WEBVTT - Michael Mann

0:00:00.080 --> 0:00:03.840
<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

0:00:03.920 --> 0:00:05.400
<v Speaker 1>Adamized Studios.

0:00:08.840 --> 0:00:11.800
<v Speaker 2>Michael Man and I met about twenty five years ago

0:00:12.039 --> 0:00:15.360
<v Speaker 2>through architecture. On a trip to London. He asked to

0:00:15.440 --> 0:00:19.080
<v Speaker 2>visit the Lloyd's Building, designed by my husband Richard Rogers.

0:00:19.760 --> 0:00:23.000
<v Speaker 2>For us, it was an honor for if Michael was

0:00:23.040 --> 0:00:26.799
<v Speaker 2>a fan of Richard's architecture. Richard was a huge fan

0:00:26.960 --> 0:00:33.200
<v Speaker 2>of Michael's movies. In fact, when watching Ali, Miami, Vice, Collateral,

0:00:33.600 --> 0:00:37.000
<v Speaker 2>my arm would be constantly squeezed, not due to a

0:00:37.080 --> 0:00:41.159
<v Speaker 2>dramatic moment of fear or tension or mystery, but at

0:00:41.159 --> 0:00:46.640
<v Speaker 2>the way the buildings, streets, airports, bridges, and interiors, even

0:00:46.720 --> 0:00:51.640
<v Speaker 2>elevators were portrayed on screen. Over long dinners, Richard and

0:00:51.720 --> 0:00:55.200
<v Speaker 2>Michael often compared making a movie to making a building.

0:00:55.920 --> 0:00:59.360
<v Speaker 2>Michael once said, while at least Richard, in a building,

0:00:59.640 --> 0:01:02.960
<v Speaker 2>you can say to a client, if you remove a column,

0:01:03.200 --> 0:01:06.520
<v Speaker 2>the building will fall down. Try saying that about a

0:01:06.560 --> 0:01:11.200
<v Speaker 2>scene to a producer. Of all the movies Michael has made, though,

0:01:11.400 --> 0:01:15.080
<v Speaker 2>the one that I consider the greatest is sixty seconds

0:01:15.120 --> 0:01:20.080
<v Speaker 2>long shot entirely underwater in a swimming pool. Michael and

0:01:20.160 --> 0:01:25.160
<v Speaker 2>summer with their children swimmingly, wishing a happy birthday to Richard.

0:01:25.880 --> 0:01:35.679
<v Speaker 2>No architecture in this movie, just love So Michael, would

0:01:35.720 --> 0:01:38.520
<v Speaker 2>you read the recipe for sure?

0:01:38.600 --> 0:01:41.960
<v Speaker 3>This is a Southern Italian version of a tello tonato

0:01:43.280 --> 0:01:47.400
<v Speaker 3>cold roasvelle fresh tomato. So five hundred grams of cold

0:01:47.640 --> 0:01:51.520
<v Speaker 3>roast velle, two hundred and fifty milli liters of tomato sauce,

0:01:52.040 --> 0:01:56.200
<v Speaker 3>six basil leaves, fifty grams of salted capers, two lemons

0:01:56.760 --> 0:02:00.000
<v Speaker 3>and extra virgin olive oil. Slice of veal as fine

0:02:00.160 --> 0:02:03.440
<v Speaker 3>as possible. Squeeze the juice of one lemon and mixt

0:02:03.520 --> 0:02:06.480
<v Speaker 3>it with three times its volume of olive oil, and season.

0:02:07.280 --> 0:02:11.079
<v Speaker 3>Lay the veal slices over each plate, season with sea salt,

0:02:11.160 --> 0:02:15.160
<v Speaker 3>and drizzle with the dressing. Spoon over the tomato sauce,

0:02:15.320 --> 0:02:18.120
<v Speaker 3>and scatter with the capers and basil leaves, and then

0:02:18.200 --> 0:02:19.240
<v Speaker 3>drizzle with olive oil.

0:02:20.000 --> 0:02:23.520
<v Speaker 2>This dish Fatello tonato is very northern, and this is

0:02:23.520 --> 0:02:27.919
<v Speaker 2>a southern version. And I wonder whether you have traveled

0:02:27.919 --> 0:02:30.600
<v Speaker 2>from north to south in Italy? What is your Italian

0:02:31.000 --> 0:02:32.160
<v Speaker 2>traveling experience?

0:02:32.600 --> 0:02:35.560
<v Speaker 3>Varied but mostly spent a little time in Naples Once

0:02:35.639 --> 0:02:38.560
<v Speaker 3>upon a time, and then then Venice and drove around

0:02:38.639 --> 0:02:41.960
<v Speaker 3>the Dolomites at different times, but mostly it's been in

0:02:42.320 --> 0:02:43.399
<v Speaker 3>It's been in the Media.

0:02:43.200 --> 0:02:45.600
<v Speaker 4>Romagna, around Modena Maronello.

0:02:45.880 --> 0:02:52.720
<v Speaker 3>The Ferrari factory is then in Bologna Milan, where all

0:02:52.760 --> 0:02:53.880
<v Speaker 3>the great design is.

0:02:54.120 --> 0:02:58.760
<v Speaker 2>And it's very different. You know, we're just describing northern Italy.

0:02:59.200 --> 0:03:00.920
<v Speaker 2>I don't know what you ate in Naples and this

0:03:01.000 --> 0:03:04.480
<v Speaker 2>dish being so southern that it is, it's not even

0:03:04.800 --> 0:03:07.320
<v Speaker 2>region to region or city to city. It can be

0:03:07.400 --> 0:03:10.520
<v Speaker 2>village to village town, you know, family to family. The

0:03:10.600 --> 0:03:12.000
<v Speaker 2>way that people eat in Italy.

0:03:12.480 --> 0:03:14.840
<v Speaker 3>First time I visited the Ferrari Factory, went across the

0:03:14.840 --> 0:03:17.720
<v Speaker 3>street to Kavolino restaurant that has been there since the

0:03:17.760 --> 0:03:24.880
<v Speaker 3>nineteen fifties, and the cuisine is modernation. So it's a

0:03:25.680 --> 0:03:28.760
<v Speaker 3>big metal cart full of horribly boiled meats.

0:03:29.280 --> 0:03:33.480
<v Speaker 2>Alo that's right. Yeah, I actually really love it. But

0:03:33.480 --> 0:03:36.160
<v Speaker 2>they do cook it a very long time time and

0:03:36.200 --> 0:03:39.240
<v Speaker 2>you get the tongue and you get the yet everything.

0:03:39.360 --> 0:03:43.080
<v Speaker 3>Yeah, my grandmother hit the neck of totally destroying meats.

0:03:44.440 --> 0:03:47.600
<v Speaker 4>I think it came from it came from it came

0:03:47.600 --> 0:03:48.360
<v Speaker 4>from Big Russia.

0:03:49.320 --> 0:03:53.560
<v Speaker 2>Living tell me about her, So just starting going back

0:03:53.600 --> 0:03:56.400
<v Speaker 2>to your child. So your grandparents came, both of them

0:03:56.440 --> 0:03:56.960
<v Speaker 2>from Russia.

0:03:57.040 --> 0:03:59.360
<v Speaker 3>My grandfathers came from Russia. They came from about seventy

0:03:59.440 --> 0:04:00.880
<v Speaker 3>or eighty miles north of Chernobol.

0:04:00.920 --> 0:04:03.440
<v Speaker 2>Did they come from the same place or did they meet.

0:04:03.440 --> 0:04:05.040
<v Speaker 3>They came, No, they came from the same place. They

0:04:05.040 --> 0:04:07.920
<v Speaker 3>came from over. My grandfather had to leave at the

0:04:08.080 --> 0:04:12.480
<v Speaker 3>very traumatic circumstances in nineteen twelve, and it took him

0:04:12.520 --> 0:04:15.200
<v Speaker 3>ten years to get my father, who was one at

0:04:15.240 --> 0:04:17.760
<v Speaker 3>the time, and my grandmother to the United States.

0:04:18.200 --> 0:04:21.040
<v Speaker 2>Your grandfather came first in twelve, and then did he

0:04:21.080 --> 0:04:21.560
<v Speaker 2>go directly?

0:04:22.279 --> 0:04:24.880
<v Speaker 3>He went to White Chapel, he was in a British army.

0:04:24.920 --> 0:04:27.000
<v Speaker 3>Then he wasn't in a British army. Then he came.

0:04:27.160 --> 0:04:29.880
<v Speaker 3>Then he went to Hartford, Connecticut. Then it was an

0:04:29.880 --> 0:04:31.000
<v Speaker 3>American army.

0:04:30.960 --> 0:04:31.840
<v Speaker 2>In the First World War.

0:04:31.880 --> 0:04:35.279
<v Speaker 3>Then the First World War. Yeah, And then nineteen nineteen

0:04:35.400 --> 0:04:39.760
<v Speaker 3>he lost his hearing and the flu epidemic and my.

0:04:39.839 --> 0:04:43.480
<v Speaker 2>Grandfather died in the fluid the same generation, you know.

0:04:43.760 --> 0:04:45.440
<v Speaker 3>And then finally in nineteen twenty two was able to

0:04:45.480 --> 0:04:49.640
<v Speaker 3>get my grandmother my father out and then they moved

0:04:49.680 --> 0:04:53.600
<v Speaker 3>to Chicago. But she was a spectacular woman, very very witty,

0:04:53.760 --> 0:04:57.600
<v Speaker 3>very politically very progressive. But what she was she killed

0:04:57.600 --> 0:04:59.000
<v Speaker 3>as a cork were COIs.

0:04:59.600 --> 0:05:02.520
<v Speaker 2>She made these cheese described finish.

0:05:02.720 --> 0:05:06.119
<v Speaker 3>Fish is kind of a It's a bread, small bread

0:05:06.279 --> 0:05:09.880
<v Speaker 3>thing that's cooked in olive oil and has either meat

0:05:10.040 --> 0:05:12.960
<v Speaker 3>or cheese on the inside. And what it's made in

0:05:13.040 --> 0:05:17.000
<v Speaker 3>a cast iron frying pan that's been around for forty years.

0:05:17.080 --> 0:05:20.880
<v Speaker 3>It's fantastic. And remember one time I was driving home

0:05:20.920 --> 0:05:24.560
<v Speaker 3>from her house. I'd picked up a blue earthenware container

0:05:24.600 --> 0:05:27.120
<v Speaker 3>of this of these things and around the seat of

0:05:27.600 --> 0:05:31.160
<v Speaker 3>the car as car as a fifty four plymouth. It

0:05:31.279 --> 0:05:34.680
<v Speaker 3>was my uncle Sam's car that he let me drive

0:05:34.800 --> 0:05:37.560
<v Speaker 3>the car. And there was a lot of traffic on

0:05:37.680 --> 0:05:40.640
<v Speaker 3>California Avenue and I was driving back to to our house,

0:05:41.480 --> 0:05:44.800
<v Speaker 3>and so I took a hard light on Catalpa, took

0:05:44.839 --> 0:05:47.359
<v Speaker 3>a left out in an alley and hit a gigantic

0:05:47.560 --> 0:05:50.880
<v Speaker 3>pothole in the alley, and in the way time slows down,

0:05:51.120 --> 0:05:55.520
<v Speaker 3>I saw this earthenware container of my grandmother's condess just

0:05:55.600 --> 0:05:59.360
<v Speaker 3>start to fall off the seat in slow motion, and

0:05:59.520 --> 0:06:02.360
<v Speaker 3>I saw myself had to get to a telephone pole

0:06:03.120 --> 0:06:06.640
<v Speaker 3>and I'm thinking moment, it was either saved the conditioners

0:06:06.720 --> 0:06:08.760
<v Speaker 3>or saved the car. So I reached for the conditions

0:06:08.800 --> 0:06:11.080
<v Speaker 3>and just crashed the car into the pole.

0:06:12.480 --> 0:06:14.160
<v Speaker 2>To die for a kindish might not have been.

0:06:16.440 --> 0:06:20.480
<v Speaker 3>That's how much it's got all the important early themes

0:06:20.520 --> 0:06:24.880
<v Speaker 3>of basically immature life. From that point forward, it was

0:06:24.960 --> 0:06:25.839
<v Speaker 3>just driving cars.

0:06:25.920 --> 0:06:30.840
<v Speaker 2>And so your grandmother was the cook, She made the conditions.

0:06:30.920 --> 0:06:32.520
<v Speaker 2>Was she the one that overlooked the beef or was

0:06:32.560 --> 0:06:33.080
<v Speaker 2>that your mother?

0:06:33.240 --> 0:06:34.960
<v Speaker 4>No, she over cooked the beef. I don't know. I

0:06:35.080 --> 0:06:35.640
<v Speaker 4>think it was.

0:06:36.400 --> 0:06:38.159
<v Speaker 3>I mean it was a standing joke and the family,

0:06:38.240 --> 0:06:39.920
<v Speaker 3>my brother and I, you know, you would chew it

0:06:40.000 --> 0:06:42.720
<v Speaker 3>and tell you your jaws ate you couldn't masticate this.

0:06:43.480 --> 0:06:45.960
<v Speaker 2>What else did your grandmother? Did she live with you?

0:06:46.080 --> 0:06:48.400
<v Speaker 2>By the way, your grandmother, No, she didn't. So you

0:06:48.440 --> 0:06:51.640
<v Speaker 2>would go to her house an event to eat in

0:06:51.720 --> 0:06:52.400
<v Speaker 2>her house.

0:06:52.440 --> 0:06:55.400
<v Speaker 3>And my father was my father stopped and saw her

0:06:55.839 --> 0:06:58.480
<v Speaker 3>every day. And later in life, when I knew more

0:06:58.520 --> 0:07:00.760
<v Speaker 3>about life, I realized there was because it's probably the

0:07:00.839 --> 0:07:03.400
<v Speaker 3>ten years that they were alone together.

0:07:03.520 --> 0:07:04.840
<v Speaker 4>There was a certain bond there.

0:07:04.960 --> 0:07:09.720
<v Speaker 3>Because while my grandfather was gone came the First World War,

0:07:09.880 --> 0:07:14.560
<v Speaker 3>the Russian Revolution, the Civil War, and there were progroms

0:07:14.560 --> 0:07:17.440
<v Speaker 3>in the area from the through the Civil War from

0:07:17.440 --> 0:07:20.800
<v Speaker 3>the white Russians. So you know, there were hard times.

0:07:21.200 --> 0:07:24.400
<v Speaker 2>If your grandmother brought her food, did your mother did

0:07:24.440 --> 0:07:26.119
<v Speaker 2>they move towards American food?

0:07:26.360 --> 0:07:28.400
<v Speaker 3>My mother was born in the United States, Okay, so

0:07:29.520 --> 0:07:32.240
<v Speaker 3>my grandmother. No, my grandmother cooked. You know, if you

0:07:32.320 --> 0:07:34.840
<v Speaker 3>cook the way they traditionally the way they did, you went,

0:07:34.920 --> 0:07:36.960
<v Speaker 3>you went to the store, you bought a live chicken.

0:07:37.040 --> 0:07:38.840
<v Speaker 3>They killed the chicken. You brought the chicken at home.

0:07:39.200 --> 0:07:42.120
<v Speaker 3>You know, I'm not going back to the nineteen fifties.

0:07:42.280 --> 0:07:43.880
<v Speaker 2>And what was it like in your house? Who did

0:07:43.920 --> 0:07:44.880
<v Speaker 2>the cooking at your house?

0:07:45.360 --> 0:07:45.680
<v Speaker 4>My mother?

0:07:46.320 --> 0:07:48.920
<v Speaker 2>Yeah, did your father ever venture into the kitchen.

0:07:49.880 --> 0:07:53.840
<v Speaker 3>Yeah, he did, and he had a real sensibility for cusine,

0:07:55.040 --> 0:08:02.360
<v Speaker 3>for fruit number one. But then also finally imported mushrooms

0:08:02.400 --> 0:08:07.000
<v Speaker 3>from Poland, for example, a certain kind of a mushroom

0:08:07.080 --> 0:08:11.320
<v Speaker 3>barley soup. Or when I was working for my father

0:08:11.400 --> 0:08:12.800
<v Speaker 3>when I was a kid, from when I was like

0:08:12.880 --> 0:08:16.040
<v Speaker 3>twelve to sixteen, Uh, he had like a supermarket, a

0:08:16.080 --> 0:08:19.040
<v Speaker 3>small supermarket. And in the winter I was I was

0:08:19.120 --> 0:08:23.360
<v Speaker 3>delivering groceries and it's ten below and you're carrying groceries

0:08:23.920 --> 0:08:26.520
<v Speaker 3>wagon or something carrying a portion that you got cold.

0:08:26.520 --> 0:08:29.560
<v Speaker 3>And they always had some gigantic pot with some kind

0:08:29.600 --> 0:08:31.200
<v Speaker 3>of a massive.

0:08:30.920 --> 0:08:34.160
<v Speaker 4>Stew, you know, it all day long in the grocery store.

0:08:34.280 --> 0:08:36.040
<v Speaker 3>In the back of the grocery store. It was a

0:08:36.280 --> 0:08:41.040
<v Speaker 3>very family kind of a kind of affair. Yeah, and

0:08:41.679 --> 0:08:45.280
<v Speaker 3>exotic kinds of smoked fish from Eastern Europe would show

0:08:45.400 --> 0:08:48.679
<v Speaker 3>up and there'd be something hanging in the basement, but

0:08:48.800 --> 0:08:51.839
<v Speaker 3>he would sell that. That was that's where that's where

0:08:51.840 --> 0:08:52.080
<v Speaker 3>we had.

0:08:52.240 --> 0:08:54.720
<v Speaker 2>That's we head home, you know, and the grocery store sold.

0:08:55.800 --> 0:08:57.199
<v Speaker 4>It was just a big Yeah.

0:08:57.240 --> 0:09:00.000
<v Speaker 3>It was just a standard kind of supermarket, neighborhood, supermar

0:09:00.760 --> 0:09:01.160
<v Speaker 3>What was the.

0:09:01.240 --> 0:09:01.839
<v Speaker 2>Area was it.

0:09:02.080 --> 0:09:04.360
<v Speaker 3>It's near the northwest side, it says, kind of a

0:09:04.440 --> 0:09:07.800
<v Speaker 3>mixed kind of lower middle class, working class area, very

0:09:07.920 --> 0:09:11.760
<v Speaker 3>very diverse population. Two waves of Polish immigrants, a very

0:09:11.840 --> 0:09:16.200
<v Speaker 3>upper middle class wave of Polish immigration from the nineteen twenties,

0:09:17.080 --> 0:09:22.040
<v Speaker 3>very sophisticated people, a Jewish, Italian, some Irish.

0:09:22.720 --> 0:09:23.640
<v Speaker 4>So it was quite mixed.

0:09:24.600 --> 0:09:26.439
<v Speaker 3>I saw when they had we used to go to

0:09:26.559 --> 0:09:29.319
<v Speaker 3>a church right after must have been nineteen forty six

0:09:29.440 --> 0:09:32.240
<v Speaker 3>forty seven, right right after the War. There was a

0:09:32.280 --> 0:09:35.280
<v Speaker 3>neighborhood church a block away that had showed movies in

0:09:35.360 --> 0:09:38.400
<v Speaker 3>the basement, the old black and white, sixteen milimeter movies.

0:09:38.280 --> 0:09:40.439
<v Speaker 4>And I remember being taken that.

0:09:40.440 --> 0:09:43.040
<v Speaker 3>When I was very young and I saw a movie,

0:09:43.240 --> 0:09:46.280
<v Speaker 3>I just remembered certain things about it. In nineteen ninety one,

0:09:46.520 --> 0:09:49.840
<v Speaker 3>when I had I couldn't figure out what to do next,

0:09:49.880 --> 0:09:52.120
<v Speaker 3>what film to do next. I remember that railing around

0:09:52.200 --> 0:09:56.240
<v Speaker 3>in my brain was this image of a of an

0:09:56.240 --> 0:10:02.080
<v Speaker 3>Iroquois Indian head shaved bold and lined with a red coat,

0:10:02.160 --> 0:10:05.640
<v Speaker 3>a British uniform eighteenth century British uniform soldier. And that's

0:10:05.679 --> 0:10:08.720
<v Speaker 3>such an anomaly because we always saw as your kid,

0:10:08.840 --> 0:10:12.040
<v Speaker 3>you always saw America, you know, Native Americans and cowboys

0:10:12.160 --> 0:10:14.600
<v Speaker 3>or something, and that stuck in my mind, and also

0:10:14.679 --> 0:10:18.040
<v Speaker 3>a corollary tragedy of the death of a young woman.

0:10:18.320 --> 0:10:20.480
<v Speaker 3>And I realized that this has been rattling around in

0:10:20.520 --> 0:10:22.360
<v Speaker 3>my head since I was about three. So it was

0:10:22.400 --> 0:10:24.680
<v Speaker 3>last of the Mohicans and so so well, you got

0:10:24.760 --> 0:10:26.880
<v Speaker 3>to go to the last Mohicans. So this, this old

0:10:26.920 --> 0:10:31.040
<v Speaker 3>neighborhood really had this resonance. I think things impressed themselves

0:10:31.080 --> 0:10:33.280
<v Speaker 3>on your memory when you're very young, in ways that

0:10:33.400 --> 0:10:34.840
<v Speaker 3>are are are huge.

0:10:36.320 --> 0:10:38.480
<v Speaker 2>And then at home, who is it you have a

0:10:38.559 --> 0:10:39.240
<v Speaker 2>brother or sister?

0:10:39.400 --> 0:10:40.160
<v Speaker 4>How many brother?

0:10:40.679 --> 0:10:42.760
<v Speaker 2>And did you sit down for meals? Did your father

0:10:42.800 --> 0:10:43.120
<v Speaker 2>come back?

0:10:44.040 --> 0:10:45.440
<v Speaker 4>We waited. My father came home.

0:10:45.600 --> 0:10:47.679
<v Speaker 3>He took a bath and took a shower, and we

0:10:47.880 --> 0:10:51.480
<v Speaker 3>formally sat down and he always had a good shot

0:10:51.520 --> 0:10:55.559
<v Speaker 3>of whiskey and a shot of whiskey and uh and

0:10:55.679 --> 0:10:57.600
<v Speaker 3>we had a formal dinner every night.

0:10:59.600 --> 0:11:01.679
<v Speaker 2>And that continued till you left home.

0:11:02.080 --> 0:11:03.360
<v Speaker 4>That continued until I left home.

0:11:03.440 --> 0:11:12.480
<v Speaker 2>You know, when you left home?

0:11:12.800 --> 0:11:13.439
<v Speaker 3>What was that like?

0:11:13.600 --> 0:11:16.719
<v Speaker 2>Going from being cooked for every day and then being

0:11:16.800 --> 0:11:19.360
<v Speaker 2>out there? Did you cook yourself? Where were you after it?

0:11:19.640 --> 0:11:21.440
<v Speaker 3>I did? I went to I went to the University

0:11:21.440 --> 0:11:24.240
<v Speaker 3>of Wisconsin, Madison, and then after four years there I

0:11:24.280 --> 0:11:24.880
<v Speaker 3>went to London.

0:11:25.960 --> 0:11:28.760
<v Speaker 4>And uh, yes, I did. I cook for myself.

0:11:29.280 --> 0:11:33.160
<v Speaker 3>I also was working as a kind of a short

0:11:33.240 --> 0:11:36.120
<v Speaker 3>ordered cook, doing breakfast at a girls dormitory in the

0:11:36.160 --> 0:11:37.760
<v Speaker 3>morning in Wisconsin.

0:11:37.320 --> 0:11:37.480
<v Speaker 2>You know.

0:11:38.000 --> 0:11:41.400
<v Speaker 3>So it was just interesting getting up at five thirty

0:11:41.400 --> 0:11:43.800
<v Speaker 3>in the morning and Wisconsin in a winter and going

0:11:43.880 --> 0:11:45.000
<v Speaker 3>to you know, a.

0:11:45.040 --> 0:11:47.800
<v Speaker 2>Lot of clue from your grandmother to your mother, to

0:11:47.920 --> 0:11:51.120
<v Speaker 2>the grocery store to working. Did you ever work in

0:11:51.200 --> 0:11:51.720
<v Speaker 2>a restaurant.

0:11:51.800 --> 0:11:53.959
<v Speaker 3>Yeah, I did. I was a short cook one summer

0:11:54.000 --> 0:11:58.080
<v Speaker 3>in front of Yeah, which is crazy. You will blanche

0:11:58.120 --> 0:12:00.440
<v Speaker 3>at some of these stories from these places. We used

0:12:00.480 --> 0:12:03.920
<v Speaker 3>to because there'd be this massive rush and it was

0:12:04.000 --> 0:12:06.120
<v Speaker 3>a memory test because you were having to remember all

0:12:06.160 --> 0:12:08.839
<v Speaker 3>these orders at the same time. And if somebody ordered

0:12:08.880 --> 0:12:11.840
<v Speaker 3>a steak the way we would get a steak done quickly,

0:12:11.960 --> 0:12:14.000
<v Speaker 3>somebody would grab it out of the freezer, they throw

0:12:14.080 --> 0:12:16.200
<v Speaker 3>it down the kitchen. We would catch it and dump

0:12:16.240 --> 0:12:17.400
<v Speaker 3>it in the French frar.

0:12:17.920 --> 0:12:18.439
<v Speaker 2>In the fire.

0:12:19.440 --> 0:12:21.319
<v Speaker 4>Yes, absolutely horrible.

0:12:21.920 --> 0:12:25.800
<v Speaker 3>Probably guilty of some form of order, manslaughter or something,

0:12:25.840 --> 0:12:29.040
<v Speaker 3>because there's probably regular diets who had earlier heart disease

0:12:29.720 --> 0:12:30.800
<v Speaker 3>because they ate these things.

0:12:31.120 --> 0:12:33.040
<v Speaker 2>Yeah, And that was Wisconsin. And then you went to

0:12:33.160 --> 0:12:36.240
<v Speaker 2>this is about but what about London? Because I was

0:12:36.280 --> 0:12:38.599
<v Speaker 2>in London in the sixties and it was kind of

0:12:38.679 --> 0:12:41.439
<v Speaker 2>I always felt there was a kind of beginning of

0:12:41.559 --> 0:12:45.840
<v Speaker 2>that multicultural excitement of food rationing was you know, only

0:12:46.400 --> 0:12:49.360
<v Speaker 2>fifteen years before after the war, I think that then

0:12:49.760 --> 0:12:51.760
<v Speaker 2>and then in the sixties there seemed to be a

0:12:51.960 --> 0:12:55.400
<v Speaker 2>lot more food of Greece and Italy. This it was

0:12:55.520 --> 0:12:57.760
<v Speaker 2>much more vibrant. Did you remember the food of this.

0:12:57.880 --> 0:13:01.760
<v Speaker 3>Totally absolutely my experience with bigger short of cook and

0:13:01.800 --> 0:13:04.120
<v Speaker 3>all this stuff. This is in the this in your

0:13:04.280 --> 0:13:08.000
<v Speaker 3>early sixties and the States and h I talked about,

0:13:08.400 --> 0:13:09.360
<v Speaker 3>you're working for my father.

0:13:09.480 --> 0:13:10.760
<v Speaker 4>This is in the nineteen fifties.

0:13:10.800 --> 0:13:13.839
<v Speaker 3>But in sixty five I went to London to a

0:13:13.880 --> 0:13:16.280
<v Speaker 3>film school for two years and stayed there for six years.

0:13:16.880 --> 0:13:19.920
<v Speaker 3>And the cuisine was, you know, basically beans on toast, yeah,

0:13:20.040 --> 0:13:21.280
<v Speaker 3>and transport.

0:13:20.880 --> 0:13:23.240
<v Speaker 2>Calf yeah, and chip sandwiches.

0:13:23.280 --> 0:13:25.480
<v Speaker 4>Did you ever have chip sandwiches?

0:13:25.520 --> 0:13:29.480
<v Speaker 3>That was really big on transport caffs, beans on toast

0:13:29.600 --> 0:13:31.640
<v Speaker 3>or you're having you know, or eggs.

0:13:31.679 --> 0:13:32.240
<v Speaker 4>I used to love.

0:13:32.840 --> 0:13:38.439
<v Speaker 2>Yeah, every swimming in Greece, bacon fat maybe large.

0:13:39.120 --> 0:13:41.400
<v Speaker 3>And the revelation was I couldn't afford it. But the

0:13:41.480 --> 0:13:45.240
<v Speaker 3>revelation was was Greek food particularly particularly there's a heavy

0:13:45.320 --> 0:13:50.920
<v Speaker 3>influence from Cypriot food, so it's like cheftalia sausage and

0:13:51.000 --> 0:13:53.840
<v Speaker 3>those kinds of things. So there's these little funky kebab

0:13:53.960 --> 0:13:58.360
<v Speaker 3>stands around Charlotte Street just north of Oxford Street, and

0:13:58.480 --> 0:13:59.440
<v Speaker 3>an Indian food.

0:13:59.200 --> 0:13:59.920
<v Speaker 4>Which is a revelation.

0:14:00.520 --> 0:14:01.480
<v Speaker 2>Yeah, where did you live?

0:14:02.240 --> 0:14:05.040
<v Speaker 3>I lived all over I lived in Queensway, very briefly,

0:14:05.280 --> 0:14:07.280
<v Speaker 3>and then we were on New King's Road. Then I

0:14:07.360 --> 0:14:10.560
<v Speaker 3>lived in Balum, then clap himself and back in South ken.

0:14:11.040 --> 0:14:13.760
<v Speaker 2>Did anybody ever take you to a restaurant that was Yeah?

0:14:13.880 --> 0:14:15.880
<v Speaker 3>How did I start actually started making a little bit

0:14:15.920 --> 0:14:20.680
<v Speaker 3>of money? And then the thing was so attractive was

0:14:22.200 --> 0:14:27.800
<v Speaker 3>on Fulham Road there was an Italian restaurant and I

0:14:27.960 --> 0:14:30.920
<v Speaker 3>was living on ten pounds a week, literally is five

0:14:31.000 --> 0:14:35.840
<v Speaker 3>pounds for rent, five pounds. But the ambiance of a

0:14:35.920 --> 0:14:39.480
<v Speaker 3>nice Italian restaurant on the spring or a summer day

0:14:39.600 --> 0:14:42.840
<v Speaker 3>and you know, a Saturday or Sunday with families kind

0:14:42.840 --> 0:14:46.200
<v Speaker 3>of which to me was kind of was so touching

0:14:46.240 --> 0:14:49.480
<v Speaker 3>about the River Cafe because that ambiance is there and

0:14:49.560 --> 0:14:53.120
<v Speaker 3>its fullest, most technicolor form in your restaurant and this

0:14:53.200 --> 0:14:55.080
<v Speaker 3>whole extended family that you created.

0:14:55.200 --> 0:14:57.880
<v Speaker 2>So were you taken to when you were in film school? Then?

0:14:59.120 --> 0:14:59.960
<v Speaker 2>What was that in London?

0:15:01.000 --> 0:15:02.720
<v Speaker 3>I was in London, it was in Covent Garden, It's

0:15:02.760 --> 0:15:04.960
<v Speaker 3>on Charlotte Street. Then the move to Covent Garden. It's

0:15:04.960 --> 0:15:05.840
<v Speaker 3>a London film school.

0:15:05.960 --> 0:15:07.400
<v Speaker 2>Yeah, and what was that like?

0:15:08.120 --> 0:15:08.680
<v Speaker 4>That was great?

0:15:08.960 --> 0:15:10.440
<v Speaker 3>For the first time in my life, I was doing

0:15:10.560 --> 0:15:13.880
<v Speaker 3>exactly only what I wanted to do, which is make film,

0:15:14.880 --> 0:15:17.640
<v Speaker 3>which was a revelation to me when it happened in

0:15:17.760 --> 0:15:18.600
<v Speaker 3>my junior.

0:15:18.360 --> 0:15:19.400
<v Speaker 4>Year at was Scott's.

0:15:19.400 --> 0:15:22.920
<v Speaker 3>So I took a film history course for a kind

0:15:22.960 --> 0:15:25.320
<v Speaker 3>of cynically, I thought, oh, we're going to there's gonna.

0:15:25.080 --> 0:15:26.640
<v Speaker 4>Be three credits for looking at movies.

0:15:26.720 --> 0:15:30.480
<v Speaker 3>And I didn't expect to get completely mugged and hijacked

0:15:30.520 --> 0:15:33.480
<v Speaker 3>by this whole notion which curded a flash of light,

0:15:33.640 --> 0:15:36.280
<v Speaker 3>like the skies parted and bolt of lightning came down and.

0:15:36.320 --> 0:15:38.680
<v Speaker 4>Said you will do this, you will become a film director.

0:15:39.320 --> 0:15:41.280
<v Speaker 4>And from that point on and that was it. That's

0:15:41.280 --> 0:15:42.720
<v Speaker 4>what I want to do with you.

0:15:42.840 --> 0:15:45.880
<v Speaker 2>Was Ridley Scott. There was Alan Parker and Ridley Scott.

0:15:46.000 --> 0:15:47.880
<v Speaker 2>Were they in the same Did you know them?

0:15:47.920 --> 0:15:48.080
<v Speaker 3>Then?

0:15:48.360 --> 0:15:49.080
<v Speaker 4>I knew Ridley.

0:15:49.760 --> 0:15:51.880
<v Speaker 3>I didn't know I met Alan Parker years later, but

0:15:51.880 --> 0:15:54.440
<v Speaker 3>I knew Ridley, And you know, the late sixties, I

0:15:54.560 --> 0:15:57.600
<v Speaker 3>started a small production company after I got out of

0:15:57.680 --> 0:16:00.880
<v Speaker 3>film school and London. We made some commercials and documentaries

0:16:00.920 --> 0:16:04.680
<v Speaker 3>and I shot some of Paris after Major in sixty eight.

0:16:05.000 --> 0:16:07.840
<v Speaker 3>That was politically pretty involved. Yeah, and so life was

0:16:08.040 --> 0:16:12.320
<v Speaker 3>changing and evolving. At one point I worked at twentieth

0:16:12.360 --> 0:16:17.040
<v Speaker 3>century Fox towards sixty nine in production, and by that

0:16:17.160 --> 0:16:19.960
<v Speaker 3>point I was making enough money it's going to live reasonably.

0:16:20.960 --> 0:16:23.320
<v Speaker 3>And I had a production manager I worked with whose

0:16:23.400 --> 0:16:24.480
<v Speaker 3>wife was fresh and he was.

0:16:24.520 --> 0:16:25.560
<v Speaker 4>Quite a spectacular cook.

0:16:25.600 --> 0:16:29.880
<v Speaker 3>And that was probably the first serious exposure I had

0:16:29.960 --> 0:16:33.320
<v Speaker 3>to really good cuzin home cooking. Yeah, it was home

0:16:33.400 --> 0:16:35.680
<v Speaker 3>cooked French French food. And then we were spending a

0:16:35.720 --> 0:16:37.880
<v Speaker 3>lot of time in France at that point, in trailing

0:16:37.960 --> 0:16:41.000
<v Speaker 3>to Morocco in Italy, and so the world was getting

0:16:41.040 --> 0:16:42.479
<v Speaker 3>to be a much larger place.

0:16:42.800 --> 0:16:45.720
<v Speaker 2>And France was that huge few Being in Paris.

0:16:46.160 --> 0:16:47.840
<v Speaker 3>Well sixty eight was pretty wild.

0:16:48.120 --> 0:16:49.800
<v Speaker 2>Well, we got there much later. We got there in

0:16:49.880 --> 0:16:52.000
<v Speaker 2>sort of seventy one, but there were still the buses

0:16:52.080 --> 0:16:55.440
<v Speaker 2>full of police and Daniel Combandi Well.

0:16:55.360 --> 0:16:58.400
<v Speaker 3>I interviewed Combindi Lan's mar Alon Cravine.

0:16:58.800 --> 0:17:00.720
<v Speaker 2>Wow have that footage?

0:17:01.080 --> 0:17:02.120
<v Speaker 4>No, it wound up.

0:17:02.160 --> 0:17:06.080
<v Speaker 3>It grown up in the bowels of NBC News someplace,

0:17:06.200 --> 0:17:08.560
<v Speaker 3>and I tried to find it years and years ago,

0:17:08.760 --> 0:17:09.440
<v Speaker 3>couldn't find it.

0:17:10.040 --> 0:17:12.680
<v Speaker 2>Did you make a documentary about from beginning to end it?

0:17:12.720 --> 0:17:12.840
<v Speaker 3>Well?

0:17:12.840 --> 0:17:15.879
<v Speaker 2>You just is it footage for the news documentary?

0:17:15.920 --> 0:17:20.160
<v Speaker 3>About the focus of documentary was that the sixth May

0:17:20.240 --> 0:17:23.679
<v Speaker 3>JUnit happened, and what's what's going to be the after effect,

0:17:24.080 --> 0:17:26.080
<v Speaker 3>And that's what it was really focused on. And the

0:17:26.200 --> 0:17:29.440
<v Speaker 3>prediction at the time, which was partially true parsonally not,

0:17:30.160 --> 0:17:32.440
<v Speaker 3>was that the major impact was going to be amongst

0:17:32.920 --> 0:17:36.680
<v Speaker 3>teenagers into these says, and that there was a radicalization

0:17:36.880 --> 0:17:39.480
<v Speaker 3>of the young workers, particularly young workers at the Renaul

0:17:39.600 --> 0:17:43.439
<v Speaker 3>factory who were CGT, and they started to look at

0:17:43.520 --> 0:17:47.240
<v Speaker 3>the CGT in a very different light as being basically reactionary.

0:17:48.200 --> 0:17:50.720
<v Speaker 3>But the idea that you're in a country and forty

0:17:50.760 --> 0:17:54.040
<v Speaker 3>percent of the population is on strike, and if you

0:17:54.119 --> 0:17:57.880
<v Speaker 3>turned on RTF at six o'clock to watch the news,

0:17:57.960 --> 0:17:59.960
<v Speaker 3>there'd be some girls she might or may not still

0:18:00.040 --> 0:18:01.879
<v Speaker 3>reading the news, sitting on the desk, she may may

0:18:01.960 --> 0:18:02.639
<v Speaker 3>not have a shirt on.

0:18:02.880 --> 0:18:04.680
<v Speaker 4>I mean, it was everybody.

0:18:05.160 --> 0:18:09.200
<v Speaker 3>A youth generation had taken over, and it wasn't just students.

0:18:09.280 --> 0:18:10.600
<v Speaker 3>There was students and young workers.

0:18:11.680 --> 0:18:14.040
<v Speaker 2>But then you know, and they say that the gold

0:18:14.280 --> 0:18:16.680
<v Speaker 2>that he had a plane ready, it was very very

0:18:16.800 --> 0:18:18.480
<v Speaker 2>close to him leaving.

0:18:18.760 --> 0:18:23.600
<v Speaker 3>He was basically a prisoner in the palace, and then

0:18:23.640 --> 0:18:25.879
<v Speaker 3>he made a deal and he couldn't count on the

0:18:25.920 --> 0:18:30.600
<v Speaker 3>French army in France because they would deploy and then

0:18:31.680 --> 0:18:34.800
<v Speaker 3>some you know, girls would show up with some flowers

0:18:34.840 --> 0:18:37.359
<v Speaker 3>and the soldiers would walk away from the APC's so

0:18:37.400 --> 0:18:40.399
<v Speaker 3>it's complete chaos. So he made a deal with the

0:18:40.480 --> 0:18:43.199
<v Speaker 3>French Army of the Rhine, because Germany is still occupy

0:18:43.240 --> 0:18:45.399
<v Speaker 3>at that point, to come in and support him, and

0:18:45.520 --> 0:18:49.960
<v Speaker 3>they extorted from him, in effect, the release of Ceylon,

0:18:50.160 --> 0:18:55.240
<v Speaker 3>who was a right wing of French general.

0:18:55.359 --> 0:18:57.920
<v Speaker 4>Who over the war in Algeria.

0:18:58.800 --> 0:19:00.840
<v Speaker 3>It was part of a plot to sassinate the Gall

0:19:00.920 --> 0:19:02.840
<v Speaker 3>and was in prison, and that that was the quid

0:19:02.880 --> 0:19:06.720
<v Speaker 3>pro quo of the Gall getting support from the military,

0:19:07.160 --> 0:19:10.800
<v Speaker 3>and that they they marched in from Germany and that

0:19:10.920 --> 0:19:14.359
<v Speaker 3>so so better kind of dived and everything dissipated.

0:19:14.560 --> 0:19:17.399
<v Speaker 2>So that the military cushed it. Right, Yeah, I was

0:19:17.440 --> 0:19:19.960
<v Speaker 2>because there was always theories that the working class didn't

0:19:20.520 --> 0:19:23.119
<v Speaker 2>you know, that it was a student led revolution, and

0:19:23.240 --> 0:19:25.600
<v Speaker 2>that it just didn't have the backing of.

0:19:26.200 --> 0:19:29.720
<v Speaker 3>Well but every but the people who were intellectually on

0:19:29.880 --> 0:19:31.320
<v Speaker 3>top of it, who were at the heart of it,

0:19:31.560 --> 0:19:35.240
<v Speaker 3>knew nothing serious was actually going to happen in the

0:19:35.280 --> 0:19:38.240
<v Speaker 3>real world right then and there. It was very sophisticated.

0:19:38.280 --> 0:19:41.760
<v Speaker 3>The irony is that is that sitting in London prior

0:19:41.920 --> 0:19:46.000
<v Speaker 3>to Major sixty eight, everybody dismissed the French's Cafe Marxist

0:19:46.080 --> 0:19:49.119
<v Speaker 3>or something, and then ironically that's where sixty eight was

0:19:49.160 --> 0:19:53.040
<v Speaker 3>just extraordinary. You're in Czechoslovakia and Mexico City. I was

0:19:53.119 --> 0:19:56.040
<v Speaker 3>in the Grosvenor Square on October twenty fifth.

0:19:56.200 --> 0:19:57.080
<v Speaker 2>Yeah, that was there.

0:19:57.480 --> 0:20:00.560
<v Speaker 3>You were there, Clinton was there, Tarika, he was there.

0:20:00.760 --> 0:20:04.960
<v Speaker 2>Illy have a picture by the march. It was heady times.

0:20:05.000 --> 0:20:07.760
<v Speaker 2>And as I said, when Richard, when the Pampato we went,

0:20:07.960 --> 0:20:10.320
<v Speaker 2>it would still there would be go to the cinema

0:20:10.359 --> 0:20:12.960
<v Speaker 2>on a Sunday night and it was scary coming back

0:20:13.000 --> 0:20:15.639
<v Speaker 2>because they just they would lock the police when they

0:20:15.920 --> 0:20:18.879
<v Speaker 2>just just locked them in these vans for hours and

0:20:18.960 --> 0:20:21.960
<v Speaker 2>you're just can imagine the tension and the fear and

0:20:22.200 --> 0:20:24.120
<v Speaker 2>you know the horror of having to sit in there.

0:20:24.800 --> 0:20:26.480
<v Speaker 2>That's true. And then you did when did you go

0:20:26.560 --> 0:20:27.680
<v Speaker 2>to Morocco? Why was that?

0:20:28.359 --> 0:20:30.480
<v Speaker 3>I went to Morocco just to be in Morocco, went

0:20:30.480 --> 0:20:33.159
<v Speaker 3>to Costa Blanco because I'd seen a movie called Costa Blanca.

0:20:33.280 --> 0:20:34.400
<v Speaker 4>You had to go to costap Bloc.

0:20:35.359 --> 0:20:39.199
<v Speaker 3>Great food, great food, I think, great food. Marvelous dysentery.

0:20:40.359 --> 0:20:43.760
<v Speaker 3>In some it's looking at some hot on the coast

0:20:43.840 --> 0:20:48.200
<v Speaker 3>and some healer. A woman came in and gave me something.

0:20:48.200 --> 0:20:49.040
<v Speaker 4>I don't know what it was.

0:20:49.160 --> 0:20:51.480
<v Speaker 3>It must have been some opiate, because I suddenly felt great,

0:20:51.600 --> 0:20:52.080
<v Speaker 3>got all.

0:20:52.240 --> 0:20:55.760
<v Speaker 4>Bound up, and then kind of continued on. Toured through

0:20:55.800 --> 0:20:56.880
<v Speaker 4>the Atlass Mountains a bit.

0:21:08.080 --> 0:21:10.120
<v Speaker 2>When you were on a movie set, did you think

0:21:10.720 --> 0:21:13.760
<v Speaker 2>about how the feed the crew did you eat yourself?

0:21:14.160 --> 0:21:16.159
<v Speaker 3>I do, and I make sure that the food on

0:21:16.280 --> 0:21:19.400
<v Speaker 3>the set is really, really great and have great catering.

0:21:19.440 --> 0:21:21.840
<v Speaker 3>Is a guy named Mario and in Miami who I

0:21:21.960 --> 0:21:24.080
<v Speaker 3>used all the time, and Miami I couldn't tell you.

0:21:24.520 --> 0:21:26.399
<v Speaker 3>He's by Miami, Vice and other pictures.

0:21:26.440 --> 0:21:27.440
<v Speaker 4>I just bring them with me.

0:21:27.760 --> 0:21:29.639
<v Speaker 2>I think that's kind of unique because I've talked to

0:21:29.760 --> 0:21:32.399
<v Speaker 2>various directors and people who've worked on film and they

0:21:32.400 --> 0:21:34.480
<v Speaker 2>say it can be a disaster for lunch. You know,

0:21:34.560 --> 0:21:37.520
<v Speaker 2>there's just they're just terrible food, and people eat on

0:21:37.600 --> 0:21:40.000
<v Speaker 2>a healthy food and then the amount of time it

0:21:40.280 --> 0:21:42.120
<v Speaker 2>takes to stop for lunch and eat.

0:21:42.119 --> 0:21:43.360
<v Speaker 4>It's pretty it's pretty tough.

0:21:43.880 --> 0:21:49.000
<v Speaker 3>Yeah, Japan was interesting because because the catering was not great,

0:21:49.160 --> 0:21:51.680
<v Speaker 3>it's kind of you know kind of you know, cardboard

0:21:51.760 --> 0:21:54.800
<v Speaker 3>bento boxes and stuff, and we improved it when I

0:21:54.840 --> 0:21:57.240
<v Speaker 3>shot the Tokyo I spilot in Tokyo.

0:21:57.240 --> 0:21:58.959
<v Speaker 2>Did you tell me about food in Tokyo?

0:21:59.400 --> 0:22:02.200
<v Speaker 3>Food and Toki go spectacular. You can't get a bad

0:22:02.280 --> 0:22:04.320
<v Speaker 3>meal if you're tried to get a bad meal. Within

0:22:05.080 --> 0:22:08.040
<v Speaker 3>We're living in Daka, Yama, and within one hundred and

0:22:08.080 --> 0:22:11.080
<v Speaker 3>fifty meters of our apartment were probably half a dozen

0:22:11.160 --> 0:22:13.480
<v Speaker 3>spectacular restaurants, any one of which would have been the

0:22:13.520 --> 0:22:15.440
<v Speaker 3>best sushi restaurant in Los Angeles.

0:22:15.640 --> 0:22:17.840
<v Speaker 2>Did you eat anything else other than Japanese?

0:22:18.320 --> 0:22:22.720
<v Speaker 3>Yes, Italian they're the you know, like literally one hundred

0:22:22.760 --> 0:22:25.040
<v Speaker 3>and fifty feet outside the front door was the Princely

0:22:25.200 --> 0:22:29.960
<v Speaker 3>Bakery from Milan, had an outpost next to Sutaya, the

0:22:30.000 --> 0:22:35.080
<v Speaker 3>big Sataya bookstore. So there was fantastic Italian bakery, gooods

0:22:35.160 --> 0:22:40.359
<v Speaker 3>every morning, fresh food with spectacular in Tokyo. People in

0:22:40.480 --> 0:22:42.600
<v Speaker 3>Tokyo they spend money in a different way than they

0:22:42.720 --> 0:22:45.359
<v Speaker 3>do in the West. They don't spend money on living space.

0:22:45.440 --> 0:22:49.240
<v Speaker 3>They spend money on clothes, on food, on cars, but

0:22:49.400 --> 0:22:50.200
<v Speaker 3>not on living space.

0:22:50.320 --> 0:22:54.919
<v Speaker 2>Yeah, it's funny. I went spent morning in a cafe

0:22:54.960 --> 0:22:57.480
<v Speaker 2>in Milan, and I just kept seeing all these people

0:22:57.560 --> 0:23:02.080
<v Speaker 2>coming and dressed immaculately beautifully, and young people, and I said,

0:23:02.119 --> 0:23:05.040
<v Speaker 2>how do they afford to buy that Prada shirt, that

0:23:05.200 --> 0:23:08.439
<v Speaker 2>Gucci sweater? And they live at home? Yeah, they live

0:23:08.480 --> 0:23:10.600
<v Speaker 2>at home. They don't pay rent, and so they stay

0:23:10.720 --> 0:23:13.159
<v Speaker 2>until they get married or they really leave it. And

0:23:13.240 --> 0:23:15.840
<v Speaker 2>that gives you, you know, a lot of money to spend,

0:23:15.920 --> 0:23:19.120
<v Speaker 2>as you say, on food, on clothes, on the culture,

0:23:19.320 --> 0:23:22.399
<v Speaker 2>you know. And so when you're going tomorrow to Milan,

0:23:22.680 --> 0:23:23.919
<v Speaker 2>are you to know where is.

0:23:24.560 --> 0:23:26.760
<v Speaker 4>I'NFL like to Milan? They were driving right to Modorna.

0:23:27.000 --> 0:23:29.400
<v Speaker 2>Yeah, and tell me about that. What are you doing?

0:23:30.119 --> 0:23:34.720
<v Speaker 3>We're doing very early pre production on a feature film

0:23:34.800 --> 0:23:38.440
<v Speaker 3>about three months in the life of Enzo Ferrari in

0:23:38.560 --> 0:23:43.400
<v Speaker 3>nineteen fifty seven, when all of the all the dynamics

0:23:43.680 --> 0:23:45.359
<v Speaker 3>of his life that had happened to him at that

0:23:45.520 --> 0:23:49.600
<v Speaker 3>point come into collision in those three months, which will

0:23:49.640 --> 0:23:54.320
<v Speaker 3>determine the fate of everything he's going to become. His son,

0:23:54.440 --> 0:23:57.320
<v Speaker 3>Dino had died by a year earlier. His wife sent

0:23:57.480 --> 0:24:00.879
<v Speaker 3>warning he had another child, and illegitimate son named Piero

0:24:01.600 --> 0:24:05.160
<v Speaker 3>Pierro Lardi, who was starting to wonder why his name

0:24:05.240 --> 0:24:06.359
<v Speaker 3>is Lardi and not Ferrari.

0:24:07.520 --> 0:24:09.320
<v Speaker 4>And this company was going.

0:24:09.240 --> 0:24:13.639
<v Speaker 3>Bankrupt, so is his rival Maserati. They were both competing

0:24:14.160 --> 0:24:18.440
<v Speaker 3>to see who could get financing. His wife Lara, who

0:24:18.640 --> 0:24:21.480
<v Speaker 3>was kind of a Maria callous figure, was about to

0:24:21.600 --> 0:24:23.800
<v Speaker 3>find out what the whole town knew, which is that

0:24:23.920 --> 0:24:29.080
<v Speaker 3>there was another family living in Costell Meethro. So it's

0:24:29.119 --> 0:24:31.520
<v Speaker 3>all of these things coming to collision. And the opera

0:24:31.600 --> 0:24:33.280
<v Speaker 3>house one of the two opera houses in Mode and

0:24:33.320 --> 0:24:35.600
<v Speaker 3>I was right next door. So opera is a huge

0:24:36.520 --> 0:24:39.879
<v Speaker 3>plays a huge role in this. Fra early on wanted

0:24:39.920 --> 0:24:41.480
<v Speaker 3>to be an opera singer. Then he wanted to be

0:24:41.560 --> 0:24:45.680
<v Speaker 3>a sports writer, Yeah, sports writer. Then he wanted to

0:24:45.760 --> 0:24:47.360
<v Speaker 3>be a race car driver. And she was a race

0:24:47.400 --> 0:24:50.480
<v Speaker 3>car driver in the early twenties, and then he raced

0:24:50.520 --> 0:24:52.600
<v Speaker 3>one or two times against Neil Valeri and knew he

0:24:52.680 --> 0:24:55.119
<v Speaker 3>had no future as a race car driver and started

0:24:55.240 --> 0:24:58.879
<v Speaker 3>managing the Alfa Romeo racing team and then started his

0:24:59.000 --> 0:25:03.080
<v Speaker 3>own scooterio within Alpha and that that was the that's

0:25:03.200 --> 0:25:05.760
<v Speaker 3>that's the origins of the company, which he then began

0:25:05.880 --> 0:25:08.680
<v Speaker 3>in forty seven with Lara, and they started with absolutely nothing,

0:25:09.760 --> 0:25:14.080
<v Speaker 3>so if you think of racing and what is racing,

0:25:14.160 --> 0:25:17.600
<v Speaker 3>which is an interesting question, why is it so appealing?

0:25:18.119 --> 0:25:20.480
<v Speaker 3>I think it's so appealing because we have a basic

0:25:20.640 --> 0:25:24.359
<v Speaker 3>human impulse to exceed limits. I think it's primitive and

0:25:24.600 --> 0:25:28.080
<v Speaker 3>drives everything we do, whether it's going out of space

0:25:28.280 --> 0:25:32.000
<v Speaker 3>or doing research or building machines to make us go faster.

0:25:32.920 --> 0:25:34.600
<v Speaker 3>So that's why I think it taps into I think

0:25:34.640 --> 0:25:35.520
<v Speaker 3>that's why it's appealing.

0:25:35.640 --> 0:25:37.160
<v Speaker 2>Are there food scenes in the movie?

0:25:38.040 --> 0:25:38.480
<v Speaker 4>Not yet.

0:25:38.640 --> 0:25:41.919
<v Speaker 3>I'm all with the suggestion, Okay, tell.

0:25:41.800 --> 0:25:44.680
<v Speaker 2>Me about food in your movies, because there's obviously in

0:25:44.800 --> 0:25:47.720
<v Speaker 2>Heat when they become a diner or there's another diner.

0:25:48.200 --> 0:25:50.119
<v Speaker 2>Does that interest you the kind of language or the

0:25:50.200 --> 0:25:52.240
<v Speaker 2>kind of intimacy you can have in a restaurant as

0:25:52.280 --> 0:25:52.720
<v Speaker 2>opposed to you.

0:25:53.000 --> 0:25:55.760
<v Speaker 3>It does because it's such an important thing in life.

0:25:56.160 --> 0:25:59.080
<v Speaker 3>And there's two fantastic restaurants that nobody heat. There's one

0:25:59.119 --> 0:26:01.480
<v Speaker 3>of the Broadway Dells, which sadly is no longer there.

0:26:01.480 --> 0:26:04.600
<v Speaker 3>It's where Denio picks up Amy Brenneman and he and

0:26:04.720 --> 0:26:07.440
<v Speaker 3>the others. The coffee shop scene at Cape Mandelini, which

0:26:07.440 --> 0:26:10.640
<v Speaker 3>is this spectacled glafi shop. Cape Mandellini was a coffee,

0:26:10.800 --> 0:26:14.680
<v Speaker 3>a big coffee shop restaurant with wonderful modern architecture and

0:26:14.760 --> 0:26:18.080
<v Speaker 3>a contemporary architecture, and right on Wilship Boulevard, about a

0:26:18.119 --> 0:26:22.800
<v Speaker 3>block block west of the Academy, and everybody in Los

0:26:22.840 --> 0:26:25.040
<v Speaker 3>Angeles and the West side Los Angeles loved this restaurant.

0:26:25.720 --> 0:26:28.360
<v Speaker 3>Whoever owned the building decided they should double the rent,

0:26:28.640 --> 0:26:30.760
<v Speaker 3>and the restaurant went out of business, and there was

0:26:30.920 --> 0:26:35.800
<v Speaker 3>so much animosity that nobody would open another restaurant there

0:26:36.160 --> 0:26:39.600
<v Speaker 3>because they knew that nobody would go out of hostility

0:26:39.720 --> 0:26:43.640
<v Speaker 3>to its presence. So it's seven or eight years later,

0:26:43.760 --> 0:26:45.480
<v Speaker 3>it's still vacant. It's a sitting there.

0:26:46.320 --> 0:26:47.240
<v Speaker 4>No one ever went in there.

0:26:47.400 --> 0:26:50.639
<v Speaker 2>I always think, you know, I say over and over

0:26:50.640 --> 0:26:53.119
<v Speaker 2>again that people do very private things in a very

0:26:53.160 --> 0:26:55.800
<v Speaker 2>public space in a restaurant. You know, do you think

0:26:55.880 --> 0:26:58.480
<v Speaker 2>that's interesting as a scene that you could have filmed,

0:26:58.760 --> 0:27:01.600
<v Speaker 2>perhaps in somebody's kitchen, that you would film in a restaurant.

0:27:01.640 --> 0:27:02.600
<v Speaker 2>What does a restaurant mean?

0:27:02.800 --> 0:27:04.879
<v Speaker 3>For some reason, I don't know why, It's always strikes

0:27:04.960 --> 0:27:08.760
<v Speaker 3>me is it's it's social, it's warm, and when the

0:27:08.840 --> 0:27:11.800
<v Speaker 3>aunbiance is working as it does in your restaurant, you

0:27:12.040 --> 0:27:17.000
<v Speaker 3>feel that you the phrase extended family, which which you

0:27:17.200 --> 0:27:19.480
<v Speaker 3>use the way you view it. You really feel that

0:27:19.680 --> 0:27:23.520
<v Speaker 3>presence and so it's both intimate and it's and you're

0:27:23.560 --> 0:27:25.040
<v Speaker 3>in amongst humanity at the.

0:27:25.040 --> 0:27:27.919
<v Speaker 2>Same time, and you're doing safety around you.

0:27:28.600 --> 0:27:31.440
<v Speaker 3>Safety, and you're also part of a context, you know,

0:27:31.840 --> 0:27:34.040
<v Speaker 3>So you're a sentiment and you're part of the human context,

0:27:34.200 --> 0:27:38.720
<v Speaker 3>the social context simultaneously. Uh, you're doing something as essential

0:27:38.800 --> 0:27:42.000
<v Speaker 3>as eating and it's appealing to all your sensory intake.

0:27:42.280 --> 0:27:45.000
<v Speaker 4>You know, it changes your mood. I mean, it's do you.

0:27:45.000 --> 0:27:47.120
<v Speaker 2>Think you can tell about a person by the way

0:27:47.200 --> 0:27:49.200
<v Speaker 2>they are in a restaurant? Are they nice to the waiter?

0:27:49.359 --> 0:27:51.800
<v Speaker 2>Do they say thank you? Do they share their food?

0:27:51.840 --> 0:27:53.280
<v Speaker 2>Does it tell you something if you were going to

0:27:53.359 --> 0:27:55.440
<v Speaker 2>hire somebody, would you want to take them to a

0:27:55.520 --> 0:27:57.840
<v Speaker 2>restaurant first or would you rather bring them home or

0:27:58.560 --> 0:28:00.600
<v Speaker 2>or just interview them across the table.

0:28:01.560 --> 0:28:03.680
<v Speaker 3>Well, I'm a bad person to ask, because as a

0:28:03.720 --> 0:28:07.720
<v Speaker 3>film director, I'm constantly find myself in an involuntary way.

0:28:07.920 --> 0:28:09.680
<v Speaker 4>It's like a It's like I'm like an MRI.

0:28:10.440 --> 0:28:13.680
<v Speaker 3>I see what people do, and I just you know,

0:28:14.119 --> 0:28:16.280
<v Speaker 3>and I'm probably in my mind thinking if I had

0:28:16.320 --> 0:28:18.960
<v Speaker 3>a cast or direct an actor to be this kind

0:28:19.000 --> 0:28:20.919
<v Speaker 3>of person in a scene. Would I be telling him

0:28:20.960 --> 0:28:23.280
<v Speaker 3>to wear that shirt or he's eating with the wrong fork,

0:28:23.720 --> 0:28:25.760
<v Speaker 3>or the way he wipes his mouth or he doesn't

0:28:26.640 --> 0:28:28.600
<v Speaker 3>put his napkin in his lap, or the way he

0:28:28.680 --> 0:28:30.960
<v Speaker 3>picks up a glass. And one of the things you

0:28:31.119 --> 0:28:33.480
<v Speaker 3>notice right away is that you can pick up a glass,

0:28:33.920 --> 0:28:36.040
<v Speaker 3>but if you're a convict and falsome, this is how

0:28:36.080 --> 0:28:36.919
<v Speaker 3>you pick up the glass.

0:28:37.640 --> 0:28:38.320
<v Speaker 4>Every gesture.

0:28:39.040 --> 0:28:40.040
<v Speaker 2>Why do you pick up a glass?

0:28:40.800 --> 0:28:43.480
<v Speaker 3>Because it's a possession, it's a movement, it's an action,

0:28:43.760 --> 0:28:46.320
<v Speaker 3>you know, and everything is telling. And so people in

0:28:46.400 --> 0:28:49.640
<v Speaker 3>the restaurants are both totally self conscious and self aware

0:28:50.320 --> 0:28:53.200
<v Speaker 3>and they're totally unconscious and un self aware depending on.

0:28:53.280 --> 0:28:54.520
<v Speaker 4>Who they are what's going on.

0:28:55.200 --> 0:28:58.320
<v Speaker 3>So it's both revealing and what they're hiding, or it's

0:28:58.360 --> 0:29:01.640
<v Speaker 3>revealing and what they don't know they're I think there's

0:29:01.680 --> 0:29:03.959
<v Speaker 3>something romantic about restaurants. There used to be a restaurant

0:29:04.000 --> 0:29:06.600
<v Speaker 3>here called Ladome, and we went to La Dome. It

0:29:06.680 --> 0:29:09.920
<v Speaker 3>was our family restaurant where every occasion was at Ladome.

0:29:10.040 --> 0:29:12.200
<v Speaker 3>You know, a gigantic round table. We have a very

0:29:12.320 --> 0:29:16.880
<v Speaker 3>large family, four daughters and sometimes extended boyfriends and what

0:29:17.080 --> 0:29:19.080
<v Speaker 3>have you. And so every time we went out to dinner,

0:29:19.080 --> 0:29:20.760
<v Speaker 3>it was like seven or eight nine people going out

0:29:20.760 --> 0:29:24.920
<v Speaker 3>to dinner, and all important family occasions were there. And

0:29:25.000 --> 0:29:28.520
<v Speaker 3>then it was Toscano over here the last twenty five years.

0:29:29.240 --> 0:29:31.200
<v Speaker 3>There is a family place and you get to know

0:29:31.440 --> 0:29:34.360
<v Speaker 3>the waiters so well, and then there's a party because

0:29:34.600 --> 0:29:38.320
<v Speaker 3>you know, Alberto's retiring after twenty years, so you know,

0:29:39.160 --> 0:29:42.280
<v Speaker 3>and then we meet people who are part of my daughter.

0:29:42.440 --> 0:29:44.160
<v Speaker 4>Aaron worked at the River.

0:29:44.160 --> 0:29:47.440
<v Speaker 3>Cafe for years and even walk in there, there's still

0:29:47.480 --> 0:29:49.520
<v Speaker 3>people say, oh, say hi to Air They do they do?

0:29:49.760 --> 0:29:52.160
<v Speaker 2>They remember her? And I think there is a sense.

0:29:52.160 --> 0:29:54.480
<v Speaker 2>I always think that when you walk into a restaurant

0:29:54.560 --> 0:29:57.960
<v Speaker 2>you want to feel somehow whatever you've been through, you know,

0:29:58.120 --> 0:30:00.400
<v Speaker 2>traffic getting to the restaurant or market. I'm in a

0:30:00.520 --> 0:30:03.240
<v Speaker 2>phone call that when you walk in you're safe, you know.

0:30:03.360 --> 0:30:06.360
<v Speaker 2>And I say that too to the people who work there,

0:30:06.440 --> 0:30:08.360
<v Speaker 2>that you just have to remember. People might have saved

0:30:08.480 --> 0:30:10.360
<v Speaker 2>up to come here. This might be a big date,

0:30:10.480 --> 0:30:12.640
<v Speaker 2>it might be a problem, and we just have to

0:30:13.240 --> 0:30:13.840
<v Speaker 2>say yes.

0:30:13.880 --> 0:30:17.200
<v Speaker 3>Really, why is it exciting? Is it is exciting to

0:30:17.280 --> 0:30:18.840
<v Speaker 3>walk in the River cart for it is exciting to

0:30:18.880 --> 0:30:21.520
<v Speaker 3>walk into a restaurant you love and people say hello,

0:30:21.680 --> 0:30:24.480
<v Speaker 3>and it's just the simplest of human interactions.

0:30:24.760 --> 0:30:27.800
<v Speaker 4>It's very common human, it's very you know that I

0:30:27.840 --> 0:30:28.880
<v Speaker 4>also exciting.

0:30:29.200 --> 0:30:31.160
<v Speaker 2>I think you elicted it as well, because there are

0:30:31.160 --> 0:30:33.040
<v Speaker 2>people who walk into a restaurant and don't get that

0:30:33.200 --> 0:30:35.720
<v Speaker 2>kind of welcome. But I think when Michael Mann in

0:30:36.000 --> 0:30:39.720
<v Speaker 2>Summer and Aaron come into a restaurant, you look people

0:30:39.760 --> 0:30:42.040
<v Speaker 2>in the eye, you say hello, you greet them, you know,

0:30:42.240 --> 0:30:44.800
<v Speaker 2>you look up when you're choosing, you know, something from

0:30:44.840 --> 0:30:47.000
<v Speaker 2>the menu, And so I think that it's a two

0:30:47.040 --> 0:30:50.120
<v Speaker 2>way street, you know. I do think that you get

0:30:50.200 --> 0:30:52.720
<v Speaker 2>what you give, you know, and speaking of getting and

0:30:52.800 --> 0:30:54.760
<v Speaker 2>what we give, because I know you have to start

0:30:54.840 --> 0:30:58.000
<v Speaker 2>packing for Italy. If food is love and food is

0:30:58.040 --> 0:31:00.680
<v Speaker 2>something that's creative to cook, it's also and be comfort.

0:31:01.280 --> 0:31:04.080
<v Speaker 2>So my last question to you, Michael Man, is if

0:31:04.160 --> 0:31:07.080
<v Speaker 2>you needed food for comfort, is there a food that

0:31:07.160 --> 0:31:07.960
<v Speaker 2>you would reach for?

0:31:09.520 --> 0:31:13.600
<v Speaker 3>Probably Pastinian bruto nice one.

0:31:18.120 --> 0:31:18.320
<v Speaker 2>To me.

0:31:18.360 --> 0:31:22.000
<v Speaker 3>It's like you know, culinary five milligrams of morphine. I

0:31:22.120 --> 0:31:26.880
<v Speaker 3>can't explain it. It was just it's wonderful, it is mellow.

0:31:27.120 --> 0:31:30.920
<v Speaker 3>You know, probably all kinds of old sense memories of

0:31:31.000 --> 0:31:31.720
<v Speaker 3>my grandmother.

0:31:31.960 --> 0:31:32.600
<v Speaker 4>I mean, there's.

0:31:32.560 --> 0:31:35.320
<v Speaker 3>Probably all kinds of things roll together because it's it's

0:31:35.400 --> 0:31:37.320
<v Speaker 3>chicken broth in the pie and the cheek.

0:31:37.400 --> 0:31:38.240
<v Speaker 4>I mean, it's just I.

0:31:38.240 --> 0:31:41.000
<v Speaker 3>Don't know, that's just if you ask me about comfort food,

0:31:41.080 --> 0:31:41.640
<v Speaker 3>that's it.

0:31:42.480 --> 0:31:44.520
<v Speaker 2>Well, you're going to have it in northern Italy, you'll

0:31:44.560 --> 0:31:47.600
<v Speaker 2>have it. You know, that's where it comes from. Thank you, Michael,

0:31:47.840 --> 0:31:48.080
<v Speaker 2>Thank you.

0:31:53.480 --> 0:31:56.200
<v Speaker 1>The River Cafe Look Book is now available in bookshops

0:31:56.240 --> 0:32:00.400
<v Speaker 1>and online. It has over one hundred recipes, beautifully illustraded

0:32:00.800 --> 0:32:04.880
<v Speaker 1>with photographs from the renowned photographer Matthew Donaldson. The book

0:32:04.960 --> 0:32:08.840
<v Speaker 1>has fifty delicious and easy to prepare recipes, including a

0:32:08.920 --> 0:32:12.360
<v Speaker 1>host of River Cafe classics that have been specially adapted

0:32:12.440 --> 0:32:16.960
<v Speaker 1>for new cooks. The River Cafe Lookbook Recipes for Cooks

0:32:17.000 --> 0:32:24.840
<v Speaker 1>of all ages. Ruthie's Table four is a production of

0:32:24.920 --> 0:32:29.480
<v Speaker 1>iHeart Radio and Adami Studios. For more podcasts from iHeartRadio,

0:32:29.720 --> 0:32:33.840
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:32:33.920 --> 0:32:34.880
<v Speaker 1>to your favorite shows.