1 00:00:03,400 --> 00:00:10,800 Speaker 1: Motherfucking mini episode, mini episode, motherfucking mini eaisol. 2 00:00:13,920 --> 00:00:18,320 Speaker 2: Dell me what's really going on? Drizzy backup in this thing. 3 00:00:18,360 --> 00:00:22,960 Speaker 2: I'm ready was happy name there it is there, it is. 4 00:00:23,120 --> 00:00:26,560 Speaker 2: Ladies and gentlemen, gentiles and little mamas are like, welcome 5 00:00:26,600 --> 00:00:29,720 Speaker 2: to another phenomenal episode of My Mama Told. 6 00:00:29,520 --> 00:00:36,280 Speaker 3: Me, the podcast where we dive into the pockets of 7 00:00:36,400 --> 00:00:39,480 Speaker 3: black conspiracy theories. 8 00:00:38,960 --> 00:00:41,559 Speaker 2: And we finally worked to prove the theories that you 9 00:00:41,720 --> 00:00:47,800 Speaker 2: the listener have at home. It's a motherfucking mini EPA episode. Bitch. 10 00:00:48,120 --> 00:00:52,480 Speaker 3: Welcome bitch? Uh is it you saying it? Some motherfucking 11 00:00:53,000 --> 00:00:56,200 Speaker 3: mini episode just with the voice on? Uh? 12 00:00:56,280 --> 00:00:59,080 Speaker 2: Yeah, Justin did that before I had the modulator, before 13 00:00:59,080 --> 00:01:05,399 Speaker 2: I could do shoot. Justin are brilliant editor. Did that 14 00:01:05,440 --> 00:01:07,000 Speaker 2: all by himself before me. 15 00:01:08,080 --> 00:01:10,200 Speaker 3: I was playing with that voice. We got a karaoke 16 00:01:10,360 --> 00:01:14,320 Speaker 3: machine in the house. Yeah, and it's it does that 17 00:01:14,440 --> 00:01:23,200 Speaker 3: voice and it does baby voice good time you mean, yeah, fun. 18 00:01:28,360 --> 00:01:31,399 Speaker 2: A weird robot. Baby, I can do whatever you want, 19 00:01:31,560 --> 00:01:33,200 Speaker 2: you know. It's pretty cool. 20 00:01:33,200 --> 00:01:40,480 Speaker 3: Wow, so fun technology. That's how we're here to talk about. 21 00:01:40,760 --> 00:01:44,560 Speaker 2: No, we got an email from a from a listener, 22 00:01:45,200 --> 00:01:48,000 Speaker 2: a person by the name of Brittany sent us a 23 00:01:48,160 --> 00:01:53,240 Speaker 2: very concise, very to the point email. Brittany wrote conspiracy 24 00:01:53,320 --> 00:01:57,360 Speaker 2: theory about nightmares as a subject line, and then she 25 00:01:57,440 --> 00:02:01,360 Speaker 2: said high Linkston David, my mama told me that telling 26 00:02:01,440 --> 00:02:04,120 Speaker 2: someone about a nightmare that you had on an empty 27 00:02:04,200 --> 00:02:08,840 Speaker 2: stomach will make it come true. Please can consider discussing 28 00:02:08,880 --> 00:02:14,480 Speaker 2: this on the podcast. Thanks Brittany formal. I love it, 29 00:02:15,120 --> 00:02:19,640 Speaker 2: as she said, I got, I have a subject. I 30 00:02:19,680 --> 00:02:23,160 Speaker 2: will give you the basics of the information. I'll tempt 31 00:02:23,160 --> 00:02:28,079 Speaker 2: you into saying more with a little bit of nice language, 32 00:02:28,440 --> 00:02:29,000 Speaker 2: and I'm out. 33 00:02:29,520 --> 00:02:34,200 Speaker 3: But none of the usual pleasantries and or disrespect, which 34 00:02:34,280 --> 00:02:35,280 Speaker 3: is a breath of freshure. 35 00:02:35,720 --> 00:02:37,840 Speaker 2: She didn't spin in our face, but she also didn't 36 00:02:37,880 --> 00:02:40,559 Speaker 2: kiss it, and that's that's fascinating. 37 00:02:40,760 --> 00:02:43,520 Speaker 3: She didn't elevate one of us above the other. That's 38 00:02:43,560 --> 00:02:45,240 Speaker 3: also also always difficult. 39 00:02:45,800 --> 00:02:47,840 Speaker 2: She didn't try to sell one of us a product 40 00:02:47,880 --> 00:02:51,600 Speaker 2: that makes us feel self conscious about ourselves. 41 00:02:51,720 --> 00:02:55,760 Speaker 3: Just she just was like, hey, here's the subject, which 42 00:02:55,840 --> 00:02:58,720 Speaker 3: is good, great approach. But I do love some of 43 00:02:58,760 --> 00:03:04,560 Speaker 3: our cilliar lists as well. Here's my first question. Have 44 00:03:04,600 --> 00:03:06,600 Speaker 3: you ever told it? Have you ever? Have you ever 45 00:03:06,600 --> 00:03:07,720 Speaker 3: had a nightmare come true? 46 00:03:10,520 --> 00:03:16,359 Speaker 2: I don't think So I don't. I think a lot 47 00:03:16,400 --> 00:03:20,359 Speaker 2: of my nightmares tend to be more fantastical than they are, 48 00:03:20,720 --> 00:03:23,480 Speaker 2: or at least they used to be much more fantastical 49 00:03:23,520 --> 00:03:28,040 Speaker 2: than they were, like literal same, And so I don't. 50 00:03:28,200 --> 00:03:31,240 Speaker 2: I think it would require a level of like weird 51 00:03:31,720 --> 00:03:34,960 Speaker 2: space travel to be able to make some of my 52 00:03:35,120 --> 00:03:39,440 Speaker 2: nightmares happen. Certainly interdimensional shit would have to take place 53 00:03:39,880 --> 00:03:42,040 Speaker 2: to make some of my nightmares come true. 54 00:03:42,480 --> 00:03:46,520 Speaker 3: It would be the cast of characters alone. The budget, Yeah, 55 00:03:46,880 --> 00:03:52,960 Speaker 3: the budget you would need to cast my nightmares. And also, 56 00:03:53,360 --> 00:03:56,400 Speaker 3: I will say, anytime in my life that I've had 57 00:03:56,440 --> 00:04:00,240 Speaker 3: a living nightmare, it's always been something I didn't even 58 00:04:00,320 --> 00:04:02,360 Speaker 3: know it was my worst nightmare until it happened to me. 59 00:04:03,040 --> 00:04:03,800 Speaker 2: Mm hmmm hmm. 60 00:04:04,240 --> 00:04:08,800 Speaker 3: You know you're like, oh, this is my nightmare, this 61 00:04:08,880 --> 00:04:11,880 Speaker 3: is my I didn't need I wasn't even afraid of 62 00:04:11,920 --> 00:04:15,120 Speaker 3: her cheating on me or whatever. Right, you know what 63 00:04:15,160 --> 00:04:17,919 Speaker 3: I mean? Oh this is I thought this was a 64 00:04:17,920 --> 00:04:19,400 Speaker 3: cool shirt or whatever it was. 65 00:04:19,520 --> 00:04:24,360 Speaker 2: Yeah. Yeah, there are things your brain sort of skips 66 00:04:24,440 --> 00:04:26,480 Speaker 2: past and it's like, wait, we don't need to dream 67 00:04:26,520 --> 00:04:28,320 Speaker 2: about that. That would be silly, that would be a 68 00:04:28,320 --> 00:04:31,080 Speaker 2: waste of time. Are truly the biggest nightmares you're ever 69 00:04:31,120 --> 00:04:32,560 Speaker 2: going to experience. 70 00:04:32,720 --> 00:04:35,120 Speaker 3: Every time, every time. 71 00:04:35,880 --> 00:04:38,760 Speaker 2: Yeah, no, it's one hundred percent true. The other day, 72 00:04:39,400 --> 00:04:44,800 Speaker 2: my sprinklers wouldn't turn off, like our gardener fucked up 73 00:04:45,360 --> 00:04:48,000 Speaker 2: and kind of like broke the sprinkler system, so there 74 00:04:48,080 --> 00:04:52,560 Speaker 2: was a leak. And then I twisted the normal like 75 00:04:52,680 --> 00:04:56,280 Speaker 2: hose turn on thing to check it to see if 76 00:04:56,279 --> 00:04:59,560 Speaker 2: I could work on the leak myself, and then could 77 00:04:59,640 --> 00:05:04,200 Speaker 2: not whisk them off like legitimately, they just would not 78 00:05:04,360 --> 00:05:07,560 Speaker 2: turn off, and they were on for like an hour. 79 00:05:07,720 --> 00:05:10,800 Speaker 2: Then finally I did get them off right, Like I 80 00:05:10,880 --> 00:05:13,160 Speaker 2: finally figured out some shit where I could like twist 81 00:05:13,200 --> 00:05:16,039 Speaker 2: it hard enough and went off. And then at like 82 00:05:16,279 --> 00:05:20,359 Speaker 2: nine pm that evening they turned back on and would 83 00:05:20,360 --> 00:05:25,120 Speaker 2: not turn off while I called emergency plumber after emergency 84 00:05:25,120 --> 00:05:30,560 Speaker 2: plumber for hours literally through up till midnight. I'm calling 85 00:05:30,600 --> 00:05:33,760 Speaker 2: people being like, Hey, is there any world where you 86 00:05:33,800 --> 00:05:36,800 Speaker 2: could send a man here to make my sprinklers stop 87 00:05:37,320 --> 00:05:37,839 Speaker 2: doing this? 88 00:05:38,760 --> 00:05:41,440 Speaker 3: See that's a nightmare I never had, but now it's 89 00:05:41,560 --> 00:05:42,560 Speaker 3: a thing I'm afraid of. 90 00:05:43,000 --> 00:05:45,680 Speaker 2: Bro, you feel so strong and so. 91 00:05:45,880 --> 00:05:48,520 Speaker 3: Nothing having to call a bigger, better man to come 92 00:05:48,600 --> 00:05:49,599 Speaker 3: fix things in your. 93 00:05:49,480 --> 00:05:53,160 Speaker 2: Home at midnight, be like, hey, could you wake up 94 00:05:53,200 --> 00:05:53,880 Speaker 2: one of your men? 95 00:05:55,000 --> 00:05:57,160 Speaker 3: Yeah? I know he's probably with his family. 96 00:05:58,680 --> 00:06:01,320 Speaker 2: I'm what and I and I I twisted knobs and 97 00:06:01,400 --> 00:06:04,760 Speaker 2: none of the knobs fixed. So so could you make 98 00:06:04,800 --> 00:06:08,480 Speaker 2: a man wake up from his wife and or his lover? 99 00:06:08,720 --> 00:06:12,680 Speaker 3: And uh, I'm wet and I'm scared and I just 100 00:06:12,720 --> 00:06:16,520 Speaker 3: need a man in his big scary vehicle to come say. 101 00:06:17,040 --> 00:06:19,920 Speaker 2: I'll invite him in my home despite having no evidence 102 00:06:19,960 --> 00:06:22,440 Speaker 2: he couldn't murder me in an instance. 103 00:06:23,800 --> 00:06:31,400 Speaker 3: That's how bad I needed his help. Oh man, God, 104 00:06:31,480 --> 00:06:33,120 Speaker 3: I gotta learn a trade now. 105 00:06:33,200 --> 00:06:36,080 Speaker 2: It's embarrassing. So yes, I agree with you that your 106 00:06:36,200 --> 00:06:40,799 Speaker 2: nightmares are sometimes far more far reaching than your brain 107 00:06:40,960 --> 00:06:42,440 Speaker 2: is actually capable of finding. 108 00:06:43,080 --> 00:06:46,520 Speaker 3: Yeah, I feel like my also some of my nightmares. 109 00:06:46,720 --> 00:06:48,720 Speaker 3: Do you ever? I have a lot of times, though, 110 00:06:49,040 --> 00:06:52,400 Speaker 3: where a nightmare will be literally a thing I'm worried about. 111 00:06:52,839 --> 00:06:57,279 Speaker 3: But my worries are not necessarily reality. Mm hmmm hm, 112 00:06:58,320 --> 00:06:59,920 Speaker 3: you know what I mean. The things I'm scared of 113 00:07:00,600 --> 00:07:06,800 Speaker 3: a lot oftentimes aren't based in any type of like reality, 114 00:07:06,920 --> 00:07:10,440 Speaker 3: perceived or otherwise. Yeah, So it's like, I don't feel 115 00:07:10,480 --> 00:07:13,280 Speaker 3: like I run the risk of this, but I am interested, 116 00:07:13,480 --> 00:07:16,520 Speaker 3: because aren't most dreams on an empty stomach. 117 00:07:17,400 --> 00:07:19,880 Speaker 2: I think what she's saying is, if you tell somebody 118 00:07:19,960 --> 00:07:24,000 Speaker 2: about your nightmare while you have an empty stomach, not 119 00:07:24,240 --> 00:07:25,120 Speaker 2: the dream it. 120 00:07:28,600 --> 00:07:30,800 Speaker 3: So it's not like if you go to bed hungry 121 00:07:30,880 --> 00:07:33,520 Speaker 3: and then you have a nightmare, it'll come true. Yes, 122 00:07:33,560 --> 00:07:36,360 Speaker 3: if you wake up and tell your spouse or whatever 123 00:07:36,480 --> 00:07:48,240 Speaker 3: maybe I don't know that. 124 00:07:43,200 --> 00:07:46,680 Speaker 2: Or whatever, right then somebody's gonna come in your house 125 00:07:46,720 --> 00:07:48,200 Speaker 2: and kill you, is the theory. 126 00:07:48,360 --> 00:07:49,920 Speaker 3: I don't know that I believe in this. But this 127 00:07:49,960 --> 00:07:51,440 Speaker 3: is also because I don't tell a lot of people 128 00:07:51,520 --> 00:07:52,280 Speaker 3: my nightmares. 129 00:07:52,840 --> 00:07:56,320 Speaker 2: I don't ever tell anybody the horrors that happened in 130 00:07:56,360 --> 00:07:59,640 Speaker 2: my head at night or otherwise a lot of the times, 131 00:07:59,640 --> 00:08:04,520 Speaker 2: which is why I struggle in communications and communication and relationships. 132 00:08:04,520 --> 00:08:09,280 Speaker 2: But that's my business. The point is, it feels to 133 00:08:09,440 --> 00:08:16,640 Speaker 2: me like an idiom, a sort of like a wives tale, 134 00:08:16,640 --> 00:08:21,840 Speaker 2: if you will. That's more about treating your community kindly. 135 00:08:23,320 --> 00:08:24,080 Speaker 2: Do you know what I mean? 136 00:08:24,240 --> 00:08:24,320 Speaker 1: That? 137 00:08:24,520 --> 00:08:27,480 Speaker 3: Like, as far as not telling people your nightmares. 138 00:08:27,560 --> 00:08:31,920 Speaker 2: Not telling your people, not telling people your nightmare while 139 00:08:31,920 --> 00:08:35,160 Speaker 2: on an empty stomach feels like, bro, don't wake me up. 140 00:08:35,080 --> 00:08:35,640 Speaker 3: With that shit. 141 00:08:36,120 --> 00:08:36,319 Speaker 1: Do you know? 142 00:08:36,320 --> 00:08:38,880 Speaker 2: What I mean, Like, don't just corner me in the 143 00:08:38,920 --> 00:08:41,680 Speaker 2: beginning of the day telling me some weird shit that's 144 00:08:41,720 --> 00:08:45,400 Speaker 2: in your head, Sit me down for a meal. Let's 145 00:08:45,600 --> 00:08:49,319 Speaker 2: let's be decent to each other and make this communal. 146 00:08:49,480 --> 00:08:53,599 Speaker 2: Let's make this about building bonds and relationships, not me 147 00:08:53,920 --> 00:08:56,760 Speaker 2: like rounding a corner to go to the bathroom, and like, 148 00:08:56,840 --> 00:08:59,360 Speaker 2: you know, I saw spiders in my brain last night. 149 00:08:59,440 --> 00:09:00,000 Speaker 2: Fuck you. 150 00:09:00,640 --> 00:09:03,200 Speaker 3: I like that. I think that's the kind of the 151 00:09:03,240 --> 00:09:06,800 Speaker 3: best takeaway you could get from this is because I 152 00:09:06,880 --> 00:09:14,120 Speaker 3: also don't tell anybody what's going on. It's an action 153 00:09:14,320 --> 00:09:20,679 Speaker 3: I find to be not safe. 154 00:09:21,960 --> 00:09:23,920 Speaker 2: A lot of caution tape around here. 155 00:09:24,440 --> 00:09:29,880 Speaker 3: Yeah yeah, yeah, by lose my grip, all, slide off 156 00:09:29,880 --> 00:09:30,280 Speaker 3: and die. 157 00:09:31,120 --> 00:09:46,880 Speaker 2: So my mama told me presents the Start to Steal Tour. 158 00:09:47,360 --> 00:09:49,760 Speaker 2: We're very excited about it. Yeah, I'm not about to 159 00:09:50,240 --> 00:09:52,920 Speaker 2: bite my tongue. We want to sell it out and 160 00:09:53,040 --> 00:09:55,400 Speaker 2: the dates are coming up fast and so if you 161 00:09:55,480 --> 00:09:57,160 Speaker 2: live in one of these areas, we want you to 162 00:09:57,160 --> 00:10:00,960 Speaker 2: buy your tickets now. It's all available on our instagrams, 163 00:10:01,040 --> 00:10:04,679 Speaker 2: on our websites, on our link tree. But you can 164 00:10:04,720 --> 00:10:09,800 Speaker 2: see us in Washington, DC on October tenth, Chicago October thirteenth. 165 00:10:09,880 --> 00:10:13,680 Speaker 2: October seventeenth, we're in La in Hollywood. We'll be in 166 00:10:13,760 --> 00:10:18,040 Speaker 2: Atlanta on Halloween October thirty. First, we want y'all to 167 00:10:18,040 --> 00:10:20,560 Speaker 2: come out. We want y'all to kick it. We will 168 00:10:20,679 --> 00:10:24,920 Speaker 2: be doing our coveted live show with special guests with 169 00:10:25,120 --> 00:10:27,480 Speaker 2: just me and David. Depending on the city, It'll be 170 00:10:27,520 --> 00:10:30,600 Speaker 2: a great time all that meet and greets. You think 171 00:10:30,679 --> 00:10:35,319 Speaker 2: Chris Brown has a good meet and greet, bro, Let's 172 00:10:35,400 --> 00:10:41,679 Speaker 2: be clear, I'll take a weird picture with you for free. 173 00:10:42,600 --> 00:10:44,640 Speaker 3: I do like the idea of the community of it. 174 00:10:44,679 --> 00:10:48,600 Speaker 3: I think that's the best takeaway from it. Do you 175 00:10:48,679 --> 00:10:51,040 Speaker 3: tell people your fears and things like that? 176 00:10:53,160 --> 00:10:57,400 Speaker 2: I find it easier to let those things out in 177 00:10:58,240 --> 00:11:02,920 Speaker 2: a joke than I do in like just a raw conversation. 178 00:11:03,920 --> 00:11:06,480 Speaker 3: Same. Do you ever find yourself Do you ever find 179 00:11:06,520 --> 00:11:09,000 Speaker 3: yourself making a joke that is too real? Though? 180 00:11:09,920 --> 00:11:12,480 Speaker 2: Uh yeah, I'm kind of sitting on one right now 181 00:11:12,559 --> 00:11:15,800 Speaker 2: that like has elements of it that make me uncomfortable, 182 00:11:16,240 --> 00:11:20,760 Speaker 2: where like I'm saying something in particular about sort of 183 00:11:20,800 --> 00:11:24,679 Speaker 2: like not it's not intimacy in my relationship, but certainly 184 00:11:24,800 --> 00:11:27,680 Speaker 2: like communication in my relationship that makes me feel like 185 00:11:27,679 --> 00:11:30,960 Speaker 2: I'm being a little too. I'm playing a line and 186 00:11:31,000 --> 00:11:33,760 Speaker 2: I don't. I don't like how that feels. Yeah, I 187 00:11:33,800 --> 00:11:38,560 Speaker 2: have one about black people saying stuff funny. That's that 188 00:11:38,760 --> 00:11:48,880 Speaker 2: is just for you. Yeah, it's yeah, I get it 189 00:11:49,000 --> 00:11:51,600 Speaker 2: where you're like, damn, I let this. It's also hard, 190 00:11:51,720 --> 00:11:54,120 Speaker 2: I think, and this is starting to get into a 191 00:11:54,160 --> 00:11:59,080 Speaker 2: more complicated conversation then. Certainly Britney was asking for but. 192 00:11:59,480 --> 00:12:00,720 Speaker 3: We only have minutes left. 193 00:12:01,400 --> 00:12:06,120 Speaker 2: I think it's also hard because you fear saying something 194 00:12:06,760 --> 00:12:09,640 Speaker 2: on stage that you have not even yet been willing 195 00:12:09,720 --> 00:12:14,000 Speaker 2: to say to your partner, and that becomes sort of 196 00:12:14,040 --> 00:12:17,880 Speaker 2: not just an invasion of privacy, but almost an outing 197 00:12:18,600 --> 00:12:21,679 Speaker 2: of an intimacy that you didn't share together. And then 198 00:12:21,720 --> 00:12:24,080 Speaker 2: that becomes like this dangerous thing of Oh, I thought 199 00:12:24,080 --> 00:12:27,120 Speaker 2: I was just expressing myself, when in fact I was 200 00:12:27,200 --> 00:12:33,040 Speaker 2: sabotaging an otherwise potential healthy conversation we could have with 201 00:12:33,080 --> 00:12:33,520 Speaker 2: each other. 202 00:12:34,200 --> 00:12:37,800 Speaker 3: Yeah, he's the guy who's done the work ladies and gentlemen. 203 00:12:38,760 --> 00:12:46,000 Speaker 2: I haven't. Though I'm truly bullshitting my way through this. 204 00:12:46,000 --> 00:12:48,920 Speaker 3: This conversation did get too real because I don't I'm 205 00:12:49,000 --> 00:12:51,240 Speaker 3: realizing now I'm thinking about it. I don't tell anyone 206 00:12:51,280 --> 00:12:52,600 Speaker 3: my dreams or otherwise. 207 00:12:53,400 --> 00:12:57,720 Speaker 2: No, very rarely have I ever expressed my dreams to anybody. 208 00:12:57,760 --> 00:13:03,360 Speaker 2: And that's yeah, yeah, But I do agree with the 209 00:13:03,400 --> 00:13:07,600 Speaker 2: sentiment that if you are gonna tell me about your dreams, 210 00:13:08,080 --> 00:13:11,280 Speaker 2: please do not make it something I just have to 211 00:13:11,400 --> 00:13:15,120 Speaker 2: raw dog, you know what I mean, Feed me, agreed, agreed, 212 00:13:15,840 --> 00:13:19,600 Speaker 2: treat me, make it. Let us be doing something fun. 213 00:13:20,160 --> 00:13:24,280 Speaker 2: Don't make this the just I woke up, I need 214 00:13:24,320 --> 00:13:26,600 Speaker 2: to pee, but I gotta stop to listen to whatever 215 00:13:26,640 --> 00:13:28,439 Speaker 2: you gotta tell me. Situation. 216 00:13:29,200 --> 00:13:31,680 Speaker 3: And I like that. I think that in this one, 217 00:13:31,720 --> 00:13:35,240 Speaker 3: that's definitely like a folklore type of a situation. If 218 00:13:35,240 --> 00:13:37,760 Speaker 3: that's what we can draw from that that, you know 219 00:13:37,840 --> 00:13:41,280 Speaker 3: what I mean, the idea of not to use people 220 00:13:41,360 --> 00:13:43,679 Speaker 3: as a dumping ground, to acknowledge that, you know what 221 00:13:43,760 --> 00:13:45,720 Speaker 3: I mean, acknowledge the give and take in a situation 222 00:13:45,880 --> 00:13:48,800 Speaker 3: like that. I think ultimately that's a pretty positive one. 223 00:13:49,200 --> 00:13:50,920 Speaker 3: And I think that this is like a good thing 224 00:13:51,640 --> 00:13:55,760 Speaker 3: to kind of stay to keep in your mind. Then yea, 225 00:13:55,800 --> 00:13:58,080 Speaker 3: because it's like cause it's like it's not saying don't 226 00:13:58,120 --> 00:14:02,840 Speaker 3: tell people you're nightmares. It's relax give him some you 227 00:14:02,880 --> 00:14:05,960 Speaker 3: know what, I mean, and I because to be mindful, 228 00:14:06,280 --> 00:14:10,040 Speaker 3: especially when you're dumping a burden or a problem on someone. 229 00:14:10,640 --> 00:14:13,559 Speaker 2: Yeah, I think that's one hundred percent fair. Don't look 230 00:14:13,920 --> 00:14:16,400 Speaker 2: not when I first wake up, not when it's like 231 00:14:16,480 --> 00:14:20,200 Speaker 2: eleven thirty before lunch, you know what I mean. We're 232 00:14:20,240 --> 00:14:23,120 Speaker 2: all hungry. We've been click clacking at this computer the 233 00:14:23,160 --> 00:14:26,760 Speaker 2: whole time. We're all just trying to squeeze the last 234 00:14:26,880 --> 00:14:30,200 Speaker 2: little bit of life out of ourselves, and we're desperate 235 00:14:30,280 --> 00:14:34,440 Speaker 2: to isolate and get refill our energy. Don't give me 236 00:14:34,480 --> 00:14:37,800 Speaker 2: that shit right then, and not right before like a 237 00:14:38,840 --> 00:14:42,119 Speaker 2: you know what I mean, like a dinner, right before bedtime, 238 00:14:42,280 --> 00:14:45,040 Speaker 2: like none of that shit. I want this shit at 239 00:14:45,080 --> 00:14:48,760 Speaker 2: a time where we're having a cereal and a laugh. 240 00:14:49,600 --> 00:14:53,320 Speaker 2: Let's over a nice a nice cup of Joe. I 241 00:14:53,320 --> 00:14:56,680 Speaker 2: don't even drink coffee, but a cup of Joe sounds like. 242 00:14:56,880 --> 00:14:59,760 Speaker 2: All right, I'll listen to this a machiato, and then 243 00:14:59,800 --> 00:15:00,360 Speaker 2: I'll tell. 244 00:15:00,280 --> 00:15:06,560 Speaker 3: You how I dream about me killing my father. There's 245 00:15:06,600 --> 00:15:07,600 Speaker 3: one of those jokes. 246 00:15:08,040 --> 00:15:16,160 Speaker 2: Yeah, hilarious. 247 00:15:17,400 --> 00:15:20,600 Speaker 3: This podcast is too funny. 248 00:15:22,880 --> 00:15:24,400 Speaker 2: Where did they come up with it? 249 00:15:24,880 --> 00:15:30,880 Speaker 3: These guys, they must be right material. I think we 250 00:15:30,960 --> 00:15:31,320 Speaker 3: did it. 251 00:15:31,360 --> 00:15:33,000 Speaker 2: I think I think we did. It feels like a 252 00:15:33,040 --> 00:15:35,960 Speaker 2: good explanation, Brittany. I hope that that feels satisfying. I 253 00:15:35,960 --> 00:15:39,400 Speaker 2: think it is more a tool of healthy communication than 254 00:15:39,440 --> 00:15:42,920 Speaker 2: it is a literal threat. So feel free to share 255 00:15:42,920 --> 00:15:45,600 Speaker 2: your nightmares. Just make sure you ain't annoying people while 256 00:15:45,600 --> 00:15:49,680 Speaker 2: you do it. Yeah, I think that's great what you 257 00:15:49,720 --> 00:15:53,600 Speaker 2: got going on? Cool guy jokes eighty seven on Instagram, Patreon, 258 00:15:53,720 --> 00:15:57,920 Speaker 2: dot com, backslash David Bory over sixty three videos at 259 00:15:57,920 --> 00:16:01,880 Speaker 2: this point, and my comedy special Births of a Nation 260 00:16:02,480 --> 00:16:09,440 Speaker 2: also Bay Area. I'm talking Elsa, Branny, I'm talking Heyward. 261 00:16:09,880 --> 00:16:13,720 Speaker 2: I'm talking all the way up to Richmond October twenty 262 00:16:13,720 --> 00:16:15,960 Speaker 2: fourth through the twenty seventh. I will be at the 263 00:16:16,080 --> 00:16:21,080 Speaker 2: Rooster T Feathers Comedy Club. Please buy tickets and come 264 00:16:21,120 --> 00:16:24,000 Speaker 2: to that. I'll tell you all about my dreams and 265 00:16:24,120 --> 00:16:29,920 Speaker 2: my nightmares and a few puns in between, and if 266 00:16:29,920 --> 00:16:33,120 Speaker 2: you request it, he'll do it. Meek Mill styles, you know, 267 00:16:34,720 --> 00:16:35,160 Speaker 2: I don't. 268 00:16:34,960 --> 00:16:39,360 Speaker 3: Know Wait a minute, do you ever? Man? I hate that. 269 00:16:39,440 --> 00:16:43,520 Speaker 3: I don't know the words completely. Yeah, it's embarrassing, cause 270 00:16:43,560 --> 00:16:46,520 Speaker 3: it's like, whenever it's turning up, it's always like and 271 00:16:46,600 --> 00:16:48,720 Speaker 3: this is sexist but it's always like some girl who's 272 00:16:48,760 --> 00:16:51,520 Speaker 3: doing every single because I got most of it. But 273 00:16:51,560 --> 00:16:54,440 Speaker 3: then when he's calling out the club, the A know 274 00:16:54,560 --> 00:16:57,960 Speaker 3: what kods? You know what I mean, that's like the 275 00:16:58,000 --> 00:16:58,720 Speaker 3: hard part for me. 276 00:16:58,800 --> 00:16:58,920 Speaker 1: Bro. 277 00:16:59,360 --> 00:17:02,160 Speaker 2: I'm a I'm gonna say something that I'll probably regret. 278 00:17:03,240 --> 00:17:05,920 Speaker 2: I got like two bars in there, and I. 279 00:17:05,560 --> 00:17:11,280 Speaker 3: Don't really else. Yeah, I got the good ones right, 280 00:17:11,640 --> 00:17:15,240 Speaker 3: but like right now, no college, Yeah, some of it 281 00:17:15,280 --> 00:17:16,359 Speaker 3: is not good. I know how to hit. 282 00:17:16,640 --> 00:17:18,399 Speaker 2: I know how to hit some big notes in it, 283 00:17:18,560 --> 00:17:20,280 Speaker 2: you know what I mean? Where like I can I 284 00:17:20,320 --> 00:17:24,840 Speaker 2: can jump and say words like I'm familiar with the song. 285 00:17:25,320 --> 00:17:26,520 Speaker 3: They don't remember me. 286 00:17:27,080 --> 00:17:30,760 Speaker 2: Yeah, there's no there's nothing in me that's like, oh 287 00:17:30,840 --> 00:17:32,920 Speaker 2: you got it. You can hit that first verse no 288 00:17:32,960 --> 00:17:35,840 Speaker 2: problem and sayd version gets rocky, but you can find 289 00:17:35,880 --> 00:17:38,080 Speaker 2: yourself again. No, I ain't got nothing. 290 00:17:38,440 --> 00:17:40,560 Speaker 3: As they get older, I don't have any verses. I 291 00:17:40,640 --> 00:17:42,200 Speaker 3: used to have so many verses. 292 00:17:42,440 --> 00:17:45,080 Speaker 2: I had every verse memorized from every song that ever 293 00:17:45,119 --> 00:17:45,520 Speaker 2: came out. 294 00:17:45,920 --> 00:17:48,880 Speaker 3: It was crazy, even songs they didn't like. I still 295 00:17:48,920 --> 00:17:51,560 Speaker 3: know all the words to write there, But like now 296 00:17:51,640 --> 00:17:53,119 Speaker 3: I got when was the last time you wanted a 297 00:17:53,160 --> 00:17:53,639 Speaker 3: new verse? 298 00:17:54,520 --> 00:17:58,160 Speaker 2: It's been a minute. It's been a minute, and. 299 00:17:58,119 --> 00:18:00,000 Speaker 3: I've heard songs where I was like, damn, I shouldn't 300 00:18:00,160 --> 00:18:03,600 Speaker 3: this verse, and by the time I sometimes learned the verse. 301 00:18:03,760 --> 00:18:07,080 Speaker 2: It's embarrassing if I were to be like rapping along 302 00:18:07,119 --> 00:18:08,080 Speaker 2: with it, you know what I mean? 303 00:18:09,359 --> 00:18:11,160 Speaker 3: That song from eight months ago, y'all? 304 00:18:11,320 --> 00:18:12,320 Speaker 2: Yeah, we like. 305 00:18:14,520 --> 00:18:16,240 Speaker 3: Sometimes you gotta pop out and show me. 306 00:18:38,400 --> 00:18:41,560 Speaker 2: Like you is he rapping the the kids? 307 00:18:41,800 --> 00:18:41,879 Speaker 3: This? 308 00:18:45,520 --> 00:18:46,280 Speaker 2: What are you doing? 309 00:18:47,320 --> 00:18:49,200 Speaker 3: So we're over that? Now we're over there? 310 00:18:50,280 --> 00:18:55,320 Speaker 2: Put that away? What are you doing rapping along to 311 00:18:55,440 --> 00:19:04,600 Speaker 2: this anymore? This song is old, engrossing us out man, stop, get. 312 00:19:04,359 --> 00:19:07,080 Speaker 3: Out of here. What cool things do you have going on? 313 00:19:08,440 --> 00:19:13,679 Speaker 2: You can follow me at Langston Kerrman on all social 314 00:19:13,720 --> 00:19:17,600 Speaker 2: media platforms. You can watch my special called Bad Poetry 315 00:19:17,600 --> 00:19:23,000 Speaker 2: on Netflix, watch English Teacher on FX. And most importantly, 316 00:19:23,119 --> 00:19:25,400 Speaker 2: if you would like to send us your own drops, 317 00:19:25,400 --> 00:19:30,160 Speaker 2: your own conspiracy theories, If you would like to tell 318 00:19:30,240 --> 00:19:33,199 Speaker 2: us what songs we could memorize early so that we 319 00:19:33,280 --> 00:19:36,359 Speaker 2: look like cool young people again, send that all to 320 00:19:36,600 --> 00:19:39,119 Speaker 2: Mamma pod at gmail dot com. We would love to 321 00:19:39,160 --> 00:19:42,320 Speaker 2: hear from you, and most importantly, we would love to 322 00:19:42,359 --> 00:19:45,280 Speaker 2: see you out on tour with us. We are going 323 00:19:45,320 --> 00:19:56,760 Speaker 2: on tour. We have dates coming up, DC, Chicago, New York, Philly, Seattle, Dallas, Houston, Austin, 324 00:19:57,200 --> 00:20:03,639 Speaker 2: San Francisco. It might forget anything. Uh did you say Boston? Boston? 325 00:20:04,040 --> 00:20:05,360 Speaker 2: How could I forget that? 326 00:20:05,480 --> 00:20:05,800 Speaker 3: Cruel? 327 00:20:05,840 --> 00:20:06,720 Speaker 2: Cruel Atlanta? 328 00:20:07,920 --> 00:20:08,520 Speaker 3: Uh? 329 00:20:09,000 --> 00:20:11,119 Speaker 2: Why would I go out of order? I could have Portland. 330 00:20:11,240 --> 00:20:14,000 Speaker 2: I could have done this in any reasonable order, and 331 00:20:14,040 --> 00:20:16,320 Speaker 2: I would have gotten them easy, but I chose not to. 332 00:20:16,520 --> 00:20:19,720 Speaker 2: More importantly, yeah, those tickets are all Seattle. Those tickets 333 00:20:19,760 --> 00:20:22,359 Speaker 2: are all available online. We would love to see you 334 00:20:22,400 --> 00:20:25,880 Speaker 2: on tour. Tickets are moving and and we want them 335 00:20:25,880 --> 00:20:28,399 Speaker 2: to move fast. So so we want you to step up, 336 00:20:28,440 --> 00:20:32,520 Speaker 2: bitch and buy them early. We need you. We're asking politely, 337 00:20:32,560 --> 00:20:35,480 Speaker 2: and I'm sorry I called you a bitch. I'm really 338 00:20:35,560 --> 00:20:39,680 Speaker 2: sorry about that. If that's going to change whether or 339 00:20:39,720 --> 00:20:42,080 Speaker 2: not you buy a ticket, I apologize and I'm working 340 00:20:42,119 --> 00:20:48,240 Speaker 2: on being a better man anyway. Okay, bye, bitch. Hey bitches, 341 00:20:48,280 --> 00:20:48,680 Speaker 2: that one. 342 00:20:55,240 --> 00:21:00,760 Speaker 1: Well the Minion Your Soul, Mini Your and Soul. Well, 343 00:21:00,800 --> 00:21:10,200 Speaker 1: the fucking mini episode, well, the fucking mini episode, mini episode, 344 00:21:11,280 --> 00:21:14,800 Speaker 1: all the fucking mini episode. Bar