1 00:00:01,400 --> 00:00:04,360 Speaker 1: And just like that, we're back with an all new 2 00:00:04,400 --> 00:00:08,360 Speaker 1: season of Becoming an Icon. Joseph, I have been waiting 3 00:00:08,400 --> 00:00:11,040 Speaker 1: for this moment since we did our last episode of 4 00:00:11,080 --> 00:00:12,040 Speaker 1: season one. 5 00:00:12,640 --> 00:00:15,680 Speaker 2: Mm hmm, bench do not get me started. I am 6 00:00:15,960 --> 00:00:19,480 Speaker 2: so so ready for this. Who are we going to 7 00:00:19,520 --> 00:00:20,280 Speaker 2: talk about next? 8 00:00:20,800 --> 00:00:26,320 Speaker 1: We're kicking off season two with none other than Elivo himself. 9 00:00:26,320 --> 00:00:30,080 Speaker 3: El Divo like opera singers, No, whoa? 10 00:00:30,160 --> 00:00:32,080 Speaker 1: What would they be doing here? I'm becoming an icon? 11 00:00:33,240 --> 00:00:37,360 Speaker 3: Okay, just kidding, I know El Divo there is we. 12 00:00:37,240 --> 00:00:39,720 Speaker 1: Are talking about One Gabriel. 13 00:00:40,320 --> 00:00:43,920 Speaker 2: If you're a Mexican, you definitely know Huanky's with that 14 00:00:44,080 --> 00:00:49,239 Speaker 2: magnificent voice, is unforgettable style and commanding stage presence. 15 00:00:49,440 --> 00:00:52,480 Speaker 1: One Gabriel is a legendary icon. 16 00:00:53,120 --> 00:00:53,880 Speaker 3: Can you believe? 17 00:00:53,920 --> 00:00:57,400 Speaker 2: It has been eight years since he's passed, but his 18 00:00:57,480 --> 00:01:02,040 Speaker 2: memory lives on through us belting his signature songs while cooking, cleaning, 19 00:01:02,200 --> 00:01:05,880 Speaker 2: at all the family functions, at every Ganessa that you 20 00:01:05,959 --> 00:01:06,520 Speaker 2: get the picture? 21 00:01:06,720 --> 00:01:09,959 Speaker 1: Oh yeah, for sure. I mean Wanghi's was present at Maibodha, 22 00:01:10,240 --> 00:01:11,640 Speaker 1: Will he be president at Yurboda? 23 00:01:11,880 --> 00:01:13,479 Speaker 3: One million? P? Three? 24 00:01:13,760 --> 00:01:16,440 Speaker 1: And of course One Gabriel's career has spanned more than 25 00:01:16,760 --> 00:01:22,880 Speaker 1: forty years, making him the best selling artist in Mexican history. 26 00:01:23,400 --> 00:01:26,760 Speaker 1: Get this, he wrote over eighteen hundred songs for himself 27 00:01:26,800 --> 00:01:29,000 Speaker 1: and he even wrote for other artists in a variety 28 00:01:29,000 --> 00:01:31,720 Speaker 1: of styles. I'm talking ranchettras to rock. 29 00:01:32,120 --> 00:01:33,520 Speaker 3: I mean that many. 30 00:01:33,920 --> 00:01:36,600 Speaker 2: But you know what's so special he can actually write 31 00:01:36,640 --> 00:01:39,280 Speaker 2: it all so make us all emo and the other 32 00:01:39,319 --> 00:01:40,479 Speaker 2: ones make us want to like. 33 00:01:40,440 --> 00:01:45,039 Speaker 1: A dance exactly. I feel like his music transcends language, 34 00:01:45,080 --> 00:01:48,160 Speaker 1: and that's also why he's a global icon. 35 00:01:49,360 --> 00:01:52,720 Speaker 2: And speaking of iconic, let's not forget about how that 36 00:01:52,880 --> 00:01:57,640 Speaker 2: man served the looks long before. 37 00:01:57,440 --> 00:02:01,320 Speaker 3: At Harry Styles was even born. The bright ruffles lent 38 00:02:02,480 --> 00:02:05,160 Speaker 3: Harry could never facts. 39 00:02:05,280 --> 00:02:08,600 Speaker 1: Okay, so it's well established that he is a music 40 00:02:08,680 --> 00:02:14,200 Speaker 1: and fashion icon, But how much do y'all truly know 41 00:02:14,639 --> 00:02:17,440 Speaker 1: about Wangabia's journey to start them. 42 00:02:17,520 --> 00:02:21,520 Speaker 2: From a tough childhood to singing venues all over Why. 43 00:02:21,280 --> 00:02:24,640 Speaker 1: Is to a stint in jail and a friendship that 44 00:02:24,760 --> 00:02:26,120 Speaker 1: helped ignite his career. 45 00:02:26,680 --> 00:02:30,200 Speaker 2: Today we're taking a look at Juengavirie's humble begin and. 46 00:02:30,160 --> 00:02:34,160 Speaker 1: How his powerhouse vocals and romantic lyrics launched him into music. 47 00:02:34,240 --> 00:02:37,880 Speaker 3: Starting let's get into it and all of it's glittery glory. 48 00:02:41,200 --> 00:02:44,240 Speaker 1: I'm your host, Lilianavosquez. 49 00:02:43,360 --> 00:02:47,640 Speaker 2: And I'm Joseph Carrio and this is Becoming an Icon. 50 00:02:48,120 --> 00:02:50,640 Speaker 1: A weekly podcast where we give you the rundown on 51 00:02:50,680 --> 00:02:55,000 Speaker 1: how today's most famous LATINV stars have shaped pop culture. 52 00:02:54,919 --> 00:02:57,120 Speaker 3: And given the world some extra tuble. 53 00:02:57,639 --> 00:02:59,920 Speaker 1: Sit back and get comfortable. 54 00:02:59,680 --> 00:03:03,680 Speaker 2: Because we are going in the only way we know how, 55 00:03:03,919 --> 00:03:08,400 Speaker 2: with whenas when, visas and a. 56 00:03:08,440 --> 00:03:11,840 Speaker 1: Lot of opinions as we relive their greatest achievements on 57 00:03:11,960 --> 00:03:14,959 Speaker 1: our journey to find out what makes them so iconic. 58 00:03:24,880 --> 00:03:29,359 Speaker 2: Okay, what is your first memory of Quankovidan. 59 00:03:30,760 --> 00:03:34,280 Speaker 1: It's watching him on TV. I don't remember what concert 60 00:03:34,360 --> 00:03:39,200 Speaker 1: or performance it was, but I remember specifically being in 61 00:03:39,240 --> 00:03:42,960 Speaker 1: Mauilita's house in Fort Worth, Texas, and I remember her 62 00:03:43,040 --> 00:03:47,320 Speaker 1: like linoleum floor. It had different squares in all shades 63 00:03:47,360 --> 00:03:50,240 Speaker 1: of like pink and brown and cream. 64 00:03:50,400 --> 00:03:52,000 Speaker 3: Thank you for taking you there. 65 00:03:52,560 --> 00:03:55,960 Speaker 1: And I remember her in her about that watching it 66 00:03:56,440 --> 00:03:59,800 Speaker 1: and me being like wow, like I've never seen her 67 00:04:00,160 --> 00:04:04,680 Speaker 1: so attentive to television, Like my grandmother wasn't that person. 68 00:04:04,800 --> 00:04:06,600 Speaker 1: She didn't like watch TV like that, I mean, other 69 00:04:06,640 --> 00:04:09,320 Speaker 1: than her novela, she never watched TV and I'd also 70 00:04:09,440 --> 00:04:12,800 Speaker 1: never heard her play or listen to anything other than 71 00:04:12,880 --> 00:04:16,360 Speaker 1: church music, like we you know, she's religious, always a 72 00:04:16,560 --> 00:04:18,880 Speaker 1: very much a woman of faith, and so I'd never 73 00:04:18,920 --> 00:04:22,560 Speaker 1: really heard her listen to pop music. And so for me, 74 00:04:22,640 --> 00:04:25,200 Speaker 1: I think that's what stuck out about that moment is 75 00:04:25,240 --> 00:04:29,440 Speaker 1: I was watching her sing and enjoy music outside of church, 76 00:04:29,800 --> 00:04:32,359 Speaker 1: and I was like, Wow, who is this human that 77 00:04:32,440 --> 00:04:35,840 Speaker 1: has taken my grandmother and transformed her into this like 78 00:04:36,200 --> 00:04:38,120 Speaker 1: party Senora, Like what's going. 79 00:04:37,920 --> 00:04:40,800 Speaker 3: On for me? Like Guanghi's was. 80 00:04:41,000 --> 00:04:44,120 Speaker 2: You know, my my parents actually were very Christian and 81 00:04:44,120 --> 00:04:45,680 Speaker 2: they didn't listen to a lot of music, but when 82 00:04:45,720 --> 00:04:48,320 Speaker 2: I would go to my family members' homes, Quanghia's was 83 00:04:48,320 --> 00:04:48,760 Speaker 2: always on. 84 00:04:49,240 --> 00:04:51,880 Speaker 3: And also like when I would go to Wadis a lot. 85 00:04:52,040 --> 00:04:54,679 Speaker 2: There was a lot of like live bands at the bars, 86 00:04:55,000 --> 00:04:58,160 Speaker 2: and so they would perform his music live, like some 87 00:04:58,200 --> 00:05:00,520 Speaker 2: covers and stuff like that. But so I was always 88 00:05:00,520 --> 00:05:02,640 Speaker 2: familiar with it, even like in high school. 89 00:05:06,360 --> 00:05:10,599 Speaker 1: Alberto Aguilera Valladez, better known as one Gabriel, was born 90 00:05:10,640 --> 00:05:12,920 Speaker 1: on January seventh, nineteen fifty. 91 00:05:13,839 --> 00:05:15,680 Speaker 3: Wait wait wait wait wait, let me do my thing. 92 00:05:15,839 --> 00:05:18,760 Speaker 1: Okay okay, okay. 93 00:05:18,880 --> 00:05:21,000 Speaker 3: January seventh, nineteen fifteen. 94 00:05:21,320 --> 00:05:25,600 Speaker 2: So that means he's a Capricorn's son, a Leo Moon 95 00:05:26,120 --> 00:05:29,280 Speaker 2: and an Aris Rising. So as a Capricorn he works 96 00:05:29,360 --> 00:05:32,760 Speaker 2: hard for his money honey, and as a Leo Moon, well, 97 00:05:32,920 --> 00:05:37,280 Speaker 2: no wonder he loves to be in the spotlight Aris Rising. 98 00:05:37,640 --> 00:05:42,080 Speaker 2: They're known to be bold, confident, and radiate cu rithma. 99 00:05:42,279 --> 00:05:45,640 Speaker 3: Yep. The stars alliance make the perfect combo for someone. 100 00:05:45,600 --> 00:05:49,760 Speaker 1: Just like Wonky's as a fellow Ares, I fully agree 101 00:05:50,040 --> 00:05:54,880 Speaker 1: now as I was saying. Alberto Aguilera Vaalares was born 102 00:05:54,920 --> 00:06:01,080 Speaker 1: in Baraquaro, Michuacan, to Gabriel Aguilera Rodriguez and Victoria Vala Rojas. 103 00:06:01,160 --> 00:06:03,320 Speaker 1: The youngest of ten siblings. 104 00:06:03,360 --> 00:06:06,960 Speaker 2: Little Alberto, the boy who would become Huangy's, experienced a 105 00:06:07,000 --> 00:06:10,680 Speaker 2: tough childhood of his upbringing. He once said, as a child, 106 00:06:10,960 --> 00:06:11,320 Speaker 2: I was. 107 00:06:11,279 --> 00:06:13,680 Speaker 1: Old, and I think what he meant to say by 108 00:06:13,720 --> 00:06:16,560 Speaker 1: that was that he just had to grow up really fast. 109 00:06:16,839 --> 00:06:21,240 Speaker 1: When Alberto was just a baby, tragedy struck his father. Gabriel, 110 00:06:21,400 --> 00:06:23,839 Speaker 1: a farmer, was burning land in order to plant corn 111 00:06:24,080 --> 00:06:26,760 Speaker 1: and accidentally ended up burning his neighbor's land. 112 00:06:27,920 --> 00:06:31,440 Speaker 2: The incident hit Gabriel hard. He had a nervous breakdown 113 00:06:31,520 --> 00:06:33,520 Speaker 2: and was taken to a psychiatric hospital. 114 00:06:34,480 --> 00:06:38,000 Speaker 1: There's speculation that he escaped and tried finding his family. 115 00:06:38,279 --> 00:06:41,520 Speaker 1: Some say he died in the hospital. Either way, Gabriel 116 00:06:41,920 --> 00:06:43,159 Speaker 1: was never heard from again. 117 00:06:43,920 --> 00:06:47,680 Speaker 2: Soon after Alberto's mom, Victoria, took all ten children with 118 00:06:47,720 --> 00:06:51,520 Speaker 2: her to the border town of Siodaswadis aka my old hood, 119 00:06:51,960 --> 00:06:54,919 Speaker 2: where she worked as a housekeeper and later sold burritos 120 00:06:54,920 --> 00:06:57,640 Speaker 2: with her children. By the way, selling burritos is legit 121 00:06:57,760 --> 00:06:58,760 Speaker 2: a thing on the border. 122 00:06:59,480 --> 00:07:02,640 Speaker 1: Victoria worked long hours to provide for her family and 123 00:07:02,800 --> 00:07:05,280 Speaker 1: couldn't take care of little Alberto, who was just four 124 00:07:05,320 --> 00:07:08,160 Speaker 1: at the time, so she sent him away to an orphanage. 125 00:07:09,880 --> 00:07:13,160 Speaker 2: This was Huanghi's first memory of his mom, which had 126 00:07:13,160 --> 00:07:14,760 Speaker 2: a devastating impact on him. 127 00:07:15,000 --> 00:07:16,720 Speaker 3: He told the Elie Times, you. 128 00:07:16,680 --> 00:07:19,040 Speaker 2: Don't know the word for abandon at that age, but 129 00:07:19,160 --> 00:07:20,120 Speaker 2: you know what is happening. 130 00:07:20,480 --> 00:07:22,200 Speaker 3: You know you want to be with your mother and 131 00:07:22,480 --> 00:07:23,160 Speaker 3: she's not there. 132 00:07:24,040 --> 00:07:28,120 Speaker 1: Victoria rarely visited Alberto growing up. He often ran away 133 00:07:28,160 --> 00:07:30,440 Speaker 1: from the orphanage and made money of his own by 134 00:07:30,680 --> 00:07:33,200 Speaker 1: washing cars or selling things on the street. 135 00:07:33,400 --> 00:07:36,160 Speaker 2: But it was at this orphanage that Alberto met an 136 00:07:36,200 --> 00:07:40,200 Speaker 2: influential teacher that would change his life. His name was 137 00:07:40,280 --> 00:07:45,400 Speaker 2: Juan Contreras. Juan Contredras was shy and almost completely deaf. 138 00:07:45,720 --> 00:07:47,880 Speaker 2: The other kids at the orphanage laughed at him, but 139 00:07:48,160 --> 00:07:51,520 Speaker 2: Alberto didn't, and so the teacher decided to give little 140 00:07:51,520 --> 00:07:54,600 Speaker 2: Alberto music lessons because he wasn't like the others. 141 00:07:55,440 --> 00:07:58,880 Speaker 1: Juan Contreras introduced little Alberto to the piano and showed 142 00:07:58,920 --> 00:08:01,920 Speaker 1: him how to play the guitar, sparking a lifelong passion 143 00:08:02,000 --> 00:08:02,560 Speaker 1: for music. 144 00:08:03,280 --> 00:08:06,600 Speaker 2: By the age of thirteen, Alberto was fed up with 145 00:08:06,680 --> 00:08:07,440 Speaker 2: the orphanage. 146 00:08:07,520 --> 00:08:10,200 Speaker 3: He craved freedom, so he ran away for good. 147 00:08:11,080 --> 00:08:13,040 Speaker 1: He ended up moving in with his mentor and teacher, 148 00:08:13,120 --> 00:08:16,360 Speaker 1: Juan Gondredas. For a while. Together they made crafts out 149 00:08:16,400 --> 00:08:19,000 Speaker 1: of wood, wicker, and tin and sold them on the streets. 150 00:08:19,560 --> 00:08:22,920 Speaker 2: This teacher made such an impact on Alberto that spoiler 151 00:08:23,160 --> 00:08:25,520 Speaker 2: he would eventually honor him with his stage name, but 152 00:08:25,960 --> 00:08:26,640 Speaker 2: mouill get to that. 153 00:08:27,760 --> 00:08:30,720 Speaker 1: After a year, Alberto returned to sue' what is to 154 00:08:30,760 --> 00:08:33,320 Speaker 1: help his mom and sister sil burritos on the street. 155 00:08:33,720 --> 00:08:36,240 Speaker 3: It was during this time, as a teenager, that he 156 00:08:36,280 --> 00:08:40,240 Speaker 3: wrote songs and sang while hustling on those mean streets. 157 00:08:40,080 --> 00:08:43,360 Speaker 1: He told the La Times. When I was fifteen, all 158 00:08:43,360 --> 00:08:45,360 Speaker 1: I knew was that I had to be somebody, and 159 00:08:45,360 --> 00:08:48,040 Speaker 1: that I could be somebody. So I exploited the only 160 00:08:48,080 --> 00:08:51,040 Speaker 1: thing I knew, which was singing and songwriting. Even if 161 00:08:51,040 --> 00:08:53,320 Speaker 1: my childhood had been different, I would have still sung. 162 00:08:53,559 --> 00:08:56,000 Speaker 1: But the hardships gave me strength and made me realize 163 00:08:56,040 --> 00:08:58,120 Speaker 1: that I must do something if I wanted to get 164 00:08:58,120 --> 00:09:01,480 Speaker 1: out of that situation. I'm glad it off. Uh so 165 00:09:01,559 --> 00:09:02,160 Speaker 1: are we one? 166 00:09:02,280 --> 00:09:02,880 Speaker 3: W Yeah? 167 00:09:03,160 --> 00:09:04,000 Speaker 1: So are we? 168 00:09:04,360 --> 00:09:05,439 Speaker 3: God bless. 169 00:09:07,480 --> 00:09:10,880 Speaker 1: Alberto kept hustling and doing odd jobs across what is. 170 00:09:11,080 --> 00:09:14,360 Speaker 1: When he was sixteen, he often sang at el Noah Noah, 171 00:09:14,559 --> 00:09:17,720 Speaker 1: a bar he immortalized years later in his hit song 172 00:09:17,960 --> 00:09:19,079 Speaker 1: by the same name. 173 00:09:19,320 --> 00:09:22,520 Speaker 2: Oh my God, I'm remembering the guitar and the boot 174 00:09:22,600 --> 00:09:25,679 Speaker 2: scutin sound and guess what I've been there. 175 00:09:25,800 --> 00:09:29,000 Speaker 1: No, you haven't. I'm gonna need a photo or video 176 00:09:29,040 --> 00:09:32,320 Speaker 1: evidence that would actually be preferred done. And when you 177 00:09:32,360 --> 00:09:35,040 Speaker 1: listen to this song, it's kind of like you walked 178 00:09:35,080 --> 00:09:39,840 Speaker 1: into like a Texas honky talk biddle en Espanol. I 179 00:09:39,840 --> 00:09:43,200 Speaker 1: mean it was based on a bar on the border. 180 00:09:43,440 --> 00:09:46,000 Speaker 3: I mean, mamosell no Noah. 181 00:09:46,160 --> 00:09:54,160 Speaker 1: No, Noah, no, noah, no, it's so gadgy, it is 182 00:09:54,280 --> 00:09:57,040 Speaker 1: so good. I feel like old when I say this, 183 00:09:57,200 --> 00:09:58,679 Speaker 1: but they don't make music like that anymore. 184 00:09:58,840 --> 00:10:00,480 Speaker 3: I mean, you're young when you say that. 185 00:10:00,800 --> 00:10:05,680 Speaker 1: Thank you, I love you. The year was nineteen sixty 186 00:10:05,720 --> 00:10:09,040 Speaker 1: six and during the Vietnam War, thousands of American soldiers 187 00:10:09,040 --> 00:10:11,160 Speaker 1: were stationed on the base across the border in El 188 00:10:11,240 --> 00:10:14,800 Speaker 1: Paso and nine one five they would cross into watt 189 00:10:14,920 --> 00:10:17,720 Speaker 1: Is looking to have fun at the bars and nightclubs, 190 00:10:17,800 --> 00:10:21,120 Speaker 1: which Joseph is an expert on the fact. 191 00:10:21,280 --> 00:10:23,480 Speaker 3: I know all about that, but listen. 192 00:10:23,679 --> 00:10:27,679 Speaker 2: Kuan Gabriete, like me, was underage, so a friend basically 193 00:10:27,720 --> 00:10:29,920 Speaker 2: smuggled him into a Noan noa so that he could 194 00:10:30,000 --> 00:10:31,439 Speaker 2: make money singing. 195 00:10:31,800 --> 00:10:36,559 Speaker 1: He did so using his very first stage name, Adan Luna, 196 00:10:36,640 --> 00:10:39,320 Speaker 1: and as he sang at other venues all over wat Is, 197 00:10:39,520 --> 00:10:41,720 Speaker 1: he grew more and more confident as a performer. 198 00:10:42,520 --> 00:10:45,199 Speaker 2: He decided to try his hand singing in a bigger city. 199 00:10:45,480 --> 00:10:48,360 Speaker 2: He traveled back and forth between Quadas and Mexico City 200 00:10:48,440 --> 00:10:51,840 Speaker 2: trying to find opportunities to land a record deal, but 201 00:10:52,240 --> 00:10:54,520 Speaker 2: he was rejected at every turn. 202 00:10:55,200 --> 00:11:00,920 Speaker 1: That did not stop Alberto aka Adan Luna aka one Geese. 203 00:11:01,040 --> 00:11:04,480 Speaker 1: Are you following? He's following. There's a lot of names here, okay. 204 00:11:05,280 --> 00:11:08,720 Speaker 1: He kept hustling and singing as a backup singer, all 205 00:11:08,760 --> 00:11:12,040 Speaker 1: in the hopes that the right person would recognize his talent. 206 00:11:12,440 --> 00:11:15,800 Speaker 2: Then one day in nineteen seventy, his life would take 207 00:11:15,800 --> 00:11:19,880 Speaker 2: a turn yet again. After performing at a private party 208 00:11:19,880 --> 00:11:24,000 Speaker 2: in Mexico City, Alberto was accused of stealing a radio 209 00:11:24,559 --> 00:11:25,719 Speaker 2: and jewelry. 210 00:11:25,920 --> 00:11:26,400 Speaker 3: Dude. 211 00:11:26,720 --> 00:11:30,200 Speaker 1: He was arrested and spent eighteen months in one of 212 00:11:30,280 --> 00:11:36,280 Speaker 1: Mexico's most infamous prisons, Legumberti aka the Black Palace. 213 00:11:37,040 --> 00:11:40,319 Speaker 2: He told Lahnada when I went to prison, I didn't 214 00:11:40,360 --> 00:11:41,600 Speaker 2: know how to defend myself. 215 00:11:41,880 --> 00:11:44,040 Speaker 3: They accused me of robbery without evidence. 216 00:11:44,320 --> 00:11:46,040 Speaker 2: They asked me for money to let me out, and 217 00:11:46,080 --> 00:11:48,240 Speaker 2: when I didn't have it, they sent me to prison. 218 00:11:48,840 --> 00:11:51,840 Speaker 1: But spending time behind bars didn't snuff out his passion. 219 00:11:52,240 --> 00:11:55,520 Speaker 1: He continued to write songs even from prison, and it 220 00:11:55,640 --> 00:11:59,360 Speaker 1: was there at Lecumberi that he wrote nothinggoly Neto, his 221 00:11:59,440 --> 00:12:02,360 Speaker 1: eventual debut single, Ah. 222 00:12:02,000 --> 00:12:03,880 Speaker 3: That's such a good one. 223 00:12:04,200 --> 00:12:11,839 Speaker 2: No thaneo nada qua lonico quetengos a more parama. 224 00:12:12,400 --> 00:12:17,280 Speaker 1: It's a bop. His talents caught the attention of the 225 00:12:17,320 --> 00:12:22,600 Speaker 1: warden Andres Puentes Vargas and his wife, Opelia Urdusa Steggi. 226 00:12:23,080 --> 00:12:25,960 Speaker 1: The warden ended up introducing him to actress and singer 227 00:12:26,080 --> 00:12:29,120 Speaker 1: Enriquetta Jimenez aka La priet Linda. 228 00:12:29,880 --> 00:12:32,560 Speaker 2: The two struck a friendship and in the get that 229 00:12:32,600 --> 00:12:35,720 Speaker 2: you eventually helped Fungabriel get out of prison by paying 230 00:12:35,760 --> 00:12:36,559 Speaker 2: his fine. 231 00:12:36,960 --> 00:12:39,560 Speaker 1: Now that is a friend. You would never post my 232 00:12:39,600 --> 00:12:42,640 Speaker 1: bail remember the time that I did? Oh wait, can 233 00:12:42,640 --> 00:12:47,600 Speaker 1: you edit that out? She was also instrumental in connecting 234 00:12:47,640 --> 00:12:51,319 Speaker 1: him to RCA, the record label that would launch his career. 235 00:12:51,840 --> 00:12:55,120 Speaker 3: It's all about who you know in this industry, baby, Thank. 236 00:12:54,920 --> 00:13:00,280 Speaker 1: God, I know you. Juan Gabriel was forever great to 237 00:13:00,320 --> 00:13:02,800 Speaker 1: andri Getta. He even composed a song for her to 238 00:13:02,840 --> 00:13:06,160 Speaker 1: sing called noch Noche. She would become one of the 239 00:13:06,160 --> 00:13:09,040 Speaker 1: first artists to perform one of his compositions. 240 00:13:09,320 --> 00:13:14,760 Speaker 2: It was finally timed for Juan Gabriel's career to take off. 241 00:13:21,440 --> 00:13:25,679 Speaker 1: The year was nineteen seventy one and Alberto finally got 242 00:13:25,720 --> 00:13:29,240 Speaker 1: his big break. He signed with record label RCA and 243 00:13:29,320 --> 00:13:32,520 Speaker 1: made his first album in al Machoven, The Young Soul 244 00:13:32,920 --> 00:13:35,960 Speaker 1: debuting the stage name we all now know him by, 245 00:13:36,320 --> 00:13:37,199 Speaker 1: Juan Gabriel. 246 00:13:38,080 --> 00:13:40,920 Speaker 2: He named himself Quan in honor of Juan kun Preras, 247 00:13:40,960 --> 00:13:42,600 Speaker 2: his mentor from the Orphanage. 248 00:13:42,840 --> 00:13:45,559 Speaker 1: The second part of his name, Gabriel, was a tribute 249 00:13:45,600 --> 00:13:50,000 Speaker 1: to his late father, Gabriel Aguilera, and his first big hit. 250 00:13:50,679 --> 00:13:52,240 Speaker 3: No tengo dineo. 251 00:13:52,480 --> 00:13:54,640 Speaker 2: Okay, Well, I can't say it without singing, but written 252 00:13:54,720 --> 00:13:56,800 Speaker 2: behind bars at Lacumbet. 253 00:13:56,960 --> 00:14:00,800 Speaker 1: The song is really so simple and dare I call 254 00:14:00,840 --> 00:14:04,959 Speaker 1: it basic? But it just hits every time. 255 00:14:05,200 --> 00:14:05,840 Speaker 3: Every time. 256 00:14:05,920 --> 00:14:08,120 Speaker 2: It's literally about me. It's about a young man who 257 00:14:08,200 --> 00:14:11,480 Speaker 2: doesn't have money but has lots of love to give instead, 258 00:14:12,000 --> 00:14:13,160 Speaker 2: like that's me. 259 00:14:14,400 --> 00:14:19,160 Speaker 1: And it's also inspired many covers, including a Cumbia version 260 00:14:19,280 --> 00:14:22,680 Speaker 1: by none other than the Cumbia Kings back in two 261 00:14:22,680 --> 00:14:25,200 Speaker 1: thousand and four. It was also during this time that 262 00:14:25,320 --> 00:14:29,680 Speaker 1: Jan Gabriel establishes himself as a powerhouse songwriter, not just 263 00:14:29,720 --> 00:14:32,720 Speaker 1: the performer. He was also a hit maker for big 264 00:14:32,800 --> 00:14:36,880 Speaker 1: names of the time like Roberto Jrzan and Esteita Nunez. 265 00:14:38,880 --> 00:14:41,400 Speaker 3: He gained success and toured through Venezuela. 266 00:14:41,880 --> 00:14:44,520 Speaker 2: While there, he worked in Karakas on a program called 267 00:14:44,640 --> 00:14:47,920 Speaker 2: the Fiesta conven Vision, which was like a variety show 268 00:14:48,040 --> 00:14:50,440 Speaker 2: with different musical acts. 269 00:14:50,040 --> 00:14:52,560 Speaker 1: And in the same year his first album was released. 270 00:14:52,760 --> 00:14:56,200 Speaker 1: One Gabriel received a gold record for El Alma joven. 271 00:14:56,920 --> 00:15:00,520 Speaker 2: In nineteen seventy two, he participated in an international singing 272 00:15:00,560 --> 00:15:04,600 Speaker 2: competition on tv A La American Idol. It was called 273 00:15:04,840 --> 00:15:07,800 Speaker 2: the Oti Festival or simply La Oti. 274 00:15:08,320 --> 00:15:11,640 Speaker 1: The competition was held in Madrid, Spain. This show was 275 00:15:11,720 --> 00:15:15,920 Speaker 1: a big deal for upcoming artists. He sang Serramayana and 276 00:15:16,160 --> 00:15:18,320 Speaker 1: unodostresi medasum Bezo. 277 00:15:18,920 --> 00:15:22,040 Speaker 2: At just twenty two years old, Guangabrielle was not able 278 00:15:22,040 --> 00:15:24,960 Speaker 2: to qualify to represent Mexico, but his songs were a 279 00:15:25,080 --> 00:15:26,360 Speaker 2: hit with the audiences. 280 00:15:26,600 --> 00:15:29,320 Speaker 1: Those songs would later be recorded for his second album, 281 00:15:29,560 --> 00:15:30,840 Speaker 1: El Almahoven too. 282 00:15:31,640 --> 00:15:35,479 Speaker 2: For the next two years, Guangabrielle quickly skyrocketed into popularity. 283 00:15:35,800 --> 00:15:38,320 Speaker 3: The people and us loved him. 284 00:15:39,120 --> 00:15:42,560 Speaker 1: But right when he was popping off, Juan Gabriel would 285 00:15:42,640 --> 00:15:44,240 Speaker 1: suffer a terrible blow. 286 00:15:45,720 --> 00:15:48,560 Speaker 2: His mother, Victoria, died of a heart attack in nineteen 287 00:15:48,600 --> 00:15:49,160 Speaker 2: seventy four. 288 00:15:49,760 --> 00:15:53,520 Speaker 1: And we know this. Juan Gabriel had always shared how 289 00:15:53,600 --> 00:15:57,360 Speaker 1: complicated his relationship was with his mother. He felt abandoned 290 00:15:57,360 --> 00:16:00,120 Speaker 1: by her, and in some ways he was always seeking 291 00:16:00,160 --> 00:16:02,720 Speaker 1: her approval and her love m HM. 292 00:16:02,920 --> 00:16:05,760 Speaker 2: For example, he had just bought her the very house 293 00:16:06,040 --> 00:16:07,360 Speaker 2: that she had worked in as a. 294 00:16:07,320 --> 00:16:12,400 Speaker 1: Mate, and her death greatly impacted him. Fans widely understand 295 00:16:12,440 --> 00:16:15,840 Speaker 1: that this was the inspiration for amore Terno, a song 296 00:16:15,880 --> 00:16:18,680 Speaker 1: he would release years later which goes. 297 00:16:18,920 --> 00:16:22,760 Speaker 2: Dues latrist mios c and Cileenzio. 298 00:16:23,680 --> 00:16:27,000 Speaker 1: You are the sorrow of my eyes which cry in 299 00:16:27,160 --> 00:16:30,080 Speaker 1: silence for your love. Wait, hold on, I had to 300 00:16:30,080 --> 00:16:31,600 Speaker 1: take a mole. I'm a mom. This is like not 301 00:16:31,720 --> 00:16:36,040 Speaker 1: easy for me. Like can you imagine, like how sad 302 00:16:36,440 --> 00:16:39,360 Speaker 1: little Wonky's must have been to not have her and 303 00:16:39,480 --> 00:16:43,400 Speaker 1: know that she abandoned him. It's like heartbreaking. It's heartbreaking. 304 00:16:43,600 --> 00:16:44,920 Speaker 1: And then he still loves her. 305 00:16:44,960 --> 00:16:46,160 Speaker 3: And also to support her. 306 00:16:46,360 --> 00:16:48,560 Speaker 1: And what's incredible about this is that all of that 307 00:16:48,720 --> 00:16:53,320 Speaker 1: grief did not stop Wanghi's from chasing his dream straight 308 00:16:53,360 --> 00:16:53,880 Speaker 1: to the top. 309 00:16:57,960 --> 00:17:01,360 Speaker 2: In nineteen seventy four, kuangab He had released his first 310 00:17:01,480 --> 00:17:05,280 Speaker 2: Mariacci album with the group Vargas re the Kali Clan. 311 00:17:05,320 --> 00:17:08,920 Speaker 1: Proving that he could jump genre to genre with great success. 312 00:17:09,240 --> 00:17:14,080 Speaker 2: But that's not all. He expanded his career into acting. 313 00:17:14,680 --> 00:17:17,840 Speaker 1: He debuted on screen in nineteen seventy five in the 314 00:17:17,880 --> 00:17:22,160 Speaker 1: film No Blesser Rancera or Rural Chivalry as a love interest. 315 00:17:22,880 --> 00:17:28,879 Speaker 2: It's very tele novela, muy dramatica and he sings a lot. 316 00:17:29,680 --> 00:17:32,360 Speaker 1: He would go on to appear in five feature films, 317 00:17:32,359 --> 00:17:35,440 Speaker 1: and between nineteen seventy one and nineteen eighty four, Je 318 00:17:35,480 --> 00:17:38,919 Speaker 1: Gabriel recorded Wait, okay, hold on, guess how many albums 319 00:17:39,000 --> 00:17:43,880 Speaker 1: Joseph eight, double it and add one. 320 00:17:43,960 --> 00:17:46,760 Speaker 3: Ninety ninety Ah, wait, I can't do that. 321 00:17:47,040 --> 00:17:50,919 Speaker 1: He double it at three, y'all. This is why we 322 00:17:50,960 --> 00:17:53,359 Speaker 1: do a podcast and not teach you mat skills. 323 00:17:54,080 --> 00:17:56,680 Speaker 3: Listen. He was a busy, busy man. 324 00:17:57,359 --> 00:18:01,359 Speaker 1: He reached new heights of success with his nineteenth album, 325 00:18:01,600 --> 00:18:04,879 Speaker 1: Riguerdos Dos. It's the album that had one of his 326 00:18:05,200 --> 00:18:13,000 Speaker 1: most well known songs, Geria guerira, ben Almi, Custos soufrillo. 327 00:18:13,800 --> 00:18:19,960 Speaker 2: Getting that is peak Juan Gabriel and heartbreak, yearning, thoring, balls. 328 00:18:19,840 --> 00:18:24,680 Speaker 1: Anguish, feeling so much emo there and it's everything that 329 00:18:24,880 --> 00:18:27,399 Speaker 1: makes your abuela burst into song. 330 00:18:28,040 --> 00:18:30,879 Speaker 2: And for Juangy's the eighties and the nineties were a 331 00:18:31,040 --> 00:18:34,560 Speaker 2: hit parade of ballads kicked off by the albums Recuerdos 332 00:18:34,640 --> 00:18:35,959 Speaker 2: and Ricerdos. 333 00:18:35,400 --> 00:18:39,679 Speaker 1: Dos Ricuerdos Dos, by the way, remains Mexico's best selling 334 00:18:39,840 --> 00:18:43,680 Speaker 1: album of all time. It was also nominated for a 335 00:18:43,760 --> 00:18:46,720 Speaker 1: Grammy for Best Mexican American Performance. 336 00:18:47,359 --> 00:18:50,520 Speaker 2: By this point, he had also revived a fellow artist's career. 337 00:18:50,680 --> 00:18:54,800 Speaker 2: Over the course of six albums with Rossio Durca, the. 338 00:18:54,840 --> 00:18:58,760 Speaker 1: Famed Spanish singer had recorded multiple albums singing tunes exclusively 339 00:18:58,840 --> 00:19:01,600 Speaker 1: written by a Levo, including one that became one of 340 00:19:01,640 --> 00:19:04,280 Speaker 1: the best selling records of all time in Mexico. 341 00:19:05,080 --> 00:19:09,280 Speaker 3: Imagine doing that twice in one year. Huang's was on 342 00:19:09,880 --> 00:19:10,439 Speaker 3: fueg Go. 343 00:19:11,040 --> 00:19:14,120 Speaker 1: And in the nineties he kept it going with one 344 00:19:14,240 --> 00:19:17,000 Speaker 1: of the most iconic performances ever. 345 00:19:33,080 --> 00:19:36,240 Speaker 2: In May nineteen ninety, he sang along with the National 346 00:19:36,359 --> 00:19:40,320 Speaker 2: Symphonic Orchestra of Mexico at the Palacio de Bejas artist. 347 00:19:40,359 --> 00:19:44,360 Speaker 3: With a full mariachi band and everything. 348 00:19:44,400 --> 00:19:48,920 Speaker 1: El Mariachi ariba what is to be exact. At the time, 349 00:19:49,320 --> 00:19:53,520 Speaker 1: his concert stirred controversy among the cultural elite in Mexico. 350 00:19:54,160 --> 00:19:57,040 Speaker 1: They raised an eyebrow at Wanga because he was considered 351 00:19:57,359 --> 00:19:59,760 Speaker 1: pop more of a commercial singer than the type of 352 00:19:59,800 --> 00:20:03,000 Speaker 1: fore former who would typically take the stage at El Palacio, 353 00:20:03,720 --> 00:20:07,840 Speaker 1: you know opera types. Wanghis walks out on that stage 354 00:20:08,119 --> 00:20:13,160 Speaker 1: in a glittering golden jacket and sang his heart out 355 00:20:13,680 --> 00:20:18,040 Speaker 1: and he played the big Ones Gerrida at the Guossi 356 00:20:18,520 --> 00:20:20,240 Speaker 1: and of course Amore. 357 00:20:22,560 --> 00:20:28,399 Speaker 2: I'm crying right now thinking that whole concert. I'm an 358 00:20:28,480 --> 00:20:32,320 Speaker 2: emotional wreck doing this research I have just been. 359 00:20:33,000 --> 00:20:35,720 Speaker 3: I can't. I gave up drinking for lent and find 360 00:20:35,760 --> 00:20:38,960 Speaker 3: me at the bottom of a tequila bottle. I can't 361 00:20:39,000 --> 00:20:39,280 Speaker 3: take it. 362 00:20:39,560 --> 00:20:43,359 Speaker 1: It is an epic, epic performance. And I think that 363 00:20:43,560 --> 00:20:47,960 Speaker 1: performance of Amore, I mean it's a true fan favorite 364 00:20:48,000 --> 00:20:51,680 Speaker 1: because I think it perfectly captures the dichotomy of Juan 365 00:20:51,760 --> 00:20:56,159 Speaker 1: Gabriel right his humble, tragedy stricken beginnings and then his 366 00:20:56,640 --> 00:21:01,280 Speaker 1: massive popularity. And just three years after pushing the envelope 367 00:21:01,280 --> 00:21:04,280 Speaker 1: at El Palacio, he performed at the Rose Bowl here 368 00:21:04,320 --> 00:21:08,440 Speaker 1: in la in nineteen ninety three with seventy five thousand 369 00:21:08,600 --> 00:21:12,800 Speaker 1: people in attendance. Let me just bring that to current 370 00:21:12,880 --> 00:21:16,560 Speaker 1: day for you. I saw Carol g at the Rose 371 00:21:16,640 --> 00:21:20,080 Speaker 1: Bowl in twenty twenty three, and I don't think seventy 372 00:21:20,119 --> 00:21:22,760 Speaker 1: five thousand people showed up. And that's with like her 373 00:21:22,880 --> 00:21:26,160 Speaker 1: reach and the age of social media. So imagine getting 374 00:21:26,240 --> 00:21:29,080 Speaker 1: seventy five thousand people in nineteen ninety three in the 375 00:21:29,240 --> 00:21:32,119 Speaker 1: United States to turn up for you in Pasadena. 376 00:21:32,400 --> 00:21:34,800 Speaker 2: Literally just goes to show the power of his music 377 00:21:34,840 --> 00:21:38,040 Speaker 2: over Latinos in the United States too, not just in Mexico. 378 00:21:38,440 --> 00:21:40,600 Speaker 3: Huangi's had crossed a new threshold. 379 00:21:41,359 --> 00:21:45,200 Speaker 1: If you guys are Juan Gabriel fans, you've probably seen 380 00:21:45,600 --> 00:21:50,760 Speaker 1: this performance at El Palacio. If you are new to 381 00:21:50,920 --> 00:21:54,840 Speaker 1: Wanghi's or you want to really see the breadth of 382 00:21:54,920 --> 00:21:57,920 Speaker 1: his work, this is the performance that you need. 383 00:21:57,880 --> 00:21:59,600 Speaker 3: To watch of a lifetime, of a life. 384 00:21:59,600 --> 00:22:01,879 Speaker 1: Thank you to thank you, thank you. You're right, You're right. 385 00:22:01,920 --> 00:22:05,520 Speaker 1: I like I undersold it because I think, like you 386 00:22:05,640 --> 00:22:08,679 Speaker 1: had said to me earlier, like he gives and gives 387 00:22:08,800 --> 00:22:12,160 Speaker 1: and gives. Not only is an incredible singer and songwriter 388 00:22:12,400 --> 00:22:14,959 Speaker 1: and out of fista, but like he is a cur 389 00:22:15,560 --> 00:22:19,840 Speaker 1: and devo, he is a performer. And this performance for me, 390 00:22:20,280 --> 00:22:22,560 Speaker 1: of all of the songs, but I think specifically as 391 00:22:23,920 --> 00:22:27,159 Speaker 1: when the mariachi's just really like kick in and he 392 00:22:27,320 --> 00:22:29,480 Speaker 1: lets them so you just want me to cry. I'm 393 00:22:29,520 --> 00:22:31,560 Speaker 1: just saying, like he lets them do them, they let 394 00:22:31,680 --> 00:22:35,320 Speaker 1: him do him. He's shimmis, he shakes, he connects through 395 00:22:35,359 --> 00:22:38,800 Speaker 1: that camera with that microphone. Like you guys, if you 396 00:22:38,960 --> 00:22:44,120 Speaker 1: are somebody that just loves live music, like just live music. 397 00:22:44,200 --> 00:22:47,240 Speaker 1: Forget genre, forget decade, all of it. If you just 398 00:22:47,320 --> 00:22:52,119 Speaker 1: love live music, it is required viewing. You got to 399 00:22:52,280 --> 00:22:53,440 Speaker 1: go and watch it. 400 00:22:53,560 --> 00:22:53,800 Speaker 2: It is. 401 00:22:54,040 --> 00:22:57,480 Speaker 1: It's it's a next level performance for me and probably, 402 00:22:57,560 --> 00:22:59,800 Speaker 1: like I said, one of my favorite live performances of 403 00:23:00,200 --> 00:23:01,160 Speaker 1: all time. 404 00:23:01,680 --> 00:23:03,320 Speaker 3: You want to know what's so crazy? It's like it 405 00:23:03,800 --> 00:23:05,600 Speaker 3: like took me back to Ricky Martin. 406 00:23:06,240 --> 00:23:08,280 Speaker 2: You no, like not like that, not like but just 407 00:23:08,359 --> 00:23:10,080 Speaker 2: it took me back to Ricky Martin how he was, 408 00:23:10,359 --> 00:23:12,399 Speaker 2: you know, performing and I would like at his very 409 00:23:12,440 --> 00:23:15,159 Speaker 2: first performance and everyone was going like absolutely crazy. I 410 00:23:15,359 --> 00:23:18,440 Speaker 2: was just kind of like wow, like one Gabriel did 411 00:23:18,480 --> 00:23:20,840 Speaker 2: this first. I no, it wasn't an award show, but 412 00:23:20,920 --> 00:23:23,520 Speaker 2: it was just kind of like the amount of people 413 00:23:23,640 --> 00:23:26,879 Speaker 2: that were there and you can just feel like that he. 414 00:23:27,080 --> 00:23:30,679 Speaker 3: Was just I don't know, like he was so happy. 415 00:23:31,119 --> 00:23:33,560 Speaker 1: You know, it's a beautiful performance. It really is like 416 00:23:33,640 --> 00:23:35,159 Speaker 1: one of my favorites. I'm just so happy that we 417 00:23:35,359 --> 00:23:38,120 Speaker 1: have that and that we have video of it. Yeah, 418 00:23:38,160 --> 00:23:40,920 Speaker 1: And that's what I love about this particular podcast is 419 00:23:40,960 --> 00:23:43,919 Speaker 1: I remember watching that performance years ago. I also remember 420 00:23:44,000 --> 00:23:46,960 Speaker 1: rewatching that performance when we were in season one and 421 00:23:47,000 --> 00:23:48,640 Speaker 1: then coming back to it. I think we were talking 422 00:23:48,680 --> 00:23:50,479 Speaker 1: about Ricky and we were doing research and I was like, God, 423 00:23:50,520 --> 00:23:53,720 Speaker 1: there's so much of one Gabriel in Ricky, Like one 424 00:23:53,760 --> 00:23:57,119 Speaker 1: Gabriel walked so Ricky could run. And then we all 425 00:23:57,160 --> 00:23:58,720 Speaker 1: and then I think in that episode we said, like 426 00:23:59,240 --> 00:24:02,120 Speaker 1: Ricky walked bad, Bunny could run, Like you see how 427 00:24:02,400 --> 00:24:06,280 Speaker 1: it builds. Yeah, I'm just gonna say it. I believe 428 00:24:06,400 --> 00:24:10,520 Speaker 1: him to be the greatest ambassador of Mexican music on 429 00:24:10,680 --> 00:24:17,159 Speaker 1: a global scale. Like his showmanship, his enthusiasm, his command 430 00:24:17,240 --> 00:24:20,400 Speaker 1: as a lyricist, like it is unmatched for that era, 431 00:24:20,640 --> 00:24:22,639 Speaker 1: Like come for me if you don't agree, But like 432 00:24:22,920 --> 00:24:24,399 Speaker 1: I don't want to hear it. Actually I don't hear it. 433 00:24:24,480 --> 00:24:24,960 Speaker 3: I don't hear it. 434 00:24:25,080 --> 00:24:29,520 Speaker 2: Facts, facts, But fuon Gavia's iconic performance at El Palacio 435 00:24:30,040 --> 00:24:32,800 Speaker 2: was far from the last time he would push the envelope. 436 00:24:36,080 --> 00:24:39,240 Speaker 1: Join us next time for more of One Gabriel's continued 437 00:24:39,280 --> 00:24:42,040 Speaker 1: success in the odds while we take a deep dive 438 00:24:42,240 --> 00:24:45,720 Speaker 1: into his personal life. What was that phrase he so 439 00:24:45,880 --> 00:24:51,280 Speaker 1: famously said, again, we're getting into it on the next 440 00:24:51,480 --> 00:24:57,399 Speaker 1: Becoming an Icon. Becoming an Icon is presented by Sono 441 00:24:57,720 --> 00:25:02,000 Speaker 1: and Iheart's Michael Guda podcast. Now listen to Becoming an 442 00:25:02,200 --> 00:25:06,159 Speaker 1: Icon on the iHeartRadio app, Apple podcast, or wherever you 443 00:25:06,440 --> 00:25:07,440 Speaker 1: get your podcast