1
00:00:01,240 --> 00:00:04,920
Speaker 1: Let's play a game with Elvis Duran in the morning show.

2
00:00:05,920 --> 00:00:10,000
Speaker 2: Let's get to the context. Melissa Online seventeen. Good morning

3
00:00:10,039 --> 00:00:15,880
Speaker 2: Melissa everyone today. Well, I think we're doing well. I

4
00:00:15,920 --> 00:00:17,320
Speaker 2: love your sing songy voice.

5
00:00:19,320 --> 00:00:21,280
Speaker 3: I'm so excited to talk with you all.

6
00:00:21,800 --> 00:00:25,160
Speaker 2: So you are in uh oh, Morris County, New Jersey.

7
00:00:25,200 --> 00:00:26,880
Speaker 2: You're not far from where I'm sitting right now. So

8
00:00:27,000 --> 00:00:28,680
Speaker 2: hig neighbor. I hope you're doing well.

9
00:00:28,920 --> 00:00:30,800
Speaker 1: Hello, they are doing so great.

10
00:00:30,840 --> 00:00:33,760
Speaker 3: I'm so excited to try to get to people that

11
00:00:33,840 --> 00:00:36,520
Speaker 3: were maybe not the greatest guests on your show.

12
00:00:36,840 --> 00:00:39,240
Speaker 2: Very well, good. That's what this is about. It's called

13
00:00:39,560 --> 00:00:43,239
Speaker 2: rubbed us the wrong way in these artists, that of

14
00:00:43,280 --> 00:00:45,000
Speaker 2: course the musicians, and that's how you're going to figure

15
00:00:45,000 --> 00:00:46,879
Speaker 2: out who they are. But there's a story behind each

16
00:00:46,920 --> 00:00:49,520
Speaker 2: of every one of them. Some of them you've heard

17
00:00:49,520 --> 00:00:52,080
Speaker 2: more than others. Sometimes these stories we talk about them

18
00:00:52,080 --> 00:00:55,000
Speaker 2: every day and we never let it go. Ever, So

19
00:00:55,080 --> 00:00:58,240
Speaker 2: let's go. Should we just roll? Do you we have

20
00:00:58,280 --> 00:01:00,480
Speaker 2: music ready to go? What's the noise?

21
00:01:03,040 --> 00:01:05,480
Speaker 3: My son chatting in the background. We're going to hope

22
00:01:05,480 --> 00:01:08,039
Speaker 3: that he just scares me on and doesn't cry.

23
00:01:08,080 --> 00:01:11,000
Speaker 2: Well, just let him cry. Let him cry. All right,

24
00:01:11,000 --> 00:01:12,440
Speaker 2: there is a prize at the end. We don't know

25
00:01:12,480 --> 00:01:14,640
Speaker 2: what it is. Here we go. These people rubbed us

26
00:01:14,640 --> 00:01:18,760
Speaker 2: the wrong way. Here is artist number one, because.

27
00:01:18,400 --> 00:01:24,960
Speaker 4: There's a long, long tusk from the life from when

28
00:01:25,040 --> 00:01:27,680
Speaker 4: I'm wait, all right.

29
00:01:28,040 --> 00:01:28,600
Speaker 2: Who is that?

30
00:01:29,120 --> 00:01:31,240
Speaker 1: Okay, it's that Creed?

31
00:01:31,920 --> 00:01:32,640
Speaker 2: Yes it is?

32
00:01:32,760 --> 00:01:36,360
Speaker 3: Yeah?

33
00:01:36,440 --> 00:01:38,560
Speaker 2: I believe this is a Gandhi story?

34
00:01:38,600 --> 00:01:38,720
Speaker 5: Is it?

35
00:01:39,400 --> 00:01:40,399
Speaker 2: Absolutely? What happened?

36
00:01:40,400 --> 00:01:40,919
Speaker 4: Got staffed?

37
00:01:40,959 --> 00:01:43,000
Speaker 3: The lead singer of Creed came into a station where

38
00:01:43,040 --> 00:01:45,800
Speaker 3: I was working and was the biggest jerk of anyone

39
00:01:45,840 --> 00:01:49,520
Speaker 3: I've ever encountered. He demanded to have meditation space in

40
00:01:49,680 --> 00:01:53,040
Speaker 3: the kitchen where everybody was, and anytime somebody walked by,

41
00:01:53,080 --> 00:01:56,320
Speaker 3: he would yell at them.

42
00:01:55,120 --> 00:02:03,280
Speaker 2: Yes, meditation isn't working with him? Obviously, good I'm meditating

43
00:02:03,480 --> 00:02:07,560
Speaker 2: literally like that. Yes, all right, you got one. Here

44
00:02:07,600 --> 00:02:10,000
Speaker 2: we go, let's go for rub just the wrong way

45
00:02:10,080 --> 00:02:18,000
Speaker 2: artist number two? Did you know who that is?

46
00:02:19,040 --> 00:02:19,200
Speaker 5: Oh?

47
00:02:19,880 --> 00:02:21,000
Speaker 3: Can you play it one more time?

48
00:02:21,080 --> 00:02:22,400
Speaker 5: So I could? I couldn't.

49
00:02:22,480 --> 00:02:34,440
Speaker 2: Here we go, all right? Who is that that?

50
00:02:34,840 --> 00:02:35,320
Speaker 1: Mellie?

51
00:02:36,440 --> 00:02:38,280
Speaker 4: No?

52
00:02:39,680 --> 00:02:45,040
Speaker 2: That was Casey and Jojo? All right now, how did

53
00:02:45,040 --> 00:02:46,840
Speaker 2: they piss us off? Who goes first?

54
00:02:47,639 --> 00:02:50,400
Speaker 3: Uh? Well, Scotty is the one that they really upset

55
00:02:50,440 --> 00:02:52,320
Speaker 3: because they were supposed to take the stage at one

56
00:02:52,360 --> 00:02:54,880
Speaker 3: of our shows, and apparently they refused to go on

57
00:02:55,080 --> 00:02:57,840
Speaker 3: until he went and got them a specific type of food,

58
00:02:58,320 --> 00:02:59,760
Speaker 3: and it was a big hold up, and I think

59
00:02:59,760 --> 00:03:01,440
Speaker 3: feah they upset as well.

60
00:03:01,840 --> 00:03:02,160
Speaker 2: Well.

61
00:03:02,320 --> 00:03:05,280
Speaker 4: They were at a Kiss FM Los Angeles jingle Ball

62
00:03:05,320 --> 00:03:08,880
Speaker 4: concert in December of two thousand and one of the

63
00:03:08,880 --> 00:03:11,919
Speaker 4: guys just decided to give a new meaning to jingle ball.

64
00:03:12,000 --> 00:03:18,200
Speaker 4: He pulled out his entire genital units, shaking it around

65
00:03:18,280 --> 00:03:18,919
Speaker 4: at jingle ball.

66
00:03:19,280 --> 00:03:20,120
Speaker 2: All right, there you go.

67
00:03:22,520 --> 00:03:22,800
Speaker 1: Wow.

68
00:03:23,000 --> 00:03:27,200
Speaker 2: Well this contest called rubbed Us the Wrong Way. It

69
00:03:27,200 --> 00:03:31,440
Speaker 2: looks like they rubbed themselves the wrong way. All right, Okay,

70
00:03:31,520 --> 00:03:33,400
Speaker 2: so you have one. You didn't get that one, all right?

71
00:03:33,440 --> 00:03:35,520
Speaker 2: The stories are kind of fascinating. Right right here is

72
00:03:35,960 --> 00:03:38,920
Speaker 2: rubbed Us the Wrong Ways our de number three. Here

73
00:03:38,920 --> 00:03:46,400
Speaker 2: we go the one game. All right? Who's that?

74
00:03:46,400 --> 00:03:49,760
Speaker 4: That is the super Bowl Star of next year?

75
00:03:50,000 --> 00:03:50,440
Speaker 1: Usher?

76
00:03:50,840 --> 00:03:56,560
Speaker 2: Usher. Absolutely, we'll just keep it simple. He came up

77
00:03:56,600 --> 00:03:58,160
Speaker 2: to do an interview. He was not in a good mood,

78
00:03:58,200 --> 00:04:03,160
Speaker 2: and I'm very nice, exactly, mister cranky mans. All right,

79
00:04:03,160 --> 00:04:05,000
Speaker 2: you have two out of three. Let's go to rub

80
00:04:05,160 --> 00:04:08,600
Speaker 2: Us the Wrong Way? Artist number four. I came to move, Move,

81
00:04:08,760 --> 00:04:09,520
Speaker 2: Move Move.

82
00:04:11,720 --> 00:04:14,040
Speaker 1: Oh my gosh, Oh my gosh.

83
00:04:14,080 --> 00:04:19,520
Speaker 2: What's his name exactly? Wait?

84
00:04:19,680 --> 00:04:21,440
Speaker 1: I know I can say the words of the song,

85
00:04:21,560 --> 00:04:22,360
Speaker 1: I cannot.

86
00:04:22,080 --> 00:04:22,840
Speaker 4: Remember his name.

87
00:04:23,200 --> 00:04:29,560
Speaker 2: All right, that is Tyo. It's Tyo Cruise Cruise. Yeah.

88
00:04:29,720 --> 00:04:33,760
Speaker 2: Sometimes great song again.

89
00:04:33,920 --> 00:04:34,120
Speaker 5: Yeah.

90
00:04:34,560 --> 00:04:37,440
Speaker 2: An artist that came into the studio refused to take

91
00:04:37,480 --> 00:04:39,440
Speaker 2: off his song glasses. He referred to himself in the

92
00:04:39,480 --> 00:04:41,880
Speaker 2: third person. I'm like, would you say, would you like

93
00:04:41,880 --> 00:04:43,600
Speaker 2: to take your glasses off? And RELI likes he said,

94
00:04:43,800 --> 00:04:48,640
Speaker 2: Tyo Cruise does not take his glasses off. So you

95
00:04:48,720 --> 00:04:51,200
Speaker 2: rubbed this the wrong way? All right? So you have, uh,

96
00:04:51,520 --> 00:04:52,840
Speaker 2: you have two out of two, out of two out

97
00:04:52,839 --> 00:04:56,400
Speaker 2: of four. All right, I love this game. Here we go,

98
00:04:57,240 --> 00:04:58,840
Speaker 2: Here we go. It is rubbed us the wrong way.

99
00:04:58,880 --> 00:05:05,800
Speaker 2: Artist number five, now, mama, feel like December. Hmm, who's that?

100
00:05:05,960 --> 00:05:10,560
Speaker 2: Adam Levine? Marine five? All right, here is the story,

101
00:05:10,600 --> 00:05:10,720
Speaker 2: is it?

102
00:05:10,800 --> 00:05:12,320
Speaker 1: Daniel Take that one?

103
00:05:12,440 --> 00:05:13,800
Speaker 2: This is Danielle's story.

104
00:05:13,960 --> 00:05:17,240
Speaker 1: So I was obsessed with Adam Levine. I was so

105
00:05:17,279 --> 00:05:19,760
Speaker 1: excited to meet him. I finally got the opportunity to

106
00:05:19,800 --> 00:05:22,560
Speaker 1: interview him one on one. We sat down, we had

107
00:05:22,600 --> 00:05:24,280
Speaker 1: a chat, and I was gushing a little bit, I

108
00:05:24,320 --> 00:05:26,760
Speaker 1: will admit it. But at one point I said, oh,

109
00:05:26,839 --> 00:05:28,279
Speaker 1: you know when you did this, when you did that,

110
00:05:28,360 --> 00:05:30,680
Speaker 1: it was wonderful. And his answer to me was, man,

111
00:05:30,760 --> 00:05:32,640
Speaker 1: I could take a poop on the floor and you'd

112
00:05:32,640 --> 00:05:33,600
Speaker 1: think it was wonderful.

113
00:05:34,760 --> 00:05:35,039
Speaker 5: All right.

114
00:05:35,120 --> 00:05:38,040
Speaker 1: Oh yeah, So it was a little juice baggery going

115
00:05:38,080 --> 00:05:38,520
Speaker 1: on there.

116
00:05:38,839 --> 00:05:39,039
Speaker 5: Yeah.

117
00:05:39,240 --> 00:05:41,680
Speaker 2: And I was interviewing, actually doing a show in the

118
00:05:41,680 --> 00:05:46,440
Speaker 2: iHeartRadio Theater in Burbank, California, and he was just impossible

119
00:05:46,440 --> 00:05:46,720
Speaker 2: to work.

120
00:05:47,040 --> 00:05:50,039
Speaker 1: Oh and if you call Carolina a great t show,

121
00:05:50,240 --> 00:05:51,600
Speaker 1: she'll tell you a story as well.

122
00:05:51,880 --> 00:05:54,760
Speaker 2: Yeah, there you go. So yeah, Adam Levine Maroon five

123
00:05:55,360 --> 00:05:59,120
Speaker 2: rubbed us the wrong way, very talented, love their music. Okay,

124
00:05:59,120 --> 00:06:01,400
Speaker 2: we'll give him that. Here we go, rubbed us the

125
00:06:01,440 --> 00:06:03,240
Speaker 2: wrong way, artist number six.

126
00:06:07,480 --> 00:06:12,120
Speaker 4: Okay, command of guy.

127
00:06:12,400 --> 00:06:14,440
Speaker 1: Oh no, mm hmm.

128
00:06:16,839 --> 00:06:24,599
Speaker 2: His name is I honestly yeah, oh that's Barry Manilow.

129
00:06:28,800 --> 00:06:30,159
Speaker 2: So I don't know if you read my book, but

130
00:06:30,160 --> 00:06:31,720
Speaker 2: I grew up listening to Barry Manilow. One of my

131
00:06:31,720 --> 00:06:33,760
Speaker 2: favorite artists of all time. My first album I ever

132
00:06:33,839 --> 00:06:36,520
Speaker 2: owned was Barry Manilow. And I met him once at

133
00:06:36,839 --> 00:06:38,599
Speaker 2: a fundraiser here in New York City, and he was

134
00:06:39,160 --> 00:06:42,400
Speaker 2: so mean and so dismissive, and I was and I

135
00:06:42,480 --> 00:06:44,920
Speaker 2: wasn't doing anything wrong. And I wrote about him in

136
00:06:44,960 --> 00:06:47,680
Speaker 2: my book. I called him a big a hole. He'll

137
00:06:47,680 --> 00:06:50,440
Speaker 2: deny it. Well, no, his people got in touch with

138
00:06:50,440 --> 00:06:53,600
Speaker 2: my people, saying mister Madelow doesn't remember meeting mister Ellis,

139
00:06:53,800 --> 00:06:55,320
Speaker 2: And well he did and he was an a hole.

140
00:06:55,160 --> 00:06:59,800
Speaker 5: All right, Yeah he was.

141
00:07:00,400 --> 00:07:02,440
Speaker 1: My mom was so excited to meet him. And it

142
00:07:02,520 --> 00:07:04,919
Speaker 1: looked like like we just like beat him to death

143
00:07:04,960 --> 00:07:06,800
Speaker 1: when we took a picture together.

144
00:07:08,080 --> 00:07:09,760
Speaker 4: So nice, give me mean Daniel's mom.

145
00:07:10,160 --> 00:07:13,280
Speaker 2: Well, I know people to say that love this game.

146
00:07:13,320 --> 00:07:15,880
Speaker 2: It's a game about people who have rubbed us the

147
00:07:15,880 --> 00:07:18,400
Speaker 2: wrong way. Here is artist. Oh I love. This is

148
00:07:18,400 --> 00:07:20,600
Speaker 2: a great story too. This is artist number seven. You

149
00:07:20,600 --> 00:07:30,840
Speaker 2: may not get this one though. Here we go, right.

150
00:07:30,920 --> 00:07:32,480
Speaker 2: I don't know how many hits she had, but we

151
00:07:32,560 --> 00:07:35,320
Speaker 2: played that one. That was it? That was that a

152
00:07:35,360 --> 00:07:36,280
Speaker 2: medley of her hit.

153
00:07:39,080 --> 00:07:40,000
Speaker 1: She was the one hit.

154
00:07:40,400 --> 00:07:42,080
Speaker 3: You know what, I have no idea.

155
00:07:42,360 --> 00:07:46,000
Speaker 2: I want to Okay, let alone, man? That was that

156
00:07:46,120 --> 00:07:56,360
Speaker 2: was mon Yes exactly, Well, yeah, it rubbed us the

157
00:07:56,360 --> 00:07:57,680
Speaker 2: wrong way, talk about it. Frog.

158
00:07:58,360 --> 00:08:00,680
Speaker 4: So we had a concert with her in Sampa, Florida,

159
00:08:00,880 --> 00:08:04,240
Speaker 4: and She showed up with her dog and the dog

160
00:08:04,280 --> 00:08:06,160
Speaker 4: had not eaten that day, and she said she was

161
00:08:06,320 --> 00:08:09,960
Speaker 4: not going on stage until her dog got a specific

162
00:08:10,120 --> 00:08:12,600
Speaker 4: kind of food. All took somebody to let her know

163
00:08:12,640 --> 00:08:14,840
Speaker 4: that that was not happening. She had to get her

164
00:08:14,880 --> 00:08:16,280
Speaker 4: ass on that stage and performance.

165
00:08:17,560 --> 00:08:19,720
Speaker 2: Yeah, the stage manager actually said what to her.

166
00:08:20,240 --> 00:08:22,240
Speaker 4: You gotta get your big ass on that stage. And

167
00:08:22,280 --> 00:08:24,800
Speaker 4: seeing that one song you got or we're never playing

168
00:08:24,840 --> 00:08:26,240
Speaker 4: it again, she.

169
00:08:26,320 --> 00:08:31,800
Speaker 2: Got there, you go. Math rubbed us the wrong way,

170
00:08:31,800 --> 00:08:33,800
Speaker 2: all right, We have a couple more. Here's Oh, I'm

171
00:08:34,160 --> 00:08:35,960
Speaker 2: I'm said to report this one, but and I don't

172
00:08:35,960 --> 00:08:37,920
Speaker 2: want to, but we have to another artist that rubbed

173
00:08:38,000 --> 00:08:39,280
Speaker 2: us the wrong way.

174
00:08:45,160 --> 00:08:45,640
Speaker 3: Madonna?

175
00:08:46,120 --> 00:08:55,400
Speaker 2: Yes, where do we start on this one? Happened to

176
00:08:55,559 --> 00:08:58,360
Speaker 2: love Madonna, and I still support her to this day.

177
00:08:58,360 --> 00:09:00,600
Speaker 2: If she came out and concert, I and see it.

178
00:09:00,840 --> 00:09:04,800
Speaker 2: But we had a thirty minute live syndicated show at

179
00:09:04,880 --> 00:09:07,800
Speaker 2: Dylan's Candy Bar here in New York City where she

180
00:09:07,880 --> 00:09:10,200
Speaker 2: was going to show up on time and we're going

181
00:09:10,240 --> 00:09:12,080
Speaker 2: to talk about our new album that just came out

182
00:09:12,080 --> 00:09:15,040
Speaker 2: that day and whatever. She showed up three minutes before

183
00:09:15,080 --> 00:09:17,240
Speaker 2: the end of the show, and we had one hundred

184
00:09:17,240 --> 00:09:19,840
Speaker 2: and fifty. We had one hundred and fifty radio stations

185
00:09:19,880 --> 00:09:22,800
Speaker 2: playing us talking about how Madonna wasn't there because it

186
00:09:22,840 --> 00:09:23,440
Speaker 2: was a live show.

187
00:09:24,040 --> 00:09:24,960
Speaker 3: Oh my god.

188
00:09:25,960 --> 00:09:28,240
Speaker 2: Then and then when she did get there, she was

189
00:09:28,280 --> 00:09:31,880
Speaker 2: not very nice. But I love her, don't get me wrong.

190
00:09:31,920 --> 00:09:34,320
Speaker 2: But she rubbed us the wrong way that time. But

191
00:09:34,360 --> 00:09:36,480
Speaker 2: some would say, what's Madonna? She can do whatever she wants?

192
00:09:36,480 --> 00:09:39,160
Speaker 2: All right? Here is rubbed us the wrong way? Artist

193
00:09:39,280 --> 00:09:46,760
Speaker 2: number nine? All right? Oh gosh, could I hear that

194
00:09:46,840 --> 00:09:48,000
Speaker 2: one one more time? So sorry?

195
00:09:48,040 --> 00:09:48,640
Speaker 5: It could hurt her?

196
00:09:48,679 --> 00:09:56,200
Speaker 1: Agree, Oh my gosh, I don't know.

197
00:09:58,880 --> 00:10:08,080
Speaker 2: Chumba womba all right? Who wants to take this work?

198
00:10:08,559 --> 00:10:08,679
Speaker 2: You do?

199
00:10:09,120 --> 00:10:09,240
Speaker 4: No?

200
00:10:09,440 --> 00:10:09,840
Speaker 2: Scary?

201
00:10:09,960 --> 00:10:12,120
Speaker 1: Scary always tells a good story about tumble woe.

202
00:10:12,200 --> 00:10:14,640
Speaker 2: No, I don't It wasn't me, It wasn't No, that

203
00:10:14,720 --> 00:10:17,320
Speaker 2: was Oasis. Wait Oasis?

204
00:10:17,440 --> 00:10:17,640
Speaker 5: Wait?

205
00:10:17,640 --> 00:10:20,160
Speaker 2: Hold on? Why are we mad Atchumbawama? Maybe we shouldn't be.

206
00:10:20,360 --> 00:10:23,280
Speaker 1: No, they were not nice people. They were douchebags. I

207
00:10:23,280 --> 00:10:25,439
Speaker 1: don't remember exactly. Why did I live it though?

208
00:10:25,880 --> 00:10:28,000
Speaker 2: Well? No, that's not fair. I mean I think we

209
00:10:28,000 --> 00:10:30,600
Speaker 2: should disqualify that one because we don't remember a story.

210
00:10:31,200 --> 00:10:34,880
Speaker 2: Stories we should play, We should play Oasis. But that was.

211
00:10:35,200 --> 00:10:39,200
Speaker 2: That was Tchumbawamba, And so you know, we really don't

212
00:10:39,200 --> 00:10:40,840
Speaker 2: know why we're mad at them, but we are okay,

213
00:10:40,880 --> 00:10:41,280
Speaker 2: moving on.

214
00:10:41,800 --> 00:10:44,240
Speaker 4: They were nice, that's okay.

215
00:10:44,320 --> 00:10:47,640
Speaker 2: And finally, for you, Melissa, here's the last artist that

216
00:10:47,679 --> 00:10:49,160
Speaker 2: rubbed us the wrong way. Let's see if you get

217
00:10:49,200 --> 00:10:54,240
Speaker 2: it your age in sight. She looked at me and said,

218
00:10:54,320 --> 00:10:58,040
Speaker 2: Juseph baby, all right, all right, I don't know who

219
00:10:58,200 --> 00:11:00,600
Speaker 2: this person made mad? But who is that artist?

220
00:11:02,040 --> 00:11:05,800
Speaker 1: Hmm, I don't think it's Kanye.

221
00:11:05,640 --> 00:11:17,440
Speaker 2: West, right, No, that is that's Cameron. Okay, great song. Well,

222
00:11:17,480 --> 00:11:19,480
Speaker 2: I know it's a great song. But who knows why

223
00:11:19,559 --> 00:11:20,960
Speaker 2: Cameron made us mad?

224
00:11:21,080 --> 00:11:22,360
Speaker 3: He rubbed the wrong way?

225
00:11:22,840 --> 00:11:27,480
Speaker 5: Oh he did years ago? What did he do? I

226
00:11:27,600 --> 00:11:29,719
Speaker 5: was an intern at one of our other stations and

227
00:11:29,840 --> 00:11:31,760
Speaker 5: he came up as a guest, and so I went

228
00:11:31,840 --> 00:11:33,560
Speaker 5: up to him and I'm like, hey, do you need anything?

229
00:11:33,679 --> 00:11:35,400
Speaker 5: Is there anything I can get you? He just looked

230
00:11:35,440 --> 00:11:40,160
Speaker 5: at me, like, did not open his mouth to say anything.

231
00:11:40,400 --> 00:11:43,280
Speaker 5: He just looked at me until I walked away.

232
00:11:43,880 --> 00:11:45,920
Speaker 2: Do you think maybe he didn't speak English?

233
00:11:47,360 --> 00:11:49,120
Speaker 5: He clearly speaks English. That loser.

234
00:11:50,360 --> 00:11:53,200
Speaker 2: Love the music, love the song, So you go, Cameron

235
00:11:53,440 --> 00:11:55,599
Speaker 2: rubbed us the wrong way and there you go. You

236
00:11:55,720 --> 00:12:00,600
Speaker 2: got Does she get four? Four out of ten? Those

237
00:12:00,679 --> 00:12:01,800
Speaker 2: artists are a little more obscure.

238
00:12:02,200 --> 00:12:03,040
Speaker 5: Let Diamonds down.

239
00:12:03,080 --> 00:12:07,400
Speaker 2: I'm sorry, Diamond, you feel like what Danielle I feel like.

240
00:12:07,440 --> 00:12:10,000
Speaker 1: There's so many other stories, like the Oasis story.

241
00:12:10,600 --> 00:12:15,839
Speaker 2: Story story and the apri Lvine story. Oh yeah, oh yeah.

242
00:12:15,960 --> 00:12:17,920
Speaker 3: We can keep going with this for as long as

243
00:12:17,960 --> 00:12:19,640
Speaker 3: you guys want to keep going with this. I just,

244
00:12:19,720 --> 00:12:20,840
Speaker 3: you know, political.

245
00:12:21,320 --> 00:12:23,000
Speaker 2: At the same time, I feel like we're holding onto

246
00:12:23,040 --> 00:12:26,480
Speaker 2: negative energy for the past. We should let it go,

247
00:12:26,559 --> 00:12:28,280
Speaker 2: all right. Nate's not here to give you anything. Do

248
00:12:28,400 --> 00:12:30,160
Speaker 2: we have something fun to send Melissa?

249
00:12:30,960 --> 00:12:31,480
Speaker 5: I need? Oh?

250
00:12:31,800 --> 00:12:37,720
Speaker 2: Nate just responded nothing. He wrong? Wow? Even he really

251
00:12:37,880 --> 00:12:42,280
Speaker 2: is into sickness. He's no fun. All right, Well, we

252
00:12:42,559 --> 00:12:44,480
Speaker 2: will send you something. We're gonna get your info off

253
00:12:44,520 --> 00:12:46,160
Speaker 2: the air. Diamond. Please take care of her and we

254
00:12:46,160 --> 00:12:51,640
Speaker 2: will send you something. I swear. We can't thank you.

255
00:12:51,840 --> 00:12:54,280
Speaker 2: Hold on one second, and we can't let Nate's absence

256
00:12:54,320 --> 00:12:57,760
Speaker 2: hold on hold up, our show not gonna happen. I

257
00:12:57,800 --> 00:12:59,199
Speaker 2: guess Nate should be on the list of people that

258
00:12:59,280 --> 00:12:59,880
Speaker 2: rubbed us the wrong.

259
00:13:00,320 --> 00:13:01,600
Speaker 3: Oh, we can put them in the next game.

260
00:13:01,880 --> 00:13:02,559
Speaker 2: Okay, please do