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Speaker 1: So it turns out our ancestors actually had a little

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Speaker 1: bit to teach us about being healthy about like you know,

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Speaker 1: so we like we think of like, oh, we've developed

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Speaker 1: all these like new medicinal and like culinary practices, so

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Speaker 1: we're healthier now. It's like, actually we've actually we've in

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Speaker 1: some ways we have maybe because someone is trying to

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Speaker 1: sell us something product money off this product. Actually things

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Speaker 1: that were given to us for free are also the

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Speaker 1: healthiest approach to things like how we eat a berri

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Speaker 1: a leaf, right, I have found that's so interesting that

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Speaker 1: you would say a barrier of rock. I have found

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Speaker 1: you that by by really perfecting my scooping paw technique,

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Speaker 1: m that I at all my eating now is is scooping.

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Speaker 1: I will scoop. It's perfect for berries. It is perfect

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Speaker 1: for berries. Whereas when I was I used a fork

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Speaker 1: for five six years, I can only get like a

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Speaker 1: couple berries on there at a time.

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Speaker 2: Oh my god, and they're exploding. You're losing some of

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Speaker 2: the vital nutrients.

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Speaker 3: They're all over the place.

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Speaker 4: I am.

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Speaker 3: Biting down on the fork. The fork is so hard

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Speaker 3: mm hmmm.

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Speaker 1: Whereas and of course I'll yes, I'll bite down I'll

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Speaker 1: put my hand all away in my mouth, my hand.

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Speaker 1: But that's me sometimes too, at least, I yes, and

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Speaker 1: I and I can feel that when it's starting to happen, I'm.

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Speaker 2: Like, oh, time to ease up, time to ease exactly.

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Speaker 3: I can seal the fork. I can feel my paw.

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Speaker 2: I hate to extend this intro. We do have guests

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Speaker 2: that we need to introduce, but actually your story has

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Speaker 2: reminded me something of a parable from nature, and I

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Speaker 2: think it relates to our guests today. And I don't

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Speaker 2: think they've discussed this before, but it's it's a warning

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Speaker 2: for you as well as a berry Scooper. Are you

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Speaker 2: familiar with the monkey hunting technique employed in Borneo in

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Speaker 2: the Jungles in Borneo, in the Borneo Jungles, No, Well,

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Speaker 2: allow me.

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Speaker 3: To educate you.

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Speaker 2: So they will fill a tree hole a cavern inside

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Speaker 2: a tree with berries and nuts and things desirable to

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Speaker 2: these delicious monkeys, and the monkey will reach his hand inside,

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Speaker 2: having smelled the trees, and he will close his fist

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Speaker 2: inside of the tree.

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Speaker 3: Close.

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Speaker 2: It's so tight around this treasure he's found that he's

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Speaker 2: unable to remove it and effectively trap himself He's unwilling

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Speaker 2: to let go of the nutrients of the delicious, wonderful

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Speaker 2: food he thinks he has, But in fact, the very

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Speaker 2: thing he thinks he has won he has discovered. By

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Speaker 2: holding onto it, he's ensuring his own demise. And you'll

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Speaker 2: see them here if you go to Borneo, you walk around,

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Speaker 2: there's just these monkeys with their hand just stuck in

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Speaker 2: the tree, gripping their fists too wide removed. And if

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Speaker 2: they would just let go what they think is the prize,

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Speaker 2: they would have freedom. And so I think we have

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Speaker 2: someone here because I like to ask you what are

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Speaker 2: you holding onto?

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Speaker 3: Yes, what are your.

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Speaker 2: Nuts and berries that you're gripping so tightly that you

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Speaker 2: think you have that in fact are holding you back

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Speaker 2: and trapping you and killing you? And clear you're here?

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Speaker 5: Yeah, yeah, Do you have a guess and what it

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Speaker 5: might be for you?

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Speaker 6: Yeah? I mean when we were when I was here recently,

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Speaker 6: we were talking about an idea for a movie and

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Speaker 6: it didn't end well. And now here I am sticking

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Speaker 6: my hand in the tree trying to grab back onto

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Speaker 6: that idea.

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Speaker 3: The Christmas Project.

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Speaker 6: Yeah, and you guys are the tree, I guess. Yeah,

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Speaker 6: So I'm I'm trying to get those nuts and berries.

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Speaker 3: You got your hands and the and the your inside Hayes.

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Speaker 1: Yeah, the pause, your unslakable ambition, which we knew about

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Speaker 1: going into that.

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Speaker 3: We were worried.

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Speaker 2: In fact, we thought it would serve us. We thought, oh, well,

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Speaker 2: this will be great. We get we get a true

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Speaker 2: killer on the podcast, and she's go to help push

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Speaker 2: this thing over the goal line.

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Speaker 3: And instead, I mean, by.

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Speaker 6: The end, I think, I mean, if I'm not mistaken,

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Speaker 6: I think Hayes called me radioactive, which hurt, but it

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Speaker 6: really was a good It was I think I needed.

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Speaker 2: And it wasn't referencing Dragon's song, you know what I mean.

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Speaker 2: He was talking about the actual thing.

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Speaker 1: Yeah.

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Speaker 4: Yeah.

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Speaker 3: It hurts to be around it as well.

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Speaker 6: And it hurts. It hurts to be it. It hurts

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Speaker 6: to be it. But I think I you know, I

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Speaker 6: sort of figured it out because obviously I made the

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Speaker 6: other Christmas movie, The Happiest Seasons of All, and I

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Speaker 6: tried to come into this in a different way with

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Speaker 6: this new you know, Santa Claus Pool Party movie, and

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Speaker 6: it didn't work.

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Speaker 1: Santa, if we could just refer to the movie, Santa, yeah, yea, yeah,

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Speaker 1: I am called Love and Santa. But I thought, like

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Speaker 1: it's a swimply it can't and like there's a there,

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Speaker 1: there's a pool party that happens. But I don't know

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Speaker 1: if it's a pool party movie, it's a.

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Speaker 2: Swim pool party movie. I mean, we're not going to

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Speaker 2: Carson's this year.

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Speaker 1: It is carson Now. It used to be it used

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Speaker 1: to be Carter's. It used to be I know, but.

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Speaker 3: But did anyone else feel like Carter was no? I

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Speaker 3: I I.

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Speaker 1: Was texting you that as as I got as I

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Speaker 1: got the text.

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Speaker 3: I mean, I mean, am I alone here?

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Speaker 1: You know?

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Speaker 3: In agreement with it? Was it's Carson's. It was always Carsons.

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Speaker 2: You should decide. I mean, let's let Mary decide. And

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Speaker 2: that's what she's here to do, right some of the holes, Yeah.

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Speaker 6: I wanted to us, well Mary.

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Speaker 3: You know are Mary, But who's your who's your Mary?

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Speaker 1: You know?

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Speaker 6: My Mary is Mary Holland who wrote Happiest Season with

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Speaker 6: me and also played a role in the film. And

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Speaker 6: and when I really like we don't, we don't where

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Speaker 6: she was at the hearing star.

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Speaker 3: That was my coaster.

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Speaker 6: She was a coaster.

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Speaker 3: She played a role. We all have a role. And

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Speaker 3: Mary was no different in the Happiest Seasons of All.

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Speaker 6: Yeah, her character had a name and she was in the.

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Speaker 3: Book you better believe it, Negotia.

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Speaker 6: So I wanted to bring her in because I know

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Speaker 6: you guys have a relationship with her, like you guys

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Speaker 6: have a Mary and then I have a Mary. And

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Speaker 6: I thought that if we made our marry the same Mary,

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Speaker 6: then maybe we would be able to, you know, kind

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Speaker 6: of break through what happened.

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Speaker 2: Before you can marry the two marries, will marry the Marys,

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Speaker 2: marry the marriage and make a marry.

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Speaker 3: And make a marry marry Christmas Christmas.

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Speaker 2: Yeah, and you know, and it's just been Christmas, and

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Speaker 2: we probably do have to just production schedule wise, if

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Speaker 2: I get it out there, we probably do have to

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Speaker 2: pivot to make this in New Year's movie. If I

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Speaker 2: just get out in front of this right away, I

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Speaker 2: think it Actually, I think it's got to be.

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Speaker 3: Yeah. I think could still o d Yeah, it could.

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Speaker 1: Be a blessing in disguise. Yeah, makes sense that he's

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Speaker 1: not working and stuff. Yeah, Mary, let's let's talk to Mary. Well. Hi.

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Speaker 4: First of all, I want to say I just love

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Speaker 4: and I really hope that we do keep this if

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Speaker 4: we do pivot to well, first of all, thank you

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Speaker 4: for having me.

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Speaker 3: Yeah.

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Speaker 2: No, there's just a lot of First of all, I

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Speaker 2: just want to get everything.

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Speaker 4: And first of all, sorry, let me back up. First

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Speaker 4: of all, let me just say hi.

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Speaker 3: Hi, hey, and oh my god, thank you.

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Speaker 4: I also just want to well.

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Speaker 3: Clea never did that on our episode, not even close.

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Speaker 3: We were one in the neighborhood. There was no high,

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Speaker 3: there was no didn't high. No. But we're just you know,

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Speaker 3: I just want to big bag.

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Speaker 4: That's the thing.

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Speaker 3: I don't think she said thank you either.

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Speaker 6: I definitely, Yeah, I definitely. I made a lot of mistakes.

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Speaker 6: And that's why I'm happy that you guys even let

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Speaker 6: me come back here because I do think you know, yeah,

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Speaker 6: did you.

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Speaker 3: Like there's an opportunity I couldn't you think I could? Yeah?

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Speaker 3: I wouldn't. No, I'm traumatized by Yeah. But I think

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Speaker 3: that was a mistake too. Mary.

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Speaker 1: Hi, I'm it's so funny to be like, because I've

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Speaker 1: been thinking a lot about me.

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Speaker 3: Yeah, I'm doing the scooping thing. Oh did you hear about.

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Speaker 4: This I did with nuts and berries?

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Speaker 3: Yeah?

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Speaker 1: Yes, And I've been thinking about you just because I

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Speaker 1: was looking at different techniques and yours is. I was like,

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Speaker 1: it's so different from all the others I've seen.

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Speaker 3: Yeah, it's a little counterintuitive, isn't it.

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Speaker 4: Well, it is because I used the back of my hand.

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Speaker 1: That is, that is the thing I use. Somehow it

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Speaker 1: doesn't fall off yours like it does mine. You can

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Speaker 1: sort of concave it in a way.

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Speaker 4: Because it's that thing of where in order to go up,

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Speaker 4: you must go down. Have you heard that?

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Speaker 3: So I haven't really found that to be true, But.

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Speaker 2: Okay, there's there's acceptance, yes, of the of the nuts

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Speaker 2: and berries that way. There's you live an acceptance in

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Speaker 2: that way because you play the game Haze where you'd

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Speaker 2: balance a lighter on the back of your fingers and

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Speaker 2: then you would sort of throw it up in the

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Speaker 2: air and someone would try to gently catch it, you know,

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Speaker 2: like so and just sort of accept the momentum and

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Speaker 2: balance it dangerous.

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Speaker 1: So no, I don't think I am going to be

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Speaker 1: playing that game. That sounds mary.

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Speaker 3: Mary can do three loops.

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Speaker 4: I do three loops three loops. I don't need anybody

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Speaker 4: else to be there to catch it. I can do

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Speaker 4: it by myself. I can do three loops by myself

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Speaker 4: and guess what the lighter can be on?

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Speaker 3: The lighters burning the.

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Speaker 1: Whole time the lighters on, you can just stay.

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Speaker 4: Yeah, because there's a switch. Every lighter has a switch.

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Speaker 3: It an on off switch.

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Speaker 4: Yeahs an on off switch because you get, yeah, you

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Speaker 4: ignite it. But then it also has a switch on

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Speaker 4: the butt on the that you just flick.

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Speaker 2: If you ever look at the ass part of the lighter,

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Speaker 2: there's usually a switch there that you can just set

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Speaker 2: to on if you're if you're actually willing to investigate

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Speaker 2: this world we live in.

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Speaker 4: Yeah, I know. You have to have a curious mind.

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Speaker 4: You have to have a curious mind, which you know

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Speaker 4: you do?

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Speaker 3: You do?

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Speaker 4: I do for sure?

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Speaker 3: Talks about that, well, let's talk about that. Let's talk.

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Speaker 1: I'm so curious what your you know your co writer

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Speaker 1: of the Happiest Season of All also played a role

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Speaker 1: in it as well.

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Speaker 3: There's absolutely no denying that a starring role. I would

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Speaker 3: say the star Oh, you would say that.

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Speaker 4: I would say that it's you know clear, would you not?

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Speaker 4: You don't think she She didn't.

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Speaker 3: She didn't.

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Speaker 2: She was given a pretty direct opportunity to say that, Yes.

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Speaker 6: I mean, I guess it's I think that you and I,

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Speaker 6: and this is something we have always sort of clashed about,

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Speaker 6: like the definition of what's what a star is, you know,

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Speaker 6: like you think that anybody on screen is a star,

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Speaker 6: and I think it's you know, the people stars.

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Speaker 3: Yeah, you say, part of.

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Speaker 1: The nature of stars, sure is that there's so so,

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Speaker 1: so so many.

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Speaker 2: Of them did But that's interesting. I mean, it is

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Speaker 2: true anybody who's on screen you described as a star.

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Speaker 2: I remember walking out of Capturing the Freedman's with you

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Speaker 2: and you said, wow, hold that star power upon screen,

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Speaker 2: and you know, I was taken aback.

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Speaker 3: That was not my reaction to the film.

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Speaker 4: Yeah, I mean, well I just came out. I mean honestly,

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Speaker 4: I wasn't even paying attention to what happened in the

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Speaker 4: film because there was so much.

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Speaker 2: That was As we discussed it more, it became really clear, Yeah,

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Speaker 2: that some stuff had been missed.

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Speaker 4: Yeah, I just love I mean, it's what I loved

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Speaker 4: about Capturing the Freedman's is that they did capture them.

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Speaker 4: They captured them in their in all of their stardom

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Speaker 4: and all of their glory. And I just thought that

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Speaker 4: movie was so moving because.

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Speaker 1: Yeah, I mean, we're just it was actually about it

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Speaker 1: would be the same way and that, yeah, that was

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Speaker 1: a sort of a misconcept. It's actually about the attempt

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Speaker 1: to capture, like actually capture them, right to be yeah,

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Speaker 1: I know, I know they need to be.

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Speaker 4: Captured exactly, And that's I don't think we're.

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Speaker 3: Saying the same thing. I'm curious, clearly.

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Speaker 1: I mean, you know, it's an ensemble movie, but like,

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Speaker 1: do you think of anyone is everyone and kind of

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Speaker 1: like playing a role in it? Or are are there stars?

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Speaker 1: Are there people who are starring in the in the

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Speaker 1: movie it is?

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Speaker 6: It is definitely an ensemble. I think I don't really

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Speaker 6: use the term star because it creates a sort of

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Speaker 6: hierarchy not only amongst the cast, but also amongst the crew.

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Speaker 6: And I think it's except for Kristen who's the star,

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Speaker 6: but like other than her, you know, everybody else and

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Speaker 6: then Mackenzie is also the star, right and then obviously me,

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Speaker 6: I mean I think then we'll know, like Alison, this.

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Speaker 4: Is a star.

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Speaker 3: Yeah, I was gonna say a.

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Speaker 6: And Damn Levy Is He's definitely that guys, And I

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Speaker 6: think Mary Stein me.

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Speaker 3: Too, Mary Is I think that Virgin.

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Speaker 6: Yeah, Mary, Steve Virgin is definitely star and then you know,

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Speaker 6: Victor Garber, we discussed him before, and I think we

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Speaker 6: should definitely circle back to some casting things, but we'll

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Speaker 6: put a pin in that for later once we get to.

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Speaker 4: It, and then probably.

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Speaker 6: Yeah. So other than those people, I feel like everybody

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Speaker 6: else even playing fields.

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Speaker 7: Yeah, so I heard so interesting.

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Speaker 3: I heard Victor sent you a text.

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Speaker 4: Yeah.

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Speaker 1: I didn't really recognized like the extent of like what

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Speaker 1: has happened to this relationship, but the fact that you

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Speaker 1: didn't pitch him, you know, give me a hint. But

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Speaker 1: I heard he sent you a text after you appear

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Speaker 1: on the show. Yeah, and it said you discussed me

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Speaker 1: and you discussed me.

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Speaker 6: Yeah. And it's funny because when I looked up at

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Speaker 6: the previous five texts I had gotten from him, yeah,

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Speaker 6: all the same. So it's like it's not it's sort

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Speaker 6: of like netting out.

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Speaker 3: Maybe not even related to the episode.

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Speaker 6: Yeah, yeah, it.

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Speaker 1: Could have been.

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Speaker 6: I mean there was one that I like, I went

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Speaker 6: back further in our text and there was a text

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Speaker 6: that said, don't pitch me.

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Speaker 3: Don't okay, don't pitch me.

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Speaker 1: Okay, So you hadn't even seen that, but you still

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Speaker 1: knew not to do it.

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Speaker 6: M m yeah, yeah, because it's yeah, if.

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Speaker 3: We are never going to get.

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Speaker 4: Clear, I have a question. Was he in that text though,

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Speaker 4: because that was from months ago, right that? Don't pitch me?

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Speaker 4: Was he referring to the baseball game? Was he? Was

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Speaker 4: he referring to the baseball game.

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Speaker 3: Let's talk about the cast baseball game?

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Speaker 4: He said, I feel, don't pitch me.

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Speaker 1: Don't put in the you put one in the zone,

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Speaker 1: I'm putting it out of this building.

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Speaker 3: That's what Victor is telling you.

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Speaker 2: I see a big honk and meatball fly over the plate.

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Speaker 2: You better believe I'm taking a bite. I'm getting on

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Speaker 2: one way or another. It's your choice as to have.

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Speaker 6: Yeah, he I mean he has a big like when

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Speaker 6: it comes to sports. He's a huge trash talker. And

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Speaker 6: that is true.

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Speaker 3: Yeah, I don't know if it's trash when you back

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Speaker 3: it up like that, why would you say and that

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Speaker 3: is true? Yeah? How'd you say that? Just why would

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Speaker 3: you say and that is true about some of the

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Speaker 3: stuff not been true? Like do I have to check

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Speaker 3: every time you do?

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Speaker 4: And I lucky right now you need to fact check

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Speaker 4: most of what Clia says, because if she doesn't confirm

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Speaker 4: that it is true. Right after she says it.

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Speaker 1: Usually have anything wop up so far, anything that because

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Speaker 1: have you cross referenced anything Kevin that's.

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Speaker 3: Like come up and been like something that we need

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Speaker 3: to have.

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Speaker 2: There been some stuff that's untrue because I want to

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Speaker 2: be able to release it in good conscience. I don't

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Speaker 2: want to be spreading more of this misinformation, right, Is.

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Speaker 3: There any fake stuff? Nope? Not yet? Nothing was fake okay, great,

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Speaker 3: nothing was vague okay, and no.

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Speaker 4: Well listen, it's just a matter of she says, and

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Speaker 4: that is true.

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Speaker 7: M h big week.

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Speaker 2: I worry because Hayes was talking about like health, like

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Speaker 2: modern health solutions and stuff up here, and I just

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Speaker 2: feel like that we've created a window now for clear

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Speaker 2: to kind of bust her way in and start m.

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Speaker 3: Dispensing some of her COVID theories.

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Speaker 2: And I just I'd rather focus on the New Year's

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Speaker 2: Eve movie right where most of the you know, most

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Speaker 2: of the cast will have COVID, the characters will have COVID.

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Speaker 4: Starts, because we do want to most of the story.

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Speaker 6: We want to address that OVID is sort of like

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Speaker 6: a character in the film.

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Speaker 3: COVID is COVID is the fifth character.

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Speaker 2: Yeah, cod is Carson like COVID.

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Speaker 4: I love that where do.

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Speaker 3: We?

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Speaker 4: So?

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Speaker 1: I mean, it's the we, It's the we that's making me,

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00:19:04,520 --> 00:19:11,800
Speaker 1: it makes and and is there. I do think there's

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Speaker 1: potentially a pathway back to that, but I I'm not

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Speaker 1: seeing It's like it's not.

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Speaker 3: Before me for now.

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Speaker 2: When you have the instinct to say we can you

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Speaker 2: just say, y'all's, where did y'alls land on?

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Speaker 3: We're saying y'all's now it's a little like it's.

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Speaker 4: A little yeah, well where did y'alls?

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Speaker 6: Where did y'alls land with Carson? Because what like right

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Speaker 6: off the bat, you y'alls were saying that, like we're

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Speaker 6: not going to Carson's by the end of this no

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Speaker 6: matter what. And now I'm hearing that the one rule.

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Speaker 6: But then Carson is a character, Well Carson, she's one

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Speaker 6: of the five COVID Carson Santa, But so were are

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Speaker 6: we still? Are y'all still seeing Santa even or Carson?

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Speaker 3: I'm sorry, we're gonna see Carson. Yeah, No, I knew it.

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Speaker 2: Carson signs up for I had to swim p clear

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Speaker 2: a little bit these past few weeks. Uh, No, you

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Speaker 2: knew you wanted to say Carson I think he comes

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Speaker 2: to us finally, which has been something in the relationship

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Speaker 2: where it's like we're always going to him, We're always

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Speaker 2: meeting Carson where he's at. I think it portrays the

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Speaker 2: character if we go to Carson's. But for Carson to

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Speaker 2: come to us, there is progress there. You know, that

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Speaker 2: is a bridge to a future where we can have

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Speaker 2: a successful.

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Speaker 3: Functioning relationship with Carson. I mean, you're Carson in some ways.

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Speaker 4: Well, I was just going to say, if I may

387
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Speaker 4: be so bold, First of all, I just want to

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Speaker 4: say that it isn't this. There's like a beautiful metaphor

389
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Speaker 4: that's happening right before our very eyes in that, in

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Speaker 4: that in that, yes, nuts Berries, is Clia, Carson and

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Speaker 4: Hayes and Sean? Are you Hayes and Sean? And is

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Speaker 4: this the movie? I mean, we're we're rapidly approaching New

393
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Speaker 4: Year's Eve? I mean, am I crazy?

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Speaker 3: So this is interesting? I was.

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Speaker 1: I still haven't gotten really an answer on like what

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Speaker 1: Mary's role of the partnership. Yeah, for sure, I'm getting

397
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Speaker 1: a little bit more of a sense of it.

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Speaker 4: Well, I bring a sense of danger, I think is

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Speaker 4: what I contributed.

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Speaker 3: I don't feel scared good good. Yeah.

401
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Speaker 4: Art shouldn't feel safe. Art should feel like you're gonna

402
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Speaker 4: die at any moment. And that's what I bring to

403
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Speaker 4: the partnership. CLEI, I think I agree with Yeah.

404
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Speaker 6: Yeah, I felt scared most of them working with you.

405
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Speaker 3: So that's true. Wow, okay, and that is when you

406
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Speaker 3: fact checked that that quickly. Okay.

407
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Speaker 1: So I'm curious for way because I you know, I

408
00:22:12,280 --> 00:22:15,080
Speaker 1: have sure a lot of times I'll be watching a

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Speaker 1: movie and I'll feel like I'm about to die. What

410
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Speaker 1: I understand how we can create that feeling for y'all's

411
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Speaker 1: in the production where like I said, if I with.

412
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Speaker 3: The so that since we last spoke, my.

413
00:22:34,560 --> 00:22:41,320
Speaker 1: Genes often that they'll like sort of erode and like thin,

414
00:22:42,080 --> 00:22:44,480
Speaker 1: especially the way I wear them, like they like they'll

415
00:22:44,520 --> 00:22:47,760
Speaker 1: develop a sort of sheerness and not too much time,

416
00:22:48,520 --> 00:22:52,920
Speaker 1: these genes are so raw that actually they've like sort

417
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Speaker 1: of accumulated some of my like sheddings, my physical sheddings

418
00:23:00,080 --> 00:23:02,840
Speaker 1: an hour like they're even more like caked and thick.

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Speaker 4: Does that mean skin? Like what kind of.

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Speaker 3: It's partly skin? Some of its skin going to be

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Speaker 3: some of its skin for sure.

422
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Speaker 4: What's the rest of it?

423
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Speaker 3: What's the rest of it oils hair oils hair yep,

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00:23:19,080 --> 00:23:27,480
Speaker 3: keratin like clippings, seb them s them, Okay, just.

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00:23:27,440 --> 00:23:32,000
Speaker 1: A general different like effluence like different you know, anything

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Speaker 1: that anything that leaks mm hmm.

427
00:23:35,440 --> 00:23:36,879
Speaker 3: And it's all caked on there.

428
00:23:37,640 --> 00:23:42,040
Speaker 1: And so the the selva edge is so raw that

429
00:23:42,880 --> 00:23:48,040
Speaker 1: like if if it makes contact with water again, it's

430
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Speaker 1: gonna take a while for the water to seep in.

431
00:23:49,840 --> 00:23:51,679
Speaker 1: But if it does seep in, there's gonna be no

432
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Speaker 1: extracting me from this pool. That's how logged and laden.

433
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Speaker 2: The issue is, you're not going to get any thing

434
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Speaker 2: you want right because the cannonball effect will be ruined

435
00:24:02,600 --> 00:24:06,280
Speaker 2: because the genes will reject the water and Hayes will

436
00:24:06,640 --> 00:24:11,120
Speaker 2: momentarily it will be suspended. There's no you know, there's

437
00:24:11,160 --> 00:24:15,280
Speaker 2: going to be no splash, no sound. But then the

438
00:24:15,400 --> 00:24:17,960
Speaker 2: second that the water does get in, probably through the

439
00:24:17,960 --> 00:24:21,639
Speaker 2: ankle holes, Yep, that's it for Hayes. And we're not

440
00:24:21,640 --> 00:24:23,399
Speaker 2: gonna be able to root them from the jeans either.

441
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Speaker 3: It's a rap on Hayes.

442
00:24:25,000 --> 00:24:26,520
Speaker 4: Yes, oh so Hayes dies.

443
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Speaker 3: It's a rap. Well, this is why we're thinking maybe

444
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Speaker 3: there's no water in the pool.

445
00:24:31,400 --> 00:24:37,640
Speaker 1: Nineteen to twenty twenty two. I'm hoping like we, I mean, we.

446
00:24:37,800 --> 00:24:40,560
Speaker 2: Can actually get on the same page, because otherwise this

447
00:24:40,600 --> 00:24:41,480
Speaker 2: thing's going to be late.

448
00:24:43,840 --> 00:24:46,879
Speaker 1: Hey guys, it's Hayes So January, the annual time of

449
00:24:46,920 --> 00:24:49,360
Speaker 1: the New Year's resolution and the unveiling of the new

450
00:24:49,480 --> 00:24:52,680
Speaker 1: U this year. Whether the new U means finally seeing

451
00:24:52,680 --> 00:24:55,960
Speaker 1: what's underneath that beard or finally rock in that stash.

452
00:24:56,119 --> 00:24:59,200
Speaker 1: Harries has the tools for your closest, cleanest shave ever,

453
00:25:00,560 --> 00:25:07,800
Speaker 1: and I'm sort of developing a new me of my own. Specifically,

454
00:25:07,800 --> 00:25:13,399
Speaker 1: there's something I left behind in twenty twenty two, and

455
00:25:13,480 --> 00:25:14,560
Speaker 1: that was the bullshit.

456
00:25:15,760 --> 00:25:17,119
Speaker 3: I will no longer be.

457
00:25:18,800 --> 00:25:21,960
Speaker 1: Dealing with the bullshit on this show, certainly not in

458
00:25:22,720 --> 00:25:27,080
Speaker 1: advertising with our ad partners, Santa Man, all these fake

459
00:25:27,240 --> 00:25:29,679
Speaker 1: stories that we did for so long with Harry's. I

460
00:25:29,720 --> 00:25:35,520
Speaker 1: want to tell real stories, man, Enough of this bullshit,

461
00:25:36,080 --> 00:25:41,840
Speaker 1: fake shit. Let's talk about real life. Let's talk about So.

462
00:25:41,880 --> 00:25:46,080
Speaker 1: I get this, Harry's all right, I get the Truman

463
00:25:46,640 --> 00:25:49,600
Speaker 1: the Shave Trial Kit, five blade German engineer raiser weighted

464
00:25:49,640 --> 00:25:51,880
Speaker 1: hand foaming shavegel in a travel cover.

465
00:25:52,119 --> 00:25:53,280
Speaker 3: And I'm shaving it.

466
00:25:53,359 --> 00:25:57,960
Speaker 1: I'm a shaven fool man working that little thing up

467
00:25:57,960 --> 00:26:04,880
Speaker 1: and down with a quickness, and I'm looking so damn good.

468
00:26:07,480 --> 00:26:11,479
Speaker 1: And while I'm going around looking this good, wouldn't you

469
00:26:11,520 --> 00:26:14,560
Speaker 1: know it? Things start looking up for the hayes Man.

470
00:26:14,880 --> 00:26:18,719
Speaker 1: Right when I start using my Harry's Truman and I

471
00:26:18,720 --> 00:26:20,160
Speaker 1: get a call from the hotel.

472
00:26:20,280 --> 00:26:20,919
Speaker 3: I'm suing.

473
00:26:22,359 --> 00:26:25,840
Speaker 1: So I stayed in this hotel in Manhattan, New York

474
00:26:26,880 --> 00:26:28,960
Speaker 1: a few years ago on a trip to the Tribeca

475
00:26:29,040 --> 00:26:31,960
Speaker 1: Film Festival just as a fan. I'm just a fan

476
00:26:32,000 --> 00:26:35,160
Speaker 1: of what they're doing. And I get in the room

477
00:26:36,640 --> 00:26:38,560
Speaker 1: and I see in the room it's got a little

478
00:26:38,560 --> 00:26:41,880
Speaker 1: table and chair, and so I say, well, I.

479
00:26:41,800 --> 00:26:42,840
Speaker 3: Know what I'm doing tonight.

480
00:26:42,960 --> 00:26:46,560
Speaker 1: Anytime my room has a little table and chair like that,

481
00:26:46,960 --> 00:26:48,880
Speaker 1: I'm not gonna let it go to waste. I am

482
00:26:49,400 --> 00:26:54,160
Speaker 1: having dinner at that table. So I go to Pastannini's.

483
00:26:54,200 --> 00:26:59,840
Speaker 1: I got a whole spread, walk all the way over there,

484
00:27:00,040 --> 00:27:04,000
Speaker 1: walk back with all my Pastagnini dumping on this little table.

485
00:27:05,200 --> 00:27:08,320
Speaker 1: I went to a silverware store and I got all

486
00:27:08,320 --> 00:27:10,760
Speaker 1: my special silverware to have my big dinner my hotel

487
00:27:10,760 --> 00:27:15,680
Speaker 1: before I go to the Tribeca Film Festival. And as

488
00:27:15,720 --> 00:27:17,800
Speaker 1: I sit down in the chair, I just give the

489
00:27:17,880 --> 00:27:22,359
Speaker 1: leg of the table a little bump, which is very

490
00:27:22,400 --> 00:27:23,200
Speaker 1: normal for me.

491
00:27:25,320 --> 00:27:26,960
Speaker 3: And all of.

492
00:27:26,920 --> 00:27:31,720
Speaker 1: The PASTAINI goes onto the floor and so I call

493
00:27:31,760 --> 00:27:35,800
Speaker 1: out the front desk and I said, did you hear that?

494
00:27:37,560 --> 00:27:40,280
Speaker 1: And he says no, And I said, that's the sound

495
00:27:40,280 --> 00:27:46,679
Speaker 1: of your ass being sued off. So I file this suit.

496
00:27:47,560 --> 00:27:52,960
Speaker 1: Been pursuing it ever since. I get a call after

497
00:27:53,040 --> 00:27:58,280
Speaker 1: I start using my Harry's my Harry's Truman, that the

498
00:27:58,320 --> 00:28:01,400
Speaker 1: hotel is gonna let me stay there for another night.

499
00:28:01,840 --> 00:28:04,280
Speaker 1: Because that's all I was really, that's I was willing

500
00:28:04,280 --> 00:28:06,040
Speaker 1: to drop as long as all I want is was

501
00:28:06,080 --> 00:28:08,200
Speaker 1: for all of us is to get another whack at this.

502
00:28:09,960 --> 00:28:16,240
Speaker 1: All I wanted was my experience to I just wanted

503
00:28:16,240 --> 00:28:20,919
Speaker 1: the story to play out as it should. So I'm packing,

504
00:28:20,920 --> 00:28:22,960
Speaker 1: I'm getting ready. I'm putting my travel cover on my

505
00:28:23,040 --> 00:28:27,399
Speaker 1: Harry's Truman, the Blades. It's a fifteen dollars value is

506
00:28:27,400 --> 00:28:31,679
Speaker 1: just three bucks. So I'm dumping all these into my

507
00:28:31,760 --> 00:28:35,800
Speaker 1: suitcase and I'm getting ready to go on my big trip.

508
00:28:35,880 --> 00:28:38,720
Speaker 1: Maybe I'll tell that story of that big trip another time.

509
00:28:39,840 --> 00:28:42,720
Speaker 1: Getting a little uh, this is becoming a little bit

510
00:28:42,760 --> 00:28:47,640
Speaker 1: of a stem winder here. Like I said, I left

511
00:28:47,640 --> 00:28:52,160
Speaker 1: that bullshit behind the twenty twenty two. Their blades are

512
00:28:52,160 --> 00:28:53,920
Speaker 1: made in their own factory in Germany to hold up

513
00:28:53,920 --> 00:28:56,360
Speaker 1: better than ever. Their sleek ergonomic weighted handles give some

514
00:28:56,400 --> 00:29:00,640
Speaker 1: Saudi erasor precise control with each swipe. You can schedule

515
00:29:00,680 --> 00:29:03,200
Speaker 1: replacement blader delivery whenever you need, with refill as low

516
00:29:03,200 --> 00:29:06,400
Speaker 1: as two dollars. No matter how near you're new, you

517
00:29:06,680 --> 00:29:09,360
Speaker 1: is look sharp all year long with Harry's get a

518
00:29:09,400 --> 00:29:12,440
Speaker 1: fifteen dollars Truman shave trial set for just three dollars

519
00:29:12,440 --> 00:29:15,280
Speaker 1: at Harry's dot com Slash the Boys. That's Harry's dot

520
00:29:15,280 --> 00:29:18,400
Speaker 1: com Slash the Boys for a three dollars trial set

521
00:29:19,880 --> 00:29:27,520
Speaker 1: Ham Ham And so let's talk about I guess instilling

522
00:29:27,560 --> 00:29:35,600
Speaker 1: a fear of imminent death in the audience. Yeah, in

523
00:29:36,120 --> 00:29:37,560
Speaker 1: viewing this film.

524
00:29:37,880 --> 00:29:40,040
Speaker 2: Yeah, like you cant have the cameraman hold a knife

525
00:29:40,120 --> 00:29:45,960
Speaker 2: right here, you know, well this is Mary Oh sure, Yeah,

526
00:29:47,000 --> 00:29:49,720
Speaker 2: I want to hear because you can't probably can't see

527
00:29:49,760 --> 00:29:51,960
Speaker 2: Santa or anything if they're if it's that close to

528
00:29:52,000 --> 00:29:52,320
Speaker 2: the list.

529
00:29:52,440 --> 00:29:54,680
Speaker 4: Yeah, no, I wouldn't. I would say, yeah, and this

530
00:29:54,840 --> 00:29:57,840
Speaker 4: is just like a filmmaking thing. I would say, like,

531
00:29:58,000 --> 00:30:02,280
Speaker 4: don't put anything in of the lens that you don't

532
00:30:02,280 --> 00:30:03,000
Speaker 4: want to see.

533
00:30:03,560 --> 00:30:08,720
Speaker 3: Okay, work for children of men and so children men.

534
00:30:10,680 --> 00:30:16,120
Speaker 6: And so what I'm wondering Mary, Yeah, Mary doesn't like

535
00:30:16,240 --> 00:30:17,880
Speaker 6: famously doesn't like children of men.

536
00:30:17,960 --> 00:30:25,280
Speaker 4: She thinks is like pretty news, it's too much. What

537
00:30:25,360 --> 00:30:27,200
Speaker 4: am I looking at? Am I looking at the children

538
00:30:27,240 --> 00:30:32,680
Speaker 4: and the men? Where she said snooze so hectic? It

539
00:30:32,760 --> 00:30:37,040
Speaker 4: put me right, it's so hectic, and maybe take a

540
00:30:37,080 --> 00:30:38,360
Speaker 4: freaking nap.

541
00:30:39,560 --> 00:30:43,160
Speaker 2: Snooze you just get overwhelmed, you just exactly I'm gonna

542
00:30:43,200 --> 00:30:43,720
Speaker 2: lie down.

543
00:30:44,080 --> 00:30:45,680
Speaker 4: It sounds like, you know what I think. I think

544
00:30:45,720 --> 00:30:49,360
Speaker 4: of children of Men as my alarm clock, and when

545
00:30:49,360 --> 00:30:52,560
Speaker 4: that thing's going off, I'm hitting snooze.

546
00:30:54,120 --> 00:30:59,240
Speaker 1: Okay, I do I want to I want to find it.

547
00:30:59,360 --> 00:31:04,120
Speaker 1: So I'm the audience. I'm watching this, I'm thinking, these

548
00:31:04,120 --> 00:31:06,800
Speaker 1: people are gonna kill me. These people are gonna kill

549
00:31:06,840 --> 00:31:07,760
Speaker 1: me right now.

550
00:31:08,040 --> 00:31:10,760
Speaker 4: Yeah. And I think the way we do that is

551
00:31:10,880 --> 00:31:14,960
Speaker 4: we direct address to the camera. At some point, somebody

552
00:31:14,960 --> 00:31:17,440
Speaker 4: in the movie says to the camera there's a bomb,

553
00:31:20,400 --> 00:31:23,000
Speaker 4: and and the audience feels like they're being they're being

554
00:31:23,040 --> 00:31:26,200
Speaker 4: talked to directly, because inside your TV star, the star

555
00:31:26,320 --> 00:31:30,640
Speaker 4: looks at down the barrel and says there's a bomb.

556
00:31:31,120 --> 00:31:33,000
Speaker 1: I think we do have to just say there's a bomb.

557
00:31:33,040 --> 00:31:34,440
Speaker 1: We can't say inside you.

558
00:31:34,440 --> 00:31:38,120
Speaker 2: We don't want to get whatever I would love to

559
00:31:38,120 --> 00:31:41,000
Speaker 2: do watching this stuff on their phones now you can't

560
00:31:41,040 --> 00:31:42,760
Speaker 2: even say TV right.

561
00:31:43,360 --> 00:31:47,120
Speaker 1: Yeah, and if we can get this, yeah, exactly do

562
00:31:47,160 --> 00:31:47,880
Speaker 1: we want them?

563
00:31:48,080 --> 00:31:50,840
Speaker 6: Do we want to give a like hey, yeah you

564
00:31:51,360 --> 00:31:54,200
Speaker 6: just to really make it feel like, yeah, that's getting

565
00:31:54,200 --> 00:31:55,280
Speaker 6: the audience's attention.

566
00:31:55,720 --> 00:31:57,960
Speaker 4: Yeah, I say, hey, hey you with the with the

567
00:31:58,200 --> 00:32:01,520
Speaker 4: with the glass sebation. Yeah, well this is what this

568
00:32:01,600 --> 00:32:03,440
Speaker 4: is how happy Seasons of Alls came to be.

569
00:32:04,160 --> 00:32:08,000
Speaker 6: But Mary, I like the specificity of the glasses, But

570
00:32:08,080 --> 00:32:10,760
Speaker 6: what if like one person is watching it at home

571
00:32:10,800 --> 00:32:14,080
Speaker 6: alone and they don't have glasses on, and I feel

572
00:32:14,080 --> 00:32:16,960
Speaker 6: like it kind of breaks now you were paying at home?

573
00:32:17,760 --> 00:32:20,880
Speaker 6: No way, people are watching.

574
00:32:20,080 --> 00:32:25,680
Speaker 2: Our entire kilt based audience, kilt bottom bottom.

575
00:32:25,840 --> 00:32:28,960
Speaker 1: If we do this right, a lot of our we

576
00:32:29,040 --> 00:32:32,920
Speaker 1: have the kicky skirt market. You know, it's like what

577
00:32:33,000 --> 00:32:35,080
Speaker 1: we're kind of going for, like something really just.

578
00:32:35,080 --> 00:32:40,000
Speaker 4: Kind of hey you, hey, you you got are you?

579
00:32:40,040 --> 00:32:41,200
Speaker 4: What's that skirt?

580
00:32:42,080 --> 00:32:47,960
Speaker 6: Well that's why I suggested something hey yeah you hey,

581
00:32:48,040 --> 00:32:49,680
Speaker 6: yeah you okay, you know what I think you're right,

582
00:32:49,840 --> 00:32:53,160
Speaker 6: Like you're saying, hey, well can I and then.

583
00:32:53,040 --> 00:32:56,400
Speaker 3: You confirm can I punch this up just quickly?

584
00:32:56,760 --> 00:33:08,400
Speaker 4: Hey, y'alls, yes, I love its? Yeah, well, but but

585
00:33:08,520 --> 00:33:10,960
Speaker 4: remember you do need to communicate the danger, so I

586
00:33:11,120 --> 00:33:13,680
Speaker 4: I it can't be too it can't be too like

587
00:33:14,040 --> 00:33:18,080
Speaker 4: hey read Okay, it's just just don't do that like

588
00:33:18,120 --> 00:33:19,560
Speaker 4: that on the day, is all I'm.

589
00:33:19,400 --> 00:33:24,160
Speaker 6: Saying, Mary, Could you try one with Could you just

590
00:33:24,200 --> 00:33:26,040
Speaker 6: try one for us the way we want it to be?

591
00:33:26,200 --> 00:33:30,360
Speaker 6: That just so we know what schacter or y'all, y'all, y'alls,

592
00:33:30,560 --> 00:33:31,280
Speaker 6: what to tell the actor?

593
00:33:31,640 --> 00:33:41,000
Speaker 4: Yeah, hey, y'alls, Yeah, y'alls, there's a there's a bomb

594
00:33:44,880 --> 00:33:47,560
Speaker 4: that was really that was off, that was really good.

595
00:33:48,880 --> 00:33:51,320
Speaker 6: And now that you're sort of warmed up, could we

596
00:33:51,400 --> 00:33:55,200
Speaker 6: do one more where the beginning is like just like

597
00:33:55,240 --> 00:33:56,880
Speaker 6: a little can we do it when a little?

598
00:33:56,960 --> 00:34:02,320
Speaker 2: Yeah, let's change middle and let's clean up the ending.

599
00:34:03,680 --> 00:34:04,640
Speaker 3: A little as well.

600
00:34:04,800 --> 00:34:09,239
Speaker 6: Oh okay, because that sounds Yeah, was anyone whose I

601
00:34:09,680 --> 00:34:11,399
Speaker 6: love this sound? It bumps me.

602
00:34:12,920 --> 00:34:16,600
Speaker 5: The sound like one no sound, and let's do no

603
00:34:16,640 --> 00:34:17,880
Speaker 5: sound the beginning.

604
00:34:17,960 --> 00:34:20,680
Speaker 2: Let's know what we're gonna do from the very start

605
00:34:20,719 --> 00:34:23,160
Speaker 2: of it, because you know there's a bomb, you know

606
00:34:23,200 --> 00:34:25,120
Speaker 2: what I mean if you're saying this.

607
00:34:26,080 --> 00:34:29,399
Speaker 1: And maybe a few options so get there's a bomb, clean,

608
00:34:29,480 --> 00:34:32,080
Speaker 1: and maybe a few options for like how it's how

609
00:34:32,080 --> 00:34:33,239
Speaker 1: it's going to kill over you?

610
00:34:33,360 --> 00:34:38,880
Speaker 2: And okay the kind of bomb or okay, what's the

611
00:34:39,000 --> 00:34:42,120
Speaker 2: rating should we be able to do we want to cuss?

612
00:34:43,320 --> 00:34:45,680
Speaker 6: I thought we were going hard R but I don't know.

613
00:34:45,800 --> 00:34:48,160
Speaker 3: Yeah, that's that was my impression because I wanted to

614
00:34:48,200 --> 00:34:53,280
Speaker 3: see I thought we were going to I think, yeah.

615
00:34:52,280 --> 00:34:55,840
Speaker 1: I thought we were trying to just squeak, just just

616
00:34:56,000 --> 00:34:59,360
Speaker 1: barely find the edge of edge of PG. Thirteen and

617
00:34:59,400 --> 00:35:02,839
Speaker 1: then just push it right over into our just one

618
00:35:03,320 --> 00:35:08,200
Speaker 1: too many the softest are okay, So if.

619
00:35:08,120 --> 00:35:10,080
Speaker 2: You feel like cussing, I would say, you have the

620
00:35:10,080 --> 00:35:12,520
Speaker 2: freedom to do it, and we can always bleep it.

621
00:35:13,200 --> 00:35:26,440
Speaker 8: Yeah, hey fuck you, there's a bomb and it's gonna

622
00:35:26,560 --> 00:35:29,040
Speaker 8: go any second.

623
00:35:32,040 --> 00:35:37,560
Speaker 6: I really like this direction. But one thing with the

624
00:35:37,680 --> 00:35:41,080
Speaker 6: because you go hey, fuck you, and that to me,

625
00:35:41,280 --> 00:35:44,880
Speaker 6: like I feel like I had the audience still have questions.

626
00:35:45,320 --> 00:35:47,479
Speaker 3: A lot of people will turn the TV off as well.

627
00:35:48,560 --> 00:35:51,440
Speaker 6: Yeah, so I think because it's like the hey grabs

628
00:35:51,480 --> 00:35:54,640
Speaker 6: them and then the yeah you yeah, you answer, hey, yeah,

629
00:35:54,719 --> 00:35:56,759
Speaker 6: you sort of like, yeah, so I think that, yeah,

630
00:35:56,800 --> 00:36:01,640
Speaker 6: you so fun with the rest of it, But.

631
00:36:02,040 --> 00:36:05,040
Speaker 3: I'm still hearing the noise as well. If the noise

632
00:36:05,160 --> 00:36:07,000
Speaker 3: was at the end. There's a noise you make at

633
00:36:07,000 --> 00:36:07,399
Speaker 3: the end.

634
00:36:07,280 --> 00:36:11,360
Speaker 1: That I thought this was like a choice in Happy

635
00:36:11,440 --> 00:36:13,560
Speaker 1: Seasons of all and other things that I've seen you.

636
00:36:13,800 --> 00:36:15,480
Speaker 1: But like, I guess, I don't even know if you

637
00:36:15,520 --> 00:36:16,200
Speaker 1: know you're doing it.

638
00:36:16,800 --> 00:36:17,640
Speaker 3: You maybe can't get.

639
00:36:20,520 --> 00:36:22,520
Speaker 4: What is the noise? Can you?

640
00:36:22,200 --> 00:36:24,440
Speaker 3: You can cut it? I don't. I'd rather not make it.

641
00:36:24,480 --> 00:36:25,520
Speaker 3: I don't like hearing it.

642
00:36:26,040 --> 00:36:27,239
Speaker 4: Yeah, what does it sound like?

643
00:36:28,600 --> 00:36:31,120
Speaker 3: I honestly I can't do it. But it's this little noise,

644
00:36:31,160 --> 00:36:32,560
Speaker 3: very unpleasant, kind of.

645
00:36:32,480 --> 00:36:35,640
Speaker 1: Like it's not exactly that, but it's a little it's

646
00:36:35,680 --> 00:36:36,319
Speaker 1: a little like that.

647
00:36:36,400 --> 00:36:37,280
Speaker 3: Do it again, Cleia.

648
00:36:38,400 --> 00:36:41,600
Speaker 6: Well it's like, well, why don't you do it again

649
00:36:41,640 --> 00:36:43,480
Speaker 6: in the second? You make the noise? All make the

650
00:36:43,480 --> 00:36:46,480
Speaker 6: noise right now? Okay, okay, okay, so we'll take it

651
00:36:46,480 --> 00:36:47,000
Speaker 6: from the top.

652
00:36:47,040 --> 00:36:54,840
Speaker 4: Okay, Hey, yeah, you fuck there's a bomb.

653
00:36:59,520 --> 00:37:03,600
Speaker 6: Okay, so you you did break character, so we're going

654
00:37:03,640 --> 00:37:04,439
Speaker 6: to have to do it again.

655
00:37:04,480 --> 00:37:06,279
Speaker 4: I just thought, I guess I assumed the beep would

656
00:37:06,280 --> 00:37:07,960
Speaker 4: be in post. I didn't. I didn't think that.

657
00:37:08,280 --> 00:37:09,120
Speaker 3: I assumed it would be.

658
00:37:09,560 --> 00:37:09,839
Speaker 7: We are.

659
00:37:11,719 --> 00:37:14,120
Speaker 6: We don't have time to do We don't have time

660
00:37:14,160 --> 00:37:15,640
Speaker 6: to do anything a post. We have to do it

661
00:37:15,680 --> 00:37:16,560
Speaker 6: all in camera.

662
00:37:16,680 --> 00:37:21,760
Speaker 1: There is no post if we take the time post.

663
00:37:21,920 --> 00:37:24,960
Speaker 3: Yeah, it's happening. This is this is it?

664
00:37:25,040 --> 00:37:28,759
Speaker 4: So okay? So okay, so okay. So when but when

665
00:37:28,760 --> 00:37:31,880
Speaker 4: we cut and when you give me notes like this,

666
00:37:31,880 --> 00:37:34,120
Speaker 4: this is all going to be in the movie. Well,

667
00:37:34,160 --> 00:37:34,439
Speaker 4: I don't.

668
00:37:34,520 --> 00:37:38,720
Speaker 2: Yeah, it'll have to be, especially if you keep ignoring

669
00:37:38,719 --> 00:37:39,160
Speaker 2: the notes.

670
00:37:39,200 --> 00:37:39,640
Speaker 3: So I do.

671
00:37:39,719 --> 00:37:45,480
Speaker 2: Miss y'all's uh, that felt better to me and I

672
00:37:46,480 --> 00:37:49,239
Speaker 2: even with breaking you did, you did kind of make

673
00:37:49,280 --> 00:37:49,800
Speaker 2: the noise?

674
00:37:51,480 --> 00:37:54,200
Speaker 4: Really is it like it? What is it like?

675
00:37:54,400 --> 00:37:59,719
Speaker 2: Is it like a it's not like anything exactly what

676
00:37:59,760 --> 00:38:02,640
Speaker 2: it is, and it's it's like it's a big problem.

677
00:38:02,800 --> 00:38:05,240
Speaker 3: It's like it's kind.

678
00:38:05,000 --> 00:38:07,160
Speaker 6: Of like that kind of like that.

679
00:38:07,440 --> 00:38:10,120
Speaker 4: Okay, I won't, I won't E time, I won't this time,

680
00:38:10,120 --> 00:38:10,479
Speaker 4: I won't.

681
00:38:10,520 --> 00:38:13,120
Speaker 6: Okay, ready, okay, yeah, action.

682
00:38:14,520 --> 00:38:21,000
Speaker 4: Hey y'alls, yeah, y'alls. Fuck, there's a bomb.

683
00:38:24,400 --> 00:38:25,520
Speaker 6: Did you hear it that time?

684
00:38:26,800 --> 00:38:27,520
Speaker 4: I heard the beat?

685
00:38:28,600 --> 00:38:31,920
Speaker 2: So I think when the beat was closer, Kevin, that

686
00:38:32,040 --> 00:38:33,680
Speaker 2: was better I won't try where it's.

687
00:38:33,960 --> 00:38:40,319
Speaker 7: I'm getting closer each time, So I'm getting closer each time.

688
00:38:42,680 --> 00:38:45,080
Speaker 6: What is the what is the fuck?

689
00:38:45,400 --> 00:38:45,480
Speaker 2: Like?

690
00:38:45,520 --> 00:38:47,000
Speaker 4: What is what is that too?

691
00:38:47,160 --> 00:38:50,919
Speaker 2: Yeah, that's just because you were avoiding saying fuck you, which,

692
00:38:51,000 --> 00:38:53,080
Speaker 2: by the way, just I'm just mentioning, like if a

693
00:38:53,520 --> 00:38:57,040
Speaker 2: character turns the camera on my my TV and says

694
00:38:57,080 --> 00:38:59,160
Speaker 2: fuck you, I go, oh, no, pal.

695
00:38:59,800 --> 00:39:01,640
Speaker 3: Not in my house, fuck you.

696
00:39:02,360 --> 00:39:04,200
Speaker 4: Well, but that's what we want, don't we want that?

697
00:39:06,040 --> 00:39:09,480
Speaker 4: Then maybe there's a leave space.

698
00:39:10,160 --> 00:39:13,040
Speaker 6: After maybe a little more space after that you say

699
00:39:13,040 --> 00:39:15,920
Speaker 6: the fuck you to give them a chance to say.

700
00:39:15,840 --> 00:39:17,520
Speaker 3: No, fu you fuck you.

701
00:39:17,719 --> 00:39:23,440
Speaker 1: Yeah, about the space direction for like what what kind

702
00:39:23,480 --> 00:39:25,759
Speaker 1: of noises we're going to be getting like in the

703
00:39:25,920 --> 00:39:27,120
Speaker 1: to fill up that space?

704
00:39:27,360 --> 00:39:29,680
Speaker 2: Almost because that actually makes me think the noise is

705
00:39:29,719 --> 00:39:34,359
Speaker 2: like a space noise, isn't it. It's like a yes, it's.

706
00:39:33,880 --> 00:39:34,399
Speaker 3: Like when a.

707
00:39:35,840 --> 00:39:38,880
Speaker 2: It's like opening the door on a spaceship or something like,

708
00:39:39,000 --> 00:39:40,520
Speaker 2: isn't that the sound like it's.

709
00:39:40,400 --> 00:39:43,000
Speaker 3: It is a little like that's a decompression.

710
00:39:42,520 --> 00:39:45,520
Speaker 4: One that I yes, yes, like a space door.

711
00:39:46,320 --> 00:39:49,880
Speaker 1: But it's like the spaceship is like nervous, like it's sick.

712
00:39:50,040 --> 00:39:51,560
Speaker 3: It's like the spaceship is sick.

713
00:39:52,239 --> 00:39:53,960
Speaker 4: Okay, so do it?

714
00:39:55,320 --> 00:39:57,320
Speaker 3: No, do not do don't do it.

715
00:39:57,320 --> 00:40:01,319
Speaker 6: It betrays the character because the ca character who is

716
00:40:01,600 --> 00:40:03,080
Speaker 6: saying there's a bomb?

717
00:40:03,080 --> 00:40:04,120
Speaker 4: Who is my character?

718
00:40:06,200 --> 00:40:08,480
Speaker 2: I want them to believe they're a person. I think

719
00:40:08,520 --> 00:40:12,440
Speaker 2: you're Yeah, well, I guess Clia's Carson. I guess you're Sanda.

720
00:40:12,120 --> 00:40:13,040
Speaker 3: At this point.

721
00:40:13,640 --> 00:40:15,200
Speaker 4: Yeah, wow, the star.

722
00:40:15,400 --> 00:40:17,560
Speaker 3: That's what we need and like and this is all

723
00:40:17,680 --> 00:40:18,640
Speaker 3: we got to do this.

724
00:40:19,520 --> 00:40:26,279
Speaker 4: Now, like okay, okay, yeah, okay, yeah, yeah, yeah, okay Clia,

725
00:40:26,360 --> 00:40:27,080
Speaker 4: can I get an action?

726
00:40:27,320 --> 00:40:29,440
Speaker 6: Yeah? Yeah, yeah, okay subtle.

727
00:40:31,480 --> 00:40:45,080
Speaker 4: Ah, Hey, y'all's yeah, y'alls. Fuck, y'all's there's a bomb? Okay?

728
00:40:47,200 --> 00:40:50,200
Speaker 4: Oh okay.

729
00:40:51,040 --> 00:40:54,160
Speaker 6: Are you not hearing it? Mary? Because I feel like

730
00:40:54,200 --> 00:40:57,640
Speaker 6: it's just getting more and more pronounced every time because.

731
00:40:57,360 --> 00:41:00,720
Speaker 3: That time you kind of even did it twice.

732
00:41:00,880 --> 00:41:03,000
Speaker 4: I don't know what to tell you. I mean, I

733
00:41:03,080 --> 00:41:05,640
Speaker 4: in my head, I just alerted them to the fact

734
00:41:05,640 --> 00:41:07,759
Speaker 4: that there's a bomb, and then I said, okay, so

735
00:41:07,840 --> 00:41:10,920
Speaker 4: it's big to get confirmation from them, and then I

736
00:41:10,960 --> 00:41:13,320
Speaker 4: was just silent and I let it land.

737
00:41:13,400 --> 00:41:17,759
Speaker 1: So I'm picking up on something and even as it's

738
00:41:17,760 --> 00:41:20,080
Speaker 1: happening to me, I do have to kind of respect it.

739
00:41:20,800 --> 00:41:25,080
Speaker 1: So Clia has worked her way all the way back

740
00:41:25,120 --> 00:41:29,000
Speaker 1: into this project direct and as I've been sort of

741
00:41:30,000 --> 00:41:35,080
Speaker 1: attempting to like divine Mary's role in this is that

742
00:41:35,840 --> 00:41:41,239
Speaker 1: you bring her into something, and by the time all

743
00:41:41,280 --> 00:41:44,759
Speaker 1: the issues are worked out, it's just everyone who's there

744
00:41:44,960 --> 00:41:49,320
Speaker 1: is like, that's it's them, that's it, that's the movie.

745
00:41:49,480 --> 00:41:50,719
Speaker 3: You know, we don't have time to do it.

746
00:41:50,880 --> 00:41:54,200
Speaker 2: It's sort of a clever strategy because so much time

747
00:41:54,239 --> 00:41:58,319
Speaker 2: has taken up kind of dealing with Mary that we

748
00:41:58,560 --> 00:42:03,239
Speaker 2: can't really make any other artistic choices around it, and

749
00:42:03,320 --> 00:42:05,280
Speaker 2: so you do end up with complete control.

750
00:42:06,400 --> 00:42:09,319
Speaker 6: Well do you see what else she did? She's now

751
00:42:09,360 --> 00:42:12,920
Speaker 6: the star of the movie. She came in as just

752
00:42:12,960 --> 00:42:17,520
Speaker 6: sort of like a consultant, a bridge myself.

753
00:42:18,000 --> 00:42:22,920
Speaker 1: Now she's saying, now she's Santa. In the movie is

754
00:42:22,920 --> 00:42:24,440
Speaker 1: called Love and Santa.

755
00:42:24,440 --> 00:42:28,160
Speaker 3: Talent talent, So I guess Love gets top billing. But

756
00:42:28,239 --> 00:42:30,760
Speaker 3: I don't think anyone's gonna play and star of the movie.

757
00:42:31,600 --> 00:42:34,560
Speaker 3: And she addresses up like Cupid or something. Is playing

758
00:42:34,719 --> 00:42:36,320
Speaker 3: a pretty central.

759
00:42:37,440 --> 00:42:41,000
Speaker 1: Role and one of the most pivotal moments in the movie,

760
00:42:41,000 --> 00:42:45,279
Speaker 1: which is telling the audience that they're about to be killed.

761
00:42:45,760 --> 00:42:47,880
Speaker 3: Mm hmm by a bomb?

762
00:42:48,719 --> 00:42:51,840
Speaker 2: Yeah, do we do like what happens?

763
00:42:51,880 --> 00:42:57,520
Speaker 3: I guess how many bombs do we actually need to have?

764
00:42:57,600 --> 00:43:02,440
Speaker 2: This be like a legitimately where people will start to

765
00:43:02,440 --> 00:43:04,320
Speaker 2: see on the news that bobs are going off.

766
00:43:04,560 --> 00:43:06,959
Speaker 1: I know it's not like a million bombs, and like, look,

767
00:43:07,160 --> 00:43:08,840
Speaker 1: I don't know how many people are gonna be like

768
00:43:08,920 --> 00:43:11,239
Speaker 1: in success, that's great if like a million people are

769
00:43:11,239 --> 00:43:11,759
Speaker 1: watching this.

770
00:43:12,080 --> 00:43:13,360
Speaker 3: A million bombs, yeah.

771
00:43:13,840 --> 00:43:16,439
Speaker 1: Yeah, but like I also know it's not like one

772
00:43:16,520 --> 00:43:17,640
Speaker 1: or two bombs either.

773
00:43:17,719 --> 00:43:22,279
Speaker 3: We need like to have kind of fun to be like.

774
00:43:24,080 --> 00:43:29,279
Speaker 1: Like if you watch this movie, like, yeah, you'll you

775
00:43:29,320 --> 00:43:30,960
Speaker 1: know there's some you.

776
00:43:30,920 --> 00:43:36,239
Speaker 2: Watch that movie like because it's people are Yeah.

777
00:43:35,200 --> 00:43:37,319
Speaker 1: But then I'm also concerned that we're gonna put these

778
00:43:37,360 --> 00:43:40,239
Speaker 1: bombs out there and then and then someone's gonna decide you.

779
00:43:40,200 --> 00:43:44,160
Speaker 2: May only need one if you know someone's gonna watch.

780
00:43:44,560 --> 00:43:46,640
Speaker 2: I mean it should be one of our parents or something,

781
00:43:46,680 --> 00:43:48,640
Speaker 2: so we know that somebody who's gonna watch. But I

782
00:43:48,920 --> 00:43:53,040
Speaker 2: would say, like, if you do that, then then it's

783
00:43:53,200 --> 00:43:57,200
Speaker 2: basically proven. It's a non zero chance, like a bomb

784
00:43:57,360 --> 00:43:59,240
Speaker 2: could go off while you're watching the movie.

785
00:43:59,320 --> 00:44:00,720
Speaker 3: Right when the character says there's.

786
00:44:00,520 --> 00:44:03,399
Speaker 2: A bomb unless you want to say it multiple times

787
00:44:03,440 --> 00:44:03,960
Speaker 2: in the movie.

788
00:44:04,040 --> 00:44:07,759
Speaker 1: Hayes, I'm just concerned that they that they decide not

789
00:44:07,840 --> 00:44:09,520
Speaker 1: to watch the movie. There's no way we're going to

790
00:44:09,560 --> 00:44:12,640
Speaker 1: be able to rig this thing. So it like goes

791
00:44:12,680 --> 00:44:15,000
Speaker 1: off at a certain moment in the movie.

792
00:44:15,480 --> 00:44:16,239
Speaker 3: It's just gonna go.

793
00:44:16,360 --> 00:44:18,000
Speaker 4: I think that's exactly what we should get.

794
00:44:18,080 --> 00:44:20,240
Speaker 3: I think we have to. We can't. We don't.

795
00:44:20,320 --> 00:44:25,080
Speaker 1: It's it's December twenty eight, must we Okay?

796
00:44:25,160 --> 00:44:29,880
Speaker 6: We can't have it at the same part in every part,

797
00:44:29,880 --> 00:44:31,920
Speaker 6: like at the same part in all like all the

798
00:44:31,920 --> 00:44:34,439
Speaker 6: bombs have to go off at different times because people

799
00:44:34,480 --> 00:44:37,000
Speaker 6: could go online and be like I was watching the

800
00:44:37,040 --> 00:44:42,319
Speaker 6: movie and then it like it yeah, it's like my

801
00:44:42,760 --> 00:44:43,640
Speaker 6: everything explodes.

802
00:44:43,719 --> 00:44:45,960
Speaker 2: But that's but then we have one when that conversation

803
00:44:46,000 --> 00:44:47,680
Speaker 2: is happening. I just feel like every time I talk

804
00:44:47,719 --> 00:44:49,680
Speaker 2: to you guys, if I can say this, like, I

805
00:44:49,719 --> 00:44:53,640
Speaker 2: feel like every time we do talk that a big

806
00:44:53,719 --> 00:44:57,000
Speaker 2: piece of the conversation is before we get anywhere, what

807
00:44:57,200 --> 00:45:00,640
Speaker 2: can't happen, Like from a production standpoint, what can it happened?

808
00:45:00,719 --> 00:45:04,000
Speaker 2: And so I'd like to talk about for a moment creatively,

809
00:45:04,080 --> 00:45:08,640
Speaker 2: what's best and what would be the most satisfying way

810
00:45:08,680 --> 00:45:13,560
Speaker 2: to explode one of our parents during the movie.

811
00:45:12,880 --> 00:45:17,520
Speaker 5: And without us saying that we can deal with logistics

812
00:45:17,560 --> 00:45:20,200
Speaker 5: and if we do have to adjust, let's compromise then,

813
00:45:20,640 --> 00:45:23,800
Speaker 5: and not before we've even decided, like what would be

814
00:45:23,880 --> 00:45:26,319
Speaker 5: kind of our dream version, because it sucks the fun

815
00:45:26,320 --> 00:45:28,600
Speaker 5: out of it for me, And I think there's an

816
00:45:28,640 --> 00:45:32,200
Speaker 5: opportunity possibly to say, you know, hey, there wasn't just

817
00:45:32,239 --> 00:45:33,120
Speaker 5: that one bomb.

818
00:45:33,880 --> 00:45:37,800
Speaker 2: You know, Hey, y'all's like, there's another actual, bigger bomb.

819
00:45:38,600 --> 00:45:42,279
Speaker 3: Santa could or you know, you know, another character could

820
00:45:42,320 --> 00:45:44,879
Speaker 3: say it. Well, how would Sarah do that? I mean,

821
00:45:44,920 --> 00:45:46,160
Speaker 3: do you want to get another action?

822
00:45:46,360 --> 00:45:49,440
Speaker 4: He can guess what? He can go over the whole

823
00:45:49,440 --> 00:45:51,720
Speaker 4: world in one night and put presents everywhere.

824
00:45:51,880 --> 00:45:54,880
Speaker 6: Okay, so hey, Mary, just show us, don't talk about it,

825
00:45:54,960 --> 00:45:56,120
Speaker 6: just show us writing action.

826
00:45:56,560 --> 00:45:59,960
Speaker 4: Hey, y'all's it's me again. You thought that was just

827
00:46:00,120 --> 00:46:01,600
Speaker 4: the one I missed.

828
00:46:01,680 --> 00:46:04,800
Speaker 3: I missed the on this one I missed.

829
00:46:05,440 --> 00:46:08,839
Speaker 6: Yeah, And also we need you can't say y'alls and

830
00:46:08,880 --> 00:46:12,640
Speaker 6: then you you gotta you gotta stick with you.

831
00:46:12,640 --> 00:46:15,160
Speaker 2: You're making me not like y'alls anymore. Just the way

832
00:46:15,200 --> 00:46:18,880
Speaker 2: you're doing it. I don't like it now, Okay, cool.

833
00:46:19,400 --> 00:46:22,360
Speaker 6: So Sean, y'alls wanted to scrap it completely, just go.

834
00:46:22,400 --> 00:46:23,360
Speaker 3: You for her?

835
00:46:23,440 --> 00:46:29,120
Speaker 2: Yeah, okay, okay, subtle, Hey, I already did Mary's.

836
00:46:29,520 --> 00:46:35,600
Speaker 6: Mary wait, subtle, I'm.

837
00:46:35,440 --> 00:46:36,719
Speaker 3: Sorry, I already did.

838
00:46:43,680 --> 00:46:47,560
Speaker 6: Hey you okay, and I didn't even say action.

839
00:46:48,080 --> 00:47:00,680
Speaker 4: Oh sorry, subtle action you it's me again. Remember from before,

840
00:47:02,000 --> 00:47:05,480
Speaker 4: there's more than one bomb, there's a bigger one and

841
00:47:05,520 --> 00:47:07,560
Speaker 4: it's right behind you.

842
00:47:17,719 --> 00:47:18,239
Speaker 3: Okay.

843
00:47:18,440 --> 00:47:24,840
Speaker 2: So that's feeling better and I've taken you know, Sean.

844
00:47:26,440 --> 00:47:28,640
Speaker 1: I think the way he delivered that message was actually

845
00:47:28,640 --> 00:47:32,360
Speaker 1: really inappropriate about how, you know whatever, the whole.

846
00:47:32,160 --> 00:47:34,440
Speaker 2: Person is completely out of lite. I could feel it

847
00:47:34,440 --> 00:47:36,400
Speaker 2: while I was doing it. I said, what's wrong with me?

848
00:47:37,160 --> 00:47:39,440
Speaker 3: Why am I? These people are my friends? Why am

849
00:47:39,480 --> 00:47:42,239
Speaker 3: I talking to them this way? And so everyone wants

850
00:47:42,280 --> 00:47:43,400
Speaker 3: to make a good project.

851
00:47:44,000 --> 00:47:46,080
Speaker 1: My first reaction was like, I have to report this

852
00:47:46,160 --> 00:47:47,279
Speaker 1: to someone, but who?

853
00:47:48,160 --> 00:47:49,040
Speaker 3: Yeah, but.

854
00:47:50,480 --> 00:47:54,000
Speaker 1: Now I I then I did. When Mary was doing something,

855
00:47:54,760 --> 00:47:58,239
Speaker 1: I did sort of internalize that and thought, Okay, how

856
00:47:58,280 --> 00:48:01,239
Speaker 1: do we take like the logistical and possibility of this

857
00:48:02,440 --> 00:48:05,600
Speaker 1: putting bombs in all these different places and getting them,

858
00:48:05,640 --> 00:48:08,040
Speaker 1: timing them to blow up at different moments in the movie.

859
00:48:08,120 --> 00:48:11,120
Speaker 1: In the movie, I think if we say them, say

860
00:48:11,360 --> 00:48:16,000
Speaker 1: enough times that there is a bomb about to blow

861
00:48:16,080 --> 00:48:18,520
Speaker 1: you up, that you're watching this, if that's most at

862
00:48:18,520 --> 00:48:22,960
Speaker 1: some point, at some point, we are going to just statistically,

863
00:48:23,800 --> 00:48:28,520
Speaker 1: we're gonna luck into Yeah, it's like someone when it's

864
00:48:28,560 --> 00:48:30,359
Speaker 1: already set somewhere.

865
00:48:31,200 --> 00:48:32,920
Speaker 3: Sorry, can I can?

866
00:48:33,000 --> 00:48:36,839
Speaker 2: I just I don't know if this technology exists, What

867
00:48:36,920 --> 00:48:41,080
Speaker 2: if the noise that Mary makes somehow triggers the bomb.

868
00:48:41,080 --> 00:48:44,160
Speaker 2: If we can have like a voice activated detonator that

869
00:48:44,320 --> 00:48:46,520
Speaker 2: is sensitive only that noise. Because I've never heard it

870
00:48:46,560 --> 00:48:48,800
Speaker 2: anywhere else in life, I don't think there's.

871
00:48:48,680 --> 00:48:50,120
Speaker 3: Any danger noise.

872
00:48:50,960 --> 00:48:53,239
Speaker 7: Yes, I don't think you know.

873
00:48:53,280 --> 00:48:54,640
Speaker 3: You admit that it is yours.

874
00:48:55,600 --> 00:48:58,160
Speaker 4: I mean, just as you keep telling me this, I'm

875
00:48:58,320 --> 00:49:01,720
Speaker 4: I don't know if you There's so many noises happening

876
00:49:01,760 --> 00:49:04,600
Speaker 4: in this movie. The only reason I said my noise

877
00:49:05,520 --> 00:49:08,560
Speaker 4: that is the one. There are a lot. There's more

878
00:49:08,600 --> 00:49:13,200
Speaker 4: than were's flash, there's there's like the door opening, there's

879
00:49:13,440 --> 00:49:13,719
Speaker 4: you know.

880
00:49:13,800 --> 00:49:15,520
Speaker 3: There's also that because you're.

881
00:49:16,360 --> 00:49:18,399
Speaker 4: Cookies exact, thank you.

882
00:49:20,080 --> 00:49:23,000
Speaker 2: Yes, but also you're insisting on wearing a leather vest

883
00:49:23,040 --> 00:49:27,120
Speaker 2: and sitting on like a plastic chair, and so yeah,

884
00:49:27,160 --> 00:49:28,640
Speaker 2: there's a lot of noise.

885
00:49:28,520 --> 00:49:30,120
Speaker 3: There's a lot of eating cookies.

886
00:49:30,160 --> 00:49:33,480
Speaker 1: Clear, Wait is that like, is that is that a

887
00:49:33,520 --> 00:49:36,080
Speaker 1: big thing for you?

888
00:49:36,280 --> 00:49:38,520
Speaker 6: Married to it? I'm not married to it. Not a

889
00:49:38,560 --> 00:49:39,279
Speaker 6: hell I die on.

890
00:49:39,400 --> 00:49:48,840
Speaker 1: But I just feel like it's like New Year's Eve,

891
00:49:49,560 --> 00:49:53,080
Speaker 1: he just ate like so many many cookies.

892
00:49:53,280 --> 00:49:57,520
Speaker 6: Yeah, I guess in my in my mind, in my mind,

893
00:49:57,560 --> 00:50:01,400
Speaker 6: which is probably my first mistake, is I was thinking

894
00:50:01,440 --> 00:50:06,640
Speaker 6: that your first he still had okay, he he he

895
00:50:06,760 --> 00:50:10,279
Speaker 6: still had so many cookies left over. Like I think,

896
00:50:10,320 --> 00:50:15,399
Speaker 6: like by the end of the night that filled with cookies. Yeah,

897
00:50:15,440 --> 00:50:16,799
Speaker 6: like her, But I.

898
00:50:16,760 --> 00:50:19,040
Speaker 2: Still think he's like I don't want to look at

899
00:50:19,080 --> 00:50:22,120
Speaker 2: a damn cookie, Like you know, he must be, but

900
00:50:22,160 --> 00:50:23,080
Speaker 2: I think that could.

901
00:50:22,840 --> 00:50:25,359
Speaker 6: Be a funny runner. You know, like if people keep

902
00:50:25,400 --> 00:50:29,919
Speaker 6: offering him cookies and he's like he can't, it's like, yeah,

903
00:50:29,960 --> 00:50:32,520
Speaker 6: it's common. It's just like a little bit of comic relief.

904
00:50:32,840 --> 00:50:37,800
Speaker 1: Yeah, that's funny. That's why he mostly just like takes

905
00:50:37,840 --> 00:50:40,080
Speaker 1: one bite out of them and leaves the rest.

906
00:50:40,440 --> 00:50:43,520
Speaker 2: That's funny, the cookies around.

907
00:50:44,360 --> 00:50:46,960
Speaker 6: Yeah, so by the end of the movie, he's like,

908
00:50:47,360 --> 00:50:50,279
Speaker 6: you're well, by the end of the movie, you don't

909
00:50:50,280 --> 00:50:52,640
Speaker 6: even need to Like, you don't even need to say anything.

910
00:50:52,640 --> 00:50:54,680
Speaker 6: You could just see a play a cookie show.

911
00:50:54,560 --> 00:50:58,400
Speaker 4: Up, yah, dying, dying, And then he looks at the

912
00:50:58,440 --> 00:51:02,920
Speaker 4: camera and he goes this again, there's a bomb.

913
00:51:03,800 --> 00:51:04,800
Speaker 3: Maybe cookies again?

914
00:51:05,400 --> 00:51:11,440
Speaker 4: You maybe this again. Oh boy, I'm almost this cookies not.

915
00:51:11,520 --> 00:51:14,800
Speaker 3: Again, the cookies again, This cookies again.

916
00:51:15,080 --> 00:51:16,920
Speaker 4: You better watch out for the bombs.

917
00:51:17,080 --> 00:51:20,400
Speaker 2: I don't think I understood that the cookies were actually

918
00:51:20,520 --> 00:51:24,840
Speaker 2: the visual language of the film. Yes, and I'm actually

919
00:51:25,280 --> 00:51:28,400
Speaker 2: loving this idea and this cookies again, shorehand.

920
00:51:30,160 --> 00:51:31,000
Speaker 4: I think it could be.

921
00:51:30,960 --> 00:51:34,160
Speaker 2: The line other than the bomb line that really breaks

922
00:51:34,239 --> 00:51:37,280
Speaker 2: through and becomes kind of the signature of the film.

923
00:51:37,360 --> 00:51:42,760
Speaker 3: This cook again, This cookies again. Yeah, this cookies.

924
00:51:43,000 --> 00:51:46,239
Speaker 6: I mean you could see it on you know, you see.

925
00:51:46,400 --> 00:51:49,879
Speaker 6: And I'm also thinking about just merchandising, just thinking ahead, so.

926
00:51:49,920 --> 00:51:52,000
Speaker 4: Like yeah, yeah, yeah, part of it.

927
00:51:52,160 --> 00:51:54,359
Speaker 6: I could just see. You could slap this cookies again

928
00:51:54,440 --> 00:51:54,920
Speaker 6: all over it.

929
00:51:55,000 --> 00:51:58,240
Speaker 4: Oh my gosh, a bumper sticker, you could.

930
00:52:00,120 --> 00:52:00,359
Speaker 3: Yeah.

931
00:52:05,480 --> 00:52:05,680
Speaker 4: Yeah.

932
00:52:05,920 --> 00:52:09,280
Speaker 1: Did you hear You must have heard that one.

933
00:52:12,520 --> 00:52:15,840
Speaker 3: There's no way I.

934
00:52:17,200 --> 00:52:19,440
Speaker 4: Heard myself contributed idea.

935
00:52:19,640 --> 00:52:23,640
Speaker 6: I didn't, Kevin, Have you fact checked Mary if she

936
00:52:23,800 --> 00:52:25,680
Speaker 6: can hear that or not, whether or not she can

937
00:52:25,719 --> 00:52:27,160
Speaker 6: hear that, whether or not she can hear it.

938
00:52:27,239 --> 00:52:29,359
Speaker 3: Yeah, can you hear it?

939
00:52:29,360 --> 00:52:31,040
Speaker 7: It seems like she can hear it out of one ear.

940
00:52:31,840 --> 00:52:32,560
Speaker 3: So what.

941
00:52:34,200 --> 00:52:38,080
Speaker 7: What what year are you listening on the zoom Mary Booth?

942
00:52:38,960 --> 00:52:40,359
Speaker 4: My right?

943
00:52:41,080 --> 00:52:42,040
Speaker 3: Did you say Mary?

944
00:52:42,760 --> 00:52:43,000
Speaker 4: Yeah?

945
00:52:43,040 --> 00:52:44,480
Speaker 3: I heard Miry as well.

946
00:52:44,640 --> 00:52:48,680
Speaker 7: Oh I got a fact check myself. Okay, I said, oh,

947
00:52:48,760 --> 00:52:49,800
Speaker 7: so this explains.

948
00:52:50,080 --> 00:52:54,480
Speaker 1: Yeah, Kevin said, going into this, he's so excited because

949
00:52:55,040 --> 00:52:57,520
Speaker 1: he wants to see that that he or she made

950
00:52:57,560 --> 00:52:58,080
Speaker 1: a poorn.

951
00:52:58,160 --> 00:53:06,480
Speaker 3: No, oh, mar with Zach. He thought it was Mary from.

952
00:53:06,400 --> 00:53:09,839
Speaker 4: Zack and oh no, Kevin, I'm not Mary from Zach.

953
00:53:09,880 --> 00:53:11,080
Speaker 4: And Mary made a porn.

954
00:53:11,000 --> 00:53:14,840
Speaker 7: Said rated high class porno, and Mary was coming.

955
00:53:15,640 --> 00:53:19,000
Speaker 3: That's right. I forgot this movie is rated high class.

956
00:53:20,160 --> 00:53:23,600
Speaker 2: I've forgotten so much about I was traumatized by that

957
00:53:23,640 --> 00:53:26,280
Speaker 2: first episode we did together. But this feels like we've got,

958
00:53:27,200 --> 00:53:33,000
Speaker 2: you know, as dysfunctional as it is, a working collaboration

959
00:53:34,120 --> 00:53:37,040
Speaker 2: and it's our little family and no one outside would understand.

960
00:53:37,080 --> 00:53:39,480
Speaker 2: But I think we have ninety percent of the movie

961
00:53:39,560 --> 00:53:41,319
Speaker 2: in the can at this point.

962
00:53:41,840 --> 00:53:44,160
Speaker 4: We filmed it. Do we film it?

963
00:53:44,239 --> 00:53:44,520
Speaker 3: Yes?

964
00:53:44,880 --> 00:53:48,719
Speaker 6: Yes, yeah, we've been we've been filming Mary mm hmm,

965
00:53:49,440 --> 00:53:50,200
Speaker 6: it's in the can.

966
00:53:50,960 --> 00:54:01,840
Speaker 2: Oh, so we just need probably a couple pickups.

967
00:53:57,360 --> 00:53:57,440
Speaker 4: And.

968
00:53:58,920 --> 00:54:03,120
Speaker 7: I can do pickups. And then Mary, I did secure Mary,

969
00:54:03,160 --> 00:54:05,919
Speaker 7: I did secure Folgus seventy three questions with you.

970
00:54:07,000 --> 00:54:10,040
Speaker 4: Oh oh wow, really so number one?

971
00:54:10,160 --> 00:54:11,920
Speaker 3: I thought, very bad.

972
00:54:13,920 --> 00:54:17,120
Speaker 1: He's got weirdly a lot of these to pass around.

973
00:54:17,239 --> 00:54:21,080
Speaker 1: He is very bad at booking guests for the show

974
00:54:22,480 --> 00:54:27,400
Speaker 1: and certainly the promotional opportunities for us, except for Vogue

975
00:54:27,440 --> 00:54:30,799
Speaker 1: seventy three questions, which he can get for basically any

976
00:54:30,840 --> 00:54:32,839
Speaker 1: pretty much anyone just walking down the.

977
00:54:32,840 --> 00:54:37,319
Speaker 3: Street, fast tracked in there, Mary.

978
00:54:37,280 --> 00:54:40,120
Speaker 7: What is your favorite time of day today?

979
00:54:42,880 --> 00:54:43,439
Speaker 3: That was quick?

980
00:54:43,560 --> 00:54:44,960
Speaker 7: Just give me a couple minutes.

981
00:54:45,440 --> 00:54:48,640
Speaker 3: Oh you, that was the only one you. That was

982
00:54:48,680 --> 00:54:49,720
Speaker 3: the only one you had.

983
00:54:50,040 --> 00:54:51,919
Speaker 7: What's your idea of a perfect date?

984
00:54:53,040 --> 00:54:57,320
Speaker 4: My idea? Oh?

985
00:54:57,440 --> 00:54:58,520
Speaker 7: Do you hear the sound now?

986
00:54:58,719 --> 00:55:03,680
Speaker 4: Yeah, that's just thinking I go, I go to Chili's.

987
00:55:03,719 --> 00:55:13,800
Speaker 4: I don't know. Okay, alright, bye, okay byely wood Hamburg,