WEBVTT - What Boy Band Sensation BTS Can Teach Us About Economics

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<v Speaker 1>Hello, and welcome to another episode of the Odd Thoughts Podcast.

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<v Speaker 1>I'm Tracy Alloway and I'm Joe. Wasn't thal So, Joe.

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<v Speaker 1>You know, I went to South Korea for the first

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<v Speaker 1>time a month or twear ago, I know, and I

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<v Speaker 1>was super jealous of it because you posted a bunch

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<v Speaker 1>of awesome food picks and it's just a place I've

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<v Speaker 1>always wanted to go, So thank you for rubbing it in. Yeah,

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<v Speaker 1>I'm sorry. I did eat a lot of Korean fried

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<v Speaker 1>chicken and I sort of I sort of regretted it afterwards,

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<v Speaker 1>but at the time it was a really good idea. Okay,

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<v Speaker 1>So what's the point. What do you try other than

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<v Speaker 1>other than reminding me that because of where you live,

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<v Speaker 1>you get to eat much better food than me all

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<v Speaker 1>the time, you're always posting about it. What is the

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<v Speaker 1>what else you're trying to tell me? Okay, Well, it

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<v Speaker 1>was my first time in South Korea, despite the fact

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<v Speaker 1>that I grew up in Asia and spent a lot

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<v Speaker 1>of time in the region, and I learned a lot

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<v Speaker 1>in just a few days in Soul and one of

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<v Speaker 1>the things I learned, and this, this probably won't come

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<v Speaker 1>as a surprise to anyone with the teenage kids, is

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<v Speaker 1>that K pop is really really big in South Korea.

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<v Speaker 1>I guess I'm not really surprised that it's really really

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<v Speaker 1>big in South Korea, but what I am struck by,

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<v Speaker 1>and it's one of these facets of modern pop culture

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<v Speaker 1>that I feel incredibly ignorant on. Obviously, as one gets older,

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<v Speaker 1>particularly when it relates to music, you sort of grow

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<v Speaker 1>more and more out of touch. But the degree to

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<v Speaker 1>which K pop is this global phenomenon kind of blows

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<v Speaker 1>my mind. I saw there was like I think I

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<v Speaker 1>saw this, like there was like this piece on Axios

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<v Speaker 1>I saw a week or two ago. There's a band

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<v Speaker 1>called BTS right that they're really huge. Oh my gosh, Joe, Yes,

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<v Speaker 1>there is a band called BTS. They had a little

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<v Speaker 1>story about how any time and any news organization does

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<v Speaker 1>a piece on them, their traffic absolutely goes through the roof.

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<v Speaker 1>So a as an editor, I was like, Oh, we

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<v Speaker 1>should probably write more about them, be we should probably.

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<v Speaker 1>I'm glad we're sort of hitting on this in the

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<v Speaker 1>podcast because maybe we can include it in the title

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<v Speaker 1>and maybe we could get tons of listeners from their

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<v Speaker 1>gigantic global fan base, like we deserve some of that

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<v Speaker 1>some of that traffic bump. Oh, you're so machiavellian about

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<v Speaker 1>this whole thing, Joe, so so listen. So I went

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<v Speaker 1>to Seoul, learned a lot about K pop and K culture,

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<v Speaker 1>came away with a minor addiction to a certain K drama,

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<v Speaker 1>and then I started encouraging everyone in our newsroom to

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<v Speaker 1>actually write more about this stuff. And I got a

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<v Speaker 1>little bit of a reputation for like, for being obsessed

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<v Speaker 1>with K pop. But the reason I'm obsessed with K

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<v Speaker 1>pop is not because of traffic, as you point out.

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<v Speaker 1>It's because there's actually a really interesting economics and market

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<v Speaker 1>story behind how K pop got so popular, both within

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<v Speaker 1>South Korea and globally. I'm really fascinated by this because,

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<v Speaker 1>even excluding K pop or Korea's cultural exports in general,

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<v Speaker 1>Korea has a history of sort of turning conventional wisdom,

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<v Speaker 1>particularly around economics, on its head, and so all of

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<v Speaker 1>the so called rules about how a country is supposed

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<v Speaker 1>to develop its economy tend to die when you look

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<v Speaker 1>at the Korean story of the country that's gotten very

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<v Speaker 1>rich by at every step of the way, flouting expectations

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<v Speaker 1>about how things are supposed to be done, how you

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<v Speaker 1>nurture a new industry, and so this idea of cultural

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<v Speaker 1>exports fitting into a sort of broader Korean story is

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<v Speaker 1>an incredibly fascinating one, right, And not just nurture any industry, right,

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<v Speaker 1>we're talking about creative industries. So how does a country

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<v Speaker 1>or government actually go about encouraging people to be more creative?

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<v Speaker 1>That's what we're going to talk about today. So to

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<v Speaker 1>do that, we have the perfect person. She's a journalist

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<v Speaker 1>and the author of a book that I read a

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<v Speaker 1>few months before going to Soul. Her name is Uni Hong,

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<v Speaker 1>and the book is the Birth of Korea Cool, How

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<v Speaker 1>one nation is conquering the world through pop culture. So

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<v Speaker 1>really everything we were just talking about. Uni, It's so

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<v Speaker 1>nice to have you on the show. Hi, thanks for

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<v Speaker 1>having me. How are you good? Thanks? So, I guess

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<v Speaker 1>just to lay the groundwork, it might be nice for

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<v Speaker 1>you to give us an overview of where South Korea

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<v Speaker 1>was a few decades ago, because I think nowadays most

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<v Speaker 1>people are used to talking about it as this sort

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<v Speaker 1>of tech powerhouse, you know, Samsung manufacturing of a big

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<v Speaker 1>proportion of the world semiconductor chips. That's how most people

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<v Speaker 1>know it. But just a little while ago it wasn't

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<v Speaker 1>actually at anything close to that. Well, that's exactly right.

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<v Speaker 1>I mean, right after the Korean War which ended in

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<v Speaker 1>nineteen fifty three, South Korea was actually one of the

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<v Speaker 1>poorest nations on the planet. It was poorer than most

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<v Speaker 1>of the South Saharan Africa uh and for decades it

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<v Speaker 1>was actually even poorer than North Korea. And that didn't

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<v Speaker 1>really change until the sixties when President Parkdung he, who

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<v Speaker 1>was the father of the former female president that was

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<v Speaker 1>his daughter Park but parked On, he had this policy

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<v Speaker 1>that basically was the birth of the birth of Korean cool,

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<v Speaker 1>if you want to put it that way, and he

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<v Speaker 1>was the guy who came up with the idea of

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<v Speaker 1>the Korean government cooperating closely with Korean private industry. So

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<v Speaker 1>Ever since then, the government has assisted in the ecosystem

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<v Speaker 1>that propped suth Chanday and Samsung and more recently, I

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<v Speaker 1>mean President Park has been did for a long time,

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<v Speaker 1>but his legacy continued well. Recently, the government is also

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<v Speaker 1>propping up K pop, uh and uh K dramas and

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<v Speaker 1>all of the what you would associate with the Korean

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<v Speaker 1>wave cultural products, including makeup and movies and even food.

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<v Speaker 1>Oh yeah, I didn't even mention the face masks. I

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<v Speaker 1>should have mentioned I bought so many face masks and

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<v Speaker 1>soul so I made. I said at the beginning that

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<v Speaker 1>what I love about the Korean development story is the

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<v Speaker 1>degree to which it sort of flouts conventional wisdom about

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<v Speaker 1>how a country can develop. And I think that if

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<v Speaker 1>you talk to most Western economists, there's this view of,

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<v Speaker 1>you know, open up free markets, don't try to pick

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<v Speaker 1>winners and losers within the economy, don't try to have

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<v Speaker 1>centralized planning of key industries. And as you mentioned, uh,

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<v Speaker 1>starting in the sixties, Korea's success and going from one

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<v Speaker 1>of the poorest countries in the world to one of

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<v Speaker 1>the richest countries in the world involved a heavy degree

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<v Speaker 1>of intertwinedness between the government and the private sector. Oh yes,

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<v Speaker 1>well that's spot on, Zo. And basically, South Korea is

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<v Speaker 1>the only capitalist country in the world that can, when

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<v Speaker 1>necessary behave like a command economy. So, for example, in

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<v Speaker 1>the US, you can't have President Trump forcing Apple to

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<v Speaker 1>you know, stop making watches or that. You know, he

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<v Speaker 1>couldn't say to Jeff Bez I was, uh, you know,

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<v Speaker 1>I don't understand this throne thing. Can you please focus

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<v Speaker 1>on books or something like that. But in Korea, the

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<v Speaker 1>president and the government has always had the capacity to

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<v Speaker 1>do that, and it's not by coercion or force. It's

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<v Speaker 1>because Koreans on the whole belief that as the expression

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<v Speaker 1>goes a rising tide, boys all six. So that's the

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<v Speaker 1>rule breaking that you're referring to just now about how

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<v Speaker 1>they broke all the rules of capitalism. So with that

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<v Speaker 1>sort of basis in mind, you actually wrote in the

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<v Speaker 1>book that after the Asia financial crisis, South Korea made

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<v Speaker 1>some of its best decisions ever. Can you walk us

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<v Speaker 1>through that thought process and how they ultimately came to

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<v Speaker 1>the conclusion of, Hey, we're going to make a bunch

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<v Speaker 1>of cultural exports and make that a key part of

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<v Speaker 1>our economy, right exactly. I mean, um, most of Asia

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<v Speaker 1>wasn't horrible debt after that financial crisis, and Korea was

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<v Speaker 1>really hard hit, and it kind of doesn't make sense

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<v Speaker 1>that they would conclude from that that they should then

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<v Speaker 1>focus on popular culture. But the way that they got

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<v Speaker 1>to that thinking is the crisis made them realize that

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<v Speaker 1>they hit put too many eggs in one basket. And

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<v Speaker 1>one of the reasons that Korea was so hard hit

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<v Speaker 1>economically is that their economy was overly dependent on the

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<v Speaker 1>large corporations, which they called TiVos, and these are the multinational,

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<v Speaker 1>highly diversified companies like Ken, They, Samsung and ld Samsung

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<v Speaker 1>for example, I believe still makes up about twenty pent

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<v Speaker 1>of the GDP of South Korea. And after the financial crisis,

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<v Speaker 1>the Korean government realized this is way too much. There's

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<v Speaker 1>a way to us hanging on like two or three

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<v Speaker 1>companies and if they default, which is what happens in

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<v Speaker 1>a financial crisis, and the entire country this faults. And

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<v Speaker 1>they said, well, what can we do prevent this from

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<v Speaker 1>ever happening again? And what they came up with was,

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<v Speaker 1>we have to change gears to do something, but we

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<v Speaker 1>don't have to buy new equipment or machinery where we

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<v Speaker 1>can act on it pretty much right away. And they decided, okay,

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<v Speaker 1>that's gonna be a pop culture. The inspiration apparently was

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<v Speaker 1>Jurassic Park. There was actually a whole white paper presented

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<v Speaker 1>to the Korean government on Jurassic Park and how in

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<v Speaker 1>order to make the same proceeds as Jurassic Park, you'd

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<v Speaker 1>have to sell fifteen million ten day cars. And they

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<v Speaker 1>said we're in the wrong business. Well, I see what

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<v Speaker 1>you're saying. So Jurassic Park, the movie, the enterprise of

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<v Speaker 1>making Jurassic Park, not the enterprise of bringing dinosaurs to life,

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<v Speaker 1>was the inspiration. Well through that's happening too. I mean,

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<v Speaker 1>genetics is a big thing. But the basic gist is

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<v Speaker 1>cultural exports can be gigantic money makers and ultimately, if

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<v Speaker 1>you nail it, do not require a lot of capital,

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<v Speaker 1>so incredibly high margin. And so the basic idea is,

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<v Speaker 1>whether it's music, whether it's TV shows, whatever it is,

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<v Speaker 1>if you can find that secret sauce to replicate that,

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<v Speaker 1>that is an extraordinary efficient way to get in dollars

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<v Speaker 1>or money from the rest of the world. Yeah, that's

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<v Speaker 1>basically what it came down to. Low, low overhead, a

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<v Speaker 1>fast learning curve, and the rest is luck and hard work.

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<v Speaker 1>So what did they do to kick it off? I mean,

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<v Speaker 1>so it's like, Okay, the math makes a lot of sense,

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<v Speaker 1>We're going to make a fortune on cultural exports, but

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<v Speaker 1>how do you actually jump start that? What? How did

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<v Speaker 1>the plan take shape? Right? And the question that you're

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<v Speaker 1>probably thinking but haven't asked it is what were they thinking?

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<v Speaker 1>This is every thing? Well, the number one off obviously

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<v Speaker 1>that all Korean pulps. Top culture is in Korean and

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<v Speaker 1>it's only spoken in Korea. And uh what it started

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<v Speaker 1>with dramas. I mean, right now, it's the music that

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<v Speaker 1>gets all the attention, but the Korean waves started with

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<v Speaker 1>the soap operas. And what happened was in the ninety nineties,

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<v Speaker 1>the South Korean Chamber of Commerce in Hong Kong tested

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<v Speaker 1>the waters and thought that it might be a good

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<v Speaker 1>time to experiment with showing a Korean drama in Chinese. Now,

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<v Speaker 1>I mean, now, there's so much med for k dramas,

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<v Speaker 1>but at the time, there was zero interest in it.

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<v Speaker 1>So they approached the Hong Kong TV networks and the

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<v Speaker 1>networks said, well, there's no audience for this, you know.

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<v Speaker 1>The Korean Chamber of Commerce said, well, we will pay

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<v Speaker 1>for the sun titling, we will pay for the dobbing,

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<v Speaker 1>we will pay for everything. And they said, okay, that's

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<v Speaker 1>just the production costs. You know, there's also the question

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<v Speaker 1>of advertising. So the Korean Chamber of Commerce said, okay,

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<v Speaker 1>well we'll take care of that. To all you have

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<v Speaker 1>to do is press play. So the Korean government basically

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<v Speaker 1>subsidized the translation of these of this drama into Cantonese

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<v Speaker 1>and also Mandarin, I think, and they sold all of

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<v Speaker 1>the ad times so that the Hong Kong TV network

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<v Speaker 1>would not have to do anything. And then, to everyone's surprise,

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<v Speaker 1>or at least some people's prize, the drama did really well.

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<v Speaker 1>And then the government started paying to translate more and

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<v Speaker 1>more and more dramas, and now it's sort of a

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<v Speaker 1>self feeding deaf. But the government never really completely got

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<v Speaker 1>hands off, and that's why the Korean waves didn't end,

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<v Speaker 1>you know, ten years ago. Um, they're still paying to

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<v Speaker 1>translate them into languages that are more obscure because that

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<v Speaker 1>they sort of see these emerging markets as being extremely important.

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<v Speaker 1>So they're not just focusing on the languages that have

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<v Speaker 1>lots of speakers. They're focusing on areas where people will

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<v Speaker 1>someday be able to I Samsung phones and L the

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<v Speaker 1>TV and they'll already have built loyalty to the brand

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<v Speaker 1>that is Korea. So the culture, the cultural exports are

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<v Speaker 1>basically a sort of like first step towards other types

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<v Speaker 1>of exports. Is that the idea, Yeah, that's right. Actually,

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<v Speaker 1>it's not that the pop culture feed into industry or

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<v Speaker 1>that industry feed into pop culture. It's actually everything. At

0:13:24.080 --> 0:13:26.559
<v Speaker 1>the same time, it's considered to be a whole ecosystem.

0:13:26.800 --> 0:13:29.560
<v Speaker 1>So it's not that K pop is a delivery system

0:13:29.640 --> 0:13:32.080
<v Speaker 1>to sell phones. I mean that's also true, but the

0:13:32.120 --> 0:13:35.400
<v Speaker 1>phones are a delivery system to sell k pop, and

0:13:35.400 --> 0:13:37.679
<v Speaker 1>the makeup is the delivery system to still all of

0:13:37.720 --> 0:13:41.360
<v Speaker 1>the above. And it's kind of like a snake binding

0:13:41.400 --> 0:13:44.600
<v Speaker 1>its tail, which actually is sort of the business model

0:13:44.679 --> 0:13:47.840
<v Speaker 1>for the chip. But they have they don't have wholy

0:13:47.840 --> 0:13:51.520
<v Speaker 1>owned substidiary in Korea for these big companies. It's sort

0:13:51.520 --> 0:13:53.360
<v Speaker 1>of this company on its part of that company. If

0:13:53.360 --> 0:13:56.520
<v Speaker 1>you draw the structure, it's not a pyramid, it's a wheel.

0:13:57.559 --> 0:14:01.480
<v Speaker 1>And that's actually how the whole economy operates, and that

0:14:01.760 --> 0:14:04.880
<v Speaker 1>is how the whole Korean wave operates, in tandem with

0:14:04.920 --> 0:14:08.160
<v Speaker 1>the government, in tandem with heavy industry. So if you

0:14:08.240 --> 0:14:11.000
<v Speaker 1>think of it not as a pyramid but as a wheel,

0:14:11.640 --> 0:14:14.200
<v Speaker 1>I think it starts to make more sense. So I

0:14:14.240 --> 0:14:17.280
<v Speaker 1>have a question about how some of the cultural exports

0:14:17.360 --> 0:14:20.240
<v Speaker 1>play on the ground in South Korea, because I heard

0:14:20.760 --> 0:14:23.520
<v Speaker 1>when I was having lunch with some colleagues and Soul that,

0:14:23.840 --> 0:14:29.560
<v Speaker 1>for instance, BTS wasn't even considered that popular domestically until

0:14:29.640 --> 0:14:33.400
<v Speaker 1>they sort of enjoyed great international success and then they

0:14:33.400 --> 0:14:36.440
<v Speaker 1>were recognized as as a group that was doing something

0:14:36.600 --> 0:14:39.200
<v Speaker 1>for South Korea as a whole, and then they started

0:14:39.240 --> 0:14:42.520
<v Speaker 1>to get really big in South Korea itself. Is that

0:14:42.560 --> 0:14:47.200
<v Speaker 1>how these things generally happen. Mostly it's the other way around.

0:14:47.280 --> 0:14:51.280
<v Speaker 1>I would say BTS and Thigh, of course, are examples

0:14:51.520 --> 0:14:55.760
<v Speaker 1>of musical acts that we're not everyone's first choice when

0:14:55.760 --> 0:14:58.920
<v Speaker 1>they imagined what would be the breakthrough. One big surprise

0:14:59.160 --> 0:15:02.920
<v Speaker 1>to me and everyone else was that the acts that

0:15:03.000 --> 0:15:06.480
<v Speaker 1>became really popular were not the girl band because I

0:15:06.520 --> 0:15:08.800
<v Speaker 1>think that the Korean industry. I can't prove it, but

0:15:08.840 --> 0:15:12.280
<v Speaker 1>I'm pretty for that they were angling to make the

0:15:12.400 --> 0:15:17.800
<v Speaker 1>you know, the cute, sexy baby whoever, bubblegum pop girl band,

0:15:18.040 --> 0:15:20.720
<v Speaker 1>like you know, girls generation. I think I think that

0:15:20.720 --> 0:15:23.360
<v Speaker 1>that was what they were pushing for, like the the

0:15:23.480 --> 0:15:25.800
<v Speaker 1>you know, the pussy Cats dolls, but minus ten years

0:15:25.880 --> 0:15:28.160
<v Speaker 1>or something. I thought they were not thinking that it

0:15:28.240 --> 0:15:30.520
<v Speaker 1>was the boy bands that we're going to be popular for.

0:15:43.160 --> 0:15:45.800
<v Speaker 1>So here's what I'm having a hard time wrapping my

0:15:45.840 --> 0:15:48.760
<v Speaker 1>head around. And I think your answer just now sort

0:15:48.800 --> 0:15:50.880
<v Speaker 1>of gets at it. You know, when you think about

0:15:50.920 --> 0:15:56.680
<v Speaker 1>like sort of developing a homegrown semiconductor industry allow the

0:15:56.720 --> 0:15:59.880
<v Speaker 1>growth of Samsung, you're like, okay, well, if the chips

0:16:00.120 --> 0:16:04.200
<v Speaker 1>are a very high quality and they're of competitive price,

0:16:04.520 --> 0:16:07.120
<v Speaker 1>someone's probably going to buy them. Like that's clear. If

0:16:07.160 --> 0:16:09.280
<v Speaker 1>you can show on the specs that the chip is

0:16:09.320 --> 0:16:12.720
<v Speaker 1>fast and you can make it cheaper than some competitor,

0:16:13.200 --> 0:16:17.800
<v Speaker 1>it'll sell internationally. With cultural exports, you know, there's no

0:16:17.880 --> 0:16:20.720
<v Speaker 1>way to be objectively sure that the taste is going

0:16:20.760 --> 0:16:23.000
<v Speaker 1>to connect. So I mean, you know, the big size

0:16:23.040 --> 0:16:25.440
<v Speaker 1>song that blew up, it could have just been a

0:16:25.480 --> 0:16:28.800
<v Speaker 1>novelty that people talked about for one day and then

0:16:29.120 --> 0:16:31.480
<v Speaker 1>moved on. Like there's nothing objective you could say, Okay,

0:16:31.560 --> 0:16:34.680
<v Speaker 1>this song is better than others, and this song deserves

0:16:34.720 --> 0:16:37.520
<v Speaker 1>to have major market share. Or as you pointed out,

0:16:37.600 --> 0:16:40.200
<v Speaker 1>maybe they thought the girl bands were gonna do better.

0:16:40.760 --> 0:16:43.440
<v Speaker 1>It turns out that it was the guy band. Beyond

0:16:43.480 --> 0:16:46.920
<v Speaker 1>even the language question, which is its own issue. Why

0:16:46.960 --> 0:16:52.200
<v Speaker 1>did they think their aesthetics would resonate and do well internationally?

0:16:52.760 --> 0:16:54.600
<v Speaker 1>I admit that that's kind of a black box, and

0:16:54.680 --> 0:16:57.440
<v Speaker 1>everyone anyone who says they know exactly how this happened

0:16:57.520 --> 0:17:00.320
<v Speaker 1>is actually just lying, because you know, the quest how

0:17:00.320 --> 0:17:03.640
<v Speaker 1>to make something viral is like how to make you

0:17:03.680 --> 0:17:07.840
<v Speaker 1>know the immortality pill. It's if everyone nobody really knows

0:17:07.840 --> 0:17:10.440
<v Speaker 1>for sure? How how did death Didymota become a millionaire

0:17:10.480 --> 0:17:13.320
<v Speaker 1>before she was twenty? If you if you said that

0:17:13.359 --> 0:17:15.520
<v Speaker 1>you knew that was going to happen, I don't believe you, right,

0:17:15.920 --> 0:17:18.399
<v Speaker 1>But I think that what they did have that was

0:17:18.440 --> 0:17:21.119
<v Speaker 1>going in their favorite is that it's sort of the

0:17:21.200 --> 0:17:25.280
<v Speaker 1>advantage of the underdog because South Korea has been as

0:17:25.320 --> 0:17:28.680
<v Speaker 1>they like to complain and or bragg they claim that

0:17:28.720 --> 0:17:32.320
<v Speaker 1>they have been invaded eight hundred times in their five

0:17:32.320 --> 0:17:35.520
<v Speaker 1>thousand year history, and that they have never attempted to

0:17:35.600 --> 0:17:39.280
<v Speaker 1>colonize anyone else. And they spent most of their history

0:17:39.400 --> 0:17:44.439
<v Speaker 1>being um ransacked by Mongols and Manturion and of course

0:17:44.480 --> 0:17:47.560
<v Speaker 1>there was a long period of colonization by the Japanese

0:17:48.600 --> 0:17:52.200
<v Speaker 1>and they didn't have any autonomy over their fate. Roosevelt

0:17:52.240 --> 0:17:56.200
<v Speaker 1>basically decided that Korean would go to Japan instead of Russia.

0:17:56.280 --> 0:17:59.199
<v Speaker 1>He signed this this tree d and names the hotel

0:17:59.280 --> 0:18:01.600
<v Speaker 1>somewhere and Rioms didn't even really know about it a

0:18:01.680 --> 0:18:04.600
<v Speaker 1>layer um and so obviously this is you know, sort

0:18:04.640 --> 0:18:07.000
<v Speaker 1>of getting kicked around a lot. I mean that that

0:18:07.040 --> 0:18:09.880
<v Speaker 1>happens to you kind of pay attention. It's a survival thing.

0:18:10.480 --> 0:18:13.159
<v Speaker 1>As a result of this underdog status, they had to

0:18:13.200 --> 0:18:15.760
<v Speaker 1>always pay visual attention into what was going on. So

0:18:15.880 --> 0:18:19.040
<v Speaker 1>for example, when they were a colony of Japan, they

0:18:19.040 --> 0:18:21.880
<v Speaker 1>couldn't just do whatever they wanted, but they also wanted

0:18:21.920 --> 0:18:25.119
<v Speaker 1>to retain some Korean autonomy, and in order to balance that,

0:18:25.240 --> 0:18:28.679
<v Speaker 1>they had to just pay attention to nuances, to reading

0:18:28.720 --> 0:18:32.439
<v Speaker 1>the room um on a global and national annox the

0:18:32.480 --> 0:18:35.560
<v Speaker 1>global scale. And that's what they did when they were

0:18:35.560 --> 0:18:38.760
<v Speaker 1>trying to develop these k pop songs and how could

0:18:38.800 --> 0:18:41.440
<v Speaker 1>we make this catchy? How could we make this global?

0:18:41.680 --> 0:18:45.200
<v Speaker 1>And they just I mean the answer is kind of boring.

0:18:45.240 --> 0:18:49.760
<v Speaker 1>They just studied. And there are books that I was

0:18:49.880 --> 0:18:54.119
<v Speaker 1>given published by the Ministry of Trade in various government

0:18:54.119 --> 0:19:00.439
<v Speaker 1>sponsoring industries explaining how to approach different cultures based on

0:19:00.480 --> 0:19:02.679
<v Speaker 1>their own local more So, for example, there was a

0:19:02.720 --> 0:19:05.240
<v Speaker 1>sext and on the Muslim world thing. So for example,

0:19:05.240 --> 0:19:08.080
<v Speaker 1>if you're going to air a drama in a prey

0:19:08.160 --> 0:19:11.159
<v Speaker 1>dra predominantly about the Mason, these are the times that

0:19:11.200 --> 0:19:14.479
<v Speaker 1>they pray so don't air it during those times. This

0:19:14.560 --> 0:19:17.119
<v Speaker 1>is rama done, so this is when they're eating some

0:19:17.359 --> 0:19:19.439
<v Speaker 1>you know, in the evening, so maybe it's not the

0:19:19.480 --> 0:19:22.560
<v Speaker 1>best time to premiere in evening drama. They're not gonna

0:19:22.560 --> 0:19:25.160
<v Speaker 1>show lots of kissing and stuff, so don't have any

0:19:25.240 --> 0:19:28.040
<v Speaker 1>of that. And they just make careful and careful, careful

0:19:28.040 --> 0:19:30.280
<v Speaker 1>studies of all of this in order to distill what

0:19:30.320 --> 0:19:32.800
<v Speaker 1>they what people wanted. And in the k dramas, the

0:19:32.840 --> 0:19:35.399
<v Speaker 1>formula is they realized that there was need for people

0:19:35.760 --> 0:19:38.200
<v Speaker 1>to feel things and actually have people crying a lot

0:19:38.280 --> 0:19:43.160
<v Speaker 1>and being really miserable and not everything having a happy ending,

0:19:43.200 --> 0:19:45.560
<v Speaker 1>and which is sort of the opposite of you know,

0:19:45.600 --> 0:19:50.040
<v Speaker 1>the Hollywood formula. And until the popularity of things like

0:19:50.720 --> 0:19:54.000
<v Speaker 1>cream dramas and also telenovelas, I guess most people didn't

0:19:54.040 --> 0:19:56.520
<v Speaker 1>realize that there was this yearning for stories that would

0:19:56.560 --> 0:20:01.240
<v Speaker 1>make people cry cathartically and you know, na every everything

0:20:01.240 --> 0:20:04.480
<v Speaker 1>being okay in the end. And with K pop, I

0:20:04.520 --> 0:20:07.280
<v Speaker 1>don't know if there's one formula, but they they just

0:20:07.320 --> 0:20:09.720
<v Speaker 1>sort of buy things from different sources and they package

0:20:09.760 --> 0:20:15.000
<v Speaker 1>things extremely well. So you probably know that the world

0:20:15.680 --> 0:20:20.600
<v Speaker 1>songwriting factory is Sweden. Yeah, I mean, not just everyone

0:20:20.680 --> 0:20:22.840
<v Speaker 1>thinks ABBA, but I'm not talking ab. I'm talking about

0:20:22.840 --> 0:20:25.720
<v Speaker 1>people who write there like Britney Spears of most famous

0:20:25.800 --> 0:20:27.800
<v Speaker 1>hits and stuff wore they're they were They're all written

0:20:27.840 --> 0:20:31.040
<v Speaker 1>by Swedes, so Korea bibes the tunes from them, and

0:20:31.040 --> 0:20:33.800
<v Speaker 1>then they do the lyrics, like you stuff from somewhere else,

0:20:33.800 --> 0:20:37.560
<v Speaker 1>and they get choreographers from America or you know, the

0:20:37.560 --> 0:20:41.399
<v Speaker 1>French ballet or something, and you know, they're not afraid

0:20:41.440 --> 0:20:43.240
<v Speaker 1>to mix and match. They're not worried that this is

0:20:43.240 --> 0:20:47.280
<v Speaker 1>gonna look like a Frankenstein, you know, like piece together songs.

0:20:47.320 --> 0:20:49.040
<v Speaker 1>They're just like, no, no, this is gonna work. We're

0:20:49.080 --> 0:20:52.639
<v Speaker 1>just gonna do this. Yeah, the genus is in the packaging.

0:20:52.640 --> 0:20:56.280
<v Speaker 1>I would say people forget as well that before k pop,

0:20:56.359 --> 0:20:59.480
<v Speaker 1>there there was j pop, right, there was Japanese pop

0:20:59.560 --> 0:21:02.840
<v Speaker 1>in the indies which was incredibly popular. So it's not

0:21:02.880 --> 0:21:04.960
<v Speaker 1>like K pop came out of nowhere. There was a

0:21:05.000 --> 0:21:08.560
<v Speaker 1>little bit of inspiration, let's say, for it to graft

0:21:08.600 --> 0:21:12.359
<v Speaker 1>itself onto and then adapt. But that kind of brings

0:21:12.400 --> 0:21:15.240
<v Speaker 1>me to my next question, which is, I guess when

0:21:15.240 --> 0:21:19.200
<v Speaker 1>you're talking about creative industries, they're constantly changing and people

0:21:19.240 --> 0:21:22.280
<v Speaker 1>are constantly trying to one up each other, and recently

0:21:22.520 --> 0:21:28.080
<v Speaker 1>we've seen China in particular make a lot more effort at,

0:21:28.800 --> 0:21:32.200
<v Speaker 1>for instance, coming up with dramas. We've seen Netflix signed

0:21:32.200 --> 0:21:35.480
<v Speaker 1>some deals for for various Chinese dramas recently as well.

0:21:36.080 --> 0:21:40.440
<v Speaker 1>How long can Korea maintain its edge when it comes

0:21:40.480 --> 0:21:43.280
<v Speaker 1>to cultural exports. I don't know, and I don't think

0:21:43.280 --> 0:21:47.240
<v Speaker 1>it matters from their point of view because they're I mean,

0:21:47.280 --> 0:21:51.680
<v Speaker 1>just the Korean expert metal, extremely adaptable. And I don't

0:21:51.720 --> 0:21:55.080
<v Speaker 1>think that even they think that the Korean wave is

0:21:55.080 --> 0:22:00.080
<v Speaker 1>gonna last forever. Historically, no music or pop cultureure and

0:22:00.200 --> 0:22:04.600
<v Speaker 1>really last that long unless you constantly constantly reinvent yourself,

0:22:04.720 --> 0:22:07.280
<v Speaker 1>you know, like mcdonna or something. Um, I don't think

0:22:07.280 --> 0:22:09.200
<v Speaker 1>that they're counting on this to put bread at the

0:22:09.240 --> 0:22:11.880
<v Speaker 1>table for a very long time, if I'm honest. It's

0:22:11.920 --> 0:22:15.800
<v Speaker 1>just what they want to do now, and it's basically

0:22:15.800 --> 0:22:20.240
<v Speaker 1>about building Korea as a brand, not necessarily a K

0:22:20.400 --> 0:22:22.240
<v Speaker 1>pop or any of those things as a band. So,

0:22:22.600 --> 0:22:24.800
<v Speaker 1>I mean, if you wanted my honest opinion, I would

0:22:24.840 --> 0:22:27.600
<v Speaker 1>say it's probably gonna tie out. I mean, the creawave

0:22:27.680 --> 0:22:30.240
<v Speaker 1>is probably gonna die out. In terms of pop culture,

0:22:30.600 --> 0:22:34.160
<v Speaker 1>and the Korean industry will simply adapt whatever the next

0:22:34.200 --> 0:22:37.600
<v Speaker 1>need is. It's you know, it might be biomedical engineering,

0:22:37.920 --> 0:22:41.480
<v Speaker 1>and it might be continuing and entertainment, but focusing on technology.

0:22:41.640 --> 0:22:44.720
<v Speaker 1>I know that there's some government sponsored labs that are

0:22:44.840 --> 0:22:49.399
<v Speaker 1>trying to develop really hyper realistic hologram for example, so

0:22:49.480 --> 0:22:51.680
<v Speaker 1>like you know, it's like if you look behind the hologram,

0:22:51.800 --> 0:22:53.480
<v Speaker 1>you can see the person's back, and if you look

0:22:53.520 --> 0:22:55.240
<v Speaker 1>in front of the hologram, you see the front where

0:22:55.280 --> 0:22:58.440
<v Speaker 1>his current hologram technology, if you look to the side

0:22:58.440 --> 0:23:01.520
<v Speaker 1>of the hologram, you can't see anything. But so Korea

0:23:01.600 --> 0:23:04.040
<v Speaker 1>is trying to make fully three D holograms so that

0:23:04.160 --> 0:23:06.200
<v Speaker 1>you know, not only can you have like Michael Jackson

0:23:06.240 --> 0:23:08.320
<v Speaker 1>appear from the dead as a hologram, but you can

0:23:08.359 --> 0:23:11.200
<v Speaker 1>also have a surgeon. You know, Mount Fine of Hospital

0:23:11.240 --> 0:23:14.320
<v Speaker 1>and new are demonstrate open heart surgery to people all

0:23:14.359 --> 0:23:17.359
<v Speaker 1>over the world via holograms, and you know they can

0:23:17.400 --> 0:23:19.359
<v Speaker 1>sort of it's almost like they're they're in there in

0:23:19.359 --> 0:23:22.560
<v Speaker 1>the room with him. So you know that maybe you know,

0:23:22.800 --> 0:23:27.280
<v Speaker 1>is less interesting to teenagers then BTS. But Korea will

0:23:27.400 --> 0:23:30.720
<v Speaker 1>will always be trying to reinvent themselves, and they don't

0:23:30.760 --> 0:23:34.720
<v Speaker 1>hold onto things. I think it's a very important national

0:23:34.880 --> 0:23:39.200
<v Speaker 1>chage in terms of their ability to adapt. Um. I'm

0:23:39.200 --> 0:23:41.480
<v Speaker 1>not talking up emotionally, I mean emotionally. They're really no

0:23:41.640 --> 0:23:46.160
<v Speaker 1>for holding on in terms of industry. If something doesn't work,

0:23:46.200 --> 0:23:48.680
<v Speaker 1>they're the first to abandon it and pretend it never happened.

0:23:49.600 --> 0:23:53.760
<v Speaker 1>Tracy mentioned in the intro issue just in soul and

0:23:53.800 --> 0:23:57.040
<v Speaker 1>had some great Korean fried chicken ten years ago. I'm

0:23:57.080 --> 0:24:00.320
<v Speaker 1>pretty sure I've never heard of Korean fried chicken, and

0:24:00.359 --> 0:24:02.480
<v Speaker 1>now I love it. And there's all kinds of change

0:24:02.640 --> 0:24:05.120
<v Speaker 1>that have opened up in New York City that sell

0:24:05.240 --> 0:24:08.600
<v Speaker 1>Korean fried chicken. Everyone I know like that. How much

0:24:08.640 --> 0:24:11.560
<v Speaker 1>has U This sort of the emergence of Korean food

0:24:12.000 --> 0:24:17.640
<v Speaker 1>internationally also been part of the same government effort. Well yeah,

0:24:17.720 --> 0:24:21.960
<v Speaker 1>I mean people would be surprise to learn that I

0:24:21.960 --> 0:24:24.000
<v Speaker 1>think Korean food is good, and then when people try

0:24:24.040 --> 0:24:27.119
<v Speaker 1>it they often like it. But the fact before you

0:24:27.320 --> 0:24:30.280
<v Speaker 1>have people try, you have to have it available. The

0:24:30.320 --> 0:24:33.040
<v Speaker 1>supply has to be there, and that is where the

0:24:33.119 --> 0:24:35.760
<v Speaker 1>government steps. Then they put a lot of money to

0:24:35.840 --> 0:24:40.479
<v Speaker 1>sponsoring food fairs. A big program that they have is

0:24:40.680 --> 0:24:43.679
<v Speaker 1>these staff scholarships. I guess you could call them the

0:24:43.720 --> 0:24:47.760
<v Speaker 1>government sponsors international stuffs and not the state of one,

0:24:47.920 --> 0:24:50.960
<v Speaker 1>but of any level to come to Korea for free,

0:24:51.000 --> 0:24:55.119
<v Speaker 1>stay there for free, and learn Korean cooking techniques for free.

0:24:55.119 --> 0:24:57.680
<v Speaker 1>And the idea is not necessarily as they go back

0:24:57.680 --> 0:25:00.199
<v Speaker 1>to their home country and open a Korean restaurant. But

0:25:00.320 --> 0:25:04.640
<v Speaker 1>maybe you'll see Korean cold flaw or something or real

0:25:04.680 --> 0:25:08.760
<v Speaker 1>I state, but you know, a standard American restaurant quote unquote,

0:25:08.760 --> 0:25:11.440
<v Speaker 1>but with Kim t doue. And guess what, I've seen

0:25:11.480 --> 0:25:15.399
<v Speaker 1>all of these things, you know, And um that about

0:25:15.400 --> 0:25:18.320
<v Speaker 1>saying those stuffs actually went on these trips. But that

0:25:18.480 --> 0:25:20.760
<v Speaker 1>is the kind of thing that can only happen if

0:25:20.800 --> 0:25:24.280
<v Speaker 1>somebody is making it available to them. I have a

0:25:24.280 --> 0:25:28.160
<v Speaker 1>big picture question, which is how much of the sort

0:25:28.200 --> 0:25:35.280
<v Speaker 1>of special Korea economic model is replicable in other countries,

0:25:35.400 --> 0:25:38.679
<v Speaker 1>Like how much does the South Korea miracle, this idea

0:25:38.720 --> 0:25:44.399
<v Speaker 1>of cultural exports depend on the particular nature and structure

0:25:44.520 --> 0:25:49.240
<v Speaker 1>of Korean society or could any emerging market do what

0:25:49.400 --> 0:25:53.159
<v Speaker 1>South Korea essentially did well? That is sort of the

0:25:53.240 --> 0:25:56.840
<v Speaker 1>big question is that can you bob in stellds and

0:25:56.920 --> 0:25:59.480
<v Speaker 1>I mean I kind of to minds about that because,

0:25:59.600 --> 0:26:02.560
<v Speaker 1>on the one hand, if it were that easy, somebody

0:26:02.560 --> 0:26:04.560
<v Speaker 1>else would have done it already. You know, there are

0:26:04.560 --> 0:26:06.919
<v Speaker 1>plenty of underdeveloped countries that could have done this and

0:26:07.080 --> 0:26:10.120
<v Speaker 1>they didn't. But does this mean that only Korea could

0:26:10.119 --> 0:26:13.680
<v Speaker 1>ever do it? I mean probably not. What does make

0:26:13.760 --> 0:26:16.400
<v Speaker 1>them have an advantage that would make it hard for

0:26:16.520 --> 0:26:19.160
<v Speaker 1>other countries to do it is, as I said, they

0:26:19.200 --> 0:26:24.440
<v Speaker 1>have this hybrid capitalist command economy mentality. I'm not aware

0:26:24.440 --> 0:26:27.240
<v Speaker 1>of any other country that has that structure where the

0:26:27.280 --> 0:26:31.040
<v Speaker 1>government could state, Okay, we want a pop industry tomorrow,

0:26:31.200 --> 0:26:35.600
<v Speaker 1>so we're going to requisition funds immediately to build a stadium.

0:26:35.640 --> 0:26:38.160
<v Speaker 1>I mean here, you'd have to have so many here

0:26:38.160 --> 0:26:39.760
<v Speaker 1>meeting the United States, you have to have so many

0:26:39.840 --> 0:26:42.679
<v Speaker 1>levels of approvals and vote and it goes to the

0:26:42.840 --> 0:26:45.160
<v Speaker 1>n e A and then you reply and it would

0:26:45.160 --> 0:26:47.600
<v Speaker 1>take you know, years, and then you have the requisitions

0:26:47.680 --> 0:26:49.480
<v Speaker 1>this fund and that fund in that license. And in

0:26:49.560 --> 0:26:52.959
<v Speaker 1>Korea it happens very very fast because industry and government

0:26:52.960 --> 0:26:55.639
<v Speaker 1>are in cooperation. Nobody else has that. I mean, China

0:26:55.760 --> 0:27:00.359
<v Speaker 1>has a command economy, but they don't have the cooperative spect.

0:27:00.400 --> 0:27:03.280
<v Speaker 1>It's just too big a country. It's centralized. They don't

0:27:03.280 --> 0:27:05.399
<v Speaker 1>all speak the same language, they're not all the same religion,

0:27:05.440 --> 0:27:08.000
<v Speaker 1>they're not even all the same ethnicity. Hind of the

0:27:08.080 --> 0:27:09.840
<v Speaker 1>country that would be most likely to do it, but

0:27:09.920 --> 0:27:12.800
<v Speaker 1>they can't for sort of the honest lack of you

0:27:12.840 --> 0:27:17.639
<v Speaker 1>know how much. So I have a related question, and

0:27:17.880 --> 0:27:19.520
<v Speaker 1>it gets back to what we were saying in the

0:27:19.600 --> 0:27:23.200
<v Speaker 1>very beginning about Korea having broken all the rules of development.

0:27:23.240 --> 0:27:26.639
<v Speaker 1>And one of the reasons that people are economists in

0:27:26.680 --> 0:27:32.040
<v Speaker 1>particular are skeptical of centralized command decisions from the economy

0:27:32.160 --> 0:27:36.520
<v Speaker 1>is because they figure that bad actors or inefficient actors

0:27:36.560 --> 0:27:39.439
<v Speaker 1>will get propped up. Chrony is m essentially so maybe

0:27:39.480 --> 0:27:43.240
<v Speaker 1>some company gets big and it gets in with the government,

0:27:43.320 --> 0:27:47.359
<v Speaker 1>and even if their products start losing competitiveness, it doesn't

0:27:47.400 --> 0:27:50.800
<v Speaker 1>matter because there's so much corruption and there employ all

0:27:50.840 --> 0:27:52.720
<v Speaker 1>these people and they can't be let to die. And

0:27:52.800 --> 0:27:55.280
<v Speaker 1>one way that I know that Korea helped solve this

0:27:55.320 --> 0:27:59.480
<v Speaker 1>problem is by sort of using the export market as

0:27:59.520 --> 0:28:03.280
<v Speaker 1>the test. So the companies that thrived in export industries

0:28:03.320 --> 0:28:06.800
<v Speaker 1>were given more help, and companies that couldn't find a

0:28:06.880 --> 0:28:10.760
<v Speaker 1>compelling export markets they didn't get the same level of aid.

0:28:10.800 --> 0:28:13.040
<v Speaker 1>And so the export market was sort of used as

0:28:13.040 --> 0:28:15.440
<v Speaker 1>the ultimate test of who should get aid or who shouldn't.

0:28:15.760 --> 0:28:18.639
<v Speaker 1>And I'm curious about the cultural front, some of the

0:28:18.680 --> 0:28:22.520
<v Speaker 1>same tactics were used, so that whether it's directors of

0:28:22.640 --> 0:28:26.439
<v Speaker 1>soap operas or writers of songs, where's the kind of

0:28:26.480 --> 0:28:29.640
<v Speaker 1>thing where you nurture the winners and if they show

0:28:29.720 --> 0:28:32.560
<v Speaker 1>some formula to work, then they get more support. And

0:28:32.640 --> 0:28:35.480
<v Speaker 1>if a writer or director couldn't find make it click,

0:28:35.920 --> 0:28:38.680
<v Speaker 1>then they sort of over time didn't get the same

0:28:38.720 --> 0:28:42.960
<v Speaker 1>support from the state. Oh, I think it's absolutely a

0:28:43.080 --> 0:28:46.640
<v Speaker 1>rich get richer kind of situation. And what you're saying

0:28:46.720 --> 0:28:51.200
<v Speaker 1>is exactly right. They used the export figures as the

0:28:51.400 --> 0:28:55.120
<v Speaker 1>litmus test for the viability of something. Um, the country

0:28:55.120 --> 0:28:59.200
<v Speaker 1>is too small for them to rely on local consumption

0:28:59.560 --> 0:29:02.160
<v Speaker 1>cleric economy. They almost don't even care about that at all.

0:29:02.680 --> 0:29:05.160
<v Speaker 1>And like I said, because they're a small country, because

0:29:05.360 --> 0:29:08.960
<v Speaker 1>of their history, they've always been very, very very outwardly

0:29:09.000 --> 0:29:12.480
<v Speaker 1>focused for their survivals. So what you're saying is exactly right.

0:29:12.640 --> 0:29:16.120
<v Speaker 1>Like if you can't make it outside Korea, you can't

0:29:16.160 --> 0:29:18.160
<v Speaker 1>make it in Korea, even if you are making it

0:29:18.320 --> 0:29:22.240
<v Speaker 1>in Korea kind of thing. All right, Well, Uni Hung,

0:29:22.720 --> 0:29:25.959
<v Speaker 1>the author of the birth of Korea. Cool. Thank you

0:29:26.000 --> 0:29:28.560
<v Speaker 1>so much for coming on. Thank you, and that was

0:29:28.600 --> 0:29:30.800
<v Speaker 1>really great. I really enjoyed it. Thank you was the

0:29:30.840 --> 0:29:46.920
<v Speaker 1>pleasure to be here. So Joe I found that conversation

0:29:47.360 --> 0:29:50.040
<v Speaker 1>really fascinating, not just because we got to talk about

0:29:50.080 --> 0:29:53.800
<v Speaker 1>pop culture for once on this show, but also because

0:29:53.920 --> 0:29:56.760
<v Speaker 1>it kind of it did put me in mind of

0:29:57.120 --> 0:29:59.600
<v Speaker 1>the conversation. Do you remember the one we had about

0:29:59.680 --> 0:30:04.800
<v Speaker 1>China made in initiative and whether or not China could

0:30:04.840 --> 0:30:09.880
<v Speaker 1>sort of encourage or sort of foster and innovation economy

0:30:09.960 --> 0:30:11.920
<v Speaker 1>when it came to tech. It reminded me a lot

0:30:11.960 --> 0:30:15.120
<v Speaker 1>of that. You know. What it reminded me of was

0:30:15.200 --> 0:30:19.560
<v Speaker 1>not that episode, but the one we did recently with

0:30:19.640 --> 0:30:24.920
<v Speaker 1>a Fottle kaboob about MMT within the emerging market context,

0:30:25.400 --> 0:30:28.240
<v Speaker 1>because so much of what he was saying was again

0:30:28.280 --> 0:30:30.640
<v Speaker 1>this kind of stuff that like really flew in the

0:30:30.680 --> 0:30:33.720
<v Speaker 1>face of conventional wisdom about how a country developed, and

0:30:33.760 --> 0:30:36.520
<v Speaker 1>he was making the point He's like, Okay, first, absolutely,

0:30:36.600 --> 0:30:40.000
<v Speaker 1>you have to become food self sufficient and so forth.

0:30:40.360 --> 0:30:42.240
<v Speaker 1>And I just think that, like, there are so many

0:30:42.400 --> 0:30:46.840
<v Speaker 1>areas in which we accept conventional wisdom about economic development

0:30:46.920 --> 0:30:49.360
<v Speaker 1>or commerce, and one of them absolutely. I would have

0:30:49.400 --> 0:30:52.840
<v Speaker 1>never imagined that you could have sort of by design,

0:30:53.240 --> 0:30:59.000
<v Speaker 1>manufacture a successful cultural export category. And yet there you go,

0:30:59.080 --> 0:31:03.240
<v Speaker 1>Korea did it right. And if you think, like if

0:31:03.280 --> 0:31:06.920
<v Speaker 1>someone had written, you know, post the Asia financial crisis

0:31:06.920 --> 0:31:10.480
<v Speaker 1>in the late early two thousands, that South Korea was

0:31:10.520 --> 0:31:14.280
<v Speaker 1>trying to develop a cultural export economy because it was

0:31:14.320 --> 0:31:17.720
<v Speaker 1>trying to replicate the success of Jurassic Park, I think

0:31:17.720 --> 0:31:20.560
<v Speaker 1>there'd be plenty of people out there that would have

0:31:20.560 --> 0:31:24.440
<v Speaker 1>thought they were absolutely crazy for a number of reasons. No,

0:31:24.520 --> 0:31:26.280
<v Speaker 1>I mean it's crazy. Like I listened to like a

0:31:26.320 --> 0:31:30.880
<v Speaker 1>BTS song this morning and I wasn't in English, and

0:31:31.200 --> 0:31:34.240
<v Speaker 1>your verdict, it just wouldn't never occurred to me that

0:31:34.240 --> 0:31:37.400
<v Speaker 1>that could be for the language reason alone. It would

0:31:37.400 --> 0:31:39.520
<v Speaker 1>not have occurred to me that it could be one

0:31:39.560 --> 0:31:44.600
<v Speaker 1>of the highest charting songs on Spotify's global hit list.

0:31:44.680 --> 0:31:48.040
<v Speaker 1>It just it boggles the mind that it's real, and

0:31:48.120 --> 0:31:51.400
<v Speaker 1>yet it is real, and all these other things that

0:31:51.560 --> 0:31:54.560
<v Speaker 1>Korea has done aren't supposed to be how it's done,

0:31:54.640 --> 0:31:57.160
<v Speaker 1>and yet they continue to do it. So I just love,

0:31:57.280 --> 0:32:03.600
<v Speaker 1>like how many preconceived notion Korea is destroying. Yeah, alright,

0:32:03.640 --> 0:32:07.040
<v Speaker 1>So if there's one takeaway from this entire episode, it's

0:32:07.120 --> 0:32:12.480
<v Speaker 1>that K pop is a serious end economic matter, right,

0:32:12.880 --> 0:32:16.040
<v Speaker 1>and I hope BTS is millions and millions of fans.

0:32:17.000 --> 0:32:23.080
<v Speaker 1>I'll listen to this episode. Yes, BTS, BTS Army. Sign

0:32:23.160 --> 0:32:26.840
<v Speaker 1>up to odd Lots, subscribe on your choice of player.

0:32:28.040 --> 0:32:30.920
<v Speaker 1>This has been another episode of the Odd Thoughts podcast.

0:32:31.000 --> 0:32:33.760
<v Speaker 1>I'm Tracy Alloway. You can follow me on Twitter at

0:32:33.840 --> 0:32:37.080
<v Speaker 1>Tracy Alloway, and I'm Joe Wisenthal. You can follow me

0:32:37.240 --> 0:32:40.719
<v Speaker 1>on Twitter at the Stalwart. And you should follow our guests,

0:32:40.800 --> 0:32:44.520
<v Speaker 1>the author of Birth of Korean Cool, Uni Hong on Twitter,

0:32:44.640 --> 0:32:48.560
<v Speaker 1>She's at Uni and don't forget to follow our producers

0:32:48.840 --> 0:32:53.240
<v Speaker 1>Laura Carlson, She's at Laura M. Carlson. To for Foreheads

0:32:53.680 --> 0:32:56.400
<v Speaker 1>is at four Hest and the Bloomberg head of podcast,

0:32:56.480 --> 0:33:00.680
<v Speaker 1>Francesca Levy at Francesca Today. Thanks for listening.