1 00:00:08,400 --> 00:00:10,960 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:11,000 --> 00:00:15,560 Speaker 1: analysis for entertainment industry insiders. It's Tuesday, August fit, twenty 3 00:00:15,600 --> 00:00:19,360 Speaker 1: twenty five. I'm your host, Cynthia Littleton. I am co 4 00:00:19,520 --> 00:00:22,680 Speaker 1: editor in chief of Variety alongside Ramin Setuta. I'm in 5 00:00:22,840 --> 00:00:25,520 Speaker 1: La He's in New York, and Variety has reporters around 6 00:00:25,560 --> 00:00:29,240 Speaker 1: the world covering the business of entertainment. In today's episode, 7 00:00:29,240 --> 00:00:32,239 Speaker 1: we have a special guest. Eva Longoria joins us to 8 00:00:32,280 --> 00:00:36,680 Speaker 1: talk about her new FX docuseries Nakosa, and she talks 9 00:00:36,720 --> 00:00:40,200 Speaker 1: about her two year old content venture, Hyphenate Media Group. 10 00:00:40,640 --> 00:00:43,360 Speaker 1: And then we'll hear from Variety TV news editor Joe 11 00:00:43,360 --> 00:00:46,879 Speaker 1: Otterson about the return of King of the Hill. But 12 00:00:47,040 --> 00:00:49,440 Speaker 1: before we get to that, here are a few headlines 13 00:00:49,560 --> 00:00:52,800 Speaker 1: just in this morning that you need to know. Say 14 00:00:52,840 --> 00:00:56,160 Speaker 1: hello to Howdy Roku has unveiled plans to launch a 15 00:00:56,200 --> 00:01:00,480 Speaker 1: low cost, ad free streamer dubbed Howdy Bilchi March two, 16 00:01:00,560 --> 00:01:04,280 Speaker 1: ninety nine a month. Meanwhile, Fox has set August twenty 17 00:01:04,319 --> 00:01:07,480 Speaker 1: first as the launch date for its Fox One streaming 18 00:01:07,560 --> 00:01:11,560 Speaker 1: service that will incorporate Fox News, Fox Business, Fox Sports 19 00:01:11,880 --> 00:01:15,959 Speaker 1: All for nineteen ninety nine a month. Add Giant WPP 20 00:01:16,240 --> 00:01:19,559 Speaker 1: and Nielson have set a long term audience measurement packed. 21 00:01:20,440 --> 00:01:23,120 Speaker 1: This is another sign of tensions easing between Nielsen and 22 00:01:23,160 --> 00:01:28,160 Speaker 1: its biggest constituencies in advertising and television. And Out today 23 00:01:28,240 --> 00:01:32,600 Speaker 1: is Variety's review of FX's Alien Earth in a Nutshell. 24 00:01:32,840 --> 00:01:39,040 Speaker 1: We like it, our critic Alison Herman weighs in. Now 25 00:01:39,080 --> 00:01:42,039 Speaker 1: we turn to a conversation with Eva Longoria about her 26 00:01:42,080 --> 00:01:47,600 Speaker 1: new sports docuseries Nakaksa, which bows Thursday on FX. Eva 27 00:01:47,680 --> 00:01:51,000 Speaker 1: is one of the industry's busiest multi hyphenates. We talk 28 00:01:51,080 --> 00:01:54,040 Speaker 1: about her move to invest in sports, how she fell 29 00:01:54,080 --> 00:01:55,960 Speaker 1: in love with a soccer club in need of a 30 00:01:56,000 --> 00:01:59,600 Speaker 1: little TLC, and we talk about how she's building hyphenate 31 00:01:59,680 --> 00:02:03,280 Speaker 1: media group with her business partner Chris Sbrago. But first 32 00:02:03,320 --> 00:02:06,000 Speaker 1: I'll let Eva set the scene for Nakoxa with a 33 00:02:06,040 --> 00:02:10,160 Speaker 1: clip from the show's trailer. My commitment to Nakatsa. It's 34 00:02:10,160 --> 00:02:11,320 Speaker 1: about culture. 35 00:02:13,760 --> 00:02:16,639 Speaker 2: I want to show the beauty of the Mexican people. 36 00:02:18,160 --> 00:02:26,320 Speaker 2: That wasn't what the house. This idea that one day 37 00:02:26,360 --> 00:02:28,520 Speaker 2: you can be an underdog and the next day you're 38 00:02:28,560 --> 00:02:31,680 Speaker 2: building a football empirement. And now Robin Rymin are here 39 00:02:31,680 --> 00:02:32,480 Speaker 2: for the Funne. 40 00:02:32,960 --> 00:02:35,320 Speaker 1: How did the opportunity for you to become an investor 41 00:02:35,320 --> 00:02:37,000 Speaker 1: in Club Nacoxa. How did that come about? 42 00:02:37,400 --> 00:02:40,640 Speaker 2: So I dip my toe into soccer investing with Angel 43 00:02:40,720 --> 00:02:44,760 Speaker 2: City and I had such a good time. Angel City 44 00:02:44,800 --> 00:02:48,000 Speaker 2: for Los Angeles was a very specific project led by 45 00:02:48,080 --> 00:02:52,760 Speaker 2: Natalie Portman Julie Orman, who wanted to prove that female 46 00:02:52,760 --> 00:02:56,920 Speaker 2: owners could run a female team in female sports. Like 47 00:02:56,960 --> 00:03:00,919 Speaker 2: it was a really good pilot program. Al Taylists and 48 00:03:00,960 --> 00:03:06,200 Speaker 2: Sam Porter came to me. They invest in undervalued leagues 49 00:03:06,320 --> 00:03:10,440 Speaker 2: or undervalued teams in huge leagues. They have a cricket 50 00:03:10,480 --> 00:03:13,880 Speaker 2: team in India, they have a rugby team in New Zealand, 51 00:03:13,919 --> 00:03:15,520 Speaker 2: and they came and they said, we want to do 52 00:03:16,360 --> 00:03:19,480 Speaker 2: La Liga Mexicana because they said there's so much value 53 00:03:20,120 --> 00:03:24,240 Speaker 2: in the Mexican league. The amount of eyeballs that watch 54 00:03:24,880 --> 00:03:27,840 Speaker 2: outside of the Premier League, outside of the Champions League, 55 00:03:27,880 --> 00:03:32,320 Speaker 2: the amount of people that watched La Liga Mexicana was insane. 56 00:03:32,840 --> 00:03:35,800 Speaker 2: They have a very moneyball approach, like if we do this, 57 00:03:35,880 --> 00:03:38,000 Speaker 2: if we do that, if we invest this much and 58 00:03:38,040 --> 00:03:42,480 Speaker 2: put these people. They're very data driven, statistic driven, and 59 00:03:42,560 --> 00:03:46,600 Speaker 2: I'm like the opposite. I'm emotional driven. I don't invest 60 00:03:46,600 --> 00:03:50,320 Speaker 2: in things. I invest in people. And I fell in 61 00:03:50,360 --> 00:03:52,280 Speaker 2: love with Al, I fell in love with Sam, and 62 00:03:52,320 --> 00:03:53,560 Speaker 2: I said, these are guys I want to be in 63 00:03:53,600 --> 00:04:01,200 Speaker 2: business with. And anytime I have an opportunity to what 64 00:04:01,320 --> 00:04:05,200 Speaker 2: people think of Mexico, the beauty of Mexico, anytime I 65 00:04:05,200 --> 00:04:07,680 Speaker 2: can elevate the idea of the talent that comes out 66 00:04:07,680 --> 00:04:11,720 Speaker 2: of Mexico, the culture that comes out of Mexico, I 67 00:04:11,840 --> 00:04:15,480 Speaker 2: jump at it. It's what drives me and my purpose 68 00:04:15,560 --> 00:04:17,880 Speaker 2: as a producer, as a director. It's the stories I 69 00:04:17,920 --> 00:04:21,760 Speaker 2: want to tell. And so I thought, yeah, sign me up. 70 00:04:21,800 --> 00:04:23,120 Speaker 2: I would love to invest. 71 00:04:23,440 --> 00:04:25,880 Speaker 1: Did you go in with the idea that this could 72 00:04:25,960 --> 00:04:29,240 Speaker 1: be a television show like Welcome to Wrexham has been 73 00:04:29,440 --> 00:04:33,320 Speaker 1: for FX and has incredible impact on that town in Wales. 74 00:04:33,480 --> 00:04:36,120 Speaker 2: Now, no, no no. I went in as purely as 75 00:04:36,120 --> 00:04:40,080 Speaker 2: an investor. But the minute I set foot in Ajuascalientes, 76 00:04:40,160 --> 00:04:42,880 Speaker 2: which is where we are based, AU was Calanthis is 77 00:04:42,880 --> 00:04:45,560 Speaker 2: about an hour away from Mexico City, so it's very 78 00:04:45,600 --> 00:04:46,880 Speaker 2: central Mexico. 79 00:04:47,800 --> 00:04:50,720 Speaker 1: I thought, this is a TV show. The town is 80 00:04:50,760 --> 00:04:51,320 Speaker 1: a character. 81 00:04:52,120 --> 00:04:56,360 Speaker 2: The family that runs the team are amazing human beings. 82 00:04:56,400 --> 00:05:00,040 Speaker 2: The players the coaches, the staff, Like I immediately we 83 00:05:00,080 --> 00:05:02,760 Speaker 2: saw a TV show. It wasn't until later that we 84 00:05:02,839 --> 00:05:05,920 Speaker 2: brought in Robin Ryan. We started developing the TV show 85 00:05:06,080 --> 00:05:11,640 Speaker 2: outside of the Wrexam world and by chance, my investment 86 00:05:11,720 --> 00:05:15,440 Speaker 2: group with Al and Sam, decided to invest with Wrexham 87 00:05:15,480 --> 00:05:17,920 Speaker 2: and so we invested in Wrexham and in turn they 88 00:05:18,000 --> 00:05:21,719 Speaker 2: invested in us. And Al was like, You've got to 89 00:05:21,720 --> 00:05:25,600 Speaker 2: meet Robin Ryan. They're amazing and I said, oh my gosh, 90 00:05:25,640 --> 00:05:29,480 Speaker 2: I love what they did with Wrexham. I thought, if 91 00:05:29,480 --> 00:05:32,839 Speaker 2: there's anybody who knows how to do this, it's Robin Ryan. 92 00:05:33,279 --> 00:05:34,080 Speaker 1: I knew we were going. 93 00:05:34,080 --> 00:05:37,000 Speaker 2: To have a show because you can't script what happened. 94 00:05:37,520 --> 00:05:40,240 Speaker 2: We've been through coaches, we've been through management changes. We 95 00:05:40,360 --> 00:05:44,320 Speaker 2: sold our star player, we got them back. It is insane, 96 00:05:44,400 --> 00:05:47,400 Speaker 2: the emotion and the drama, like, you can't script it. 97 00:05:48,040 --> 00:05:52,520 Speaker 1: What did you learn about Mexican culture from immersing yourself 98 00:05:52,560 --> 00:05:54,320 Speaker 1: in the world of Mexican football. 99 00:05:54,920 --> 00:05:57,920 Speaker 2: I learned that soccer is a national language. I mean 100 00:05:57,960 --> 00:06:02,920 Speaker 2: it is not Spanish. Spanish is not the nations in Mexico. 101 00:06:03,040 --> 00:06:06,560 Speaker 2: It is soccer. And going into it, I had a 102 00:06:06,560 --> 00:06:09,400 Speaker 2: couple of fears. One was that I'm Mexican American, you know, 103 00:06:09,440 --> 00:06:12,280 Speaker 2: I'm American by nationality, and I thought, oh god, I. 104 00:06:12,200 --> 00:06:13,039 Speaker 1: Hope they accept me. 105 00:06:13,760 --> 00:06:16,120 Speaker 2: And I was also nervous as a woman and a 106 00:06:16,160 --> 00:06:18,520 Speaker 2: man's sport, you know, as one of the few. I 107 00:06:18,560 --> 00:06:23,839 Speaker 2: think I'm only the second female soccer team owner in Mexico, 108 00:06:24,120 --> 00:06:26,280 Speaker 2: and I thought, oh god, I hope they accept me 109 00:06:26,320 --> 00:06:29,159 Speaker 2: for that too. And then you know, the reason I 110 00:06:29,160 --> 00:06:31,560 Speaker 2: say soccer is the national language is because nobody cares 111 00:06:31,600 --> 00:06:34,880 Speaker 2: about that. Nobody gonna make care what are you doing 112 00:06:34,920 --> 00:06:37,400 Speaker 2: for the team? How are we going to win championships? 113 00:06:37,760 --> 00:06:40,200 Speaker 2: And so I've been welcomed with open arms. 114 00:06:40,720 --> 00:06:42,840 Speaker 1: Your investment in the Coosa has come at a time 115 00:06:42,880 --> 00:06:46,760 Speaker 1: when you're also building a very significant media company, Hyphenate 116 00:06:46,839 --> 00:06:50,040 Speaker 1: Media with Chris Abrego. How has that been for you 117 00:06:50,320 --> 00:06:53,560 Speaker 1: and what does building Hyphenate tell you about where the 118 00:06:53,640 --> 00:06:57,560 Speaker 1: real traction is in television, in media, in film. 119 00:06:58,080 --> 00:07:00,080 Speaker 2: Christ and I've been friends for twenty three years. We 120 00:07:00,160 --> 00:07:03,760 Speaker 2: both had amazing success individually and we thought, why are 121 00:07:03,800 --> 00:07:07,960 Speaker 2: we the exception with our community, with the Latino community, 122 00:07:07,960 --> 00:07:10,680 Speaker 2: and we really wanted to join forces and change the 123 00:07:10,720 --> 00:07:15,720 Speaker 2: way business is done with hyphen It Media. We both 124 00:07:15,720 --> 00:07:18,920 Speaker 2: wanted to break up the business model. He's one of 125 00:07:18,960 --> 00:07:21,320 Speaker 2: the best producers I know, and I feel like you 126 00:07:21,400 --> 00:07:25,520 Speaker 2: can't do the executive side without being a producer. And 127 00:07:25,560 --> 00:07:27,480 Speaker 2: I feel that way as an actor, Like I think 128 00:07:27,520 --> 00:07:30,960 Speaker 2: the reason I love directing is because I've been on 129 00:07:31,000 --> 00:07:34,000 Speaker 2: the other side of the lens. We invested in Globe Nation, 130 00:07:34,240 --> 00:07:39,720 Speaker 2: led by the incredible Gloria Kalddom Kellet. She's a force 131 00:07:39,800 --> 00:07:43,280 Speaker 2: of nature. She can write four shows and one time 132 00:07:43,560 --> 00:07:47,680 Speaker 2: she can break out stories. She creates characters, She's brilliant, 133 00:07:48,200 --> 00:07:52,360 Speaker 2: and she taps into the cultural knowledge of what it 134 00:07:52,400 --> 00:07:55,320 Speaker 2: means to be a Latino in this industry. We made 135 00:07:55,360 --> 00:07:59,800 Speaker 2: a deal with iHeartRadio for podcasting to support and produce 136 00:08:00,080 --> 00:08:03,080 Speaker 2: other creators that have the same vision. We're building out 137 00:08:03,240 --> 00:08:05,920 Speaker 2: now our next phase of ipin at Media, continuing in 138 00:08:05,960 --> 00:08:09,960 Speaker 2: the scripted space, of course, just some exciting things. We 139 00:08:10,120 --> 00:08:13,160 Speaker 2: really saw a white space and we wanted to build 140 00:08:13,200 --> 00:08:16,840 Speaker 2: this new business and new verticals to support this culture 141 00:08:16,920 --> 00:08:19,680 Speaker 2: defining creator led stories. 142 00:08:20,600 --> 00:08:23,440 Speaker 1: You have a Netflix movie project coming up through Hyphenate, 143 00:08:23,600 --> 00:08:26,640 Speaker 1: the Fifth Wheel with Kim Kardashian. Where are you in 144 00:08:26,680 --> 00:08:27,160 Speaker 1: that state? 145 00:08:27,560 --> 00:08:31,280 Speaker 2: We're waiting for prep to begin the Fifth Wheels written 146 00:08:31,320 --> 00:08:34,320 Speaker 2: by Paula pel who is one of the most respected 147 00:08:35,040 --> 00:08:38,520 Speaker 2: cool kids of comedy writers out there today. And so 148 00:08:38,640 --> 00:08:40,880 Speaker 2: when I read the script and I said, oh my god, 149 00:08:40,920 --> 00:08:43,920 Speaker 2: it was such a unique, one of a kind story 150 00:08:43,920 --> 00:08:47,120 Speaker 2: about female friendship. And then I heard Kim was going 151 00:08:47,160 --> 00:08:48,839 Speaker 2: to play one of the parts, and I thought, oh 152 00:08:48,840 --> 00:08:50,880 Speaker 2: my god, that's genius, because once you read the script, 153 00:08:50,880 --> 00:08:52,360 Speaker 2: you go, okay, yeah, that makes sense. 154 00:08:52,960 --> 00:08:59,520 Speaker 1: It's hilarious. Now we'll hear from Joe Otterson Variety's TV 155 00:08:59,600 --> 00:09:03,240 Speaker 1: News at He's a longtime friend of Hank and Peggy 156 00:09:03,320 --> 00:09:07,440 Speaker 1: Hill of Arland, Texas. Joe Watterson, thanks for joining me. 157 00:09:08,160 --> 00:09:09,320 Speaker 3: Hello, glad to be here. 158 00:09:09,880 --> 00:09:11,920 Speaker 1: I know you to be a big King of the 159 00:09:12,000 --> 00:09:14,800 Speaker 1: Hill fan for a long time, and so of course 160 00:09:14,840 --> 00:09:18,040 Speaker 1: you were the perfect person as this beloved animated Fox 161 00:09:18,080 --> 00:09:20,440 Speaker 1: comedy is coming back to life in a new form, 162 00:09:20,520 --> 00:09:24,160 Speaker 1: new platform for Hulu. What surprised you as you did 163 00:09:24,200 --> 00:09:25,440 Speaker 1: your reporting on this feature? 164 00:09:25,960 --> 00:09:29,600 Speaker 3: Honestly, what surprised me the most was how good the 165 00:09:29,720 --> 00:09:35,079 Speaker 3: new episodes really were and how consistent the tone was 166 00:09:35,200 --> 00:09:38,320 Speaker 3: with the original show while also updating it and bringing 167 00:09:38,320 --> 00:09:41,720 Speaker 3: it into the present day. Because we've talked about this 168 00:09:41,800 --> 00:09:44,960 Speaker 3: a lot with reboots revival. One day we're going to 169 00:09:44,960 --> 00:09:47,480 Speaker 3: have a summit at Variety to officially declare what defines 170 00:09:47,520 --> 00:09:48,920 Speaker 3: a reboot and what defines our revival. 171 00:09:49,200 --> 00:09:51,280 Speaker 1: We'll etch it on a stone tablet and no one 172 00:09:51,320 --> 00:09:52,240 Speaker 1: will ever debate. 173 00:09:52,720 --> 00:09:55,880 Speaker 3: But no, what really surprised me was how consistently good 174 00:09:55,880 --> 00:09:58,200 Speaker 3: it was after such a long layoff, because that showing 175 00:09:58,240 --> 00:10:01,000 Speaker 3: off the air in two thousand and nine, and reboots 176 00:10:01,040 --> 00:10:03,640 Speaker 3: and revivals these days are obviously a huge part of 177 00:10:03,679 --> 00:10:07,240 Speaker 3: the Hollywood landscape, and it's a very very very fine 178 00:10:07,320 --> 00:10:10,160 Speaker 3: line to walk if you're really going to do it well. 179 00:10:10,640 --> 00:10:13,120 Speaker 3: We've seen it happen a million times. Everyone gets all 180 00:10:13,160 --> 00:10:15,360 Speaker 3: excited they're bringing back all these cast members and some 181 00:10:15,440 --> 00:10:17,719 Speaker 3: of the original creative team, and then it flares up 182 00:10:17,760 --> 00:10:20,240 Speaker 3: for a couple of episodes. Everyone watches the first couple 183 00:10:20,240 --> 00:10:22,080 Speaker 3: and then they realize it's not as good as it 184 00:10:22,080 --> 00:10:25,400 Speaker 3: once was and they stop watching. So to be able 185 00:10:25,440 --> 00:10:28,680 Speaker 3: to bring something like this into the present day, keep 186 00:10:28,720 --> 00:10:32,360 Speaker 3: it consistent with the original show while also updating it 187 00:10:32,440 --> 00:10:35,760 Speaker 3: with the I mean, the humor, the storylines, everything that 188 00:10:35,960 --> 00:10:39,520 Speaker 3: was really surprising In the best way possible, I would say. 189 00:10:38,920 --> 00:10:41,359 Speaker 1: It really is true that even more than the Simpsons. 190 00:10:41,480 --> 00:10:44,240 Speaker 1: King of the Hill really was a slice of life 191 00:10:44,280 --> 00:10:47,160 Speaker 1: of America with a ry sense of humor and a 192 00:10:47,200 --> 00:10:49,719 Speaker 1: beer on the side. We just kind of dropped back 193 00:10:49,760 --> 00:10:52,840 Speaker 1: into the lives twenty years later of Hank and Peggy 194 00:10:52,920 --> 00:10:56,440 Speaker 1: Hill and their extended family in Arlen, Texas, and hilarity 195 00:10:56,800 --> 00:11:01,239 Speaker 1: and real life ensues. And you're saying that they've adapted 196 00:11:01,280 --> 00:11:04,200 Speaker 1: that to capturing all of the crazy of twenty twenty five. 197 00:11:04,280 --> 00:11:04,840 Speaker 1: Pretty well. 198 00:11:05,120 --> 00:11:07,080 Speaker 3: I was thinking about that a lot, too, Like, what 199 00:11:07,160 --> 00:11:09,320 Speaker 3: was it that made this show so successful? Aside from 200 00:11:09,360 --> 00:11:11,960 Speaker 3: the fact that it's wildly funny and had an incredible cast, 201 00:11:12,000 --> 00:11:13,720 Speaker 3: I mean, had a lot going for it, But what 202 00:11:13,760 --> 00:11:17,240 Speaker 3: in particular, like that indefinable it. In talking with Mike Judge, 203 00:11:17,240 --> 00:11:20,120 Speaker 3: he brought that up. This idea of authenticity. You talked 204 00:11:20,160 --> 00:11:23,120 Speaker 3: about the Simpsons, there's Family Guy, There's South Park, Futurama, 205 00:11:23,160 --> 00:11:25,600 Speaker 3: et cetera. King of the Hill stands out in the 206 00:11:25,600 --> 00:11:27,800 Speaker 3: fact that those other shows, and this is not to 207 00:11:27,840 --> 00:11:30,640 Speaker 3: be derogatory toward them at all, but they're very cartoony, 208 00:11:31,040 --> 00:11:33,320 Speaker 3: right like the classic you know, like you can whack 209 00:11:33,360 --> 00:11:35,160 Speaker 3: somebody in the head with a frying pan and then 210 00:11:35,200 --> 00:11:36,120 Speaker 3: they pop right back. 211 00:11:36,000 --> 00:11:37,120 Speaker 1: Up, Anna, Barbara. 212 00:11:37,559 --> 00:11:40,160 Speaker 3: One oh one, like King of the Hill was very 213 00:11:40,160 --> 00:11:43,240 Speaker 3: different in that it was very true to life, despite 214 00:11:43,280 --> 00:11:45,559 Speaker 3: the fact that it was an animated show, and people 215 00:11:45,600 --> 00:11:48,199 Speaker 3: still love the show and it came out originally almost 216 00:11:48,280 --> 00:11:49,000 Speaker 3: thirty years ago. 217 00:11:49,400 --> 00:11:53,200 Speaker 1: There's much more detail in your story, which has fantastic art, 218 00:11:53,240 --> 00:11:56,560 Speaker 1: as you would expect for a feature on an animated series. 219 00:11:56,920 --> 00:11:59,480 Speaker 1: I want to button up by asking you reboots and 220 00:11:59,480 --> 00:12:01,080 Speaker 1: remakes all all over the place, and they'd had a 221 00:12:01,120 --> 00:12:03,720 Speaker 1: rocky time at the box office. What are you seeing 222 00:12:03,760 --> 00:12:04,680 Speaker 1: on the TV side? 223 00:12:05,280 --> 00:12:08,720 Speaker 3: Yeah, it's not as strong a part of the TV 224 00:12:08,880 --> 00:12:11,079 Speaker 3: side as it was a few years ago, but it's 225 00:12:11,080 --> 00:12:13,719 Speaker 3: still definitely a major factor. I just always say, you know, 226 00:12:13,760 --> 00:12:15,439 Speaker 3: the wave has kind of crashed at this point, but 227 00:12:15,600 --> 00:12:18,040 Speaker 3: that doesn't mean there's still not more to come. Because 228 00:12:18,040 --> 00:12:19,760 Speaker 3: a lot of this stuff has been in development now 229 00:12:19,800 --> 00:12:22,560 Speaker 3: for years. It's very much a question of trying to 230 00:12:22,600 --> 00:12:25,320 Speaker 3: walk that fine line and also not overdoing it and 231 00:12:25,400 --> 00:12:28,000 Speaker 3: oversaturating it. I think that's a big problem you've had 232 00:12:28,040 --> 00:12:31,000 Speaker 3: with things like Marvel or Star Wars in the last 233 00:12:31,000 --> 00:12:34,480 Speaker 3: several years. Is it used to be an event? Now 234 00:12:34,520 --> 00:12:38,320 Speaker 3: you get one every month practically When you have infinite 235 00:12:38,400 --> 00:12:40,800 Speaker 3: access to this sort of thing that it stops being special. 236 00:12:41,600 --> 00:12:45,320 Speaker 1: Joe, thank you, as ever remind us when this show premieres. 237 00:12:45,720 --> 00:12:47,840 Speaker 3: King of the Hill is back for season fourteen. All 238 00:12:47,920 --> 00:12:52,640 Speaker 3: time episodes drop on Hulu on August fourth, Well said, thanks, Joe, 239 00:12:52,760 --> 00:12:53,120 Speaker 3: thank you. 240 00:12:55,920 --> 00:12:57,960 Speaker 1: As we close out today's show, here are a few 241 00:12:57,960 --> 00:13:01,840 Speaker 1: things we're watching for up early tomorrow for Disney Earnings 242 00:13:01,840 --> 00:13:05,800 Speaker 1: before the Bell, Warner Brothers Discovery goes Thursday morning. Just 243 00:13:05,840 --> 00:13:09,000 Speaker 1: as the Paramount skuy Dance Media transaction is expected to 244 00:13:09,040 --> 00:13:13,240 Speaker 1: close on Friday, we'll start tracking the latest wide releases. 245 00:13:13,760 --> 00:13:16,920 Speaker 1: Freaky or Friday from Disney and Weapons from Warner Brothers 246 00:13:16,960 --> 00:13:21,080 Speaker 1: hit the multiplexes this weekend. As football season approach, I 247 00:13:21,160 --> 00:13:23,920 Speaker 1: personally am looking forward to checking out the latest season 248 00:13:23,960 --> 00:13:27,880 Speaker 1: of HBO's Hard Knocks. It premieres tonight. The show is 249 00:13:27,920 --> 00:13:30,800 Speaker 1: in training camp with the Buffalo Bills this season, Go 250 00:13:30,960 --> 00:13:35,240 Speaker 1: Bills before we Go. Congrats to Emily Thorpe Jones. She's 251 00:13:35,360 --> 00:13:38,520 Speaker 1: joined UTA's London office to head up corporate and private 252 00:13:38,559 --> 00:13:41,720 Speaker 1: events for the music division. She comes to the agency 253 00:13:41,760 --> 00:13:45,720 Speaker 1: from Various Artist Management, where she headed brand and corporate strategies. 254 00:13:46,360 --> 00:13:50,000 Speaker 1: Thanks for listening today's episode was written by me Cynthia Littleton, 255 00:13:50,160 --> 00:13:53,800 Speaker 1: with contributions from Eva Longoria and Joe Otterson. It was 256 00:13:53,960 --> 00:13:58,559 Speaker 1: edited by Aaron Greenwald. Sticks Nick's hick picks. Please leave 257 00:13:58,640 --> 00:14:00,839 Speaker 1: us a review at the podcast platform of your choice, 258 00:14:01,040 --> 00:14:05,959 Speaker 1: and please tune in tomorrow for another episode of Daily Variety. 259 00:14:10,720 --> 00:14:14,240 Speaker 2: Searching for a series, and that's been so much fun. 260 00:14:14,400 --> 00:14:16,880 Speaker 2: We did searching for Mexico, we did searching for Spain. 261 00:14:17,480 --> 00:14:21,400 Speaker 2: I just wrapped searching for friends. Now we haven't acccess. 262 00:14:22,160 --> 00:14:25,080 Speaker 2: I'm eating and drinking my way through the world, so 263 00:14:25,120 --> 00:14:26,160 Speaker 2: it's not a bad gig.