1 00:00:01,120 --> 00:00:04,240 Speaker 1: Welcome to the iHeartRadio and Coast to Coast AM Paranormal 2 00:00:04,280 --> 00:00:07,520 Speaker 1: podcast Network. Now get ready for us Strange Things with 3 00:00:07,680 --> 00:00:08,680 Speaker 1: Joshua P. Warre. 4 00:00:13,880 --> 00:00:17,159 Speaker 2: Welcome to our podcast. Please be aware the thoughts and 5 00:00:17,239 --> 00:00:21,200 Speaker 2: opinions expressed by the host are their thoughts and opinions 6 00:00:21,239 --> 00:00:26,440 Speaker 2: only and do not reflect those of iHeartMedia, iHeartRadio, Coast 7 00:00:26,480 --> 00:00:30,920 Speaker 2: to Coast AM, employees of Premiere Networks, or their sponsors 8 00:00:30,920 --> 00:00:34,120 Speaker 2: and associates. We would like to encourage you to do 9 00:00:34,200 --> 00:00:57,520 Speaker 2: your own research and discover the subject matter for yourself. 10 00:00:57,880 --> 00:01:03,560 Speaker 1: Ready to be amazed by the wizards Weird Strange with 11 00:01:03,880 --> 00:01:12,479 Speaker 1: Joshua Warren. I am Joshua B. Warren, and each week 12 00:01:12,480 --> 00:01:14,920 Speaker 1: on this show, I'll be bringing you brand new mind 13 00:01:14,959 --> 00:01:19,120 Speaker 1: blowing content, news, exercises, and weird experiments you can do 14 00:01:19,160 --> 00:01:22,920 Speaker 1: at home, and a lot more on this edition of 15 00:01:23,000 --> 00:01:32,560 Speaker 1: the show. Deathbed Confessions and Deathbed Visitors. I know it 16 00:01:32,680 --> 00:01:36,280 Speaker 1: sucks to talk about death sometimes, but this is the 17 00:01:36,480 --> 00:01:41,039 Speaker 1: Paranormal Podcast Network, and of course death is one of 18 00:01:41,040 --> 00:01:45,480 Speaker 1: the biggest mysteries. Really, the big mystery is life. What 19 00:01:45,680 --> 00:01:49,200 Speaker 1: is life and therefore, what is afterlife? How do we 20 00:01:49,240 --> 00:01:56,760 Speaker 1: put life into context and what happens when it doesn't 21 00:01:56,840 --> 00:02:00,240 Speaker 1: matter how rich you are, how powerful you are, how 22 00:02:00,280 --> 00:02:03,000 Speaker 1: famous you are. What happens when you know you're about 23 00:02:03,040 --> 00:02:07,600 Speaker 1: to die. What do you say or do that you 24 00:02:07,720 --> 00:02:10,840 Speaker 1: might not otherwise say, or do that last little thing 25 00:02:10,880 --> 00:02:14,600 Speaker 1: you want to get out there before you expire. Well, 26 00:02:14,600 --> 00:02:18,160 Speaker 1: you know, over the years, I have produced a lot 27 00:02:18,280 --> 00:02:23,919 Speaker 1: of movie and TV content. Nowadays, I'm not really interested 28 00:02:23,960 --> 00:02:26,680 Speaker 1: in doing that anymore. I did it for a long 29 00:02:26,760 --> 00:02:29,239 Speaker 1: time and now you know, I'm just I'm happy doing 30 00:02:29,280 --> 00:02:31,600 Speaker 1: what I'm doing here with the podcast. But you know, 31 00:02:31,639 --> 00:02:34,320 Speaker 1: I produced a lot of indie stuff back in the day. 32 00:02:35,639 --> 00:02:37,320 Speaker 1: Even if you go to YouTube, you can watch some 33 00:02:37,400 --> 00:02:39,080 Speaker 1: of the stuff for free, like a loan in all 34 00:02:39,120 --> 00:02:42,720 Speaker 1: Haunted House or this comedy that I may call The Commodore. 35 00:02:43,520 --> 00:02:46,480 Speaker 1: You know, I've done much bigger things. I worked as 36 00:02:46,560 --> 00:02:50,320 Speaker 1: a consultant on the Warner Brothers horror movie The Apparition, 37 00:02:50,520 --> 00:02:53,640 Speaker 1: and I also, I believe, have a producer credit for 38 00:02:53,760 --> 00:02:56,000 Speaker 1: the Blu Ray edition of that for some of the 39 00:02:56,080 --> 00:03:00,280 Speaker 1: behind the scenes stuff. I mean. Another example, like one 40 00:03:00,280 --> 00:03:02,680 Speaker 1: time I was at a conference and I met Jeff Mudget, 41 00:03:03,240 --> 00:03:07,079 Speaker 1: who is a direct descendant of H. H. Holmes. The 42 00:03:07,120 --> 00:03:11,440 Speaker 1: infamous American serial killer. And even though H. H. Holmes 43 00:03:11,560 --> 00:03:14,799 Speaker 1: was an American, Jeff Mudget believes that Holmes went over 44 00:03:14,840 --> 00:03:17,200 Speaker 1: to England and committed to jack the Ripper murders. And 45 00:03:17,240 --> 00:03:20,120 Speaker 1: he wrote a book about this, and he'd been trying 46 00:03:20,160 --> 00:03:24,480 Speaker 1: to get it sold and had nothing but dead ends. 47 00:03:24,480 --> 00:03:25,880 Speaker 1: And I said, let me give it a shot. So 48 00:03:25,919 --> 00:03:28,000 Speaker 1: I wrote a proposal and pitched it, and sure enough 49 00:03:28,240 --> 00:03:30,160 Speaker 1: it got picked up by the History Channel, became a 50 00:03:30,200 --> 00:03:33,040 Speaker 1: whole series, and Jeff Mudget got to star in it. 51 00:03:33,040 --> 00:03:35,720 Speaker 1: It was called American Ripper. They did a very good 52 00:03:35,760 --> 00:03:39,080 Speaker 1: job in my opinion. So anyway, I've pitched a lot 53 00:03:39,120 --> 00:03:40,920 Speaker 1: of different stuff. I produced a lot of stuff, but 54 00:03:41,840 --> 00:03:44,080 Speaker 1: most of the stuff that I have pitched over the 55 00:03:44,160 --> 00:03:48,840 Speaker 1: years has not been picked up. That's just how it goes, understandably. 56 00:03:50,000 --> 00:03:53,160 Speaker 1: And what's kind of odd, however, is that sometimes I 57 00:03:54,080 --> 00:03:56,280 Speaker 1: back in the day, I had contact a production company 58 00:03:56,280 --> 00:03:58,760 Speaker 1: and they'd say, Okay, let's see your idea, and I'd 59 00:03:58,760 --> 00:04:00,880 Speaker 1: send them the idea and they'd say, oh, we're kind 60 00:04:00,920 --> 00:04:02,800 Speaker 1: of interested or we're not interested, and they will kind 61 00:04:02,800 --> 00:04:05,080 Speaker 1: of like fizzle out, and then a couple of years 62 00:04:05,160 --> 00:04:10,840 Speaker 1: later I would see something very much like it on TV. Now, 63 00:04:11,640 --> 00:04:19,800 Speaker 1: does that mean I have been shafted? Possibly? This is 64 00:04:19,839 --> 00:04:24,680 Speaker 1: why most people who work in the creative fields, like writers, musicians, filmmakers, etc. 65 00:04:25,320 --> 00:04:28,160 Speaker 1: They don't want to see your submissions or get your 66 00:04:28,200 --> 00:04:34,400 Speaker 1: ideas under most circumstances, because what if they just happen 67 00:04:34,560 --> 00:04:38,240 Speaker 1: to be working on something like it already and then 68 00:04:38,320 --> 00:04:41,640 Speaker 1: you say I have an idea and they say okay, 69 00:04:41,640 --> 00:04:44,880 Speaker 1: and you share the idea and they're like no thanks. 70 00:04:45,920 --> 00:04:49,240 Speaker 1: Then they continue working on what they were working on, 71 00:04:49,680 --> 00:04:52,800 Speaker 1: which happens to be very similar, and then when it 72 00:04:52,839 --> 00:04:56,600 Speaker 1: comes out, you say, oh, they have stolen this from me. 73 00:04:57,600 --> 00:05:01,240 Speaker 1: So it's very complicated the protocol about like pitching things 74 00:05:01,240 --> 00:05:05,640 Speaker 1: and sharing ideas. And also there's this thing that you 75 00:05:05,680 --> 00:05:07,960 Speaker 1: can't help but maybe be a little bit haunted by 76 00:05:08,000 --> 00:05:09,400 Speaker 1: if you do this kind of stuff. It's called the 77 00:05:09,600 --> 00:05:15,080 Speaker 1: hundredth monkey effect. Have you ever heard of that? And look, 78 00:05:15,160 --> 00:05:17,080 Speaker 1: I don't know if this is true or not, but 79 00:05:17,320 --> 00:05:20,360 Speaker 1: it's it's natural to be a little bit paranoid when 80 00:05:20,400 --> 00:05:23,159 Speaker 1: you're pitching stuff in the creative field. But the hundredth 81 00:05:23,200 --> 00:05:26,240 Speaker 1: monkey effect, I think that that was kind of coined 82 00:05:26,240 --> 00:05:30,160 Speaker 1: in the nineteen seventies by the author Lyle Watson, and 83 00:05:30,200 --> 00:05:34,880 Speaker 1: he was talking about how these scientists were observing this 84 00:05:35,880 --> 00:05:43,240 Speaker 1: group of Japanese Macoque monkeys on this island and apparently, 85 00:05:43,480 --> 00:05:45,320 Speaker 1: somehow other I don't know if the crew was leaving 86 00:05:45,320 --> 00:05:48,680 Speaker 1: them or whatever, but these monkeys got a hold of 87 00:05:48,680 --> 00:05:53,200 Speaker 1: some sweet potatoes and one day one of the monkeys 88 00:05:53,240 --> 00:05:58,480 Speaker 1: went to a stream and started washing the sweet potato. 89 00:05:58,720 --> 00:06:01,080 Speaker 1: They'd never seen a monkey do that before. Well, then 90 00:06:01,279 --> 00:06:03,840 Speaker 1: another monkey saw that monkey doing it, and then it 91 00:06:03,920 --> 00:06:07,520 Speaker 1: started washing the sweet it's sweet potatoes, and this behavior 92 00:06:07,640 --> 00:06:14,400 Speaker 1: spread across the whole island until around you know, a 93 00:06:14,520 --> 00:06:18,120 Speaker 1: hundred monkeys were all doing this. And then the stunning 94 00:06:18,200 --> 00:06:21,360 Speaker 1: thing is they claimed it. All of a sudden boom, 95 00:06:22,000 --> 00:06:26,919 Speaker 1: they saw that exact same behavior appear among monkeys on 96 00:06:27,400 --> 00:06:34,200 Speaker 1: another island that was nearby but completely disconnected. So it's 97 00:06:34,279 --> 00:06:37,600 Speaker 1: kind of like a group consciousness theory that once a 98 00:06:37,640 --> 00:06:42,560 Speaker 1: certain number of people get an idea or in this case, monkeys, 99 00:06:43,200 --> 00:06:45,640 Speaker 1: that it carries some kind of weight and it can 100 00:06:45,760 --> 00:06:52,680 Speaker 1: just suddenly jump into other heads. And so sometimes you know, 101 00:06:52,720 --> 00:06:56,719 Speaker 1: if you have an idea, you want to act on 102 00:06:56,800 --> 00:06:59,960 Speaker 1: it quickly. And I don't know, you know, how old 103 00:07:00,080 --> 00:07:02,080 Speaker 1: you are but I mean, you do see stuff that's 104 00:07:02,160 --> 00:07:04,400 Speaker 1: kind of weird that might lend some credence to this 105 00:07:04,440 --> 00:07:06,880 Speaker 1: when you look back at the history of saying like Hollywood, 106 00:07:07,120 --> 00:07:09,920 Speaker 1: I remember in nineteen ninety eight there was a movie 107 00:07:10,040 --> 00:07:13,840 Speaker 1: Armageddon that came out and it was about you know, 108 00:07:13,960 --> 00:07:17,120 Speaker 1: some asteroid or whatever coming in. And then and then 109 00:07:17,640 --> 00:07:21,120 Speaker 1: that same year, another movie called Deep Impact came out. 110 00:07:21,480 --> 00:07:24,440 Speaker 1: Now these are supposedly unconnected projects, but it was also 111 00:07:24,840 --> 00:07:28,200 Speaker 1: a similar type of like asteroid disaster movie. And it 112 00:07:28,240 --> 00:07:30,600 Speaker 1: just makes you wonder, is that a coincidence or do 113 00:07:30,880 --> 00:07:34,240 Speaker 1: ideas appear to different people at the same time. So 114 00:07:34,280 --> 00:07:37,880 Speaker 1: it can kind of make you paranoid because if you're 115 00:07:37,880 --> 00:07:41,600 Speaker 1: a creator and you have a good idea, you can 116 00:07:41,640 --> 00:07:43,800 Speaker 1: suddenly get into a rush to bring it to market 117 00:07:43,840 --> 00:07:46,200 Speaker 1: because you're afraid someone else might beat you to it 118 00:07:48,240 --> 00:07:51,800 Speaker 1: using this same idea. You know that maybe that it 119 00:07:51,920 --> 00:07:55,680 Speaker 1: simultaneously occurred to them. It's a valid concern. One of 120 00:07:55,680 --> 00:07:59,800 Speaker 1: my favorite authors, Joe Vitally, says money loves speed, So 121 00:08:00,280 --> 00:08:01,800 Speaker 1: I don't know. Sometimes you do need to kind of 122 00:08:01,880 --> 00:08:03,960 Speaker 1: rush out of product, but you don't want it to 123 00:08:04,000 --> 00:08:07,360 Speaker 1: be underdeveloped and come out too soon. So it's tricky 124 00:08:07,640 --> 00:08:12,560 Speaker 1: being a creative type. But anyway, just thought you would 125 00:08:12,600 --> 00:08:15,720 Speaker 1: enjoy the hundredth monkey thing if you haven't heard about that. 126 00:08:17,000 --> 00:08:21,760 Speaker 1: One of my proposals, written many years ago was for 127 00:08:21,880 --> 00:08:27,800 Speaker 1: a possible TV series called Deathbed Confessions. It was never 128 00:08:27,880 --> 00:08:32,400 Speaker 1: picked up, and so the show only exists now in 129 00:08:32,440 --> 00:08:39,840 Speaker 1: my imagination. But I've decided to share this vision with you, 130 00:08:41,240 --> 00:08:45,679 Speaker 1: and I think you will agree that even today, this 131 00:08:45,720 --> 00:08:48,800 Speaker 1: would still make a fascinating TV show. It'd be perfect 132 00:08:48,800 --> 00:08:51,360 Speaker 1: for the History Channel. And I say this kind of 133 00:08:51,360 --> 00:08:53,679 Speaker 1: thing because it's like, look, I'm giving this away. I'm 134 00:08:53,679 --> 00:08:56,560 Speaker 1: giving this information away to you freely, just because that 135 00:08:56,600 --> 00:08:59,000 Speaker 1: this is something that I would like to see. I 136 00:08:59,120 --> 00:09:01,760 Speaker 1: would watch this show, and I think that's what you know, 137 00:09:02,400 --> 00:09:05,480 Speaker 1: your judgment should always be based upon. Is this something 138 00:09:05,480 --> 00:09:08,560 Speaker 1: that I would actually enjoy myself. So this is a 139 00:09:08,600 --> 00:09:12,199 Speaker 1: proposal that I sent to some production companies called Deathbed Confessions, 140 00:09:12,960 --> 00:09:19,600 Speaker 1: Final Revelations on Murder, UFOs, Hoaxes and more. And at 141 00:09:19,640 --> 00:09:24,400 Speaker 1: the top of the proposal I have a quote. The 142 00:09:24,520 --> 00:09:33,440 Speaker 1: quote is oh the creatures exclamation point. Those were the 143 00:09:33,520 --> 00:09:39,079 Speaker 1: last words of Major Edwin Easley, who was the Provost 144 00:09:39,120 --> 00:09:44,400 Speaker 1: Marshall at the Roswell Base in nineteen forty seven. Mm hmm, 145 00:09:46,160 --> 00:09:51,760 Speaker 1: all right, So here's the concept for this hypothetical TV show. 146 00:09:51,800 --> 00:09:57,160 Speaker 1: When one senses impending demise, what power on earth can 147 00:09:57,240 --> 00:10:02,520 Speaker 1: control that person? A clear unscience or final relinquishing of 148 00:10:02,600 --> 00:10:07,520 Speaker 1: knowledge is often foremost in the dying person's mind. History 149 00:10:08,080 --> 00:10:12,559 Speaker 1: is replete with brief moments, last glances into our most 150 00:10:12,640 --> 00:10:18,960 Speaker 1: outstanding phenomenon, sometimes past, and fleeting words before a person's 151 00:10:18,960 --> 00:10:24,400 Speaker 1: eyes closed forever. This show is an amazing exploration of 152 00:10:24,440 --> 00:10:28,880 Speaker 1: those moments, what we have learned, and what we perhaps 153 00:10:29,040 --> 00:10:33,120 Speaker 1: can learn from them. In some cases, the deathbed is 154 00:10:33,160 --> 00:10:36,480 Speaker 1: meant literally. In other cases it refers to the period 155 00:10:36,480 --> 00:10:40,880 Speaker 1: of time in the months, weeks, or days leading up 156 00:10:41,000 --> 00:10:45,640 Speaker 1: to death. All right, do I have your attention? Is 157 00:10:45,679 --> 00:10:50,920 Speaker 1: this a pretty good hook? So? Segment one is about murder, 158 00:10:51,200 --> 00:10:54,720 Speaker 1: Segment two is about UFOs, Segment three is hoaxes, Segment 159 00:10:54,720 --> 00:11:02,800 Speaker 1: four is revenge, Segment five is treasure. Segment six is taboo. Okay, 160 00:11:04,240 --> 00:11:06,719 Speaker 1: I'm gonna I'm gonna tell you it's gonna be like 161 00:11:06,880 --> 00:11:10,800 Speaker 1: you're watching this TV show in your mind's eye. It's 162 00:11:10,840 --> 00:11:12,920 Speaker 1: theater of the mind. We're gonna go through each of 163 00:11:12,960 --> 00:11:18,560 Speaker 1: these stories starting with murder when we come back and 164 00:11:20,840 --> 00:11:25,719 Speaker 1: you know, let's see, I had something interesting I was 165 00:11:25,760 --> 00:11:27,680 Speaker 1: gonna tell you. I can't remember what it was. I 166 00:11:27,679 --> 00:11:29,360 Speaker 1: think it has to do with the fact that if 167 00:11:29,400 --> 00:11:33,520 Speaker 1: you go to my website Joshua p Warren dot com. Yeah, 168 00:11:33,520 --> 00:11:36,199 Speaker 1: that's it. You know. I wrote this book called Use 169 00:11:36,280 --> 00:11:38,440 Speaker 1: the Force, a Jedi's Guide to the Law of Attraction. 170 00:11:38,559 --> 00:11:40,800 Speaker 1: You'll see a picture of it there. If you click that, 171 00:11:41,600 --> 00:11:43,960 Speaker 1: you can read it for free. You don't have to 172 00:11:44,000 --> 00:11:46,559 Speaker 1: sign up for anything. You can read it for free 173 00:11:46,679 --> 00:11:51,560 Speaker 1: as a PDF instantly there. But I also have it 174 00:11:51,640 --> 00:11:55,760 Speaker 1: posted in Spanish and I just got it translated into 175 00:11:55,920 --> 00:12:00,840 Speaker 1: German into Deutsch, so I can't that for how good 176 00:12:00,840 --> 00:12:03,839 Speaker 1: the translations are because I don't speak Spanish or German. 177 00:12:03,880 --> 00:12:06,840 Speaker 1: But anyway, now it's there. Just go to Joshua Pewarren 178 00:12:06,880 --> 00:12:10,240 Speaker 1: dot com. Please check out the Curiosity Shop. You're gonna 179 00:12:10,280 --> 00:12:13,760 Speaker 1: find something surprising there you probably didn't know about. That's 180 00:12:13,800 --> 00:12:16,800 Speaker 1: a little clue for you. And also while you're there, 181 00:12:17,120 --> 00:12:19,920 Speaker 1: do yourself a favor. Sign up for my free and 182 00:12:20,200 --> 00:12:23,760 Speaker 1: spam free e newsletter right there on the homepage. Put 183 00:12:23,760 --> 00:12:27,440 Speaker 1: your email address in there, hit the submit button takes 184 00:12:27,440 --> 00:12:31,000 Speaker 1: you two seconds and you will instantly receive an automated 185 00:12:31,040 --> 00:12:34,640 Speaker 1: email from me with links to some free online goodies 186 00:12:34,720 --> 00:12:38,240 Speaker 1: like a free good luck charm, money miracle secret, some 187 00:12:38,400 --> 00:12:40,559 Speaker 1: cool tools you can make at home. All that and 188 00:12:40,640 --> 00:12:45,640 Speaker 1: more at Joshua Pewarren dot com. I am Joshua Pee 189 00:12:45,640 --> 00:12:48,960 Speaker 1: Warren and you are listening to Strange Things on the 190 00:12:49,000 --> 00:12:53,559 Speaker 1: iHeartRadio and Coast to Coast AM Paranormal Podcast Network, and 191 00:12:53,720 --> 00:13:31,000 Speaker 1: I will be right back. Welcome back to Strange Things 192 00:13:31,760 --> 00:13:35,359 Speaker 1: on the iHeartRadio and Coast to Coast a m Paranormal 193 00:13:35,440 --> 00:13:38,840 Speaker 1: Podcast Network. I am your host, the Wizard of Weird, 194 00:13:39,200 --> 00:13:43,440 Speaker 1: Joshua P. Warren, beaming into your wormhole brain from my 195 00:13:43,559 --> 00:13:47,800 Speaker 1: studio in Sin City, Las Vegas, Nevada, where every day 196 00:13:47,840 --> 00:13:53,080 Speaker 1: is golden and every night is silver. Getato zume, And 197 00:13:53,200 --> 00:13:55,520 Speaker 1: if you happen to be near Las Vegas, you have 198 00:13:55,600 --> 00:13:59,680 Speaker 1: to come take my Haunted Boulder City Ghost and uf 199 00:13:59,800 --> 00:14:02,040 Speaker 1: O Tour. Believe it or not. If you go to 200 00:14:02,080 --> 00:14:06,760 Speaker 1: trip Advisor, all the reviews are five out of five stars. 201 00:14:07,080 --> 00:14:10,800 Speaker 1: That is amazing, because you know how people are. They 202 00:14:10,920 --> 00:14:13,440 Speaker 1: like to complain, so five out of five. I don't 203 00:14:13,440 --> 00:14:16,280 Speaker 1: know how long it's gonna last, not gone wood. But 204 00:14:16,640 --> 00:14:19,960 Speaker 1: if you're near Vegas, go to Haunted Bouldercity dot com, 205 00:14:20,000 --> 00:14:23,240 Speaker 1: Haunted Bouldercity dot com. And of course if you happen 206 00:14:23,280 --> 00:14:26,160 Speaker 1: to live near my hometown of Asheville, North Carolina, well 207 00:14:26,200 --> 00:14:30,440 Speaker 1: then you got to take my Haunted Ashville Tour, the oldest, 208 00:14:30,600 --> 00:14:35,120 Speaker 1: the original spin around gosh what twenty five thirty years, 209 00:14:35,200 --> 00:14:39,600 Speaker 1: I don't know. Go to Haunted Ashville dot com and 210 00:14:41,400 --> 00:14:43,520 Speaker 1: we do not have five out of five stars, but 211 00:14:43,560 --> 00:14:46,360 Speaker 1: I will tell you this, we have thousands and thousands 212 00:14:46,400 --> 00:14:49,120 Speaker 1: of reviews and we almost have five out of five 213 00:14:49,160 --> 00:14:51,880 Speaker 1: stars out of all those years. So it's pretty amazing, 214 00:14:51,920 --> 00:14:57,560 Speaker 1: truly Haunted Ashville dot com. All right, so let's pretend 215 00:14:57,640 --> 00:15:01,080 Speaker 1: I am pitching you this TV show, and you know 216 00:15:01,120 --> 00:15:03,240 Speaker 1: this is like a pilot. So see what you think 217 00:15:03,280 --> 00:15:11,479 Speaker 1: about this. Deathbed Confessions, Final Revelations on murder, UFOs, hoaxes, 218 00:15:11,560 --> 00:15:19,640 Speaker 1: and more. Segment one Murder. Ironically, killers are often mortified 219 00:15:19,680 --> 00:15:23,920 Speaker 1: to face their maker. They frequently confess to either gain 220 00:15:24,000 --> 00:15:29,520 Speaker 1: favor with God or delay their executions. Ted Bundy, who 221 00:15:29,640 --> 00:15:33,480 Speaker 1: murdered dozens of young women, tried to buy time with 222 00:15:33,600 --> 00:15:39,080 Speaker 1: confessions leading right up to his electrocution in nineteen eighty nine, 223 00:15:39,160 --> 00:15:42,400 Speaker 1: he promised to reveal even more details and the location 224 00:15:42,520 --> 00:15:47,120 Speaker 1: of corpses if he were only given quote more time. Well, 225 00:15:47,160 --> 00:15:50,920 Speaker 1: when his day of execution came, guards had to physically 226 00:15:51,200 --> 00:15:56,280 Speaker 1: drag him from his cell. Here's something else that could 227 00:15:56,320 --> 00:16:00,640 Speaker 1: go into that segment. Brian Jones, a found member of 228 00:16:00,680 --> 00:16:03,920 Speaker 1: the Rolling Stones rock group, died at the age of 229 00:16:03,960 --> 00:16:07,680 Speaker 1: twenty seven. He was found floating in a swimming pool. 230 00:16:08,080 --> 00:16:13,360 Speaker 1: Officially ruled quote death by misadventure end quote. But the 231 00:16:13,440 --> 00:16:16,880 Speaker 1: last person to see Jones alive, a builder named Frank Thurregood, 232 00:16:17,520 --> 00:16:21,840 Speaker 1: renovating Jones's house at the time, later confessed on his 233 00:16:21,960 --> 00:16:26,960 Speaker 1: deathbed to having murdered the rock star. Stories like these 234 00:16:27,040 --> 00:16:30,440 Speaker 1: are numerous, and this segment would recount some of the 235 00:16:30,480 --> 00:16:38,960 Speaker 1: most outstanding interesting Huh, all right, Segment two uf o's 236 00:16:39,760 --> 00:16:45,360 Speaker 1: you know I mentioned a provost. Marshall. Provost is a 237 00:16:45,440 --> 00:16:53,920 Speaker 1: senior administrative officer. All right, So segment two UFOs, It's 238 00:16:53,960 --> 00:16:56,880 Speaker 1: now been decades since a mysterious object crashed in the 239 00:16:56,920 --> 00:17:00,640 Speaker 1: desert near Roswell, New Mexico. And by the way, you know, 240 00:17:00,880 --> 00:17:03,680 Speaker 1: let me just pause because I pitched this a long 241 00:17:03,720 --> 00:17:05,560 Speaker 1: time ago for the first time, but I think the 242 00:17:05,640 --> 00:17:11,520 Speaker 1: last time I pitched it was in twenty nineteen, So 243 00:17:12,520 --> 00:17:15,280 Speaker 1: just interesting, all right, all right, let's get back to this. 244 00:17:16,040 --> 00:17:18,320 Speaker 1: So it's been a long time since a mysterious object 245 00:17:18,320 --> 00:17:22,119 Speaker 1: crashed at the desert near Roswell, New Mexico. Even the 246 00:17:22,119 --> 00:17:26,040 Speaker 1: government admits there was a cover up. Since then, numerous 247 00:17:26,080 --> 00:17:29,679 Speaker 1: figures have died and seemed to confirm what many suspect 248 00:17:30,119 --> 00:17:36,840 Speaker 1: the object was extra terrestrial. Major Edwin Easley, Provost Marshall 249 00:17:36,880 --> 00:17:40,680 Speaker 1: at the Roswell base in nineteen forty seven, revealed the 250 00:17:40,840 --> 00:17:46,160 Speaker 1: secret to his family as he lay dying. After decades 251 00:17:46,200 --> 00:17:49,879 Speaker 1: of a tight lip, he apparently relayed participation in the 252 00:17:49,920 --> 00:17:55,560 Speaker 1: recovery of an extraterrestrial spacecraft and crew. Just before his death, 253 00:17:56,440 --> 00:18:01,560 Speaker 1: Cordell Hle, Secretary of State under Franklin rose Velt, revealed 254 00:18:01,600 --> 00:18:04,960 Speaker 1: he had been shown alien bodies storede and upright containers 255 00:18:05,040 --> 00:18:08,840 Speaker 1: below Washington, d c. And shortly preceding his death in 256 00:18:08,920 --> 00:18:12,119 Speaker 1: nineteen ninety eight, Lieutenant Colonel Philip J. Corso published The 257 00:18:12,200 --> 00:18:15,800 Speaker 1: Day After Roswell, in which he contended he was given 258 00:18:15,840 --> 00:18:20,000 Speaker 1: the job of disseminating back engineered alien technology from the 259 00:18:20,080 --> 00:18:24,960 Speaker 1: Roswell crash to various US corporations. There are many accounts 260 00:18:25,040 --> 00:18:27,520 Speaker 1: like these, and we are just now receiving some of 261 00:18:27,560 --> 00:18:32,440 Speaker 1: the most significant reports as those involved in such incidents 262 00:18:32,480 --> 00:18:36,080 Speaker 1: are dying of old age. And of course I did 263 00:18:35,160 --> 00:18:39,760 Speaker 1: a podcast not too long ago Strange Things, where I 264 00:18:39,800 --> 00:18:43,440 Speaker 1: talked about Philip J. Corso and the day after Roswell. 265 00:18:44,040 --> 00:18:46,680 Speaker 1: And if you haven't listened to that one, go back 266 00:18:46,680 --> 00:18:49,520 Speaker 1: and listen and you'll understand why that may be the 267 00:18:49,640 --> 00:18:54,080 Speaker 1: ultimate deathbed confession. Even though he wasn't literally on his deathbed, 268 00:18:54,160 --> 00:18:56,880 Speaker 1: it was like you a year before he died, all right. 269 00:18:56,960 --> 00:19:02,720 Speaker 1: Segment three Hoaxes. The most famous deathbed confession of a 270 00:19:02,800 --> 00:19:07,199 Speaker 1: hoax regards the lock Ness Monster. A photo published in 271 00:19:07,320 --> 00:19:12,440 Speaker 1: nineteen thirty four of an enigmatic silhouette solidified the creature's 272 00:19:12,480 --> 00:19:16,800 Speaker 1: existence for the public for many years. It was known 273 00:19:16,840 --> 00:19:21,200 Speaker 1: as the Surgeon's Photo, based on the supposed photographer's occupation 274 00:19:22,720 --> 00:19:25,800 Speaker 1: as a revenge ploy for a prank at his expense, 275 00:19:27,359 --> 00:19:35,680 Speaker 1: Big game hunter Marmaduke Weatherall orchestrated the hoax. Christopher Sperling, 276 00:19:35,840 --> 00:19:39,480 Speaker 1: Wetherell's son in law, told the entire story on his deathbed. 277 00:19:39,800 --> 00:19:43,200 Speaker 1: He claimed the popular image was actually a staged photograph 278 00:19:43,240 --> 00:19:47,239 Speaker 1: of the Clay Forum attached to a toy submarine, and 279 00:19:47,320 --> 00:19:52,040 Speaker 1: the surgeon who was credited for taking the photo never 280 00:19:52,160 --> 00:19:57,600 Speaker 1: said he had not taken it. Similar revelations have recently 281 00:19:57,600 --> 00:20:01,200 Speaker 1: occurred regarding the Patterson Bigfoot footage of No. Nineteen sixty seven. 282 00:20:01,359 --> 00:20:06,920 Speaker 1: So what do hoaxters gain from keeping their secrets so long? 283 00:20:09,720 --> 00:20:13,560 Speaker 1: I'm still kind of torn, honestly over the Patterson Bigfoot film. 284 00:20:14,080 --> 00:20:16,960 Speaker 1: I know that there are people who claim that, you know, 285 00:20:17,040 --> 00:20:22,040 Speaker 1: they participated to hoaxing it, But you know, when you 286 00:20:22,080 --> 00:20:28,399 Speaker 1: watch good analysis of the footage, I mean, it really 287 00:20:28,440 --> 00:20:30,560 Speaker 1: does kind of look like you can see the muscles 288 00:20:30,600 --> 00:20:34,240 Speaker 1: and the flesh moving underneath the hair. So I still 289 00:20:34,280 --> 00:20:38,080 Speaker 1: am not sure what to think about that one. So 290 00:20:38,320 --> 00:20:43,000 Speaker 1: all right, next we have segment four, which is revenge. 291 00:20:43,800 --> 00:20:47,840 Speaker 1: The Cambridge Five were a group of British spies who 292 00:20:47,920 --> 00:20:51,480 Speaker 1: passed classified information to the Soviet Union during World War 293 00:20:51,560 --> 00:20:55,720 Speaker 1: Two and into the early nineteen fifties. They may have 294 00:20:55,800 --> 00:21:01,280 Speaker 1: also passed Soviet disinformation to the Nazis. Each man was 295 00:21:01,320 --> 00:21:05,879 Speaker 1: a member of the Cambridge Apostles, a secret elite debate society. 296 00:21:06,600 --> 00:21:12,479 Speaker 1: On his deathbed, a man named gorony Weeze actually Goronny Rees, 297 00:21:13,480 --> 00:21:17,800 Speaker 1: a Welsh journalist, confessed to not only being one of 298 00:21:17,840 --> 00:21:22,600 Speaker 1: the spies himself, but also implicated a colleague named Guy 299 00:21:22,680 --> 00:21:26,399 Speaker 1: Laddell Well. The accusation of Laddell turned out to be false, 300 00:21:26,440 --> 00:21:30,159 Speaker 1: but it permanently harmed Lddell's career. Was this done as 301 00:21:30,200 --> 00:21:35,359 Speaker 1: an act of revenge? And how powerful are such accusations? 302 00:21:35,440 --> 00:21:38,439 Speaker 1: Willed it at the last minute when the accuser no 303 00:21:38,520 --> 00:21:43,400 Speaker 1: longer has to defend himself. That's interesting, isn't it. What 304 00:21:43,440 --> 00:21:46,280 Speaker 1: if you are so mean spirited that as your last 305 00:21:46,320 --> 00:21:52,399 Speaker 1: wish you say something bad about somebody, You accuse somebody 306 00:21:52,480 --> 00:21:57,199 Speaker 1: of doing something that they didn't do, and then you know, 307 00:21:57,359 --> 00:22:07,200 Speaker 1: then you expire? Segment five. Treasure Captain Kidd is one 308 00:22:07,200 --> 00:22:11,080 Speaker 1: of history's most famous pirates. He was a privateer who 309 00:22:11,119 --> 00:22:16,200 Speaker 1: turned to piracy during hard times. Shortly thereafter, his reputation 310 00:22:16,320 --> 00:22:20,399 Speaker 1: as a bloodthirsty villain quickly spread throughout the Atlantic, and 311 00:22:20,480 --> 00:22:23,760 Speaker 1: after his sixteen ninety nine arrest in New York, Kid 312 00:22:23,800 --> 00:22:28,119 Speaker 1: was sent to England for trial. Facing execution by hanging, 313 00:22:28,680 --> 00:22:32,960 Speaker 1: Kid wrote some desperate letters begging for clemency. One was 314 00:22:33,000 --> 00:22:35,840 Speaker 1: written to the speaker of the House of Commons offering 315 00:22:35,920 --> 00:22:40,359 Speaker 1: him one hundred thousand dollars worth of gold buried away 316 00:22:40,960 --> 00:22:44,359 Speaker 1: on an unknown island in the West Indies. Though the 317 00:22:44,400 --> 00:22:48,399 Speaker 1: House ignored the letter and Kidd did indeed hang, it 318 00:22:48,440 --> 00:22:52,879 Speaker 1: appears in retrospect to have been possibly valid. Some of 319 00:22:52,960 --> 00:22:56,440 Speaker 1: Kidd's treasure chests were found by explorer Hubert Palmer in 320 00:22:56,520 --> 00:22:59,560 Speaker 1: the nineteen twenties. It appears there is much more to 321 00:22:59,600 --> 00:23:03,320 Speaker 1: be found, worth far more now than in sixteen ninety nine. 322 00:23:04,480 --> 00:23:09,360 Speaker 1: The notorious Pirates deathbed confession has inspired wondrous legends and myth, 323 00:23:10,000 --> 00:23:15,040 Speaker 1: including Robert Lewis Stevenson's Treasure Island, and there are still 324 00:23:15,040 --> 00:23:19,960 Speaker 1: plenty of seekers scouring maps and Kid's confession to this day. 325 00:23:21,720 --> 00:23:26,199 Speaker 1: You know, by the way, I recently watched something on 326 00:23:26,320 --> 00:23:32,080 Speaker 1: TV about Captain Kidd. It might have been History's Greatest Mysteries, 327 00:23:32,160 --> 00:23:33,800 Speaker 1: or you know, one of those I like, I watched 328 00:23:33,800 --> 00:23:39,199 Speaker 1: the History Channel a lot, and you know, he was 329 00:23:39,440 --> 00:23:41,480 Speaker 1: I think he was pretty late in life, like in 330 00:23:41,520 --> 00:23:44,160 Speaker 1: his fifties, Captain Kidd when he decided to go back 331 00:23:44,160 --> 00:23:49,680 Speaker 1: out there and start you know, privateering slash pirrating, and 332 00:23:50,760 --> 00:23:54,240 Speaker 1: you know, it's just hard to believe like how hardcore 333 00:23:55,280 --> 00:23:59,760 Speaker 1: some of these these people were back then. But you know, 334 00:24:00,040 --> 00:24:02,399 Speaker 1: think about treasure stories is that you always think, well, 335 00:24:02,440 --> 00:24:05,640 Speaker 1: if there's a treasure out there and somebody found it, 336 00:24:06,160 --> 00:24:08,560 Speaker 1: are they going to tell everybody about it? Probably not. 337 00:24:08,560 --> 00:24:10,880 Speaker 1: They're probably gonna keep that a secret. So I think 338 00:24:10,880 --> 00:24:12,919 Speaker 1: a lot of these treasures have been found and we 339 00:24:13,040 --> 00:24:15,399 Speaker 1: just don't know about it. That would be the smart 340 00:24:15,440 --> 00:24:17,040 Speaker 1: thing to do. I guess if you find a treasure, 341 00:24:17,160 --> 00:24:19,360 Speaker 1: not to tell everybody you found it. Well, anyway, we're 342 00:24:19,400 --> 00:24:21,680 Speaker 1: gonna take a break. When we come back, we're gonna 343 00:24:21,680 --> 00:24:25,560 Speaker 1: get into this last segment, which is scientific taboo, and 344 00:24:25,640 --> 00:24:29,680 Speaker 1: then we will switch into my second topic for this show, 345 00:24:31,320 --> 00:24:37,959 Speaker 1: deathbed Visitors. Now this is some supernatural stuff. Okay, deathbed confessions. 346 00:24:38,000 --> 00:24:42,800 Speaker 1: We're talking about people who are you literally talking about 347 00:24:42,800 --> 00:24:46,200 Speaker 1: something practical that's happened that they want to get off 348 00:24:46,200 --> 00:24:51,240 Speaker 1: their chest or whatever. Deathbed Visitors, now we're talking about 349 00:24:52,520 --> 00:24:56,080 Speaker 1: not just beings that might come into your room right 350 00:24:56,080 --> 00:25:01,000 Speaker 1: before you die, but also your ability to project yourself 351 00:25:02,119 --> 00:25:07,360 Speaker 1: spiritually to other people right before you die. I'm Joshua 352 00:25:07,400 --> 00:25:10,600 Speaker 1: Pete Warren, and you are listening to strange things on 353 00:25:10,640 --> 00:25:14,880 Speaker 1: the iHeartRadio and Coast to Coast AM Paranormal Podcast Network, 354 00:25:15,240 --> 00:25:50,159 Speaker 1: And I'll be back after these important messages. Welcome back 355 00:25:50,240 --> 00:25:55,320 Speaker 1: to Strange Things on the iHeart Radio and Coast to 356 00:25:55,400 --> 00:26:01,280 Speaker 1: Coast AM Paranormal Podcast Network. I'm your host, Joshua pe Warren, 357 00:26:01,320 --> 00:26:05,880 Speaker 1: and this is the show where the unusual becomes Usual. 358 00:26:08,840 --> 00:26:16,960 Speaker 1: Segment six. Scientific Taboo. In the fifteen hundreds, Europeans could 359 00:26:17,000 --> 00:26:22,679 Speaker 1: be imprisoned, imprisoned, or executed for suggesting the Earth is 360 00:26:22,840 --> 00:26:26,760 Speaker 1: not the center of the universe. The concept was considered 361 00:26:26,800 --> 00:26:31,080 Speaker 1: a heresy by the church, questioning the value of mankind 362 00:26:31,200 --> 00:26:34,879 Speaker 1: and our creation in the eyes of God. Nonetheless, in 363 00:26:34,920 --> 00:26:41,960 Speaker 1: the scientific underground, dangerous conversations circulated about contrary evidence. One 364 00:26:41,960 --> 00:26:46,920 Speaker 1: of the most intelligent scientists secretly studying the possibilities was 365 00:26:46,960 --> 00:26:53,000 Speaker 1: oppression named Nicholas Copernicus. By examining bodies in space, he 366 00:26:53,080 --> 00:26:56,640 Speaker 1: was able to secretly conclude Earth's relationship with the other 367 00:26:56,720 --> 00:27:04,520 Speaker 1: planets and stars, accurately predicting our seasons. Knowing the penalties 368 00:27:04,560 --> 00:27:09,639 Speaker 1: for authoring such material, Copernicus made arrangements for its publication, 369 00:27:10,400 --> 00:27:14,840 Speaker 1: called on the Revolutions of the Heavenly Spheres. Just before 370 00:27:15,000 --> 00:27:19,480 Speaker 1: his death in fifteen forty three. It is said that 371 00:27:19,560 --> 00:27:22,280 Speaker 1: he woke from a coma just long enough to see 372 00:27:22,280 --> 00:27:26,359 Speaker 1: the first copy before closing his eyes and dying peacefully. 373 00:27:27,480 --> 00:27:31,000 Speaker 1: For the next century, mere ownership of the book was 374 00:27:31,040 --> 00:27:36,200 Speaker 1: a huge risk. Galileo's findings finally proved Copernicus was correct, 375 00:27:36,280 --> 00:27:41,680 Speaker 1: and of course Galileo spent nearly a decade imprisoned for heresy. 376 00:27:42,960 --> 00:27:47,399 Speaker 1: It might be said that Copernicus's deathbed confession was the 377 00:27:47,440 --> 00:27:52,119 Speaker 1: biggest of all, changing our entire understanding of how the 378 00:27:52,240 --> 00:27:59,600 Speaker 1: universe functions. So in conclusion, you know, in many Christian denominations, 379 00:27:59,640 --> 00:28:02,640 Speaker 1: confined is seen as an integral part of being forgiven 380 00:28:02,720 --> 00:28:07,800 Speaker 1: for sins and attaining salvation. What is the therapeutic value 381 00:28:07,840 --> 00:28:11,639 Speaker 1: of speaking secrets? And what can we learn about the 382 00:28:11,680 --> 00:28:15,600 Speaker 1: world from secrets kept almost till the very end of life? 383 00:28:15,720 --> 00:28:20,120 Speaker 1: They are reflections of not only one's personal conscience, but 384 00:28:20,640 --> 00:28:24,480 Speaker 1: also the society in which one lives. Why are the 385 00:28:24,520 --> 00:28:29,600 Speaker 1: secrets kept? And how do these deathbed confessions exemplify why 386 00:28:29,720 --> 00:28:34,679 Speaker 1: humans find most important about life and the perception of 387 00:28:34,840 --> 00:28:40,480 Speaker 1: peers or family. And then I have a few, well, 388 00:28:40,520 --> 00:28:42,480 Speaker 1: a couple quotes that I've always thought were kind of 389 00:28:42,800 --> 00:28:46,880 Speaker 1: interesting about well last words. Really, the last thing that 390 00:28:46,920 --> 00:28:51,880 Speaker 1: Thomas Edison supposedly said was, quote, it's very beautiful over there. 391 00:28:54,240 --> 00:28:59,040 Speaker 1: And the last thing that Emily Dickinson said was I 392 00:28:59,160 --> 00:29:06,320 Speaker 1: must go in. The fog is rising. So what do 393 00:29:06,360 --> 00:29:09,480 Speaker 1: you think would that be a good TV show? I 394 00:29:09,520 --> 00:29:15,040 Speaker 1: think it would be to this very day. But even 395 00:29:15,080 --> 00:29:18,760 Speaker 1: if it's not a TV show, it is in your head. 396 00:29:18,800 --> 00:29:21,840 Speaker 1: Now you've seen kind of you kind of seen the 397 00:29:21,920 --> 00:29:25,560 Speaker 1: TV show to some degree in your head. And that's 398 00:29:25,600 --> 00:29:27,880 Speaker 1: the great thing about having a podcast like this. But 399 00:29:28,440 --> 00:29:33,520 Speaker 1: I told you the topic number two was deathbed visitors. Now, 400 00:29:33,560 --> 00:29:35,840 Speaker 1: this is something that has interested me for a long 401 00:29:35,920 --> 00:29:40,640 Speaker 1: time because of some things that I have personally been told. 402 00:29:40,840 --> 00:29:45,680 Speaker 1: First off, there are different types, at least two different 403 00:29:45,720 --> 00:29:51,400 Speaker 1: types of what we might think of is deathbed visitations. 404 00:29:51,840 --> 00:29:56,960 Speaker 1: I watched a video on YouTube recently where this neuropsychiatrist 405 00:29:57,120 --> 00:30:02,360 Speaker 1: was talking about this phenomen in which it seems like 406 00:30:02,400 --> 00:30:08,160 Speaker 1: that right before someone dies, then often the person has 407 00:30:08,240 --> 00:30:12,600 Speaker 1: this sort of psychic link with somebody else somewhere out 408 00:30:12,640 --> 00:30:17,120 Speaker 1: there who's living. He said, this is almost a quote 409 00:30:17,120 --> 00:30:20,480 Speaker 1: here paraphrasing a little bit. Dying people often have a 410 00:30:20,560 --> 00:30:25,200 Speaker 1: last wish, usually to say goodbye to a loved one 411 00:30:25,200 --> 00:30:30,800 Speaker 1: who isn't there. Sometimes they appear near the moment of 412 00:30:30,880 --> 00:30:35,160 Speaker 1: death as an apparition and say goodbye, or the person 413 00:30:35,240 --> 00:30:40,160 Speaker 1: gets a push or a touch. Okay, so let's say that, like, 414 00:30:40,240 --> 00:30:43,000 Speaker 1: for example, you have a friend or a loved one 415 00:30:43,000 --> 00:30:45,560 Speaker 1: out there that's dying right now, and you don't know 416 00:30:45,640 --> 00:30:49,280 Speaker 1: about it, but all of a sudden, the person might 417 00:30:49,320 --> 00:30:53,600 Speaker 1: appear to you or certainly flash in your mind in 418 00:30:53,640 --> 00:30:59,280 Speaker 1: some way, or might push you or touch you or 419 00:30:59,280 --> 00:31:03,760 Speaker 1: something like that. And so you you may not understand 420 00:31:03,800 --> 00:31:06,200 Speaker 1: what's happening at the time, but in retrospect then you 421 00:31:06,240 --> 00:31:08,480 Speaker 1: find out the person has died at that moment, and 422 00:31:08,520 --> 00:31:10,920 Speaker 1: you go, oh my gosh, so there's some kind of 423 00:31:10,960 --> 00:31:14,960 Speaker 1: a link at that moment. And again, often the living 424 00:31:15,000 --> 00:31:17,640 Speaker 1: person doesn't even know the dying person is dying at 425 00:31:17,640 --> 00:31:21,960 Speaker 1: the time, so it becomes an even more extraordinary experience 426 00:31:22,040 --> 00:31:27,560 Speaker 1: in retrospect. And this so this would be almost, I guess, 427 00:31:27,640 --> 00:31:31,440 Speaker 1: kind of astral projection in a way. And uh, you know, 428 00:31:31,480 --> 00:31:35,680 Speaker 1: I did a show one time. Uh I wish I've 429 00:31:35,680 --> 00:31:37,720 Speaker 1: done I've done over two hundred shows now, so I 430 00:31:37,720 --> 00:31:40,520 Speaker 1: can't go back and just whip out the name of 431 00:31:41,520 --> 00:31:43,880 Speaker 1: every show and what I talked about. But you know, 432 00:31:43,920 --> 00:31:45,760 Speaker 1: I did a show where I talked about different types 433 00:31:45,800 --> 00:31:51,280 Speaker 1: of apparitions, and you know, you have ghosts of the 434 00:31:51,320 --> 00:31:54,080 Speaker 1: present as they are called, where sometimes the apparition of 435 00:31:54,120 --> 00:31:57,280 Speaker 1: a person appears even when the person is still alive. 436 00:31:58,960 --> 00:32:01,520 Speaker 1: So you might have the apparition of a friend who's 437 00:32:01,520 --> 00:32:03,000 Speaker 1: on the other side of the world pop up in 438 00:32:03,040 --> 00:32:05,680 Speaker 1: front of you and give you a warning or something 439 00:32:05,760 --> 00:32:10,320 Speaker 1: like that. But then, of course it becomes even more 440 00:32:10,640 --> 00:32:16,720 Speaker 1: magnified if the person the other person is dying. But 441 00:32:16,880 --> 00:32:22,160 Speaker 1: you know, then you have, of course, I think even 442 00:32:22,200 --> 00:32:26,160 Speaker 1: the more prominent one, which is when the person who 443 00:32:26,280 --> 00:32:34,280 Speaker 1: is dying actually experiences being visited by some kind of 444 00:32:34,400 --> 00:32:39,640 Speaker 1: spiritual guide that seems to be there to help usher 445 00:32:39,760 --> 00:32:43,880 Speaker 1: them into the next stage. Okay, so we're talking about beings, 446 00:32:44,360 --> 00:32:50,040 Speaker 1: supernatural beings that visit the dying person, often ancestors, perhaps 447 00:32:50,160 --> 00:32:54,560 Speaker 1: ancestors or relatives who have died, and a lot of 448 00:32:54,600 --> 00:33:02,720 Speaker 1: times the dying person will will be almost practically unconscious 449 00:33:02,760 --> 00:33:04,840 Speaker 1: and then all of a sudden they have this moment 450 00:33:04,880 --> 00:33:07,800 Speaker 1: of clarity and energy. I think the British say it's 451 00:33:08,600 --> 00:33:11,240 Speaker 1: something like lighting up before death or something like that, 452 00:33:11,520 --> 00:33:13,640 Speaker 1: and all of a sudden they have this moment of 453 00:33:13,760 --> 00:33:17,920 Speaker 1: energy and they sit up and they say something to everybody, 454 00:33:17,920 --> 00:33:22,000 Speaker 1: they say goodbye or whatever, and then they lay down 455 00:33:22,080 --> 00:33:25,120 Speaker 1: and die. And sometimes at this moment a light appears 456 00:33:25,120 --> 00:33:31,520 Speaker 1: in the room. Some people see a weird shape of 457 00:33:31,560 --> 00:33:34,600 Speaker 1: some kind leaving the body, maybe something that looks like 458 00:33:35,120 --> 00:33:39,840 Speaker 1: smoke that leaves the body. Sometimes there are these things 459 00:33:39,840 --> 00:33:44,920 Speaker 1: called deathbed coincidences, where something will happen, like a bird 460 00:33:45,080 --> 00:33:50,400 Speaker 1: will fly into the room, etc. A lot of times 461 00:33:50,480 --> 00:33:54,200 Speaker 1: owls seem to be nearby when people die. I remember, 462 00:33:54,240 --> 00:33:56,400 Speaker 1: you know, growing up in western North Carolina, there was 463 00:33:56,480 --> 00:33:59,880 Speaker 1: this great story about this property in Kashier's North care 464 00:34:00,280 --> 00:34:04,040 Speaker 1: It called the High Hampton Inn. And if I remember 465 00:34:04,040 --> 00:34:10,239 Speaker 1: this correctly, back in I guess the eighteen hundreds, there 466 00:34:10,440 --> 00:34:13,640 Speaker 1: was this relatively you know, wealthy man who had a 467 00:34:13,960 --> 00:34:19,640 Speaker 1: beautiful home there right next to this lake. I mean, 468 00:34:19,640 --> 00:34:23,160 Speaker 1: I've been there many times and it's breathtaking and it 469 00:34:23,200 --> 00:34:28,400 Speaker 1: was like a dream home. But they fell upon he 470 00:34:28,480 --> 00:34:30,839 Speaker 1: and his wife fell upon hard times, and so he 471 00:34:31,120 --> 00:34:33,520 Speaker 1: told her he was going to go into town and 472 00:34:33,560 --> 00:34:37,120 Speaker 1: talk to this guy who was interested in buying the property. 473 00:34:37,360 --> 00:34:39,360 Speaker 1: And she said no, don't sell it. Don't sell it, 474 00:34:39,360 --> 00:34:42,359 Speaker 1: don't sell it, and begged him not to sell it. 475 00:34:43,640 --> 00:34:47,799 Speaker 1: So he goes into town and sure enough, the guy 476 00:34:47,840 --> 00:34:50,000 Speaker 1: talked him into selling it, so he sold the property. 477 00:34:50,120 --> 00:34:52,719 Speaker 1: He came back home, he told her he'd sold it, 478 00:34:54,000 --> 00:34:57,160 Speaker 1: and then shortly thereafter he walked outside and found her 479 00:34:57,280 --> 00:35:03,480 Speaker 1: hanging from a tree. And the story goes that he 480 00:35:03,800 --> 00:35:06,280 Speaker 1: was it was so shocking to him that his hair 481 00:35:06,440 --> 00:35:11,719 Speaker 1: turned white overnight. But one of the oddest things is 482 00:35:11,760 --> 00:35:14,120 Speaker 1: that as she was hanging there from that tree, there 483 00:35:14,239 --> 00:35:19,040 Speaker 1: was this white owl that was also perched on the branch. 484 00:35:22,080 --> 00:35:25,080 Speaker 1: Of course, the man moved away, but to this day, 485 00:35:25,239 --> 00:35:29,400 Speaker 1: people still see this white owl flying around the property, 486 00:35:29,440 --> 00:35:35,400 Speaker 1: and everybody realizes that it's that woman's spirit, and she 487 00:35:36,600 --> 00:35:39,480 Speaker 1: wasn't leaving, even if that meant she had to be 488 00:35:39,560 --> 00:35:44,200 Speaker 1: around as an owl. But you know, I have a 489 00:35:44,239 --> 00:35:47,680 Speaker 1: good friend who's a famous author. I won't use his name, 490 00:35:47,719 --> 00:35:50,360 Speaker 1: and he told me that he was in the room 491 00:35:50,600 --> 00:35:53,680 Speaker 1: when his mother was dying, and he said that it 492 00:35:53,719 --> 00:35:56,080 Speaker 1: was just the two of them there at the hospital, 493 00:35:56,560 --> 00:35:58,920 Speaker 1: and at one point she said, who is that beautiful 494 00:35:58,920 --> 00:36:01,919 Speaker 1: woman over there? And he said what, And she goes 495 00:36:02,320 --> 00:36:04,359 Speaker 1: that woman and he says, I don't see anybody. She says, 496 00:36:04,520 --> 00:36:07,040 Speaker 1: look at her, Look how pretty she is. I look 497 00:36:07,080 --> 00:36:10,640 Speaker 1: at her long silver hair, and he says, I'm sorry, 498 00:36:10,719 --> 00:36:13,960 Speaker 1: I don't see anything. And of course she died. I 499 00:36:14,000 --> 00:36:19,280 Speaker 1: believe that Lauren's grandfather said that he saw some figure 500 00:36:19,400 --> 00:36:21,680 Speaker 1: like that in his room before he died. And you 501 00:36:21,760 --> 00:36:27,000 Speaker 1: might say, well, these people are just exaggerating, but or 502 00:36:27,120 --> 00:36:29,399 Speaker 1: I guess more like hallucinating. That's what that's the word 503 00:36:29,440 --> 00:36:33,440 Speaker 1: I'm looking. I guess you could say they're hallucinating. But 504 00:36:33,480 --> 00:36:37,520 Speaker 1: what if they're not. You know, I had an aunt 505 00:36:38,160 --> 00:36:40,800 Speaker 1: who worked for many, many years at a nursing home, 506 00:36:41,640 --> 00:36:43,520 Speaker 1: and she looked me right in the eye one time, 507 00:36:43,560 --> 00:36:48,360 Speaker 1: and she said that often she would see these dark 508 00:36:48,400 --> 00:36:55,320 Speaker 1: figures float down the hallway towards someone's room, just minutes 509 00:36:55,360 --> 00:36:57,840 Speaker 1: before the person died. A lot of times the figure 510 00:36:57,840 --> 00:37:01,239 Speaker 1: would look like it had wings. Now I don't know, 511 00:37:01,360 --> 00:37:03,719 Speaker 1: I mean, I presume that not everybody can see that, 512 00:37:04,520 --> 00:37:06,600 Speaker 1: because you'd probably hear about it more often. But she 513 00:37:06,920 --> 00:37:10,439 Speaker 1: was dead serious. Hey, when we come back, I'm gonna 514 00:37:10,480 --> 00:37:12,920 Speaker 1: tell you another story that I think is just It's 515 00:37:12,920 --> 00:37:15,600 Speaker 1: one of those that kind of gives you goosebumps about 516 00:37:16,680 --> 00:37:20,439 Speaker 1: people coming back from the other side, and then how 517 00:37:20,480 --> 00:37:25,280 Speaker 1: about how about we wrap up with a creepy story 518 00:37:25,400 --> 00:37:28,720 Speaker 1: or two. Does that sound good? I'm Joshua wa Pee Warren. 519 00:37:28,880 --> 00:37:32,640 Speaker 1: You're listening to Strange Things on the iHeartRadio and Coast 520 00:37:32,680 --> 00:37:36,400 Speaker 1: to Coast AM Parinormal Podcast Network, and I will be 521 00:37:37,400 --> 00:38:15,440 Speaker 1: right back. Welcome back to the final segment of this 522 00:38:15,640 --> 00:38:19,960 Speaker 1: edition of Strange Things on the iHeartRadio AM Coast to 523 00:38:20,000 --> 00:38:25,120 Speaker 1: Coast AM Paradormal Podcast Network. I am your host, Joshua P. Warren. 524 00:38:25,920 --> 00:38:29,239 Speaker 1: And growing up in western North Carolina, of course I 525 00:38:29,360 --> 00:38:35,520 Speaker 1: watched wrestling as a kid, wrestling and just recently I 526 00:38:35,600 --> 00:38:41,680 Speaker 1: was watching a documentary about the wrestler Rowdy Roddy Piper, 527 00:38:42,680 --> 00:38:47,560 Speaker 1: and later on in life he and Hulk Hogan became 528 00:38:47,640 --> 00:38:50,799 Speaker 1: really close friends. They would text each other, I think 529 00:38:50,840 --> 00:38:53,399 Speaker 1: Hulk Hogan said, just about every day they'd at least 530 00:38:53,440 --> 00:38:59,600 Speaker 1: text each other. And two days after Rowdy Roddy Piper 531 00:38:59,719 --> 00:39:06,720 Speaker 1: died unexpectedly at age sixty one of sudden cardiac arrest, 532 00:39:07,040 --> 00:39:12,160 Speaker 1: Hulk Hogan got a voicemail from Rowdy Roddy now again. 533 00:39:13,160 --> 00:39:16,680 Speaker 1: Rowdy Roddy Piper had been dead for two days, and 534 00:39:16,800 --> 00:39:21,120 Speaker 1: on this show, Hulk Hogan plays this voicemail he got 535 00:39:22,040 --> 00:39:25,879 Speaker 1: and you can hear the voice of Rowdy Roddy say, 536 00:39:26,920 --> 00:39:30,360 Speaker 1: I'm just loving you, my brother. I'm just walking with 537 00:39:30,480 --> 00:39:36,160 Speaker 1: Jesus and loving you my brother. Now, I wish I 538 00:39:36,160 --> 00:39:38,080 Speaker 1: could play you the actual audio, but I don't have 539 00:39:38,200 --> 00:39:40,600 Speaker 1: rights to it. And that's all he says. Why would 540 00:39:40,600 --> 00:39:45,400 Speaker 1: he say that? And Hulk Hogan in the video says 541 00:39:45,440 --> 00:39:47,640 Speaker 1: he would have never said that when he was here, 542 00:39:47,680 --> 00:39:51,880 Speaker 1: and then Hulk Hogan starts crying and that's all the messages. 543 00:39:52,000 --> 00:39:54,040 Speaker 1: I'm just loving you, my brother. I'm just walking with 544 00:39:54,120 --> 00:39:57,560 Speaker 1: Jesus and loving you my brother. Two days after he died. 545 00:39:58,080 --> 00:40:01,040 Speaker 1: Just go online and search for a Hulk Hogan Rowdy 546 00:40:01,120 --> 00:40:03,759 Speaker 1: Roddy death and you'll probably find this snippet somewhere of 547 00:40:04,239 --> 00:40:07,160 Speaker 1: Hulk Hogan telling the story on camera and playing the 548 00:40:07,200 --> 00:40:13,000 Speaker 1: actual audio. So you know, what does all this mean? 549 00:40:15,040 --> 00:40:18,760 Speaker 1: I think it means that there is there is a spirit, 550 00:40:19,200 --> 00:40:24,160 Speaker 1: there is an afterlife, and you know, you hear that, hey, 551 00:40:24,200 --> 00:40:25,880 Speaker 1: when it's your time to go, it's your time to go, 552 00:40:25,920 --> 00:40:30,680 Speaker 1: and that sort of thing. But there are warnings. I 553 00:40:30,719 --> 00:40:34,719 Speaker 1: think you know, there are times when you're told you 554 00:40:34,800 --> 00:40:37,200 Speaker 1: need to you need to get out of harm's way. 555 00:40:37,200 --> 00:40:38,840 Speaker 1: I mean I just recently. You may have seen what 556 00:40:38,880 --> 00:40:42,719 Speaker 1: they call the the doomsday fish, was found floating in 557 00:40:42,719 --> 00:40:48,680 Speaker 1: California just days before this earthquake struck Los Angeles. Looking 558 00:40:48,719 --> 00:40:51,000 Speaker 1: at an article on Fox News right now, it says, 559 00:40:52,080 --> 00:40:55,439 Speaker 1: while kayaking and storkling in La Jolla, California, a group 560 00:40:55,520 --> 00:40:58,320 Speaker 1: spotted a very rare deep sea fish that had died. 561 00:40:59,080 --> 00:41:01,319 Speaker 1: By the way, you may, I was just in La 562 00:41:01,360 --> 00:41:05,800 Speaker 1: Joya a few months ago. Anyway, It's called the oar fish, 563 00:41:06,080 --> 00:41:09,840 Speaker 1: also known as the doomsday fish. Twelve feet in length. 564 00:41:10,360 --> 00:41:15,239 Speaker 1: Only twenty have been reported in California since nineteen oh one, 565 00:41:15,320 --> 00:41:19,560 Speaker 1: and that's according to the Script's Institution of Oceanography in 566 00:41:19,680 --> 00:41:24,000 Speaker 1: San Diego. It says doomsday fish have long, slender bodies 567 00:41:24,040 --> 00:41:26,520 Speaker 1: that can reach links of up to thirty six feet, 568 00:41:26,800 --> 00:41:30,440 Speaker 1: about the size of a school bus. The oor fish 569 00:41:30,520 --> 00:41:33,200 Speaker 1: is commonly referred to as the doomsday fish, as some 570 00:41:33,400 --> 00:41:38,400 Speaker 1: believe that foreshadows natural disasters such as earthquakes and tsunamis. 571 00:41:38,440 --> 00:41:42,560 Speaker 1: According to the Ocean Conservancy, the fish has been observed 572 00:41:42,600 --> 00:41:46,840 Speaker 1: around Japan during major earthquakes, but scientists report they have 573 00:41:46,920 --> 00:41:49,680 Speaker 1: yet to establish a link between its appearance and events 574 00:41:49,719 --> 00:41:53,040 Speaker 1: such as quakes and subsequent tsunamis. Two days after the 575 00:41:53,040 --> 00:41:55,640 Speaker 1: fish was discovered, La was struck by a four point 576 00:41:55,680 --> 00:42:01,160 Speaker 1: six magnitude earthquake, according to the USGS. So apparently these fish, 577 00:42:01,200 --> 00:42:06,600 Speaker 1: they live very deep under the ocean, and so maybe 578 00:42:06,640 --> 00:42:12,840 Speaker 1: they are the first organisms to sense some kind of 579 00:42:12,840 --> 00:42:16,560 Speaker 1: a disturbance. You know, you've heard that before, that animals 580 00:42:16,560 --> 00:42:18,840 Speaker 1: a lot of times they start freaking out in the wilderness. 581 00:42:18,880 --> 00:42:20,720 Speaker 1: It's almost like, I don't know if it's infra sound 582 00:42:20,800 --> 00:42:23,360 Speaker 1: or what they just picked. They can pick up vibrations 583 00:42:23,440 --> 00:42:25,919 Speaker 1: or some kind of a shift. Because there's so much 584 00:42:25,960 --> 00:42:29,520 Speaker 1: more in tune with nature than we are, whether head's 585 00:42:29,520 --> 00:42:34,440 Speaker 1: stuck in our phones and computers and being brainwashed by 586 00:42:34,480 --> 00:42:36,200 Speaker 1: the news all the time and all that kind of stuff. 587 00:42:37,160 --> 00:42:43,440 Speaker 1: It's interesting, isn't it. Oh, Well, let's go to our email. 588 00:42:44,680 --> 00:42:46,239 Speaker 1: I think I have one I've been meaning to read 589 00:42:46,239 --> 00:42:49,960 Speaker 1: for a while. That's kind of creepy, might fit the motif. 590 00:42:50,120 --> 00:42:56,840 Speaker 1: This is from Michael Gomez who he was a federal 591 00:42:56,880 --> 00:43:05,040 Speaker 1: security officer. Spokane, Washington. Is it Spokane or Spokane I've 592 00:43:05,080 --> 00:43:09,160 Speaker 1: never been there. We'll call it Spokane. He says. It 593 00:43:09,200 --> 00:43:12,680 Speaker 1: was the winter of two thousand and ten, and I 594 00:43:12,719 --> 00:43:16,239 Speaker 1: was in my bedroom sleeping. It was the middle of 595 00:43:16,239 --> 00:43:18,360 Speaker 1: the night, and the only light in the room was 596 00:43:18,400 --> 00:43:23,520 Speaker 1: the moonlight shining through the bedroom window. I was lying 597 00:43:23,600 --> 00:43:26,640 Speaker 1: in bed asleep with my cat beside me when it 598 00:43:26,680 --> 00:43:31,240 Speaker 1: started hissing. I instantly woke up and saw the cat's 599 00:43:32,280 --> 00:43:37,320 Speaker 1: hiss was directed at the air above us. My gaze 600 00:43:37,360 --> 00:43:39,920 Speaker 1: followed the cats to a point where I observed a 601 00:43:40,000 --> 00:43:43,719 Speaker 1: form roughly shaped like the upper torso and head of 602 00:43:43,760 --> 00:43:48,320 Speaker 1: a man. I had the vague impression that this entity's 603 00:43:48,360 --> 00:43:52,880 Speaker 1: head was hooded. The entire entity was darker than the 604 00:43:52,880 --> 00:43:55,880 Speaker 1: surrounding darkness in the room, yet the thing was still 605 00:43:56,120 --> 00:44:01,120 Speaker 1: somehow translucent. The most notable feet of this entity were 606 00:44:01,120 --> 00:44:05,800 Speaker 1: the bright, glowing red eyes. The cat continued to hiss 607 00:44:06,160 --> 00:44:09,839 Speaker 1: while this thing was hovering above my waistline, looking down 608 00:44:09,920 --> 00:44:14,560 Speaker 1: at me. The instant that my eyes met the glowing 609 00:44:14,680 --> 00:44:18,000 Speaker 1: red eyes of this entity above me, I sensed pure 610 00:44:18,320 --> 00:44:22,120 Speaker 1: hatred directed at me emanating from it. There was an 611 00:44:22,239 --> 00:44:28,720 Speaker 1: instantaneous sensation of one hundred percent pure malevolence. The entity 612 00:44:28,800 --> 00:44:31,520 Speaker 1: hated me with all of its might and wanted nothing 613 00:44:31,640 --> 00:44:36,400 Speaker 1: less than everything bad in the world upon me. It 614 00:44:36,480 --> 00:44:38,600 Speaker 1: was at this point that I lost my temper, and 615 00:44:38,640 --> 00:44:43,480 Speaker 1: I in turn felt burning, seething hatred for this entity 616 00:44:43,560 --> 00:44:47,520 Speaker 1: with every facet of my being. The rage had taken 617 00:44:47,560 --> 00:44:50,800 Speaker 1: control of me and was overpowering the sensation of hatred 618 00:44:51,160 --> 00:44:54,640 Speaker 1: and malevolence, malevolence that this thing was directing at me. 619 00:44:55,560 --> 00:44:58,680 Speaker 1: All I wanted to do was attack and smash and 620 00:44:58,800 --> 00:45:02,359 Speaker 1: rip and tear and bite into whatever flesh this thing 621 00:45:02,440 --> 00:45:05,640 Speaker 1: may have had. I wanted to see and sense the 622 00:45:05,680 --> 00:45:09,160 Speaker 1: pain and the fear that I inflicted before I finally 623 00:45:09,280 --> 00:45:14,080 Speaker 1: killed it. I sat up in my bed so that 624 00:45:14,160 --> 00:45:16,320 Speaker 1: my face was no more than a couple of inches 625 00:45:16,360 --> 00:45:20,399 Speaker 1: away from the thing's face. I was staring directly into 626 00:45:20,440 --> 00:45:24,600 Speaker 1: the red void of this entity's eyes. There was no 627 00:45:24,760 --> 00:45:28,160 Speaker 1: humanity there. There was nothing that resembled empathy or pity, 628 00:45:29,880 --> 00:45:32,880 Speaker 1: only what I can begin to describe as a feeling 629 00:45:32,920 --> 00:45:37,880 Speaker 1: of ancient, eternal enmity. It was at this point that 630 00:45:37,920 --> 00:45:41,400 Speaker 1: the entity began hovering backward and away from my face. 631 00:45:41,719 --> 00:45:43,719 Speaker 1: And as this thing was moving away from me, I 632 00:45:43,800 --> 00:45:47,080 Speaker 1: reached out and attempted to grab it with my left hand. 633 00:45:47,080 --> 00:45:51,040 Speaker 1: A couple of times in rapid succession, followed by my 634 00:45:51,480 --> 00:45:56,279 Speaker 1: throwing multiple left hooks. There was no physical contact whatsoever. 635 00:45:56,680 --> 00:45:59,400 Speaker 1: Each and every time that I attempted to physically assault 636 00:45:59,400 --> 00:46:02,880 Speaker 1: this thing, my hand and my fist passed directly through 637 00:46:02,880 --> 00:46:08,080 Speaker 1: the entity's head, face, and eyes without any resistance. The 638 00:46:08,200 --> 00:46:11,239 Speaker 1: entity continued to hover away from me and toward the 639 00:46:11,320 --> 00:46:15,160 Speaker 1: far upper corner of the room. I remember seeing in 640 00:46:15,160 --> 00:46:18,000 Speaker 1: the moonlight cast on the right side of this thing's 641 00:46:18,040 --> 00:46:20,319 Speaker 1: head and torso as it passed through the bedroom, and 642 00:46:21,040 --> 00:46:23,440 Speaker 1: I won't ever forget the moonlight reflecting off of this 643 00:46:23,560 --> 00:46:27,839 Speaker 1: thing's translucent form. As soon as this thing was out 644 00:46:27,880 --> 00:46:34,160 Speaker 1: of my reach, the rage subsided and human rationalization began 645 00:46:34,280 --> 00:46:38,600 Speaker 1: to return to me. It was then that this entity 646 00:46:38,680 --> 00:46:41,920 Speaker 1: began to slowly phase out of sight, and for the 647 00:46:41,960 --> 00:46:46,480 Speaker 1: first time during the encounter, I began to feel fear. 648 00:46:48,040 --> 00:46:54,080 Speaker 1: It became apparent that this this entity somehow sensed the 649 00:46:54,120 --> 00:46:57,719 Speaker 1: growing fear within me when I saw it look down 650 00:46:57,760 --> 00:47:01,960 Speaker 1: and smile at me. The moment the entity reached the 651 00:47:02,040 --> 00:47:05,600 Speaker 1: upper corner of the bedroom, it disappeared from sight, and 652 00:47:05,680 --> 00:47:09,040 Speaker 1: although I could no longer see this thing, I still 653 00:47:09,080 --> 00:47:12,520 Speaker 1: sensed its presence in the room, and without a definite 654 00:47:12,520 --> 00:47:14,719 Speaker 1: target to channel, my anger on I began to fill 655 00:47:14,719 --> 00:47:19,240 Speaker 1: a level of fear I'd never experience before, and after 656 00:47:19,280 --> 00:47:21,759 Speaker 1: looking around the bedroom trying to locate the thing to 657 00:47:21,800 --> 00:47:24,279 Speaker 1: focus my hatred on it, I gave up and I 658 00:47:24,320 --> 00:47:28,040 Speaker 1: started praying. It was after praying for a while that 659 00:47:28,120 --> 00:47:32,280 Speaker 1: I could no longer sense this entity's presence. And after 660 00:47:32,280 --> 00:47:35,960 Speaker 1: this encounter, I spent more than two years obsessed, to 661 00:47:36,000 --> 00:47:38,960 Speaker 1: the point where I would search while on duty during 662 00:47:39,040 --> 00:47:43,040 Speaker 1: my usual night shift patrol, I was constantly looking through 663 00:47:43,160 --> 00:47:46,640 Speaker 1: dark windows and in darkened areas of trees and courtyards 664 00:47:46,680 --> 00:47:51,640 Speaker 1: and search of two glowing eyes to lash out against 665 00:47:51,800 --> 00:47:57,759 Speaker 1: one more time. I've never seen this entity again. I've 666 00:47:57,760 --> 00:48:02,600 Speaker 1: been lift, I've been left with many unanswered questions. The 667 00:48:02,640 --> 00:48:05,560 Speaker 1: only certainty that I have is how this entity regards me. 668 00:48:06,400 --> 00:48:09,840 Speaker 1: This thing sees me as prey, considers me as cattle. 669 00:48:10,960 --> 00:48:14,920 Speaker 1: This entity thinks of me as an enemy, and now 670 00:48:15,280 --> 00:48:18,319 Speaker 1: it will have me as an enemy until the end 671 00:48:18,640 --> 00:48:29,640 Speaker 1: of time. Dude, Well, thank you, Michael. I don't know 672 00:48:30,000 --> 00:48:33,440 Speaker 1: how to feel about that, but all I know is, Oh, 673 00:48:33,480 --> 00:48:35,320 Speaker 1: we're out of time, so I think we need to 674 00:48:35,400 --> 00:48:37,400 Speaker 1: end this show on a positive note. How about you 675 00:48:38,960 --> 00:48:42,120 Speaker 1: take a deep breath, if you can close your eyes, 676 00:48:42,520 --> 00:49:10,560 Speaker 1: here is the good Fortune tone. That's it for this 677 00:49:10,800 --> 00:49:13,960 Speaker 1: edition of the show. Follow me at Joshua P. Warren, 678 00:49:14,440 --> 00:49:17,960 Speaker 1: Plus visit Joshuapwarren dot com to sign up for my 679 00:49:18,200 --> 00:49:22,560 Speaker 1: free E newsletter to receive a free instant gift, and 680 00:49:23,000 --> 00:49:25,919 Speaker 1: check out the cool stuff in the Curiosity Shop. All 681 00:49:26,120 --> 00:49:29,960 Speaker 1: at Joshuapwarren dot com. I have a fun one lined 682 00:49:30,000 --> 00:49:33,560 Speaker 1: up for you next time, I promise, so please tell 683 00:49:33,600 --> 00:49:36,960 Speaker 1: all your friends to subscribe to this show and to 684 00:49:37,080 --> 00:49:42,520 Speaker 1: always remember the Golden Rule. Thank you for listening, Thank 685 00:49:42,560 --> 00:49:46,440 Speaker 1: you for your interest and support. Thank you for staying curious, 686 00:49:47,000 --> 00:49:51,600 Speaker 1: and I will talk to you again soon. You've been 687 00:49:51,600 --> 00:49:56,080 Speaker 1: listening to Strange Things on the iHeartRadio and Coast to 688 00:49:56,160 --> 00:49:59,560 Speaker 1: Coast AM Paranormal Podcast Network. 689 00:50:11,520 --> 00:50:14,799 Speaker 2: Well, if you like this episode of Strange Things, wait 690 00:50:14,880 --> 00:50:17,720 Speaker 2: till you hear the next one. Thank you for listening 691 00:50:17,800 --> 00:50:22,720 Speaker 2: to the iHeartRadio and Coast to Coast AM Paranormal Podcast Network.