1 00:00:08,440 --> 00:00:17,599 Speaker 1: Scrible advice. Shoot spell, Welcome to the not even Nice Show. 2 00:00:17,640 --> 00:00:20,040 Speaker 1: I'm your house, stop Shooter. It's Monday, which means my 3 00:00:20,120 --> 00:00:22,840 Speaker 1: dear friend Garrett Vocal is with us. Hey, Garrett, are 4 00:00:22,880 --> 00:00:25,720 Speaker 1: you there? Step aside, Rob Shooter. I am here to 5 00:00:25,800 --> 00:00:29,560 Speaker 1: kick off the week, step aside. I will indeed, my 6 00:00:29,680 --> 00:00:32,080 Speaker 1: friend listen. I have a little bit of a cold today. 7 00:00:32,120 --> 00:00:34,080 Speaker 1: It's not COVID. I did my test, but I have 8 00:00:34,159 --> 00:00:36,159 Speaker 1: a little bit of a coals if a bit croaky. 9 00:00:36,640 --> 00:00:40,960 Speaker 1: Stay with me. At what time is it you need? 10 00:00:41,320 --> 00:00:43,239 Speaker 1: It's tea time you need a little honey. Oh I 11 00:00:43,280 --> 00:00:45,320 Speaker 1: do need a little honey in my tea, Garrett. It's 12 00:00:45,360 --> 00:00:47,560 Speaker 1: a really good idea. I'm here. That's why I'm here. 13 00:00:47,720 --> 00:00:50,760 Speaker 1: Thank you here for many many reasons. So a fake 14 00:00:50,840 --> 00:00:52,680 Speaker 1: story at the top of the show was going to happen. 15 00:00:52,800 --> 00:00:56,640 Speaker 1: Sooner or later. Somebody asked a Rod about Jennifer Lopez 16 00:00:56,760 --> 00:01:00,520 Speaker 1: marrying Ben Affleck. He was a gentleman about and said, 17 00:01:00,640 --> 00:01:04,560 Speaker 1: I wish them the very best. That's it. So he 18 00:01:04,640 --> 00:01:09,240 Speaker 1: appeared on a new show Who's Talking to Chris Wallace, 19 00:01:09,240 --> 00:01:11,000 Speaker 1: which I don't think it's actually doing that well in 20 00:01:11,000 --> 00:01:16,200 Speaker 1: the ratings. That's beside the point. But Max, when I 21 00:01:16,240 --> 00:01:19,160 Speaker 1: think HBO, Max, I don't think Chris wall I don't 22 00:01:19,200 --> 00:01:22,880 Speaker 1: think it is a well. So Chris grilled him about 23 00:01:22,959 --> 00:01:24,920 Speaker 1: many many things, but the one that we care about 24 00:01:24,959 --> 00:01:27,640 Speaker 1: because of the sort of show we are is Jennifer Lepis. 25 00:01:27,720 --> 00:01:30,000 Speaker 1: Now they were engaged. Remember that they were engaged to 26 00:01:30,120 --> 00:01:32,440 Speaker 1: get married. They were going to get married in twenty 27 00:01:32,600 --> 00:01:36,039 Speaker 1: twenty one. They were together for four years, then she 28 00:01:36,120 --> 00:01:39,119 Speaker 1: quickly moved on to Ben Affleck and those two are 29 00:01:39,160 --> 00:01:42,040 Speaker 1: now married. So it's asked about it, and he said, honestly, 30 00:01:42,800 --> 00:01:45,840 Speaker 1: does it bother you? So he was asked the following, honestly, 31 00:01:46,200 --> 00:01:48,800 Speaker 1: does it bother you that within days after you broke 32 00:01:48,960 --> 00:01:52,600 Speaker 1: up she was back with Ben Affleck. That's quite a question, 33 00:01:52,880 --> 00:01:57,400 Speaker 1: and he said, this is the response. Weller, Jennifer, look, 34 00:01:57,960 --> 00:02:02,200 Speaker 1: it was a good experience, m and I wish her 35 00:02:02,320 --> 00:02:04,840 Speaker 1: and the children that's nice, the very who are very 36 00:02:04,840 --> 00:02:08,280 Speaker 1: smart and beautiful. I'm wonderful. I wish them all the best. 37 00:02:08,560 --> 00:02:12,560 Speaker 1: Chris Wallace responded by saying, that's it. And he said 38 00:02:12,800 --> 00:02:17,119 Speaker 1: that's it. Do Let's let's read a little bit more 39 00:02:17,120 --> 00:02:19,919 Speaker 1: into this. So as the story went, first off, Rob Shooter, 40 00:02:20,120 --> 00:02:23,560 Speaker 1: but when when j Lo and a Rod got engaged, 41 00:02:23,919 --> 00:02:25,720 Speaker 1: you were one of the first to say that they 42 00:02:25,760 --> 00:02:28,960 Speaker 1: would not be walking down the aisle, and you were 43 00:02:29,080 --> 00:02:32,600 Speaker 1: very true on that point. Second, the rumor of a 44 00:02:32,800 --> 00:02:35,360 Speaker 1: Rad the reason why the relationship ended, A Rod was 45 00:02:35,400 --> 00:02:39,200 Speaker 1: a little you know, curious with other females. You know, 46 00:02:39,520 --> 00:02:43,919 Speaker 1: very adam n you know, um so. So the only 47 00:02:43,960 --> 00:02:47,480 Speaker 1: way to play this is the if he went the 48 00:02:48,080 --> 00:02:51,120 Speaker 1: I she's the one that got away, Like you have 49 00:02:51,200 --> 00:02:52,880 Speaker 1: to you have to be the nice guy. You have 50 00:02:52,919 --> 00:02:55,040 Speaker 1: to be the nice guy. Yea, you can't say you know, 51 00:02:55,120 --> 00:02:58,240 Speaker 1: I'm furious about this, and I also think it's really clever. 52 00:02:58,360 --> 00:02:59,880 Speaker 1: It's a bit of a PR trick. So before I 53 00:03:00,120 --> 00:03:03,680 Speaker 1: was a fabulous gossip columnist and doing podcast and all 54 00:03:03,760 --> 00:03:05,720 Speaker 1: the stuff, I was a publicist. So I know a 55 00:03:05,720 --> 00:03:09,560 Speaker 1: PR statement when I see one, and when every throw it, 56 00:03:10,040 --> 00:03:11,920 Speaker 1: I know I looked at it like a eaglize. I'm 57 00:03:11,960 --> 00:03:14,120 Speaker 1: still a publicist at heart, you know, I'm a good publicist. 58 00:03:14,160 --> 00:03:15,640 Speaker 1: I don't do it anymore, but I still know what 59 00:03:15,680 --> 00:03:17,560 Speaker 1: they're doing. That's probably why I'm a good gossip columns 60 00:03:17,639 --> 00:03:19,959 Speaker 1: because I know all these statements. Whenever you throw in 61 00:03:20,000 --> 00:03:22,799 Speaker 1: the children, you win. There because it shuts everything down. 62 00:03:22,960 --> 00:03:26,640 Speaker 1: The minute he wished her children the best. Now you've 63 00:03:26,680 --> 00:03:30,120 Speaker 1: got to approach that very differently. It would be easy 64 00:03:29,560 --> 00:03:32,839 Speaker 1: about a nice guy, and we look like not nice 65 00:03:32,880 --> 00:03:34,960 Speaker 1: guys if we talk about him that because now we're 66 00:03:34,960 --> 00:03:40,080 Speaker 1: talking about children, which we can suff next story. You 67 00:03:40,160 --> 00:03:43,080 Speaker 1: gotta do the next would you mention children? If I 68 00:03:43,240 --> 00:03:45,440 Speaker 1: follow up on that, then I'm a bad guys. You 69 00:03:45,440 --> 00:03:47,760 Speaker 1: have to be very, very careful. So a run, you know, 70 00:03:48,160 --> 00:03:50,760 Speaker 1: nicely played is that I think they see it in 71 00:03:50,840 --> 00:03:53,440 Speaker 1: the land of baseball. What would be a baseball equivalent? 72 00:03:53,480 --> 00:03:56,000 Speaker 1: This is a home run I well know home run 73 00:03:56,040 --> 00:04:00,680 Speaker 1: would be if he actually married Jennifer. He's safely got 74 00:04:00,760 --> 00:04:02,680 Speaker 1: to first. He safely got out of this. He's definitely 75 00:04:02,720 --> 00:04:06,080 Speaker 1: got Chris Wallace. I love you these cheeky questions. Chris 76 00:04:06,120 --> 00:04:08,240 Speaker 1: Wallace is like an older Andy Cohen, isn't it. It's 77 00:04:08,240 --> 00:04:10,960 Speaker 1: a cheeky little devil. We'll gets away with stuff he is. 78 00:04:11,120 --> 00:04:13,600 Speaker 1: I mean, but I'm used to Chris Wallace coming what's 79 00:04:13,600 --> 00:04:19,240 Speaker 1: going on between the left and right side politics and down? Well, 80 00:04:19,279 --> 00:04:22,320 Speaker 1: I'm glad, Chris, you finally found the real news. The 81 00:04:22,360 --> 00:04:25,480 Speaker 1: news week cover dare brings us to our pole question 82 00:04:25,520 --> 00:04:28,760 Speaker 1: the day A Rod spoke about jay Lo Marian ban 83 00:04:28,920 --> 00:04:31,680 Speaker 1: Affleck and said, I wish them the very best? Hey, 84 00:04:31,720 --> 00:04:33,960 Speaker 1: do you believe him were so naughty? Here? Do you 85 00:04:34,000 --> 00:04:37,720 Speaker 1: think a Rod really does wish Jennifer and then the best? 86 00:04:37,800 --> 00:04:40,120 Speaker 1: I want to know? Go vote on our Twitter page 87 00:04:40,160 --> 00:04:43,479 Speaker 1: at naughty nice Rob, But facebook page is noughty els 88 00:04:43,560 --> 00:04:46,880 Speaker 1: him and me. Sure to check back Tema Rose here 89 00:04:47,080 --> 00:04:49,080 Speaker 1: your results. Take Garrett Love, what are you working on? 90 00:04:49,240 --> 00:04:51,320 Speaker 1: The Rob? Sit back for a story. Let me take 91 00:04:51,400 --> 00:04:55,400 Speaker 1: this one and you rest the voice. So as we 92 00:04:55,480 --> 00:04:58,240 Speaker 1: know a few about a year and change ago, Scooter 93 00:04:58,360 --> 00:05:02,200 Speaker 1: Braun bought a record label, Big Machine Records, who was 94 00:05:02,400 --> 00:05:05,880 Speaker 1: also had the rights to Taylor Swift's music. Now, Taylor 95 00:05:05,880 --> 00:05:08,200 Speaker 1: Swift has moved on from that management company, but that 96 00:05:08,360 --> 00:05:11,760 Speaker 1: management company still owned all of Taylor swift songs, hence 97 00:05:11,839 --> 00:05:14,360 Speaker 1: why she's re recording. So when scootle Braun and his 98 00:05:14,440 --> 00:05:18,000 Speaker 1: company bought this, all of Taylor Swift fans were furious, 99 00:05:18,040 --> 00:05:22,760 Speaker 1: including Taylor saying this is uncalled for worthy, He's going 100 00:05:22,839 --> 00:05:25,760 Speaker 1: to ruin my music. He's a bully blah blah blah 101 00:05:25,760 --> 00:05:29,160 Speaker 1: blah blah. So now two years later, Scooter Braun, who 102 00:05:29,200 --> 00:05:30,880 Speaker 1: has gone through a lot over the last year. I 103 00:05:30,960 --> 00:05:33,000 Speaker 1: sat down with his best friend Jay Williams, who has 104 00:05:33,040 --> 00:05:35,680 Speaker 1: a podcast, and he opened up and toes, I learned 105 00:05:35,680 --> 00:05:39,760 Speaker 1: an important lesson from from this. Uh So, you know obviously, 106 00:05:40,400 --> 00:05:44,279 Speaker 1: uh Taylor Win public with the frustration when Scooter Braun 107 00:05:44,320 --> 00:05:47,560 Speaker 1: and his label bought her rights, claiming she was previously 108 00:05:47,600 --> 00:05:50,040 Speaker 1: blocked from trying to buy the Masters. And this is 109 00:05:50,120 --> 00:05:53,160 Speaker 1: what Scooter said. I was under a very strict indie, 110 00:05:53,279 --> 00:05:56,680 Speaker 1: a nondisclosure agreement with the gentleman who owned it, and 111 00:05:56,760 --> 00:06:00,680 Speaker 1: I couldn't tell any artist, even Taylor Swift. I wasn't 112 00:06:00,680 --> 00:06:03,880 Speaker 1: allowed to. I wasn't legally allowed to um so, which 113 00:06:03,920 --> 00:06:05,840 Speaker 1: which is interesting because we didn't tend to think of it. 114 00:06:05,960 --> 00:06:08,200 Speaker 1: We just thought screw Brown was coming into it going 115 00:06:08,240 --> 00:06:12,360 Speaker 1: I'm going to screw up correct. So I was excited 116 00:06:12,400 --> 00:06:14,160 Speaker 1: to work with every artist on the label. So when 117 00:06:14,240 --> 00:06:17,320 Speaker 1: we finalized the deal, I started making phone calls to say, hey, 118 00:06:17,400 --> 00:06:19,040 Speaker 1: I'm a part of this. And before I could even 119 00:06:19,120 --> 00:06:21,839 Speaker 1: do that, I made four phone calls and all help 120 00:06:21,880 --> 00:06:24,320 Speaker 1: broke loose. As we've learned. Uh So, he goes, I 121 00:06:24,440 --> 00:06:27,200 Speaker 1: regret that I have. So the regret I have is 122 00:06:27,279 --> 00:06:29,560 Speaker 1: that I've made the assumption that everyone was going to 123 00:06:29,640 --> 00:06:32,599 Speaker 1: have a conversation with me, see my intent, see my character, 124 00:06:32,760 --> 00:06:35,479 Speaker 1: and say great, let's uh let's be in business together. 125 00:06:35,640 --> 00:06:38,120 Speaker 1: And I made the assumption with people that I didn't know. No, 126 00:06:38,839 --> 00:06:41,920 Speaker 1: So it's so it's interesting. I mean, as we know, 127 00:06:42,480 --> 00:06:45,880 Speaker 1: Screw Lebron, Reps, Justin Bieber are on a Grande Demilovado, 128 00:06:46,000 --> 00:06:49,880 Speaker 1: J Balvin, the works pretty much BTS UM. So he 129 00:06:50,040 --> 00:06:53,120 Speaker 1: ended up selling Big Machine two years later after the mess, 130 00:06:53,400 --> 00:06:55,159 Speaker 1: made a hell of a lot of money, and then 131 00:06:55,200 --> 00:06:58,120 Speaker 1: he put that towards buying the BTS label. UM. And 132 00:06:58,440 --> 00:06:59,960 Speaker 1: But but here's the thing. We don't know if tel 133 00:07:00,080 --> 00:07:03,480 Speaker 1: Swift is going to forgive it forgive screw le Bron 134 00:07:03,680 --> 00:07:07,560 Speaker 1: and uh Mr Borchetta, who was the other gentleman who 135 00:07:07,640 --> 00:07:10,520 Speaker 1: previously on the label. I don't think so. But as 136 00:07:10,560 --> 00:07:13,160 Speaker 1: we know, Tellor Swift rerecording all her albums so she 137 00:07:13,280 --> 00:07:16,200 Speaker 1: could have ownership of her music. Yeah, I mean, there 138 00:07:16,240 --> 00:07:19,320 Speaker 1: are the both winners here. Taylor's rerecording her albums and 139 00:07:19,360 --> 00:07:21,840 Speaker 1: they're doing incredibly well, so she's making a ton of 140 00:07:21,920 --> 00:07:24,080 Speaker 1: money there. So she's basically getting back all all her 141 00:07:24,120 --> 00:07:27,360 Speaker 1: masters because she's recreating new ones. Scooter has sold the 142 00:07:27,440 --> 00:07:29,440 Speaker 1: label already and made hundreds of millions of dollars, so 143 00:07:29,520 --> 00:07:32,080 Speaker 1: he went to So don't get too concerned about anybody here. 144 00:07:32,120 --> 00:07:34,800 Speaker 1: But there is a lesson in this, isn't there Schoolers 145 00:07:34,840 --> 00:07:37,440 Speaker 1: should have known better. I think, like it's awfully sweet, 146 00:07:37,520 --> 00:07:39,920 Speaker 1: but maybe a little naive to think you can just 147 00:07:40,040 --> 00:07:43,520 Speaker 1: turn up and own somebody's catalog, their life work and 148 00:07:43,680 --> 00:07:46,240 Speaker 1: not talk to them about it beforehand. But at the 149 00:07:46,280 --> 00:07:49,960 Speaker 1: same time he was under confidentiality clause so he couldn't 150 00:07:50,000 --> 00:07:52,320 Speaker 1: talk about it. The assumption here, and I think Scooter 151 00:07:52,440 --> 00:07:56,520 Speaker 1: is right, is the mistake is the assumption. Don't assume 152 00:07:57,080 --> 00:08:01,080 Speaker 1: that everybody wants you to own part of them without 153 00:08:01,240 --> 00:08:03,480 Speaker 1: a talk about it. Like if you think about it, 154 00:08:03,640 --> 00:08:05,760 Speaker 1: just in our own lives, when we get a new boss, 155 00:08:05,880 --> 00:08:10,120 Speaker 1: it's really scary. You don't want necessarily somebody else coming in, 156 00:08:10,280 --> 00:08:13,000 Speaker 1: and it's silly to assume that when you walk in, 157 00:08:13,080 --> 00:08:15,400 Speaker 1: everyone's going to imbrace you. This has happened to me. Yeah, 158 00:08:15,760 --> 00:08:18,280 Speaker 1: I was given a job at a magazine, so when 159 00:08:18,280 --> 00:08:21,200 Speaker 1: I no longer wanted to do publicity, Okay, magazine had 160 00:08:21,240 --> 00:08:24,240 Speaker 1: launched in America and they offered me the executive editor job. 161 00:08:24,320 --> 00:08:27,160 Speaker 1: I just assumed Garrett I would walk in and there'd 162 00:08:27,200 --> 00:08:29,480 Speaker 1: be a red carpet and flowers and for it was 163 00:08:29,560 --> 00:08:32,640 Speaker 1: the first time, really in my life there I say 164 00:08:32,760 --> 00:08:35,920 Speaker 1: that I turned up at a job that didn't want me, 165 00:08:36,200 --> 00:08:38,400 Speaker 1: and I didn't quite know how to deal with it. 166 00:08:38,520 --> 00:08:41,360 Speaker 1: Like every other job I've had, been an intern or 167 00:08:41,640 --> 00:08:45,040 Speaker 1: an assistant, or a junior publicist or a publicist, I've 168 00:08:45,080 --> 00:08:47,920 Speaker 1: worked my way up into that field, and so when 169 00:08:47,920 --> 00:08:50,000 Speaker 1: I got the promotion, it felt quite natural. But to 170 00:08:50,240 --> 00:08:53,719 Speaker 1: just to change careers in in the middle of my 171 00:08:53,960 --> 00:08:56,719 Speaker 1: career was something that a lot of people at the 172 00:08:56,920 --> 00:09:01,320 Speaker 1: magazine world didn't like. And I really had to prove myself, 173 00:09:01,480 --> 00:09:04,319 Speaker 1: and I realized that I've made a terrible mistake, not 174 00:09:04,559 --> 00:09:07,640 Speaker 1: excepting the job, but assuming they were gonna want me, 175 00:09:07,720 --> 00:09:09,959 Speaker 1: they didn't want me to It really really hard to 176 00:09:10,040 --> 00:09:12,080 Speaker 1: prove myself. What about you, gars, Have you ever walked 177 00:09:12,120 --> 00:09:14,839 Speaker 1: into a job where they didn't want you? Oh, well, 178 00:09:15,040 --> 00:09:19,800 Speaker 1: this is the only job that I know of almost 179 00:09:19,840 --> 00:09:22,520 Speaker 1: twenty years. Yeah, straight out of high school and they 180 00:09:22,520 --> 00:09:24,480 Speaker 1: want you. Then when you walking straight out of high school, 181 00:09:24,679 --> 00:09:26,360 Speaker 1: they love you. Everyone's kind to you. And then you 182 00:09:26,480 --> 00:09:30,040 Speaker 1: stayed around. Yeah, no, And and I think the thing 183 00:09:30,160 --> 00:09:33,280 Speaker 1: that people get caught up when is once you get comfortable, 184 00:09:33,440 --> 00:09:36,440 Speaker 1: then that's where like I've always been wanting to look 185 00:09:36,600 --> 00:09:40,040 Speaker 1: over my shoulder because uh, you know, the next person's 186 00:09:40,120 --> 00:09:42,679 Speaker 1: right there. So if you get comfortable and complacent, then 187 00:09:42,760 --> 00:09:45,800 Speaker 1: that's when you kind of lose that focus of doing 188 00:09:45,840 --> 00:09:48,640 Speaker 1: your job. And and so so yeah, I've been I've 189 00:09:48,679 --> 00:09:52,480 Speaker 1: been very fortunate, but also very awake in the sense of, uh, 190 00:09:52,720 --> 00:09:55,880 Speaker 1: you know, hey, who what footsteps are coming behind my back. 191 00:09:56,240 --> 00:09:59,240 Speaker 1: As as for a Scooter bron though, the one thing 192 00:09:59,559 --> 00:10:02,839 Speaker 1: I would in my eyes that he made the mistake. Yes, 193 00:10:03,040 --> 00:10:06,079 Speaker 1: legally he couldn't talk to anybody, but you would think 194 00:10:06,280 --> 00:10:09,840 Speaker 1: the magnitude of the superstar of Tylor Swift, you would 195 00:10:09,840 --> 00:10:11,960 Speaker 1: find a way to go, Hey, listen, I would love 196 00:10:12,000 --> 00:10:14,319 Speaker 1: to sit down real quick and talk. She doesn't she 197 00:10:14,400 --> 00:10:16,319 Speaker 1: doesn't know what you're about to talk about, so she 198 00:10:16,360 --> 00:10:18,240 Speaker 1: could be open to anything at that point. And that's 199 00:10:18,240 --> 00:10:20,160 Speaker 1: where you have the conversation because at the end of 200 00:10:20,200 --> 00:10:23,280 Speaker 1: the day, I mean, talk about it, guys, talk about 201 00:10:23,280 --> 00:10:25,200 Speaker 1: it with everything, with your with your partners, with your 202 00:10:25,280 --> 00:10:27,480 Speaker 1: friends in life. Talk about stuff. And now I'm not 203 00:10:27,520 --> 00:10:30,560 Speaker 1: telling you to break an n d Ac Robert wouldn't 204 00:10:30,559 --> 00:10:32,520 Speaker 1: want you to break the law. But the more you 205 00:10:32,640 --> 00:10:35,360 Speaker 1: talk about stuff in life, I think the better. Is Hey? 206 00:10:35,440 --> 00:10:37,640 Speaker 1: Moving along? List a new portrait at by the Palace 207 00:10:37,960 --> 00:10:41,440 Speaker 1: King Charles, Camilla, William and Kate and they make the castle. Rob, 208 00:10:41,600 --> 00:10:46,840 Speaker 1: Are you finally in there your portraits? I'm gonna get 209 00:10:46,840 --> 00:10:48,319 Speaker 1: in that picture. They didn't want us, but it's the 210 00:10:48,360 --> 00:10:50,840 Speaker 1: four of them and it contains a very rare look 211 00:10:51,280 --> 00:10:54,640 Speaker 1: of p d A. So a new portrait has been 212 00:10:54,679 --> 00:10:57,760 Speaker 1: released by the Palace. It was actually taken the night 213 00:10:57,840 --> 00:11:01,280 Speaker 1: before the Queen's state funeral, according to a press release. 214 00:11:01,400 --> 00:11:04,240 Speaker 1: So PDA is normally not really approved of the royals, 215 00:11:04,320 --> 00:11:06,360 Speaker 1: but here in this picture we do see them at 216 00:11:06,440 --> 00:11:09,960 Speaker 1: least touching. They're holding hands, they're touching each other's arms. 217 00:11:10,000 --> 00:11:11,920 Speaker 1: It's really quite sweet. I think this is going to 218 00:11:12,040 --> 00:11:13,880 Speaker 1: be a new look for the Palace. Do I think 219 00:11:13,920 --> 00:11:16,920 Speaker 1: we're going to see them making out Kim Kardashian style 220 00:11:17,040 --> 00:11:20,199 Speaker 1: or should I say Courtney Kardashian and Travis No, and 221 00:11:20,240 --> 00:11:22,120 Speaker 1: then we're gonna see that. But I think we're gonna 222 00:11:22,120 --> 00:11:24,000 Speaker 1: see a little bit more Charles and I could be 223 00:11:24,080 --> 00:11:28,679 Speaker 1: sitting at the drums set. But I like this a 224 00:11:28,720 --> 00:11:30,679 Speaker 1: little bit more affection. And some people are saying it's 225 00:11:30,720 --> 00:11:33,840 Speaker 1: a snumb. Harry and Megan are not in this picture. 226 00:11:33,880 --> 00:11:36,080 Speaker 1: But we've got to get you over that now, breaking 227 00:11:36,120 --> 00:11:39,680 Speaker 1: it down. Thegan decided to leave. They've left. It's over. 228 00:11:40,040 --> 00:11:43,280 Speaker 1: It's like China. See Victoria Beckham in the Spy Skills reunion. 229 00:11:43,360 --> 00:11:46,000 Speaker 1: She's not there. Just In Timber, Yeah, it's not. He 230 00:11:46,040 --> 00:11:48,760 Speaker 1: doesn't want to be in years spicy, doesn't I love? 231 00:11:49,480 --> 00:11:51,440 Speaker 1: But she's she's gone. You have to say she's gone. 232 00:11:51,640 --> 00:11:54,760 Speaker 1: The same with him, sinc Justin's how dare you? How 233 00:11:54,880 --> 00:11:59,360 Speaker 1: dare not coming back? They went on hiatus back all right, 234 00:11:59,520 --> 00:12:02,480 Speaker 1: and they will will be back. So we have to 235 00:12:02,520 --> 00:12:05,280 Speaker 1: get used to now. This is the royal family. It's 236 00:12:05,400 --> 00:12:08,319 Speaker 1: those four. He wants to keep it small. I think 237 00:12:08,360 --> 00:12:11,280 Speaker 1: that's smart. He wants to keep a lid on the finances. 238 00:12:11,360 --> 00:12:14,400 Speaker 1: I think that's smart. This is the four and I'm 239 00:12:14,520 --> 00:12:16,560 Speaker 1: here for it. I looked at that picture and I said, 240 00:12:16,800 --> 00:12:19,720 Speaker 1: level level, l you look fantastic. How do you feel 241 00:12:19,760 --> 00:12:22,000 Speaker 1: about it? You still miss Harry and the photographs? Have 242 00:12:22,120 --> 00:12:25,760 Speaker 1: you moved on? I think I've moved on. I'm not 243 00:12:25,880 --> 00:12:28,640 Speaker 1: one of I'm offending like it is what it is 244 00:12:28,720 --> 00:12:30,319 Speaker 1: at this point, like you gotta get used to it, 245 00:12:30,559 --> 00:12:32,960 Speaker 1: gotta get used to change, just like a rod had 246 00:12:33,000 --> 00:12:35,160 Speaker 1: to get used to seeing Jennifer Lopez with Ben eff 247 00:12:35,720 --> 00:12:39,199 Speaker 1: used to it. He does. But here, when you say portrait, 248 00:12:39,280 --> 00:12:41,640 Speaker 1: I think they said for a painting. But it's the 249 00:12:41,720 --> 00:12:45,160 Speaker 1: thing is different from a photograph. But you can still say, 250 00:12:45,240 --> 00:12:47,240 Speaker 1: like a portrait, I think of a photograph. Yeah, they 251 00:12:47,240 --> 00:12:48,760 Speaker 1: didn't have a painting, but that would have been a 252 00:12:48,840 --> 00:12:50,160 Speaker 1: very royal thing to do. But I think it takes 253 00:12:50,160 --> 00:12:53,480 Speaker 1: a little longer. Well, you would think they would be 254 00:12:53,520 --> 00:12:56,120 Speaker 1: pretty quick. At this point, I start painting by numbers. 255 00:12:56,240 --> 00:12:59,160 Speaker 1: It's not imagine how awkward that would be painting and 256 00:12:59,559 --> 00:13:05,200 Speaker 1: Harry to sit there. From that painting does click. Hey, 257 00:13:05,240 --> 00:13:07,120 Speaker 1: let's going on. Let's talk about some love Trevor now, 258 00:13:08,040 --> 00:13:10,679 Speaker 1: but not not leaving the world of love. Let's see 259 00:13:10,720 --> 00:13:13,360 Speaker 1: up to that. Yeah, that's right. So Trevor Trevor Noah 260 00:13:13,480 --> 00:13:15,600 Speaker 1: of course of The Daily Show, just announced last week 261 00:13:15,679 --> 00:13:18,199 Speaker 1: that he was going to be leaving The Daily Show. 262 00:13:18,280 --> 00:13:20,120 Speaker 1: Doesn't know when, but just put it out there and 263 00:13:20,200 --> 00:13:22,320 Speaker 1: he'll let us know when he's leaving. So how does 264 00:13:22,400 --> 00:13:25,199 Speaker 1: he how does he celebrate this, uh, this new part 265 00:13:25,240 --> 00:13:27,040 Speaker 1: of his life. He he goes out on a date 266 00:13:27,120 --> 00:13:30,880 Speaker 1: with the biggest pop star in the world. So they 267 00:13:30,920 --> 00:13:33,839 Speaker 1: grabbed some dinner at Miss Lily's, a Jamaican restaurant on 268 00:13:33,880 --> 00:13:37,040 Speaker 1: the Lower East Side of Manhattan. And here's the thing 269 00:13:37,200 --> 00:13:39,480 Speaker 1: they were. No one's talking about their dinner or the 270 00:13:39,600 --> 00:13:43,160 Speaker 1: fact that they sat and probably had great conversation. Everyone's 271 00:13:43,160 --> 00:13:45,840 Speaker 1: talking about the kiss in the street before they went 272 00:13:45,880 --> 00:13:51,280 Speaker 1: their summery ways. Uh so it was very telling and interesting. Obviously, 273 00:13:51,400 --> 00:13:56,000 Speaker 1: Trevor Noah thirty eight to Alipa seven. She's in New 274 00:13:56,080 --> 00:13:59,800 Speaker 1: York constantly. He lives in New York. Uh, you know, 275 00:14:00,559 --> 00:14:03,760 Speaker 1: everyone is positive. I haven't. It's I've only seen the 276 00:14:03,840 --> 00:14:07,920 Speaker 1: negatives because everyone loves each them. They're like, first off, 277 00:14:08,000 --> 00:14:10,160 Speaker 1: let's be honest, no one out there listening right now. 278 00:14:10,320 --> 00:14:12,760 Speaker 1: As much like you hate to burst anybody's bubble had 279 00:14:12,800 --> 00:14:15,440 Speaker 1: a shot with Trevor Noah or do Alipa all right? 280 00:14:15,880 --> 00:14:18,720 Speaker 1: Like everybody's Oh, I'm so mad Trevor no off the market? 281 00:14:19,800 --> 00:14:22,480 Speaker 1: It you probably right, you probably right about pumped into 282 00:14:22,560 --> 00:14:24,600 Speaker 1: him on the West Side Highway. Sorry, I gave for 283 00:14:24,640 --> 00:14:26,960 Speaker 1: a walkie each day. I bumped into him. He's just 284 00:14:27,000 --> 00:14:29,480 Speaker 1: walking by himself. He's a really good looking guy. And 285 00:14:29,560 --> 00:14:32,680 Speaker 1: I saw a great hair, right hair, this big smile. 286 00:14:32,800 --> 00:14:34,440 Speaker 1: He was on his phone, he was laughing, he was 287 00:14:34,520 --> 00:14:36,520 Speaker 1: talking and I saw him from a distance and that's like, 288 00:14:36,600 --> 00:14:38,760 Speaker 1: I want a handsome guy. And then he's got close 289 00:14:38,800 --> 00:14:41,000 Speaker 1: to It's like, oh, it's Trevor Never, which makes him 290 00:14:41,000 --> 00:14:43,880 Speaker 1: even more handsome, I think. And so in the street though, 291 00:14:43,960 --> 00:14:47,680 Speaker 1: like as a publicist, like you, you know, like you're 292 00:14:47,720 --> 00:14:50,560 Speaker 1: being watched. You're Trevor Noah, You're the do Alipa, the 293 00:14:51,280 --> 00:14:53,600 Speaker 1: arguably the biggest pop star in the world. You're in 294 00:14:53,680 --> 00:14:58,120 Speaker 1: the middle of Manhattan and you kiss like it would 295 00:14:58,120 --> 00:14:59,360 Speaker 1: be one thing, it would be like a kiss on 296 00:14:59,440 --> 00:15:03,640 Speaker 1: the cheek, like if I saw you. I like this. 297 00:15:03,800 --> 00:15:06,200 Speaker 1: I think they're throwing caution to the wind. This is 298 00:15:06,240 --> 00:15:08,240 Speaker 1: about the two of them, ignore all of us for 299 00:15:08,240 --> 00:15:11,840 Speaker 1: a minute, have a little bit of normal love, love love. 300 00:15:11,880 --> 00:15:13,400 Speaker 1: We're here for love on the Nordy but Show how 301 00:15:13,440 --> 00:15:15,160 Speaker 1: We're going to take a quick break and we will 302 00:15:15,160 --> 00:15:20,120 Speaker 1: be right back bocome back to the Nobody but My show. 303 00:15:20,120 --> 00:15:23,440 Speaker 1: I'm Rob Shooter with their dear friend Garrett Vogel, Hey, Garrett, 304 00:15:23,760 --> 00:15:26,920 Speaker 1: let's get to the polls. That last show, we talked 305 00:15:26,960 --> 00:15:29,640 Speaker 1: about Sarah Jessica Parker who missed the New York City 306 00:15:29,680 --> 00:15:32,400 Speaker 1: Ballet gala that she was being honored at after a 307 00:15:32,600 --> 00:15:38,720 Speaker 1: sudden family situation. It turns out that her stepfather passed away. 308 00:15:39,120 --> 00:15:42,040 Speaker 1: She managed to get to the bedside before he passed, so, 309 00:15:42,680 --> 00:15:45,240 Speaker 1: thank goodness, Sarah did that. A question was was it 310 00:15:45,320 --> 00:15:47,560 Speaker 1: wrong for her to leave this gala? So if you're 311 00:15:47,560 --> 00:15:50,080 Speaker 1: going to get honored at an event, regardless of what's 312 00:15:50,080 --> 00:15:52,320 Speaker 1: going on, even a family situation, should you stay? Let's 313 00:15:52,360 --> 00:15:56,240 Speaker 1: have a look percent no, leave leave, leave leave. We 314 00:15:56,320 --> 00:16:00,280 Speaker 1: are totally with you, and was sending a lot by 315 00:16:00,320 --> 00:16:03,240 Speaker 1: the way, and I said it, I love Sarah Jessica Parker. 316 00:16:03,320 --> 00:16:05,840 Speaker 1: Don't forget to vote on today's pole. Go to a 317 00:16:05,920 --> 00:16:08,800 Speaker 1: Twitter page at Naughty Nice Rob On facebook page is 318 00:16:08,840 --> 00:16:11,960 Speaker 1: already gossip and be sure to check back tomorrow to 319 00:16:12,160 --> 00:16:16,960 Speaker 1: hear your results. Hey, let's do the nicest of the day. 320 00:16:18,680 --> 00:16:21,480 Speaker 1: All right, Let's talk about Mila Kunez and Ashton Kutcher. 321 00:16:21,840 --> 00:16:25,280 Speaker 1: She says that the open door policy in her home 322 00:16:26,480 --> 00:16:29,840 Speaker 1: pertaining to the bathroom she goes uh. She opened up 323 00:16:29,840 --> 00:16:32,920 Speaker 1: about the lack of privacy in a in her family's home, 324 00:16:32,960 --> 00:16:35,920 Speaker 1: which if you have a family of two, three, four, 325 00:16:36,000 --> 00:16:38,840 Speaker 1: or five you understand this. She she was talking about 326 00:16:38,880 --> 00:16:41,400 Speaker 1: the bathroom, and it's just one of those where, for 327 00:16:41,600 --> 00:16:44,640 Speaker 1: better or worse, as a family, the kids have all 328 00:16:44,720 --> 00:16:49,120 Speaker 1: the kind of embodied functions of as every standard norm. 329 00:16:49,160 --> 00:16:51,040 Speaker 1: I never thought I would be the person that was 330 00:16:51,080 --> 00:16:52,800 Speaker 1: able to go to the bathroom with the door open. 331 00:16:53,120 --> 00:16:56,920 Speaker 1: Everything started when Mila found someone constantly knocking on the door. 332 00:16:56,960 --> 00:16:58,720 Speaker 1: I was like, oh, forget it, just keep the door 333 00:17:00,200 --> 00:17:02,120 Speaker 1: so I get it, like no matter what, Like you 334 00:17:02,280 --> 00:17:04,879 Speaker 1: think that the bathroom, especially if you have kids, is 335 00:17:04,960 --> 00:17:07,720 Speaker 1: like all right, I get five minutes just quiet, do 336 00:17:07,880 --> 00:17:12,040 Speaker 1: what I gotta do, and then you go hello, are 337 00:17:12,119 --> 00:17:16,439 Speaker 1: you there? Hey? I saw you going there? Can I'm hungry. 338 00:17:16,680 --> 00:17:20,440 Speaker 1: I'm hungry. I'm hungry, mom, dad, It's a lot. I'd 339 00:17:20,480 --> 00:17:23,600 Speaker 1: have children, but I think that this would be a 340 00:17:23,680 --> 00:17:26,679 Speaker 1: step too far from me. I do not have an 341 00:17:26,800 --> 00:17:30,200 Speaker 1: open door bathroom policy in my house and there's just 342 00:17:30,280 --> 00:17:32,879 Speaker 1: two of us living here. What aboutting your home, Gareth, 343 00:17:34,160 --> 00:17:35,639 Speaker 1: we kind of have a closed door, but the door 344 00:17:35,680 --> 00:17:37,359 Speaker 1: still knocks. But let me ask you this question the 345 00:17:37,520 --> 00:17:40,119 Speaker 1: rob shooter, So you can relate. Do you let Darby 346 00:17:40,200 --> 00:17:42,400 Speaker 1: in the bathroom with I do? And I didn't when 347 00:17:42,440 --> 00:17:44,840 Speaker 1: I first got him. It was I didn't. I wasn't 348 00:17:44,880 --> 00:17:47,320 Speaker 1: used to living with a dog, and so Darby pushes 349 00:17:47,359 --> 00:17:49,080 Speaker 1: his nose because we don't have a lock on the door. 350 00:17:49,400 --> 00:17:51,080 Speaker 1: But I closed the door. You don't have a lot 351 00:17:51,119 --> 00:17:54,239 Speaker 1: in your bathroom, just closed the door. The day, I'm 352 00:17:54,280 --> 00:17:55,920 Speaker 1: never going to the bathroom when you're not running in. 353 00:17:56,040 --> 00:17:57,840 Speaker 1: There's only three. If you're in my house, there's be 354 00:17:57,920 --> 00:18:00,680 Speaker 1: three people here. I can see out of them, Bruce. 355 00:18:00,720 --> 00:18:02,600 Speaker 1: I could see myself, so I know where you are. 356 00:18:02,720 --> 00:18:04,720 Speaker 1: So you kind of have an open door, But I 357 00:18:04,800 --> 00:18:08,280 Speaker 1: don't know how you're at nicest The day she got 358 00:18:08,359 --> 00:18:10,320 Speaker 1: us talking about this, even though I'm not quite sure, 359 00:18:10,520 --> 00:18:14,240 Speaker 1: I agree and know she is the day Selina gas 360 00:18:14,359 --> 00:18:19,040 Speaker 1: is addressing the violent, disgusting hate following Hailey Bieber's podcast comments. So, 361 00:18:19,119 --> 00:18:22,120 Speaker 1: Haley Bieber did a podcast recently and she said one 362 00:18:22,160 --> 00:18:24,679 Speaker 1: of the lowest moments was dealing with all the online hate. 363 00:18:25,160 --> 00:18:30,040 Speaker 1: Shortly after this aired, Selena addressed the online hate on TikTok. 364 00:18:30,240 --> 00:18:33,439 Speaker 1: She's a really remarkable person. Selena gomess like she doesn't 365 00:18:33,640 --> 00:18:35,960 Speaker 1: have to do this. It'd be easy to ignore it, 366 00:18:36,080 --> 00:18:38,800 Speaker 1: and she says, no, I'm not ignoring it. I don't 367 00:18:38,880 --> 00:18:42,320 Speaker 1: want this. I don't want vile, disgusting things said. It's 368 00:18:42,400 --> 00:18:46,680 Speaker 1: not fair. Words really really matter. I'm impressed. I'm really 369 00:18:46,720 --> 00:18:51,000 Speaker 1: am I forget how impressive she is constantly, and I shouldn't. 370 00:18:51,040 --> 00:18:52,960 Speaker 1: I get it, But I think she's brilliant. Why do 371 00:18:53,040 --> 00:18:55,560 Speaker 1: you think about her, Garrett? I think it's definitely the 372 00:18:55,640 --> 00:18:58,680 Speaker 1: high road. But again, like, just let let go. Just 373 00:18:58,800 --> 00:19:02,919 Speaker 1: like we're talking about Harry and and Alex Rodriguez, everyone 374 00:19:03,040 --> 00:19:05,479 Speaker 1: that still believes that's Lena Gomez and Justin Bieber. We're 375 00:19:05,480 --> 00:19:09,399 Speaker 1: going to get back together. You need to. It's not 376 00:19:09,400 --> 00:19:11,879 Speaker 1: all of them, but some of the fans. It is over. 377 00:19:12,480 --> 00:19:14,440 Speaker 1: Let them move on, talking to move in on. Let's 378 00:19:14,520 --> 00:19:17,879 Speaker 1: end with a moment of Robbie Rob Rob. I love 379 00:19:17,920 --> 00:19:20,359 Speaker 1: this quote. It's from Henry Matisse, the artist, and we 380 00:19:20,440 --> 00:19:23,960 Speaker 1: don't normally quote are on this podcast, normally quote Kim Kardashia, 381 00:19:24,000 --> 00:19:26,000 Speaker 1: but I just love this quote. Quote. We should do 382 00:19:26,119 --> 00:19:28,080 Speaker 1: more Henry, I mean do more Henry on the ship, 383 00:19:28,480 --> 00:19:31,440 Speaker 1: Henry Matiz. Maybe we'll do Picasso tomorrow. Okay, so I 384 00:19:31,520 --> 00:19:36,600 Speaker 1: love this quote. There are always flowers for those who 385 00:19:36,720 --> 00:19:39,840 Speaker 1: want to see them. I woke up this morning. I 386 00:19:39,880 --> 00:19:41,359 Speaker 1: have a little bit of a kild, I'll am it. 387 00:19:41,720 --> 00:19:44,480 Speaker 1: I didn't necessarily see the flowers, and I stopped. I 388 00:19:44,560 --> 00:19:47,080 Speaker 1: poured myself a cup of coffee, and I did. I 389 00:19:47,160 --> 00:19:50,960 Speaker 1: saw a flower out of my window, and I smiled. 390 00:19:51,119 --> 00:19:54,280 Speaker 1: They are there if you want to see them. I 391 00:19:54,359 --> 00:19:55,960 Speaker 1: did not want to see them this morning. I was 392 00:19:56,000 --> 00:19:58,560 Speaker 1: in a bit of a grumpy mood and there was 393 00:19:58,640 --> 00:20:02,320 Speaker 1: a flower that I didn't see looking at me, and 394 00:20:02,440 --> 00:20:04,800 Speaker 1: I saw it. In the end, you can see the flowers, 395 00:20:04,840 --> 00:20:07,960 Speaker 1: I promise you. If you want to see them, they 396 00:20:08,160 --> 00:20:10,399 Speaker 1: are there. That is it for today. Thank you so 397 00:20:10,560 --> 00:20:13,159 Speaker 1: much for listening to the Naughty but Nice. Thank You 398 00:20:13,280 --> 00:20:17,639 Speaker 1: Garrot with Robert Garrett. You're so romantic production of I 399 00:20:17,880 --> 00:20:20,959 Speaker 1: Heart Radio. Let's be honest. I'm the flower, You're my flower. 400 00:20:21,440 --> 00:20:23,280 Speaker 1: That would be a lovely payoff. I wish I thought 401 00:20:23,320 --> 00:20:27,600 Speaker 1: about that. I have been the end of the movie, 402 00:20:27,680 --> 00:20:30,840 Speaker 1: had we been on lifetime, Garrett and you are my flower. 403 00:20:31,240 --> 00:20:34,040 Speaker 1: Don't forget to subscribe on the I Heart Radio, Apple 404 00:20:34,080 --> 00:20:36,760 Speaker 1: Apple Podcast or wherever you listen and leave us a 405 00:20:36,800 --> 00:20:38,800 Speaker 1: review if you can, and get lots of new reviews. 406 00:20:38,840 --> 00:20:42,040 Speaker 1: I did your show last week, Garrett, I did obviously show. 407 00:20:42,400 --> 00:20:45,600 Speaker 1: We've got a ton of new listeners, so welcome, welcome, welcome. 408 00:20:45,800 --> 00:20:49,800 Speaker 1: The power of that show, Garrett, it's massive. It's you 409 00:20:49,880 --> 00:20:51,520 Speaker 1: never know. And that's the weird thing about you know, 410 00:20:51,600 --> 00:20:54,440 Speaker 1: who's listening to the podcast. We just we assume it's 411 00:20:54,440 --> 00:20:58,600 Speaker 1: just the conversation between you and you, Rob Shooter and 412 00:20:58,640 --> 00:21:01,520 Speaker 1: the Flower. That's the new podcast that we're starting tomorrow. Um. 413 00:21:01,640 --> 00:21:03,720 Speaker 1: But but the amount of people that just listen that 414 00:21:04,000 --> 00:21:06,240 Speaker 1: you know, we have no idea. We appreciate it, and 415 00:21:06,320 --> 00:21:08,560 Speaker 1: we we thank you, We do thank you. And I 416 00:21:08,680 --> 00:21:12,200 Speaker 1: give one shout out Happy birthday, Terry, somebody who we 417 00:21:12,280 --> 00:21:15,640 Speaker 1: know is always listening. So remember altogether, now, if you're 418 00:21:15,680 --> 00:21:20,159 Speaker 1: going to be naughty, you've got Toby guys take care 419 00:21:20,200 --> 00:21:25,840 Speaker 1: of everybody. It's not even nice with Bro