WEBVTT - Fourth of July Best-Of Highlight Special

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<v Speaker 1>This episode is brought to you by All State. Some

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<v Speaker 2>This episode is.

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<v Speaker 3>Brought to you by Unstoppable. Discover the inspiring true story

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<v Speaker 2>Hey, it's Nick right. What's Right with Nick Right?

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<v Speaker 4>On YouTube and on your favorite podcast platform. Hope you

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<v Speaker 4>had or are having a wonderful Fourth of July holiday.

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<v Speaker 4>We had the day off, So here's a little bit

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<v Speaker 4>of the best of the first few months of What's

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<v Speaker 4>Right with Nick right alongside my son. So I have

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<v Speaker 4>gone out on a limb and picked the maps to

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<v Speaker 4>beat the suns. They are okay, I picked the maps.

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<v Speaker 4>We can get into that in the moment.

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<v Speaker 2>Where do I look?

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<v Speaker 5>But okay, I feel that just playing a symbol by uh.

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<v Speaker 5>I've always felt that when I by, when I got

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<v Speaker 5>when I started my own record, when I had young

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<v Speaker 5>money and I had NICKI and Drake and it was

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<v Speaker 5>just Onneika and Aubrey. You know what I mean? You

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<v Speaker 5>know I mean, I've always felt that I have to

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<v Speaker 5>stay current. I have to stay current, I have to

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<v Speaker 5>stay cool, I have to stay all at because I

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<v Speaker 5>want them to see and I want them to know

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<v Speaker 5>what it takes and I want them to know that. Okay,

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<v Speaker 5>I don't want them to ever get comfortable because I

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<v Speaker 5>know for a fact you're going to be successful, more

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<v Speaker 5>successful than me, because that's my that's my goal. But

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<v Speaker 5>I don't want you to get there and get comfortable.

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<v Speaker 5>I want you to see how I'm never comfortable.

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<v Speaker 4>What what did you seeing Drake just playing?

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<v Speaker 5>Once he started, uh, they you know he was brought

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<v Speaker 5>to me by check this guy out. He could rap,

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<v Speaker 5>He's from Canada and all that. So that, right, that

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<v Speaker 5>was already just interesting when I heard what he always.

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<v Speaker 5>What I loved about Drake was when I was the

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<v Speaker 5>first first time I heard him. That was nothing about

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<v Speaker 5>every every song I heard, that was nothing about, you know,

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<v Speaker 5>harming no one, you know what I mean, There was

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<v Speaker 5>nothing about there was nothing, nothing on there try to

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<v Speaker 5>try to sound hard, and I was like, this dude

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<v Speaker 5>just made me love. I was like, he could have

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<v Speaker 5>literally wrapped about him eating cereal in the morning and

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<v Speaker 5>going going to a corner store at what he ate for,

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<v Speaker 5>Like he made it sound cooler than what I'm I'm

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<v Speaker 5>talking about, and that right that struck me. Right, that

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<v Speaker 5>was like, so I need this guy. I was like,

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<v Speaker 5>he could talk about it. And then what happened was

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<v Speaker 5>a hook came on on his song. I was like,

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<v Speaker 5>that was a nice little hook.

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<v Speaker 2>I was like, who's that on the hook?

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<v Speaker 5>Like that's him? And I was like the person in

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<v Speaker 5>the hook is singing.

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<v Speaker 4>Dude, you know what's so funny? So me and oh gosh,

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<v Speaker 4>Daniel shout out the name of the songs.

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<v Speaker 2>You remember.

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<v Speaker 4>One of me and my wife's first songs is a

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<v Speaker 4>Drake song where he raps in the beginning, or he

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<v Speaker 4>raps the whole thing, but the chorus is singing. And

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<v Speaker 4>it was one of the baby You're the best, Baby

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<v Speaker 4>You're my everything that song, and man, I had listened

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<v Speaker 4>to the song with her for probably nine months before

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<v Speaker 4>I knew that it was Drake. Was Drake doing both parts?

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<v Speaker 4>That I thought it was two different people?

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<v Speaker 2>All right? What about Nicki? What made you want to

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<v Speaker 2>be in business with her?

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<v Speaker 5>Playing and simple? Nicky was already when I was starting

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<v Speaker 5>this late when I had my label, I was already

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<v Speaker 5>knew I want someone from New York like playing simple rap.

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<v Speaker 5>I love New York playing rap comes from New York.

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<v Speaker 5>I need something. Never knew it would be a female. Yeah, yep,

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<v Speaker 5>you know when she was she was bought. When I've

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<v Speaker 5>seen her and she's spinning it. She killed everything, She

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<v Speaker 5>killed every person I had heard, who I was trying

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<v Speaker 5>to hear, who I was. Whatever I did, whatever you

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<v Speaker 5>want to call it auditioning. I'm shopping with she killed

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<v Speaker 5>all that, and I'm like, that's it made no she

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<v Speaker 5>it was hands down and she's a part of the team.

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<v Speaker 4>On Sunday on Twitter, you claim Michael Jordan's switch hand

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<v Speaker 4>layup was somehow not impressive.

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<v Speaker 2>Uh, some folks think that you're a hater. Yeah, defend yourself. Okay.

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<v Speaker 4>So here's the deal that that is a still shot.

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<v Speaker 4>We can't show you the full video on if you're watching,

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<v Speaker 4>but everyone knows this because it has been just absolutely

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<v Speaker 4>forced down our throats for thirty years as if this

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<v Speaker 4>is one of the greatest moments.

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<v Speaker 2>In NBA history. It flatly is not.

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<v Speaker 4>Here's the thing, Jordan might be the greatest player ever.

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<v Speaker 4>I don't think he is, but obviously there is a

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<v Speaker 4>strong case to be made for him. But that doesn't

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<v Speaker 4>mean we have to mythologize everything about him. Jordan was

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<v Speaker 4>once he started winning titles, was not a great highlight producer.

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<v Speaker 2>He was.

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<v Speaker 4>He was so fundamentally sound and such a killer, and

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<v Speaker 4>his mid rangels unstoppable, and it's the greatest fadaway jump

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<v Speaker 4>shot ever.

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<v Speaker 2>But those things aren't great highlights.

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<v Speaker 4>His only really great truly great highlights the latter half

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<v Speaker 4>of his career are the jump shots to win playoff

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<v Speaker 4>games and win the finals. Those obviously are great moments,

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<v Speaker 4>but because like here's my point.

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<v Speaker 2>It's not logo. Yeah, that's from early in his career.

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<v Speaker 4>In the in the slam Dunk contest. Absolutely, But if

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<v Speaker 4>you think about the highlights you see forever throughout NBA history,

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<v Speaker 4>there these amazing feats of athleticism and then a couple

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<v Speaker 4>basic ass Jordan plays like the highlights that live forever.

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<v Speaker 4>It's like, holy shit, doctor j jumped, put the ball

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<v Speaker 4>behind the backboard, hung in the air, got it around

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<v Speaker 4>to the other side.

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<v Speaker 2>It's like, is he the only person in the world

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<v Speaker 2>who could do it?

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<v Speaker 4>Vince Carter jumped over a seven foot three inch French

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<v Speaker 4>dude and ended his career. It's like, is that the

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<v Speaker 4>greatest thing I've ever seen in my life?

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<v Speaker 3>Stay?

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<v Speaker 4>Even Steph Curry, the eerie one unanimous MVP. You're you're

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<v Speaker 4>in overtime against Katie and Russ. There's four seconds left.

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<v Speaker 4>He just pulls up casually from forty two feet bang.

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<v Speaker 2>It's like, holy crep. Lebron is thirty feet behind.

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<v Speaker 4>The play tracks down Iguadala pins it the Shaquille O'Neal.

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<v Speaker 2>He pulled the basket down and it hit him in

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<v Speaker 2>the head. These are the iconic moment.

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<v Speaker 4>And then it's like and Michael Jordan once had a

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<v Speaker 4>spin move baseline and kind of dunked on Patrick Ewing.

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<v Speaker 4>And another time Michael Jordan switched hands on a layup.

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<v Speaker 2>Holy look at this. Why do you think Katie is

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<v Speaker 2>singling you out like that on Twitter?

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<v Speaker 4>Okay, so this is my question, and this is what

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<v Speaker 4>I can't figure out. Does Katie hate me or really

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<v Speaker 4>like see that's what That's what I was thinking, Like,

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<v Speaker 4>I don't think that he's uh.

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<v Speaker 2>I think it is like me.

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<v Speaker 4>And fun or like frenemies exactly free. Because here's the thing.

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<v Speaker 4>If people didn't see this exchange. Someone I didn't tweet

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<v Speaker 4>to him. Someone tweeted to Durant, did you see nick

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<v Speaker 4>Wright's Club Superstar segment? He had a funny line about Kyrie,

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<v Speaker 4>And Durant responded and said, I didn't see it, but

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<v Speaker 4>I'm sure it was trash. Anyone can do Nicky's job,

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<v Speaker 4>and he calls.

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<v Speaker 2>Me Nicky, right.

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<v Speaker 4>He then says, because someone's like, hey, don't be mean

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<v Speaker 4>to Nick, and he says he makes millions of dollars.

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<v Speaker 4>Thanks Katie, appreciate that, and so he's subject for criticism.

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<v Speaker 4>That's how this works, right, And I did respond to that.

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<v Speaker 4>I said, that is actually exactly.

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<v Speaker 2>How this works. You are correct, Kevin Durant. I am

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<v Speaker 2>in the public eye.

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<v Speaker 4>I have a big boy job with big compensation that

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<v Speaker 4>I have decided to put myself out there. Anything someone

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<v Speaker 4>wants to say about my job performance and even minor

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<v Speaker 4>personal shots are fair, right. And I think Kevin Durant

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<v Speaker 4>thought he was like check making. It's like check meeting

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<v Speaker 4>me Like, oh, you don't like what it happens to you,

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<v Speaker 4>But isn't that what they say about me? Like I

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<v Speaker 4>make millions of dollars, I should be able to expected

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<v Speaker 4>you to.

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<v Speaker 2>Take a Kyrie's standpoint of it.

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<v Speaker 4>Yeah, you are subject to criticism like that is what

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<v Speaker 4>goes with the territory, And so I don't.

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<v Speaker 2>I am a big believer that I've never been.

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<v Speaker 4>I have been mean at times to Durant, but I've

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<v Speaker 4>never been out of bounds.

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<v Speaker 2>I've never been unfair.

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<v Speaker 4>I didn't participate when people were making fun of his ankles.

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<v Speaker 4>Never that I thought that. I thought that was out

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<v Speaker 4>of bounds. I was like, you know what, I'm gonna

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<v Speaker 4>sit in this one out fellas. I feel like, A,

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<v Speaker 4>that's not necessarily a white person conversation, and B I'm

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<v Speaker 4>not I'm not participating in that. So I don't think

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<v Speaker 4>I've ever really gone overboard, and I don't think he's

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<v Speaker 4>gone overboard with me. And then, but here's the other

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<v Speaker 4>thing when I say I don't know for friends or enemies,

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<v Speaker 4>because I then tweeted at least I had you in

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<v Speaker 4>Club Superstar Kevin. I put at least I had you

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<v Speaker 4>in Club Superstar Kevin. I don't think people really call

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<v Speaker 4>him Kevin. They call him K or KD. And that's

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<v Speaker 4>why he wrote thank you Nicholas and did the handshake emoji.

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<v Speaker 4>So I you know what, we had low Wayne on

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<v Speaker 4>this show is a great time. We don't really do

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<v Speaker 4>guests on this show. I was thinking about trying to

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<v Speaker 4>get Ti on the show because I had him in

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<v Speaker 4>my top five, and I don't think a lot of

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<v Speaker 4>people do.

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<v Speaker 2>I want to get Duranto.

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<v Speaker 4>I think Durant and I sitting down, I don't think

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<v Speaker 4>it would be all lovey dovey, but I think there

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<v Speaker 4>is a mutual respect along with a bit of dislike

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<v Speaker 4>that I think could be compelling.

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<v Speaker 2>So that's a new goal.

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<v Speaker 4>Go Gabe, who's the you know, the the grand puba

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<v Speaker 4>blue doock Media, Go ahead and make that happen, if

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<v Speaker 4>you would please.

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<v Speaker 2>It's very very easy for me.

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<v Speaker 4>To make the way we all fill out brackets and

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<v Speaker 4>all our bracket contests better and it makes your social

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<v Speaker 4>feeds more tolerable. We all come together and make a

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<v Speaker 4>solemn oath, a commitment that if we want the ability

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<v Speaker 4>to send out a single tweet or ig post or

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<v Speaker 4>TikTok video anything bragging about how good or the old

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<v Speaker 4>reverse brag, Oh my bracket so busted, look at how

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<v Speaker 4>bad it is, if we want to do any draw

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<v Speaker 4>any attention to calling an upset to having this team

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<v Speaker 4>going in the final four, then here's the solemn oath

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<v Speaker 4>we all make. We're filling out one one bracket per person.

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<v Speaker 4>Now you can insert that bracket into thirty competitions if.

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<v Speaker 2>You want, don't care.

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<v Speaker 4>But what must end is the cowardice of oh yeah,

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<v Speaker 4>I have six different brackets.

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<v Speaker 2>I have a favorite.

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<v Speaker 4>Look at these idiots in the control room, and I

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<v Speaker 4>use that term not lightly but idiots. Okay, I have

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<v Speaker 4>one bracket, a chalk bracket. I have one bracket an

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<v Speaker 4>underdog's bracket. I have one bracket of oh this is

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<v Speaker 4>where if the mascots were actual beings and they fought.

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<v Speaker 2>Who would win.

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<v Speaker 4>It's like, oh, okay, the bulldog is and lost to

0:11:56.000 --> 0:11:58.560
<v Speaker 4>a tiger. So lsu over draw nonsense.

0:11:58.800 --> 0:11:59.319
<v Speaker 2>You fill out.

0:11:59.440 --> 0:12:01.600
<v Speaker 4>If you want to be able to brag, you fill

0:12:01.600 --> 0:12:06.120
<v Speaker 4>out one bracket. You post that bracket before eleven h

0:12:06.280 --> 0:12:08.319
<v Speaker 4>five am Eastern on Thursday.

0:12:08.760 --> 0:12:11.120
<v Speaker 2>It is allowed for the world to see and your

0:12:11.200 --> 0:12:11.760
<v Speaker 2>roll with it.

0:12:12.240 --> 0:12:15.960
<v Speaker 4>This is too many people treat brackets like the idiots

0:12:16.520 --> 0:12:20.120
<v Speaker 4>at the roulette wheel that that put their put their

0:12:20.200 --> 0:12:23.199
<v Speaker 4>chips down on twenty six of the thirty six numbers,

0:12:23.320 --> 0:12:25.440
<v Speaker 4>and then when it comes in they're like, oh look

0:12:25.480 --> 0:12:28.840
<v Speaker 4>at me. It's like, actually, duefish, you lost money on

0:12:28.920 --> 0:12:33.040
<v Speaker 4>that spend and that's terrible. So no one bracket per person,

0:12:33.400 --> 0:12:45.240
<v Speaker 4>per and that's it. I'm very passionate about this. Take

0:12:45.360 --> 0:12:49.000
<v Speaker 4>quick break, come right back on what's right.

0:12:53.120 --> 0:12:55.040
<v Speaker 2>Here's the only tweak I would make.

0:12:55.080 --> 0:13:00.720
<v Speaker 4>It's not a massive tweak, because teams should be a

0:13:00.760 --> 0:13:04.600
<v Speaker 4>little embarrassed when they end up in the lottery. Thirty

0:13:04.600 --> 0:13:07.319
<v Speaker 4>teams in the League sixteen make the playoffs, so you

0:13:07.400 --> 0:13:10.560
<v Speaker 4>got to be a below average team to make the lottery.

0:13:10.840 --> 0:13:13.280
<v Speaker 4>You should be really embarrassed if you show up in

0:13:13.280 --> 0:13:14.640
<v Speaker 4>the lottery repeatedly.

0:13:14.960 --> 0:13:15.840
<v Speaker 1>Right, yeah.

0:13:17.280 --> 0:13:22.400
<v Speaker 4>I don't think owners should be allowed to send emissaries there,

0:13:22.440 --> 0:13:25.480
<v Speaker 4>so like the Blazers sent Dame and the Pelicans sent

0:13:25.600 --> 0:13:29.000
<v Speaker 4>Swin Cash, who's their VP of basketballs. I think the

0:13:29.040 --> 0:13:33.200
<v Speaker 4>lottery and some owners go occasionally. Dan Gilbert famously used

0:13:33.240 --> 0:13:36.640
<v Speaker 4>to go with the Caps. I think the owners of

0:13:36.840 --> 0:13:40.600
<v Speaker 4>all the lottery teams should have to go, and they

0:13:40.640 --> 0:13:45.440
<v Speaker 4>should have ownership statistics, so it would say, for the

0:13:45.520 --> 0:13:49.960
<v Speaker 4>veck who owns the Kings, it should say the vech

0:13:50.040 --> 0:13:52.160
<v Speaker 4>rand adva, pardon me if I get his last year,

0:13:52.320 --> 0:13:59.480
<v Speaker 4>last five, Yeah, lottery veteran, his ninth consecutive season in

0:13:59.520 --> 0:14:05.440
<v Speaker 4>the lottery, in his ninth season of ownership, absolutely disposed them.

0:14:05.760 --> 0:14:07.400
<v Speaker 2>And then like when a team that's.

0:14:07.240 --> 0:14:10.640
<v Speaker 4>Well run shows up, it's like, oh, it's like, okay,

0:14:10.679 --> 0:14:14.079
<v Speaker 4>the Blazers first season in the lottery in six years,

0:14:14.120 --> 0:14:16.280
<v Speaker 4>Like okay, good for them, Like you're doing a good

0:14:16.360 --> 0:14:20.080
<v Speaker 4>job that way, you're not tanking well. It's seems sometimes

0:14:20.080 --> 0:14:22.920
<v Speaker 4>would tank, but owners have to be known. There has

0:14:22.960 --> 0:14:33.920
<v Speaker 4>to be some shame to it. Oh, the QR codes,

0:14:34.040 --> 0:14:36.240
<v Speaker 4>thank you. I've been trying to get this in for

0:14:36.480 --> 0:14:38.480
<v Speaker 4>rehearsal shows, for all these shows.

0:14:38.560 --> 0:14:38.920
<v Speaker 2>All right.

0:14:39.360 --> 0:14:41.120
<v Speaker 4>So I sent out a tweet when I was out

0:14:41.120 --> 0:14:45.240
<v Speaker 4>of the country saying QR codes as menus as menu

0:14:45.360 --> 0:14:48.440
<v Speaker 4>replacement is one of those things that is supposed to

0:14:48.520 --> 0:14:51.640
<v Speaker 4>make your life better and is just immeasurably and in

0:14:51.680 --> 0:14:53.520
<v Speaker 4>every way made things worse.

0:14:53.720 --> 0:14:54.760
<v Speaker 2>And I stand by.

0:14:54.800 --> 0:14:56.680
<v Speaker 4>People were like, oh, Nick, you've never worked in the

0:14:56.760 --> 0:14:57.520
<v Speaker 4>service industry.

0:14:57.680 --> 0:14:58.280
<v Speaker 2>You don't know what.

0:14:58.400 --> 0:15:00.240
<v Speaker 4>I don't know what what a pain in the asked

0:15:00.400 --> 0:15:02.760
<v Speaker 4>is to be like, hey, here's your menu, Like, oh,

0:15:02.880 --> 0:15:05.520
<v Speaker 4>I owe Nick, but we like to update them daily.

0:15:05.840 --> 0:15:10.640
<v Speaker 2>No you don't, Nick, I wasn't. That is correct. I

0:15:10.720 --> 0:15:11.480
<v Speaker 2>was never a waiter.

0:15:11.880 --> 0:15:16.040
<v Speaker 4>But let me tell you something, waiters, I'm saving your

0:15:16.160 --> 0:15:19.880
<v Speaker 4>jobs because QR codes is menus or the Canary and

0:15:19.880 --> 0:15:23.080
<v Speaker 4>the coal mine to you guys being replaced, because what's

0:15:23.200 --> 0:15:26.240
<v Speaker 4>after QR codes's menus is you go from the QR code.

0:15:26.240 --> 0:15:28.160
<v Speaker 4>It's like, oh I think I might want the SIMP

0:15:28.440 --> 0:15:30.920
<v Speaker 4>Did I did? I just order it with my finger?

0:15:31.240 --> 0:15:33.920
<v Speaker 4>Oh my gosh, I did that's coming, so I'm saving

0:15:33.960 --> 0:15:34.560
<v Speaker 4>your jobs.

0:15:34.680 --> 0:15:35.000
<v Speaker 2>Just like.

0:15:35.440 --> 0:15:40.680
<v Speaker 4>Another advancement that made things worse was the self checkout line.

0:15:40.760 --> 0:15:43.040
<v Speaker 4>It's like, oh, this is nice. I just have a

0:15:43.120 --> 0:15:44.880
<v Speaker 4>quart of milk. I don't want to wait in this

0:15:45.000 --> 0:15:46.960
<v Speaker 4>line to just go whoop. Oh that's kind of fun.

0:15:47.000 --> 0:15:48.440
<v Speaker 4>I get to use a little scanner like I want

0:15:48.440 --> 0:15:50.000
<v Speaker 4>to do as a kid, tap to pay, and I'm

0:15:50.040 --> 0:15:50.440
<v Speaker 4>out of here.

0:15:50.600 --> 0:15:52.760
<v Speaker 2>All of a sudden, you go to a Whole Foods.

0:15:52.480 --> 0:15:55.920
<v Speaker 4>Lately, there's three people actually checking people out and there's

0:15:56.040 --> 0:15:57.880
<v Speaker 4>sixty of us doing that job.

0:15:58.040 --> 0:16:01.040
<v Speaker 2>It's like, I gotta look up avocato. You got six

0:16:01.120 --> 0:16:03.160
<v Speaker 2>types of avocado? How am I supposed to know? I

0:16:03.200 --> 0:16:04.320
<v Speaker 2>gotta way this now.

0:16:04.400 --> 0:16:06.680
<v Speaker 4>It's good if you like to steal, I understand that,

0:16:06.920 --> 0:16:09.120
<v Speaker 4>But that can't be the real reason. That's the other thing.

0:16:09.280 --> 0:16:12.480
<v Speaker 4>These companies know. They know you're stealing from the self checkout.

0:16:12.640 --> 0:16:14.240
<v Speaker 4>They're doing it anyway because it's like, well, it's still

0:16:14.280 --> 0:16:16.800
<v Speaker 4>cheaper for us than actually, you know, employing people. But

0:16:16.920 --> 0:16:19.360
<v Speaker 4>back to the menus is QR codes you got it?

0:16:19.400 --> 0:16:21.520
<v Speaker 4>There's so many problems with it. First of all, if

0:16:21.560 --> 0:16:23.520
<v Speaker 4>you don't have Wi Fi in your place, I might

0:16:23.560 --> 0:16:25.600
<v Speaker 4>not even get the menu. Second of all, now I'm

0:16:25.640 --> 0:16:28.200
<v Speaker 4>on my phone already. I'm on my phone now. All

0:16:28.200 --> 0:16:30.200
<v Speaker 4>of a sudden, I see a bad tweet from demanse.

0:16:30.440 --> 0:16:32.600
<v Speaker 4>I'm respond to that. I'm not engaging with the people

0:16:32.640 --> 0:16:37.240
<v Speaker 4>around me. Qr Codes's menus add no benefit whatsoever. They're awful,

0:16:37.440 --> 0:16:41.000
<v Speaker 4>they're a job killer, they're irritating, they're bad for social

0:16:41.080 --> 0:16:43.360
<v Speaker 4>mora's such as put your damn phone away and let's

0:16:43.360 --> 0:16:54.160
<v Speaker 4>have a conversation with people, get rid of them.

0:16:54.280 --> 0:16:56.400
<v Speaker 2>And so I just find that argument to be.

0:16:58.960 --> 0:17:03.480
<v Speaker 4>A little banal and and a little trite for what

0:17:03.560 --> 0:17:06.760
<v Speaker 4>could be a little a little bit of trite, a

0:17:06.760 --> 0:17:08.240
<v Speaker 4>little bit of a banal, a little bit of trick.

0:17:08.320 --> 0:17:14.600
<v Speaker 2>All right, well do what? Yeah, yeah, okay, banal? But

0:17:15.080 --> 0:17:17.720
<v Speaker 2>b in al b a in al. Would you like

0:17:17.760 --> 0:17:19.440
<v Speaker 2>me definition.

0:17:20.880 --> 0:17:24.159
<v Speaker 4>Lacking in originality as to become obvious and boring?

0:17:24.280 --> 0:17:24.560
<v Speaker 3>Dude?

0:17:24.840 --> 0:17:28.840
<v Speaker 2>Is that not the perfect word? Thank you appreciate that.

0:17:28.880 --> 0:17:32.680
<v Speaker 2>Good job. You should work that into your your lexicon.

0:17:41.440 --> 0:17:41.760
<v Speaker 2>All right.

0:17:41.800 --> 0:17:44.360
<v Speaker 4>You have to promise you won't look at me differently,

0:17:46.200 --> 0:17:47.280
<v Speaker 4>you promise, okay? Uh?

0:17:48.160 --> 0:17:48.479
<v Speaker 2>All right?

0:17:48.560 --> 0:17:53.560
<v Speaker 4>So I was in college, so it's about Mike. You

0:17:53.560 --> 0:17:57.720
<v Speaker 4>know what it was the day after I turned twenty one.

0:17:58.320 --> 0:18:00.960
<v Speaker 4>I remember the day because, by the way, this is

0:18:01.000 --> 0:18:04.760
<v Speaker 4>a funny story, but there's not. I mean, it ends

0:18:04.800 --> 0:18:09.320
<v Speaker 4>with I don't know. The police called it a stabbing.

0:18:09.440 --> 0:18:13.439
<v Speaker 4>I would have called it a cutting. And it ended

0:18:13.600 --> 0:18:15.960
<v Speaker 4>badly for a lot of people. I wasn't one of them.

0:18:15.840 --> 0:18:19.199
<v Speaker 2>Because had he play up here. So here's where we go.

0:18:19.960 --> 0:18:24.000
<v Speaker 4>So I'm trying to I'm my car is blocked in

0:18:24.680 --> 0:18:26.320
<v Speaker 4>by a girl who.

0:18:26.200 --> 0:18:27.560
<v Speaker 2>Lives in the apartment beneath him.

0:18:27.840 --> 0:18:30.959
<v Speaker 4>Okay, and she does this all the time, blocks in

0:18:31.000 --> 0:18:34.800
<v Speaker 4>not just my car, the whole apartment complex, like leaves

0:18:34.800 --> 0:18:37.520
<v Speaker 4>her car in the only entrance exit and just to

0:18:37.640 --> 0:18:41.440
<v Speaker 4>run into her whatever. So I shout, hey, move your car.

0:18:42.400 --> 0:18:45.879
<v Speaker 4>She shouts back, give me a minute. I'm getting in

0:18:45.920 --> 0:18:49.760
<v Speaker 4>the shower, like you're getting in the shower. So I

0:18:49.920 --> 0:18:55.080
<v Speaker 4>shout again, move your car. The apartment above her unrelated

0:18:55.119 --> 0:18:59.879
<v Speaker 4>party streams down with a lot of offensive language and

0:19:00.520 --> 0:19:06.120
<v Speaker 4>yells I'm angry now doubly so I yelled back to them,

0:19:07.080 --> 0:19:09.879
<v Speaker 4>I'm not talking to you, you know, basically, shut up.

0:19:10.960 --> 0:19:12.960
<v Speaker 4>I'm like this, yelled to the girl, move your car.

0:19:13.880 --> 0:19:17.880
<v Speaker 4>About thirty seconds later, two guys walk down. They are

0:19:17.920 --> 0:19:24.159
<v Speaker 4>both what I would call, you know, strapping gentlemen, sizeable guys.

0:19:25.000 --> 0:19:29.680
<v Speaker 4>And one of them says, you better apologize to my friend.

0:19:30.119 --> 0:19:35.520
<v Speaker 2>He's a marine, he'll kick your ass. And I you

0:19:35.720 --> 0:19:39.400
<v Speaker 2>know you, you you know me, I'm not.

0:19:39.760 --> 0:19:40.200
<v Speaker 4>I don't.

0:19:40.280 --> 0:19:42.320
<v Speaker 2>I don't like the back down element.

0:19:42.800 --> 0:19:46.399
<v Speaker 4>So I instead of apologizing, I got right in the

0:19:46.480 --> 0:19:51.280
<v Speaker 4>space and I said, and I said, I'm not apologizing.

0:19:51.440 --> 0:19:54.160
<v Speaker 4>I wouldn't even talking to you. So you have two options,

0:19:54.520 --> 0:19:56.960
<v Speaker 4>hit me or walk away and.

0:19:56.920 --> 0:19:57.679
<v Speaker 2>Say excuse me.

0:19:58.080 --> 0:20:00.320
<v Speaker 4>And before I could say it a second time, he

0:20:00.440 --> 0:20:04.400
<v Speaker 4>chose option A, and this went south man bad.

0:20:05.040 --> 0:20:07.480
<v Speaker 2>I mean, he tracks me and I.

0:20:07.480 --> 0:20:10.920
<v Speaker 4>Kind of buckle and then he grabs me and and

0:20:10.960 --> 0:20:14.640
<v Speaker 4>I'm now up against the apartment building wall, and I mean,

0:20:14.680 --> 0:20:16.960
<v Speaker 4>it's just like, I don't know what his training was,

0:20:17.000 --> 0:20:19.520
<v Speaker 4>but it was more than mine. And so I try

0:20:19.560 --> 0:20:24.720
<v Speaker 4>to like wiggle away and he gets me on I'm

0:20:24.840 --> 0:20:28.840
<v Speaker 4>face down in the gravel driveway and he has a

0:20:28.920 --> 0:20:33.639
<v Speaker 4>military choke on me, and I am blacking out, and

0:20:33.720 --> 0:20:36.480
<v Speaker 4>my friend who was with me ends up is fighting

0:20:36.480 --> 0:20:38.919
<v Speaker 4>the other guy. So I have no that's where the

0:20:39.040 --> 0:20:43.359
<v Speaker 4>bad stuff happened between them, not between me, and I'm

0:20:43.480 --> 0:20:46.920
<v Speaker 4>I'm blacking out and I and I'm like, I can't

0:20:47.160 --> 0:20:49.840
<v Speaker 4>die this way, and so I did.

0:20:49.960 --> 0:20:54.320
<v Speaker 2>I started tapping up. I was like, sake mercy, like sir,

0:20:55.280 --> 0:20:59.199
<v Speaker 2>what like? I started tapping out. No, he didn't. No,

0:21:00.080 --> 0:21:01.600
<v Speaker 2>tap out did not work.

0:21:01.720 --> 0:21:04.639
<v Speaker 4>My buddy ended up running over and knocking him off me.

0:21:05.000 --> 0:21:08.080
<v Speaker 4>And then then it got it got rough. But so

0:21:08.280 --> 0:21:12.399
<v Speaker 4>your might sounds like it wasn't great, man, But I

0:21:12.440 --> 0:21:13.160
<v Speaker 4>didn't tap out.

0:21:13.200 --> 0:21:13.919
<v Speaker 2>I had no choice.

0:21:13.960 --> 0:21:16.200
<v Speaker 4>Man, Everyone can laugh at the guy tapping out. You

0:21:16.200 --> 0:21:18.879
<v Speaker 4>you get rear naked choked in the street once and

0:21:18.960 --> 0:21:22.160
<v Speaker 4>see the lights going out, I mean you should, man,

0:21:22.640 --> 0:21:26.680
<v Speaker 4>anyone lying. His friend said he was a marine. I

0:21:26.720 --> 0:21:31.720
<v Speaker 4>thought I we tried to leave that. The window was

0:21:31.960 --> 0:21:36.280
<v Speaker 4>like cracked in my car. This dude put both hands

0:21:36.600 --> 0:21:40.840
<v Speaker 4>on the window and broke broke, shattered it in his hands.

0:21:41.080 --> 0:21:42.560
<v Speaker 2>I've seen a video over cop.

0:21:43.359 --> 0:21:46.640
<v Speaker 4>Oh, this guy wasn't listen. That was fifteen years ago.

0:21:46.720 --> 0:21:47.960
<v Speaker 4>You know what, he might be a cop.

0:21:47.880 --> 0:21:57.200
<v Speaker 2>Now doesn't matter.

0:21:57.680 --> 0:22:00.320
<v Speaker 4>I feel like you like think that sitting in your

0:22:00.400 --> 0:22:04.200
<v Speaker 4>chair and watching the game, we'll like determine the outcome.

0:22:04.400 --> 0:22:04.760
<v Speaker 2>I don't.

0:22:05.000 --> 0:22:07.639
<v Speaker 4>I don't actually think that, but sometimes I have the

0:22:07.680 --> 0:22:09.560
<v Speaker 4>feeling like whatever I was.

0:22:09.600 --> 0:22:13.399
<v Speaker 2>Sitting there, they probably would have almost happened. Man, I

0:22:13.440 --> 0:22:13.800
<v Speaker 2>don't know.

0:22:13.960 --> 0:22:16.960
<v Speaker 4>I know that I left and what was a tie game?

0:22:17.280 --> 0:22:19.840
<v Speaker 4>When I got up, they're down twenty four points. And

0:22:19.840 --> 0:22:22.199
<v Speaker 4>then I didn't couldn't stand to be around you anymore.

0:22:22.240 --> 0:22:24.560
<v Speaker 4>So I went upstairs and watched the rest of my bed.

0:22:24.880 --> 0:22:34.639
<v Speaker 2>That's what happened. Okay.

0:22:34.880 --> 0:22:37.399
<v Speaker 4>Uh, you got any warrants or anything you gotta worry about,

0:22:37.680 --> 0:22:38.560
<v Speaker 4>you're gonna show up.

0:22:39.920 --> 0:22:42.639
<v Speaker 2>I have several, several. That's why I figured, Uh, you

0:22:42.720 --> 0:22:46.040
<v Speaker 2>just want to get started. Go ahead, all right?

0:22:46.119 --> 0:22:52.159
<v Speaker 4>So welcome back in in my son's place now instead

0:22:52.160 --> 0:22:56.080
<v Speaker 4>of demands, is none other than my grandfather in.

0:22:56.080 --> 0:23:03.159
<v Speaker 2>Law, mister Jones. Mister Jones, granddaddy. I see how are you?

0:23:03.400 --> 0:23:04.040
<v Speaker 2>I'm doing good.

0:23:04.119 --> 0:23:06.919
<v Speaker 4>So I got a question for you. When you first

0:23:07.080 --> 0:23:11.280
<v Speaker 4>met me fourteen years ago? Did you ever think you'd

0:23:11.280 --> 0:23:14.320
<v Speaker 4>be sitting here doing a little YouTube show with your

0:23:14.320 --> 0:23:15.200
<v Speaker 4>old grandson?

0:23:15.280 --> 0:23:15.440
<v Speaker 2>Nick?

0:23:15.560 --> 0:23:19.399
<v Speaker 4>Right answered no, no, what did? Can I tell the

0:23:19.440 --> 0:23:23.200
<v Speaker 4>story of when we first met? Okay, do you remember?

0:23:24.440 --> 0:23:30.280
<v Speaker 2>Cool? Oh? You remember? So I came to Sacramento.

0:23:30.920 --> 0:23:35.520
<v Speaker 4>Yes, and Danielle, your granddaughter, told me we need to

0:23:35.560 --> 0:23:38.640
<v Speaker 4>go see grandmother and grandfather and we.

0:23:38.600 --> 0:23:39.480
<v Speaker 2>Need to get there early.

0:23:39.600 --> 0:23:41.800
<v Speaker 4>So we got there at like seven thirty in the morning,

0:23:42.600 --> 0:23:45.840
<v Speaker 4>and grandmother was cooking, and I came in the kitchen

0:23:46.000 --> 0:23:48.480
<v Speaker 4>and you know, I talk loudly.

0:23:48.520 --> 0:23:51.119
<v Speaker 2>Would you agree with that? Yes? Indeed, And we hadn't

0:23:51.160 --> 0:23:52.000
<v Speaker 2>seen you yet.

0:23:52.760 --> 0:23:57.520
<v Speaker 4>And then you came out of like a bathroom.

0:23:56.040 --> 0:23:59.880
<v Speaker 2>The bathroom, that's correct. And how would you describe your

0:24:00.080 --> 0:24:05.080
<v Speaker 2>your clothing situation? I will still got just get out

0:24:05.080 --> 0:24:07.160
<v Speaker 2>a bit, I guess, Yeah, yeah, you were.

0:24:07.440 --> 0:24:11.080
<v Speaker 4>You were, I think, shirtless and coming out. And do

0:24:11.119 --> 0:24:12.520
<v Speaker 4>you remember what you said to me?

0:24:12.920 --> 0:24:14.399
<v Speaker 2>Who held this white boy in the house?

0:24:15.720 --> 0:24:19.160
<v Speaker 4>You actually said, who is this John brown white boy

0:24:19.200 --> 0:24:22.480
<v Speaker 4>making all this noise in the house? Yeah, that is

0:24:22.560 --> 0:24:26.600
<v Speaker 4>exactly what happened then, and I introduced myself and then

0:24:26.640 --> 0:24:29.960
<v Speaker 4>you said I'll be right back, and then you went

0:24:30.000 --> 0:24:33.040
<v Speaker 4>back to your room and you got dressed, and then

0:24:33.680 --> 0:24:37.840
<v Speaker 4>you asked me a question and it was about insurance.

0:24:38.160 --> 0:24:41.440
<v Speaker 2>Do you remember that part of it? Don okay? Tell

0:24:41.680 --> 0:24:44.040
<v Speaker 2>you can tell the audience of on Lye. I had

0:24:44.200 --> 0:24:44.679
<v Speaker 2>just met him.

0:24:44.720 --> 0:24:47.240
<v Speaker 4>Danielle and I had been together for six seven months,

0:24:47.280 --> 0:24:49.879
<v Speaker 4>but we knew we were getting thereried and so I

0:24:49.920 --> 0:24:53.600
<v Speaker 4>really wanted to impress her grandparents so her grandfather, who's

0:24:53.680 --> 0:24:56.159
<v Speaker 4>always been, you know, an imposing figure for this fifteen

0:24:56.200 --> 0:24:57.840
<v Speaker 4>years ago, so you were you know, you were in

0:24:57.880 --> 0:25:00.280
<v Speaker 4>your prime. You're in the mid seventies fifteen years ago,

0:25:00.359 --> 0:25:04.280
<v Speaker 4>so you're even more of an imposing figure. You say, uh,

0:25:04.800 --> 0:25:06.240
<v Speaker 4>do you have life insurance?

0:25:06.880 --> 0:25:09.080
<v Speaker 2>You remember that? Okay, well you do.

0:25:09.880 --> 0:25:12.720
<v Speaker 4>Yeah, grandmother sitting over there, remembers it. You said, do

0:25:12.760 --> 0:25:14.960
<v Speaker 4>you have life insurance? And I said, yes, sir, i do.

0:25:15.520 --> 0:25:19.040
<v Speaker 4>And then you said, is my granddaughter a beneficiary? And

0:25:19.080 --> 0:25:21.359
<v Speaker 4>I said yes she is, which I don't even know

0:25:21.400 --> 0:25:23.919
<v Speaker 4>if it was true, and you said perfect, I'll be

0:25:24.040 --> 0:25:27.840
<v Speaker 4>right back. And you called me outside, and you had

0:25:27.920 --> 0:25:29.639
<v Speaker 4>a ladder up against the side of.

0:25:29.640 --> 0:25:34.040
<v Speaker 2>Your house and giant hedge clippers, and do you remember

0:25:34.040 --> 0:25:38.400
<v Speaker 2>what you made me do? What would you make me do? Yeah?

0:25:38.520 --> 0:25:41.480
<v Speaker 4>Their direct TV wasn't working, so he had me climb

0:25:41.480 --> 0:25:45.080
<v Speaker 4>the ladder in the most unsafe fashion imaginable with these

0:25:45.119 --> 0:25:46.240
<v Speaker 4>giant hedge clippers.

0:25:46.240 --> 0:25:50.080
<v Speaker 2>Wait, are you leaving us? You can't leave, you can't.

0:25:49.960 --> 0:25:54.320
<v Speaker 4>Leave yet, the most unsafe fashion possible to trim the tree.

0:25:54.800 --> 0:25:57.800
<v Speaker 4>But now, oh he's fixing the mic. But now, let's

0:25:57.800 --> 0:26:01.919
<v Speaker 4>be honest. Fifteen years later, I'm I'm probably your favorite

0:26:02.000 --> 0:26:02.960
<v Speaker 4>non blood relative.

0:26:03.040 --> 0:26:05.960
<v Speaker 2>Correct correct? Oh, yes, Oh, that's going to cause a

0:26:06.000 --> 0:26:06.520
<v Speaker 2>lot of drama.

0:26:09.280 --> 0:26:12.159
<v Speaker 4>Did you ever I mean, since your days in the military,

0:26:12.320 --> 0:26:14.199
<v Speaker 4>have you ever had this much affection for as you

0:26:14.240 --> 0:26:17.400
<v Speaker 4>put a white one? No, no, yeah, it probably didn't

0:26:17.400 --> 0:26:20.879
<v Speaker 4>see that coming. No, this is one of the greatest

0:26:20.880 --> 0:26:23.879
<v Speaker 4>people I've ever known. He has been how long you

0:26:23.960 --> 0:26:27.760
<v Speaker 4>guys been married? Sixty close close to sixty.

0:26:27.920 --> 0:26:31.200
<v Speaker 2>Fifty nine years, ninety one years.

0:26:30.920 --> 0:26:36.400
<v Speaker 4>Young, mister Abram Jones, granddaddy, Thank you, I appreciate it.

0:26:36.480 --> 0:26:37.119
<v Speaker 2>Good to see you.

0:26:37.760 --> 0:26:39.919
<v Speaker 4>She's on the life insurance Now, am I on yours?

0:26:40.000 --> 0:26:41.840
<v Speaker 4>Is a better question? All right, We'll see you guys next.

0:26:41.840 --> 0:26:52.600
<v Speaker 2>We know. So there was.

0:26:52.560 --> 0:26:56.480
<v Speaker 4>Today's best of What's Right. We're back on Thursday with

0:26:56.560 --> 0:27:00.440
<v Speaker 4>a regular episode, and on Sunday we continue our countdown

0:27:00.520 --> 0:27:02.880
<v Speaker 4>of the fifty greatest players the last fifty years as

0:27:02.920 --> 0:27:06.800
<v Speaker 4>we get into players four and five of the fifty

0:27:06.800 --> 0:27:09.760
<v Speaker 4>greatest players last fifty years. That's on Sunday. Back with

0:27:09.840 --> 0:27:16.320
<v Speaker 4>the regular show on Thursday on What's Right,