WEBVTT - May Your Nightmares Come True: Motherf*ckin Mini Episode

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<v Speaker 1>Motherfucking mini episode, mini episode, motherfucking mini eaisol.

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<v Speaker 2>Dell me what's really going on? Drizzy backup in this thing.

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<v Speaker 2>I'm ready was happy name there it is there, it is.

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<v Speaker 2>Ladies and gentlemen, gentiles and little mamas are like, welcome

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<v Speaker 2>to another phenomenal episode of My Mama Told.

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<v Speaker 3>Me, the podcast where we dive into the pockets of

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<v Speaker 3>black conspiracy theories.

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<v Speaker 2>And we finally worked to prove the theories that you

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<v Speaker 2>the listener have at home. It's a motherfucking mini EPA episode. Bitch.

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<v Speaker 3>Welcome bitch? Uh is it you saying it? Some motherfucking

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<v Speaker 3>mini episode just with the voice on? Uh?

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<v Speaker 2>Yeah, Justin did that before I had the modulator, before

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<v Speaker 2>I could do shoot. Justin are brilliant editor. Did that

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<v Speaker 2>all by himself before me.

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<v Speaker 3>I was playing with that voice. We got a karaoke

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<v Speaker 3>machine in the house. Yeah, and it's it does that

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<v Speaker 3>voice and it does baby voice good time you mean, yeah, fun.

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<v Speaker 2>A weird robot. Baby, I can do whatever you want,

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<v Speaker 2>you know. It's pretty cool.

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<v Speaker 3>Wow, so fun technology. That's how we're here to talk about.

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<v Speaker 2>No, we got an email from a from a listener,

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<v Speaker 2>a person by the name of Brittany sent us a

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<v Speaker 2>very concise, very to the point email. Brittany wrote conspiracy

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<v Speaker 2>theory about nightmares as a subject line, and then she

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<v Speaker 2>said high Linkston David, my mama told me that telling

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<v Speaker 2>someone about a nightmare that you had on an empty

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<v Speaker 2>stomach will make it come true. Please can consider discussing

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<v Speaker 2>this on the podcast. Thanks Brittany formal. I love it,

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<v Speaker 2>as she said, I got, I have a subject. I

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<v Speaker 2>will give you the basics of the information. I'll tempt

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<v Speaker 2>you into saying more with a little bit of nice language,

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<v Speaker 2>and I'm out.

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<v Speaker 3>But none of the usual pleasantries and or disrespect, which

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<v Speaker 3>is a breath of freshure.

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<v Speaker 2>She didn't spin in our face, but she also didn't

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<v Speaker 2>kiss it, and that's that's fascinating.

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<v Speaker 3>She didn't elevate one of us above the other. That's

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<v Speaker 3>also also always difficult.

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<v Speaker 2>She didn't try to sell one of us a product

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<v Speaker 2>that makes us feel self conscious about ourselves.

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<v Speaker 3>Just she just was like, hey, here's the subject, which

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<v Speaker 3>is good, great approach. But I do love some of

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<v Speaker 3>our cilliar lists as well. Here's my first question. Have

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<v Speaker 3>you ever told it? Have you ever? Have you ever

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<v Speaker 3>had a nightmare come true?

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<v Speaker 2>I don't think So I don't. I think a lot

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<v Speaker 2>of my nightmares tend to be more fantastical than they are,

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<v Speaker 2>or at least they used to be much more fantastical

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<v Speaker 2>than they were, like literal same, And so I don't.

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<v Speaker 2>I think it would require a level of like weird

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<v Speaker 2>space travel to be able to make some of my

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<v Speaker 2>nightmares happen. Certainly interdimensional shit would have to take place

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<v Speaker 2>to make some of my nightmares come true.

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<v Speaker 3>It would be the cast of characters alone. The budget, Yeah,

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<v Speaker 3>the budget you would need to cast my nightmares. And also,

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<v Speaker 3>I will say, anytime in my life that I've had

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<v Speaker 3>a living nightmare, it's always been something I didn't even

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<v Speaker 3>know it was my worst nightmare until it happened to me.

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<v Speaker 2>Mm hmmm hmm.

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<v Speaker 3>You know you're like, oh, this is my nightmare, this

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<v Speaker 3>is my I didn't need I wasn't even afraid of

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<v Speaker 3>her cheating on me or whatever. Right, you know what

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<v Speaker 3>I mean? Oh this is I thought this was a

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<v Speaker 3>cool shirt or whatever it was.

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<v Speaker 2>Yeah. Yeah, there are things your brain sort of skips

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<v Speaker 2>past and it's like, wait, we don't need to dream

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<v Speaker 2>about that. That would be silly, that would be a

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<v Speaker 2>waste of time. Are truly the biggest nightmares you're ever

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<v Speaker 2>going to experience.

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<v Speaker 3>Every time, every time.

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<v Speaker 2>Yeah, no, it's one hundred percent true. The other day,

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<v Speaker 2>my sprinklers wouldn't turn off, like our gardener fucked up

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<v Speaker 2>and kind of like broke the sprinkler system, so there

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<v Speaker 2>was a leak. And then I twisted the normal like

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<v Speaker 2>hose turn on thing to check it to see if

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<v Speaker 2>I could work on the leak myself, and then could

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<v Speaker 2>not whisk them off like legitimately, they just would not

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<v Speaker 2>turn off, and they were on for like an hour.

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<v Speaker 2>Then finally I did get them off right, Like I

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<v Speaker 2>finally figured out some shit where I could like twist

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<v Speaker 2>it hard enough and went off. And then at like

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<v Speaker 2>nine pm that evening they turned back on and would

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<v Speaker 2>not turn off while I called emergency plumber after emergency

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<v Speaker 2>plumber for hours literally through up till midnight. I'm calling

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<v Speaker 2>people being like, Hey, is there any world where you

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<v Speaker 2>could send a man here to make my sprinklers stop

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<v Speaker 2>doing this?

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<v Speaker 3>See that's a nightmare I never had, but now it's

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<v Speaker 3>a thing I'm afraid of.

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<v Speaker 2>Bro, you feel so strong and so.

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<v Speaker 3>Nothing having to call a bigger, better man to come

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<v Speaker 3>fix things in your.

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<v Speaker 2>Home at midnight, be like, hey, could you wake up

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<v Speaker 2>one of your men?

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<v Speaker 3>Yeah? I know he's probably with his family.

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<v Speaker 2>I'm what and I and I I twisted knobs and

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<v Speaker 2>none of the knobs fixed. So so could you make

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<v Speaker 2>a man wake up from his wife and or his lover?

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<v Speaker 3>And uh, I'm wet and I'm scared and I just

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<v Speaker 3>need a man in his big scary vehicle to come say.

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<v Speaker 2>I'll invite him in my home despite having no evidence

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<v Speaker 2>he couldn't murder me in an instance.

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<v Speaker 3>That's how bad I needed his help. Oh man, God,

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<v Speaker 3>I gotta learn a trade now.

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<v Speaker 2>It's embarrassing. So yes, I agree with you that your

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<v Speaker 2>nightmares are sometimes far more far reaching than your brain

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<v Speaker 2>is actually capable of finding.

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<v Speaker 3>Yeah, I feel like my also some of my nightmares.

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<v Speaker 3>Do you ever? I have a lot of times, though,

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<v Speaker 3>where a nightmare will be literally a thing I'm worried about.

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<v Speaker 3>But my worries are not necessarily reality. Mm hmmm hm,

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<v Speaker 3>you know what I mean. The things I'm scared of

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<v Speaker 3>a lot oftentimes aren't based in any type of like reality,

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<v Speaker 3>perceived or otherwise. Yeah, So it's like, I don't feel

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<v Speaker 3>like I run the risk of this, but I am interested,

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<v Speaker 3>because aren't most dreams on an empty stomach.

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<v Speaker 2>I think what she's saying is, if you tell somebody

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<v Speaker 2>about your nightmare while you have an empty stomach, not

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<v Speaker 2>the dream it.

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<v Speaker 3>So it's not like if you go to bed hungry

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<v Speaker 3>and then you have a nightmare, it'll come true. Yes,

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<v Speaker 3>if you wake up and tell your spouse or whatever

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<v Speaker 3>maybe I don't know that.

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<v Speaker 2>Or whatever, right then somebody's gonna come in your house

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<v Speaker 2>and kill you, is the theory.

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<v Speaker 3>I don't know that I believe in this. But this

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<v Speaker 3>is also because I don't tell a lot of people

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<v Speaker 3>my nightmares.

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<v Speaker 2>I don't ever tell anybody the horrors that happened in

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<v Speaker 2>my head at night or otherwise a lot of the times,

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<v Speaker 2>which is why I struggle in communications and communication and relationships.

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<v Speaker 2>But that's my business. The point is, it feels to

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<v Speaker 2>me like an idiom, a sort of like a wives tale,

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<v Speaker 2>if you will. That's more about treating your community kindly.

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<v Speaker 2>Do you know what I mean?

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<v Speaker 1>That?

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<v Speaker 3>Like, as far as not telling people your nightmares.

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<v Speaker 2>Not telling your people, not telling people your nightmare while

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<v Speaker 2>on an empty stomach feels like, bro, don't wake me up.

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<v Speaker 3>With that shit.

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<v Speaker 1>Do you know?

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<v Speaker 2>What I mean, Like, don't just corner me in the

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<v Speaker 2>beginning of the day telling me some weird shit that's

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<v Speaker 2>in your head, Sit me down for a meal. Let's

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<v Speaker 2>let's be decent to each other and make this communal.

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<v Speaker 2>Let's make this about building bonds and relationships, not me

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<v Speaker 2>like rounding a corner to go to the bathroom, and like,

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<v Speaker 2>you know, I saw spiders in my brain last night.

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<v Speaker 2>Fuck you.

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<v Speaker 3>I like that. I think that's the kind of the

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<v Speaker 3>best takeaway you could get from this is because I

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<v Speaker 3>also don't tell anybody what's going on. It's an action

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<v Speaker 3>I find to be not safe.

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<v Speaker 2>A lot of caution tape around here.

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<v Speaker 3>Yeah yeah, yeah, by lose my grip, all, slide off

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<v Speaker 3>and die.

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<v Speaker 2>So my mama told me presents the Start to Steal Tour.

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<v Speaker 2>We're very excited about it. Yeah, I'm not about to

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<v Speaker 2>bite my tongue. We want to sell it out and

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<v Speaker 2>the dates are coming up fast and so if you

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<v Speaker 2>live in one of these areas, we want you to

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<v Speaker 2>buy your tickets now. It's all available on our instagrams,

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<v Speaker 2>on our websites, on our link tree. But you can

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<v Speaker 2>see us in Washington, DC on October tenth, Chicago October thirteenth.

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<v Speaker 2>October seventeenth, we're in La in Hollywood. We'll be in

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<v Speaker 2>Atlanta on Halloween October thirty. First, we want y'all to

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<v Speaker 2>come out. We want y'all to kick it. We will

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<v Speaker 2>be doing our coveted live show with special guests with

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<v Speaker 2>just me and David. Depending on the city, It'll be

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<v Speaker 2>a great time all that meet and greets. You think

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<v Speaker 2>Chris Brown has a good meet and greet, bro, Let's

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<v Speaker 2>be clear, I'll take a weird picture with you for free.

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<v Speaker 3>I do like the idea of the community of it.

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<v Speaker 3>I think that's the best takeaway from it. Do you

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<v Speaker 3>tell people your fears and things like that?

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<v Speaker 2>I find it easier to let those things out in

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<v Speaker 2>a joke than I do in like just a raw conversation.

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<v Speaker 3>Same. Do you ever find yourself Do you ever find

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<v Speaker 3>yourself making a joke that is too real? Though?

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<v Speaker 2>Uh yeah, I'm kind of sitting on one right now

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<v Speaker 2>that like has elements of it that make me uncomfortable,

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<v Speaker 2>where like I'm saying something in particular about sort of

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<v Speaker 2>like not it's not intimacy in my relationship, but certainly

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<v Speaker 2>like communication in my relationship that makes me feel like

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<v Speaker 2>I'm being a little too. I'm playing a line and

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<v Speaker 2>I don't. I don't like how that feels. Yeah, I

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<v Speaker 2>have one about black people saying stuff funny. That's that

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<v Speaker 2>is just for you. Yeah, it's yeah, I get it

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<v Speaker 2>where you're like, damn, I let this. It's also hard,

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<v Speaker 2>I think, and this is starting to get into a

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<v Speaker 2>more complicated conversation then. Certainly Britney was asking for but.

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<v Speaker 3>We only have minutes left.

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<v Speaker 2>I think it's also hard because you fear saying something

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<v Speaker 2>on stage that you have not even yet been willing

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<v Speaker 2>to say to your partner, and that becomes sort of

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<v Speaker 2>not just an invasion of privacy, but almost an outing

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<v Speaker 2>of an intimacy that you didn't share together. And then

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<v Speaker 2>that becomes like this dangerous thing of Oh, I thought

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<v Speaker 2>I was just expressing myself, when in fact I was

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<v Speaker 2>sabotaging an otherwise potential healthy conversation we could have with

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<v Speaker 2>each other.

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<v Speaker 3>Yeah, he's the guy who's done the work ladies and gentlemen.

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<v Speaker 2>I haven't. Though I'm truly bullshitting my way through this.

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<v Speaker 3>This conversation did get too real because I don't I'm

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<v Speaker 3>realizing now I'm thinking about it. I don't tell anyone

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<v Speaker 3>my dreams or otherwise.

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<v Speaker 2>No, very rarely have I ever expressed my dreams to anybody.

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<v Speaker 2>And that's yeah, yeah, But I do agree with the

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<v Speaker 2>sentiment that if you are gonna tell me about your dreams,

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<v Speaker 2>please do not make it something I just have to

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<v Speaker 2>raw dog, you know what I mean, Feed me, agreed, agreed,

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<v Speaker 2>treat me, make it. Let us be doing something fun.

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<v Speaker 2>Don't make this the just I woke up, I need

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<v Speaker 2>to pee, but I gotta stop to listen to whatever

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<v Speaker 2>you gotta tell me. Situation.

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<v Speaker 3>And I like that. I think that in this one,

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<v Speaker 3>that's definitely like a folklore type of a situation. If

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<v Speaker 3>that's what we can draw from that that, you know

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<v Speaker 3>what I mean, the idea of not to use people

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<v Speaker 3>as a dumping ground, to acknowledge that, you know what

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<v Speaker 3>I mean, acknowledge the give and take in a situation

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<v Speaker 3>like that. I think ultimately that's a pretty positive one.

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<v Speaker 3>And I think that this is like a good thing

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<v Speaker 3>to kind of stay to keep in your mind. Then yea,

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<v Speaker 3>because it's like cause it's like it's not saying don't

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<v Speaker 3>tell people you're nightmares. It's relax give him some you

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<v Speaker 3>know what, I mean, and I because to be mindful,

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<v Speaker 3>especially when you're dumping a burden or a problem on someone.

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<v Speaker 2>Yeah, I think that's one hundred percent fair. Don't look

0:14:13.920 --> 0:14:16.400
<v Speaker 2>not when I first wake up, not when it's like

0:14:16.480 --> 0:14:20.200
<v Speaker 2>eleven thirty before lunch, you know what I mean. We're

0:14:20.240 --> 0:14:23.120
<v Speaker 2>all hungry. We've been click clacking at this computer the

0:14:23.160 --> 0:14:26.760
<v Speaker 2>whole time. We're all just trying to squeeze the last

0:14:26.880 --> 0:14:30.200
<v Speaker 2>little bit of life out of ourselves, and we're desperate

0:14:30.280 --> 0:14:34.440
<v Speaker 2>to isolate and get refill our energy. Don't give me

0:14:34.480 --> 0:14:37.800
<v Speaker 2>that shit right then, and not right before like a

0:14:38.840 --> 0:14:42.119
<v Speaker 2>you know what I mean, like a dinner, right before bedtime,

0:14:42.280 --> 0:14:45.040
<v Speaker 2>like none of that shit. I want this shit at

0:14:45.080 --> 0:14:48.760
<v Speaker 2>a time where we're having a cereal and a laugh.

0:14:49.600 --> 0:14:53.320
<v Speaker 2>Let's over a nice a nice cup of Joe. I

0:14:53.320 --> 0:14:56.680
<v Speaker 2>don't even drink coffee, but a cup of Joe sounds like.

0:14:56.880 --> 0:14:59.760
<v Speaker 2>All right, I'll listen to this a machiato, and then

0:14:59.800 --> 0:15:00.360
<v Speaker 2>I'll tell.

0:15:00.280 --> 0:15:06.560
<v Speaker 3>You how I dream about me killing my father. There's

0:15:06.600 --> 0:15:07.600
<v Speaker 3>one of those jokes.

0:15:08.040 --> 0:15:16.160
<v Speaker 2>Yeah, hilarious.

0:15:17.400 --> 0:15:20.600
<v Speaker 3>This podcast is too funny.

0:15:22.880 --> 0:15:24.400
<v Speaker 2>Where did they come up with it?

0:15:24.880 --> 0:15:30.880
<v Speaker 3>These guys, they must be right material. I think we

0:15:30.960 --> 0:15:31.320
<v Speaker 3>did it.

0:15:31.360 --> 0:15:33.000
<v Speaker 2>I think I think we did. It feels like a

0:15:33.040 --> 0:15:35.960
<v Speaker 2>good explanation, Brittany. I hope that that feels satisfying. I

0:15:35.960 --> 0:15:39.400
<v Speaker 2>think it is more a tool of healthy communication than

0:15:39.440 --> 0:15:42.920
<v Speaker 2>it is a literal threat. So feel free to share

0:15:42.920 --> 0:15:45.600
<v Speaker 2>your nightmares. Just make sure you ain't annoying people while

0:15:45.600 --> 0:15:49.680
<v Speaker 2>you do it. Yeah, I think that's great what you

0:15:49.720 --> 0:15:53.600
<v Speaker 2>got going on? Cool guy jokes eighty seven on Instagram, Patreon,

0:15:53.720 --> 0:15:57.920
<v Speaker 2>dot com, backslash David Bory over sixty three videos at

0:15:57.920 --> 0:16:01.880
<v Speaker 2>this point, and my comedy special Births of a Nation

0:16:02.480 --> 0:16:09.440
<v Speaker 2>also Bay Area. I'm talking Elsa, Branny, I'm talking Heyward.

0:16:09.880 --> 0:16:13.720
<v Speaker 2>I'm talking all the way up to Richmond October twenty

0:16:13.720 --> 0:16:15.960
<v Speaker 2>fourth through the twenty seventh. I will be at the

0:16:16.080 --> 0:16:21.080
<v Speaker 2>Rooster T Feathers Comedy Club. Please buy tickets and come

0:16:21.120 --> 0:16:24.000
<v Speaker 2>to that. I'll tell you all about my dreams and

0:16:24.120 --> 0:16:29.920
<v Speaker 2>my nightmares and a few puns in between, and if

0:16:29.920 --> 0:16:33.120
<v Speaker 2>you request it, he'll do it. Meek Mill styles, you know,

0:16:34.720 --> 0:16:35.160
<v Speaker 2>I don't.

0:16:34.960 --> 0:16:39.360
<v Speaker 3>Know Wait a minute, do you ever? Man? I hate that.

0:16:39.440 --> 0:16:43.520
<v Speaker 3>I don't know the words completely. Yeah, it's embarrassing, cause

0:16:43.560 --> 0:16:46.520
<v Speaker 3>it's like, whenever it's turning up, it's always like and

0:16:46.600 --> 0:16:48.720
<v Speaker 3>this is sexist but it's always like some girl who's

0:16:48.760 --> 0:16:51.520
<v Speaker 3>doing every single because I got most of it. But

0:16:51.560 --> 0:16:54.440
<v Speaker 3>then when he's calling out the club, the A know

0:16:54.560 --> 0:16:57.960
<v Speaker 3>what kods? You know what I mean, that's like the

0:16:58.000 --> 0:16:58.720
<v Speaker 3>hard part for me.

0:16:58.800 --> 0:16:58.920
<v Speaker 1>Bro.

0:16:59.360 --> 0:17:02.160
<v Speaker 2>I'm a I'm gonna say something that I'll probably regret.

0:17:03.240 --> 0:17:05.920
<v Speaker 2>I got like two bars in there, and I.

0:17:05.560 --> 0:17:11.280
<v Speaker 3>Don't really else. Yeah, I got the good ones right,

0:17:11.640 --> 0:17:15.240
<v Speaker 3>but like right now, no college, Yeah, some of it

0:17:15.280 --> 0:17:16.359
<v Speaker 3>is not good. I know how to hit.

0:17:16.640 --> 0:17:18.399
<v Speaker 2>I know how to hit some big notes in it,

0:17:18.560 --> 0:17:20.280
<v Speaker 2>you know what I mean? Where like I can I

0:17:20.320 --> 0:17:24.840
<v Speaker 2>can jump and say words like I'm familiar with the song.

0:17:25.320 --> 0:17:26.520
<v Speaker 3>They don't remember me.

0:17:27.080 --> 0:17:30.760
<v Speaker 2>Yeah, there's no there's nothing in me that's like, oh

0:17:30.840 --> 0:17:32.920
<v Speaker 2>you got it. You can hit that first verse no

0:17:32.960 --> 0:17:35.840
<v Speaker 2>problem and sayd version gets rocky, but you can find

0:17:35.880 --> 0:17:38.080
<v Speaker 2>yourself again. No, I ain't got nothing.

0:17:38.440 --> 0:17:40.560
<v Speaker 3>As they get older, I don't have any verses. I

0:17:40.640 --> 0:17:42.200
<v Speaker 3>used to have so many verses.

0:17:42.440 --> 0:17:45.080
<v Speaker 2>I had every verse memorized from every song that ever

0:17:45.119 --> 0:17:45.520
<v Speaker 2>came out.

0:17:45.920 --> 0:17:48.880
<v Speaker 3>It was crazy, even songs they didn't like. I still

0:17:48.920 --> 0:17:51.560
<v Speaker 3>know all the words to write there, But like now

0:17:51.640 --> 0:17:53.119
<v Speaker 3>I got when was the last time you wanted a

0:17:53.160 --> 0:17:53.639
<v Speaker 3>new verse?

0:17:54.520 --> 0:17:58.160
<v Speaker 2>It's been a minute. It's been a minute, and.

0:17:58.119 --> 0:18:00.000
<v Speaker 3>I've heard songs where I was like, damn, I shouldn't

0:18:00.160 --> 0:18:03.600
<v Speaker 3>this verse, and by the time I sometimes learned the verse.

0:18:03.760 --> 0:18:07.080
<v Speaker 2>It's embarrassing if I were to be like rapping along

0:18:07.119 --> 0:18:08.080
<v Speaker 2>with it, you know what I mean?

0:18:09.359 --> 0:18:11.160
<v Speaker 3>That song from eight months ago, y'all?

0:18:11.320 --> 0:18:12.320
<v Speaker 2>Yeah, we like.

0:18:14.520 --> 0:18:16.240
<v Speaker 3>Sometimes you gotta pop out and show me.

0:18:38.400 --> 0:18:41.560
<v Speaker 2>Like you is he rapping the the kids?

0:18:41.800 --> 0:18:41.879
<v Speaker 3>This?

0:18:45.520 --> 0:18:46.280
<v Speaker 2>What are you doing?

0:18:47.320 --> 0:18:49.200
<v Speaker 3>So we're over that? Now we're over there?

0:18:50.280 --> 0:18:55.320
<v Speaker 2>Put that away? What are you doing rapping along to

0:18:55.440 --> 0:19:04.600
<v Speaker 2>this anymore? This song is old, engrossing us out man, stop, get.

0:19:04.359 --> 0:19:07.080
<v Speaker 3>Out of here. What cool things do you have going on?

0:19:08.440 --> 0:19:13.679
<v Speaker 2>You can follow me at Langston Kerrman on all social

0:19:13.720 --> 0:19:17.600
<v Speaker 2>media platforms. You can watch my special called Bad Poetry

0:19:17.600 --> 0:19:23.000
<v Speaker 2>on Netflix, watch English Teacher on FX. And most importantly,

0:19:23.119 --> 0:19:25.400
<v Speaker 2>if you would like to send us your own drops,

0:19:25.400 --> 0:19:30.160
<v Speaker 2>your own conspiracy theories, If you would like to tell

0:19:30.240 --> 0:19:33.199
<v Speaker 2>us what songs we could memorize early so that we

0:19:33.280 --> 0:19:36.359
<v Speaker 2>look like cool young people again, send that all to

0:19:36.600 --> 0:19:39.119
<v Speaker 2>Mamma pod at gmail dot com. We would love to

0:19:39.160 --> 0:19:42.320
<v Speaker 2>hear from you, and most importantly, we would love to

0:19:42.359 --> 0:19:45.280
<v Speaker 2>see you out on tour with us. We are going

0:19:45.320 --> 0:19:56.760
<v Speaker 2>on tour. We have dates coming up, DC, Chicago, New York, Philly, Seattle, Dallas, Houston, Austin,

0:19:57.200 --> 0:20:03.639
<v Speaker 2>San Francisco. It might forget anything. Uh did you say Boston? Boston?

0:20:04.040 --> 0:20:05.360
<v Speaker 2>How could I forget that?

0:20:05.480 --> 0:20:05.800
<v Speaker 3>Cruel?

0:20:05.840 --> 0:20:06.720
<v Speaker 2>Cruel Atlanta?

0:20:07.920 --> 0:20:08.520
<v Speaker 3>Uh?

0:20:09.000 --> 0:20:11.119
<v Speaker 2>Why would I go out of order? I could have Portland.

0:20:11.240 --> 0:20:14.000
<v Speaker 2>I could have done this in any reasonable order, and

0:20:14.040 --> 0:20:16.320
<v Speaker 2>I would have gotten them easy, but I chose not to.

0:20:16.520 --> 0:20:19.720
<v Speaker 2>More importantly, yeah, those tickets are all Seattle. Those tickets

0:20:19.760 --> 0:20:22.359
<v Speaker 2>are all available online. We would love to see you

0:20:22.400 --> 0:20:25.880
<v Speaker 2>on tour. Tickets are moving and and we want them

0:20:25.880 --> 0:20:28.399
<v Speaker 2>to move fast. So so we want you to step up,

0:20:28.440 --> 0:20:32.520
<v Speaker 2>bitch and buy them early. We need you. We're asking politely,

0:20:32.560 --> 0:20:35.480
<v Speaker 2>and I'm sorry I called you a bitch. I'm really

0:20:35.560 --> 0:20:39.680
<v Speaker 2>sorry about that. If that's going to change whether or

0:20:39.720 --> 0:20:42.080
<v Speaker 2>not you buy a ticket, I apologize and I'm working

0:20:42.119 --> 0:20:48.240
<v Speaker 2>on being a better man anyway. Okay, bye, bitch. Hey bitches,

0:20:48.280 --> 0:20:48.680
<v Speaker 2>that one.

0:20:55.240 --> 0:21:00.760
<v Speaker 1>Well the Minion Your Soul, Mini Your and Soul. Well,

0:21:00.800 --> 0:21:10.200
<v Speaker 1>the fucking mini episode, well, the fucking mini episode, mini episode,

0:21:11.280 --> 0:21:14.800
<v Speaker 1>all the fucking mini episode. Bar