WEBVTT - Joice Heth

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<v Speaker 1>You are listening to Hoax, a production of iHeart Podcasts.

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<v Speaker 2>Folks, it's a hug.

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<v Speaker 1>No one I haven't seen when us to see.

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<v Speaker 3>The Welcome to Hoax, a podcast about the lies we

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<v Speaker 3>wish were true.

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<v Speaker 1>And the truths that sound like lies.

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<v Speaker 3>I'm the ghost of no Danish Warts and I'm the

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<v Speaker 3>evil twin of Lizzie Logan.

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<v Speaker 1>Welcome to the show. We don't have the script in

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<v Speaker 1>front of us. This episode. We were seeing if we

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<v Speaker 1>could just go at it.

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<v Speaker 3>But I thought we had memorized it and we mostly did.

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<v Speaker 1>Yeah, maybe a new a new podcast, I think new

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<v Speaker 1>iHeart podcast.

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<v Speaker 3>That was never part of it now, I mean that

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<v Speaker 3>was pretty close. I think we just forgot when the

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<v Speaker 3>like hand off happened.

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<v Speaker 1>Well, Lousey Logan, I have some very very exciting news.

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<v Speaker 3>Oh my god, what's your very very exciting news.

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<v Speaker 1>It's finally time, Oh my god for what for? Finally

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<v Speaker 1>an episode focused on P. T. Barnum himself. Oh, amazing

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<v Speaker 1>great Hoaxter, the Hoaxter of all Hoaxter, Hoaxer of all Hoasters.

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<v Speaker 1>Have you seen My real question is have you seen

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<v Speaker 1>the movie The Greatest Showman? I have? And what are

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<v Speaker 1>your thoughts about the Greatest Showman.

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<v Speaker 3>Well, okay, so I've seen the Greatest Showman and I've

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<v Speaker 3>also seen Jenny Nicholson's review of the Greatest Showman on YouTube,

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<v Speaker 3>so i know that it's not accurate.

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<v Speaker 1>It is not accurate.

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<v Speaker 3>I mean, listen, what what what are my thoughts about

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<v Speaker 3>that film? It's fun to watch people dance mine, It's

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<v Speaker 3>fun to watch people have fun at the circus.

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<v Speaker 1>Yeah, and like that.

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<v Speaker 3>I'm not the biggest Basic and Paul fans, so that's yeah.

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<v Speaker 1>I don't know that one was one where like it

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<v Speaker 1>seemed like it would be right up my alley. But

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<v Speaker 1>I think I already knew too much about P. T.

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<v Speaker 1>Barnum that I couldn't, like do the suspension of disbelief.

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<v Speaker 1>I think I'm not I love when things aren't. I'm like,

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<v Speaker 1>if you're making a movie, it doesn't have to be

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<v Speaker 1>historically accurate. I'm just saying it affected my enjoyment.

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<v Speaker 3>Dan is a defender of the as of now upcoming

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<v Speaker 3>Wuthering Heights adaptation.

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<v Speaker 1>I am without even seeing it. I'm gonna say I

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<v Speaker 1>think an adaptation is someone's visceral experience and adapting it

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<v Speaker 1>to their artistic vision. And I think that's great.

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<v Speaker 3>I will hear. Okay, when I saw The Greatest Showman,

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<v Speaker 3>I walked out thinking that did nothing for me. But

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<v Speaker 3>I think if I'd seen it when I was twelve, yeah,

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<v Speaker 3>it would have really hit, Like it would have hit

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<v Speaker 3>the way like the movie of Rent really hit when

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<v Speaker 3>now you go back and watch it and you're like, well,

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<v Speaker 3>that's weird, that's all the choices. But I was like, no,

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<v Speaker 3>if I were twelve, I would have that soundtrack on repeat.

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<v Speaker 1>Phantom of the Opera also really hit for me when

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<v Speaker 1>I was when that movie came out. Whenever that was.

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<v Speaker 3>Yeah, Phantom of the Opera, I will say, holds up

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<v Speaker 3>and is a rip Roar and ride.

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<v Speaker 1>I think we both defend Gerard Butler phantomas.

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<v Speaker 3>Ye oh, absolutely absolutely well.

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<v Speaker 1>The thing that The Greatest Showman does not. And okay,

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<v Speaker 1>so before we start, a few like disclaimers. If you

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<v Speaker 1>like The Greatest Showman, that's great. It's a work of fiction,

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<v Speaker 1>enjoy a musical. I think that's great. I'm not someone

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<v Speaker 1>who's like and it shouldn't exist. I'm a defender of

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<v Speaker 1>anachronisms and having fun that the movies. Okay, A more

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<v Speaker 1>serious disclaimer is this episode is going to feature a

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<v Speaker 1>lot of historical racism and very uncomfortable racism sometimes, and

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<v Speaker 1>I will be quoting from some antebellum texts that are

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<v Speaker 1>frankly like disgusting and disconcerting. And if that's just something

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<v Speaker 1>you don't want to deal with right now, I get it,

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<v Speaker 1>fair enough, that's this episode's going to involve that.

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<v Speaker 3>Yeah, and he and he wasn't nice to people with

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<v Speaker 3>like deformities and differences, right.

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<v Speaker 1>Yeah, I mean this episode we're not even going to

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<v Speaker 1>like fully get into that because he did a lot

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<v Speaker 1>and focus just on one specific hoax.

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<v Speaker 3>Oh okay, so this is not an overview.

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<v Speaker 1>It's not an overview. It's his first, very first hoax.

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<v Speaker 1>It's sort of like a prequel, but just it is

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<v Speaker 1>racism heavy.

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<v Speaker 3>Bring it on.

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<v Speaker 1>If I say the name Joyce Hath, does that mean

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<v Speaker 1>anything to you?

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<v Speaker 3>Not one single thing?

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<v Speaker 1>Okay, Well what about Pt. Barnum? Yes, I know about him,

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<v Speaker 1>So we are going to go back in time, okay

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<v Speaker 1>to eighteen thirty five.

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<v Speaker 3>Great.

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<v Speaker 2>PT.

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<v Speaker 1>Barnum is just a twenty five year old nobody. He

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<v Speaker 1>has moved to New York City. He's worked as a shopkeeper.

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<v Speaker 1>He's tried to start a newspaper as a newspaper editor,

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<v Speaker 1>worked as a lottery manager, worked at a boarding house.

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<v Speaker 1>He's had a lot of just jobs great. He wants

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<v Speaker 1>to get rich quick. It's I think the reason that

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<v Speaker 1>the Pt. Barnum story resonates with so many people is

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<v Speaker 1>he he is someone who was born with nothing and

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<v Speaker 1>became wildly rich and famous in his lifetime.

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<v Speaker 3>He was a dreamer.

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<v Speaker 1>He was a dreamer and he really was. He really

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<v Speaker 1>like embodies the idea of like this is a bootstraps

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<v Speaker 1>situation that he built out of thin air he dreamed

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<v Speaker 1>himself into. I'm going to say greatness in like the

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<v Speaker 1>you know in the Harry Potter when he's like greatness,

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<v Speaker 1>He's not good great like I say greatness without any

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<v Speaker 1>moral judgment.

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<v Speaker 3>It's like great, just like important friend power.

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<v Speaker 1>What we're going to be talking about is his very

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<v Speaker 1>first showman job in the show show Business, his first entertainment,

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<v Speaker 1>his first entertainment, his first I mean hoax. Okay, really

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<v Speaker 1>spoiler alert, it is a hoax, but that's what this

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<v Speaker 1>show is and that's kind of what he did. So

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<v Speaker 1>he hears from this man named Coleie Bartram. I think,

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<v Speaker 1>just like an acquaintance who suggests that Barnum traveled to

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<v Speaker 1>Philadelphia to meet this other showman named R. W. Lindsay

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<v Speaker 1>who has a show going, and the word on the street,

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<v Speaker 1>according to Barnum's friend Colie Bartram, is that this Lindsay

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<v Speaker 1>fellow wants to get out of the biz and go

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<v Speaker 1>back to Kentucky because he's not really making a profit.

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<v Speaker 1>And what Lindsay's show is a very old woman that

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<v Speaker 1>he claims is the one hundred and sixty one year

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<v Speaker 1>old former nurse of George Washington.

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<v Speaker 3>You mentioned this in a previous episode. Yeah, I assume

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<v Speaker 3>this isn't like a show that plays every night at eight.

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<v Speaker 3>It's more like a standing exhibit. Like, how is that

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<v Speaker 3>a show? How does a person a show?

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<v Speaker 1>It is a show, You buy tickets, you go see her,

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<v Speaker 1>she tells tales, she exactly, she goes on. I mean

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<v Speaker 1>she is on stage, and Barnum, on this suggestion of

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<v Speaker 1>this acquaintance, travels to Philadelphia to see this show, and

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<v Speaker 1>the show is a very old, semi paralyzed woman on

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<v Speaker 1>stage singing hymns that she had sang to George Washington

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<v Speaker 1>one hundred and fifty years ago, one hundred and fifty

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<v Speaker 1>years ago, telling tales of her dear quote, dear little Georgie,

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<v Speaker 1>dear little George, and just sort of talking about him

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<v Speaker 1>growing up. The popular story of George Washington and the

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<v Speaker 1>Cherry Tree, which is not true, is sort of already

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<v Speaker 1>a story in the zeitgeist that someone had written about

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<v Speaker 1>in a book. She's going to reiterate that story. People

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<v Speaker 1>are going to talk about it, and people just want

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<v Speaker 1>to like see her both as like a relic of

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<v Speaker 1>that bygun Era founding Fathers, but also because she's a

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<v Speaker 1>specimen in and of herself, Okay, in like a freak show. Way, Yeah,

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<v Speaker 1>this is a woman that they're claiming to be one

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<v Speaker 1>hundred and sixty one years old.

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<v Speaker 3>Okay.

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<v Speaker 1>So Barnum goes to Philadelphia, sees the show, and then

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<v Speaker 1>meets with her backstage in the Masonic Hall where the

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<v Speaker 1>show had happened, and quote finds her to be quote

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<v Speaker 1>very garrulous when speaking of her protege, dear little George,

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<v Speaker 1>and he describes what she looks like.

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<v Speaker 3>You know what does mean?

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<v Speaker 1>I think like that she has like energy even for

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<v Speaker 1>a very very old woman.

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<v Speaker 3>Okay.

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<v Speaker 1>He describes her as having one fixed arm stuck. So

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<v Speaker 1>she's half paralyzed. He'd describe her as totally blind, no teeth,

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<v Speaker 1>a head of thick, bushy gray hair, and nails four

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<v Speaker 1>inches long and toenails a quarter inch thick.

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<v Speaker 3>And as she does, sound really old.

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<v Speaker 1>I think something that I just want to flag here

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<v Speaker 1>is a lot of these descriptions of her, both from

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<v Speaker 1>Barnum and also from the press at the time and

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<v Speaker 1>also from people who come to see her, are grotesque.

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<v Speaker 1>And they are going to describe her in this way

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<v Speaker 1>that is, I mean, like a creature of some sort.

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<v Speaker 1>It's very othering. I should say, this is a black woman.

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<v Speaker 3>See I didn't know that one yep, and she had

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<v Speaker 3>been I assume a slave then not.

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<v Speaker 1>Only had been a slave, well she still.

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<v Speaker 3>Isn't because they're in Philly, which is part of the North. Right.

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<v Speaker 1>Well, this is an interesting He wants to go back.

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<v Speaker 3>To Kentucky because he wants to go be in the

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<v Speaker 3>Handabellum South.

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<v Speaker 1>This is indeed a situation that we'll have to get into. Okay, okay, okay,

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<v Speaker 1>So I'm just going to walk through the way that

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<v Speaker 1>pet Barnum would have experienced this. He meets this woman

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<v Speaker 1>they you know, Lindsay's show that he's not really making

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<v Speaker 1>money on is saying that she's George Washington. Was George

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<v Speaker 1>Washington's nurse. It is eighteen thirty five. George Washington was

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<v Speaker 1>born in seventeen thirty two. So I'm not going to

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<v Speaker 1>make anyone listening do the math. I did the math.

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<v Speaker 1>If she was fifteen when she was his nurse, that

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<v Speaker 1>means she would be one hundred and eighteen now, okay,

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<v Speaker 1>But also they're claiming that she's one hundred and sixty

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<v Speaker 1>one because Lindsay as like quote unquote proof of the

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<v Speaker 1>fact that she was George Washington's nurse, offers a bill

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<v Speaker 1>of sale dated from February fifth, seventeen twenty seven from

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<v Speaker 1>Augustine Washington, who is George Washington's father, saying that he

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<v Speaker 1>sold this woman, Joyce Heth, when she was fifty four

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<v Speaker 1>years old to their friend and neighbor Elizabeth Attwood, and

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<v Speaker 1>then Lindsay claims that Joyce was present at the birth

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<v Speaker 1>of George Washington, even clothed the newborn infant, and then

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<v Speaker 1>would later claim that he that she suckled yeah him,

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<v Speaker 1>that she was a wet nurse. Sorry he suckled her.

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<v Speaker 1>Nurse him nursed him, thank you. But even given that age,

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<v Speaker 1>if she had been fifty four in seventeen twenty seven

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<v Speaker 1>and he wasn't born for another five years, she wasn't

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<v Speaker 1>going to be his wet nurse at fifty nine years old.

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<v Speaker 3>I mean, this is a woman who apparently just defies

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<v Speaker 3>all you know, known biology. Yeah, of course, I guess

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<v Speaker 3>if you're going to make it to one hundred and sixty,

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<v Speaker 3>you're not going to go through menopause for a while

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<v Speaker 3>because you have a long ass life span ahead of you.

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<v Speaker 3>But I do understand what you're saying that this is

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<v Speaker 3>even by.

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<v Speaker 1>The lie, it's not really plausible.

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<v Speaker 3>Yeah. I mean, if I were trying to sell this,

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<v Speaker 3>I would just say that she was one hundred and eighteen,

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<v Speaker 3>because I mean, I don't know about back then, but

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<v Speaker 3>like people live to one hundred and ten, you know

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<v Speaker 3>what I mean, that's like a less of a stretch.

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<v Speaker 1>But Lizzy, but this is someone you want to buy

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<v Speaker 1>tickets to. Well, you want people to buy tickets to

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<v Speaker 1>come see her. So part of the reason that the

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<v Speaker 1>life is so outrageous is because you're like, oh my god,

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<v Speaker 1>that's unbelievable. I have to see this for myself.

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<v Speaker 3>Okay, Barnum is a liar, but yeah, nokidding, And so

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<v Speaker 3>a lot of it is Lindsay, I'm assuming, yeah, But

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<v Speaker 3>we don't have Lindsay's writing on this. We have Barnum's

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<v Speaker 3>writing about his conversations with Lindsay. So a lot of

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<v Speaker 3>our sources on this are Barnum's own writings, which changed

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<v Speaker 3>multiple times throughout his life. His first time that he

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<v Speaker 3>writes about this is a complete lie, and then he'll

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<v Speaker 3>write about it decades later in his autobiography, and then

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<v Speaker 3>in later editions we'll even revise it further. Great, So

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<v Speaker 3>almost everything you have to take with a grain of salt.

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<v Speaker 3>But what is kind of interesting is this almost historiography

0:11:59.720 --> 0:12:02.880
<v Speaker 3>of where you get to see how Barnum presented the

0:12:02.920 --> 0:12:05.760
<v Speaker 3>story and what that says about him at any given time.

0:12:06.360 --> 0:12:08.880
<v Speaker 3>But this is the version that I think is closest

0:12:08.880 --> 0:12:14.520
<v Speaker 3>to the truth that Lindsay from Kentucky had owned this woman,

0:12:15.200 --> 0:12:18.839
<v Speaker 3>had decided that maybe he would make a profit displaying her,

0:12:19.559 --> 0:12:22.960
<v Speaker 3>and didn't really make enough money, wanted to get out

0:12:23.000 --> 0:12:25.319
<v Speaker 3>of the business, and sold her to P. T.

0:12:25.480 --> 0:12:29.200
<v Speaker 1>Barnum. Slavery was already outlawed in New York City around

0:12:29.240 --> 0:12:33.440
<v Speaker 1>this time Barnum is going to display her, he exploits

0:12:33.440 --> 0:12:37.800
<v Speaker 1>a loophole and he quote leases Heath for a year

0:12:38.200 --> 0:12:41.920
<v Speaker 1>at one thousand dollars. He goes into debt. He had

0:12:41.960 --> 0:12:44.240
<v Speaker 1>to borrow five hundred. He didn't even have enough money.

0:12:45.440 --> 0:12:47.800
<v Speaker 1>But to quote berth Lynn Force, who's a professor at

0:12:47.880 --> 0:12:51.120
<v Speaker 1>u T Austin, Peter Barnhum quote began his career in

0:12:51.160 --> 0:12:53.880
<v Speaker 1>show business by going into debt to buy a super

0:12:53.880 --> 0:12:56.520
<v Speaker 1>annuated female slave who turned out to be a fraud,

0:12:57.720 --> 0:13:02.400
<v Speaker 1>so she was still purchased. Yeah, the asking price that

0:13:02.840 --> 0:13:05.319
<v Speaker 1>Lindsay wanted was three thousand dollars and he paid a

0:13:05.400 --> 0:13:08.040
<v Speaker 1>thousand and it was like a lease on a person.

0:13:08.600 --> 0:13:10.120
<v Speaker 3>Do we and maybe we're going to get to this,

0:13:10.840 --> 0:13:14.480
<v Speaker 3>do we know if George Washington had a real nurse?

0:13:14.840 --> 0:13:18.760
<v Speaker 3>Like is she pretending to be someone who actually existed?

0:13:18.800 --> 0:13:20.880
<v Speaker 3>I mean I know that he owned slaves as an

0:13:20.880 --> 0:13:23.240
<v Speaker 3>adult and like grew up on a plantation.

0:13:23.400 --> 0:13:26.360
<v Speaker 1>She's not impersonating someone with a name that we know.

0:13:26.880 --> 0:13:31.840
<v Speaker 1>But like George Washington absolutely has black slaves on his plantation.

0:13:32.000 --> 0:13:35.480
<v Speaker 1>He owned slaves. That is a I was going to

0:13:35.520 --> 0:13:38.840
<v Speaker 1>say plaus not only plausible thing, truthful thing, but the

0:13:38.920 --> 0:13:42.040
<v Speaker 1>thing that p. T. Barnum has that Lindsay doesn't have

0:13:42.240 --> 0:13:47.520
<v Speaker 1>is like showbiz pizaz. And starting on August tenth, eighteen

0:13:47.600 --> 0:13:49.560
<v Speaker 1>thirty five, he books her a two and a half

0:13:49.640 --> 0:13:52.000
<v Speaker 1>week stint at this theater in New York City called

0:13:52.120 --> 0:13:56.920
<v Speaker 1>Nibblo's Garden advertised the Childhood Wet Nurse of George Washington

0:13:57.080 --> 0:14:00.640
<v Speaker 1>eighteen thirty five as quote on the poster, the greatest

0:14:00.840 --> 0:14:05.200
<v Speaker 1>natural and national curiosity in the world, which you know,

0:14:05.280 --> 0:14:05.640
<v Speaker 1>why not?

0:14:05.920 --> 0:14:07.960
<v Speaker 3>Yeah, I mean, if you're if you're gonna go in

0:14:08.040 --> 0:14:09.360
<v Speaker 3>on a lie go all in, you know.

0:14:09.800 --> 0:14:13.000
<v Speaker 1>They say that she quote was the first person who

0:14:13.080 --> 0:14:17.480
<v Speaker 1>put clothes on the unconscious infant, who in after days

0:14:17.559 --> 0:14:25.480
<v Speaker 1>led our heroic fathers onto glory, to victory and freedom. Ironic. Yeah,

0:14:25.520 --> 0:14:28.840
<v Speaker 1>to use her own language, quote, she raised him. They

0:14:28.880 --> 0:14:32.000
<v Speaker 1>say that she weighs but forty six pounds.

0:14:33.240 --> 0:14:35.000
<v Speaker 3>Well, people were smaller than she.

0:14:35.000 --> 0:14:38.360
<v Speaker 1>Did not weigh forty six pounds, And they say in

0:14:38.400 --> 0:14:42.520
<v Speaker 1>the advertisement she retains her faculties in an unparalleled degree,

0:14:42.640 --> 0:14:47.280
<v Speaker 1>converses free lease, sings numerous hymns, relates many interesting anecdotes

0:14:47.320 --> 0:14:50.680
<v Speaker 1>of the boy Washington, and often laughs heartily at her

0:14:50.680 --> 0:14:52.760
<v Speaker 1>own remarks or those of spectators.

0:14:53.640 --> 0:14:59.240
<v Speaker 3>Okay, so okay.

0:14:59.360 --> 0:15:02.000
<v Speaker 1>The thing that I want to point out here is

0:15:02.040 --> 0:15:06.480
<v Speaker 1>that she is an object on display for two purposes.

0:15:07.240 --> 0:15:11.560
<v Speaker 1>One just because, in a gay Barnum freak show way,

0:15:11.640 --> 0:15:14.800
<v Speaker 1>this is a woman who is a toothless, semi paralyzed

0:15:14.840 --> 0:15:17.200
<v Speaker 1>woman that they're saying is one hundred and sixty one

0:15:17.280 --> 0:15:21.960
<v Speaker 1>years old. She is extraordinarily old looking, Okay, and later,

0:15:22.200 --> 0:15:25.800
<v Speaker 1>even though it spoiler alert is a hoax, this woman

0:15:25.920 --> 0:15:28.960
<v Speaker 1>was not one hundred and sixty one years old. Barnum,

0:15:29.120 --> 0:15:30.880
<v Speaker 1>in his defense, will be like, well, no one who

0:15:30.960 --> 0:15:35.360
<v Speaker 1>saw her whatever, that she was not that old, Okay,

0:15:35.520 --> 0:15:39.280
<v Speaker 1>So like it was a freak show specimen to see.

0:15:39.960 --> 0:15:43.400
<v Speaker 1>And also if you weren't, if it wasn't enticing enough

0:15:43.440 --> 0:15:45.520
<v Speaker 1>for you to come see in one hundred and sixty

0:15:45.560 --> 0:15:50.960
<v Speaker 1>one year old woman, this appeal to this national pride

0:15:51.200 --> 0:15:55.840
<v Speaker 1>was also it gives it like an air of respectability almost.

0:15:55.240 --> 0:15:57.400
<v Speaker 3>Yeah, like, oh, I'm not going to see how old

0:15:57.440 --> 0:16:00.440
<v Speaker 3>she is. I'm going to learn about history. And that's

0:16:00.440 --> 0:16:02.800
<v Speaker 3>why I bought my ticket, not because I'm you know,

0:16:03.360 --> 0:16:05.520
<v Speaker 3>I just want to gaw at an old lady exactly.

0:16:05.560 --> 0:16:07.880
<v Speaker 1>I'm not going to a freak show to gwet like

0:16:07.920 --> 0:16:12.440
<v Speaker 1>a human specimen. I'm going to like honor our country

0:16:13.000 --> 0:16:16.960
<v Speaker 1>and like pay homage to the patriotism of our country. Yeah,

0:16:17.080 --> 0:16:20.680
<v Speaker 1>admission was twenty five cents children half priced less than

0:16:20.720 --> 0:16:23.200
<v Speaker 1>ten dollars today. A bargain.

0:16:23.720 --> 0:16:25.760
<v Speaker 3>I mean, when you don't have to pay the star

0:16:25.840 --> 0:16:27.920
<v Speaker 3>of your show, I guess you can keep overhead there.

0:16:28.320 --> 0:16:32.720
<v Speaker 1>Yeah, you know she's singing hymns told telling stories about

0:16:32.760 --> 0:16:36.360
<v Speaker 1>little George. As I mentioned earlier, the story about the

0:16:36.520 --> 0:16:39.240
<v Speaker 1>George Washington cutting down a cherry tree and then telling

0:16:39.280 --> 0:16:41.000
<v Speaker 1>his father, I cannot tell a lie I cut down

0:16:41.040 --> 0:16:44.000
<v Speaker 1>a cherry tree. That is a fully fictional story that

0:16:44.120 --> 0:16:48.040
<v Speaker 1>was popularized in a in eighteen o nine book by

0:16:48.040 --> 0:16:50.560
<v Speaker 1>a man named Mason Weim called Life of Washington. That

0:16:50.640 --> 0:16:53.520
<v Speaker 1>was almost like an educational book, but it became like

0:16:53.560 --> 0:16:56.320
<v Speaker 1>a very popular story, and so she would tell the

0:16:56.360 --> 0:17:00.520
<v Speaker 1>story as if she had seen it. She looked in incredibly,

0:17:00.720 --> 0:17:05.080
<v Speaker 1>incredibly old. One of the people who sees her writes, indeed,

0:17:05.080 --> 0:17:08.120
<v Speaker 1>she is a mere skeleton covered with skin. Her whole

0:17:08.160 --> 0:17:11.359
<v Speaker 1>appearance very much resembles a mummy of the days of

0:17:11.440 --> 0:17:15.160
<v Speaker 1>the Pharaohs, taken entire from the Catacombs of Egypt.

0:17:15.560 --> 0:17:17.399
<v Speaker 3>I feel so bad for this lady. I just want

0:17:17.440 --> 0:17:18.840
<v Speaker 3>to like feed her jello. I know.

0:17:19.800 --> 0:17:24.040
<v Speaker 1>The historian Eric Lott claims that Barnum was earning fifteen

0:17:24.119 --> 0:17:26.760
<v Speaker 1>hundred dollars a week, which is the equivalent of forty

0:17:26.880 --> 0:17:28.440
<v Speaker 1>six thousand dollars a week.

0:17:29.520 --> 0:17:31.880
<v Speaker 3>That's so much money. And she was.

0:17:31.840 --> 0:17:34.840
<v Speaker 1>Working unpaid ten to twelve hours a day.

0:17:35.000 --> 0:17:35.520
<v Speaker 3>Yeah.

0:17:35.560 --> 0:17:39.560
<v Speaker 1>And then starting this summer it's a month's long traveling

0:17:39.680 --> 0:17:44.760
<v Speaker 1>exhibit for Barnum. They go to Providence, Boston, Lowell, Worcester, Springfield, Hartford,

0:17:44.880 --> 0:17:48.320
<v Speaker 1>New Haven, Albany, and a few other places. What's kind

0:17:48.320 --> 0:17:51.720
<v Speaker 1>of interesting is, as we were talking about, like that

0:17:51.840 --> 0:17:55.480
<v Speaker 1>part of the appeal was just this like carnival sensibility

0:17:55.520 --> 0:17:57.920
<v Speaker 1>of like, come see the very old woman who looks

0:17:57.920 --> 0:18:03.920
<v Speaker 1>like a mummy. But the travel at different stops, he

0:18:04.440 --> 0:18:07.040
<v Speaker 1>leans into different parts of the appeal of her.

0:18:07.240 --> 0:18:09.400
<v Speaker 3>Oh sure, because the local flavor.

0:18:09.200 --> 0:18:12.640
<v Speaker 1>The local flavor. Where at when abolitionists were upset about

0:18:12.640 --> 0:18:15.240
<v Speaker 1>the show because it's like, here is an enslaved woman

0:18:15.280 --> 0:18:18.879
<v Speaker 1>that you're putting on display like further exploiting, Barnham claims

0:18:18.880 --> 0:18:21.920
<v Speaker 1>that the proceeds of the exhibit were going to freeing slaves.

0:18:22.640 --> 0:18:24.920
<v Speaker 3>There's no evidence to think of a slave he could

0:18:24.960 --> 0:18:25.479
<v Speaker 3>have freedom.

0:18:25.720 --> 0:18:31.520
<v Speaker 1>That there, Yeah, and the appeal to the patriotism because again,

0:18:31.600 --> 0:18:35.719
<v Speaker 1>she was not George Washington's nursemaid. There's no actual factual

0:18:35.760 --> 0:18:39.359
<v Speaker 1>connection to George Washington. But there's this is a period

0:18:39.400 --> 0:18:42.480
<v Speaker 1>of urbanization and upheaval in the country, and during a

0:18:42.520 --> 0:18:46.879
<v Speaker 1>time of massive upheaval, people look towards stability, and so

0:18:46.920 --> 0:18:50.520
<v Speaker 1>the veneration of the Founding Fathers becomes really popular in

0:18:50.560 --> 0:18:54.320
<v Speaker 1>that time because it's like there's this rapid urbanization, anxieties

0:18:54.320 --> 0:18:57.560
<v Speaker 1>about loss of traditions, especially going into the Civil War.

0:18:57.680 --> 0:19:01.200
<v Speaker 1>There's a lot of chaos happening. There's a writer named

0:19:01.200 --> 0:19:05.720
<v Speaker 1>Henry Cole who writes to the Son complaining about this,

0:19:05.960 --> 0:19:08.480
<v Speaker 1>about her being on display, not questioning whether or not

0:19:08.640 --> 0:19:12.199
<v Speaker 1>she is Washington's nurse maid, but she says, why she

0:19:12.480 --> 0:19:15.560
<v Speaker 1>who nursed the father of our country, the man to

0:19:15.600 --> 0:19:19.080
<v Speaker 1>whom we owe our present, happy and prosperous condition, should

0:19:19.200 --> 0:19:22.440
<v Speaker 1>at the close of her life be exhibited as our

0:19:22.640 --> 0:19:26.199
<v Speaker 1>rarer monsters are. Is there not philanthropy enough in the

0:19:26.200 --> 0:19:29.480
<v Speaker 1>American people to take care of her although her skin

0:19:29.560 --> 0:19:30.080
<v Speaker 1>be black?

0:19:30.840 --> 0:19:35.120
<v Speaker 3>Oh, how generous yeah. To me, this sort of I mean,

0:19:35.160 --> 0:19:37.480
<v Speaker 3>this isn't like one to one at all because it's

0:19:37.480 --> 0:19:41.320
<v Speaker 3>not on display. But I feel like the desire to

0:19:42.720 --> 0:19:46.359
<v Speaker 3>sort of connect with like a previous quote unquote like

0:19:46.800 --> 0:19:50.520
<v Speaker 3>to do it. I don't know exactly what the connection is,

0:19:50.520 --> 0:19:56.119
<v Speaker 3>but what's reminding me of is every election. Yeah, we're like,

0:19:57.040 --> 0:19:59.400
<v Speaker 3>I don't know, is there a Kennedy who can help?

0:19:59.560 --> 0:20:02.359
<v Speaker 3>Like we went to the moon and did like civil

0:20:02.400 --> 0:20:05.280
<v Speaker 3>rights and stuff, like just one of those guys around

0:20:05.440 --> 0:20:08.200
<v Speaker 3>and like, we're gonna take whatever Kennedy we can get.

0:20:08.240 --> 0:20:11.320
<v Speaker 1>Who who are around here? We met George Washington, here's

0:20:11.359 --> 0:20:13.480
<v Speaker 1>the closest person we have to joy Like.

0:20:13.560 --> 0:20:16.720
<v Speaker 3>Are you vaguely related to someone we've heard of that

0:20:16.800 --> 0:20:19.160
<v Speaker 3>we know? We like, Okay, can you be in charge?

0:20:19.359 --> 0:20:22.000
<v Speaker 3>Or can I can I just listen to you talk? Really?

0:20:22.040 --> 0:20:22.840
<v Speaker 3>I know what to do.

0:20:23.080 --> 0:20:26.160
<v Speaker 1>That's it. So it's like, not only would you understand

0:20:26.160 --> 0:20:29.040
<v Speaker 1>why this was such a popular attraction, Not only did

0:20:29.080 --> 0:20:32.040
<v Speaker 1>people you know they're bored. It's the eighteen thirties want

0:20:32.040 --> 0:20:34.120
<v Speaker 1>to go to like quote a freak show to look

0:20:34.160 --> 0:20:36.960
<v Speaker 1>at human oddity. It's why TLC is still a channel.

0:20:37.480 --> 0:20:39.640
<v Speaker 1>But then they could also pat themselves on the back

0:20:39.720 --> 0:20:43.520
<v Speaker 1>because they're like, ah, George Washington, Yeah, and we're going

0:20:43.600 --> 0:20:47.000
<v Speaker 1>to get into this and to Barnum as a showman later.

0:20:47.200 --> 0:20:50.880
<v Speaker 1>But to fast forward a little, the historian Benjamin Reese,

0:20:50.920 --> 0:20:54.080
<v Speaker 1>I just want to shout him out, because he articulated

0:20:54.080 --> 0:20:56.919
<v Speaker 1>this very well. I think where she indulged in quote

0:20:56.920 --> 0:21:01.560
<v Speaker 1>the popular desire for images of white domination, because which

0:21:01.720 --> 0:21:03.680
<v Speaker 1>is basically so not only do you get to look

0:21:03.680 --> 0:21:05.840
<v Speaker 1>at like a I'm putting this in air quotes, but

0:21:05.880 --> 0:21:07.679
<v Speaker 1>like a weird looking person, like a freak, like, oh,

0:21:07.800 --> 0:21:10.040
<v Speaker 1>look at this old lady, and get to be like ah,

0:21:10.119 --> 0:21:12.720
<v Speaker 1>George Washington. I get to think about our founding fathers.

0:21:13.119 --> 0:21:16.680
<v Speaker 1>You also get to feel superior to a very very

0:21:16.800 --> 0:21:18.040
<v Speaker 1>old black woman.

0:21:18.240 --> 0:21:21.040
<v Speaker 3>And she's telling I mean, from what it sounds like,

0:21:21.119 --> 0:21:23.520
<v Speaker 3>it sounds like she's telling a version of history in

0:21:23.560 --> 0:21:26.399
<v Speaker 3>which she's very happy. Yes, And I am sure like

0:21:26.480 --> 0:21:31.280
<v Speaker 3>if you have any anxiety around slavery, either because you

0:21:32.000 --> 0:21:33.719
<v Speaker 3>own slaves and don't want to think of yourself as

0:21:33.720 --> 0:21:37.359
<v Speaker 3>a bad person, or you're even like an abolitionist but

0:21:37.560 --> 0:21:41.800
<v Speaker 3>very worried about how slaves are being treated, it's like

0:21:42.320 --> 0:21:44.760
<v Speaker 3>Green Book or whatever, where it's like, it's probably very

0:21:44.760 --> 0:21:48.760
<v Speaker 3>comforting to watch this woman be like, I had a great.

0:21:48.600 --> 0:21:51.120
<v Speaker 1>Time, Yeah, George, I.

0:21:51.520 --> 0:21:55.160
<v Speaker 3>Raised this kid, and I had a great life, and

0:21:55.400 --> 0:21:57.480
<v Speaker 3>I'm so old, So I mean, how could I have

0:21:57.520 --> 0:22:00.560
<v Speaker 3>been mistreated if I'm lasted all these years? Like this

0:22:00.680 --> 0:22:03.000
<v Speaker 3>slavery really that bad if I get to just like

0:22:03.080 --> 0:22:04.320
<v Speaker 3>take care of a cute.

0:22:04.040 --> 0:22:07.800
<v Speaker 1>Baby, Lizzie. It's so interesting that you mentioned that. Another

0:22:08.440 --> 0:22:12.560
<v Speaker 1>sort of justification that makes people feel good about her

0:22:12.600 --> 0:22:17.400
<v Speaker 1>on display is there's a very racist narrative, particularly around

0:22:17.880 --> 0:22:21.840
<v Speaker 1>pro slavery people at this time, that black people need

0:22:21.960 --> 0:22:25.359
<v Speaker 1>a tropical climate in order to throw Jesus. That it's like,

0:22:25.400 --> 0:22:27.520
<v Speaker 1>you know, because they come from Africa, they shouldn't be

0:22:27.560 --> 0:22:29.960
<v Speaker 1>in the north where it's cold. They should be in

0:22:30.000 --> 0:22:32.679
<v Speaker 1>the South, where it's warm. And there's the argument that

0:22:32.800 --> 0:22:36.760
<v Speaker 1>her longevity is actually that's normal in the South. Actually

0:22:36.920 --> 0:22:40.160
<v Speaker 1>black people where they're quote supposed to be, they're all

0:22:40.280 --> 0:22:43.359
<v Speaker 1>living one hundred and fifty, one hundred and sixty. And

0:22:43.440 --> 0:22:47.120
<v Speaker 1>the only reason that it's crazy that she seems even

0:22:47.200 --> 0:22:49.960
<v Speaker 1>sick now is because she's in the North and she's

0:22:49.960 --> 0:22:52.760
<v Speaker 1>not supposed to be. But again, even a lot of

0:22:52.800 --> 0:22:57.600
<v Speaker 1>the critique of her on display. Isn't because she's a

0:22:57.640 --> 0:23:00.960
<v Speaker 1>black person that P. T. Barnum purchased and is displaying

0:23:01.640 --> 0:23:04.159
<v Speaker 1>like that letter from Henry Cole. It's like, this woman

0:23:04.280 --> 0:23:07.560
<v Speaker 1>raised George Washington even though she's black. Can't we find

0:23:07.600 --> 0:23:11.000
<v Speaker 1>our kindness in our hearts for more dignity? Yeah, and

0:23:11.080 --> 0:23:13.840
<v Speaker 1>the more old fashioned New England press so New York

0:23:13.880 --> 0:23:16.800
<v Speaker 1>they're like eating this stuff up. But the Courier, which

0:23:16.840 --> 0:23:21.320
<v Speaker 1>is a Bostonian paper, will write those who imagine they

0:23:21.359 --> 0:23:24.879
<v Speaker 1>can contemplate with delight a breathing skeleton subjected to the

0:23:24.880 --> 0:23:27.560
<v Speaker 1>same sort of discipline that is sometimes exercised in a

0:23:27.600 --> 0:23:31.280
<v Speaker 1>menagerie to induce the inferior animals to play on natural

0:23:31.320 --> 0:23:34.639
<v Speaker 1>pranks for the amusement of bare and spectators will find

0:23:34.680 --> 0:23:38.200
<v Speaker 1>food to their taste by visiting Joyce Head, basically being

0:23:38.240 --> 0:23:41.159
<v Speaker 1>like it's a moral failing to like go to a

0:23:41.160 --> 0:23:45.600
<v Speaker 1>freak show. Yeah, but their criticism isn't it's bad to

0:23:47.119 --> 0:23:50.680
<v Speaker 1>enslave a person. It's that it's bad for the moral

0:23:50.800 --> 0:23:53.840
<v Speaker 1>health of the audience to go indulge in this sort

0:23:53.840 --> 0:23:55.840
<v Speaker 1>of shenanigan.

0:23:56.720 --> 0:23:59.320
<v Speaker 3>Yeah. I mean I feel like it's like, oh, you're

0:23:59.359 --> 0:24:03.399
<v Speaker 3>half your halfway there, buddy, like you're you know what,

0:24:03.560 --> 0:24:06.679
<v Speaker 3>they're like, You're you're grasping at the idea that like,

0:24:06.840 --> 0:24:10.560
<v Speaker 3>we should not delight in the pain of others, and

0:24:10.600 --> 0:24:13.360
<v Speaker 3>you're framing it as lesser beings, but really it's just others.

0:24:13.440 --> 0:24:16.000
<v Speaker 3>Like you, keep going, keep going, keep going, keep going.

0:24:16.000 --> 0:24:16.640
<v Speaker 3>You're gonna get there.

0:24:16.640 --> 0:24:20.480
<v Speaker 1>You're gonna get there. Barnum, for his part, again Master Showman,

0:24:20.920 --> 0:24:23.560
<v Speaker 1>is going to sort of plant stories that subvert all

0:24:23.600 --> 0:24:26.439
<v Speaker 1>of these narratives to encourage people to go. He plant

0:24:26.480 --> 0:24:29.679
<v Speaker 1>stories playing up how like religious and pious she is

0:24:29.760 --> 0:24:32.000
<v Speaker 1>so you don't have to feel bad about going, and

0:24:32.440 --> 0:24:36.120
<v Speaker 1>also plays up her cleanliness. There's a planted story where

0:24:36.119 --> 0:24:38.320
<v Speaker 1>he says there is nothing in her appearance which can

0:24:38.480 --> 0:24:42.040
<v Speaker 1>be possibly be unpleasant to the minds of the most fastidious,

0:24:42.560 --> 0:24:45.320
<v Speaker 1>that it's like, you don't have to feel bad about

0:24:45.440 --> 0:24:47.760
<v Speaker 1>about coming to see her. It's just a clean, happy,

0:24:48.160 --> 0:24:51.080
<v Speaker 1>old woman. And he also plays up the fact that

0:24:51.119 --> 0:24:54.320
<v Speaker 1>it's like this is so much better than slavery, that

0:24:54.440 --> 0:24:56.280
<v Speaker 1>she used to be a slave and now she's just

0:24:56.320 --> 0:24:59.159
<v Speaker 1>hanging out in a theater. Barnum will also have the

0:24:59.200 --> 0:25:03.639
<v Speaker 1>strategy and tour numbers kind of decrease, especially around Boston,

0:25:03.680 --> 0:25:06.719
<v Speaker 1>where people are like less excited about this. His strategy

0:25:06.920 --> 0:25:09.679
<v Speaker 1>is to like call himself a humbug to drum up

0:25:09.680 --> 0:25:12.840
<v Speaker 1>publicity and like a no press is bad press situation,

0:25:13.560 --> 0:25:16.439
<v Speaker 1>and so he plants an article in the paper saying

0:25:16.480 --> 0:25:19.360
<v Speaker 1>that Joyce Heath is not a human being. What purports

0:25:19.359 --> 0:25:22.760
<v Speaker 1>to be a remarkably old woman is simply a curiously

0:25:22.840 --> 0:25:27.320
<v Speaker 1>constructed automaton made up of whalebone, india, rubber, and number

0:25:27.480 --> 0:25:31.080
<v Speaker 1>springs that ingeniously put together and made to move at

0:25:31.119 --> 0:25:35.800
<v Speaker 1>the slightest touch. And then they say that he's a ventriloquist.

0:25:35.720 --> 0:25:37.280
<v Speaker 3>But she doesn't even play chess.

0:25:37.359 --> 0:25:40.560
<v Speaker 1>So but it does that did remind me of that

0:25:40.600 --> 0:25:42.480
<v Speaker 1>thing where it's like the fastest way to get a

0:25:42.560 --> 0:25:44.920
<v Speaker 1>right answer on the Internet is like say the wrong thing.

0:25:45.200 --> 0:25:48.679
<v Speaker 1>Oh funny, where he came up with a He pointed

0:25:48.720 --> 0:25:50.880
<v Speaker 1>out that this was a lie in a wrong way,

0:25:51.240 --> 0:25:53.640
<v Speaker 1>so people could be like, Nope, nope, she is real,

0:25:53.840 --> 0:25:56.080
<v Speaker 1>But then it's like you're answering the wrong question.

0:25:56.359 --> 0:25:59.560
<v Speaker 3>She is a real person, but she's not over sixty

0:25:59.560 --> 0:26:01.119
<v Speaker 3>one year old the human she's pretending the.

0:26:01.160 --> 0:26:05.000
<v Speaker 1>Nurse of George Washington. But this is what Barnum is

0:26:05.040 --> 0:26:08.600
<v Speaker 1>really good at he's really good at manipulating the story

0:26:09.320 --> 0:26:13.200
<v Speaker 1>to suit his purposes. And the best way he's going

0:26:13.240 --> 0:26:15.040
<v Speaker 1>to do that, and I say best in like the

0:26:15.080 --> 0:26:18.879
<v Speaker 1>way I met greatest earlier, with like no moral judgments.

0:26:19.000 --> 0:26:21.159
<v Speaker 1>The smartest, the smartest way he's going to do that

0:26:21.800 --> 0:26:27.160
<v Speaker 1>is when she dies. Yeah, because this very very old

0:26:27.200 --> 0:26:31.719
<v Speaker 1>woman dies and Barnum announces that she will be publicly

0:26:31.920 --> 0:26:36.080
<v Speaker 1>autopsied because he's like, is she actually one hundred and

0:26:36.160 --> 0:26:39.960
<v Speaker 1>sixty one years old? Let's find out, Like, let.

0:26:39.760 --> 0:26:42.520
<v Speaker 3>The woman rest in peace, like she had no dignity

0:26:42.560 --> 0:26:44.879
<v Speaker 3>in life, and now she will have no dignity in death.

0:26:45.080 --> 0:26:51.680
<v Speaker 3>And the number of like weird medical experiments that were

0:26:51.680 --> 0:26:58.159
<v Speaker 3>done on enslaved people boggles my mind and makes me

0:26:58.359 --> 0:26:59.120
<v Speaker 3>very mad.

0:26:59.280 --> 0:27:01.760
<v Speaker 1>Well, I'm glad you said that, because it's something that

0:27:01.800 --> 0:27:05.399
<v Speaker 1>I found particularly interesting. Is the year before all of

0:27:05.440 --> 0:27:08.560
<v Speaker 1>this happened, there had been talk of moving wash George

0:27:08.600 --> 0:27:13.200
<v Speaker 1>Washington's remains from Virginia up to beneath the Capitol rotunda

0:27:13.280 --> 0:27:16.439
<v Speaker 1>like sacred relics like have them in Washington, DC. But

0:27:16.480 --> 0:27:19.280
<v Speaker 1>people resisted and ultimately didn't happen. And it kind of

0:27:19.320 --> 0:27:22.159
<v Speaker 1>didn't happen because people didn't want to like engage with

0:27:22.200 --> 0:27:25.639
<v Speaker 1>the corporeality of George Washington, like you don't want to

0:27:25.640 --> 0:27:26.720
<v Speaker 1>dig up his bones.

0:27:27.760 --> 0:27:30.560
<v Speaker 3>Yeah, he's already on the dollar, like you know, he's

0:27:30.600 --> 0:27:31.919
<v Speaker 3>already like around.

0:27:31.680 --> 0:27:34.760
<v Speaker 1>But like invoking his corpse kind of cheapens him as

0:27:34.760 --> 0:27:37.040
<v Speaker 1>an idea. And at this point he was already so

0:27:37.240 --> 0:27:39.720
<v Speaker 1>venerated as an idea that no one's like, no one

0:27:39.760 --> 0:27:42.119
<v Speaker 1>wants to think too much about his physical body.

0:27:42.960 --> 0:27:45.439
<v Speaker 3>Yeah, and I mean like even I mean this is

0:27:45.600 --> 0:27:48.960
<v Speaker 3>you know, jumping ahead a few presidents, but like the

0:27:49.040 --> 0:27:52.320
<v Speaker 3>Lincoln memorial, like he big, he big, you know what

0:27:52.400 --> 0:27:54.240
<v Speaker 3>I mean, Like we like to think of these people

0:27:54.280 --> 0:27:55.600
<v Speaker 3>as like huge.

0:27:55.600 --> 0:27:59.719
<v Speaker 1>As ideas, abstract ideas and not like rotting human bones.

0:27:59.800 --> 0:27:59.919
<v Speaker 3>Yea.

0:28:00.920 --> 0:28:03.200
<v Speaker 1>So it's like we're not going to touch George Washington's bones,

0:28:03.240 --> 0:28:05.840
<v Speaker 1>but we can sure cut open his nurse in front

0:28:05.840 --> 0:28:10.280
<v Speaker 1>of an audience. And so in eighteen thirty six, for

0:28:11.000 --> 0:28:15.959
<v Speaker 1>fifteen hundred spectators, Barnum gets a surgeon, David L. Rodgers,

0:28:16.000 --> 0:28:20.600
<v Speaker 1>to perform an autopsy at New York's City Saloon, charging

0:28:20.880 --> 0:28:23.600
<v Speaker 1>fifty cents twice the price of what it cost to

0:28:23.920 --> 0:28:25.360
<v Speaker 1>go see here. Oh yeah, this is the one time

0:28:25.400 --> 0:28:29.920
<v Speaker 1>online into one time only the doctor cuts through the

0:28:30.160 --> 0:28:33.480
<v Speaker 1>enters the thoracic cavity, cuts through the ribcage, notes the

0:28:33.880 --> 0:28:38.959
<v Speaker 1>coronary arteries and cardiac valves are not calcified. Sees that

0:28:39.040 --> 0:28:42.560
<v Speaker 1>she likely died of tuberculosis and says that she's no

0:28:42.680 --> 0:28:45.520
<v Speaker 1>more than eighty years old. Says that this is an

0:28:45.560 --> 0:28:49.160
<v Speaker 1>old woman, but not one hundred and sixty one. Yeah.

0:28:49.320 --> 0:28:55.360
<v Speaker 1>Even after this, Barnum kind of continues with the press. Like, first,

0:28:55.400 --> 0:28:57.680
<v Speaker 1>there's like he plants a lot of stories in the paper.

0:28:57.760 --> 0:29:00.959
<v Speaker 1>First that like the autopsy victim was another per and

0:29:00.960 --> 0:29:04.120
<v Speaker 1>that Heath is still alive somewhere, or that her ashes

0:29:04.120 --> 0:29:06.680
<v Speaker 1>are going on tour of Europe, or that her body

0:29:06.720 --> 0:29:09.400
<v Speaker 1>is being embalmed just sort of.

0:29:09.200 --> 0:29:12.520
<v Speaker 3>The ashes probably doesn't tell a very good story though

0:29:13.120 --> 0:29:13.840
<v Speaker 3>any hymns.

0:29:13.960 --> 0:29:19.160
<v Speaker 1>Yeah, it's a very like, uh, he's just trying to

0:29:19.200 --> 0:29:20.959
<v Speaker 1>like keep the ball in the air of like how

0:29:21.000 --> 0:29:24.480
<v Speaker 1>can we still be talking about him? Okay, but she

0:29:24.840 --> 0:29:27.800
<v Speaker 1>you know, her remains are buried in Bethel, Connecticut, where

0:29:28.520 --> 0:29:29.560
<v Speaker 1>Barnum is from.

0:29:30.400 --> 0:29:32.200
<v Speaker 3>And I hope nobody messes with them anymore.

0:29:32.320 --> 0:29:34.800
<v Speaker 1>Argue, I mean, again, we're taking Barnum's word for this.

0:29:34.960 --> 0:29:38.400
<v Speaker 1>He says that her remains received a respectable burial.

0:29:38.480 --> 0:29:43.320
<v Speaker 3>I mean any burial that doesn't involve like poking her anymore. Yeah.

0:29:43.480 --> 0:29:54.240
<v Speaker 1>Yeah, So the afterlife of Joyce, hef there's the autopsy,

0:29:54.280 --> 0:29:57.760
<v Speaker 1>which is the literal afterlife. But then how Barnum frames

0:29:57.840 --> 0:30:01.160
<v Speaker 1>this story? Okay, because this was Barnum's first foray into

0:30:01.160 --> 0:30:05.960
<v Speaker 1>show business in there was a financial panic in eighteen

0:30:06.040 --> 0:30:09.040
<v Speaker 1>thirty seven. You know, a few years after this, Barnum

0:30:09.160 --> 0:30:11.240
<v Speaker 1>sort of fell out of show business and was trying

0:30:11.280 --> 0:30:14.360
<v Speaker 1>to reclaim the spotlight. He got a writing job and

0:30:14.400 --> 0:30:20.320
<v Speaker 1>in eighteen forty one he publishes a serialized semi autobiographical

0:30:20.520 --> 0:30:25.040
<v Speaker 1>novella called Adventures of an Adventurer being some Passages in

0:30:25.080 --> 0:30:29.320
<v Speaker 1>the Life of Barnaby Diddlium, which is sort of like

0:30:29.360 --> 0:30:34.400
<v Speaker 1>a very loose as like autobiography that's a heightened version

0:30:34.440 --> 0:30:37.120
<v Speaker 1>of his life. There's elements of truth from his life,

0:30:37.800 --> 0:30:41.040
<v Speaker 1>but with him as sort of like a like rare

0:30:41.200 --> 0:30:46.840
<v Speaker 1>rabbit character, likelled a trickster, like sarcastic. It's like a

0:30:47.680 --> 0:30:50.760
<v Speaker 1>humbug about humbugs people have written, and it's like he's

0:30:50.800 --> 0:30:52.880
<v Speaker 1>writing about him being a trickster. But it's like a

0:30:52.880 --> 0:30:53.560
<v Speaker 1>clever trickster.

0:30:53.720 --> 0:30:56.880
<v Speaker 3>But it's like the catch me if you can guy

0:30:57.120 --> 0:30:59.760
<v Speaker 3>writing a book about how he outsmarted everybody and got

0:30:59.800 --> 0:31:02.000
<v Speaker 3>away with all those scams, and then someone fact checked

0:31:02.000 --> 0:31:04.280
<v Speaker 3>it and was like, like two of these things happen, Yeah,

0:31:04.360 --> 0:31:05.920
<v Speaker 3>lest he just could just made up.

0:31:07.360 --> 0:31:11.880
<v Speaker 1>It's the book itself. Book. This like serialized story is

0:31:11.920 --> 0:31:15.880
<v Speaker 1>pretty much an example of like Jacksonian democratic values, like

0:31:16.000 --> 0:31:19.000
<v Speaker 1>Jacksonian democracy, which is like the slaves are all like

0:31:19.160 --> 0:31:21.320
<v Speaker 1>lazy and trying to get out of work, and all

0:31:21.360 --> 0:31:25.080
<v Speaker 1>the abolitionists are like self righteous nags, and all the

0:31:25.160 --> 0:31:26.920
<v Speaker 1>jokes are kind of at the expense of these like

0:31:27.000 --> 0:31:31.680
<v Speaker 1>moral crusaders. So the version of the Joyce Heth story

0:31:31.720 --> 0:31:34.960
<v Speaker 1>that he presents in this version is that you know,

0:31:35.040 --> 0:31:37.160
<v Speaker 1>he's like even saying like my first you know, for

0:31:37.360 --> 0:31:41.560
<v Speaker 1>into show business, that he just came across a as

0:31:41.560 --> 0:31:46.000
<v Speaker 1>he calls her a negro wench who has been bedridden

0:31:46.080 --> 0:31:50.560
<v Speaker 1>for twelve years and basically her owner, her slave owner

0:31:50.760 --> 0:31:53.880
<v Speaker 1>says she bears a charmed life I fancy and lives

0:31:53.880 --> 0:31:56.680
<v Speaker 1>on for the sole purpose of picking my pockets by

0:31:56.720 --> 0:32:00.400
<v Speaker 1>remaining while I live on the pension list. And then

0:32:00.480 --> 0:32:03.120
<v Speaker 1>it says I felt a great curiosity to see the

0:32:03.120 --> 0:32:06.200
<v Speaker 1>woman who was thus swindling my friend by her disgusting

0:32:06.240 --> 0:32:09.520
<v Speaker 1>pernicity to cling to life at his expense, and then

0:32:09.560 --> 0:32:12.560
<v Speaker 1>says she was exempt from all work the horror of

0:32:12.600 --> 0:32:17.120
<v Speaker 1>a Negro. She enjoyed the elysium of her race idleness

0:32:17.160 --> 0:32:21.160
<v Speaker 1>to its fullest extent. So in this story, he comes

0:32:21.200 --> 0:32:26.040
<v Speaker 1>across and very, very old slave woman, who how dare

0:32:26.120 --> 0:32:30.960
<v Speaker 1>she is still alive, not working, and this poor slave

0:32:31.000 --> 0:32:32.920
<v Speaker 1>owner has to pay to feed her.

0:32:33.760 --> 0:32:36.360
<v Speaker 3>I'm sure it's like really high end food too.

0:32:37.560 --> 0:32:40.800
<v Speaker 1>And she's been this poor you know, this this scam

0:32:40.920 --> 0:32:43.120
<v Speaker 1>scam artist who's been bedridden for twelve years.

0:32:43.160 --> 0:32:46.240
<v Speaker 3>She came up with this crafty plot to not die.

0:32:46.360 --> 0:32:50.800
<v Speaker 1>Yeah, And in the story that Barnum tells, he comes

0:32:50.880 --> 0:32:53.680
<v Speaker 1>up with the idea that she while say she was

0:32:53.720 --> 0:32:57.480
<v Speaker 1>George Washington's nurse, and he says, I pulled out her

0:32:57.520 --> 0:32:59.160
<v Speaker 1>teeth so she would look older.

0:33:01.040 --> 0:33:03.880
<v Speaker 3>The thing is which is related to the actual George

0:33:03.920 --> 0:33:06.920
<v Speaker 3>Washington who wore dungers made of slave.

0:33:06.800 --> 0:33:09.480
<v Speaker 1>Teeth, and he also in this version of the story,

0:33:09.520 --> 0:33:12.520
<v Speaker 1>he like purposefully gets her addicted to whiskey so that

0:33:12.560 --> 0:33:14.880
<v Speaker 1>she like wants to work for him. It's like Yeah,

0:33:14.920 --> 0:33:17.200
<v Speaker 1>he's a sick pimp move. Yeah, he like figures out

0:33:17.200 --> 0:33:20.760
<v Speaker 1>how to trick her, and he like makes a fake

0:33:20.800 --> 0:33:23.840
<v Speaker 1>baptism record for her and ages it in tobacco juice,

0:33:24.120 --> 0:33:27.480
<v Speaker 1>and then eventually she like enjoys being in on the humbug.

0:33:27.960 --> 0:33:31.320
<v Speaker 1>But he in this version he very much like bought

0:33:31.520 --> 0:33:34.800
<v Speaker 1>a lazy slave and like tricked her into working for

0:33:34.920 --> 0:33:36.680
<v Speaker 1>him and came up with this idea.

0:33:36.440 --> 0:33:39.240
<v Speaker 3>Himself, which he didn't even well that's the thing.

0:33:39.640 --> 0:33:43.080
<v Speaker 1>He did not pull out all of her teeth by noah,

0:33:43.120 --> 0:33:44.560
<v Speaker 1>you know, And he did not come up with the

0:33:44.640 --> 0:33:48.520
<v Speaker 1>George Washington story. He just bought the exhibit. Yeah, but

0:33:48.800 --> 0:33:53.120
<v Speaker 1>I think it's interesting that in this eighteen forty one

0:33:53.880 --> 0:33:58.400
<v Speaker 1>semi autobiographical version, he thinks that makes him look the best.

0:33:58.640 --> 0:34:02.440
<v Speaker 1>I mean, like that's like the fun version of the story.

0:34:03.000 --> 0:34:06.400
<v Speaker 3>Yeah, because it it doesn't I don't know, it like

0:34:07.000 --> 0:34:09.200
<v Speaker 3>gets out of having to deal with like this woman's

0:34:09.200 --> 0:34:11.759
<v Speaker 3>whole sad life before he entered it, you know what

0:34:11.800 --> 0:34:12.120
<v Speaker 3>I mean.

0:34:12.239 --> 0:34:14.120
<v Speaker 1>And like you said, in like a green book way,

0:34:14.239 --> 0:34:17.359
<v Speaker 1>it's like a narrative of slavery that like people want

0:34:17.400 --> 0:34:21.920
<v Speaker 1>to believe, Yeah, because the alternative is reckoning with the

0:34:22.120 --> 0:34:25.160
<v Speaker 1>vast human misery and suffering that humans have inflicted on

0:34:25.200 --> 0:34:29.279
<v Speaker 1>other humans. Yeah, but that was like the fun. And

0:34:29.320 --> 0:34:32.200
<v Speaker 1>when I say democrat, I mean like an eighteen thirties democrat,

0:34:32.200 --> 0:34:35.239
<v Speaker 1>like a Jackson Democrat, which is the Southern Like that

0:34:35.360 --> 0:34:38.080
<v Speaker 1>was the fun narrative where it's like these abolitionist skulls

0:34:38.080 --> 0:34:40.280
<v Speaker 1>aren't in on the fun. Yeah.

0:34:40.320 --> 0:34:44.279
<v Speaker 3>And you know, luckily today we never call people humorless

0:34:44.280 --> 0:34:46.399
<v Speaker 3>when they just try to point out that we should

0:34:46.440 --> 0:34:47.400
<v Speaker 3>treat everyone equally.

0:34:47.440 --> 0:34:51.680
<v Speaker 1>Yeah, Barnum's tune is going to change quite literally.

0:34:52.520 --> 0:34:54.920
<v Speaker 3>Does the war have anything to do with that? Yeah?

0:34:55.120 --> 0:35:00.120
<v Speaker 1>Okay, can tell politics. But before we get there, I

0:35:00.120 --> 0:35:03.480
<v Speaker 1>want to just point out that his American Museum will

0:35:03.480 --> 0:35:07.120
<v Speaker 1>open in December eighteen forty one. And in his career

0:35:07.200 --> 0:35:10.840
<v Speaker 1>as a showman showman, he's going to make a habit

0:35:11.360 --> 0:35:17.560
<v Speaker 1>of exploiting and othering people, particularly with racism.

0:35:18.200 --> 0:35:20.400
<v Speaker 3>Yes, and that I actually did know.

0:35:20.880 --> 0:35:26.880
<v Speaker 1>One of his biggest exhibits is a quote zip the Pinhead,

0:35:26.960 --> 0:35:30.799
<v Speaker 1>which he displays as a creature called what is it

0:35:31.560 --> 0:35:34.680
<v Speaker 1>as the creature, which is like a he frames like

0:35:34.719 --> 0:35:37.640
<v Speaker 1>a monkey man, like a missing link who doesn't speak

0:35:37.680 --> 0:35:40.919
<v Speaker 1>and like wears a hair shirt it turns out it's

0:35:41.000 --> 0:35:43.479
<v Speaker 1>just it was just a black man named William Henry

0:35:43.560 --> 0:35:46.640
<v Speaker 1>Johnson who was a cook for someone that Barnum knew

0:35:46.719 --> 0:35:47.719
<v Speaker 1>in Connecticut.

0:35:48.400 --> 0:35:52.120
<v Speaker 3>Yeah, I mean he really bootstrapped by just like exploiting people.

0:35:52.360 --> 0:35:56.319
<v Speaker 1>Yeah, he didn't invent this. As Lynn first point out,

0:35:56.400 --> 0:36:00.359
<v Speaker 1>African quote freaks were a common side show fra at

0:36:00.360 --> 0:36:02.600
<v Speaker 1>this time, and this happened a lot, and like plenty

0:36:02.640 --> 0:36:05.080
<v Speaker 1>of the people were not actually from Africa. They were

0:36:05.120 --> 0:36:07.400
<v Speaker 1>just black people who happened to be around. Yeah, but

0:36:08.040 --> 0:36:11.720
<v Speaker 1>this was like one of his most successful hoaxes sido

0:36:11.760 --> 0:36:16.319
<v Speaker 1>attractions he had. He did have like real Pigmies and

0:36:16.480 --> 0:36:20.160
<v Speaker 1>Zulus and then Arab dancers and equestrians and his wild

0:36:20.239 --> 0:36:23.799
<v Speaker 1>Moorish caravan. So sometimes he did have people from other

0:36:23.880 --> 0:36:27.680
<v Speaker 1>countries and races, although he did have children who he

0:36:27.719 --> 0:36:30.640
<v Speaker 1>displayed as Aztec children who were just from El Salvador.

0:36:31.239 --> 0:36:34.160
<v Speaker 1>He would get the Siamese twins Chang and Eng, who

0:36:34.200 --> 0:36:38.040
<v Speaker 1>were actually conjoined twins. They did not get along with Barnum.

0:36:38.040 --> 0:36:41.160
<v Speaker 1>They only lasted like a season. And incidentally Chang and

0:36:41.200 --> 0:36:46.719
<v Speaker 1>Eng were slave owners themselves. They like actually very interest.

0:36:46.520 --> 0:36:49.040
<v Speaker 3>They actually from science. They were they were from these

0:36:49.480 --> 0:36:50.560
<v Speaker 3>but they were actually Siamese.

0:36:50.600 --> 0:36:53.400
<v Speaker 1>They were actually Siamese and Siamese twins. And then they

0:36:53.400 --> 0:36:56.040
<v Speaker 1>would be on the they would like be written as

0:36:56.080 --> 0:36:59.000
<v Speaker 1>just a white man. They kind of got what do

0:36:59.080 --> 0:37:01.400
<v Speaker 1>you mean? They would be written in like these not

0:37:01.440 --> 0:37:03.160
<v Speaker 1>a syllabus. What's it called a census?

0:37:03.719 --> 0:37:07.120
<v Speaker 3>Oh okay, they just counted as like one whit white man. Yeah,

0:37:07.239 --> 0:37:09.839
<v Speaker 3>and really they were too conjoined Asian guys.

0:37:09.840 --> 0:37:12.280
<v Speaker 1>But I guess if you're rich enough and owned slaves,

0:37:12.400 --> 0:37:13.839
<v Speaker 1>they're like, well, we don't know what to do with you.

0:37:13.920 --> 0:37:16.320
<v Speaker 1>I guess you're really rich, so you're a white guy. Okay,

0:37:16.719 --> 0:37:20.880
<v Speaker 1>but that's just incidental. But basically throughout his entire life

0:37:20.960 --> 0:37:24.839
<v Speaker 1>and all of his career, racially othering of people and

0:37:24.960 --> 0:37:27.640
<v Speaker 1>putting people on display in a quote unquote human zoo

0:37:27.880 --> 0:37:32.000
<v Speaker 1>is very much Barnum's MMO wow. But later in his life,

0:37:32.040 --> 0:37:34.160
<v Speaker 1>after all of this, he's going to want to get

0:37:34.200 --> 0:37:37.879
<v Speaker 1>into politics. After the Civil War, he's going to switch

0:37:37.920 --> 0:37:41.440
<v Speaker 1>from being a Jacksonian Democrat into a Republican, but like

0:37:41.480 --> 0:37:44.200
<v Speaker 1>a Republican in the Lincoln sense. In the eighteen hundred Cents,

0:37:44.680 --> 0:37:48.319
<v Speaker 1>he unsuccessfully runs for Congress. He becomes the mayor of

0:37:48.440 --> 0:37:52.160
<v Speaker 1>Bridgeport in eighteen seventy five, as you know, holding up

0:37:52.200 --> 0:37:56.200
<v Speaker 1>the Republican platform, which is enfranchising newly freed slaves, and

0:37:56.280 --> 0:37:58.839
<v Speaker 1>he says he was a slave owner, and he's really

0:37:58.880 --> 0:38:02.600
<v Speaker 1>embarrassed about it. Even says, quote, I whipped my slaves.

0:38:02.640 --> 0:38:04.920
<v Speaker 1>I ought to have been whipped a thousand times for

0:38:04.960 --> 0:38:07.920
<v Speaker 1>this myself, but by then I was a Democrat, one

0:38:07.920 --> 0:38:11.719
<v Speaker 1>of those nondescript democrats who are northern men with Southern principles.

0:38:12.160 --> 0:38:16.719
<v Speaker 1>So he's doing that thing where he's like Mayakoppa. He

0:38:16.760 --> 0:38:21.680
<v Speaker 1>writes an autobiography, Struggles and Triumphs, which is in eighteen

0:38:21.760 --> 0:38:24.640
<v Speaker 1>sixty nine, the edition, which is like the version of

0:38:24.680 --> 0:38:27.840
<v Speaker 1>the story that I think is most accurate to the reality,

0:38:28.239 --> 0:38:29.799
<v Speaker 1>but which we're still going to take with a grain

0:38:29.840 --> 0:38:33.279
<v Speaker 1>of salt, because the way he frames Joyce heth is

0:38:33.320 --> 0:38:37.640
<v Speaker 1>he's like, I honestly believed it to be genuine. He says,

0:38:37.800 --> 0:38:40.520
<v Speaker 1>quote something to which, as I have said, I did

0:38:40.520 --> 0:38:43.440
<v Speaker 1>not seek, but which by accident came my way and

0:38:43.480 --> 0:38:48.600
<v Speaker 1>seemed almost to compel my agency. So he's just saying like,

0:38:49.360 --> 0:38:51.480
<v Speaker 1>I don't know, I came across this and it was

0:38:51.520 --> 0:38:55.920
<v Speaker 1>pretty amazing. Did he have other slaves he did, okay,

0:38:56.320 --> 0:39:01.720
<v Speaker 1>but he claims that he did not understand that Joyce

0:39:01.719 --> 0:39:04.520
<v Speaker 1>Heath was an impostor. He was shown a deed of

0:39:04.560 --> 0:39:08.040
<v Speaker 1>sale and he believed it. And he said, if she

0:39:08.080 --> 0:39:10.200
<v Speaker 1>was an impostor, then who taught her these things? How

0:39:10.200 --> 0:39:12.880
<v Speaker 1>did she know so much about George Washington? Like, I

0:39:12.920 --> 0:39:16.600
<v Speaker 1>don't know. And then even when he goes through the

0:39:16.719 --> 0:39:19.560
<v Speaker 1>autopsy and says, then the doctor said it was a fraud,

0:39:19.880 --> 0:39:23.760
<v Speaker 1>he says, the doctors disagreed, and this quote dark subject

0:39:23.880 --> 0:39:26.320
<v Speaker 1>will probably always be shrouded in mystery.

0:39:27.000 --> 0:39:30.120
<v Speaker 3>Oh, I guess we never know who could have known?

0:39:30.160 --> 0:39:32.319
<v Speaker 1>I guess we'll never know. So that's sort of his

0:39:33.320 --> 0:39:36.759
<v Speaker 1>last version. His version of events that he tells in

0:39:36.800 --> 0:39:40.280
<v Speaker 1>the final edit of his biography is like, I guess

0:39:40.360 --> 0:39:43.560
<v Speaker 1>I believed her. And even after the autopsy, you know,

0:39:43.880 --> 0:39:47.400
<v Speaker 1>one doctor said she was less than eighty, but people disagreed.

0:39:47.480 --> 0:39:48.840
<v Speaker 1>So who am I to say?

0:39:49.040 --> 0:39:49.680
<v Speaker 3>Yeah?

0:39:49.719 --> 0:39:52.640
<v Speaker 1>And he even justifies, as I said, I assert that

0:39:52.760 --> 0:39:55.880
<v Speaker 1>when Joyce Heath was living, I never met six persons

0:39:55.920 --> 0:39:58.359
<v Speaker 1>out of the many, many of thousands who visited her

0:39:58.680 --> 0:40:01.440
<v Speaker 1>who seemed to doubt the for age and history.

0:40:02.280 --> 0:40:04.200
<v Speaker 3>Okay, just because you duped a lot of peoples.

0:40:04.239 --> 0:40:07.040
<v Speaker 1>I mean, you were right. His sort of excuse for

0:40:07.400 --> 0:40:12.200
<v Speaker 1>being a fraudster and like engaging in, as he called them, humbugs,

0:40:12.600 --> 0:40:14.640
<v Speaker 1>is like, well, I'm giving people their money's worth, so

0:40:14.680 --> 0:40:15.960
<v Speaker 1>I'm not actually cheating them.

0:40:16.040 --> 0:40:19.760
<v Speaker 3>We are not. You're not giving your star her money's

0:40:20.000 --> 0:40:21.640
<v Speaker 3>worth because you're not giving her her money.

0:40:21.800 --> 0:40:23.720
<v Speaker 1>Also, you're not you're lying to people.

0:40:23.880 --> 0:40:29.759
<v Speaker 3>Yeah, but whatever, Yeah, I I don't like it, don't.

0:40:29.880 --> 0:40:33.600
<v Speaker 3>I don't think that that argument holds water of like, well,

0:40:33.640 --> 0:40:36.360
<v Speaker 3>you came to be entertained, and you were entertained. It's like, no,

0:40:36.440 --> 0:40:38.879
<v Speaker 3>if you pay to see a lady who's one hundred

0:40:38.880 --> 0:40:40.520
<v Speaker 3>and sixty, you better see a lady who's one hundred

0:40:40.520 --> 0:40:41.239
<v Speaker 3>and sixty.

0:40:41.080 --> 0:40:43.680
<v Speaker 1>And a connection to George Washington. You're really I mean

0:40:43.719 --> 0:40:48.520
<v Speaker 1>he is. He's exploiting obviously this enslaved woman, but he's

0:40:48.560 --> 0:40:53.840
<v Speaker 1>exploiting people's nostalgia and hunger for like the nobility of

0:40:53.840 --> 0:40:57.200
<v Speaker 1>our founding fathers. Yeah, but again he's giving people what

0:40:57.239 --> 0:41:00.160
<v Speaker 1>they really want, which is their basest impulses, which just

0:41:00.200 --> 0:41:03.040
<v Speaker 1>to see something weird and freaky and then couching it

0:41:03.120 --> 0:41:07.239
<v Speaker 1>in something that they can pretend is noble. He was

0:41:07.280 --> 0:41:08.400
<v Speaker 1>a master manipulator.

0:41:08.480 --> 0:41:11.839
<v Speaker 3>I mean that is like very smart, yeah and devious.

0:41:12.400 --> 0:41:16.000
<v Speaker 1>Yeah, it's like when a hat girl wears glasses, so

0:41:16.040 --> 0:41:19.040
<v Speaker 1>then guys can feel good and being attracted to them.

0:41:19.400 --> 0:41:20.560
<v Speaker 3>It's exactly the same.

0:41:20.680 --> 0:41:23.080
<v Speaker 1>Yeah, it's like a girl with big boobs but glasses.

0:41:23.880 --> 0:41:26.040
<v Speaker 1>They're like, oh my god, I'm or she's brunette.

0:41:26.960 --> 0:41:29.600
<v Speaker 3>There is, I mean, there is a whole thing of

0:41:30.040 --> 0:41:32.279
<v Speaker 3>I feel like guys are like, you know who I

0:41:32.320 --> 0:41:33.520
<v Speaker 3>actually think is really.

0:41:33.320 --> 0:41:36.160
<v Speaker 1>Hot Lizzie Kaplan, Lizzie.

0:41:35.920 --> 0:41:41.880
<v Speaker 3>Kaplyn and Harvey Plaza's crazy. Yeah, she's like very conventionally attractive,

0:41:42.280 --> 0:41:45.560
<v Speaker 3>like but it's like but they kind of scowl and

0:41:45.560 --> 0:41:47.759
<v Speaker 3>they have dark hair, so you know, I'm not I'm

0:41:47.760 --> 0:41:49.719
<v Speaker 3>not one of those superficial guys who was into I

0:41:49.760 --> 0:41:52.319
<v Speaker 3>don't know, Sidney Sweeney. I'm into like old girls like

0:41:52.440 --> 0:41:54.480
<v Speaker 3>Aubrey Plaza. Yeah, it's like that's a hot girl.

0:41:54.520 --> 0:41:55.080
<v Speaker 1>That's a hot girl.

0:41:55.120 --> 0:41:55.839
<v Speaker 3>That's a hot girl.

0:41:56.040 --> 0:41:59.960
<v Speaker 1>Pezzi Barnum would be a master of this. You want,

0:42:00.840 --> 0:42:04.520
<v Speaker 1>but this is Pete Barnum's very first for me into

0:42:04.520 --> 0:42:08.439
<v Speaker 1>show business. It was wildly successful for him. They left

0:42:08.480 --> 0:42:09.520
<v Speaker 1>this out of the Greatest Showman.

0:42:11.000 --> 0:42:15.160
<v Speaker 3>I more and more I'm like agreeing with the Jenny

0:42:15.239 --> 0:42:18.400
<v Speaker 3>Nicholson take of like, why didn't they just write a

0:42:18.520 --> 0:42:21.760
<v Speaker 3>musical inspired by P. D. Barnum and call him something

0:42:21.800 --> 0:42:24.040
<v Speaker 3>else so that we didn't have to reckon with any

0:42:24.080 --> 0:42:26.920
<v Speaker 3>of this, Not because I care if like the movie

0:42:26.920 --> 0:42:29.319
<v Speaker 3>holds up, but I'm just like, you are burnishing the

0:42:29.360 --> 0:42:31.640
<v Speaker 3>reputation of someone who not only doesn't deserve it, but

0:42:31.719 --> 0:42:34.320
<v Speaker 3>like probably should be the subject of a movie about

0:42:34.400 --> 0:42:36.319
<v Speaker 3>what a like con man he was.

0:42:36.360 --> 0:42:39.480
<v Speaker 1>You should Why would you want to launder the reputation

0:42:39.719 --> 0:42:43.520
<v Speaker 1>of a truly horrible person? Yeah, just make a musical

0:42:43.520 --> 0:42:44.360
<v Speaker 1>about a circus.

0:42:44.600 --> 0:42:47.400
<v Speaker 3>Yeah, just like call him something else?

0:42:47.760 --> 0:42:50.440
<v Speaker 1>Yeah, call him something else. I will watch music.

0:42:50.600 --> 0:42:53.000
<v Speaker 3>Cir I'm the Gilded Age. They have a family that's

0:42:53.040 --> 0:42:55.879
<v Speaker 3>like obviously the Vanderbilts, but they call them something else

0:42:55.880 --> 0:42:57.520
<v Speaker 3>so that they don't have to deal with the stuff

0:42:57.560 --> 0:42:59.400
<v Speaker 3>that happened to the actual Vanderbilts, and like, do that.

0:42:59.640 --> 0:43:02.919
<v Speaker 1>Yeah, I would have vastly preferred that. I think part

0:43:02.960 --> 0:43:05.800
<v Speaker 1>of the reason that I did not enjoy The Greatest

0:43:05.800 --> 0:43:08.480
<v Speaker 1>Showman is because I have read a lot about P. T.

0:43:08.600 --> 0:43:10.759
<v Speaker 1>Barnum and I know he is not a good person. No,

0:43:11.280 --> 0:43:13.680
<v Speaker 1>this is I think evidence that he was not a

0:43:13.760 --> 0:43:16.319
<v Speaker 1>good person, and I think something I really regret, not

0:43:16.680 --> 0:43:19.560
<v Speaker 1>it's not a regret. Something I wish we had was

0:43:19.680 --> 0:43:24.680
<v Speaker 1>more or any access to Joyce HEF's interiority or experience,

0:43:25.160 --> 0:43:29.160
<v Speaker 1>because everything we have about her is either filtered through

0:43:29.200 --> 0:43:33.759
<v Speaker 1>barnum or filtered through the audience. Yeah, and people are like,

0:43:34.040 --> 0:43:36.759
<v Speaker 1>you know, she's telling stories, she's in on it, but

0:43:37.560 --> 0:43:40.520
<v Speaker 1>we don't know what her mindset.

0:43:40.160 --> 0:43:43.160
<v Speaker 3>Was, right, And I'll also say, like the whole thing

0:43:43.160 --> 0:43:46.560
<v Speaker 3>of him, you know, seeing the light later. I want

0:43:46.560 --> 0:43:48.680
<v Speaker 3>to be clear, I do think people can change, and

0:43:48.760 --> 0:43:51.920
<v Speaker 3>like the sooner you realize slavery is bad, the better,

0:43:52.000 --> 0:43:54.960
<v Speaker 3>Like if it takes until you're middle aged, better that

0:43:55.120 --> 0:43:57.840
<v Speaker 3>than five years, you know. Like I'm not like we

0:43:57.880 --> 0:44:00.040
<v Speaker 3>got to give him credit. I'm like, I do think.

0:44:00.160 --> 0:44:02.319
<v Speaker 1>It's better, better than not better than.

0:44:02.280 --> 0:44:05.960
<v Speaker 3>Him dying thinking slavery is cool. Yeah, like it's always

0:44:06.000 --> 0:44:12.080
<v Speaker 3>good to learn something, But that doesn't then retroactively make

0:44:12.160 --> 0:44:14.640
<v Speaker 3>me think like, well, in that case, the Greatest Showman

0:44:14.880 --> 0:44:18.040
<v Speaker 3>is a documentary because by the end of his life

0:44:18.120 --> 0:44:20.719
<v Speaker 3>he was less problematic. It's like, no, you still did

0:44:20.719 --> 0:44:21.680
<v Speaker 3>a lot about things.

0:44:21.600 --> 0:44:24.719
<v Speaker 1>Still did a lot about things. Better than not that

0:44:24.800 --> 0:44:28.600
<v Speaker 1>you eventually come out against slavery. But I think that

0:44:28.719 --> 0:44:33.799
<v Speaker 1>it is worth us as modern day citizens recognizing the

0:44:33.880 --> 0:44:38.640
<v Speaker 1>ways in which someone like Joyce Heath was a mass

0:44:39.080 --> 0:44:43.040
<v Speaker 1>pop cultural attraction and why people wanted to go see her.

0:44:43.440 --> 0:44:46.240
<v Speaker 1>I think it both like let you feel good about

0:44:46.239 --> 0:44:48.920
<v Speaker 1>George Washington and our country and also let you feel

0:44:49.080 --> 0:44:52.480
<v Speaker 1>better than a black person. That's why people wanted to go.

0:44:53.440 --> 0:44:56.479
<v Speaker 1>A lot of the descriptions were grotesque. And then even

0:44:56.520 --> 0:44:59.640
<v Speaker 1>the people who defended her quote unquote like defended her

0:44:59.800 --> 0:45:02.760
<v Speaker 1>like saying like you shouldn't go. It was more looking

0:45:02.840 --> 0:45:07.960
<v Speaker 1>out for like the morality of the presumably white audience members. Yeah,

0:45:08.160 --> 0:45:12.560
<v Speaker 1>as opposed to any any instinct towards humanity on her part.

0:45:12.680 --> 0:45:14.240
<v Speaker 3>Right that like she's a victims.

0:45:14.640 --> 0:45:18.840
<v Speaker 1>It's like you, as a white spectator, think about your

0:45:19.040 --> 0:45:21.960
<v Speaker 1>moral hearts. It would be it's you shouldn't look on

0:45:22.080 --> 0:45:26.160
<v Speaker 1>grotesqua rie. That's not good for you. Or even like

0:45:26.960 --> 0:45:30.560
<v Speaker 1>even though she's black, she still touched George Washington, so

0:45:30.680 --> 0:45:34.520
<v Speaker 1>let's not you know, treat her too poorly. It's bad.

0:45:34.760 --> 0:45:37.160
<v Speaker 1>And I think it's very interesting that P. T. Barnum

0:45:37.280 --> 0:45:41.480
<v Speaker 1>arguably the most American like capital a American figure in

0:45:41.520 --> 0:45:46.400
<v Speaker 1>American history began his career by exploiting an old enslaved woman,

0:45:46.680 --> 0:45:48.920
<v Speaker 1>and I think that kind of makes him even more American.

0:45:49.440 --> 0:45:51.880
<v Speaker 3>I mean, it's like a very American story to be like,

0:45:53.040 --> 0:45:55.920
<v Speaker 3>what was America built on? I know, George Washington and

0:45:56.040 --> 0:45:58.759
<v Speaker 3>not paying a black person. So I'll grab onto those

0:45:58.800 --> 0:46:00.840
<v Speaker 3>two ideas make some money.

0:46:00.880 --> 0:46:03.279
<v Speaker 1>You know what America is built on the legend of

0:46:03.320 --> 0:46:04.080
<v Speaker 1>George Washington.

0:46:04.160 --> 0:46:09.040
<v Speaker 3>Yeah, the fictionalized I present the reputation America was built

0:46:09.080 --> 0:46:11.200
<v Speaker 3>on a guy trying to get rich.

0:46:11.400 --> 0:46:17.160
<v Speaker 1>Yeah, the idealized vision of George Washington and exploited labor. Yeah.

0:46:17.200 --> 0:46:19.399
<v Speaker 1>And there you go, and there you go. Lizzie. Where

0:46:19.440 --> 0:46:21.400
<v Speaker 1>can the good people find you?

0:46:21.400 --> 0:46:25.640
<v Speaker 3>You can contact me via Hoax the podcast on Instagram.

0:46:25.760 --> 0:46:28.480
<v Speaker 3>I respond to all the messages. I have a good

0:46:28.520 --> 0:46:29.640
<v Speaker 3>time chatting with y'all.

0:46:30.200 --> 0:46:30.520
<v Speaker 1>Dana.

0:46:30.640 --> 0:46:31.719
<v Speaker 3>Where can the good people find you?

0:46:31.760 --> 0:46:34.439
<v Speaker 1>Well, they can email Pokes Thepodcast at gmail dot com.

0:46:34.480 --> 0:46:38.120
<v Speaker 1>I want to thank everyone personally who's emailed with great

0:46:38.160 --> 0:46:41.800
<v Speaker 1>episode recommendations. They all go on the master list. It's

0:46:42.200 --> 0:46:44.960
<v Speaker 1>really lovely to hear from people who listen to the show.

0:46:45.400 --> 0:46:48.560
<v Speaker 1>And you can find me on Instagram and TikTok at

0:46:48.640 --> 0:46:51.239
<v Speaker 1>danishwartz with three z's. Oh and I should promote this.

0:46:51.520 --> 0:46:55.480
<v Speaker 1>In July, I'm leading a pilgrimage to the south of France.

0:46:55.719 --> 0:46:58.440
<v Speaker 1>Hell yeah, with a program called common Ground. This is

0:46:58.480 --> 0:47:01.400
<v Speaker 1>the fourth trip I've done because it's a really really

0:47:01.680 --> 0:47:05.000
<v Speaker 1>special group that I really love doing this with. You

0:47:05.040 --> 0:47:08.799
<v Speaker 1>should google common Ground pilgrimages Danish words. This one is

0:47:08.800 --> 0:47:10.399
<v Speaker 1>in the south of France, and we're gonna be talking

0:47:10.440 --> 0:47:14.200
<v Speaker 1>about Julia Child, who is a really wonderful person, kind

0:47:14.200 --> 0:47:16.560
<v Speaker 1>of the opposite of a Pet Barnum type in that

0:47:16.760 --> 0:47:18.880
<v Speaker 1>she's really good and the more you learn about her,

0:47:18.920 --> 0:47:21.799
<v Speaker 1>the more you're like, hell yeah, I won't be there,

0:47:21.920 --> 0:47:23.879
<v Speaker 1>Lizzy won't be there, but I will be yep, and

0:47:24.800 --> 0:47:27.359
<v Speaker 1>you can still come. You can sign up. We're gonna

0:47:27.360 --> 0:47:30.319
<v Speaker 1>have a great time. It's in July. Yeah, that's in

0:47:30.400 --> 0:47:32.359
<v Speaker 1>your book. Oh and I have a book coming out

0:47:32.400 --> 0:47:33.919
<v Speaker 1>in May called The Arcane Arts.

0:47:34.000 --> 0:47:35.200
<v Speaker 3>That's really good. I've read it.

0:47:35.280 --> 0:47:39.600
<v Speaker 1>I co wrote under the pseudonym sd coverly because it's

0:47:39.600 --> 0:47:41.759
<v Speaker 1>not a hoax. I'm telling you right now that's that's

0:47:41.800 --> 0:47:43.960
<v Speaker 1>the pseudonym we co wrote the book under. And you

0:47:43.960 --> 0:47:46.880
<v Speaker 1>can pre order it now. Please do that. Thank you

0:47:46.880 --> 0:47:49.400
<v Speaker 1>so much for listening, Please hoax responsibly.

0:47:49.760 --> 0:48:00.320
<v Speaker 2>Bye Folks.

0:48:00.360 --> 0:48:03.720
<v Speaker 3>Is a production of iHeart Podcasts. Our hosts are Danas

0:48:03.719 --> 0:48:07.240
<v Speaker 3>Schortz and Lizzie Logan. Our executive producers are Matt Frederick

0:48:07.280 --> 0:48:11.319
<v Speaker 3>and Trevor Young, with supervising producer Rima L. Kali and

0:48:11.360 --> 0:48:14.799
<v Speaker 3>producers Nomes Griffin and Jesse Funk. Our theme music was

0:48:14.800 --> 0:48:18.960
<v Speaker 3>composed by Laine Montgomery. For more podcasts from iHeartRadio, visit

0:48:19.000 --> 0:48:22.600
<v Speaker 3>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:48:22.960 --> 0:48:23.800
<v Speaker 3>Thanks for listening.