WEBVTT - The Spirited Actor - Monet Dunham

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<v Speaker 1>Hello, and welcome to the Spirited Actor Podcast with me

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<v Speaker 1>Tracy Moore. I was a casting director for film and

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<v Speaker 1>TV and commercials for over thirty years. I transitioned to

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<v Speaker 1>a celebrity acting coach after I cast a film New

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<v Speaker 1>Jersey Drive with executive producers Spike Lee and director Nick Domez.

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<v Speaker 1>I auditioned every rapper from biggiees Balls to Tupac, and

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<v Speaker 1>I realized that rappers and musical artists they needed help

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<v Speaker 1>transitioning to acting. My clients consist of musical artists from

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<v Speaker 1>Buster Rhymes to Eve, Missy Elliott, Angela Yee from The

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<v Speaker 1>Breakfast Club, and Vanessa Simmons to name a few. I

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<v Speaker 1>also coach sports stars and host as well. I feel

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<v Speaker 1>I have the best of both worlds. As a casting director,

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<v Speaker 1>I know exactly what they're looking for, and as an

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<v Speaker 1>acting coach, I can coach you to be remembered in

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<v Speaker 1>that room. Now I know, I know actors want to

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<v Speaker 1>get the job. I get that, but being remembered by

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<v Speaker 1>casting director that is powerful. And now it's time for

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<v Speaker 1>meditation of the day. Control how you respond to things

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<v Speaker 1>sent to destroy your peace, stand up for yourself. Why

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<v Speaker 1>do we waste time? Thinking about what others think about us.

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<v Speaker 1>A very, very wise man who was my grandfather told

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<v Speaker 1>me in nineteen eighty. He said, Tracy, when I was

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<v Speaker 1>complaining about some friends talking about me, he said, Tracy,

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<v Speaker 1>I guarantee you they are not thinking about you right now.

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<v Speaker 1>They are not talking about you right now.

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<v Speaker 2>They don't care about you.

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<v Speaker 1>And he said, when you live as long as I have,

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<v Speaker 1>and my grandfather lived until he was ninety four, he said,

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<v Speaker 1>when you live as long as I have, you begin

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<v Speaker 1>to understand, and you begin to learn that people are

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<v Speaker 1>really not in your business and really could are less

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<v Speaker 1>about your business. And if they do step in your business,

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<v Speaker 1>and if they do say things that hurt or offend you,

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<v Speaker 1>instead of keeping it.

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<v Speaker 2>In and letting it fester, let them know.

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<v Speaker 1>Because we have the power to teach people how to

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<v Speaker 1>treat us. So today I will teach you how to

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<v Speaker 1>treat me and be a reflection of you. Before we

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<v Speaker 1>get started, I like to remind everyone to go to

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<v Speaker 1>Crackle Network to view seasons one and two of my

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<v Speaker 1>show Inside the Black Box that I co host with

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<v Speaker 1>the great Emmy Award winning Joe Morton. Look out for

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<v Speaker 1>news on season three soon. Welcome to the Spirited Actor

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<v Speaker 1>Podcast with me Tracy Moore, I am beyond thrilled. Like

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<v Speaker 1>I said to myself this morning, what I'm not gonna.

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<v Speaker 2>Do is get emotional.

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<v Speaker 1>That's the first thing I said, right, But then I

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<v Speaker 1>heard Spirits say, whatever happens, just allow it to happen,

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<v Speaker 1>and so I was like, well, if that's the case,

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<v Speaker 1>then I'm gonna tell my truth.

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<v Speaker 2>Ladies and gentlemen. Oh my god, dang it.

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<v Speaker 1>I started to feel that, Okay, ladies and gentlemen, I

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<v Speaker 1>want to introduce you to my sister friend. On so

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<v Speaker 1>many levels, she literally changed my life. Literally the first

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<v Speaker 1>film I did in a career where nobody helped me,

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<v Speaker 1>nobody gave me anything, nobody supported me, and as a

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<v Speaker 1>young black woman in the entertainment business at that time

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<v Speaker 1>in the mid eighties, it was challenging. Leslie Harris, director

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<v Speaker 1>Award winning director Leslie Harris came to me and asked

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<v Speaker 1>me if I could help her find a lead in

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<v Speaker 1>her What she thought at the time was just going

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<v Speaker 1>to be this independent film, maybe even on a short

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<v Speaker 1>film level. But everybody that touched the script, including me,

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<v Speaker 1>we knew where it was going to go and what

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<v Speaker 1>it was about. And how it was going to affect

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<v Speaker 1>lives and generations.

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<v Speaker 2>Literally.

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<v Speaker 1>Kevin Thigpin and Arion Johnson, the leads. They auditioned in

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<v Speaker 1>my bedroom, not like that, it's just said, you know,

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<v Speaker 1>we didn't have space and money back.

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<v Speaker 2>Then, so you know, we did what we had to do.

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<v Speaker 1>And I lived in a studio, so it was technically

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<v Speaker 1>my living room too, and they were cast, and then

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<v Speaker 1>I had to cast this other lead and I was

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<v Speaker 1>getting ready to have a session, but this woman called

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<v Speaker 1>me and asked me to speak at the Paul Robertson

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<v Speaker 1>High School.

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<v Speaker 2>And I was like, oh my god, speak at a

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<v Speaker 2>high school to kids, shared my information. Yes, I'd love

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<v Speaker 2>to do that. So I came and her name is Monet.

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<v Speaker 2>Charie's done them.

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<v Speaker 1>And this woman didn't even know at that time how

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<v Speaker 1>much I wanted to do this, and this was my

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<v Speaker 1>first gig speaking. And after that, we were in the

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<v Speaker 1>process of getting ready to shoot. Just another girl still

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<v Speaker 1>having castles Lee and I said, do you know what

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<v Speaker 1>we need a high school? Maybe we can use your

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<v Speaker 1>high school as a location to shoot.

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<v Speaker 2>Found out she was an actress.

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<v Speaker 3>This one.

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<v Speaker 1>Ladies and gentlemen, I just want you to put your

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<v Speaker 1>hands together for Monette Cherise done him who was instrumental

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<v Speaker 1>in my casting career, starting with the award winning to

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<v Speaker 1>this day. Last year, Sun Dance twenty seven years honored

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<v Speaker 1>just another girl on the IoT, one of our lead actresses, number.

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<v Speaker 2>Three on the coal sheet, Monet Cheris done. Jeez ye

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<v Speaker 2>that's a lot.

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<v Speaker 4>And how many years later Sun, I know, right, kids

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<v Speaker 4>playing looking silly grandmother. Yeah, beat me, but you have

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<v Speaker 4>been through it all.

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<v Speaker 1>And can I say this you guys when when my

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<v Speaker 1>son Miles was hit by a car and you know,

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<v Speaker 1>very traumatic time in my life, the only person that

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<v Speaker 1>could get me, after four days in the hospital NonStop,

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<v Speaker 1>to go home and take a shower was Monette. They

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<v Speaker 1>chose her and I did it reluctantly, but I did it.

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<v Speaker 3>Wow wow right, yeah, yeah, a lot, a lot.

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<v Speaker 1>God knows, well, we are here to celebrate you man,

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<v Speaker 1>We're here to celebrate just another girl out of tea.

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<v Speaker 2>You got to tell them the backstory like we did

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<v Speaker 2>Gorilla making back then.

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<v Speaker 1>Right to this day, you are recognized by like tell

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<v Speaker 1>them about that.

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<v Speaker 3>God. Well, it's interesting you know when people realized that,

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<v Speaker 3>oh yeah, that was Wait a minute, that's you. They're like, wait,

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<v Speaker 3>I gotta go back and watch it. You know, it's

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<v Speaker 3>it's it is fun. I'm not gonna lie. It's a

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<v Speaker 3>lot of fun because I'm like, what I can't stand

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<v Speaker 3>and I'm like, that's so fun because my nephew is

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<v Speaker 3>the thing, which is always a trip. And then we

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<v Speaker 3>were a New Jersey drive but that's like, who what?

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<v Speaker 3>I kind of got lost. That was Gorilla too. That

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<v Speaker 3>was Gorilla. Yeah, like this mm hmm run got cut off,

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<v Speaker 3>but just no girl was fun. Shot that in like

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<v Speaker 3>two weeks. Yeah, yeah, yeah, I don't.

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<v Speaker 2>My apartment was a holding the area.

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<v Speaker 3>Yeah. Well you know that's when people, you know, have

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<v Speaker 3>a little bit of money because we we we we've

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<v Speaker 3>been we shout our film in four days. Yeah, I

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<v Speaker 3>said it.

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<v Speaker 2>Yeah.

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<v Speaker 3>I don't know how certain people, namely Shamika Antoine felt

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<v Speaker 3>about it. To mention just a couple of people because

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<v Speaker 3>not only are they in it, they kind of they

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<v Speaker 3>do a lot. They kind of became the leads. I

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<v Speaker 3>like theird a whole lot of leads. But that's the

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<v Speaker 3>fun of this, of the of the whole project, you know,

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<v Speaker 3>is that it's real stories and gorilla filmmaking is definitely

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<v Speaker 3>not done it's not dead, it's very much alive.

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<v Speaker 1>No no quality quality you know what I'm saying. Quality

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<v Speaker 1>work like that exists because you know, we we literally

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<v Speaker 1>ladies and gentlemen. It was by any means necessary because

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<v Speaker 1>we were borrowing from people's trucks, friends who were shooting

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<v Speaker 1>music videos, getting gels and you know, maybe lens like whatever.

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<v Speaker 1>We had to do to finish that film, and we

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<v Speaker 1>were able to do it. And then in terms of

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<v Speaker 1>getting money, there were no investors. There were no funds

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<v Speaker 1>that we could tap into. It literally was like what's

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<v Speaker 1>on your credit card? What's on your credit card? Who

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<v Speaker 1>could we can? Your uncle Wright?

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<v Speaker 3>Absolutely, but see a few things have happened now versus then,

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<v Speaker 3>so like then we needed all that stuff, right, We

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<v Speaker 3>had to have, you know, the amazing cameras, and we

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<v Speaker 3>had to have the sound man, and we had to

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<v Speaker 3>have all this stuff. And I would love to have

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<v Speaker 3>it now, but because it takes me right, if you

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<v Speaker 3>have a partner that you're working with, for example, our

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<v Speaker 3>guys got this amazing camera. Don't ask me the name

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<v Speaker 3>of it because I'm gonna embrass myself, but right, okay,

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<v Speaker 3>super high quality. I know it was well over ten k,

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<v Speaker 3>you know, and he works on a lot of different projects.

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<v Speaker 3>That's the various La wins and yeah, you know, okay,

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<v Speaker 3>get out there and kill it. And he's got there.

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<v Speaker 3>So we've got that home shots you know, going on.

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<v Speaker 3>We just we just go for what we have. And

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<v Speaker 3>then the special effects person I use is amazing. That's

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<v Speaker 3>dead mister dead. Chris Dage's he's got gat you know,

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<v Speaker 3>he's really good. And so we're able to create a

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<v Speaker 3>lot of stuff with not a huge budget.

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<v Speaker 1>You know, so well, but you know what you bring

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<v Speaker 1>to the table when you do stuff like that, You're

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<v Speaker 1>bringing the production value to the table, right, because somebody

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<v Speaker 1>can look at this and say, wow, they spent about

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<v Speaker 1>one one fifty two hundred thousand, right, But the reality

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<v Speaker 1>is you may have spent like forty you know what

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<v Speaker 1>I mean. But because of the people that you are

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<v Speaker 1>working with and you hire, they are experts in what

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<v Speaker 1>they do to make. And then that continues to put

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<v Speaker 1>you in a powerful position because studios look at it.

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<v Speaker 1>Since the independent film started, if you could do that

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<v Speaker 1>and get money to do that, imagine if you have

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<v Speaker 1>money and that's where the production deals come, right. So

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<v Speaker 1>that's what you're moving in the direction because oh my god,

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<v Speaker 1>when they give you the money, you're going to know

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<v Speaker 1>every They're going to love you because you're going to

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<v Speaker 1>be underbudded all the time, like because you know how

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<v Speaker 1>to one negotiate, you know, please, you know how to

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<v Speaker 1>you know, not I don't want to say cut costs,

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<v Speaker 1>but you definitely know how to allocate the money in

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<v Speaker 1>a way that things get done right.

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<v Speaker 2>It's true, and you know what I mean. So it's like,

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<v Speaker 2>that's a producer.

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<v Speaker 1>That's an executive producer by any means necessary. So please

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<v Speaker 1>please tell us how did this award winning film?

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<v Speaker 2>What was the inside? What was the moment of inspiration?

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<v Speaker 2>That's what I want to know.

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<v Speaker 3>So I come I think just life first of all,

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<v Speaker 3>but I also come from a family who is involved

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<v Speaker 3>with like military, a lot of military things. They're either

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<v Speaker 3>active duty or they've worked like my mom was at

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<v Speaker 3>the Merchant Marine Academy. So I grew up like looking

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<v Speaker 3>at those guys like walking into the walls and turning

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<v Speaker 3>and the next in turning, you know, that's how they

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<v Speaker 3>had to walk around on the on the which was

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<v Speaker 3>really interesting because here I was this little, you know,

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<v Speaker 3>melanated chick. With braids, probably with a turtle or a rabbit,

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<v Speaker 3>maybe a puppy or something. Yes, yes, my fins by

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<v Speaker 3>the pool. You know, as long as the guys weren't

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<v Speaker 3>doing what they do by the water, I was always there.

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<v Speaker 3>I'm pretty much by myself, caught up in my own mind.

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<v Speaker 3>But so the operation would come from having a lot

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<v Speaker 3>of time to just you're just sitting with yourself. You know,

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<v Speaker 3>you're reading. You know, I've been. I've been fortunate enough

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<v Speaker 3>to travel and to live life like I love the

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<v Speaker 3>people I love. I really love them. I really I

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<v Speaker 3>really love them and they know it. Yeah, yeah, I do.

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<v Speaker 3>Thank you, but you know, and you can't. You're welcome

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<v Speaker 3>and thank you, but you can't spread yourself around, you know.

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<v Speaker 3>So this project literally is it's just it came from

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<v Speaker 3>my family, from my friends, from listening to stories about

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<v Speaker 3>what was happening to people, you know, from having friendships

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<v Speaker 3>and relationships with folks who went through a variety of things,

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<v Speaker 3>maybe went through some abuse, maybe went through some serious neglect.

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<v Speaker 3>You know. Maybe I have more stories, but we can't

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<v Speaker 3>fit all into the little bit of time that we

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<v Speaker 3>have to work. Because one of the biggest things I

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<v Speaker 3>want to do is I want to be able to

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<v Speaker 3>pay my talent, you know, I want to be able

0:14:56.240 --> 0:14:57.640
<v Speaker 3>to do that's important.

0:14:58.600 --> 0:14:58.800
<v Speaker 2>Wow.

0:14:59.200 --> 0:15:02.080
<v Speaker 3>We took my mom's place and turned it into like

0:15:02.120 --> 0:15:05.960
<v Speaker 3>three different sets. It was crazy. One of the actresses

0:15:06.040 --> 0:15:09.200
<v Speaker 3>has this really cool car, so we were able to

0:15:09.320 --> 0:15:12.160
<v Speaker 3>go on top of her through the top of the

0:15:12.280 --> 0:15:14.560
<v Speaker 3>roof of her car and get a whole bunch of

0:15:14.600 --> 0:15:20.080
<v Speaker 3>fabulous footage and sound that way. Oh yeah, we got

0:15:20.120 --> 0:15:24.000
<v Speaker 3>some good stuff really, and we have everything you shouldn't have.

0:15:24.080 --> 0:15:25.720
<v Speaker 3>Like we've got a kid and he runs in and

0:15:26.240 --> 0:15:29.000
<v Speaker 3>does something and we were like, Okay, this kid is

0:15:29.040 --> 0:15:31.800
<v Speaker 3>good and I go over there. Yeah, very talented.

0:15:32.600 --> 0:15:32.800
<v Speaker 1>Yeah.

0:15:33.520 --> 0:15:35.200
<v Speaker 3>No, I think the only thing we didn't stick in

0:15:35.240 --> 0:15:37.360
<v Speaker 3>here was an animal, which is like strange, but we didn't.

0:15:37.480 --> 0:15:40.040
<v Speaker 2>Yeah, that's yea for you, not a dog.

0:15:41.280 --> 0:15:44.000
<v Speaker 3>No, I think my I think my cast was sick

0:15:44.040 --> 0:15:44.320
<v Speaker 3>of me.

0:15:45.720 --> 0:15:53.760
<v Speaker 1>Okay, let me tell you that is she loves animals.

0:15:53.760 --> 0:15:58.760
<v Speaker 2>What to get her an animal? No matter? So one

0:15:58.800 --> 0:16:02.040
<v Speaker 2>of the live in the wall or land. Yeah, one

0:16:02.040 --> 0:16:02.680
<v Speaker 2>of the guests.

0:16:02.480 --> 0:16:04.920
<v Speaker 3>Here threatened me and I'm gonna I'm gonna put him

0:16:04.920 --> 0:16:08.720
<v Speaker 3>on blast and wow, he was like, don't get no

0:16:08.840 --> 0:16:12.880
<v Speaker 3>more dogs. Mo. I was like you know what looks

0:16:12.920 --> 0:16:15.960
<v Speaker 3>like you come over here and over there. I don't

0:16:16.000 --> 0:16:16.400
<v Speaker 3>talk to.

0:16:16.400 --> 0:16:21.640
<v Speaker 1>Them right right, but you know what like and that's

0:16:21.640 --> 0:16:23.920
<v Speaker 1>the thing, that's the thing to you guys that I

0:16:23.960 --> 0:16:27.040
<v Speaker 1>gravitated because money has always been love piece and soul

0:16:27.160 --> 0:16:29.400
<v Speaker 1>to me for real, like it like even when I

0:16:29.440 --> 0:16:32.600
<v Speaker 1>met you, I was like, you're so different, Like it

0:16:32.640 --> 0:16:35.560
<v Speaker 1>doesn't seem like you belong here, Like you're like me

0:16:35.880 --> 0:16:41.120
<v Speaker 1>this energy, right, But I saw the way you work

0:16:41.200 --> 0:16:45.560
<v Speaker 1>with the children, your compassion. This makes sense for you

0:16:45.600 --> 0:16:48.560
<v Speaker 1>to do, you know, and it makes sense that this

0:16:48.720 --> 0:16:49.200
<v Speaker 1>is why.

0:16:49.080 --> 0:16:49.920
<v Speaker 2>Is award winning.

0:16:50.120 --> 0:16:53.280
<v Speaker 1>Just tell them just a little bit.

0:16:53.720 --> 0:16:55.280
<v Speaker 2>We don't want to give too much, but.

0:16:55.520 --> 0:17:01.600
<v Speaker 1>Where where are you at in terms of distribution or

0:17:02.160 --> 0:17:04.960
<v Speaker 1>you know, where they can.

0:17:05.000 --> 0:17:07.880
<v Speaker 3>Because I don't know if they can see it not yet.

0:17:07.960 --> 0:17:11.520
<v Speaker 3>So we're so the show is still in rotation. That's

0:17:11.520 --> 0:17:15.520
<v Speaker 3>what's when we're excited about it. Yeah, con but we

0:17:15.560 --> 0:17:19.680
<v Speaker 3>didn't go, But there's always next year with the feature. Yes,

0:17:20.080 --> 0:17:23.520
<v Speaker 3>by the Essence Film Festival, we made it into the finals,

0:17:24.000 --> 0:17:25.600
<v Speaker 3>but we didn't make it to the festival, but there's

0:17:25.600 --> 0:17:30.040
<v Speaker 3>always the feature. So fun with that, we're actually going

0:17:30.080 --> 0:17:33.159
<v Speaker 3>to have an online screening and I have to just

0:17:33.160 --> 0:17:35.600
<v Speaker 3>figure out what to do with that, because it's not

0:17:35.680 --> 0:17:38.600
<v Speaker 3>in my budget to do a screening in you know,

0:17:39.200 --> 0:17:44.159
<v Speaker 3>somewhere as far as the we're post so we're editing,

0:17:44.560 --> 0:17:47.280
<v Speaker 3>you know, and it's not we're definitely going to have

0:17:47.320 --> 0:17:49.960
<v Speaker 3>a screening. I have to think about it what we

0:17:50.040 --> 0:17:52.960
<v Speaker 3>want to do exactly, because you know, doing the festivals

0:17:53.040 --> 0:17:53.800
<v Speaker 3>is really pricey.

0:17:54.760 --> 0:17:57.879
<v Speaker 2>Yeah, but while this is where.

0:17:59.240 --> 0:18:01.600
<v Speaker 1>You know, I mean, we never know who's listening to,

0:18:02.080 --> 0:18:07.359
<v Speaker 1>you know, the program however program Wow, I really just

0:18:07.400 --> 0:18:12.399
<v Speaker 1>told my age just now podcasts, podcasts. But I feel

0:18:12.440 --> 0:18:16.600
<v Speaker 1>like you should think in terms of sponsorship because when

0:18:16.600 --> 0:18:19.359
<v Speaker 1>I tell you, I don't even know how many palms

0:18:19.400 --> 0:18:22.520
<v Speaker 1>she has on the flyer on her poster, but she

0:18:22.600 --> 0:18:25.919
<v Speaker 1>has a lot, like I believe, over ten. And so

0:18:26.520 --> 0:18:30.800
<v Speaker 1>I'm just saying that that right there, Garner's support and

0:18:30.880 --> 0:18:35.479
<v Speaker 1>knowing who you are now, you know, I think that

0:18:36.040 --> 0:18:39.600
<v Speaker 1>in my experience as a casting director, I feel like

0:18:39.720 --> 0:18:42.440
<v Speaker 1>the best part of being a casting director is that

0:18:42.480 --> 0:18:46.200
<v Speaker 1>we start with white pages where we have to believe, right,

0:18:46.520 --> 0:18:50.160
<v Speaker 1>and then we cut to being on the red carpet

0:18:50.240 --> 0:18:53.199
<v Speaker 1>with you, and so we really have to hold that

0:18:53.320 --> 0:18:57.480
<v Speaker 1>vision that this is possible right. So then you get

0:18:57.560 --> 0:19:00.119
<v Speaker 1>to a point in your career where it's like, you

0:19:00.160 --> 0:19:01.919
<v Speaker 1>know what, I want to be empowered. I want to

0:19:01.960 --> 0:19:03.919
<v Speaker 1>do my own thing. I got stories, I can do this,

0:19:04.040 --> 0:19:07.560
<v Speaker 1>I know the acting, I know actors, right, And then

0:19:07.600 --> 0:19:12.399
<v Speaker 1>you do it, and then you first time out, I

0:19:12.520 --> 0:19:17.959
<v Speaker 1>want to say that again, first time out as a writer, director, producer, actress,

0:19:18.040 --> 0:19:22.440
<v Speaker 1>Like first time out right, and she has over ten pounds.

0:19:22.840 --> 0:19:27.040
<v Speaker 1>I believe whatever your religious belief is, but I'm spiritual

0:19:27.080 --> 0:19:29.160
<v Speaker 1>and I know you are too, and I know that

0:19:29.560 --> 0:19:32.600
<v Speaker 1>I believe that God drops these breadcrumbs that are just

0:19:32.800 --> 0:19:36.879
<v Speaker 1>nothing but confirmation, like, don't let me drop any more

0:19:36.880 --> 0:19:37.800
<v Speaker 1>bread comes here.

0:19:38.119 --> 0:19:40.399
<v Speaker 2>No got to say it, but I'm just saying, like

0:19:41.160 --> 0:19:41.600
<v Speaker 2>he does.

0:19:41.640 --> 0:19:42.159
<v Speaker 3>He's gangster.

0:19:42.320 --> 0:19:46.159
<v Speaker 1>The feature, it's not supposed to happen with the short

0:19:46.280 --> 0:19:50.000
<v Speaker 1>in terms of the bigger picture. The feature is the

0:19:50.040 --> 0:19:52.920
<v Speaker 1>confirmation for studios to say.

0:19:53.600 --> 0:19:54.960
<v Speaker 2>Yep, she got this.

0:19:55.320 --> 0:19:57.760
<v Speaker 1>How much you need for your production company, will put

0:19:57.800 --> 0:20:00.679
<v Speaker 1>you up on the lot, will give you a you know,

0:20:00.800 --> 0:20:07.880
<v Speaker 1>will pay for all of your overhead, create, build.

0:20:07.800 --> 0:20:09.080
<v Speaker 2>And let us see it first.

0:20:10.520 --> 0:20:10.800
<v Speaker 3>You know.

0:20:11.280 --> 0:20:15.639
<v Speaker 2>But that is that's what the journey is, you know,

0:20:16.040 --> 0:20:17.200
<v Speaker 2>Because it's not.

0:20:19.080 --> 0:20:21.840
<v Speaker 1>One of my favorite actresses, and I hope she's listening

0:20:22.800 --> 0:20:27.200
<v Speaker 1>to this, but she put on IG this morning that

0:20:27.280 --> 0:20:34.159
<v Speaker 1>she almost felt like giving up in act one of

0:20:34.200 --> 0:20:37.960
<v Speaker 1>my favorite actresses. And I hit her back and said,

0:20:38.080 --> 0:20:40.600
<v Speaker 1>why would we even think a given it? Like, why

0:20:40.800 --> 0:20:44.479
<v Speaker 1>is that even in the equation when I know, but

0:20:44.560 --> 0:20:46.960
<v Speaker 1>you know what it is. It's a noise, you know that.

0:20:48.000 --> 0:20:51.320
<v Speaker 1>And this business when you don't have the value and

0:20:51.359 --> 0:20:54.600
<v Speaker 1>I can speak from experience with Inside the Black Box,

0:20:54.960 --> 0:20:58.160
<v Speaker 1>when you do not have that value of you've done

0:20:58.160 --> 0:21:03.800
<v Speaker 1>television before, you show before, if you are not a

0:21:03.920 --> 0:21:09.080
<v Speaker 1>strong person, it will make you question yourself because everything

0:21:09.160 --> 0:21:10.560
<v Speaker 1>you do is measured.

0:21:11.359 --> 0:21:17.560
<v Speaker 2>Mh, I'm gonna get such a set, Lonet. You can

0:21:17.640 --> 0:21:20.240
<v Speaker 2>get such a set. Yes, yes, I can get such

0:21:20.240 --> 0:21:24.760
<v Speaker 2>as as my friend Silky move Net exactly.

0:21:25.560 --> 0:21:25.879
<v Speaker 4>M hm.

0:21:26.640 --> 0:21:28.000
<v Speaker 2>Right, has that been your experience?

0:21:28.240 --> 0:21:32.080
<v Speaker 3>Yeah, well sure people want to when you're working on things.

0:21:32.119 --> 0:21:34.480
<v Speaker 3>I was working on another project, as I know, you know,

0:21:35.720 --> 0:21:39.720
<v Speaker 3>I was co authoring a piece and no Duke was

0:21:40.080 --> 0:21:42.720
<v Speaker 3>looking at it and you know hasn't thrown it away,

0:21:43.320 --> 0:21:47.360
<v Speaker 3>but excitement that he liked what I presented to him.

0:21:47.440 --> 0:21:50.560
<v Speaker 3>It was a script leaving out all the details, but

0:21:51.400 --> 0:21:53.240
<v Speaker 3>one of the biggest things that he says is you

0:21:53.280 --> 0:21:55.040
<v Speaker 3>have to figure out how you're going to get eyes

0:21:55.160 --> 0:21:59.840
<v Speaker 3>on your project, you know. And so it wasn't that

0:22:00.280 --> 0:22:03.560
<v Speaker 3>sis PTSD. I'm not as concerned, believe it or not,

0:22:04.000 --> 0:22:08.439
<v Speaker 3>because it's such and peace. It's it's such an important work.

0:22:09.080 --> 0:22:12.720
<v Speaker 3>The performances are really good. I'm very pleased. I think

0:22:12.760 --> 0:22:16.280
<v Speaker 3>you'll be smiling. I think, you know, folks will be smiling.

0:22:16.640 --> 0:22:20.760
<v Speaker 3>You will be steah, you know folks, Yes, but we'll

0:22:20.800 --> 0:22:25.280
<v Speaker 3>all be happy. Yeah, guys, we're proud. You know. They

0:22:25.280 --> 0:22:28.760
<v Speaker 3>were really nice work. The fun for me too this

0:22:28.880 --> 0:22:32.160
<v Speaker 3>time around is we had more bilingual people, so there's

0:22:32.200 --> 0:22:35.400
<v Speaker 3>a lot of other energies going on on set as well.

0:22:36.160 --> 0:22:36.359
<v Speaker 3>You know.

0:22:36.520 --> 0:22:40.080
<v Speaker 1>Oh that's great, And I mean that's the it's no

0:22:40.160 --> 0:22:44.800
<v Speaker 1>longer USA, it's the global appeal. So this now has

0:22:45.000 --> 0:22:49.800
<v Speaker 1>because I told you once you get I'm a part

0:22:49.920 --> 0:22:56.199
<v Speaker 1>of Duff and that is a film festival. It's an

0:22:56.280 --> 0:22:59.720
<v Speaker 1>urban film festival in Amsterdam that I'm going to just

0:23:00.119 --> 0:23:01.880
<v Speaker 1>ver six of the night that I'm so excited.

0:23:01.920 --> 0:23:06.320
<v Speaker 2>But I can get that into the pestle.

0:23:07.240 --> 0:23:08.960
<v Speaker 3>Okay, Well, it's all about you, you know.

0:23:09.160 --> 0:23:12.320
<v Speaker 1>I mean, that's something that you know over our lunch

0:23:12.359 --> 0:23:15.000
<v Speaker 1>we can talk about and I can get that started

0:23:15.040 --> 0:23:19.840
<v Speaker 1>for you. But I think it's important, Monet that you

0:23:20.000 --> 0:23:23.359
<v Speaker 1>know this set as an act when you were coming

0:23:23.440 --> 0:23:27.360
<v Speaker 1>up as an actress, you could just be an actress.

0:23:27.760 --> 0:23:29.199
<v Speaker 2>And be happy and satisfied.

0:23:29.200 --> 0:23:31.919
<v Speaker 1>And I'm not saying people are not happy and satisfied

0:23:32.040 --> 0:23:34.400
<v Speaker 1>just being an actor or an actress. I'm saying that

0:23:34.880 --> 0:23:37.919
<v Speaker 1>in this day and age, because of digital and the

0:23:37.920 --> 0:23:41.520
<v Speaker 1>way life is, everyone is multi hyphenated.

0:23:42.000 --> 0:23:42.800
<v Speaker 2>You include it.

0:23:43.160 --> 0:23:48.000
<v Speaker 1>And so now I feel like that is so inspiring

0:23:48.160 --> 0:23:50.399
<v Speaker 1>to actors who are like, I want to write a

0:23:50.480 --> 0:23:52.600
<v Speaker 1>short film, but you know, I don't know what to

0:23:52.640 --> 0:23:55.679
<v Speaker 1>do with it or doesn't mean anything or should you know,

0:23:55.840 --> 0:23:57.520
<v Speaker 1>like give them advice on that.

0:23:58.080 --> 0:24:00.000
<v Speaker 3>Listen, the first thing I say, I was even talking

0:24:00.080 --> 0:24:02.119
<v Speaker 3>to a couple of folks. You have great guests, by

0:24:02.160 --> 0:24:06.560
<v Speaker 3>the way, but you're welcome, y'all.

0:24:10.200 --> 0:24:10.920
<v Speaker 2>You can't.

0:24:12.920 --> 0:24:16.920
<v Speaker 3>Thank you. But the short film, a real short film

0:24:17.000 --> 0:24:20.560
<v Speaker 3>is like short. It's like five minutes, ten minutes, three minutes.

0:24:20.800 --> 0:24:22.920
<v Speaker 3>And I'm like, come on, you can do a beginning, middle,

0:24:22.960 --> 0:24:25.959
<v Speaker 3>and end. To sit down, you have something to say,

0:24:26.240 --> 0:24:28.600
<v Speaker 3>you want a flex, you want to work that muscle.

0:24:29.000 --> 0:24:31.199
<v Speaker 3>To sit down, do three pages, five pages, Oh, go

0:24:31.280 --> 0:24:33.719
<v Speaker 3>for it, do ten whole pages. You know you have

0:24:33.760 --> 0:24:36.199
<v Speaker 3>a short let's go break it up. Think about the

0:24:36.200 --> 0:24:39.960
<v Speaker 3>seven second theory. Let's go move it, you know, get

0:24:40.000 --> 0:24:41.600
<v Speaker 3>your wide, get your status.

0:24:42.000 --> 0:24:43.480
<v Speaker 2>What the seven second theory is.

0:24:44.280 --> 0:24:48.080
<v Speaker 3>People's attentions man's are really short, especially mine, but a

0:24:48.080 --> 0:24:50.679
<v Speaker 3>lot of folks, you know, And so when you're we

0:24:50.720 --> 0:24:55.280
<v Speaker 3>don't stagger shots, so literally, you might do an establishing

0:24:55.320 --> 0:24:57.120
<v Speaker 3>one two, three, four, five six seven. Then you might

0:24:57.160 --> 0:24:58.760
<v Speaker 3>cut to a close up one too, three foot five

0:24:58.800 --> 0:25:00.800
<v Speaker 3>six seven, then back to the establ wishing for seven

0:25:01.240 --> 0:25:04.399
<v Speaker 3>a seven second count, right, and then back to you're

0:25:04.480 --> 0:25:08.960
<v Speaker 3>moving around because people's minds need to be triggered. They

0:25:09.000 --> 0:25:11.000
<v Speaker 3>need to be triggered. You need to know what's going on,

0:25:11.359 --> 0:25:14.520
<v Speaker 3>you know. And if it's just a long shot, which

0:25:14.680 --> 0:25:16.760
<v Speaker 3>you know, sometimes end up with a long shot and

0:25:16.760 --> 0:25:19.760
<v Speaker 3>you're like, oh damn, you know, but you can try

0:25:19.840 --> 0:25:23.440
<v Speaker 3>not to do that, you know, right, you shouldn't, And

0:25:23.480 --> 0:25:26.720
<v Speaker 3>that's a movie shots are so important. You know a

0:25:26.760 --> 0:25:29.480
<v Speaker 3>lot of people do music videos too. There's a time

0:25:29.880 --> 0:25:32.560
<v Speaker 3>you want to shoot music videos and I'm like, so

0:25:32.680 --> 0:25:35.679
<v Speaker 3>do it. Shoot the freaking video. Shoot it as a storyline.

0:25:35.720 --> 0:25:39.320
<v Speaker 3>I did it. I shot for Criminal Minds. There was

0:25:39.359 --> 0:25:43.680
<v Speaker 3>a placement in Criminal Minds. The song is called hold

0:25:43.720 --> 0:25:47.480
<v Speaker 3>Me Sweetly, and that is yeah, I know.

0:25:49.040 --> 0:25:52.800
<v Speaker 1>That's the musician side side. You guys, we have to

0:25:52.800 --> 0:25:54.480
<v Speaker 1>talk about that. She's the floutest.

0:25:55.119 --> 0:25:57.560
<v Speaker 3>Yeah, and I sing I sing I did just do

0:25:57.600 --> 0:25:58.480
<v Speaker 3>a musical, which.

0:25:58.359 --> 0:25:59.400
<v Speaker 1>Yeah, yeah, yeah yeah.

0:26:00.359 --> 0:26:05.280
<v Speaker 3>Back to the film, diagnosis ptsd V two is is super.

0:26:06.240 --> 0:26:08.439
<v Speaker 3>I don't know, it just was. It was just a

0:26:08.480 --> 0:26:14.160
<v Speaker 3>gorgeous journey just watching the people that I cast bring

0:26:14.200 --> 0:26:17.120
<v Speaker 3>their all and then some and then to watch these

0:26:17.160 --> 0:26:23.320
<v Speaker 3>people body the characters like really bring them three dimensionally

0:26:23.440 --> 0:26:26.840
<v Speaker 3>front and center. You know. I had one knucklehead. Yeah,

0:26:26.880 --> 0:26:31.239
<v Speaker 3>I'm talking about everybody. And now I can't get this

0:26:31.359 --> 0:26:37.040
<v Speaker 3>MF for to stop crying. I mean, I'm like, I'm like,

0:26:37.760 --> 0:26:40.760
<v Speaker 3>if you don't stop crying, I'm gonna knock you on

0:26:40.800 --> 0:26:44.119
<v Speaker 3>your knee and that would be painful. But you have

0:26:44.200 --> 0:26:50.240
<v Speaker 3>people like really open up. We had just like I mean,

0:26:51.200 --> 0:26:53.480
<v Speaker 3>everybody thinks that they're so stoic, and I'm like, you

0:26:53.600 --> 0:26:57.959
<v Speaker 3>wayne stoic, I mean just opened up. The floodgates just open.

0:26:58.600 --> 0:27:02.600
<v Speaker 3>And while we were filming, I'm busy talking about cut

0:27:03.600 --> 0:27:10.200
<v Speaker 3>right going. It was beautiful. It was really beautiful. Yeah.

0:27:11.160 --> 0:27:13.520
<v Speaker 1>I mean, and you set the tone too, you know

0:27:13.560 --> 0:27:15.760
<v Speaker 1>what I mean, Like you set the tone for the work.

0:27:15.960 --> 0:27:20.879
<v Speaker 2>And I just remember.

0:27:22.119 --> 0:27:27.119
<v Speaker 1>In you come into the first class and I just

0:27:27.240 --> 0:27:38.320
<v Speaker 1>felt like, Yeah, however, I just felt like, hmm, there's

0:27:38.359 --> 0:27:40.679
<v Speaker 1>so much more in you, you know. I mean, I

0:27:40.720 --> 0:27:43.720
<v Speaker 1>know the musical side, which is brilliant. You guys, you

0:27:43.880 --> 0:27:51.200
<v Speaker 1>got her music unbelievable, Thank you. But stories because even

0:27:51.240 --> 0:27:53.480
<v Speaker 1>when I first met you, the kids that you work with,

0:27:53.800 --> 0:27:57.120
<v Speaker 1>you would tell me stories. I mean, and nothing detailed

0:27:57.119 --> 0:28:00.199
<v Speaker 1>you guys, because she is confidential. But I'm just saying, like,

0:28:00.800 --> 0:28:05.800
<v Speaker 1>you know, there's therapists in you. You know, there's so

0:28:06.160 --> 0:28:10.280
<v Speaker 1>therapist in you. And for me, it was human behavior,

0:28:10.560 --> 0:28:10.840
<v Speaker 1>you know.

0:28:11.720 --> 0:28:12.760
<v Speaker 3>It is, It's a lot of it.

0:28:12.840 --> 0:28:13.000
<v Speaker 2>You know.

0:28:13.040 --> 0:28:16.119
<v Speaker 3>One of the kids that I was fortunate enough to

0:28:16.200 --> 0:28:21.119
<v Speaker 3>work with, unfortunately was executed in the street. There is

0:28:21.160 --> 0:28:25.120
<v Speaker 3>a center named after him. It's the Ali Fournee Institute

0:28:25.160 --> 0:28:31.040
<v Speaker 3>for LGBTQ Youth. I remember just being with him and

0:28:31.119 --> 0:28:32.960
<v Speaker 3>him just being stuck to me like glue. It was

0:28:33.040 --> 0:28:35.480
<v Speaker 3>just it was a real trip. But I felt like

0:28:36.000 --> 0:28:38.240
<v Speaker 3>I felt kind of special because he felt that I

0:28:38.360 --> 0:28:40.520
<v Speaker 3>was the person that he should be talking to NonStop.

0:28:40.880 --> 0:28:44.560
<v Speaker 3>I used to be PSCHE coordinator for the Atlantic Transitional

0:28:44.680 --> 0:28:47.880
<v Speaker 3>Center for guys twelve to twelve.

0:28:49.080 --> 0:28:51.480
<v Speaker 2>Oh wow wow yeah yeah.

0:28:51.520 --> 0:28:53.880
<v Speaker 3>It was deep. It was it was It was a

0:28:53.880 --> 0:28:58.360
<v Speaker 3>beautiful experience. I loved them. It was crazy watching how

0:28:58.360 --> 0:29:00.920
<v Speaker 3>they chose to survive or needed to survive. I was

0:29:00.960 --> 0:29:03.640
<v Speaker 3>happy I wasn't with the girls because the girls were

0:29:03.640 --> 0:29:05.240
<v Speaker 3>doing what the boys were doing, and some of the

0:29:05.400 --> 0:29:07.600
<v Speaker 3>guys were boosting, you know, they'd go hit forty second

0:29:07.640 --> 0:29:10.880
<v Speaker 3>Street to make some money and then there and I

0:29:11.000 --> 0:29:14.000
<v Speaker 3>was teaching, So sit there in class like knocked down,

0:29:14.040 --> 0:29:15.880
<v Speaker 3>and I was like, what were you doing? It's like, oh,

0:29:15.920 --> 0:29:19.680
<v Speaker 3>I was working last night. I was like, wow, you know,

0:29:19.800 --> 0:29:22.400
<v Speaker 3>and this is what our city was doing at that time,

0:29:23.160 --> 0:29:29.440
<v Speaker 3>very very time. You know, people good people. We're trying. Yeah,

0:29:30.520 --> 0:29:32.480
<v Speaker 3>directors were trying. You know, people were trying.

0:29:33.120 --> 0:29:34.840
<v Speaker 2>Yeah.

0:29:35.960 --> 0:29:38.959
<v Speaker 1>I want to I just feel like Andy's about to

0:29:39.280 --> 0:29:42.800
<v Speaker 1>tell me I have five minutes, but he hasn't. So

0:29:43.640 --> 0:29:46.600
<v Speaker 1>I want to ask you what is the what's the

0:29:46.640 --> 0:29:48.560
<v Speaker 1>takeaway that you want for this audience?

0:29:48.680 --> 0:29:51.640
<v Speaker 2>Because I was having.

0:29:51.480 --> 0:29:54.240
<v Speaker 1>A conversation with somebody, you know, one of my other

0:29:54.560 --> 0:29:58.120
<v Speaker 1>like I have relationships in this business. So you know, Ayana,

0:29:58.560 --> 0:30:01.720
<v Speaker 1>my assistant, and I first started out.

0:30:02.720 --> 0:30:06.200
<v Speaker 2>She's a grown woman now. But I was talking to Ayana.

0:30:05.920 --> 0:30:08.200
<v Speaker 1>The other day and she made this really great point.

0:30:08.320 --> 0:30:12.640
<v Speaker 1>She was saying, how much people of color are traumatized

0:30:12.760 --> 0:30:18.560
<v Speaker 1>right and in this trauma but like generations, and then

0:30:18.760 --> 0:30:21.600
<v Speaker 1>on top of that, it's not like in the sixties

0:30:22.280 --> 0:30:27.960
<v Speaker 1>that black people going to therapy was acceptable, known whatever.

0:30:28.680 --> 0:30:32.120
<v Speaker 1>So the trauma on top of the trauma, on top

0:30:32.120 --> 0:30:34.640
<v Speaker 1>of the trauma on top that we have and have

0:30:34.720 --> 0:30:37.800
<v Speaker 1>to deal with everyday life.

0:30:38.160 --> 0:30:42.600
<v Speaker 3>Like, yeah, people don't really realize how much folks hold

0:30:42.680 --> 0:30:46.280
<v Speaker 3>things in and you know, people of color. I am

0:30:46.400 --> 0:30:48.880
<v Speaker 3>a mixed raced person, but I don't get into all

0:30:48.880 --> 0:30:52.720
<v Speaker 3>of that. But specifically, when you look at folks, you

0:30:52.800 --> 0:30:55.760
<v Speaker 3>think about black people, you think about Latino people. Some

0:30:55.800 --> 0:31:01.080
<v Speaker 3>people may say people in those ways all courage privacy,

0:31:01.560 --> 0:31:04.680
<v Speaker 3>They encourage you know, shit, don't don't tell, don't tell,

0:31:05.000 --> 0:31:09.120
<v Speaker 3>and they encourage particularly the guys don't don't, don't, don't

0:31:09.120 --> 0:31:11.960
<v Speaker 3>be emotional, you know, don't do that. You know, you

0:31:12.040 --> 0:31:14.320
<v Speaker 3>got to be tough. You can get home and do whatever,

0:31:14.560 --> 0:31:16.120
<v Speaker 3>but when you're out in the street, you know you

0:31:16.160 --> 0:31:18.160
<v Speaker 3>have to take it. You know, somebody's gonna cut your

0:31:18.200 --> 0:31:22.120
<v Speaker 3>finger off. Oh well, just stand there, you know, be tough. Also, yes,

0:31:22.320 --> 0:31:27.840
<v Speaker 3>concerning generational trauma, one of the things that happened is uh,

0:31:28.640 --> 0:31:30.520
<v Speaker 3>I'm not gonna get into details, but my daughter had

0:31:30.560 --> 0:31:35.160
<v Speaker 3>a situation where she uh had had to deal with

0:31:35.160 --> 0:31:37.600
<v Speaker 3>a great deal of pain. And one of the things

0:31:37.600 --> 0:31:41.320
<v Speaker 3>that pissed me off is the fact that the physician

0:31:42.960 --> 0:31:48.160
<v Speaker 3>doesn't seem to think that she should experience the pain

0:31:48.200 --> 0:31:50.880
<v Speaker 3>that she's experiencing. And that's where I get pissed off

0:31:50.880 --> 0:31:53.640
<v Speaker 3>because I'm like, no, people of color are not animals.

0:31:53.840 --> 0:31:56.120
<v Speaker 3>Animals are not even the animals that you think they are.

0:31:56.360 --> 0:32:00.680
<v Speaker 3>They feel pain. You can't sit there and tell somebody

0:32:00.680 --> 0:32:01.440
<v Speaker 3>they're not in pain.

0:32:02.200 --> 0:32:02.440
<v Speaker 1>Wow.

0:32:02.960 --> 0:32:05.360
<v Speaker 3>And I can't get into because we're doing a podcast,

0:32:05.400 --> 0:32:08.720
<v Speaker 3>I'm not doing it. But it's so very important for

0:32:08.800 --> 0:32:12.440
<v Speaker 3>folks to have opportunities where they can like connect and

0:32:12.480 --> 0:32:18.280
<v Speaker 3>they can feel like me too. I'm not wheny phrase,

0:32:18.400 --> 0:32:21.160
<v Speaker 3>but it's very important to see yourself. You know, you

0:32:21.240 --> 0:32:23.640
<v Speaker 3>have to see you have to hear yourself. Which is

0:32:23.640 --> 0:32:25.880
<v Speaker 3>why I'm exciting about the languages. You know, if I

0:32:25.880 --> 0:32:27.960
<v Speaker 3>could have had somebody speaking in African tongue. I would

0:32:27.960 --> 0:32:30.400
<v Speaker 3>have had that too, you know, but we don't have it.

0:32:30.440 --> 0:32:32.880
<v Speaker 3>We have as much as whatever I had access to,

0:32:33.800 --> 0:32:37.120
<v Speaker 3>you know, and everyone was so good and so present,

0:32:37.680 --> 0:32:40.360
<v Speaker 3>you know. I would say ninety nine percent of the time.

0:32:40.360 --> 0:32:42.040
<v Speaker 3>There's that one percent where people are like, hey, what

0:32:42.120 --> 0:32:45.040
<v Speaker 3>am I doing? You know? But what folks.

0:32:45.240 --> 0:32:49.200
<v Speaker 1>Yeah, you know, and listen, when you have no money

0:32:49.240 --> 0:32:52.440
<v Speaker 1>and you have you know, no studio, I mean to

0:32:52.560 --> 0:32:53.480
<v Speaker 1>pull that off.

0:32:53.800 --> 0:32:56.600
<v Speaker 2>I'd say, bravo, my sister standing.

0:32:56.280 --> 0:33:03.000
<v Speaker 1>Ovation Seriously, I are are The interview part just as

0:33:03.040 --> 0:33:05.680
<v Speaker 1>I said, is come to a close.

0:33:06.680 --> 0:33:07.720
<v Speaker 2>However, you guys.

0:33:07.640 --> 0:33:09.320
<v Speaker 1>Know, we're going to have her back on, you know,

0:33:09.480 --> 0:33:13.240
<v Speaker 1>for we've got to talk to her again for part two.

0:33:14.280 --> 0:33:16.440
<v Speaker 1>So Elsa's going to come on and she's going to

0:33:16.480 --> 0:33:18.920
<v Speaker 1>introduce you to the two actors that are going to

0:33:19.000 --> 0:33:20.280
<v Speaker 1>ask you questions.

0:33:20.600 --> 0:33:25.479
<v Speaker 5>Hey, Elsa, Hello, Hello, thank you so much for that money.

0:33:25.560 --> 0:33:29.840
<v Speaker 5>It was awesome looking forward to seeing your film. So

0:33:29.960 --> 0:33:32.880
<v Speaker 5>today we have pacts that I think you might be

0:33:32.920 --> 0:33:37.040
<v Speaker 5>familiar with. We have two of your fellow spirited actors

0:33:37.080 --> 0:33:39.480
<v Speaker 5>as well as actors that you've used in some of

0:33:39.520 --> 0:33:40.400
<v Speaker 5>your projects.

0:33:40.840 --> 0:33:41.800
<v Speaker 2>We have missed.

0:33:41.680 --> 0:33:48.240
<v Speaker 5>Shamika Nelson and we have mister my newness, you can

0:33:48.240 --> 0:33:49.280
<v Speaker 5>come on cameras one.

0:33:50.880 --> 0:33:53.040
<v Speaker 3>No, oh, my goodness.

0:33:53.440 --> 0:33:54.760
<v Speaker 2>So Shamika, what's your question?

0:33:54.800 --> 0:33:55.479
<v Speaker 3>You're up first.

0:33:56.400 --> 0:33:59.280
<v Speaker 4>Yes, So you have mentioned earlier that you had several

0:33:59.320 --> 0:34:02.160
<v Speaker 4>stories need to be told, and I wanted.

0:34:01.960 --> 0:34:05.240
<v Speaker 2>To know what is your overall vision for a diagnosed PTSD.

0:34:05.920 --> 0:34:07.880
<v Speaker 3>I mean, would you like it to be like a short.

0:34:07.640 --> 0:34:10.439
<v Speaker 2>Series or something along those lines.

0:34:10.440 --> 0:34:16.279
<v Speaker 3>What is your overall vision? Good question. So diagnosis PTSD

0:34:16.880 --> 0:34:24.520
<v Speaker 3>one and Diagnosis PTSDV two. My ultimate love and joy

0:34:24.520 --> 0:34:27.239
<v Speaker 3>would be for it to be a series, at least

0:34:27.280 --> 0:34:29.640
<v Speaker 3>a mini series. There are way more stories to be told,

0:34:29.880 --> 0:34:32.560
<v Speaker 3>There are way more scenarios to be presented. There are

0:34:32.600 --> 0:34:36.000
<v Speaker 3>way more situations where we can show vulnerability, where we

0:34:36.040 --> 0:34:37.880
<v Speaker 3>can show that someone may appear to be We have

0:34:37.880 --> 0:34:40.120
<v Speaker 3>a beautiful we have a couple of beautiful fellas up

0:34:40.120 --> 0:34:43.200
<v Speaker 3>in here, and you see them open up. You see

0:34:43.520 --> 0:34:47.560
<v Speaker 3>one guy, as you know, he becomes totally like bananas.

0:34:47.600 --> 0:34:50.719
<v Speaker 3>He goes from like mister you know, Superman, so like

0:34:50.760 --> 0:34:53.400
<v Speaker 3>he's toast and he just loses it, you know. And

0:34:53.480 --> 0:34:55.720
<v Speaker 3>I think it's important for folks to have a chance

0:34:55.760 --> 0:34:58.759
<v Speaker 3>to connect. I think people need to see themselves. They

0:34:58.800 --> 0:35:02.120
<v Speaker 3>need to hear themselves. You know. I'm very excited. So

0:35:02.160 --> 0:35:07.959
<v Speaker 3>the hope is perfect, perfect world, a series, not bad

0:35:08.000 --> 0:35:11.719
<v Speaker 3>world to see us a distribution that'd be a nice

0:35:11.760 --> 0:35:15.480
<v Speaker 3>world for us, you know. Most importantly, I want people

0:35:15.600 --> 0:35:19.359
<v Speaker 3>to be seen. I want stories to be heard, and

0:35:19.440 --> 0:35:22.160
<v Speaker 3>I really really want people to feel. And I don't

0:35:22.160 --> 0:35:26.279
<v Speaker 3>think you're going to walk away from this film not

0:35:27.040 --> 0:35:31.839
<v Speaker 3>feeling something. There's literally something for everyone to connect on

0:35:32.360 --> 0:35:36.720
<v Speaker 3>and I would say almost every level, unbelievable.

0:35:36.960 --> 0:35:39.799
<v Speaker 2>That's excellent, great question.

0:35:41.280 --> 0:35:44.919
<v Speaker 5>Thank you, and Swan, what's your question?

0:35:46.280 --> 0:35:47.240
<v Speaker 3>I thank you?

0:35:47.280 --> 0:35:53.319
<v Speaker 6>So my question is what drew you to write a

0:35:53.400 --> 0:35:57.320
<v Speaker 6>film about PTSD? So many problems that we have in society,

0:35:57.719 --> 0:35:59.040
<v Speaker 6>But why PTSD?

0:36:01.000 --> 0:36:05.279
<v Speaker 3>That's a good question too. So the problems in society

0:36:05.840 --> 0:36:11.640
<v Speaker 3>unfortunately leave many, many, many many people traumatized. So I

0:36:11.680 --> 0:36:15.239
<v Speaker 3>can't think of a better way to address a lot

0:36:15.280 --> 0:36:18.960
<v Speaker 3>of the problems. You know, we have things, We have abuses,

0:36:18.960 --> 0:36:22.840
<v Speaker 3>we have molestations, we have things I didn't get to

0:36:22.880 --> 0:36:26.600
<v Speaker 3>talk about because I have money and time and I

0:36:26.600 --> 0:36:30.239
<v Speaker 3>couldn't pull you guys in anymore than I did. You know,

0:36:31.040 --> 0:36:34.360
<v Speaker 3>but there's so many stories to show, and folks always

0:36:34.400 --> 0:36:37.200
<v Speaker 3>think about PTSD as a war story, and it's not

0:36:37.360 --> 0:36:40.080
<v Speaker 3>a war story only certainly yes, watching people get blown

0:36:40.120 --> 0:36:42.480
<v Speaker 3>up and affected and things, of course, you know, so

0:36:42.520 --> 0:36:44.360
<v Speaker 3>of course we're going to play that. But then we

0:36:44.440 --> 0:36:47.040
<v Speaker 3>let it go right and we do other things. There's

0:36:47.120 --> 0:36:50.279
<v Speaker 3>long standing traumas, you know, watching yourself not get a

0:36:50.360 --> 0:36:53.120
<v Speaker 3>job because someone comes in that's not melanated so on.

0:36:53.400 --> 0:36:55.160
<v Speaker 3>That could be a bit traumatic for you. You're sitting

0:36:55.200 --> 0:36:58.080
<v Speaker 3>there knowing you're fully qualified, union and everything, and here

0:36:58.120 --> 0:37:01.239
<v Speaker 3>comes mister blondilocks. No offense, My blondie lots is love

0:37:01.280 --> 0:37:03.920
<v Speaker 3>all of y'all. I got some of my familia. But anyhow,

0:37:04.640 --> 0:37:07.560
<v Speaker 3>and just because of that, they probably didn't even they're

0:37:07.600 --> 0:37:09.399
<v Speaker 3>not even union or they just got in the union

0:37:09.480 --> 0:37:13.200
<v Speaker 3>like last week, and their skill is way smaller than yours.

0:37:13.440 --> 0:37:15.920
<v Speaker 3>You know, same thing. I look at Shamika, I'm like,

0:37:15.920 --> 0:37:18.799
<v Speaker 3>there's so many people they walk in there and they're

0:37:18.800 --> 0:37:21.040
<v Speaker 3>going to get the job over her. Why she's mean it?

0:37:21.160 --> 0:37:24.279
<v Speaker 3>Why she got braids in her hair today? Oh really? Yeah,

0:37:24.360 --> 0:37:26.480
<v Speaker 3>no we don't want that. No no, no, no, no,

0:37:26.480 --> 0:37:30.279
<v Speaker 3>you would have been out hair. Where's your wig? You know,

0:37:30.520 --> 0:37:32.360
<v Speaker 3>stuff like that. We need people.

0:37:32.480 --> 0:37:37.239
<v Speaker 1>Tumas sighs right right, And I want to say I

0:37:37.280 --> 0:37:40.799
<v Speaker 1>was one of those people, like because I thought it

0:37:41.080 --> 0:37:44.840
<v Speaker 1>was based on the connection with war, right, and you know,

0:37:44.880 --> 0:37:47.799
<v Speaker 1>we talk about it with soldiers and veterans, but like

0:37:48.480 --> 0:37:49.960
<v Speaker 1>you know, in knowing, you know.

0:37:54.080 --> 0:37:55.080
<v Speaker 3>Your own stories.

0:37:56.840 --> 0:38:02.759
<v Speaker 1>Yeah, all of this stuff stays where it is. Thank

0:38:02.800 --> 0:38:05.839
<v Speaker 1>God we're in a different world right now and society,

0:38:05.960 --> 0:38:09.000
<v Speaker 1>but it just feels like it's for me growing up.

0:38:09.040 --> 0:38:12.080
<v Speaker 1>It just stayed right there. But I thank you for

0:38:12.280 --> 0:38:17.160
<v Speaker 1>allowing people to be introduced to it, to be reintroduced

0:38:17.200 --> 0:38:21.880
<v Speaker 1>to it, to understand that, you know, there are ways

0:38:22.000 --> 0:38:24.440
<v Speaker 1>in coping with it and being able to function and

0:38:24.560 --> 0:38:28.400
<v Speaker 1>have a normal as normal life as you can, you know,

0:38:28.600 --> 0:38:33.120
<v Speaker 1>or just to be happy, find happiness and peace, you know.

0:38:34.040 --> 0:38:39.760
<v Speaker 1>So wow, thank you, Elsa, Thank you Shamikha and Swan.

0:38:40.000 --> 0:38:41.560
<v Speaker 2>But they are going anywhere.

0:38:41.960 --> 0:38:48.640
<v Speaker 1>They're not going anywhere. Money, They're in class and session. Yes, yeah, yeah,

0:38:48.800 --> 0:38:51.680
<v Speaker 1>money's not going anywhere either, you guys. So when we

0:38:51.760 --> 0:38:54.719
<v Speaker 1>come back on the Spirit Actor podcast with me Chasing Moore,

0:38:54.800 --> 0:38:58.080
<v Speaker 1>I'm feeling very hippie today and you'll see a gim love.

0:38:58.600 --> 0:39:02.319
<v Speaker 1>But I just want to say Monnet done him. We'll

0:39:02.360 --> 0:39:05.160
<v Speaker 1>be back with us. You guys, don't touch anything. We'll

0:39:05.200 --> 0:39:08.000
<v Speaker 1>be right back on the Spirited act Podcast with me

0:39:08.280 --> 0:39:13.960
<v Speaker 1>Tracy Moore. Welcome back to the Spirited Actor Podcast with

0:39:14.040 --> 0:39:16.879
<v Speaker 1>me Tracy Moore, and you are still blessed to have

0:39:17.800 --> 0:39:19.520
<v Speaker 1>multi multi hyphenated.

0:39:19.840 --> 0:39:22.560
<v Speaker 2>Let's start with singer loudest, let's.

0:39:22.360 --> 0:39:27.120
<v Speaker 1>Start with writer, director, producer, actress, and just all over

0:39:27.200 --> 0:39:31.120
<v Speaker 1>spiritual being. Monet Donham is still here with us and

0:39:31.320 --> 0:39:36.359
<v Speaker 1>elsa co co executive producer with the spirit Actor Podcast,

0:39:36.600 --> 0:39:40.680
<v Speaker 1>has our actors lined up the Class and Session.

0:39:41.040 --> 0:39:41.480
<v Speaker 3>Here we go.

0:39:42.520 --> 0:39:46.160
<v Speaker 5>I do, I do, Thank you Tracy. So this week

0:39:46.400 --> 0:39:51.120
<v Speaker 5>on Class and Session, we have a special scene from

0:39:51.760 --> 0:39:57.640
<v Speaker 5>Miss Monette's film Diagnosis PTSD, and we.

0:39:57.760 --> 0:39:59.440
<v Speaker 2>Have that mister.

0:40:01.040 --> 0:40:04.120
<v Speaker 5>Swan new Ness, I can't talk today. We have back

0:40:04.160 --> 0:40:07.400
<v Speaker 5>today mister Swan Newness and Miss Shamika Nelson who will

0:40:07.440 --> 0:40:13.399
<v Speaker 5>be performing the scene for us Diagnosis PTSD written by

0:40:13.560 --> 0:40:20.040
<v Speaker 5>Monette Dunnaugh. Exterior by the ocean at the pier, Marco

0:40:20.080 --> 0:40:22.640
<v Speaker 5>and his wife sit by the water in the car.

0:40:23.120 --> 0:40:25.719
<v Speaker 5>Marco has a bottle of pills all dumped out in

0:40:25.719 --> 0:40:28.160
<v Speaker 5>front of him. His wife sits by his side.

0:40:33.960 --> 0:40:36.120
<v Speaker 3>It's just it's so.

0:40:37.760 --> 0:40:44.080
<v Speaker 2>Destiny, Okay, it's okay.

0:40:44.239 --> 0:40:44.680
<v Speaker 3>I'm here.

0:40:46.400 --> 0:40:48.520
<v Speaker 2>I know you went through a lie. I know it

0:40:48.560 --> 0:40:48.960
<v Speaker 2>was a lot.

0:40:50.680 --> 0:40:56.040
<v Speaker 4>Babe, baby, please please help me.

0:40:58.000 --> 0:40:59.640
<v Speaker 2>Baby, I don't want to leave you. It is just

0:41:00.840 --> 0:41:03.000
<v Speaker 2>I know, I know you're not running from me.

0:41:04.120 --> 0:41:04.400
<v Speaker 3>I know.

0:41:04.520 --> 0:41:06.520
<v Speaker 2>It's the memory of.

0:41:06.600 --> 0:41:10.319
<v Speaker 5>How you felt when thehammer sank into that water, how

0:41:10.360 --> 0:41:12.319
<v Speaker 5>you felt that no one was gonna find you, let

0:41:12.320 --> 0:41:13.080
<v Speaker 5>alone save you.

0:41:15.320 --> 0:41:17.440
<v Speaker 2>I was so I'm so afraid.

0:41:19.880 --> 0:41:21.680
<v Speaker 3>I thought, was it come home?

0:41:22.320 --> 0:41:26.320
<v Speaker 2>You did? You came home to me, You came home

0:41:26.360 --> 0:41:28.440
<v Speaker 2>to your family, You came home to live.

0:41:30.520 --> 0:41:38.800
<v Speaker 3>See what I feel, You're so his friend. Takes time, helink.

0:41:38.840 --> 0:41:42.680
<v Speaker 2>It takes time, baby, It takes time. You're gonna take

0:41:42.719 --> 0:41:49.400
<v Speaker 2>all the time you need. Okay, but I mean it.

0:41:50.640 --> 0:41:54.960
<v Speaker 2>I'm here and we're gonna ride this thing into the

0:41:54.960 --> 0:42:01.880
<v Speaker 2>whingels fall off. Maybe I love you, I love.

0:42:03.360 --> 0:42:04.160
<v Speaker 1>No bad.

0:42:10.000 --> 0:42:10.280
<v Speaker 2>See.

0:42:11.320 --> 0:42:15.520
<v Speaker 1>Wow, this is why you got. This is part two.

0:42:15.600 --> 0:42:18.080
<v Speaker 1>This is part two. Money is this part two?

0:42:18.200 --> 0:42:18.640
<v Speaker 2>Part two?

0:42:19.239 --> 0:42:19.879
<v Speaker 3>Oh my god?

0:42:19.960 --> 0:42:25.719
<v Speaker 1>Yea. Yeah, it's very emotional, very and and you know,

0:42:25.960 --> 0:42:29.719
<v Speaker 1>I have to say thank you Swan for being emotionally

0:42:29.760 --> 0:42:33.360
<v Speaker 1>available at you two, Shamika, because.

0:42:33.080 --> 0:42:35.640
<v Speaker 2>Yeah, it's for you, beautiful to see.

0:42:35.760 --> 0:42:39.200
<v Speaker 1>You know, I'm so glad that you are allowing men

0:42:39.360 --> 0:42:40.320
<v Speaker 1>the space to be that.

0:42:41.040 --> 0:42:41.959
<v Speaker 3>Oh yeah, so.

0:42:42.600 --> 0:42:45.560
<v Speaker 2>Your worst what do you want to give them? Director?

0:42:45.719 --> 0:42:47.160
<v Speaker 2>As she's crying, you.

0:42:47.120 --> 0:42:51.600
<v Speaker 3>Guys, I am, I am. They did we well. First

0:42:51.600 --> 0:42:55.239
<v Speaker 3>of all, these two are just amazing. I mean I

0:42:55.280 --> 0:42:57.399
<v Speaker 3>love them, Tracy, I do. I love them.

0:42:58.360 --> 0:43:00.799
<v Speaker 1>Found should be good inside the black and it's found

0:43:00.880 --> 0:43:02.879
<v Speaker 1>swam you listen, tell her.

0:43:03.680 --> 0:43:09.360
<v Speaker 3>Yeah and yeah. And then we organically developed relationships and

0:43:09.440 --> 0:43:12.839
<v Speaker 3>it's it's it's just such a gift. It really really

0:43:12.920 --> 0:43:18.839
<v Speaker 3>is a gift. We worked hard, we worked hard, they

0:43:18.840 --> 0:43:22.520
<v Speaker 3>worked hard. I love them paired together. If I could,

0:43:23.080 --> 0:43:24.960
<v Speaker 3>if I could get other people to pair them, might

0:43:25.040 --> 0:43:27.600
<v Speaker 3>be like, take them, let them work with you. They're

0:43:27.640 --> 0:43:31.480
<v Speaker 3>they're lovely, they're delicious, they're emotional, they're available. They've opened up,

0:43:31.960 --> 0:43:34.520
<v Speaker 3>they've connected, They've done the work. It's been a process.

0:43:35.040 --> 0:43:37.239
<v Speaker 3>This has been months and months of work. So even

0:43:37.280 --> 0:43:40.040
<v Speaker 3>though we only got the film for four days, these

0:43:40.080 --> 0:43:43.760
<v Speaker 3>two worked and worked and worked and worked. They worked

0:43:43.800 --> 0:43:46.959
<v Speaker 3>with me, We did readings, they worked alone. We worked

0:43:46.960 --> 0:43:50.359
<v Speaker 3>together a lot of it on zoom. As you know,

0:43:50.400 --> 0:43:53.879
<v Speaker 3>we're all in different places. These guys are so amazing though,

0:43:53.920 --> 0:43:58.360
<v Speaker 3>like they take direction beautifully they're open. They're what you

0:43:58.440 --> 0:44:01.600
<v Speaker 3>want as a as a direct you know, as a writer,

0:44:02.320 --> 0:44:05.560
<v Speaker 3>as a as a asking person. You want these guys

0:44:05.600 --> 0:44:09.080
<v Speaker 3>because you want people who are going to be there,

0:44:09.680 --> 0:44:12.440
<v Speaker 3>you know, I mean, and quite frankly, I was kind

0:44:12.440 --> 0:44:14.680
<v Speaker 3>of jealous. I couldn't act with them, but you know

0:44:15.280 --> 0:44:15.600
<v Speaker 3>it was.

0:44:15.600 --> 0:44:18.520
<v Speaker 2>The next one, the feature, the feature. Yeah, this was

0:44:18.560 --> 0:44:20.000
<v Speaker 2>a righteous character.

0:44:20.360 --> 0:44:23.800
<v Speaker 1>But I have to say this first of all, everybody

0:44:23.800 --> 0:44:28.080
<v Speaker 1>put your hands together for Shamika and also Swan. Great

0:44:28.080 --> 0:44:32.280
<v Speaker 1>scene and great writing is written and directed by Money

0:44:32.400 --> 0:44:36.719
<v Speaker 1>Shari Stunham. I want to say this because I want

0:44:36.760 --> 0:44:39.960
<v Speaker 1>to stress this. Looking at you Swan and looking at

0:44:39.960 --> 0:44:43.960
<v Speaker 1>Shamika being emotional right now. Is this is why I

0:44:44.120 --> 0:44:47.640
<v Speaker 1>was emotional in the beginning in the introduction, because the

0:44:47.800 --> 0:44:50.680
<v Speaker 1>joy is in the journey. It's not at the destination.

0:44:50.920 --> 0:44:52.799
<v Speaker 1>You know where you guys are going. You know where

0:44:52.840 --> 0:44:55.480
<v Speaker 1>this storm is going. It's already been laid out and

0:44:55.560 --> 0:44:59.840
<v Speaker 1>bread drumbed. What's happening now is that you will be

0:45:00.320 --> 0:45:04.080
<v Speaker 1>to sit back in another ten twenty years where your

0:45:04.120 --> 0:45:06.600
<v Speaker 1>careers are going to be somewhere else and be able

0:45:06.600 --> 0:45:10.560
<v Speaker 1>to thank Monette talk about this. And it started off

0:45:10.600 --> 0:45:12.920
<v Speaker 1>with just a short film, and this short film has

0:45:13.000 --> 0:45:16.359
<v Speaker 1>cataball with my career to blah blah blah. So it

0:45:16.440 --> 0:45:19.120
<v Speaker 1>all comes back around just seeing you guys emotion, I

0:45:19.160 --> 0:45:22.000
<v Speaker 1>was like, you guys, think you crying, Now wait until

0:45:22.080 --> 0:45:24.839
<v Speaker 1>y'all in ten years and then you turn around. That's

0:45:24.840 --> 0:45:27.520
<v Speaker 1>why I couldn't get the words out this week. Got

0:45:27.560 --> 0:45:31.799
<v Speaker 1>thirty something years, like, it's crazy how much many years.

0:45:31.560 --> 0:45:32.279
<v Speaker 2>Money and I have.

0:45:33.400 --> 0:45:35.440
<v Speaker 1>And she, you know, she just asked me to come

0:45:35.440 --> 0:45:38.400
<v Speaker 1>speak at her school to some high school students, and

0:45:38.440 --> 0:45:41.120
<v Speaker 1>I'll never forget. I said, do you guys want a

0:45:41.280 --> 0:45:43.840
<v Speaker 1>million dollars or do you want knowledge?

0:45:44.880 --> 0:45:47.279
<v Speaker 2>And they all said million dollars, million dollars.

0:45:47.320 --> 0:45:49.160
<v Speaker 1>I said, if you have the knowledge, you'd have ten

0:45:49.880 --> 0:45:54.440
<v Speaker 1>and twenty and thirty go after knowledge. And that became

0:45:54.840 --> 0:45:57.799
<v Speaker 1>a staple of my speaking platform because that was my

0:45:57.840 --> 0:46:02.799
<v Speaker 1>first speaking engagement. So again, thank you, guys, thank you,

0:46:02.880 --> 0:46:07.000
<v Speaker 1>thank you. Elsa ladies and gentlemen, put yousolute, stand up,

0:46:07.640 --> 0:46:15.480
<v Speaker 1>legendary icon momay cheris dune Yes, amen, amen, love you guys, madam.

0:46:15.520 --> 0:46:17.880
<v Speaker 1>When we come back on the Spirit Podcast with me

0:46:18.040 --> 0:46:20.960
<v Speaker 1>Tracy Moore, all of this equals me giving your love.

0:46:22.400 --> 0:46:26.400
<v Speaker 2>And now it's time for Kudo's Corner. Kudos Corner is

0:46:26.520 --> 0:46:27.760
<v Speaker 2>where we support our.

0:46:27.640 --> 0:46:31.799
<v Speaker 1>Spirited actors and we celebrate them and we just love

0:46:31.840 --> 0:46:36.160
<v Speaker 1>on them and introduce them to you. This week's Kudos

0:46:36.200 --> 0:46:40.120
<v Speaker 1>Corner puts the spotlight on the spirited actor Lea Mitria Starks.

0:46:40.520 --> 0:46:43.560
<v Speaker 1>Lea Metria has been seen in the featured film Urban

0:46:43.760 --> 0:46:49.720
<v Speaker 1>Ed and television shows The Eric Andre Show, People Magazine, Investigates,

0:46:49.840 --> 0:46:53.880
<v Speaker 1>and My show Inside the black Box. She has also

0:46:54.040 --> 0:46:59.080
<v Speaker 1>starred in the place Pieces of Us and Shane Kudos

0:46:59.239 --> 0:47:03.440
<v Speaker 1>to Leah Me, Trea Starts and now it's time to

0:47:03.520 --> 0:47:07.040
<v Speaker 1>give up. I just want to say this because this

0:47:07.080 --> 0:47:11.080
<v Speaker 1>has been on my mind for a while. I just

0:47:11.480 --> 0:47:13.000
<v Speaker 1>and I may have said it before, but I just

0:47:13.040 --> 0:47:18.400
<v Speaker 1>want to reiterate it that the Instagram and Facebook and

0:47:18.440 --> 0:47:21.080
<v Speaker 1>all these things are really super great, but sometimes they

0:47:21.080 --> 0:47:25.120
<v Speaker 1>can be overwhelming and the information can be so saturated

0:47:25.160 --> 0:47:28.239
<v Speaker 1>that people make jokes of it. So I say this

0:47:28.400 --> 0:47:30.799
<v Speaker 1>to say because the other day I said to my granddaughter,

0:47:31.200 --> 0:47:34.360
<v Speaker 1>be careful, and I told her that the quote is

0:47:34.400 --> 0:47:37.720
<v Speaker 1>be careful with what you think or wish for. I said,

0:47:37.719 --> 0:47:41.319
<v Speaker 1>but I want you to be conscious of what you

0:47:41.480 --> 0:47:44.160
<v Speaker 1>think of and what you wish for, because when you're conscious,

0:47:44.440 --> 0:47:47.880
<v Speaker 1>you're aware, and you are specifically focusing on what it

0:47:47.960 --> 0:47:50.799
<v Speaker 1>is or you want, and you're putting that intention out there.

0:47:50.920 --> 0:47:53.440
<v Speaker 1>You're holding that vision and then the next thing you know,

0:47:53.520 --> 0:47:56.279
<v Speaker 1>you're going to manifest it. And my daughter and my

0:47:56.320 --> 0:47:59.320
<v Speaker 1>granddaughter say, Grandma, I don't believe in that hokey pokey.

0:47:59.560 --> 0:48:03.120
<v Speaker 1>That's all on Instagram, you know, affirmations and this and that.

0:48:03.680 --> 0:48:07.279
<v Speaker 1>I just wanted to say, ladies and gentlemen, I am

0:48:07.320 --> 0:48:12.920
<v Speaker 1>disheartened to know that the keys to life, the truth

0:48:13.080 --> 0:48:16.600
<v Speaker 1>to life. Your words create what you what you what

0:48:16.760 --> 0:48:22.120
<v Speaker 1>you manifest. Those things are real. It's not hoky dokie.

0:48:22.160 --> 0:48:26.120
<v Speaker 1>It's not an Instagram or TikTok cliche.

0:48:26.920 --> 0:48:31.280
<v Speaker 2>It is the truth. What you think and what.

0:48:31.160 --> 0:48:37.200
<v Speaker 1>You say matters. Believe that bear witness to your life.

0:48:37.239 --> 0:48:40.800
<v Speaker 1>If you don't believe me, bear witness to your own life,

0:48:41.080 --> 0:48:43.880
<v Speaker 1>and say I want a lemon bar, and see yourself

0:48:43.920 --> 0:48:46.239
<v Speaker 1>get a lemon bar. Say I want to buy a house,

0:48:46.280 --> 0:48:50.160
<v Speaker 1>and then see yourself buy a house. They magically happen

0:48:50.280 --> 0:48:55.160
<v Speaker 1>because they fester in your soul. They magically happen because

0:48:55.160 --> 0:48:58.279
<v Speaker 1>they just need the words to help get them out

0:48:58.320 --> 0:49:04.600
<v Speaker 1>and guide them into tangible things. Conscious of every word

0:49:04.680 --> 0:49:08.080
<v Speaker 1>that comes out your mouth, every thought that enters your mind.

0:49:08.200 --> 0:49:14.280
<v Speaker 1>Be conscious of where you are in that moment of creation,

0:49:14.800 --> 0:49:18.000
<v Speaker 1>because right after that is manifestation.

0:49:18.680 --> 0:49:18.919
<v Speaker 2>Hi.

0:49:19.000 --> 0:49:24.200
<v Speaker 1>Everyone, The Spirited Actor Podcast with Tracy Moore now has

0:49:24.400 --> 0:49:29.200
<v Speaker 1>a YouTube channel. You'll get to see exclusive video footage

0:49:29.200 --> 0:49:33.239
<v Speaker 1>from our podcast taping, as well as your favorite segments

0:49:33.239 --> 0:49:37.800
<v Speaker 1>from the show. Make sure to like our videos, subscribe

0:49:37.840 --> 0:49:41.760
<v Speaker 1>to our channel, and share with all your friends. Don't

0:49:41.800 --> 0:49:45.400
<v Speaker 1>forget to also follow us on Instagram at the Spirited

0:49:45.440 --> 0:49:49.759
<v Speaker 1>Actor and at both Tracy Moore and at the Spirited

0:49:49.760 --> 0:49:55.160
<v Speaker 1>Actor Podcast with Tracy Moore on Facebook and X. Thank

0:49:55.200 --> 0:49:58.400
<v Speaker 1>you for joining us on The Spirited Actor Podcast with

0:49:58.600 --> 0:50:02.960
<v Speaker 1>me Tracy Moore. I look forward to our next Spirited podcast.

0:50:03.360 --> 0:50:03.759
<v Speaker 2>Thank you.