1 00:00:00,320 --> 00:00:04,520 Speaker 1: One on two point seven. It is Kiss FM. That 2 00:00:04,920 --> 00:00:08,080 Speaker 1: is brand new music right there from Fallout Boy, We 3 00:00:08,119 --> 00:00:13,240 Speaker 1: didn't start the fire And here he is the legend 4 00:00:13,280 --> 00:00:16,200 Speaker 1: Pete Wentz from Fallout Boy with us now, mister Wentz, 5 00:00:16,280 --> 00:00:16,800 Speaker 1: how are you? 6 00:00:17,800 --> 00:00:20,239 Speaker 2: But man, how are you? I'm good. 7 00:00:20,560 --> 00:00:22,439 Speaker 1: I gotta tell you. I don't know if you heard 8 00:00:22,440 --> 00:00:24,119 Speaker 1: it or not, but if you did, you know it 9 00:00:24,200 --> 00:00:27,840 Speaker 1: was great. Pete fill in for American Top forty. That's 10 00:00:27,960 --> 00:00:31,160 Speaker 1: posting counting him down the big hits across the land. 11 00:00:31,560 --> 00:00:33,480 Speaker 1: Great job, man, Thank you for doing that. 12 00:00:34,479 --> 00:00:38,000 Speaker 2: Thanks for having me man, just trying to you know, 13 00:00:38,120 --> 00:00:40,519 Speaker 2: I don't know live a small part of the fantasy. 14 00:00:40,960 --> 00:00:43,199 Speaker 1: But when you played, so when you're playing all of 15 00:00:43,240 --> 00:00:45,479 Speaker 1: the songs that are on the chart, and you probably 16 00:00:45,720 --> 00:00:47,480 Speaker 1: mean you probably know who wrote a lot of the songs, 17 00:00:47,520 --> 00:00:48,920 Speaker 1: You know a lot of the artists. Is it a 18 00:00:48,960 --> 00:00:51,320 Speaker 1: weird dynamic that you're playing the songs and you have 19 00:00:51,440 --> 00:00:53,000 Speaker 1: the inside scoop on a lot of stuff. 20 00:00:54,360 --> 00:00:55,920 Speaker 2: No, I think it's kind of cool because I feel 21 00:00:55,960 --> 00:00:57,720 Speaker 2: like you probably have the inside scoop as well, so 22 00:00:57,840 --> 00:01:00,240 Speaker 2: like it's cool to see it from the other side 23 00:01:00,280 --> 00:01:02,680 Speaker 2: and to just like you're rooting for it all and 24 00:01:02,760 --> 00:01:05,319 Speaker 2: to see you know what I mean, Like, I think 25 00:01:05,360 --> 00:01:06,360 Speaker 2: it's actually very cool. 26 00:01:07,640 --> 00:01:11,600 Speaker 1: So what's really cool is what you have accomplished here 27 00:01:12,040 --> 00:01:17,319 Speaker 1: with a Billy Joel like global classic song that was 28 00:01:17,360 --> 00:01:21,280 Speaker 1: originally done and you did this updated version of We 29 00:01:21,360 --> 00:01:23,880 Speaker 1: just played it. We didn't start the fire. Let me 30 00:01:24,520 --> 00:01:27,120 Speaker 1: for those who are not familiar with the sound of 31 00:01:27,319 --> 00:01:30,560 Speaker 1: the original song, which was talking about you know, events 32 00:01:30,640 --> 00:01:33,319 Speaker 1: over a period of time. Here it is. Take a listen. 33 00:01:40,520 --> 00:01:42,040 Speaker 1: I remember when I was a kid, the only lyric 34 00:01:42,040 --> 00:01:46,320 Speaker 1: I could get right was Joe DiMaggio because hard to 35 00:01:46,400 --> 00:01:47,800 Speaker 1: keep up with the lyrics. Here's what we played the 36 00:01:47,800 --> 00:01:49,680 Speaker 1: whole thing. But here's a little taste. You just joined 37 00:01:49,680 --> 00:02:06,200 Speaker 1: this of how many years did you cover there? 38 00:02:07,200 --> 00:02:09,600 Speaker 2: We did, so he is original I think was nineteen 39 00:02:09,639 --> 00:02:12,720 Speaker 2: forty nine to nineteen eighty nine, and we did nineteen 40 00:02:12,760 --> 00:02:14,480 Speaker 2: eighty nine to twenty twenty three. 41 00:02:15,000 --> 00:02:19,720 Speaker 1: How do you curate and edit what the story's going 42 00:02:19,800 --> 00:02:20,000 Speaker 1: to be? 43 00:02:21,200 --> 00:02:24,240 Speaker 2: I mean, it's tough, right because there's so much stuff, 44 00:02:24,400 --> 00:02:27,080 Speaker 2: and the brilliance of the original is there's a couple 45 00:02:27,120 --> 00:02:29,800 Speaker 2: of a bunch of the things were big at the 46 00:02:29,840 --> 00:02:32,760 Speaker 2: time but are kind of like lost to history, you know, 47 00:02:32,960 --> 00:02:36,920 Speaker 2: and so listen, there's some like big omissions on ours 48 00:02:36,960 --> 00:02:39,760 Speaker 2: as well, like you know, like COVID doesn't get mentioned. 49 00:02:39,800 --> 00:02:41,640 Speaker 2: We like had a version, we kind of did it, 50 00:02:41,680 --> 00:02:44,600 Speaker 2: and then it just felt like, I don't know, this 51 00:02:44,680 --> 00:02:46,920 Speaker 2: is like this giant thing that's like felt through all 52 00:02:46,960 --> 00:02:48,720 Speaker 2: the other events, you know, or through a lot of 53 00:02:48,760 --> 00:02:51,840 Speaker 2: the other events. So you know, Michael Jordan gets too. 54 00:02:52,760 --> 00:02:54,160 Speaker 1: He gets too shut up, you know. 55 00:02:55,280 --> 00:02:57,600 Speaker 2: Yeah, So you know, like we tried to think of 56 00:02:57,600 --> 00:03:01,320 Speaker 2: stuff that was globally bigger and bigger than ourselves, but 57 00:03:01,360 --> 00:03:03,480 Speaker 2: also like little things that will probably be forgotten. 58 00:03:04,840 --> 00:03:09,960 Speaker 1: And Billy Joel, how did that connection go? Did he 59 00:03:10,240 --> 00:03:13,000 Speaker 1: did you share it with him before? After? During? Like 60 00:03:13,040 --> 00:03:15,320 Speaker 1: what was the like? 61 00:03:16,760 --> 00:03:18,200 Speaker 2: So I don't I don't. I don't have like a 62 00:03:18,280 --> 00:03:23,920 Speaker 2: direct line to Billy, but we we definitely send it 63 00:03:23,919 --> 00:03:28,079 Speaker 2: to his people and we didn't hear anything negative on it. 64 00:03:28,120 --> 00:03:29,480 Speaker 2: And then I seen him do an interview where he 65 00:03:29,520 --> 00:03:31,240 Speaker 2: was like, people are always asking me to update it, 66 00:03:31,280 --> 00:03:34,200 Speaker 2: and so I just decided to let or He's like, 67 00:03:34,200 --> 00:03:36,280 Speaker 2: I just would rather go with the fallow up boy updates. 68 00:03:36,360 --> 00:03:37,920 Speaker 2: So that was a really nice thing to say. 69 00:03:38,480 --> 00:03:40,560 Speaker 1: Can you take us I want to understand someth me 70 00:03:40,680 --> 00:03:42,840 Speaker 1: are you allowed to just do that or is it 71 00:03:43,040 --> 00:03:45,320 Speaker 1: to be some sort of approval? 72 00:03:45,400 --> 00:03:45,920 Speaker 3: Good question. 73 00:03:46,680 --> 00:03:50,480 Speaker 2: Well, so you can cover uh, you can cover anything, 74 00:03:51,640 --> 00:03:54,240 Speaker 2: stampling that there there needs to be an approval. But 75 00:03:54,280 --> 00:03:56,240 Speaker 2: I believe you can like kind of cover anything. But 76 00:03:56,320 --> 00:03:59,880 Speaker 2: for me, if we were covering something and then someone 77 00:04:00,080 --> 00:04:05,360 Speaker 2: that now you know and obviously you you uh credit 78 00:04:05,680 --> 00:04:09,160 Speaker 2: the original songwriters and you know whatnot, but like if 79 00:04:09,200 --> 00:04:10,920 Speaker 2: someone was like, I don't love it, I don't want 80 00:04:10,920 --> 00:04:12,400 Speaker 2: you to do it, Like I think we would take 81 00:04:12,400 --> 00:04:14,880 Speaker 2: the weird al weird al stance where we just didn't 82 00:04:14,880 --> 00:04:17,239 Speaker 2: do it, you know, like I just yeah, I wouldn't 83 00:04:17,240 --> 00:04:19,760 Speaker 2: want any bad kind of blood or bad it. You know, 84 00:04:19,960 --> 00:04:20,719 Speaker 2: it's not worth it. 85 00:04:20,800 --> 00:04:22,760 Speaker 1: You know it's not worth it. No fall off boys, 86 00:04:22,800 --> 00:04:25,000 Speaker 1: Pete Wentz with us kind of be at our. iHeartRadio 87 00:04:25,360 --> 00:04:29,120 Speaker 1: Music Festival. I'm crossing my fingers I get to introduce. 88 00:04:28,760 --> 00:04:32,760 Speaker 2: You, I would that would be awesome me as well. 89 00:04:33,120 --> 00:04:35,360 Speaker 1: I have a list of lyrics. I have a list 90 00:04:35,400 --> 00:04:39,479 Speaker 1: of lyrics that I could apply to your remix. Yeah, yeah, 91 00:04:39,480 --> 00:04:41,359 Speaker 1: I could include some stuff you missed ugs, you know, 92 00:04:41,480 --> 00:04:43,240 Speaker 1: things like that on a. 93 00:04:43,240 --> 00:04:46,440 Speaker 2: STICKUS is a great is a great one. Yeah, it's 94 00:04:46,440 --> 00:04:48,839 Speaker 2: stuff like that where it's just like, yeah. 95 00:04:48,720 --> 00:04:54,680 Speaker 1: Totally, I'll do my rendition into yours. So I do 96 00:04:54,760 --> 00:04:56,880 Speaker 1: want to point something out that not to you know, 97 00:04:57,240 --> 00:05:00,560 Speaker 1: make you turn red here, but we had this in 98 00:05:00,600 --> 00:05:01,560 Speaker 1: several different places. 99 00:05:01,600 --> 00:05:01,760 Speaker 3: We know. 100 00:05:01,800 --> 00:05:04,719 Speaker 1: The Fall Up Boys featured on Taylor's latest re recording, 101 00:05:05,240 --> 00:05:08,560 Speaker 1: Speak Now, Taylor's version from the Vault track, and I 102 00:05:08,640 --> 00:05:11,400 Speaker 1: just thought it was so cool when I read that 103 00:05:11,480 --> 00:05:14,040 Speaker 1: she said that you're one of her favorite lyricists. What 104 00:05:14,320 --> 00:05:15,480 Speaker 1: did that feel like for you? 105 00:05:17,000 --> 00:05:22,960 Speaker 2: I mean it's pretty crazy, you know, Like I you know, 106 00:05:23,040 --> 00:05:26,200 Speaker 2: I have a five year old daughter, and like that's 107 00:05:26,360 --> 00:05:28,320 Speaker 2: the most credit I could ever get, you know what 108 00:05:28,320 --> 00:05:31,000 Speaker 2: I mean, Like I think, you know, and I mean 109 00:05:31,240 --> 00:05:34,640 Speaker 2: across the spectrum, you know, like I have a tennis 110 00:05:34,680 --> 00:05:41,560 Speaker 2: coach who's who who's you know, an adult male or whatever, 111 00:05:41,640 --> 00:05:44,720 Speaker 2: you know obviously, and he, you know, was like, oh 112 00:05:44,720 --> 00:05:47,160 Speaker 2: my god, Taylor said this about you, which is insane. 113 00:05:48,560 --> 00:05:51,120 Speaker 1: It's a nice it's a nice badge of honor, isn't it. 114 00:05:52,600 --> 00:05:54,720 Speaker 2: Yeah, I mean it's pretty wild, pretty awesome. 115 00:05:55,160 --> 00:05:58,600 Speaker 1: Do you find writing songs to be a natural, seamless 116 00:05:58,600 --> 00:06:01,360 Speaker 1: flow for you? 117 00:06:01,440 --> 00:06:04,960 Speaker 2: Sometimes sometimes it just like goes and it's so easy 118 00:06:05,000 --> 00:06:08,719 Speaker 2: and then other times it feels like it will not come, 119 00:06:08,800 --> 00:06:10,200 Speaker 2: you know what I mean, Like I can't get it 120 00:06:10,240 --> 00:06:10,520 Speaker 2: to go. 121 00:06:11,200 --> 00:06:13,479 Speaker 1: Yeah, well we're gonna see it all go down in 122 00:06:13,520 --> 00:06:15,040 Speaker 1: Las Vegas if you want to be there tickets or 123 00:06:15,040 --> 00:06:18,559 Speaker 1: at axs dot com. Pete Wentz a fallout boy. Great 124 00:06:18,600 --> 00:06:20,320 Speaker 1: to hear from you, man, I cannot wait to see 125 00:06:20,360 --> 00:06:23,280 Speaker 1: you in a couple months. 126 00:06:23,320 --> 00:06:25,200 Speaker 2: Awesome. Man, I'm so psyched. And you call me if 127 00:06:25,240 --> 00:06:26,600 Speaker 2: you ever need me to fill in again if I'm 128 00:06:26,680 --> 00:06:27,520 Speaker 2: ever invited back. 129 00:06:27,640 --> 00:06:31,760 Speaker 1: Nice, you got it, man, take care of feet. Bye bye. 130 00:06:33,680 --> 00:06:36,640 Speaker 1: He's the best time. He's the best time. I'm actually 131 00:06:36,680 --> 00:06:38,680 Speaker 1: looking It's funny. I'm looking at a picture of him, 132 00:06:38,720 --> 00:06:41,080 Speaker 1: a still shot of him on Google while I talk 133 00:06:41,120 --> 00:06:42,320 Speaker 1: to him because I love his smile. 134 00:06:43,200 --> 00:06:45,280 Speaker 3: Yeah, he's like pretty iconic. I remember I saw him 135 00:06:45,279 --> 00:06:48,839 Speaker 3: at Jones on Third Ones. I was eating totally iconic. Yeah, 136 00:06:48,960 --> 00:06:50,640 Speaker 3: I was eating by myself and he was eating by 137 00:06:50,760 --> 00:06:52,400 Speaker 3: himself and I was like, oh my god, that's Pete 138 00:06:52,440 --> 00:06:55,120 Speaker 3: Wentz And he was like, got ton you around I 139 00:06:55,360 --> 00:06:58,400 Speaker 3: say anything I thought or anything, I just was like, wow, 140 00:06:58,480 --> 00:07:01,039 Speaker 3: Like you forget. He's just like very iconic, super chill. 141 00:07:01,080 --> 00:07:06,839 Speaker 1: He has to eat. Yeah, alone, Okay. George Lopez. Tickets 142 00:07:06,880 --> 00:07:07,719 Speaker 1: are next