1 00:00:01,720 --> 00:00:04,840 Speaker 1: Cool Zone Media. 2 00:00:05,360 --> 00:00:07,800 Speaker 2: Hello, and welcome to Cool People Pitted Cool Stuff. You're 3 00:00:07,800 --> 00:00:10,840 Speaker 2: a weekly reminder that when bad things are happening, there's 4 00:00:10,880 --> 00:00:13,280 Speaker 2: people trying to do good things, and sometimes the things 5 00:00:13,280 --> 00:00:15,200 Speaker 2: that they do is invent things in the middle of 6 00:00:15,200 --> 00:00:19,200 Speaker 2: a crisis. I'm your host, Marra Kilchray and my guest 7 00:00:19,239 --> 00:00:22,520 Speaker 2: today is the one and only mangsh Hedaicoder who brought 8 00:00:22,560 --> 00:00:25,040 Speaker 2: the world Mental Floss and as the host of the 9 00:00:25,079 --> 00:00:28,680 Speaker 2: show Part Time Genius and runs the production company Kaleidoscope. 10 00:00:28,720 --> 00:00:31,640 Speaker 2: And I just learned right before we started recording, did 11 00:00:31,720 --> 00:00:34,000 Speaker 2: a podcast on astrology that I have to hear. 12 00:00:34,680 --> 00:00:37,400 Speaker 1: It's called stylin Drive. I highly recommend it. 13 00:00:38,080 --> 00:00:39,960 Speaker 2: I got told that you wouldn't tell me what it 14 00:00:40,000 --> 00:00:41,959 Speaker 2: was about ahead of time, but now we're on air, 15 00:00:42,040 --> 00:00:44,200 Speaker 2: so you have to. Eh, you could. 16 00:00:44,120 --> 00:00:45,640 Speaker 1: Give the elevator pitch mango. 17 00:00:46,240 --> 00:00:47,839 Speaker 2: I was just really curious and so this is a 18 00:00:47,840 --> 00:00:49,800 Speaker 2: good way to pressure you into it. Hi, Welcome to 19 00:00:49,840 --> 00:00:50,240 Speaker 2: my show. 20 00:00:52,520 --> 00:00:55,640 Speaker 3: The whole thing for me was growing up Indian. You know, 21 00:00:55,760 --> 00:00:58,800 Speaker 3: astrology was such a joke in the US in a sense, 22 00:00:58,960 --> 00:01:02,080 Speaker 3: but in indiots take so seriously and for me the 23 00:01:02,160 --> 00:01:05,240 Speaker 3: idea was like, I don't believe in astrology. But it 24 00:01:05,319 --> 00:01:09,400 Speaker 3: keeps happening to me in the fact that, like my parents, 25 00:01:09,800 --> 00:01:12,640 Speaker 3: they were introduced to each other as you know, an 26 00:01:12,760 --> 00:01:15,240 Speaker 3: arranged marriage, and so they were given lots of options. 27 00:01:15,280 --> 00:01:17,400 Speaker 3: They were only introduced to one another because their charts 28 00:01:17,400 --> 00:01:19,720 Speaker 3: matched up. And so like, my mom couldn't have a 29 00:01:19,720 --> 00:01:22,320 Speaker 3: mother in law because like her chart basically like would 30 00:01:22,680 --> 00:01:25,320 Speaker 3: indicate bad health for the mother in law. And my 31 00:01:25,440 --> 00:01:27,640 Speaker 3: dad his mom passed away when he was like one 32 00:01:27,840 --> 00:01:29,639 Speaker 3: or something, and so like that's part of the reason, 33 00:01:29,760 --> 00:01:31,840 Speaker 3: and the other elements of their chart match up too. 34 00:01:31,880 --> 00:01:33,960 Speaker 3: But it's one of these things that whether or not 35 00:01:33,959 --> 00:01:36,319 Speaker 3: you believe in astrology, there's so many other people that 36 00:01:36,360 --> 00:01:39,080 Speaker 3: believe in astrology that the world is affected by it, 37 00:01:39,120 --> 00:01:40,960 Speaker 3: and so it was kind of an exploration of that. 38 00:01:41,400 --> 00:01:43,880 Speaker 2: Yeah, No, it's really interesting to me because I'm really 39 00:01:43,920 --> 00:01:46,680 Speaker 2: interested in the idea that if you create a structure, 40 00:01:46,880 --> 00:01:49,840 Speaker 2: you can create meaning out of a structure. You know, 41 00:01:50,000 --> 00:01:52,240 Speaker 2: I don't know, I'm I'm excited to listen to your show. 42 00:01:52,600 --> 00:01:54,400 Speaker 3: I think that's absolutely true. And I also think, like 43 00:01:54,880 --> 00:01:58,720 Speaker 3: you know, for Indians in particular, there's this joke that 44 00:01:58,800 --> 00:02:02,000 Speaker 3: like it's okay to to be a psychiatrist, but not 45 00:02:02,040 --> 00:02:06,480 Speaker 3: see a psychiatrist. Right, That's so funny and so like 46 00:02:07,120 --> 00:02:12,360 Speaker 3: astrology like provides similar space for grief and for dealing 47 00:02:12,440 --> 00:02:15,920 Speaker 3: with problems and trying to understand or cope, and so like, 48 00:02:16,080 --> 00:02:18,560 Speaker 3: it makes sense why it's such an important part of 49 00:02:18,720 --> 00:02:19,480 Speaker 3: Indian culture. 50 00:02:19,800 --> 00:02:23,080 Speaker 2: Yeah, I like that that it creates this pocket to 51 00:02:23,080 --> 00:02:26,000 Speaker 2: actually talk about things that, like you can't otherwise talk about. 52 00:02:27,040 --> 00:02:30,360 Speaker 2: But what we're gonna talk about today is normally the 53 00:02:30,400 --> 00:02:33,079 Speaker 2: show is very serious. That's not always true, but currently 54 00:02:33,160 --> 00:02:36,040 Speaker 2: I've been on this like string of very serious episodes. 55 00:02:36,320 --> 00:02:38,720 Speaker 2: But I woke up this morning and read the news. 56 00:02:38,720 --> 00:02:40,200 Speaker 2: And by this morning, I mean two days ago when 57 00:02:40,240 --> 00:02:42,000 Speaker 2: I wrote this part of the script. I woke up 58 00:02:42,200 --> 00:02:44,120 Speaker 2: this morning, I read the news, which was a mistake. 59 00:02:44,919 --> 00:02:46,560 Speaker 2: And it's funny because it would have been even more 60 00:02:46,560 --> 00:02:49,760 Speaker 2: of a mistake today as we deal with a whatever. 61 00:02:50,040 --> 00:02:52,880 Speaker 2: So the news wasn't particularly good this morning or the 62 00:02:52,880 --> 00:02:55,920 Speaker 2: morning when I wrote this script. And if you're listening 63 00:02:55,960 --> 00:02:57,600 Speaker 2: to this in the future, you're probably gonna be like, well, 64 00:02:57,639 --> 00:02:59,400 Speaker 2: that could have been any morning in twenty twenty five. 65 00:02:59,440 --> 00:03:02,200 Speaker 2: I've noyede what you're talking about, Margaret, And so I'm 66 00:03:02,200 --> 00:03:06,480 Speaker 2: not going to clarify. Usually, I rise to the occasion 67 00:03:06,639 --> 00:03:08,639 Speaker 2: of dire news and try my hardest to make the 68 00:03:08,680 --> 00:03:12,799 Speaker 2: show's topics specifically relevant to the modern world. And I've 69 00:03:12,800 --> 00:03:14,440 Speaker 2: been doing this whole series about the rise of the 70 00:03:14,480 --> 00:03:17,320 Speaker 2: modern protest movement for months now, and I am not 71 00:03:17,560 --> 00:03:20,560 Speaker 2: doing that today. Today I'm going to do something slightly different. 72 00:03:20,560 --> 00:03:23,280 Speaker 2: I was listening to this tiny niche podcast called Behind 73 00:03:23,280 --> 00:03:23,760 Speaker 2: the Bastards. 74 00:03:23,800 --> 00:03:24,440 Speaker 1: Have never heard of it? 75 00:03:25,240 --> 00:03:27,919 Speaker 2: Yeah, no, it's a show about bad people. Why would 76 00:03:27,960 --> 00:03:30,160 Speaker 2: anyone listen to a show about bad people that doesn't 77 00:03:30,160 --> 00:03:33,160 Speaker 2: make anything idea? I like that show a lot. And 78 00:03:33,720 --> 00:03:36,160 Speaker 2: I was listening to the fact that a fascist invented 79 00:03:36,200 --> 00:03:39,560 Speaker 2: stand up comedy, and I thought, well, our side has 80 00:03:39,600 --> 00:03:44,600 Speaker 2: invented a bunch of really weird things too. Yeah, so 81 00:03:45,960 --> 00:03:50,800 Speaker 2: today I'd rather talk about table soccer than fascism. 82 00:03:52,160 --> 00:03:56,200 Speaker 1: I love that. That's what you got from the Frank Fame episode. 83 00:03:57,200 --> 00:04:00,880 Speaker 1: You were like, that's us. What about good inventions? 84 00:04:01,520 --> 00:04:05,640 Speaker 2: Yeah, so today and Wednesday we're gonna talk about two 85 00:04:05,640 --> 00:04:09,960 Speaker 2: different things invented by two different people, and people who 86 00:04:10,000 --> 00:04:12,600 Speaker 2: were involved in fighting for a better world who also 87 00:04:12,680 --> 00:04:17,440 Speaker 2: invented some stuff. And I want to start with table soccer, foosball. 88 00:04:18,040 --> 00:04:19,400 Speaker 2: You ever played table soccer? 89 00:04:21,960 --> 00:04:23,839 Speaker 3: I have? But before that, can I just say like, 90 00:04:24,120 --> 00:04:28,160 Speaker 3: I've been thinking a ton about inventions recently, Okay, like 91 00:04:28,440 --> 00:04:31,640 Speaker 3: it's just been on my mind because I'm trying to 92 00:04:31,640 --> 00:04:34,000 Speaker 3: make some new shows for Kaleidoscope. And one of the 93 00:04:34,040 --> 00:04:37,080 Speaker 3: things I used to watch as a kid was between cartoons. 94 00:04:37,120 --> 00:04:39,440 Speaker 3: Sometimes they had this show with this guy named doctor 95 00:04:39,520 --> 00:04:42,839 Speaker 3: Fad who had invented I don't know if you remember 96 00:04:42,880 --> 00:04:45,839 Speaker 3: this or if you're too young, but there was like 97 00:04:45,880 --> 00:04:50,320 Speaker 3: a wacky WallWalker, which was this like spider, this globby 98 00:04:50,320 --> 00:04:53,160 Speaker 3: spider that you would throw at at glass and it 99 00:04:53,200 --> 00:04:56,440 Speaker 3: would slowly walk. Yeah, yeah, And so he made like 100 00:04:56,520 --> 00:04:58,200 Speaker 3: millions of dollars on this. He used to come in 101 00:04:58,200 --> 00:05:01,039 Speaker 3: like cereal boxes and stuff like that the prize, and 102 00:05:01,080 --> 00:05:04,279 Speaker 3: then he had this inventions show on Saturday mornings, and 103 00:05:04,320 --> 00:05:06,400 Speaker 3: so like he'd tell you like the history of the 104 00:05:06,440 --> 00:05:08,880 Speaker 3: skateboard or like these other things, and then he'd bring 105 00:05:08,920 --> 00:05:10,000 Speaker 3: on kid inventors. 106 00:05:10,760 --> 00:05:12,799 Speaker 2: One of our subjects today was a kid inventor. 107 00:05:13,560 --> 00:05:16,479 Speaker 1: I remember doctor Fad. 108 00:05:16,680 --> 00:05:20,919 Speaker 3: He was so cool, but it made me and my 109 00:05:20,960 --> 00:05:23,520 Speaker 3: friends try to make like a Rube Goldberg machine that 110 00:05:23,600 --> 00:05:26,440 Speaker 3: would fry an egg for us, and you know, we 111 00:05:26,480 --> 00:05:27,919 Speaker 3: just broke a lot of eggs. But it was just 112 00:05:27,960 --> 00:05:30,960 Speaker 3: like fun. And you know, today like every kid wants 113 00:05:31,000 --> 00:05:35,000 Speaker 3: to be like a coder or they're like vibe coding 114 00:05:35,120 --> 00:05:39,160 Speaker 3: or whatever. Influence and stuff like that versus like like 115 00:05:39,400 --> 00:05:42,520 Speaker 3: actually putting things together and playing and making things and 116 00:05:42,560 --> 00:05:44,279 Speaker 3: so like, I've been thinking about inventions a lot, so 117 00:05:44,320 --> 00:05:45,600 Speaker 3: I love that this is the topic. 118 00:05:45,880 --> 00:05:48,560 Speaker 2: I'm so glad because when I was a kid, I 119 00:05:48,640 --> 00:05:52,520 Speaker 2: loved the little weird books that were like wacky inventions. 120 00:05:52,560 --> 00:05:56,120 Speaker 2: And it's the guy who invented the hat where it 121 00:05:56,600 --> 00:05:59,080 Speaker 2: doffs itself so that if you see something, if a 122 00:05:59,120 --> 00:06:02,360 Speaker 2: doff your cap but you're holding your groceries, you can 123 00:06:02,440 --> 00:06:05,880 Speaker 2: like nod in your hat doffs you know, I remember 124 00:06:05,880 --> 00:06:06,760 Speaker 2: that one really clearly. 125 00:06:07,279 --> 00:06:08,000 Speaker 3: That's so great. 126 00:06:08,480 --> 00:06:11,880 Speaker 2: That's basically we're talking about about the anti fascist version 127 00:06:11,920 --> 00:06:16,360 Speaker 2: of this. There was this long list that I could 128 00:06:16,400 --> 00:06:21,440 Speaker 2: have gotten to. There's like weird connections to all kinds 129 00:06:21,440 --> 00:06:25,520 Speaker 2: of things, including the the technical, like a if you 130 00:06:25,520 --> 00:06:27,400 Speaker 2: put a machine gun in the back of a pickup truck. 131 00:06:28,040 --> 00:06:31,000 Speaker 2: This was invented by anarchists in Ukraine during the Russian 132 00:06:31,040 --> 00:06:35,400 Speaker 2: Civil War. It's called the tachanka. Oh we're not covering 133 00:06:35,440 --> 00:06:37,680 Speaker 2: that one. I had this whole long list and then 134 00:06:37,680 --> 00:06:40,159 Speaker 2: there was like negative ones that like our side invented, 135 00:06:40,200 --> 00:06:43,520 Speaker 2: like the car bomb, but instead I went with table 136 00:06:43,560 --> 00:06:47,120 Speaker 2: soccer airmail. Just to spoil the second one. 137 00:06:48,120 --> 00:06:51,480 Speaker 3: Well, I have played table soccer. I really love it, 138 00:06:51,680 --> 00:06:53,359 Speaker 3: and so I'm excited to hear about the origin. 139 00:06:53,480 --> 00:06:55,680 Speaker 2: Hell yeah, I didn't play it a lot as a kid, 140 00:06:55,720 --> 00:06:58,520 Speaker 2: but when I would spend time in like squats in Europe, 141 00:06:58,800 --> 00:07:01,520 Speaker 2: it was a big deal, a very serious thing. People 142 00:07:01,560 --> 00:07:06,400 Speaker 2: took it very seriously, and unfortunately I sort of lied 143 00:07:06,400 --> 00:07:08,039 Speaker 2: when I said I wasn't gona talk about fascism this 144 00:07:08,080 --> 00:07:10,680 Speaker 2: week because the reason we have table football, and I'm 145 00:07:10,680 --> 00:07:12,640 Speaker 2: gonna call it table football from here on out, because 146 00:07:12,640 --> 00:07:14,720 Speaker 2: I've spent enough time in the not United States that 147 00:07:15,560 --> 00:07:18,760 Speaker 2: football is clearly the appropriate word. I hate to be like, no, 148 00:07:18,840 --> 00:07:21,800 Speaker 2: it's Barcelona, but like, I hate to be that way, 149 00:07:21,920 --> 00:07:25,200 Speaker 2: but football is clearly the right word for the game 150 00:07:25,480 --> 00:07:27,840 Speaker 2: that the entire rest of the world plays, where you 151 00:07:27,920 --> 00:07:29,160 Speaker 2: kick the ball with your feet. 152 00:07:29,480 --> 00:07:31,840 Speaker 3: I like the idea that for the rest of this transcript, 153 00:07:31,920 --> 00:07:34,200 Speaker 3: all the words will have extra use in the. 154 00:07:35,920 --> 00:07:41,200 Speaker 2: Yeahs, Yeah, I'm gonna talk about Napoli instead of people. 155 00:07:43,720 --> 00:07:48,520 Speaker 2: But it's football, it's table football, perfect. Fine, How would 156 00:07:48,560 --> 00:07:50,880 Speaker 2: you even make a table football of American football would 157 00:07:50,880 --> 00:07:54,960 Speaker 2: be terrible. So the reason we have table football is 158 00:07:55,000 --> 00:07:57,200 Speaker 2: because of anti fascism, and the reason we have anti 159 00:07:57,240 --> 00:08:01,320 Speaker 2: fascism is because Mussolini went and invented fascism. And unfortunately, 160 00:08:01,960 --> 00:08:03,720 Speaker 2: if we're going to acknowledge all the shit that the 161 00:08:03,800 --> 00:08:06,920 Speaker 2: left invented, I'm gonna be brutally honest here for a 162 00:08:06,960 --> 00:08:10,800 Speaker 2: second and say that that list includes fascism. Fascism is 163 00:08:10,800 --> 00:08:13,120 Speaker 2: not a left wing ideology. It is not. It has 164 00:08:13,200 --> 00:08:16,840 Speaker 2: always been a right wing ideology. It's just the thing 165 00:08:16,880 --> 00:08:20,480 Speaker 2: that distinguishes fascism from traditional conservatism is that it takes 166 00:08:20,560 --> 00:08:23,960 Speaker 2: revolutionary ideas and strategies from the left and applies it 167 00:08:24,000 --> 00:08:26,600 Speaker 2: to right wing politics. This is what Mussolini was doing. 168 00:08:27,320 --> 00:08:32,200 Speaker 2: And Mussolini was raised a leftist and spent the early 169 00:08:32,240 --> 00:08:35,200 Speaker 2: period of his life a leftist. His parents were involved 170 00:08:35,200 --> 00:08:38,080 Speaker 2: in Italian nationalism, which was a left wing cause, and anarchism, 171 00:08:38,120 --> 00:08:41,920 Speaker 2: which was a left wing cause. Mussolini himself became a socialist. 172 00:08:42,360 --> 00:08:44,960 Speaker 2: I oh, just to warn you, I really like context 173 00:08:44,960 --> 00:08:47,480 Speaker 2: in this show so in order to talk about table soccer, 174 00:08:47,480 --> 00:08:49,439 Speaker 2: I have to talk about the invention of fascism. But 175 00:08:49,559 --> 00:08:51,640 Speaker 2: we'll get to table soccer. Oh no, I said, I'd 176 00:08:51,640 --> 00:08:52,280 Speaker 2: call it football. 177 00:08:52,320 --> 00:08:55,480 Speaker 1: Fuck already, fucking it up, magpie already. 178 00:08:55,520 --> 00:08:56,320 Speaker 2: I can't do it. 179 00:08:56,720 --> 00:08:58,240 Speaker 1: In America too long. 180 00:08:58,480 --> 00:09:01,440 Speaker 2: I know, I know, it's like born here or something. 181 00:09:03,840 --> 00:09:09,680 Speaker 2: And so Mussolini was a socialist for a long time, 182 00:09:09,960 --> 00:09:12,840 Speaker 2: but he realized he liked all the fiery rhetoric of socialism, 183 00:09:12,840 --> 00:09:14,679 Speaker 2: but he hated all that everyone should take care of 184 00:09:14,760 --> 00:09:17,160 Speaker 2: each other and be nice and equal and all that stuff. 185 00:09:17,559 --> 00:09:20,880 Speaker 2: So he invented fascism. That was the little domino that 186 00:09:20,920 --> 00:09:24,640 Speaker 2: gets pushed over to the big important domino of foosball 187 00:09:25,120 --> 00:09:27,320 Speaker 2: at the end of the chain. Right, that's the main 188 00:09:27,640 --> 00:09:31,640 Speaker 2: thing that happened with fascism because one guy who liked 189 00:09:31,679 --> 00:09:35,880 Speaker 2: fascism and was a dictator of Spain was named Francisco Franco. 190 00:09:36,840 --> 00:09:39,840 Speaker 2: And it's worth knowing that if you name your kid 191 00:09:39,920 --> 00:09:42,679 Speaker 2: Francisco Franco, I just why would you give your kid 192 00:09:42,720 --> 00:09:44,720 Speaker 2: the same name twice? Why would you name your kid 193 00:09:44,760 --> 00:09:47,719 Speaker 2: John Johnson. I don't know. It just doesn't seem like 194 00:09:47,760 --> 00:09:49,520 Speaker 2: you're setting them up for success. I don't think that 195 00:09:49,600 --> 00:09:52,240 Speaker 2: this is why Franco turned out the way he did. 196 00:09:53,320 --> 00:09:56,320 Speaker 1: But one of the greatest people I knew was named 197 00:09:56,360 --> 00:09:57,280 Speaker 1: Mark Markuson. 198 00:09:58,280 --> 00:10:02,400 Speaker 2: Oh really, yeah, I feel like, what's wrong with your parents? 199 00:10:02,559 --> 00:10:04,840 Speaker 1: I think they named him William, but he went by Mark, 200 00:10:04,960 --> 00:10:07,079 Speaker 1: so it was a self choice. Oh okay, Oh, but 201 00:10:07,240 --> 00:10:09,360 Speaker 1: he was Mark Markerson and he was a wonderful man 202 00:10:09,400 --> 00:10:10,800 Speaker 1: and he was very kind to my father. 203 00:10:11,120 --> 00:10:13,920 Speaker 2: So I guess I am a big believer and you 204 00:10:13,960 --> 00:10:17,000 Speaker 2: can name yourself whatever you want. I am too, So 205 00:10:17,440 --> 00:10:20,720 Speaker 2: all right, I take it back. Franco's problem is that 206 00:10:20,760 --> 00:10:21,520 Speaker 2: he's a fascist. 207 00:10:21,960 --> 00:10:23,120 Speaker 1: Yeah, nothing is. 208 00:10:23,160 --> 00:10:28,160 Speaker 2: The same name. Twice, take it back. You ever heard 209 00:10:28,160 --> 00:10:30,360 Speaker 2: of the Spanish Civil War? This is the trick question 210 00:10:30,440 --> 00:10:30,920 Speaker 2: of the show. 211 00:10:30,960 --> 00:10:34,000 Speaker 3: Basically, tell me, okay, tell me all about it. I'm 212 00:10:34,000 --> 00:10:34,800 Speaker 3: here for all right. 213 00:10:34,960 --> 00:10:37,040 Speaker 2: Spanish Civil War I've covered I have more times on 214 00:10:37,080 --> 00:10:39,760 Speaker 2: this show than I should should have because it's one 215 00:10:39,760 --> 00:10:42,840 Speaker 2: of the most important fascist versus anti fascist fights in history. 216 00:10:42,840 --> 00:10:45,480 Speaker 2: It's like the little precursor to World War Two in 217 00:10:45,520 --> 00:10:49,480 Speaker 2: a lot of ways, and it is remarkably relevant today. 218 00:10:49,559 --> 00:10:52,640 Speaker 2: I'm sad to say the way in which the Spanish 219 00:10:52,640 --> 00:10:55,480 Speaker 2: Civil War played out and the shortest version is that 220 00:10:55,520 --> 00:10:58,400 Speaker 2: Spain had a brand new republic. It had democracy and 221 00:10:58,440 --> 00:11:01,560 Speaker 2: all of that, and the far right wasn't happy about that. 222 00:11:02,000 --> 00:11:06,000 Speaker 2: So this general named John Johnson, sorry Francisco Franco, tried 223 00:11:06,040 --> 00:11:07,760 Speaker 2: to stage a coup and he was like, all right, 224 00:11:07,800 --> 00:11:10,640 Speaker 2: I'm taking over. We can't have all this democracy nonsense. 225 00:11:10,720 --> 00:11:15,280 Speaker 2: I'm in charge now again irrelevant to today, and he lost. 226 00:11:15,400 --> 00:11:19,360 Speaker 2: Franco lost this coup because scrappy militias made out of 227 00:11:19,360 --> 00:11:23,880 Speaker 2: a narcosyndicalists and the local cops basically worked together. No 228 00:11:23,920 --> 00:11:27,560 Speaker 2: one likes to admit that particular team up, and they 229 00:11:27,640 --> 00:11:30,280 Speaker 2: stopped the coup in its tracks. The workers were armed 230 00:11:30,400 --> 00:11:33,280 Speaker 2: and they stopped the coup. It became a long drawn 231 00:11:33,280 --> 00:11:36,439 Speaker 2: out civil war with a revolution nestled inside of it, 232 00:11:37,120 --> 00:11:42,800 Speaker 2: and basically organized labor delayed fascism for years, and I 233 00:11:43,679 --> 00:11:47,400 Speaker 2: think that is a thing worth looking at as we 234 00:11:47,400 --> 00:11:49,880 Speaker 2: look at the modern world. One of the big parts 235 00:11:49,920 --> 00:11:52,599 Speaker 2: of the civil war is that the capital city, Madrid, 236 00:11:53,160 --> 00:11:56,000 Speaker 2: was under siege by fascists for years. This is the 237 00:11:56,040 --> 00:11:59,760 Speaker 2: context that's going to lead to foosball. Madrid is under 238 00:12:00,559 --> 00:12:03,280 Speaker 2: and a bunch of people lived in Madrid, including a 239 00:12:03,400 --> 00:12:09,400 Speaker 2: strange teenaged poet named Alejandro Fistade. His last name, which 240 00:12:09,400 --> 00:12:12,040 Speaker 2: he picked for himself, means the end of the world, 241 00:12:13,360 --> 00:12:15,520 Speaker 2: which is a name that goes hard. He also picked 242 00:12:15,520 --> 00:12:17,640 Speaker 2: it because he's from a town called Finistade, so it 243 00:12:17,679 --> 00:12:20,240 Speaker 2: wasn't like a I'm still here for when people name 244 00:12:20,280 --> 00:12:21,160 Speaker 2: themselves the end of the. 245 00:12:21,080 --> 00:12:22,400 Speaker 3: World, right right. 246 00:12:24,000 --> 00:12:27,319 Speaker 2: Alejandro was an anarchist communist. He was also a businessman. 247 00:12:27,440 --> 00:12:29,599 Speaker 2: He was an inventor. He was an adventurer. He was 248 00:12:29,600 --> 00:12:33,880 Speaker 2: an anti fascist spy. He was an exile. He was 249 00:12:33,880 --> 00:12:38,280 Speaker 2: a hijacker. He was the emperor of poetry publishing according 250 00:12:38,320 --> 00:12:39,880 Speaker 2: to a bunch of people by the end of his life. 251 00:12:40,280 --> 00:12:43,439 Speaker 2: And he is just a fucking interesting man. I went 252 00:12:43,480 --> 00:12:45,480 Speaker 2: into this being like, oh, yeah, the guy I'm been 253 00:12:45,480 --> 00:12:47,160 Speaker 2: a table soccer I've like heard him. 254 00:12:47,559 --> 00:12:49,640 Speaker 3: You know, that's unbelievable. 255 00:12:50,000 --> 00:12:52,280 Speaker 2: At some point he's gonna have a monopoly on slot 256 00:12:52,320 --> 00:12:58,360 Speaker 2: machines in a country. But we'll get there. There is 257 00:12:58,400 --> 00:13:01,640 Speaker 2: not a ton about al Jhanna thrown English, and some 258 00:13:01,679 --> 00:13:04,840 Speaker 2: of what is available in English is contradictory, and so 259 00:13:05,280 --> 00:13:08,600 Speaker 2: I'm relying on several article length biographies, like his obituary 260 00:13:08,640 --> 00:13:12,120 Speaker 2: in the Guardian as well as machine translations of various 261 00:13:12,120 --> 00:13:14,800 Speaker 2: Spanish sources, which is not usually what I do. So 262 00:13:14,840 --> 00:13:17,440 Speaker 2: I just kind of want to admit that there's gonna 263 00:13:17,440 --> 00:13:20,240 Speaker 2: be some machine translated sources, and those sources that people 264 00:13:20,280 --> 00:13:22,720 Speaker 2: can look at, well, they don't have to look at 265 00:13:22,760 --> 00:13:25,160 Speaker 2: the machine translations. That if you speak Spanish better than 266 00:13:25,160 --> 00:13:27,559 Speaker 2: I do, you can just read it. But this is 267 00:13:27,600 --> 00:13:31,679 Speaker 2: the best I can stitch together about this interesting man's life, 268 00:13:31,920 --> 00:13:35,320 Speaker 2: that every version of it is contradictory to every other version. 269 00:13:36,080 --> 00:13:38,960 Speaker 2: And the first thing that happened in this man's life 270 00:13:39,280 --> 00:13:41,760 Speaker 2: was that he had to go to ads. It happened 271 00:13:43,240 --> 00:13:48,040 Speaker 2: as soon as he was born, just immediately upon being born, 272 00:13:48,200 --> 00:13:51,040 Speaker 2: immediate ad break. He had an ad break, yep, just 273 00:13:51,160 --> 00:13:54,240 Speaker 2: like us. And so in honor of that pivotal moment 274 00:13:54,280 --> 00:13:57,480 Speaker 2: of his life, his baptism as it were, into now, 275 00:13:57,480 --> 00:13:59,240 Speaker 2: this guy wouldn't have been a podcaster. He would have 276 00:13:59,240 --> 00:14:01,520 Speaker 2: been a poetry pot podcaster and no one would have listened. 277 00:14:01,800 --> 00:14:13,400 Speaker 2: So funny, there's probably poetry podcasts anyway, here's ads and Rebecca. 278 00:14:13,640 --> 00:14:19,000 Speaker 2: Alejandro was born Alejandro Campas Ramirez on May sixth, nineteen nineteen. 279 00:14:19,520 --> 00:14:21,600 Speaker 2: He was one of ten kids, which is to say 280 00:14:21,640 --> 00:14:24,840 Speaker 2: that Spain is a Catholic country, and he was raised 281 00:14:24,880 --> 00:14:27,480 Speaker 2: by a lighthouse keeper in Galicia, which is in the 282 00:14:27,520 --> 00:14:31,600 Speaker 2: northwest of Spain, up there above Portugal. The lighthouse was 283 00:14:31,640 --> 00:14:35,000 Speaker 2: in a town called Finnistade the end of the World, 284 00:14:35,400 --> 00:14:37,600 Speaker 2: and his family was apparently well to do. His father 285 00:14:37,720 --> 00:14:40,120 Speaker 2: was a radio operator for the lighthouse, and it was 286 00:14:40,160 --> 00:14:43,840 Speaker 2: like this like hard to get job. His father, the 287 00:14:43,920 --> 00:14:47,640 Speaker 2: lighthouse keeper, decided to become a shoemaker. Also, maybe he 288 00:14:47,720 --> 00:14:50,880 Speaker 2: comes from a long line of shoemakers, but some of 289 00:14:50,920 --> 00:14:53,440 Speaker 2: the articles are literally like, we don't understand how this 290 00:14:53,480 --> 00:14:57,520 Speaker 2: can be true. Anyway, whatever, he's a shoemaker and a 291 00:14:57,600 --> 00:15:01,200 Speaker 2: lighthouse keeper and a radio operator and they move into 292 00:15:01,200 --> 00:15:04,560 Speaker 2: the city when Alejandro's five. His father, I believe, is 293 00:15:04,600 --> 00:15:08,280 Speaker 2: fairly conservative and once turned his kid in to the 294 00:15:08,320 --> 00:15:11,960 Speaker 2: police for stealing a gold bracelet. I can't imagine turning 295 00:15:11,960 --> 00:15:12,920 Speaker 2: my kid into the police. 296 00:15:12,920 --> 00:15:15,720 Speaker 3: But also I know that feels traumatizing. 297 00:15:15,840 --> 00:15:18,280 Speaker 2: I know watching this kid turns out fine, So I'm like, 298 00:15:18,280 --> 00:15:20,560 Speaker 2: it doesn't you know this was like a Mastard's episode. 299 00:15:20,600 --> 00:15:22,160 Speaker 2: You'd be like, and that's where it all went. No, like, 300 00:15:22,240 --> 00:15:26,760 Speaker 2: it turns out great. When Alejandro is fifteen, he went 301 00:15:26,800 --> 00:15:29,280 Speaker 2: to Madrid to study basically the equivalent of high school, 302 00:15:29,840 --> 00:15:34,200 Speaker 2: but his father's business goes bankrupt. The shoemaking shoes aren't shoemaking, 303 00:15:34,680 --> 00:15:37,040 Speaker 2: and in order to stay in school, he has to 304 00:15:37,040 --> 00:15:40,080 Speaker 2: start working as a teacher's assistant in the school, he's 305 00:15:40,080 --> 00:15:43,320 Speaker 2: like grading younger kid's papers. He also works as a bricklayer. 306 00:15:43,400 --> 00:15:46,600 Speaker 2: He works as a type setter and a tap dancer. 307 00:15:46,880 --> 00:15:49,080 Speaker 2: Because I didn't even mention that this man is going 308 00:15:49,160 --> 00:15:51,560 Speaker 2: to write ballets and do ballet. 309 00:15:51,280 --> 00:15:52,440 Speaker 1: It's amazing. 310 00:15:53,200 --> 00:15:55,840 Speaker 2: This man is one of the most jack of ball. 311 00:15:56,640 --> 00:15:58,520 Speaker 2: I think a lot of inventors are jack of all trades. 312 00:15:58,520 --> 00:15:59,920 Speaker 2: If you're a jack of all trades, are stuck being 313 00:16:00,000 --> 00:16:02,920 Speaker 2: a writer, a podcast or an inventor. I think the 314 00:16:02,960 --> 00:16:04,520 Speaker 2: other thing he does for money is he starts a 315 00:16:04,560 --> 00:16:08,560 Speaker 2: literary journal and sells copies of poetry magazines, which I'm 316 00:16:08,920 --> 00:16:11,000 Speaker 2: you know, honestly, that probably actually was better business one 317 00:16:11,040 --> 00:16:14,200 Speaker 2: hundred years ago. He starts a literary journal alongside this 318 00:16:14,440 --> 00:16:16,960 Speaker 2: major literary figure in Spain who is not yet a 319 00:16:16,960 --> 00:16:19,960 Speaker 2: major literary figure in Spain, and an anarchist named Leon 320 00:16:20,040 --> 00:16:23,080 Speaker 2: Felipe and another friend, and they're selling copies of a 321 00:16:23,120 --> 00:16:27,360 Speaker 2: paper called Paso a la Juventud Step to Youth, and 322 00:16:27,400 --> 00:16:30,560 Speaker 2: I think it's I actually can't figure out what it means. 323 00:16:30,680 --> 00:16:33,120 Speaker 2: I tried several times to figure out exactly what they 324 00:16:33,160 --> 00:16:35,720 Speaker 2: mean by that, but it's a paper like a like, hey, 325 00:16:35,760 --> 00:16:38,760 Speaker 2: step up, let's be radicals. He's part of this radical, 326 00:16:39,440 --> 00:16:43,160 Speaker 2: you know, art movement that's going on, and he's mostly 327 00:16:43,200 --> 00:16:46,040 Speaker 2: remembered for inventing table soccer. But his own recollection of 328 00:16:46,080 --> 00:16:49,360 Speaker 2: his life is about poetry, and it's actually not about 329 00:16:49,400 --> 00:16:52,480 Speaker 2: his own poetry. He's very like I'm a mediocre poet. 330 00:16:52,640 --> 00:16:56,320 Speaker 2: He's really into promoting other people's poetry. And then the 331 00:16:56,360 --> 00:17:00,520 Speaker 2: war breaks out, that whole coup thing, right, and he's 332 00:17:00,720 --> 00:17:03,520 Speaker 2: and he's living in Madrid and the fascists are trying 333 00:17:03,520 --> 00:17:06,640 Speaker 2: to seize Madrid. It's the capital, it's the place to seize. 334 00:17:08,160 --> 00:17:11,880 Speaker 2: And the fascists have tens of thousands of trained armed soldiers, 335 00:17:11,960 --> 00:17:15,320 Speaker 2: mostly from the colonies, and they've got Nazi tank units 336 00:17:15,359 --> 00:17:18,000 Speaker 2: and they've got Nazi bombers and all this shit. And 337 00:17:18,040 --> 00:17:20,640 Speaker 2: the Republicans, the people who want the republic to continue 338 00:17:20,640 --> 00:17:22,600 Speaker 2: with democracy and all of that. I love the Spanish 339 00:17:22,600 --> 00:17:25,040 Speaker 2: Civil War because literally every definition is just like the 340 00:17:25,040 --> 00:17:29,000 Speaker 2: opposite of you know, the Republicans are the leftists. The 341 00:17:29,080 --> 00:17:32,160 Speaker 2: Republicans holding the city have the numerical advantage, but it's 342 00:17:32,200 --> 00:17:35,800 Speaker 2: mostly cops and labor unions, and they're mostly armed with rifles, 343 00:17:36,600 --> 00:17:39,359 Speaker 2: and the labor unions are mostly anarchists. They're in the 344 00:17:39,359 --> 00:17:43,960 Speaker 2: CNT and they only got armed very very recently because 345 00:17:44,000 --> 00:17:46,240 Speaker 2: the government for some weird reason didn't want to give 346 00:17:46,240 --> 00:17:51,159 Speaker 2: out tens of thousands of rifles to anarchists. This is 347 00:17:51,200 --> 00:17:58,920 Speaker 2: the weirdest war. I can't find confirmation that Alejandro was 348 00:17:58,960 --> 00:18:03,360 Speaker 2: part of the fighting. Everything about the story always implies 349 00:18:03,400 --> 00:18:06,359 Speaker 2: that he was, and everything about his personality and his 350 00:18:06,440 --> 00:18:09,840 Speaker 2: actions I believe he was. He was only seventeen, so 351 00:18:09,880 --> 00:18:15,280 Speaker 2: who knows. The fighting when they try to take Madrid, 352 00:18:15,400 --> 00:18:17,399 Speaker 2: it's later going to be a long drawn out siege, 353 00:18:17,440 --> 00:18:19,520 Speaker 2: but when they just like try to storm and take it. 354 00:18:19,760 --> 00:18:22,240 Speaker 2: The fighting goes on for eleven days in November nineteen 355 00:18:22,320 --> 00:18:27,520 Speaker 2: thirty six, from November eighth to November nineteenth. And this 356 00:18:27,600 --> 00:18:31,760 Speaker 2: is some of the most cinematic dramatic war fighting I've 357 00:18:31,760 --> 00:18:35,679 Speaker 2: ever heard about. You have well trained soldiers being driven 358 00:18:35,760 --> 00:18:38,800 Speaker 2: back by this scrappy and unlikely coalition that keeps falling 359 00:18:38,840 --> 00:18:43,560 Speaker 2: apart to infighting because it's leftists. At one point, the 360 00:18:43,600 --> 00:18:47,879 Speaker 2: Republican general like all the troops are like failing and 361 00:18:47,880 --> 00:18:50,439 Speaker 2: starting to run away, and the Republican general just like 362 00:18:50,520 --> 00:18:52,520 Speaker 2: walks out with a pistol in his hand and he's like, 363 00:18:52,560 --> 00:18:55,280 Speaker 2: I'm going to stand here and die, you know. And 364 00:18:55,320 --> 00:18:58,800 Speaker 2: so everyone rallies and they push out the Nazis while 365 00:18:58,840 --> 00:19:02,120 Speaker 2: the fascist the Nazis are well, the Nazis are there too, actually, 366 00:19:02,720 --> 00:19:06,560 Speaker 2: and they push them back and they win. Along the way, 367 00:19:07,080 --> 00:19:10,800 Speaker 2: nineteen hundred internationalist forces from all over the world show 368 00:19:10,880 --> 00:19:14,360 Speaker 2: up to boost morale, including plenty of German socialists who 369 00:19:14,359 --> 00:19:16,320 Speaker 2: are like, we don't like the whole Nazi thing. We 370 00:19:16,359 --> 00:19:20,240 Speaker 2: are absolutely here to fight against the Nazis. And you've 371 00:19:20,280 --> 00:19:24,280 Speaker 2: got people from all sorts of countries fighting on both 372 00:19:24,280 --> 00:19:26,800 Speaker 2: sides of this battle. There's like a whole thing that 373 00:19:26,880 --> 00:19:28,760 Speaker 2: doesn't get talked about enough that I want to do 374 00:19:28,840 --> 00:19:31,800 Speaker 2: more about. Where like a lot of the nationalist forces 375 00:19:31,840 --> 00:19:36,000 Speaker 2: were like African forces from the colonies, but then there 376 00:19:36,040 --> 00:19:38,879 Speaker 2: were also like African forces in the Republican side, and 377 00:19:38,920 --> 00:19:40,760 Speaker 2: they don't get talked about as much, and like it's 378 00:19:41,200 --> 00:19:44,359 Speaker 2: it's so messy. This is my no one who's listening 379 00:19:44,400 --> 00:19:48,280 Speaker 2: to surprise by this, this is my like Roman Empire thing. 380 00:19:50,680 --> 00:19:54,080 Speaker 3: I mean, it's fascinating. Why were people so invested from 381 00:19:54,240 --> 00:19:55,040 Speaker 3: the rest of the world. 382 00:19:55,320 --> 00:19:59,679 Speaker 2: Yeah, this was the first war against fascism. So you 383 00:19:59,680 --> 00:20:03,800 Speaker 2: have this where basically everyone expects the Western democracies to 384 00:20:03,880 --> 00:20:07,600 Speaker 2: step up and go fight, right, France, England, the UK, 385 00:20:07,800 --> 00:20:10,880 Speaker 2: Oh sorry France, the UK and America. People are like, oh, well, 386 00:20:10,920 --> 00:20:14,640 Speaker 2: of course, we're not going to let fascism take over, right, 387 00:20:15,119 --> 00:20:18,639 Speaker 2: We're going to defend the republic. And instead the only 388 00:20:18,680 --> 00:20:21,800 Speaker 2: two countries that send material aid are the USSR in 389 00:20:21,840 --> 00:20:26,720 Speaker 2: Mexico and the USSR Stalin. So he does it really 390 00:20:26,760 --> 00:20:30,439 Speaker 2: badly and he tries to control everything. And so you 391 00:20:30,480 --> 00:20:32,920 Speaker 2: have all of these socialists that like, you've just had 392 00:20:32,920 --> 00:20:35,919 Speaker 2: this Popular Front government elected in France, where basically the 393 00:20:36,040 --> 00:20:38,720 Speaker 2: entire left, from liberals to progressives to everyone is like, 394 00:20:39,800 --> 00:20:43,760 Speaker 2: we just don't want fascism, so we will vote It's 395 00:20:43,800 --> 00:20:46,920 Speaker 2: like the blue no matter who, only it's much it's 396 00:20:46,960 --> 00:20:52,080 Speaker 2: not Democrats, you know, it's like much more radical. And 397 00:20:52,160 --> 00:20:55,119 Speaker 2: everyone's like, we're going to stop fascism by whatever means. 398 00:20:55,160 --> 00:20:57,840 Speaker 2: And so we have this popular Front government in France. 399 00:20:57,840 --> 00:20:59,640 Speaker 2: Everyone's like, of course that we're going to go fight, 400 00:21:00,160 --> 00:21:02,840 Speaker 2: and instead what they do is that the Western powers 401 00:21:03,440 --> 00:21:05,760 Speaker 2: put an embargo on Spain where they're like, no one 402 00:21:05,800 --> 00:21:09,840 Speaker 2: can help either side, and that means helping the fascists. 403 00:21:10,480 --> 00:21:15,360 Speaker 2: And everyone was really disappointed. So thousands of people, including 404 00:21:15,400 --> 00:21:18,560 Speaker 2: George Orwell's kind of the most famous English language person. 405 00:21:18,640 --> 00:21:22,680 Speaker 3: Yeah, I remember like driving an ambulance or something, right, or. 406 00:21:22,680 --> 00:21:26,640 Speaker 2: Like Hemingway wrote it, drove an ambulance Hemingway or Well 407 00:21:26,720 --> 00:21:30,960 Speaker 2: through grenades at fascists. It got shot through the neck. Oh, 408 00:21:31,040 --> 00:21:34,040 Speaker 2: him and his wife had to escape Spain because the 409 00:21:34,119 --> 00:21:36,879 Speaker 2: Stalinists were after them in the end. And this is 410 00:21:36,920 --> 00:21:39,879 Speaker 2: part of why this man hated the USSR, is that 411 00:21:39,920 --> 00:21:43,359 Speaker 2: he went to go kill fascists and had to flee 412 00:21:43,800 --> 00:21:44,600 Speaker 2: the communists. 413 00:21:45,400 --> 00:21:46,639 Speaker 3: Yeah, that's crazy. 414 00:21:46,760 --> 00:21:51,119 Speaker 2: Yeah. So when nineteen hundred internationalist forces show up, everyone's like, 415 00:21:51,760 --> 00:21:55,399 Speaker 2: it's not enough troops to change the tide, right, But 416 00:21:55,480 --> 00:21:58,800 Speaker 2: it's like we're not alone, you know, even though we're 417 00:21:58,800 --> 00:22:00,879 Speaker 2: cut off from the rest of the world, you know, 418 00:22:01,080 --> 00:22:04,440 Speaker 2: here we are. And then the last unit to show 419 00:22:04,520 --> 00:22:07,000 Speaker 2: up to try to break this siege was four thousand 420 00:22:07,000 --> 00:22:10,600 Speaker 2: anarchists from the Drudi column. Who is this anarchist general 421 00:22:10,720 --> 00:22:14,679 Speaker 2: and former bank robber Buenaventuida Deruti, And he's killed in 422 00:22:14,720 --> 00:22:18,480 Speaker 2: the fighting, possibly by friendly fire, possibly he was assassinated 423 00:22:18,520 --> 00:22:20,879 Speaker 2: by the communists. People will argue about this until the 424 00:22:20,920 --> 00:22:24,680 Speaker 2: sun devours the earth, and either way is honestly possible. 425 00:22:25,240 --> 00:22:26,919 Speaker 2: So all these people show up to help break the 426 00:22:26,920 --> 00:22:30,400 Speaker 2: siege and they defend the city, and the fascists fail 427 00:22:30,480 --> 00:22:33,240 Speaker 2: to take Madrid, which means that the civil war and 428 00:22:33,280 --> 00:22:35,879 Speaker 2: the anti fascists are right when they come together to 429 00:22:35,880 --> 00:22:39,800 Speaker 2: fight in Spain, because this drags the civil war out 430 00:22:39,840 --> 00:22:43,240 Speaker 2: for years, which means by the time that Franco takes power, 431 00:22:43,800 --> 00:22:45,560 Speaker 2: just as World War two is about to kick off, 432 00:22:46,119 --> 00:22:50,520 Speaker 2: Spain is fucking wrecked by war. So Franco is all 433 00:22:50,600 --> 00:22:52,360 Speaker 2: the incentive in the world to stay the fuck out 434 00:22:52,359 --> 00:22:55,000 Speaker 2: of World War Two. He's like, yeah, I no, I 435 00:22:55,040 --> 00:22:57,040 Speaker 2: get it. I don't want to lose any more than 436 00:22:57,080 --> 00:23:00,439 Speaker 2: I already have, which means, in an indirect way, I 437 00:23:00,520 --> 00:23:03,840 Speaker 2: really like drawing grand conclusions about butterflies flapping their wings 438 00:23:03,840 --> 00:23:07,120 Speaker 2: and then saving the world from fascism. In this indirect way, 439 00:23:07,240 --> 00:23:10,159 Speaker 2: the people who defended Madrid for eleven days in November 440 00:23:10,280 --> 00:23:14,080 Speaker 2: nineteen thirty nine, helped every single one of us who 441 00:23:14,119 --> 00:23:17,000 Speaker 2: isn't living under Nazi control right now. The reason I 442 00:23:17,040 --> 00:23:19,000 Speaker 2: like thinking about that is that I like thinking about 443 00:23:19,040 --> 00:23:21,000 Speaker 2: how we all have this role to play, even if 444 00:23:21,000 --> 00:23:24,480 Speaker 2: it's just like I don't want my town to be 445 00:23:24,560 --> 00:23:28,320 Speaker 2: taken over by fascist forces, which again only happened in 446 00:23:28,359 --> 00:23:30,560 Speaker 2: the nineteen thirties, but like, if it were to happen now, 447 00:23:30,560 --> 00:23:33,560 Speaker 2: it would probably be important for people to prevent that from happening. 448 00:23:34,560 --> 00:23:37,840 Speaker 2: Fights that seem smaller opten much larger than we realize 449 00:23:38,000 --> 00:23:40,080 Speaker 2: is the thing that I like about reading about this 450 00:23:40,160 --> 00:23:40,959 Speaker 2: battle in Madrid. 451 00:23:41,440 --> 00:23:43,800 Speaker 3: I like that too. I like the idea of people's 452 00:23:43,960 --> 00:23:47,879 Speaker 3: fights and struggles like meaning something right, there's something really 453 00:23:47,960 --> 00:23:48,720 Speaker 3: nice about that. 454 00:23:48,720 --> 00:23:51,639 Speaker 2: And you never know what it's going to be, you know, 455 00:23:51,920 --> 00:23:56,160 Speaker 2: you never know, Like every single political struggle that I've 456 00:23:56,160 --> 00:23:57,800 Speaker 2: covered in the show, you have all of these tiny 457 00:23:57,880 --> 00:24:01,760 Speaker 2: little things, and sometimes they're like the thing that matters, 458 00:24:01,800 --> 00:24:06,120 Speaker 2: you know. So the fascist fail to take Madrid, and 459 00:24:06,680 --> 00:24:08,639 Speaker 2: so instead of being like, all right, find whatever, I 460 00:24:08,680 --> 00:24:11,040 Speaker 2: guess you don't want fascism, No, they just bomb the 461 00:24:11,040 --> 00:24:12,679 Speaker 2: shit out of the city. And it's one of the 462 00:24:12,680 --> 00:24:17,640 Speaker 2: first like aerial bombardments of a civilian population in history 463 00:24:18,080 --> 00:24:20,960 Speaker 2: is the bombing of Madrid. I'm willing to bet because 464 00:24:20,960 --> 00:24:23,000 Speaker 2: the thing I read said one of the first. I'm 465 00:24:23,000 --> 00:24:25,760 Speaker 2: willing to bet that that means that probably Western democracies 466 00:24:25,760 --> 00:24:28,639 Speaker 2: did that to colonies before that. That's my assumption, but 467 00:24:28,720 --> 00:24:31,879 Speaker 2: I don't know. And so Nazi planes are dropping bombs 468 00:24:31,920 --> 00:24:34,800 Speaker 2: over every part of the city except the richest neighborhoods 469 00:24:35,520 --> 00:24:39,120 Speaker 2: where more of the fascist sympathizers live, so they don't 470 00:24:39,119 --> 00:24:42,120 Speaker 2: bomb that area, and they bomb everywhere else. And this 471 00:24:42,400 --> 00:24:46,280 Speaker 2: I believe is when our seventeen year old poet who 472 00:24:46,640 --> 00:24:50,840 Speaker 2: tap dances and is trying to go to school, his 473 00:24:50,960 --> 00:24:52,280 Speaker 2: house falls on top of him. 474 00:24:52,640 --> 00:24:54,000 Speaker 1: Oh my god. 475 00:24:54,240 --> 00:24:56,439 Speaker 2: Yeah, it could have been earlier in the fighting, but 476 00:24:56,560 --> 00:24:59,480 Speaker 2: he is crushed by the rubble of his own house. 477 00:25:00,680 --> 00:25:03,320 Speaker 2: And the most likely moment is the four days of bombing. 478 00:25:03,720 --> 00:25:10,040 Speaker 2: He survives a fucking house falling on him, which is impressive, unbelievable. Yeah, yeah, 479 00:25:10,119 --> 00:25:12,080 Speaker 2: I would be seventeen. Again. I don't know. I mean, 480 00:25:12,080 --> 00:25:16,240 Speaker 2: it's also just luck, but like he's very badly wounded 481 00:25:16,680 --> 00:25:20,040 Speaker 2: and he's taken first to I've tried so much to 482 00:25:20,080 --> 00:25:25,080 Speaker 2: figure out how the siege affected getting medical refugees out 483 00:25:25,119 --> 00:25:27,760 Speaker 2: of the city, and I don't know, and I'm frustrated. 484 00:25:27,760 --> 00:25:29,439 Speaker 2: But there's so many books written about this conflict, and 485 00:25:29,440 --> 00:25:31,920 Speaker 2: I've only read so many of them. So he's taken 486 00:25:31,960 --> 00:25:34,280 Speaker 2: it first to Valencia on the coast, and then further 487 00:25:34,440 --> 00:25:37,240 Speaker 2: up into Catalonia, which is the northeastern part of Spain, 488 00:25:37,280 --> 00:25:39,280 Speaker 2: although if you live in Catalonia you're mad that I've 489 00:25:39,280 --> 00:25:41,840 Speaker 2: called it part of Spain, because it does not want 490 00:25:41,880 --> 00:25:45,760 Speaker 2: to be part of Spain. Catalonia is an anarchist hands 491 00:25:45,760 --> 00:25:48,600 Speaker 2: at this point, the CNT the labor unions have taken 492 00:25:48,680 --> 00:25:52,040 Speaker 2: over the region and are trying to run things basically 493 00:25:52,160 --> 00:25:54,520 Speaker 2: from each according to ability, to each according to need, 494 00:25:55,680 --> 00:25:59,159 Speaker 2: and theoretically the decisions are being made democratically from the 495 00:25:59,160 --> 00:26:03,880 Speaker 2: bottom up. There's whatever a revolution. So this is where 496 00:26:03,920 --> 00:26:07,560 Speaker 2: he shows up, and he's now in revolutionary Catalonia, recovering 497 00:26:07,600 --> 00:26:10,360 Speaker 2: in a hospital I believe for wounded children because he's 498 00:26:10,359 --> 00:26:14,920 Speaker 2: seventeen years old, and he looks around and he goes 499 00:26:16,320 --> 00:26:19,040 Speaker 2: all of these kids, they just wish they were out 500 00:26:19,040 --> 00:26:24,520 Speaker 2: playing football and they can't because they're wounded. So he 501 00:26:24,600 --> 00:26:29,919 Speaker 2: invents football in table football. Little guys on rods on 502 00:26:29,960 --> 00:26:32,359 Speaker 2: a table that kick a ball when you spin the rods. 503 00:26:33,119 --> 00:26:34,119 Speaker 3: That is incredible. 504 00:26:34,280 --> 00:26:37,000 Speaker 2: Yeah, he does it within like a month of showing 505 00:26:37,080 --> 00:26:41,240 Speaker 2: up there because he's wounded in November, and by Christmas 506 00:26:41,240 --> 00:26:47,640 Speaker 2: they're all playing fucking foosball together. And there's a bunch 507 00:26:47,680 --> 00:26:50,600 Speaker 2: of different versions of table soccer, and some of them 508 00:26:50,640 --> 00:26:52,720 Speaker 2: came before his, but his is the main one that's 509 00:26:52,720 --> 00:26:56,000 Speaker 2: around today. When he's trying to invent this thing, he 510 00:26:56,000 --> 00:27:00,240 Speaker 2: gets another refugee, a Bosque carpenter named Francisco Javier Altuna, 511 00:27:00,280 --> 00:27:03,919 Speaker 2: to make the table and the figures, and then Alejandro 512 00:27:04,080 --> 00:27:07,320 Speaker 2: patents it at the start of nineteen thirty seven, which yeah, 513 00:27:07,520 --> 00:27:09,720 Speaker 2: means that he's invented it enough to patent it within 514 00:27:10,359 --> 00:27:14,439 Speaker 2: two months of getting his own house. I believe dropped 515 00:27:14,440 --> 00:27:17,959 Speaker 2: on him and it was the local leader of the CNT, 516 00:27:18,320 --> 00:27:21,159 Speaker 2: the labor union who encouraged him to patent it. And 517 00:27:21,240 --> 00:27:23,680 Speaker 2: all the kids who were disabled by war get to 518 00:27:23,680 --> 00:27:27,360 Speaker 2: play football together. And it wasn't even the first thing 519 00:27:27,359 --> 00:27:31,680 Speaker 2: he invented in the hospital. But yeah, so another invention 520 00:27:31,760 --> 00:27:33,080 Speaker 2: that he made a bunch of money off of his 521 00:27:33,240 --> 00:27:36,800 Speaker 2: entire life when he's seventeen, he had a crush on 522 00:27:36,800 --> 00:27:41,600 Speaker 2: one of the nurses named Nuria, and Nuria was a pianist, 523 00:27:41,840 --> 00:27:45,159 Speaker 2: and so he invented the first foot operated page turner 524 00:27:45,200 --> 00:27:47,960 Speaker 2: for sheet music in order to impress her. 525 00:27:52,840 --> 00:27:55,880 Speaker 3: That's amazing, I know, and I. 526 00:27:55,840 --> 00:27:59,800 Speaker 2: Have no idea like that is I want a movie 527 00:28:00,280 --> 00:28:04,959 Speaker 2: this guy so badly, and this is the start of 528 00:28:05,000 --> 00:28:06,560 Speaker 2: his fucking life. 529 00:28:06,800 --> 00:28:10,800 Speaker 3: So it's also insane that, like at seventeen, he's done 530 00:28:10,800 --> 00:28:13,640 Speaker 3: all this stuff right, Like he started a poetry magazine 531 00:28:13,720 --> 00:28:17,160 Speaker 3: or whatever, revolutionary like all these things and. 532 00:28:17,440 --> 00:28:20,560 Speaker 2: Helped save the world from fascism potentially. I actually again 533 00:28:20,680 --> 00:28:22,400 Speaker 2: did not know whether he fought one way or the other. 534 00:28:22,440 --> 00:28:24,480 Speaker 2: But he is going to be fleeing from the fascists 535 00:28:24,480 --> 00:28:26,159 Speaker 2: the rest of his life, so like, well, actually he 536 00:28:26,200 --> 00:28:30,080 Speaker 2: outlives them, which is cool. But Franco wins the war 537 00:28:30,119 --> 00:28:32,720 Speaker 2: in nineteen thirty nine and all the Republicans and the 538 00:28:32,760 --> 00:28:35,080 Speaker 2: anarchists and the communists are forced to flee on foot 539 00:28:35,160 --> 00:28:38,120 Speaker 2: over the Pyrenees Mountains to get to France. We've covered 540 00:28:38,120 --> 00:28:40,000 Speaker 2: this a bunch before on the show. They were all 541 00:28:40,000 --> 00:28:42,880 Speaker 2: put into a French concentration camp before the Nazis took 542 00:28:42,920 --> 00:28:45,800 Speaker 2: over France. Some of them continued to cross back and 543 00:28:45,840 --> 00:28:49,320 Speaker 2: forth into Spain, trying to assassinate Franco and continue the fight. 544 00:28:50,080 --> 00:28:53,680 Speaker 2: Others knuckle down and become partisans fighting against the Nazis. 545 00:28:54,040 --> 00:28:56,959 Speaker 2: It's Spanish anarchists who roll the first tanks into Paris 546 00:28:57,000 --> 00:29:02,040 Speaker 2: to liberate it from the Nazis. Alejandro crosses the mountains 547 00:29:02,080 --> 00:29:04,880 Speaker 2: on foot, despite the fact that his leg never fully healed, 548 00:29:06,160 --> 00:29:07,760 Speaker 2: and one version of the story is he did it 549 00:29:07,760 --> 00:29:09,720 Speaker 2: as soon as Franco took power, and another is that 550 00:29:09,760 --> 00:29:12,800 Speaker 2: he did it years later. And I don't fucking know. 551 00:29:12,880 --> 00:29:16,600 Speaker 2: I think he might have done it multiple times, I whatever. 552 00:29:17,360 --> 00:29:20,120 Speaker 2: While he's crossing the mountains, he says, all I had 553 00:29:20,160 --> 00:29:23,960 Speaker 2: with me was a can of sardines, the patent papers 554 00:29:23,960 --> 00:29:28,480 Speaker 2: on my inventions, and two plays he had written again, 555 00:29:28,720 --> 00:29:32,200 Speaker 2: probably seventeen years old, or he doesn't flee until nineteen 556 00:29:32,240 --> 00:29:37,680 Speaker 2: forty seven. I've read both. In France, he writes ballets, 557 00:29:37,960 --> 00:29:40,960 Speaker 2: most of them are based on Galician folklore. He becomes 558 00:29:41,000 --> 00:29:44,959 Speaker 2: a fairly famous folklorist during his time in France, and 559 00:29:46,280 --> 00:29:47,840 Speaker 2: the story is about what happened to him in the 560 00:29:47,920 --> 00:29:50,800 Speaker 2: nineteen forties. This is the most contradictory part it seems 561 00:29:50,800 --> 00:29:53,040 Speaker 2: that he went to France, he came back because he 562 00:29:53,160 --> 00:29:56,320 Speaker 2: was broke. He was conscripted into the Francoist army in 563 00:29:56,360 --> 00:29:59,360 Speaker 2: the colonies, but he served four years in prison in 564 00:29:59,440 --> 00:30:04,000 Speaker 2: Morocco rather than actually serve in the military. Somewhere along 565 00:30:04,040 --> 00:30:06,480 Speaker 2: the way, he marries a woman, has a kid, The 566 00:30:06,600 --> 00:30:09,360 Speaker 2: kid dies young, and by the end of the nineteen 567 00:30:09,400 --> 00:30:14,600 Speaker 2: forties he's back in Paris. In France, one of his 568 00:30:14,640 --> 00:30:17,400 Speaker 2: old friends from the hospital had sold table soccer to 569 00:30:17,440 --> 00:30:21,800 Speaker 2: a French company. So Alejandro is actually, actually I patented that. 570 00:30:21,800 --> 00:30:24,840 Speaker 2: That's why it's so important that, oh the rain destroyed 571 00:30:24,840 --> 00:30:27,000 Speaker 2: his patent papers. I don't remember if I said that, 572 00:30:27,840 --> 00:30:30,080 Speaker 2: Oh no, that's crazy. So he's crossing and he's like, 573 00:30:30,080 --> 00:30:34,120 Speaker 2: oh the rain destroyed it, or he's a liar. I 574 00:30:34,160 --> 00:30:36,000 Speaker 2: actually believe him about all this shit. 575 00:30:36,880 --> 00:30:40,040 Speaker 1: I kind of love when you're like or maybe. 576 00:30:39,600 --> 00:30:43,360 Speaker 2: Anyway, here's the problem with researching historical men is that, like, 577 00:30:43,400 --> 00:30:44,800 Speaker 2: you get all the way down and then you'll be like, 578 00:30:44,800 --> 00:30:47,960 Speaker 2: wait a second, this man's a liar. But I actually 579 00:30:48,560 --> 00:30:51,680 Speaker 2: I think that this because he wasn't self aggrandizing as 580 00:30:51,680 --> 00:30:52,400 Speaker 2: far as I can tell. 581 00:30:52,560 --> 00:30:56,560 Speaker 1: Can I give a disclaimer it's not just historical men. 582 00:30:57,520 --> 00:31:03,520 Speaker 2: What what? But we've had both feminism and me too. 583 00:31:03,600 --> 00:31:04,240 Speaker 1: Why howdy? 584 00:31:04,720 --> 00:31:09,160 Speaker 2: Oh well that I need some time to think about that. Yeah, 585 00:31:09,280 --> 00:31:12,040 Speaker 2: why don't we listen to ads and then when we 586 00:31:12,120 --> 00:31:20,920 Speaker 2: come back, we'll have solved patriarchy and we're back. All right, 587 00:31:21,280 --> 00:31:24,520 Speaker 2: Everyone have their notes about what's going to destroy patriarchy. Mango, 588 00:31:24,560 --> 00:31:27,320 Speaker 2: you can go first. Oh wait, no, you shouldn't have 589 00:31:27,360 --> 00:31:31,920 Speaker 2: to go first. You shouldn't go first anymore. That's right, Yeah, Sophie. 590 00:31:31,840 --> 00:31:33,600 Speaker 1: That's going to destroy patriarchy. 591 00:31:33,920 --> 00:31:35,880 Speaker 2: Yeah, yeah, we all join the ads. We ought to 592 00:31:36,160 --> 00:31:37,160 Speaker 2: solve this problem. 593 00:31:37,120 --> 00:31:39,720 Speaker 1: For some reason, because we're talking about sport things. The 594 00:31:39,760 --> 00:31:42,040 Speaker 1: first thing that came to my mind was Cocoa golf. 595 00:31:42,720 --> 00:31:45,040 Speaker 1: She's going to destroy patriarchy. You don't know who that is, No, 596 00:31:45,120 --> 00:31:45,400 Speaker 1: I have. 597 00:31:45,360 --> 00:31:48,280 Speaker 2: No idea, but I'm excited that she's going to destroy patriarchy. 598 00:31:48,440 --> 00:31:50,480 Speaker 1: She's a really awesome women's tennis player. 599 00:31:50,880 --> 00:31:53,120 Speaker 3: I think you're right, though, Sophia. I think women's sports 600 00:31:53,200 --> 00:31:56,800 Speaker 3: might be the key. I mean, like watching the liberty here, 601 00:31:57,040 --> 00:32:00,200 Speaker 3: like play, and like the excitement around. I mean we 602 00:32:00,240 --> 00:32:03,400 Speaker 3: were going a couple of years ago before, like tickets 603 00:32:03,400 --> 00:32:06,120 Speaker 3: were as expensive and they only have like the first 604 00:32:06,320 --> 00:32:08,800 Speaker 3: like tier available, and then they left the rest of 605 00:32:08,800 --> 00:32:11,600 Speaker 3: the stadium empty. But like, I never would have imagined that, 606 00:32:11,720 --> 00:32:16,400 Speaker 3: like my son would know all the like women basketball players, 607 00:32:16,440 --> 00:32:21,400 Speaker 3: like you know, and and your favorite. He really loves. 608 00:32:21,920 --> 00:32:24,360 Speaker 3: There's a new I forget what her name is. There's 609 00:32:24,360 --> 00:32:26,960 Speaker 3: like a new point guard that came. He also likes 610 00:32:27,160 --> 00:32:34,360 Speaker 3: Brianna Stewart. Yes, Stuart Stewie is Cloud Natasha Cloud. 611 00:32:34,560 --> 00:32:38,720 Speaker 1: Oh yeah yeah, yeah, like Sabrina. I love Sabrina. 612 00:32:38,920 --> 00:32:39,960 Speaker 3: Yeah, I like Serrina too. 613 00:32:40,160 --> 00:32:40,600 Speaker 1: So cool. 614 00:32:40,960 --> 00:32:45,520 Speaker 2: Yeah. I think that women's sports is the answer, and 615 00:32:45,560 --> 00:32:47,240 Speaker 2: I actually think tennis is a big part of it, 616 00:32:47,280 --> 00:32:50,400 Speaker 2: because isn't there something where like almost all men who 617 00:32:50,560 --> 00:32:53,160 Speaker 2: are surveyed think that they could score a point against 618 00:32:53,200 --> 00:32:57,840 Speaker 2: like the world's best like woman tennis player. Yes, well, 619 00:32:58,160 --> 00:33:03,680 Speaker 2: once they all lose, and then the ones who feel 620 00:33:03,800 --> 00:33:06,000 Speaker 2: really strongly about it, they can do the thing where 621 00:33:06,000 --> 00:33:07,920 Speaker 2: they think that they would win a fight against a bear, 622 00:33:09,400 --> 00:33:11,200 Speaker 2: and maybe all men who think that they would win 623 00:33:11,200 --> 00:33:14,200 Speaker 2: a fight against a bear have the opportunity. And I 624 00:33:14,240 --> 00:33:20,840 Speaker 2: think that would solve a lot of problems issues. I think, yeah, yeah, well, 625 00:33:21,680 --> 00:33:26,680 Speaker 2: I'm glad we solve that. During the ads, there see 626 00:33:26,920 --> 00:33:28,400 Speaker 2: people are like, why do you have ads, and like 627 00:33:28,760 --> 00:33:33,200 Speaker 2: major world issues solved, like my ability to have a 628 00:33:33,200 --> 00:33:38,120 Speaker 2: salary and feed my dog that too. So he gets 629 00:33:38,120 --> 00:33:40,760 Speaker 2: this money not from ad revenue but instead from patent 630 00:33:40,800 --> 00:33:43,320 Speaker 2: revenue from having a mentaled table football, which I tried 631 00:33:43,320 --> 00:33:45,080 Speaker 2: to do, but it turns out someone had already done it. 632 00:33:45,640 --> 00:33:45,960 Speaker 1: Wow. 633 00:33:46,400 --> 00:33:48,480 Speaker 2: He uses the money to move to Ecuador, and then 634 00:33:48,480 --> 00:33:53,080 Speaker 2: he heads to Guatemala and he starts working selling foosball tables. 635 00:33:53,120 --> 00:33:56,000 Speaker 2: He's working with indigenous folks to produce hand card versions 636 00:33:56,040 --> 00:33:58,920 Speaker 2: of the game he improves upon the original design. He 637 00:33:58,960 --> 00:34:02,200 Speaker 2: famously plays table soccer with Jae Gavara a bunch of times. 638 00:34:02,720 --> 00:34:05,320 Speaker 2: He mostly is into publishing a poetry journal. This is 639 00:34:05,440 --> 00:34:07,920 Speaker 2: the main thing he does instead of he's like, yeah, yeah, yeah, 640 00:34:07,960 --> 00:34:11,400 Speaker 2: sometimes I play foosball with Jegavarro. But he publishes a 641 00:34:11,400 --> 00:34:14,320 Speaker 2: poetry journal. Some articles say that it publishes mostly the 642 00:34:14,360 --> 00:34:18,759 Speaker 2: Spanish exiles, but I find another source more believable that 643 00:34:18,800 --> 00:34:20,759 Speaker 2: says that each issue focused on the poets from a 644 00:34:20,760 --> 00:34:24,759 Speaker 2: different country, and that I think maps much more with 645 00:34:25,160 --> 00:34:28,160 Speaker 2: what I understand about him. But he's involved in the 646 00:34:28,200 --> 00:34:33,320 Speaker 2: Republican diaspora from Spain. More directly because so many people 647 00:34:33,360 --> 00:34:35,720 Speaker 2: had to leave Spain. Franco had said, I am willing 648 00:34:35,760 --> 00:34:38,680 Speaker 2: to kill half of Spain to rule the other half. Wow, 649 00:34:39,480 --> 00:34:41,200 Speaker 2: which means that if you're the half, you gotta get 650 00:34:41,239 --> 00:34:46,120 Speaker 2: the fuck out of there. In the early fifties, Guatemala 651 00:34:46,160 --> 00:34:48,840 Speaker 2: was one of the countries that recognized the Spanish Republic 652 00:34:49,080 --> 00:34:51,719 Speaker 2: as the legitimate government in Spain, so they had an 653 00:34:51,760 --> 00:34:55,200 Speaker 2: ambassador still from the Spanish Republic, and at one point 654 00:34:55,280 --> 00:34:58,560 Speaker 2: Alejandro is like doing spy shit, transporting papers for him 655 00:34:58,600 --> 00:35:03,520 Speaker 2: to Mexico along the way. He's also apparently a businessman 656 00:35:04,040 --> 00:35:07,960 Speaker 2: who makes slot machines and is about to bid successfully 657 00:35:08,160 --> 00:35:13,280 Speaker 2: on the state monopoly on slot machines for the country. 658 00:35:16,520 --> 00:35:21,160 Speaker 2: So he's just such a like he's this total lefty, 659 00:35:21,239 --> 00:35:24,920 Speaker 2: but he's also this like go getter, like entrepreneur asshole. 660 00:35:25,040 --> 00:35:26,759 Speaker 2: I love him. I love him so much. 661 00:35:27,880 --> 00:35:29,919 Speaker 3: I know because you had me thinking he just has 662 00:35:29,960 --> 00:35:33,920 Speaker 3: his like heading the clouds when he's not playing table football, 663 00:35:34,000 --> 00:35:36,239 Speaker 3: he's like dreaming poetry and just. 664 00:35:36,440 --> 00:35:40,960 Speaker 2: No, this man's a steamer that he's scheming completely. Yeah, 665 00:35:41,000 --> 00:35:43,080 Speaker 2: And part of his scheming is how do I spy 666 00:35:43,480 --> 00:35:45,920 Speaker 2: for the Republic against the Francoists, and part of it 667 00:35:45,960 --> 00:35:51,040 Speaker 2: is like, all right, slot machines, let's go that's amazing. 668 00:35:51,120 --> 00:35:52,839 Speaker 2: Oh that would have been where I should have done 669 00:35:52,840 --> 00:35:55,439 Speaker 2: my ad. Oh well, so it goes. 670 00:35:56,080 --> 00:35:57,880 Speaker 1: I just really I just really want every time you 671 00:35:57,920 --> 00:35:59,719 Speaker 1: say slot machine for there to be like a. 672 00:36:03,040 --> 00:36:03,640 Speaker 2: Can you add that? 673 00:36:03,680 --> 00:36:06,839 Speaker 1: Can we have like a magpie coaching sound effect? Yeah, 674 00:36:06,880 --> 00:36:13,239 Speaker 1: it just seems so funny to me slot machine. 675 00:36:13,640 --> 00:36:16,359 Speaker 2: The CIA is in the US at the time, well, 676 00:36:16,360 --> 00:36:18,399 Speaker 2: they were kind of everywhere, and they're rubbing its hands. 677 00:36:18,400 --> 00:36:20,279 Speaker 2: It's rubbing its hands together, and it's like, I wonder 678 00:36:20,280 --> 00:36:23,480 Speaker 2: if we could overthrow democracy in Guatemala and institute a 679 00:36:23,560 --> 00:36:27,320 Speaker 2: right wing dictator, And unfortunately the answer to that question 680 00:36:27,440 --> 00:36:30,759 Speaker 2: was yes. In nineteen fifty four, there was a coup, 681 00:36:31,239 --> 00:36:34,799 Speaker 2: which means that Alejandro is on fascist takeover of a 682 00:36:34,800 --> 00:36:39,160 Speaker 2: country at least number three in his life, possibly more, 683 00:36:39,760 --> 00:36:42,520 Speaker 2: but at least three countries he has lived in have 684 00:36:42,800 --> 00:36:47,839 Speaker 2: fallen to the far right Spain, France, and Guatemala, and 685 00:36:47,880 --> 00:36:52,120 Speaker 2: Francoists decide to kidnap him, and most sources say this 686 00:36:52,160 --> 00:36:54,279 Speaker 2: is because he was working for the Republican government as 687 00:36:54,320 --> 00:36:57,399 Speaker 2: a spy. But I found one source that was like nah. 688 00:36:57,440 --> 00:37:03,360 Speaker 2: They wanted that slot machine money, and it was just 689 00:37:03,520 --> 00:37:05,359 Speaker 2: like the way to get rid of him was like 690 00:37:05,480 --> 00:37:09,239 Speaker 2: turn him into the francoists. And so they try to 691 00:37:09,320 --> 00:37:11,800 Speaker 2: kidnap him and they fail, and then they try to 692 00:37:11,880 --> 00:37:16,080 Speaker 2: kidnap him again and they succeed the second time. So 693 00:37:16,120 --> 00:37:19,160 Speaker 2: they have him on a plane to Spain and he's like, fuck, fuck, 694 00:37:19,200 --> 00:37:21,080 Speaker 2: fuck if I go back to Spain, Franco's just like 695 00:37:21,200 --> 00:37:24,400 Speaker 2: killing people left and right. Well, no left, he's killing 696 00:37:24,440 --> 00:37:30,239 Speaker 2: people to the left. And so Alejandro goes into the 697 00:37:30,280 --> 00:37:34,120 Speaker 2: bathroom of the plane, takes a bar of soap, wraps 698 00:37:34,160 --> 00:37:37,480 Speaker 2: it in tinfoil, comes back out and it's like, I 699 00:37:37,520 --> 00:37:40,399 Speaker 2: have a bomb. I'm going to kill all of us 700 00:37:40,520 --> 00:37:43,200 Speaker 2: if you take me back to Spain. I'm a refugee. 701 00:37:43,520 --> 00:37:47,399 Speaker 2: I'm being kidnapped. And the people on the plane are like, well, 702 00:37:48,440 --> 00:37:50,839 Speaker 2: we like you and we don't want to blow up, 703 00:37:51,280 --> 00:37:55,400 Speaker 2: So that sounds fine, and apparently it's a fairly peaceful hijacking. 704 00:37:55,440 --> 00:37:57,719 Speaker 2: They land the plane in Panama and let him out. 705 00:37:58,280 --> 00:38:05,400 Speaker 2: What he doesn't go to Spain. He foils the kidnapping attempt. 706 00:38:05,960 --> 00:38:13,759 Speaker 2: That foils this is like some fucking Dillinger carving a 707 00:38:13,800 --> 00:38:18,040 Speaker 2: gun out of soap bullshit. It's like literally even involved soap, 708 00:38:22,120 --> 00:38:25,360 Speaker 2: and Okay, one thing that's annoying is that this is 709 00:38:25,360 --> 00:38:27,120 Speaker 2: not his fault. This is the way the history is written. 710 00:38:27,680 --> 00:38:30,040 Speaker 2: I think he's still married and she's like in these 711 00:38:30,040 --> 00:38:33,359 Speaker 2: countries with him too, and I don't know. I think 712 00:38:33,400 --> 00:38:37,680 Speaker 2: he walks to Mexico. It was phrased marches to Mexico. 713 00:38:38,040 --> 00:38:40,600 Speaker 2: I suspect he might have gotten on a bus or something. 714 00:38:41,840 --> 00:38:43,920 Speaker 2: And I believe his wife meets him there. But again, 715 00:38:44,320 --> 00:38:47,919 Speaker 2: his personal life not covered so much. So he moves 716 00:38:47,960 --> 00:38:51,840 Speaker 2: to Mexico and he hooks back up with the poet 717 00:38:51,920 --> 00:38:55,719 Speaker 2: Leon Filippe, whose old mentor, and when Felipe dies and 718 00:38:55,800 --> 00:38:59,480 Speaker 2: I think the sixties, Alejandro becomes his literary executor of 719 00:38:59,480 --> 00:39:03,680 Speaker 2: this like fame miss Spanish poet. Alejandro writes some poetry, 720 00:39:03,719 --> 00:39:05,560 Speaker 2: but he doesn't see himself as a poet. He's a 721 00:39:05,560 --> 00:39:09,400 Speaker 2: publisher and a person who makes poetry happen. He wrote quote, 722 00:39:09,800 --> 00:39:14,759 Speaker 2: I published what was forgotten by commercial publishers. And he 723 00:39:14,920 --> 00:39:17,840 Speaker 2: visits Spain here and there during the Franco years. I 724 00:39:17,840 --> 00:39:19,880 Speaker 2: think at some point it becomes kind of safe for 725 00:39:19,960 --> 00:39:22,960 Speaker 2: him to go there, but not to stay there. But 726 00:39:23,920 --> 00:39:26,360 Speaker 2: since he publishes a lot of shit, like he specifically 727 00:39:26,400 --> 00:39:28,560 Speaker 2: published a bunch of shit that called Franco a toad. 728 00:39:29,360 --> 00:39:31,440 Speaker 2: He gets arrested when he goes back to Spain at 729 00:39:31,440 --> 00:39:33,880 Speaker 2: one point, and he gets arrested and he gets sentenced 730 00:39:33,920 --> 00:39:35,880 Speaker 2: to a year in prison for the shit he's writing 731 00:39:35,880 --> 00:39:43,680 Speaker 2: against Franco. But this man is so lucky. Franco dies 732 00:39:44,719 --> 00:39:48,680 Speaker 2: and Alejandro serves five days of his sentence before Franco 733 00:39:48,800 --> 00:39:55,399 Speaker 2: dies and he's released. Oh wow, incredible, Yeah, that is unbelievable. 734 00:39:56,239 --> 00:39:57,719 Speaker 3: Yeah. 735 00:39:57,760 --> 00:40:00,000 Speaker 2: So he moves back to Spain after half a century 736 00:40:00,200 --> 00:40:03,240 Speaker 2: mostly exile, and lives out the rest of his days 737 00:40:03,320 --> 00:40:08,160 Speaker 2: outliving the fucking fascists and may we all outlive them. 738 00:40:08,360 --> 00:40:10,400 Speaker 2: He marries a second time, I do not know what 739 00:40:10,440 --> 00:40:13,920 Speaker 2: happened to his first wife, and he spends the rest 740 00:40:13,960 --> 00:40:16,640 Speaker 2: of his days going back and forth between Spain and Mexico. 741 00:40:17,360 --> 00:40:19,839 Speaker 2: He lives to the age of eighty seven. He died 742 00:40:19,880 --> 00:40:23,319 Speaker 2: on February ninth, two thousand and seven, and one of 743 00:40:23,320 --> 00:40:27,160 Speaker 2: the last things he wrote was I believe in progress. 744 00:40:27,560 --> 00:40:31,200 Speaker 2: There is a human drive towards happiness, peace, justice and love, 745 00:40:31,680 --> 00:40:35,480 Speaker 2: and that world will one day arrive. And that's Alejandro 746 00:40:36,600 --> 00:40:37,000 Speaker 2: that is. 747 00:40:36,920 --> 00:40:39,280 Speaker 3: An incredible story, an incredible life. 748 00:40:39,719 --> 00:40:42,920 Speaker 2: I know when he's seventeen, he invented foosball, and that's 749 00:40:42,960 --> 00:40:47,400 Speaker 2: the only I'd be almost annoyed at seventeen, You're like, 750 00:40:47,600 --> 00:40:49,080 Speaker 2: it's like being a one hit wonder. 751 00:40:49,400 --> 00:40:51,680 Speaker 1: Yeah, what a cool weird little guy. 752 00:40:52,320 --> 00:40:55,239 Speaker 2: Yeah yeah, yeah, he's the inverse of weird little guy. 753 00:40:55,320 --> 00:40:59,239 Speaker 1: Yeah he's a cool weird little guy. Yeah, I'm a fan. 754 00:41:00,400 --> 00:41:03,359 Speaker 2: And yeah, and on Wednesday, I will tell you about 755 00:41:03,400 --> 00:41:07,160 Speaker 2: the socialist hippie from the eighteen hundreds who revolutionized photography, 756 00:41:07,200 --> 00:41:09,480 Speaker 2: was obsessed with hot air balloons, showed the world its 757 00:41:09,520 --> 00:41:12,719 Speaker 2: first aerial photograph, an invented airmail. 758 00:41:14,040 --> 00:41:15,200 Speaker 1: Okay, brag. 759 00:41:18,280 --> 00:41:20,520 Speaker 3: I really really loved the story though. It made me 760 00:41:20,600 --> 00:41:21,120 Speaker 3: so happy. 761 00:41:22,320 --> 00:41:23,440 Speaker 2: Also, like the taft. 762 00:41:23,320 --> 00:41:31,520 Speaker 3: Dancing, it's insane writing ballets, folklorists. Who also is into 763 00:41:31,880 --> 00:41:34,760 Speaker 3: slot machines, Like, just unbelievable. 764 00:41:34,600 --> 00:41:36,400 Speaker 1: Macpie, what have you invented? 765 00:41:38,040 --> 00:41:39,720 Speaker 2: Nothing to this scale? 766 00:41:40,000 --> 00:41:43,520 Speaker 1: That's true, Mango? Did you invent something? 767 00:41:46,000 --> 00:41:50,120 Speaker 3: As a kid, I tried to invent a heated driveway 768 00:41:50,239 --> 00:41:51,480 Speaker 3: so that I wouldn't have to shovel. 769 00:41:52,280 --> 00:41:55,880 Speaker 2: Oh shit, yes, how'd you do it? 770 00:41:54,400 --> 00:42:01,080 Speaker 3: It was more theoretical, Yeah, I couldn't actually figure out 771 00:42:01,120 --> 00:42:01,759 Speaker 3: how to make it work. 772 00:42:01,920 --> 00:42:05,880 Speaker 1: Yeah, the only thing I invented relates to podcasting. And 773 00:42:05,920 --> 00:42:07,719 Speaker 1: it's not that interesting when you. 774 00:42:07,760 --> 00:42:09,880 Speaker 2: Invant relates to podcasting the podcast. 775 00:42:10,239 --> 00:42:12,800 Speaker 1: No, I invented all these different ways to like import 776 00:42:12,800 --> 00:42:16,360 Speaker 1: from feed to feed and like create like many miniature 777 00:42:16,400 --> 00:42:19,160 Speaker 1: playlists for things, so that downloads go to one thing 778 00:42:19,239 --> 00:42:22,080 Speaker 1: and count to other things. And it's not that interesting, 779 00:42:22,160 --> 00:42:26,400 Speaker 1: but it's helped me in my career and my friends shows. 780 00:42:26,600 --> 00:42:29,120 Speaker 2: I mean, that's the thing about like most inventions is 781 00:42:29,160 --> 00:42:32,800 Speaker 2: most inventions are like specific niche needs that only affect 782 00:42:32,840 --> 00:42:33,680 Speaker 2: like one industry. 783 00:42:33,800 --> 00:42:36,600 Speaker 1: Yeah, you know how if you listen to Cool Zone 784 00:42:36,640 --> 00:42:38,319 Speaker 1: Media book Club, you can listen to it and they 785 00:42:38,320 --> 00:42:40,440 Speaker 1: could have to hear feed or the cool People Feed. 786 00:42:40,840 --> 00:42:43,799 Speaker 1: You're welcome, Thank you. That was me. 787 00:42:44,880 --> 00:42:49,000 Speaker 2: Okay, well you got anything you want to plug here 788 00:42:49,000 --> 00:42:49,439 Speaker 2: at the end. 789 00:42:50,040 --> 00:42:52,239 Speaker 3: Yeah. Part Time Genius is the show I do, and 790 00:42:52,280 --> 00:42:54,239 Speaker 3: I really love it, and I feel like it has 791 00:42:54,280 --> 00:42:56,839 Speaker 3: some of the similar spirit of finding people who are 792 00:42:56,840 --> 00:43:00,200 Speaker 3: just fascinating and crazy and wonderful and so I and 793 00:43:00,400 --> 00:43:02,480 Speaker 3: this felt very akin to my sensibilities. 794 00:43:02,480 --> 00:43:05,000 Speaker 1: Oh yeah, and I really like your co host. 795 00:43:05,520 --> 00:43:08,920 Speaker 3: Yeah, I co host it with my friend Will who 796 00:43:09,080 --> 00:43:12,600 Speaker 3: used to live next to me in college, in the 797 00:43:12,680 --> 00:43:15,040 Speaker 3: room next to me through college, and we co founded 798 00:43:15,120 --> 00:43:17,040 Speaker 3: Mental Flaws together, and we still get to make a 799 00:43:17,040 --> 00:43:18,360 Speaker 3: show together, which is pretty awesome. 800 00:43:19,000 --> 00:43:20,800 Speaker 1: He's also he's also my boss. 801 00:43:21,760 --> 00:43:25,919 Speaker 2: It's like a cool version of the like the thing 802 00:43:25,960 --> 00:43:29,160 Speaker 2: that you do when you're young actually sets up like 803 00:43:29,600 --> 00:43:30,560 Speaker 2: the rest of your life. 804 00:43:30,800 --> 00:43:31,719 Speaker 1: Yeah you know. 805 00:43:31,880 --> 00:43:33,719 Speaker 3: Yeah cool, Yeah, it's pretty fun. 806 00:43:34,560 --> 00:43:38,040 Speaker 2: Well, why do I have to plug? Listen to Weird 807 00:43:38,080 --> 00:43:41,719 Speaker 2: Little Guys? It's a podcast that's like the inverse of 808 00:43:41,719 --> 00:43:44,680 Speaker 2: this one. There's only one podcast that's in verse of 809 00:43:44,719 --> 00:43:46,640 Speaker 2: this one. It's Weird Little Guys. I can't think of 810 00:43:46,680 --> 00:43:47,520 Speaker 2: any others. 811 00:43:47,360 --> 00:43:49,880 Speaker 1: No, no idea. 812 00:43:50,840 --> 00:43:52,840 Speaker 2: It's funny to make that joke. I don't know. 813 00:43:52,880 --> 00:43:54,040 Speaker 1: Why can I plug a thing? 814 00:43:54,560 --> 00:43:55,200 Speaker 2: Yeah? 815 00:43:55,320 --> 00:43:58,560 Speaker 1: Yeah, I wanted to plug Sean Mahlan's book, The Podcast Pantheon, 816 00:43:58,600 --> 00:44:00,759 Speaker 1: which is available for pre order now, one hundred and 817 00:44:00,840 --> 00:44:03,200 Speaker 1: one podcast that change. Shall we listen? It's a feel 818 00:44:03,239 --> 00:44:06,440 Speaker 1: proprietor now. It's out in September. Where we get books 819 00:44:06,480 --> 00:44:07,759 Speaker 1: behind the Bastards, isn't it? 820 00:44:07,960 --> 00:44:09,520 Speaker 2: I was about to ask if any cool zone got 821 00:44:09,520 --> 00:44:09,839 Speaker 2: into it? 822 00:44:09,880 --> 00:44:10,399 Speaker 3: Fuck you? Yeah? 823 00:44:10,520 --> 00:44:14,320 Speaker 1: Yeah. He wrote nice things, which I appreciate. But yeah, 824 00:44:13,760 --> 00:44:16,600 Speaker 1: it's this is really a cool book. Cool book, and 825 00:44:16,640 --> 00:44:19,480 Speaker 1: it like is like, you know, a book so I 826 00:44:19,480 --> 00:44:22,319 Speaker 1: can show my friends and family that, yes, my job real, 827 00:44:23,440 --> 00:44:24,640 Speaker 1: I'm my job real. 828 00:44:25,400 --> 00:44:28,879 Speaker 2: Isn't it funny that like the number of people who 829 00:44:28,880 --> 00:44:31,080 Speaker 2: are going to no offense to that book, the number 830 00:44:31,080 --> 00:44:33,360 Speaker 2: of people are going to read that book, yeah, versus 831 00:44:33,400 --> 00:44:36,680 Speaker 2: listen to the podcast in that book. Like, but books 832 00:44:36,719 --> 00:44:39,800 Speaker 2: are so meaningful, Like the fact that I have books 833 00:44:39,800 --> 00:44:44,000 Speaker 2: out is like the anchor of my like credibility. It 834 00:44:44,080 --> 00:44:46,080 Speaker 2: is not the majority of the people who I mean, 835 00:44:46,120 --> 00:44:48,560 Speaker 2: everyone reads my books. I'm the most best selling author. 836 00:44:48,640 --> 00:44:50,439 Speaker 1: Yeah, you are the world. Well here's the thing. Here's 837 00:44:50,440 --> 00:44:52,920 Speaker 1: the thing. The one time, this is before the pandemic, 838 00:44:52,960 --> 00:44:55,000 Speaker 1: that my brother and his wife, my brother the doctor, 839 00:44:55,280 --> 00:44:57,560 Speaker 1: his wife the lawyer, came to visit me at the 840 00:44:57,600 --> 00:45:01,160 Speaker 1: iHeartRadio podcast studio in Los Angeles. There was only one 841 00:45:01,200 --> 00:45:03,120 Speaker 1: other person there and they were asleep on the couch. 842 00:45:03,840 --> 00:45:07,000 Speaker 1: So my job it looked like I had like, you know, 843 00:45:07,640 --> 00:45:11,120 Speaker 1: you fake job, rented a fake office, and that I 844 00:45:11,160 --> 00:45:12,919 Speaker 1: did not actually have real job. 845 00:45:13,640 --> 00:45:15,040 Speaker 2: So there's a book. 846 00:45:15,160 --> 00:45:17,560 Speaker 1: Now, there's a book. You best believe I ordered them 847 00:45:17,560 --> 00:45:21,560 Speaker 1: a copy. 848 00:45:21,680 --> 00:45:22,040 Speaker 2: Thank you. 849 00:45:22,080 --> 00:45:25,040 Speaker 1: Sean. Yeah, that's what I wanted to plug. 850 00:45:25,400 --> 00:45:28,120 Speaker 2: Oh yeah, all right, I will see you all Wednesday. 851 00:45:28,640 --> 00:45:32,600 Speaker 1: They Cool People Who Did Cool Stuff is a production 852 00:45:32,719 --> 00:45:35,960 Speaker 1: of cool Zone Media. For more podcasts and cool Zone Media, 853 00:45:36,080 --> 00:45:39,319 Speaker 1: visit our website Coolzonemedia dot com, or check us out 854 00:45:39,440 --> 00:45:42,799 Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get 855 00:45:42,840 --> 00:45:44,040 Speaker 1: your podcasts.