WEBVTT - A.J. Jacobs on A Clockwork Orange

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<v Speaker 1>Hey, folks, and welcome to Movie Crush. It's Chuck Bryant here,

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<v Speaker 1>and I am in New York City. Actually, so I'm

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<v Speaker 1>not recording at our our lovely home base at Pond

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<v Speaker 1>City Market in Atlanta, but I am on tour with

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<v Speaker 1>Stuff you Should Know doing shows at the Bell House

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<v Speaker 1>in Brooklyn. And so while I was here, I thought, well,

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<v Speaker 1>I should really try and take advantage of the celebrity

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<v Speaker 1>of New York and get someone in here in a

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<v Speaker 1>in our partners studio here at c d M Studios,

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<v Speaker 1>and Mr A J. Jacob's acquiesced. He's uh, he's a pal.

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<v Speaker 1>He's an email pal and a lunch in New York pal.

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<v Speaker 1>He reached out just a couple of years ago as

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<v Speaker 1>a Stuff you Should Know listener, and um just a

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<v Speaker 1>super nice guy. A J. Is A is a book author,

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<v Speaker 1>and um, boy, how should I describe his books? He's

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<v Speaker 1>he's one of those guys that kind of goes deep

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<v Speaker 1>in his own life in order to write a book

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<v Speaker 1>about what he's doing. So, for instance, his great book

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<v Speaker 1>The Year of Living Biblically, he he lived according to

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<v Speaker 1>the Bible for a full year as strictly as possible,

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<v Speaker 1>which included everything from like wearing white all the time

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<v Speaker 1>to growing his beard out to ridiculous links, which I

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<v Speaker 1>know his family sort of enjoyed. And he's just a

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<v Speaker 1>great guy. So hit a j up in his favorite movie. Well,

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<v Speaker 1>actually his first pick was Groundhog Day, but that had

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<v Speaker 1>been used by Griffin McElroy. So he had a solid

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<v Speaker 1>backup plan with a clockwork orange, the Watershed monumental Stanley

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<v Speaker 1>Kubrick classic. And we had a really great conversation here

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<v Speaker 1>in New York about a clockwork orange. It was pretty

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<v Speaker 1>exciting for me. So here we go with a J.

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<v Speaker 1>Jacobs and a clockwork orange. Are you native New Yorker?

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<v Speaker 1>I am? Okay, I thought, So where'd you grow up?

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<v Speaker 1>I grew up right here on the on the Upper

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<v Speaker 1>East Side, and there was a video store two blocks away,

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<v Speaker 1>and uh and it was a good one. It was not.

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<v Speaker 1>It was like they had a serious selection. And I

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<v Speaker 1>went every day and watched a movie after school every

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<v Speaker 1>day through in high school. So okay, starting in high school. Yeah,

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<v Speaker 1>so I had and the pretentious ones too. They had

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<v Speaker 1>a lot of like far and they had like the

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<v Speaker 1>petite charm of the pourgeoisie or whatever it was. So

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<v Speaker 1>you got into good movies at a younger age. You

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<v Speaker 1>feel like, yeah, I'm not sure they were good, but

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<v Speaker 1>they were pretentious, critically acclaimed at least. Yeah, exactly about

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<v Speaker 1>my age, right, I'm forty nine, Okay, a couple of

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<v Speaker 1>years old during forty six. There you go. So it's

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<v Speaker 1>in the wheelhouse, It's in the And that is one

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<v Speaker 1>of the shocking things to me is watching these movies

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<v Speaker 1>as an older guy and revisiting some yeah, and just

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<v Speaker 1>how different it is. I mean, even like Ferris Bueller,

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<v Speaker 1>uh or Fast Times. I watched Fast Times recently. It

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<v Speaker 1>is a great movie. But I was watching and I

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<v Speaker 1>was like, Mr hand is talking about the Cuban Revolution,

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<v Speaker 1>and I'm like, tell me more. This sounds interesting. And

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<v Speaker 1>then Jeff Spiccauley Pizza comes in and I'm like, yeah,

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<v Speaker 1>what are you doing, you dick? Uh And I had

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<v Speaker 1>the same reaction. I watched Ferris Bueller with my kids

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<v Speaker 1>and uh, and Ben Stein was talking about like trickle

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<v Speaker 1>down economics, and I'm like, I want to hear it.

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<v Speaker 1>First of all, Ben Stein is crazy, you know, he's

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<v Speaker 1>a crazy conservative. I want to hear his take on

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<v Speaker 1>trickle down economics. And uh, you know, the deal with

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<v Speaker 1>that scene was that he that was just him talking, Yeah,

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<v Speaker 1>because he wasn't an actor at the time. Um and

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<v Speaker 1>John Hughes. And the only reason I know this because

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<v Speaker 1>I was supposed to record yesterday with someone on Ferris

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<v Speaker 1>buell Er. So I've done my deep dive this week

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<v Speaker 1>on that. And um, John Hughes I think was a

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<v Speaker 1>conservative too, so they were friends. Yeah, which was sort

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<v Speaker 1>of sad for me to learn. I guess I don't

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<v Speaker 1>know what I expected, but um, yeah, So anyway, he

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<v Speaker 1>uh over or ben Stein was talking to some crew

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<v Speaker 1>members about that and he overheard it and he said,

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<v Speaker 1>that's that's exactly what you need to do in the scene.

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<v Speaker 1>That is funny And it wasn't some dead pan stick.

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<v Speaker 1>It was just ben Stein that is, So I had

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<v Speaker 1>no idea. Yeah, well I do remember watching it with

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<v Speaker 1>my end when I was like the principal now or

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<v Speaker 1>is the vice principal whatever? Free Jones. Yeah, Like he

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<v Speaker 1>makes sense. I feel I've become. So I had the

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<v Speaker 1>same reaction with Cat and the Hat. You know, the

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<v Speaker 1>fish is the one who's like, what are you doing? Why?

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<v Speaker 1>Like you're you're letting this stranger into the house and

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<v Speaker 1>he's like causing chaos and you're not going to tell

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<v Speaker 1>your parents. I'm like, the fish is all right. So yeah,

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<v Speaker 1>I've become very old. I've decided when you're identifying Mr Hand,

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<v Speaker 1>then you know you've crossed the other side. I read Um.

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<v Speaker 1>I reread Catcher in the Rye about every five or

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<v Speaker 1>six years since I was probably twenty um. And it's

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<v Speaker 1>just one of those books that I have done that

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<v Speaker 1>on purpose because I had heard that, like, your perspective

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<v Speaker 1>can switch on it, and yeah, I mean for sure.

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<v Speaker 1>I mean I don't know if it's switch so much.

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<v Speaker 1>I mean definitely when you're younger. You know, there's a

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<v Speaker 1>little bit of the Holden Caulfield and many of us

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<v Speaker 1>the phonies of the world, but sometimes it's reinforced as

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<v Speaker 1>you get older, right right, you know, I haven't read it,

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<v Speaker 1>and since I was holding coff Field stage, i'd like, yeah,

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<v Speaker 1>or maybe just wait for the big movie. Yeah that?

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<v Speaker 1>Did they ever make them? No? I don't think so.

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<v Speaker 1>I think that's sort of animable movie, right, Yeah, I

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<v Speaker 1>guess so. I don't know. They seemed to show them

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<v Speaker 1>a lot, so uh watching videos were also going out

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<v Speaker 1>to the movie theaters. I guess here in New York

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<v Speaker 1>I was I was a little Yeah, I remember, yeah,

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<v Speaker 1>we would get high and go to the Pink Floyd

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<v Speaker 1>to the wall. That was a big memory, very exciting.

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<v Speaker 1>Goodnight movie or just no regular regular. I had a curfew,

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<v Speaker 1>so it wasn't that much of a rebel. Uh. And

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<v Speaker 1>also I do remember seeing m Richard Pryor's stand up

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<v Speaker 1>at at the zig Field. That was amazing. I remember

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<v Speaker 1>being blown away or saw the movie. No, I just

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<v Speaker 1>saw the movie. I saw the movie live. So what

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<v Speaker 1>that would have been that sunset strip? Maybe? I think so? Yeah?

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<v Speaker 1>Uh he was something else? Yeah so yeah, no, I listen,

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<v Speaker 1>I love the movies. And uh. And I remember when

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<v Speaker 1>I was in college, I had a poster of a

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<v Speaker 1>clockwork orange on my wall and it was worse than that.

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<v Speaker 1>Though it was in Italian. I didn't see it in Italian.

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<v Speaker 1>I don't speak Italian. Yeah, but you're a New York kid.

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<v Speaker 1>But I went, Yeah, I went to like village. That's

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<v Speaker 1>pretty cool. It was not cool. I think, uh no,

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<v Speaker 1>that's super cool. Yeah right, I think so. I always

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<v Speaker 1>feel if I met myself as a teenager, I'd be like,

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<v Speaker 1>what a dick? We were all little ticks. I think,

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<v Speaker 1>all right, that makes me feel better. Um. So, well,

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<v Speaker 1>before we dive into clockwork Orange, though, I do want

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<v Speaker 1>to bring up Groundhog Day because, um we went back

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<v Speaker 1>and forth on email and I felt bad because you

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<v Speaker 1>had picked groundhog Day originally, and just for the listeners

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<v Speaker 1>out there, we had ed Griffin McElroy in of my brother,

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<v Speaker 1>my brother and Me the podcast, one of the three

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<v Speaker 1>McIlroy brothers, and he and I talked about that last

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<v Speaker 1>week and I told him that you had wanted it,

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<v Speaker 1>and he kind of felt bad, but he said, but listen, man,

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<v Speaker 1>He said, did you have a solid backup? And said,

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<v Speaker 1>oh yeah, he had a pretty instant back up because

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<v Speaker 1>I don't. And he said, not only do I not

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<v Speaker 1>only is that my favorite movie, he said, of all time,

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<v Speaker 1>but he said, I feel like it's the best movie

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<v Speaker 1>of all time. Well I listened, so, but I do

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<v Speaker 1>want to hear your thoughts. Well, I appreciate his passion

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<v Speaker 1>because I too love that movie, and I, um, I

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<v Speaker 1>actually just watched it a couple of months ago and

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<v Speaker 1>I was weeping. I was weeping at the like the

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<v Speaker 1>ending scene when he's like helping all the people. So

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<v Speaker 1>I've become a total sap. It's quite embarrassing. Uh, but yeah,

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<v Speaker 1>I loved that movie and I saw the musical with

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<v Speaker 1>my kids. They took me for Father's Day. Is like

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<v Speaker 1>a special Father's Day. I forgot it was a musical.

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<v Speaker 1>It was. I really liked it. But I will say

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<v Speaker 1>at intermission, you know, one of the themes is that

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<v Speaker 1>these people, these small town people are like they're wonderful,

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<v Speaker 1>They're better than the big city people. And uh, but

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<v Speaker 1>an intermission, I was like, wait a second, they're in Pennsylvania, right,

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<v Speaker 1>And I googled it and Puxtani went for Trump. Oh yeah,

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<v Speaker 1>that really hurt because then I spent the second half

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<v Speaker 1>of like did the mayor vote for Trumps? Like that

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<v Speaker 1>the the guys at the bar who voted for Trump?

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<v Speaker 1>And I came up with though this made me feel better,

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<v Speaker 1>like if we could do a sequel like Election Day

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<v Speaker 1>where it's like November nine and he has to convince

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<v Speaker 1>all the people not to vote for Trump or else

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<v Speaker 1>he doesn't get to move on. So the next day

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<v Speaker 1>that was that made me feel good. But I did.

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<v Speaker 1>I do love that movie, and um, it's kind of

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<v Speaker 1>a perfect little movie. And rewatching it recently because I've

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<v Speaker 1>seen it quite a few times. But with the show,

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<v Speaker 1>I do, you know, sort of through the critical eye

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<v Speaker 1>and take notes and really get in there, and it

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<v Speaker 1>really it is a great Bill Murray comedy. And if

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<v Speaker 1>you just want to look at it that way, you've

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<v Speaker 1>got plenty of that going on. But there's so much

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<v Speaker 1>more happening in that film, and it could have been

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<v Speaker 1>so cheesy and so spoon fed and Griffin and I

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<v Speaker 1>were talking about that. Usually in a movie like that,

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<v Speaker 1>there's some wise mentor who shows in them way, or

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<v Speaker 1>just the main character will we'll figure it out and

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<v Speaker 1>discover it. But he fails so many times. He really

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<v Speaker 1>doesn't get it until kind of like the last ten

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<v Speaker 1>or fifteen minutes of the movie, and he fails so spectacularly.

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<v Speaker 1>I love the different failures. Um And Yeah, the other

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<v Speaker 1>thing that was exciting is I didn't know this, but

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<v Speaker 1>I'm acquaintances with this guy whose brother was the one

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<v Speaker 1>who came up with the idea, Danny Rubin and him.

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<v Speaker 1>On Facebook, I made some comment I think I commented

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<v Speaker 1>about the stage show, and Annie Ruben, who is a

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<v Speaker 1>friend of a friend, commented that no, he said he

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<v Speaker 1>thought I should do a book where I have to

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<v Speaker 1>live the same day over and over again, and I'm like, well,

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<v Speaker 1>this is the great moment in my life. That's all

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<v Speaker 1>that the Yeah, that's not a bad idea, but I

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<v Speaker 1>don't know how you would do that without being so

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<v Speaker 1>like just sort of set up and canned, right, Yeah,

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<v Speaker 1>I would need an actual curse on my Well. That

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<v Speaker 1>was the other cool part about that movie too, I thought,

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<v Speaker 1>is that it didn't um, I was never explained. I

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<v Speaker 1>love that it just happened and the studio wanted it

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<v Speaker 1>to and that they they wanted a genie or whatever.

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<v Speaker 1>But yeah, that was that was remarkable And uh yeah,

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<v Speaker 1>I agree. It is a perfect little movie. And and

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<v Speaker 1>it also it becomes more meaningful for me because I think,

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<v Speaker 1>as I mentioned before, I become more and more sappy.

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<v Speaker 1>You know, my teenage self would hate the Scott the

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<v Speaker 1>guy I've become. He'd be like, you hate your teenage self.

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<v Speaker 1>We hate We hate each other so much. We have

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<v Speaker 1>so much self loathing. Uh but yeah, because I do

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<v Speaker 1>feel like my my moral journey has similar, Like you know,

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<v Speaker 1>I've I was, I was an asshole and now I'm

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<v Speaker 1>slightly less of an asshole. Hope time believing that the

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<v Speaker 1>slightly less of an ass. No, the first part, I

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<v Speaker 1>think just a great dude. I can't imagine that being

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<v Speaker 1>a very kind I'm not sure that's true. All right,

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<v Speaker 1>So let's get into Clockwork Orange. I just finished it

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<v Speaker 1>this morning. I watched about three quarters of it last

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<v Speaker 1>night after my show, and then picked it up at

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<v Speaker 1>six thirty am. That's tough to watch in the morning.

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<v Speaker 1>But um, and this is what I've obviously seen quite

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<v Speaker 1>a few times, but it had been a while. I

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<v Speaker 1>realized I haven't seen it in about twenty years? Is

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<v Speaker 1>that right? Fifty years? And I watched it recently. I

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<v Speaker 1>did watch it like a week ago for the show.

0:13:01.800 --> 0:13:05.320
<v Speaker 1>Of course. I will say this that I think as

0:13:05.360 --> 0:13:09.240
<v Speaker 1>a movie fan, you'll be horrified, as many of your

0:13:09.240 --> 0:13:13.080
<v Speaker 1>listeners will be. But if you download it on YouTube,

0:13:13.160 --> 0:13:17.520
<v Speaker 1>which is you can watch it in double speed. Oh really? Yeah,

0:13:17.679 --> 0:13:21.800
<v Speaker 1>so I did? Did I know? Isn't it terrible? No?

0:13:22.080 --> 0:13:24.160
<v Speaker 1>A little bit. We have people that listen to stuff

0:13:24.160 --> 0:13:26.360
<v Speaker 1>you should know on double speed? Well I do that, yeah,

0:13:26.440 --> 0:13:29.000
<v Speaker 1>do you? I'm a double speeder y thing about the

0:13:29.000 --> 0:13:31.880
<v Speaker 1>movies people find particularly offensive because it's supposed to be

0:13:31.920 --> 0:13:35.320
<v Speaker 1>emotional journey. I mean, I have the emotions just more quickly.

0:13:35.920 --> 0:13:38.520
<v Speaker 1>And uh, I mean it was also interesting because there's

0:13:38.559 --> 0:13:42.880
<v Speaker 1>that scene with the teenage girl. So yeah, that's that

0:13:42.960 --> 0:13:47.360
<v Speaker 1>was very hot to follow. That was lightning fast. So

0:13:49.559 --> 0:13:54.520
<v Speaker 1>obviously did the great Stanley Kubrick in uh doing his

0:13:54.640 --> 0:14:00.640
<v Speaker 1>Kubrick thing to the fullest. Yeah, which is wonderful. Income McDowell,

0:14:00.679 --> 0:14:06.040
<v Speaker 1>Patrick McGee, Adrian Corey just so many great small roles

0:14:06.080 --> 0:14:09.880
<v Speaker 1>in that movie from another one that just was killing me.

0:14:10.280 --> 0:14:12.000
<v Speaker 1>And I found so much more of the comedy this

0:14:12.040 --> 0:14:15.800
<v Speaker 1>time in it than I've ever really noticed before, the

0:14:15.880 --> 0:14:20.080
<v Speaker 1>dark comedy. But the prison the main prison guard, he's wonderful.

0:14:20.240 --> 0:14:23.280
<v Speaker 1>It's just fantastic. And do you know what I didn't know.

0:14:23.400 --> 0:14:26.280
<v Speaker 1>I I just looked up, like, you know, weird fun

0:14:26.360 --> 0:14:29.280
<v Speaker 1>facts about the clock. We're right, Darth Vader. Did you

0:14:29.320 --> 0:14:33.800
<v Speaker 1>see that? Yeah? That was him, right, the bodyguard guy. Yeah,

0:14:33.840 --> 0:14:37.000
<v Speaker 1>the man servant who was with a very tight shorts

0:14:37.600 --> 0:14:40.640
<v Speaker 1>was was Darth Vader, which I did not know. So

0:14:40.800 --> 0:14:44.280
<v Speaker 1>that's a nice little easter egg. Well one of uh, well,

0:14:44.280 --> 0:14:46.960
<v Speaker 1>first of all, I should mention, I, uh, when I

0:14:46.960 --> 0:14:49.720
<v Speaker 1>lived in New York, New Jersey twenty years ago and

0:14:49.760 --> 0:14:51.280
<v Speaker 1>we would come into New York all the time. My

0:14:51.320 --> 0:14:54.120
<v Speaker 1>friends and I did for Halloween one year dress up

0:14:54.160 --> 0:14:57.400
<v Speaker 1>as the Drugs. How did it go? How was your

0:14:57.600 --> 0:15:01.400
<v Speaker 1>cod piece? Uh? It was pretty solid, you know, I mean,

0:15:01.400 --> 0:15:03.760
<v Speaker 1>what do you use for I just used a regular,

0:15:04.000 --> 0:15:07.880
<v Speaker 1>just athletic jock strap. So it wasn't as authentic as

0:15:07.920 --> 0:15:10.400
<v Speaker 1>like the real you know, the one in the movie.

0:15:10.440 --> 0:15:13.160
<v Speaker 1>But we did okay, and um, you know, I put

0:15:13.160 --> 0:15:15.880
<v Speaker 1>on the eyelash on one eye and had the hat

0:15:15.960 --> 0:15:20.800
<v Speaker 1>and the cane, and it was it was weirdly, uh,

0:15:21.080 --> 0:15:22.840
<v Speaker 1>you kind of like, you know, we had a few

0:15:22.880 --> 0:15:25.400
<v Speaker 1>drinks and we're walking around the city and you kind

0:15:25.400 --> 0:15:28.400
<v Speaker 1>of fall into Obviously we didn't do anything nefarious, but

0:15:28.760 --> 0:15:31.080
<v Speaker 1>right we were kind of like puffing our chest out

0:15:31.080 --> 0:15:34.000
<v Speaker 1>a bit. You know. That isn't well. I find that always,

0:15:34.040 --> 0:15:36.520
<v Speaker 1>like the way you dress really doesn't. Because I did

0:15:36.560 --> 0:15:38.480
<v Speaker 1>a book on living by the Rules of the Bible.

0:15:38.680 --> 0:15:41.000
<v Speaker 1>Yeah yeah, and one of them was you can only

0:15:41.040 --> 0:15:44.040
<v Speaker 1>wear white clothes. So I was wearing white all the time,

0:15:44.080 --> 0:15:47.000
<v Speaker 1>and it really did affect my mind. I was like,

0:15:47.120 --> 0:15:50.440
<v Speaker 1>you know, I was feeling much more. I was like, oh,

0:15:50.480 --> 0:15:53.760
<v Speaker 1>you know, I'm so spiritual. I'm wearing white. You know,

0:15:53.880 --> 0:15:56.080
<v Speaker 1>Either that or I'm like gonna play Wimbledon or go

0:15:56.160 --> 0:15:59.320
<v Speaker 1>to p Diddy's party. But it definitely affects the outer

0:15:59.440 --> 0:16:02.000
<v Speaker 1>effects the inter so I would not want my kids

0:16:02.040 --> 0:16:05.560
<v Speaker 1>to dress up as uh as Alex. Yeah, how's how's

0:16:05.560 --> 0:16:11.840
<v Speaker 1>the show going? Which one? Uh? Your show? I don't know,

0:16:11.920 --> 0:16:15.040
<v Speaker 1>You've got several shows. Uh, it's good. I would just

0:16:15.080 --> 0:16:20.120
<v Speaker 1>went out there to see a taping on it was why.

0:16:20.120 --> 0:16:23.760
<v Speaker 1>I am very bizarre and I have no control over it,

0:16:23.840 --> 0:16:28.480
<v Speaker 1>so that's a little bit terrifying. Yeah, but I signed

0:16:28.480 --> 0:16:34.720
<v Speaker 1>it away with God go with god less moons, that's right.

0:16:34.800 --> 0:16:36.960
<v Speaker 1>I I see it as like I gave them here's

0:16:36.960 --> 0:16:39.600
<v Speaker 1>a potato and then they can make French fries or

0:16:39.640 --> 0:16:42.200
<v Speaker 1>ash Brown. Who knows what they're going to make. But um,

0:16:42.400 --> 0:16:44.280
<v Speaker 1>but it was fun and I love the guy who's

0:16:44.360 --> 0:16:48.720
<v Speaker 1>playing the character loosely based on me. He's very loosely Ferguson. Yeah, Yeah,

0:16:48.720 --> 0:16:51.560
<v Speaker 1>he's terrific. He's great. He was in mad Men and

0:16:51.600 --> 0:16:53.840
<v Speaker 1>he had a huge beard and mad Men that's why

0:16:53.880 --> 0:16:56.520
<v Speaker 1>I thought they cast him because I had a beard

0:16:56.560 --> 0:16:59.280
<v Speaker 1>in the book. But but they're actually not letting him

0:16:59.320 --> 0:17:02.600
<v Speaker 1>grow the beard and until season two. Okay, that'll be

0:17:02.680 --> 0:17:06.560
<v Speaker 1>the season two arc. Yeah, that's the Well, that's nice

0:17:06.560 --> 0:17:08.199
<v Speaker 1>to hear. There's a season two in the works already.

0:17:08.240 --> 0:17:09.920
<v Speaker 1>That's great. Oh no, I don't know if that's true,

0:17:10.080 --> 0:17:17.439
<v Speaker 1>but yes, there I got you. Um So, First of all,

0:17:17.480 --> 0:17:21.640
<v Speaker 1>the movie Clockwork Orange opens um with just that red

0:17:21.720 --> 0:17:26.359
<v Speaker 1>screen and that, uh you know. Most of the the

0:17:26.359 --> 0:17:30.280
<v Speaker 1>score is the symphonic classical music of Beethoven, but there's

0:17:30.320 --> 0:17:35.840
<v Speaker 1>also that Kubrickian move synthesizer. It is just so loud

0:17:35.880 --> 0:17:38.080
<v Speaker 1>and powerful right from the beginning. And it's funny. When

0:17:38.080 --> 0:17:40.240
<v Speaker 1>I heard that for the first time in fifteen years,

0:17:40.240 --> 0:17:43.000
<v Speaker 1>it brought back it was like my my Madeline and

0:17:43.040 --> 0:17:47.840
<v Speaker 1>it was like wow, like, oh man, that puts me

0:17:47.920 --> 0:17:51.440
<v Speaker 1>and just so Kubrickian, you know now that you know.

0:17:51.480 --> 0:17:53.399
<v Speaker 1>When I saw when I was in college, it was

0:17:53.440 --> 0:17:56.159
<v Speaker 1>one of my first kubrick movies probably i'd seen. But

0:17:56.240 --> 0:17:58.080
<v Speaker 1>now that I've seen, like most of the body of

0:17:58.119 --> 0:18:01.000
<v Speaker 1>his work, what else where else does he have that moves?

0:18:01.000 --> 0:18:03.240
<v Speaker 1>And well, I don't know if just that synthesizer, but

0:18:03.359 --> 0:18:06.959
<v Speaker 1>just that sort of in your face, uh loud music.

0:18:07.040 --> 0:18:08.720
<v Speaker 1>I think it's sort of been a hallmark of his

0:18:08.960 --> 0:18:13.560
<v Speaker 1>for sure. Maybe I'm just thinking of this, Well, I

0:18:13.600 --> 0:18:16.639
<v Speaker 1>do you know you have the Thus Spake Zamathustra or

0:18:16.680 --> 0:18:19.960
<v Speaker 1>whatever it's called. Two one. Yeah, that's pretty memorable. And

0:18:19.960 --> 0:18:22.880
<v Speaker 1>this was I think just after that, if I'm not mistaken, Yeah, yeah,

0:18:22.920 --> 0:18:24.920
<v Speaker 1>I think so. I only know that because I read

0:18:24.920 --> 0:18:28.960
<v Speaker 1>some article there. Uh Malcolm McDowell didn't know who Kubrick

0:18:29.160 --> 0:18:32.840
<v Speaker 1>was like this. He did two thousand and one, yeah,

0:18:33.160 --> 0:18:35.880
<v Speaker 1>which actually I watched about ten years ago, and that

0:18:35.920 --> 0:18:38.480
<v Speaker 1>did not hold up as well. Really, I found it

0:18:38.480 --> 0:18:40.480
<v Speaker 1>a little slow. I should have watched it in double speed.

0:18:41.000 --> 0:18:43.720
<v Speaker 1>A little slow double speed might be just right. Yeah,

0:18:43.960 --> 0:18:47.080
<v Speaker 1>that one, which is probably harrisy, you know, for most people.

0:18:47.640 --> 0:18:50.480
<v Speaker 1>But yeah, two thousand one is drags a bit. I do.

0:18:50.640 --> 0:18:54.359
<v Speaker 1>But I do think the uh doctor Strange Love, that

0:18:54.440 --> 0:18:56.920
<v Speaker 1>definitely holds up for me. Yeah, I watched that every

0:18:56.960 --> 0:18:59.800
<v Speaker 1>few years. Still. Yeah, that's I don't like favorites. Well,

0:18:59.840 --> 0:19:02.080
<v Speaker 1>and that's what made me kind of I think I

0:19:02.119 --> 0:19:04.840
<v Speaker 1>saw Strange Love even after I was all out of

0:19:04.920 --> 0:19:07.880
<v Speaker 1>order with Kubrick, just as I discovered his movies over

0:19:07.920 --> 0:19:12.200
<v Speaker 1>the years. So I saw a Strange Love after Clockwork Orange,

0:19:12.760 --> 0:19:15.440
<v Speaker 1>and so I didn't pick up on any of the

0:19:15.520 --> 0:19:18.640
<v Speaker 1>dark comedy in Clockwork Orange, and then when I saw

0:19:18.720 --> 0:19:21.399
<v Speaker 1>Strange Love, I sort of got his sense of humor

0:19:21.400 --> 0:19:24.520
<v Speaker 1>a bit more. And watching it last night and today,

0:19:24.600 --> 0:19:26.720
<v Speaker 1>I was like, there were definitely a lot of times

0:19:26.720 --> 0:19:28.480
<v Speaker 1>I was like, this is there's a lot of funny

0:19:28.520 --> 0:19:31.240
<v Speaker 1>stuff going on, a lot of horrifying stuff too, but

0:19:31.359 --> 0:19:35.720
<v Speaker 1>he really just gone horrifyingly funny. And I will say,

0:19:35.760 --> 0:19:40.720
<v Speaker 1>I remember my other strong memory of h of Kubrick

0:19:40.760 --> 0:19:43.760
<v Speaker 1>was I got Barry Linden from that same video store,

0:19:44.400 --> 0:19:48.240
<v Speaker 1>and I remember it also was a little slow, I found.

0:19:48.400 --> 0:19:51.280
<v Speaker 1>But then the ending, they had this chiron on the

0:19:51.280 --> 0:19:54.879
<v Speaker 1>screen that I still think about all the time, and

0:19:54.960 --> 0:19:57.560
<v Speaker 1>I'm I don't remember the exact words, but it was

0:19:57.600 --> 0:20:01.679
<v Speaker 1>basically these events took place the reign of King George

0:20:01.720 --> 0:20:05.400
<v Speaker 1>the Third, and uh, all the players, whether they were

0:20:05.480 --> 0:20:09.240
<v Speaker 1>rich or poor, or good or bad, they're all equal. Now,

0:20:09.720 --> 0:20:16.760
<v Speaker 1>I was like, oh, so it was it's like everybody died.

0:20:17.320 --> 0:20:20.679
<v Speaker 1>Pretty much the ending to any movie you could do

0:20:20.800 --> 0:20:24.280
<v Speaker 1>pretty much a chiron and then everyone died. But I

0:20:24.280 --> 0:20:26.359
<v Speaker 1>do think about that a lot. You know, it's it

0:20:26.440 --> 0:20:29.080
<v Speaker 1>was a very good It was a momento Maori. Uh

0:20:29.080 --> 0:20:32.040
<v Speaker 1>you know we uh, we're all going to die and

0:20:32.160 --> 0:20:34.840
<v Speaker 1>last Aubrey de Gray is right and we can live forever.

0:20:35.440 --> 0:20:45.320
<v Speaker 1>He could see one of those two. Well. Cooper definitely

0:20:45.320 --> 0:20:49.800
<v Speaker 1>takes his time in all his movies, um, which I

0:20:49.840 --> 0:20:53.800
<v Speaker 1>appreciate for sure, especially these days when I feel like

0:20:55.119 --> 0:20:57.760
<v Speaker 1>the movie seemed to be long, but they're not taking

0:20:57.800 --> 0:21:01.040
<v Speaker 1>their time. Does that make sense? Yeah, that's true. Yeah,

0:21:01.160 --> 0:21:03.719
<v Speaker 1>that's just seen after seen. I will say though, I

0:21:03.760 --> 0:21:06.560
<v Speaker 1>was immediately hooked by a clockwork orange. I mean that

0:21:06.640 --> 0:21:11.080
<v Speaker 1>starts out strong, him staring at you, the great voice over,

0:21:11.600 --> 0:21:14.440
<v Speaker 1>and that bar is quite startling. Yeah. Yeah, the milk

0:21:14.480 --> 0:21:18.159
<v Speaker 1>bar and just that long dolly back revealing everything and

0:21:18.200 --> 0:21:21.240
<v Speaker 1>also just the milk coming from the woman's breast like

0:21:21.680 --> 0:21:24.080
<v Speaker 1>and and I mean, you know, the idea of milk

0:21:24.200 --> 0:21:27.040
<v Speaker 1>the most innocent. I think that's the one thing he

0:21:27.080 --> 0:21:30.320
<v Speaker 1>does very well, was, you know, taking these very innocent

0:21:30.359 --> 0:21:34.960
<v Speaker 1>things and making them really malevolent, like milk as a

0:21:35.040 --> 0:21:38.879
<v Speaker 1>drug or singing in the rain. I mean he is

0:21:38.960 --> 0:21:43.240
<v Speaker 1>good at ruining uh, innocent stuff. Yeah. Well, and even

0:21:43.320 --> 0:21:45.760
<v Speaker 1>Alex as a whole, Like part of the complexity of

0:21:45.800 --> 0:21:50.520
<v Speaker 1>that character is that he is He's just like the

0:21:50.640 --> 0:21:53.760
<v Speaker 1>nice boy next door by all outward appearances. The way

0:21:53.800 --> 0:21:58.680
<v Speaker 1>he converses with everyone and interacts, it's usually very respectful. Uh,

0:21:58.720 --> 0:22:01.640
<v Speaker 1>he doesn't, you know, that's part of the sinister thing

0:22:01.680 --> 0:22:05.040
<v Speaker 1>is buried underneath, which makes it frightening. But that he

0:22:05.080 --> 0:22:07.760
<v Speaker 1>didn't make him just like a hooligan or a thug. No.

0:22:08.040 --> 0:22:11.840
<v Speaker 1>And the way he talks, it's so lovely and flower like. Uh,

0:22:11.840 --> 0:22:14.639
<v Speaker 1>even when he insults people, He's like you, Eunich, jelly,

0:22:14.680 --> 0:22:18.239
<v Speaker 1>thou has made me last. The way he talks, Uh,

0:22:18.720 --> 0:22:21.960
<v Speaker 1>clear as and as you were sky and deepish summer. Yeah,

0:22:22.359 --> 0:22:28.320
<v Speaker 1>something like that. So good. Um. So the other thing

0:22:28.359 --> 0:22:33.359
<v Speaker 1>that struck me was, um, the just utter lack of backstory,

0:22:33.400 --> 0:22:36.320
<v Speaker 1>Like the movie just starts in that milk bar and

0:22:36.359 --> 0:22:40.480
<v Speaker 1>it just shows the drugs doing their thing and there's

0:22:40.520 --> 0:22:43.480
<v Speaker 1>no sense of And I guess that was part of

0:22:43.520 --> 0:22:45.679
<v Speaker 1>the point. There's no sense of why he was like

0:22:45.760 --> 0:22:48.840
<v Speaker 1>this to begin with. And he was a true sociopath.

0:22:49.200 --> 0:22:51.560
<v Speaker 1>The other guys were clearly sort of along for the ride,

0:22:52.160 --> 0:22:55.400
<v Speaker 1>but he was the one that was genuinely a sociopath.

0:22:55.400 --> 0:22:58.760
<v Speaker 1>Inic Well, what's fascinated me is reading about it. I

0:22:58.800 --> 0:23:02.120
<v Speaker 1>did not know about out this final chapter that Anthony

0:23:02.160 --> 0:23:04.600
<v Speaker 1>Burgess wrote that was cut out of the American version,

0:23:05.800 --> 0:23:11.280
<v Speaker 1>in the final chapter, Uh, Alex grows up. He basically

0:23:11.880 --> 0:23:16.200
<v Speaker 1>he you know, he he gets the Ludovico treatment out

0:23:16.200 --> 0:23:19.679
<v Speaker 1>of a system and he goes back to raping and pillaging,

0:23:19.760 --> 0:23:21.600
<v Speaker 1>and then he gets bored and he's like, you know

0:23:21.680 --> 0:23:23.760
<v Speaker 1>what this is not And then he sees one of

0:23:23.800 --> 0:23:26.080
<v Speaker 1>his friends, I don't know, maybe one of the drugs

0:23:27.080 --> 0:23:30.159
<v Speaker 1>was with kind of family, and he's like, you know what,

0:23:30.280 --> 0:23:32.520
<v Speaker 1>maybe that would be better. And he becomes like this

0:23:33.040 --> 0:23:38.880
<v Speaker 1>bourgeois like nice, like uh, middle class working guy. And

0:23:38.920 --> 0:23:42.320
<v Speaker 1>I think so that was Anthony Burgess is ending, and

0:23:42.359 --> 0:23:46.879
<v Speaker 1>he was very nervous about the Kubrick version, where where

0:23:46.960 --> 0:23:52.080
<v Speaker 1>Alex just continued to be this horrible sociopath. So I

0:23:52.119 --> 0:23:54.640
<v Speaker 1>thought that was fascinating. I did not, and I would

0:23:54.640 --> 0:23:57.520
<v Speaker 1>actually that would be an interesting sequel just Alex as

0:23:57.640 --> 0:24:01.639
<v Speaker 1>like a middle class guy going that's like a incredibly

0:24:01.720 --> 0:24:07.199
<v Speaker 1>dull movie. But um, but that was I think that

0:24:07.600 --> 0:24:11.040
<v Speaker 1>when I read that, that definitely changed it for me,

0:24:11.160 --> 0:24:15.359
<v Speaker 1>because that appeals to the old me, the new the

0:24:15.520 --> 0:24:19.960
<v Speaker 1>me now like okay, he finally like he got some morality,

0:24:20.000 --> 0:24:24.560
<v Speaker 1>whereas the version where he stays the sociopath appeal to

0:24:24.680 --> 0:24:27.840
<v Speaker 1>my teenage self. He's like, yeah, right, you know this.

0:24:28.400 --> 0:24:32.280
<v Speaker 1>The system. The system is terrible. I'm gonna I'm glad

0:24:32.280 --> 0:24:35.080
<v Speaker 1>that he's back to being horrible. Well, it's interesting that

0:24:35.119 --> 0:24:37.800
<v Speaker 1>you say that, because now that I know that that

0:24:37.880 --> 0:24:42.040
<v Speaker 1>chapter exists, maybe he is not a sociopath. Was he

0:24:42.119 --> 0:24:47.199
<v Speaker 1>just aboard disaffected youth? Yeah, it's a good I mean,

0:24:47.240 --> 0:24:49.760
<v Speaker 1>he certainly does seem like a sociopath. I mean the

0:24:49.840 --> 0:24:54.000
<v Speaker 1>joy that he seems to derive from ultra violence, because

0:24:54.040 --> 0:24:56.159
<v Speaker 1>it's not just he's doing it to get something, like,

0:24:56.280 --> 0:25:00.480
<v Speaker 1>he actually enjoys the violence. But maybe you out I mean,

0:25:00.520 --> 0:25:02.520
<v Speaker 1>I think that that is a nice thought. I don't

0:25:02.520 --> 0:25:06.600
<v Speaker 1>know if it's true that people change. I hope it's true.

0:25:06.920 --> 0:25:09.679
<v Speaker 1>I think I've changed. I've become as I say, I

0:25:09.720 --> 0:25:14.520
<v Speaker 1>do think I'm less of an asshole. So yeah, I

0:25:15.119 --> 0:25:17.639
<v Speaker 1>hope that that's true. Well, I really I really like

0:25:17.720 --> 0:25:19.800
<v Speaker 1>the part um sort of early on in that first

0:25:19.840 --> 0:25:22.760
<v Speaker 1>act when the other fellows try to challenge his power

0:25:23.640 --> 0:25:26.840
<v Speaker 1>and it obviously none of that works out, and he

0:25:26.880 --> 0:25:30.960
<v Speaker 1>re establishes himself and sort of a comically brutal way.

0:25:30.960 --> 0:25:33.119
<v Speaker 1>When you look at the scene now, although it was

0:25:33.160 --> 0:25:36.359
<v Speaker 1>in slow motion, you saw it at double speed walking

0:25:36.359 --> 0:25:40.320
<v Speaker 1>by the river bank. But that's when I that's when

0:25:40.320 --> 0:25:42.600
<v Speaker 1>I really solidified. I was like, no, this guy is

0:25:42.640 --> 0:25:46.359
<v Speaker 1>really crazy. And his friends just they're just they're the

0:25:46.400 --> 0:25:50.000
<v Speaker 1>board ones, right right right, They're just following along basically,

0:25:50.119 --> 0:25:53.920
<v Speaker 1>especially Dim, I mean he's obviously yeah he's challenged. I shall,

0:25:54.359 --> 0:25:57.840
<v Speaker 1>but yeah, well it is I have to say slow

0:25:57.880 --> 0:26:00.160
<v Speaker 1>motion violence. I guess that was must have been an

0:26:00.200 --> 0:26:03.240
<v Speaker 1>early a literally version of it. Like now, I guess

0:26:03.240 --> 0:26:07.720
<v Speaker 1>it's probably cliche, but but then I mean it did

0:26:07.800 --> 0:26:11.600
<v Speaker 1>look lovely. Yeah, like the way he splashes into the

0:26:11.680 --> 0:26:17.880
<v Speaker 1>river after he's hit. Uh, there is something I do.

0:26:18.160 --> 0:26:21.480
<v Speaker 1>I am a sucker for slow motion violence with classical

0:26:21.560 --> 0:26:23.879
<v Speaker 1>music in the background, I think really does go together.

0:26:23.960 --> 0:26:29.800
<v Speaker 1>That they're gon a movie. Then, uh, the prison check

0:26:29.840 --> 0:26:32.320
<v Speaker 1>in scene is one of my favorite scenes when and

0:26:32.359 --> 0:26:35.000
<v Speaker 1>that's just a perfect example of Kubrick just taking his time,

0:26:35.119 --> 0:26:37.720
<v Speaker 1>like that could have been a throwaway scene or it

0:26:37.720 --> 0:26:40.360
<v Speaker 1>could have been eight seconds long, and he just lets

0:26:40.359 --> 0:26:42.639
<v Speaker 1>it go on and on, and I just like I

0:26:42.680 --> 0:26:46.239
<v Speaker 1>started found myself laughing out loud. And what he was

0:26:46.320 --> 0:26:49.200
<v Speaker 1>it was the guard was saying all of his personal effects,

0:26:49.480 --> 0:26:52.000
<v Speaker 1>Like yeah, he's like yeah, you have a comb and

0:26:52.640 --> 0:26:56.000
<v Speaker 1>yeah that was falling piece of chocolate. Yeah, and you

0:26:56.000 --> 0:26:57.600
<v Speaker 1>know he makes a stand behind the line. It just

0:26:57.640 --> 0:27:00.480
<v Speaker 1>goes on and on and on. But he's get the

0:27:00.480 --> 0:27:03.760
<v Speaker 1>sense that Kubrick just I mean, I guess some people

0:27:03.800 --> 0:27:07.679
<v Speaker 1>have called himself indulgent, but I don't really see it

0:27:07.720 --> 0:27:10.280
<v Speaker 1>that way. I think he's definitely kind of fucking with people,

0:27:11.440 --> 0:27:15.040
<v Speaker 1>um for his own amusement sometimes, and maybe that is

0:27:15.160 --> 0:27:18.360
<v Speaker 1>total self indulgence. Maybe he's got a little Alex in him.

0:27:18.400 --> 0:27:21.560
<v Speaker 1>He's like sadistic. He's like, you're gonna watch this, and

0:27:21.760 --> 0:27:24.440
<v Speaker 1>like the Ludovico technique. The fact that he like made

0:27:24.480 --> 0:27:26.600
<v Speaker 1>us watch that for so long. Yeah, yeah, that was

0:27:26.600 --> 0:27:29.760
<v Speaker 1>not a quick thing either. Yeah that's interesting. I wonder.

0:27:29.920 --> 0:27:33.840
<v Speaker 1>I mean, I will say that watching um Eyes Wide Shot,

0:27:34.240 --> 0:27:37.040
<v Speaker 1>I felt like he was torturing me. You didn't like it?

0:27:37.560 --> 0:27:41.000
<v Speaker 1>Not a very divisive movie. I haven't seen it since

0:27:41.000 --> 0:27:44.240
<v Speaker 1>it came out. Now I get it, man, very divisive movie. Um,

0:27:44.359 --> 0:27:46.520
<v Speaker 1>A lot of people hate that. Fucking what do you

0:27:46.560 --> 0:27:49.280
<v Speaker 1>like about it? I'm interested. I think I was just

0:27:49.359 --> 0:27:53.879
<v Speaker 1>so in on Kubrick that, Um, I'm just I'm just

0:27:53.960 --> 0:27:56.919
<v Speaker 1>all in. So I love again. I love the pace.

0:27:57.119 --> 0:28:00.560
<v Speaker 1>I love how slow it was and how it revealed itself.

0:28:01.480 --> 0:28:04.480
<v Speaker 1>Um yeah, man, I just loved it. And and hearing

0:28:04.520 --> 0:28:07.080
<v Speaker 1>the backstory behind it, I think it was sort of oh,

0:28:07.119 --> 0:28:09.000
<v Speaker 1>I don't know the back story, Well, just how long

0:28:09.040 --> 0:28:11.400
<v Speaker 1>it took. It was just years and years, and and

0:28:11.600 --> 0:28:14.160
<v Speaker 1>put that couple the real life couple at the time

0:28:14.520 --> 0:28:20.560
<v Speaker 1>with cruising kidmen through hell to do takes, and it's

0:28:20.600 --> 0:28:24.720
<v Speaker 1>just it's the madness of it. It's just striking to

0:28:24.760 --> 0:28:27.040
<v Speaker 1>me that that man as a filmmaker and this is

0:28:27.080 --> 0:28:30.359
<v Speaker 1>the quickest movie he's ever made. That's one. Yeah. I

0:28:30.400 --> 0:28:33.960
<v Speaker 1>think it took a year to to get into theaters,

0:28:33.960 --> 0:28:37.879
<v Speaker 1>which for Kubrick was just like a rapid pace. That's funny.

0:28:38.120 --> 0:28:41.080
<v Speaker 1>Well no eyes wide shot. It ruined Orgy's for me.

0:28:41.160 --> 0:28:44.640
<v Speaker 1>For I am never going to go to an o FO.

0:28:44.880 --> 0:28:48.680
<v Speaker 1>It just looks so boring. Yeah, and the masks so silly.

0:28:49.040 --> 0:28:51.800
<v Speaker 1>It was very silly. But I was all in and

0:28:51.800 --> 0:28:54.800
<v Speaker 1>it was just such a beautiful looking movie, Like his

0:28:54.800 --> 0:28:57.760
<v Speaker 1>aesthetic has just always blown me away. It Also, I

0:28:57.800 --> 0:29:00.800
<v Speaker 1>mean I still do this is in retrospect that I

0:29:00.880 --> 0:29:06.520
<v Speaker 1>have issues with Tom Cruise, but because of the you know, yeah,

0:29:07.120 --> 0:29:09.680
<v Speaker 1>Matt it's hard to separate the art from the artists

0:29:09.680 --> 0:29:12.720
<v Speaker 1>in that case, it is. Yeah, I think about that

0:29:12.760 --> 0:29:15.440
<v Speaker 1>a lot more and more. How do you separate the

0:29:15.560 --> 0:29:19.720
<v Speaker 1>art from the artist because it's toss Uh. This was

0:29:19.760 --> 0:29:23.160
<v Speaker 1>shocking to me. I did some research and I read

0:29:23.320 --> 0:29:26.760
<v Speaker 1>that the book, which I had read back in high

0:29:26.800 --> 0:29:29.720
<v Speaker 1>school but I had forgotten. In the book, Alex is

0:29:29.760 --> 0:29:32.920
<v Speaker 1>even worse than he is in the movie. He do

0:29:32.960 --> 0:29:35.600
<v Speaker 1>you remember the scene with the two girls they go

0:29:35.720 --> 0:29:39.120
<v Speaker 1>to the music store and then he some home. Was

0:29:39.320 --> 0:29:43.360
<v Speaker 1>the fast forward sexy In the book, they were ten

0:29:43.440 --> 0:29:47.680
<v Speaker 1>years old. Oh my god, I know it's unsavable. Yeah,

0:29:47.960 --> 0:29:52.240
<v Speaker 1>well younger obviously ten is is a crime, no matter what.

0:29:52.760 --> 0:29:55.040
<v Speaker 1>But I think in the movie he's seventeen and the

0:29:55.040 --> 0:29:59.000
<v Speaker 1>book he's more like fifteen. But um still, that's horrifying.

0:29:59.400 --> 0:30:01.640
<v Speaker 1>It was horror fine, And he doesn't seem seventeen in

0:30:01.640 --> 0:30:03.280
<v Speaker 1>the movie either. I know he was older when he

0:30:03.320 --> 0:30:06.480
<v Speaker 1>played him, but I don't. In fact, until I researched it,

0:30:06.560 --> 0:30:08.600
<v Speaker 1>I didn't know that he was supposed to be that young. Yeah.

0:30:08.640 --> 0:30:12.360
<v Speaker 1>I always thought the song was like, yeah, same here,

0:30:12.640 --> 0:30:15.880
<v Speaker 1>that's interesting. Yeah, it was. But there's a part about

0:30:15.920 --> 0:30:19.160
<v Speaker 1>him not going to school that I never just sort

0:30:19.160 --> 0:30:22.320
<v Speaker 1>of picked up on because it just seems always roaming

0:30:22.360 --> 0:30:34.680
<v Speaker 1>around whatever they call high school in England. Uh So,

0:30:35.400 --> 0:30:39.880
<v Speaker 1>obviously the movie was maligned by many critics and the

0:30:41.040 --> 0:30:47.840
<v Speaker 1>Catholic Church for sure. Um and it's it's certainly horrifying

0:30:47.880 --> 0:30:49.840
<v Speaker 1>all the violence in the sex at a time when

0:30:49.880 --> 0:30:52.800
<v Speaker 1>I think, you know, putting those two things together on

0:30:52.840 --> 0:30:57.480
<v Speaker 1>screen was was a maverick move for sure. But Kubrick

0:30:57.600 --> 0:30:59.880
<v Speaker 1>just I forgot about the part where he full on

0:31:00.120 --> 0:31:05.360
<v Speaker 1>goes Roman soldier torturing Christ. In that one scene he

0:31:05.440 --> 0:31:11.480
<v Speaker 1>has the fantasy and it shows Jesus, Jesus being whipped

0:31:11.760 --> 0:31:13.800
<v Speaker 1>and then it pans it, you know, pulls back and

0:31:13.800 --> 0:31:17.360
<v Speaker 1>reveals that he's the Roman soldier. That was very yeah,

0:31:17.400 --> 0:31:19.120
<v Speaker 1>so I was like they, of course, the Catholic Church

0:31:19.520 --> 0:31:21.880
<v Speaker 1>like you can't show that. And then the other thing

0:31:22.600 --> 0:31:25.440
<v Speaker 1>was when he was fantasized, he's reading the Bible and

0:31:25.480 --> 0:31:28.840
<v Speaker 1>he's loving the parts which are about like the sex

0:31:28.920 --> 0:31:32.920
<v Speaker 1>and you know, eating the grapes and having the orgies,

0:31:33.480 --> 0:31:36.960
<v Speaker 1>which was funny to me because I spent a year

0:31:36.960 --> 0:31:40.200
<v Speaker 1>and a half really studying the Bible. There's all the

0:31:40.840 --> 0:31:46.920
<v Speaker 1>especially the Old Testament, there is some serious craziness and perversion. Uh.

0:31:47.080 --> 0:31:51.080
<v Speaker 1>So I can see how someone from his mindset. I

0:31:51.080 --> 0:31:55.840
<v Speaker 1>mean there are scenes like where lots of escapes. Uh.

0:31:55.960 --> 0:31:58.160
<v Speaker 1>You know, Lot's wife has turned into a pillar of salt.

0:31:58.600 --> 0:32:01.680
<v Speaker 1>He escapes with his daughter. These daughters think they're the

0:32:01.720 --> 0:32:04.560
<v Speaker 1>last people on earth and get them drunk and sleep

0:32:04.600 --> 0:32:08.120
<v Speaker 1>with him. And I'm like, my god, I don't want

0:32:08.160 --> 0:32:12.560
<v Speaker 1>my kids reading this. So but yeah, that was that

0:32:12.680 --> 0:32:16.120
<v Speaker 1>was remarkable. It's no, it is no wonder. I mean

0:32:16.480 --> 0:32:21.520
<v Speaker 1>it made me think a lot about the deeper moral messages. Uh.

0:32:21.560 --> 0:32:25.560
<v Speaker 1>And this idea because I am very torn. Uh And

0:32:25.800 --> 0:32:28.320
<v Speaker 1>I don't think. I don't expect you or anyone to

0:32:28.400 --> 0:32:32.719
<v Speaker 1>agree with me, but I don't really believe in free will.

0:32:32.800 --> 0:32:36.440
<v Speaker 1>I think you know, we are basically meet robots. Uh,

0:32:36.560 --> 0:32:40.440
<v Speaker 1>we feel compassion. I'm all for that, but to me,

0:32:40.640 --> 0:32:44.280
<v Speaker 1>like I'm torn on the Ludovico technique, Like if you

0:32:44.360 --> 0:32:49.800
<v Speaker 1>could do this pav law technique and reform criminals, would

0:32:49.880 --> 0:32:52.440
<v Speaker 1>that be okay? And part of me is like, you

0:32:52.480 --> 0:32:59.040
<v Speaker 1>know what, having him depriving him of the so called choice,

0:32:59.120 --> 0:33:04.320
<v Speaker 1>the delusion of voice not to rape someone that doesn't

0:33:04.360 --> 0:33:07.680
<v Speaker 1>bother me that much, you know, like if I could

0:33:08.160 --> 0:33:13.280
<v Speaker 1>have a society where really horrible sociopath did feel physically

0:33:13.320 --> 0:33:16.720
<v Speaker 1>ill if they were about to rape someone. I may

0:33:16.760 --> 0:33:18.560
<v Speaker 1>be okay with that. I think a lot of people

0:33:18.560 --> 0:33:22.000
<v Speaker 1>would agree with you. Yeah, what about this one. I

0:33:22.000 --> 0:33:24.600
<v Speaker 1>don't know this one. I think I'm out on a

0:33:24.720 --> 0:33:30.160
<v Speaker 1>very small minority the minority report. Yeah, Like from a

0:33:30.240 --> 0:33:36.080
<v Speaker 1>utilitarian point, yeah, having three people have pretty terrible life

0:33:36.600 --> 0:33:39.880
<v Speaker 1>to make the rest of the world happy and safely,

0:33:40.640 --> 0:33:44.520
<v Speaker 1>is it worth Like if the precogs were truly good people,

0:33:44.560 --> 0:33:47.200
<v Speaker 1>they'd be like, you know what, I'm gonna do it.

0:33:47.560 --> 0:33:51.040
<v Speaker 1>I hate it. It's horrible, but I'm gonna do it

0:33:51.800 --> 0:33:57.040
<v Speaker 1>to save other people. So that's the problem, right, Yeah, exactly,

0:33:57.160 --> 0:33:59.840
<v Speaker 1>And that's the trolley problem. And I am one of

0:33:59.880 --> 0:34:02.200
<v Speaker 1>the uh. I am one of the people who would

0:34:02.200 --> 0:34:05.040
<v Speaker 1>pull the lever. Yeah, and I know I'm in them,

0:34:05.040 --> 0:34:09.040
<v Speaker 1>and I think it's ten of people and I am

0:34:09.080 --> 0:34:11.440
<v Speaker 1>one of those. And it was very disturbing. I was

0:34:11.480 --> 0:34:15.400
<v Speaker 1>just looking it up. I saw a study recently that

0:34:16.040 --> 0:34:19.879
<v Speaker 1>people who would pull the lever I have a high

0:34:19.960 --> 0:34:24.600
<v Speaker 1>degree of like sociopathy, And yeah, yeah, they're horrible people.

0:34:24.640 --> 0:34:27.040
<v Speaker 1>But I hope that I'm not horrible. But I still

0:34:27.080 --> 0:34:29.600
<v Speaker 1>would pull the lever. No, I don't think that makes

0:34:29.600 --> 0:34:32.120
<v Speaker 1>you horrible at all. It just makes you one of

0:34:32.120 --> 0:34:36.880
<v Speaker 1>the ten percent, from the freakish ten percent. Well with

0:34:36.920 --> 0:34:41.279
<v Speaker 1>Alex so at Kubrick, especially in that third act, he

0:34:41.400 --> 0:34:45.799
<v Speaker 1>really just goes total sort of mind funck on the

0:34:45.840 --> 0:34:52.359
<v Speaker 1>audience to where he is eliciting sympathy now because this

0:34:52.719 --> 0:34:56.800
<v Speaker 1>monster is now a pawn of the government and a

0:34:56.920 --> 0:35:01.480
<v Speaker 1>lab rat essentially, and um, he clearly making a statement there.

0:35:01.760 --> 0:35:05.640
<v Speaker 1>Oh yeah. And the way that he portrayed the liberal guy,

0:35:05.680 --> 0:35:09.840
<v Speaker 1>you know, the guy um who takes him in was

0:35:09.880 --> 0:35:14.920
<v Speaker 1>the victim of the initial crime. He portrays him as

0:35:14.920 --> 0:35:17.680
<v Speaker 1>a psycho as well, So no one comes off very

0:35:17.719 --> 0:35:24.160
<v Speaker 1>well but neither side. Uh yeah, it was. And what's

0:35:24.200 --> 0:35:28.960
<v Speaker 1>interesting I did I think as a teenager, I definitely

0:35:30.160 --> 0:35:34.040
<v Speaker 1>I like that part because I could like empathize with

0:35:34.080 --> 0:35:39.000
<v Speaker 1>the rebel Alex, like for Alex being screwed by society. Now,

0:35:39.080 --> 0:35:42.880
<v Speaker 1>the character I empathized with most is the old homeless

0:35:42.880 --> 0:35:47.000
<v Speaker 1>guy who gets beat up like like yeah, I know,

0:35:47.160 --> 0:35:49.080
<v Speaker 1>it's like I was rooting for him when he was

0:35:49.120 --> 0:35:52.160
<v Speaker 1>beating up aalley the old people like attack him. Yeah,

0:35:52.360 --> 0:35:55.440
<v Speaker 1>like good for old people. Yeah, yeah, it is funny.

0:35:55.520 --> 0:35:59.200
<v Speaker 1>That is it is a very like, yeah, anti old people,

0:36:00.400 --> 0:36:04.400
<v Speaker 1>it is Yeah, old people are terrible. Yeah. And I

0:36:04.400 --> 0:36:07.640
<v Speaker 1>don't I'm not even sure what Kubrick's uh, and I

0:36:07.640 --> 0:36:09.719
<v Speaker 1>don't know that he probably wanted it that way to

0:36:09.840 --> 0:36:12.640
<v Speaker 1>not have a very sort of clear cut, black and

0:36:12.680 --> 0:36:16.319
<v Speaker 1>white statement on this stuff. I think he wanted to

0:36:16.400 --> 0:36:21.239
<v Speaker 1>leave it very murky um and leave people scratching their

0:36:21.239 --> 0:36:25.160
<v Speaker 1>heads and contemplating this when theater, and it worked. I mean,

0:36:25.200 --> 0:36:28.440
<v Speaker 1>I'm sure he was slightly on the side of freedom

0:36:28.440 --> 0:36:32.480
<v Speaker 1>of choice. Uh, you know that this is an authoritarian

0:36:32.560 --> 0:36:37.000
<v Speaker 1>way to engineer people to like make them feel sick. Um.

0:36:37.040 --> 0:36:39.719
<v Speaker 1>But he did a very good job of showing both

0:36:39.760 --> 0:36:44.400
<v Speaker 1>sides and making fun of the liberal side. Yeah. I

0:36:44.400 --> 0:36:49.839
<v Speaker 1>mean that scene where they're feeding Alex dinner and you

0:36:49.840 --> 0:36:53.720
<v Speaker 1>know it's the reformers feeding Alex and he's like more water.

0:36:54.680 --> 0:36:58.000
<v Speaker 1>That made me laugh very hard watching at this time. Yeah. Man,

0:36:58.040 --> 0:37:00.360
<v Speaker 1>Malcolm Acdell was so good in this movie. He is

0:37:00.560 --> 0:37:03.120
<v Speaker 1>and like the innocence he has in that scene where

0:37:03.120 --> 0:37:07.680
<v Speaker 1>he's like yeah, oh and you know what else, It

0:37:07.840 --> 0:37:10.920
<v Speaker 1>makes me laugh that Malcolm at like the joy, the

0:37:10.960 --> 0:37:14.240
<v Speaker 1>innocent joy he gets at the end where they're showing

0:37:14.360 --> 0:37:17.839
<v Speaker 1>him the cartoons he has to come up and Yeah,

0:37:18.440 --> 0:37:21.640
<v Speaker 1>and just the laughter he gets from like I wanted

0:37:22.239 --> 0:37:25.080
<v Speaker 1>no time for the check the meter, just time for

0:37:25.120 --> 0:37:28.560
<v Speaker 1>the in out, in out, whatever it was, and his

0:37:28.680 --> 0:37:33.000
<v Speaker 1>laughter and that is Uh, he's a remarkable actor. Yeah,

0:37:33.120 --> 0:37:34.880
<v Speaker 1>and it just shows like he is sort of a

0:37:34.960 --> 0:37:38.720
<v Speaker 1>kid in this movie. Um, and the way his parents

0:37:38.800 --> 0:37:41.720
<v Speaker 1>treat him, you know, his weird mom with the purple

0:37:41.800 --> 0:37:45.120
<v Speaker 1>hair there, it's almost like that it's almost like his

0:37:45.200 --> 0:37:50.120
<v Speaker 1>parents were drugged and it was all just I don't know.

0:37:50.239 --> 0:37:53.000
<v Speaker 1>It just killed me to see that his family had

0:37:53.040 --> 0:37:55.200
<v Speaker 1>no idea what he was doing, and he was laying

0:37:55.239 --> 0:37:56.680
<v Speaker 1>in bed. She's trying to get him to go to

0:37:56.680 --> 0:37:59.279
<v Speaker 1>school and he's like, no, mall just you know, just

0:37:59.360 --> 0:38:02.759
<v Speaker 1>need to get my self right, and that you know,

0:38:02.880 --> 0:38:05.640
<v Speaker 1>she leaves them alone. Well it terrified me, Yeah, because

0:38:06.200 --> 0:38:08.239
<v Speaker 1>I mean I was not a particularly bad kid, but

0:38:08.280 --> 0:38:11.440
<v Speaker 1>I remember I definitely snuck out. I had my curfew

0:38:11.480 --> 0:38:14.279
<v Speaker 1>at midnight. I would come in say good night to

0:38:14.320 --> 0:38:17.439
<v Speaker 1>my parents, and then I would go out. I would

0:38:17.480 --> 0:38:21.440
<v Speaker 1>take the elevator. I would go down the stairs to

0:38:21.520 --> 0:38:24.279
<v Speaker 1>the one floor below and take the elevator there because

0:38:24.320 --> 0:38:26.439
<v Speaker 1>I was worried the sound of the elevator would wake

0:38:26.520 --> 0:38:30.200
<v Speaker 1>my parents up. So, yeah, I am. My kids are

0:38:30.200 --> 0:38:32.840
<v Speaker 1>getting to be teenagers now, and I'm just terrified of

0:38:33.080 --> 0:38:35.879
<v Speaker 1>what they are going to do that I don't know about. Yeah,

0:38:35.960 --> 0:38:38.560
<v Speaker 1>I guess it's good now that like you can basically

0:38:38.680 --> 0:38:42.719
<v Speaker 1>it is a uh this dystopian future where you can

0:38:42.760 --> 0:38:46.160
<v Speaker 1>track everyone all the time. So I suppose I'll have

0:38:46.520 --> 0:38:49.400
<v Speaker 1>I can probably figure out where they are at any time,

0:38:49.960 --> 0:38:53.200
<v Speaker 1>which is good and bad. Uh. So there's a few

0:38:53.239 --> 0:38:58.160
<v Speaker 1>bits of trivia here. Let me see if these are interesting. Oh,

0:38:58.200 --> 0:39:01.799
<v Speaker 1>here's one. I thought it's very Kubrick in he and

0:39:01.840 --> 0:39:03.879
<v Speaker 1>you may know some of these, but he apparently had

0:39:03.920 --> 0:39:08.200
<v Speaker 1>his assistant destroy all the footage that he didn't use. Yeah,

0:39:08.320 --> 0:39:10.640
<v Speaker 1>I had no idea. Yeah that it just seems like

0:39:10.680 --> 0:39:12.640
<v Speaker 1>a very Stanley Kubrick thing because and I'm sure they

0:39:12.640 --> 0:39:16.440
<v Speaker 1>were control freak. There were eight takes, yeah, exactly. So

0:39:16.719 --> 0:39:18.960
<v Speaker 1>like basically, no one's ever going to change this movie

0:39:19.040 --> 0:39:21.520
<v Speaker 1>or use any of this for anything. Well, another thing

0:39:21.560 --> 0:39:23.879
<v Speaker 1>I read that I didn't know is that he got

0:39:24.239 --> 0:39:29.399
<v Speaker 1>Kubrick got death threats in England after the movie came out,

0:39:29.520 --> 0:39:31.040
<v Speaker 1>and saying that they were going to do a home

0:39:31.080 --> 0:39:34.799
<v Speaker 1>invasion of Kubrick and he refused to let it be

0:39:34.880 --> 0:39:37.560
<v Speaker 1>shown in England after that until after he died, so

0:39:37.640 --> 0:39:41.040
<v Speaker 1>it was never screened in England. Wow. Well, I think

0:39:41.160 --> 0:39:44.120
<v Speaker 1>really that was certainly it was on the internet, but

0:39:44.239 --> 0:39:47.880
<v Speaker 1>has to be true. Uh. He also was so worried

0:39:47.920 --> 0:39:52.120
<v Speaker 1>that um, the theater owners themselves would cut parts of

0:39:52.120 --> 0:39:57.439
<v Speaker 1>it out that he apparently had UM had new prints

0:39:57.440 --> 0:40:01.480
<v Speaker 1>shipped every week and off them out for the current print,

0:40:01.640 --> 0:40:06.000
<v Speaker 1>which is amazing. Yeah, that's a level of control that

0:40:06.560 --> 0:40:10.959
<v Speaker 1>even shocking to me. Uh. Here's when Gene Kelly met

0:40:11.120 --> 0:40:14.359
<v Speaker 1>Malcolm McDowell years later at a party and walked away

0:40:14.360 --> 0:40:18.160
<v Speaker 1>and discussed Yeah, and he was not happy about the

0:40:18.200 --> 0:40:22.040
<v Speaker 1>Singing in the Rain bit. Oh, I thought, I was

0:40:22.080 --> 0:40:26.360
<v Speaker 1>thinking in my mind, Gene Hackman, I'm like why, like

0:40:27.440 --> 0:40:29.839
<v Speaker 1>Gene Kelly, Yeah, well, it's shocking to me that they

0:40:29.880 --> 0:40:32.359
<v Speaker 1>got the rights to that. How did they get the rights? Lord?

0:40:32.480 --> 0:40:34.839
<v Speaker 1>Are they allowed to you? Well? The story I read

0:40:34.920 --> 0:40:38.520
<v Speaker 1>was that he um he had he said, you know,

0:40:38.600 --> 0:40:40.480
<v Speaker 1>can you do a little dance or something? And the

0:40:40.480 --> 0:40:42.719
<v Speaker 1>only song that Malcolm McDowell could remember was Singing in

0:40:42.719 --> 0:40:45.879
<v Speaker 1>the Rain and so Kubrick loved it, and it said

0:40:45.960 --> 0:40:49.879
<v Speaker 1>quickly secured the rights for ten thousand dollars the next day. Uh.

0:40:49.920 --> 0:40:53.040
<v Speaker 1>And clearly gene Kelly didn't have anything to do with

0:40:53.080 --> 0:40:57.080
<v Speaker 1>it or or it wasn't clearly you know, stated like

0:40:57.120 --> 0:40:59.600
<v Speaker 1>how it was going to be used one or the other.

0:40:59.640 --> 0:41:01.480
<v Speaker 1>But they got the rights and gene Kelly was not.

0:41:01.920 --> 0:41:05.239
<v Speaker 1>I did get to meet Malcolm McDowell. Uh wow, and

0:41:05.400 --> 0:41:07.880
<v Speaker 1>I was I was a reporter and entertained in Weekly

0:41:08.440 --> 0:41:12.279
<v Speaker 1>and they were doing a reboot of Fantasy Island and

0:41:12.320 --> 0:41:14.680
<v Speaker 1>he was Mr Rourke could be kind of perfect at

0:41:14.719 --> 0:41:17.040
<v Speaker 1>that role. He was a great Mr Rourke. The show

0:41:17.080 --> 0:41:19.360
<v Speaker 1>did not Actually I liked the show. It was Barry

0:41:19.360 --> 0:41:23.520
<v Speaker 1>Sonnefeld was a director. I think, really yeah, that's a

0:41:23.520 --> 0:41:26.440
<v Speaker 1>good degree. I did interview and I did like do

0:41:26.680 --> 0:41:30.439
<v Speaker 1>my fawning, like I love glug. We're gone very polite. Yeah,

0:41:30.520 --> 0:41:33.080
<v Speaker 1>he didn't scoff or anything, you know, he was like

0:41:33.200 --> 0:41:36.440
<v Speaker 1>thank you. Well he didn't um. I think that he

0:41:36.520 --> 0:41:38.719
<v Speaker 1>and Kubrick didn't speak for quite a while after, and

0:41:38.760 --> 0:41:42.080
<v Speaker 1>that really disappointed him. And I think Kubrick has a

0:41:42.160 --> 0:41:46.399
<v Speaker 1>track record of not staying friends like he and Peter

0:41:46.440 --> 0:41:51.120
<v Speaker 1>Sellers didn't speak again really during their lifetime, I think, Um,

0:41:51.160 --> 0:41:53.640
<v Speaker 1>but he was he didn't cut them off, I think so.

0:41:53.760 --> 0:41:55.759
<v Speaker 1>I don't know if it's a rule or it's just

0:41:55.920 --> 0:41:59.280
<v Speaker 1>happened a lot, but um, you know, he was always

0:41:59.320 --> 0:42:02.640
<v Speaker 1>accused of sort of treating the talent like cattle and

0:42:02.680 --> 0:42:07.040
<v Speaker 1>not really caring or seemingly caring much for the actors

0:42:07.480 --> 0:42:11.600
<v Speaker 1>and their well being and their welfare by grinding them

0:42:11.640 --> 0:42:15.399
<v Speaker 1>through these processes. Um. But Malcolm McDowell was friends with

0:42:15.840 --> 0:42:19.480
<v Speaker 1>Mrs Kubrick and they kept in touch and uh, I

0:42:19.480 --> 0:42:22.680
<v Speaker 1>think it's said years later after his passing, he he

0:42:23.000 --> 0:42:25.120
<v Speaker 1>went with her to his grave and like really kind

0:42:25.120 --> 0:42:27.880
<v Speaker 1>of broke down. It's pretty interesting. That's nice because he

0:42:27.920 --> 0:42:29.399
<v Speaker 1>was young, you know when they made it. I mean

0:42:29.400 --> 0:42:31.440
<v Speaker 1>I know he wasn't seventeen, but I think he was

0:42:31.440 --> 0:42:34.520
<v Speaker 1>twenty two or twenty three, and that was his first big,

0:42:34.560 --> 0:42:41.319
<v Speaker 1>big thing. He had been in other movies as well. Well.

0:42:41.320 --> 0:42:43.720
<v Speaker 1>It's interesting. I mean that brings up the whole issue

0:42:44.120 --> 0:42:47.120
<v Speaker 1>to me of like, is it okay for a director

0:42:47.680 --> 0:42:50.640
<v Speaker 1>to be cruel and sadistic if it gets this amazing

0:42:50.719 --> 0:42:53.640
<v Speaker 1>performance out of them? What are the ethics of that?

0:42:54.440 --> 0:42:57.800
<v Speaker 1>Because there's like Hitchcock. That guy was a terrible human

0:42:57.840 --> 0:43:03.239
<v Speaker 1>being his actors and actresses, and uh, that's a tricky one.

0:43:03.400 --> 0:43:06.200
<v Speaker 1>It is a tricky one. I remember reading when I

0:43:06.480 --> 0:43:08.840
<v Speaker 1>took a film class at the senior year in high school,

0:43:08.880 --> 0:43:12.160
<v Speaker 1>and I remember reading about Public Enemy, the original with

0:43:12.239 --> 0:43:15.600
<v Speaker 1>Jimmy Cagney and how they there's a famous scene where

0:43:15.640 --> 0:43:18.320
<v Speaker 1>he takes a grape fruit at breakfast and then and

0:43:18.520 --> 0:43:24.440
<v Speaker 1>just shoves it in his girlfriend's face, mashes it, and uh,

0:43:24.520 --> 0:43:26.320
<v Speaker 1>and they didn't tell her that this was going to

0:43:26.440 --> 0:43:30.200
<v Speaker 1>happen because they wanted to say real reaction. So yeah,

0:43:30.239 --> 0:43:34.920
<v Speaker 1>I would say that's probably astly not a good idea,

0:43:35.360 --> 0:43:39.040
<v Speaker 1>but it is interesting because you do get a different Uh,

0:43:39.280 --> 0:43:43.200
<v Speaker 1>you had a different reaction, I'm sure, and much more. Alright,

0:43:43.239 --> 0:43:45.319
<v Speaker 1>So we wrap up here on movie Crush with a

0:43:45.360 --> 0:43:48.719
<v Speaker 1>couple of quick segments. One it's called what Ebert said,

0:43:50.160 --> 0:43:56.040
<v Speaker 1>This movie is a complete disappointment. How do you like it?

0:43:56.160 --> 0:43:58.279
<v Speaker 1>He didn't interesting? And this is one of those and

0:43:58.320 --> 0:44:01.040
<v Speaker 1>he's done a few movies where he had gone back

0:44:01.520 --> 0:44:04.400
<v Speaker 1>later and said, hey, I admit I was wrong. I

0:44:04.400 --> 0:44:07.000
<v Speaker 1>didn't get it. It's clearly a classic, but he stuck

0:44:07.000 --> 0:44:09.560
<v Speaker 1>to his guns on this one. M did not like it.

0:44:09.680 --> 0:44:12.400
<v Speaker 1>He gave it two stars, and he says this, and

0:44:12.440 --> 0:44:15.719
<v Speaker 1>this I think kind of summarizes a lot of critics

0:44:15.840 --> 0:44:18.080
<v Speaker 1>issues with it in general, because I read a bunch

0:44:18.120 --> 0:44:23.120
<v Speaker 1>of reviews. Uh. Stanley Kubrick's Clockwork, Oranges and Ideological Mess

0:44:23.520 --> 0:44:27.360
<v Speaker 1>a paranoid right wing fantasy masquerading as an Orwellian warning.

0:44:28.000 --> 0:44:31.160
<v Speaker 1>It pretends to oppose the police state and forced mind control,

0:44:31.440 --> 0:44:34.120
<v Speaker 1>but all it really does is celebrate the nastiness of

0:44:34.160 --> 0:44:37.600
<v Speaker 1>its hero, Alex. Alex is violent because it is necessary

0:44:37.719 --> 0:44:40.160
<v Speaker 1>for him to be violent in order for this movie

0:44:40.200 --> 0:44:43.520
<v Speaker 1>to entertain in the way Kubrick intends, he has been

0:44:43.560 --> 0:44:47.120
<v Speaker 1>made into a sadistic rapist, not by society, not by

0:44:47.120 --> 0:44:50.640
<v Speaker 1>his parents, not by the police state or the centralization,

0:44:51.160 --> 0:44:54.480
<v Speaker 1>and not by creeping fascism, but by the producer, director,

0:44:54.640 --> 0:44:59.160
<v Speaker 1>and writer of this film, admin attack. I know he

0:44:59.200 --> 0:45:00.799
<v Speaker 1>goes on to explain and that he does know it

0:45:00.880 --> 0:45:03.439
<v Speaker 1>is a book that it was based on, but um,

0:45:03.440 --> 0:45:06.560
<v Speaker 1>he really lays it all at the feet of Stanley

0:45:06.640 --> 0:45:09.439
<v Speaker 1>kuber That isn't well, it is you know, the whole

0:45:09.440 --> 0:45:13.200
<v Speaker 1>idea of like glorification of violence, even when you're pretending

0:45:13.239 --> 0:45:16.879
<v Speaker 1>to be making a state. Yeah, and just in general,

0:45:16.960 --> 0:45:21.319
<v Speaker 1>like Oliver Stone's Wall Street, I'm sure inspired thousands of

0:45:21.960 --> 0:45:24.919
<v Speaker 1>kids to go into Wall Street and be like, greed

0:45:25.040 --> 0:45:28.040
<v Speaker 1>is good. So even if you do have the intention,

0:45:28.160 --> 0:45:32.680
<v Speaker 1>which I think kuber culpefully had, Yeah, and of course yeah.

0:45:32.719 --> 0:45:36.440
<v Speaker 1>And then finally we finished with five questions. Um, and

0:45:36.560 --> 0:45:39.120
<v Speaker 1>these can be as diccinct as you want, or you

0:45:39.160 --> 0:45:42.640
<v Speaker 1>can elaborate. The first movie you remember seeing in a theater?

0:45:43.480 --> 0:45:47.400
<v Speaker 1>I remember seeing it was some Charlie Brown movie and

0:45:47.480 --> 0:45:50.040
<v Speaker 1>I was terrified. We had to my parents had to

0:45:50.040 --> 0:45:52.560
<v Speaker 1>take me out because it was like they were too big.

0:45:53.000 --> 0:45:56.319
<v Speaker 1>I was like, what are these giants moving around on

0:45:56.360 --> 0:46:01.400
<v Speaker 1>the screen. So I've since I can see movies in theater.

0:46:01.560 --> 0:46:04.439
<v Speaker 1>I'm not too scared. Uh. Do you remember the first

0:46:04.520 --> 0:46:06.759
<v Speaker 1>R rated movie you ever saw? I do. It was

0:46:06.840 --> 0:46:10.680
<v Speaker 1>Blazing Saddles for my friends. I he must have been

0:46:10.880 --> 0:46:13.600
<v Speaker 1>we must have been like eleven, I don't know, and

0:46:13.760 --> 0:46:17.239
<v Speaker 1>his babysitter took us all too for a birthday to

0:46:17.760 --> 0:46:22.160
<v Speaker 1>a double feature of Bananas and Blazing Saddles. And my

0:46:22.160 --> 0:46:24.680
<v Speaker 1>my mother was horrified. She was like, they took you

0:46:24.719 --> 0:46:28.680
<v Speaker 1>to an R rated movie? That is absolutely inappropriate. Speaking

0:46:28.680 --> 0:46:33.520
<v Speaker 1>of movies that could never be made today, certainly Blazing Saddles, Right, Absolutely,

0:46:33.600 --> 0:46:36.200
<v Speaker 1>it's funny because I saw that. Um, I don't count

0:46:36.239 --> 0:46:39.640
<v Speaker 1>that it's my first R rated movie, um, because I

0:46:39.719 --> 0:46:41.839
<v Speaker 1>was too young to really get it. But I did

0:46:41.880 --> 0:46:44.480
<v Speaker 1>go to the drive in for a double feature and

0:46:44.520 --> 0:46:47.239
<v Speaker 1>Blazing Saddles was one of those movies. But I was

0:46:47.840 --> 0:46:52.000
<v Speaker 1>five or six, and um, I just remember the horse

0:46:52.160 --> 0:46:55.160
<v Speaker 1>punching scene. That's literally the only thing that stands out

0:46:55.160 --> 0:46:57.040
<v Speaker 1>of my mind as a child. And did you were

0:46:57.080 --> 0:46:58.880
<v Speaker 1>you horrified or you liked it? No? I think I

0:46:58.880 --> 0:47:01.120
<v Speaker 1>was asleep in the seat and cup and like saw

0:47:01.200 --> 0:47:03.600
<v Speaker 1>that part and then went back to sleep. So I

0:47:03.600 --> 0:47:05.279
<v Speaker 1>don't I don't count as my first already. I mean

0:47:05.320 --> 0:47:08.560
<v Speaker 1>the fart scene appealed for a kid that age, right

0:47:09.480 --> 0:47:12.799
<v Speaker 1>and my age two. Mus be honest, will you walk

0:47:12.840 --> 0:47:15.080
<v Speaker 1>out of a bad movie? And do you remember doing that?

0:47:15.920 --> 0:47:19.160
<v Speaker 1>I have done? My wife refuses to. She's like, once

0:47:19.200 --> 0:47:21.880
<v Speaker 1>you pay to her, in which I think is you know,

0:47:22.440 --> 0:47:25.520
<v Speaker 1>I think it's a logical fallacy. It's like the sunken

0:47:25.680 --> 0:47:28.960
<v Speaker 1>cost I think there's an even name for but I

0:47:29.400 --> 0:47:32.000
<v Speaker 1>I will, I will walk out. I'm trying to think

0:47:32.080 --> 0:47:34.800
<v Speaker 1>what was the last one. I mean, I've very rarely

0:47:34.840 --> 0:47:37.680
<v Speaker 1>see movies in the theater anymore, so I think a

0:47:37.680 --> 0:47:39.560
<v Speaker 1>lot of us are in that boat. It's much easier

0:47:39.600 --> 0:47:41.719
<v Speaker 1>to pause, and a lot of times you'll pause and

0:47:41.719 --> 0:47:43.880
<v Speaker 1>you're like, I'll get back to that tomorrow, and then

0:47:43.960 --> 0:47:47.160
<v Speaker 1>didn't happen. Ye. That sort of the modern equivalent of

0:47:47.200 --> 0:47:51.880
<v Speaker 1>what exactly, um, do you have a guilty pleasure that

0:47:51.880 --> 0:47:54.600
<v Speaker 1>that you kind of go back to that you can

0:47:54.680 --> 0:47:59.480
<v Speaker 1>think of? Question? Uh, well, is watching Woody Allen's and

0:47:59.520 --> 0:48:04.000
<v Speaker 1>feeling movies and feeling guilty? Does that count? Maybe? I

0:48:04.120 --> 0:48:06.839
<v Speaker 1>do love Usually guilty pleasure is like a not so

0:48:06.920 --> 0:48:09.880
<v Speaker 1>great movie, right, Yeah, I know what you mean. Stuff

0:48:10.400 --> 0:48:14.600
<v Speaker 1>these days, I'm well, this is not I mean I

0:48:14.600 --> 0:48:17.080
<v Speaker 1>I could have chosen for this, and it was between

0:48:17.120 --> 0:48:20.560
<v Speaker 1>Groundhogs Day, a Clocker Carns, and an Albert Brooks movie.

0:48:20.600 --> 0:48:23.520
<v Speaker 1>I mean, I just any of them. Any Real Life

0:48:23.800 --> 0:48:27.680
<v Speaker 1>was one of the greatest movies in romance. So let

0:48:27.680 --> 0:48:30.520
<v Speaker 1>me think, what are some other guilty pleasures? Well, you

0:48:30.560 --> 0:48:33.560
<v Speaker 1>know what I feel, I feel very guilty about this.

0:48:33.680 --> 0:48:38.000
<v Speaker 1>They did. I wished to work at Entertainment Weekly and

0:48:38.400 --> 0:48:42.360
<v Speaker 1>they were doing a guilty Pleasure's issue and Uh. So

0:48:42.480 --> 0:48:46.120
<v Speaker 1>everyone had to pitch, and I pitched the Earnest movies

0:48:46.200 --> 0:48:51.480
<v Speaker 1>like Earnest to Deal Even Well. But here's the thing,

0:48:51.880 --> 0:48:54.560
<v Speaker 1>as I had never actually seen one. I just thought

0:48:54.640 --> 0:48:58.279
<v Speaker 1>the idea was funny. So I pissed him. They're like, yeah, wesh,

0:48:58.320 --> 0:49:00.680
<v Speaker 1>I got it. So then I had to watch Earnest

0:49:00.840 --> 0:49:03.800
<v Speaker 1>Goes to Jail movies. I'm like, these are these are terrible.

0:49:03.880 --> 0:49:06.680
<v Speaker 1>They're not even pleasures. They're not even so bad they're good.

0:49:07.080 --> 0:49:11.400
<v Speaker 1>They're just so bad they're bad. So if anyone reads

0:49:11.440 --> 0:49:15.880
<v Speaker 1>that essay I wrote about Ernest, I apologize that is

0:49:16.000 --> 0:49:21.720
<v Speaker 1>a misrepresentation. That is terrible journalism. Uh. And finally question five,

0:49:22.160 --> 0:49:24.040
<v Speaker 1>we end with movie going one oh one. I know

0:49:24.120 --> 0:49:27.839
<v Speaker 1>it's you don't get to the theater much anymore, but um,

0:49:27.880 --> 0:49:30.600
<v Speaker 1>what what are your movie rituals when you were going

0:49:30.640 --> 0:49:32.799
<v Speaker 1>to the movies where there are certain theaters or a

0:49:32.800 --> 0:49:36.000
<v Speaker 1>certain seat or confessions that you would always get. I'm

0:49:36.040 --> 0:49:40.120
<v Speaker 1>always I I do the the aisle seat. It's interesting

0:49:40.120 --> 0:49:42.000
<v Speaker 1>because when when I when my wife and I would

0:49:42.040 --> 0:49:46.000
<v Speaker 1>go when we first started dating. I remember like holding

0:49:46.080 --> 0:49:49.600
<v Speaker 1>hands during um, Shakespeare in Love, like one of the

0:49:49.640 --> 0:49:52.319
<v Speaker 1>great moments of my life, Like sweet one of the

0:49:52.360 --> 0:49:56.000
<v Speaker 1>first times I held her hand. Now she likes to

0:49:56.040 --> 0:50:00.719
<v Speaker 1>have a seat in between. That's very symbolically evolution of

0:50:00.760 --> 0:50:04.160
<v Speaker 1>our marriage. I don't need to sit next to you.

0:50:04.440 --> 0:50:07.160
<v Speaker 1>I don't want to talk to you today, and if

0:50:07.160 --> 0:50:15.800
<v Speaker 1>you check your iPhone that's gonna drive me crazy. So

0:50:15.800 --> 0:50:18.000
<v Speaker 1>so yeah, I guess that's my ritual, is sitting a

0:50:18.080 --> 0:50:21.400
<v Speaker 1>seat away from my wife. Uh but I do you know,

0:50:22.280 --> 0:50:24.360
<v Speaker 1>I do love the movies and kind of say, and

0:50:24.360 --> 0:50:27.840
<v Speaker 1>it's interesting to see how long this this will last

0:50:28.200 --> 0:50:31.560
<v Speaker 1>as a you know, how is it? Because it has

0:50:31.840 --> 0:50:34.960
<v Speaker 1>lasted a long time. The the idea of like an

0:50:35.000 --> 0:50:37.400
<v Speaker 1>hour and a half two hour movie where you just

0:50:37.440 --> 0:50:41.040
<v Speaker 1>sit there and watch. But you know, are my grandkids

0:50:41.080 --> 0:50:43.959
<v Speaker 1>gonna be like what were you thinking? Like he didn't

0:50:43.960 --> 0:50:47.040
<v Speaker 1>get to shoot anyone, You weren't in the scene, you

0:50:47.120 --> 0:50:49.800
<v Speaker 1>weren't like interacting with the actors, you were just watching.

0:50:51.040 --> 0:50:53.839
<v Speaker 1>Very interesting And also you know what I feel, I

0:50:53.840 --> 0:50:57.120
<v Speaker 1>feel lucky that we were in the era of the

0:50:57.160 --> 0:50:59.680
<v Speaker 1>movie sets where they have these in norm because I

0:50:59.719 --> 0:51:02.880
<v Speaker 1>am and in like fifty years, c G. I'll be

0:51:02.960 --> 0:51:06.640
<v Speaker 1>so good a recreated Yeah, Like, why would you spend

0:51:07.040 --> 0:51:09.719
<v Speaker 1>a million dollars to recreate New York when you can

0:51:09.760 --> 0:51:13.360
<v Speaker 1>have This is a made you know perfectly. So I

0:51:13.440 --> 0:51:15.399
<v Speaker 1>love the fact that we still live in the era

0:51:15.520 --> 0:51:19.640
<v Speaker 1>of these crazy sets are made up good stuff. Man,

0:51:20.080 --> 0:51:22.200
<v Speaker 1>I loved it. Thank you. I could talk all day

0:51:22.239 --> 0:51:33.719
<v Speaker 1>that all right? Thanks a lot, Bud, Thanks John. All right,

0:51:33.800 --> 0:51:35.880
<v Speaker 1>So another one in the can uh here in New

0:51:35.920 --> 0:51:39.520
<v Speaker 1>York City. That was A. J. Jacobs really great guy

0:51:39.719 --> 0:51:40.960
<v Speaker 1>and it was it was kind of fun to talk

0:51:40.960 --> 0:51:43.920
<v Speaker 1>to a native New Yorker about his experience growing up

0:51:43.920 --> 0:51:46.560
<v Speaker 1>in the city and uh and kind of how he

0:51:46.600 --> 0:51:50.200
<v Speaker 1>spent his time and his movie watching time. Very very

0:51:50.200 --> 0:51:53.040
<v Speaker 1>good guy and really loved hearing his insight not only

0:51:53.040 --> 0:51:55.640
<v Speaker 1>on a clockwork orange, but his what he had to

0:51:55.640 --> 0:51:58.600
<v Speaker 1>say about Groundhog Day, which is pretty cool. Um. So

0:51:58.640 --> 0:52:01.480
<v Speaker 1>thanks to A. J. If you want to read his books,

0:52:02.280 --> 0:52:04.319
<v Speaker 1>there are many worse ways to spend your time, let

0:52:04.320 --> 0:52:06.920
<v Speaker 1>me tell you. Check out. The Year of Living Biblically

0:52:07.040 --> 0:52:09.719
<v Speaker 1>is one. The Know It All is another great book.

0:52:10.280 --> 0:52:13.320
<v Speaker 1>Drop Dead Healthy is another book, The Guinea Pig Diaries.

0:52:13.680 --> 0:52:17.000
<v Speaker 1>They're all really terrific. In his brand new book with

0:52:17.040 --> 0:52:21.160
<v Speaker 1>Simon and Schuster called It's All Relative Adventures Up and

0:52:21.200 --> 0:52:24.840
<v Speaker 1>Down the World's Family Tree. This one is excellent. He

0:52:24.960 --> 0:52:26.799
<v Speaker 1>sent me an advanced copy and I've already read it

0:52:27.280 --> 0:52:29.719
<v Speaker 1>and it's really really wonderful. It's it's sort of just

0:52:29.760 --> 0:52:32.960
<v Speaker 1>tackles the notion, uh that we are all related in

0:52:32.960 --> 0:52:35.880
<v Speaker 1>this world, and um, he does a deep dive on that,

0:52:35.920 --> 0:52:38.480
<v Speaker 1>and it's really terrific. So thanks to a j Thanks

0:52:38.520 --> 0:52:40.959
<v Speaker 1>to you all, and we will see you next week

0:52:41.000 --> 0:52:44.160
<v Speaker 1>on movie Crush. And until next time, I am going

0:52:44.200 --> 0:52:46.719
<v Speaker 1>to be cleaning some disgusting stuff off the bottom of

0:52:46.760 --> 0:52:48.760
<v Speaker 1>my shoe. Movie theaters are gross.