WEBVTT - JAMES BAY: "Leap"

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<v Speaker 1>So, how's your summer going. I have to laugh at

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<v Speaker 1>how as adults we are so preoccupied with the temperature

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<v Speaker 1>outside in comparison to how completely uninterested my children are.

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<v Speaker 1>All they care to know is whether or not the

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<v Speaker 1>sun is shining, can they get wet today? And is

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<v Speaker 1>it too early for the first popsicle? Remember those summer days?

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<v Speaker 1>I hope you allow yourself to revisit that time, even

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<v Speaker 1>if it's just for a few stolen hours after a

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<v Speaker 1>long day at work, or if you're lucky, maybe you

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<v Speaker 1>can escape back into your childlike attitude towards summer for

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<v Speaker 1>an entire glorious day or weekend, go on a camping trip,

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<v Speaker 1>and suddenly you will be back in your childhood. Allow

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<v Speaker 1>yourself to remember how wonderful it was to lay in

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<v Speaker 1>wait for a grasshopper to come your way as he

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<v Speaker 1>chewed on the end of a piece of tall grass,

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<v Speaker 1>or how you would squeal in delight when the cold

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<v Speaker 1>water from the sprinkler hit your bare back the first time.

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<v Speaker 1>Play some music that reminds you of your fourth grade crush,

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<v Speaker 1>and revel in summertime once again. Today's guest on love

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<v Speaker 1>to someone may provide our children with memories of their

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<v Speaker 1>favorite summer. He's a three time Grammy nominated and britt

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<v Speaker 1>Award winning multi platinum singer, songwriter, producer, and guitarist who

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<v Speaker 1>hails from the UK and that you have heard played

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<v Speaker 1>on my show quite a bit with hits like let

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<v Speaker 1>It Go and Hold Back the River. His music is

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<v Speaker 1>soulful and stirring and speaks to that in all of

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<v Speaker 1>us that yearns for and believes in the power of love.

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<v Speaker 1>I invited him to join me today because he's got

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<v Speaker 1>some brand new babies to brag about. The first is

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<v Speaker 1>his new daughter, Ada, who made her entrance last fall.

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<v Speaker 1>That's a hard act to follow up, but apparently it

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<v Speaker 1>inspired some new music. His third full length album, Leap,

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<v Speaker 1>was released on July eighth, and he's getting ready to

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<v Speaker 1>hit the road on his much anticipated North American headline

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<v Speaker 1>tour in August. I'm so looking forward to this conversation

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<v Speaker 1>with the delightful James Bay, But first I want to

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<v Speaker 1>do a little bragging myself on one of my podcast sponsors.

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<v Speaker 1>I absolutely love everything that comes out of a box

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<v Speaker 1>labeled Balsom Hill. They're huge sail this month will let

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<v Speaker 1>you save big and bring home the magic of Christmas

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<v Speaker 1>all July. You can get up to fifty percent on

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<v Speaker 1>that dream tree you've had your eye on for so long.

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<v Speaker 1>I've been using Balsom Hill decor in my home in

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<v Speaker 1>my studio for years now, and everything still looks as

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<v Speaker 1>fresh as the day it arrived. I say, it's never

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<v Speaker 1>too early to get in the Christmas spirit, So I wait,

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<v Speaker 1>find everything you need at Balsom Hill dot com, but hurry.

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<v Speaker 1>The mid July Sail ends on Monday, August one. Welcome

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<v Speaker 1>to love someone today. James Babe has kind of taken

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<v Speaker 1>the world by storm, which is kind of weird because

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<v Speaker 1>you seem so laid back, thank you so much, and

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<v Speaker 1>so not about hype, and yet there's all this energy

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<v Speaker 1>swirling about you right now. I think personally, I think

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<v Speaker 1>because your sound is so unique, well, hype is pretty stressful, yeah, right, so,

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<v Speaker 1>and you know, I've had my I feel as though

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<v Speaker 1>I've had some experiences with it this far, and it's

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<v Speaker 1>pretty it's pretty stressful, so I try to keep a

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<v Speaker 1>little distance from it if I can. And it's kind

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<v Speaker 1>of cool because everything I've read about you, or seen

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<v Speaker 1>about you, or followed about you, you're pretty down to

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<v Speaker 1>earth and laid back and I love that. Thank you. No,

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<v Speaker 1>I appreciate what you're saying, and I understand and like,

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<v Speaker 1>there are so many different ways to approach talking about

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<v Speaker 1>this and to think about it and to approach it

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<v Speaker 1>just myself as an artist, and I you know that

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<v Speaker 1>those ways change. They kind of change as I grow

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<v Speaker 1>and over time, you know, I'm I'm looking at it

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<v Speaker 1>right now, I'm coming into I'm obviously I'm on album three.

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<v Speaker 1>And it's been nearly ten years of sort of operating

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<v Speaker 1>as I guess a professional artists, recording and touring because

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<v Speaker 1>I signed a record deal about ten years ago, and

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<v Speaker 1>I've been touring a little bit before that, and then

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<v Speaker 1>I got really busy with that and recording once I signed,

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<v Speaker 1>and then twenty my first album came out. So it's

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<v Speaker 1>not quite been ten years of sort of putting albums

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<v Speaker 1>out yet, but still I've been through different versions of

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<v Speaker 1>like how to approach it, and of course on the

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<v Speaker 1>first album that you are when you're brand new, and

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<v Speaker 1>there's this thing they refer to as the shock of

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<v Speaker 1>the new, which is always a very enticing and sort

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<v Speaker 1>of delicious prospect for any music fans around the world.

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<v Speaker 1>Myself included when I'm experiencing other artists, you know, debuting

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<v Speaker 1>UM it, a lot of hype comes with it, and

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<v Speaker 1>there's and and and there is the machine. You know,

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<v Speaker 1>there is the music industry machine that that really kind

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<v Speaker 1>of rears its head. And it's all a lot to

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<v Speaker 1>take on, UM and a lot to deal with. And

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<v Speaker 1>in my experience now, since then and since releasing you know,

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<v Speaker 1>other music and other albums UM, I've had too. You

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<v Speaker 1>have to kind of grow a thicker skin UM. But

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<v Speaker 1>you have to learn which parts of it too. I've

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<v Speaker 1>decided that there's parts of it that have been worth

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<v Speaker 1>sort of embracing UM and kind of owning, and there

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<v Speaker 1>are parts of it that I've had to learn to

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<v Speaker 1>distance myself from because they can be I think it's

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<v Speaker 1>actually kind of fair to say that there are there

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<v Speaker 1>are versions of sort of hype and excitement that can

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<v Speaker 1>get a little toxic and a little intense. Uh So,

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<v Speaker 1>I'm so I'm trying to really UM see these sides

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<v Speaker 1>of my life and work, and the line between those

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<v Speaker 1>things blurs enormously. UM from from a from a hopefully

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<v Speaker 1>a slightly more kind of wise perspective, but that's always

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<v Speaker 1>relative to the amount of time you've been doing something,

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<v Speaker 1>and I guess maybe I haven't been doing this that

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<v Speaker 1>long in the grand scheme of things, and you know,

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<v Speaker 1>next to how long I want to be able to

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<v Speaker 1>do this for. Yeah, and if you configure that balance

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<v Speaker 1>out now, you'll get to do it a lot longer

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<v Speaker 1>because you'll live a lot longer, I hope. So you

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<v Speaker 1>know what, let's just like, let's just touch on the

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<v Speaker 1>kind of the pressures. There are so many different evolving pressures, um,

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<v Speaker 1>and the music business is a good number of decades

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<v Speaker 1>old at this point. If we if we look at,

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<v Speaker 1>you know, the pop music business really kicking into gear

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<v Speaker 1>some time around maybe the fifties, then it's then then

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<v Speaker 1>it's it's it's it's not old now because it's clearly

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<v Speaker 1>going to kind of last a lot longer. But things

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<v Speaker 1>have sort of changed and evolved over that time. And yeah,

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<v Speaker 1>i'd really like, I know, even at what I think

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<v Speaker 1>is the beginning of my career, still I know i'd

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<v Speaker 1>love to do it for a long time yet, So

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<v Speaker 1>I'm gonna I've got to I've got to be I've

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<v Speaker 1>gotta stay savvy in any way that I can stay

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<v Speaker 1>savvy and stay grounded and uh, and you have a

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<v Speaker 1>little one. I understand that kind of helps with that

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<v Speaker 1>grounding process. Now. I mean, so my daughter Aida, she

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<v Speaker 1>is nearly nine months old and um pulling herself up

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<v Speaker 1>on the edge of the coffee table yet correct and

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<v Speaker 1>the be table it is far too sharp. So that

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<v Speaker 1>needs to go. M. Duct tape, duct tape, and um.

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<v Speaker 1>Pool noodles. Yeah that I feel like pool noodles. Nice

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<v Speaker 1>pool noodles are the answer for toddlers for everything. You

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<v Speaker 1>can put them on the edges. You just slice them open.

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<v Speaker 1>You know, go to a dollar store and get a

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<v Speaker 1>pool noodle, slice it open, put it on the edge

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<v Speaker 1>of everything. Oh, I love that. That's a great Yeah,

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<v Speaker 1>that's a great one. So that's going to be happening

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<v Speaker 1>as off tomorrow. But she so yes, what a way

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<v Speaker 1>to bring everything back down to earth for me as

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<v Speaker 1>an artist and you know, as a human being and

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<v Speaker 1>now as a father, but like just the artist part.

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<v Speaker 1>And you know, I've already mentioned about how that there's

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<v Speaker 1>a line between my work life and my and my

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<v Speaker 1>sort of personal life. Um, and there's a very blurry

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<v Speaker 1>line as as a as a songwriter, M. The things

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<v Speaker 1>sort of come very close to each other all the time,

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<v Speaker 1>but having a baby really does bring everything back down

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<v Speaker 1>to earth, and abuse took full wave, but in a

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<v Speaker 1>very sort of stark and real way as well, because

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<v Speaker 1>she doesn't understand even now, she doesn't have a clue

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<v Speaker 1>what I do or what what what it's about. When

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<v Speaker 1>I get like at some point in the in the

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<v Speaker 1>in the early hours of the morning, or some crazy

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<v Speaker 1>time at the random time in the afternoon or late

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<v Speaker 1>at night. She wouldn't know about the late at night one.

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<v Speaker 1>But suddenly I might be all dressed up and walking

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<v Speaker 1>out the door to do something, to make a video,

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<v Speaker 1>do a show, and like that's gonna you know, her

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<v Speaker 1>her like approach to understanding that is going to change

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<v Speaker 1>and change and change. And I have to stay with

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<v Speaker 1>my feet planted strongly on the ground. Um as I

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<v Speaker 1>as I kind of help her kind of understand what

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<v Speaker 1>I'm doing, and so as not to like I've been

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<v Speaker 1>trying to do all this time, so as not to

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<v Speaker 1>just exist in my head in the clouds. Right, you

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<v Speaker 1>don't impress me as somebody who would ever exist with

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<v Speaker 1>your head in the clouds. I could be very wrong.

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<v Speaker 1>Like I say, all I see is what I read

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<v Speaker 1>and what Manny has shared with us, your record guy

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<v Speaker 1>who has been a dear friend of ours for the years.

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<v Speaker 1>But you seem, um, I'm not saying you're not affected

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<v Speaker 1>by all the popularity, press and and sweet things people

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<v Speaker 1>write about you. You know, we've changed the spelling of

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<v Speaker 1>your last name from bay like bay watch like go

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<v Speaker 1>out on the Ocean to bay as in babe because

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<v Speaker 1>you're you're adorable. And I saw one article about why

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<v Speaker 1>you are every man's man crush right now. Yeah, yeah, well, look,

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<v Speaker 1>you know, I don't know that there is a very

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<v Speaker 1>tiny percentage of a bunch of that stuff that is,

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<v Speaker 1>if I'm being really real, is probably worth accepting as

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<v Speaker 1>I moved through this life and try and carry on

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<v Speaker 1>in the capacity that I have been doing for the

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<v Speaker 1>rest of it, I need to just leave it. Because

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<v Speaker 1>you've been in a long term relationship with somebody. I

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<v Speaker 1>heard you say that you don't need women flirting with you,

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<v Speaker 1>hitting on you, You don't need any one liners because

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<v Speaker 1>you are with the person that you want to be with,

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<v Speaker 1>And I thought, I love you for that. Oh, thank

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<v Speaker 1>you so much. I feel as though I am I

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<v Speaker 1>really do. Me and Lucy, we've been together since we were.

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<v Speaker 1>We grew up in the same town. Where is that

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<v Speaker 1>a small place right in the really I know England,

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<v Speaker 1>the UK is a very sort of strange shaped country.

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<v Speaker 1>But if there's a center point right in the middle,

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<v Speaker 1>that's where we're from. Um it's called Hitching. There's about

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<v Speaker 1>thirty thirty thousand, sorry, thirty thousand people there, so it's

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<v Speaker 1>not a big place. Um, it's pretty suburb sort of

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<v Speaker 1>suburban and suburban, suburban, what's the word whatever, Yeah, one

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<v Speaker 1>of those words. It's pretty suburban. It's it's it's about

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<v Speaker 1>an hour outside of London, which is kind of good

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<v Speaker 1>when you're a kid. Sort of eventually it's not too

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<v Speaker 1>far to get to that big exciting city. But like

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<v Speaker 1>beyond that, it's, um, it's pretty run of the mill.

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<v Speaker 1>It's not it's not incredibly exciting. Um, it's very easy

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<v Speaker 1>to kind of grow up there. It was a pretty

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<v Speaker 1>safe place. Everything's very local, so it was that was cool.

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<v Speaker 1>But then they get to the point when when anybody's

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<v Speaker 1>anything between sixteen and sort of nineteen years old, like myself,

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<v Speaker 1>you gotta go, I gotta get out, I gonna move.

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<v Speaker 1>I went when I was eighteen, Um, I moved away

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<v Speaker 1>to sort of kind of discover myself eventually as as

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<v Speaker 1>a as a solo artist that I wanted to be um.

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<v Speaker 1>But yeah, no, that's where me and me and Lucy

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<v Speaker 1>met there. We grew up there, and now we're living

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<v Speaker 1>in big, scary London and traveling the world now and again,

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<v Speaker 1>which is crazy. So I read in one of the

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<v Speaker 1>articles that you found a guitar in the house that

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<v Speaker 1>you were living in. Yeah, somebody just left a nice

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<v Speaker 1>guitar lying around and you discovered in the basement. Kind

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<v Speaker 1>of it's it's pretty much that. So my my my

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<v Speaker 1>uncle owned a guitar for probably ten years, never learned

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<v Speaker 1>to play it, and sold it to my dad. My

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<v Speaker 1>dad owned that guitar for probably fifteen has never learned

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<v Speaker 1>to play it, and put it in a cupboard in

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<v Speaker 1>the spare bedroom in our house. And when I was

0:13:07.120 --> 0:13:10.480
<v Speaker 1>eleven or maybe even younger actually, but I found it.

0:13:10.520 --> 0:13:12.200
<v Speaker 1>I knew it was there, so probably I was like

0:13:12.240 --> 0:13:14.400
<v Speaker 1>seven or eight, two years past, and I always thought

0:13:14.440 --> 0:13:16.880
<v Speaker 1>about it being there, and I didn't think sort of

0:13:16.960 --> 0:13:18.599
<v Speaker 1>too much more than that about it because I was

0:13:18.640 --> 0:13:23.960
<v Speaker 1>interested in other stuff. And then I heard fantastic guitar

0:13:24.040 --> 0:13:27.520
<v Speaker 1>riff a brilliant record called Layla by Derek and the

0:13:27.520 --> 0:13:32.280
<v Speaker 1>Domino's Eric Captain's Band in the early seventies. It blew

0:13:32.320 --> 0:13:35.200
<v Speaker 1>me away and I knew. I sort of felt this

0:13:35.280 --> 0:13:37.760
<v Speaker 1>like lightning bolt shock of emotion rushed through me, and

0:13:37.800 --> 0:13:39.000
<v Speaker 1>I sort of said to my dad, I have to

0:13:39.040 --> 0:13:40.640
<v Speaker 1>don't help, I have to learn how to do this.

0:13:40.920 --> 0:13:43.199
<v Speaker 1>I have to know. And it's that's how sort of

0:13:43.240 --> 0:13:46.000
<v Speaker 1>sensational intense I guess kids are supposed to be. And

0:13:46.000 --> 0:13:47.760
<v Speaker 1>I remember it sort of vividly. It's like, no, I

0:13:48.000 --> 0:13:50.160
<v Speaker 1>gotta do it right now. I'm gonna learn. And I

0:13:50.200 --> 0:13:51.760
<v Speaker 1>know there's a guitar in this house, and I didn't

0:13:51.800 --> 0:13:53.920
<v Speaker 1>put together in my mind that he was playing that

0:13:54.000 --> 0:13:57.679
<v Speaker 1>riff on a fired up, plugged in electric stratocast that

0:13:57.800 --> 0:14:01.480
<v Speaker 1>like Fender electric guitar um, and that all we had

0:14:01.520 --> 0:14:04.160
<v Speaker 1>in the covered upstairs was like a nylon string, a

0:14:04.240 --> 0:14:07.480
<v Speaker 1>classical like acoustic guitar that you play like Flamenco music on.

0:14:08.160 --> 0:14:10.760
<v Speaker 1>So I rushed to it and I just, you know,

0:14:10.880 --> 0:14:13.080
<v Speaker 1>cut to the next cup year or so. I was

0:14:13.080 --> 0:14:15.559
<v Speaker 1>just giving it my best shot. Eventually, one thing led

0:14:15.559 --> 0:14:16.880
<v Speaker 1>to another, and I got a little bit better, a

0:14:16.880 --> 0:14:18.559
<v Speaker 1>little bit better and then I got an electric guitar,

0:14:18.600 --> 0:14:20.160
<v Speaker 1>and then I was off and away by the time

0:14:20.200 --> 0:14:24.320
<v Speaker 1>I was twelve years old, Wow, I was. I was

0:14:24.400 --> 0:14:27.200
<v Speaker 1>not much older when I started playing with a shape

0:14:27.240 --> 0:14:31.400
<v Speaker 1>recorder and pretending I was on the radio. Really, so

0:14:31.480 --> 0:14:33.800
<v Speaker 1>you should have been, you know, it was a different

0:14:34.320 --> 0:14:36.720
<v Speaker 1>time even for me. Went back at that age, like

0:14:36.880 --> 0:14:38.840
<v Speaker 1>we did have a computer in the house, but like

0:14:38.880 --> 0:14:41.320
<v Speaker 1>it was a couple of years until like the Internet

0:14:41.440 --> 0:14:44.360
<v Speaker 1>was so like accessible and YouTube existed, and when that

0:14:44.400 --> 0:14:48.160
<v Speaker 1>stuff came along, I was I had up until that point,

0:14:48.200 --> 0:14:51.320
<v Speaker 1>I've been listening to records UM and just picking out

0:14:51.360 --> 0:14:53.320
<v Speaker 1>the notes and like learning to play by ear, which

0:14:53.360 --> 0:14:55.640
<v Speaker 1>was a pretty invaluable sort of skill to to to

0:14:55.760 --> 0:14:59.000
<v Speaker 1>build up. And then by the time YouTube came along,

0:14:59.320 --> 0:15:03.040
<v Speaker 1>I'd already bought like a billion DVDs of my favorite artists,

0:15:03.040 --> 0:15:05.040
<v Speaker 1>and then I was watching on YouTube and rewinding and

0:15:05.040 --> 0:15:07.160
<v Speaker 1>slowing it down all my stuff and trying to learn

0:15:07.200 --> 0:15:09.280
<v Speaker 1>from sort of watching people in every way that I could.

0:15:09.320 --> 0:15:11.120
<v Speaker 1>Because I didn't have the patients for lessons, I tried

0:15:11.200 --> 0:15:13.920
<v Speaker 1>lessons for a little while. I didn't have the patients

0:15:14.040 --> 0:15:15.880
<v Speaker 1>for being so I was moving a little faster than

0:15:15.880 --> 0:15:18.760
<v Speaker 1>that UM and then eventually a lot faster than that.

0:15:18.880 --> 0:15:22.680
<v Speaker 1>So any all the like kind of I didn't have

0:15:22.720 --> 0:15:24.760
<v Speaker 1>like a cell phone or anything either. I'm not quite

0:15:24.760 --> 0:15:28.000
<v Speaker 1>the generation that that with like twelve year old had cellphones.

0:15:28.040 --> 0:15:30.560
<v Speaker 1>I didn't have one of those until later. So all

0:15:30.600 --> 0:15:33.520
<v Speaker 1>of that, like idle time. They say it's so important

0:15:33.520 --> 0:15:36.720
<v Speaker 1>for creativity to just have hours where you don't actually

0:15:36.720 --> 0:15:39.720
<v Speaker 1>have anything to do. Well, you've got like free time,

0:15:40.120 --> 0:15:42.280
<v Speaker 1>and I really used that and to sort of mess

0:15:42.360 --> 0:15:45.920
<v Speaker 1>around with the guitar endlessly. Can I give you some

0:15:45.920 --> 0:15:50.800
<v Speaker 1>some motherly advice, Please do not give your daughter access

0:15:50.920 --> 0:15:56.360
<v Speaker 1>to devices to distract her when she's little. That that

0:15:56.360 --> 0:15:59.000
<v Speaker 1>that so me and Lucy both are really keen to

0:15:59.240 --> 0:16:01.920
<v Speaker 1>do exactly what you're suggesting that. I know it sounds

0:16:01.920 --> 0:16:04.680
<v Speaker 1>old fashioned, and I know I'm the mean mom. And

0:16:06.120 --> 0:16:10.400
<v Speaker 1>I made the mistake with some children that I raised

0:16:10.400 --> 0:16:13.480
<v Speaker 1>that are older now of allowing them to have devices,

0:16:13.520 --> 0:16:15.520
<v Speaker 1>you know, when they were twelve, thirteen, fourteen. I will

0:16:15.520 --> 0:16:18.840
<v Speaker 1>never do that again. Never. Well, I get it. I

0:16:19.520 --> 0:16:21.160
<v Speaker 1>get it as much as I can. You know, I

0:16:21.160 --> 0:16:24.840
<v Speaker 1>would just love for for for Ada not to be

0:16:26.000 --> 0:16:30.040
<v Speaker 1>you know, obsessed with technology too quickly. It would be

0:16:30.040 --> 0:16:32.200
<v Speaker 1>great for that to sort of be a gentle and

0:16:32.200 --> 0:16:34.520
<v Speaker 1>gradual thing over time. So we're going to try. You know,

0:16:34.840 --> 0:16:37.000
<v Speaker 1>we're like a one TV household, but there's not a

0:16:37.000 --> 0:16:40.280
<v Speaker 1>TV in every room, for example. UM, So we're trying

0:16:40.280 --> 0:16:42.800
<v Speaker 1>to be We're trying to be real gradual with that

0:16:42.880 --> 0:16:46.560
<v Speaker 1>because just what you said about the idle time, playtime,

0:16:47.160 --> 0:16:51.480
<v Speaker 1>and and kids entertaining themselves and learning how to how

0:16:51.600 --> 0:16:56.000
<v Speaker 1>to think on their own instead of constantly being entertained

0:16:56.000 --> 0:17:00.840
<v Speaker 1>with media, it's so precious, it's so vital, and mom,

0:17:00.880 --> 0:17:04.120
<v Speaker 1>you know me, as an adult, I'm already unhealthily kind

0:17:04.119 --> 0:17:06.800
<v Speaker 1>of addicted and I hate to confess it, you know,

0:17:06.840 --> 0:17:10.560
<v Speaker 1>to to to using devices, even though I'll tell it

0:17:10.720 --> 0:17:12.760
<v Speaker 1>myself and anybody else. But it's all for work and this,

0:17:12.920 --> 0:17:15.200
<v Speaker 1>that and the other. It's not. It's it's too easy

0:17:15.240 --> 0:17:17.920
<v Speaker 1>to sort of waste an hour or four staring into

0:17:17.920 --> 0:17:21.480
<v Speaker 1>a screen, UM, when you know that idle time is

0:17:21.520 --> 0:17:30.879
<v Speaker 1>important to just just exercise the imagination. So your new album,

0:17:30.960 --> 0:17:34.680
<v Speaker 1>UM Leap is number Is this number four, number four, three,

0:17:35.080 --> 0:17:37.879
<v Speaker 1>number three? There has been a bunch of EPs in between,

0:17:37.880 --> 0:17:40.719
<v Speaker 1>but yeah, this is number three, number three. UM just

0:17:40.920 --> 0:17:46.000
<v Speaker 1>released a couple of weeks ago. July eight, and it's

0:17:46.040 --> 0:17:49.640
<v Speaker 1>it's true to your um. I don't want to say

0:17:49.640 --> 0:17:55.159
<v Speaker 1>a collectic artistic. When I listen to your music, it

0:17:55.320 --> 0:18:00.240
<v Speaker 1>feels real. It feels real. It doesn't feel like, oh, okay,

0:18:00.280 --> 0:18:03.320
<v Speaker 1>this is a great hook and I'm gonna, you know,

0:18:03.600 --> 0:18:07.200
<v Speaker 1>play four chords so that people will get stuck in

0:18:07.240 --> 0:18:11.119
<v Speaker 1>their head like an earworm, and it's it feels like

0:18:11.160 --> 0:18:15.720
<v Speaker 1>you're really sharing a story, an experience, or an emotion.

0:18:15.840 --> 0:18:18.679
<v Speaker 1>And I love that. Thank you so much that you know,

0:18:19.240 --> 0:18:21.400
<v Speaker 1>I don't mind like a colectic and all of that.

0:18:21.440 --> 0:18:23.399
<v Speaker 1>Like you know, I don't. I can't. I tried to

0:18:23.400 --> 0:18:25.560
<v Speaker 1>fit myself into one box and I just can't do it.

0:18:25.760 --> 0:18:28.040
<v Speaker 1>You can't. Everything I read about you, people are trying

0:18:28.080 --> 0:18:29.960
<v Speaker 1>to compare you to other people, and I'm like, no,

0:18:30.440 --> 0:18:33.159
<v Speaker 1>well that's okay. You know, I'm with you. I'm on

0:18:33.200 --> 0:18:35.240
<v Speaker 1>your side of that that whole kind of opinion and

0:18:35.320 --> 0:18:37.959
<v Speaker 1>argument or whatever. But but people are going to do that,

0:18:38.080 --> 0:18:40.800
<v Speaker 1>and ultimately, if they want to talk about my music,

0:18:40.880 --> 0:18:43.880
<v Speaker 1>that's cooled. I guess I'd rather that than they didn't

0:18:43.880 --> 0:18:46.639
<v Speaker 1>want to talk about it at all. So yeah, you know,

0:18:47.320 --> 0:18:49.640
<v Speaker 1>I you know, it's funny when I told you I

0:18:49.640 --> 0:18:51.920
<v Speaker 1>I fell in love with an electric guitar riff, and

0:18:52.160 --> 0:18:54.280
<v Speaker 1>I spent the best part of a year learning to

0:18:54.280 --> 0:18:57.919
<v Speaker 1>play on an acoustic guitar, and in that whole moment,

0:18:59.160 --> 0:19:03.399
<v Speaker 1>long drawn out moment, and I've developed a passion for

0:19:03.760 --> 0:19:08.680
<v Speaker 1>many different sounds, fields styles. I love pop music. When

0:19:08.680 --> 0:19:10.360
<v Speaker 1>I was a little kid, even way before I learned

0:19:10.359 --> 0:19:12.280
<v Speaker 1>to play the guitar. As a small child, I had

0:19:12.280 --> 0:19:14.880
<v Speaker 1>the radio when I was playing records. As a creative child,

0:19:14.880 --> 0:19:16.600
<v Speaker 1>I was drawing in all those moments, but I was

0:19:16.720 --> 0:19:19.680
<v Speaker 1>listening to pop music, pop songs from the nineties and

0:19:19.720 --> 0:19:22.320
<v Speaker 1>the early two thousand's and even from before that. My

0:19:22.400 --> 0:19:24.960
<v Speaker 1>parents had little cassette collections and stuff we used to play,

0:19:25.000 --> 0:19:27.240
<v Speaker 1>like old motown stuff my mom had and all that

0:19:27.280 --> 0:19:31.800
<v Speaker 1>sort of thing. So I'm obsessed with all different lanes

0:19:31.840 --> 0:19:34.000
<v Speaker 1>of music. And I think a lot of my favorite

0:19:34.080 --> 0:19:37.479
<v Speaker 1>artists have had so many different eras. Some of them

0:19:37.480 --> 0:19:41.359
<v Speaker 1>have stuck more strongly to sort of one lane, and

0:19:41.400 --> 0:19:45.320
<v Speaker 1>it's just very gently over the decades they've existed, um

0:19:45.359 --> 0:19:48.800
<v Speaker 1>and and others have changed. You know. David Bowie is

0:19:48.880 --> 0:19:52.600
<v Speaker 1>one who who has drastically sort of shape shifted through time.

0:19:52.880 --> 0:19:54.960
<v Speaker 1>And let's Dance, which was such a massive record for

0:19:55.040 --> 0:19:57.920
<v Speaker 1>him in the eighties. It's pretty different to like changes

0:19:58.000 --> 0:20:00.760
<v Speaker 1>from what I think is maybe nine sixty nine Eric

0:20:00.800 --> 0:20:03.399
<v Speaker 1>Clapton was in Cream, what a brilliant band or a

0:20:03.440 --> 0:20:06.840
<v Speaker 1>psychedelic electric guitar experience, and then he had a huge

0:20:06.920 --> 0:20:08.520
<v Speaker 1>hit with a song called Tears in Heaven that really

0:20:08.520 --> 0:20:13.560
<v Speaker 1>sounds particularly different, So you know, and that's just that's

0:20:13.600 --> 0:20:15.879
<v Speaker 1>just to name two sort of older artists, but there

0:20:15.920 --> 0:20:18.160
<v Speaker 1>are there are there are way more up to date

0:20:18.200 --> 0:20:21.680
<v Speaker 1>ones as well that that applied just as much. And

0:20:22.680 --> 0:20:25.000
<v Speaker 1>all I can't you know when I'm making so leap,

0:20:25.760 --> 0:20:28.439
<v Speaker 1>you know when I'm making a record, and it's the

0:20:28.440 --> 0:20:30.000
<v Speaker 1>case for Leap as much as it has been on

0:20:30.080 --> 0:20:35.080
<v Speaker 1>previous albums. I can't stick to one dynamic. There has

0:20:35.119 --> 0:20:39.560
<v Speaker 1>to be kind of roaring and raging, racing kind of

0:20:40.280 --> 0:20:42.680
<v Speaker 1>ultimately like rock music, because that's something I'm really into.

0:20:42.840 --> 0:20:47.000
<v Speaker 1>There will be softer, slower, maybe more soulful songs as well.

0:20:47.160 --> 0:20:49.560
<v Speaker 1>Some will feel look more kind of stripped down to

0:20:49.680 --> 0:20:51.679
<v Speaker 1>just a guitar and a voice, and some will have

0:20:51.720 --> 0:20:54.800
<v Speaker 1>a bit more going on um and I really embrace

0:20:55.760 --> 0:20:59.760
<v Speaker 1>all of that. And actually it's funny leap was made.

0:21:01.080 --> 0:21:03.879
<v Speaker 1>It really wasn't made in any kind of way that

0:21:03.920 --> 0:21:06.600
<v Speaker 1>I would like to make a record again, because the

0:21:06.680 --> 0:21:11.000
<v Speaker 1>pandemic arrived on the world and I started, all right,

0:21:12.080 --> 0:21:15.120
<v Speaker 1>the story is that I've finished this album in March.

0:21:16.320 --> 0:21:20.840
<v Speaker 1>Oh my perfect timing, dude, right that the pandemic arrived,

0:21:20.960 --> 0:21:23.520
<v Speaker 1>and we all said, okay, okay, it's okay, it's all right.

0:21:23.920 --> 0:21:26.639
<v Speaker 1>We'll mix the album. We'll have to do it over zoom,

0:21:26.640 --> 0:21:29.080
<v Speaker 1>but it'll be okay. And then in a couple of weeks,

0:21:29.119 --> 0:21:31.240
<v Speaker 1>when this whole thing's blown over, and a couple of

0:21:31.280 --> 0:21:34.680
<v Speaker 1>weeks we'll hit the road, we'll be able to tour,

0:21:34.880 --> 0:21:37.680
<v Speaker 1>we'll be back with the fans. And two years later,

0:21:38.320 --> 0:21:40.000
<v Speaker 1>and it did, and it did exactly. It did not

0:21:40.080 --> 0:21:43.359
<v Speaker 1>happen to two weeks later. Two years later, obviously it

0:21:43.400 --> 0:21:47.000
<v Speaker 1>was a different story. But by the end of when

0:21:47.000 --> 0:21:50.000
<v Speaker 1>we finally sort of fully understood, I finally understood that

0:21:50.000 --> 0:21:51.360
<v Speaker 1>it was it wasn't just going to be a couple

0:21:51.400 --> 0:21:52.639
<v Speaker 1>of weeks or a couple of months. It was going

0:21:52.720 --> 0:21:56.200
<v Speaker 1>to take some kind of while I started to write again,

0:21:56.240 --> 0:21:58.600
<v Speaker 1>because the world wasn't opening up in the kind of

0:21:58.640 --> 0:22:00.840
<v Speaker 1>way that I needed it to to really the album

0:22:00.840 --> 0:22:03.600
<v Speaker 1>I finished back in March. It wasn't going to do that,

0:22:03.640 --> 0:22:06.040
<v Speaker 1>so I started writing again. I wrote through the end

0:22:06.080 --> 0:22:09.680
<v Speaker 1>of twenty twenty through Christmas, and I got a bunch

0:22:09.680 --> 0:22:12.800
<v Speaker 1>of songs together that a lot of those songs I

0:22:12.840 --> 0:22:14.920
<v Speaker 1>felt were maybe a bit better than at least half

0:22:14.960 --> 0:22:16.840
<v Speaker 1>of the songs on the album i'd initially finished back

0:22:16.840 --> 0:22:20.840
<v Speaker 1>in So already We're We're, We're. It's like a it's

0:22:20.880 --> 0:22:23.919
<v Speaker 1>like a sort of scrap book, you know, tapestry of

0:22:24.000 --> 0:22:27.400
<v Speaker 1>different sounds. But I just the songs are the most

0:22:27.440 --> 0:22:31.160
<v Speaker 1>important thing to me, and that they're allowed whatever production

0:22:31.240 --> 0:22:34.199
<v Speaker 1>that they sort of are asking for. So what I've

0:22:34.240 --> 0:22:37.000
<v Speaker 1>wound up with is an album that was half made

0:22:37.040 --> 0:22:40.560
<v Speaker 1>in Nashville, all in the same studio, and then half

0:22:40.600 --> 0:22:43.960
<v Speaker 1>of it was made over the Internet with different producers

0:22:43.960 --> 0:22:45.880
<v Speaker 1>in different parts of the world. One producer was based

0:22:45.880 --> 0:22:49.240
<v Speaker 1>in New Zealand, one producer was based in two based

0:22:49.240 --> 0:22:52.240
<v Speaker 1>in l a, another one was a different guy based

0:22:52.280 --> 0:22:54.360
<v Speaker 1>in Nashville. So, you know, one of them I did

0:22:54.359 --> 0:22:57.760
<v Speaker 1>on my own in London. So but I love it.

0:22:57.840 --> 0:23:01.520
<v Speaker 1>You know, it's the most honest a piction of making

0:23:01.520 --> 0:23:04.080
<v Speaker 1>a record through those times. And I wanted to like,

0:23:04.200 --> 0:23:06.160
<v Speaker 1>I'm sort of proud of the facts I've been able

0:23:06.200 --> 0:23:08.280
<v Speaker 1>to document that and also going back to everything I've

0:23:08.320 --> 0:23:12.040
<v Speaker 1>just been saying about, you know, staying authentic to myself

0:23:12.080 --> 0:23:14.959
<v Speaker 1>and all the different music that I love and all

0:23:14.960 --> 0:23:17.359
<v Speaker 1>the different sounds and kind of dynamics and genres that

0:23:17.400 --> 0:23:19.960
<v Speaker 1>I love. It nods to that as well. There are

0:23:19.960 --> 0:23:22.600
<v Speaker 1>there's there's like rock guitar music on this album. There's

0:23:22.680 --> 0:23:28.520
<v Speaker 1>like softer, more kind of acoustic leaning singer songwriter, heartfelt

0:23:28.560 --> 0:23:31.240
<v Speaker 1>emotional songs on there. The stuff that's maybe a little

0:23:31.280 --> 0:23:34.440
<v Speaker 1>bit more kind of soul inspired. Um, you know, there's

0:23:34.560 --> 0:23:36.600
<v Speaker 1>lots of different sounds because that's who I am and

0:23:36.640 --> 0:23:39.040
<v Speaker 1>that's what I love, and that's that's how I make music,

0:23:39.160 --> 0:23:42.520
<v Speaker 1>even in a pandemic. Even in a pandemic. Yeah, I

0:23:42.560 --> 0:23:46.320
<v Speaker 1>I can't complain about the pandemic because I have a

0:23:46.400 --> 0:23:50.680
<v Speaker 1>studio in my home and I have two homes. Actually

0:23:50.800 --> 0:23:53.480
<v Speaker 1>I have a smaller farm and then I have a

0:23:53.560 --> 0:23:57.800
<v Speaker 1>very big farm. So when when it's done on me

0:23:57.920 --> 0:24:00.440
<v Speaker 1>that you know, this has not gone to be over

0:24:00.480 --> 0:24:03.000
<v Speaker 1>in two weeks or three weeks. I took the kids

0:24:03.000 --> 0:24:04.479
<v Speaker 1>and we went to the big farm. Because if you've

0:24:04.480 --> 0:24:06.080
<v Speaker 1>got to be shut in. I'd rather be shut in

0:24:06.160 --> 0:24:10.200
<v Speaker 1>on five thousand five acres with horses and cows, and

0:24:10.280 --> 0:24:14.720
<v Speaker 1>I have a studio there. And it really brought out

0:24:15.280 --> 0:24:19.240
<v Speaker 1>I think in me and my show a depth that

0:24:19.960 --> 0:24:23.600
<v Speaker 1>that was a good thing. And the time that I

0:24:23.640 --> 0:24:27.359
<v Speaker 1>had with my kids was so good, so good. That

0:24:27.440 --> 0:24:30.399
<v Speaker 1>was beautiful and important. And I mean, yeah, look we

0:24:30.560 --> 0:24:32.080
<v Speaker 1>I think we all got a moment to sort of

0:24:32.119 --> 0:24:34.360
<v Speaker 1>check in with ourselves. And I know it was very

0:24:34.359 --> 0:24:36.920
<v Speaker 1>difficult for for some people the last couple of years

0:24:37.000 --> 0:24:40.920
<v Speaker 1>really particularly hard, and and and I feel lucky that, Um,

0:24:41.440 --> 0:24:43.400
<v Speaker 1>I'm sort of fortunate that when they said, Okay, we're

0:24:43.400 --> 0:24:44.800
<v Speaker 1>gonna have to sit on the sofa at home for

0:24:44.840 --> 0:24:48.520
<v Speaker 1>a while, that was quite sort of straightforward for me

0:24:48.560 --> 0:24:50.920
<v Speaker 1>to do. That was the biggest complaint for me is

0:24:50.960 --> 0:24:52.879
<v Speaker 1>of course it got a little boring and little testing

0:24:52.880 --> 0:24:55.679
<v Speaker 1>at times, but like, yeah, it was there was some

0:24:55.720 --> 0:24:59.480
<v Speaker 1>beauty and quality to the time that we all kind

0:24:59.480 --> 0:25:03.640
<v Speaker 1>of before to spend. So now pandemic is is still there,

0:25:03.720 --> 0:25:07.680
<v Speaker 1>but different. You're going to be able to tour. Where

0:25:07.680 --> 0:25:10.080
<v Speaker 1>can people see you? Where can they find a schedule,

0:25:10.720 --> 0:25:14.919
<v Speaker 1>how can they see the dimples in person? Did your

0:25:14.960 --> 0:25:18.800
<v Speaker 1>daughter get your dimples. We're still waiting. We're still waiting

0:25:18.800 --> 0:25:20.520
<v Speaker 1>to find that out. You know, she's her face hasn't

0:25:20.560 --> 0:25:24.280
<v Speaker 1>quite grown enough. I can tell you quite confidently that

0:25:24.359 --> 0:25:28.000
<v Speaker 1>she's absolutely gorgeous. Don't get me wrong. But then that's

0:25:28.000 --> 0:25:30.280
<v Speaker 1>what all parents say about their babies. But I stand

0:25:30.280 --> 0:25:34.120
<v Speaker 1>by it. Um. We are going on toys, we are

0:25:34.440 --> 0:25:37.920
<v Speaker 1>and uh, you can find all the dates and stuff

0:25:37.920 --> 0:25:40.560
<v Speaker 1>on my website. I'm doing a bunch of shows in

0:25:40.800 --> 0:25:43.040
<v Speaker 1>the States with a brilliant bank called the lumin Ears.

0:25:43.040 --> 0:25:44.280
<v Speaker 1>I'm going to go and open up for them for

0:25:44.280 --> 0:25:47.960
<v Speaker 1>a while. They're playing in places including a Wrigley Field,

0:25:48.080 --> 0:25:50.000
<v Speaker 1>so like some big stadium spots, which is gonna be

0:25:50.000 --> 0:25:53.240
<v Speaker 1>a lot of fun to to be there. The limin Ears,

0:25:53.280 --> 0:25:55.080
<v Speaker 1>by the way, if nobody has ever heard of them

0:25:55.200 --> 0:26:00.639
<v Speaker 1>or are seeing them, fabulous. They are such talented musicians.

0:26:00.720 --> 0:26:03.480
<v Speaker 1>Oh my word, check them out if you don't know them.

0:26:03.520 --> 0:26:05.080
<v Speaker 1>But so we're gonna go open up for them. And

0:26:05.119 --> 0:26:08.080
<v Speaker 1>then that's through August and September, and in between those shows,

0:26:08.080 --> 0:26:10.040
<v Speaker 1>I'm gonna be doing headline shows of my own And

0:26:10.080 --> 0:26:14.120
<v Speaker 1>really it's all just like getting back to America, which

0:26:14.160 --> 0:26:15.840
<v Speaker 1>is somewhere that obviously I've not been able to come

0:26:15.840 --> 0:26:18.119
<v Speaker 1>to for two and a half years or something. I

0:26:18.200 --> 0:26:22.720
<v Speaker 1>used to spend between five and ten um times a

0:26:22.760 --> 0:26:26.440
<v Speaker 1>year I was coming to the States typically, So it's

0:26:26.520 --> 0:26:28.720
<v Speaker 1>nice to finally get back, and I'll be playing a

0:26:28.720 --> 0:26:30.239
<v Speaker 1>bunch of my own headline shows, and really it's all

0:26:30.240 --> 0:26:31.840
<v Speaker 1>just to sort of get things going in the States

0:26:31.880 --> 0:26:35.600
<v Speaker 1>again and revisit all my fans who I've missed so much.

0:26:35.680 --> 0:26:40.639
<v Speaker 1>So don't rule out UM being a busy year for

0:26:40.640 --> 0:26:42.920
<v Speaker 1>me in America as well. I'm looking forward to being back.

0:26:43.280 --> 0:26:47.560
<v Speaker 1>We're looking forward to you coming back, James. James isn't

0:26:47.600 --> 0:26:50.400
<v Speaker 1>the only one who has information to share with you.

0:26:51.000 --> 0:26:53.040
<v Speaker 1>I want you to know about another one of my

0:26:53.119 --> 0:26:59.160
<v Speaker 1>fantastic podcast sponsors. I live for a great summer day

0:26:59.680 --> 0:27:02.600
<v Speaker 1>time with my little ones, outside time in the garden

0:27:02.760 --> 0:27:06.960
<v Speaker 1>picking veggies that are ripe and ready for dinner each night.

0:27:07.440 --> 0:27:10.600
<v Speaker 1>And that's before I tend to my animals. But all

0:27:10.640 --> 0:27:15.480
<v Speaker 1>that only happens because I am pain free thanks to

0:27:15.600 --> 0:27:20.480
<v Speaker 1>Omega Excel. Years ago, I discovered a simple but fabulous product,

0:27:20.640 --> 0:27:25.520
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0:27:25.600 --> 0:27:29.080
<v Speaker 1>inflammation I feel in my hands and in my back

0:27:29.240 --> 0:27:33.000
<v Speaker 1>from years of gardening and horseback riding that I've enjoyed.

0:27:33.520 --> 0:27:38.760
<v Speaker 1>Omega exceller tiny little capsules filled with Omega oils extracted

0:27:38.840 --> 0:27:41.600
<v Speaker 1>from the green lipped muscles found off the coast of

0:27:41.640 --> 0:27:45.640
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0:27:45.720 --> 0:27:48.800
<v Speaker 1>excel every day, I feel so much better. My hands

0:27:48.840 --> 0:27:51.800
<v Speaker 1>feel better, my back feels better, my joints feel better.

0:27:52.280 --> 0:27:56.760
<v Speaker 1>The problem is inflammation. That's the root cause of this

0:27:56.880 --> 0:28:00.399
<v Speaker 1>kind of pain. If you suffer from this pain as

0:28:00.440 --> 0:28:05.320
<v Speaker 1>a result of inflammation, try Omega x l this summer

0:28:05.520 --> 0:28:08.800
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0:28:08.880 --> 0:28:12.919
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0:28:13.080 --> 0:28:15.879
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0:28:15.880 --> 0:28:20.879
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0:28:21.040 --> 0:28:25.720
<v Speaker 1>via phone eight hundred nine four zero zero five nine.

0:28:26.119 --> 0:28:31.679
<v Speaker 1>That's eight hundred zero zero five nine nine. You know

0:28:31.720 --> 0:28:34.000
<v Speaker 1>I I mentioned earlier a lot of things I read

0:28:34.000 --> 0:28:37.800
<v Speaker 1>people try to compare you or put you in a

0:28:37.880 --> 0:28:41.880
<v Speaker 1>lane with other artists. But when I first started listening

0:28:41.880 --> 0:28:44.880
<v Speaker 1>to your music, the artist that came to mind not

0:28:44.960 --> 0:28:47.760
<v Speaker 1>because you sound anything like him, you don't, but the

0:28:47.840 --> 0:28:51.040
<v Speaker 1>honesty that I hear in your music reminded me of

0:28:51.080 --> 0:28:54.640
<v Speaker 1>when I used to play Jim Crocy back in the day.

0:28:54.800 --> 0:28:57.440
<v Speaker 1>I don't know if I know. Oh my gosh, you

0:28:57.440 --> 0:29:01.040
<v Speaker 1>gotta look him up. He was um hm. He was

0:29:01.080 --> 0:29:06.840
<v Speaker 1>ahead of his time in his authenticity and his vulnerability.

0:29:07.280 --> 0:29:11.400
<v Speaker 1>And then he he died. It was very tragic, very solid. Um.

0:29:11.440 --> 0:29:18.960
<v Speaker 1>But I do spot his last name is really here. Um. Yeah.

0:29:19.000 --> 0:29:21.440
<v Speaker 1>And like I said, not not your style, not your voice,

0:29:21.560 --> 0:29:25.000
<v Speaker 1>but your transparency. I guess that's the word I want

0:29:25.040 --> 0:29:31.440
<v Speaker 1>to I appreciate that it's I'm learning constantly. UM. Here's

0:29:31.440 --> 0:29:35.760
<v Speaker 1>a funny thing actually, so transparency and honesty and vulnerability.

0:29:36.240 --> 0:29:40.040
<v Speaker 1>There's such important qualities to songwriting. And I find that

0:29:40.120 --> 0:29:41.760
<v Speaker 1>just as a music fan, you know, in terms of

0:29:41.760 --> 0:29:44.360
<v Speaker 1>the music that I love and I listened to um

0:29:44.520 --> 0:29:47.080
<v Speaker 1>that I discover it. It's always the sort of the

0:29:47.120 --> 0:29:50.800
<v Speaker 1>notes of honesty and vulnerability and that really kind of

0:29:50.840 --> 0:29:56.120
<v Speaker 1>connect lyrically and musically really and like performance wise. Um,

0:29:56.480 --> 0:29:59.320
<v Speaker 1>I'm also trying to unlearn as much as I can constantly.

0:29:59.360 --> 0:30:01.520
<v Speaker 1>That's a sort of interesting angle that that might that

0:30:01.600 --> 0:30:04.520
<v Speaker 1>might surprise. But like some of the most maybe the

0:30:04.520 --> 0:30:08.520
<v Speaker 1>most brilliant and beautiful and best art that's created is

0:30:08.600 --> 0:30:13.479
<v Speaker 1>born of some combination of passion and naivety. If you know,

0:30:14.080 --> 0:30:17.160
<v Speaker 1>you can probably know too much about a process, and

0:30:17.200 --> 0:30:19.480
<v Speaker 1>then all that's in your head during the process is

0:30:19.520 --> 0:30:22.480
<v Speaker 1>that your your sort of knowledge of like how something

0:30:22.600 --> 0:30:25.240
<v Speaker 1>is done. It's a difficult one because you can't turn

0:30:25.280 --> 0:30:29.480
<v Speaker 1>back time, so trying to unlearn stuff is hard. Like,

0:30:29.520 --> 0:30:32.160
<v Speaker 1>for example, one approach that's starting to fail me now

0:30:32.760 --> 0:30:34.840
<v Speaker 1>is that I made all my music on the guitar,

0:30:34.920 --> 0:30:37.760
<v Speaker 1>or I wrote all my music on a guitar, and

0:30:37.800 --> 0:30:39.800
<v Speaker 1>I can do a few things on the guitar. At

0:30:39.800 --> 0:30:43.640
<v Speaker 1>this point, I'm not too limited. Um, So I moved

0:30:43.640 --> 0:30:46.880
<v Speaker 1>to piano, and eventually I'm starting to get okay at

0:30:46.880 --> 0:30:49.160
<v Speaker 1>the piano. You know. Initially, like I was playing on

0:30:49.200 --> 0:30:50.720
<v Speaker 1>a piano because I didn't know what I was doing,

0:30:50.760 --> 0:30:53.240
<v Speaker 1>and it was all there was so much naivety, and

0:30:53.440 --> 0:30:58.200
<v Speaker 1>and that brought its own sort of excitement in my writing.

0:30:58.760 --> 0:31:01.280
<v Speaker 1>But yeah, like I said, you then you learned too much.

0:31:01.280 --> 0:31:02.840
<v Speaker 1>So before long I'm going to be picking up a

0:31:02.840 --> 0:31:04.800
<v Speaker 1>trumpet on to write songs on it because I don't

0:31:04.800 --> 0:31:07.440
<v Speaker 1>know how to play that. Glenn Campbell learned how to

0:31:07.480 --> 0:31:11.520
<v Speaker 1>play the bagpipes for the same reason. Wow, well there

0:31:11.520 --> 0:31:13.920
<v Speaker 1>you go. I don't think my baby or or Lucia,

0:31:14.080 --> 0:31:16.120
<v Speaker 1>neither of them are going to appreciate the bagpipes. Probably

0:31:16.120 --> 0:31:24.040
<v Speaker 1>not if you practice them at home. James, I could

0:31:24.080 --> 0:31:26.400
<v Speaker 1>speak with you all day. Thank you for spending time

0:31:26.440 --> 0:31:30.120
<v Speaker 1>with us, and the best, the best to you and

0:31:30.160 --> 0:31:35.080
<v Speaker 1>your family and your baby and your music. And I'm

0:31:35.120 --> 0:31:39.120
<v Speaker 1>I'm looking forward to to just everything that you produce,

0:31:39.200 --> 0:31:42.000
<v Speaker 1>that you that you share with the world, because I

0:31:42.040 --> 0:31:45.520
<v Speaker 1>think you are changing the world one heart at a

0:31:45.600 --> 0:31:48.760
<v Speaker 1>time with the lyrics of your music. That's a very

0:31:48.760 --> 0:31:50.800
<v Speaker 1>beautiful thing to say. Thank you so much a lot

0:31:50.800 --> 0:31:53.320
<v Speaker 1>of for having me as well. It's it's a joy.

0:31:53.520 --> 0:31:56.360
<v Speaker 1>It's a pleasure to talk to you. Have a wonderful

0:31:56.440 --> 0:31:59.320
<v Speaker 1>rest of your summer. Nice one. Thanks so much. I

0:31:59.360 --> 0:32:01.000
<v Speaker 1>hope I see. It's some point comes to a shot.

0:32:01.160 --> 0:32:05.200
<v Speaker 1>I will, I definitely will, and I will come backstage

0:32:05.200 --> 0:32:07.400
<v Speaker 1>and give you a big hug and just bless you

0:32:07.440 --> 0:32:10.880
<v Speaker 1>and your family in that world again. That is exciting

0:32:11.760 --> 0:32:16.240
<v Speaker 1>someday soon, I hope. God bless you. Thank you, James

0:32:16.240 --> 0:32:20.640
<v Speaker 1>Bay bub bye Hoamy. Summer is a time to make memories,

0:32:21.120 --> 0:32:24.960
<v Speaker 1>a time to give into laziness, if only for a

0:32:25.000 --> 0:32:28.160
<v Speaker 1>few moments at a time, and to savor all that

0:32:28.320 --> 0:32:32.640
<v Speaker 1>is right with the world. Even though our cars now

0:32:32.720 --> 0:32:35.440
<v Speaker 1>have a c it's still a perfect time to crank

0:32:35.440 --> 0:32:39.280
<v Speaker 1>the tune ups, roll the windows down, let the wind

0:32:39.440 --> 0:32:43.040
<v Speaker 1>catch our hair, and sing along to something that makes

0:32:43.120 --> 0:32:46.959
<v Speaker 1>us feel good. I'm so glad there are artists like

0:32:47.080 --> 0:32:51.160
<v Speaker 1>James Bay out there who continue to create just that

0:32:51.240 --> 0:32:54.920
<v Speaker 1>kind of music, the dedication in the making, sort of

0:32:55.000 --> 0:32:58.080
<v Speaker 1>stuff that will be requested by my listeners for years

0:32:58.160 --> 0:33:01.800
<v Speaker 1>to come, and that the kids of today will hear

0:33:01.960 --> 0:33:04.680
<v Speaker 1>when they are having babies of their own, and it

0:33:04.720 --> 0:33:07.600
<v Speaker 1>will take them back to sweet summers of their youth,

0:33:08.000 --> 0:33:10.200
<v Speaker 1>when all they cared about was whether or not the

0:33:10.240 --> 0:33:13.200
<v Speaker 1>ice cream truck would come through their neighborhood that day,

0:33:13.520 --> 0:33:16.240
<v Speaker 1>and if they could figure out if the boy or

0:33:16.360 --> 0:33:20.040
<v Speaker 1>girl they had a crush on like them back. Catch

0:33:20.120 --> 0:33:23.400
<v Speaker 1>up with James Bay on Facebook at James Bay and

0:33:23.440 --> 0:33:27.280
<v Speaker 1>on Instagram at James Bay Music for all the latest

0:33:27.360 --> 0:33:31.720
<v Speaker 1>news and get james new album Leap, available everywhere right now.

0:33:32.280 --> 0:33:34.640
<v Speaker 1>You should also go to James Bay dot com to

0:33:34.640 --> 0:33:38.640
<v Speaker 1>see if he'll be anywhere near your hometown while he's

0:33:38.680 --> 0:33:42.640
<v Speaker 1>touring this summer, and if he is. Get tickets. In

0:33:42.680 --> 0:33:45.640
<v Speaker 1>the meantime, join me on my nightly radio show, and

0:33:45.680 --> 0:33:47.720
<v Speaker 1>I will do my best to help you get through

0:33:47.720 --> 0:33:52.400
<v Speaker 1>the summer heat, taking your calls and dedications, sharing stories,

0:33:52.520 --> 0:33:56.960
<v Speaker 1>and playing all your favorites. Give my daily podcast, Hey

0:33:57.000 --> 0:34:00.760
<v Speaker 1>it's Delilah, listen to and come back and join me

0:34:00.800 --> 0:34:04.120
<v Speaker 1>on Love Someone in two weeks, when I'll be setting

0:34:04.160 --> 0:34:08.880
<v Speaker 1>down with another inspiring guest. I can't wait to spend

0:34:08.920 --> 0:34:11.120
<v Speaker 1>more time here with you.