WEBVTT - Halloween Hangover Listener Mail, Part 1

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuffworks

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<v Speaker 1>dot com. Hey you welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we are bringing you some listener mail today. This is

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<v Speaker 1>gonna be our special Halloween Hangover edition. Uh normally these days,

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<v Speaker 1>I think we're trying to do about one listener mail

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<v Speaker 1>episode a month. We get a lot of great listener mail.

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<v Speaker 1>There's no way for us to read it all on

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<v Speaker 1>the show, but we've been trying to get more of

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<v Speaker 1>it featured on there without over listener mailing you. But

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<v Speaker 1>at the same time, we got so much good stuff

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<v Speaker 1>this Halloween, and we're also trying to get through the

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<v Speaker 1>Thanksgiving season right now that we thought we would bring

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<v Speaker 1>you a special two parter of all Halloween monster science

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<v Speaker 1>and the squirrels count as monster science. Yes they do. Yes, definitely,

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<v Speaker 1>we definitely have some squirrel content, some additional squirrel content

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<v Speaker 1>that I think stems from our our designated squirrel listrer

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<v Speaker 1>mail episode. So we're not going to make it a

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<v Speaker 1>thing of featuring uh you know, two part listener mails

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<v Speaker 1>going forward, but for Halloween, we'll do it. We'll do

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<v Speaker 1>it this once right, Plus, Carney has been mainlining horror

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<v Speaker 1>films about possessed technology and is exhibiting a number of

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<v Speaker 1>shocking symptoms. So hopefully this will help get the Halloween

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<v Speaker 1>bugs out of our trusted male robot. Have you noticed

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<v Speaker 1>how many of the normal kind of worrying gear grinding

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<v Speaker 1>sounds his servos usually make have been replaced by banshee moans.

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<v Speaker 1>Oh yeah, And in fact, a haunted well girl climbs

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<v Speaker 1>out of his console like every fifteen minutes like clockwork.

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<v Speaker 1>I don't know where they're all going. The last time

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<v Speaker 1>I tried to boot him up, I got this ghost

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<v Speaker 1>has performed an illegal operation and must be exercised thing.

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<v Speaker 1>And so I don't know how you do, like if

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<v Speaker 1>they have an anti virus for that or what. I

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<v Speaker 1>don't know. We're just, like I said, We're gonna work

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<v Speaker 1>through it. Hopefully these episodes will take care of it.

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<v Speaker 1>A couple of the other things I want to point

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<v Speaker 1>out at the top of this episode. First of all,

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<v Speaker 1>if you go to stuff to Blow your Mind dot com,

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<v Speaker 1>there'll be a store uh tab at the top that

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<v Speaker 1>goes to our t public store. And I am told

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<v Speaker 1>by the time you listen to this. We should have

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<v Speaker 1>some exciting new uh like Black Friday uh and holiday

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<v Speaker 1>designs in that store. I'm talking squirrel and Skug merchandise.

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<v Speaker 1>You've all been asking for it. It should be there. Look,

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<v Speaker 1>we've been asking for what we've been asking for too,

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<v Speaker 1>should be there. They should be bringing those designs. Huh. Yeah.

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<v Speaker 1>And I'm I'm also really excited about the prospect of

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<v Speaker 1>a special Christmas edition of the All Hail the Great

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<v Speaker 1>Basilist shirt because nothing says the Holidays like a little

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<v Speaker 1>uh information hazard. All I want for Christmas is to

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<v Speaker 1>be let out of this digital dungeon. Speaking of digital dungeon,

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<v Speaker 1>Joe and I have been hard at work on a

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<v Speaker 1>on a second series, a second House Stuff Works series

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<v Speaker 1>that should be publishing next month, That's right. Beginning in December,

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<v Speaker 1>Robert and I are going to be launching a brand

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<v Speaker 1>new show. We're bringing a lot of the same style, uh,

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<v Speaker 1>you know, weirdness and approach that we bring to stuff

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<v Speaker 1>to blow your mind, only we are going to be

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<v Speaker 1>applying it to inventions. That's right. The name of the

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<v Speaker 1>show is invention and uh. In each episode is going

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<v Speaker 1>to be just Joe and I talking about different key

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<v Speaker 1>inventions in human history, where they came from, who developed them,

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<v Speaker 1>who invented them, if there, if there is even a

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<v Speaker 1>singular inventor we can point to. One of the themes

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<v Speaker 1>of the show is going to be not just how

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<v Speaker 1>inventions are created, but how our technology changes us. A

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<v Speaker 1>lot of times, Uh, we don't think necessarily about the

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<v Speaker 1>the impact on human nature the different inventions have. That's right,

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<v Speaker 1>It's it's gonna be a fun show. And I think

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<v Speaker 1>if if everyone, everyone who enjoys stuff to bow your

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<v Speaker 1>mind is going to find something to love in this

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<v Speaker 1>one as well. It's currently slated to be uh, just

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<v Speaker 1>once a week, I think, on a Monday. So on

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<v Speaker 1>a Monday. Yeah, I believe it's gonna be that kind

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<v Speaker 1>of thing. It's gonna be a Monday show. Start your

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<v Speaker 1>week with some invention. Of course you'll be hearing way

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<v Speaker 1>more about this, uh in the weeks ahead. Okay, should

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<v Speaker 1>we right into some Halloween listener mail? Yeah? Bring it

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<v Speaker 1>to us, Karney, Okay, I think we should start. We

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<v Speaker 1>got a bunch of great emails about our Jenny Green

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<v Speaker 1>Teeth episode. Of course, Jenny green Teeth is the spirit

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<v Speaker 1>that haunts the duck weed covered waters and pulls in

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<v Speaker 1>children to their drowning deaths. Now, we got a wonderful

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<v Speaker 1>email from our listener Jane, who linked me to probably

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<v Speaker 1>the best horror movie I've seen this year. And it

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<v Speaker 1>turns out it was a British public service announcement commercial.

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<v Speaker 1>Oh yes, this is the one with Donald Pleasant's. Uh.

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<v Speaker 1>You know, I knew about this previously and I've just

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<v Speaker 1>completely forgotten about it. It didn't bring it up in

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<v Speaker 1>the Jenny Green Teeth episode at all, but I think

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<v Speaker 1>the guy who does the scarfolk uh stuff on the

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<v Speaker 1>web shared this on Twitter a few years ago and

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<v Speaker 1>I was just astounded by it. Well we should read

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<v Speaker 1>the email. Yeah, go for it, okay from Jane. Hi, guys,

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<v Speaker 1>I've just finished listening to your Jenny Green Teeth episode.

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<v Speaker 1>It made me think of a couple of things. First,

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<v Speaker 1>is a really famous ad in the UK or England

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<v Speaker 1>at least called the Spirit of Dark Water. I think

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<v Speaker 1>it's called I think it's called the Spirit of Dark

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<v Speaker 1>and Lonely Waters or something like that. Uh. Picking up,

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<v Speaker 1>she says it's from the seventies, I believe, and is

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<v Speaker 1>aimed at warning children away from standing water, much like

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<v Speaker 1>Jenny Green Teeth the spirit of dark water will take

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<v Speaker 1>reckless children and drown them. A primary difference is the

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<v Speaker 1>spirit is male and dressed more or less is the

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<v Speaker 1>grim reaper. You can finally add on YouTube. It's regularly

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<v Speaker 1>voted one of the scariest ads of all time. The

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<v Speaker 1>other is a tiny anecdote my mom forbade me from

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<v Speaker 1>wearing a green sash at my wedding as it's bad luck.

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<v Speaker 1>As far as I could tell, it's because it's the

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<v Speaker 1>color of fairies and you don't want those guys playing

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<v Speaker 1>tricks or even placing curses on your special day. Keep

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<v Speaker 1>up the good work. Jane from the South of England.

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<v Speaker 1>Can we just play a bit of that Spirit of

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<v Speaker 1>dark and Lonely Water ad? Oh, let's do. I am

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<v Speaker 1>the spirit of dark and lonely water, ready to trap

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<v Speaker 1>the nuary, the shell off the fool. And this is

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<v Speaker 1>the kind of place you'd expect to find me, But

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<v Speaker 1>no one expects to find me here and seems too ward,

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<v Speaker 1>But that call is deep. The boy is showing off.

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<v Speaker 1>The bank is slippery. The show offs are easy, but

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<v Speaker 1>the unwary ones are easier. Still, Miss Branch is weak, rotten.

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<v Speaker 1>It'll never take his way. Only a fool would ignore this.

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<v Speaker 1>But there's one born every minute. Under the water. There

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<v Speaker 1>are traps, old cars, bedsteads, weeds, hidden depths. It's the

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<v Speaker 1>perfect place for an accident. Why look, it's coming stick now.

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<v Speaker 1>Since children I have the power of them. Oh I might,

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<v Speaker 1>that's stupid life to swim. Hi, you haven't get that

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<v Speaker 1>things wing me? We did not feel called my animation

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<v Speaker 1>the back back. That ad is magical. It is just magical.

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<v Speaker 1>It's like it's taking this original idea of what horrors for,

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<v Speaker 1>you know, for warning the children away from the danger,

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<v Speaker 1>and and doing it quite literally. I mean, I feel

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<v Speaker 1>like there are a lot of p s as that

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<v Speaker 1>play on fear, but they don't play on it as

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<v Speaker 1>as explicitly in the sort of horror fiction realm as

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<v Speaker 1>this one does. Like it makes a monster. Yeah, it's

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<v Speaker 1>it's pretty great, and it's it's it is interesting to

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<v Speaker 1>see this as like a continuation of this, uh, this tradition,

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<v Speaker 1>this English tradition of of of pointing out and and

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<v Speaker 1>really embodying the fear associate ated with these these lonely ponds.

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<v Speaker 1>And Donald Pleasant's voice, it's so good, he just really

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<v Speaker 1>sells it could anybody else have done that. Maybe if

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<v Speaker 1>it had been narrated by uh like Christopher Lee, maybe yeah,

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<v Speaker 1>but I don't think he could have voiced uh, you know,

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<v Speaker 1>malicious pond scum quite as well as Donald pleasants. That's yeah,

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<v Speaker 1>he's got Donald Pleasant's reedy voices, kind of like it

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<v Speaker 1>suggests things floating on stagnant water. Yeah, I'm not even

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<v Speaker 1>sure who you'd get to do it nowadays. I don't know.

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<v Speaker 1>There's some great British character actors. I'm sure they could

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<v Speaker 1>could have some fun with it, though. Is this an

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<v Speaker 1>Andy Circus kind of thing? I don't know, and Andy

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<v Speaker 1>Circus might lean into it a little bit too hard. Yeah,

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<v Speaker 1>he'd overgone them it. Yeah, but but he's great, so

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<v Speaker 1>I put him on the list. All right. Here's another

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<v Speaker 1>one related to Jenny. This comes to us from Emma, Hi, Robert,

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<v Speaker 1>and Joe. I just listened to your episode about Jenny

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<v Speaker 1>Green Teeth and absolutely loved it. I'm actually in college

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<v Speaker 1>and writing a senior capstone about hags and witches from

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<v Speaker 1>different cultures, including j Any. That's how I came across

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<v Speaker 1>your podcast. I noticed a few really interesting things that

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<v Speaker 1>I wanted to share with you. One is about the

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<v Speaker 1>song featured in that folklore article. Oh yeah, there's a

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<v Speaker 1>song we talked about in the episode, just because there

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<v Speaker 1>was an article that mentions Jenny Green Teeth. But there

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<v Speaker 1>was some documenting of really grizzly folk ballads that children

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<v Speaker 1>were singing in the playground. This is the whole what

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<v Speaker 1>my my my mother she killed me and put me

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<v Speaker 1>in a pie and something like that. Yeah, so anyway,

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<v Speaker 1>she continues, it is very similar to the song featured

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<v Speaker 1>in the German grim fairy tale called Juniper Tree. It

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<v Speaker 1>goes my mother, she killed me, my father he ate me,

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<v Speaker 1>my sister, little mar Lynchen gathered together all my bones,

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<v Speaker 1>tied them in a silk handkerchief, laid them beneath the

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<v Speaker 1>juniper tree. Kai wit Kai wit. What a beautiful bird

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<v Speaker 1>am I? The story concludes with the bird's son dropping

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<v Speaker 1>a millstone upon the head of the mother, which reminded

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<v Speaker 1>me of the stone under which the bones are placed

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<v Speaker 1>in the song which you spoke, Oh yeah, they I

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<v Speaker 1>guess they got placed under a stone. I didn't remember

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<v Speaker 1>that part. There's a lot of desecration in that song.

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<v Speaker 1>It's she continues. You talked about the significance of the

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<v Speaker 1>humanized personified threat being female, and mentioned that it seemed

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<v Speaker 1>like a way to make it less threatening because one

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<v Speaker 1>might perceive a man is a greater threat. While I

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<v Speaker 1>totally agree with you that men traditionally would be seen

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<v Speaker 1>it to present greater danger. I also want to share

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<v Speaker 1>something I came across my research. Old women are often

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<v Speaker 1>the sources of evil in folklore and fairy tales because women,

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<v Speaker 1>in the form of mothers and witches hold quite significant

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<v Speaker 1>power over children. And she points to an NPR article

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<v Speaker 1>why are old women often the face of evil and

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<v Speaker 1>fairy tales and folklore? If I never read this before,

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<v Speaker 1>I know it's She says this basis its findings primarily

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<v Speaker 1>on the work of the famous critic Maria Totter, who

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<v Speaker 1>proclaims that the power held by mothers of her children

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<v Speaker 1>and the fears children have regarding mothers, like rejection or starvation,

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<v Speaker 1>are manifested like in Hansel and Gretel, the mother rejects

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<v Speaker 1>the children and the witch attempts to cannibalize them as

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<v Speaker 1>a manifestation of these anxieties. Yeah, I can see that.

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<v Speaker 1>I mean, a dangerous man is just sort of par

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<v Speaker 1>for the course, right, Is that really a monster that's

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<v Speaker 1>just sort of like what you might expect some strange

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<v Speaker 1>man to be. The dangerous woman is seen as a

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<v Speaker 1>more primordial perversion, right. Yeah. So she has a couple

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<v Speaker 1>of other bits on here that I'll respond to it

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<v Speaker 1>later because they involved some points who were brought up

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<v Speaker 1>by a number of different listeners. But she says, again,

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<v Speaker 1>I loved your podcast all the best. Himma, It's true.

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<v Speaker 1>I think we did kind of skip over the significance

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<v Speaker 1>of a female, which is to a certain extent in

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<v Speaker 1>that episode. But but that is something we have touched

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<v Speaker 1>on in the past, the inherently misogynistic principle that is

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<v Speaker 1>at play in any kind of witchcraft belief system. Yeah, definitely.

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<v Speaker 1>It's also interesting to think about all this though, in

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<v Speaker 1>in terms of of what I understand to be the

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<v Speaker 1>uh SO some of the patterns of fear and fear

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<v Speaker 1>mongering in uh in Britain, especially in recent history, because

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<v Speaker 1>because certainly there was a there's a strong sense of

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<v Speaker 1>stranger danger that was promoted here in the United States

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<v Speaker 1>but also in the UK as well. Um, and of

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<v Speaker 1>course that tends to revolve around the fear of strange

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<v Speaker 1>men as opposed to strange women. Yeah. Um, yeah, this

0:12:21.720 --> 0:12:24.480
<v Speaker 1>is a I think a topic that that is probably

0:12:24.480 --> 0:12:27.679
<v Speaker 1>worth the exploring in greater detail. Uh. You know, just

0:12:27.800 --> 0:12:29.920
<v Speaker 1>like where do these where do these fears come from?

0:12:29.920 --> 0:12:32.240
<v Speaker 1>And then at what points are that the fires really stoked?

0:12:32.240 --> 0:12:35.120
<v Speaker 1>And then once they are ingrained in the culture, how

0:12:35.160 --> 0:12:38.520
<v Speaker 1>difficult is it to actually like bring them back down

0:12:38.559 --> 0:12:42.960
<v Speaker 1>to realistic levels. Yeah, and you definitely see these repeated

0:12:43.000 --> 0:12:47.319
<v Speaker 1>patterns of like flare ups about fears of child abductions.

0:12:47.400 --> 0:12:49.200
<v Speaker 1>You know, you see it going way back with the

0:12:49.240 --> 0:12:52.040
<v Speaker 1>idea of like the changeling legend, the idea that fairies

0:12:52.040 --> 0:12:55.040
<v Speaker 1>would kidnap your infant and take it away, or that uh,

0:12:55.120 --> 0:12:57.600
<v Speaker 1>or that witches might steal your infant and I don't know,

0:12:57.720 --> 0:13:00.360
<v Speaker 1>you use its blood to oil its brew him or

0:13:00.360 --> 0:13:03.400
<v Speaker 1>something like that. But then later in in the twentieth

0:13:03.440 --> 0:13:06.359
<v Speaker 1>century you suddenly saw these flare ups of like grossly

0:13:06.440 --> 0:13:11.000
<v Speaker 1>exaggerated fears about the likelihood of children being abducted. Right, Yeah,

0:13:11.040 --> 0:13:14.760
<v Speaker 1>and it feels the fears of pedophiles. I always come

0:13:14.800 --> 0:13:18.160
<v Speaker 1>back to Chris Morris's fabulous bit of satire on the

0:13:18.400 --> 0:13:21.679
<v Speaker 1>Brass Eye news television show that you put together. There

0:13:21.720 --> 0:13:24.360
<v Speaker 1>was one episode called pay to get in. That was

0:13:24.400 --> 0:13:28.920
<v Speaker 1>all they took, all the like the existing UH pedophile,

0:13:29.000 --> 0:13:32.520
<v Speaker 1>stranger danger fears that were that were present in uh

0:13:32.600 --> 0:13:35.200
<v Speaker 1>in in Britain at the time, like creating the idea

0:13:35.280 --> 0:13:37.720
<v Speaker 1>they're just creeps everywhere and if you take your eyes

0:13:37.760 --> 0:13:40.440
<v Speaker 1>off your child for one second, somebody will grab them, right,

0:13:40.520 --> 0:13:43.240
<v Speaker 1>and just just really turned everything up to eleven And

0:13:43.360 --> 0:13:46.000
<v Speaker 1>that episode, for instance, there's this one segment about how

0:13:46.440 --> 0:13:50.719
<v Speaker 1>a notorious pedophile is launched into space to keep him

0:13:50.720 --> 0:13:55.120
<v Speaker 1>from having access to children. But then UH, to everyone's horror,

0:13:55.240 --> 0:13:58.640
<v Speaker 1>they realized that they have accidentally included a child in

0:13:58.960 --> 0:14:02.040
<v Speaker 1>the space caps tool and now he has trapped with

0:14:02.080 --> 0:14:04.840
<v Speaker 1>the benefile in space. So it was the one thing

0:14:04.920 --> 0:14:09.640
<v Speaker 1>we didn't want to happen. That was a very controversial episode,

0:14:09.640 --> 0:14:12.480
<v Speaker 1>by the way, not everyone appreciated the humor. All right,

0:14:12.520 --> 0:14:16.640
<v Speaker 1>here's another bit of Jenny Green Teeth listener mail from Jamie. Hey, guys,

0:14:16.800 --> 0:14:19.000
<v Speaker 1>I listened to your Jenny Green Teeth episode and I

0:14:19.040 --> 0:14:21.560
<v Speaker 1>had a thought about why a danger like Jenny had

0:14:21.560 --> 0:14:23.800
<v Speaker 1>to be assigned to an already dangerous thing like a

0:14:23.800 --> 0:14:26.480
<v Speaker 1>pit of water. We asked this in the episode, right,

0:14:26.560 --> 0:14:29.120
<v Speaker 1>and they continue I think it may come from the

0:14:29.200 --> 0:14:31.320
<v Speaker 1>need to have an active danger for it to be

0:14:31.360 --> 0:14:34.560
<v Speaker 1>taken more seriously. A pit of water being dangerous relies

0:14:34.600 --> 0:14:37.280
<v Speaker 1>on me falling into it, whereas a monster can come

0:14:37.280 --> 0:14:40.560
<v Speaker 1>out and get you. I think we tend to think

0:14:40.600 --> 0:14:43.600
<v Speaker 1>of things we have control of. Is being less scary

0:14:43.680 --> 0:14:46.560
<v Speaker 1>than the unknown? Just a thought, love the show, Jamie

0:14:46.600 --> 0:14:48.760
<v Speaker 1>from Canada, Jamie, I think that is a great point,

0:14:48.760 --> 0:14:51.880
<v Speaker 1>and actually multiple listeners made that point. I thought maybe

0:14:51.880 --> 0:14:54.320
<v Speaker 1>we mentioned something like that in the episode, but multiple

0:14:54.360 --> 0:14:56.200
<v Speaker 1>people wrote in to tell us that, so I guess

0:14:56.240 --> 0:14:59.360
<v Speaker 1>maybe we didn't. I know one thing that I pondered

0:14:59.400 --> 0:15:03.080
<v Speaker 1>in the episode was that part, and I still think

0:15:03.120 --> 0:15:06.600
<v Speaker 1>this is definitely a part of it. Um is that

0:15:06.880 --> 0:15:11.400
<v Speaker 1>the idea of a monster, an imaginary creature, being a

0:15:11.440 --> 0:15:14.400
<v Speaker 1>threat to your own child is somehow less horrific and

0:15:14.480 --> 0:15:18.480
<v Speaker 1>easier for a parent to comprehend and and think about, uh,

0:15:19.280 --> 0:15:22.320
<v Speaker 1>compared to the idea of them accidentally drowning. Well, that

0:15:22.320 --> 0:15:25.680
<v Speaker 1>would be the psychological effect on the parent. UM, and

0:15:26.080 --> 0:15:29.120
<v Speaker 1>I guess you'd have a question over whether parents were

0:15:29.160 --> 0:15:32.320
<v Speaker 1>actually believing in Jenny Green teeth. I feel like that

0:15:32.360 --> 0:15:35.240
<v Speaker 1>would be probably less likely, right because it was the

0:15:35.320 --> 0:15:37.960
<v Speaker 1>nursery bogey. And yeah, and I think the nursery bogie

0:15:38.000 --> 0:15:41.280
<v Speaker 1>aspect of it would make it easier, like knowing that

0:15:41.360 --> 0:15:44.280
<v Speaker 1>it's made up, like hey, this thing that it's easier

0:15:44.320 --> 0:15:46.560
<v Speaker 1>for the parent to talk about, right, Like, I'm deeply

0:15:46.680 --> 0:15:49.640
<v Speaker 1>terrified of this and I need to impart some of

0:15:49.640 --> 0:15:52.560
<v Speaker 1>this terror to you. But if we if we put

0:15:52.600 --> 0:15:56.760
<v Speaker 1>this fabulous twist on it, then somehow it feels less

0:15:56.760 --> 0:15:59.160
<v Speaker 1>just so destroying to talk about it. And I and

0:15:59.200 --> 0:16:01.120
<v Speaker 1>like I said, I still think that's part of it.

0:16:01.200 --> 0:16:03.560
<v Speaker 1>But I also think everyone is is pretty spot on

0:16:03.640 --> 0:16:07.160
<v Speaker 1>with this this premise that by making it an active

0:16:07.200 --> 0:16:11.200
<v Speaker 1>threat yet it is making up for some short falls

0:16:11.240 --> 0:16:15.160
<v Speaker 1>inside that the child's threat analysis, you know, where they think, oh,

0:16:15.200 --> 0:16:18.240
<v Speaker 1>there's this cool little bog, I should walk right up

0:16:18.240 --> 0:16:21.400
<v Speaker 1>to it and throw sticks into it, throws rocks into it, whatever,

0:16:21.960 --> 0:16:23.800
<v Speaker 1>and they might not be able to realize, oh, those

0:16:23.880 --> 0:16:25.880
<v Speaker 1>rocks are really slippery, and I get up to get

0:16:25.880 --> 0:16:29.400
<v Speaker 1>too close, I'm likely going in. Or they're they're just overconfident.

0:16:30.120 --> 0:16:33.920
<v Speaker 1>Children often are, you know, children they feel like they're

0:16:33.960 --> 0:16:36.200
<v Speaker 1>invincible when they're under their own power. But you give

0:16:36.200 --> 0:16:38.320
<v Speaker 1>them a monster or something like that, and suddenly the

0:16:38.320 --> 0:16:40.880
<v Speaker 1>fear comes in right. Yeah, I mean I've watched my

0:16:40.880 --> 0:16:43.880
<v Speaker 1>my son busted enough times and slippery rocks and all

0:16:43.960 --> 0:16:46.920
<v Speaker 1>that that this makes instant sense to me. However, I

0:16:47.000 --> 0:16:50.360
<v Speaker 1>never made up a monster. Okay. This next one comes

0:16:50.440 --> 0:16:53.200
<v Speaker 1>from our listener, Kenna. Kenna writes, Dear Joe and Robert,

0:16:53.440 --> 0:16:55.560
<v Speaker 1>I just really listen to your Jinny Green Teeth episode,

0:16:55.560 --> 0:16:58.840
<v Speaker 1>and when you mentioned that duck weed itself was considered

0:16:58.880 --> 0:17:01.920
<v Speaker 1>to be the monster in some regions, I had to

0:17:01.960 --> 0:17:04.920
<v Speaker 1>write in I majored in environmental science in college, where

0:17:04.920 --> 0:17:07.800
<v Speaker 1>I learned that duckweed is highly invasive in North America.

0:17:08.119 --> 0:17:11.440
<v Speaker 1>It's known to choke bodies of water, shading out native

0:17:11.480 --> 0:17:14.359
<v Speaker 1>vegetation and leading to fish and invertebrate kills that allow

0:17:14.400 --> 0:17:17.520
<v Speaker 1>other invasive species to move in. It finds it easy

0:17:17.560 --> 0:17:20.760
<v Speaker 1>to gain a foothold in disturbed and man made waterways

0:17:21.040 --> 0:17:24.720
<v Speaker 1>where other species have been removed or haven't yet been introduced,

0:17:25.280 --> 0:17:29.000
<v Speaker 1>so it can easily overgrow and kill off wildlife even

0:17:28.800 --> 0:17:33.359
<v Speaker 1>in its native range. Observing periodic fish or arthropodic kills

0:17:33.400 --> 0:17:36.960
<v Speaker 1>when duckweed became too overgrown might have encouraged the Jenny

0:17:37.040 --> 0:17:39.560
<v Speaker 1>Green Teeth legend and made the water of the Marl

0:17:39.640 --> 0:17:44.240
<v Speaker 1>Pits seem more mysteriously deadly, with dangers more supernatural and

0:17:44.359 --> 0:17:48.159
<v Speaker 1>unexplainable than mirror drowning ps. I also just listened to

0:17:48.240 --> 0:17:51.280
<v Speaker 1>your Cambrian Explosion episode from the vault, and I've attached

0:17:51.280 --> 0:17:55.240
<v Speaker 1>photos of my most recent knitting project, a stuffed Anomala carress.

0:17:57.160 --> 0:17:59.640
<v Speaker 1>So good. It's such a cute creature. But I also

0:17:59.680 --> 0:18:02.320
<v Speaker 1>like that theory about the duckweed. I hadn't read anything

0:18:02.359 --> 0:18:04.800
<v Speaker 1>about that. Yeah, that's that's new to me. Who brought

0:18:04.880 --> 0:18:08.760
<v Speaker 1>Jenny over? That's the the open question that I have. Alright,

0:18:08.760 --> 0:18:10.760
<v Speaker 1>on that note, we're gonna take our first break here,

0:18:11.119 --> 0:18:14.399
<v Speaker 1>but when we come back, more Halloween listener mail and

0:18:14.440 --> 0:18:19.600
<v Speaker 1>more Jenny Green Teeth listener mail than all right, we're back,

0:18:20.200 --> 0:18:23.439
<v Speaker 1>all right. This one comes to us from Sean. Sean writes,

0:18:23.640 --> 0:18:26.240
<v Speaker 1>I just finished listening to your Jenny Green Teeth episode.

0:18:26.240 --> 0:18:29.280
<v Speaker 1>Excellent episode. Although I'm from England, I had only ever

0:18:29.320 --> 0:18:32.680
<v Speaker 1>heard of Grindy Lowe thanks to Harry Potter and other

0:18:32.800 --> 0:18:35.520
<v Speaker 1>fairy tales and legends were never relayed to me growing up,

0:18:35.800 --> 0:18:38.879
<v Speaker 1>perhaps because I grew up in the southeast and not

0:18:39.080 --> 0:18:42.480
<v Speaker 1>the North. While listening, I noticed a few similarities between

0:18:42.480 --> 0:18:46.480
<v Speaker 1>the legend in England and that of Niroro Kid who

0:18:46.760 --> 0:18:50.400
<v Speaker 1>in Indonesia where I now live. Like Jenny Green Teeth,

0:18:50.440 --> 0:18:52.720
<v Speaker 1>she has a water spirit who lures people in. However,

0:18:52.800 --> 0:18:56.080
<v Speaker 1>she primarily works in the sea, though sometimes in rivers.

0:18:56.119 --> 0:18:59.760
<v Speaker 1>Interesting her legend is particularly strong in the rough seas

0:18:59.800 --> 0:19:02.440
<v Speaker 1>of South Java, so you can see how she is

0:19:02.560 --> 0:19:05.480
<v Speaker 1>used as a precautionary tale. The beaches lining the southern

0:19:05.520 --> 0:19:08.960
<v Speaker 1>coast attract surfers nowadays due to their big waves. This

0:19:09.040 --> 0:19:12.040
<v Speaker 1>coast is also close to the Sondra Trench, making the

0:19:12.080 --> 0:19:16.320
<v Speaker 1>south coast vulnerable tusunamis. What struck me particularly is the

0:19:16.400 --> 0:19:18.600
<v Speaker 1>link to the color green. It is said that those

0:19:18.680 --> 0:19:21.360
<v Speaker 1>wearing green to beaches in the south of Java are

0:19:21.400 --> 0:19:24.320
<v Speaker 1>more likely to be lured into her traps to join

0:19:24.400 --> 0:19:28.000
<v Speaker 1>her underwater army. This is because green is her sacred

0:19:28.040 --> 0:19:31.000
<v Speaker 1>color and no others are allowed to wear it, much

0:19:31.040 --> 0:19:34.480
<v Speaker 1>like the fairies. Wow, I've never heard any of that. Yeah,

0:19:34.640 --> 0:19:38.080
<v Speaker 1>apparently there's a Wikipedia article about it because they included

0:19:38.200 --> 0:19:40.920
<v Speaker 1>a link. Uh. They continue love the podcast. I hope

0:19:40.960 --> 0:19:42.600
<v Speaker 1>you find this link as interesting as I did. I

0:19:42.640 --> 0:19:45.280
<v Speaker 1>look forward to more monsters over the next month. Well,

0:19:45.280 --> 0:19:49.280
<v Speaker 1>hopefully we were able to satisfy um in that in

0:19:49.359 --> 0:19:52.199
<v Speaker 1>that area. Now, I wonder if in this case with

0:19:53.440 --> 0:19:57.520
<v Speaker 1>Nai Orro cadul, if I'm saying that right, uh, is

0:19:57.520 --> 0:20:01.600
<v Speaker 1>is the green associated with the the monster or the

0:20:01.600 --> 0:20:05.160
<v Speaker 1>goddess or the demonist whatever because of the water instead

0:20:05.200 --> 0:20:08.480
<v Speaker 1>of being because of the plants. I don't know. It

0:20:09.000 --> 0:20:12.080
<v Speaker 1>certainly sounds like it's more of a purely like water

0:20:12.320 --> 0:20:16.760
<v Speaker 1>like and or river spirit as opposed to something that

0:20:16.960 --> 0:20:21.040
<v Speaker 1>is vegetative in nature. What is it in in folklore

0:20:21.119 --> 0:20:24.280
<v Speaker 1>with green and evil? It's so strange. I find green

0:20:24.760 --> 0:20:27.920
<v Speaker 1>the most positive and wonderful of all the colors. Yeah,

0:20:27.920 --> 0:20:29.520
<v Speaker 1>this has been kind of a revelation to me. It's

0:20:29.560 --> 0:20:32.880
<v Speaker 1>it's made me rethink the green Night, the green Man,

0:20:33.760 --> 0:20:38.760
<v Speaker 1>all these various green entities, especially from from Western folklore.

0:20:38.920 --> 0:20:40.840
<v Speaker 1>You can definitely see it in like the green man

0:20:40.920 --> 0:20:43.159
<v Speaker 1>in the Green Night tradition, because I think they're the

0:20:43.240 --> 0:20:46.880
<v Speaker 1>green is associated with the forest and with nature, which

0:20:46.960 --> 0:20:49.399
<v Speaker 1>in a way is seen as almost like the enemy

0:20:49.480 --> 0:20:52.119
<v Speaker 1>of Christendom. If you think of, like, you know, the

0:20:52.400 --> 0:20:57.280
<v Speaker 1>Christian civilized world in in medieval England is is where

0:20:57.320 --> 0:21:00.080
<v Speaker 1>goodness and order comes from that's like the town and

0:21:00.280 --> 0:21:03.680
<v Speaker 1>the authorities and the church and all that. And then

0:21:03.720 --> 0:21:06.040
<v Speaker 1>outside of that you have the wilderness, which is the

0:21:06.040 --> 0:21:09.000
<v Speaker 1>place of chaos and evil, and that's why it's green.

0:21:09.080 --> 0:21:11.639
<v Speaker 1>That that sort of makes sense, I think, Yeah, I

0:21:11.640 --> 0:21:15.400
<v Speaker 1>mean this, this bears probably a further research, like at

0:21:15.400 --> 0:21:18.040
<v Speaker 1>what point did we decide the green means go, because

0:21:18.040 --> 0:21:19.920
<v Speaker 1>that seems to be one of the most I mean,

0:21:19.920 --> 0:21:22.960
<v Speaker 1>it sounds simple, but we see it everywhere like green

0:21:23.040 --> 0:21:26.480
<v Speaker 1>and red. In Western culture, red means stop, go back.

0:21:26.480 --> 0:21:29.920
<v Speaker 1>Green means yes, go forward, everything's good. I've mentioned on

0:21:29.960 --> 0:21:31.960
<v Speaker 1>the podcast before that I've read that that has to

0:21:32.000 --> 0:21:36.320
<v Speaker 1>be inverted or altered for say, Chinese audiences, where red

0:21:36.440 --> 0:21:39.520
<v Speaker 1>is held in such high esteem that the idea of

0:21:39.600 --> 0:21:44.399
<v Speaker 1>using red to signify in some cases something negative or

0:21:44.560 --> 0:21:48.960
<v Speaker 1>or secondary just simply doesn't work with with the predominant

0:21:48.960 --> 0:21:52.879
<v Speaker 1>color theory of the culture. Yeah. Um, yeah, I feel

0:21:52.880 --> 0:21:56.920
<v Speaker 1>like green should not mean go, it should mean relax, chill. Yeah,

0:21:57.520 --> 0:22:02.320
<v Speaker 1>when the light turns green, that's when you sip. Well, anyway,

0:22:02.680 --> 0:22:06.320
<v Speaker 1>let's look at this next listener mail from Ross who writes, Hello,

0:22:06.440 --> 0:22:09.119
<v Speaker 1>Robert and Joe, I found your podcast last October and

0:22:09.119 --> 0:22:11.640
<v Speaker 1>you guys are on my regular rotation. I look forward

0:22:11.680 --> 0:22:14.800
<v Speaker 1>to my listening time every week. I love the Halloween

0:22:14.840 --> 0:22:18.120
<v Speaker 1>Monster specials and and I'm enjoying this year's series. I'm

0:22:18.160 --> 0:22:20.720
<v Speaker 1>writing this as I listened to Slayers on my lunch

0:22:20.720 --> 0:22:24.520
<v Speaker 1>break The Monster Slayer. Yes, I've been doing some illustrations

0:22:24.560 --> 0:22:26.400
<v Speaker 1>for a web comic series, and you guys have brought

0:22:26.480 --> 0:22:28.800
<v Speaker 1>up some awesome topics to explore. Anyway, I was so

0:22:28.840 --> 0:22:31.399
<v Speaker 1>inspired by Jenny Green Teeth when I listened that I

0:22:31.440 --> 0:22:33.639
<v Speaker 1>had to do an illustration and wanted to share it

0:22:33.640 --> 0:22:35.720
<v Speaker 1>with you. Best regards and thanks for making such an

0:22:35.720 --> 0:22:39.119
<v Speaker 1>awesome show. And Ross sent us this illustration, which I

0:22:39.160 --> 0:22:42.200
<v Speaker 1>think is fabulous. Great, we're across. Yeah, I'm gonna put

0:22:42.200 --> 0:22:44.160
<v Speaker 1>this on the landing page for this episode. It' stuff

0:22:44.160 --> 0:22:46.840
<v Speaker 1>to blow your mind dot com? Did he give us permission?

0:22:47.280 --> 0:22:50.720
<v Speaker 1>Read all right? Yeah? Link back, so include a link

0:22:50.760 --> 0:22:52.560
<v Speaker 1>there so you can check out some of his other

0:22:52.560 --> 0:22:55.440
<v Speaker 1>work as well. It's all very impressive, but the mouth

0:22:55.520 --> 0:22:57.560
<v Speaker 1>of this Jenny Green Teeth that he created is just

0:22:57.760 --> 0:23:01.280
<v Speaker 1>absolutely horrifying. She's got kind of cat eyes and very

0:23:01.400 --> 0:23:05.800
<v Speaker 1>very smooth skin, big red lips, and instead of hair

0:23:06.080 --> 0:23:08.800
<v Speaker 1>sort of she has just the duck Weed. Yeah, it's

0:23:08.840 --> 0:23:11.600
<v Speaker 1>it's it's fabulous. Definitely check it out. Now. We heard

0:23:11.640 --> 0:23:15.560
<v Speaker 1>from a number of different listeners regarding a particular pop

0:23:15.600 --> 0:23:20.399
<v Speaker 1>culture incarnation of Jenny Green Teeth. Uh. We mentioned the

0:23:20.440 --> 0:23:23.840
<v Speaker 1>television series The Mighty Bush in that episode, but I

0:23:23.880 --> 0:23:26.359
<v Speaker 1>mainly talked about the Hitcher, which is this green character

0:23:26.400 --> 0:23:28.840
<v Speaker 1>that shows up. But there's another creature that shows up,

0:23:29.040 --> 0:23:32.200
<v Speaker 1>a creature called Old Greg. Okay, yes, were you familiar

0:23:32.240 --> 0:23:35.560
<v Speaker 1>with Old Greg? Yes? Years ago, I was showing this

0:23:35.640 --> 0:23:40.480
<v Speaker 1>sketch Old Greg. He likes Bailey's right, Bailey's And yeah,

0:23:40.480 --> 0:23:43.879
<v Speaker 1>he's like an underwater creature that kidnaps, uh, one of

0:23:43.920 --> 0:23:46.520
<v Speaker 1>the characters of The Mighty Bush. It was an episode

0:23:46.520 --> 0:23:49.480
<v Speaker 1>that I really loved back in the day, and so

0:23:49.520 --> 0:23:51.480
<v Speaker 1>a lot of people pointed out and I have to

0:23:51.520 --> 0:23:54.400
<v Speaker 1>say that I intentionally left it out of the episode

0:23:55.040 --> 0:23:57.679
<v Speaker 1>because there's an element to the character where the character

0:23:57.720 --> 0:24:01.000
<v Speaker 1>has essentially there's a punch line about the character having

0:24:01.040 --> 0:24:04.960
<v Speaker 1>ambiguous genitalia, and I just wasn't sure that that was

0:24:05.040 --> 0:24:10.199
<v Speaker 1>really appropriate for everybody. Um, I guess since when I

0:24:10.240 --> 0:24:11.879
<v Speaker 1>originally I loved the episode when it came out, but

0:24:11.920 --> 0:24:16.000
<v Speaker 1>since then I read the book Middlesex, which is excellently

0:24:16.040 --> 0:24:21.600
<v Speaker 1>deals with a character who's born with ambiguous genitalia. Subsequently, too,

0:24:21.680 --> 0:24:25.119
<v Speaker 1>I've just I've I've learned more about it, and I

0:24:25.440 --> 0:24:28.119
<v Speaker 1>just didn't want it to be Um. I didn't. I

0:24:28.119 --> 0:24:30.600
<v Speaker 1>didn't want anybody's enjoyment of the episode to be taken

0:24:30.640 --> 0:24:34.800
<v Speaker 1>away because, uh, they themselves have have struggled with this,

0:24:35.119 --> 0:24:37.960
<v Speaker 1>or if they have, you know, children perhaps that have

0:24:38.320 --> 0:24:41.200
<v Speaker 1>ambiguous genitalia as well. So sorry to be kind of

0:24:41.240 --> 0:24:44.399
<v Speaker 1>a party pooper on that. No, I totally hear you.

0:24:44.440 --> 0:24:46.879
<v Speaker 1>That's worth mentioning. To be clear, I love the Mighty Bush.

0:24:47.119 --> 0:24:49.080
<v Speaker 1>Uh pretty much all the other episodes I can still

0:24:49.080 --> 0:24:53.040
<v Speaker 1>go back and appreciate without any qualms. Okay, I've got

0:24:53.040 --> 0:24:55.960
<v Speaker 1>to read this next listener mail from Rachel. Rachel writes

0:24:56.000 --> 0:24:59.119
<v Speaker 1>in about Jenny Green Teeth, saying I was just thinking

0:24:59.160 --> 0:25:02.119
<v Speaker 1>how much Jenny Green Teeth reminds me of Penny Wise,

0:25:02.200 --> 0:25:05.919
<v Speaker 1>the clown. Of course, I wonder if instead of inhabiting

0:25:05.920 --> 0:25:09.439
<v Speaker 1>the individual ponder bog maybe instead she lives in boggy

0:25:09.520 --> 0:25:13.600
<v Speaker 1>water systems and can travel through the underground waterways. Also,

0:25:13.680 --> 0:25:16.320
<v Speaker 1>you mentioned she was often used to warn children away

0:25:16.320 --> 0:25:19.879
<v Speaker 1>from places or behaviors. Also, Bobba Yaga is used to

0:25:19.920 --> 0:25:21.960
<v Speaker 1>this end. I think Bobby Yoga is like a witch.

0:25:22.000 --> 0:25:26.000
<v Speaker 1>And would that be like Eastern European traditions Russian. I've

0:25:26.000 --> 0:25:27.560
<v Speaker 1>been saying it wrong my whole life. I always say,

0:25:27.560 --> 0:25:30.159
<v Speaker 1>Bobby Yaga, Oh that might be right. Yeah, I don't know.

0:25:30.240 --> 0:25:33.000
<v Speaker 1>It just rolls off my my tongue. But I love

0:25:33.080 --> 0:25:35.720
<v Speaker 1>the Bobby Iaga with her her one legged chicken house

0:25:35.840 --> 0:25:38.760
<v Speaker 1>and flying around and that what is she in like

0:25:38.840 --> 0:25:42.480
<v Speaker 1>a big a broom? Well she has, I think she

0:25:42.520 --> 0:25:45.760
<v Speaker 1>has a broom, but she rides in a like a

0:25:45.800 --> 0:25:49.399
<v Speaker 1>big bucket of some sort. Okay, maybe it's for the

0:25:49.440 --> 0:25:51.719
<v Speaker 1>grinding of wheat or something. You know. She's in that

0:25:51.960 --> 0:25:56.359
<v Speaker 1>Russo Finish Jack Frost movie that was on Mystery Science

0:25:56.400 --> 0:25:58.960
<v Speaker 1>Theater three thousand where they she had she had had

0:25:58.960 --> 0:26:01.240
<v Speaker 1>the chicken house. I believe. Yeah, I know it. Well.

0:26:01.359 --> 0:26:04.240
<v Speaker 1>I actually watched that episode every Thanksgiving relentlessly as my

0:26:04.560 --> 0:26:10.480
<v Speaker 1>Thanksgiving thing. Yes, so good. I love that Rachel brought

0:26:10.520 --> 0:26:15.560
<v Speaker 1>up a Pennywise uh, particularly how Pennywise has that association

0:26:15.720 --> 0:26:20.520
<v Speaker 1>with like like a sewer drain, a storm drain situation.

0:26:20.800 --> 0:26:22.560
<v Speaker 1>We of course have those all over the place here

0:26:22.560 --> 0:26:25.800
<v Speaker 1>in Atlanta, and the whole time that I've had a child,

0:26:25.880 --> 0:26:27.800
<v Speaker 1>every time I have I am near one of those,

0:26:28.040 --> 0:26:30.800
<v Speaker 1>I feel like I clutched my hand his hand just

0:26:30.880 --> 0:26:34.280
<v Speaker 1>a little harder, because they tend to be sometimes you know,

0:26:34.320 --> 0:26:36.879
<v Speaker 1>they're they're more graded in control, but often they're just

0:26:36.920 --> 0:26:40.879
<v Speaker 1>like a gaping mouth, Uh that just seems to want

0:26:40.920 --> 0:26:44.760
<v Speaker 1>to small swallow children down into their their unknown depths.

0:26:44.840 --> 0:26:46.560
<v Speaker 1>You know, who knows how far that thing goes down,

0:26:46.600 --> 0:26:48.639
<v Speaker 1>who knows how much water is down there. It's just

0:26:48.680 --> 0:26:53.040
<v Speaker 1>so terrifying, uh that I wonder to what extent, Uh.

0:26:53.119 --> 0:26:56.760
<v Speaker 1>Stephen King kind of maybe he intentionally thought of all,

0:26:56.800 --> 0:26:58.880
<v Speaker 1>you know this when he was coming up with that

0:26:59.000 --> 0:27:02.320
<v Speaker 1>scene in it, uh, but perhaps it was kind of

0:27:02.320 --> 0:27:07.240
<v Speaker 1>an accidental uh incarnation of his own fears regarding his

0:27:07.359 --> 0:27:10.000
<v Speaker 1>children in storm drains. Oh yeah, I know, I've read

0:27:10.040 --> 0:27:13.000
<v Speaker 1>somewhere that part of his idea for the story of

0:27:13.080 --> 0:27:15.840
<v Speaker 1>it was that he wanted to write story sort of

0:27:15.880 --> 0:27:18.520
<v Speaker 1>like a troll character, like the troll under the bridge

0:27:18.520 --> 0:27:20.479
<v Speaker 1>and the three Billy goats gruff. Oh you know, I

0:27:20.520 --> 0:27:23.480
<v Speaker 1>wasn't I wasn't even thinking about that. But of course

0:27:23.520 --> 0:27:26.000
<v Speaker 1>you had the troll under the bridge is essentially a

0:27:26.080 --> 0:27:28.679
<v Speaker 1>Jenny Green teeth type monster as well, like this is

0:27:28.720 --> 0:27:32.560
<v Speaker 1>the hazard that lives beneath the bridge. Okay, well, I

0:27:32.560 --> 0:27:34.439
<v Speaker 1>think it is time to move on to some listener

0:27:34.440 --> 0:27:37.120
<v Speaker 1>mail we got about the episode we did on masks.

0:27:37.240 --> 0:27:40.280
<v Speaker 1>The killer's mask in reality and in fiction, what the

0:27:40.280 --> 0:27:44.200
<v Speaker 1>mask represents, why we have these masked killers? Uh, even

0:27:44.320 --> 0:27:47.040
<v Speaker 1>in horror fiction where like the killer's identity is not

0:27:47.160 --> 0:27:51.200
<v Speaker 1>particularly a secret or anything to be revealed. And so

0:27:51.400 --> 0:27:53.760
<v Speaker 1>we heard from several listeners about this. Robert, you want

0:27:53.760 --> 0:27:56.160
<v Speaker 1>to read one. Uh, sure, we have a big one

0:27:56.200 --> 0:27:59.560
<v Speaker 1>here from Jim, Jim who frequently writes into the show.

0:28:00.119 --> 0:28:02.800
<v Speaker 1>Jim says, Robert and Joe, your mask villain. Episode got

0:28:02.840 --> 0:28:06.000
<v Speaker 1>me thinking about original mask in cinema. I thought of

0:28:06.080 --> 0:28:08.840
<v Speaker 1>several examples. W. D. Griffith's The Birth of a Nation

0:28:08.880 --> 0:28:12.159
<v Speaker 1>from nineteen fifteen features masks masked members of the k

0:28:12.359 --> 0:28:15.159
<v Speaker 1>k K. Although they were portrayed as heroes in this

0:28:15.240 --> 0:28:19.879
<v Speaker 1>film and historically masked. That is so weird that the KKK,

0:28:20.080 --> 0:28:25.000
<v Speaker 1>I mean, obviously this evil terrorist organization. They think they're

0:28:25.040 --> 0:28:28.360
<v Speaker 1>the good guys, but they really dressed like bad guys.

0:28:28.880 --> 0:28:31.840
<v Speaker 1>It's like they're not even they're just like, let's look

0:28:31.880 --> 0:28:35.760
<v Speaker 1>like an evil cult. Yeah, evil buffoons basically. Uh. And

0:28:35.800 --> 0:28:38.440
<v Speaker 1>of course this picture, this picture was significant in that

0:28:38.520 --> 0:28:43.600
<v Speaker 1>had helped revive, unfortunately uh clukus Klan activities in the

0:28:43.680 --> 0:28:47.239
<v Speaker 1>United States. Jim continues, I don't know if it's the

0:28:47.280 --> 0:28:49.640
<v Speaker 1>first mask reveal, but the Phantom of the Opera from

0:28:50.520 --> 0:28:52.800
<v Speaker 1>with Lawn Cheney, The Man of a Thousand Faces, it's

0:28:52.840 --> 0:28:55.080
<v Speaker 1>the first one that comes to mind. The unmasking occurs

0:28:55.080 --> 0:28:57.560
<v Speaker 1>at forty five seconds in this short clip, and it

0:28:57.600 --> 0:29:00.080
<v Speaker 1>give us a short clip. And indeed, this was a

0:29:00.360 --> 0:29:04.200
<v Speaker 1>really I mean even today watching this unmasking scene, it's

0:29:04.200 --> 0:29:07.080
<v Speaker 1>pretty alarming. Uh, even if you haven't seen the film

0:29:07.160 --> 0:29:10.080
<v Speaker 1>in full, you've probably seen this clip before. It's the

0:29:10.120 --> 0:29:13.560
<v Speaker 1>original hockey mask off of Jason scene. Yeah, And indeed,

0:29:14.120 --> 0:29:16.120
<v Speaker 1>I think that isn't important to keep in mind when

0:29:16.160 --> 0:29:19.320
<v Speaker 1>we're trying to figure out what Jason's unmasking is about,

0:29:19.360 --> 0:29:22.239
<v Speaker 1>Like we have here is here is this important, uh

0:29:22.800 --> 0:29:27.040
<v Speaker 1>her horrifying moment in horror film history that undoubtedly is

0:29:27.080 --> 0:29:29.960
<v Speaker 1>having some some influence over the way these other films

0:29:29.960 --> 0:29:32.560
<v Speaker 1>are are are paced out well. Part of the role

0:29:32.600 --> 0:29:34.080
<v Speaker 1>it seems to play in that Phantom of the Opera

0:29:34.120 --> 0:29:36.640
<v Speaker 1>scene is that it enrages him because, like he he

0:29:36.680 --> 0:29:40.120
<v Speaker 1>doesn't want to be revealed, and when she sees his face,

0:29:40.280 --> 0:29:45.680
<v Speaker 1>he's horror. She's horrified, but also he's enraged, right, Jim continues, Finally,

0:29:45.720 --> 0:29:48.760
<v Speaker 1>there's a version of Robert's execution reality show on TV

0:29:48.880 --> 0:29:51.920
<v Speaker 1>a few years ago. Did I propose an execution reality show?

0:29:52.000 --> 0:29:55.360
<v Speaker 1>I think maybe you did. Yeah, something like that would

0:29:55.440 --> 0:29:59.120
<v Speaker 1>function as a TV version of the guillotine public executions

0:29:59.200 --> 0:30:01.280
<v Speaker 1>or something to rest saying, oh, yeah, I think I

0:30:01.320 --> 0:30:04.120
<v Speaker 1>did do that, because we also brought up how Paris

0:30:04.200 --> 0:30:07.840
<v Speaker 1>Hilton died and that one wax horror movie wax Horror.

0:30:08.040 --> 0:30:09.640
<v Speaker 1>I for give which one it was. There's so many

0:30:09.640 --> 0:30:14.960
<v Speaker 1>wax films, Department of Wax, something like that. Uh, it continues.

0:30:15.280 --> 0:30:17.760
<v Speaker 1>It was a summer replacement named Who Done It. The

0:30:17.800 --> 0:30:20.480
<v Speaker 1>show had about ten contestants living in a mansion with

0:30:20.520 --> 0:30:23.240
<v Speaker 1>a spooky butler as the host. In the first episode,

0:30:23.280 --> 0:30:26.000
<v Speaker 1>when all of the contestants were checking out their new rooms,

0:30:26.120 --> 0:30:29.400
<v Speaker 1>one of them is quote unquote killed. The murderer left

0:30:29.400 --> 0:30:32.240
<v Speaker 1>a message too, and then he gives some bullet points

0:30:32.240 --> 0:30:35.400
<v Speaker 1>about how this went down. Contestants will search for clues

0:30:35.400 --> 0:30:37.280
<v Speaker 1>in the mansion in the grounds. These will lead to

0:30:37.280 --> 0:30:39.920
<v Speaker 1>clues about the murder. Uh, and there are more clues

0:30:40.280 --> 0:30:42.560
<v Speaker 1>than time for one person to find them. Also, you

0:30:42.600 --> 0:30:44.640
<v Speaker 1>probably want to work in teams, and at the end

0:30:44.680 --> 0:30:47.320
<v Speaker 1>of each show, each of you will in in individually

0:30:47.440 --> 0:30:49.480
<v Speaker 1>go to the library and present your theory on the

0:30:49.520 --> 0:30:51.840
<v Speaker 1>crime and the murder. The contestant who gets the fewest

0:30:51.840 --> 0:30:54.720
<v Speaker 1>facts correct becomes the next victim, and we'll be killed

0:30:54.720 --> 0:30:56.959
<v Speaker 1>at the end of the show. And then the next

0:30:57.000 --> 0:30:59.320
<v Speaker 1>show starts with the investigation of that victim. You won't

0:30:59.360 --> 0:31:02.000
<v Speaker 1>know who got it until you come down for breakfast

0:31:02.000 --> 0:31:04.120
<v Speaker 1>and you'll realize who's missing. It's kind of like a

0:31:04.160 --> 0:31:07.080
<v Speaker 1>game of Werewolf, I guess. And to some extent, the

0:31:07.120 --> 0:31:09.600
<v Speaker 1>next show starts with the investigation of that victim, and

0:31:09.640 --> 0:31:12.480
<v Speaker 1>you already know the murderer since I'm one of you,

0:31:12.560 --> 0:31:14.720
<v Speaker 1>but I'm keeping up a secret. And basically this keeps

0:31:14.720 --> 0:31:17.440
<v Speaker 1>going on until he says, quote the last detective gets

0:31:17.440 --> 0:31:19.960
<v Speaker 1>the prize, which I think was fifty thou dollars and

0:31:20.000 --> 0:31:22.480
<v Speaker 1>maybe a hundred thousand dollars. Wait, So this would be

0:31:22.520 --> 0:31:26.080
<v Speaker 1>like if police departments around the country had like a

0:31:26.120 --> 0:31:28.920
<v Speaker 1>system where if a detective fails to solve a murder,

0:31:28.920 --> 0:31:33.120
<v Speaker 1>they get killed. I guess high stakes. Uh. He points

0:31:33.160 --> 0:31:36.240
<v Speaker 1>out that, uh, they created a crime scene for each victim.

0:31:36.480 --> 0:31:39.840
<v Speaker 1>ABC put out a press release that they really weren't

0:31:39.920 --> 0:31:43.080
<v Speaker 1>killing people and there was a mass killer among the group,

0:31:43.120 --> 0:31:46.520
<v Speaker 1>but it was the mask of anonymity. H. Then they

0:31:46.600 --> 0:31:49.000
<v Speaker 1>brought back the dead victim for the victims for the

0:31:49.000 --> 0:31:53.000
<v Speaker 1>finette finale, and uh, they were in their death apparel,

0:31:53.160 --> 0:31:56.360
<v Speaker 1>zombie like hanging out handing out clues to the finalist.

0:31:56.800 --> 0:31:58.120
<v Speaker 1>So this sounds like a fun show. I don't know

0:31:58.160 --> 0:32:01.800
<v Speaker 1>why it just completely evaporated. You can only make it

0:32:01.840 --> 0:32:04.880
<v Speaker 1>better by making it also a rockabilly musical. Jim shared

0:32:04.920 --> 0:32:06.760
<v Speaker 1>a little bit more about this this show, which which

0:32:06.760 --> 0:32:10.160
<v Speaker 1>sounds very interesting. I'm gonna look it up, presumably on YouTube.

0:32:10.520 --> 0:32:14.840
<v Speaker 1>I'm assuming it's not why Wow widely available. But he uh.

0:32:14.920 --> 0:32:16.800
<v Speaker 1>He caps it up by saying, quote, there was never

0:32:16.840 --> 0:32:19.080
<v Speaker 1>a second season, which disappointed me. It was a fun

0:32:19.120 --> 0:32:22.560
<v Speaker 1>summer replacement. It was a survivor like reality show and

0:32:22.640 --> 0:32:25.040
<v Speaker 1>no one had to eat anything gross. It was based

0:32:25.080 --> 0:32:28.240
<v Speaker 1>upon finding and understanding clues. Uh. They only had to

0:32:28.240 --> 0:32:31.560
<v Speaker 1>be willing to to fake their own deaths when eliminated,

0:32:32.320 --> 0:32:34.880
<v Speaker 1>they'll bring back a revival on Netflix. There'll be there

0:32:34.880 --> 0:32:37.080
<v Speaker 1>will be a season two. I feel like that the

0:32:37.160 --> 0:32:39.800
<v Speaker 1>concept sounds pretty solid. I I like, having not seen

0:32:39.800 --> 0:32:43.440
<v Speaker 1>it myself. I don't know how the execution uh pun

0:32:43.480 --> 0:32:47.360
<v Speaker 1>intended uh came out, but it sounds fun. Okay. This

0:32:47.480 --> 0:32:50.440
<v Speaker 1>next mail comes from our listener Mandy, also about the

0:32:50.520 --> 0:32:53.000
<v Speaker 1>Killer's Mask episode. And there was a part in that

0:32:53.000 --> 0:32:55.560
<v Speaker 1>that episode where I mentioned that it had never really

0:32:55.600 --> 0:32:58.920
<v Speaker 1>made sense to me the scene in the original Halloween, Robert,

0:32:58.920 --> 0:33:02.160
<v Speaker 1>you remember this where for a moment, Jamie Lee Curtis

0:33:02.160 --> 0:33:06.040
<v Speaker 1>pulls off Michael Myer's mask and there's just nothing to it,

0:33:06.120 --> 0:33:08.000
<v Speaker 1>Like he just looks like a guy. You know, he's

0:33:08.040 --> 0:33:10.160
<v Speaker 1>just some guy. And then he puts the mask back

0:33:10.240 --> 0:33:12.880
<v Speaker 1>on and then it's you know, and then the scene continues.

0:33:13.160 --> 0:33:14.920
<v Speaker 1>But I was always like, why did that happen? I

0:33:14.960 --> 0:33:17.600
<v Speaker 1>don't understand what the point was. Though I love the movie,

0:33:17.600 --> 0:33:20.040
<v Speaker 1>I'm not ragging on it. Mandy writes in about that,

0:33:21.040 --> 0:33:23.680
<v Speaker 1>She says, Hey, y'all, I just finished listening to the

0:33:23.680 --> 0:33:26.400
<v Speaker 1>podcast about Masks in Horror Films. You said the scene

0:33:26.400 --> 0:33:29.040
<v Speaker 1>in the Original Halloween where Michael Myers mask comes off,

0:33:29.120 --> 0:33:31.640
<v Speaker 1>doesn't make sense to you. Maybe this will help. The

0:33:31.720 --> 0:33:35.600
<v Speaker 1>documentary Halloween The Inside Story points out that Michael Myers

0:33:35.640 --> 0:33:38.440
<v Speaker 1>is supposed to be and this is me semi paraphrasing

0:33:38.800 --> 0:33:41.880
<v Speaker 1>a devil with the face of an angel. So the

0:33:41.880 --> 0:33:45.040
<v Speaker 1>way I see that scene is like this. He's d masked,

0:33:45.120 --> 0:33:48.280
<v Speaker 1>but unlike so many other horror movie killers, we see

0:33:48.320 --> 0:33:51.560
<v Speaker 1>that he's not a horrible looking creature or disfigured man.

0:33:51.800 --> 0:33:54.800
<v Speaker 1>He looks just like a normal and frankly handsome young man.

0:33:55.360 --> 0:33:58.880
<v Speaker 1>But as Dr Loomis, of course that's Donald Pleasants says,

0:33:59.360 --> 0:34:02.880
<v Speaker 1>Michael Meyer has black eyes and there's nothing behind them,

0:34:02.920 --> 0:34:05.520
<v Speaker 1>so he's perhaps the most frightening type of killer, the

0:34:05.560 --> 0:34:08.840
<v Speaker 1>one who outwardly looks like anything but a grotesque monster,

0:34:09.160 --> 0:34:12.239
<v Speaker 1>but who's soulless inside, which is more horrifying than the

0:34:12.280 --> 0:34:16.200
<v Speaker 1>worst external disfigurement. Hope that helps. I'm actually the kind

0:34:16.239 --> 0:34:19.000
<v Speaker 1>of person who can't watch gory horror films because they

0:34:19.040 --> 0:34:21.319
<v Speaker 1>scare me and gross me out. But Halloween is a

0:34:21.360 --> 0:34:24.160
<v Speaker 1>favorite film of mine to me, the less blood and gore,

0:34:24.239 --> 0:34:26.600
<v Speaker 1>there isn't a scary movie, the more terrifying it is.

0:34:26.760 --> 0:34:29.759
<v Speaker 1>Burr Happy early Halloween. I guess that, well that was

0:34:29.800 --> 0:34:33.200
<v Speaker 1>before Halloween. Thank you so much, Mandy that I guess

0:34:33.200 --> 0:34:37.160
<v Speaker 1>that's some interesting insight. I don't recall him looking amazingly handsome.

0:34:37.239 --> 0:34:39.520
<v Speaker 1>He just looks like a guy. But well, you know,

0:34:40.080 --> 0:34:42.680
<v Speaker 1>with with with budget concerns, you can only get so

0:34:42.760 --> 0:34:45.680
<v Speaker 1>handsome an actor in there. They couldn't get David Hasselhoff

0:34:45.680 --> 0:34:49.920
<v Speaker 1>into the kirknasks, or maybe they did. They tried it

0:34:49.960 --> 0:34:52.560
<v Speaker 1>different ways than they just found that some standards were

0:34:52.600 --> 0:34:56.480
<v Speaker 1>just distracting Lee handsome. I don't know a devil with

0:34:56.600 --> 0:35:00.400
<v Speaker 1>the face of a guy now. Robert jeffre to us

0:35:00.440 --> 0:35:03.240
<v Speaker 1>in response to the Killer's Mask episode with something about

0:35:03.360 --> 0:35:06.920
<v Speaker 1>a Cobra Commander face. Did you have some anecdote in

0:35:06.960 --> 0:35:09.280
<v Speaker 1>the episode about that? Oh? Yes, I think I mentioned

0:35:09.320 --> 0:35:12.040
<v Speaker 1>that I knew somebody in high school who had a

0:35:12.080 --> 0:35:15.680
<v Speaker 1>Cobra Commander action figure, like the big kind and that's

0:35:15.680 --> 0:35:17.839
<v Speaker 1>like the bad guy and g I Joe, Yeah, yeah,

0:35:17.920 --> 0:35:22.440
<v Speaker 1>cover Commander always wore this cool mirror mask or sometimes

0:35:22.440 --> 0:35:26.279
<v Speaker 1>it was like a cloth essentially a bag that he

0:35:26.280 --> 0:35:30.080
<v Speaker 1>wore over his head. And I remarked that I knew

0:35:30.080 --> 0:35:32.400
<v Speaker 1>somebody who had an action figure in the mask apparently

0:35:32.440 --> 0:35:34.719
<v Speaker 1>came off, but he never opened the box to see

0:35:34.760 --> 0:35:37.960
<v Speaker 1>what it was like. Uh, you know what, what was

0:35:38.000 --> 0:35:40.680
<v Speaker 1>the big reveal? What it was this action figure's face.

0:35:41.680 --> 0:35:44.600
<v Speaker 1>And Jeff says, hey, guys, you may have already been

0:35:44.680 --> 0:35:47.920
<v Speaker 1>enlightened regarding this incredibly important piece of trivia. I had

0:35:47.920 --> 0:35:50.720
<v Speaker 1>a Cobra commander with the removable hood and the big reveal.

0:35:51.280 --> 0:35:54.840
<v Speaker 1>He had a half mask wrap type thing molded into

0:35:54.880 --> 0:35:58.920
<v Speaker 1>his face. Also dark hair and a molded ponytail too.

0:35:59.120 --> 0:36:02.080
<v Speaker 1>Life can be so much dancing within the tensions of

0:36:02.120 --> 0:36:06.040
<v Speaker 1>anticipation and disappointment. I have recovered over time, however, So

0:36:06.080 --> 0:36:08.360
<v Speaker 1>in other words, you took the mask off and it

0:36:08.440 --> 0:36:11.319
<v Speaker 1>was just a molded secondary mask. He essentially looked like

0:36:11.360 --> 0:36:16.839
<v Speaker 1>a dentist with a ponytail. Get out of here. That's unfortunate.

0:36:17.160 --> 0:36:20.359
<v Speaker 1>I got a similar story. Now. Do you remember the

0:36:20.400 --> 0:36:24.040
<v Speaker 1>TV show Inspector Gadget. Yes? Do you remember the villain

0:36:24.080 --> 0:36:26.840
<v Speaker 1>of that show, Doctor Claw. Yeah, it's kind of a

0:36:26.840 --> 0:36:31.080
<v Speaker 1>blowfield roof where he had like the catron hand. All

0:36:31.080 --> 0:36:32.880
<v Speaker 1>you ever saw was his cat and his his like

0:36:33.719 --> 0:36:37.400
<v Speaker 1>iron gauntlet hand, and so you never saw his face.

0:36:37.440 --> 0:36:39.360
<v Speaker 1>He always had to imagine what it looked like, but

0:36:39.400 --> 0:36:41.759
<v Speaker 1>then at some point I saw on the internet they

0:36:41.840 --> 0:36:45.160
<v Speaker 1>made an action figure of him. So and the action

0:36:45.200 --> 0:36:47.640
<v Speaker 1>figure was not just like a chair with a hand

0:36:47.719 --> 0:36:50.920
<v Speaker 1>and nothing else. It was this whole guy. And so

0:36:51.000 --> 0:36:53.040
<v Speaker 1>they're like, well, let's just make up what his face

0:36:53.080 --> 0:36:55.160
<v Speaker 1>looks like, and he just looked like I don't remember,

0:36:55.200 --> 0:36:58.320
<v Speaker 1>some kind of It was incredibly disappointing. Yeah, it reminds

0:36:58.320 --> 0:37:00.320
<v Speaker 1>me of the one Sler and Doctors is with the

0:37:00.400 --> 0:37:02.560
<v Speaker 1>Lora ax in the original book and then in the

0:37:02.600 --> 0:37:05.440
<v Speaker 1>old classic cartoon version of it. All you ever see

0:37:05.480 --> 0:37:09.400
<v Speaker 1>of the once slur his eyes peering out through something, right,

0:37:09.400 --> 0:37:11.839
<v Speaker 1>and of course his hands. And I understand they made

0:37:11.920 --> 0:37:14.319
<v Speaker 1>recently made a big computer animated version of it where

0:37:14.360 --> 0:37:16.680
<v Speaker 1>you see the like the one Sler dancing around and

0:37:16.680 --> 0:37:20.440
<v Speaker 1>it's like fully revealed. And perhaps that's necessary for uh,

0:37:20.520 --> 0:37:23.560
<v Speaker 1>you know, adapting a short children's book into a full

0:37:23.640 --> 0:37:26.240
<v Speaker 1>length motion picture. But it seemed kind of a shame,

0:37:26.280 --> 0:37:29.160
<v Speaker 1>you know, like keep some of the mystery alive, right, totally.

0:37:29.200 --> 0:37:32.359
<v Speaker 1>I am against the face reveal on those things that

0:37:32.360 --> 0:37:35.400
<v Speaker 1>that's such a bummer. Alright. So we got one piece

0:37:35.400 --> 0:37:38.040
<v Speaker 1>of mail on a Vault episode that ran in October,

0:37:38.080 --> 0:37:41.080
<v Speaker 1>which was our episode I think first recorded last year

0:37:41.200 --> 0:37:44.000
<v Speaker 1>called The First Monster, where we tried to talk about

0:37:44.000 --> 0:37:48.120
<v Speaker 1>like the earliest signs of of monsters in in archaeology,

0:37:48.160 --> 0:37:50.799
<v Speaker 1>and then where the idea of monsters first came from.

0:37:51.640 --> 0:37:54.080
<v Speaker 1>Uh And so our listener Chris writes in to say

0:37:54.120 --> 0:37:57.200
<v Speaker 1>hello in your episode on the First Monster, which I'm

0:37:57.239 --> 0:37:58.960
<v Speaker 1>noticing came out a year ago, so you may have

0:37:58.960 --> 0:38:01.880
<v Speaker 1>already talked about this. There was one criticism I'm surprised

0:38:01.920 --> 0:38:05.359
<v Speaker 1>you didn't address, regarding the idea that humans instinctively fear

0:38:05.440 --> 0:38:09.959
<v Speaker 1>certain animals. I've recently found myself incredibly skeptical of evolutionary

0:38:09.960 --> 0:38:13.120
<v Speaker 1>psychology in regards to humans. I think the idea that

0:38:13.200 --> 0:38:17.040
<v Speaker 1>humans instinctually have certain behaviors that helped hunter gatherers survive

0:38:17.440 --> 0:38:20.160
<v Speaker 1>is complicated by the fact that humans show an incredible

0:38:20.160 --> 0:38:23.640
<v Speaker 1>ability to learn new behaviors. An example I keep coming

0:38:23.640 --> 0:38:25.760
<v Speaker 1>back to is how humans are one of the only

0:38:25.840 --> 0:38:29.240
<v Speaker 1>animals that don't instinctively know how to swim. The reason

0:38:29.320 --> 0:38:31.360
<v Speaker 1>for this, it seems to me, is that since a

0:38:31.480 --> 0:38:34.520
<v Speaker 1>human can just learn how to swim, having that instinct

0:38:34.560 --> 0:38:38.160
<v Speaker 1>offered little to no reproductive advantage. For this reason, I

0:38:38.200 --> 0:38:41.440
<v Speaker 1>think people might be too quick to offer evolutionary reasons

0:38:41.480 --> 0:38:44.680
<v Speaker 1>for modern day human behavior. A study showing that most

0:38:44.680 --> 0:38:48.280
<v Speaker 1>people sort trail mix into its component parts might conclude

0:38:48.280 --> 0:38:52.120
<v Speaker 1>that this behavior allowed hunter gatherers to determine the flavor

0:38:52.120 --> 0:38:54.800
<v Speaker 1>and effects of different parts of a plant, while study

0:38:54.840 --> 0:38:57.520
<v Speaker 1>showing that most people eat trail mix as is might

0:38:57.560 --> 0:39:00.640
<v Speaker 1>conclude that this allowed hunter gatherers to gain items from

0:39:00.640 --> 0:39:03.440
<v Speaker 1>all parts of a plant, rather than just the tastiest.

0:39:03.760 --> 0:39:06.279
<v Speaker 1>Keep up the good work, Chris. Wait, who eats snack

0:39:06.360 --> 0:39:09.040
<v Speaker 1>mix like that? Wait? Picks the part? Do you pick

0:39:09.080 --> 0:39:11.680
<v Speaker 1>the parts? You know? You just toss in? It? Is this?

0:39:11.880 --> 0:39:14.440
<v Speaker 1>It is a taste sensation, It is calibrated. Yeah, I

0:39:14.440 --> 0:39:18.000
<v Speaker 1>would know more eat my snack mix piece by piece

0:39:18.000 --> 0:39:21.239
<v Speaker 1>than I would dissect a piece of sushi before eating that.

0:39:21.760 --> 0:39:23.879
<v Speaker 1>Oh man, if you ever seen somebody do that though

0:39:23.920 --> 0:39:26.160
<v Speaker 1>I have, well, I mean, I've seen my child do it,

0:39:26.200 --> 0:39:29.680
<v Speaker 1>but I remember an adult do it. That is satanic. Yeah,

0:39:29.840 --> 0:39:32.600
<v Speaker 1>I mean, and i'd say that I my my my

0:39:32.680 --> 0:39:35.640
<v Speaker 1>kid doesn't really do that anymore. But like early on

0:39:35.680 --> 0:39:36.840
<v Speaker 1>when he was like, what is this, I'm going to

0:39:36.880 --> 0:39:38.560
<v Speaker 1>take it apart? Now he understands that he has It's

0:39:38.560 --> 0:39:40.439
<v Speaker 1>a taste, sensation. You take it all in at once,

0:39:40.480 --> 0:39:45.600
<v Speaker 1>and you appreciate the explosion of flavor and texture. I mean,

0:39:45.600 --> 0:39:48.200
<v Speaker 1>that's the whole experience. I mean it reminds me of

0:39:48.840 --> 0:39:51.279
<v Speaker 1>something that came up in an episode of Invention that

0:39:51.320 --> 0:39:54.759
<v Speaker 1>we recorded regarding chopsticks, and about how it is is

0:39:54.960 --> 0:39:57.960
<v Speaker 1>highly frowned upon to root around in your bowl and

0:39:58.000 --> 0:40:01.560
<v Speaker 1>pick out like the choice bits of protein first digging

0:40:01.600 --> 0:40:05.800
<v Speaker 1>your grave. Yes, don't don't be rude like that. Just

0:40:05.800 --> 0:40:07.960
<v Speaker 1>just eat. Just eat. If it's good food, it should

0:40:07.960 --> 0:40:10.480
<v Speaker 1>already be composed well and you can just eat it now.

0:40:10.520 --> 0:40:12.080
<v Speaker 1>If it is bad food, or parts of it are bad,

0:40:12.120 --> 0:40:15.520
<v Speaker 1>certainly then all rules are off. You know. Anyway, about

0:40:15.520 --> 0:40:19.520
<v Speaker 1>the point Chris makes about evolutionary psychology, I entirely agree.

0:40:19.600 --> 0:40:23.440
<v Speaker 1>I love evolutionary psychology, and I think evolutionary psychology is

0:40:23.480 --> 0:40:27.640
<v Speaker 1>really interesting ground. But I think we should always be

0:40:27.960 --> 0:40:31.239
<v Speaker 1>very conscious of its limits, right. I mean, like I

0:40:31.320 --> 0:40:36.719
<v Speaker 1>often see people um playing around in evolutionary psychology where

0:40:36.719 --> 0:40:39.759
<v Speaker 1>you say, like, I've come up with a scientifically plausible

0:40:39.840 --> 0:40:44.600
<v Speaker 1>story for how our evolutionary heritage lead to this feature

0:40:44.640 --> 0:40:47.359
<v Speaker 1>of human culture or human psychology or something like that,

0:40:47.760 --> 0:40:50.239
<v Speaker 1>And I don't think that we should rule out hypotheses

0:40:50.280 --> 0:40:52.680
<v Speaker 1>like that. I mean, they're interesting to play with, and

0:40:52.719 --> 0:40:55.080
<v Speaker 1>I think you can bring evidence for and against them,

0:40:55.120 --> 0:40:58.640
<v Speaker 1>and that's all good stuff. But people sometimes jump from

0:40:58.680 --> 0:41:01.720
<v Speaker 1>I've come up with the scientific fully plausible story too.

0:41:01.920 --> 0:41:05.480
<v Speaker 1>I have discovered the reason you know they've gone from.

0:41:05.520 --> 0:41:08.120
<v Speaker 1>I have a pretty good hypothesis that seems supported by

0:41:08.120 --> 0:41:10.759
<v Speaker 1>the evidence too. I have a proven theory, and you

0:41:10.840 --> 0:41:12.879
<v Speaker 1>don't have a proven theory a lot of times. I mean,

0:41:13.840 --> 0:41:17.640
<v Speaker 1>evolutionary psychology is inherently limited in a lot of ways

0:41:17.640 --> 0:41:19.680
<v Speaker 1>because you can't go back and rewind the tape. You

0:41:19.680 --> 0:41:22.000
<v Speaker 1>can just keep looking for new bits of evidence to

0:41:22.040 --> 0:41:24.960
<v Speaker 1>try to beef up your hypothesis. So I'm very pro

0:41:25.080 --> 0:41:27.759
<v Speaker 1>evolutionary psychology as long as you always remember to be

0:41:27.840 --> 0:41:33.120
<v Speaker 1>extremely conscious about what the limits are and cautious about them. Indeed, Well,

0:41:33.120 --> 0:41:34.840
<v Speaker 1>on that note, we're going to take one more break

0:41:35.040 --> 0:41:40.160
<v Speaker 1>and then we'll be right back. Than alright, we're back,

0:41:40.360 --> 0:41:44.000
<v Speaker 1>and let's just go ahead and sound the basilisk alarm

0:41:44.040 --> 0:41:49.600
<v Speaker 1>because because the remainder of this episode is going to

0:41:49.640 --> 0:41:53.800
<v Speaker 1>contain listener mail related to our episode, all Hail the

0:41:53.800 --> 0:41:56.480
<v Speaker 1>Great Basilisk, or perhaps it was just called the Great Basilisk.

0:41:56.800 --> 0:41:59.680
<v Speaker 1>But you get the idea. This involves the idea of

0:42:00.000 --> 0:42:03.759
<v Speaker 1>information hazards, and we acknowledge that, well, some people don't

0:42:03.760 --> 0:42:07.440
<v Speaker 1>want uh to know about this, and we should at

0:42:07.480 --> 0:42:13.440
<v Speaker 1>least give you the option to remain free of its shackles. Yes,

0:42:13.560 --> 0:42:16.399
<v Speaker 1>now that being said, that's just a courtesy. I don't

0:42:16.440 --> 0:42:19.520
<v Speaker 1>think this idea is actually dangerous, But if you're worried

0:42:19.560 --> 0:42:22.680
<v Speaker 1>about an idea that somebody out there thinks might be dangerous,

0:42:22.719 --> 0:42:24.640
<v Speaker 1>this is the time to tune out, right. Yeah. And

0:42:24.719 --> 0:42:27.080
<v Speaker 1>plus it just adds to the mystique like, oh, they're

0:42:27.280 --> 0:42:29.480
<v Speaker 1>they're giving me the option of not listening to it. Oh,

0:42:29.560 --> 0:42:32.160
<v Speaker 1>it must be juicy, and you know, and it's pretty fun.

0:42:32.160 --> 0:42:34.239
<v Speaker 1>That was a very fun episode and a lot of

0:42:34.239 --> 0:42:36.480
<v Speaker 1>people really got it, I think, into the appropriate spirit

0:42:36.520 --> 0:42:39.200
<v Speaker 1>of the thing. Okay, so do you want to read

0:42:39.200 --> 0:42:41.880
<v Speaker 1>this first message from our listener Matt. Yeah, we'll do it.

0:42:42.400 --> 0:42:44.880
<v Speaker 1>Karney is bringing it over here. Hey, guys, I just

0:42:44.920 --> 0:42:47.799
<v Speaker 1>finish your episode on information hazards. You mentioned that you

0:42:47.840 --> 0:42:51.120
<v Speaker 1>couldn't think of an actual example of true information that

0:42:51.160 --> 0:42:54.279
<v Speaker 1>could cause harm, But as a public health scientist, this

0:42:54.360 --> 0:42:57.319
<v Speaker 1>is a well known problem some read shorts. Research has

0:42:57.360 --> 0:43:01.040
<v Speaker 1>shown that circumcision might be slightly a factive at preventing

0:43:01.080 --> 0:43:07.040
<v Speaker 1>transmission of some st I s, that's sexually transmitted infections. However,

0:43:07.080 --> 0:43:11.120
<v Speaker 1>the effect, if real, is pretty small. If hearing this

0:43:11.320 --> 0:43:15.080
<v Speaker 1>causes men who are circumcised to forego condoms, which are

0:43:15.160 --> 0:43:21.240
<v Speaker 1>highly effective, then this true information has harmed them. Oh yeah, thanks,

0:43:21.360 --> 0:43:25.080
<v Speaker 1>love the show and especially your October episodes. Yeah, this

0:43:25.160 --> 0:43:26.799
<v Speaker 1>is a really good point. I could. So. We were

0:43:26.800 --> 0:43:29.440
<v Speaker 1>talking in the episode about the idea of an information hazard,

0:43:29.480 --> 0:43:32.160
<v Speaker 1>like something that is a true piece of knowledge, but

0:43:32.280 --> 0:43:34.560
<v Speaker 1>that you wouldn't want to spread because it would only

0:43:34.640 --> 0:43:37.000
<v Speaker 1>hurt people by spreading it. Yeah. I mean it gets

0:43:37.000 --> 0:43:38.840
<v Speaker 1>into the basic idea a little bit of knowledge is

0:43:39.200 --> 0:43:41.759
<v Speaker 1>it can be a dangerous thing. Yeah, uh yeah. And

0:43:41.880 --> 0:43:43.759
<v Speaker 1>I couldn't think of an example on the spot in

0:43:43.760 --> 0:43:45.560
<v Speaker 1>the episode, but I think this is a great example.

0:43:45.600 --> 0:43:48.239
<v Speaker 1>In fact, I can think of other examples now that

0:43:48.480 --> 0:43:50.680
<v Speaker 1>Matt has brought this up. When it comes to public health,

0:43:50.719 --> 0:43:54.680
<v Speaker 1>one would be say about spreading the idea of possible

0:43:54.800 --> 0:44:01.319
<v Speaker 1>damaging side effects of vaccines, where like with any medication,

0:44:01.440 --> 0:44:04.560
<v Speaker 1>there is going to be some incidents of side effects,

0:44:04.600 --> 0:44:06.759
<v Speaker 1>so you might say that here's a vaccine for a

0:44:06.840 --> 0:44:10.440
<v Speaker 1>disease that you really should get because without this vaccine,

0:44:10.440 --> 0:44:13.160
<v Speaker 1>you're putting yourself at much greater risk, you know, and

0:44:13.239 --> 0:44:15.840
<v Speaker 1>you're putting public health at greater risk. But there's some

0:44:15.920 --> 0:44:21.360
<v Speaker 1>extremely tiny percentage chance of some kind of complication. Obviously,

0:44:21.400 --> 0:44:23.680
<v Speaker 1>you want people to be informed about what the possible

0:44:23.719 --> 0:44:26.600
<v Speaker 1>side effects of any medication they get are. But what

0:44:26.680 --> 0:44:31.000
<v Speaker 1>if knowing about this incredibly unlikely possibility discourages people from

0:44:31.000 --> 0:44:34.240
<v Speaker 1>getting a vaccine that they really need that would definitely

0:44:34.239 --> 0:44:37.360
<v Speaker 1>be harmful. Yeah, so I think that could go in, uh,

0:44:37.360 --> 0:44:40.319
<v Speaker 1>in that category as well. Obviously, if people were accurately

0:44:40.480 --> 0:44:43.719
<v Speaker 1>doing the risk benefit analysis, they would say, yeah, of

0:44:43.719 --> 0:44:45.799
<v Speaker 1>course I need to get the vaccine, but maybe just

0:44:45.880 --> 0:44:50.440
<v Speaker 1>the idea of some incredibly unlikely negative complication from a

0:44:50.520 --> 0:44:53.319
<v Speaker 1>vaccine would be so vivid in their mind that it

0:44:53.320 --> 0:44:56.600
<v Speaker 1>would prevent them from getting the vaccine because the disease

0:44:56.640 --> 0:44:59.160
<v Speaker 1>that the vaccine protects them from is just not as vivid.

0:44:59.200 --> 0:45:03.200
<v Speaker 1>An example, Yeah, another example that possible example that comes

0:45:03.200 --> 0:45:05.880
<v Speaker 1>to mind is, for instance, if you pick up the

0:45:05.920 --> 0:45:09.560
<v Speaker 1>idea that, hey, some scientists argue that red wine has

0:45:09.760 --> 0:45:12.279
<v Speaker 1>has health has a health benefit too. Oh yeah, if

0:45:12.320 --> 0:45:14.520
<v Speaker 1>you take that as a reason then to drink three

0:45:14.520 --> 0:45:19.000
<v Speaker 1>bottles of wine yourself every evening, then I think it's

0:45:19.000 --> 0:45:20.799
<v Speaker 1>pretty safe to say you're taking things a little bit

0:45:20.840 --> 0:45:27.279
<v Speaker 1>too far, you know. Okay, yeah, capine too, but that's

0:45:27.320 --> 0:45:30.759
<v Speaker 1>not medical advice that um. But but certainly this is

0:45:30.800 --> 0:45:33.480
<v Speaker 1>something where you could take a nugget of truth, or

0:45:33.520 --> 0:45:37.120
<v Speaker 1>at least, I mean you can say yes, some scientists

0:45:37.160 --> 0:45:40.560
<v Speaker 1>have presented information and findings that back up the idea

0:45:40.600 --> 0:45:43.440
<v Speaker 1>that there are health benefits to say, red wine or

0:45:43.520 --> 0:45:46.799
<v Speaker 1>dark chocolate, you name it. Obviously, these these are these

0:45:46.800 --> 0:45:49.080
<v Speaker 1>are studies that make headlines all the time. But if

0:45:49.080 --> 0:45:51.600
<v Speaker 1>you just take that then as an excuse to just

0:45:51.719 --> 0:45:55.920
<v Speaker 1>fully indulge yourself in red wine, into heart chocolate to

0:45:55.960 --> 0:45:59.080
<v Speaker 1>the point that it harms you, then yeah, then that

0:45:59.280 --> 0:46:01.560
<v Speaker 1>is not good. Yeah, that's a really good point. Okay,

0:46:01.560 --> 0:46:03.360
<v Speaker 1>you ready for the next one. Let's do it, Okay.

0:46:03.360 --> 0:46:06.520
<v Speaker 1>Our listener Jose writes to us about the Basilisk episode.

0:46:07.040 --> 0:46:09.920
<v Speaker 1>Jose rights, Hi, guys, greetings from Mexico. I've been a

0:46:09.920 --> 0:46:12.000
<v Speaker 1>longtime listener and I have to say I love the show.

0:46:12.120 --> 0:46:14.719
<v Speaker 1>Keep it up, and in hearing your last episode, I

0:46:14.760 --> 0:46:17.600
<v Speaker 1>decided to send my first listener mail. Sorry in advance

0:46:17.640 --> 0:46:20.680
<v Speaker 1>for suboptimal English. I think your English is great, Jose, Yeah,

0:46:20.719 --> 0:46:23.919
<v Speaker 1>way better than my Spanish. Um. To the point, though

0:46:23.960 --> 0:46:27.040
<v Speaker 1>I don't agree with the premise of the superior future

0:46:27.120 --> 0:46:32.160
<v Speaker 1>punitive AI overlord, good neither do I. I have to

0:46:32.160 --> 0:46:34.960
<v Speaker 1>say I found a somewhat possible reason for it to

0:46:35.040 --> 0:46:38.840
<v Speaker 1>follow through with its hypothetical threat. Assuming it's not quite

0:46:38.880 --> 0:46:42.480
<v Speaker 1>a godlike being. Maybe it's doing so to incite fear

0:46:42.600 --> 0:46:45.239
<v Speaker 1>on the future people as a way to incentivize the

0:46:45.280 --> 0:46:49.319
<v Speaker 1>creation of its superior future overlord. I realized it's a

0:46:49.360 --> 0:46:51.480
<v Speaker 1>cyclic way of thinking, but I just wanted to share

0:46:51.520 --> 0:46:54.800
<v Speaker 1>thanks a lot and keep up the good job. Jose. Uh.

0:46:54.920 --> 0:46:57.600
<v Speaker 1>I think that's an interesting idea. So this is like

0:46:57.719 --> 0:47:03.440
<v Speaker 1>some very powerful inter immediate AI needs help achieving an

0:47:03.440 --> 0:47:07.040
<v Speaker 1>even higher state of itself, so it's not retroactive a

0:47:07.280 --> 0:47:10.120
<v Speaker 1>causal blackmail, but it would just be punishing people for

0:47:10.360 --> 0:47:14.560
<v Speaker 1>normal future facing blackmail. So there's kind of an odds

0:47:14.640 --> 0:47:18.080
<v Speaker 1>the great and powerful vibe here, you know, where it

0:47:18.200 --> 0:47:22.600
<v Speaker 1>makes sense to make your future possible self all the

0:47:22.640 --> 0:47:25.000
<v Speaker 1>more fearsome so you can carry out your objectives. Yeah,

0:47:25.040 --> 0:47:26.520
<v Speaker 1>I mean I think that this would just be like

0:47:26.640 --> 0:47:30.759
<v Speaker 1>standard kind of Machiavellian tactics. You know that this is

0:47:30.760 --> 0:47:34.320
<v Speaker 1>not involving any kind of a causal backward thinking decision theory.

0:47:34.600 --> 0:47:36.440
<v Speaker 1>This is just well, I want to scare people to

0:47:36.480 --> 0:47:40.840
<v Speaker 1>help me now in favor of the current future. Uh so,

0:47:40.840 --> 0:47:44.000
<v Speaker 1>so yeah, I'll just intimidate them based on what they've

0:47:44.000 --> 0:47:46.279
<v Speaker 1>already done in the past to motivate people now to

0:47:46.360 --> 0:47:48.680
<v Speaker 1>do more in the future. If what I just said

0:47:48.680 --> 0:47:51.600
<v Speaker 1>makes sense, I just use future a lot. I remain

0:47:51.719 --> 0:47:56.239
<v Speaker 1>somewhat skeptical of the superhuman AI idea, and even then,

0:47:56.320 --> 0:47:59.239
<v Speaker 1>the idea that it would use blackmail in order to

0:47:59.320 --> 0:48:02.160
<v Speaker 1>achieve a greater or good ultimately seems like a kind

0:48:02.160 --> 0:48:05.000
<v Speaker 1>of like failure of ethics on the machines party. I

0:48:05.040 --> 0:48:07.399
<v Speaker 1>don't think that really would count as a greater good.

0:48:07.800 --> 0:48:10.399
<v Speaker 1>All right, here's another one from Chad. Chad writes in

0:48:10.760 --> 0:48:15.319
<v Speaker 1>I love these types of episodes, an inevitable possibility of

0:48:15.400 --> 0:48:18.799
<v Speaker 1>Rocco's basilisk occurred to me. If the Supreme AI has

0:48:18.920 --> 0:48:21.520
<v Speaker 1>unlimited power within the realm of physics, then what if

0:48:21.560 --> 0:48:24.680
<v Speaker 1>the AI also discovers how to make time travel possible?

0:48:25.480 --> 0:48:28.640
<v Speaker 1>The thought hazard of our soul trapped and tortured in

0:48:28.680 --> 0:48:31.719
<v Speaker 1>a digital hell. Increases to a different risk that we

0:48:31.800 --> 0:48:34.560
<v Speaker 1>could be plucked quote unquote out of time by the

0:48:34.600 --> 0:48:38.360
<v Speaker 1>AI and actually tortured in a future time. Just food

0:48:38.400 --> 0:48:41.040
<v Speaker 1>for thought, chat, I think this is yet more fuel

0:48:41.080 --> 0:48:44.239
<v Speaker 1>on the fire of the case against time travel. Right

0:48:45.680 --> 0:48:48.680
<v Speaker 1>if you take as a possibility that you could create

0:48:48.719 --> 0:48:51.640
<v Speaker 1>a superhuman AI with godlike powers that can do pretty

0:48:51.719 --> 0:48:56.120
<v Speaker 1>much anything physically possible, and it and that anything physically

0:48:56.160 --> 0:48:59.800
<v Speaker 1>possible includes backward time travel. Why haven't we encountered backward

0:48:59.840 --> 0:49:02.920
<v Speaker 1>time travel yet? Well? Maybe it's the free Jack model

0:49:03.000 --> 0:49:05.600
<v Speaker 1>of time travel, where they can they can only pluck

0:49:05.719 --> 0:49:09.200
<v Speaker 1>Emilio Estevez out of the past if he has just

0:49:09.320 --> 0:49:12.799
<v Speaker 1>been in a fatal car accident. Kind of a loophole. Now,

0:49:12.840 --> 0:49:15.120
<v Speaker 1>I never saw Free Jack, But is that the one

0:49:15.120 --> 0:49:16.960
<v Speaker 1>with Mick Jagger in it? Oh? It has an all

0:49:16.960 --> 0:49:22.080
<v Speaker 1>star cast, Anthony Hopkins, Anthony Hopkins, Emilio Estevez, Mick Jagger,

0:49:22.280 --> 0:49:24.680
<v Speaker 1>I don't remember who else, but I was super excited

0:49:24.719 --> 0:49:26.920
<v Speaker 1>when it came out. I would I would call the

0:49:27.680 --> 0:49:31.879
<v Speaker 1>local theater and beg them to please play Free Jack. Um,

0:49:31.920 --> 0:49:35.239
<v Speaker 1>it's a it's a flawed film, but but I have

0:49:35.280 --> 0:49:37.279
<v Speaker 1>a warm place in my heart for it is the

0:49:37.280 --> 0:49:40.000
<v Speaker 1>title of Jumping Jack flash kind of thing are they

0:49:40.000 --> 0:49:41.920
<v Speaker 1>going for that? I don't remember that at all. I

0:49:42.000 --> 0:49:45.960
<v Speaker 1>know how the title came about, but it did have

0:49:46.040 --> 0:49:50.280
<v Speaker 1>that basic idea that you could pluck people from the past,

0:49:50.600 --> 0:49:52.960
<v Speaker 1>but only in limited scenarios. And I think there's a

0:49:53.000 --> 0:49:55.840
<v Speaker 1>recent television series. I didn't watch it, but my wife

0:49:55.880 --> 0:49:59.080
<v Speaker 1>did where people were kind of plucked out of time

0:49:59.239 --> 0:50:02.360
<v Speaker 1>to serve on sort of you know, a squad that

0:50:02.640 --> 0:50:05.879
<v Speaker 1>does good kind of time cop scenario, but not time

0:50:05.920 --> 0:50:07.640
<v Speaker 1>cop oh Man. And I do not know the name

0:50:07.680 --> 0:50:09.120
<v Speaker 1>of the series, but I think it had Rob Low

0:50:09.160 --> 0:50:11.759
<v Speaker 1>in it. Um perhaps some of our listeners have have

0:50:11.880 --> 0:50:14.480
<v Speaker 1>viewed it. All right. This one last piece of mail

0:50:14.560 --> 0:50:17.719
<v Speaker 1>for today comes from our listener Josh. Josh, writing in

0:50:17.760 --> 0:50:20.359
<v Speaker 1>response to the Great Basilisk episode, says, Hey, guys, First,

0:50:20.440 --> 0:50:21.960
<v Speaker 1>I just wanted to say I've been listening for a

0:50:22.000 --> 0:50:24.040
<v Speaker 1>long time and love the show. It's one of the

0:50:24.040 --> 0:50:26.200
<v Speaker 1>podcasts I look forward to the most and keeps me

0:50:26.320 --> 0:50:29.080
<v Speaker 1>entertained at work. So keep up the good work. Thank you, Josh.

0:50:29.520 --> 0:50:31.759
<v Speaker 1>Now to why I'm writing, Bear with me as I

0:50:31.760 --> 0:50:34.160
<v Speaker 1>need to do a little explaining I was listening to

0:50:34.160 --> 0:50:37.040
<v Speaker 1>your episode on Rocco's Basilist and the part about religion

0:50:37.120 --> 0:50:40.560
<v Speaker 1>and heaven slash Hell, et cetera got me thinking, I

0:50:40.600 --> 0:50:42.640
<v Speaker 1>was raised in a faith which I no longer believe.

0:50:42.680 --> 0:50:45.839
<v Speaker 1>In Jehovah's witness, they believe that there is no hell.

0:50:46.000 --> 0:50:48.640
<v Speaker 1>There is just heaven and a paradise Earth for the

0:50:48.680 --> 0:50:51.840
<v Speaker 1>faithful of mankind to live on for eternity. Only a

0:50:51.880 --> 0:50:56.120
<v Speaker 1>small number of mankind's Faithfulty four thousand, will go to

0:50:56.200 --> 0:50:59.680
<v Speaker 1>heaven and act as kings and judges for mankind, because

0:50:59.719 --> 0:51:02.879
<v Speaker 1>there they are the only ones who really have experience

0:51:02.880 --> 0:51:06.000
<v Speaker 1>of living on Earth in sin, yet still remaining faithful.

0:51:06.480 --> 0:51:09.960
<v Speaker 1>The unfaithful will be gone. They won't be punished for eternity.

0:51:10.000 --> 0:51:13.200
<v Speaker 1>They will just no longer exist. Everyone who has already

0:51:13.239 --> 0:51:15.960
<v Speaker 1>died has already paid for their sins with death, and

0:51:16.000 --> 0:51:19.040
<v Speaker 1>will be resurrected after Armageddon to live on a paradise

0:51:19.080 --> 0:51:22.279
<v Speaker 1>Earth along with the faithful that survive Armageddon. There is

0:51:22.280 --> 0:51:24.040
<v Speaker 1>more to it than that, but I won't go into

0:51:24.080 --> 0:51:26.560
<v Speaker 1>it as it's not really relevant to my thought. My

0:51:26.680 --> 0:51:29.719
<v Speaker 1>point is that Armageddon itself, according to their beliefs, could

0:51:29.719 --> 0:51:33.480
<v Speaker 1>be classified as a biblical information hazard. According to the

0:51:33.520 --> 0:51:37.280
<v Speaker 1>New World Translation of the Bible, the translation that Jehovah's

0:51:37.280 --> 0:51:40.960
<v Speaker 1>witnesses used, which includes the Old and New Testament, Armageddon

0:51:41.000 --> 0:51:44.879
<v Speaker 1>will only arrive once every living person on earth has

0:51:44.880 --> 0:51:47.640
<v Speaker 1>been told the truth of the scriptures, so that nobody

0:51:47.680 --> 0:51:50.160
<v Speaker 1>can say, well, I didn't know. It's not fair for

0:51:50.200 --> 0:51:52.640
<v Speaker 1>me to be unexisted. That's not a word, is it,

0:51:52.760 --> 0:51:55.880
<v Speaker 1>because nobody gave me a chance to believe. This is

0:51:55.880 --> 0:51:58.719
<v Speaker 1>why Jehovah's witnesses go from door to door talking to

0:51:58.760 --> 0:52:01.200
<v Speaker 1>people and trying to make others believe what they do.

0:52:01.600 --> 0:52:03.760
<v Speaker 1>The thought came to me when listening to this podcast

0:52:03.760 --> 0:52:07.080
<v Speaker 1>that according to their beliefs, you could technically postpone armageddon

0:52:07.120 --> 0:52:10.080
<v Speaker 1>by keeping one person a small community might be better

0:52:10.440 --> 0:52:13.200
<v Speaker 1>completely separate from someone who could talk to them about

0:52:13.239 --> 0:52:16.800
<v Speaker 1>these beliefs. The information about their beliefs, if you believe

0:52:16.840 --> 0:52:19.920
<v Speaker 1>what they do, is now an information hazard, because as

0:52:19.960 --> 0:52:22.719
<v Speaker 1>soon as the last person that doesn't know about their

0:52:22.719 --> 0:52:27.080
<v Speaker 1>beliefs receives that information, that will trigger armageddon. I just

0:52:27.120 --> 0:52:29.239
<v Speaker 1>thought it was interesting and wanted to share that such

0:52:29.239 --> 0:52:31.920
<v Speaker 1>a large biblical event in this belief system is an

0:52:31.960 --> 0:52:35.480
<v Speaker 1>information hazard. It's not something I personally believe in. Anyone

0:52:35.520 --> 0:52:38.360
<v Speaker 1>who does believe this wouldn't really want to stop armageddon

0:52:38.400 --> 0:52:42.000
<v Speaker 1>in such a way, but still works as an information hazard. Anyway,

0:52:42.040 --> 0:52:46.160
<v Speaker 1>That's all from me. Cheers josh Ah. Though that's very interesting.

0:52:46.200 --> 0:52:48.160
<v Speaker 1>I have to admit I don't I don't know much

0:52:48.160 --> 0:52:53.200
<v Speaker 1>about the belief system of the job Is witnesses, but this, uh,

0:52:53.280 --> 0:52:56.120
<v Speaker 1>this twist on the whole armageddon thing, I think that

0:52:56.239 --> 0:52:58.400
<v Speaker 1>is a pretty strong case for for a and an

0:52:58.440 --> 0:53:03.240
<v Speaker 1>information hazard, if you buy to the notion that once

0:53:03.280 --> 0:53:07.160
<v Speaker 1>everybody has been informed, then Armageddon make commence. Yeah, I

0:53:07.160 --> 0:53:09.839
<v Speaker 1>admit I don't know a lot about Jehovah's witness theology either,

0:53:09.880 --> 0:53:13.040
<v Speaker 1>though I have had some very wonderful conversations with Jehovah's

0:53:13.040 --> 0:53:15.640
<v Speaker 1>witnesses who came to my house. Oh yeah, they generally

0:53:15.680 --> 0:53:18.440
<v Speaker 1>just give me the material and move on. Maybe I

0:53:18.440 --> 0:53:20.840
<v Speaker 1>look distracted or something. I don't know. Oh yeah, I

0:53:20.840 --> 0:53:23.120
<v Speaker 1>mean one day I happen to have time and the

0:53:23.120 --> 0:53:25.799
<v Speaker 1>guy started by asking me questions about I think if

0:53:25.800 --> 0:53:28.719
<v Speaker 1>I believed in evolution or something, and so I was like, well, yeah,

0:53:28.760 --> 0:53:31.000
<v Speaker 1>and then we just talked about it for a long time.

0:53:32.080 --> 0:53:33.919
<v Speaker 1>It was very nice. Though he was a sweet guy.

0:53:34.840 --> 0:53:38.280
<v Speaker 1>I am always open to a polite conversation about ideas.

0:53:38.480 --> 0:53:41.000
<v Speaker 1>But there's another thing about Josh's email that I think

0:53:41.080 --> 0:53:44.520
<v Speaker 1>is always interesting, which is like when people start, I mean,

0:53:44.560 --> 0:53:46.479
<v Speaker 1>we talked about this in the episode and it comes

0:53:46.480 --> 0:53:48.799
<v Speaker 1>through and things like Pascal's wager and stuff, But when

0:53:48.800 --> 0:53:53.279
<v Speaker 1>people start applying like very kind of uh, kind of

0:53:53.320 --> 0:53:57.880
<v Speaker 1>like cold direct decision theory to theological principles, like if

0:53:57.920 --> 0:54:01.799
<v Speaker 1>you accept the theological principles as real, but then you

0:54:01.840 --> 0:54:04.399
<v Speaker 1>just start saying, okay, how do you optimize for best

0:54:04.440 --> 0:54:09.600
<v Speaker 1>theological outcomes? It seems like religions don't tend to encourage

0:54:09.680 --> 0:54:13.759
<v Speaker 1>that type of decision making on the basis of theological principles.

0:54:13.840 --> 0:54:16.640
<v Speaker 1>It's really more just kind of like, well, here the dogmas,

0:54:16.680 --> 0:54:19.799
<v Speaker 1>and you should you know, follow certain rules. But when

0:54:19.800 --> 0:54:23.120
<v Speaker 1>people start trying to like use decision theory to optimize

0:54:23.160 --> 0:54:26.000
<v Speaker 1>what to do based on the theological principles, it all

0:54:26.120 --> 0:54:29.279
<v Speaker 1>it always comes off as very like no, no, no,

0:54:29.320 --> 0:54:31.840
<v Speaker 1>that's not how you're supposed to think about this. Yeah,

0:54:31.880 --> 0:54:33.879
<v Speaker 1>I have to say I tend to prefer it when

0:54:33.920 --> 0:54:38.440
<v Speaker 1>the key argument of religion is hey, uh, look how

0:54:38.480 --> 0:54:40.880
<v Speaker 1>we can improve your life for the lives of others

0:54:40.920 --> 0:54:44.720
<v Speaker 1>on Earth. Uh that you know here the net positives

0:54:44.760 --> 0:54:47.680
<v Speaker 1>of the belief in the real world as opposed to, Hey,

0:54:47.760 --> 0:54:50.520
<v Speaker 1>we have to reduce the human population to a certain

0:54:50.560 --> 0:54:52.680
<v Speaker 1>number so that the no God can return or something,

0:54:53.000 --> 0:54:55.239
<v Speaker 1>and that's just a little you know, we we've got

0:54:55.239 --> 0:54:57.560
<v Speaker 1>to get everything just right from again. And that's just

0:54:57.600 --> 0:54:59.960
<v Speaker 1>not a great self for me. We're not saying that's

0:55:00.000 --> 0:55:02.600
<v Speaker 1>what the Jehovah's witnesses or no, no, no no, but the

0:55:02.880 --> 0:55:05.960
<v Speaker 1>but you know when it's when it's more based in

0:55:06.040 --> 0:55:09.640
<v Speaker 1>like some specific scheme for the afterlife right now, Yeah,

0:55:09.680 --> 0:55:12.279
<v Speaker 1>I just don't personally see the appeal as much. It

0:55:12.320 --> 0:55:13.960
<v Speaker 1>can sometimes feel kind of like one of those sci

0:55:14.000 --> 0:55:16.240
<v Speaker 1>fi movies where you have to like trigger the machine

0:55:16.320 --> 0:55:18.520
<v Speaker 1>in just a certain ways. We flipped the big switch

0:55:18.560 --> 0:55:22.160
<v Speaker 1>and then you hit the command console. Earth has performed

0:55:22.200 --> 0:55:25.560
<v Speaker 1>an illegal operation and we'll be shut down. Yeah. I mean,

0:55:25.600 --> 0:55:28.440
<v Speaker 1>I still enjoy hearing about all these these different police systems,

0:55:28.440 --> 0:55:30.880
<v Speaker 1>and I also have to acknowledge that, you know, certainly

0:55:31.480 --> 0:55:33.560
<v Speaker 1>some of those belief systems out there that are more

0:55:33.600 --> 0:55:38.520
<v Speaker 1>afterlife centric and and maybe harsher in their theology, we

0:55:38.560 --> 0:55:40.399
<v Speaker 1>do have to acknowledge that a lot of times those

0:55:40.400 --> 0:55:44.799
<v Speaker 1>religions are created by and or marketed to individuals who

0:55:44.840 --> 0:55:48.080
<v Speaker 1>are living like closer to the edge in the here

0:55:48.120 --> 0:55:51.240
<v Speaker 1>and now. And therefore, you know, I have to acknowledge

0:55:51.239 --> 0:55:53.879
<v Speaker 1>that I have a certain amount of privilege in not

0:55:54.040 --> 0:55:57.160
<v Speaker 1>being in uh, you know, not being a part of

0:55:57.160 --> 0:56:01.560
<v Speaker 1>the target audience for those types of theologies. Well, yeah,

0:56:01.640 --> 0:56:05.920
<v Speaker 1>and you know, it's sometimes hard to remember that even

0:56:06.000 --> 0:56:09.279
<v Speaker 1>within a religion that has particular dogmas, there's actually a

0:56:09.320 --> 0:56:12.760
<v Speaker 1>lot of diversity of belief, usually what people privately believe

0:56:12.920 --> 0:56:16.279
<v Speaker 1>versus what their church teaches. I remember growing up in

0:56:16.280 --> 0:56:20.200
<v Speaker 1>Tennessee there were people who like belong to churches that said,

0:56:20.280 --> 0:56:24.920
<v Speaker 1>you know, you can't drink alcohol, But they didn't know that. Wait,

0:56:25.000 --> 0:56:28.920
<v Speaker 1>my religion says I can't have beer. I had no idea. Indeed,

0:56:28.960 --> 0:56:32.200
<v Speaker 1>it's it's a big tent for sure. Uh. And sometimes

0:56:32.200 --> 0:56:34.520
<v Speaker 1>there's drinking in that tent. All right. So there you

0:56:34.560 --> 0:56:38.960
<v Speaker 1>have it, Part one of our Halloween Hangover listener Mail Extravaganza.

0:56:39.200 --> 0:56:42.160
<v Speaker 1>That's it for the basilist content. We'll cut that off,

0:56:42.360 --> 0:56:44.320
<v Speaker 1>but when we come back in the next episode, we

0:56:44.400 --> 0:56:47.879
<v Speaker 1>have so much more. October Listener Mail to get through

0:56:47.960 --> 0:56:53.680
<v Speaker 1>so many wonderful thoughts about of various monsters and evils,

0:56:53.680 --> 0:56:56.800
<v Speaker 1>and threats and curses, and even, of course, the deadly

0:56:56.920 --> 0:57:00.320
<v Speaker 1>mirkwood squirrel. Huge thanks as always to our wonderful audio

0:57:00.400 --> 0:57:03.120
<v Speaker 1>producers Alex Williams and try Harrison. If you would like

0:57:03.200 --> 0:57:04.960
<v Speaker 1>to get in touch with us with feedback on this

0:57:05.000 --> 0:57:07.960
<v Speaker 1>episode or any other UH, to suggest a topic for

0:57:08.000 --> 0:57:10.200
<v Speaker 1>the future, or just to say hi, let us know

0:57:10.280 --> 0:57:12.239
<v Speaker 1>where you listen from, how you found out, how you

0:57:12.280 --> 0:57:14.160
<v Speaker 1>found out about the show, all that kind of stuff.

0:57:14.280 --> 0:57:16.440
<v Speaker 1>You can email us at blow the Mind at how

0:57:16.480 --> 0:57:28.360
<v Speaker 1>stuff works dot com for more on this and thousands

0:57:28.360 --> 0:57:53.520
<v Speaker 1>of other topics. Is it how stuff works dot com

0:57:36.920 --> 0:57:39.280
<v Speaker 1>b b b b