1
00:00:00,560 --> 00:00:03,199
Speaker 1: The world is full of sounds that warn you of danger,

2
00:00:03,320 --> 00:00:05,560
Speaker 1: like if you get a little too close to rattlesnake here.

3
00:00:06,480 --> 00:00:09,239
Speaker 1: But in the digital world, if your personal information is

4
00:00:09,280 --> 00:00:12,119
Speaker 1: in danger, there is no to let you know that

5
00:00:12,160 --> 00:00:14,640
Speaker 1: you might be in trouble. The good thing is that

6
00:00:14,760 --> 00:00:17,919
Speaker 1: life flock has added the power of Norton Security to

7
00:00:18,000 --> 00:00:20,760
Speaker 1: see more cyber threats. Whether it's potential threats to your

8
00:00:20,800 --> 00:00:23,560
Speaker 1: identity like your personal information for sale in the dark web,

9
00:00:23,920 --> 00:00:27,880
Speaker 1: or threats to your devices like malware or emerging viruses,

10
00:00:28,040 --> 00:00:30,200
Speaker 1: you have a problem, their agents will work to fix it.

11
00:00:30,400 --> 00:00:33,080
Speaker 1: Of course, no one can stop every cyber threat or

12
00:00:33,240 --> 00:00:36,680
Speaker 1: prevent all identity to after monitor transactions at all businesses,

13
00:00:37,120 --> 00:00:39,840
Speaker 1: but life flock with Norton can detect a wide range

14
00:00:39,840 --> 00:00:41,800
Speaker 1: of threats that can sneak up on you. Join now

15
00:00:41,800 --> 00:00:44,000
Speaker 1: and get ten percent off your first year. Just go

16
00:00:44,080 --> 00:00:47,479
Speaker 1: to life flock dot com or call one eight hundred

17
00:00:47,479 --> 00:00:50,720
Speaker 1: life flock and enter the promo code bones one eight

18
00:00:50,760 --> 00:00:53,720
Speaker 1: hundred LifeLock into the promo code bones for ten percent

19
00:00:53,760 --> 00:00:56,600
Speaker 1: off at LifeLock dot com. I love life flock. I

20
00:00:56,600 --> 00:00:58,480
Speaker 1: have used life flock. They've helped me so many times.

21
00:00:58,680 --> 00:01:04,919
Speaker 1: Life flock dot com Welcome to episode. Eddie is jumping

22
00:01:04,920 --> 00:01:07,080
Speaker 1: in from from from the Bio Bonne Show, but the

23
00:01:07,120 --> 00:01:09,920
Speaker 1: Sore Losers podcast as well. That's kind of cool. Yeah,

24
00:01:09,959 --> 00:01:12,280
Speaker 1: I come from another place. Yeah yeah. Eddie is my

25
00:01:12,360 --> 00:01:14,360
Speaker 1: music friend and we sit and we talked about music

26
00:01:14,400 --> 00:01:16,680
Speaker 1: a lot, which is kind of where the stem from

27
00:01:16,720 --> 00:01:18,759
Speaker 1: of reading an article that if you want a song

28
00:01:18,880 --> 00:01:20,480
Speaker 1: to be a hit, the best thing to do is

29
00:01:20,520 --> 00:01:23,360
Speaker 1: to bring another artist in. Like most times when you

30
00:01:23,440 --> 00:01:27,440
Speaker 1: bring another artist in generates interest. Usually if you bring

31
00:01:27,480 --> 00:01:29,280
Speaker 1: an artist and that means are good, people know them

32
00:01:29,560 --> 00:01:32,720
Speaker 1: up so kind of duets or the thing and we

33
00:01:32,760 --> 00:01:35,000
Speaker 1: can look back at something like f g L meant

34
00:01:35,040 --> 00:01:41,200
Speaker 1: to be, which bb Rex all right, And this song

35
00:01:41,240 --> 00:01:44,399
Speaker 1: worked multiple formats because bb Rex is a pop artist,

36
00:01:45,240 --> 00:01:49,240
Speaker 1: and on the different formats, what's funny is they played

37
00:01:49,240 --> 00:01:53,760
Speaker 1: to the strengths so much more, meaning country. They did

38
00:01:53,760 --> 00:01:55,400
Speaker 1: a whole lot more of f g L and cut

39
00:01:55,440 --> 00:01:57,560
Speaker 1: some of the bb pop. They did a whole lot

40
00:01:57,600 --> 00:01:59,920
Speaker 1: more bb and cut some of the Florida Georgia line.

41
00:02:00,360 --> 00:02:02,360
Speaker 1: Like it was like this long piece that they could,

42
00:02:02,920 --> 00:02:05,160
Speaker 1: you know, manipulate whichever way they needed to for people

43
00:02:05,160 --> 00:02:07,120
Speaker 1: to listen to it. I remember hearing that version of

44
00:02:07,120 --> 00:02:10,120
Speaker 1: of bb rexas singing the you no need not no

45
00:02:10,240 --> 00:02:12,560
Speaker 1: not her part. It's it's the regular floor to Georgia

46
00:02:12,600 --> 00:02:14,280
Speaker 1: line part, And I was like, that sounds so weird

47
00:02:14,320 --> 00:02:16,840
Speaker 1: because I was used to the country version. Yeah. Sense,

48
00:02:17,040 --> 00:02:19,119
Speaker 1: So the story is that I can read you this here.

49
00:02:19,800 --> 00:02:22,560
Speaker 1: A new study found that songs with featured guest artists

50
00:02:22,639 --> 00:02:26,359
Speaker 1: or duos over the past two decades have become top

51
00:02:26,360 --> 00:02:30,120
Speaker 1: ten hits. Right and Maroon five mc Cardi b Honey

52
00:02:30,120 --> 00:02:33,880
Speaker 1: an girl Like You. Yeah, that's the same one. I

53
00:02:33,919 --> 00:02:36,440
Speaker 1: like money moved this says girls like that doesn't name

54
00:02:36,440 --> 00:02:39,639
Speaker 1: of that song. They messed up the who did that?

55
00:02:39,639 --> 00:02:42,480
Speaker 1: That's why we're the expert on the podcast. Remember Katy

56
00:02:42,520 --> 00:02:45,760
Speaker 1: Perry and Snoop Dogg doing California Girls. That's a good one. Yeah,

57
00:02:45,800 --> 00:02:48,200
Speaker 1: so and they left some of them. Eminem and Rihanna

58
00:02:48,440 --> 00:02:54,360
Speaker 1: doing Monster that the fire Monster, Eminem with Dido doing

59
00:02:54,440 --> 00:02:57,679
Speaker 1: Stand of course. I big that one was huge. That's

60
00:02:57,680 --> 00:03:01,960
Speaker 1: that One's was that stand? Yeah? Yeah, no, not stand No,

61
00:03:02,000 --> 00:03:05,600
Speaker 1: It wasn't Stand. My teas rock. So what happened with

62
00:03:05,639 --> 00:03:09,200
Speaker 1: that one was Hey, but he's fan. The name is stand.

63
00:03:09,240 --> 00:03:13,280
Speaker 1: Just wow, You're right. I didn't realize she put that

64
00:03:13,280 --> 00:03:18,119
Speaker 1: out herself after that that song alone. So, uh, thank

65
00:03:18,160 --> 00:03:20,200
Speaker 1: dude teaching the stuff right now, I like that. I

66
00:03:20,240 --> 00:03:22,160
Speaker 1: wasn't planning to talk about that. I'm going from memory here.

67
00:03:22,480 --> 00:03:25,840
Speaker 1: What was that died? A song called you can look

68
00:03:25,880 --> 00:03:28,160
Speaker 1: it up? No, I don't need to, all right, I'll

69
00:03:28,160 --> 00:03:31,440
Speaker 1: look it up because I need to. Um, it's probably

70
00:03:31,440 --> 00:03:38,560
Speaker 1: called I want to thank you. That's not it for

71
00:03:38,760 --> 00:03:44,320
Speaker 1: giving me the best day of my life. Yeah, so

72
00:03:44,360 --> 00:03:46,880
Speaker 1: she made this into a real song and released it

73
00:03:46,960 --> 00:03:51,480
Speaker 1: after she was on it. Yo, slim, it's me day.

74
00:03:52,080 --> 00:03:56,600
Speaker 1: So that's the minm vertue. So this came out after

75
00:03:56,760 --> 00:04:01,080
Speaker 1: stand Yes, I believe again, I'm just going for that. True.

76
00:04:03,680 --> 00:04:06,680
Speaker 1: I would have thought hip hop they sample this is original.

77
00:04:07,280 --> 00:04:09,280
Speaker 1: This came first and then they sampled it first. Stand

78
00:04:09,320 --> 00:04:12,000
Speaker 1: But no, I'm not saying this was already created. But

79
00:04:15,400 --> 00:04:21,200
Speaker 1: it's so why aren't we like just infiltrated with duets?

80
00:04:21,240 --> 00:04:23,440
Speaker 1: We kind of are now if you look around features

81
00:04:23,440 --> 00:04:25,440
Speaker 1: and duets, And that's my point, and I'm gonna get

82
00:04:25,440 --> 00:04:26,800
Speaker 1: to some some of the new stuff and even the

83
00:04:26,839 --> 00:04:31,480
Speaker 1: best duets of the past twenty five years. And by duets,

84
00:04:31,480 --> 00:04:33,120
Speaker 1: it can also be a feature, right, I just used

85
00:04:33,120 --> 00:04:34,680
Speaker 1: do it if there's two people singing in a song.

86
00:04:35,240 --> 00:04:38,440
Speaker 1: But this is stand you know, it comes to mind.

87
00:04:38,480 --> 00:04:41,880
Speaker 1: It's like John Mayer like he I feel like he's

88
00:04:41,920 --> 00:04:43,599
Speaker 1: the dude like he dates a girl. He's like, hey,

89
00:04:44,000 --> 00:04:47,400
Speaker 1: feature duet with me because like really like he doing Taylor?

90
00:04:47,480 --> 00:04:50,360
Speaker 1: They were dating, right, So I think that story again.

91
00:04:50,560 --> 00:04:52,120
Speaker 1: I'm just pulling up out of my butt right here.

92
00:04:53,200 --> 00:04:56,159
Speaker 1: What I think about the Taylor one is because that

93
00:04:56,160 --> 00:05:01,480
Speaker 1: would be half my heart, my god him, Okay, it's

94
00:05:01,520 --> 00:05:04,520
Speaker 1: John Mary Taylor Swift. I believe that she was more

95
00:05:04,560 --> 00:05:09,320
Speaker 1: prominently in the song from what I've heard, could be wrong.

96
00:05:09,880 --> 00:05:11,320
Speaker 1: And then once it didn't go so well, they kind

97
00:05:11,360 --> 00:05:14,880
Speaker 1: of pulled her back a bit some background like she's

98
00:05:14,880 --> 00:05:17,200
Speaker 1: saying versus. I don't know about versus, but she was

99
00:05:17,240 --> 00:05:19,440
Speaker 1: definitely more in there. And then John Mary and Katy

100
00:05:19,480 --> 00:05:27,320
Speaker 1: Perry did who You Love? Yeah so good? Yeah, Like

101
00:05:27,440 --> 00:05:30,160
Speaker 1: I've half of my heart and see if there's any

102
00:05:30,200 --> 00:05:31,680
Speaker 1: recollection or if I made it up or if I

103
00:05:31,720 --> 00:05:36,320
Speaker 1: no insider. And when you geek over the stuff, like

104
00:05:36,320 --> 00:05:38,239
Speaker 1: what kind of research you did? You just google everything?

105
00:05:39,080 --> 00:05:42,359
Speaker 1: Or I talk to people that are really close you

106
00:05:42,440 --> 00:05:45,479
Speaker 1: have that advantage. Yeah, well it's my job, and those

107
00:05:45,480 --> 00:05:48,360
Speaker 1: people they just kind of vomit all that information out, Yeah,

108
00:05:48,360 --> 00:05:51,360
Speaker 1: because they know I don't share stuff like I'm if

109
00:05:51,400 --> 00:05:53,280
Speaker 1: I note like their stuff. I know about songs the

110
00:05:53,279 --> 00:05:55,240
Speaker 1: country music right now, who they're written about, it would

111
00:05:55,279 --> 00:06:00,080
Speaker 1: shake the know. But there's one song in particular that

112
00:06:00,240 --> 00:06:01,480
Speaker 1: if I was like, oh, you know, the song is

113
00:06:01,480 --> 00:06:05,320
Speaker 1: about blah blah blah the whole what. Yeah, dang, that's

114
00:06:05,360 --> 00:06:09,160
Speaker 1: crazy and it's so cool they trust you with that, Like, dude,

115
00:06:09,160 --> 00:06:11,279
Speaker 1: you could really just like, but I don't want to

116
00:06:11,240 --> 00:06:13,200
Speaker 1: because then no one will trust you ever again. Mike,

117
00:06:13,400 --> 00:06:17,440
Speaker 1: you want to talking about now, Okay, it doesn't matter.

118
00:06:17,480 --> 00:06:19,520
Speaker 1: I'm not gonna say. I'm not even gonna allude to it. Dang,

119
00:06:19,560 --> 00:06:22,359
Speaker 1: that's so cool. But if you prove trustworthy, then people

120
00:06:22,400 --> 00:06:25,760
Speaker 1: trust you. And you have to show that you're trustworthy

121
00:06:25,760 --> 00:06:27,440
Speaker 1: and little bits first and they give you middle bits

122
00:06:27,600 --> 00:06:29,760
Speaker 1: and then finally people are like I one to love

123
00:06:29,880 --> 00:06:33,440
Speaker 1: music first and form more than I love gossip. You

124
00:06:33,480 --> 00:06:38,600
Speaker 1: can say, God, I love mother than I love gossip

125
00:06:38,720 --> 00:06:40,680
Speaker 1: for what it's about, Like I love you and the

126
00:06:40,760 --> 00:06:44,440
Speaker 1: thing about my ex girlfriend's record when it comes out later,

127
00:06:44,600 --> 00:06:47,039
Speaker 1: I haven't heard it, but there are songs about me.

128
00:06:47,400 --> 00:06:51,200
Speaker 1: But I respect the music so much that she was like, hey,

129
00:06:51,200 --> 00:06:53,200
Speaker 1: should I send you these songs something? I was like, nope,

130
00:06:53,200 --> 00:06:55,880
Speaker 1: because I'll be like, don't put it out, but I

131
00:06:55,920 --> 00:06:57,320
Speaker 1: want your record to be what you wanted to be.

132
00:06:57,600 --> 00:06:59,839
Speaker 1: Zero songs got me, ten songs about me. It needs

133
00:06:59,880 --> 00:07:02,000
Speaker 1: to be what you're feeling. So from respect for the

134
00:07:02,120 --> 00:07:03,839
Speaker 1: music and you as an artist, don't send me crap

135
00:07:04,080 --> 00:07:07,440
Speaker 1: because me, the humans gonna go. Don't put that out. Me,

136
00:07:07,760 --> 00:07:09,160
Speaker 1: the person who loves music goes. I don't even want

137
00:07:09,160 --> 00:07:10,200
Speaker 1: to hear it. You just should put out what you

138
00:07:10,200 --> 00:07:11,680
Speaker 1: want to put out, and if it's slamming me or

139
00:07:12,200 --> 00:07:16,040
Speaker 1: are loving me or mostly slamming me, then that's what

140
00:07:16,080 --> 00:07:20,520
Speaker 1: you should do. Yeah, slamming me. Yeah. Do you like

141
00:07:20,640 --> 00:07:22,840
Speaker 1: knowing all that stuff? Though? Like do you like knowing

142
00:07:22,960 --> 00:07:25,520
Speaker 1: what the song was written about? Because then then your

143
00:07:25,520 --> 00:07:27,960
Speaker 1: mind just take there. I know sometimes not because I

144
00:07:27,960 --> 00:07:30,680
Speaker 1: like to assign at times my own narrative things. Because

145
00:07:30,720 --> 00:07:32,480
Speaker 1: I think we hear a song, we go, this makes

146
00:07:32,520 --> 00:07:33,840
Speaker 1: me feel this way, But if we know what it's

147
00:07:33,840 --> 00:07:36,440
Speaker 1: really written about, we can't feel the way that we

148
00:07:36,440 --> 00:07:38,320
Speaker 1: would have loved to have felt or we feel the

149
00:07:38,320 --> 00:07:40,880
Speaker 1: way that we were needing to feel. Mike, do you

150
00:07:40,880 --> 00:07:43,680
Speaker 1: find thing about that? Okay? Then if finely not true? Well,

151
00:07:43,720 --> 00:07:50,080
Speaker 1: you know I didn't say okay, so that could be it.

152
00:07:50,080 --> 00:07:52,000
Speaker 1: It could be that the version that you're hearing without

153
00:07:52,000 --> 00:07:54,120
Speaker 1: her really is because they pulled her back off of

154
00:07:54,120 --> 00:07:57,200
Speaker 1: it because they decided she didn't she shouldn't be on it.

155
00:07:57,440 --> 00:08:00,000
Speaker 1: That really could be it. So I wonder how all

156
00:08:00,080 --> 00:08:02,720
Speaker 1: these go down to, like how did they get asked?

157
00:08:03,880 --> 00:08:07,800
Speaker 1: They probably say they're probably lay in bed. I was

158
00:08:07,840 --> 00:08:11,280
Speaker 1: just thinking, and that's it. You're like, all right, let's

159
00:08:11,280 --> 00:08:15,360
Speaker 1: go Tay. No, but they were dating, I thought, or

160
00:08:15,360 --> 00:08:20,640
Speaker 1: maybe it was after the fact, and then they recorded,

161
00:08:20,760 --> 00:08:23,520
Speaker 1: and then I don't know, no, because you needed Aniston

162
00:08:23,640 --> 00:08:30,440
Speaker 1: after Taylor or before, and you know what, I know

163
00:08:30,520 --> 00:08:33,080
Speaker 1: stuff about that doesn't matter. I know too much. I'm

164
00:08:33,120 --> 00:08:36,080
Speaker 1: going to stop talking. There are those places to where

165
00:08:36,080 --> 00:08:39,000
Speaker 1: I got because I know too much. Um And I

166
00:08:39,000 --> 00:08:40,400
Speaker 1: don't even like to stand up too much because then

167
00:08:40,400 --> 00:08:42,960
Speaker 1: it's like shut up, oh cool guy. But I have

168
00:08:43,000 --> 00:08:44,680
Speaker 1: to stop because I got to say something I supposed

169
00:08:44,679 --> 00:08:47,320
Speaker 1: to say. That being said, I want to hear this list.

170
00:08:47,440 --> 00:08:49,160
Speaker 1: This whole thing is the best duets of the last

171
00:08:49,160 --> 00:08:53,160
Speaker 1: twenty five years, and one of the recent duets is

172
00:08:53,440 --> 00:08:55,640
Speaker 1: Brandley Gilbert and Lindsay l This song right flying up

173
00:08:55,760 --> 00:08:58,960
Speaker 1: charts right now your ex girlfriend? Right, what happens in

174
00:08:58,960 --> 00:09:08,600
Speaker 1: a small town? Stop? When I read that article about

175
00:09:08,600 --> 00:09:09,840
Speaker 1: features and duet, I was like, Oh, this is what's

176
00:09:09,840 --> 00:09:11,640
Speaker 1: happening now with the Brentley Lindsay song. It's not the

177
00:09:11,679 --> 00:09:33,280
Speaker 1: kitchen my girlfriend, but separate everybody. So there's that one.

178
00:09:33,320 --> 00:09:39,680
Speaker 1: What happens in a small town? We'll do some country

179
00:09:39,800 --> 00:09:44,160
Speaker 1: was first? All right, let's by the way. Eddie was

180
00:09:44,200 --> 00:09:48,160
Speaker 1: like a bad goodbye dude. I just like, I mean

181
00:09:48,200 --> 00:09:50,960
Speaker 1: when this song came out, and I'm kind of like

182
00:09:51,000 --> 00:09:53,240
Speaker 1: you with like the emo music like stuff that's just

183
00:09:53,600 --> 00:09:55,800
Speaker 1: pulls your heart, dude. I remember being young listening to

184
00:09:55,840 --> 00:09:57,440
Speaker 1: the song and get interior and I'm like, what do

185
00:09:57,520 --> 00:10:00,199
Speaker 1: I know about this crap? It's club black and don't

186
00:10:00,200 --> 00:10:02,320
Speaker 1: know why judge. Now, to be fair, this is not

187
00:10:02,360 --> 00:10:04,320
Speaker 1: inside the twenty years I missed it, But what when

188
00:10:04,400 --> 00:10:15,760
Speaker 1: is the right year? I'm sure it's something. Can you

189
00:10:15,880 --> 00:10:20,040
Speaker 1: fast forward? Because when they hit that like towards the end,

190
00:10:20,080 --> 00:10:22,480
Speaker 1: when they go power like song, it so much it's

191
00:10:22,480 --> 00:10:24,679
Speaker 1: given me like chill, remembering, like being a kid here

192
00:10:24,720 --> 00:10:27,240
Speaker 1: in this take it, dude, you know how far do

193
00:10:27,240 --> 00:10:29,720
Speaker 1: you want to go out? And didn't? They're both because

194
00:10:29,760 --> 00:10:31,679
Speaker 1: when it does the verse after this and then they

195
00:10:31,760 --> 00:10:37,199
Speaker 1: do it together where that's the powerful. There's no good,

196
00:10:35,600 --> 00:10:49,600
Speaker 1: who's good? Whenever? Man to leave? Try to keep talking

197
00:10:50,200 --> 00:11:05,920
Speaker 1: you through here it is there maybe no way and

198
00:11:06,120 --> 00:11:16,080
Speaker 1: the cloud up to clear. Did I can't leave? We

199
00:11:16,880 --> 00:11:34,400
Speaker 1: the mag good bye, good good dude, I can't. So

200
00:11:34,559 --> 00:11:38,480
Speaker 1: you remember it? Of course that was so powerful and

201
00:11:38,520 --> 00:11:40,120
Speaker 1: I don't even know if it was huge or it

202
00:11:40,200 --> 00:11:42,080
Speaker 1: made all right. Listen all the time I kissed the thing.

203
00:11:43,640 --> 00:11:46,840
Speaker 1: That's what my min was k frog. Yeah, that's the valley.

204
00:11:46,920 --> 00:11:48,920
Speaker 1: So I didn't make the list, but I did um

205
00:11:49,480 --> 00:11:51,480
Speaker 1: put it up here because I was yours. Did this

206
00:11:51,480 --> 00:11:53,000
Speaker 1: commercial real quick. We'll come back and we'll go through

207
00:11:53,040 --> 00:11:55,520
Speaker 1: the list. By now, you may be racking your brain.

208
00:11:55,880 --> 00:11:58,760
Speaker 1: Valentine's Day? What are you gonna get her? One eight

209
00:11:58,800 --> 00:12:00,920
Speaker 1: hundred flowers dot Com. I'll say it right now because

210
00:12:00,920 --> 00:12:04,520
Speaker 1: it is not complicated. Roses from one hundred flowers are

211
00:12:04,559 --> 00:12:07,280
Speaker 1: a no brainer. Right now when you order early, one

212
00:12:07,400 --> 00:12:11,280
Speaker 1: eight hundred Flowers has amazing deals on vibrant and romantic

213
00:12:11,400 --> 00:12:16,080
Speaker 1: Valentine's rose, bouquets, arrangements and so much more starting at

214
00:12:16,440 --> 00:12:19,120
Speaker 1: There's so many unbelievable deals from one hundred Flowers, but

215
00:12:19,120 --> 00:12:23,240
Speaker 1: you have to hurry gorgeous Valentine's bouquets, all the arrangements

216
00:12:23,240 --> 00:12:25,600
Speaker 1: starting at It's an amazing deal, but it will not

217
00:12:25,679 --> 00:12:28,080
Speaker 1: last long. I'm telling you so many of the listeners,

218
00:12:28,360 --> 00:12:30,400
Speaker 1: so many of my people have done this. They love it.

219
00:12:30,640 --> 00:12:34,560
Speaker 1: To order Valentine's bouquets, arrangements and more starting at go

220
00:12:34,640 --> 00:12:37,160
Speaker 1: to one eight hundred flowers dot com. Click the radio

221
00:12:37,400 --> 00:12:41,079
Speaker 1: icon into the code b b S. The code is BBS.

222
00:12:41,480 --> 00:12:43,600
Speaker 1: You're listening right now. Maybe you don't have it yet,

223
00:12:43,760 --> 00:12:46,600
Speaker 1: That's why I'm here one eight hundred flowers dot com.

224
00:12:46,880 --> 00:12:50,200
Speaker 1: Click the radio icon and into the code BBS as

225
00:12:50,240 --> 00:12:53,640
Speaker 1: in Bobby Bones show b b S. I love that

226
00:12:53,720 --> 00:12:56,760
Speaker 1: Dollar Shape Club has everything that I need to look, feel,

227
00:12:56,800 --> 00:12:59,160
Speaker 1: and smell my best. And what I love even more

228
00:12:59,400 --> 00:13:01,080
Speaker 1: is the fact that I never have to go to

229
00:13:01,120 --> 00:13:05,679
Speaker 1: a store. That's because one Dollar Shaved Club delivers everything

230
00:13:05,720 --> 00:13:08,000
Speaker 1: that I need right to my door, and too, they

231
00:13:08,080 --> 00:13:09,720
Speaker 1: keep me fully stocked on what I use so I

232
00:13:09,760 --> 00:13:12,040
Speaker 1: don't run out. It works like this. They got it all,

233
00:13:12,240 --> 00:13:13,960
Speaker 1: no matter what you're getting ready for, head to toe,

234
00:13:14,080 --> 00:13:16,240
Speaker 1: your hair, your skin, in your face, you name it.

235
00:13:16,480 --> 00:13:18,920
Speaker 1: Dollar Shave Club has it. That's what I love about

236
00:13:18,920 --> 00:13:20,480
Speaker 1: it too, because I have it set up to The

237
00:13:20,480 --> 00:13:23,160
Speaker 1: toothpaste is set to me. The Dollar Shave Club toothpaste,

238
00:13:23,160 --> 00:13:25,440
Speaker 1: it's every three months, comes to my door because for

239
00:13:25,480 --> 00:13:27,239
Speaker 1: some reason, I always forget to go buy a toothpaste.

240
00:13:27,520 --> 00:13:29,880
Speaker 1: And it's also great toothpaste as well. They have a

241
00:13:29,880 --> 00:13:31,800
Speaker 1: handsome discount. The more you buy, the more you save.

242
00:13:32,080 --> 00:13:33,559
Speaker 1: Right now, they have a bunch of starter sets you

243
00:13:33,600 --> 00:13:36,360
Speaker 1: can try for just five bucks, like their oral Care Kit.

244
00:13:36,600 --> 00:13:39,839
Speaker 1: After that, the restocked box ships regular sized products at

245
00:13:39,840 --> 00:13:41,760
Speaker 1: a regular price. Boom. I don't know what you're waiting for,

246
00:13:41,880 --> 00:13:44,760
Speaker 1: because you get your starter set right now for five dollars.

247
00:13:45,040 --> 00:13:48,880
Speaker 1: Dollar Shaved Club dot Com slash Bones. Dollar Shave Club

248
00:13:48,920 --> 00:13:51,440
Speaker 1: dot Com slash Bones. I love it. Dollar Shave Club

249
00:13:51,480 --> 00:13:54,679
Speaker 1: dot Com slash Bones. Okay, so we'll start with the

250
00:13:54,720 --> 00:13:59,000
Speaker 1: country duets. My favorite he put that sky Lullaby is

251
00:13:59,040 --> 00:14:02,440
Speaker 1: your favorite. It's such a good song. Brad Paisley, Alice

252
00:14:02,520 --> 00:14:08,760
Speaker 1: Cross and finally, drink Away her Mom. And Brad Paisley

253
00:14:08,760 --> 00:14:10,400
Speaker 1: writes most of his songs. He didn't write this one.

254
00:14:10,679 --> 00:14:12,120
Speaker 1: Remember Brad coming in once and I was like, due,

255
00:14:12,240 --> 00:14:13,880
Speaker 1: my favorite song you've ever done. And I don't know

256
00:14:13,920 --> 00:14:17,920
Speaker 1: if if that's insulting or it's not an insult, but

257
00:14:17,960 --> 00:14:21,840
Speaker 1: it's like insulting because to him, he's done so much

258
00:14:22,000 --> 00:14:24,360
Speaker 1: and he's had so much, so he's had so many

259
00:14:24,360 --> 00:14:27,040
Speaker 1: songs he's written and put out down. He was entertaining

260
00:14:27,040 --> 00:14:30,080
Speaker 1: of the everything right, but this song, these slow songs

261
00:14:32,480 --> 00:14:40,280
Speaker 1: to this is and when one of the best, like

262
00:14:40,360 --> 00:14:42,840
Speaker 1: top five best country duets, and I have my top five,

263
00:14:42,880 --> 00:14:45,640
Speaker 1: they're not really any order. This other one, it was

264
00:14:45,680 --> 00:14:49,040
Speaker 1: not a single this I'll Be the Moon. Oh dude,

265
00:14:49,040 --> 00:14:51,680
Speaker 1: I just I listen to this now still, like it's

266
00:14:51,720 --> 00:14:54,320
Speaker 1: in my rotation of songs to listen to. Yeah, and

267
00:14:54,360 --> 00:14:58,080
Speaker 1: I'll Be the Moon is Dirk's and Marion Morris. Yeah,

268
00:14:58,200 --> 00:15:00,640
Speaker 1: Ryan heard wrote this, and dude, honestly, and I'm pretty

269
00:15:00,680 --> 00:15:03,720
Speaker 1: good at listen to music and breaking down lyrics and

270
00:15:03,800 --> 00:15:05,840
Speaker 1: kind of understanding what they're saying. And I never really

271
00:15:05,960 --> 00:15:08,880
Speaker 1: paid attention to it. But when Ryan Ryan one time

272
00:15:08,920 --> 00:15:12,240
Speaker 1: talked about this and talked about, you know, is it

273
00:15:12,640 --> 00:15:16,640
Speaker 1: being an affair and then being okay with that. It

274
00:15:16,760 --> 00:15:19,200
Speaker 1: was like, and that's what it means, Like you're gonna

275
00:15:19,240 --> 00:15:22,000
Speaker 1: metaphorically call that the sun and the moon, Like he

276
00:15:22,040 --> 00:15:23,720
Speaker 1: can be the sun and I'll be on the other

277
00:15:23,760 --> 00:15:25,120
Speaker 1: side of the world be of the moon. And it's like,

278
00:15:25,160 --> 00:15:27,960
Speaker 1: I'll I'm okay waiting if that's the only way I

279
00:15:28,000 --> 00:15:32,000
Speaker 1: can have you is that I'll be the moon. That's intense, right,

280
00:15:32,480 --> 00:15:35,320
Speaker 1: Like that to me is like that's just the thinking

281
00:15:35,360 --> 00:15:37,680
Speaker 1: that never would cross my mind. And they turn it

282
00:15:37,680 --> 00:15:42,080
Speaker 1: into a song, a beautiful song. I don't want to

283
00:15:42,120 --> 00:15:48,240
Speaker 1: be I don't want to be a secret if you want.

284
00:15:48,600 --> 00:15:50,880
Speaker 1: They came in and played this from Dark's record. Yeah,

285
00:15:51,000 --> 00:15:53,000
Speaker 1: I had Darks and Maren come in and play this together. Dude.

286
00:15:53,080 --> 00:15:54,440
Speaker 1: They were like, I'm not a single. I was like,

287
00:15:54,440 --> 00:16:00,400
Speaker 1: I don't care, just play it. He can, I'll be okay.

288
00:16:00,480 --> 00:16:03,560
Speaker 1: But you said that they may they do these things

289
00:16:03,680 --> 00:16:05,840
Speaker 1: kind of like as ah, like, the most of the

290
00:16:05,920 --> 00:16:08,040
Speaker 1: data says these are most successful, so this is kind

291
00:16:08,040 --> 00:16:11,280
Speaker 1: of why labels do sometimes put these together and arrange

292
00:16:11,320 --> 00:16:13,360
Speaker 1: them and release them. But in this case, this wasn't

293
00:16:13,360 --> 00:16:16,120
Speaker 1: even a single. It wasn't a single. I don't know why.

294
00:16:16,160 --> 00:16:18,520
Speaker 1: And sometimes they don't make those decisions till later. They

295
00:16:18,560 --> 00:16:20,040
Speaker 1: could have recorded it going to be a single that

296
00:16:20,160 --> 00:16:23,560
Speaker 1: for some reason ended up changing. Interesting Remember Dark's put

297
00:16:23,600 --> 00:16:27,000
Speaker 1: out a song called what the Hell or something, and

298
00:16:27,000 --> 00:16:29,160
Speaker 1: they pulled it because darksn't like Hell being a single,

299
00:16:30,080 --> 00:16:31,960
Speaker 1: and so all those factors it may or may not

300
00:16:32,000 --> 00:16:33,680
Speaker 1: have changed what the next single was, what the next

301
00:16:33,680 --> 00:16:35,160
Speaker 1: single was. Because you don't do two slow songs in

302
00:16:35,160 --> 00:16:37,240
Speaker 1: a row. You don't do, you know, so, I don't

303
00:16:37,280 --> 00:16:38,720
Speaker 1: know why, but that song is so good. That's in

304
00:16:38,880 --> 00:16:44,360
Speaker 1: my top duets years. I also have picture from Kid

305
00:16:44,440 --> 00:16:48,640
Speaker 1: Rock and Sheryl Crow. I mean it's classic, right, shoot

306
00:16:49,040 --> 00:16:57,320
Speaker 1: one eight years ago? Would you consider this country? I

307
00:16:57,360 --> 00:17:00,200
Speaker 1: don't know why. I don't think Cheryl's country. Then he's

308
00:17:00,200 --> 00:17:02,960
Speaker 1: not country now? Really kid Rock has never been country

309
00:17:03,120 --> 00:17:08,400
Speaker 1: kind of he lives in Naville now, I mean yeah,

310
00:17:08,880 --> 00:17:13,000
Speaker 1: wolves in London and oh yeah, I guess that was Yeah,

311
00:17:13,160 --> 00:17:16,280
Speaker 1: what was that done? It's hard to sing another song

312
00:17:16,280 --> 00:17:19,560
Speaker 1: when this one's playing. That called anywhere fishing on the

313
00:17:19,640 --> 00:17:23,399
Speaker 1: ducks all summer long? That song note might could be

314
00:17:23,480 --> 00:17:26,000
Speaker 1: pulling up picture. Cheryl Crow wasn't the original singer on

315
00:17:26,040 --> 00:17:29,520
Speaker 1: that song. Who was another country artist? Really? Yeah? And

316
00:17:29,640 --> 00:17:33,840
Speaker 1: so and again they were dating kid Rock and show Crow?

317
00:17:33,920 --> 00:17:35,480
Speaker 1: Were they not when this one thing? I don't know

318
00:17:35,520 --> 00:17:37,800
Speaker 1: if they were dating then or not, because I feel

319
00:17:37,800 --> 00:17:40,760
Speaker 1: like that's special to like if there is romance between

320
00:17:40,880 --> 00:17:42,760
Speaker 1: that probably how you get them or you get him

321
00:17:42,760 --> 00:17:45,720
Speaker 1: in the studio and then you start dating after it.

322
00:17:45,720 --> 00:17:47,840
Speaker 1: It's like a little tactic that you do. Yeah, It's like, Hey,

323
00:17:47,880 --> 00:17:49,840
Speaker 1: I want to meet somebody. How do I get them

324
00:17:49,840 --> 00:17:51,399
Speaker 1: to come in? Ask him to do a duet? It's

325
00:17:51,400 --> 00:17:56,320
Speaker 1: like putting somebody in music video. Who was Alison More? Yeah?

326
00:17:56,400 --> 00:17:58,600
Speaker 1: So she was the original one on the song. I

327
00:17:58,640 --> 00:18:02,400
Speaker 1: mean huge, huge advantage to put Sheryl Crown. That could

328
00:18:02,440 --> 00:18:04,720
Speaker 1: have that could have made the song. Yeah, are that crazy?

329
00:18:04,880 --> 00:18:06,280
Speaker 1: That is a crazy good one. That's one of my

330
00:18:06,320 --> 00:18:09,760
Speaker 1: top I love this You and Tequila from Kenny Chesney

331
00:18:09,760 --> 00:18:14,760
Speaker 1: and Grace Potter two thousand ten Quill made me crazy,

332
00:18:16,200 --> 00:18:23,439
Speaker 1: jam right so good lacks and my blood harmonies right here.

333
00:18:25,960 --> 00:18:36,359
Speaker 1: One more n could kill wan just want to? One

334
00:18:36,560 --> 00:18:43,399
Speaker 1: more is never It comes so good. Put that on

335
00:18:43,400 --> 00:18:45,520
Speaker 1: the list. Another one that I put in is the

336
00:18:45,520 --> 00:18:49,160
Speaker 1: Brooks and Done with Reba. Yeah, cow Girls don't Cry? Yes?

337
00:18:50,440 --> 00:18:54,000
Speaker 1: Is that a duet or a triplet? Well? Or is

338
00:18:54,000 --> 00:18:59,480
Speaker 1: that a three way? Is that a threesome? It's two artists,

339
00:18:59,560 --> 00:19:02,919
Speaker 1: like brooks Don's considered an artist, but yeah, they should

340
00:19:02,960 --> 00:19:06,399
Speaker 1: make another category for three and then they would dominate

341
00:19:06,400 --> 00:19:09,440
Speaker 1: it obviously because this is good. But it's like two artists. Yeah,

342
00:19:09,680 --> 00:19:14,879
Speaker 1: I'm just saying girls. The whole song is like the

343
00:19:14,960 --> 00:19:18,160
Speaker 1: dad's like telling her, hey, you fall up a horse.

344
00:19:18,160 --> 00:19:20,520
Speaker 1: Cowgirls will cry, get up, Hey this happened. Cowgirls will cry,

345
00:19:20,520 --> 00:19:23,720
Speaker 1: get up. And at the end, the dad's dying and

346
00:19:24,200 --> 00:19:27,000
Speaker 1: she's like, she's the cowguys like because cowgirls don't cry,

347
00:19:27,080 --> 00:19:32,439
Speaker 1: and it turned it on him. That's that's a good one.

348
00:19:32,440 --> 00:19:34,600
Speaker 1: I put that in the top five if I had

349
00:19:34,640 --> 00:19:35,840
Speaker 1: to do one more, because I have a bunch of

350
00:19:35,840 --> 00:19:38,560
Speaker 1: them up here. Whiskey the Laby, I'll be the moon.

351
00:19:38,880 --> 00:19:42,119
Speaker 1: Cowgirls Don't Cry. That's five. You know the one that

352
00:19:42,160 --> 00:19:43,719
Speaker 1: you have more, You have more on there? I do

353
00:19:43,840 --> 00:19:48,720
Speaker 1: like this is the probably the ultimate, probably the biggest. Again,

354
00:19:48,720 --> 00:19:52,679
Speaker 1: the ultimate. We know Tim and Faith like they're married.

355
00:19:52,840 --> 00:19:56,000
Speaker 1: It's love. So that makes all this way more special

356
00:19:56,000 --> 00:19:58,159
Speaker 1: than just two artists singing a song. I wonder if

357
00:19:58,160 --> 00:19:59,800
Speaker 1: there are a lot of duets where people were together

358
00:20:00,280 --> 00:20:03,880
Speaker 1: and now they hate each other and we feel worse

359
00:20:03,920 --> 00:20:05,760
Speaker 1: about it because on the show, on the radio show,

360
00:20:06,080 --> 00:20:09,720
Speaker 1: we were talking about the song from Dixie Chicks, Cowboy

361
00:20:09,760 --> 00:20:12,760
Speaker 1: Take Me Away was written about Emily Robinson and Charlie

362
00:20:12,800 --> 00:20:14,760
Speaker 1: Robinson no longer together and they're not together, but it

363
00:20:14,800 --> 00:20:19,800
Speaker 1: was written about, you know them, seeing that happen. It

364
00:20:19,880 --> 00:20:22,440
Speaker 1: was written about Emily fallen in love with Charlie. Wrote

365
00:20:22,480 --> 00:20:28,240
Speaker 1: it with Marcus Hummond about Emily and Charlie. Now they're

366
00:20:28,240 --> 00:20:30,280
Speaker 1: not together. But if you know that story, do you

367
00:20:30,280 --> 00:20:31,920
Speaker 1: think of it differently and go, oh, this has written

368
00:20:31,920 --> 00:20:33,840
Speaker 1: about their love? Well, ever since you told that story,

369
00:20:33,880 --> 00:20:35,760
Speaker 1: I heard it a couple of times after that, and

370
00:20:35,880 --> 00:20:39,320
Speaker 1: I've automatically thought about that story now, so I don't

371
00:20:39,359 --> 00:20:41,720
Speaker 1: even think about I mean, I don't know, I never

372
00:20:41,760 --> 00:20:44,639
Speaker 1: thought about anything, but now I think about Charlie and Emily,

373
00:20:45,000 --> 00:20:47,560
Speaker 1: like it doesn't kill it that they're not together, because

374
00:20:47,560 --> 00:20:49,720
Speaker 1: that's real life. The fact that they got divorced whatever,

375
00:20:49,800 --> 00:20:51,639
Speaker 1: real life. We never would have known that that story

376
00:20:51,680 --> 00:20:54,600
Speaker 1: wasn't even out. But the song, I mean that that

377
00:20:54,800 --> 00:20:56,960
Speaker 1: that still lives, like you talk about that song still

378
00:20:57,000 --> 00:20:59,200
Speaker 1: lives and if it was about them fallen in love,

379
00:20:59,200 --> 00:21:01,320
Speaker 1: it will always be at them falling in love. It's

380
00:21:01,359 --> 00:21:04,240
Speaker 1: five o'clock somewhere, Alan Jackson, Jimmy Buffett. Did you like

381
00:21:04,280 --> 00:21:08,040
Speaker 1: this one? Yes, you like Jimmy Buffett. He's my favorite.

382
00:21:08,080 --> 00:21:10,560
Speaker 1: I was never a lover lover of this song. There

383
00:21:10,600 --> 00:21:13,320
Speaker 1: was a guy in high school named Brian Wagner, and

384
00:21:13,359 --> 00:21:16,680
Speaker 1: this dude was like a surfer kind of kid or whatever,

385
00:21:16,720 --> 00:21:18,560
Speaker 1: and his parents were big Jimmy Bufett fans, and he

386
00:21:18,640 --> 00:21:21,920
Speaker 1: got me into Jimmy Buffett, and I loved that whole

387
00:21:22,000 --> 00:21:28,359
Speaker 1: like party margarita's and parrots and like tropical vibe. Like

388
00:21:28,400 --> 00:21:32,160
Speaker 1: I just love his whatever he stood for, that's your thing.

389
00:21:32,720 --> 00:21:35,000
Speaker 1: I'm a beach guy man. Buffets my dude. So when

390
00:21:35,040 --> 00:21:37,280
Speaker 1: you put Alan Jackson, who was I mean, the king

391
00:21:37,320 --> 00:21:41,640
Speaker 1: of just country music, nineties country really like the Chattahoochie

392
00:21:41,640 --> 00:21:43,800
Speaker 1: and all that, and then put him together with Jimmy

393
00:21:43,800 --> 00:21:46,280
Speaker 1: Buffett and loving life, I wonder how many of these

394
00:21:46,320 --> 00:21:48,359
Speaker 1: two were saying in the same studio back in the

395
00:21:48,440 --> 00:21:51,919
Speaker 1: day versus now. It's a good question, because you have you,

396
00:21:52,119 --> 00:21:55,000
Speaker 1: we have like the raging idiots. You have duets with

397
00:21:55,200 --> 00:21:59,040
Speaker 1: We have duets with Carrie Underwood, Harry Charles, Charles, Kelly,

398
00:21:59,359 --> 00:22:03,320
Speaker 1: um Kelsey Ballerini. So and how many of those were

399
00:22:03,359 --> 00:22:05,640
Speaker 1: done in the same time exactly? Well, maybe same room,

400
00:22:05,640 --> 00:22:07,359
Speaker 1: but we were went at the same time. Like when

401
00:22:07,440 --> 00:22:09,439
Speaker 1: Carry went up to saying you were there, I wasn't there, correct,

402
00:22:09,600 --> 00:22:10,920
Speaker 1: And I think I'm have been sick or something, and

403
00:22:10,920 --> 00:22:12,600
Speaker 1: Carry went up and just nailed it and was like,

404
00:22:13,119 --> 00:22:15,440
Speaker 1: all right, So that's just us. And why would you

405
00:22:15,760 --> 00:22:18,240
Speaker 1: try to schedule time and you're busy schedule to both

406
00:22:18,280 --> 00:22:20,840
Speaker 1: be in the same room unless it's a special moment

407
00:22:20,880 --> 00:22:23,680
Speaker 1: you have to be there, Like why would you why

408
00:22:23,680 --> 00:22:29,680
Speaker 1: would you record at the same time? Technology? Man a video? Okay,

409
00:22:30,160 --> 00:22:32,800
Speaker 1: I guess that was I mean videos now, like, no,

410
00:22:32,960 --> 00:22:35,199
Speaker 1: they don't really matter that much anymore. People don't way

411
00:22:35,200 --> 00:22:37,119
Speaker 1: too much money on videos now and I've never I

412
00:22:37,119 --> 00:22:38,720
Speaker 1: don't see him. You need to put up a lyric video,

413
00:22:39,280 --> 00:22:41,320
Speaker 1: the one with the bouncy ball on the bottom. Anything?

414
00:22:41,760 --> 00:22:48,879
Speaker 1: Um one more Arthutrian jam, big jam. You know what

415
00:22:49,000 --> 00:22:50,879
Speaker 1: I've realized about talking about this. I like my duets

416
00:22:50,920 --> 00:22:54,840
Speaker 1: slow jam. What's the fast one that we talked about?

417
00:22:54,840 --> 00:23:00,000
Speaker 1: One fast somewhere Okay, yeah's true, but all my favorite

418
00:23:00,000 --> 00:23:02,919
Speaker 1: the ones I pulled are all slow ones. Yeah you

419
00:23:03,000 --> 00:23:04,959
Speaker 1: did say bb Rex in Florgia. Oh that was an

420
00:23:04,960 --> 00:23:08,119
Speaker 1: example that was the top. Yeah, but again such a

421
00:23:08,160 --> 00:23:12,200
Speaker 1: big one, like massive, so right, Dan and Jay not

422
00:23:12,280 --> 00:23:15,359
Speaker 1: to do it, but there are two dudes. Tequila was

423
00:23:15,440 --> 00:23:19,120
Speaker 1: such a big song had the FJL song not existed,

424
00:23:19,240 --> 00:23:21,679
Speaker 1: that song what it said every record, But that's how

425
00:23:21,680 --> 00:23:25,199
Speaker 1: big the f GL song was. It blew people's It

426
00:23:25,320 --> 00:23:28,120
Speaker 1: was so big that haters and country music didn't want

427
00:23:28,119 --> 00:23:32,600
Speaker 1: to acknowledge it was that big country music haters that

428
00:23:32,720 --> 00:23:36,399
Speaker 1: they didn't even want to acknowledge it. Uh, pop, here

429
00:23:36,440 --> 00:23:40,520
Speaker 1: you got some of the best duets, Jay Z, Alicia Keis,

430
00:23:44,280 --> 00:23:47,160
Speaker 1: it's still good. Yes, it comes on and but Eddie,

431
00:23:47,200 --> 00:23:50,560
Speaker 1: I wonder if it's because we're late thirties. This wasn't

432
00:23:50,600 --> 00:23:52,520
Speaker 1: my thing, Like I wasn't listening to this kind of

433
00:23:52,600 --> 00:23:54,760
Speaker 1: music when it came out, but it stood out over

434
00:23:54,880 --> 00:23:56,760
Speaker 1: everything else when it did come out, So I was like,

435
00:23:56,760 --> 00:23:58,680
Speaker 1: I don't care, I love it. And then Alicia Kis

436
00:23:58,680 --> 00:24:04,399
Speaker 1: put the song after that is the song? Would it

437
00:24:04,440 --> 00:24:07,560
Speaker 1: have been a bigger song of it was Beyonce? Because

438
00:24:07,600 --> 00:24:10,760
Speaker 1: again I feel like it's really important. Beyonce is not

439
00:24:10,800 --> 00:24:14,119
Speaker 1: from New York, Texas. He he doesn't acknowledge them that

440
00:24:14,119 --> 00:24:19,040
Speaker 1: song Texas. I think that the reason that Alicia Keys

441
00:24:19,119 --> 00:24:21,679
Speaker 1: does it is because it's a New York girl and

442
00:24:21,680 --> 00:24:23,160
Speaker 1: you need someone in jay Z the New York game.

443
00:24:23,800 --> 00:24:25,600
Speaker 1: So I don't think it could have been Beyonce speaking

444
00:24:25,600 --> 00:24:26,919
Speaker 1: of maybe off track a little bit. But do you

445
00:24:26,920 --> 00:24:29,080
Speaker 1: think Alicia Key is gonna do good at the Grammys? Yeah,

446
00:24:29,080 --> 00:24:30,560
Speaker 1: should be fine. They won't put in a situation to

447
00:24:30,600 --> 00:24:32,359
Speaker 1: not do well, meaning they're not gonna have her up

448
00:24:32,359 --> 00:24:34,320
Speaker 1: doing a comedy monologue. I just don't see her as

449
00:24:34,320 --> 00:24:37,120
Speaker 1: a host, Okay, I don't think they have our traditional

450
00:24:37,119 --> 00:24:39,439
Speaker 1: host Like she'd come out and do something a little funny.

451
00:24:39,520 --> 00:24:41,679
Speaker 1: She'd probably play a little funny song, maybe on her piano.

452
00:24:42,000 --> 00:24:43,919
Speaker 1: They won't take someone like that who's so good at

453
00:24:43,960 --> 00:24:45,359
Speaker 1: what they do and put them in a whole new

454
00:24:45,400 --> 00:24:47,160
Speaker 1: world and give him a chance to fail. You get

455
00:24:47,160 --> 00:24:48,479
Speaker 1: someone like that for their name, what they're good at,

456
00:24:48,480 --> 00:24:49,919
Speaker 1: and you let them do what they're good. You know,

457
00:24:49,920 --> 00:24:53,720
Speaker 1: I mean, it's good answer. Uh do you remember Mariah

458
00:24:53,760 --> 00:24:57,240
Speaker 1: Carey boys man? Once we day what no play? Let

459
00:24:57,280 --> 00:25:04,040
Speaker 1: me see no You're shining down on Me from Heaven.

460
00:25:04,880 --> 00:25:10,760
Speaker 1: No No, this song was massive. They sang this together

461
00:25:11,520 --> 00:25:19,360
Speaker 1: in the studio and videos out from Heaven minting we

462
00:25:19,600 --> 00:25:28,440
Speaker 1: Lost along the Way and no no if this song

463
00:25:28,520 --> 00:25:30,280
Speaker 1: was so big it number one for like twelve weeks.

464
00:25:30,480 --> 00:25:37,920
Speaker 1: I've heard it. I've heard it one sweet day, there's

465
00:25:38,000 --> 00:25:41,160
Speaker 1: boys to men at their height and Mariah Carey height.

466
00:25:41,720 --> 00:25:43,800
Speaker 1: That's a massive song. Holy crap, that's a big one.

467
00:25:44,040 --> 00:25:47,800
Speaker 1: Remember the song this is Megan Trainer John Legend from

468
00:25:47,840 --> 00:25:50,320
Speaker 1: two fifteen wasn't like a super super super smash, but

469
00:25:50,359 --> 00:25:52,200
Speaker 1: I loved it. I feel like that was last year

470
00:25:54,080 --> 00:26:00,960
Speaker 1: I come saying goodbye day like the roles. I love

471
00:26:01,000 --> 00:26:03,640
Speaker 1: it because I had runs called runs Yeah, run ye

472
00:26:04,480 --> 00:26:11,320
Speaker 1: shallow from Stars Born. Oh yeah, it's actually something good?

473
00:26:14,160 --> 00:26:25,639
Speaker 1: Oh you happy and loose model? Need is there something news?

474
00:26:25,720 --> 00:26:31,920
Speaker 1: You search? You fool food? Like the movie I've never

475
00:26:31,920 --> 00:26:34,280
Speaker 1: seen it. Oh you haven't seen this movie. And I'm

476
00:26:34,280 --> 00:26:35,760
Speaker 1: not gonna be one that goes to the greatest movie

477
00:26:35,760 --> 00:26:37,760
Speaker 1: ever because it's not it's really good. But when you

478
00:26:37,800 --> 00:26:40,320
Speaker 1: say something's really good, it's usually right. You don't really

479
00:26:40,359 --> 00:26:42,320
Speaker 1: you're not to follow the hype kind of guy. And

480
00:26:42,359 --> 00:26:44,280
Speaker 1: I wanted to not like it. That's how much fault

481
00:26:44,320 --> 00:26:46,119
Speaker 1: not follow the hype. Guy. I wanted to be like,

482
00:26:46,280 --> 00:26:49,800
Speaker 1: come on, guys, my roll my eyes. It's good. Yeah,

483
00:26:50,480 --> 00:26:53,080
Speaker 1: I've seen other versions, so I know how I kind

484
00:26:53,080 --> 00:26:55,480
Speaker 1: of how guys just thinking that cuff we have? What

485
00:26:55,520 --> 00:26:57,479
Speaker 1: do you think about him? Though? Like, I mean, this

486
00:26:57,520 --> 00:27:00,000
Speaker 1: is gonna it's already want some awards, right, they're playing

487
00:27:00,000 --> 00:27:02,560
Speaker 1: it at the Oscars, right, So I mean, this is

488
00:27:02,600 --> 00:27:04,760
Speaker 1: Bradley Cooper. This is why I like it so much.

489
00:27:04,840 --> 00:27:07,000
Speaker 1: The movie is because he had to he had to

490
00:27:07,040 --> 00:27:09,720
Speaker 1: do that. He had to get to sing, he had

491
00:27:09,760 --> 00:27:11,639
Speaker 1: to learn to play guitar. Oh, he didn't know how

492
00:27:11,680 --> 00:27:15,000
Speaker 1: to play guitar or anything. Nothing and sing and do

493
00:27:15,160 --> 00:27:17,000
Speaker 1: and then he gets on and does our great jobs

494
00:27:17,040 --> 00:27:19,479
Speaker 1: to him man, and then as someone who you know

495
00:27:19,600 --> 00:27:21,560
Speaker 1: plays music, and then I know, like in the big

496
00:27:21,600 --> 00:27:23,800
Speaker 1: scene at the beginning where he's playing a huge, huge

497
00:27:23,840 --> 00:27:28,879
Speaker 1: stadium or now it's each festival, like that was no

498
00:27:29,280 --> 00:27:31,679
Speaker 1: stage coach, stage coach, and like you just see all

499
00:27:31,720 --> 00:27:33,280
Speaker 1: the things they had to do to make that movie work,

500
00:27:33,320 --> 00:27:35,280
Speaker 1: and it's really cool. You'll like it. You should watch it,

501
00:27:35,480 --> 00:27:37,160
Speaker 1: will Yeah, And then it reminds you of like other

502
00:27:37,240 --> 00:27:39,240
Speaker 1: artists too that we know, and you're like, well, and

503
00:27:39,240 --> 00:27:41,880
Speaker 1: then Eddie Vetter is my favorite, and he wouldn't lived

504
00:27:42,119 --> 00:27:47,640
Speaker 1: to darn his behavior mannerisms. Remember this one dilemma Nelly

505
00:27:47,680 --> 00:27:50,600
Speaker 1: and Kelly Rowland. Of course it shook up every of course,

506
00:27:53,359 --> 00:27:55,680
Speaker 1: you know. The other one was Nelly and Tim McGraw. Yeah,

507
00:27:55,800 --> 00:27:57,960
Speaker 1: which I'm surprised that wasn't one of the country ones.

508
00:27:58,280 --> 00:28:01,199
Speaker 1: Well because it wasn't country. Was that a Was that

509
00:28:01,440 --> 00:28:05,080
Speaker 1: a big pop hit? Yeah? Over and over country really

510
00:28:05,080 --> 00:28:08,560
Speaker 1: did country I played at all? Only pop did because

511
00:28:08,600 --> 00:28:11,920
Speaker 1: it's all in my head. Shook my world out. Dang, dude,

512
00:28:11,920 --> 00:28:18,520
Speaker 1: you're right, yeah, I think about it over and over.

513
00:28:19,040 --> 00:28:22,359
Speaker 1: I mean, think about when this came out. For Timogarald

514
00:28:22,400 --> 00:28:24,480
Speaker 1: get on a rap record, it wasn't something everybody was.

515
00:28:24,520 --> 00:28:28,000
Speaker 1: The country wasn't doing that wearing his cowboy hat. And

516
00:28:28,040 --> 00:28:29,600
Speaker 1: for Nellie to be able to see out to the

517
00:28:29,640 --> 00:28:31,960
Speaker 1: box and go, let's bring out a country singer, they

518
00:28:31,960 --> 00:28:34,800
Speaker 1: were way ahead of their time. Nellie's got something in

519
00:28:34,960 --> 00:28:37,320
Speaker 1: him where he kind of like maybe he doesn't see

520
00:28:37,359 --> 00:28:40,000
Speaker 1: genre lyons or something, because he's real close to country,

521
00:28:40,640 --> 00:28:43,040
Speaker 1: Like maybe it's from Missouri. Maybe That's that's always what

522
00:28:43,080 --> 00:28:46,280
Speaker 1: I thought, Like, you grow up in the Midwest, you know,

523
00:28:46,280 --> 00:28:49,920
Speaker 1: someone considered almost a stuff that you have a country roots.

524
00:28:50,200 --> 00:28:53,120
Speaker 1: And I mean he's done Cray country grammar, country grammar,

525
00:28:53,240 --> 00:28:55,080
Speaker 1: all of that. I feel like he does have country

526
00:28:55,080 --> 00:28:58,120
Speaker 1: deep country. Did he put us all they wanted to

527
00:28:58,120 --> 00:29:00,440
Speaker 1: go country? At one point I think Nellie did. Yeah,

528
00:29:01,440 --> 00:29:04,400
Speaker 1: this shook it, That shook b b REXA FJL meant

529
00:29:04,400 --> 00:29:07,840
Speaker 1: to be obviously. You know what song I loved to do?

530
00:29:07,960 --> 00:29:09,920
Speaker 1: It was any of the best duets of the past

531
00:29:09,920 --> 00:29:13,200
Speaker 1: twenty five years in my opinion, that Pink and that

532
00:29:13,280 --> 00:29:17,120
Speaker 1: Nate rouse from Fun when they did. Just give me

533
00:29:17,200 --> 00:29:27,960
Speaker 1: a reason that was I love this song. Yeah, that's

534
00:29:28,000 --> 00:29:30,920
Speaker 1: clearly a fun song, right like the band Fun because

535
00:29:30,920 --> 00:29:33,440
Speaker 1: it sounds like them. I hate them not together any

536
00:29:33,840 --> 00:29:36,280
Speaker 1: fun Like this guy's got one of the best voices

537
00:29:36,320 --> 00:29:39,560
Speaker 1: I've ever heard. His range. It sounds like a girl

538
00:29:39,640 --> 00:29:44,680
Speaker 1: sometimes sigh. Must have just something going on because Jack

539
00:29:44,760 --> 00:29:46,840
Speaker 1: the guy now is in the bleachers. Yes he's the

540
00:29:46,880 --> 00:29:49,480
Speaker 1: he's the guitar and bleachers are good now. But it's

541
00:29:49,480 --> 00:29:52,920
Speaker 1: not Fun. But Fun was when Fun came out. It

542
00:29:52,920 --> 00:29:55,760
Speaker 1: sounds like we're saying, but that's not fun, man, the

543
00:29:55,760 --> 00:29:59,640
Speaker 1: fun The band isn't even like current to people, and

544
00:29:59,640 --> 00:30:02,320
Speaker 1: and they only had what they weren't around for that long.

545
00:30:02,640 --> 00:30:05,360
Speaker 1: Right as far as far as they're like huge success,

546
00:30:05,440 --> 00:30:08,320
Speaker 1: I don't I remember a blit of their warriors. Yeah,

547
00:30:08,440 --> 00:30:13,680
Speaker 1: that's nothing. Funds first song some Nights? Was it some nights?

548
00:30:13,760 --> 00:30:15,240
Speaker 1: No? No No, no, that sounds like it said that one

549
00:30:15,640 --> 00:30:17,720
Speaker 1: young I thought it was weird that I could be wrong.

550
00:30:17,840 --> 00:30:22,680
Speaker 1: What friends are in the bathroom getting hired than she

551
00:30:22,760 --> 00:30:25,600
Speaker 1: is waiting for me just across. This is not a duet.

552
00:30:25,640 --> 00:30:28,560
Speaker 1: The band was just so goodlass and then Nate Ruce

553
00:30:28,640 --> 00:30:31,959
Speaker 1: can never take off himself. I know, I gave it

554
00:30:32,000 --> 00:30:34,840
Speaker 1: to you months ago. That was good. And then after

555
00:30:34,880 --> 00:30:37,920
Speaker 1: that was I believe some nights, some nights, and then

556
00:30:38,800 --> 00:30:45,000
Speaker 1: this is that jam. But my favorite was carry On too.

557
00:30:45,640 --> 00:30:49,240
Speaker 1: Still it's still my favorite. I love it again. I'm

558
00:30:49,240 --> 00:30:54,960
Speaker 1: a sucker for slow piano carry on, carry on. So

559
00:30:56,360 --> 00:30:58,880
Speaker 1: I woke to the song. I'll listen to this today now.

560
00:30:58,880 --> 00:31:01,760
Speaker 1: I never reminded of it, like nine to listen all

561
00:31:01,760 --> 00:31:04,040
Speaker 1: fun today. After if I played, I was like I

562
00:31:04,200 --> 00:31:07,200
Speaker 1: player and I was just jamming out to some other stuff.

563
00:31:07,520 --> 00:31:09,200
Speaker 1: You know what. I the what trail I went down

564
00:31:09,240 --> 00:31:13,160
Speaker 1: recently was the Seven Club trail. I didn't mean to,

565
00:31:13,360 --> 00:31:15,760
Speaker 1: but I just kind of started listening to all their

566
00:31:15,840 --> 00:31:18,840
Speaker 1: music and brought me down a little bit. I wouldn't

567
00:31:18,840 --> 00:31:21,920
Speaker 1: have just doing that, can I can I give you

568
00:31:21,920 --> 00:31:25,360
Speaker 1: the other side of that, a bit of the darker

569
00:31:25,440 --> 00:31:27,960
Speaker 1: side of it, and not in a bad way. But

570
00:31:28,080 --> 00:31:30,880
Speaker 1: I would say, because here's you want to give the story,

571
00:31:30,280 --> 00:31:33,960
Speaker 1: the seven Club twenty seven club is is the age

572
00:31:33,960 --> 00:31:37,239
Speaker 1: twenty seven that a group of artists, I would say

573
00:31:37,280 --> 00:31:39,400
Speaker 1: artists because they're even I mean I even think maybe

574
00:31:39,440 --> 00:31:42,160
Speaker 1: Heath Ledgers in as well, but like artists died at

575
00:31:42,200 --> 00:31:45,840
Speaker 1: age seven, and they call it the twenty seven Club

576
00:31:45,880 --> 00:31:48,320
Speaker 1: because they're all probably still together in heaven or something,

577
00:31:48,440 --> 00:31:52,640
Speaker 1: you know, some basic right, So okay, let's let's get

578
00:31:52,640 --> 00:31:54,840
Speaker 1: one on as I tell the story. For example, you're

579
00:31:54,880 --> 00:31:58,040
Speaker 1: going Cobain now, I was gonna go Jimmy Hendrix, Nirvana,

580
00:31:58,160 --> 00:32:02,800
Speaker 1: Amy Winehouse, Um, Jim Morrison a lot. Right. Here's my

581
00:32:02,920 --> 00:32:05,200
Speaker 1: theory as to why it's actually not bad, which it

582
00:32:05,240 --> 00:32:08,960
Speaker 1: makes it kind of dark. I don't think they would

583
00:32:08,960 --> 00:32:10,959
Speaker 1: have been able to create such magic stuff had they

584
00:32:11,000 --> 00:32:14,800
Speaker 1: been normal. You know, this is my theory anyway to

585
00:32:15,000 --> 00:32:17,760
Speaker 1: create and we always have the argument we create crazy stuff.

586
00:32:17,800 --> 00:32:20,360
Speaker 1: You have to be crazy to create crazy good stuff

587
00:32:20,360 --> 00:32:22,760
Speaker 1: that's so so different, you have to be different. And

588
00:32:22,800 --> 00:32:24,960
Speaker 1: I would say what made them special is also what

589
00:32:25,040 --> 00:32:29,080
Speaker 1: killed them. That they were out of control, you know what.

590
00:32:29,120 --> 00:32:30,840
Speaker 1: Where they were out of control musically and had no rules,

591
00:32:30,880 --> 00:32:32,200
Speaker 1: they were also out of control in the personal life

592
00:32:32,240 --> 00:32:34,080
Speaker 1: that had no rules. You can't just kind of pick

593
00:32:34,120 --> 00:32:36,600
Speaker 1: a spot and go, I'm fully nutty in this part

594
00:32:36,600 --> 00:32:38,040
Speaker 1: of my life. But you know what, I'm gonna count

595
00:32:38,040 --> 00:32:40,640
Speaker 1: it the rest of the day. So the fact that

596
00:32:40,720 --> 00:32:46,640
Speaker 1: Kurt Cobain was able to take a sound and elevate it.

597
00:32:47,120 --> 00:32:49,200
Speaker 1: They didn't create that sound, you know, they were actually

598
00:32:49,200 --> 00:32:51,360
Speaker 1: the first ones from that scene to bust through with

599
00:32:51,400 --> 00:32:54,200
Speaker 1: that sound. But the fact that he was able to

600
00:32:54,240 --> 00:32:56,320
Speaker 1: do that, he was only able to do that because

601
00:32:56,360 --> 00:32:58,840
Speaker 1: he was nuts. That music would have never happened had

602
00:32:58,840 --> 00:33:03,080
Speaker 1: he not been reckless and crazy and nuts and and

603
00:33:03,160 --> 00:33:06,920
Speaker 1: that same characteristic is what killed him. So if he

604
00:33:06,920 --> 00:33:08,400
Speaker 1: didn't have if he didn't have the characters that killed

605
00:33:08,440 --> 00:33:09,720
Speaker 1: he would have had the characters that made the music.

606
00:33:09,760 --> 00:33:12,280
Speaker 1: Amy Winehouse the same thing, Jim Morrison from the Doors

607
00:33:12,400 --> 00:33:15,520
Speaker 1: like that. Dudy was insane but genius at the same time,

608
00:33:16,320 --> 00:33:20,880
Speaker 1: and what killed him was his insanity. So my thing is, Okay,

609
00:33:20,880 --> 00:33:23,200
Speaker 1: it sucks they all died at but we had never

610
00:33:23,240 --> 00:33:26,080
Speaker 1: had their music, had they not been nutty to begin with?

611
00:33:27,240 --> 00:33:29,760
Speaker 1: Did that make sense? It does? And I agree with

612
00:33:29,800 --> 00:33:32,360
Speaker 1: you for some of them. I don't agree with Jim

613
00:33:32,360 --> 00:33:37,600
Speaker 1: Morrison or Amy Winehouse because because Jim Morrison had a band,

614
00:33:37,720 --> 00:33:40,200
Speaker 1: like a really good band that made really good he

615
00:33:40,400 --> 00:33:43,120
Speaker 1: was the poet of that band, you know, like he wrote,

616
00:33:43,160 --> 00:33:46,960
Speaker 1: he was nut But I think I think music historians

617
00:33:47,000 --> 00:33:49,640
Speaker 1: and music geeks talk about like, oh, but listen to

618
00:33:49,680 --> 00:33:52,720
Speaker 1: the lyrics of Light My Fire, and I'm like, listen

619
00:33:52,760 --> 00:33:56,120
Speaker 1: to that sound and listen to his voice and listen

620
00:33:56,240 --> 00:33:58,760
Speaker 1: to the doors as a whole. But him, he was

621
00:33:58,800 --> 00:34:01,200
Speaker 1: a good poet. But here's the saying lyrics that no

622
00:34:01,200 --> 00:34:04,560
Speaker 1: one ever understands. Anyway, I thought, I love your thoughts, right,

623
00:34:05,560 --> 00:34:07,760
Speaker 1: what he had to be a total package frontman for

624
00:34:07,800 --> 00:34:10,759
Speaker 1: this to be seen. He would perform backwards, with his

625
00:34:10,840 --> 00:34:13,520
Speaker 1: back towards the crowd, exactly my point. And he also

626
00:34:13,560 --> 00:34:15,480
Speaker 1: pulled his pecker out and play right, and no one

627
00:34:15,600 --> 00:34:18,919
Speaker 1: liked that. But my mom would like the Doors would

628
00:34:18,960 --> 00:34:22,800
Speaker 1: not be legendary without him doing frontman things. Lots of

629
00:34:22,800 --> 00:34:24,680
Speaker 1: people make good music, lots of people make good music.

630
00:34:24,960 --> 00:34:26,680
Speaker 1: We don't hear all the good music because of good music.

631
00:34:26,680 --> 00:34:28,680
Speaker 1: There's something else about it that makes it go Oh.

632
00:34:29,280 --> 00:34:31,440
Speaker 1: I don't know if you can ever try this. Name

633
00:34:31,480 --> 00:34:34,600
Speaker 1: a band that's boring but makes fantastic music and got famous.

634
00:34:35,920 --> 00:34:39,880
Speaker 1: Zach Brown Band. I'm not. I'm not saying they're born.

635
00:34:39,920 --> 00:34:42,839
Speaker 1: They're just what's to them. They're they're great talented that

636
00:34:42,880 --> 00:34:45,600
Speaker 1: makes that makes good music, but they're not like but

637
00:34:45,640 --> 00:34:50,520
Speaker 1: they're current. Again, we can't assign their place in history yet.

638
00:34:51,520 --> 00:34:55,719
Speaker 1: Zack Brown Band, Okay, Alabama, you know what I mean?

639
00:34:55,840 --> 00:34:58,520
Speaker 1: Like they make good good I don't think you can

640
00:34:58,560 --> 00:35:00,680
Speaker 1: be at my point if they're not me really exclusive

641
00:35:01,040 --> 00:35:03,160
Speaker 1: like Amy Winehouse. We'll talk about her first second watch

642
00:35:03,200 --> 00:35:06,120
Speaker 1: the documentary I did, and I loved it, but me

643
00:35:06,160 --> 00:35:09,319
Speaker 1: as a consumer that you finished on the Doors real quick.

644
00:35:09,440 --> 00:35:12,480
Speaker 1: You're saying the Doors wouldn't be the Doors without him

645
00:35:12,480 --> 00:35:15,520
Speaker 1: doing all that crazy stuff. It's my point because their

646
00:35:15,640 --> 00:35:19,239
Speaker 1: legend and their nuttiness preceded them, Like you knew that

647
00:35:19,320 --> 00:35:20,920
Speaker 1: was nuts before it even got to you, and it

648
00:35:21,640 --> 00:35:23,719
Speaker 1: made it bigger. And the fact that he died made

649
00:35:23,719 --> 00:35:26,279
Speaker 1: it bigger. Absolutely all of it did died live in

650
00:35:26,320 --> 00:35:30,400
Speaker 1: that way. So they wouldn't have made their art if

651
00:35:30,400 --> 00:35:32,520
Speaker 1: they didn't live an already lifestyle because and a lot

652
00:35:32,600 --> 00:35:34,440
Speaker 1: of already not all, but a lot of already lifestyles

653
00:35:34,440 --> 00:35:37,160
Speaker 1: are filled with excess. Some already lost aren't, aren't filled

654
00:35:37,200 --> 00:35:39,920
Speaker 1: with excessive drugs and alcohol. Some are filled with excessive

655
00:35:40,000 --> 00:35:43,280
Speaker 1: working out. You have to find your excess to McGraw's,

656
00:35:43,480 --> 00:35:48,640
Speaker 1: they happen to find theirs. And uh, you know, physical sure,

657
00:35:49,160 --> 00:35:53,080
Speaker 1: because I agree, I agree with with Jimi Hendrix. He

658
00:35:53,120 --> 00:35:55,239
Speaker 1: would have never liked he would have made that music.

659
00:35:55,280 --> 00:35:56,680
Speaker 1: All that music would have never come out of he

660
00:35:56,719 --> 00:35:58,400
Speaker 1: wasn't an ass. Same thing with her Cobain, And you you

661
00:35:58,440 --> 00:36:01,440
Speaker 1: think he's making that stuff on here, correct, And that's

662
00:36:01,480 --> 00:36:05,040
Speaker 1: why I do that. But she but she's saying like

663
00:36:05,400 --> 00:36:08,960
Speaker 1: she had her voice soul came from pain and that

664
00:36:09,080 --> 00:36:15,719
Speaker 1: pain wasn't influenced a bit with the drugs and the alcohol. Yeah,

665
00:36:15,920 --> 00:36:17,759
Speaker 1: I'm not even arguing that. I'm absolutely right. I just

666
00:36:17,960 --> 00:36:20,080
Speaker 1: that's my theory on it. I had to explain to

667
00:36:20,120 --> 00:36:21,440
Speaker 1: my kids because my kids were with me when I

668
00:36:21,480 --> 00:36:22,960
Speaker 1: was listening to it as I just got into this

669
00:36:23,000 --> 00:36:24,719
Speaker 1: hole of talking to them about the twenty seven Club,

670
00:36:25,160 --> 00:36:28,640
Speaker 1: and I really meet explaining to them what happened to them.

671
00:36:28,680 --> 00:36:29,920
Speaker 1: You know, it's like, how do you explain to a

672
00:36:30,200 --> 00:36:32,560
Speaker 1: eleven year old why they were in the twenty seven Club?

673
00:36:32,719 --> 00:36:35,440
Speaker 1: They made bad choices, like they were too creative, they

674
00:36:35,440 --> 00:36:38,360
Speaker 1: were they you know, they didn't know how to handle

675
00:36:38,520 --> 00:36:41,160
Speaker 1: certain things in their life. Like it's sad because when

676
00:36:41,160 --> 00:36:43,800
Speaker 1: you get when you're twenty seven, you're like, dude, whatever,

677
00:36:43,920 --> 00:36:46,080
Speaker 1: man do whatever. Live your life that way. It's cool.

678
00:36:46,120 --> 00:36:47,920
Speaker 1: When you're older and you have kids and a family,

679
00:36:47,960 --> 00:36:49,799
Speaker 1: you're just like, damn, that sucks. They didn't make it

680
00:36:49,800 --> 00:36:53,200
Speaker 1: past that because Jim Morrison probably wouldn't mean if you

681
00:36:53,239 --> 00:36:57,440
Speaker 1: were still alive. L You watch a documentary on right

682
00:36:57,520 --> 00:37:03,040
Speaker 1: did Right Again? She doesn't make that's super soulful, painful

683
00:37:03,120 --> 00:37:05,399
Speaker 1: music without pain? And what do you do with pain?

684
00:37:05,440 --> 00:37:06,920
Speaker 1: You try to make the pain go away? And how

685
00:37:06,920 --> 00:37:09,239
Speaker 1: do you make the pain go away? Well, one of

686
00:37:09,280 --> 00:37:15,399
Speaker 1: the ways is by an expression expression. So yeah, that's

687
00:37:15,440 --> 00:37:17,600
Speaker 1: my point. Let have to be right, But that's what

688
00:37:17,680 --> 00:37:19,720
Speaker 1: I that's how I feel. We wouldn't if they didn't

689
00:37:19,719 --> 00:37:21,600
Speaker 1: die that what killed them made them awesome. Hey, how

690
00:37:21,600 --> 00:37:24,719
Speaker 1: many times we have this conversation a lot um that

691
00:37:24,920 --> 00:37:27,879
Speaker 1: the crazy thing about Janis Choplin we've spiraled and well, yeah,

692
00:37:27,960 --> 00:37:29,200
Speaker 1: we'll go back to do it when I will finish

693
00:37:29,239 --> 00:37:31,880
Speaker 1: for almost done anyway. But the crazy thing about Janis

694
00:37:31,960 --> 00:37:33,640
Speaker 1: Joplin is that her biggest hit didn't even come out

695
00:37:33,680 --> 00:37:38,040
Speaker 1: until she was dead, which is um me and Bobby McGee. Yeah,

696
00:37:38,280 --> 00:37:41,759
Speaker 1: and she didn't write it. Christi Stofferson did. That's right, right,

697
00:37:43,320 --> 00:37:46,600
Speaker 1: So this didn't even come out really until she was dead.

698
00:37:48,160 --> 00:37:50,040
Speaker 1: Who gets all that money? He does? He wrote it?

699
00:37:50,320 --> 00:37:52,040
Speaker 1: I mean she gets some of the master I don't listen.

700
00:37:52,040 --> 00:37:54,080
Speaker 1: I don't know how deals were done. Then, you know,

701
00:37:54,120 --> 00:37:56,279
Speaker 1: there's far less money and being the artist in the

702
00:37:56,760 --> 00:37:58,120
Speaker 1: if you don't write the song, there's really not a

703
00:37:58,120 --> 00:38:00,719
Speaker 1: lot of money in making the record. A couple of

704
00:38:00,719 --> 00:38:04,680
Speaker 1: tricks that artists do now is and I'll just speak

705
00:38:04,680 --> 00:38:07,759
Speaker 1: in general terms, if you're a major, major artist, you

706
00:38:07,760 --> 00:38:09,799
Speaker 1: can almost demand writing credit. Even if you don't write,

707
00:38:10,960 --> 00:38:12,840
Speaker 1: you can get in and change. That's just a split

708
00:38:12,960 --> 00:38:15,960
Speaker 1: split of the money you can get into. And it's

709
00:38:15,960 --> 00:38:18,680
Speaker 1: different because in pop world you can get in it.

710
00:38:20,920 --> 00:38:22,719
Speaker 1: So let's say you're a I'm just gonna do someone

711
00:38:22,719 --> 00:38:25,000
Speaker 1: I don't know anything about on that level of Beyonce,

712
00:38:25,760 --> 00:38:28,560
Speaker 1: and Beyonce doesn't touch a word of her song. She

713
00:38:28,600 --> 00:38:30,480
Speaker 1: could go in if there are five other songwriters and

714
00:38:30,560 --> 00:38:32,279
Speaker 1: be like, hey, listen, I'm not gonna cut it less

715
00:38:32,280 --> 00:38:34,280
Speaker 1: I get a writer's credit, let me change a word.

716
00:38:34,400 --> 00:38:38,879
Speaker 1: And what are they going to do? They want exactly? Um.

717
00:38:38,920 --> 00:38:41,400
Speaker 1: In the country world, it's different because here that's all

718
00:38:41,800 --> 00:38:44,320
Speaker 1: on equal percentages for the most part, and there is

719
00:38:44,360 --> 00:38:47,360
Speaker 1: a there's a respect here of like you don't cross anyone.

720
00:38:47,480 --> 00:38:51,120
Speaker 1: Most of the time. Most I know artists who've got

721
00:38:51,160 --> 00:38:53,160
Speaker 1: on song as they didn't pop me. But most of

722
00:38:53,160 --> 00:38:56,560
Speaker 1: the time. One in particular, I was like, that's dirty.

723
00:38:56,719 --> 00:38:59,440
Speaker 1: I remember this. Yeah, I remember thinking the same thing.

724
00:38:59,560 --> 00:39:02,200
Speaker 1: Dirty want they change one word only so you get

725
00:39:02,239 --> 00:39:04,080
Speaker 1: writing credit on it. It's a word for a third.

726
00:39:04,120 --> 00:39:06,719
Speaker 1: I believe they say that, now writers, did you change

727
00:39:06,719 --> 00:39:08,040
Speaker 1: the word, you're now a third writer of the song.

728
00:39:08,840 --> 00:39:12,520
Speaker 1: So um so that. But you know, if you're sing

729
00:39:12,600 --> 00:39:13,520
Speaker 1: on a song and get a little bit of the

730
00:39:13,520 --> 00:39:16,520
Speaker 1: master money, But it's all in songwriting, all in publishing. Yeah.

731
00:39:16,600 --> 00:39:18,200
Speaker 1: You know, one time when I was in my old band,

732
00:39:18,239 --> 00:39:20,839
Speaker 1: like you know whatever, fifteen years ago. I'm tied. Look

733
00:39:20,840 --> 00:39:22,920
Speaker 1: it up and I'm tied. Yeah. I did Bob Dylan

734
00:39:22,960 --> 00:39:25,960
Speaker 1: cover and I put it up on my Space and

735
00:39:26,040 --> 00:39:28,680
Speaker 1: like within two days Bob Dylan's publishing. It was just like,

736
00:39:32,360 --> 00:39:36,520
Speaker 1: first off, it's terrible Dylan's brother. Yeah, and it was

737
00:39:36,600 --> 00:39:40,080
Speaker 1: it was two options. One you can pay us, or

738
00:39:40,120 --> 00:39:43,759
Speaker 1: to just take it down now like pretty much, which

739
00:39:43,800 --> 00:39:45,080
Speaker 1: is like you know, I've had to. We were just

740
00:39:45,120 --> 00:39:47,000
Speaker 1: a dumb band, like a garage band. We're like, okay,

741
00:39:47,080 --> 00:39:49,839
Speaker 1: take it down, Bob Dylan. I don't like this. Well,

742
00:39:50,120 --> 00:39:52,200
Speaker 1: this was the best duets of the last twenty five years,

743
00:39:52,600 --> 00:39:56,160
Speaker 1: and I believe that's what this podcast is all about. Yeah. Anyway,

744
00:39:56,160 --> 00:40:00,080
Speaker 1: the point is duets features are massive. You want to

745
00:40:00,280 --> 00:40:03,640
Speaker 1: get it hit, get somebody on that's different and as

746
00:40:03,719 --> 00:40:07,120
Speaker 1: cool or cooler than you, hopefully because people like to

747
00:40:07,120 --> 00:40:09,200
Speaker 1: see song with multiple people on it. It's like having

748
00:40:09,200 --> 00:40:11,560
Speaker 1: it for dinner. Do you want one course? Sure, it's good,

749
00:40:11,760 --> 00:40:14,279
Speaker 1: you know, like chicken, let's cool. Get some corn on

750
00:40:14,320 --> 00:40:16,960
Speaker 1: there too, sure, Like you know, like you go to Chili's,

751
00:40:17,000 --> 00:40:19,520
Speaker 1: they have like the just pick two of this whole item. Like,

752
00:40:19,920 --> 00:40:21,640
Speaker 1: pick three of the item you want? Do you want

753
00:40:21,640 --> 00:40:24,719
Speaker 1: a little bit of everything? I get it? Not enough?

754
00:40:26,520 --> 00:40:31,759
Speaker 1: Not makes Janna Schoplin wants the documentary and go read

755
00:40:31,800 --> 00:40:33,840
Speaker 1: the story about this song because it's fantastic. Guess what

756
00:40:33,840 --> 00:40:36,920
Speaker 1: I know we're from is this song for the most part? Um,

757
00:40:37,000 --> 00:40:42,880
Speaker 1: you know what's our two? It's like, I mean, what

758
00:40:42,960 --> 00:40:46,879
Speaker 1: a piece of my heart? What's your fate tale with? Yeah?

759
00:40:47,200 --> 00:40:50,120
Speaker 1: Mercedes Benz mail made piece of my heart? People knew

760
00:40:50,120 --> 00:40:53,279
Speaker 1: that was jannas Shoplin song. Oh yeah, oh lord, won't

761
00:40:53,280 --> 00:40:58,880
Speaker 1: you buy Mercedes fins? Yeah? My friends all drop Porsches

762
00:41:00,080 --> 00:41:04,279
Speaker 1: is making man so good man? Yeah, okay, good talk dude,

763
00:41:04,320 --> 00:41:07,400
Speaker 1: Thank you, appreciate you coming by the podcast. That's episode

764
00:41:09,560 --> 00:41:12,759
Speaker 1: thanks to our sponsor. And that's all. We'll see. We

765
00:41:12,800 --> 00:41:15,680
Speaker 1: should have a Laura belt on that right. All right,

766
00:41:16,000 --> 00:41:17,880
Speaker 1: she's write a bunch of song no duet stuff for me,

767
00:41:18,000 --> 00:41:22,200
Speaker 1: but hurt. Yeah. Podcast, all right, thank you guys. We'll see.

768
00:41:22,360 --> 00:41:24,960
Speaker 1: By the way, check out Eddie's podcast, The Store Losers

769
00:41:25,000 --> 00:41:28,959
Speaker 1: Sports show podcast. Eddie runs that show. Well, lunchbots would

770
00:41:29,000 --> 00:41:30,680
Speaker 1: argue with me, but that's what he does the whole

771
00:41:30,680 --> 00:41:33,759
Speaker 1: She says, he is the sports genius. Therefore he knows

772
00:41:33,840 --> 00:41:36,680
Speaker 1: everything about sports. Now you have it. Also check out

773
00:41:36,719 --> 00:41:40,000
Speaker 1: The Velvet's Edge with Kelly Henderson. It's a lafestyle podcast

774
00:41:40,040 --> 00:41:42,239
Speaker 1: for for your ladies out there. It's really good. All right,

775
00:41:42,239 --> 00:41:46,360
Speaker 1: thank you, see next time. Everybody,