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Just go 0:00:44.080 --> 0:00:47.479 to life flock dot com or call one eight hundred 0:00:47.479 --> 0:00:50.720 life flock and enter the promo code bones one eight 0:00:50.760 --> 0:00:53.720 hundred LifeLock into the promo code bones for ten percent 0:00:53.760 --> 0:00:56.600 off at LifeLock dot com. I love life flock. I 0:00:56.600 --> 0:00:58.480 have used life flock. They've helped me so many times. 0:00:58.680 --> 0:01:04.919 Life flock dot com Welcome to episode. Eddie is jumping 0:01:04.920 --> 0:01:07.080 in from from from the Bio Bonne Show, but the 0:01:07.120 --> 0:01:09.920 Sore Losers podcast as well. That's kind of cool. Yeah, 0:01:09.959 --> 0:01:12.280 I come from another place. Yeah yeah. Eddie is my 0:01:12.360 --> 0:01:14.360 music friend and we sit and we talked about music 0:01:14.400 --> 0:01:16.680 a lot, which is kind of where the stem from 0:01:16.720 --> 0:01:18.759 of reading an article that if you want a song 0:01:18.880 --> 0:01:20.480 to be a hit, the best thing to do is 0:01:20.520 --> 0:01:23.360 to bring another artist in. Like most times when you 0:01:23.440 --> 0:01:27.440 bring another artist in generates interest. Usually if you bring 0:01:27.480 --> 0:01:29.280 an artist and that means are good, people know them 0:01:29.560 --> 0:01:32.720 up so kind of duets or the thing and we 0:01:32.760 --> 0:01:35.000 can look back at something like f g L meant 0:01:35.040 --> 0:01:41.200 to be, which bb Rex all right, And this song 0:01:41.240 --> 0:01:44.399 worked multiple formats because bb Rex is a pop artist, 0:01:45.240 --> 0:01:49.240 and on the different formats, what's funny is they played 0:01:49.240 --> 0:01:53.760 to the strengths so much more, meaning country. They did 0:01:53.760 --> 0:01:55.400 a whole lot more of f g L and cut 0:01:55.440 --> 0:01:57.560 some of the bb pop. They did a whole lot 0:01:57.600 --> 0:01:59.920 more bb and cut some of the Florida Georgia line. 0:02:00.360 --> 0:02:02.360 Like it was like this long piece that they could, 0:02:02.920 --> 0:02:05.160 you know, manipulate whichever way they needed to for people 0:02:05.160 --> 0:02:07.120 to listen to it. I remember hearing that version of 0:02:07.120 --> 0:02:10.120 of bb rexas singing the you no need not no 0:02:10.240 --> 0:02:12.560 not her part. It's it's the regular floor to Georgia 0:02:12.600 --> 0:02:14.280 line part, And I was like, that sounds so weird 0:02:14.320 --> 0:02:16.840 because I was used to the country version. Yeah. Sense, 0:02:17.040 --> 0:02:19.119 So the story is that I can read you this here. 0:02:19.800 --> 0:02:22.560 A new study found that songs with featured guest artists 0:02:22.639 --> 0:02:26.359 or duos over the past two decades have become top 0:02:26.360 --> 0:02:30.120 ten hits. Right and Maroon five mc Cardi b Honey 0:02:30.120 --> 0:02:33.880 an girl Like You. Yeah, that's the same one. I 0:02:33.919 --> 0:02:36.440 like money moved this says girls like that doesn't name 0:02:36.440 --> 0:02:39.639 of that song. They messed up the who did that? 0:02:39.639 --> 0:02:42.480 That's why we're the expert on the podcast. Remember Katy 0:02:42.520 --> 0:02:45.760 Perry and Snoop Dogg doing California Girls. That's a good one. Yeah, 0:02:45.800 --> 0:02:48.200 so and they left some of them. Eminem and Rihanna 0:02:48.440 --> 0:02:54.360 doing Monster that the fire Monster, Eminem with Dido doing 0:02:54.440 --> 0:02:57.679 Stand of course. I big that one was huge. That's 0:02:57.680 --> 0:03:01.960 that One's was that stand? Yeah? Yeah, no, not stand No, 0:03:02.000 --> 0:03:05.600 It wasn't Stand. My teas rock. So what happened with 0:03:05.639 --> 0:03:09.200 that one was Hey, but he's fan. The name is stand. 0:03:09.240 --> 0:03:13.280 Just wow, You're right. I didn't realize she put that 0:03:13.280 --> 0:03:18.119 out herself after that that song alone. So, uh, thank 0:03:18.160 --> 0:03:20.200 dude teaching the stuff right now, I like that. I 0:03:20.240 --> 0:03:22.160 wasn't planning to talk about that. I'm going from memory here. 0:03:22.480 --> 0:03:25.840 What was that died? A song called you can look 0:03:25.880 --> 0:03:28.160 it up? No, I don't need to, all right, I'll 0:03:28.160 --> 0:03:31.440 look it up because I need to. Um, it's probably 0:03:31.440 --> 0:03:38.560 called I want to thank you. That's not it for 0:03:38.760 --> 0:03:44.320 giving me the best day of my life. Yeah, so 0:03:44.360 --> 0:03:46.880 she made this into a real song and released it 0:03:46.960 --> 0:03:51.480 after she was on it. Yo, slim, it's me day. 0:03:52.080 --> 0:03:56.600 So that's the minm vertue. So this came out after 0:03:56.760 --> 0:04:01.080 stand Yes, I believe again, I'm just going for that. True. 0:04:03.680 --> 0:04:06.680 I would have thought hip hop they sample this is original. 0:04:07.280 --> 0:04:09.280 This came first and then they sampled it first. Stand 0:04:09.320 --> 0:04:12.000 But no, I'm not saying this was already created. But 0:04:15.400 --> 0:04:21.200 it's so why aren't we like just infiltrated with duets? 0:04:21.240 --> 0:04:23.440 We kind of are now if you look around features 0:04:23.440 --> 0:04:25.440 and duets, And that's my point, and I'm gonna get 0:04:25.440 --> 0:04:26.800 to some some of the new stuff and even the 0:04:26.839 --> 0:04:31.480 best duets of the past twenty five years. And by duets, 0:04:31.480 --> 0:04:33.120 it can also be a feature, right, I just used 0:04:33.120 --> 0:04:34.680 do it if there's two people singing in a song. 0:04:35.240 --> 0:04:38.440 But this is stand you know, it comes to mind. 0:04:38.480 --> 0:04:41.880 It's like John Mayer like he I feel like he's 0:04:41.920 --> 0:04:43.599 the dude like he dates a girl. He's like, hey, 0:04:44.000 --> 0:04:47.400 feature duet with me because like really like he doing Taylor? 0:04:47.480 --> 0:04:50.360 They were dating, right, So I think that story again. 0:04:50.560 --> 0:04:52.120 I'm just pulling up out of my butt right here. 0:04:53.200 --> 0:04:56.159 What I think about the Taylor one is because that 0:04:56.160 --> 0:05:01.480 would be half my heart, my god him, Okay, it's 0:05:01.520 --> 0:05:04.520 John Mary Taylor Swift. I believe that she was more 0:05:04.560 --> 0:05:09.320 prominently in the song from what I've heard, could be wrong. 0:05:09.880 --> 0:05:11.320 And then once it didn't go so well, they kind 0:05:11.360 --> 0:05:14.880 of pulled her back a bit some background like she's 0:05:14.880 --> 0:05:17.200 saying versus. I don't know about versus, but she was 0:05:17.240 --> 0:05:19.440 definitely more in there. And then John Mary and Katy 0:05:19.480 --> 0:05:27.320 Perry did who You Love? Yeah so good? Yeah, Like 0:05:27.440 --> 0:05:30.160 I've half of my heart and see if there's any 0:05:30.200 --> 0:05:31.680 recollection or if I made it up or if I 0:05:31.720 --> 0:05:36.320 no insider. And when you geek over the stuff, like 0:05:36.320 --> 0:05:38.239 what kind of research you did? You just google everything? 0:05:39.080 --> 0:05:42.359 Or I talk to people that are really close you 0:05:42.440 --> 0:05:45.479 have that advantage. Yeah, well it's my job, and those 0:05:45.480 --> 0:05:48.360 people they just kind of vomit all that information out, Yeah, 0:05:48.360 --> 0:05:51.360 because they know I don't share stuff like I'm if 0:05:51.400 --> 0:05:53.280 I note like their stuff. I know about songs the 0:05:53.279 --> 0:05:55.240 country music right now, who they're written about, it would 0:05:55.279 --> 0:06:00.080 shake the know. But there's one song in particular that 0:06:00.240 --> 0:06:01.480 if I was like, oh, you know, the song is 0:06:01.480 --> 0:06:05.320 about blah blah blah the whole what. Yeah, dang, that's 0:06:05.360 --> 0:06:09.160 crazy and it's so cool they trust you with that, Like, dude, 0:06:09.160 --> 0:06:11.279 you could really just like, but I don't want to 0:06:11.240 --> 0:06:13.200 because then no one will trust you ever again. Mike, 0:06:13.400 --> 0:06:17.440 you want to talking about now, Okay, it doesn't matter. 0:06:17.480 --> 0:06:19.520 I'm not gonna say. I'm not even gonna allude to it. Dang, 0:06:19.560 --> 0:06:22.359 that's so cool. But if you prove trustworthy, then people 0:06:22.400 --> 0:06:25.760 trust you. And you have to show that you're trustworthy 0:06:25.760 --> 0:06:27.440 and little bits first and they give you middle bits 0:06:27.600 --> 0:06:29.760 and then finally people are like I one to love 0:06:29.880 --> 0:06:33.440 music first and form more than I love gossip. You 0:06:33.480 --> 0:06:38.600 can say, God, I love mother than I love gossip 0:06:38.720 --> 0:06:40.680 for what it's about, Like I love you and the 0:06:40.760 --> 0:06:44.440 thing about my ex girlfriend's record when it comes out later, 0:06:44.600 --> 0:06:47.039 I haven't heard it, but there are songs about me. 0:06:47.400 --> 0:06:51.200 But I respect the music so much that she was like, hey, 0:06:51.200 --> 0:06:53.200 should I send you these songs something? I was like, nope, 0:06:53.200 --> 0:06:55.880 because I'll be like, don't put it out, but I 0:06:55.920 --> 0:06:57.320 want your record to be what you wanted to be. 0:06:57.600 --> 0:06:59.839 Zero songs got me, ten songs about me. It needs 0:06:59.880 --> 0:07:02.000 to be what you're feeling. So from respect for the 0:07:02.120 --> 0:07:03.839 music and you as an artist, don't send me crap 0:07:04.080 --> 0:07:07.440 because me, the humans gonna go. Don't put that out. Me, 0:07:07.760 --> 0:07:09.160 the person who loves music goes. I don't even want 0:07:09.160 --> 0:07:10.200 to hear it. You just should put out what you 0:07:10.200 --> 0:07:11.680 want to put out, and if it's slamming me or 0:07:12.200 --> 0:07:16.040 are loving me or mostly slamming me, then that's what 0:07:16.080 --> 0:07:20.520 you should do. Yeah, slamming me. Yeah. Do you like 0:07:20.640 --> 0:07:22.840 knowing all that stuff? Though? Like do you like knowing 0:07:22.960 --> 0:07:25.520 what the song was written about? Because then then your 0:07:25.520 --> 0:07:27.960 mind just take there. I know sometimes not because I 0:07:27.960 --> 0:07:30.680 like to assign at times my own narrative things. Because 0:07:30.720 --> 0:07:32.480 I think we hear a song, we go, this makes 0:07:32.520 --> 0:07:33.840 me feel this way, But if we know what it's 0:07:33.840 --> 0:07:36.440 really written about, we can't feel the way that we 0:07:36.440 --> 0:07:38.320 would have loved to have felt or we feel the 0:07:38.320 --> 0:07:40.880 way that we were needing to feel. Mike, do you 0:07:40.880 --> 0:07:43.680 find thing about that? Okay? Then if finely not true? Well, 0:07:43.720 --> 0:07:50.080 you know I didn't say okay, so that could be it. 0:07:50.080 --> 0:07:52.000 It could be that the version that you're hearing without 0:07:52.000 --> 0:07:54.120 her really is because they pulled her back off of 0:07:54.120 --> 0:07:57.200 it because they decided she didn't she shouldn't be on it. 0:07:57.440 --> 0:08:00.000 That really could be it. So I wonder how all 0:08:00.080 --> 0:08:02.720 these go down to, like how did they get asked? 0:08:03.880 --> 0:08:07.800 They probably say they're probably lay in bed. I was 0:08:07.840 --> 0:08:11.280 just thinking, and that's it. You're like, all right, let's 0:08:11.280 --> 0:08:15.360 go Tay. No, but they were dating, I thought, or 0:08:15.360 --> 0:08:20.640 maybe it was after the fact, and then they recorded, 0:08:20.760 --> 0:08:23.520 and then I don't know, no, because you needed Aniston 0:08:23.640 --> 0:08:30.440 after Taylor or before, and you know what, I know 0:08:30.520 --> 0:08:33.080 stuff about that doesn't matter. I know too much. I'm 0:08:33.120 --> 0:08:36.080 going to stop talking. There are those places to where 0:08:36.080 --> 0:08:39.000 I got because I know too much. Um And I 0:08:39.000 --> 0:08:40.400 don't even like to stand up too much because then 0:08:40.400 --> 0:08:42.960 it's like shut up, oh cool guy. But I have 0:08:43.000 --> 0:08:44.680 to stop because I got to say something I supposed 0:08:44.679 --> 0:08:47.320 to say. That being said, I want to hear this list. 0:08:47.440 --> 0:08:49.160 This whole thing is the best duets of the last 0:08:49.160 --> 0:08:53.160 twenty five years, and one of the recent duets is 0:08:53.440 --> 0:08:55.640 Brandley Gilbert and Lindsay l This song right flying up 0:08:55.760 --> 0:08:58.960 charts right now your ex girlfriend? Right, what happens in 0:08:58.960 --> 0:09:08.600 a small town? Stop? When I read that article about 0:09:08.600 --> 0:09:09.840 features and duet, I was like, Oh, this is what's 0:09:09.840 --> 0:09:11.640 happening now with the Brentley Lindsay song. It's not the 0:09:11.679 --> 0:09:33.280 kitchen my girlfriend, but separate everybody. So there's that one. 0:09:33.320 --> 0:09:39.680 What happens in a small town? We'll do some country 0:09:39.800 --> 0:09:44.160 was first? All right, let's by the way. Eddie was 0:09:44.200 --> 0:09:48.160 like a bad goodbye dude. I just like, I mean 0:09:48.200 --> 0:09:50.960 when this song came out, and I'm kind of like 0:09:51.000 --> 0:09:53.240 you with like the emo music like stuff that's just 0:09:53.600 --> 0:09:55.800 pulls your heart, dude. I remember being young listening to 0:09:55.840 --> 0:09:57.440 the song and get interior and I'm like, what do 0:09:57.520 --> 0:10:00.199 I know about this crap? It's club black and don't 0:10:00.200 --> 0:10:02.320 know why judge. Now, to be fair, this is not 0:10:02.360 --> 0:10:04.320 inside the twenty years I missed it, But what when 0:10:04.400 --> 0:10:15.760 is the right year? I'm sure it's something. Can you 0:10:15.880 --> 0:10:20.040 fast forward? Because when they hit that like towards the end, 0:10:20.080 --> 0:10:22.480 when they go power like song, it so much it's 0:10:22.480 --> 0:10:24.679 given me like chill, remembering, like being a kid here 0:10:24.720 --> 0:10:27.240 in this take it, dude, you know how far do 0:10:27.240 --> 0:10:29.720 you want to go out? And didn't? They're both because 0:10:29.760 --> 0:10:31.679 when it does the verse after this and then they 0:10:31.760 --> 0:10:37.199 do it together where that's the powerful. There's no good, 0:10:35.600 --> 0:10:49.600 who's good? Whenever? Man to leave? Try to keep talking 0:10:50.200 --> 0:11:05.920 you through here it is there maybe no way and 0:11:06.120 --> 0:11:16.080 the cloud up to clear. Did I can't leave? We 0:11:16.880 --> 0:11:34.400 the mag good bye, good good dude, I can't. So 0:11:34.559 --> 0:11:38.480 you remember it? Of course that was so powerful and 0:11:38.520 --> 0:11:40.120 I don't even know if it was huge or it 0:11:40.200 --> 0:11:42.080 made all right. Listen all the time I kissed the thing. 0:11:43.640 --> 0:11:46.840 That's what my min was k frog. Yeah, that's the valley. 0:11:46.920 --> 0:11:48.920 So I didn't make the list, but I did um 0:11:49.480 --> 0:11:51.480 put it up here because I was yours. Did this 0:11:51.480 --> 0:11:53.000 commercial real quick. We'll come back and we'll go through 0:11:53.040 --> 0:11:55.520 the list. By now, you may be racking your brain. 0:11:55.880 --> 0:11:58.760 Valentine's Day? What are you gonna get her? One eight 0:11:58.800 --> 0:12:00.920 hundred flowers dot Com. I'll say it right now because 0:12:00.920 --> 0:12:04.520 it is not complicated. Roses from one hundred flowers are 0:12:04.559 --> 0:12:07.280 a no brainer. 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And Brad Paisley 0:14:08.760 --> 0:14:10.400 writes most of his songs. He didn't write this one. 0:14:10.679 --> 0:14:12.120 Remember Brad coming in once and I was like, due, 0:14:12.240 --> 0:14:13.880 my favorite song you've ever done. And I don't know 0:14:13.920 --> 0:14:17.920 if if that's insulting or it's not an insult, but 0:14:17.960 --> 0:14:21.840 it's like insulting because to him, he's done so much 0:14:22.000 --> 0:14:24.360 and he's had so much, so he's had so many 0:14:24.360 --> 0:14:27.040 songs he's written and put out down. He was entertaining 0:14:27.040 --> 0:14:30.080 of the everything right, but this song, these slow songs 0:14:32.480 --> 0:14:40.280 to this is and when one of the best, like 0:14:40.360 --> 0:14:42.840 top five best country duets, and I have my top five, 0:14:42.880 --> 0:14:45.640 they're not really any order. This other one, it was 0:14:45.680 --> 0:14:49.040 not a single this I'll Be the Moon. Oh dude, 0:14:49.040 --> 0:14:51.680 I just I listen to this now still, like it's 0:14:51.720 --> 0:14:54.320 in my rotation of songs to listen to. Yeah, and 0:14:54.360 --> 0:14:58.080 I'll Be the Moon is Dirk's and Marion Morris. Yeah, 0:14:58.200 --> 0:15:00.640 Ryan heard wrote this, and dude, honestly, and I'm pretty 0:15:00.680 --> 0:15:03.720 good at listen to music and breaking down lyrics and 0:15:03.800 --> 0:15:05.840 kind of understanding what they're saying. And I never really 0:15:05.960 --> 0:15:08.880 paid attention to it. But when Ryan Ryan one time 0:15:08.920 --> 0:15:12.240 talked about this and talked about, you know, is it 0:15:12.640 --> 0:15:16.640 being an affair and then being okay with that. It 0:15:16.760 --> 0:15:19.200 was like, and that's what it means, Like you're gonna 0:15:19.240 --> 0:15:22.000 metaphorically call that the sun and the moon, Like he 0:15:22.040 --> 0:15:23.720 can be the sun and I'll be on the other 0:15:23.760 --> 0:15:25.120 side of the world be of the moon. And it's like, 0:15:25.160 --> 0:15:27.960 I'll I'm okay waiting if that's the only way I 0:15:28.000 --> 0:15:32.000 can have you is that I'll be the moon. That's intense, right, 0:15:32.480 --> 0:15:35.320 Like that to me is like that's just the thinking 0:15:35.360 --> 0:15:37.680 that never would cross my mind. And they turn it 0:15:37.680 --> 0:15:42.080 into a song, a beautiful song. I don't want to 0:15:42.120 --> 0:15:48.240 be I don't want to be a secret if you want. 0:15:48.600 --> 0:15:50.880 They came in and played this from Dark's record. Yeah, 0:15:51.000 --> 0:15:53.000 I had Darks and Maren come in and play this together. Dude. 0:15:53.080 --> 0:15:54.440 They were like, I'm not a single. I was like, 0:15:54.440 --> 0:16:00.400 I don't care, just play it. He can, I'll be okay. 0:16:00.480 --> 0:16:03.560 But you said that they may they do these things 0:16:03.680 --> 0:16:05.840 kind of like as ah, like, the most of the 0:16:05.920 --> 0:16:08.040 data says these are most successful, so this is kind 0:16:08.040 --> 0:16:11.280 of why labels do sometimes put these together and arrange 0:16:11.320 --> 0:16:13.360 them and release them. But in this case, this wasn't 0:16:13.360 --> 0:16:16.120 even a single. It wasn't a single. I don't know why. 0:16:16.160 --> 0:16:18.520 And sometimes they don't make those decisions till later. They 0:16:18.560 --> 0:16:20.040 could have recorded it going to be a single that 0:16:20.160 --> 0:16:23.560 for some reason ended up changing. Interesting Remember Dark's put 0:16:23.600 --> 0:16:27.000 out a song called what the Hell or something, and 0:16:27.000 --> 0:16:29.160 they pulled it because darksn't like Hell being a single, 0:16:30.080 --> 0:16:31.960 and so all those factors it may or may not 0:16:32.000 --> 0:16:33.680 have changed what the next single was, what the next 0:16:33.680 --> 0:16:35.160 single was. Because you don't do two slow songs in 0:16:35.160 --> 0:16:37.240 a row. You don't do, you know, so, I don't 0:16:37.280 --> 0:16:38.720 know why, but that song is so good. That's in 0:16:38.880 --> 0:16:44.360 my top duets years. I also have picture from Kid 0:16:44.440 --> 0:16:48.640 Rock and Sheryl Crow. I mean it's classic, right, shoot 0:16:49.040 --> 0:16:57.320 one eight years ago? Would you consider this country? I 0:16:57.360 --> 0:17:00.200 don't know why. I don't think Cheryl's country. Then he's 0:17:00.200 --> 0:17:02.960 not country now? Really kid Rock has never been country 0:17:03.120 --> 0:17:08.400 kind of he lives in Naville now, I mean yeah, 0:17:08.880 --> 0:17:13.000 wolves in London and oh yeah, I guess that was Yeah, 0:17:13.160 --> 0:17:16.280 what was that done? It's hard to sing another song 0:17:16.280 --> 0:17:19.560 when this one's playing. That called anywhere fishing on the 0:17:19.640 --> 0:17:23.399 ducks all summer long? That song note might could be 0:17:23.480 --> 0:17:26.000 pulling up picture. Cheryl Crow wasn't the original singer on 0:17:26.040 --> 0:17:29.520 that song. Who was another country artist? Really? Yeah? And 0:17:29.640 --> 0:17:33.840 so and again they were dating kid Rock and show Crow? 0:17:33.920 --> 0:17:35.480 Were they not when this one thing? I don't know 0:17:35.520 --> 0:17:37.800 if they were dating then or not, because I feel 0:17:37.800 --> 0:17:40.760 like that's special to like if there is romance between 0:17:40.880 --> 0:17:42.760 that probably how you get them or you get him 0:17:42.760 --> 0:17:45.720 in the studio and then you start dating after it. 0:17:45.720 --> 0:17:47.840 It's like a little tactic that you do. Yeah, It's like, Hey, 0:17:47.880 --> 0:17:49.840 I want to meet somebody. How do I get them 0:17:49.840 --> 0:17:51.399 to come in? Ask him to do a duet? It's 0:17:51.400 --> 0:17:56.320 like putting somebody in music video. Who was Alison More? Yeah? 0:17:56.400 --> 0:17:58.600 So she was the original one on the song. I 0:17:58.640 --> 0:18:02.400 mean huge, huge advantage to put Sheryl Crown. That could 0:18:02.440 --> 0:18:04.720 have that could have made the song. Yeah, are that crazy? 0:18:04.880 --> 0:18:06.280 That is a crazy good one. That's one of my 0:18:06.320 --> 0:18:09.760 top I love this You and Tequila from Kenny Chesney 0:18:09.760 --> 0:18:14.760 and Grace Potter two thousand ten Quill made me crazy, 0:18:16.200 --> 0:18:23.439 jam right so good lacks and my blood harmonies right here. 0:18:25.960 --> 0:18:36.359 One more n could kill wan just want to? One 0:18:36.560 --> 0:18:43.399 more is never It comes so good. Put that on 0:18:43.400 --> 0:18:45.520 the list. Another one that I put in is the 0:18:45.520 --> 0:18:49.160 Brooks and Done with Reba. Yeah, cow Girls don't Cry? Yes? 0:18:50.440 --> 0:18:54.000 Is that a duet or a triplet? Well? Or is 0:18:54.000 --> 0:18:59.480 that a three way? Is that a threesome? It's two artists, 0:18:59.560 --> 0:19:02.919 like brooks Don's considered an artist, but yeah, they should 0:19:02.960 --> 0:19:06.399 make another category for three and then they would dominate 0:19:06.400 --> 0:19:09.440 it obviously because this is good. But it's like two artists. Yeah, 0:19:09.680 --> 0:19:14.879 I'm just saying girls. The whole song is like the 0:19:14.960 --> 0:19:18.160 dad's like telling her, hey, you fall up a horse. 0:19:18.160 --> 0:19:20.520 Cowgirls will cry, get up, Hey this happened. Cowgirls will cry, 0:19:20.520 --> 0:19:23.720 get up. And at the end, the dad's dying and 0:19:24.200 --> 0:19:27.000 she's like, she's the cowguys like because cowgirls don't cry, 0:19:27.080 --> 0:19:32.439 and it turned it on him. That's that's a good one. 0:19:32.440 --> 0:19:34.600 I put that in the top five if I had 0:19:34.640 --> 0:19:35.840 to do one more, because I have a bunch of 0:19:35.840 --> 0:19:38.560 them up here. Whiskey the Laby, I'll be the moon. 0:19:38.880 --> 0:19:42.119 Cowgirls Don't Cry. That's five. You know the one that 0:19:42.160 --> 0:19:43.719 you have more, You have more on there? I do 0:19:43.840 --> 0:19:48.720 like this is the probably the ultimate, probably the biggest. Again, 0:19:48.720 --> 0:19:52.679 the ultimate. We know Tim and Faith like they're married. 0:19:52.840 --> 0:19:56.000 It's love. So that makes all this way more special 0:19:56.000 --> 0:19:58.159 than just two artists singing a song. I wonder if 0:19:58.160 --> 0:19:59.800 there are a lot of duets where people were together 0:20:00.280 --> 0:20:03.880 and now they hate each other and we feel worse 0:20:03.920 --> 0:20:05.760 about it because on the show, on the radio show, 0:20:06.080 --> 0:20:09.720 we were talking about the song from Dixie Chicks, Cowboy 0:20:09.760 --> 0:20:12.760 Take Me Away was written about Emily Robinson and Charlie 0:20:12.800 --> 0:20:14.760 Robinson no longer together and they're not together, but it 0:20:14.800 --> 0:20:19.800 was written about, you know them, seeing that happen. It 0:20:19.880 --> 0:20:22.440 was written about Emily fallen in love with Charlie. Wrote 0:20:22.480 --> 0:20:28.240 it with Marcus Hummond about Emily and Charlie. Now they're 0:20:28.240 --> 0:20:30.280 not together. But if you know that story, do you 0:20:30.280 --> 0:20:31.920 think of it differently and go, oh, this has written 0:20:31.920 --> 0:20:33.840 about their love? Well, ever since you told that story, 0:20:33.880 --> 0:20:35.760 I heard it a couple of times after that, and 0:20:35.880 --> 0:20:39.320 I've automatically thought about that story now, so I don't 0:20:39.359 --> 0:20:41.720 even think about I mean, I don't know, I never 0:20:41.760 --> 0:20:44.639 thought about anything, but now I think about Charlie and Emily, 0:20:45.000 --> 0:20:47.560 like it doesn't kill it that they're not together, because 0:20:47.560 --> 0:20:49.720 that's real life. The fact that they got divorced whatever, 0:20:49.800 --> 0:20:51.639 real life. We never would have known that that story 0:20:51.680 --> 0:20:54.600 wasn't even out. But the song, I mean that that 0:20:54.800 --> 0:20:56.960 that still lives, like you talk about that song still 0:20:57.000 --> 0:20:59.200 lives and if it was about them fallen in love, 0:20:59.200 --> 0:21:01.320 it will always be at them falling in love. It's 0:21:01.359 --> 0:21:04.240 five o'clock somewhere, Alan Jackson, Jimmy Buffett. Did you like 0:21:04.280 --> 0:21:08.040 this one? Yes, you like Jimmy Buffett. He's my favorite. 0:21:08.080 --> 0:21:10.560 I was never a lover lover of this song. There 0:21:10.600 --> 0:21:13.320 was a guy in high school named Brian Wagner, and 0:21:13.359 --> 0:21:16.680 this dude was like a surfer kind of kid or whatever, 0:21:16.720 --> 0:21:18.560 and his parents were big Jimmy Bufett fans, and he 0:21:18.640 --> 0:21:21.920 got me into Jimmy Buffett, and I loved that whole 0:21:22.000 --> 0:21:28.359 like party margarita's and parrots and like tropical vibe. Like 0:21:28.400 --> 0:21:32.160 I just love his whatever he stood for, that's your thing. 0:21:32.720 --> 0:21:35.000 I'm a beach guy man. Buffets my dude. So when 0:21:35.040 --> 0:21:37.280 you put Alan Jackson, who was I mean, the king 0:21:37.320 --> 0:21:41.640 of just country music, nineties country really like the Chattahoochie 0:21:41.640 --> 0:21:43.800 and all that, and then put him together with Jimmy 0:21:43.800 --> 0:21:46.280 Buffett and loving life, I wonder how many of these 0:21:46.320 --> 0:21:48.359 two were saying in the same studio back in the 0:21:48.440 --> 0:21:51.919 day versus now. It's a good question, because you have you, 0:21:52.119 --> 0:21:55.000 we have like the raging idiots. You have duets with 0:21:55.200 --> 0:21:59.040 We have duets with Carrie Underwood, Harry Charles, Charles, Kelly, 0:21:59.359 --> 0:22:03.320 um Kelsey Ballerini. So and how many of those were 0:22:03.359 --> 0:22:05.640 done in the same time exactly? Well, maybe same room, 0:22:05.640 --> 0:22:07.359 but we were went at the same time. Like when 0:22:07.440 --> 0:22:09.439