speaker 1>is our supervising producer and Shane McKeon is our producer.

0:34:56.800 --> 0:34:59.480
<v Speaker 1>The show is written in research by Lucas Riley. Donya

0:34:59.520 --> 0:35:02.319
<v Speaker 1>Suleman is our fact checker, sound design and final mixed

0:35:02.360 --> 0:35:06.680
<v Speaker 1>by Soundboard. This episode featured the voice of George I. Valiotis.

0:35:07.600 --> 0:35:09.880
<v Speaker 1>There's gonna be a lot of great music in this series,

0:35:10.000 --> 0:35:12.239
<v Speaker 1>and that's thanks to a Mom Baldi who wrote our

0:35:12.280 --> 0:35:16.160
<v Speaker 1>theme song and Botany who composed additional music. If you

0:35:16.160 --> 0:35:18.120
<v Speaker 1>want to hear more from them. We've put links in

0:35:18.120 --> 0:35:20.080
<v Speaker 1>the show notes, or you can find them on your

0:35:20.080 --> 0:35:24.080
<v Speaker 1>favorite music streaming service. Last, but not least, you want

0:35:24.080 --> 0:35:28.399
<v Speaker 1>to thank Will Pearson, Connell Byrne, Bob Pittman, and John

0:35:28.440 --> 0:35:30.880
<v Speaker 1>Mary Knapolis. Thanks so much for listening.