1 00:00:01,200 --> 00:00:04,240 Speaker 1: Triangle. I'm figuring it out for some reason that the 2 00:00:04,360 --> 00:00:09,360 Speaker 1: solid holding down the bag rage. Let me add the 3 00:00:09,440 --> 00:00:12,240 Speaker 1: breakfast club. Everyone just kept telling the prop. One word 4 00:00:12,520 --> 00:00:15,320 Speaker 1: to describe the breakfast Club would be blott, impacting the coulture. 5 00:00:15,440 --> 00:00:18,760 Speaker 1: People watch the breakfast Club for like news and really 6 00:00:18,800 --> 00:00:21,040 Speaker 1: be tuned in. Man, I don't even always call the 7 00:00:21,040 --> 00:00:25,720 Speaker 1: breakfast club. It's like brunch Nye and Cholomagne. Wake that 8 00:00:25,960 --> 00:00:28,800 Speaker 1: ass up, Get out of bed and listen to the 9 00:00:28,920 --> 00:00:34,360 Speaker 1: breakfast Club. Good morning, Usa yo yo yo yo yo 10 00:00:34,440 --> 00:00:36,120 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:36,159 --> 00:00:38,000 Speaker 1: yo yo yo yo yo yo yo yo yo yo 12 00:00:38,120 --> 00:00:40,000 Speaker 1: yo yo yo yo yo yo yo yo yo yo 13 00:00:40,120 --> 00:00:43,239 Speaker 1: yo yo yo. Good morning angela ye, good morning. He's 14 00:00:43,280 --> 00:00:45,680 Speaker 1: any yoomage and the guy piece to the plane it 15 00:00:45,720 --> 00:00:53,360 Speaker 1: is tuesday, Yes, it's tuesday. Was happening, good morning. I 16 00:00:53,400 --> 00:00:56,600 Speaker 1: was just thinking last week, Hennessy sent me some flowers. 17 00:00:56,600 --> 00:00:59,320 Speaker 1: What happened to them? I told you we were gonna 18 00:00:59,320 --> 00:01:02,280 Speaker 1: regivet them. You what happened to my flower? I didn't. 19 00:01:02,280 --> 00:01:04,600 Speaker 1: I didn't know. One even took a picture. Sentence to me. 20 00:01:04,640 --> 00:01:06,319 Speaker 1: I don't know what they looked like. Picture the car 21 00:01:06,400 --> 00:01:08,640 Speaker 1: sent you a picture. The card. I second, I get 22 00:01:08,680 --> 00:01:10,840 Speaker 1: a picture of the actual flowers. Somebody might have don 23 00:01:10,920 --> 00:01:12,920 Speaker 1: them out though they might have somebody took them by 24 00:01:12,920 --> 00:01:14,840 Speaker 1: it if if when it was that? What day it 25 00:01:14,880 --> 00:01:18,199 Speaker 1: was that last week? Thursday? Yeah, so over the weekend 26 00:01:18,240 --> 00:01:20,400 Speaker 1: they probably was all rotten and stuff. My pride throw 27 00:01:20,440 --> 00:01:23,320 Speaker 1: them by. You was here yesterday? Yeah, was here yesterday, 28 00:01:23,920 --> 00:01:28,640 Speaker 1: thrown away over the weekend, custodians. What all right? Thanks guys. 29 00:01:29,800 --> 00:01:31,720 Speaker 1: I'm gonna get a picture to see what they look like. 30 00:01:31,840 --> 00:01:33,440 Speaker 1: Sent you picture to car so you know what it 31 00:01:33,480 --> 00:01:36,280 Speaker 1: was the card. I wanted to see the flowers. They 32 00:01:36,319 --> 00:01:39,200 Speaker 1: were beautiful, Thank you. They were. They smelled great for 33 00:01:39,319 --> 00:01:44,640 Speaker 1: the moment, Yeah, all right, anything else I thought get 34 00:01:44,640 --> 00:01:46,840 Speaker 1: it off your chests was after front page new I 35 00:01:46,880 --> 00:01:50,240 Speaker 1: guess we're starting early, okay, Well, Kevin Hart will be 36 00:01:50,280 --> 00:01:52,640 Speaker 1: joining us this morning. My god, Kevin Hart. How I 37 00:01:52,680 --> 00:01:56,680 Speaker 1: missed Kevin Hart yesterday? Man, he's sell in Budapest. He 38 00:01:56,720 --> 00:01:59,960 Speaker 1: has a movie coming out on Netflix, Fatherhood, this Friday. 39 00:02:00,000 --> 00:02:02,040 Speaker 1: That's right, so we're gonna be kicking it with Kevin Hart. 40 00:02:02,160 --> 00:02:04,680 Speaker 1: That guy never stops. Never, Nope. When when you talk 41 00:02:04,680 --> 00:02:06,840 Speaker 1: about people having a bunch of irons in the fire, 42 00:02:07,200 --> 00:02:09,040 Speaker 1: he has a bunch of irons in the fire. You know, 43 00:02:09,160 --> 00:02:12,600 Speaker 1: Father's Day is on Sunday. Yeah, nobody cares about us. 44 00:02:13,240 --> 00:02:15,799 Speaker 1: We just out here, you know what I mean. We're 45 00:02:15,880 --> 00:02:18,119 Speaker 1: lucky if we get a happy Father's Day, maybe a car. 46 00:02:18,560 --> 00:02:20,840 Speaker 1: I'm not gonna lie. I thought I missed it. I was. However, 47 00:02:22,280 --> 00:02:26,040 Speaker 1: I'm talking about nobody cares about all jobs. Did we 48 00:02:26,080 --> 00:02:28,200 Speaker 1: just hate to protect and provide? I mean, that's fine, 49 00:02:28,240 --> 00:02:29,720 Speaker 1: you know. I hate that. I try to buy my 50 00:02:29,760 --> 00:02:32,320 Speaker 1: father nice things every year and he never uses them. 51 00:02:32,480 --> 00:02:34,639 Speaker 1: Like I bought him some like brand new nice sweatsuits, 52 00:02:34,639 --> 00:02:36,760 Speaker 1: who matching sneakers. All he does is with these old 53 00:02:36,800 --> 00:02:40,560 Speaker 1: promo t shirts. He refuses to wear things that I 54 00:02:40,560 --> 00:02:42,760 Speaker 1: get him. I got him a Gucci wallet. He won't 55 00:02:42,840 --> 00:02:44,840 Speaker 1: use it. He uses his old wallet with a rubber 56 00:02:44,840 --> 00:02:47,280 Speaker 1: band tied around. He knows what's in that wallet. He 57 00:02:47,360 --> 00:02:49,959 Speaker 1: knows that rubber band keeps his wallet closed and safe, 58 00:02:50,000 --> 00:02:52,519 Speaker 1: so he's good. He used that car about him, though, 59 00:02:53,760 --> 00:02:55,480 Speaker 1: and he said that was too expensive. He really didn't 60 00:02:55,480 --> 00:02:57,120 Speaker 1: want that. He brought it something a lot less. You know. 61 00:02:57,200 --> 00:03:00,600 Speaker 1: The truth to the matter is, fathers really don't want anything, 62 00:03:01,120 --> 00:03:02,920 Speaker 1: you know what I mean, Like I just like to 63 00:03:02,960 --> 00:03:05,239 Speaker 1: know that I'm loved. I like to know that I'm valued. 64 00:03:05,280 --> 00:03:07,520 Speaker 1: I like to know that I'm appreciated. There's nothing I 65 00:03:07,720 --> 00:03:10,640 Speaker 1: really truly want, that's the truth. Though I got. I 66 00:03:10,680 --> 00:03:13,120 Speaker 1: got a beautiful wife, I got three beautiful daughters, I 67 00:03:13,160 --> 00:03:15,000 Speaker 1: don't really I don't. I got everything I want. I 68 00:03:15,080 --> 00:03:17,800 Speaker 1: really don't want. There's nothing I want. It's not about 69 00:03:17,800 --> 00:03:19,600 Speaker 1: what you want though. It's a gift. That's why I 70 00:03:19,760 --> 00:03:21,799 Speaker 1: like to get people gifts that they wouldn't get themselves. 71 00:03:22,000 --> 00:03:23,640 Speaker 1: I think that's a great gift, Like I would have 72 00:03:23,680 --> 00:03:25,760 Speaker 1: never bought this for myself. Thank you. It's like a splurr. 73 00:03:25,840 --> 00:03:27,000 Speaker 1: But what if I don't. I mean, what if I 74 00:03:27,040 --> 00:03:28,400 Speaker 1: get it and I'm like thank you, But then I 75 00:03:28,440 --> 00:03:30,720 Speaker 1: really don't seem no use for it. It's true. Now, 76 00:03:32,760 --> 00:03:34,520 Speaker 1: it's a hard one because I mean anything that I 77 00:03:34,560 --> 00:03:37,440 Speaker 1: want to get myself. So it's like it's words, it's nothing. 78 00:03:37,640 --> 00:03:39,920 Speaker 1: You know, I don't really need anything. Give me a 79 00:03:39,960 --> 00:03:41,360 Speaker 1: little peace. But then I don't want to hear y'all 80 00:03:41,360 --> 00:03:44,080 Speaker 1: complaining about five this day. Y'all don't want nothing. Well, 81 00:03:44,080 --> 00:03:46,040 Speaker 1: I just complained about it. I just complain about the 82 00:03:46,080 --> 00:03:48,240 Speaker 1: fact that you know, nobody really truly can nobody? Can? 83 00:03:48,280 --> 00:03:49,560 Speaker 1: You know what I mean? Maybe it's allfall Maybe it's 84 00:03:49,560 --> 00:03:51,160 Speaker 1: the energy we put out out. We don't want nothing, 85 00:03:51,200 --> 00:03:53,560 Speaker 1: we don't care about, so we get it back. I 86 00:03:53,600 --> 00:03:56,280 Speaker 1: don't know. I just try to offer all kinds of things, 87 00:03:56,400 --> 00:03:59,800 Speaker 1: nice things. Say nothing but a bunch of stuff your daddy, 88 00:03:59,800 --> 00:04:05,160 Speaker 1: don't they They didn't want to say he didn't want it. 89 00:04:05,200 --> 00:04:07,680 Speaker 1: I'm just saying that he continues to wear these beat 90 00:04:07,720 --> 00:04:10,480 Speaker 1: up old clothes. Maybe likes I will say that I 91 00:04:10,480 --> 00:04:12,760 Speaker 1: don't mind. I wouldn't mind a good sweatshu, That's what 92 00:04:12,840 --> 00:04:15,200 Speaker 1: I'm saying. Sweats Is it like NICs and easy to wear? 93 00:04:15,520 --> 00:04:18,120 Speaker 1: You know? Yeah, yeah, yeah, I'm cool with a good sweacher. 94 00:04:18,200 --> 00:04:22,520 Speaker 1: I'm not gonna lie morning. Everybody is DJ Envy, Angela Yee, 95 00:04:22,640 --> 00:04:24,920 Speaker 1: Charlemagne the guy. We are the breakfast club. Let's get 96 00:04:24,920 --> 00:04:28,760 Speaker 1: in some front page news. The NBA to Hawks beat 97 00:04:28,800 --> 00:04:30,919 Speaker 1: the seventy sixes last night one h three, one hundred, 98 00:04:31,000 --> 00:04:33,680 Speaker 1: Great game tied to two. Great game that was Clippers 99 00:04:33,760 --> 00:04:36,000 Speaker 1: beat the Jutah Jazz one eighteen one on four. They 100 00:04:36,040 --> 00:04:38,000 Speaker 1: tied that series two two, and tonight the Bucks take 101 00:04:38,040 --> 00:04:40,799 Speaker 1: on Nets at eight thirty. I told y'all Bucks in seven. 102 00:04:40,839 --> 00:04:43,200 Speaker 1: The way it's looking right now, Bucks in six. But 103 00:04:43,240 --> 00:04:45,480 Speaker 1: I'm gonna still stick the Bucks in seven because I 104 00:04:45,520 --> 00:04:49,760 Speaker 1: feel like Kevin Durant can have one monstrous game and 105 00:04:49,760 --> 00:04:52,080 Speaker 1: and and have have some help from his supporting cast 106 00:04:52,160 --> 00:04:56,320 Speaker 1: and maybe pull one out. Maybe maybe to pull one tonight. 107 00:04:56,360 --> 00:04:59,000 Speaker 1: Did they say when James Harden or Carriage Jamie Carry 108 00:04:59,040 --> 00:05:02,920 Speaker 1: not playing Game five? Both of them all right now? 109 00:05:03,240 --> 00:05:05,800 Speaker 1: Dispute over a mask on Monday at a grocery store 110 00:05:05,839 --> 00:05:07,839 Speaker 1: led to a shootout that left an employee dead and 111 00:05:07,839 --> 00:05:11,640 Speaker 1: two people, including a sheriff's deputy, injured. The suspect entered 112 00:05:11,640 --> 00:05:14,560 Speaker 1: the Big Bears supermarket that was indicator and there was 113 00:05:14,560 --> 00:05:17,680 Speaker 1: an argument with the cashier over a mask. They gave 114 00:05:17,720 --> 00:05:19,800 Speaker 1: a few details about the argument, but said the whole 115 00:05:19,839 --> 00:05:21,760 Speaker 1: thing was over a face mask, and suspect then shot 116 00:05:21,760 --> 00:05:25,000 Speaker 1: the employ employee and she died from her injuries, and 117 00:05:25,040 --> 00:05:27,760 Speaker 1: then a reserve deputy working security at the store fired 118 00:05:27,800 --> 00:05:30,120 Speaker 1: at the suspect to return fire. Both were injured and 119 00:05:30,160 --> 00:05:32,760 Speaker 1: taken to local hospitals. All these stories of people doing 120 00:05:32,800 --> 00:05:35,159 Speaker 1: too much just escalated. You told one story, or somebody 121 00:05:35,200 --> 00:05:37,120 Speaker 1: doing too much then told another story, or somebody doing 122 00:05:37,120 --> 00:05:39,400 Speaker 1: too much anything else. Did y'all see the video or 123 00:05:39,440 --> 00:05:44,880 Speaker 1: the what was it the guard at Linux More getting shot? Yeah, 124 00:05:44,960 --> 00:05:48,000 Speaker 1: two fifteen year olds or a boy and a girl 125 00:05:48,480 --> 00:05:53,320 Speaker 1: shot the security guard at Linux moll when he was 126 00:05:53,400 --> 00:05:54,760 Speaker 1: dressed in all black and he had the gun put 127 00:05:54,839 --> 00:05:58,000 Speaker 1: on my side. How crazy is that? Man? This they're 128 00:05:58,000 --> 00:06:01,120 Speaker 1: saying that this year is um Last year was a 129 00:06:01,160 --> 00:06:02,920 Speaker 1: lot of shootings, but they're saying this year is already 130 00:06:02,960 --> 00:06:06,760 Speaker 1: outpacing last year because people first in decades are starving. 131 00:06:07,200 --> 00:06:10,440 Speaker 1: They've been they've they've been hurting financially for a year 132 00:06:10,480 --> 00:06:12,559 Speaker 1: and some change, and they out here in these creets. 133 00:06:12,560 --> 00:06:14,039 Speaker 1: I was in Miami this weekend and I had like 134 00:06:14,080 --> 00:06:16,120 Speaker 1: people running up on me saying, you got to do 135 00:06:16,160 --> 00:06:18,120 Speaker 1: something in Miami to talk to these kids. These kids 136 00:06:18,120 --> 00:06:22,440 Speaker 1: are getting these PPP loans and investing in hits on folks. 137 00:06:22,480 --> 00:06:25,520 Speaker 1: I was like Jesus Christ, all right. Well, speaking of that, 138 00:06:25,560 --> 00:06:27,960 Speaker 1: they're saying this is the summer of quitting, and a 139 00:06:27,960 --> 00:06:30,839 Speaker 1: lot of people are quitting their jobs and not coming 140 00:06:30,880 --> 00:06:33,480 Speaker 1: back to the office. So they said more than three 141 00:06:33,520 --> 00:06:36,120 Speaker 1: point nine million people quit in April, and that's the 142 00:06:36,200 --> 00:06:39,760 Speaker 1: highest quit rate since the agency started collecting that information 143 00:06:39,800 --> 00:06:42,040 Speaker 1: back in two thousand. A number of job postings has 144 00:06:42,040 --> 00:06:44,480 Speaker 1: also hit a record high, with six hundred and ninety 145 00:06:44,480 --> 00:06:48,400 Speaker 1: five thousand more open positions than unemployed workers. So that's 146 00:06:48,400 --> 00:06:50,280 Speaker 1: the churn right now. I guess a lot of people 147 00:06:50,320 --> 00:06:52,760 Speaker 1: are starting their own businesses, doing what they want to do. 148 00:06:53,760 --> 00:06:56,200 Speaker 1: You know, people are getting all kinds of benefits right now, 149 00:06:56,279 --> 00:06:58,000 Speaker 1: so we shall see what's going to happen to get 150 00:06:58,040 --> 00:07:00,479 Speaker 1: people back in the workplace. They're getting those pans and 151 00:07:00,480 --> 00:07:03,120 Speaker 1: then you know, it's the whole talk about everybody being independent, 152 00:07:03,240 --> 00:07:06,279 Speaker 1: you know, wanting to own your own thing, and a 153 00:07:06,279 --> 00:07:08,920 Speaker 1: lot of people have pivoted during the pandemic. The one 154 00:07:08,920 --> 00:07:12,040 Speaker 1: person said, after a year of unprecedented stress, a lot 155 00:07:12,080 --> 00:07:14,160 Speaker 1: of people have been also burnt out and re examining 156 00:07:14,160 --> 00:07:16,360 Speaker 1: how to live their lives. People have had epiphanies over 157 00:07:16,360 --> 00:07:18,760 Speaker 1: the past year. We all want to pursue life, liberty 158 00:07:18,760 --> 00:07:20,680 Speaker 1: and happiness, and many of us have realized our job 159 00:07:20,800 --> 00:07:22,400 Speaker 1: is not the best way to get there. Yeah, and 160 00:07:22,720 --> 00:07:24,760 Speaker 1: people probably feel like they don't want to depend on 161 00:07:25,240 --> 00:07:28,080 Speaker 1: anybody else in case, you know, the bottom falls out again. 162 00:07:28,160 --> 00:07:30,960 Speaker 1: You know, last year when COVID happened, people got laid off, 163 00:07:31,000 --> 00:07:32,760 Speaker 1: they couldn't make gens meet because they didn't know how 164 00:07:32,800 --> 00:07:34,560 Speaker 1: to make their own money on their own. So and 165 00:07:34,600 --> 00:07:37,120 Speaker 1: these jobs ain't paying. Let's be honest. I'm not gonna 166 00:07:37,160 --> 00:07:38,680 Speaker 1: say that they're paying. They may not be paying what 167 00:07:38,720 --> 00:07:43,680 Speaker 1: you want, but they're paying living wage preditory. I mean, 168 00:07:43,760 --> 00:07:45,320 Speaker 1: some people are like, I haven't had a break in 169 00:07:45,320 --> 00:07:48,360 Speaker 1: ten years. You know, they got their master's degree, they 170 00:07:48,400 --> 00:07:49,800 Speaker 1: got a good job, but they don't want to burn 171 00:07:49,880 --> 00:07:52,920 Speaker 1: themselves out. Quality of life is important to people. Some 172 00:07:52,960 --> 00:07:55,280 Speaker 1: people have gotten some good savings during this time. They 173 00:07:55,320 --> 00:07:58,000 Speaker 1: have financial cushions because of the stock market. You know, 174 00:07:58,000 --> 00:07:59,960 Speaker 1: there's all kinds of reasons why I always tell you 175 00:08:00,040 --> 00:08:01,640 Speaker 1: what you could do both. It's one hundred and sixty 176 00:08:01,640 --> 00:08:03,040 Speaker 1: eight hours in a week, you know what I'm saying. 177 00:08:03,080 --> 00:08:05,280 Speaker 1: So if you're working, let's just say forty hours a 178 00:08:05,360 --> 00:08:07,440 Speaker 1: job somewhere, at least you know you got that, like 179 00:08:07,480 --> 00:08:10,080 Speaker 1: you got that, that little safety net, and then you 180 00:08:10,080 --> 00:08:11,960 Speaker 1: can pursue you got you know, you got one hundred 181 00:08:12,000 --> 00:08:16,680 Speaker 1: and forty what eight other more hours? No, twenty other more? 182 00:08:16,720 --> 00:08:18,200 Speaker 1: I wan to pursue your dream. Some people just don't 183 00:08:18,240 --> 00:08:19,400 Speaker 1: want it. They don't want to work they don't want 184 00:08:19,440 --> 00:08:22,280 Speaker 1: to door. All right, well that is your front page news. 185 00:08:22,400 --> 00:08:24,720 Speaker 1: Get it off your chests eight hundred five eight five 186 00:08:24,800 --> 00:08:26,400 Speaker 1: one oh five one. If you need to vent, hit 187 00:08:26,440 --> 00:08:28,000 Speaker 1: us up right now for line to open us to 188 00:08:28,000 --> 00:08:36,240 Speaker 1: Breakfast Club. Good morning the Breakfast Club. Did your time 189 00:08:36,280 --> 00:08:38,560 Speaker 1: to get it off your chests? Whether you're Man or blast, 190 00:08:38,679 --> 00:08:40,720 Speaker 1: so you better have the same endry we want to 191 00:08:40,760 --> 00:08:44,600 Speaker 1: hear from you on the Breakfast Club Hellos, good morning. 192 00:08:44,640 --> 00:08:46,600 Speaker 1: I wanted to give a shout out the DJ Envy 193 00:08:47,200 --> 00:08:51,280 Speaker 1: Charlomagne the guy and lead what's up brother now? Must 194 00:08:51,400 --> 00:08:53,160 Speaker 1: Na must Man. I wanted to get out of my chests, 195 00:08:53,240 --> 00:08:56,240 Speaker 1: given man out of the DM if my tag is 196 00:08:56,280 --> 00:08:57,959 Speaker 1: under the life around there, I've been trying to get 197 00:08:57,960 --> 00:09:00,160 Speaker 1: into the far shorts heaving and at Lanta. Man has 198 00:09:00,160 --> 00:09:02,400 Speaker 1: been a struggle. What's been a struggle about the car 199 00:09:02,440 --> 00:09:04,840 Speaker 1: show man? I've been trying to understand how you wanted 200 00:09:04,880 --> 00:09:08,360 Speaker 1: me to like go about an influ as far as entering. 201 00:09:08,400 --> 00:09:10,160 Speaker 1: And you want to put your car in the car show. 202 00:09:10,880 --> 00:09:14,480 Speaker 1: Yeah yeah, oh just email me, email me um DJ 203 00:09:14,600 --> 00:09:16,640 Speaker 1: NV car Show at Gmail. I'm kind of car you 204 00:09:16,679 --> 00:09:19,280 Speaker 1: got first of all, brother, I did, brother, but I 205 00:09:19,280 --> 00:09:22,920 Speaker 1: ain't got no response. I got a twenty nineteen year 206 00:09:23,040 --> 00:09:25,480 Speaker 1: one one la. I don't even know what that is. 207 00:09:25,600 --> 00:09:29,160 Speaker 1: I don't even know what that is. Yuh man? All right, 208 00:09:29,160 --> 00:09:31,080 Speaker 1: when we checking out, email me this morning. I'll make 209 00:09:31,080 --> 00:09:35,280 Speaker 1: sure my assistants you back today. All right? That's peace, man. 210 00:09:35,280 --> 00:09:37,360 Speaker 1: The car show is you lot third in Atlanta. I 211 00:09:37,360 --> 00:09:39,160 Speaker 1: can't wait for you guys to come sick. He sure 212 00:09:39,200 --> 00:09:43,320 Speaker 1: it's not a Chattana, No mine is in Atlanta. The 213 00:09:43,320 --> 00:09:46,959 Speaker 1: story you did was Hello, who's this? Who's the chatting dogle? Though? 214 00:09:47,760 --> 00:09:52,680 Speaker 1: Hello who's this? Yo? Off your chests? Hey man, I 215 00:09:52,720 --> 00:09:57,120 Speaker 1: got a few things say just started. Don't you ever, ever, ever, ever, 216 00:09:57,360 --> 00:10:01,600 Speaker 1: ever started to quote all that negativity in the morning, man, 217 00:10:01,720 --> 00:10:07,920 Speaker 1: Ain't nothing came about yam O was good news? Man? News? 218 00:10:08,040 --> 00:10:10,240 Speaker 1: The news is not good right now. I mean when 219 00:10:10,320 --> 00:10:15,559 Speaker 1: is the news that a good though? They say when 220 00:10:15,559 --> 00:10:18,560 Speaker 1: it bleeds, it leads on the news. Bro Hey man, 221 00:10:18,679 --> 00:10:20,920 Speaker 1: that was crazy man. I want to I want to 222 00:10:20,920 --> 00:10:25,079 Speaker 1: send some pace of positivity to the world. Love. I 223 00:10:25,120 --> 00:10:29,040 Speaker 1: love y'all be positive day on this Tuesday. Wed't have 224 00:10:29,280 --> 00:10:32,560 Speaker 1: Charlotte Man yesterday, but we got him today. The whole 225 00:10:32,600 --> 00:10:35,880 Speaker 1: thing I want to say too um y'all, and this 226 00:10:35,880 --> 00:10:39,800 Speaker 1: this don't play the same stuff every hour on on. 227 00:10:40,040 --> 00:10:44,560 Speaker 1: I know we've been doing positivity. I gotta still gotta 228 00:10:44,760 --> 00:10:46,840 Speaker 1: giving y'all Dunky the day for that now, hold on, 229 00:10:46,880 --> 00:10:50,520 Speaker 1: hold on, I slow down. That's the positive. Don't mess 230 00:10:50,080 --> 00:10:53,400 Speaker 1: with everybody love Now you want to twitch it to negative, Well, 231 00:10:53,400 --> 00:10:57,040 Speaker 1: it's the radio wave to go down. Put the Drake 232 00:10:57,080 --> 00:10:59,720 Speaker 1: go down. Get starting to bleed on people who didn't 233 00:10:59,760 --> 00:11:06,160 Speaker 1: cut you? Not that time, man, I'm every more dre 234 00:11:06,360 --> 00:11:07,920 Speaker 1: Just duck and get out the way. Man, I'm the 235 00:11:07,960 --> 00:11:09,600 Speaker 1: same way. I don't like hearing the same thing every 236 00:11:09,640 --> 00:11:12,480 Speaker 1: morning either, but it's the radio. Let's put a new 237 00:11:12,559 --> 00:11:18,000 Speaker 1: CD in. How do you think this works? Bro're digital? 238 00:11:18,640 --> 00:11:21,240 Speaker 1: We digital now? Baby. It ain't a new CD, but 239 00:11:21,280 --> 00:11:23,560 Speaker 1: I feel you all right, Well, have a go with 240 00:11:23,679 --> 00:11:27,600 Speaker 1: Drake show. You don't want to get this morning? Yeah, 241 00:11:27,600 --> 00:11:29,320 Speaker 1: we're about to close to get it off your chest. Second, 242 00:11:29,400 --> 00:11:31,920 Speaker 1: I'm really annoying, say it now for ever? Hold your 243 00:11:31,960 --> 00:11:36,160 Speaker 1: PC all right, Well we have rumors on the week. 244 00:11:37,520 --> 00:11:40,319 Speaker 1: You want good news and bad news, however you want 245 00:11:40,320 --> 00:11:42,199 Speaker 1: to give it to us? Just you know? Ay, Well, 246 00:11:42,240 --> 00:11:45,360 Speaker 1: let's talk about in the heights, right, there's an apology now, 247 00:11:45,480 --> 00:11:47,800 Speaker 1: and some people are upset about the movie, and we'll 248 00:11:47,880 --> 00:11:49,959 Speaker 1: tell you why. All right, we'll get into that next. 249 00:11:50,000 --> 00:11:56,200 Speaker 1: It's The Breakfast Club for the morning, The Breakfast Club Morning. 250 00:11:56,200 --> 00:12:00,280 Speaker 1: Everybody is DJ Envy, Angela Yee, charlomagnea god out of 251 00:12:00,280 --> 00:12:02,040 Speaker 1: Breakfast Club. Let's get to the rum Let's talk in 252 00:12:02,040 --> 00:12:10,240 Speaker 1: the Heights is the rumor report with Angela Yee on 253 00:12:10,360 --> 00:12:14,640 Speaker 1: the Breakfast Club well over the weekend and The Heights 254 00:12:14,640 --> 00:12:17,720 Speaker 1: made eleven point four million dollars. It did not get 255 00:12:17,720 --> 00:12:20,120 Speaker 1: the expectations they thought it would at the box office. 256 00:12:20,600 --> 00:12:23,480 Speaker 1: As you know, Lemmanuel Miranda actually did this movie. He's 257 00:12:23,520 --> 00:12:26,079 Speaker 1: the one that did Hamilton and John M two, who 258 00:12:26,080 --> 00:12:30,200 Speaker 1: directed Crazy Rich Asians, directed this movie. Now, the whole 259 00:12:30,200 --> 00:12:33,200 Speaker 1: point of this movie was to show that Latin Americans 260 00:12:33,200 --> 00:12:35,920 Speaker 1: are not a monolith, and a lot of the people 261 00:12:35,920 --> 00:12:37,560 Speaker 1: who were part of the cast felt like they did 262 00:12:37,600 --> 00:12:41,040 Speaker 1: a good job as far as representation. But during an 263 00:12:41,080 --> 00:12:45,640 Speaker 1: interview with the Route, there were some conversations about darker 264 00:12:45,720 --> 00:12:49,640 Speaker 1: skin after Latino representation, and people do feel like In 265 00:12:49,720 --> 00:12:52,320 Speaker 1: the Heights fell short of representing that. Now, talking to 266 00:12:52,360 --> 00:12:55,880 Speaker 1: the roots, Felice lay On, John M two did notice 267 00:12:55,880 --> 00:12:57,880 Speaker 1: that they missed the mark when she questioned him, she's 268 00:12:57,880 --> 00:13:00,760 Speaker 1: a black New Yorker of Cuban descent. What are your 269 00:13:00,800 --> 00:13:05,520 Speaker 1: thoughts on the lack of black, Lacktinex people represented in 270 00:13:05,720 --> 00:13:07,960 Speaker 1: your film? Yeah, I mean I think that that was 271 00:13:08,040 --> 00:13:12,080 Speaker 1: something h we talked about and UM and I needed 272 00:13:12,120 --> 00:13:14,440 Speaker 1: to be educated about. Of course, in the end, you know, 273 00:13:14,480 --> 00:13:16,080 Speaker 1: when we were looking at the cast, we tried to 274 00:13:16,120 --> 00:13:18,480 Speaker 1: get the people who were best for those roles, and 275 00:13:18,480 --> 00:13:20,800 Speaker 1: that's specifically, and we saw a lot of people people 276 00:13:20,840 --> 00:13:25,559 Speaker 1: like Daphne or Dasha. But I hear you on UM, 277 00:13:25,600 --> 00:13:30,880 Speaker 1: you know, trying to fill those cast members with darker skin. M. 278 00:13:31,320 --> 00:13:33,160 Speaker 1: I mean, first, first about the box office, I was 279 00:13:33,240 --> 00:13:35,160 Speaker 1: very confused about way to watching The Heights because for 280 00:13:35,240 --> 00:13:36,839 Speaker 1: some reason, I thought it was on Netflix. Then I 281 00:13:36,840 --> 00:13:38,800 Speaker 1: saw it on HBO Max and I saw it in theaters, 282 00:13:38,800 --> 00:13:40,240 Speaker 1: So I was confused on even how to watch it. 283 00:13:40,280 --> 00:13:42,280 Speaker 1: So I guess it's in theaters and on HBO, Yeah, 284 00:13:42,320 --> 00:13:44,120 Speaker 1: HBO Max and in theaters. And I think it kicked 285 00:13:44,120 --> 00:13:46,960 Speaker 1: off the Chebeca Film Festival and the Puerto Rican Day 286 00:13:46,960 --> 00:13:49,840 Speaker 1: Parade was actually there. They kind of led the Puerto 287 00:13:49,920 --> 00:13:51,640 Speaker 1: Rican Day Parade. They did a small one. They had 288 00:13:51,679 --> 00:13:55,000 Speaker 1: a Puerto Rican day perrede virtual That's what I thought. Yeah, 289 00:13:55,000 --> 00:13:56,600 Speaker 1: it was mostly red, but had a little small thing 290 00:13:56,640 --> 00:13:59,000 Speaker 1: within the Heights leading it. It was just a few blacks, 291 00:13:59,600 --> 00:14:02,400 Speaker 1: all right now. Let Mamma Miranda actually wrote on social media. 292 00:14:02,440 --> 00:14:04,400 Speaker 1: I started writing in the Heights because I didn't feel seen, 293 00:14:04,440 --> 00:14:06,240 Speaker 1: and over the past twenty years, all I wanted was 294 00:14:06,280 --> 00:14:08,520 Speaker 1: for us, all of us, to feel seen. I'm seeing 295 00:14:08,520 --> 00:14:11,560 Speaker 1: the discussion around after Latino representation in our film this weekend, 296 00:14:11,679 --> 00:14:13,520 Speaker 1: and it is clear that many in our dark skinned 297 00:14:13,520 --> 00:14:17,360 Speaker 1: after Latino community don't feel sufficiently represented within it, particularly 298 00:14:17,400 --> 00:14:19,120 Speaker 1: among the leading roles. I can hear the hurt and 299 00:14:19,160 --> 00:14:22,560 Speaker 1: frustration over colorism of feeling still unseen. In the feedback, 300 00:14:22,600 --> 00:14:25,720 Speaker 1: I hear that without sufficient dark skin after Latino representation, 301 00:14:26,120 --> 00:14:28,800 Speaker 1: the work feels extractive of the community we wanted so 302 00:14:28,920 --> 00:14:31,600 Speaker 1: much to represent with pride and joy. So he did 303 00:14:31,640 --> 00:14:33,840 Speaker 1: say he is truly sorry. He's learning from the feedback. 304 00:14:34,120 --> 00:14:37,320 Speaker 1: But why does that feedback have to come from social media? 305 00:14:37,400 --> 00:14:39,480 Speaker 1: Like these productions go through a lot before they hit 306 00:14:39,480 --> 00:14:41,000 Speaker 1: the big screen, Like you know, you mean to tell 307 00:14:41,040 --> 00:14:43,200 Speaker 1: me that nobody saw this beforehand? Like all these folks 308 00:14:43,240 --> 00:14:45,640 Speaker 1: that work on these productions. I mean, just in casting alone, 309 00:14:45,960 --> 00:14:50,120 Speaker 1: someone had to see this and someone should have said something. Yeah. 310 00:14:50,120 --> 00:14:52,240 Speaker 1: I mean that's the point. But now people, you know, 311 00:14:52,280 --> 00:14:55,680 Speaker 1: once they've seen the movie, are responding, and there it is. 312 00:14:55,720 --> 00:14:57,480 Speaker 1: I feel like a lot of times these movies get 313 00:14:57,480 --> 00:15:00,000 Speaker 1: it wrong too. It's like an ongoing thing, which is great. 314 00:15:00,120 --> 00:15:03,440 Speaker 1: There's a lot of people involved before it's actually hits 315 00:15:03,440 --> 00:15:06,160 Speaker 1: the big screen. All right. Now, Wendy Williams and Garry 316 00:15:06,160 --> 00:15:08,480 Speaker 1: Owen were spotted at dinner. I don't know if it 317 00:15:08,520 --> 00:15:10,160 Speaker 1: was a date or what, but they were at the 318 00:15:10,200 --> 00:15:14,440 Speaker 1: reopening of Scotto's in New York City. Um and insiders 319 00:15:14,440 --> 00:15:16,560 Speaker 1: are saying that the two of them were having a 320 00:15:16,560 --> 00:15:19,520 Speaker 1: good time. You know, he had a very flirtatious appearance 321 00:15:19,520 --> 00:15:22,440 Speaker 1: on The Wendy Williams Show, and that's why I said. 322 00:15:22,760 --> 00:15:25,760 Speaker 1: Some of this reaction has been like, Okay, what's going 323 00:15:25,800 --> 00:15:27,680 Speaker 1: on with the two of them? Here is Wendy Williams, 324 00:15:28,240 --> 00:15:32,600 Speaker 1: would you like to have dinner? Because here's what I'm thinking, right, 325 00:15:33,120 --> 00:15:37,200 Speaker 1: we go to Fresco by Scotto You're gonna melt say. 326 00:15:37,600 --> 00:15:40,000 Speaker 1: I'm not saying listen, I'm gonna I'm not saying yes. 327 00:15:40,080 --> 00:15:43,320 Speaker 1: No on the air. That's how more rumors get started. Yeah, 328 00:15:43,320 --> 00:15:44,920 Speaker 1: but I can clear this up. I got the purple 329 00:15:45,000 --> 00:15:47,680 Speaker 1: chair every day, that's right. So it's it's like, yeah, 330 00:15:47,800 --> 00:15:49,680 Speaker 1: you saw me ask him out. We went to Scotto, 331 00:15:49,720 --> 00:15:51,720 Speaker 1: We had a good time. Then he took his uber 332 00:15:51,760 --> 00:15:53,640 Speaker 1: back to his hotel and I took you know, my 333 00:15:53,760 --> 00:15:58,600 Speaker 1: car back to my apartment, right, yeah, yeah, okay, yeah, 334 00:15:59,080 --> 00:16:02,400 Speaker 1: that's awkward now. She also did an interview with Interview magazine. 335 00:16:02,440 --> 00:16:05,160 Speaker 1: Don Lemon interviewed her and she opened up about life 336 00:16:05,200 --> 00:16:08,080 Speaker 1: after her divorce. He asked about if her being so 337 00:16:08,160 --> 00:16:11,000 Speaker 1: open about her private life affects her on air persona, 338 00:16:11,080 --> 00:16:13,160 Speaker 1: and she said definitely. When we were married, I was 339 00:16:13,240 --> 00:16:14,800 Speaker 1: very happy, but I had to make sure that when 340 00:16:14,840 --> 00:16:17,440 Speaker 1: he and I divorced, my life wouldn't suffer, because if 341 00:16:17,480 --> 00:16:19,480 Speaker 1: my life suffered, then that meant my son's life would 342 00:16:19,480 --> 00:16:21,680 Speaker 1: suffer too. I loved Kevin, and he loved me, but 343 00:16:21,720 --> 00:16:24,000 Speaker 1: I was probably too much for him. I guess he 344 00:16:24,000 --> 00:16:26,120 Speaker 1: found somebody who was just regular and who would cater 345 00:16:26,160 --> 00:16:28,280 Speaker 1: to his every need. I tried, but hell, I gotta 346 00:16:28,320 --> 00:16:30,320 Speaker 1: get up in the morning. The idea that the show 347 00:16:30,360 --> 00:16:32,480 Speaker 1: wasn't called the Wendy Hunter show was a big source 348 00:16:32,480 --> 00:16:35,080 Speaker 1: of problems. As somebody called him, mister Williams, all of 349 00:16:35,160 --> 00:16:37,440 Speaker 1: a sudden, a sunny day would turn into a storm cloud. 350 00:16:37,760 --> 00:16:39,840 Speaker 1: I'm disappointed in him, but I quickly got over that 351 00:16:39,880 --> 00:16:43,480 Speaker 1: because anger causes wrinkles. Now. She also talks about her 352 00:16:43,520 --> 00:16:47,720 Speaker 1: issues with past addictions, and she said the reason why 353 00:16:48,640 --> 00:16:51,040 Speaker 1: Kevin had her in a sober house was because the 354 00:16:51,040 --> 00:16:52,760 Speaker 1: girl he had an affair with was about to have 355 00:16:52,800 --> 00:16:54,480 Speaker 1: a baby and he needed to put me someplace where 356 00:16:54,480 --> 00:16:56,680 Speaker 1: I couldn't watch TV. He took away my phone, he 357 00:16:56,760 --> 00:17:00,480 Speaker 1: took away my cash, he took away everything that is 358 00:17:00,720 --> 00:17:04,240 Speaker 1: Wendy Williams an interview magazine. All right, now, get ready 359 00:17:04,240 --> 00:17:06,080 Speaker 1: for some concents. So y'all ready to be back out 360 00:17:06,119 --> 00:17:09,920 Speaker 1: and about at festivals at concerts. Well, there's gonna be 361 00:17:10,119 --> 00:17:14,199 Speaker 1: a three day show and Kendrick Lamar is gonna do 362 00:17:14,240 --> 00:17:16,960 Speaker 1: a one off show leading the day in Vegas festival 363 00:17:17,000 --> 00:17:19,200 Speaker 1: line up. It's a three day hip hop festival that's 364 00:17:19,240 --> 00:17:21,359 Speaker 1: gonna be in Vegas November twelfth to the fourteenth, with 365 00:17:21,400 --> 00:17:25,440 Speaker 1: Travis Scott Teller the creator, and Kendrick Lamar as nightly headliners. 366 00:17:25,480 --> 00:17:27,920 Speaker 1: They're gonna be named like Little Baby d Baby Does, 367 00:17:27,960 --> 00:17:30,600 Speaker 1: Ja Kat and Scissa also on the bill Little Uzy, 368 00:17:30,640 --> 00:17:33,840 Speaker 1: Burt Seweetie, YG, Polo, g r A Lanox, Jasmine Sullivan. 369 00:17:34,000 --> 00:17:37,080 Speaker 1: Sounds pretty dope. Now, mister Lamar doesn't just step out now, 370 00:17:37,160 --> 00:17:39,600 Speaker 1: he does not. So if mister Lamar is headlining a show, 371 00:17:39,600 --> 00:17:42,359 Speaker 1: when is that? It's gonna be November twelveth to the fourteenth. 372 00:17:42,359 --> 00:17:44,439 Speaker 1: They're saying it's gonna be his only live performance of 373 00:17:44,440 --> 00:17:47,320 Speaker 1: twenty twenty one. So should we assume that a new 374 00:17:47,440 --> 00:17:50,639 Speaker 1: Kindrick Lamar project is dropping around that time? Now? The 375 00:17:50,680 --> 00:17:52,680 Speaker 1: festival art makes it very clear that it's going to 376 00:17:52,720 --> 00:17:54,600 Speaker 1: be a look back at his catalog, not something to 377 00:17:54,640 --> 00:17:58,439 Speaker 1: promote a new album, Shout your stuff all that. I 378 00:17:58,440 --> 00:18:01,320 Speaker 1: don't know though I don't sound like him drink you 379 00:18:01,359 --> 00:18:03,600 Speaker 1: know what I mean. I don't think Kendrick would just 380 00:18:03,640 --> 00:18:06,000 Speaker 1: step out for no reason, even though it probably is 381 00:18:06,040 --> 00:18:08,399 Speaker 1: a celebration of his classic catalog. I don't think he 382 00:18:08,400 --> 00:18:10,000 Speaker 1: would step out for no reason. It's got to be 383 00:18:10,080 --> 00:18:12,600 Speaker 1: something it isn't. Baby Kame on that lineup too, Baby 384 00:18:12,640 --> 00:18:15,560 Speaker 1: Baby Cheams album Baby Came and Baby Keeams also I 385 00:18:15,640 --> 00:18:22,000 Speaker 1: Made in America just fy catalog. I expect baby, No, Kendrick, 386 00:18:22,040 --> 00:18:24,199 Speaker 1: don't move Kendrick top dog them. They don't just know, 387 00:18:24,240 --> 00:18:25,680 Speaker 1: they don't just move like that now when it comes 388 00:18:25,680 --> 00:18:29,040 Speaker 1: to Kendrick. All right, well that is your rumor reports 389 00:18:29,040 --> 00:18:31,240 Speaker 1: something else around us. All right, well we got front 390 00:18:31,280 --> 00:18:33,679 Speaker 1: page news. Next what we're talking. Take to Nellie Sports 391 00:18:33,720 --> 00:18:36,879 Speaker 1: Bar in Washington, DC. We're gonna talk about what happened 392 00:18:37,280 --> 00:18:42,000 Speaker 1: after I get the story myself. Okay, shorts, Washington, DC. 393 00:18:42,320 --> 00:18:47,240 Speaker 1: I'm positive sure it's Nellie and not Chinky own research 394 00:18:47,359 --> 00:18:50,960 Speaker 1: this time. All right, Well, we'll see when we come back. 395 00:18:50,960 --> 00:18:53,920 Speaker 1: It's a breakfast lug go morning, So breakfast club, your 396 00:18:53,960 --> 00:18:57,800 Speaker 1: morning's will never be the same. Angela yet here. And 397 00:18:57,840 --> 00:19:00,320 Speaker 1: did you know that the General Insurance has been saving 398 00:19:00,320 --> 00:19:03,440 Speaker 1: people money for nearly sixty years. That's a long time. 399 00:19:03,600 --> 00:19:05,920 Speaker 1: So if you want the quality coverage you deserve at 400 00:19:05,920 --> 00:19:09,080 Speaker 1: prices you can afford, check out the General eight hundred 401 00:19:09,080 --> 00:19:12,000 Speaker 1: General or visit the General dot com. Some restrictions apply. 402 00:19:13,480 --> 00:19:18,359 Speaker 1: All right, how y'all feeling this morning? Y'all? Like man, listen, 403 00:19:18,400 --> 00:19:21,200 Speaker 1: I'm blessed black and Holly favor you hear me? Okay, 404 00:19:21,240 --> 00:19:23,640 Speaker 1: God is greater than God is greater than me than 405 00:19:23,680 --> 00:19:28,399 Speaker 1: my enemies in the world. Okay, the Lord is my refuge, 406 00:19:29,119 --> 00:19:33,639 Speaker 1: So shall I feel I don't have any enemies? Do 407 00:19:33,640 --> 00:19:39,879 Speaker 1: we need to sage the room? Yes, I an I 408 00:19:39,960 --> 00:19:42,840 Speaker 1: might have a chrystafer. Hold on, let me see and 409 00:19:43,080 --> 00:19:49,600 Speaker 1: call a new prayer. Lets I don't know what's going 410 00:19:49,640 --> 00:19:53,200 Speaker 1: on in this room today. Yeah? You good? Yeah? Why 411 00:19:53,200 --> 00:19:56,720 Speaker 1: am I not good? I don't shoot at me. Why 412 00:19:56,720 --> 00:19:58,640 Speaker 1: would I not be good? I'm just asking. I want 413 00:19:58,720 --> 00:20:00,560 Speaker 1: to give you my smoky court to put this from 414 00:20:00,560 --> 00:20:04,840 Speaker 1: me in my protection. I'll wave it around. I'll wave 415 00:20:04,880 --> 00:20:07,520 Speaker 1: it around you. I'm waving my smoky courts around even work. 416 00:20:07,640 --> 00:20:10,840 Speaker 1: Let's get in some front page news, all right. Now, 417 00:20:10,920 --> 00:20:13,200 Speaker 1: let's start NBA. Last night, the Hulks beat the six 418 00:20:13,280 --> 00:20:15,080 Speaker 1: is one o three one hundred, Great Games beat the 419 00:20:15,160 --> 00:20:17,640 Speaker 1: Jazz one eight to one oh four. Both series tie 420 00:20:17,680 --> 00:20:21,439 Speaker 1: two two. Now, yeah, you have front page news. They 421 00:20:21,440 --> 00:20:23,040 Speaker 1: don't want to mention that the Bucks are playing the 422 00:20:23,080 --> 00:20:24,680 Speaker 1: next tonight or the Bucks are playing the next tonight. 423 00:20:26,240 --> 00:20:30,320 Speaker 1: Bucks and seven. Mind, let's go nets about this. It'll 424 00:20:30,320 --> 00:20:32,240 Speaker 1: probably be Bucks in six, but I'm still say Bucks 425 00:20:32,280 --> 00:20:35,000 Speaker 1: and seven because that was my original I'm thinking the 426 00:20:35,040 --> 00:20:37,000 Speaker 1: next still got it? Now year, that's about the when 427 00:20:37,040 --> 00:20:39,359 Speaker 1: the whole thing, you're out of your minds tell us 428 00:20:39,359 --> 00:20:42,680 Speaker 1: the story about Chattanooga. I mean DC, go all right now. 429 00:20:42,680 --> 00:20:45,400 Speaker 1: A viral video of a young black woman being dragged 430 00:20:45,400 --> 00:20:49,159 Speaker 1: out of Nelly's sports bar sparked a protest on Sunday 431 00:20:49,240 --> 00:20:52,280 Speaker 1: night and caused the boycott the establishment. Keisha Young, she's 432 00:20:52,280 --> 00:20:54,120 Speaker 1: a twenty two year old Kyle, the student at Morgan 433 00:20:54,160 --> 00:20:57,520 Speaker 1: State University, has identified herself as the woman in that 434 00:20:57,640 --> 00:21:00,000 Speaker 1: viral video. It shows the security guard dragging her down 435 00:21:00,080 --> 00:21:02,560 Speaker 1: the stairs head first, and it's not clear from the 436 00:21:02,640 --> 00:21:05,480 Speaker 1: video why she was dragged down the stairs and removed. Now, 437 00:21:05,760 --> 00:21:08,760 Speaker 1: on Monday, Nellies did say they fired the independent security 438 00:21:08,840 --> 00:21:11,000 Speaker 1: vendor that they hired for Pride to Week and they 439 00:21:11,000 --> 00:21:13,399 Speaker 1: are investigating the matter. They said it's ongoing and we 440 00:21:13,400 --> 00:21:16,639 Speaker 1: will cooperate with any law enforcement investigation. However, we do 441 00:21:16,720 --> 00:21:19,560 Speaker 1: not need to wait for the investigations conclusion before we 442 00:21:19,600 --> 00:21:22,240 Speaker 1: take the size of action. We offer a heartfelt apology 443 00:21:22,400 --> 00:21:25,240 Speaker 1: to all who witnessed the horrific events of this past weekend. 444 00:21:25,440 --> 00:21:28,679 Speaker 1: No matter what behavior occurred prior, nothing warrants mistreating and 445 00:21:28,760 --> 00:21:31,640 Speaker 1: disrespecting one of our guests here is what Keisha Young 446 00:21:31,680 --> 00:21:33,919 Speaker 1: had to say. It was altercation in there and they 447 00:21:33,960 --> 00:21:36,520 Speaker 1: were trying to get some other people out because somebody 448 00:21:36,520 --> 00:21:39,440 Speaker 1: else were a bottle in there. Somehow I got mixed 449 00:21:39,480 --> 00:21:42,600 Speaker 1: up in an altercation because I looked like body else 450 00:21:42,760 --> 00:21:46,000 Speaker 1: and I got a right step, but I didn't do 451 00:21:46,040 --> 00:21:49,639 Speaker 1: nothing wrong and just first walking up the steps and 452 00:21:49,680 --> 00:21:52,760 Speaker 1: getting drying right right now, that is so crazy. Yeah, 453 00:21:52,760 --> 00:21:54,920 Speaker 1: I love those brothers who jumped on that security guard. 454 00:21:54,920 --> 00:21:56,439 Speaker 1: I don't care what that since to did. It was 455 00:21:56,440 --> 00:21:58,360 Speaker 1: another way for security to handle that. If you see 456 00:21:58,359 --> 00:22:00,760 Speaker 1: it one being dragged down the steps by her hair, 457 00:22:01,160 --> 00:22:04,360 Speaker 1: you should absolutely positively intervene. Absolutely come on, that could 458 00:22:04,359 --> 00:22:07,320 Speaker 1: be your your your mother, your sister, your daughter, you know, 459 00:22:07,400 --> 00:22:09,840 Speaker 1: your friend, like come on that establishment day. I know 460 00:22:09,840 --> 00:22:11,680 Speaker 1: they fired security, but they should pay for that. That 461 00:22:11,800 --> 00:22:15,120 Speaker 1: young ladies. That young woman's college. She's at Morgan State. 462 00:22:15,119 --> 00:22:16,560 Speaker 1: I don't know how many years she has left paid 463 00:22:16,600 --> 00:22:18,040 Speaker 1: for that and set her up for the future. She 464 00:22:18,200 --> 00:22:21,240 Speaker 1: was embarrassed, she was dragged out your establishment. That video 465 00:22:21,240 --> 00:22:23,520 Speaker 1: with viral. She's gonna have some type of trauma. Take 466 00:22:23,560 --> 00:22:26,280 Speaker 1: care of that woman. She didn't know a lawsuit and 467 00:22:26,359 --> 00:22:29,399 Speaker 1: she will face against the security guard, and this is 468 00:22:29,400 --> 00:22:31,919 Speaker 1: not the first time Nellie has come under fire for concerns. 469 00:22:32,480 --> 00:22:35,480 Speaker 1: The activist group No Justice, No Pride organized the boycott 470 00:22:35,480 --> 00:22:38,040 Speaker 1: in twenty eighteen after patrons noticed a blue Live Matter 471 00:22:38,200 --> 00:22:41,400 Speaker 1: flag flying above the establishment, and they did apologize after 472 00:22:41,440 --> 00:22:43,680 Speaker 1: that too, And so they learned a lesson about racial 473 00:22:43,680 --> 00:22:46,160 Speaker 1: inclusivity and they were planning to make this space more welcoming. 474 00:22:46,320 --> 00:22:48,560 Speaker 1: And that's a that's emotional trauma she has to live 475 00:22:48,600 --> 00:22:51,280 Speaker 1: with forever. You know how many years of therapy she's 476 00:22:51,280 --> 00:22:53,520 Speaker 1: gonna have to go through just having to relive that 477 00:22:53,600 --> 00:22:56,560 Speaker 1: moment over and old, especially because it's viral. No urban, 478 00:22:56,640 --> 00:23:00,000 Speaker 1: no nobody black or minority should go to that establishment. 479 00:23:00,000 --> 00:23:01,639 Speaker 1: This should be no DJ that should be allowed the 480 00:23:01,720 --> 00:23:05,160 Speaker 1: DJ and that establishment, no artist performing that establishment. And today, 481 00:23:05,200 --> 00:23:07,280 Speaker 1: take care of that young lady, all right. Now. So 482 00:23:07,640 --> 00:23:10,520 Speaker 1: a woman in South Africa has reportedly given birth to 483 00:23:10,640 --> 00:23:13,520 Speaker 1: ten babies at one time. Yes, and that's a new 484 00:23:13,560 --> 00:23:18,359 Speaker 1: world record. She actually gave natural birth for five of 485 00:23:18,400 --> 00:23:21,320 Speaker 1: those ten and then five vs a Syrian section. I 486 00:23:21,320 --> 00:23:23,760 Speaker 1: don't believe it she did. And that was that was 487 00:23:23,800 --> 00:23:25,919 Speaker 1: no vtro none of that that was just naturally. I 488 00:23:25,920 --> 00:23:31,520 Speaker 1: don't know, you know, what she did. But to the tense, 489 00:23:31,800 --> 00:23:34,760 Speaker 1: sure you get the story? You sure you don't have 490 00:23:34,800 --> 00:23:40,199 Speaker 1: ten kids boys and three girls. I am emotional. I 491 00:23:40,280 --> 00:23:42,480 Speaker 1: can't talk much. If you see the picture of her hers, 492 00:23:42,560 --> 00:23:46,040 Speaker 1: I mean, how much of these kids were individually? They 493 00:23:46,080 --> 00:23:48,520 Speaker 1: gotta be small, gotta be like one pound, two pounds. 494 00:23:48,840 --> 00:23:51,639 Speaker 1: This one South African official confirmed the birth to the 495 00:23:51,680 --> 00:23:56,000 Speaker 1: BBC and so, yes, how do you feed all? You 496 00:23:56,040 --> 00:23:59,760 Speaker 1: cannot possibly breasthfeed all those babies. Human is not possible. 497 00:24:00,000 --> 00:24:03,280 Speaker 1: Cannot physically breastfeed ten children. And they beat out that 498 00:24:03,320 --> 00:24:06,439 Speaker 1: couple that day they have a show. Yeah, there's a 499 00:24:06,480 --> 00:24:08,600 Speaker 1: couple that has a show one I believe it's TLC 500 00:24:08,880 --> 00:24:11,520 Speaker 1: or one of them shows. And they have let let 501 00:24:11,520 --> 00:24:14,199 Speaker 1: me get their name, Dion de Rico, the d Rico family. 502 00:24:14,640 --> 00:24:16,560 Speaker 1: What about Optimon How many she had eight? Right? She 503 00:24:16,560 --> 00:24:19,880 Speaker 1: has eight? But her husbands in Vitro, the Drico family did. 504 00:24:20,000 --> 00:24:22,760 Speaker 1: All is natural, but not at one time though one time? 505 00:24:22,760 --> 00:24:25,000 Speaker 1: It's crazy. Well, last month another woman gave breath to 506 00:24:25,119 --> 00:24:28,320 Speaker 1: nine babies at one time. Yeah, optimm kids should be 507 00:24:28,359 --> 00:24:33,280 Speaker 1: grown now, honey, what a reality show? All right? Well 508 00:24:33,359 --> 00:24:36,800 Speaker 1: that is your friend? Is the Optikids reality show? Why 509 00:24:36,800 --> 00:24:39,560 Speaker 1: are you so obsessed with the optimon? I'm just asking, like, 510 00:24:39,600 --> 00:24:41,080 Speaker 1: I want to know what those kids that I want 511 00:24:41,080 --> 00:24:42,840 Speaker 1: to hear the story. They should be old enough to 512 00:24:42,840 --> 00:24:46,199 Speaker 1: talk now, right, I'm so sure. Yeah, I'm sure they 513 00:24:46,200 --> 00:24:50,120 Speaker 1: can speak now. It's actually your optimon kids now really? Oh? 514 00:24:50,520 --> 00:24:52,720 Speaker 1: All right? Well, when we come back, Kevin Hart will 515 00:24:52,760 --> 00:24:54,639 Speaker 1: be joining us. Kevin Hart has a new flick that 516 00:24:54,640 --> 00:24:57,240 Speaker 1: comes out this weekend called Fatherhood, and we'll talk to 517 00:24:57,280 --> 00:24:59,040 Speaker 1: him about everything. She don't move. It's to Breakfast Club, 518 00:24:59,080 --> 00:25:06,800 Speaker 1: Go Morning, Breakfast Club. Wanting everybody in cdj Envy, Angela Yee, Charlomagne, 519 00:25:06,840 --> 00:25:08,480 Speaker 1: the guy. We are the Breakfast Club. We got a 520 00:25:08,480 --> 00:25:12,720 Speaker 1: special guest in the building online. We got Kevin Sir. 521 00:25:13,240 --> 00:25:16,359 Speaker 1: How are you man? How's everything with you? Oh? Brother, 522 00:25:16,400 --> 00:25:19,680 Speaker 1: I can't complain. Same o, same o, drinking milk, getting tall, 523 00:25:19,800 --> 00:25:22,040 Speaker 1: making a do what ad and whatever it did, it 524 00:25:22,040 --> 00:25:23,880 Speaker 1: doesn't So that means that I'm gonna get it done. 525 00:25:24,080 --> 00:25:27,120 Speaker 1: Did that make sense? Where are you right? You don't 526 00:25:27,160 --> 00:25:29,640 Speaker 1: have a You don't have a lactose intolerance right now, 527 00:25:29,760 --> 00:25:32,800 Speaker 1: I do not have a lactose intolerance. My stomach is 528 00:25:32,800 --> 00:25:35,199 Speaker 1: definitely not right though I've been mil prepping, so you know, 529 00:25:35,320 --> 00:25:38,600 Speaker 1: I'm on this uh this green and like a protein. 530 00:25:38,720 --> 00:25:41,040 Speaker 1: So I'm definitely I'm definitely running back and forth a 531 00:25:41,080 --> 00:25:45,040 Speaker 1: little bit. I'm in Budapest. What do you feeling out good? 532 00:25:45,240 --> 00:25:48,359 Speaker 1: I'm feeling a movie called Borderlands, a movie for a 533 00:25:48,480 --> 00:25:52,280 Speaker 1: lions Gate based off of a video game, A very 534 00:25:52,320 --> 00:25:57,040 Speaker 1: successful video game that has Borderlands one, two three. I mean, 535 00:25:57,040 --> 00:26:00,439 Speaker 1: they got about between fifty to eighty million users that 536 00:26:00,560 --> 00:26:03,760 Speaker 1: actively play this game and they decided to create a 537 00:26:03,760 --> 00:26:06,960 Speaker 1: movie out of it. So it's myself, Kate Blanchet, Jamie 538 00:26:07,000 --> 00:26:11,600 Speaker 1: Lee Curtis, and Jack black Um. We are the leads 539 00:26:11,600 --> 00:26:14,800 Speaker 1: of the movie Ariana Flow. I mean, we got a 540 00:26:14,800 --> 00:26:19,080 Speaker 1: great cast directed by Eli roth Um. It's good. It's exciting. 541 00:26:19,240 --> 00:26:22,280 Speaker 1: Something else that uh that I can throw my audience 542 00:26:22,280 --> 00:26:25,480 Speaker 1: on a loop with. It's for people that don't know 543 00:26:25,640 --> 00:26:28,320 Speaker 1: how is budape You have to describe it because I've 544 00:26:28,359 --> 00:26:31,480 Speaker 1: never been there, So like, what is Budapest. Budapec is 545 00:26:31,480 --> 00:26:33,359 Speaker 1: in Hungary and it's two separate places, so you have 546 00:26:33,400 --> 00:26:37,600 Speaker 1: Buddha and Pest. It's actually separated, so you yeah, then 547 00:26:37,680 --> 00:26:40,800 Speaker 1: on the other side is pest. But the scenery out here, 548 00:26:40,960 --> 00:26:43,919 Speaker 1: the architecture out here. The history is unreal. So the 549 00:26:43,920 --> 00:26:47,320 Speaker 1: locations that you find the film in a are just 550 00:26:47,400 --> 00:26:49,600 Speaker 1: like nothing you'll ever see. You know, it's a it's 551 00:26:49,640 --> 00:26:51,560 Speaker 1: a movie that's kind of got a sci fi twist 552 00:26:51,600 --> 00:26:54,160 Speaker 1: to it, So these locations play a very significant part. 553 00:26:54,680 --> 00:26:57,760 Speaker 1: Is that the movie you were training with Navy sales for. Yeah, 554 00:26:57,920 --> 00:27:01,600 Speaker 1: I am responsible for all acts in this movie. I 555 00:27:01,640 --> 00:27:06,320 Speaker 1: am playing the character called Rolling and Rolling is a soldier. 556 00:27:06,520 --> 00:27:08,879 Speaker 1: So the director of one of the thirty audience for 557 00:27:08,920 --> 00:27:12,960 Speaker 1: the Luke he wanted to cast me, and in casting me, 558 00:27:13,080 --> 00:27:16,560 Speaker 1: we agree that I would take this uh serious and 559 00:27:16,600 --> 00:27:20,280 Speaker 1: goal completely different route. So I trained with some Navy seals. 560 00:27:20,320 --> 00:27:25,480 Speaker 1: I did some high intensity weapons training and really got 561 00:27:25,560 --> 00:27:28,320 Speaker 1: down with military. So in this I really am the 562 00:27:28,400 --> 00:27:31,840 Speaker 1: role of a soldier. I'm combat hand to hand weapons, 563 00:27:31,840 --> 00:27:33,920 Speaker 1: et cetera. So I can't wait, you know, for people 564 00:27:33,920 --> 00:27:36,720 Speaker 1: to see it because it's it's gonna act, It's gonna 565 00:27:36,080 --> 00:27:39,600 Speaker 1: have an that's what we wanted with the part. That 566 00:27:39,720 --> 00:27:44,000 Speaker 1: is very exciting though, to be able to have those abilities. Now, yeah, 567 00:27:44,480 --> 00:27:54,600 Speaker 1: somebody else, I know, I didn't miss the Budapest was 568 00:27:54,600 --> 00:27:56,399 Speaker 1: the last time you see the babies, the kids, But 569 00:27:56,440 --> 00:27:58,399 Speaker 1: they're out here with me. I have come out here 570 00:27:58,440 --> 00:28:00,840 Speaker 1: with me. Man, Yes, one school he's got my don't enough, 571 00:28:00,880 --> 00:28:03,280 Speaker 1: you notice, But Kevin has a lot of money and 572 00:28:03,440 --> 00:28:08,320 Speaker 1: he can. Yea. Once uh, one school stopped, I had 573 00:28:08,359 --> 00:28:10,720 Speaker 1: the family come out, you know. I mean, when you 574 00:28:10,760 --> 00:28:12,879 Speaker 1: have the opportunity to film in these type of places, 575 00:28:12,920 --> 00:28:15,320 Speaker 1: I think it's important to try to give your kids 576 00:28:15,359 --> 00:28:18,200 Speaker 1: experiences that they can hold on too. So my kids 577 00:28:18,240 --> 00:28:20,959 Speaker 1: love working on sets when I'm on sets. Uh, my 578 00:28:21,040 --> 00:28:24,280 Speaker 1: daughters in turning for me right now. My son, he's 579 00:28:24,320 --> 00:28:27,720 Speaker 1: in love with the world of action and stunt development 580 00:28:27,800 --> 00:28:30,360 Speaker 1: and choreography. So I had my son come out work 581 00:28:30,400 --> 00:28:32,800 Speaker 1: with the stunt team a little bit, just and learning 582 00:28:32,800 --> 00:28:36,120 Speaker 1: and understanding and just watching what I do. So it's 583 00:28:36,359 --> 00:28:38,440 Speaker 1: it's one thing just to see the start that's attached 584 00:28:38,440 --> 00:28:41,000 Speaker 1: to the dad. It's another to really understand the work 585 00:28:41,040 --> 00:28:44,120 Speaker 1: that goes into it. So I've I've worked very hard 586 00:28:44,120 --> 00:28:46,640 Speaker 1: on just make sure that my kids understand how movies 587 00:28:46,680 --> 00:28:48,760 Speaker 1: are made, how they break down, and how significant the 588 00:28:48,840 --> 00:28:52,760 Speaker 1: roles are that the entire crew and cast play. In 589 00:28:52,760 --> 00:28:55,840 Speaker 1: this case, they get to see it firsthand. But it's uh, 590 00:28:56,160 --> 00:28:59,440 Speaker 1: it's a great time, you know, this movie. This movie, Fatherhood, 591 00:29:00,160 --> 00:29:03,560 Speaker 1: is one that's very near and dear to my heart. 592 00:29:04,240 --> 00:29:06,520 Speaker 1: It's a true story based off of this guy named 593 00:29:06,560 --> 00:29:11,720 Speaker 1: Matt Loglan and a crazy turn of events that he 594 00:29:11,760 --> 00:29:14,760 Speaker 1: had in life. You know, he was married, him and 595 00:29:14,800 --> 00:29:17,840 Speaker 1: his wife were at the happiest point of their lives. 596 00:29:17,960 --> 00:29:21,040 Speaker 1: She was about to deliver a baby. After delivering the baby, 597 00:29:21,200 --> 00:29:24,640 Speaker 1: his wife passed away on the delivery table and it 598 00:29:24,800 --> 00:29:28,000 Speaker 1: sent him in a you know, a crazy whirlwind where 599 00:29:28,280 --> 00:29:30,320 Speaker 1: he didn't want to live. He didn't know what his 600 00:29:30,360 --> 00:29:34,360 Speaker 1: purpose was in life. And the journey of his progression 601 00:29:34,360 --> 00:29:36,880 Speaker 1: as a father and his love for his little girl 602 00:29:37,000 --> 00:29:39,760 Speaker 1: through that progression is a story that he wanted to tell, 603 00:29:39,800 --> 00:29:41,680 Speaker 1: and it is one that we put on paper and 604 00:29:41,960 --> 00:29:44,959 Speaker 1: u and made a movie about. And you know, when 605 00:29:45,120 --> 00:29:47,880 Speaker 1: I found out about the movie and the role, I 606 00:29:47,920 --> 00:29:49,600 Speaker 1: wanted to make some changes to it, of course, but 607 00:29:49,680 --> 00:29:52,080 Speaker 1: I wanted to stay as close to his story as possible. 608 00:29:52,120 --> 00:29:54,440 Speaker 1: And we all agreed on the changes. And I loved 609 00:29:54,440 --> 00:29:56,240 Speaker 1: the story and the opportunity because I felt it was 610 00:29:56,280 --> 00:29:58,440 Speaker 1: the best It was the best time to change the 611 00:29:58,600 --> 00:30:02,920 Speaker 1: narrative attached to a black man as a father, you know, 612 00:30:03,000 --> 00:30:05,600 Speaker 1: on the big screen, when we're portrayed on the big screen. 613 00:30:05,720 --> 00:30:09,560 Speaker 1: We're always on drugs, off drugs, in jail, out of jail, 614 00:30:10,160 --> 00:30:13,240 Speaker 1: not around, can't be found, or we show up last minute, 615 00:30:13,440 --> 00:30:15,880 Speaker 1: and it's a story of why. And you know, this 616 00:30:15,960 --> 00:30:18,960 Speaker 1: is one that kind of has a positive, positive message 617 00:30:18,960 --> 00:30:22,160 Speaker 1: and through story right where you root for this guy. 618 00:30:22,240 --> 00:30:24,959 Speaker 1: You understand the guy, but the love between he and 619 00:30:24,960 --> 00:30:27,960 Speaker 1: his child are would really give him reason and want 620 00:30:28,000 --> 00:30:31,360 Speaker 1: to go on. So it's a drama, it's a it's 621 00:30:31,360 --> 00:30:33,680 Speaker 1: a real it's a real change for me. It's something 622 00:30:33,680 --> 00:30:35,360 Speaker 1: that my artist is going to see and once again 623 00:30:35,600 --> 00:30:38,640 Speaker 1: have the opportunity to go, Wow, it's me checking another 624 00:30:38,720 --> 00:30:41,920 Speaker 1: box in my career and just trying to stay on 625 00:30:41,960 --> 00:30:44,040 Speaker 1: that road to progression. So I'm excited for people to 626 00:30:44,080 --> 00:30:46,760 Speaker 1: see it. It's going down the jailer bear jerker just 627 00:30:46,880 --> 00:30:49,400 Speaker 1: watching all of that and it brings up so many things, 628 00:30:49,440 --> 00:30:51,760 Speaker 1: like we've been talking a lot about maternal healthcare too 629 00:30:51,840 --> 00:30:56,200 Speaker 1: right and women dying you know, during childbirth, after childbirth, 630 00:30:56,200 --> 00:30:58,880 Speaker 1: and how dangerous that is, especially for Black women. That's 631 00:30:58,880 --> 00:31:01,840 Speaker 1: something that we've been having all of conversations about. And then, 632 00:31:01,880 --> 00:31:04,360 Speaker 1: of course, like you said, just being a single father 633 00:31:04,520 --> 00:31:07,040 Speaker 1: and raising your daughter. What kind of connections did you 634 00:31:07,120 --> 00:31:09,960 Speaker 1: have with your on screen daughter while you guys were filming. 635 00:31:10,440 --> 00:31:13,400 Speaker 1: It's insane because a lot of the emotional strings that 636 00:31:13,440 --> 00:31:15,800 Speaker 1: I had to tug and pour from, you know, I 637 00:31:15,880 --> 00:31:20,280 Speaker 1: put myself as close to the position that Matt was in, 638 00:31:20,400 --> 00:31:23,360 Speaker 1: and you know, I can only imagine. I can't, I 639 00:31:23,400 --> 00:31:27,479 Speaker 1: can't imagine, but I tried to, you know, put some 640 00:31:27,600 --> 00:31:30,960 Speaker 1: type of picture in my head as to what it 641 00:31:31,000 --> 00:31:33,800 Speaker 1: would be like if if it were me, if it 642 00:31:33,840 --> 00:31:36,520 Speaker 1: were me and my little girl, And you know, a 643 00:31:36,520 --> 00:31:39,280 Speaker 1: lot of those tear joking moments or because it's real, 644 00:31:39,880 --> 00:31:42,080 Speaker 1: it was real for me in those scenes. And and 645 00:31:42,160 --> 00:31:47,000 Speaker 1: I really I really went there by thinking along those lines. 646 00:31:47,080 --> 00:31:50,400 Speaker 1: And you know, Melody, my co star in this film, 647 00:31:50,400 --> 00:31:53,000 Speaker 1: A little girl, She was so good, and our chemistry 648 00:31:53,080 --> 00:31:56,160 Speaker 1: on camera and off it just kept getting stronger and 649 00:31:56,200 --> 00:31:58,560 Speaker 1: stronger because we spent a lot of time together. But 650 00:31:58,680 --> 00:32:02,400 Speaker 1: that bond, that bond on between a father and daughter 651 00:32:02,800 --> 00:32:06,880 Speaker 1: or just a child in general, when worked, it's unbreakable. 652 00:32:07,040 --> 00:32:11,080 Speaker 1: It's a bond like no other man. And I can 653 00:32:11,160 --> 00:32:14,680 Speaker 1: say for me, I use a lot of my real 654 00:32:14,720 --> 00:32:19,120 Speaker 1: life experiences as a parent to pull those emotions to 655 00:32:19,400 --> 00:32:23,320 Speaker 1: help me stay true to this storyline and make sure 656 00:32:23,360 --> 00:32:25,200 Speaker 1: that I was in the grounded space of reality where 657 00:32:25,200 --> 00:32:29,600 Speaker 1: people can believe and really relate, and I can say confidently, 658 00:32:30,080 --> 00:32:33,479 Speaker 1: this is my best performance on screen in my career. 659 00:32:33,600 --> 00:32:36,240 Speaker 1: This is this is, pound for pound, the best work 660 00:32:36,280 --> 00:32:39,520 Speaker 1: as an actor that I've done thus far in this movie. 661 00:32:39,840 --> 00:32:41,400 Speaker 1: All Right, we got move with Kevin Hart. When we 662 00:32:41,440 --> 00:32:51,120 Speaker 1: come back, it's the Breakfast Club. Good morning Morning. Everybody 663 00:32:51,240 --> 00:32:54,600 Speaker 1: is DJ Envy, Angela Yee, Charlomie n the guy. We 664 00:32:54,600 --> 00:32:57,200 Speaker 1: are the Breakfast Club. We're still kicking it with Kevin Hart. Now, 665 00:32:57,200 --> 00:32:59,600 Speaker 1: how do you balance being a dad in all the 666 00:32:59,640 --> 00:33:01,640 Speaker 1: work you do? Right? Because when we're coming up to 667 00:33:01,920 --> 00:33:03,640 Speaker 1: you want to make as much money as possible to 668 00:33:03,680 --> 00:33:06,320 Speaker 1: support your family, right, But then when you make money, 669 00:33:06,320 --> 00:33:08,120 Speaker 1: it's never enough. But then you look at your kids 670 00:33:08,160 --> 00:33:09,920 Speaker 1: and you're like, I have enough money to chill, but 671 00:33:09,960 --> 00:33:11,719 Speaker 1: I still wanted to continue to make money. So how 672 00:33:11,720 --> 00:33:14,840 Speaker 1: do you balance the I'm a dad and then I 673 00:33:14,920 --> 00:33:16,520 Speaker 1: need to make all this money because I'm setting up 674 00:33:16,520 --> 00:33:19,239 Speaker 1: a future for legacy. How do you balance that? I 675 00:33:19,280 --> 00:33:21,120 Speaker 1: think that all of those tiers that you just talked 676 00:33:21,120 --> 00:33:24,280 Speaker 1: about are ones that you have to experience ultimately to 677 00:33:24,320 --> 00:33:26,840 Speaker 1: get to the point when you see what's really important, 678 00:33:27,000 --> 00:33:31,840 Speaker 1: right and as a guy that chases after success harder 679 00:33:31,880 --> 00:33:36,640 Speaker 1: than anything that chases after w's multiple wins, that wants 680 00:33:36,640 --> 00:33:40,120 Speaker 1: it in all aspects. When it comes to this thing 681 00:33:40,120 --> 00:33:42,800 Speaker 1: and family, you get to a weird space where you 682 00:33:42,840 --> 00:33:46,600 Speaker 1: start to understand at the time that you think you're 683 00:33:46,640 --> 00:33:49,680 Speaker 1: given to your family isn't as much time as you 684 00:33:49,720 --> 00:33:53,400 Speaker 1: could be given. And you then go, you know, what, 685 00:33:53,480 --> 00:33:57,320 Speaker 1: I need to prioritize my family the same way that 686 00:33:57,360 --> 00:34:01,040 Speaker 1: I prioritize my will and want a success. And it's 687 00:34:01,120 --> 00:34:04,560 Speaker 1: it's a weird thing because you feel like, well, if 688 00:34:04,560 --> 00:34:06,880 Speaker 1: I don't hustle and I'm not chasing after it, I 689 00:34:06,880 --> 00:34:08,680 Speaker 1: can't get the money to take care of my family, 690 00:34:08,719 --> 00:34:11,520 Speaker 1: which is true, which is why you need some success 691 00:34:11,560 --> 00:34:14,319 Speaker 1: to make you see and understand what that is and 692 00:34:14,360 --> 00:34:18,080 Speaker 1: what that feels like. But when it boils down to it, 693 00:34:18,680 --> 00:34:24,040 Speaker 1: time can't be replaced and you can't get back. And 694 00:34:24,120 --> 00:34:27,080 Speaker 1: as you get older you realize that and that time 695 00:34:27,120 --> 00:34:29,440 Speaker 1: that you kind of miss with those kids, you can 696 00:34:29,560 --> 00:34:32,239 Speaker 1: look back on it and go, damn, you know, I 697 00:34:32,800 --> 00:34:35,160 Speaker 1: missed a lot. You know, even though I was around, 698 00:34:35,640 --> 00:34:37,640 Speaker 1: I missed a lot. You get to a place of 699 00:34:37,719 --> 00:34:42,839 Speaker 1: just understanding the time is what's most important and that 700 00:34:43,000 --> 00:34:46,560 Speaker 1: happiness that we're all searching for. It boils down to 701 00:34:46,719 --> 00:34:50,000 Speaker 1: a place of the people that you're giving your time 702 00:34:50,120 --> 00:34:54,279 Speaker 1: too and that you're giving that energy to. So I 703 00:34:54,360 --> 00:34:58,000 Speaker 1: got to a place of understanding that that's what really matters. 704 00:34:58,120 --> 00:35:01,719 Speaker 1: The money's great, the success is right, but you know 705 00:35:02,320 --> 00:35:04,879 Speaker 1: I was in that room in a hospital that money 706 00:35:04,920 --> 00:35:08,080 Speaker 1: and success wasn't there. You just got the people that 707 00:35:08,160 --> 00:35:11,760 Speaker 1: Connor are with you and that matter in that box 708 00:35:11,800 --> 00:35:14,000 Speaker 1: with you. So when it comes down to you being 709 00:35:14,000 --> 00:35:16,840 Speaker 1: in that box, or when it comes down to anything 710 00:35:16,880 --> 00:35:19,120 Speaker 1: happening that puts you in a position of a box, 711 00:35:19,200 --> 00:35:21,920 Speaker 1: who are those people that you're gonna share that with it? 712 00:35:22,160 --> 00:35:25,360 Speaker 1: Who are gonna be there with And that's where I 713 00:35:25,560 --> 00:35:30,080 Speaker 1: prioritize my energy and effort now, like in making sure 714 00:35:30,600 --> 00:35:33,200 Speaker 1: they know their worth, they know their value. And I'm 715 00:35:33,360 --> 00:35:35,680 Speaker 1: you know, I'm about to be forty two still figuring 716 00:35:35,719 --> 00:35:39,680 Speaker 1: it out. It's a never ending puzzle game that you 717 00:35:39,760 --> 00:35:43,279 Speaker 1: gotta just learn how to play correctly. And it's the 718 00:35:43,360 --> 00:35:46,440 Speaker 1: best for me as a as a father, as a 719 00:35:46,520 --> 00:35:51,000 Speaker 1: husband of figuring it out is new there's no handbook 720 00:35:51,040 --> 00:35:54,960 Speaker 1: that comes with it, there's no tutorial, there's no study guide. 721 00:35:55,080 --> 00:35:58,040 Speaker 1: You got to figure it out as you go. Now, Kevin, 722 00:35:58,120 --> 00:36:01,560 Speaker 1: just to shift gears for a second. A big topic attimplate. 723 00:36:01,640 --> 00:36:03,400 Speaker 1: We saw a Cat Williams and Segi dentity and that 724 00:36:03,520 --> 00:36:06,279 Speaker 1: going back and forth about stealing jokes, right, And it's 725 00:36:06,280 --> 00:36:09,040 Speaker 1: a fine line because sometimes there's certain themes that are 726 00:36:09,120 --> 00:36:11,760 Speaker 1: very common and you might feel like somebody took something 727 00:36:11,760 --> 00:36:13,960 Speaker 1: of yours, but it could be just that they had 728 00:36:14,000 --> 00:36:16,000 Speaker 1: a similar joke. Has that ever happened to you where 729 00:36:16,040 --> 00:36:18,319 Speaker 1: you felt like, did this person still my joke? Or 730 00:36:18,400 --> 00:36:22,080 Speaker 1: is it a coincidence? You're you're in a pool where 731 00:36:22,080 --> 00:36:26,759 Speaker 1: you got a million comedians and you know, I hate 732 00:36:26,760 --> 00:36:29,680 Speaker 1: to say it, it's sad, but what what what material 733 00:36:30,400 --> 00:36:34,640 Speaker 1: is that original today that that you haven't heard? Uh? 734 00:36:34,680 --> 00:36:38,320 Speaker 1: In rendition up? You know, we we all are doing 735 00:36:38,320 --> 00:36:41,799 Speaker 1: our best to make things our own, but you know 736 00:36:41,960 --> 00:36:44,920 Speaker 1: it's the it's the same topics for each of us. 737 00:36:45,120 --> 00:36:47,160 Speaker 1: Right in the case where I've had things that have 738 00:36:47,200 --> 00:36:49,920 Speaker 1: been similar and I've seen somebody do something in a 739 00:36:49,960 --> 00:36:52,400 Speaker 1: new one, you know, move on from it. It's not 740 00:36:52,800 --> 00:36:55,760 Speaker 1: it's not that serious. I've never made it that serious, 741 00:36:56,239 --> 00:36:59,399 Speaker 1: and I never would. You know, it's it's it's it's 742 00:36:59,440 --> 00:37:01,839 Speaker 1: too many of us. There's too many of us out there, 743 00:37:02,360 --> 00:37:05,560 Speaker 1: and because of that, you know, you have to be 744 00:37:05,640 --> 00:37:11,560 Speaker 1: understanding too. Sometimes it can be accidental. Sometimes it's not malicious. Now, 745 00:37:11,760 --> 00:37:14,400 Speaker 1: if somebody's out there they're doing what you said word 746 00:37:14,480 --> 00:37:18,920 Speaker 1: for word, that's just that's just a blatant level of stealing. 747 00:37:19,000 --> 00:37:21,960 Speaker 1: But if it's the same topic sometimes and people have 748 00:37:22,040 --> 00:37:25,439 Speaker 1: done it, I've never looked that deep into it. But 749 00:37:25,640 --> 00:37:27,480 Speaker 1: that's another reason why I try my best not to 750 00:37:27,520 --> 00:37:30,959 Speaker 1: watch comedy. I don't. I don't really watch a lot 751 00:37:31,000 --> 00:37:34,239 Speaker 1: of comedy. I produce a lot. I make sure that 752 00:37:34,280 --> 00:37:36,839 Speaker 1: I develop a lot, but I don't sit back and 753 00:37:36,880 --> 00:37:39,239 Speaker 1: watch it because I don't want to be in the 754 00:37:39,280 --> 00:37:44,160 Speaker 1: same space of another comedian's ideas or another comedians thoughts. 755 00:37:44,440 --> 00:37:46,839 Speaker 1: So I try to remove myself from that. It's best 756 00:37:46,880 --> 00:37:49,720 Speaker 1: that I can. You think the world is getting soft, 757 00:37:49,800 --> 00:37:51,880 Speaker 1: And and the reason I say that is, I know 758 00:37:51,960 --> 00:37:54,759 Speaker 1: you're a big basketball fan, and you watch basketball now 759 00:37:54,800 --> 00:37:57,560 Speaker 1: and everybody gets a brown and they've gone out the game. 760 00:37:57,640 --> 00:37:59,719 Speaker 1: You know, if a comedian makes a joke, they want 761 00:37:59,719 --> 00:38:02,080 Speaker 1: to care with cancer coaches so fast. Do you think 762 00:38:02,080 --> 00:38:04,680 Speaker 1: everybody getting too sensitive and too sol I mean, look, 763 00:38:04,680 --> 00:38:07,320 Speaker 1: it's a conversation that can go either way. And and 764 00:38:07,880 --> 00:38:11,600 Speaker 1: do I understand the reason for some of the conversations 765 00:38:11,600 --> 00:38:13,440 Speaker 1: that have been had and the changes that need to 766 00:38:13,440 --> 00:38:16,480 Speaker 1: be made. Absolutely. Do I think that we all need 767 00:38:16,520 --> 00:38:22,640 Speaker 1: to raise the bar on simply respecting and understanding one 768 00:38:22,680 --> 00:38:27,320 Speaker 1: another and understanding the lines that that shouldn't be crossed 769 00:38:27,400 --> 00:38:31,719 Speaker 1: or or or that can be crossed. Absolutely, But do 770 00:38:31,760 --> 00:38:37,160 Speaker 1: I also think that there's a world where, umre we're 771 00:38:37,200 --> 00:38:41,840 Speaker 1: losing the idea of what a joke is or what 772 00:38:42,000 --> 00:38:45,960 Speaker 1: the intent of a joke is done for right, Like 773 00:38:46,040 --> 00:38:50,760 Speaker 1: it's it's not done with the intent and purpose to hurt, 774 00:38:51,440 --> 00:38:54,440 Speaker 1: is done with the intent to get a laugh. And 775 00:38:54,520 --> 00:38:57,359 Speaker 1: the risk in doing that is sometimes you don't get 776 00:38:57,360 --> 00:39:00,719 Speaker 1: a laugh. That's the risk, that's the biggest risk. The 777 00:39:00,840 --> 00:39:04,239 Speaker 1: reward is is getting a laugh. I think that it's 778 00:39:04,320 --> 00:39:07,440 Speaker 1: up to our job now is talent to just understand 779 00:39:07,800 --> 00:39:12,520 Speaker 1: the respect level that we're supposed to have for people 780 00:39:12,560 --> 00:39:16,239 Speaker 1: in general and trying to you know, trying to do 781 00:39:16,400 --> 00:39:20,160 Speaker 1: our best and be an example of the change that 782 00:39:20,200 --> 00:39:22,080 Speaker 1: we want to see within our world. I will say 783 00:39:22,120 --> 00:39:26,279 Speaker 1: that flat out. Now. Everything doesn't need to become a conversation, 784 00:39:26,600 --> 00:39:30,719 Speaker 1: Everything doesn't need to become a war of opinions. I 785 00:39:30,760 --> 00:39:33,440 Speaker 1: think people are just forgetting that. It's very easy to 786 00:39:33,520 --> 00:39:36,719 Speaker 1: just not support something. It's very easy to not be 787 00:39:36,800 --> 00:39:39,960 Speaker 1: a fan. It's very easy to change the channel. It's 788 00:39:40,080 --> 00:39:43,280 Speaker 1: very easy to not watch that movie. It's very easy 789 00:39:43,360 --> 00:39:46,200 Speaker 1: to say that this person isn't for me. I think 790 00:39:46,200 --> 00:39:49,360 Speaker 1: we forgot that. And the same way, like it's easy 791 00:39:49,360 --> 00:39:51,480 Speaker 1: for you to make that decision, it's very easy for 792 00:39:51,560 --> 00:39:54,720 Speaker 1: other people to make the decision of Like, it's very easy. 793 00:39:55,000 --> 00:39:59,240 Speaker 1: Some people like coffee, some people like tea. It's a choice. 794 00:39:59,719 --> 00:40:02,640 Speaker 1: It's it doesn't matter, it's not it's not going serious. 795 00:40:02,640 --> 00:40:06,480 Speaker 1: And I think we're we're forgetting about the decision. We're 796 00:40:06,520 --> 00:40:10,120 Speaker 1: forgetting that just because you don't like it, it doesn't 797 00:40:10,120 --> 00:40:13,319 Speaker 1: mean that you have to voice or express your level 798 00:40:13,360 --> 00:40:17,040 Speaker 1: of dislike in a way to where it now is destructive, 799 00:40:17,480 --> 00:40:20,040 Speaker 1: in a way to where it's now offsetting to others 800 00:40:20,080 --> 00:40:23,920 Speaker 1: that doe like that now creates this conflict that sometimes 801 00:40:23,920 --> 00:40:26,200 Speaker 1: doesn't need to be had. So you know, I think 802 00:40:26,200 --> 00:40:28,600 Speaker 1: eventually we'll get back to a place of just remembering 803 00:40:29,680 --> 00:40:32,279 Speaker 1: who your fans of and who you are right, It's 804 00:40:32,320 --> 00:40:36,120 Speaker 1: it's it's very simple. I mean, I don't dislike country music, 805 00:40:36,480 --> 00:40:38,759 Speaker 1: but I've never listened to it. It doesn't mean that 806 00:40:38,800 --> 00:40:40,720 Speaker 1: I that I'm not a fan of it. But I can't. 807 00:40:40,880 --> 00:40:44,479 Speaker 1: I can't tell you a song. I can't. I can't. 808 00:40:44,520 --> 00:40:46,200 Speaker 1: I mean, I can't tell you his music. I know 809 00:40:46,239 --> 00:40:50,239 Speaker 1: who did? I know you know the song that was 810 00:40:50,280 --> 00:40:52,120 Speaker 1: a hit. But I'm saying it doesn't mean I didn't 811 00:40:52,120 --> 00:40:54,319 Speaker 1: like it. It's just not for me. I've made the 812 00:40:54,400 --> 00:40:57,359 Speaker 1: choice to say that's not my cup of tea. It's 813 00:40:57,440 --> 00:41:00,600 Speaker 1: nothing wrong with that. It like, it's nothing wrong with 814 00:41:00,760 --> 00:41:04,560 Speaker 1: making those choices. So it's like there's this big divide 815 00:41:05,160 --> 00:41:09,200 Speaker 1: and everything today there has to be a conflict of divide. 816 00:41:09,400 --> 00:41:12,920 Speaker 1: It's it's me versus you. And if you don't like 817 00:41:13,320 --> 00:41:15,720 Speaker 1: what I'm telling you you should like, then you stupid 818 00:41:16,080 --> 00:41:20,839 Speaker 1: and well I don't get it if you can mispectfully disagree, Yeah, 819 00:41:20,920 --> 00:41:23,680 Speaker 1: like you you think it funny? You dumb? He's he 820 00:41:23,840 --> 00:41:27,680 Speaker 1: the funniest he not. It doesn't what what, It doesn't matter. 821 00:41:28,239 --> 00:41:31,840 Speaker 1: It's a person to person choice, all right, What movie 822 00:41:31,840 --> 00:41:33,520 Speaker 1: got mover? Kevin R. When we come back. It's the 823 00:41:33,560 --> 00:41:39,640 Speaker 1: Breakfast Cloubal Morning the Morning. Everybody is DJ Envy, Angela Yee, 824 00:41:39,680 --> 00:41:41,799 Speaker 1: Charlomne the Guy. We are the Breakfast Club. We're still 825 00:41:41,840 --> 00:41:44,319 Speaker 1: kicking it with Kevin Hart Ye. I saw that I'm 826 00:41:44,400 --> 00:41:47,600 Speaker 1: Bill maher situation where he waited on something that you 827 00:41:47,680 --> 00:41:50,560 Speaker 1: said about white power and being at an all time high. 828 00:41:50,560 --> 00:41:53,719 Speaker 1: He took it very literally and very literally. I meant 829 00:41:53,760 --> 00:41:56,839 Speaker 1: what I said, though I wasn't wrong about about what 830 00:41:56,880 --> 00:41:59,520 Speaker 1: I said. It wasn't a thing. And if he felt 831 00:41:59,560 --> 00:42:03,120 Speaker 1: that I was, that's fine for him. But Bill Mark 832 00:42:03,200 --> 00:42:08,280 Speaker 1: can't speak from a position of knowing what the black 833 00:42:08,320 --> 00:42:13,200 Speaker 1: community is going through still today, like you can't speak 834 00:42:13,560 --> 00:42:16,880 Speaker 1: from a position of never experiencing and never being a 835 00:42:16,960 --> 00:42:20,200 Speaker 1: part of and acting as if you do and if 836 00:42:20,239 --> 00:42:22,560 Speaker 1: you have right where I mean. I looked at the 837 00:42:22,640 --> 00:42:24,440 Speaker 1: video of to Day with more cops beating the young 838 00:42:24,480 --> 00:42:27,200 Speaker 1: guy's ass. They broke this kid's ribs, eight of them 839 00:42:27,200 --> 00:42:29,719 Speaker 1: holding them down. The damn the ribs. It's still happening. 840 00:42:30,040 --> 00:42:31,759 Speaker 1: So to my point of what I was saying to 841 00:42:31,800 --> 00:42:35,520 Speaker 1: Bill Maher, there is a high level of white privilege 842 00:42:35,560 --> 00:42:38,960 Speaker 1: that we're still seeing on display. There's a high level 843 00:42:39,520 --> 00:42:43,200 Speaker 1: and it's at an all time high in today. It 844 00:42:43,360 --> 00:42:46,399 Speaker 1: is in today, we're still experiencing it as if it's 845 00:42:46,440 --> 00:42:49,560 Speaker 1: no consequence. To me, that still seems like the white 846 00:42:49,600 --> 00:42:53,160 Speaker 1: privilege that we're speaking of. If we're saying, oh god, 847 00:42:53,320 --> 00:42:56,400 Speaker 1: these senseless murders are happening, Oh my god, this black 848 00:42:56,440 --> 00:42:58,640 Speaker 1: man died, Oh my god, this black man was killed, 849 00:42:58,760 --> 00:43:01,399 Speaker 1: Oh my god, this black was killed, and then you 850 00:43:01,480 --> 00:43:04,680 Speaker 1: still continue to see it. It's almost as if, so what, 851 00:43:04,840 --> 00:43:08,560 Speaker 1: there's no consequences. So that's what I'm speaking of. When 852 00:43:08,560 --> 00:43:12,480 Speaker 1: you see the white women that are now confident, we're 853 00:43:12,600 --> 00:43:16,160 Speaker 1: saying to black people and black women, you know, you 854 00:43:16,320 --> 00:43:19,480 Speaker 1: go back, you black. It's a reason for that, that 855 00:43:19,680 --> 00:43:23,600 Speaker 1: confidence that I can do this and there is no consequence, 856 00:43:24,000 --> 00:43:26,360 Speaker 1: is what I was speaking on behalf of. So for 857 00:43:26,480 --> 00:43:29,280 Speaker 1: Bill Maher to act as if he's ignorant or blind 858 00:43:29,320 --> 00:43:31,839 Speaker 1: to that, I thought it was ridiculous. I didn't think 859 00:43:31,880 --> 00:43:35,319 Speaker 1: that that made sense. We're witnessing that we shouldn't be 860 00:43:35,360 --> 00:43:39,560 Speaker 1: seeing in today's time. That's what I'm saying, Bill, You 861 00:43:39,640 --> 00:43:42,640 Speaker 1: know that, Yeah, everything that you ever think. He goes 862 00:43:42,680 --> 00:43:44,600 Speaker 1: back and forth and sesting the gas like you to 863 00:43:44,640 --> 00:43:47,799 Speaker 1: get this conversation to get that, well, I don't. I mean, 864 00:43:47,840 --> 00:43:49,239 Speaker 1: I'm the wrong person to do it because I'm not 865 00:43:49,280 --> 00:43:51,359 Speaker 1: gonna I'm not gonna give it that much energy. This 866 00:43:51,440 --> 00:43:55,440 Speaker 1: is just of making sure that people in general understand 867 00:43:56,640 --> 00:44:00,359 Speaker 1: what what just needs to be would need needs to 868 00:44:00,400 --> 00:44:07,000 Speaker 1: be verbally said on a regular right. And that's if 869 00:44:07,040 --> 00:44:09,360 Speaker 1: the goal in the world, this is very simple to me. 870 00:44:09,800 --> 00:44:13,839 Speaker 1: If the goal in the world is about equality, right, 871 00:44:14,320 --> 00:44:19,000 Speaker 1: that means we have to understand the unfair gap in 872 00:44:19,080 --> 00:44:25,319 Speaker 1: between that's prohibiting, that's prohibiting the surge of equality that 873 00:44:25,360 --> 00:44:29,279 Speaker 1: we're all looking for. Right because we feel like there's 874 00:44:29,280 --> 00:44:34,040 Speaker 1: a significant disadvantage. We're starting way from behind, and we're 875 00:44:34,080 --> 00:44:37,800 Speaker 1: not getting any help to close the gat. So because 876 00:44:37,840 --> 00:44:41,160 Speaker 1: of that, we're frustrated, we're angry. Because of that, we 877 00:44:41,200 --> 00:44:44,440 Speaker 1: feel like we're being suppressed. Still, that's a part of 878 00:44:44,440 --> 00:44:49,239 Speaker 1: the problem. Help us close that gat. This is what minorities, 879 00:44:49,280 --> 00:44:53,040 Speaker 1: black and brown people, this is what we're talking about about. 880 00:44:53,160 --> 00:44:58,880 Speaker 1: From the start, there was a significant advantage for the 881 00:44:59,000 --> 00:45:03,800 Speaker 1: white culture. You started out way ahead. There's no reason 882 00:45:03,880 --> 00:45:10,120 Speaker 1: why I'm still giving financial financial advice and black communities 883 00:45:10,440 --> 00:45:13,440 Speaker 1: about a checking and a savings account, because all we 884 00:45:13,480 --> 00:45:16,359 Speaker 1: have is check cash in places and licks stores. That's 885 00:45:16,360 --> 00:45:19,840 Speaker 1: not a coincidence. We're set up to lose, We're I 886 00:45:19,920 --> 00:45:22,200 Speaker 1: set up to win. So when you get older and 887 00:45:22,239 --> 00:45:25,399 Speaker 1: you start to see this, you speak on it so 888 00:45:25,440 --> 00:45:27,800 Speaker 1: that you can try to make other people more aware. 889 00:45:28,520 --> 00:45:31,440 Speaker 1: That's that's all it is. So when you say things 890 00:45:31,440 --> 00:45:35,120 Speaker 1: that show that you're still unaware, by going back and 891 00:45:35,239 --> 00:45:38,319 Speaker 1: making a reference like you did and taking MODI said 892 00:45:38,400 --> 00:45:42,600 Speaker 1: so literal and equating it to the days of you know, 893 00:45:43,080 --> 00:45:47,560 Speaker 1: of waterfounds for blacks and hosing black people down and 894 00:45:47,640 --> 00:45:51,439 Speaker 1: sicking dogs on them while you're making my point. You're 895 00:45:51,440 --> 00:45:54,839 Speaker 1: making my point, but you know it's it's It's one 896 00:45:54,880 --> 00:45:59,480 Speaker 1: where I think we are seeing more corporations take responsibility 897 00:45:59,800 --> 00:46:04,400 Speaker 1: and making sure that they have a diverse identity in 898 00:46:04,480 --> 00:46:08,200 Speaker 1: the house. We're seeing more board changes where there's black 899 00:46:08,239 --> 00:46:11,560 Speaker 1: personnel that's being involved. You know, in a lot of 900 00:46:11,600 --> 00:46:14,399 Speaker 1: the place of business that I play and entertainment, I'm 901 00:46:14,440 --> 00:46:18,919 Speaker 1: seeing much more color on sets, much more opportunity. We're 902 00:46:18,920 --> 00:46:23,360 Speaker 1: seeing women progress, We're seeing change, Yes we are, but 903 00:46:23,600 --> 00:46:25,560 Speaker 1: is it anywhere near where it needs to be? Yet? No, 904 00:46:26,560 --> 00:46:28,640 Speaker 1: it's not where it needs to be. What are you 905 00:46:28,640 --> 00:46:30,480 Speaker 1: telling your son back to fatherhood. What do you tell 906 00:46:30,520 --> 00:46:32,319 Speaker 1: your son Now he's a teenager, he's about to get 907 00:46:32,320 --> 00:46:34,719 Speaker 1: his license, he's about to start driving, he's about to 908 00:46:34,760 --> 00:46:37,279 Speaker 1: get on the road, And you know, what do you 909 00:46:37,400 --> 00:46:39,879 Speaker 1: tell your son? I know the neighborhood that I live in, 910 00:46:40,320 --> 00:46:43,400 Speaker 1: and seeing me drive to that neighborhood is okay because 911 00:46:43,400 --> 00:46:46,120 Speaker 1: of who I am, right, But they don't know my son, 912 00:46:46,960 --> 00:46:51,319 Speaker 1: they don't know my daughter. Right, So the attachment to 913 00:46:51,360 --> 00:46:54,680 Speaker 1: my child and whatever vehicle is not the same as 914 00:46:54,719 --> 00:46:59,480 Speaker 1: if it's me, And those conversations with cops are different. 915 00:47:00,400 --> 00:47:04,640 Speaker 1: They are they are different. I don't care, I don't 916 00:47:04,640 --> 00:47:08,640 Speaker 1: care what you say. It's not the same. It's not 917 00:47:08,719 --> 00:47:11,839 Speaker 1: the same in any way, shape or form. The questions, 918 00:47:12,400 --> 00:47:15,520 Speaker 1: the assumption of what are you doing here? Why are 919 00:47:15,600 --> 00:47:19,080 Speaker 1: you here? What are you doing? Those questions are real. 920 00:47:19,840 --> 00:47:22,560 Speaker 1: So when you act as if they aren't, and when 921 00:47:22,560 --> 00:47:25,520 Speaker 1: you act as if it's not, as if it's not 922 00:47:25,640 --> 00:47:31,360 Speaker 1: a true matter that really needs to be not just handled, 923 00:47:32,080 --> 00:47:36,160 Speaker 1: not just addressed, but change for the comfort, for the 924 00:47:36,200 --> 00:47:39,759 Speaker 1: comfort and safety of people and their loved ones and 925 00:47:39,840 --> 00:47:44,000 Speaker 1: their kids. Like that's a real thing. The gamble of 926 00:47:44,560 --> 00:47:47,239 Speaker 1: all right, man, my baby driving this car at night 927 00:47:47,280 --> 00:47:50,720 Speaker 1: they're going to said thing, Please, God, don't let nobody 928 00:47:50,760 --> 00:47:54,080 Speaker 1: stop them at night, and think it's a situation where 929 00:47:54,640 --> 00:47:57,600 Speaker 1: you know, they go to ask for papers and registration 930 00:47:57,680 --> 00:48:00,319 Speaker 1: and my kids the one that reaches and it becomes 931 00:48:00,760 --> 00:48:03,399 Speaker 1: why are we thinking like that? Why? Why is that? 932 00:48:03,680 --> 00:48:06,680 Speaker 1: Why is that the immediate thought? And is that even 933 00:48:06,719 --> 00:48:12,359 Speaker 1: a thought for the other side? It's not not. And 934 00:48:12,480 --> 00:48:16,120 Speaker 1: that's the problem. That's what we're saying. It's a problem. 935 00:48:16,600 --> 00:48:19,319 Speaker 1: That's what we're saying is an issue. And that's the 936 00:48:19,360 --> 00:48:23,000 Speaker 1: frustrating thing that I think that I think the high 937 00:48:23,120 --> 00:48:27,920 Speaker 1: volume aren't truly allowing. You're not letting it register, You're 938 00:48:27,960 --> 00:48:33,920 Speaker 1: not letting the discomfort register through the real actions that 939 00:48:33,960 --> 00:48:37,719 Speaker 1: we're seeing on display. And yes, the internet can take 940 00:48:37,760 --> 00:48:40,920 Speaker 1: it and blow things up and and and you know, 941 00:48:41,040 --> 00:48:43,319 Speaker 1: we see a lot more than maybe we would have 942 00:48:43,360 --> 00:48:45,799 Speaker 1: ever seen. But I swear to God, it is a 943 00:48:45,840 --> 00:48:50,799 Speaker 1: consistency behind the same narrative. That's a problem. That's what 944 00:48:50,840 --> 00:48:54,200 Speaker 1: I'm speaking on. Nothing more. You know, during the pandemic, 945 00:48:54,800 --> 00:48:58,480 Speaker 1: I've seen you picked a bike riding. Yeah, now what 946 00:48:58,600 --> 00:49:00,640 Speaker 1: got you on the bike? When do you come into 947 00:49:00,640 --> 00:49:02,839 Speaker 1: New Jersey to do some real riding? Up up the 948 00:49:02,880 --> 00:49:04,920 Speaker 1: real hills, not not the flat lands that y'all do 949 00:49:04,960 --> 00:49:07,400 Speaker 1: in La. No. You know we got cannons, we we 950 00:49:07,480 --> 00:49:11,920 Speaker 1: got we got some real kids. We got real kids out. 951 00:49:12,920 --> 00:49:14,759 Speaker 1: Friends told me was out. You wasn't like a hill 952 00:49:14,920 --> 00:49:19,480 Speaker 1: hilly hill guy Shaffer Shaeffer right now is Shaffer honestly 953 00:49:19,640 --> 00:49:22,560 Speaker 1: was in the space where I wasn't with Shape. I said, Shape, 954 00:49:22,600 --> 00:49:24,880 Speaker 1: I'm gonna leave you alone, and I'm ready. But you 955 00:49:24,920 --> 00:49:27,239 Speaker 1: know I can go do it comfortable. I can put 956 00:49:27,280 --> 00:49:30,279 Speaker 1: up anywhere between the twenty seven and thirty thirty two 957 00:49:30,760 --> 00:49:33,680 Speaker 1: thirty four with some with some hills and stuff in it. Now, 958 00:49:33,920 --> 00:49:36,640 Speaker 1: you know, if you guys got a crazy cadence and 959 00:49:36,640 --> 00:49:39,200 Speaker 1: and you know y'all got a different rehythm. You know, 960 00:49:39,360 --> 00:49:42,160 Speaker 1: like I'm gonna have a conversation. I got no problem 961 00:49:42,320 --> 00:49:45,320 Speaker 1: with saying get me to text me to tram. So 962 00:49:46,440 --> 00:49:48,799 Speaker 1: I got I got the pack, I got everything I need, 963 00:49:48,800 --> 00:49:51,200 Speaker 1: I got my kids, I got my repair kits of it. 964 00:49:51,320 --> 00:49:53,000 Speaker 1: If I'm out with some people that need to go, 965 00:49:53,520 --> 00:49:56,840 Speaker 1: you go. But what I like the calm that's attached 966 00:49:56,880 --> 00:50:00,520 Speaker 1: to it, Like I'm I'm looking for the hobbies that 967 00:50:00,680 --> 00:50:04,880 Speaker 1: act as uh as as a meditation. You know what 968 00:50:04,920 --> 00:50:07,319 Speaker 1: I mean, Like the same thing that running was for me. 969 00:50:07,440 --> 00:50:11,520 Speaker 1: Running is you yourself and and just a calm. That 970 00:50:11,640 --> 00:50:13,800 Speaker 1: bike is the same thing. You get out there with 971 00:50:13,840 --> 00:50:18,440 Speaker 1: a nice group. Everybody ride that. When the trail you 972 00:50:18,520 --> 00:50:20,880 Speaker 1: go on, the road you go on. If you're out 973 00:50:20,920 --> 00:50:23,480 Speaker 1: there at the right time, it feels like it's just you. 974 00:50:23,480 --> 00:50:25,440 Speaker 1: You get to be in your own space. Man. And 975 00:50:25,480 --> 00:50:28,480 Speaker 1: I just like, I like shutting off. And that's that's 976 00:50:28,480 --> 00:50:33,320 Speaker 1: what you have. Those jail shorts. I go the whole nine. 977 00:50:33,680 --> 00:50:35,319 Speaker 1: I'm out. They make fun of me all the time. 978 00:50:35,400 --> 00:50:38,319 Speaker 1: I'm like, you need the jail shorts. And as I'm 979 00:50:38,320 --> 00:50:41,920 Speaker 1: out there, I'm out there in the whole leotard framed up. 980 00:50:42,360 --> 00:50:45,160 Speaker 1: That's right, giving you what you wanted to like a 981 00:50:45,360 --> 00:50:49,680 Speaker 1: confident I'm good. And when you guys get off the bike, 982 00:50:49,719 --> 00:50:53,080 Speaker 1: are you walking funny? No, man, it's a thing. If 983 00:50:53,120 --> 00:50:56,839 Speaker 1: you if you, if you're a part of this lifestyle, 984 00:50:57,320 --> 00:51:00,879 Speaker 1: it's a thing. There's no there's no share. You're good 985 00:51:01,120 --> 00:51:04,400 Speaker 1: like it's it's good you you are. Can't even let 986 00:51:04,480 --> 00:51:08,560 Speaker 1: the straps down on leotard and feel good about it. 987 00:51:08,560 --> 00:51:10,799 Speaker 1: Don't your flip flops on, you know, as if you're 988 00:51:10,800 --> 00:51:13,120 Speaker 1: clicking in. I'm also clicking in. I'm the real deal. 989 00:51:13,480 --> 00:51:19,680 Speaker 1: I'm not. I definitely did. You can get tough. It 990 00:51:19,719 --> 00:51:24,280 Speaker 1: was tough. I was in that driveway. Oh man. Fatherhood 991 00:51:24,400 --> 00:51:26,480 Speaker 1: is out this weekend. Make sure you go check it out, 992 00:51:26,480 --> 00:51:28,440 Speaker 1: and we appreciate you checking in. Be safe, man, It's 993 00:51:28,440 --> 00:51:30,920 Speaker 1: in the family. I love it a lot many ken. 994 00:51:31,360 --> 00:51:33,120 Speaker 1: We do always appreciate that you checking in with the 995 00:51:33,160 --> 00:51:35,160 Speaker 1: Breakfast Claus. It does mean a lot to us because 996 00:51:35,560 --> 00:51:37,160 Speaker 1: you know you are going to be a billionaire by 997 00:51:37,200 --> 00:51:39,439 Speaker 1: the time you're forty five. Hopefully you'll still be checking 998 00:51:39,480 --> 00:51:42,399 Speaker 1: in at that time. Listen, I'm never gonna change. I'm 999 00:51:42,440 --> 00:51:45,920 Speaker 1: not going anywhere regardless of the success. I love you guys. 1000 00:51:46,280 --> 00:51:49,840 Speaker 1: You guys have been riding with me forever, which is 1001 00:51:49,840 --> 00:51:51,640 Speaker 1: why I'm gonna do the same in return. And to 1002 00:51:52,160 --> 00:51:56,040 Speaker 1: all the listeners of the Watchers, Please, guys, Friday the 1003 00:51:56,120 --> 00:51:59,680 Speaker 1: eighteenth is going down. Fatherhood. I promise you this movie 1004 00:51:59,719 --> 00:52:03,120 Speaker 1: just not disappointed. I promise, I promise. I promise You're 1005 00:52:03,120 --> 00:52:05,440 Speaker 1: gonna walk away with an amazing message, with an amazing 1006 00:52:05,719 --> 00:52:08,080 Speaker 1: amount of feel good at the end of the day. 1007 00:52:08,160 --> 00:52:11,080 Speaker 1: And uh, lastly, I really do mean when I say 1008 00:52:11,120 --> 00:52:13,919 Speaker 1: live love and laugh. We don't have that much time, man, 1009 00:52:14,400 --> 00:52:17,080 Speaker 1: wasting our time when it's goddamn earth and doing it 1010 00:52:17,160 --> 00:52:20,200 Speaker 1: in a negative space. It does none of us any good. 1011 00:52:20,320 --> 00:52:23,160 Speaker 1: So try your best to adapt that good energy. Man. 1012 00:52:23,320 --> 00:52:26,920 Speaker 1: That positive energy is the best flow. Point blank. Fatherhead, 1013 00:52:26,960 --> 00:52:31,040 Speaker 1: just into apathy this day. That's right. Appreciate Breakfast Club. 1014 00:52:32,040 --> 00:52:35,240 Speaker 1: So Breakfast Club, your mornings will never be the same. 1015 00:52:36,080 --> 00:52:40,160 Speaker 1: I hate interviews on June. I just hey, I do too, 1016 00:52:40,280 --> 00:52:42,919 Speaker 1: especially when it's our guy, Kevin Hart. Kevin Hart energy 1017 00:52:43,040 --> 00:52:47,200 Speaker 1: is always pure and it uplifts everyone around him. Mad 1018 00:52:47,200 --> 00:52:48,960 Speaker 1: I missed that one. All right, Well let's get to 1019 00:52:48,960 --> 00:52:57,960 Speaker 1: the rum as. Let's talk BET Awards. Oh gosport its 1020 00:52:58,920 --> 00:53:03,240 Speaker 1: Breakfast Club. Well, all y'all all ready for the BT 1021 00:53:03,400 --> 00:53:05,680 Speaker 1: Awards to Roger p Henson is going to be hosting, 1022 00:53:06,280 --> 00:53:10,480 Speaker 1: and Queen Latifa is getting the prestigious Lifetime Achievement award. 1023 00:53:11,120 --> 00:53:13,880 Speaker 1: So get ready to watch that on Sunday, June twenty 1024 00:53:13,920 --> 00:53:16,399 Speaker 1: seventh at eight pm. So it's gonna be live. Those 1025 00:53:16,440 --> 00:53:19,400 Speaker 1: are two very good selling points. I'm already sold to 1026 00:53:19,520 --> 00:53:22,760 Speaker 1: Roger p Hinson hoston and Queen Latifa getting the long 1027 00:53:22,800 --> 00:53:26,120 Speaker 1: overdue Lifetime Achievment Award. I'm there, all right. You can 1028 00:53:26,160 --> 00:53:28,560 Speaker 1: also now vote for the twenty twenty one BT Awards 1029 00:53:28,640 --> 00:53:30,840 Speaker 1: Viewers Choice Award. The theme of this year's show is 1030 00:53:30,960 --> 00:53:34,160 Speaker 1: Year of the Black Woman, in honor of their contributions 1031 00:53:34,200 --> 00:53:39,879 Speaker 1: to the culture. Okay bomb for black Black women, all right. 1032 00:53:39,960 --> 00:53:43,200 Speaker 1: Jennifer Lopez and Ben Affleck have been pictured kissing as 1033 00:53:43,280 --> 00:53:47,600 Speaker 1: the return of benefits here. There were Papa Razzi photos 1034 00:53:47,600 --> 00:53:49,000 Speaker 1: in the New York Posts that showed the two of 1035 00:53:49,040 --> 00:53:51,960 Speaker 1: them kissing while enjoying a meal with members of j 1036 00:53:52,120 --> 00:53:57,200 Speaker 1: Low's family at Malibu's Nobu Sushi restaurant. They are left. 1037 00:53:57,239 --> 00:53:59,640 Speaker 1: They just picked up right when they left off. Yeah, 1038 00:54:00,000 --> 00:54:02,839 Speaker 1: they have history, they were engaged. He don't deserve that, though, 1039 00:54:02,920 --> 00:54:07,080 Speaker 1: especially after how you're ruining Batman. Well, I'm serious, just 1040 00:54:07,200 --> 00:54:09,439 Speaker 1: the fact ben Affleck rowing Batman. He don't deserve Jimlo. 1041 00:54:09,440 --> 00:54:11,480 Speaker 1: Why are you to prize for ruining Batman? I mean 1042 00:54:11,520 --> 00:54:14,080 Speaker 1: they've been together before. I'm sure they're very comfortable with 1043 00:54:14,120 --> 00:54:17,520 Speaker 1: each other. He saw an inn and he in. Yeah, 1044 00:54:17,600 --> 00:54:20,520 Speaker 1: that's what happens. So I can't slip up guys, all right. 1045 00:54:20,600 --> 00:54:23,880 Speaker 1: Bernie Mack's daughter is talking about two actors who she 1046 00:54:23,920 --> 00:54:26,239 Speaker 1: would like to play Bernie Mack in a biopick. They 1047 00:54:26,280 --> 00:54:29,160 Speaker 1: didn't announce at the Tribeca Film Festival that that movie 1048 00:54:29,280 --> 00:54:32,160 Speaker 1: is gonna be coming. So the two people who Denise 1049 00:54:32,239 --> 00:54:34,360 Speaker 1: McCullough said that she would like to play her father 1050 00:54:34,520 --> 00:54:38,640 Speaker 1: in that movie are aldis Hodge. You know aldis Hodge 1051 00:54:38,680 --> 00:54:41,040 Speaker 1: from he played mc wren and Straight out of Compton. 1052 00:54:41,280 --> 00:54:44,919 Speaker 1: He's also going to be playing He's gonna also gonna 1053 00:54:44,920 --> 00:54:48,000 Speaker 1: be playing Carter Hall Hawkman in the upcoming DC Extended 1054 00:54:48,080 --> 00:54:51,480 Speaker 1: Universe film Black Adam. Yeah, and he was in Underground 1055 00:54:51,880 --> 00:54:53,640 Speaker 1: Jim Brown and One Night in Miami he was in 1056 00:54:53,760 --> 00:54:56,759 Speaker 1: Hidden Figures. So she said aldis Hodge, And she also 1057 00:54:56,840 --> 00:54:59,480 Speaker 1: said YouTube star Mark Phillips, she would like to say 1058 00:54:59,560 --> 00:55:01,960 Speaker 1: see play her dad, Bernie Mac. I don't know Mark Phillips. 1059 00:55:02,000 --> 00:55:04,359 Speaker 1: He has four million followers on YouTube and I saw 1060 00:55:04,440 --> 00:55:07,279 Speaker 1: that he saw what she posted and said how he 1061 00:55:07,360 --> 00:55:10,080 Speaker 1: said honored to even be considered as someone who could 1062 00:55:10,080 --> 00:55:12,319 Speaker 1: possibly play the role of the legend Bernie Man. Well, 1063 00:55:12,360 --> 00:55:13,840 Speaker 1: if she knows him, and you know he got that 1064 00:55:13,880 --> 00:55:16,279 Speaker 1: many follows on YouTube, I'm sure he's a star. Because 1065 00:55:16,320 --> 00:55:18,840 Speaker 1: Boydom Kid love those YouTube was and TikTok's they definitely 1066 00:55:18,840 --> 00:55:20,480 Speaker 1: don't be backing like they don't matter out here if 1067 00:55:20,480 --> 00:55:22,759 Speaker 1: you want to. Yeah, she said that she loves h 1068 00:55:23,040 --> 00:55:25,440 Speaker 1: Mark Phillips and she feels like he would be a 1069 00:55:25,480 --> 00:55:27,960 Speaker 1: great candidate, and she said the energy that he has 1070 00:55:28,000 --> 00:55:30,120 Speaker 1: on YouTube reminds her of her father, and a lot 1071 00:55:30,120 --> 00:55:32,040 Speaker 1: of people on Twitter agreed with that. Oh, I gotta 1072 00:55:32,040 --> 00:55:37,200 Speaker 1: go check him or what's his name again? At all? 1073 00:55:38,320 --> 00:55:43,160 Speaker 1: Bernie Mac Mark Phillips be ridiculous. Yeah, I want to 1074 00:55:43,160 --> 00:55:46,799 Speaker 1: see his talent. Okay, if it's Bernie Mac's daughter. He 1075 00:55:47,000 --> 00:55:49,440 Speaker 1: was saying that this man reminds her of her father. 1076 00:55:49,560 --> 00:55:52,840 Speaker 1: That's a big claim. I want to go see. Oh yeah, 1077 00:55:52,920 --> 00:55:56,919 Speaker 1: y'all are ridiculous. All right. Now, Kenya Barretts is gonna 1078 00:55:56,920 --> 00:56:00,520 Speaker 1: be making his feature directorial debut. It's gonna be Netflix 1079 00:56:00,560 --> 00:56:03,920 Speaker 1: comedy film starring Jonah Hill and Jonah Hill and Kenya 1080 00:56:03,920 --> 00:56:06,320 Speaker 1: Barris are going to co write and co produce the project, 1081 00:56:07,000 --> 00:56:10,000 Speaker 1: so it should be interesting to watch. It's going to 1082 00:56:10,080 --> 00:56:11,400 Speaker 1: be the first time he's doing, like I said, a 1083 00:56:11,440 --> 00:56:14,560 Speaker 1: feature debut. But he does, of course have directing experience 1084 00:56:14,960 --> 00:56:17,840 Speaker 1: with some episodes of Blackish, and he also was supposed 1085 00:56:17,840 --> 00:56:20,680 Speaker 1: to direct the Richard Pryor biopic, and he's going to 1086 00:56:20,760 --> 00:56:23,240 Speaker 1: be writing and co producing that with Richard Pryor's widow, 1087 00:56:23,320 --> 00:56:26,960 Speaker 1: Jennifer Lee Pryor. All Right, Doctor Dre and Jimmy iven 1088 00:56:27,040 --> 00:56:30,239 Speaker 1: are opening a public high school in LA that's pretty dope. 1089 00:56:30,280 --> 00:56:33,319 Speaker 1: It's called Regional High School Number one, so right now, 1090 00:56:33,360 --> 00:56:34,719 Speaker 1: that's the name of it. It's not clear if that's 1091 00:56:34,760 --> 00:56:36,520 Speaker 1: going to change or not. Students who don't live in 1092 00:56:36,560 --> 00:56:39,960 Speaker 1: that area will be provided with transportation now. Jimmy Ivene 1093 00:56:40,080 --> 00:56:41,920 Speaker 1: spoke about this in the La Times. He said, this 1094 00:56:41,960 --> 00:56:43,160 Speaker 1: is for kids who want to go out and start 1095 00:56:43,200 --> 00:56:45,160 Speaker 1: their own company or go work at a place like 1096 00:56:45,239 --> 00:56:48,319 Speaker 1: Marvel or Apple or companies like that. Doctor Dre said 1097 00:56:48,360 --> 00:56:50,719 Speaker 1: his desire is to inspire the younger me. He said, 1098 00:56:50,719 --> 00:56:52,800 Speaker 1: this is something new and different that might excite the 1099 00:56:52,880 --> 00:56:54,480 Speaker 1: kids and make them want to go to school. So 1100 00:56:54,520 --> 00:56:56,960 Speaker 1: it's like a like an art school or they said, 1101 00:56:57,080 --> 00:57:00,280 Speaker 1: it's not necessarily it's not a music school or anything 1102 00:57:00,280 --> 00:57:02,359 Speaker 1: like that. It's about to it's trying to help bring 1103 00:57:02,360 --> 00:57:05,440 Speaker 1: out creativity. It could be in anything that it is 1104 00:57:05,480 --> 00:57:07,320 Speaker 1: that you want to do and that you're passionate about. 1105 00:57:07,640 --> 00:57:10,120 Speaker 1: I love anybody that opens the school. Man that doctor 1106 00:57:10,200 --> 00:57:13,080 Speaker 1: Dre Jimmy Ivin, you know jail and Rolls Lebron James. 1107 00:57:13,080 --> 00:57:15,600 Speaker 1: I think owning the school. I think did he owns 1108 00:57:15,640 --> 00:57:17,920 Speaker 1: a charging school too? Right? Yea? Owning the school is 1109 00:57:17,920 --> 00:57:22,760 Speaker 1: a different level of bosses. That's different. Yeah, you know, 1110 00:57:22,840 --> 00:57:26,280 Speaker 1: so congratulations to that. You got to help doctor m Man. 1111 00:57:27,480 --> 00:57:32,200 Speaker 1: I I want doctor marking that conversation. Okay. He said 1112 00:57:32,480 --> 00:57:34,480 Speaker 1: he just needs some He got the building to help 1113 00:57:34,520 --> 00:57:36,680 Speaker 1: build out some of the stuff that just need to infrastructure, 1114 00:57:36,960 --> 00:57:39,959 Speaker 1: some electricians. He needs some plumber, he needs some contractors. 1115 00:57:40,280 --> 00:57:42,640 Speaker 1: He said, he'll pay for all the supplies. He just 1116 00:57:42,680 --> 00:57:45,919 Speaker 1: needs some brothers help with the label. All right, well 1117 00:57:45,960 --> 00:57:48,640 Speaker 1: that is your rumor reports. All right, let me pay 1118 00:57:48,680 --> 00:57:51,320 Speaker 1: my meter. All right, chel man, who are giving that 1119 00:57:51,360 --> 00:57:53,640 Speaker 1: doctor too? I need Laura Trump. I don't know if 1120 00:57:53,640 --> 00:57:57,520 Speaker 1: it's Laura or Laura Laura Laura Laura, but I need 1121 00:57:57,560 --> 00:57:58,480 Speaker 1: her to come to the front of the kind of 1122 00:57:58,520 --> 00:58:00,160 Speaker 1: gation we'd like to have a worlder. All right, we'll 1123 00:58:00,160 --> 00:58:04,280 Speaker 1: get into that NEXTUS the Breakfast Club. Come on, Donald J. 1124 00:58:04,360 --> 00:58:07,200 Speaker 1: Trump is calling for a total and complete chuckdown of 1125 00:58:07,400 --> 00:58:09,840 Speaker 1: Muslims entering the United States. When you love to see 1126 00:58:09,840 --> 00:58:13,240 Speaker 1: one of these NFL owners when somebody disrespects our flag 1127 00:58:13,680 --> 00:58:15,320 Speaker 1: to say, get that son of a bitch off the 1128 00:58:15,360 --> 00:58:22,840 Speaker 1: field right now out. He's fired. He's fired. Trump, please 1129 00:58:22,880 --> 00:58:28,400 Speaker 1: step up to the congregation. Yes you are down. Trump. 1130 00:58:28,480 --> 00:58:33,200 Speaker 1: When Mexico sends, you're not sending their best. They're bringing drugs, 1131 00:58:33,640 --> 00:58:41,640 Speaker 1: they're bringing crimes, they're rating Hello, Hello Donkey Today for Tuesday, 1132 00:58:41,760 --> 00:58:45,640 Speaker 1: June fifteenth, goes to Laura Trump. Who is Laura Trump. 1133 00:58:45,720 --> 00:58:48,200 Speaker 1: She is the daughter in law of the format twice 1134 00:58:48,240 --> 00:58:51,800 Speaker 1: in peat celebrity in chief of the United States of America. 1135 00:58:52,080 --> 00:58:53,880 Speaker 1: And it's safe to say Fox News is willing to 1136 00:58:53,960 --> 00:58:56,160 Speaker 1: use the Trump name for ratings regardless if there's a 1137 00:58:56,200 --> 00:58:58,440 Speaker 1: Donald in front of it or not. Okay, if it 1138 00:58:58,480 --> 00:59:01,320 Speaker 1: believes it leads. If it's Trump ratings jump. Hey, let's 1139 00:59:01,360 --> 00:59:03,280 Speaker 1: just be honest with each other, Okay, whether you agree 1140 00:59:03,320 --> 00:59:05,280 Speaker 1: or disagree with anything that comes out of a Trump's mouth. 1141 00:59:05,320 --> 00:59:07,880 Speaker 1: They moved a needle. Okay, I don't even know what 1142 00:59:07,920 --> 00:59:11,040 Speaker 1: that means, but it's provocative. It gets to people going. 1143 00:59:11,280 --> 00:59:13,600 Speaker 1: And Laura Trump is no different. Okay. She was on 1144 00:59:13,680 --> 00:59:17,200 Speaker 1: Fox News and her appearance, well, it got the people going. 1145 00:59:17,720 --> 00:59:20,440 Speaker 1: What was she talking about? Well, she was discussing border security, 1146 00:59:20,440 --> 00:59:22,840 Speaker 1: and what did she say, Well, let's just say she 1147 00:59:23,040 --> 00:59:25,760 Speaker 1: chose violence for five hundred Alex. Let's go to Fox 1148 00:59:25,800 --> 00:59:28,600 Speaker 1: News for the report. It's graceful to see. And I 1149 00:59:28,600 --> 00:59:30,240 Speaker 1: don't know what you tell the people that live at 1150 00:59:30,240 --> 00:59:32,840 Speaker 1: the southern border. I guess they better arm up and 1151 00:59:32,880 --> 00:59:35,400 Speaker 1: get guns and be ready, and maybe they're gonna have 1152 00:59:35,440 --> 00:59:38,400 Speaker 1: to start taking matters into their own hands. It should 1153 00:59:38,440 --> 00:59:41,600 Speaker 1: never happen. These people should never make this dangerous journey here. 1154 00:59:44,240 --> 00:59:46,600 Speaker 1: Let's listen to that one more time. She's talking about 1155 00:59:47,200 --> 00:59:50,440 Speaker 1: she's talking about border security, okay, and then what she 1156 00:59:50,680 --> 00:59:53,920 Speaker 1: thinks should happen to migrants. I guess listen, it's graceful 1157 00:59:54,000 --> 00:59:55,800 Speaker 1: to see. And I don't know what you tell the 1158 00:59:55,800 --> 00:59:58,080 Speaker 1: people that live at the southern border. I guess they 1159 00:59:58,160 --> 01:00:00,600 Speaker 1: better arm up and get guns and are you ready? 1160 01:00:00,840 --> 01:00:03,040 Speaker 1: And maybe they're gonna have to start taking matters into 1161 01:00:03,080 --> 01:00:06,120 Speaker 1: their own hands. It should never happen. These people should 1162 01:00:06,160 --> 01:00:09,480 Speaker 1: never make this dangerous journey here. This is where we are, 1163 01:00:10,280 --> 01:00:12,560 Speaker 1: this is where we are. It's awful. This is who 1164 01:00:12,600 --> 01:00:16,760 Speaker 1: we are, this is what we are. America. Gotta stop 1165 01:00:16,800 --> 01:00:18,720 Speaker 1: lying to yourself. I know, I know, we love to 1166 01:00:18,720 --> 01:00:20,760 Speaker 1: say America was built on faith and freedom, But the 1167 01:00:20,800 --> 01:00:24,040 Speaker 1: reality is America was built on violence, good old fashioned 1168 01:00:24,040 --> 01:00:27,280 Speaker 1: white violence. There's a great book written by Herbert Shapiro 1169 01:00:27,360 --> 01:00:30,840 Speaker 1: titled White Violence in Black Response from Reconstruction to Montgomery, 1170 01:00:30,840 --> 01:00:32,600 Speaker 1: And in the book, Herbert speaks on the fact that 1171 01:00:32,640 --> 01:00:34,960 Speaker 1: we are taught that America is a society based on 1172 01:00:35,040 --> 01:00:37,240 Speaker 1: respect for the law and orderly procedures, and that the 1173 01:00:37,280 --> 01:00:40,480 Speaker 1: Constitution stands as a safeguard of individual freedom, and the 1174 01:00:40,480 --> 01:00:43,480 Speaker 1: courts and the police is supposedly established there and forced 1175 01:00:43,480 --> 01:00:46,440 Speaker 1: the law. When a controversial issue arises in the American fabric, 1176 01:00:46,520 --> 01:00:48,520 Speaker 1: it is to be resolved not in the streets, but 1177 01:00:48,640 --> 01:00:52,440 Speaker 1: through the democratic processes of elections. I think we all 1178 01:00:52,600 --> 01:00:54,200 Speaker 1: have been alive enough to know that this may be 1179 01:00:54,200 --> 01:00:57,600 Speaker 1: true for some, but not for everybody, Okay. Herbert Shapirol 1180 01:00:57,640 --> 01:01:00,520 Speaker 1: also says in the book, the courts have most often 1181 01:01:00,560 --> 01:01:02,880 Speaker 1: stood silent in the face of racist violence, or I 1182 01:01:02,880 --> 01:01:05,440 Speaker 1: have turned their wrath against the victims, not the perpetrators. 1183 01:01:05,520 --> 01:01:08,240 Speaker 1: The police have protected the mob rather than the mobs, 1184 01:01:08,440 --> 01:01:11,040 Speaker 1: and if often either, aid of the lynchures are displayed 1185 01:01:11,120 --> 01:01:15,440 Speaker 1: amazing inability to identify them. Where race is concerned legislative 1186 01:01:15,440 --> 01:01:18,520 Speaker 1: about judicial action to deal with controversial issues has often 1187 01:01:18,600 --> 01:01:21,440 Speaker 1: come late and been partial in nature, while white violence 1188 01:01:21,440 --> 01:01:24,680 Speaker 1: has continue to terrorize Black Americans without hinderance. This is true, 1189 01:01:24,800 --> 01:01:27,080 Speaker 1: but it's not just true for Black Americans. The same 1190 01:01:27,160 --> 01:01:30,600 Speaker 1: rule applies for anyone who isn't white. And Laura Trump 1191 01:01:30,640 --> 01:01:32,360 Speaker 1: just proved that. This is why I'm talking about her 1192 01:01:32,440 --> 01:01:34,520 Speaker 1: but Shapiro's book this morning, because this is what he's 1193 01:01:34,560 --> 01:01:38,160 Speaker 1: talking about, violence generated by white racism and news media 1194 01:01:38,160 --> 01:01:40,960 Speaker 1: and other institutions that fail to educate Americans about the 1195 01:01:41,000 --> 01:01:44,560 Speaker 1: oppressive social conditions that have root in these criminal acts. Okay. 1196 01:01:44,600 --> 01:01:49,160 Speaker 1: Herbert also discusses the irony of America associating violence as 1197 01:01:49,160 --> 01:01:51,560 Speaker 1: a behavior of black people when we all know in 1198 01:01:51,600 --> 01:01:54,760 Speaker 1: the history of America, white racism has generated more violence 1199 01:01:54,800 --> 01:01:58,439 Speaker 1: than anything Black people have ever done are thought about doing. 1200 01:01:58,600 --> 01:02:02,080 Speaker 1: By the way, can you imagine if a black broadcast 1201 01:02:02,080 --> 01:02:03,760 Speaker 1: that got on TV and said that black people need 1202 01:02:03,800 --> 01:02:06,000 Speaker 1: to pick up arms and take matters into their own 1203 01:02:06,080 --> 01:02:11,000 Speaker 1: hands in regards to anything we don't like. What's crazy 1204 01:02:11,080 --> 01:02:13,800 Speaker 1: is the migrants aren't doing anything but seeking a better life. 1205 01:02:13,840 --> 01:02:15,400 Speaker 1: It's not like they're coming across the border and breaking 1206 01:02:15,400 --> 01:02:17,320 Speaker 1: into people's homes that live on the border, at least 1207 01:02:17,320 --> 01:02:18,880 Speaker 1: not that I know of. If that was the case, 1208 01:02:18,960 --> 01:02:22,720 Speaker 1: by all means protect yourself, protect your family, protect your home. 1209 01:02:22,800 --> 01:02:24,640 Speaker 1: That's what the Second Amendment is for. That's why I say, 1210 01:02:24,680 --> 01:02:27,080 Speaker 1: when you're black, owning a legal firearm in America is 1211 01:02:27,120 --> 01:02:29,360 Speaker 1: a form of self care. But Laura Trump didn't tell 1212 01:02:29,360 --> 01:02:32,520 Speaker 1: people to take up arms because they're under attack or 1213 01:02:32,600 --> 01:02:35,000 Speaker 1: because their lives are being threatened. She's simply telling folks 1214 01:02:35,040 --> 01:02:37,720 Speaker 1: to take up arms because she doesn't want migrants crossing 1215 01:02:37,800 --> 01:02:40,880 Speaker 1: the border. Imagine if I told black people are any 1216 01:02:40,880 --> 01:02:43,520 Speaker 1: oppressed group, they better arm up and get guns and 1217 01:02:43,640 --> 01:02:46,760 Speaker 1: be ready and maybe they will have to take matters 1218 01:02:46,760 --> 01:02:50,120 Speaker 1: into their own hands. Is to take matters in your 1219 01:02:50,120 --> 01:02:52,760 Speaker 1: own hands. Part. Do you realize what would happen if 1220 01:02:52,800 --> 01:02:54,800 Speaker 1: for press people in this country that what took up 1221 01:02:54,960 --> 01:02:57,000 Speaker 1: arms and took matters in their own hands. Since the 1222 01:02:57,080 --> 01:02:59,720 Speaker 1: government and other institutions in this country of never wanted 1223 01:02:59,720 --> 01:03:02,320 Speaker 1: to give us real justice, can you imagine this type 1224 01:03:02,320 --> 01:03:04,880 Speaker 1: of call the action geared towards white supremacy and racist 1225 01:03:04,920 --> 01:03:07,720 Speaker 1: institutions in America? Can you imagine a black Latino person 1226 01:03:07,760 --> 01:03:10,840 Speaker 1: on TV calling for oppressed people to get guns and 1227 01:03:10,920 --> 01:03:13,680 Speaker 1: take matters in their own hands. In regards to a 1228 01:03:13,680 --> 01:03:17,680 Speaker 1: group of people, what's crazy about this is, you know, 1229 01:03:17,680 --> 01:03:21,160 Speaker 1: it's a blatant direct call to shoot migrants crossing the border. 1230 01:03:21,240 --> 01:03:23,000 Speaker 1: But if someone at the borders to actually take Lara 1231 01:03:23,080 --> 01:03:25,200 Speaker 1: Trump's advice, she would say she didn't mean it like that. 1232 01:03:25,200 --> 01:03:26,920 Speaker 1: She would blame it on fake news, even though we 1233 01:03:27,000 --> 01:03:29,360 Speaker 1: all heard of, you know, the privilege amongst us don't 1234 01:03:29,360 --> 01:03:32,360 Speaker 1: do accountability. And what Lara Trump did is a stotastic 1235 01:03:32,480 --> 01:03:35,720 Speaker 1: terrorism atters fine, it's the public demonization of a personal 1236 01:03:35,800 --> 01:03:39,080 Speaker 1: group resulting in the instatement of a violet act. Okay, 1237 01:03:39,160 --> 01:03:41,280 Speaker 1: Lara Trump knows exactly what she's doing and why she's 1238 01:03:41,320 --> 01:03:43,320 Speaker 1: doing it. A matter of fact. Played play the clip again, dramas, 1239 01:03:43,360 --> 01:03:45,800 Speaker 1: play one more time. It's graceful to see. And I 1240 01:03:45,840 --> 01:03:47,440 Speaker 1: don't know what you tell the people that live at 1241 01:03:47,440 --> 01:03:49,360 Speaker 1: the southern border. Stop right then, stop right there, stop 1242 01:03:49,440 --> 01:03:51,520 Speaker 1: right there. I don't know what you tell the people 1243 01:03:51,600 --> 01:03:53,960 Speaker 1: that live at the southern border, Laura. That's where you 1244 01:03:53,960 --> 01:03:56,720 Speaker 1: should have left it. That's where anyone should leave it 1245 01:03:56,720 --> 01:03:58,920 Speaker 1: when they simply don't know what to say. When you 1246 01:03:58,960 --> 01:04:01,280 Speaker 1: don't know what you should say. The best thing to 1247 01:04:01,320 --> 01:04:04,960 Speaker 1: say is nothing at all, because catch right, because silence 1248 01:04:05,000 --> 01:04:07,840 Speaker 1: can never be misquoted as soon as your mind says 1249 01:04:07,920 --> 01:04:10,040 Speaker 1: I don't know what to say, I don't know what 1250 01:04:10,120 --> 01:04:13,000 Speaker 1: to tell you, leave it, okay. We live in this 1251 01:04:13,080 --> 01:04:14,880 Speaker 1: era where people feel like they have to speak, they 1252 01:04:14,920 --> 01:04:16,920 Speaker 1: have to be heard, but you should not talk unless 1253 01:04:16,920 --> 01:04:20,320 Speaker 1: you can improve the silence. Please let Cathy Griffin give 1254 01:04:20,360 --> 01:04:22,880 Speaker 1: Laura Trump the biggest he hall. Please give this giant 1255 01:04:22,920 --> 01:04:28,680 Speaker 1: Jaral Male the biggest he hall man. What's so sad 1256 01:04:28,760 --> 01:04:30,440 Speaker 1: is that who wants to really have to leave the 1257 01:04:30,440 --> 01:04:32,680 Speaker 1: place where they were born, they've known their whole lives. 1258 01:04:33,040 --> 01:04:35,480 Speaker 1: Nobody wants to have to do that. It's a dire situation. 1259 01:04:35,560 --> 01:04:37,920 Speaker 1: Like they said, it's dangerous, and a lot of times 1260 01:04:37,960 --> 01:04:40,800 Speaker 1: people are even sending their kids right because they want 1261 01:04:40,800 --> 01:04:42,480 Speaker 1: to make sure that their children get a better life, 1262 01:04:42,520 --> 01:04:44,480 Speaker 1: because they have a better chance of their children being 1263 01:04:44,520 --> 01:04:47,440 Speaker 1: able to get in and seeking asylum than whole families. 1264 01:04:47,480 --> 01:04:50,240 Speaker 1: It's a difficult, awful decision to have to make. The 1265 01:04:50,360 --> 01:04:53,840 Speaker 1: journey is already a death sentence, right. It's something that 1266 01:04:53,880 --> 01:04:56,760 Speaker 1: you may not make it, make it through, and then 1267 01:04:56,760 --> 01:04:58,800 Speaker 1: when you get here, you get shot imagine being so 1268 01:04:59,360 --> 01:05:01,560 Speaker 1: scared for your lif that you send your children without 1269 01:05:01,600 --> 01:05:03,800 Speaker 1: you because you want to make sure that they're okay, 1270 01:05:03,800 --> 01:05:05,480 Speaker 1: and then you try to meet it. That's awful. And 1271 01:05:05,520 --> 01:05:06,720 Speaker 1: by the way, I don't know what to do with 1272 01:05:06,800 --> 01:05:08,360 Speaker 1: the border. I'm not sitting here hacking like I have, 1273 01:05:08,480 --> 01:05:12,400 Speaker 1: you know, the plan to get the border in order. 1274 01:05:12,440 --> 01:05:14,680 Speaker 1: I just know shooting them it's not the answer, not 1275 01:05:14,800 --> 01:05:17,360 Speaker 1: at all. All right, Well, thank you for that donkey 1276 01:05:17,400 --> 01:05:19,760 Speaker 1: of the day. Now when we come back, who we 1277 01:05:19,840 --> 01:05:23,960 Speaker 1: kicking it with? Oh my god. Pernil Joseph. Doctor Pernil 1278 01:05:24,120 --> 01:05:27,480 Speaker 1: Joseph is an author. He wrote a book that I 1279 01:05:27,520 --> 01:05:31,120 Speaker 1: read called The Sword and the Shield, The Revolutionary lives 1280 01:05:31,160 --> 01:05:33,880 Speaker 1: of Malcolm X and Martin Luther King Junior. And I 1281 01:05:33,960 --> 01:05:36,960 Speaker 1: personally have never seen Malcolm X and Martin Luther King 1282 01:05:37,040 --> 01:05:40,840 Speaker 1: Junior humanized in the way that doctor Pernil Joseph humanized 1283 01:05:40,880 --> 01:05:45,120 Speaker 1: them in this book. It's an amazing read and it's 1284 01:05:45,120 --> 01:05:46,640 Speaker 1: been out for like a year. I'm late on it. 1285 01:05:46,680 --> 01:05:48,440 Speaker 1: I just read it this year. But I can't wait 1286 01:05:48,480 --> 01:05:50,840 Speaker 1: to talk to doctor Pernil Joseph all about it. Yeah, 1287 01:05:50,920 --> 01:05:52,600 Speaker 1: the brothers from Queens, New York. We're gonna talk to 1288 01:05:52,640 --> 01:05:54,479 Speaker 1: him when we come back. It's the Breakfast Club, Go Morning, 1289 01:05:55,000 --> 01:06:02,080 Speaker 1: The Breakfast Club Morning. Everybody is Steve j Envy, Angela Yee, 1290 01:06:02,160 --> 01:06:04,280 Speaker 1: Charlemagne the guy. We are to Breakfast Club. We got 1291 01:06:04,320 --> 01:06:08,560 Speaker 1: a special guest with us this morning, Doctor Panel Joseph. 1292 01:06:08,680 --> 01:06:11,520 Speaker 1: Now I just found out it from Queens, New York. Yes, absolutely. 1293 01:06:11,560 --> 01:06:15,400 Speaker 1: I read an amazing book called The Sword and the Shield, 1294 01:06:15,520 --> 01:06:17,880 Speaker 1: written by Doctor Panel Joseph. One of the best books 1295 01:06:17,880 --> 01:06:20,080 Speaker 1: I've ever read. I got around to it about a 1296 01:06:20,160 --> 01:06:21,720 Speaker 1: year later. I know it came out last year in March, 1297 01:06:21,760 --> 01:06:23,160 Speaker 1: but I got to it about a year late. But 1298 01:06:23,160 --> 01:06:26,439 Speaker 1: it really explores the revolutionary lives of doctor Martin Luther 1299 01:06:26,520 --> 01:06:30,720 Speaker 1: King Junior and brother Malcolm X in a very humanizing way, 1300 01:06:30,880 --> 01:06:33,000 Speaker 1: like like what made you want to explore them the 1301 01:06:33,040 --> 01:06:35,440 Speaker 1: way that you did? Well, I've always you know, I'm 1302 01:06:35,440 --> 01:06:39,040 Speaker 1: gonna say what Muhammad Ali said about Malcolm X. He said, 1303 01:06:39,080 --> 01:06:41,080 Speaker 1: I fell in love with Malcolm X when he was 1304 01:06:41,480 --> 01:06:44,840 Speaker 1: debating people and talking to people about black history. So 1305 01:06:45,040 --> 01:06:47,960 Speaker 1: I fell in love with Malcolm X by the time 1306 01:06:48,000 --> 01:06:50,960 Speaker 1: I was eight, nine, ten years old. The Eyes on 1307 01:06:51,000 --> 01:06:53,720 Speaker 1: the Prize documentary series came out, and this is before 1308 01:06:54,280 --> 01:06:56,760 Speaker 1: Denzel's brilliant movie came out in nineteen ninety two. I 1309 01:06:56,840 --> 01:06:59,800 Speaker 1: was nineteen when the movie came out. So I've always 1310 01:06:59,800 --> 01:07:02,160 Speaker 1: loved Malcolm X. I think my love for Doctor King 1311 01:07:02,200 --> 01:07:04,640 Speaker 1: has come as I've gotten older, as I've become a father, 1312 01:07:05,120 --> 01:07:08,560 Speaker 1: as I've become just a deeper adult, because you see, 1313 01:07:09,000 --> 01:07:13,160 Speaker 1: one how Doctor King was radicalized in part by Malcolm X. 1314 01:07:13,600 --> 01:07:16,360 Speaker 1: But but I've also come to see that certainly we 1315 01:07:16,400 --> 01:07:19,040 Speaker 1: need self defense what Malcolm X talked about, but we 1316 01:07:19,080 --> 01:07:22,760 Speaker 1: also need the beloved community what Doctor King talked about. 1317 01:07:22,800 --> 01:07:26,640 Speaker 1: So my whole thing was seeing how they they went 1318 01:07:26,680 --> 01:07:30,880 Speaker 1: from being rivals and adversaries to being each other's alter egos. 1319 01:07:31,000 --> 01:07:32,280 Speaker 1: What did you learn a lot of this? Because you 1320 01:07:32,320 --> 01:07:37,880 Speaker 1: know in school, especially growing up so deep like it 1321 01:07:37,960 --> 01:07:39,480 Speaker 1: was that I have a dream speech, it was a 1322 01:07:39,480 --> 01:07:41,480 Speaker 1: little bit of Malcolm X. So what made you want 1323 01:07:41,520 --> 01:07:45,080 Speaker 1: to learn more about these characters, Malcolm X and Martin 1324 01:07:45,120 --> 01:07:47,040 Speaker 1: Luther King? And you know, it was growing up in 1325 01:07:47,080 --> 01:07:50,320 Speaker 1: New York City and the you know, my mother was 1326 01:07:50,440 --> 01:07:54,400 Speaker 1: part of a hospital workers SCIU eleven ninety nine, and 1327 01:07:54,440 --> 01:07:56,720 Speaker 1: so we grew up in a city where we talked 1328 01:07:56,760 --> 01:08:00,000 Speaker 1: about social protest. I was a freshman in high school 1329 01:08:00,160 --> 01:08:04,280 Speaker 1: when Michael Griffith was murdered in December of eighty six 1330 01:08:04,360 --> 01:08:07,520 Speaker 1: and Howard Beach, a white mob chased them out into 1331 01:08:07,560 --> 01:08:10,680 Speaker 1: the highway and the brother was just destroyed by by 1332 01:08:10,760 --> 01:08:13,120 Speaker 1: a fast moving car and was trying to figure all 1333 01:08:13,120 --> 01:08:15,480 Speaker 1: this stuff out in New York City. So this before 1334 01:08:15,560 --> 01:08:18,920 Speaker 1: David Dinkins. This is when Eleanor Bumpers, who was a 1335 01:08:18,920 --> 01:08:22,800 Speaker 1: black grandmother was murdered by the police at in our 1336 01:08:22,840 --> 01:08:25,559 Speaker 1: own home. And so all of that got me interested. 1337 01:08:25,600 --> 01:08:28,559 Speaker 1: But then certainly Eyes on the Prize premiered in New 1338 01:08:28,640 --> 01:08:33,080 Speaker 1: York in nineteen eighty seven eighty eight on PBS Channel 1339 01:08:33,160 --> 01:08:35,280 Speaker 1: thirteen over here, and we grew up in a New 1340 01:08:35,360 --> 01:08:38,360 Speaker 1: York City where Channel five before Fox News, we used 1341 01:08:38,360 --> 01:08:40,800 Speaker 1: to watch the drive in movies and you think about 1342 01:08:40,800 --> 01:08:44,800 Speaker 1: Wu Tang, they talk about Shaolin. We three pm on Saturdays. 1343 01:08:44,800 --> 01:08:47,120 Speaker 1: This is before cable, This is before everything. We used 1344 01:08:47,160 --> 01:08:50,640 Speaker 1: to watch, you know, kung fu movies, right, So was 1345 01:08:50,680 --> 01:08:54,639 Speaker 1: this idea of you were watching kung fu movies? Hip 1346 01:08:54,640 --> 01:08:57,439 Speaker 1: Hop Run DMC lived on Hollis right up the hill, 1347 01:08:57,520 --> 01:08:59,560 Speaker 1: so we used to see Run DMC. We used to 1348 01:08:59,560 --> 01:09:01,080 Speaker 1: be able to go the shows they used to play 1349 01:09:01,120 --> 01:09:05,080 Speaker 1: at times right in ps. Thirty four, park Um, But 1350 01:09:05,120 --> 01:09:07,640 Speaker 1: there was all this racial segregation. Ed Koch was the 1351 01:09:07,680 --> 01:09:11,320 Speaker 1: mayor of New York. Ronald Reagan was the president. All 1352 01:09:11,360 --> 01:09:13,559 Speaker 1: that got me interested in Malcolm X. First time I 1353 01:09:13,560 --> 01:09:16,839 Speaker 1: read about Malcolm my mother had the autobiography of Malcolm 1354 01:09:17,000 --> 01:09:18,600 Speaker 1: X in the house and I read that and that 1355 01:09:19,040 --> 01:09:20,800 Speaker 1: just got me going, Man, how old are you? Because 1356 01:09:20,800 --> 01:09:22,479 Speaker 1: you were talking like you fifty something? You look like 1357 01:09:22,479 --> 01:09:29,400 Speaker 1: you and you're okay, yeah, I'm forty eight. Okay, Wow, man, 1358 01:09:29,479 --> 01:09:33,679 Speaker 1: would you vegan a lot of water? A lot of water, 1359 01:09:33,760 --> 01:09:37,040 Speaker 1: a lot of been practicing yoga for twenty three years? Okay, okay, 1360 01:09:37,080 --> 01:09:40,479 Speaker 1: and uh yeah, all that good stuff. Now, what does 1361 01:09:40,479 --> 01:09:43,120 Speaker 1: the metaphor in the book's title, the Sword and the 1362 01:09:43,200 --> 01:09:45,920 Speaker 1: Shield referred to? And I'm glad you asked that. So 1363 01:09:46,080 --> 01:09:48,880 Speaker 1: we usually think about Malcolm X is the political sword 1364 01:09:48,920 --> 01:09:50,760 Speaker 1: of the black freedom struggle. And I even write in 1365 01:09:50,800 --> 01:09:54,720 Speaker 1: this book Malcolm served as Black America's prosecuting attorney, so 1366 01:09:54,760 --> 01:09:58,599 Speaker 1: he was prosecuting the United States for crimes against black 1367 01:09:58,680 --> 01:10:02,080 Speaker 1: humanity that dated back to racial slavery. Doctor King is 1368 01:10:02,160 --> 01:10:05,160 Speaker 1: usually think thought of as the shield. He's the America's 1369 01:10:05,160 --> 01:10:09,519 Speaker 1: apostle of non violence. Where Malcolm is Harlem's hero of 1370 01:10:09,560 --> 01:10:12,759 Speaker 1: self defense. We think about the ballot or the bullet speech. 1371 01:10:12,800 --> 01:10:16,519 Speaker 1: We think about Malcolm with a rifle by a window, 1372 01:10:16,520 --> 01:10:19,080 Speaker 1: and that's an iconic picture. What I argue in The 1373 01:10:19,120 --> 01:10:21,719 Speaker 1: Sword and the Shield is that both Malcolm and Martin 1374 01:10:21,760 --> 01:10:24,800 Speaker 1: are both Malcolm X is not only the political sword 1375 01:10:24,800 --> 01:10:27,519 Speaker 1: of the Black community. He becomes our prime minister who 1376 01:10:27,520 --> 01:10:30,360 Speaker 1: goes to Africa from the Middle East. He becomes l 1377 01:10:30,439 --> 01:10:33,759 Speaker 1: Hodge Malik Shabaz and he wants to build the beloved 1378 01:10:33,760 --> 01:10:37,000 Speaker 1: community as well, but one that's rooted in truth and 1379 01:10:37,080 --> 01:10:39,880 Speaker 1: the truth of not just racial slavery, but our West 1380 01:10:39,960 --> 01:10:43,000 Speaker 1: African and our African heritage. So Malcolm is a Pan 1381 01:10:43,040 --> 01:10:46,879 Speaker 1: African all day, every day. But he's also a Muslim. 1382 01:10:47,120 --> 01:10:51,320 Speaker 1: He's also a radical internationalist. King is not just somebody 1383 01:10:51,360 --> 01:10:53,120 Speaker 1: who's a man of peace. He's a man of peace. 1384 01:10:53,160 --> 01:10:55,080 Speaker 1: He's a man of God. Both of them are men 1385 01:10:55,120 --> 01:10:59,760 Speaker 1: of God. But King is also this non violent revolutionary 1386 01:11:00,120 --> 01:11:05,000 Speaker 1: King becomes so revolutionary after Malcolm X's death. He's no 1387 01:11:05,080 --> 01:11:07,160 Speaker 1: longer on speaking terms with the President of the United 1388 01:11:07,200 --> 01:11:09,760 Speaker 1: States because he comes out against the Vietnam War and 1389 01:11:09,800 --> 01:11:12,880 Speaker 1: he starts to say things like all white Americans have 1390 01:11:13,040 --> 01:11:16,320 Speaker 1: unconscious racism. He says the halls of the US Congress 1391 01:11:16,320 --> 01:11:20,120 Speaker 1: of running wild with racism. In April fourth, nineteen sixty seven, 1392 01:11:20,120 --> 01:11:22,720 Speaker 1: at the Riverside Church in New York, he says that 1393 01:11:22,800 --> 01:11:25,559 Speaker 1: the greatest purveyor of violence in the US in the 1394 01:11:25,600 --> 01:11:28,080 Speaker 1: world is the United States of America. So that's the 1395 01:11:28,160 --> 01:11:32,519 Speaker 1: revolutionary King who goes to places like Marks, Mississippi and 1396 01:11:32,520 --> 01:11:36,040 Speaker 1: tells poor black people that during reconstruction they were promised 1397 01:11:36,080 --> 01:11:38,639 Speaker 1: forty acres in the mule. They didn't get their forty 1398 01:11:38,640 --> 01:11:40,760 Speaker 1: acres in the mule, But he's gonna lead a poor 1399 01:11:40,800 --> 01:11:44,400 Speaker 1: people's caravan to go to Washington, DC until they get 1400 01:11:44,439 --> 01:11:46,840 Speaker 1: the forty acres in the mule. That's Doctor Martin Luther 1401 01:11:46,960 --> 01:11:49,639 Speaker 1: King Junior. So he's both a sword and the shield. 1402 01:11:49,760 --> 01:11:52,120 Speaker 1: But Malcolm is as well. And what I argue in 1403 01:11:52,120 --> 01:11:55,040 Speaker 1: the book is that the person who most influences Doctor 1404 01:11:55,120 --> 01:11:58,600 Speaker 1: King's radicalism is Malcolm X. You know they, you know Charlemagno. 1405 01:11:58,640 --> 01:12:00,600 Speaker 1: We talks about how Malcolm and Aki, Malcolm X and 1406 01:12:00,640 --> 01:12:04,439 Speaker 1: Doctor King's Doctor King spoke. Do you think they were 1407 01:12:04,640 --> 01:12:07,360 Speaker 1: assassinated because they were possibly going to join forces to 1408 01:12:07,439 --> 01:12:10,639 Speaker 1: come out together and that would just be too much power. Well, 1409 01:12:10,680 --> 01:12:14,439 Speaker 1: I think they definitely are assassinated because they represent a 1410 01:12:14,560 --> 01:12:18,639 Speaker 1: threat to the American political system. I think that they 1411 01:12:18,640 --> 01:12:21,679 Speaker 1: would have gotten together. They spoke together once on March 1412 01:12:21,720 --> 01:12:24,680 Speaker 1: twenty six, nineteen sixty four, at the US Senate. But 1413 01:12:24,960 --> 01:12:27,680 Speaker 1: one little known aspect that I get into in the 1414 01:12:27,720 --> 01:12:31,839 Speaker 1: book is that Malcolm saw a King in Harlem December seventeenth, 1415 01:12:31,960 --> 01:12:34,400 Speaker 1: nineteen sixty four. He was sitting next to Andy Young 1416 01:12:34,520 --> 01:12:38,400 Speaker 1: Andrew Young, a former mayor of Atlanta, a former UN ambassador, 1417 01:12:38,680 --> 01:12:41,679 Speaker 1: and he heard doctor King give a whole speech after 1418 01:12:41,800 --> 01:12:44,639 Speaker 1: King won the Nobel Peace Prize, and not just that. 1419 01:12:45,080 --> 01:12:47,439 Speaker 1: He speaks about that speech in Harlem a few days 1420 01:12:47,520 --> 01:12:50,960 Speaker 1: later and says that it was a terrific speech. He's impressed, 1421 01:12:51,400 --> 01:12:55,360 Speaker 1: and he goes to Alabama to visit with doctor King, 1422 01:12:55,400 --> 01:12:58,360 Speaker 1: and doctor King's in prison, and he visits instead with 1423 01:12:58,439 --> 01:13:01,719 Speaker 1: Corretta Scott King, doctor, his wife and really political partner. 1424 01:13:01,760 --> 01:13:04,759 Speaker 1: We think of, uh, Correta Scott King is just his wife. 1425 01:13:05,040 --> 01:13:09,439 Speaker 1: She's a brilliant organizer, political partner, intellectual, she's his his 1426 01:13:09,439 --> 01:13:12,360 Speaker 1: his better half, let's let's face it. And so when 1427 01:13:12,400 --> 01:13:15,799 Speaker 1: we think about Malcolm, Malcolm was ready to join forces 1428 01:13:15,800 --> 01:13:17,960 Speaker 1: with King, but on his own terms, he wasn't going 1429 01:13:18,040 --> 01:13:21,400 Speaker 1: to do the same thing. He Malcolm always believed in 1430 01:13:21,600 --> 01:13:26,120 Speaker 1: black dignity, King believed in black citizenship. Over time they 1431 01:13:26,240 --> 01:13:29,479 Speaker 1: both come to believe in black dignity and citizenship, and 1432 01:13:29,640 --> 01:13:32,839 Speaker 1: Malcolm X defined black dignity as the end of world 1433 01:13:32,880 --> 01:13:35,760 Speaker 1: white supremacy. All Right, we got more with doctor Panel Joseph. 1434 01:13:35,800 --> 01:13:37,720 Speaker 1: When we come back, don't move. It's to breakfast Club. 1435 01:13:37,760 --> 01:13:42,680 Speaker 1: Good morning morning. Everybody is dj Envy Angela Yee. Charlomagne, 1436 01:13:42,680 --> 01:13:44,479 Speaker 1: the guy we are to Breakfast Club was still kicking 1437 01:13:44,479 --> 01:13:47,200 Speaker 1: it with doctor Panel, Joseph Charlomagne. Let's let's dig in 1438 01:13:47,240 --> 01:13:48,400 Speaker 1: on that a little bit more, because I love the 1439 01:13:48,400 --> 01:13:50,760 Speaker 1: concept of radical black dignity as weird, because I've read 1440 01:13:50,800 --> 01:13:53,280 Speaker 1: the autobiography of Malcolm X a few times, Love Message 1441 01:13:53,280 --> 01:13:55,679 Speaker 1: to the Black Man, Biolijah Muhammed Sweab by those books. 1442 01:13:55,680 --> 01:13:58,920 Speaker 1: But I don't remember that concept, you know, explored as 1443 01:13:59,000 --> 01:14:01,200 Speaker 1: much as when I read Disorder the Shield, and I 1444 01:14:01,200 --> 01:14:03,679 Speaker 1: even incorporated a lot of the content of radical Black 1445 01:14:03,680 --> 01:14:06,679 Speaker 1: dignity and commissment speech I gave for South Carolina State, 1446 01:14:06,960 --> 01:14:08,880 Speaker 1: you know, about a month ago. But can you dig 1447 01:14:08,880 --> 01:14:10,799 Speaker 1: a little deeper on what that is. What is radical 1448 01:14:10,800 --> 01:14:14,879 Speaker 1: black dignity. Radical Black dignity for Malcolm X, is radical 1449 01:14:14,960 --> 01:14:18,120 Speaker 1: black political self determination. So what that means is that 1450 01:14:18,320 --> 01:14:22,320 Speaker 1: Malcolm absolutely had this external critique. He critiqued white supremacy, 1451 01:14:22,920 --> 01:14:26,720 Speaker 1: critique institutions that were brutalizing Black people, the police, the 1452 01:14:26,760 --> 01:14:29,600 Speaker 1: whole deal. But he also expected a lot of ourselves. 1453 01:14:29,840 --> 01:14:34,120 Speaker 1: So Malcolm defines radical Black dignity as Black people coming 1454 01:14:34,120 --> 01:14:37,679 Speaker 1: to understand and love themselves through the pain and trauma 1455 01:14:37,760 --> 01:14:42,000 Speaker 1: of racial slavery and segregation and brutalization. That we have 1456 01:14:42,080 --> 01:14:44,639 Speaker 1: to understand that, but we have to not be as 1457 01:14:44,680 --> 01:14:49,080 Speaker 1: hard on ourselves as we usually are. Because Malcolm criticized 1458 01:14:49,160 --> 01:14:52,639 Speaker 1: us for loving white people and loving white supremacy too much. 1459 01:14:52,920 --> 01:14:55,360 Speaker 1: But what that meant was that we weren't able to 1460 01:14:55,439 --> 01:14:58,559 Speaker 1: face how we had been subjugated, how we had been 1461 01:14:58,560 --> 01:15:01,680 Speaker 1: subjugated during racial slavery. Reason why Malcolm X goes to 1462 01:15:01,720 --> 01:15:04,320 Speaker 1: Africa three times because people don't talk about the nineteen 1463 01:15:04,360 --> 01:15:07,240 Speaker 1: fifty nine trip to Africa where he's in Egypt. He's 1464 01:15:07,280 --> 01:15:10,080 Speaker 1: in the Middle East. He meets up with President Vice 1465 01:15:10,080 --> 01:15:13,120 Speaker 1: President n y El Sadat. He meets up with Prince 1466 01:15:13,160 --> 01:15:16,800 Speaker 1: Faisal Saudi Arabia, the whole deal. Malcolm went there, to 1467 01:15:16,880 --> 01:15:19,160 Speaker 1: the Middle East and to Africa even before he takes 1468 01:15:19,160 --> 01:15:21,680 Speaker 1: to Hajj, because he knew that black people had a 1469 01:15:21,800 --> 01:15:25,280 Speaker 1: history before the Middle Passage. So part of that dignity 1470 01:15:25,760 --> 01:15:28,920 Speaker 1: was we understood that yes, not only had we been 1471 01:15:29,400 --> 01:15:31,680 Speaker 1: kings and queens, and obviously not all of us were 1472 01:15:31,720 --> 01:15:33,840 Speaker 1: just kings and queens in Africa, but we had a 1473 01:15:33,960 --> 01:15:38,240 Speaker 1: history before the US. We had a history before European 1474 01:15:38,840 --> 01:15:42,400 Speaker 1: I won't even call it conquest, but being captives here 1475 01:15:42,640 --> 01:15:47,320 Speaker 1: and really recreating Western civilization through our own protests. Another 1476 01:15:47,360 --> 01:15:51,599 Speaker 1: part of radical black dignity is black beauty and black love. Malcolm, 1477 01:15:52,520 --> 01:15:56,120 Speaker 1: following Marcus Mosiah Garvey, believed in the beauty of black 1478 01:15:56,160 --> 01:16:01,000 Speaker 1: people intrinsically black women, black men, black children, in black babies, 1479 01:16:01,280 --> 01:16:03,439 Speaker 1: black neighborhoods. So when we think about this idea of 1480 01:16:03,439 --> 01:16:06,240 Speaker 1: self determination, and my final point is this is why 1481 01:16:06,280 --> 01:16:09,880 Speaker 1: Malcolm has a critique of racial integration, not because he 1482 01:16:09,960 --> 01:16:15,000 Speaker 1: doesn't want an equal society, but Malcolm was horrified by 1483 01:16:15,000 --> 01:16:18,839 Speaker 1: the fact that it took troops to bring black children 1484 01:16:18,880 --> 01:16:21,759 Speaker 1: to school in Little Rock Central High School in nineteen 1485 01:16:21,800 --> 01:16:26,280 Speaker 1: fifty seven, whereas King writes a telegram to President Eisenhower 1486 01:16:26,520 --> 01:16:30,080 Speaker 1: applauding that in September of nineteen fifty seven, Malcolm is 1487 01:16:30,280 --> 01:16:34,640 Speaker 1: angry and mad about that. Why it's a sixth society 1488 01:16:34,960 --> 01:16:38,160 Speaker 1: where our children, little black girls and boys, have to 1489 01:16:38,240 --> 01:16:41,200 Speaker 1: be guarded by troops to go into a high school 1490 01:16:41,240 --> 01:16:44,400 Speaker 1: or an elementary school. And that's why Malcolm says American 1491 01:16:44,520 --> 01:16:48,760 Speaker 1: democracy is nothing but American hypocrisy. And very famously he says, 1492 01:16:48,960 --> 01:16:51,840 Speaker 1: you can't put a knife nine inches in a person's back, 1493 01:16:52,120 --> 01:16:54,880 Speaker 1: take it out three inches and call that progress. You 1494 01:16:54,920 --> 01:16:57,600 Speaker 1: haven't taken out the knife, and you haven't even acknowledged 1495 01:16:57,640 --> 01:17:00,680 Speaker 1: the wound. So black dignity is us are standing our 1496 01:17:00,720 --> 01:17:04,559 Speaker 1: own struggle, loving ourselves through the joy and the trauma 1497 01:17:04,600 --> 01:17:07,439 Speaker 1: of that struggles. Remember the reason why Malcolm X is 1498 01:17:07,439 --> 01:17:11,599 Speaker 1: the best order in American history. And I'll say doctor 1499 01:17:11,680 --> 01:17:14,519 Speaker 1: King's number two. The reason why Malcolm's the best. Malcolm 1500 01:17:14,600 --> 01:17:17,240 Speaker 1: has a great sense of humor. He actually forces us 1501 01:17:17,280 --> 01:17:21,320 Speaker 1: to confront this through different parables. And when he talks 1502 01:17:21,360 --> 01:17:25,160 Speaker 1: about house negroes versus field negroes, he's talking about black dignity. 1503 01:17:25,280 --> 01:17:27,800 Speaker 1: But he's also talking that we have class tensions in 1504 01:17:27,800 --> 01:17:31,559 Speaker 1: our own community. Sometimes you'll have historians and scholars to say, well, 1505 01:17:31,600 --> 01:17:34,519 Speaker 1: the house negro field negro is more complicated than that. 1506 01:17:34,800 --> 01:17:37,760 Speaker 1: Malcolm's giving us allegori is that everyone can understand. That's 1507 01:17:37,760 --> 01:17:40,320 Speaker 1: why he says, make it plain. So the house Negroes 1508 01:17:40,640 --> 01:17:45,840 Speaker 1: were black folks who had more identification with white supremacy 1509 01:17:45,840 --> 01:17:48,120 Speaker 1: and white masters. And that's why Malcolm says, when the 1510 01:17:48,160 --> 01:17:51,760 Speaker 1: white master got sick, the house negro said, we see right, 1511 01:17:52,080 --> 01:17:56,280 Speaker 1: and field negroes. Malcolm defined them like he defined himself, 1512 01:17:56,439 --> 01:17:59,439 Speaker 1: black people who were catching hell every day and who 1513 01:17:59,479 --> 01:18:03,519 Speaker 1: were bold enough to resist against white supremacy. So black 1514 01:18:03,560 --> 01:18:06,840 Speaker 1: dignity is huge, huge, huge, And this is why when 1515 01:18:06,840 --> 01:18:09,800 Speaker 1: we think about the Malcolm and Martin, the dichotomy and 1516 01:18:09,880 --> 01:18:13,160 Speaker 1: the convergence, it's only because of Malcolm X that doctor 1517 01:18:13,240 --> 01:18:16,320 Speaker 1: King starts talking about black dignity. Doctor King starts saying 1518 01:18:16,360 --> 01:18:18,799 Speaker 1: black is beautiful, and it's so beautiful to be black. 1519 01:18:19,000 --> 01:18:22,000 Speaker 1: Doctor King, by nineteen sixty seven tells us that they 1520 01:18:22,000 --> 01:18:24,880 Speaker 1: even tell us little white lies are better than black lives. 1521 01:18:25,400 --> 01:18:28,479 Speaker 1: Black lives. That's Doctor King, only because Malcolm X had 1522 01:18:28,520 --> 01:18:32,200 Speaker 1: taught all of us about black dignity before Malcolm. We 1523 01:18:32,200 --> 01:18:35,479 Speaker 1: were all negroes who turned into black people because of 1524 01:18:35,479 --> 01:18:37,200 Speaker 1: Malcolm X. And in the book you lay out how 1525 01:18:37,240 --> 01:18:41,120 Speaker 1: they each become the others alter ego. Essentially, to me, 1526 01:18:41,200 --> 01:18:44,360 Speaker 1: that's what the book is ultimately about. Can you explain 1527 01:18:44,360 --> 01:18:47,879 Speaker 1: it absolutely? When we think about Malcolm and Martin. Over time, 1528 01:18:48,479 --> 01:18:52,600 Speaker 1: doctor King becomes much more of a radical and a revolutionary, 1529 01:18:52,880 --> 01:18:56,120 Speaker 1: speaking truth to power in an unapologetic way in the 1530 01:18:56,200 --> 01:19:00,200 Speaker 1: tone of Malcolm X. My great example there is when 1531 01:19:00,360 --> 01:19:03,360 Speaker 1: doctor King is in Marks, Mississippi in nineteen sixty eight 1532 01:19:03,680 --> 01:19:06,479 Speaker 1: organizing the Poor People's Campaign. He tells the poor black 1533 01:19:06,479 --> 01:19:08,840 Speaker 1: folks in Marks, Mississippi that the way they are living 1534 01:19:08,960 --> 01:19:12,280 Speaker 1: is a crime. That's the exact language that Malcolm X 1535 01:19:12,360 --> 01:19:15,760 Speaker 1: used to use about this crime against black humanity that 1536 01:19:15,840 --> 01:19:19,639 Speaker 1: had occurred. For Malcolm, it's the ballot or the bullet speech. 1537 01:19:19,920 --> 01:19:22,040 Speaker 1: The ballot or the bullet speech is the first time 1538 01:19:22,120 --> 01:19:25,680 Speaker 1: Malcolm X acknowledges the need for radical black citizenship. He 1539 01:19:25,720 --> 01:19:28,200 Speaker 1: had always acknowledged the need for radical black dignity. But 1540 01:19:28,320 --> 01:19:31,920 Speaker 1: Malcolm hedges he doesn't believe in American democracy, never does 1541 01:19:32,120 --> 01:19:35,000 Speaker 1: he believes in what black people. He says. The reason 1542 01:19:35,040 --> 01:19:37,439 Speaker 1: why I think we should do the ballot or the 1543 01:19:37,479 --> 01:19:39,680 Speaker 1: bullet is that I want black people to have a 1544 01:19:39,760 --> 01:19:42,920 Speaker 1: chance to utilize this political power and see where it 1545 01:19:42,960 --> 01:19:46,160 Speaker 1: gets them. Remember, Malcolm X had been in prison. Malcolm 1546 01:19:46,360 --> 01:19:49,800 Speaker 1: X's father had been killed early. He always felt it 1547 01:19:49,840 --> 01:19:53,439 Speaker 1: was a white supremacist attack. His mother had been institutionalized. 1548 01:19:53,920 --> 01:19:57,040 Speaker 1: Malcolm had seen what I call the lower frequencies of 1549 01:19:57,080 --> 01:20:00,719 Speaker 1: the United States of America. So he was always about 1550 01:20:00,800 --> 01:20:05,320 Speaker 1: democracy working the way in which white people pretended it worked, right. 1551 01:20:05,600 --> 01:20:07,880 Speaker 1: But what he did was he had faith in who 1552 01:20:07,960 --> 01:20:11,320 Speaker 1: black people. He was schooled by his mother, Louise Norton Little, 1553 01:20:11,400 --> 01:20:14,280 Speaker 1: who was from Grenada. So Malcolm has Caribbean blood as 1554 01:20:14,280 --> 01:20:17,000 Speaker 1: well as the African African American blood. He was schooled 1555 01:20:17,000 --> 01:20:19,960 Speaker 1: by his father, Earl Little, he was schooled by the 1556 01:20:20,040 --> 01:20:22,840 Speaker 1: honorable Elijah Mohammed, but he was also schooled by all 1557 01:20:22,840 --> 01:20:26,320 Speaker 1: these revolutionary leaders in the Middle East and Africa. Right, 1558 01:20:26,439 --> 01:20:29,280 Speaker 1: So when you think about Malcolm becomes closer to king 1559 01:20:29,840 --> 01:20:34,120 Speaker 1: through this acknowledgement that we need to end worldwide supremacy, 1560 01:20:34,360 --> 01:20:36,479 Speaker 1: not just through self defense, but we're gonna need that 1561 01:20:36,520 --> 01:20:39,679 Speaker 1: beloved community. But Malcolm hedges, he says, one I only 1562 01:20:39,720 --> 01:20:43,960 Speaker 1: believe in black people visa viva democracy thing. But two 1563 01:20:44,040 --> 01:20:46,600 Speaker 1: he says that white people and his language is this 1564 01:20:47,120 --> 01:20:49,880 Speaker 1: sincere white people can be part of the movement. What 1565 01:20:49,960 --> 01:20:53,519 Speaker 1: did he define as sincere? He defined a sincere as 1566 01:20:53,560 --> 01:20:57,360 Speaker 1: what do Boys call abolitionist democracy, white people who are 1567 01:20:57,360 --> 01:21:00,240 Speaker 1: gonna be willing to put themselves on the line right 1568 01:21:00,360 --> 01:21:03,960 Speaker 1: to transform the entire world. So du Boys always said, 1569 01:21:03,960 --> 01:21:07,320 Speaker 1: and W. B. Du Boys is the intellectual who is 1570 01:21:07,360 --> 01:21:09,799 Speaker 1: the founder of the NAACP, one of the most important 1571 01:21:09,800 --> 01:21:12,920 Speaker 1: intellectuals ever. But what he wrote in a book nineteen 1572 01:21:12,960 --> 01:21:16,120 Speaker 1: thirty five called Black Reconstruction was he wrote the true 1573 01:21:16,200 --> 01:21:19,080 Speaker 1: history of reconstruction. He pushed back against the lost Cause 1574 01:21:19,160 --> 01:21:21,800 Speaker 1: history that had said we were apes and monsters and 1575 01:21:21,840 --> 01:21:25,080 Speaker 1: we were raping white women. He showed how black people 1576 01:21:25,120 --> 01:21:28,760 Speaker 1: tried to reimagine American democracy. And the only reason the 1577 01:21:28,800 --> 01:21:31,719 Speaker 1: country exists in the form and exists now is because 1578 01:21:31,760 --> 01:21:36,160 Speaker 1: of our labor, our sweat, our sacrifice, our love, our patriotism. Right. 1579 01:21:36,360 --> 01:21:38,960 Speaker 1: And so when we think about Malcolm and Martin, Martin 1580 01:21:39,080 --> 01:21:42,960 Speaker 1: becomes closer to Malcolm where he becomes this unfettered revolutionary, 1581 01:21:43,040 --> 01:21:46,759 Speaker 1: becomes a pillar of fire, an Old Testament prophet. He's Amos, 1582 01:21:46,800 --> 01:21:49,840 Speaker 1: He's Jeremiah, He's Moses. By the end of his life 1583 01:21:50,000 --> 01:21:52,920 Speaker 1: and Malcolm becomes closer to King where he starts to 1584 01:21:52,960 --> 01:21:55,800 Speaker 1: say that not only is he a prosecuting attorney, he 1585 01:21:55,840 --> 01:21:58,720 Speaker 1: becomes Black America's Prime Minister. In the last year of 1586 01:21:58,720 --> 01:22:01,599 Speaker 1: his life, Malcolm X had the office at the United Nations. 1587 01:22:01,600 --> 01:22:04,960 Speaker 1: Malcolm X could go and speak to Prime Minister Kwame 1588 01:22:05,080 --> 01:22:07,679 Speaker 1: and Kruma in Ghana. He could speak to nam Diaza 1589 01:22:07,760 --> 01:22:12,280 Speaker 1: Kiway in Nigeria. He could speak to Mohammed Babu, who's 1590 01:22:12,280 --> 01:22:15,120 Speaker 1: the Prime Minister of Zanzibar. So that's when he becomes 1591 01:22:15,160 --> 01:22:19,080 Speaker 1: closer to Doctor King. So they really converge, and you 1592 01:22:19,080 --> 01:22:23,040 Speaker 1: could see the love and admiration that Malcolm has for 1593 01:22:23,160 --> 01:22:27,120 Speaker 1: him when he tells Correcti Scott how much he admires 1594 01:22:27,120 --> 01:22:29,919 Speaker 1: her husband in Selma. And when you read the statement 1595 01:22:30,040 --> 01:22:35,280 Speaker 1: that King sends after Malcolm's assassination, he expresses his admiration 1596 01:22:35,360 --> 01:22:38,400 Speaker 1: and says what a great man Malcolm X was who 1597 01:22:38,479 --> 01:22:41,839 Speaker 1: was constantly changing. So you can see the convergence between 1598 01:22:41,880 --> 01:22:44,000 Speaker 1: both of them even in their lifetimes. Let me tell 1599 01:22:44,000 --> 01:22:46,280 Speaker 1: you something, man. His name is Doctor for Neil Joseph. 1600 01:22:46,360 --> 01:22:48,160 Speaker 1: The book is Disord in the Shield. I'm not even 1601 01:22:48,200 --> 01:22:50,200 Speaker 1: exaggerating when I say it's one of the best books 1602 01:22:50,240 --> 01:22:54,719 Speaker 1: that I've ever read in my entire existence on this planet. 1603 01:22:54,760 --> 01:22:56,439 Speaker 1: I think everybody should go out there and get the 1604 01:22:56,520 --> 01:23:00,120 Speaker 1: Sword in the Shield right now. It explores the revolutionary 1605 01:23:00,320 --> 01:23:03,000 Speaker 1: of Malcolm X and doctor Martin Luther King Jr. I 1606 01:23:03,040 --> 01:23:05,840 Speaker 1: can't wait to just read more of your stuff, Doctor Pernil. Well, 1607 01:23:05,880 --> 01:23:08,840 Speaker 1: thank you, Charlottagne the guy. It's it's been great. It's 1608 01:23:08,880 --> 01:23:11,280 Speaker 1: an honor. It's a pleasure to be here. You're an icon, 1609 01:23:12,400 --> 01:23:17,040 Speaker 1: so so I'm really appreciative of this opportunity and to 1610 01:23:17,439 --> 01:23:19,599 Speaker 1: chop it up with you to dialogue, especially as somebody 1611 01:23:19,640 --> 01:23:22,880 Speaker 1: from New York City, a native New Yorker is doctor 1612 01:23:22,880 --> 01:23:26,240 Speaker 1: f Neil Joseph. It's the Breakfast Club, the Breakfast Club. 1613 01:23:29,560 --> 01:23:39,360 Speaker 1: This is the Ruble Report with Angela breast cures. When 1614 01:23:39,360 --> 01:23:44,080 Speaker 1: you said that you're sad, we have a breakfast Yeah, God, morning, everybody. 1615 01:23:45,720 --> 01:23:47,800 Speaker 1: All right, he got some bad news. I don't know 1616 01:23:47,840 --> 01:23:50,760 Speaker 1: what happen. We finally took the barricades down. The barricades, 1617 01:23:50,840 --> 01:23:53,360 Speaker 1: that's what I call on the border. I can actually 1618 01:23:53,400 --> 01:23:56,040 Speaker 1: see you guys now clearly. Yeah, it's not looking good 1619 01:23:59,000 --> 01:24:02,839 Speaker 1: pressed all right. Now, let's talk about Black Twitter reacting 1620 01:24:02,920 --> 01:24:07,280 Speaker 1: to Destiny's Child cater to You seventeen years after it 1621 01:24:07,400 --> 01:24:11,440 Speaker 1: came out. They feel like, uh, this song is outdated 1622 01:24:11,520 --> 01:24:14,840 Speaker 1: and not good. Listen to some of the lyrics. Let 1623 01:24:14,880 --> 01:24:16,280 Speaker 1: me see what in hall. I want to let you 1624 01:24:16,320 --> 01:24:21,440 Speaker 1: know what, so reassure you. My life would be purposeless 1625 01:24:21,439 --> 01:24:25,400 Speaker 1: without you. They're saying, ah, this is just too much. 1626 01:24:25,439 --> 01:24:27,800 Speaker 1: This message is in aging. Well, now I do want 1627 01:24:27,840 --> 01:24:30,600 Speaker 1: to say this when I listen to the song. In 1628 01:24:30,640 --> 01:24:32,400 Speaker 1: the hook, right, she does say let me cater to 1629 01:24:32,439 --> 01:24:35,280 Speaker 1: you because baby, this is your day. So I'm feeling 1630 01:24:35,320 --> 01:24:37,800 Speaker 1: like this is a day that she's doing all this 1631 01:24:37,880 --> 01:24:41,439 Speaker 1: for him, writing his bathwater. Yeah, Father's day is coming 1632 01:24:41,520 --> 01:24:43,800 Speaker 1: up now. The one thing I had an issue within 1633 01:24:43,880 --> 01:24:46,760 Speaker 1: this song. Listen to this part, which what you want 1634 01:24:46,840 --> 01:24:53,200 Speaker 1: the next one. I'm not helping anybody to get you 1635 01:24:53,320 --> 01:24:55,000 Speaker 1: rag line. I had to draw the line at that. 1636 01:24:55,080 --> 01:24:57,800 Speaker 1: Now I'll run the bathwater, I'll do all that other stuff. 1637 01:24:57,840 --> 01:24:59,680 Speaker 1: I'm not putting your due rag on for you. Well, 1638 01:24:59,720 --> 01:25:01,719 Speaker 1: I mean here's the thing. That's that's the way. It's 1639 01:25:01,720 --> 01:25:04,280 Speaker 1: the very personal thing. I'm not gonna tie it tight enough. Yeah, 1640 01:25:04,280 --> 01:25:06,240 Speaker 1: And that's the way they choose to cater to their man. 1641 01:25:06,400 --> 01:25:08,559 Speaker 1: Like each man's needs a different Women can cater to 1642 01:25:08,560 --> 01:25:10,759 Speaker 1: their man however they want. That's crazy, But that conversation 1643 01:25:10,760 --> 01:25:15,200 Speaker 1: about a seventeen year old soul. Yeah, but I do think, 1644 01:25:16,280 --> 01:25:18,200 Speaker 1: I do think that there's times your man is gonna 1645 01:25:18,200 --> 01:25:20,840 Speaker 1: cater to you, in times you're gonna cater to him. Yeah, 1646 01:25:20,880 --> 01:25:23,760 Speaker 1: And I think they enjoyed doing that. Yeah. And I 1647 01:25:23,800 --> 01:25:26,040 Speaker 1: think these people are trolls either. Trolls are people that 1648 01:25:26,080 --> 01:25:29,200 Speaker 1: are board doing doing social experiments because there's absolutely nothing 1649 01:25:29,240 --> 01:25:31,960 Speaker 1: problematic about cater to you. Catering to you works both ways. 1650 01:25:31,960 --> 01:25:34,840 Speaker 1: As Angelie just said, it just so happened. Women made 1651 01:25:34,840 --> 01:25:37,360 Speaker 1: a song about it, and she said, it's your day. 1652 01:25:37,439 --> 01:25:39,640 Speaker 1: So it makes it seem like today I'm gonna do 1653 01:25:39,680 --> 01:25:42,160 Speaker 1: all this for you. Can we get into scrubs and 1654 01:25:42,520 --> 01:25:44,519 Speaker 1: pigeons next? Can we do that one next? And by 1655 01:25:44,560 --> 01:25:46,920 Speaker 1: the way, if you're not catering to your man, it's 1656 01:25:46,920 --> 01:25:49,400 Speaker 1: probably because you simply haven't All lives matter the song. 1657 01:25:50,240 --> 01:25:53,120 Speaker 1: If you're not catering to your man or your significant other, 1658 01:25:53,160 --> 01:25:55,160 Speaker 1: it's probably because you simply haven't found your soul mate. 1659 01:25:55,160 --> 01:25:56,880 Speaker 1: When you find that one who has committed to you 1660 01:25:56,920 --> 01:26:01,840 Speaker 1: in a real way that's catering to them is nothing life. Okay. Now, 1661 01:26:01,920 --> 01:26:04,639 Speaker 1: Joe Exotic is launching his own cannabis line from jail, 1662 01:26:06,400 --> 01:26:08,080 Speaker 1: So if you guys want to get that, you know, 1663 01:26:08,120 --> 01:26:11,960 Speaker 1: you can get some of his Joe Exotic cannabis. But 1664 01:26:12,120 --> 01:26:16,240 Speaker 1: y'all want to smoke on some of that Joe Exotic, No, 1665 01:26:16,479 --> 01:26:20,760 Speaker 1: probably got math in it, definitely prob. All right now, 1666 01:26:20,880 --> 01:26:24,080 Speaker 1: James Harden has been appointed to the board at Sacks. 1667 01:26:24,520 --> 01:26:26,519 Speaker 1: He's an independent member of the board. He has made 1668 01:26:26,520 --> 01:26:28,479 Speaker 1: a minority investment in the company. So he's going to 1669 01:26:28,520 --> 01:26:31,960 Speaker 1: bring his expertise to help grow high potential consumer brands, 1670 01:26:31,960 --> 01:26:36,120 Speaker 1: combined with a unique perspective as a notable fashion enthusiast. Smart. Yeah, 1671 01:26:36,200 --> 01:26:38,240 Speaker 1: that's dope. He's gonna need something to do because the 1672 01:26:38,400 --> 01:26:40,680 Speaker 1: Bucks and seven I don't even know Sacks were still open. 1673 01:26:40,680 --> 01:26:42,200 Speaker 1: I thought they were closing. A lot of them did 1674 01:26:42,240 --> 01:26:44,760 Speaker 1: close down, but there's still some open. Maybe they're regrouping, 1675 01:26:44,760 --> 01:26:47,840 Speaker 1: but yes, they have closed in some location. Three all 1676 01:26:47,920 --> 01:26:51,240 Speaker 1: right now, Christy Takin has issued an apology after this 1677 01:26:51,240 --> 01:26:54,479 Speaker 1: whole bullying scandal that she had. If y'all remember she 1678 01:26:54,640 --> 01:26:57,559 Speaker 1: at first apologized to Courtney Stott in TV personality Courtney 1679 01:26:57,600 --> 01:27:00,200 Speaker 1: Stotting and this is for some things that she's said 1680 01:27:00,200 --> 01:27:02,320 Speaker 1: to her. Back in the two thousand tens and into 1681 01:27:02,360 --> 01:27:05,479 Speaker 1: two eleven, Stodden went, at the age of sixteen, married 1682 01:27:05,479 --> 01:27:08,519 Speaker 1: a fifty year old acting coach, Doug Hutchinson. Stadden is 1683 01:27:08,560 --> 01:27:11,760 Speaker 1: non binary. They're now divorced, and Stodden was saying, at 1684 01:27:11,760 --> 01:27:14,439 Speaker 1: a child, you know, back in retrospect, it was clear 1685 01:27:14,520 --> 01:27:16,280 Speaker 1: during their marriage that she was being abused by an 1686 01:27:16,280 --> 01:27:19,200 Speaker 1: adult man, but she was widely considered to be someone 1687 01:27:19,320 --> 01:27:22,880 Speaker 1: ridiculous and mockable and people called them the child bride. 1688 01:27:22,920 --> 01:27:24,640 Speaker 1: They made a lot of jokes at their expense, and 1689 01:27:24,760 --> 01:27:27,880 Speaker 1: Christie Tiaguan also harassed and bullied her, and Courtney Stadden 1690 01:27:27,920 --> 01:27:29,919 Speaker 1: pointed this out. This happened when she was only sixteen. 1691 01:27:30,200 --> 01:27:31,640 Speaker 1: She said, at the time when I needed help, I 1692 01:27:31,720 --> 01:27:34,960 Speaker 1: was being abused, And she talked about the tweet set 1693 01:27:34,960 --> 01:27:37,920 Speaker 1: Tiguan sent to her. She said, I hate you, and 1694 01:27:38,160 --> 01:27:40,240 Speaker 1: Stodden said it really did affect her at the time 1695 01:27:40,240 --> 01:27:42,919 Speaker 1: when you have somebody like Christie Tiaguan being a childish 1696 01:27:42,920 --> 01:27:47,760 Speaker 1: and bullying children. Now since then, Christie Tikan has apologized. 1697 01:27:47,760 --> 01:27:49,880 Speaker 1: She got off of social media. Now she's written another 1698 01:27:49,920 --> 01:27:53,080 Speaker 1: apology letter called high Again, and she said, I've apologized 1699 01:27:53,080 --> 01:27:55,000 Speaker 1: publicly to one person, but there are others and more 1700 01:27:55,040 --> 01:27:56,439 Speaker 1: than just a few, who I need to say I'm 1701 01:27:56,439 --> 01:27:58,759 Speaker 1: sorry too. I'm in the process of privately reaching out 1702 01:27:58,920 --> 01:28:00,680 Speaker 1: to the people. I am soa It's like my own 1703 01:28:00,760 --> 01:28:03,040 Speaker 1: version of the show. My name is Earl. I understand 1704 01:28:03,080 --> 01:28:04,360 Speaker 1: they may not want to speak to me. I don't 1705 01:28:04,400 --> 01:28:06,280 Speaker 1: think I'd like to speak to me. The real truth 1706 01:28:06,280 --> 01:28:07,920 Speaker 1: and all of this is how much I actually cannot 1707 01:28:07,920 --> 01:28:10,160 Speaker 1: take confrontation. But if they do, I'm here and I 1708 01:28:10,200 --> 01:28:11,720 Speaker 1: will listen to what they have to say. And she 1709 01:28:11,800 --> 01:28:13,120 Speaker 1: did go on to end it with I was a 1710 01:28:13,160 --> 01:28:15,679 Speaker 1: full I was a troll, full stop, and I am 1711 01:28:15,720 --> 01:28:20,400 Speaker 1: so sorry. Now. Michael Costello, who was a designer from 1712 01:28:20,400 --> 01:28:23,280 Speaker 1: Project to Runaway, he says that he was also bullied 1713 01:28:23,280 --> 01:28:25,760 Speaker 1: by Chrissy Tiguan and he posted, I didn't want to 1714 01:28:25,760 --> 01:28:27,840 Speaker 1: do this, but I cannot be happy until I speak 1715 01:28:27,880 --> 01:28:29,360 Speaker 1: my mind. I need to heal, and in order for 1716 01:28:29,400 --> 01:28:31,240 Speaker 1: me to do that, I must reveal what I've been 1717 01:28:31,280 --> 01:28:34,519 Speaker 1: going through. I wanted to kill myself and I'm still traumatized, depressed, 1718 01:28:34,520 --> 01:28:37,519 Speaker 1: and have thoughts of suicide. He said that Chrissy Tiguan 1719 01:28:37,600 --> 01:28:41,559 Speaker 1: actually also send him messages. There was some posts that 1720 01:28:41,600 --> 01:28:44,000 Speaker 1: accused him of being a racist, but it was photoshopped, 1721 01:28:44,200 --> 01:28:49,160 Speaker 1: and Chrissy Tiguan then he posted the DM conversation she said. 1722 01:28:49,160 --> 01:28:51,040 Speaker 1: He said, Chrissie, can I call you? Because she posted 1723 01:28:51,040 --> 01:28:52,760 Speaker 1: it thinking it was real, and she said, no, I 1724 01:28:52,760 --> 01:28:54,439 Speaker 1: do not have anything to say to you. You will 1725 01:28:54,479 --> 01:28:56,760 Speaker 1: get what's coming to you. And he said, Chrissy, I've 1726 01:28:56,800 --> 01:28:59,000 Speaker 1: never called anyone the end where those fake images were 1727 01:28:59,000 --> 01:29:01,720 Speaker 1: photoshop from a former gruntled employee, and she said, good 1728 01:29:01,800 --> 01:29:04,120 Speaker 1: luck with that. Lmayo. Hope that story keeps your already 1729 01:29:04,160 --> 01:29:07,439 Speaker 1: dead career going. And good racist people like you deserve 1730 01:29:07,520 --> 01:29:09,439 Speaker 1: to suffer and die. You might as well be dead. 1731 01:29:09,479 --> 01:29:13,920 Speaker 1: Your career is over. Just watch, all right. So she's 1732 01:29:14,479 --> 01:29:16,920 Speaker 1: she hasn't apologized to him directly yet, but we'll see 1733 01:29:16,960 --> 01:29:19,320 Speaker 1: how she responds to that. Well, that's a prime example 1734 01:29:19,320 --> 01:29:21,720 Speaker 1: of everybody gets a turn, like you know, at some 1735 01:29:21,760 --> 01:29:25,880 Speaker 1: point though, this cancel culture comes for everyone. That's a fact, 1736 01:29:26,200 --> 01:29:28,840 Speaker 1: all right, Well that is your rumor reports, all right, 1737 01:29:28,880 --> 01:29:31,040 Speaker 1: show up the revolt everybody else to mixes up next, 1738 01:29:31,120 --> 01:29:35,840 Speaker 1: Let's go morning. Everybody is DJ Envy Angela Yee, Charlomagne 1739 01:29:35,840 --> 01:29:38,800 Speaker 1: the guy. We are the Breakfast Club. Yes, Kevin Hart 1740 01:29:38,800 --> 01:29:42,160 Speaker 1: for joining us this morning. Fatherhood is in Theatist and 1741 01:29:42,200 --> 01:29:44,559 Speaker 1: Father's Day, by the way, is this weekend. That's right great, 1742 01:29:44,560 --> 01:29:46,639 Speaker 1: I mean not in THEATIS but on Netflix. It's on Netflix. 1743 01:29:46,800 --> 01:29:50,040 Speaker 1: Great content for Father's Day weekend, very very good place 1744 01:29:50,080 --> 01:29:55,960 Speaker 1: in keV. Juneteenth is also this weekend, nineteenth, and you 1745 01:29:56,000 --> 01:29:57,800 Speaker 1: know what, there's this huge event that's going to be happening. 1746 01:29:57,800 --> 01:29:59,719 Speaker 1: It's gonna be live Sheen but in person at Brooklyn 1747 01:29:59,720 --> 01:30:02,479 Speaker 1: Bowl with Earth When and Fire performing. You know I 1748 01:30:02,560 --> 01:30:07,080 Speaker 1: love that now Rogers and Chic India, I ree Darius Rocker, 1749 01:30:07,160 --> 01:30:09,479 Speaker 1: Ali Black, Amanda Sales is hosting it and JB. Smooth. 1750 01:30:09,640 --> 01:30:12,320 Speaker 1: So man, it's gonna be in New York. Yes, apparently 1751 01:30:12,400 --> 01:30:15,120 Speaker 1: she'll be there. I think it's it's gonna be at 1752 01:30:15,120 --> 01:30:17,960 Speaker 1: Brooklyn Ball. They're filming it on Wednesday and then they're 1753 01:30:17,960 --> 01:30:21,280 Speaker 1: gonna stream it. Okay, that's dope. And also all shout 1754 01:30:21,280 --> 01:30:24,639 Speaker 1: out to Panel Joseph for joining us. Man pernil Joseph. 1755 01:30:24,640 --> 01:30:27,160 Speaker 1: If you have not read Sword in the Shield or 1756 01:30:27,200 --> 01:30:28,760 Speaker 1: if you want to listen to the Sword and the 1757 01:30:28,800 --> 01:30:32,960 Speaker 1: Shield on audible, please do. It's about the revolutionary lives 1758 01:30:32,960 --> 01:30:35,120 Speaker 1: and Martin Luther King Junior and Malcolm X. And it 1759 01:30:35,240 --> 01:30:38,679 Speaker 1: just explores, it just explores their humanity in a way 1760 01:30:38,680 --> 01:30:41,759 Speaker 1: I haven't. I haven't seen their humanity explored. So salute 1761 01:30:41,760 --> 01:30:44,600 Speaker 1: to my guy Pannil Joseph. Okay, all right, when we 1762 01:30:44,600 --> 01:30:46,320 Speaker 1: come back. We got the positive notes, so don't move. 1763 01:30:46,320 --> 01:30:49,120 Speaker 1: It's the breakfast Club. Good morning now, Charloman, you got 1764 01:30:49,160 --> 01:30:51,760 Speaker 1: a positive note, I do, man. I want to salute 1765 01:30:52,120 --> 01:30:55,280 Speaker 1: Queen Anita Copas. She has a book coming out called 1766 01:30:55,320 --> 01:30:58,240 Speaker 1: Shallow Waters. It is the secondary release on my book 1767 01:30:58,280 --> 01:31:01,240 Speaker 1: in print Black Privilege Publishing. It will be out August third. 1768 01:31:01,280 --> 01:31:05,959 Speaker 1: It's a young adult fiction book about the African Mermaid. 1769 01:31:06,280 --> 01:31:08,960 Speaker 1: Yummy yah. But I saw a need of Colpack's post 1770 01:31:09,000 --> 01:31:12,120 Speaker 1: this morning, a quote that I think is incredible, and 1771 01:31:12,200 --> 01:31:14,320 Speaker 1: she said, you can't f up anything that is meant 1772 01:31:14,360 --> 01:31:17,120 Speaker 1: for you, So stop being so scared of what will happen, 1773 01:31:17,320 --> 01:31:19,960 Speaker 1: trust your intuition and let your heart and soul guide 1774 01:31:19,960 --> 01:31:23,000 Speaker 1: you on this journey. I promise you you cannot mess 1775 01:31:23,080 --> 01:31:26,800 Speaker 1: up anything that is meant for you. I agree, breakfast club. 1776 01:31:27,560 --> 01:31:28,760 Speaker 1: Y'll finish it. Y'all dumb