WEBVTT - The Ghosts Couldn't be Satisfied, Only Avoided

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<v Speaker 1>Welcome to Haunted Road, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion is advised.

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<v Speaker 2>Hey, Haunted Roadies, I know you like spooky stuff, That's

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<v Speaker 2>why you're here, But have you taken it a step

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<v Speaker 2>further and joined the Paranormal Circle yet? The Paranormal Circle

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<v Speaker 2>is an online community that I created for all of

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<v Speaker 2>us ghost nerds. It focus on ghosts, hauntings, paranormal investigations, research,

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<v Speaker 2>you name it. So whether you're a casual ghost story

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<v Speaker 2>lover or a full on paranormal enthusiast, I know you're

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<v Speaker 2>going to love the Circle. We have live q and

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<v Speaker 2>as and roundtable discussions with guests like Josh Gates, Chip Coffee,

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<v Speaker 2>Adam Berry and Moore. There are twenty four to seven

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<v Speaker 2>live webcams streaming from haunted locations, including Against my Better

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<v Speaker 2>Judgment one in my very own attic of my three

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<v Speaker 2>hundred year old house, focus on a bunch of haunted

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<v Speaker 2>things that I've collected over the years. We also do

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<v Speaker 2>in person stuff too, meetups at events and conferences, plus

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<v Speaker 2>exclusive meetups just for members. If you come see me

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<v Speaker 2>on tour, there's always a free gift waiting for Paranormal

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<v Speaker 2>Circle members at.

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<v Speaker 1>The merch table.

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<v Speaker 2>So if this sounds like something you want to check out.

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<v Speaker 1>You can start a free trial today.

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<v Speaker 2>Head to Amybrune dot com slash join to find out

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<v Speaker 2>more and Haunted Roadies. You can use code Haunted road

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<v Speaker 2>ten for ten percent off your annual membership. I've tried

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<v Speaker 2>to keep this very affordable. Full disclosure, it's eight to

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<v Speaker 2>ten dollars a month, but I think what you get

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<v Speaker 2>for that is pretty incredible. So please check it out.

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<v Speaker 2>Join us if you dare. We'll see you out there.

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<v Speaker 2>Thank you, Haunted Roadies. Two decades ago, I was getting

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<v Speaker 2>ready to investigate a dream location, a place that had

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<v Speaker 2>been on my bucket list four years, a place I

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<v Speaker 2>had visited many times during the day, but the whole

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<v Speaker 2>time longed to return at night. Somehow, my team and

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<v Speaker 2>I had this place basically to ourselves. We were entrusted

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<v Speaker 2>with the keys to the kingdom, as they say. This

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<v Speaker 2>massive old mansion has tours during the day, with costumed

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<v Speaker 2>guides taking tourists through its many halls. The sun was

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<v Speaker 2>going down and the place had been closed for hours.

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<v Speaker 2>But as I was bringing my equipment in, there was

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<v Speaker 2>who I believed to be one of those costumed docents

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<v Speaker 2>scurrying across the lawn like she had some place to be.

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<v Speaker 2>In her gray dress and bonnet, she looked quite at

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<v Speaker 2>home in her surroundings. But I knew they had gotten

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<v Speaker 2>off work hours ago, so I went to my other

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<v Speaker 2>team members and let them know what I'd seen, afraid

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<v Speaker 2>perhaps that she could contaminate our investigation. A quick call

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<v Speaker 2>to security confirmed what we had thought originally. There were

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<v Speaker 2>no employees there other than a few security folks. Definitely

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<v Speaker 2>no one still in costume. So who had I seen

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<v Speaker 2>walking across the lawn that evening? Let's find out? Shall

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<v Speaker 2>we join me Haunted roadies as we visit the infamous

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<v Speaker 2>Winchester Mystery House. I'm Amy Bruney, and this is Haunted Road.

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<v Speaker 2>A very unique house sits in San Jose, California, about

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<v Speaker 2>an hour south of San Francisco. It's called the Winchester

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<v Speaker 2>Mystery House, and it's a Queen Anne Revival style mansion,

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<v Speaker 2>albeit with some Romanesque and Gothic features. The yellow home

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<v Speaker 2>has red roofs that ascend into peaks and conical turrets.

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<v Speaker 2>If you're a Disney fan, you might think it looks

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<v Speaker 2>a lot like their Haunted Mansion attraction, which is fair.

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<v Speaker 2>This real home was an inspiration for the ride, and

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<v Speaker 2>as striking as it looks from the outside, the inside

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<v Speaker 2>of the Winchester Mystery House is truly bizarre. Some of

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<v Speaker 2>its one hundred and sixty rooms are dark and stuffy,

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<v Speaker 2>others are airy, with big windows to let in the sunlight. Windows, mirrors,

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<v Speaker 2>and doors sit in unexpected places or hang at odd angles.

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<v Speaker 2>The roof is partially made of glass. Additionally, many of

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<v Speaker 2>the windows aren't shaped like a traditional four panel square,

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<v Speaker 2>but like a spider web. But it's not the decor

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<v Speaker 2>that gives Winchester its reputation, it's the layout. It sprawls

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<v Speaker 2>across twenty four thousand square feet and features hallways that

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<v Speaker 2>lead nowhere and doors that open to solid walls. This

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<v Speaker 2>makes the home maze like and disorienting. Some people have

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<v Speaker 2>even said it feels bigger on the inside than on

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<v Speaker 2>the outside. The number thirteen seems to be important here.

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<v Speaker 2>There's a staircase with thirteen steps, a window with thirteen

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<v Speaker 2>panes of glass, and a ceiling with thirteen panels. For

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<v Speaker 2>nearly one hundred and forty years, people have speculated about

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<v Speaker 2>why the house is like this. The truth is the

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<v Speaker 2>history of the Winchester Mystery House is inextricably tied up

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<v Speaker 2>with the woman who designed and built it, Sarah Winchester.

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<v Speaker 2>She was born in eighteen thirty nine in Connecticut, and

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<v Speaker 2>even before Sarah had taken her first breath, tragedy struck

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<v Speaker 2>her family. Her parents had previously given birth to another girl,

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<v Speaker 2>also named Sarah. That girl died before her second birthday,

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<v Speaker 2>and the younger Sarah was named for her deceased sister.

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<v Speaker 2>Despite the early loss, Sarah grew up in a large,

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<v Speaker 2>wealthy family. She was well educated and known for her beauty,

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<v Speaker 2>and when she was in her early twenties, she married

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<v Speaker 2>a man named William Winchester. William was rich in his

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<v Speaker 2>own right. He was also the son of a gun

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<v Speaker 2>manufacturer whose company made the Winchester rifle. It wasn't the

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<v Speaker 2>only source of income for William, but it ensured he

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<v Speaker 2>and his wife would never want for anything, at least

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<v Speaker 2>nothing that could be bought with money. William and Sarah's

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<v Speaker 2>marriage was loving, but also marked with more tragedies. Their

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<v Speaker 2>first and only child, Annie, died in eighteen sixty six

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<v Speaker 2>when she was barely a month old. William and Sarah

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<v Speaker 2>were devastated by the loss and coped by designing and

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<v Speaker 2>building a home together in New Haven, Connecticut. They both

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<v Speaker 2>appreciated architecture and enjoyed this kind of work, so the

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<v Speaker 2>project gave them a reason to get out of bed

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<v Speaker 2>each day. Years later, Sarah lost her mother in May

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<v Speaker 2>of eighteen eighty and in December of that same year,

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<v Speaker 2>William's father passed. Sadly, William only outlived his father by

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<v Speaker 2>about three more months. In March of eighteen eighty one,

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<v Speaker 2>he died of tuberculosis. He was only forty three years old.

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<v Speaker 2>After his passing, Sarah inherited half of his firearms company,

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<v Speaker 2>as well as his family fortune, and once again Sarah

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<v Speaker 2>had to cope with her grief.

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<v Speaker 1>But now she.

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<v Speaker 2>Didn't have William to lean on anymore. She never stopped mourning,

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<v Speaker 2>and she spent the rest of her life wearing black

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<v Speaker 2>clothes and a veil every single day. It probably didn't

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<v Speaker 2>help that three years later, in eighteen eighty four, Sarah

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<v Speaker 2>suffered another untimely loss. This time it was her oldest sister, Mary,

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<v Speaker 2>who succumbed to an illness. By now, Sarah was in

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<v Speaker 2>her mid forties and she'd lost her mother, her husband,

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<v Speaker 2>her sister, and her only child. It was time for

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<v Speaker 2>a fresh start, and she moved to California with her

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<v Speaker 2>surviving siblings. This was also when she returned to the

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<v Speaker 2>hobby that had given her such relief during an earlier

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<v Speaker 2>period of mourning. Home design and construction. In eighteen eighty six,

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<v Speaker 2>Sarah bought a small, eight room farmhouse in what's now

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<v Speaker 2>San Jose. It was far too modest for her. She

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<v Speaker 2>hoped to share the home with all three of her

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<v Speaker 2>sisters and their families, so she hired a construction team

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<v Speaker 2>to expand the home, and even after her sisters made

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<v Speaker 2>separate living arrangements, she kept renovating. Sarah called the property

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<v Speaker 2>yonada villa, translated into an English that means house on

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<v Speaker 2>flat land, but of course it would later be known

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<v Speaker 2>as the Winchester Mystery House. Right off the bat, Sarah

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<v Speaker 2>broke with convention. First, she hired two different architects, but

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<v Speaker 2>ultimately let them both go so she could design the

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<v Speaker 2>house for herself. It was very unusual for women to

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<v Speaker 2>do architectural work in the eighteen hundreds, so this certainly

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<v Speaker 2>turned some heads. According to Elizabeth Savoda of Atlas Obscura.

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<v Speaker 2>Sarah was also an unusually good boss.

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<v Speaker 1>She paid her.

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<v Speaker 2>Workers well and gave them frequent breaks. This may have

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<v Speaker 2>been because she suffered from rheumatoid arthritis, which left her

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<v Speaker 2>feeling exhausted all of the time. She also sympathized with

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<v Speaker 2>her employees and ensured that they had a chance to

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<v Speaker 2>rest and recover every time she needed to step back

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<v Speaker 2>from her own responsibilities. Sarah's rheumatoid arthritis also made it

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<v Speaker 2>difficult for her to walk up and down standard size stairs.

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<v Speaker 2>She designed her home staircases to be shallower than usual.

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<v Speaker 2>She also rarely interacted with anyone but her construction crews

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<v Speaker 2>and family because her condition made it painful for her

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<v Speaker 2>to get around town. All to say, Sarah's choices had

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<v Speaker 2>logic to them, but her neighbors and other people in

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<v Speaker 2>her community weren't privy to these details about her personal life.

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<v Speaker 2>They knew Sarah as a mysterious recluse. They also noticed

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<v Speaker 2>that by eighteen ninety six, the home was still under construction,

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<v Speaker 2>fully ten years after she'd begun. The renovation project. By

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<v Speaker 2>now Yanata Villa was several stories high. Sarah had also

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<v Speaker 2>added a seven story tower then Once it was finished,

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<v Speaker 2>she decided she didn't like it and ordered it to

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<v Speaker 2>be torn down and rebuilt, except then she didn't like

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<v Speaker 2>the second version of the tower or the third. According

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<v Speaker 2>to a newspaper from the time, it took sixteen tries

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<v Speaker 2>before the construction crews got the tower just right, and

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<v Speaker 2>that situation wasn't unique. According to author Mary Joe Ignoffo,

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<v Speaker 2>Sarah had several rooms torn down and rebuilt to ensure

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<v Speaker 2>they matched her specifications. Eccentricities like these ensured that rumor

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<v Speaker 2>and speculation flew. It was only a matter of time

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<v Speaker 2>before people theorized that the ongoing expansions and renovations were

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<v Speaker 2>a cult in nature. Some believed that Sarah was building

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<v Speaker 2>without ceasing to work out guilty feelings. She may have

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<v Speaker 2>been troubled by the fortune her husband had left her,

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<v Speaker 2>specifically because he'd made so much of his money selling

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<v Speaker 2>Winchester rifles. As the story went, Sarah was also an

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<v Speaker 2>avid spiritualist who often hosted seances in her home. During

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<v Speaker 2>one of those sessions, a medium supposedly told her that

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<v Speaker 2>she'd lost her husband and daughter because gun sales had

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<v Speaker 2>brought a curse down on her family. Now the ghost

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<v Speaker 2>of every person who'd ever been killed by a Winchester

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<v Speaker 2>rifle had come to haunt Sarah as well. She needed

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<v Speaker 2>to keep making the house larger and larger to appease

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<v Speaker 2>all of the lost souls. If she ever finished construction

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<v Speaker 2>or stopped the work, they would kill her too. According

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<v Speaker 2>to Mitch Goth of Haunted Us, Sarah hosted even more

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<v Speaker 2>seances to consult with the ghosts about what structural changes

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<v Speaker 2>she should make. Another rumor said that ghosts couldn't be satisfied,

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<v Speaker 2>only avoided, so Sarah intentionally made her home huge and

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<v Speaker 2>maze like to make it harder for the specters to

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<v Speaker 2>find her. She also supposedly slept in a different bedroom

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<v Speaker 2>every night, just to stay one step ahead of the spirits.

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<v Speaker 2>By this time in her life, Sarah was very reclusive.

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<v Speaker 2>She never entertained guests and rarely appeared in public.

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<v Speaker 1>She also never.

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<v Speaker 2>Confirmed or denied any of the speculation, so it's hard

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<v Speaker 2>to know if there was any truth to these rumors.

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<v Speaker 2>That said, it was quite common for wealthy women at

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<v Speaker 2>the time to host seances, and firearms were already controversial

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<v Speaker 2>even in those days, so it is quite possible that

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<v Speaker 2>a medium could have come to Sarah's home and warned

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<v Speaker 2>her about the spiritual dangers associated with her family fortune. However,

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<v Speaker 2>there's no hard evidence that Sarah ever hosted a seance

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<v Speaker 2>at Yanatavilla, nor did she ever give any indication that

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<v Speaker 2>she felt guilty about her association with the Winchester rifle.

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<v Speaker 2>Whatever her reasons, Sarah continued expanding the house until disaster struck.

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<v Speaker 2>On April eighteenth, nineteen oh six, a massive earthquake shook

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<v Speaker 2>San Francisco and the surrounding area. This included San Jose,

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<v Speaker 2>where Yanata Villa was standing. There's no record of where

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<v Speaker 2>Sarah was that day, but rumor suggests she was at

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<v Speaker 2>the Mystery House when the quake hit. The seven story

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<v Speaker 2>tower collapsed, as did several of the upper floors. It's

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<v Speaker 2>hard to estimate the extent of the damage because there

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<v Speaker 2>are no blueprints showing the house's original layout, but the

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<v Speaker 2>destruction was unquestionably intensive. As the story goes, Sarah supposedly

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<v Speaker 2>became trapped in the room known as the Daisy Bedroom.

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<v Speaker 2>Although she repeatedly called for help and rang a bell

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<v Speaker 2>to notify her staff that she was in trouble, it

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<v Speaker 2>took them hours to find her, since Sarah slept in

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<v Speaker 2>a different room every night. They had no idea where

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<v Speaker 2>she could have been at the time of the tremor.

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<v Speaker 2>Luckily for Sarah, she survived the disaster and made it

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<v Speaker 2>out alive. Sadly, her home was badly damaged. She ordered

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<v Speaker 2>several crumbling wings and whole stories to be walled off.

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<v Speaker 2>Those areas were never repaired, and after the earthquake, the

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<v Speaker 2>construction work as a whole ceased.

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<v Speaker 1>It's possible this is the true.

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<v Speaker 2>Reason for the Mystery House's current doorways and hallways to nowhere.

0:13:48.320 --> 0:13:51.559
<v Speaker 2>They might not have been built on purpose. Instead, they

0:13:51.559 --> 0:13:55.280
<v Speaker 2>were left to sit unrepaired in the aftermath of the earthquake.

0:13:55.760 --> 0:13:58.640
<v Speaker 2>But again it's hard to say for sure, because after

0:13:58.679 --> 0:14:04.080
<v Speaker 2>the disaster, more and gossip plagued Sarah. Now People whispered

0:14:04.120 --> 0:14:07.559
<v Speaker 2>that she was mentally unstable and obsessed with the apocalypse.

0:14:08.000 --> 0:14:11.440
<v Speaker 2>Others said the earthquake was a sign that restless spirits

0:14:11.440 --> 0:14:15.600
<v Speaker 2>were unhappy with her continued renovations. Whatever the truth lay,

0:14:16.080 --> 0:14:20.320
<v Speaker 2>Sarah spent less time at Nada Villa. However, she was

0:14:20.400 --> 0:14:23.960
<v Speaker 2>there on September fifth, nineteen twenty two. That's when she

0:14:24.080 --> 0:14:28.040
<v Speaker 2>passed away at the age of eighty three, The Winchester

0:14:28.200 --> 0:14:31.280
<v Speaker 2>Mystery House sold right away after her death, Even though

0:14:31.320 --> 0:14:35.480
<v Speaker 2>appraiser said it had no monetary value whatsoever, the new

0:14:35.480 --> 0:14:39.120
<v Speaker 2>owners saw its potential. Though by this time the house

0:14:39.200 --> 0:14:42.440
<v Speaker 2>was already rumored to be haunted. Many thought that the

0:14:42.480 --> 0:14:45.360
<v Speaker 2>stories of Sarah hiding from the ghosts of the Winchester

0:14:45.520 --> 0:14:49.320
<v Speaker 2>Rifle victims had a ring of authenticity, whether they were

0:14:49.360 --> 0:14:52.880
<v Speaker 2>true or not, and by summer nineteen twenty three, the

0:14:52.960 --> 0:14:55.640
<v Speaker 2>new owners were marketing it as a haunted house and

0:14:55.800 --> 0:15:00.800
<v Speaker 2>offering tours to their customers. In October ninth, teen twenty four,

0:15:00.960 --> 0:15:05.760
<v Speaker 2>Harry Houdini himself visited. Now Houdini was there to investigate

0:15:06.080 --> 0:15:08.760
<v Speaker 2>not because he believed it was haunted, but because he

0:15:08.880 --> 0:15:13.119
<v Speaker 2>wanted to debunk the rumors. But according to the Winchester

0:15:13.440 --> 0:15:17.720
<v Speaker 2>Mystery House website, he left the house feeling conflicted about

0:15:17.720 --> 0:15:22.600
<v Speaker 2>whatever he had experienced there. These days, tourists are still

0:15:22.640 --> 0:15:25.680
<v Speaker 2>allowed to walk through the home and explore its mysteries

0:15:25.720 --> 0:15:29.680
<v Speaker 2>for themselves. Time magazine considers it one of the top

0:15:29.800 --> 0:15:31.880
<v Speaker 2>ten most haunted places.

0:15:31.400 --> 0:15:32.760
<v Speaker 1>In the whole world.

0:15:33.280 --> 0:15:36.160
<v Speaker 2>Numerous visitors claim they felt a presence in the home,

0:15:36.400 --> 0:15:40.280
<v Speaker 2>a friendly one that said some staffers and tourists flat

0:15:40.320 --> 0:15:43.800
<v Speaker 2>out refused to go into certain rooms. That includes the

0:15:43.840 --> 0:15:46.920
<v Speaker 2>so called Witch's Cap, which is in the South Turret.

0:15:47.560 --> 0:15:49.920
<v Speaker 2>It's not easy to get there. Visitors have to go

0:15:49.960 --> 0:15:52.640
<v Speaker 2>through a cluttered attic and a narrow hallway that's only

0:15:52.720 --> 0:15:57.040
<v Speaker 2>five feet tall. Eventually they'll reach a wooden, circular room

0:15:57.160 --> 0:16:01.480
<v Speaker 2>that's supposed to be a hotbed for supernatural incidents. The

0:16:01.560 --> 0:16:05.320
<v Speaker 2>Daisy Bedroom is also highly active. That is the room

0:16:05.360 --> 0:16:09.360
<v Speaker 2>where Sarah reportedly got trapped during the nineteen oh six earthquake,

0:16:09.600 --> 0:16:12.280
<v Speaker 2>and to this day, cracks from the tremor are.

0:16:12.200 --> 0:16:13.440
<v Speaker 1>Visible in the walls.

0:16:14.320 --> 0:16:17.640
<v Speaker 2>Cameras don't always work properly in the Daisy Bedroom. That's

0:16:17.680 --> 0:16:21.800
<v Speaker 2>according to Kathy Alexander of Legends of America. She also

0:16:21.880 --> 0:16:24.720
<v Speaker 2>wrote that when visitors do manage to snap a picture,

0:16:25.080 --> 0:16:27.720
<v Speaker 2>they'll often end up with a strange looking photo of

0:16:27.760 --> 0:16:34.160
<v Speaker 2>a blurry, white, unidentifiable entity. Shadow figures have also appeared

0:16:34.200 --> 0:16:37.840
<v Speaker 2>in this room, as have cold spots elsewhere in the home.

0:16:37.920 --> 0:16:43.160
<v Speaker 2>People can hear disembodied footsteps, whispers and voices, and distant

0:16:43.200 --> 0:16:46.760
<v Speaker 2>piano music. Doors open and close on their own, and

0:16:46.800 --> 0:16:49.600
<v Speaker 2>sometimes the home fills with the scent of a freshly

0:16:49.720 --> 0:16:53.120
<v Speaker 2>cooked meal even though no one is using the kitchen.

0:16:54.320 --> 0:16:58.880
<v Speaker 2>Many reports feature a mustached specter known as Clyde. He's

0:16:58.920 --> 0:17:01.720
<v Speaker 2>said to be one of the construction workers who helped

0:17:01.760 --> 0:17:05.200
<v Speaker 2>build Yanata Villa, and to this day, his spirit still

0:17:05.240 --> 0:17:08.560
<v Speaker 2>hauls wheelbarrows of coal around or tries to fix the

0:17:08.560 --> 0:17:12.959
<v Speaker 2>fireplace in the ballroom. Clyde wears white coveralls and sometimes

0:17:13.000 --> 0:17:16.520
<v Speaker 2>has a Victorian era hat over his black hair. When

0:17:16.560 --> 0:17:19.760
<v Speaker 2>he notices that tourists have spotted him, he usually gives

0:17:19.760 --> 0:17:23.280
<v Speaker 2>a friendly nod before getting back to work, and a

0:17:23.320 --> 0:17:26.520
<v Speaker 2>few eagle eyed guests have seen a very slim four

0:17:26.560 --> 0:17:30.160
<v Speaker 2>foot ten inch woman dressed all in black. She's thought

0:17:30.200 --> 0:17:34.720
<v Speaker 2>to be Sarah Winchester herself. The Winchester Mystery House website

0:17:34.760 --> 0:17:38.159
<v Speaker 2>says that Sarah can be spotted wandering the halls, looking

0:17:38.160 --> 0:17:42.240
<v Speaker 2>out windows, and occasionally visiting the gardens, all things that

0:17:42.320 --> 0:17:43.200
<v Speaker 2>she likely.

0:17:42.960 --> 0:17:44.399
<v Speaker 1>Did in life as well.

0:17:45.400 --> 0:17:48.639
<v Speaker 2>Apparently, it's not only the house that's haunted, but the

0:17:48.720 --> 0:17:52.800
<v Speaker 2>objects within it. Over the years, different guests and tourists

0:17:52.840 --> 0:17:56.359
<v Speaker 2>stole nick knacks and small items during their visits, and

0:17:56.480 --> 0:18:01.560
<v Speaker 2>regularly these sticky fingered individuals would suffer from bad luck afterward,

0:18:02.000 --> 0:18:06.760
<v Speaker 2>until eventually they'd mailed the stolen object back to Yanadavia.

0:18:06.440 --> 0:18:07.560
<v Speaker 1>Hoping for relief.

0:18:08.680 --> 0:18:11.680
<v Speaker 2>To talk about all this history and all these stories.

0:18:12.200 --> 0:18:14.280
<v Speaker 2>Up next, we're going to be talking to my dear

0:18:14.400 --> 0:18:18.760
<v Speaker 2>friend Aiden Sinclair, who worked at the Mystery House for years.

0:18:19.080 --> 0:18:21.439
<v Speaker 2>He's got some really great stories to tell, and that

0:18:21.600 --> 0:18:33.479
<v Speaker 2>is coming up after the break. So now I am

0:18:33.600 --> 0:18:37.920
<v Speaker 2>joined by one of my very good friends, mister Aiden Sinclair.

0:18:38.040 --> 0:18:41.760
<v Speaker 1>This is not his first time to the show. He is.

0:18:42.400 --> 0:18:46.360
<v Speaker 2>I guess you're a resident magician at the Stanley Hotel

0:18:47.480 --> 0:18:50.480
<v Speaker 2>and you had an affiliation with the Winchester House for

0:18:50.560 --> 0:18:52.680
<v Speaker 2>a long time, So what happened there?

0:18:52.800 --> 0:18:56.399
<v Speaker 3>Yeah, we've been really lucky to get to kind of

0:18:56.440 --> 0:19:00.439
<v Speaker 3>perform and investigate at probably the three most famous haunted

0:19:00.480 --> 0:19:04.160
<v Speaker 3>places in the US, being the Stanley Hotel, the Queen Mary,

0:19:04.160 --> 0:19:07.680
<v Speaker 3>and the Winchester Mystery House, which is really kind of cool,

0:19:07.840 --> 0:19:09.159
<v Speaker 3>you know, it's like a nice thing to have in

0:19:09.160 --> 0:19:13.320
<v Speaker 3>your portfolio. But we did shows for the Winchester Mystery

0:19:13.320 --> 0:19:16.560
<v Speaker 3>House for about three years, and we actually did their

0:19:16.600 --> 0:19:21.119
<v Speaker 3>first public paranormal investigation there as well, and that was

0:19:21.200 --> 0:19:24.199
<v Speaker 3>pre COVID back and I think in twenty twenty we

0:19:24.280 --> 0:19:26.960
<v Speaker 3>got to do that brought in twenty people who got

0:19:26.960 --> 0:19:30.439
<v Speaker 3>to have the experience, and it's just an immensely fascinating

0:19:30.480 --> 0:19:34.280
<v Speaker 3>place and really really cool and obviously amazing history.

0:19:34.680 --> 0:19:38.480
<v Speaker 2>Yeah, so I've actually investigated there and it's been many,

0:19:38.520 --> 0:19:39.080
<v Speaker 2>many years.

0:19:39.080 --> 0:19:39.600
<v Speaker 1>It's funny.

0:19:39.600 --> 0:19:43.800
<v Speaker 2>I think I investigated their pre TV and everything, and

0:19:43.840 --> 0:19:46.879
<v Speaker 2>it was kind of when there was still kind of

0:19:46.920 --> 0:19:49.760
<v Speaker 2>a novelty to a paranormal team asking to come into

0:19:49.760 --> 0:19:53.160
<v Speaker 2>a location, and one of our team members actually worked there,

0:19:53.840 --> 0:19:56.919
<v Speaker 2>and so we were able to go in and investigate

0:19:56.960 --> 0:20:00.640
<v Speaker 2>a couple of times and it was super interesting. It's

0:20:00.680 --> 0:20:04.760
<v Speaker 2>hard not to like be distracted by your surroundings the

0:20:04.840 --> 0:20:07.280
<v Speaker 2>whole time because there's just so much to look at.

0:20:07.680 --> 0:20:10.119
<v Speaker 2>And so now I do just want to say, I

0:20:10.160 --> 0:20:12.320
<v Speaker 2>want to preface this before we get too far into this,

0:20:12.359 --> 0:20:14.600
<v Speaker 2>because I did mention that you are a magician, a

0:20:14.680 --> 0:20:17.560
<v Speaker 2>very skilled one at that, but you're also very much

0:20:17.680 --> 0:20:21.080
<v Speaker 2>on the level when it comes to like paranormal activity.

0:20:21.119 --> 0:20:24.159
<v Speaker 2>Like I trust you immensely. I don't think you're you know,

0:20:25.280 --> 0:20:28.040
<v Speaker 2>conjuring spirits as they say, you know what I mean,

0:20:28.320 --> 0:20:33.000
<v Speaker 2>You're very respectful of the paranormal and so I just

0:20:33.080 --> 0:20:35.560
<v Speaker 2>wanted to put that out there Aidan is awesome and

0:20:35.600 --> 0:20:37.880
<v Speaker 2>I love how much you incorporate just in your act

0:20:37.920 --> 0:20:43.280
<v Speaker 2>in general spiritualism and seances and it's just really stunning stuff.

0:20:43.320 --> 0:20:45.040
<v Speaker 2>So if you ever have the chance to see Aidan,

0:20:45.080 --> 0:20:46.880
<v Speaker 2>please do. We'll talk more about it at the end,

0:20:46.960 --> 0:20:50.000
<v Speaker 2>but anyway, so you get the chance to kind of

0:20:50.040 --> 0:20:54.399
<v Speaker 2>run these public investigations at the house. Now before you

0:20:54.480 --> 0:20:57.359
<v Speaker 2>even started doing that, like, what were some of the

0:20:57.359 --> 0:21:00.240
<v Speaker 2>things that you either knew happened there or you experiences

0:21:00.359 --> 0:21:01.840
<v Speaker 2>yourself in the location.

0:21:02.200 --> 0:21:06.120
<v Speaker 3>Well, we on our very first trip up there, there

0:21:06.320 --> 0:21:09.200
<v Speaker 3>is this It's one of those things where you see

0:21:09.200 --> 0:21:11.040
<v Speaker 3>shadows out of the corner of your eye, you know,

0:21:11.080 --> 0:21:13.560
<v Speaker 3>where like you definitely feel somebody there, and then you

0:21:13.600 --> 0:21:17.000
<v Speaker 3>turn in it's empty space and you get that feeling

0:21:17.080 --> 0:21:20.600
<v Speaker 3>a lot of being watched, which is really uncanny. You know,

0:21:20.640 --> 0:21:22.720
<v Speaker 3>it makes your hair stand up on your neck. And

0:21:22.440 --> 0:21:26.159
<v Speaker 3>there's this amazing history of things just being moved, you know,

0:21:26.720 --> 0:21:29.000
<v Speaker 3>not in a poltergeisty way, not in a bad way,

0:21:30.040 --> 0:21:36.200
<v Speaker 3>and there's definitely this presence that's there. The first trip there,

0:21:36.359 --> 0:21:38.760
<v Speaker 3>we just always had that feeling of where we went

0:21:38.840 --> 0:21:42.919
<v Speaker 3>in the house like somebody was with you. And learning

0:21:42.920 --> 0:21:46.040
<v Speaker 3>the history of Sarah. To me, it became really kind

0:21:46.080 --> 0:21:49.240
<v Speaker 3>of it felt a lot like I don't think Sarah's there,

0:21:49.359 --> 0:21:50.879
<v Speaker 3>but I think all the people who took care of

0:21:50.920 --> 0:21:53.320
<v Speaker 3>Sarah are very much still there taking care of her,

0:21:53.359 --> 0:21:56.639
<v Speaker 3>if that makes any sense. You know, her staff was

0:21:56.680 --> 0:21:59.240
<v Speaker 3>really loyal to or they were very protective of her.

0:22:00.080 --> 0:22:02.600
<v Speaker 3>I think when that's part of somebody's essence in life,

0:22:03.400 --> 0:22:06.560
<v Speaker 3>that maybe that hangs around afterwards, you know, and that

0:22:07.119 --> 0:22:09.840
<v Speaker 3>especially with all the traffic and kind of the exploitation

0:22:09.960 --> 0:22:12.960
<v Speaker 3>of the place, I think that that makes them stay,

0:22:13.119 --> 0:22:14.679
<v Speaker 3>you know, and makes them feel like they have to

0:22:14.680 --> 0:22:15.720
<v Speaker 3>be protective and present.

0:22:16.320 --> 0:22:17.640
<v Speaker 1>That's something to kind of talk about.

0:22:17.720 --> 0:22:20.840
<v Speaker 2>Do you think that, like the kind of the exploitation

0:22:20.920 --> 0:22:24.880
<v Speaker 2>of her story in general, do you think that that

0:22:25.640 --> 0:22:27.919
<v Speaker 2>adds to the activity. Do you think that's one of

0:22:27.920 --> 0:22:30.240
<v Speaker 2>the reasons why things happen there?

0:22:30.480 --> 0:22:34.600
<v Speaker 3>I think it does. I think it's fascinating that, you know,

0:22:34.640 --> 0:22:37.800
<v Speaker 3>the paranormal teams that tend to be more shall we

0:22:37.840 --> 0:22:41.600
<v Speaker 3>say aggressive, or you know, they kind of they could

0:22:41.600 --> 0:22:44.239
<v Speaker 3>be kind of provocative when they go places, you know,

0:22:44.280 --> 0:22:46.960
<v Speaker 3>and their their tonality is much darker. You know, that's

0:22:47.000 --> 0:22:50.280
<v Speaker 3>always is there a demon here? You know that stuff.

0:22:50.680 --> 0:22:53.320
<v Speaker 3>I think when that stuff goes into the house, I

0:22:53.359 --> 0:22:57.920
<v Speaker 3>don't think the provocation generates in interactions, but I think

0:22:57.960 --> 0:23:00.280
<v Speaker 3>there's a dislike for that, you know what I mean

0:23:00.720 --> 0:23:02.639
<v Speaker 3>of that's not what we are and that's not what

0:23:02.680 --> 0:23:06.119
<v Speaker 3>this is. And I think that stimulates some activity in

0:23:06.200 --> 0:23:09.080
<v Speaker 3>a way that is not necessarily good, because I think

0:23:09.080 --> 0:23:10.879
<v Speaker 3>some people will go and go, well, if you provoke

0:23:10.920 --> 0:23:13.560
<v Speaker 3>the ghost, maybe you get a response, but that would

0:23:13.560 --> 0:23:16.280
<v Speaker 3>be like somebody coming into your house and being rude,

0:23:17.400 --> 0:23:19.720
<v Speaker 3>and of course you're going to respond in a rude way.

0:23:20.280 --> 0:23:23.760
<v Speaker 3>So I don't know. I feel kind of the people

0:23:23.800 --> 0:23:26.960
<v Speaker 3>there are. I think all the traffic there gives purpose

0:23:27.160 --> 0:23:30.439
<v Speaker 3>to the entities there, if that makes any sense, Like

0:23:30.440 --> 0:23:31.880
<v Speaker 3>they have a reason to stay there.

0:23:32.680 --> 0:23:35.359
<v Speaker 2>It sounds very personal, and you know, I think that

0:23:35.480 --> 0:23:38.480
<v Speaker 2>a lot of hauntings are kind of personal like that,

0:23:38.600 --> 0:23:42.760
<v Speaker 2>like they feel an obligation. Now when people are doing

0:23:42.800 --> 0:23:46.480
<v Speaker 2>public investigations there, I'm sure when you guys ran those,

0:23:47.280 --> 0:23:50.880
<v Speaker 2>you obviously asked for them to be very respectful and whatnot,

0:23:51.200 --> 0:23:55.280
<v Speaker 2>Like what kind of things happened during these investigations Regularly.

0:23:55.040 --> 0:23:59.000
<v Speaker 3>We had some really cool direct conversational K two interaction

0:23:59.119 --> 0:24:05.119
<v Speaker 3>there and Estes sessions there were really powerful. The Estas

0:24:05.119 --> 0:24:08.080
<v Speaker 3>method is something that I just love because it's just

0:24:08.200 --> 0:24:10.960
<v Speaker 3>so clean in the sense that you know, you have

0:24:11.040 --> 0:24:14.160
<v Speaker 3>somebody in headphones and they're blind and they can't hear

0:24:14.200 --> 0:24:16.080
<v Speaker 3>anything and they can't see anything, and when you get

0:24:16.080 --> 0:24:20.719
<v Speaker 3>intelligent responses, it's just fascinating, you know, to watch that

0:24:20.800 --> 0:24:25.560
<v Speaker 3>experience take place. And Esta's sessions there were really kind

0:24:25.600 --> 0:24:30.600
<v Speaker 3>of responsive so long as the questioning was respectful and courteous.

0:24:31.520 --> 0:24:36.040
<v Speaker 3>We always use the present tense, and we never said Sarah.

0:24:36.119 --> 0:24:40.040
<v Speaker 3>We'd always say, is miss Winchester? You know, you try

0:24:40.080 --> 0:24:44.840
<v Speaker 3>to keep the formality of the time, and those seem

0:24:44.920 --> 0:24:50.440
<v Speaker 3>to genuate generate really good conversational responses in Estes. Anytime

0:24:50.480 --> 0:24:52.880
<v Speaker 3>we would ask if Miss Winchester was in the house,

0:24:52.920 --> 0:24:56.480
<v Speaker 3>we would get very definitive no, she's away, And that's

0:24:56.560 --> 0:24:58.640
<v Speaker 3>kind of a cool response to get, you know, from

0:24:58.680 --> 0:25:04.600
<v Speaker 3>someone who can't hear that question. Very direct conversational responses

0:25:04.640 --> 0:25:08.159
<v Speaker 3>of do you take care of her? Yes? Do you

0:25:08.200 --> 0:25:10.920
<v Speaker 3>take care of the house? Yes? And I think it's

0:25:10.960 --> 0:25:13.200
<v Speaker 3>fascinating that most of the apparitions that have been kind

0:25:13.240 --> 0:25:16.160
<v Speaker 3>of seen or witnessed in the house tend to be workmen,

0:25:16.800 --> 0:25:19.320
<v Speaker 3>you know, people that are building and working on the house,

0:25:19.480 --> 0:25:23.080
<v Speaker 3>or people that are in period clothing that you know,

0:25:23.080 --> 0:25:27.199
<v Speaker 3>are women dressed as servants, not as not as you know,

0:25:27.960 --> 0:25:30.320
<v Speaker 3>modern day people. So that's kind of fascinating.

0:25:31.160 --> 0:25:33.800
<v Speaker 2>That was my experience there. So this was this was

0:25:33.800 --> 0:25:36.840
<v Speaker 2>so many years ago, but we got there after hours

0:25:36.880 --> 0:25:41.080
<v Speaker 2>and everything was closed and I'll never forget like I

0:25:41.119 --> 0:25:45.960
<v Speaker 2>saw a woman kind of like walking across the grounds

0:25:46.040 --> 0:25:49.800
<v Speaker 2>area and this was in the evening hours, like kind

0:25:49.800 --> 0:25:53.840
<v Speaker 2>of you know, dusk, you know, not super dark yet,

0:25:54.480 --> 0:25:57.320
<v Speaker 2>and I remember just going, oh my god, I thought

0:25:57.320 --> 0:25:59.840
<v Speaker 2>everyone was gone. I didn't know there were still employees here.

0:26:00.000 --> 0:26:05.080
<v Speaker 2>And someone said, no, everyone's gone, and I you know,

0:26:05.200 --> 0:26:07.199
<v Speaker 2>that was one time where like you wouldn't even know

0:26:07.240 --> 0:26:09.040
<v Speaker 2>if you were there during the day and you were

0:26:09.119 --> 0:26:12.960
<v Speaker 2>touring and you saw someone like that, you would just

0:26:13.040 --> 0:26:15.760
<v Speaker 2>assume they were part of the staff. And so it

0:26:15.760 --> 0:26:17.760
<v Speaker 2>makes you wonder, like how many people just kind of

0:26:17.760 --> 0:26:20.760
<v Speaker 2>traverse those halls and kind of go about their tours

0:26:21.240 --> 0:26:23.400
<v Speaker 2>and see someone and go, oh, wow, that's a very

0:26:23.440 --> 0:26:27.640
<v Speaker 2>clever cosplay happening, you know, but it's actually they've witnessed

0:26:27.680 --> 0:26:29.400
<v Speaker 2>a full bodied apparition and.

0:26:29.400 --> 0:26:31.520
<v Speaker 3>It happens a lot there with the staff, Like the

0:26:31.600 --> 0:26:34.400
<v Speaker 3>staff see people all the time there and not they

0:26:34.400 --> 0:26:39.000
<v Speaker 3>don't see you know, transparent ghosty things. They see people.

0:26:39.680 --> 0:26:40.760
<v Speaker 3>And then they disappeared.

0:26:40.840 --> 0:26:44.520
<v Speaker 2>Yeah you know, yeah, no, this looked like a solid woman.

0:26:45.000 --> 0:26:49.480
<v Speaker 2>Like I was just very much convinced that someone had

0:26:49.640 --> 0:26:51.960
<v Speaker 2>stayed behind. But it also didn't make sense because they

0:26:52.000 --> 0:26:54.879
<v Speaker 2>had been closed for hours, and so my brain was, like,

0:26:55.119 --> 0:26:57.000
<v Speaker 2>they've been closed for hours, why would there still be

0:26:57.040 --> 0:27:00.240
<v Speaker 2>someone scurrying around here in a costume? And so that's

0:27:00.240 --> 0:27:02.640
<v Speaker 2>why I asked, or you know, maybe it was someone

0:27:02.680 --> 0:27:05.199
<v Speaker 2>playing a practical joke on us or something, because it

0:27:05.240 --> 0:27:07.520
<v Speaker 2>was kind of in the earlier days. But it's still

0:27:07.560 --> 0:27:09.760
<v Speaker 2>stuck with me. I cannot, of course say for sure

0:27:09.800 --> 0:27:12.440
<v Speaker 2>that was a ghost, but it was very very strange.

0:27:12.920 --> 0:27:15.679
<v Speaker 2>But I do think that's interesting because they it's the

0:27:15.760 --> 0:27:18.119
<v Speaker 2>difference there is that there were people working on that

0:27:18.200 --> 0:27:22.520
<v Speaker 2>building consistently for so long that like it might not

0:27:22.560 --> 0:27:26.280
<v Speaker 2>even be their full kind of you know, consciousness there,

0:27:26.320 --> 0:27:29.160
<v Speaker 2>Like it could just be like they toiled and they

0:27:29.200 --> 0:27:32.119
<v Speaker 2>worked and they felt so they felt this sense of

0:27:32.240 --> 0:27:35.240
<v Speaker 2>like pride and obligation to the building. Like it's almost

0:27:35.280 --> 0:27:37.640
<v Speaker 2>like that essence of them is still there.

0:27:37.720 --> 0:27:39.440
<v Speaker 1>If that makes sense, I know it does.

0:27:39.480 --> 0:27:43.639
<v Speaker 3>And there's there was staff that literally she you know,

0:27:43.680 --> 0:27:46.280
<v Speaker 3>built houses for and lived on the property and were

0:27:46.320 --> 0:27:49.439
<v Speaker 3>still alive after she passed, and within a year of

0:27:49.480 --> 0:27:51.960
<v Speaker 3>her passing, you know, the house was open to the public.

0:27:52.520 --> 0:27:55.440
<v Speaker 3>So those people were still there and started to see

0:27:55.440 --> 0:27:58.159
<v Speaker 3>that traffic right away. You know, they were there to

0:27:58.200 --> 0:28:00.520
<v Speaker 3>see who dedie come in and do a say, you know,

0:28:00.560 --> 0:28:03.840
<v Speaker 3>And now all of that had to feel pretty disrespectful

0:28:03.880 --> 0:28:06.879
<v Speaker 3>to somebody that you love and cherish and take care of.

0:28:06.960 --> 0:28:09.440
<v Speaker 3>And now all of a sudden, you know, this house

0:28:09.480 --> 0:28:12.560
<v Speaker 3>they created is a spectacle. I also think it's fascinating

0:28:12.600 --> 0:28:14.280
<v Speaker 3>that a lot of people get so fixated on the

0:28:14.320 --> 0:28:16.720
<v Speaker 3>house that a lot of people aren't aware that, like,

0:28:16.800 --> 0:28:20.640
<v Speaker 3>she had another house and that house isn't weird, it's

0:28:21.000 --> 0:28:23.919
<v Speaker 3>you know, there are some motifs that transfer over. The

0:28:24.000 --> 0:28:29.000
<v Speaker 3>number thirteen was present in both houses, and spider webbing

0:28:29.040 --> 0:28:32.399
<v Speaker 3>and glasses you know, and is there. But it's a

0:28:32.440 --> 0:28:35.520
<v Speaker 3>normal house. There's not doors to know where the construction

0:28:35.600 --> 0:28:38.720
<v Speaker 3>didn't continue. She also had a house boat that she

0:28:38.760 --> 0:28:41.440
<v Speaker 3>spent a lot of time on, perfectly normal, you know,

0:28:41.560 --> 0:28:44.320
<v Speaker 3>So it's this idea that she just stayed in this

0:28:44.440 --> 0:28:47.560
<v Speaker 3>house and never left it, and you know, the spirits

0:28:47.560 --> 0:28:52.200
<v Speaker 3>made her keep building. I think that's it's a great story.

0:28:52.520 --> 0:28:54.720
<v Speaker 3>But I think if you take a step back and

0:28:54.760 --> 0:28:57.880
<v Speaker 3>you look at her story, you know, people deal with

0:28:57.920 --> 0:29:01.800
<v Speaker 3>grief in different ways, and for me was Sarah. I

0:29:01.800 --> 0:29:06.800
<v Speaker 3>think the focus of building that house, like she would

0:29:06.840 --> 0:29:10.280
<v Speaker 3>build a room and when it was done, undo it

0:29:10.360 --> 0:29:12.920
<v Speaker 3>and do it again. You know. So I think if

0:29:12.920 --> 0:29:15.200
<v Speaker 3>you could dedicate one hundred percent of your attention and

0:29:15.280 --> 0:29:19.320
<v Speaker 3>time into a project, you're not thinking about the daughter

0:29:19.360 --> 0:29:22.840
<v Speaker 3>and the husband that you lost, and you know that's

0:29:23.480 --> 0:29:26.440
<v Speaker 3>the house. To me, really is this exercising grief of

0:29:26.480 --> 0:29:29.120
<v Speaker 3>like how do I how do I not think about that?

0:29:29.480 --> 0:29:32.440
<v Speaker 3>You know, let me let me just focus on something.

0:29:33.360 --> 0:29:37.120
<v Speaker 2>Which is honestly kind of a more fascinating aspect to

0:29:37.200 --> 0:29:39.760
<v Speaker 2>it as far as like activity. You know, when you

0:29:39.840 --> 0:29:45.640
<v Speaker 2>have someone pouring, like when a project becomes when a

0:29:45.680 --> 0:29:49.760
<v Speaker 2>project becomes their coping mechanism, Like what happens at that

0:29:49.920 --> 0:29:53.320
<v Speaker 2>point to that project? You know, did you find that

0:29:53.440 --> 0:29:56.880
<v Speaker 2>when you investigated if you referred to it, you know

0:29:56.920 --> 0:30:00.560
<v Speaker 2>as the original house name Yonadavilla, did it get more results?

0:30:00.600 --> 0:30:03.040
<v Speaker 2>Because a lot of people don't even refer that name.

0:30:03.120 --> 0:30:06.840
<v Speaker 3>Ever, it did so long as we kept everything in period,

0:30:07.320 --> 0:30:10.360
<v Speaker 3>it was great. Well was fascinating is that as soon

0:30:10.400 --> 0:30:12.560
<v Speaker 3>as we had. Of course, when people are on a

0:30:12.560 --> 0:30:15.600
<v Speaker 3>public investigation, they you know, they don't do this all

0:30:15.600 --> 0:30:17.160
<v Speaker 3>the time. It might be the one time that they

0:30:17.200 --> 0:30:21.240
<v Speaker 3>actually get to investigate, so they're they're not always as

0:30:21.280 --> 0:30:26.080
<v Speaker 3>focused in the method, I guess. So you'll kind of

0:30:26.120 --> 0:30:29.080
<v Speaker 3>teach people like, hey, try to keep things period specific,

0:30:29.640 --> 0:30:32.560
<v Speaker 3>try to keep things in the present tense. But inevitably

0:30:32.640 --> 0:30:34.280
<v Speaker 3>someone would be like, what do you think about all

0:30:34.320 --> 0:30:38.640
<v Speaker 3>these cars and everything stops? Yeah, it just stops. You know.

0:30:38.880 --> 0:30:42.080
<v Speaker 3>Anytime somebody brought up death in the house, activity stopped.

0:30:42.680 --> 0:30:44.520
<v Speaker 3>You know, somebody would be like, oh, did you die here?

0:30:45.000 --> 0:30:46.120
<v Speaker 3>That's it, We're done.

0:30:46.920 --> 0:30:49.560
<v Speaker 2>Yeah, And that happens a lot on a lot of hauntings.

0:30:49.720 --> 0:30:51.320
<v Speaker 2>You're like, do you think that's really what they want

0:30:51.360 --> 0:30:54.680
<v Speaker 2>to talk about? Yeah, you know, it's you know, it

0:30:54.720 --> 0:30:57.800
<v Speaker 2>doesn't it's so easy to kind of fall back on that,

0:30:57.920 --> 0:30:59.880
<v Speaker 2>but it's also like, once you really think about it,

0:31:00.200 --> 0:31:03.400
<v Speaker 2>and sense says, maybe we need to kind of expand

0:31:03.400 --> 0:31:07.040
<v Speaker 2>the conversation here, let's talk about the items in the house,

0:31:07.160 --> 0:31:08.840
<v Speaker 2>I don't remember off the top of my head. Like

0:31:08.880 --> 0:31:11.040
<v Speaker 2>it seems like there's a lot of artifacts there. A

0:31:11.040 --> 0:31:14.360
<v Speaker 2>lot are most of them original to Sarah.

0:31:14.400 --> 0:31:19.240
<v Speaker 3>It's a mix. When she passed a lot of the

0:31:19.280 --> 0:31:22.960
<v Speaker 3>property was stripped from the house and sold off, and

0:31:23.000 --> 0:31:25.240
<v Speaker 3>then some other people came in and tried to recover it.

0:31:25.760 --> 0:31:28.760
<v Speaker 3>One of the things that is on site is the

0:31:28.800 --> 0:31:31.640
<v Speaker 3>bed that she passed away in is still there right.

0:31:32.320 --> 0:31:36.160
<v Speaker 3>A lot of obviously, all the furnishings, the doors and fixtures,

0:31:36.200 --> 0:31:38.479
<v Speaker 3>the stairs, all of that is all original. But the

0:31:38.480 --> 0:31:41.000
<v Speaker 3>interior property when you go there now, most of the

0:31:41.000 --> 0:31:44.320
<v Speaker 3>furniture that you see in the house is period stuff

0:31:44.360 --> 0:31:48.760
<v Speaker 3>that's been replaced. The things that are original are mostly

0:31:49.480 --> 0:31:52.720
<v Speaker 3>you know, stained glass. One of the things that's really

0:31:52.800 --> 0:31:56.680
<v Speaker 3>special to me is the Winchester House gave us a

0:31:56.720 --> 0:31:59.720
<v Speaker 3>gift of some original pieces of the house.

0:32:00.120 --> 0:32:00.400
<v Speaker 2>Wow.

0:32:00.600 --> 0:32:03.720
<v Speaker 3>So hanging in the underground that the stanley is a

0:32:03.760 --> 0:32:08.320
<v Speaker 3>piece of the wall. It's a linn crusta wallpaper, one

0:32:08.360 --> 0:32:11.840
<v Speaker 3>of the original nails of the house. That's really cool,

0:32:12.280 --> 0:32:16.120
<v Speaker 3>and another piece of cornice tile work. So we have

0:32:16.240 --> 0:32:18.560
<v Speaker 3>that on display at the Stanley and it's just kind

0:32:18.560 --> 0:32:20.000
<v Speaker 3>of cool to have that history there.

0:32:20.240 --> 0:32:22.320
<v Speaker 1>Yeah, what a special thing to have. I'm jealous.

0:32:22.480 --> 0:32:25.920
<v Speaker 3>It's really neat. There's a funny story to it. They

0:32:26.000 --> 0:32:29.880
<v Speaker 3>made thirteen of these displays when they filmed the Winchester movie,

0:32:30.640 --> 0:32:33.480
<v Speaker 3>and they made them for the cast and the directors

0:32:33.600 --> 0:32:37.960
<v Speaker 3>of the film, and of the thirteen that were given out,

0:32:38.120 --> 0:32:39.640
<v Speaker 3>eleven of them were returned.

0:32:40.040 --> 0:32:42.320
<v Speaker 1>Oh. They thought they were like haunted.

0:32:42.520 --> 0:32:44.960
<v Speaker 3>They said they had range activity and just didn't want

0:32:45.000 --> 0:32:45.400
<v Speaker 3>it around.

0:32:46.160 --> 0:32:50.840
<v Speaker 1>Wow, And You're like, yes please.

0:32:51.320 --> 0:32:53.520
<v Speaker 3>Yeah. Well they were like, hey, you know, nobody seems

0:32:53.520 --> 0:32:54.840
<v Speaker 3>to want this, do you want it? I was like,

0:32:54.840 --> 0:32:58.360
<v Speaker 3>hell yeah, And we've never had We've never had any issues, Like,

0:32:58.400 --> 0:33:01.480
<v Speaker 3>we've never had anything weird happened around the things. But

0:33:01.520 --> 0:33:03.320
<v Speaker 3>I also think we treat them with a great deal

0:33:03.360 --> 0:33:06.000
<v Speaker 3>of respect, and you know, I think that matters.

0:33:06.120 --> 0:33:09.600
<v Speaker 2>You know, probably feels very at home in that space.

0:33:09.680 --> 0:33:12.400
<v Speaker 2>I mean that space that you've created in the underground.

0:33:12.400 --> 0:33:14.400
<v Speaker 2>It's probably the perfect place for it, honestly.

0:33:14.680 --> 0:33:18.160
<v Speaker 3>Yeah. It's just it's neat too for when people visit

0:33:18.200 --> 0:33:21.200
<v Speaker 3>the Stanley to have these connections to other places. So

0:33:21.240 --> 0:33:23.080
<v Speaker 3>we have that and we have a little Teddy Bear

0:33:23.120 --> 0:33:25.520
<v Speaker 3>from the Queen Mary, so people get to kind of

0:33:25.640 --> 0:33:28.600
<v Speaker 3>vicariously visit other haunted locations when they come to see us.

0:33:29.040 --> 0:33:30.120
<v Speaker 3>So that's kind of fun of that.

0:33:30.440 --> 0:33:33.600
<v Speaker 2>Speaking of kind of artifacts is there, and did you

0:33:33.600 --> 0:33:36.240
<v Speaker 2>feel like there was ever any other than those, any

0:33:36.360 --> 0:33:39.800
<v Speaker 2>artifacts in the house that had activity around them.

0:33:40.400 --> 0:33:43.280
<v Speaker 3>Not really, It's more to me, it seemed more localized.

0:33:44.760 --> 0:33:48.760
<v Speaker 3>There's definitely a gentleman that's seen as a full body

0:33:48.760 --> 0:33:52.680
<v Speaker 3>apparition who is constantly in the basement. He's seen all

0:33:52.680 --> 0:33:56.640
<v Speaker 3>the time, always described in the same way. And what's

0:33:56.680 --> 0:33:59.560
<v Speaker 3>fascinating is it's usually not the staff that see him,

0:33:59.800 --> 0:34:03.920
<v Speaker 3>it's the tours that go through and they're like, oh,

0:34:03.960 --> 0:34:05.560
<v Speaker 3>I saw this guy down the hallway. I thought we

0:34:05.600 --> 0:34:08.160
<v Speaker 3>couldn't go down there, and then they described the guy

0:34:08.960 --> 0:34:11.680
<v Speaker 3>to a tour guide and they give an accurate description

0:34:11.760 --> 0:34:15.239
<v Speaker 3>of someone you know that is actually in a photograph

0:34:15.360 --> 0:34:17.799
<v Speaker 3>on property. So that's kind of cool, you know that

0:34:17.840 --> 0:34:21.000
<v Speaker 3>you it tends to be more about location than thing,

0:34:21.239 --> 0:34:22.080
<v Speaker 3>if that makes sense.

0:34:22.400 --> 0:34:24.000
<v Speaker 2>I was going to ask that, like, are there any

0:34:24.160 --> 0:34:27.960
<v Speaker 2>rooms that you feel like have more of a vibe

0:34:27.960 --> 0:34:29.160
<v Speaker 2>to them or more activity?

0:34:29.280 --> 0:34:35.480
<v Speaker 3>Yeah, the basement definitely, and then upstairs there is a

0:34:35.560 --> 0:34:38.520
<v Speaker 3>room called the Widow's cap and that's actually where Houdini

0:34:38.560 --> 0:34:41.800
<v Speaker 3>did a seance right after Sarah had passed, about a

0:34:41.880 --> 0:34:44.280
<v Speaker 3>year after, so that's kind of got a cool vibe

0:34:44.280 --> 0:34:46.200
<v Speaker 3>to it, and it seems to have some activity up

0:34:46.239 --> 0:34:49.680
<v Speaker 3>there that there is this question of there have been

0:34:49.840 --> 0:34:53.080
<v Speaker 3>many mediums who have gone and done seances in that space,

0:34:53.960 --> 0:34:57.800
<v Speaker 3>so there's always this question of is is what's there

0:34:58.600 --> 0:35:01.680
<v Speaker 3>part of the house or have people invited things in

0:35:02.000 --> 0:35:02.760
<v Speaker 3>too much there?

0:35:03.400 --> 0:35:05.840
<v Speaker 2>Yeah, I was actually wondering if that was an aspect

0:35:05.840 --> 0:35:09.480
<v Speaker 2>of the haunting there, like if just having I think

0:35:09.480 --> 0:35:11.920
<v Speaker 2>people think about the hauntings there so often, and you know,

0:35:12.000 --> 0:35:15.120
<v Speaker 2>some of these locations that are so notorious for being

0:35:15.120 --> 0:35:18.359
<v Speaker 2>haunted almost become beacons, you know. Do you think that's

0:35:18.440 --> 0:35:21.319
<v Speaker 2>kind of, you know, something that could be influencing activity there.

0:35:21.680 --> 0:35:25.040
<v Speaker 3>I think so, And I think a long time ago,

0:35:25.640 --> 0:35:29.960
<v Speaker 3>John Tenny, I think, was talking about how you know,

0:35:30.000 --> 0:35:34.360
<v Speaker 3>if ghosts are intelligent and they are people, and you

0:35:34.520 --> 0:35:37.560
<v Speaker 3>know that people go to certain locations to go to

0:35:37.600 --> 0:35:40.719
<v Speaker 3>talk to the dead, then maybe you go there. You

0:35:40.800 --> 0:35:44.279
<v Speaker 3>know that that's right. If I want to talk to

0:35:44.320 --> 0:35:47.440
<v Speaker 3>somebody and I'm not here then and I know that

0:35:47.600 --> 0:35:51.040
<v Speaker 3>people are going to these places, then maybe that's a

0:35:51.040 --> 0:35:53.680
<v Speaker 3>good place to be heard. So I think that's a

0:35:53.840 --> 0:35:56.120
<v Speaker 3>I think there's a valid theory there. You know.

0:35:57.280 --> 0:35:59.040
<v Speaker 2>Yeah, I've noticed that. I don't know if it's ever

0:35:59.080 --> 0:36:01.439
<v Speaker 2>the case. It doesn't sound like it at the Winchester House,

0:36:01.480 --> 0:36:05.640
<v Speaker 2>but like I've noticed that. You know, sometimes during investigations,

0:36:05.640 --> 0:36:07.680
<v Speaker 2>you'll be speaking with someone who seems like they might

0:36:07.719 --> 0:36:10.160
<v Speaker 2>be from, you know, another time period, and then suddenly

0:36:10.200 --> 0:36:12.520
<v Speaker 2>you've got some modern ghosts busting in and you're like,

0:36:12.560 --> 0:36:13.480
<v Speaker 2>where did you come from?

0:36:13.920 --> 0:36:14.160
<v Speaker 1>You know?

0:36:14.440 --> 0:36:17.400
<v Speaker 3>Yeah, And I think it's also like any place that

0:36:17.640 --> 0:36:20.280
<v Speaker 3>you know, anybody that becomes attached to it in life.

0:36:20.520 --> 0:36:23.480
<v Speaker 3>You know that there are people who love that house.

0:36:24.120 --> 0:36:26.680
<v Speaker 3>That's just their favorite place in the world. People get

0:36:26.719 --> 0:36:30.160
<v Speaker 3>married there, people have been engaged there that I mean,

0:36:30.200 --> 0:36:33.440
<v Speaker 3>it's a that I think also makes them places like

0:36:33.520 --> 0:36:37.239
<v Speaker 3>that they become touchdows, you know of you know, when

0:36:37.280 --> 0:36:39.759
<v Speaker 3>you when you pass on, maybe that's a thing that

0:36:39.840 --> 0:36:42.400
<v Speaker 3>you can go stay in your favorite memory. There's a

0:36:42.400 --> 0:36:43.479
<v Speaker 3>lot of those memories there.

0:36:44.360 --> 0:36:47.200
<v Speaker 1>I love that. It's a It is a beautiful place.

0:36:47.400 --> 0:36:51.160
<v Speaker 2>I grew up, you know, in the Bay area nearby,

0:36:51.320 --> 0:36:53.480
<v Speaker 2>and so I got to visit a few times and

0:36:53.520 --> 0:36:55.920
<v Speaker 2>it was just a treat to be able to investigate it,

0:36:56.400 --> 0:36:58.000
<v Speaker 2>and I'm sure it was a real treat for you

0:36:58.040 --> 0:37:01.600
<v Speaker 2>to just be in there regularly. I'm very but you're

0:37:01.600 --> 0:37:04.480
<v Speaker 2>doing so much like let us like what is aid

0:37:04.520 --> 0:37:05.720
<v Speaker 2>and up to these days.

0:37:05.840 --> 0:37:08.640
<v Speaker 3>Well, presently we have the Underground at the Stanley Hotel.

0:37:08.800 --> 0:37:12.560
<v Speaker 3>It is a underground kind of speakeasy theater at the

0:37:12.560 --> 0:37:16.960
<v Speaker 3>Stanley and we present shows there all year round during

0:37:17.000 --> 0:37:19.919
<v Speaker 3>the winter where they're Friday, Saturday and Sunday, and from

0:37:19.960 --> 0:37:22.439
<v Speaker 3>May through Halloween we're they are seven days a week

0:37:23.080 --> 0:37:27.360
<v Speaker 3>and we present theatrical Magic, which is their magic shows

0:37:27.360 --> 0:37:29.239
<v Speaker 3>that have a narrative and a story to them, and

0:37:29.280 --> 0:37:32.160
<v Speaker 3>they tend to dabble in the supernatural a little bit.

0:37:33.000 --> 0:37:35.880
<v Speaker 3>The current show running is called Fate and Futility and

0:37:35.400 --> 0:37:39.080
<v Speaker 3>it's really about the concept of fate and free will,

0:37:39.160 --> 0:37:42.520
<v Speaker 3>and you know, it delves into the tarot and a

0:37:42.520 --> 0:37:45.560
<v Speaker 3>lot of kind of mysticism in its presentation, so it's

0:37:45.600 --> 0:37:48.680
<v Speaker 3>really kind of a fun atmosphere to play. And we

0:37:48.719 --> 0:37:51.239
<v Speaker 3>also do a theatrical Sounce at the Stanley as well,

0:37:52.200 --> 0:37:57.480
<v Speaker 3>and presently my better half Beca is doing all the

0:37:57.480 --> 0:38:01.680
<v Speaker 3>paranormal investigating on the Queen Mary. She has a project

0:38:01.719 --> 0:38:04.920
<v Speaker 3>called the Great Ghost Project and they do public paranormal

0:38:04.920 --> 0:38:07.000
<v Speaker 3>investigations Friday through Sunday on the ship.

0:38:07.920 --> 0:38:08.880
<v Speaker 1>Yeah, that's awesome.

0:38:08.920 --> 0:38:11.760
<v Speaker 2>I'm looking We're Strange Escapes is heading there in January,

0:38:11.760 --> 0:38:13.040
<v Speaker 2>which is not on the website yet.

0:38:13.080 --> 0:38:14.520
<v Speaker 1>I know everybody's very excited though.

0:38:14.400 --> 0:38:17.279
<v Speaker 2>And I'm really looking forward to working with her on that.

0:38:17.800 --> 0:38:19.799
<v Speaker 2>And I'm going back to the Stanley in October. They

0:38:19.920 --> 0:38:22.000
<v Speaker 2>hired me back this year, so i will see you

0:38:22.080 --> 0:38:24.680
<v Speaker 2>again in October, which I'm super stoked about.

0:38:24.760 --> 0:38:26.400
<v Speaker 3>Can't wait. We'll have more Mexican food.

0:38:26.600 --> 0:38:28.840
<v Speaker 1>That was awesome. I really know.

0:38:29.440 --> 0:38:32.279
<v Speaker 2>It's always nice to, you know, have margaritas before you're

0:38:32.320 --> 0:38:33.680
<v Speaker 2>supposed to go on stage.

0:38:33.800 --> 0:38:33.960
<v Speaker 1>Right.

0:38:37.520 --> 0:38:39.719
<v Speaker 2>Well, I super appreciate you taking the time. I know

0:38:39.760 --> 0:38:43.239
<v Speaker 2>you're getting over having the flu and I'm glad you're

0:38:43.239 --> 0:38:45.880
<v Speaker 2>on the mend and everyone I encourage you if you

0:38:45.920 --> 0:38:48.480
<v Speaker 2>have the chance to support whatever Aiden is doing. Like

0:38:48.520 --> 0:38:51.120
<v Speaker 2>I said, he's one of my dearest friends. I love

0:38:51.200 --> 0:38:54.239
<v Speaker 2>him a lot, and you will not be disappointed. And

0:38:54.680 --> 0:38:56.360
<v Speaker 2>thank you again, sir anytime.

0:38:56.400 --> 0:38:59.160
<v Speaker 3>Thank you so much for having me until we meet again.

0:39:01.280 --> 0:39:05.240
<v Speaker 2>Throughout her life, Sarah Winchester was a very private person.

0:39:05.680 --> 0:39:08.600
<v Speaker 2>She didn't openly talk about why she designed her house

0:39:08.640 --> 0:39:11.000
<v Speaker 2>in the way that she did, or about much of

0:39:11.040 --> 0:39:15.080
<v Speaker 2>anything else. That led to unfounded gossip, which was so

0:39:15.200 --> 0:39:18.400
<v Speaker 2>widespread that it's almost impossible to get a sense of

0:39:18.480 --> 0:39:23.080
<v Speaker 2>who she really was. That said, perhaps today the truly

0:39:23.160 --> 0:39:26.879
<v Speaker 2>curious can visit the Winchester Mystery House and ask her

0:39:26.960 --> 0:39:31.759
<v Speaker 2>for themselves. I am Amy Bruney and this was Haunted Road.

0:39:40.080 --> 0:39:43.799
<v Speaker 2>Haunted Road is a production of iHeartRadio and Grimm and

0:39:43.880 --> 0:39:47.760
<v Speaker 2>Miles from Aaron Minkey. Haunted Road is hosted and written

0:39:47.800 --> 0:39:52.200
<v Speaker 2>by me Amy Bruney, with additional research by Cassandra de Alba.

0:39:52.719 --> 0:39:54.520
<v Speaker 1>This show is edited.

0:39:54.280 --> 0:39:59.759
<v Speaker 2>And produced by supervising producer Rima el Kali, with executive producers.

0:39:59.239 --> 0:40:01.920
<v Speaker 1>Aaron Mank, Trevor Young, and Matt Frederick.

0:40:02.600 --> 0:40:06.480
<v Speaker 2>Learn more about this show over at Grimandmild dot com,

0:40:06.520 --> 0:40:10.640
<v Speaker 2>and for more podcasts from iHeartRadio, visit the iHeartRadio app,

0:40:10.880 --> 0:40:14.360
<v Speaker 2>Apple Podcasts, or wherever you listen to your favorite shows.