1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff you missed in History Class, A production 2 00:00:04,400 --> 00:00:12,800 Speaker 1: of iHeartRadio Happy Friday. 3 00:00:12,880 --> 00:00:16,200 Speaker 2: I'm Tracy V. Wilson and I'm Holly Frye. We had 4 00:00:16,320 --> 00:00:19,080 Speaker 2: our Unearthed all week this week. 5 00:00:19,239 --> 00:00:19,960 Speaker 1: We sure did. 6 00:00:20,400 --> 00:00:24,880 Speaker 2: Yeah, stuff that was mostly found in April, May and June. 7 00:00:25,120 --> 00:00:27,320 Speaker 2: I think there was one thing that was reported on 8 00:00:27,440 --> 00:00:29,640 Speaker 2: literally the last day of March. 9 00:00:30,160 --> 00:00:31,080 Speaker 1: That came up. 10 00:00:32,080 --> 00:00:38,120 Speaker 2: The way that this works is throughout the quarter, I 11 00:00:38,280 --> 00:00:40,640 Speaker 2: bookmark all of this stuff to come back to later, 12 00:00:40,800 --> 00:00:43,960 Speaker 2: and when I go back to it, usually I am 13 00:00:44,080 --> 00:00:47,239 Speaker 2: confident that there will be some specific categories, Like we 14 00:00:47,280 --> 00:00:50,239 Speaker 2: are probably gonna have some books and letters and some animals. 15 00:00:50,240 --> 00:00:53,960 Speaker 2: There's definitely gonna be some shipwrecks. I can't imagine there 16 00:00:54,000 --> 00:00:59,200 Speaker 2: not being enough shipwrecks to have a shipwreck section in Unearthed. 17 00:00:59,760 --> 00:01:04,600 Speaker 2: But beyond that, the pattern kind of reveals itself as 18 00:01:04,760 --> 00:01:09,800 Speaker 2: I am working on the episodes. Yeah, so that is 19 00:01:09,840 --> 00:01:14,480 Speaker 2: why sometimes we have some categories, sometimes not sometimes entirely 20 00:01:14,520 --> 00:01:18,920 Speaker 2: new categories. We have heard from folks that some people 21 00:01:19,000 --> 00:01:22,360 Speaker 2: find the format a little tricky to follow if we're 22 00:01:22,440 --> 00:01:26,959 Speaker 2: jumping around from topic to topic too fast. So like 23 00:01:27,080 --> 00:01:31,520 Speaker 2: that's that's why there tends to be like a basic 24 00:01:31,720 --> 00:01:36,920 Speaker 2: category structure to try to make it as listenable as possible. 25 00:01:37,959 --> 00:01:40,560 Speaker 2: We also know these are a number of folks very 26 00:01:40,600 --> 00:01:44,200 Speaker 2: favorite episodes, or even the only ones they listen to. 27 00:01:45,720 --> 00:01:50,280 Speaker 2: I feel kind of guilty for putting science writers on 28 00:01:50,360 --> 00:01:56,520 Speaker 2: blast in their headlines about ravenui. Some of them, though, 29 00:01:56,600 --> 00:02:00,240 Speaker 2: Like there were articles that had these headlines that were 30 00:02:00,280 --> 00:02:06,400 Speaker 2: like total shocker. Turns out there maybe wasn't an ECO 31 00:02:06,560 --> 00:02:11,440 Speaker 2: side on rapanui. Sometimes the first two or three paragraphs 32 00:02:11,480 --> 00:02:17,000 Speaker 2: of the article then had that tone before acknowledging that 33 00:02:17,120 --> 00:02:19,800 Speaker 2: this was adding to an existing body of work, And 34 00:02:19,840 --> 00:02:22,160 Speaker 2: I was just like, what is why? 35 00:02:22,840 --> 00:02:23,799 Speaker 1: My only thought is. 36 00:02:23,760 --> 00:02:26,760 Speaker 2: Like, are they trying to contextualize it to new readers? 37 00:02:26,800 --> 00:02:29,960 Speaker 2: But even so, there's no reason you have to do 38 00:02:30,040 --> 00:02:33,200 Speaker 2: it that way. Yeah, I don't remember what the exact 39 00:02:33,280 --> 00:02:38,000 Speaker 2: headline was of like the university's press release about this research, 40 00:02:38,120 --> 00:02:42,880 Speaker 2: but like if you took the wording of that headline 41 00:02:42,880 --> 00:02:45,960 Speaker 2: an extra step farther, like it could be interpreted to 42 00:02:46,040 --> 00:02:49,680 Speaker 2: mean that this was a brand new discovery, not something 43 00:02:49,720 --> 00:02:52,640 Speaker 2: that was adding to a body of work, but not 44 00:02:52,880 --> 00:02:56,680 Speaker 2: to nearly the extent of like a bunch of stuff, right. 45 00:02:57,560 --> 00:02:59,440 Speaker 2: I know that there have been times that we have 46 00:02:59,480 --> 00:03:03,400 Speaker 2: talked about things on the show that have a greater 47 00:03:03,639 --> 00:03:07,360 Speaker 2: historical background that we didn't fully grasp when we talked 48 00:03:07,360 --> 00:03:10,560 Speaker 2: about it. I sure hope not in the kind of 49 00:03:10,680 --> 00:03:17,760 Speaker 2: celebratory tone of some of these Rapanui articles. Yeah, that's 50 00:03:17,800 --> 00:03:20,080 Speaker 2: really when we get into publications where like this is 51 00:03:20,120 --> 00:03:22,560 Speaker 2: their whole thing, this is what they focus on. They 52 00:03:22,600 --> 00:03:24,840 Speaker 2: focus on this kind of research that I'm like, why 53 00:03:24,880 --> 00:03:29,000 Speaker 2: did you also make it sound that way? The one 54 00:03:29,040 --> 00:03:31,080 Speaker 2: other thing I had noted to talk about and behind 55 00:03:31,080 --> 00:03:33,840 Speaker 2: the scenes, we had a thing we talked about that 56 00:03:33,960 --> 00:03:38,120 Speaker 2: was research about the Black Death including that was focused 57 00:03:38,160 --> 00:03:39,600 Speaker 2: on body lice. Right. 58 00:03:40,160 --> 00:03:40,760 Speaker 1: One of the. 59 00:03:42,680 --> 00:03:45,440 Speaker 2: One of the articles that I read about this had 60 00:03:45,480 --> 00:03:50,720 Speaker 2: a lead image that looked like, you know, some kind 61 00:03:50,840 --> 00:03:56,920 Speaker 2: of close up microscope image of a body louse. And 62 00:03:57,040 --> 00:04:01,720 Speaker 2: I don't know what color body lice typically are, but 63 00:04:01,840 --> 00:04:04,240 Speaker 2: for whatever reason, in this image. 64 00:04:03,920 --> 00:04:05,000 Speaker 1: It was green. 65 00:04:06,400 --> 00:04:09,960 Speaker 2: And my first thought was, why is there a video 66 00:04:10,080 --> 00:04:15,800 Speaker 2: game villain to illustrating this body lice article? 67 00:04:16,320 --> 00:04:17,279 Speaker 1: H's really funny. 68 00:04:17,440 --> 00:04:20,640 Speaker 2: Yeah, it was just, you know, some imaging technology used 69 00:04:20,680 --> 00:04:23,599 Speaker 2: to image this body louse. I chuckle every time we 70 00:04:23,640 --> 00:04:28,360 Speaker 2: talk about the Mona Lisa. Yeah, because you know, nobody 71 00:04:28,680 --> 00:04:33,000 Speaker 2: cared about the Mona Lisa until nineteen eleven. Yeah, because 72 00:04:33,000 --> 00:04:35,920 Speaker 2: it got stolen, right, But if you look at even 73 00:04:35,960 --> 00:04:39,159 Speaker 2: news coverage of the time, a lot of them it 74 00:04:39,320 --> 00:04:43,320 Speaker 2: was so not known that a lot of those articles 75 00:04:44,480 --> 00:04:46,480 Speaker 2: show pictures of the wrong piece of art. 76 00:04:46,760 --> 00:04:49,960 Speaker 1: Oh no. So it's very funny to me that now 77 00:04:50,160 --> 00:04:52,440 Speaker 1: you know, everybody knows what the Mona Lisa looks like. 78 00:04:52,480 --> 00:04:54,200 Speaker 1: You can buy it on a pair of socks, you 79 00:04:54,240 --> 00:04:56,680 Speaker 1: can buy it on like any kind of item you 80 00:04:56,720 --> 00:04:58,719 Speaker 1: can imagine, and it's one of the most famous things 81 00:04:58,720 --> 00:05:00,719 Speaker 1: in the world. But it's only because it got stolen 82 00:05:01,120 --> 00:05:03,800 Speaker 1: suddenly everybody was looking for it. Before then, it was 83 00:05:03,880 --> 00:05:08,520 Speaker 1: kind of one of his lesser cared about works. Yeah, fascinating. 84 00:05:09,120 --> 00:05:09,800 Speaker 1: Did you see it. 85 00:05:09,760 --> 00:05:12,240 Speaker 2: When we were at the Louver? Oh yeah, we did too. 86 00:05:13,040 --> 00:05:19,960 Speaker 2: I don't think we really planned for it. So the 87 00:05:20,000 --> 00:05:23,279 Speaker 2: Mona Lisa, if you're not aware, it's a pretty small 88 00:05:24,080 --> 00:05:24,760 Speaker 2: work of art. 89 00:05:25,240 --> 00:05:26,920 Speaker 1: Yeah, it's not not big at all. 90 00:05:27,120 --> 00:05:29,080 Speaker 2: And so a lot of people talk about seeing it 91 00:05:29,160 --> 00:05:32,760 Speaker 2: and being kind of underwhelmed because even if you know 92 00:05:32,800 --> 00:05:34,400 Speaker 2: it's a small work of art, like you see it 93 00:05:34,440 --> 00:05:37,120 Speaker 2: in person and you're like, it's even smaller than I 94 00:05:37,120 --> 00:05:41,359 Speaker 2: really had thought, right, but also knowing that the crowd 95 00:05:41,520 --> 00:05:44,360 Speaker 2: to see it was going to be so huge, and 96 00:05:44,400 --> 00:05:47,760 Speaker 2: that like that whole area of the Loof is like 97 00:05:47,880 --> 00:05:51,280 Speaker 2: really crowded. I think we had sort of plans like 98 00:05:51,960 --> 00:05:55,560 Speaker 2: to skip it, but we wound up in that part 99 00:05:55,600 --> 00:05:57,800 Speaker 2: of the loove kind of by accident because we did 100 00:05:57,839 --> 00:06:00,559 Speaker 2: not Patrick and I did not plan ahead what parts 101 00:06:00,560 --> 00:06:02,479 Speaker 2: of it we were going to go see. Uh, and 102 00:06:02,520 --> 00:06:04,960 Speaker 2: we were like, well, we're here now, might as well 103 00:06:04,960 --> 00:06:05,240 Speaker 2: see it. 104 00:06:05,560 --> 00:06:08,479 Speaker 1: Yeah, I still laugh. Nobody even noticed that thing was 105 00:06:08,520 --> 00:06:11,040 Speaker 1: gone for more than a day when it got stolen. 106 00:06:11,400 --> 00:06:15,640 Speaker 1: Like that's how unconcerned people were about the Bona Lisa. Yeah, 107 00:06:15,720 --> 00:06:18,560 Speaker 1: I just love that. Now. It's like people speak of 108 00:06:18,600 --> 00:06:20,800 Speaker 1: it so reverently as one of the most important pieces 109 00:06:20,839 --> 00:06:23,440 Speaker 1: of art and we must find out who this woman 110 00:06:23,560 --> 00:06:27,120 Speaker 1: was and where she was physically in a geographical sense, 111 00:06:27,440 --> 00:06:32,200 Speaker 1: and I'm like, nobody cared for so long. Yeah, it's 112 00:06:32,200 --> 00:06:34,560 Speaker 1: such an iconic thing right now. 113 00:06:34,920 --> 00:06:37,680 Speaker 2: This is not really about unearthed, but just you know, 114 00:06:37,760 --> 00:06:40,200 Speaker 2: if you are planning to go to Paris and you're 115 00:06:40,200 --> 00:06:42,560 Speaker 2: going to go to the Louver, and especially if it 116 00:06:42,640 --> 00:06:45,960 Speaker 2: might be your only time and your life to go there. 117 00:06:46,440 --> 00:06:48,920 Speaker 1: Yes, if there's stuff you. 118 00:06:48,920 --> 00:06:52,120 Speaker 2: Really want to see, make a list and plan what 119 00:06:52,160 --> 00:06:56,880 Speaker 2: you're doing ahead of time. Yeah, because it's enormous, Like, 120 00:06:57,160 --> 00:07:01,440 Speaker 2: it's so much bigger than I really canived of. We 121 00:07:01,480 --> 00:07:03,400 Speaker 2: went on one of our trips that we have gone 122 00:07:03,400 --> 00:07:05,960 Speaker 2: on for the show, and but like the Louve was 123 00:07:06,000 --> 00:07:09,880 Speaker 2: a side trip that people got tickets for individually, not 124 00:07:09,960 --> 00:07:12,000 Speaker 2: something that we went together as a group. So we 125 00:07:12,080 --> 00:07:16,280 Speaker 2: like went during our free time, and uh, Patrick and 126 00:07:16,320 --> 00:07:18,640 Speaker 2: I had no plan. We did not think of anything 127 00:07:18,680 --> 00:07:21,440 Speaker 2: ahead of time. We just sort of showed up and 128 00:07:21,560 --> 00:07:24,360 Speaker 2: got the digital tour thing that you could get and 129 00:07:24,400 --> 00:07:29,679 Speaker 2: we walked around in random meandering with it, which is fine, 130 00:07:30,120 --> 00:07:33,680 Speaker 2: But had I actually put forethought into it, there is 131 00:07:33,760 --> 00:07:36,160 Speaker 2: stuff I definitely would have made a point of seeing 132 00:07:36,240 --> 00:07:39,040 Speaker 2: while we were there that we did Nazi. It's so 133 00:07:39,160 --> 00:07:41,200 Speaker 2: big that it's very easy to get lost, And so 134 00:07:41,280 --> 00:07:44,680 Speaker 2: I think if unless it does not matter and you 135 00:07:44,720 --> 00:07:46,920 Speaker 2: are just excited to see whatever's there, I think it's 136 00:07:46,920 --> 00:07:49,640 Speaker 2: a really good idea to have a plan. Yes with 137 00:07:49,720 --> 00:07:53,680 Speaker 2: an amendment, okay, because yes, like if you're like I 138 00:07:53,800 --> 00:07:57,560 Speaker 2: want to see this Delaquix and only this Delaquix. Yeah, Yeah, 139 00:07:57,600 --> 00:07:59,360 Speaker 2: although those are easy because they're huge and they're on 140 00:07:59,440 --> 00:08:02,280 Speaker 2: the main hallway most of the Dilaqua or like I 141 00:08:02,320 --> 00:08:05,280 Speaker 2: wanted to see the Vigion Lebron stuff that they oh yeah, yeah, 142 00:08:05,320 --> 00:08:10,760 Speaker 2: But I would say keep that list to a reasonable 143 00:08:10,880 --> 00:08:14,720 Speaker 2: number and allow yourself to accidentally just walk around and 144 00:08:14,760 --> 00:08:17,560 Speaker 2: see stuff. I love this too, because there are so 145 00:08:17,680 --> 00:08:21,720 Speaker 2: many pieces that you might not realize are in the Louver, 146 00:08:22,000 --> 00:08:23,920 Speaker 2: or you may not even know of that artist, but 147 00:08:23,920 --> 00:08:27,840 Speaker 2: they're incredibly striking and beautiful that it's worth just giving 148 00:08:27,880 --> 00:08:31,520 Speaker 2: yourself a balance of like, here are the mussy checklist items, 149 00:08:31,880 --> 00:08:36,600 Speaker 2: and also I'm allocating this ninety minutes to just dink 150 00:08:36,679 --> 00:08:40,600 Speaker 2: around and find weird things. Yeah, because you will and 151 00:08:40,640 --> 00:08:42,600 Speaker 2: it's all beautiful. I kind of feel the same way 152 00:08:42,600 --> 00:08:45,640 Speaker 2: about the Vatican Museums. Yeah, make sure sure. 153 00:08:45,640 --> 00:08:48,360 Speaker 1: Nobody told me that there's an entire room of Mark 154 00:08:48,400 --> 00:08:51,679 Speaker 1: Schaghl's at the Vatican Museums. And when we walk through it, 155 00:08:52,160 --> 00:08:55,040 Speaker 1: I swear the breath left my body. I was like, 156 00:08:55,640 --> 00:09:02,400 Speaker 1: what you guys, go ahead. So they're they're often fun discoveries. 157 00:09:02,720 --> 00:09:06,600 Speaker 2: Yeah, well, and that's often how I approach a lot 158 00:09:06,600 --> 00:09:08,559 Speaker 2: of museums that I'll go to, like I'll be going 159 00:09:08,600 --> 00:09:12,920 Speaker 2: for a specific exhibition, but then I will also just 160 00:09:12,960 --> 00:09:16,160 Speaker 2: wander around and see what I see. And if I 161 00:09:16,200 --> 00:09:19,440 Speaker 2: am going to a museum that is nearish to where 162 00:09:19,480 --> 00:09:22,280 Speaker 2: I live, you know, it's a place I can probably 163 00:09:22,280 --> 00:09:24,400 Speaker 2: get back to sometime. If later I'm like, oh man, 164 00:09:24,440 --> 00:09:27,880 Speaker 2: I could have seen that thing, right, And if you 165 00:09:28,480 --> 00:09:31,679 Speaker 2: if you're gonna be happy with whatever you see, regardless 166 00:09:31,679 --> 00:09:33,440 Speaker 2: of what it is, feel free to not have a 167 00:09:33,440 --> 00:09:37,480 Speaker 2: plan at the leave. I I wish Patrick and I 168 00:09:37,559 --> 00:09:38,720 Speaker 2: had had like a little plan. 169 00:09:39,440 --> 00:09:41,280 Speaker 1: I also feel like a little bit of a plan 170 00:09:41,440 --> 00:09:44,160 Speaker 1: is good because, as you said, it's huge, and just like, 171 00:09:44,320 --> 00:09:47,920 Speaker 1: aside from I want to see X pieces of art, 172 00:09:48,520 --> 00:09:51,079 Speaker 1: it can just be overwhelming when you walk in if 173 00:09:51,120 --> 00:09:54,320 Speaker 1: you don't have some sort of idea of what you 174 00:09:54,400 --> 00:09:57,040 Speaker 1: might like to see, like if you are you know, 175 00:09:57,120 --> 00:09:59,280 Speaker 1: especially if you're with a group of people too, where 176 00:09:59,320 --> 00:10:02,600 Speaker 1: it's like everybody they kind of might have their own taste, 177 00:10:02,920 --> 00:10:05,400 Speaker 1: or like everybody's trying to be cool and like, I 178 00:10:05,400 --> 00:10:07,120 Speaker 1: don't know, what do you want to see? That wastes 179 00:10:07,160 --> 00:10:10,800 Speaker 1: time at the loop? Yeah, just pick a direction and go. 180 00:10:11,800 --> 00:10:16,800 Speaker 1: But it can be overwhelmingly large, so but also fabulous and. 181 00:10:16,760 --> 00:10:28,840 Speaker 2: Cool Yeah, most of that has nothing to do with 182 00:10:28,880 --> 00:10:30,800 Speaker 2: what was unearthed over the last few months. 183 00:10:30,920 --> 00:10:35,720 Speaker 1: No, but you know what does what alcohol? Oh yeah, okay, 184 00:10:35,800 --> 00:10:44,520 Speaker 1: So did any of your research regarding the cherries on 185 00:10:45,200 --> 00:10:50,640 Speaker 1: you know, George Washington's property, have any theories about their uses? 186 00:10:51,360 --> 00:10:56,880 Speaker 1: There was some about that that I did not spend 187 00:10:56,880 --> 00:11:00,320 Speaker 1: a bunch of time reading. There was one particular little 188 00:11:00,360 --> 00:11:05,720 Speaker 1: thing called cherry bounce. Yeah, and there was some speculation 189 00:11:05,920 --> 00:11:09,000 Speaker 1: about whether this could have been cherry bounce. There was 190 00:11:09,520 --> 00:11:11,920 Speaker 1: some of that was based on like the quantities that 191 00:11:12,000 --> 00:11:17,400 Speaker 1: cherry bounce was prepared in. Do you have insight on 192 00:11:17,440 --> 00:11:22,160 Speaker 1: this or is just curiosity? No? I have just questions 193 00:11:22,160 --> 00:11:25,600 Speaker 1: and theories. So yeah, you know cherry bounce, as you mentioned, 194 00:11:25,600 --> 00:11:28,400 Speaker 1: which was kind of a Christmas thing, but they would 195 00:11:28,400 --> 00:11:30,720 Speaker 1: prep it in the summer and put it up. That's 196 00:11:30,760 --> 00:11:32,920 Speaker 1: one thing that is like an alcoholic thing. 197 00:11:32,960 --> 00:11:33,160 Speaker 2: I know. 198 00:11:33,240 --> 00:11:36,760 Speaker 1: George Washington also like love to drink, Like he drank 199 00:11:36,760 --> 00:11:40,280 Speaker 1: a lot of madeira, allegedly not allegedly. I think there's 200 00:11:40,320 --> 00:11:42,640 Speaker 1: pretty good evidence for it. But what I started to 201 00:11:42,679 --> 00:11:46,120 Speaker 1: wonder because you know, he also had a whiskey distillery 202 00:11:46,240 --> 00:11:51,120 Speaker 1: that was for okay distribution and sale. Yeah, and today 203 00:11:51,160 --> 00:11:54,960 Speaker 1: you can actually like that property has that distillery in 204 00:11:55,000 --> 00:11:57,160 Speaker 1: its modernized form back up and running, and you can 205 00:11:57,200 --> 00:12:00,200 Speaker 1: buy George Washington's spirits. But it made me wonder, like 206 00:12:00,360 --> 00:12:04,520 Speaker 1: was he drinking old fashions before they were really called that? Oh, 207 00:12:04,520 --> 00:12:08,640 Speaker 1: what a good question, because that's a very natural, you know, 208 00:12:08,800 --> 00:12:11,640 Speaker 1: a version of an old fashion. Listen, if you get 209 00:12:11,640 --> 00:12:16,600 Speaker 1: into the old fashioned discourse, like tread carefully because some 210 00:12:16,760 --> 00:12:19,880 Speaker 1: people will use cherries or cherry juice as the sweetener, 211 00:12:20,240 --> 00:12:22,760 Speaker 1: other people don't want that, et cetera. Right, everybody has 212 00:12:22,800 --> 00:12:24,680 Speaker 1: serin taste. But it makes me wonder if he wasn't 213 00:12:24,720 --> 00:12:29,319 Speaker 1: using them kind of as some sort of accompaniment to whiskey. Yeah, 214 00:12:29,360 --> 00:12:30,760 Speaker 1: which is an interesting idea. 215 00:12:30,840 --> 00:12:36,000 Speaker 2: It sounded to me like some of the fruit that 216 00:12:36,160 --> 00:12:41,800 Speaker 2: was preserved was like some kind of spirituous alcohol fruit preparation. 217 00:12:43,040 --> 00:12:44,680 Speaker 1: Others possibly not. 218 00:12:45,760 --> 00:12:48,439 Speaker 2: And I think we said in the episode that they 219 00:12:48,559 --> 00:12:51,559 Speaker 2: thought that removing the liquid from the bottles was gonna 220 00:12:51,600 --> 00:12:55,040 Speaker 2: allow them to stabilize the glass better than leaving it 221 00:12:55,440 --> 00:12:59,840 Speaker 2: right filled with whatever was in there. So yeah, especially 222 00:13:00,840 --> 00:13:04,839 Speaker 2: round two of all of these additional bottles were announced 223 00:13:04,920 --> 00:13:07,760 Speaker 2: in June, I imagine there is like work still to 224 00:13:07,800 --> 00:13:12,280 Speaker 2: be done with that, conclusions still to be announced. 225 00:13:12,880 --> 00:13:17,240 Speaker 1: I hope someone designs a George Washington cherry beverage that 226 00:13:17,400 --> 00:13:24,079 Speaker 1: is a more modern cocktail making use of these things. Yeah, yeah, 227 00:13:23,640 --> 00:13:25,600 Speaker 1: I think there might there. 228 00:13:25,720 --> 00:13:30,640 Speaker 2: So there were definitely references to the possibility of seeing 229 00:13:30,679 --> 00:13:34,600 Speaker 2: if any of those pits will germinate. Yes, there was 230 00:13:34,679 --> 00:13:39,640 Speaker 2: also some discussion of collecting DNA to compare these cherries 231 00:13:39,679 --> 00:13:43,120 Speaker 2: to other cherries currently growing in the area. Yeah, there's 232 00:13:43,160 --> 00:13:46,320 Speaker 2: a whole archaeology lab there, and like a whole lot 233 00:13:46,360 --> 00:13:48,000 Speaker 2: of other work that's going. 234 00:13:47,760 --> 00:13:50,880 Speaker 1: On there is also if anybody wants it and you're 235 00:13:50,960 --> 00:13:54,040 Speaker 1: curious about what cherry bounce is, which is a freeedy 236 00:13:54,080 --> 00:13:57,200 Speaker 1: cordial mount Vernon dot org has a recipe for it, 237 00:13:57,240 --> 00:14:00,280 Speaker 1: so you can make it, just if you're curious there 238 00:14:00,280 --> 00:14:04,359 Speaker 1: and wondering cherry bounce and do you love cherries? I 239 00:14:04,440 --> 00:14:08,440 Speaker 1: also loved Slash was a little ooged out by the 240 00:14:08,559 --> 00:14:10,640 Speaker 1: Roman cremaines in wine. 241 00:14:10,960 --> 00:14:11,200 Speaker 2: Yeah. 242 00:14:11,640 --> 00:14:13,760 Speaker 1: Yeah, but then there was part of me that was like, 243 00:14:14,559 --> 00:14:18,080 Speaker 1: is this my final destination plan? Do I want like 244 00:14:18,200 --> 00:14:26,000 Speaker 1: my cremaines put in a bottle of gray Goose? Yeah, 245 00:14:26,040 --> 00:14:28,640 Speaker 1: since I'm a vodka gallant, Gray goose is my fee 246 00:14:30,280 --> 00:14:31,400 Speaker 1: That would just be funny to me. 247 00:14:31,560 --> 00:14:36,760 Speaker 2: But really, I don't know what was up with someone 248 00:14:36,800 --> 00:14:40,800 Speaker 2: apparently tasting it a little bit, and I intentionally quit 249 00:14:40,840 --> 00:14:43,240 Speaker 2: looking into it because I had this moment of like, 250 00:14:43,440 --> 00:14:48,880 Speaker 2: are you serious? Also why also gross? Let's move on, right, 251 00:14:50,360 --> 00:14:53,280 Speaker 2: I was working on these episodes, like I don't know, 252 00:14:53,360 --> 00:14:56,760 Speaker 2: we can just acknowledge end of June, beginning of July 253 00:14:57,680 --> 00:15:01,600 Speaker 2: nine million things happening in the new use, all of 254 00:15:01,640 --> 00:15:07,400 Speaker 2: them bad. Yeah, So it's like I was just trying 255 00:15:07,400 --> 00:15:10,320 Speaker 2: to keep my head down focusing on these things and 256 00:15:10,480 --> 00:15:16,800 Speaker 2: like not go down unproductive research holes about is this 257 00:15:16,880 --> 00:15:20,360 Speaker 2: a joke about the tasting the thing? What is happening 258 00:15:20,360 --> 00:15:24,040 Speaker 2: with that? Let's move on to the next thing for Unearthed. 259 00:15:24,240 --> 00:15:26,840 Speaker 1: Well, and just in case this may help you, but 260 00:15:26,960 --> 00:15:30,840 Speaker 1: also any listeners, I imagine this wasn't like he poured 261 00:15:30,920 --> 00:15:33,960 Speaker 1: himself a shot. I imagine it is like the most 262 00:15:34,160 --> 00:15:39,880 Speaker 1: minuscule amount possible for a variety of reasons other than uginess, 263 00:15:40,040 --> 00:15:43,880 Speaker 1: just not wanting to accidentally poison yourself or do anything 264 00:15:43,920 --> 00:15:47,360 Speaker 1: funky that you maybe didn't realize there are lots of 265 00:15:47,400 --> 00:15:51,200 Speaker 1: reasons not to do it. Uh yeah, Dickie, you. 266 00:15:51,160 --> 00:15:53,560 Speaker 2: Know, there was interesting stuff that we didn't get into 267 00:15:53,600 --> 00:15:55,920 Speaker 2: about that particular find that had to do with how 268 00:15:55,960 --> 00:15:59,520 Speaker 2: they identified it that it was wine and white wine specifically. 269 00:16:00,120 --> 00:16:00,320 Speaker 1: Yeh. 270 00:16:00,840 --> 00:16:06,480 Speaker 2: That had to do with like isolating specific components within it, which, 271 00:16:06,640 --> 00:16:09,720 Speaker 2: like I thought that was interesting but also a lot 272 00:16:09,760 --> 00:16:14,120 Speaker 2: to try to explain in a short amount of time. Yeah, 273 00:16:14,240 --> 00:16:17,240 Speaker 2: if you find a bottle of something somewhere, please don't 274 00:16:17,320 --> 00:16:18,280 Speaker 2: drink it. 275 00:16:18,320 --> 00:16:19,880 Speaker 1: S right up there with don't eat bog butter. 276 00:16:20,120 --> 00:16:25,520 Speaker 2: Just you know, we've talked before about during the summer months, 277 00:16:25,600 --> 00:16:29,120 Speaker 2: especially how I watch a bunch of through hikers documenting 278 00:16:29,160 --> 00:16:31,880 Speaker 2: their through hikes of various things on social media. 279 00:16:32,760 --> 00:16:35,680 Speaker 1: And there was one of these. 280 00:16:35,640 --> 00:16:39,320 Speaker 2: Pairs of hikers that I was watching recently had gotten 281 00:16:39,520 --> 00:16:42,160 Speaker 2: to where they were supposed to be able to get water, 282 00:16:42,400 --> 00:16:45,080 Speaker 2: and the water source had dried up and they had 283 00:16:45,160 --> 00:16:49,600 Speaker 2: backtracked to like have to go back to try to 284 00:16:49,640 --> 00:16:54,600 Speaker 2: get other water, and they found a half empty discarded 285 00:16:54,680 --> 00:16:59,320 Speaker 2: bottle that someone else had left that they picked up 286 00:16:59,320 --> 00:17:01,480 Speaker 2: and said, we're gonna have this as part of our 287 00:17:01,520 --> 00:17:05,000 Speaker 2: emergency stash. And I was like, I no, no, no, 288 00:17:05,200 --> 00:17:06,800 Speaker 2: I advise against this a lot. 289 00:17:07,040 --> 00:17:10,639 Speaker 1: Oh no, thank you, No, no, no, no, no, no, I 290 00:17:11,280 --> 00:17:13,879 Speaker 1: that is part of why things like through hiking would 291 00:17:13,880 --> 00:17:18,199 Speaker 1: never have any appeal to me. Like nature's cool, but 292 00:17:18,359 --> 00:17:21,360 Speaker 1: like I don't want to put myself in a position 293 00:17:21,960 --> 00:17:26,359 Speaker 1: where I might not be able to get life necessities. Sure, 294 00:17:26,840 --> 00:17:28,880 Speaker 1: that's I know some people find that to be part 295 00:17:28,920 --> 00:17:31,800 Speaker 1: of the challenge. But I'm just like, but why though, 296 00:17:32,359 --> 00:17:34,720 Speaker 1: when you could go to the Marriott or some other 297 00:17:34,800 --> 00:17:37,639 Speaker 1: lovely hotel and have people just bring you a glass 298 00:17:37,680 --> 00:17:41,160 Speaker 1: of water? Why why? 299 00:17:44,840 --> 00:17:45,280 Speaker 2: Oh? 300 00:17:45,359 --> 00:17:49,159 Speaker 1: Yeah, but I have a spoiled cookie who likes to 301 00:17:49,200 --> 00:17:55,080 Speaker 1: have things brought to me. Anyways, I understand this. Bring 302 00:17:55,160 --> 00:18:00,480 Speaker 1: me some cherry bouncer. Yeah, yeah, like have a recipe 303 00:18:00,520 --> 00:18:00,800 Speaker 1: for that. 304 00:18:01,520 --> 00:18:03,800 Speaker 2: I'll get to use my cherry pitter, which I find 305 00:18:04,080 --> 00:18:05,119 Speaker 2: deeply satisfying. 306 00:18:05,240 --> 00:18:09,240 Speaker 1: It involves a lot of cherries. Just FYI, okay. The 307 00:18:09,320 --> 00:18:11,760 Speaker 1: recipe that they have on Mount Vernon is ten to 308 00:18:11,840 --> 00:18:16,360 Speaker 1: eleven pounds of cherries woo to four cups of brandy. 309 00:18:16,480 --> 00:18:20,160 Speaker 1: So like it's a high cherry component. Do we need 310 00:18:20,200 --> 00:18:26,159 Speaker 1: to pit the cherries? Yes? Yes, actually yes, pit the cherries, 311 00:18:26,160 --> 00:18:28,040 Speaker 1: cut them in half, put them in a large bowl 312 00:18:28,359 --> 00:18:31,080 Speaker 1: using a potato masher, carefully mash the fruit to extract 313 00:18:31,080 --> 00:18:34,120 Speaker 1: as much juice as possible, and then you strain the juice. 314 00:18:34,440 --> 00:18:36,960 Speaker 2: All right, that might be a weekend project. 315 00:18:37,800 --> 00:18:41,679 Speaker 1: I have an easier thing you could do, which is 316 00:18:41,720 --> 00:18:45,080 Speaker 1: that I would pit the cherries, cut them in half. 317 00:18:45,160 --> 00:18:47,840 Speaker 1: I would boil them with a cup of sugar and 318 00:18:47,840 --> 00:18:49,600 Speaker 1: a cup of water and let them get kind of 319 00:18:49,600 --> 00:18:52,879 Speaker 1: simmery and glurpy, and then strain that off. And you 320 00:18:52,920 --> 00:18:56,760 Speaker 1: have beautiful cherry syrup to use in cocktails. And the 321 00:18:56,880 --> 00:18:59,199 Speaker 1: cherries you have strained off are great spread on like 322 00:18:59,320 --> 00:19:00,359 Speaker 1: toast or bread. 323 00:19:00,520 --> 00:19:04,000 Speaker 2: That sounds yummy. You made two things and it's way faster. Yeah, 324 00:19:04,200 --> 00:19:06,880 Speaker 2: you can still make delicious cocktails. Also get to use 325 00:19:06,920 --> 00:19:10,160 Speaker 2: the cherry pitter, which is, as we said, I find 326 00:19:10,280 --> 00:19:16,280 Speaker 2: very satisfying. Yes, whatever's happening on your weekends, I hope 327 00:19:16,320 --> 00:19:19,639 Speaker 2: it's great. If you have to pit some cherries for something, 328 00:19:19,680 --> 00:19:22,000 Speaker 2: I hope you enjoy doing that and that it goes 329 00:19:22,040 --> 00:19:25,320 Speaker 2: well and does not spray too much cherry juice around 330 00:19:25,320 --> 00:19:29,119 Speaker 2: your kitchen. We'll be back tomorrow with a Saturday Classic, 331 00:19:29,160 --> 00:19:32,080 Speaker 2: which I think is going to be about beekeeping if 332 00:19:32,080 --> 00:19:34,120 Speaker 2: I looked at the calendar right, And we'll be back 333 00:19:34,240 --> 00:19:42,119 Speaker 2: Monday with a brand new episode. Stuff you missed in 334 00:19:42,200 --> 00:19:45,880 Speaker 2: History Class is a production of iHeartRadio. For more podcasts 335 00:19:45,880 --> 00:19:50,040 Speaker 2: from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever 336 00:19:50,080 --> 00:19:51,600 Speaker 2: you listen to your favorite shows.