WEBVTT - QLS Classic: Mike Birbiglia 

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora.

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<v Speaker 2>Hey it's Unpaid Bill. On this week's Quest Love Supreme Classic,

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<v Speaker 2>we talked to comedian, writer and filmmaker Mike Rofiglia about

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<v Speaker 2>his real life sleepwalking, his movie Don't Think Twice, and

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<v Speaker 2>the insatiable nature of success. This is from November ninth,

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<v Speaker 2>twenty sixteen. See you on the next go round.

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<v Speaker 3>Shut Up Bill, Just start the episode.

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<v Speaker 4>Suprema su su Supremo roll call, Suprema Suck Suck Supremo

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<v Speaker 4>roll call, Suprema Suck Suh Supremo roll call, Suprema Suck

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<v Speaker 4>Suck Suprema roll call.

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<v Speaker 3>I am Questlove. Yeah, I do not quit.

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<v Speaker 4>Yeah.

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<v Speaker 3>Today We're gonna find out. Yeah, Bobby ruined good Ship.

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<v Speaker 4>Whoa Suprema Sun Sun Supremo. Role called Suprema su su

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<v Speaker 4>Suprema roll call.

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<v Speaker 1>Yeah, I got electric ladies. Yeah, they come to my crib. Yeah,

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<v Speaker 1>Rice and.

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<v Speaker 4>Suprema Sun Sun Suprema roll Calm, Suprema soun son.

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<v Speaker 3>Supremo roll called. My name is Steve, Yeah, Sugar Steve.

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<v Speaker 5>Yeah, I feel like I'm not wanted.

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<v Speaker 4>Yeah, in this room, roll call Suprema So soun Supremo

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<v Speaker 4>role call.

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<v Speaker 2>My name is Bill. Yeah, I'm still unpaid. Yeah, got divorced. Yeah,

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<v Speaker 2>I need to get the ro Suprema.

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<v Speaker 4>Sun Sun Suprema roll Calm Suprema Soun Son Suprema roll.

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<v Speaker 3>Call Ham Boss Bill.

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<v Speaker 2>Yeah, I like Tater Tots.

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<v Speaker 3>Yeah, I run this show. Yeah, don't believe me.

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<v Speaker 4>Just watch Sam Son Sun Supreme. Roll call Suprema Son

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<v Speaker 4>Sun Suprema roll Yeah. Yeah.

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<v Speaker 6>Please don't fight me. Yeah, because I don't know how

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<v Speaker 6>to do this.

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<v Speaker 4>Oh, Suprema Son Sun Supremo, Roll call, Suprema Son Sun

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<v Speaker 4>Suprema roll call.

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<v Speaker 7>My name is Mike. Yeah, I'm not going for a hike. Yeah,

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<v Speaker 7>I ain't look at my physique.

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<v Speaker 4>Yeah, Suprema Suprema roll call, Suprema Son Sun Supremo, Roll

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<v Speaker 4>call Supremo Son So Supremo, Roll call Suprema So So Supreme. Roll.

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<v Speaker 1>Ladies and gentlemen, welcome to another addition of Course Love

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<v Speaker 1>Supreme only on Pandora. Yes, I'm Course Love and we

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<v Speaker 1>got the team Supreme with us, and today we got

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<v Speaker 1>a really great show for you. Comedian, writer, actor and

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<v Speaker 1>director Mike Burbigley is on the show he'll be on

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<v Speaker 1>in a bit, and we're talking about his new movie

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<v Speaker 1>Don't Think Twice, which is out next Wednesday on iTunes

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<v Speaker 1>and on December sixth on Blu Ray. And before all that,

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<v Speaker 1>we're going to check in with the Team Supreme. We

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<v Speaker 1>are here at our home at Electric Ladies Studios.

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<v Speaker 3>Yeah that sugar, Steve. Yes, we're back at Electric Lady Man.

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<v Speaker 3>We never left. We never left.

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<v Speaker 5>I've been hiding under this couch for twenty years.

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<v Speaker 1>Steve and I first met each other twenty years ago

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<v Speaker 1>at where we are right now, this location.

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<v Speaker 5>Very to our anniversary tonight.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, so it's good to be here. I just never

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<v Speaker 1>knew that our return to Electric Ladies Studios would be

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<v Speaker 1>a radio show. Yeah, exactly. Okay, So to my left,

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<v Speaker 1>going clockwa uh Sugar Steve, what's up pal?

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<v Speaker 5>Feeling good?

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<v Speaker 3>You're feeling good?

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<v Speaker 4>No?

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<v Speaker 5>Okay, great, stomach hurts, my head is killing.

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<v Speaker 3>Me, okay, okay, unpaid Bill? How you doing?

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<v Speaker 7>Bro?

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<v Speaker 2>Good man?

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<v Speaker 3>Are you I'm great?

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<v Speaker 2>How's life fantastic?

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<v Speaker 3>Really?

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<v Speaker 2>Sometimes you look like ship? Thank you coming from you?

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<v Speaker 3>Very sure?

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<v Speaker 2>It's really really painful.

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<v Speaker 3>Fine TiO another day, another dollar, brother, how's it going man?

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<v Speaker 3>I can't complain it though.

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<v Speaker 8>Man, I'm sitting here a quest a little supreme, an

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<v Speaker 8>electric lady and ship chopping up this paper.

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<v Speaker 3>You couldn't leave it, you could, all right, we are

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<v Speaker 3>officially chopping on paper? What the fuck does that mean?

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<v Speaker 3>Up the paper? It's like you know what I mean?

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<v Speaker 9>Oh, you know for those that are as well as

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<v Speaker 9>tell everybody, oh, what's chopping up paper?

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<v Speaker 8>Chopping up paper is a colloquialism used in the American

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<v Speaker 8>South among negroes who are probably making their money in

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<v Speaker 8>the legal activities such as drug dealing or money laundering,

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<v Speaker 8>and it replied.

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<v Speaker 1>It is referred to as you know, I'm gaining this

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<v Speaker 1>currency at an alarming rate. I'm amassing legal tender.

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<v Speaker 8>As at a rate that is just incredible. So I'm

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<v Speaker 8>here by chopping up the paper. It doesn't mean I'm

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<v Speaker 8>literally putting blades to the paper and then breaking it off.

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<v Speaker 5>It's just counterfeit money.

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<v Speaker 3>It could be chopping it up, you could.

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<v Speaker 8>You could be breaking it up like in the sheets

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<v Speaker 8>like white. But it's just very much you know, I'm

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<v Speaker 8>chopping up that paper.

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<v Speaker 3>Boss, Bill, hold on, come on stop. How are we

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<v Speaker 3>doing doing really well? More importantly, how am I doing?

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<v Speaker 3>You're doing great, You're doing a good job. But this

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<v Speaker 3>is only the first like five minutes though, right, No, we've.

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<v Speaker 9>Been at this for like about ten minutes so far. Okay,

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<v Speaker 9>we'll see. That's that's what you're afforded to keep you

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<v Speaker 9>in mind.

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<v Speaker 3>You're doing a great job.

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<v Speaker 1>And I guess the most notable thing to mention at

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<v Speaker 1>the top here is that the familiar female voice you've

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<v Speaker 1>heard on the past few episodes, A quest love supreme.

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<v Speaker 3>Yes, Layah. She's officially part of our family now of

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<v Speaker 3>our show, the growing Yeah, the team grows. Uh, I

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<v Speaker 3>figured that we need uh sorry, what's brass? I've known

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<v Speaker 3>this lady.

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<v Speaker 1>Since she since we were young and uh wait since

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<v Speaker 1>she was that No, you know she's my my comrade

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<v Speaker 1>from Philadelphia. Uh no, you're f Philly, thank you.

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<v Speaker 7>Yeah.

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<v Speaker 3>Now I'm already regretting this. This this is welcome, like

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<v Speaker 3>yea Saint Clair.

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<v Speaker 6>Yes, sorry, I'm not good with compliments.

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<v Speaker 3>We're gonna have to give you a nickname. Well, she

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<v Speaker 3>used to be Lady La Yah on Philadelphia.

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<v Speaker 6>It was just like, where do you see a lady?

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<v Speaker 6>Where was she at?

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<v Speaker 3>Were you not?

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<v Speaker 7>Lady?

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<v Speaker 6>Like's like two thousand syllables.

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<v Speaker 3>So what was your club name?

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<v Speaker 4>What was.

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<v Speaker 6>Like the other chip? But like, you know, no, this

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<v Speaker 6>just seems like it's going to get me in trouble.

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<v Speaker 3>Later worked in the daytime.

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<v Speaker 6>No, you don't make no money in the daytime at

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<v Speaker 6>the strip club.

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<v Speaker 3>Oh okay, because you have to think, like what kind

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<v Speaker 3>of person goes to the strip club?

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<v Speaker 6>This is the gold club right right?

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<v Speaker 1>You know what I'm saying because you actually I fell

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<v Speaker 1>it's and realized, Oh ship, I just.

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<v Speaker 3>Wait, are we still on the air right now? Yeah,

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<v Speaker 3>we are still on the air. We've been yanked off

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<v Speaker 3>the air.

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<v Speaker 6>Yeah, I went to college.

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<v Speaker 3>Everybody. Yeah, I was going to say, let's let's play

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<v Speaker 3>in a different picture of Laya.

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<v Speaker 9>I've been working with Laya behind the scenes for several

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<v Speaker 9>weeks now. She's very very smart, very intelligent. We are

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<v Speaker 9>blessed to have ya No, no, no, no, no, let

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<v Speaker 9>me okay, you're just saying I'm lying, Well, yeah that

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<v Speaker 9>she's not.

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<v Speaker 1>Pleasant now Liyas is actually uh Philadelphia radio h Royalty.

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<v Speaker 1>She's been You've been on radio in Philadelphia for least.

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<v Speaker 6>Eleven since I was eleven years No, I knew you

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<v Speaker 6>since you were twelve. No, I just don't want them

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<v Speaker 6>to know that I'm old. But yeah, that's fine. I've

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<v Speaker 6>been on listen. I was on the radio for like

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<v Speaker 6>fifteen years.

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<v Speaker 3>Let's just keep it real, okay, Okay, yeah, yeah, you've

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<v Speaker 3>done a great job. That's why you're here.

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<v Speaker 10>I just want to mention y'all said something about Source

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<v Speaker 10>magazine not being valid, but it's still valid in twenty

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<v Speaker 10>thirteen and fourteen because I was in the top thirteen radio.

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<v Speaker 10>So as long as that's still going on, Oh wow,

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<v Speaker 10>magazine is still valad. I just I wasn't on the

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<v Speaker 10>radio on twenty fourteen, but they still put me in there.

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<v Speaker 1>So I just want to get him to love shows

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<v Speaker 1>you how much credibility then, I mean, really, he's gonna

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<v Speaker 1>put you on the list. She didn't even got a

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<v Speaker 1>god damn show saying Wow, Pooty don't need no words,

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<v Speaker 1>Pooty don't need no meals, Pooty don't need no radio show.

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<v Speaker 3>Pooty No what Pooty do? Yo?

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<v Speaker 1>Why I just found out that Lewis c K he

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<v Speaker 1>wrote and directed. Wow, I did that is these movies?

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<v Speaker 1>It should have want oscars. Pooty shouldn't want to fucking.

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<v Speaker 8>Pooty jang Oscar and Clifton File should get a Lifetime

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<v Speaker 8>Achieving Award DC.

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<v Speaker 1>Clifton Power. Dude, he's black excellence. Like he's one of

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<v Speaker 1>those black actors. He was a black father. He's a

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<v Speaker 1>black father. But then he'll turn around and like he'll

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<v Speaker 1>be in fucking Star.

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<v Speaker 3>Wars like he worked. He just be working Star Wars

0:10:03.760 --> 0:10:05.240
<v Speaker 3>and he was in he wasn't the Star Wars. But

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<v Speaker 3>he'll be in like some big budget like Minister Society,

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<v Speaker 3>and then he'll be he.

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<v Speaker 8>Was in his society. But then his greatest role I

0:10:10.960 --> 0:10:15.560
<v Speaker 8>think was Pinky in Next Friday. He really just really

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<v Speaker 8>there was a rich emotional tap just really fine.

0:10:19.520 --> 0:10:24.520
<v Speaker 3>I mean fine time out front?

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<v Speaker 2>Can we.

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<v Speaker 3>Now I have to analyze you.

0:10:33.240 --> 0:10:38.439
<v Speaker 1>How like the sponge that is your brain and the

0:10:38.559 --> 0:10:41.920
<v Speaker 1>information that it retains. I said that it is an

0:10:41.960 --> 0:10:45.760
<v Speaker 1>amazing You might need to be the guest next week.

0:10:48.080 --> 0:10:50.079
<v Speaker 6>Is that like no weed influence? Like seriously, is that

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<v Speaker 6>no weed influence?

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<v Speaker 3>No? I don't know, I don't know.

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<v Speaker 1>I mean I would just since I was a kid,

0:10:55.080 --> 0:10:57.760
<v Speaker 1>I just been able to just kind of retain some reading.

0:10:57.800 --> 0:11:00.439
<v Speaker 1>I mean, I smoke, but I'm not I'm not a smoker.

0:11:00.559 --> 0:11:02.840
<v Speaker 1>I mean, if you know, I'll do it in the gathering.

0:11:02.880 --> 0:11:04.760
<v Speaker 1>If like y'all got one, Hell yeah, we're going in.

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<v Speaker 1>It's a celebration.

0:11:06.040 --> 0:11:07.719
<v Speaker 8>Oh no, I don't really smoke, no wheed like that

0:11:07.800 --> 0:11:10.520
<v Speaker 8>because it's just it just it kills my productivity. And

0:11:10.679 --> 0:11:12.320
<v Speaker 8>it was just one episode I had.

0:11:12.200 --> 0:11:14.240
<v Speaker 1>Where I was driving back from the White House high

0:11:14.280 --> 0:11:20.839
<v Speaker 1>and the road started Chris crasing, So I told God,

0:11:20.840 --> 0:11:23.000
<v Speaker 1>I wasn't doing that shit no moment. Well, wait, I'm

0:11:23.040 --> 0:11:25.199
<v Speaker 1>going to ask you something because this is what I learned.

0:11:25.320 --> 0:11:30.880
<v Speaker 1>Haven't recently just visited uh Maui where the speed limit

0:11:31.320 --> 0:11:35.800
<v Speaker 1>the average speed limit thirty five? Oh shit, thirty five.

0:11:36.000 --> 0:11:38.280
<v Speaker 1>Like it would be like something where it's like, okay,

0:11:38.400 --> 0:11:40.840
<v Speaker 1>so where's the whole food that they'll be like, oh

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<v Speaker 1>it's eight miles away.

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<v Speaker 3>You'll get there and like uh forty minutes. Wow yeah,

0:11:45.720 --> 0:11:47.719
<v Speaker 3>and you gotta drive thirty five.

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<v Speaker 1>And the logic was that it stops uh drunk driving

0:11:53.440 --> 0:11:57.320
<v Speaker 1>uh incidents. But the thing is, I'm like keep saying,

0:11:57.480 --> 0:12:04.760
<v Speaker 1>if you're inebriated, good one. If you're inebriated, Uh, will

0:12:04.800 --> 0:12:06.360
<v Speaker 1>you see that thirty five.

0:12:07.760 --> 0:12:08.360
<v Speaker 3>Predominant?

0:12:08.480 --> 0:12:11.440
<v Speaker 1>Like will yeah see that I don't know, but if

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<v Speaker 1>you're driving slow, like, won't that put your life at

0:12:15.280 --> 0:12:15.840
<v Speaker 1>risk more?

0:12:16.080 --> 0:12:17.559
<v Speaker 3>I don't know, I don't know what.

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<v Speaker 8>The one time I did it, it was uh and

0:12:20.600 --> 0:12:22.199
<v Speaker 8>that was it. Like that shit scared the shit out

0:12:22.200 --> 0:12:23.880
<v Speaker 8>of me, dude. And that's another reason, like drugs actually

0:12:24.000 --> 0:12:27.280
<v Speaker 8>really like scared me. So that one experience, it was

0:12:27.360 --> 0:12:29.000
<v Speaker 8>me and a girl I was seeing at the time,

0:12:29.400 --> 0:12:31.959
<v Speaker 8>and we were smoking, just smoking, like just smoking, just

0:12:32.040 --> 0:12:33.520
<v Speaker 8>for fucking smoking, and we.

0:12:33.640 --> 0:12:36.400
<v Speaker 3>Had a damnt and we was doing it. That was

0:12:36.520 --> 0:12:37.559
<v Speaker 3>like seven smokings.

0:12:37.800 --> 0:12:41.719
<v Speaker 8>Man, We was just smoking and she was actually I

0:12:41.800 --> 0:12:44.040
<v Speaker 8>mean to bring it all home to Electric Lady. This

0:12:44.280 --> 0:12:48.160
<v Speaker 8>was after one of your fam artists that you here

0:12:48.280 --> 0:12:52.160
<v Speaker 8>produced had finished her sophomore album, so we were kind

0:12:52.200 --> 0:12:55.200
<v Speaker 8>of celebrating that she was had finished.

0:12:55.240 --> 0:12:56.440
<v Speaker 3>She related to that artist.

0:12:56.679 --> 0:12:58.520
<v Speaker 1>Wasn't related, Oh god, no, it wasn't her. I know

0:12:58.559 --> 0:13:02.679
<v Speaker 1>you're talking about it wasn't related, But was it related? No,

0:13:02.800 --> 0:13:04.760
<v Speaker 1>re doubt disrespect to that person, but I maybe now

0:13:04.760 --> 0:13:07.040
<v Speaker 1>I wasn't here, but but now we were hanging and

0:13:07.120 --> 0:13:09.559
<v Speaker 1>so she had it on the on the pipe and

0:13:10.000 --> 0:13:13.520
<v Speaker 1>you know, man, I just I mean where I'm from,

0:13:13.640 --> 0:13:17.560
<v Speaker 1>pipes mean crack so smoking off a pipe just felt

0:13:17.640 --> 0:13:19.920
<v Speaker 1>real crackish to me, you know what I'm saying.

0:13:20.360 --> 0:13:22.599
<v Speaker 8>But I was like, I mean, whatever, we're doing it.

0:13:22.720 --> 0:13:24.400
<v Speaker 8>So I was smoking it off the pipe and it

0:13:24.720 --> 0:13:27.880
<v Speaker 8>is real pure. So I was like, damn on Hunger's hell,

0:13:27.920 --> 0:13:29.280
<v Speaker 8>we need to go to the guy in the White House.

0:13:29.600 --> 0:13:31.480
<v Speaker 8>And so I drove to the waffle House and we

0:13:31.559 --> 0:13:35.280
<v Speaker 8>went to the waffle house on a This was a Saturday.

0:13:34.920 --> 0:13:38.319
<v Speaker 1>Night, and I remember sitting there and the high just

0:13:38.520 --> 0:13:41.000
<v Speaker 1>came over me. I'm waiting on my food, and you

0:13:41.120 --> 0:13:43.719
<v Speaker 1>know my thing with food, Like I remember my my

0:13:43.920 --> 0:13:46.400
<v Speaker 1>dude who was took our joint. He had a jail

0:13:46.480 --> 0:13:49.240
<v Speaker 1>tat named tap Daddy. And when I saw the jail tat,

0:13:49.800 --> 0:13:52.280
<v Speaker 1>I knew, not for real, I'm not making this shit up, dude,

0:13:53.960 --> 0:13:55.000
<v Speaker 1>And so I knew then.

0:13:55.400 --> 0:13:57.599
<v Speaker 3>You know, that was one for my hypothesis that I

0:13:57.679 --> 0:13:59.920
<v Speaker 3>knew the food was gonna be great because fell In

0:14:00.120 --> 0:14:02.280
<v Speaker 3>cook the best food, right. I mean, like, if it

0:14:02.320 --> 0:14:10.160
<v Speaker 3>ain't at least Prodigies shout out the Prodigies prison book.

0:14:11.760 --> 0:14:13.840
<v Speaker 1>Yo, No, if you ain't got at least two feelings

0:14:13.840 --> 0:14:15.760
<v Speaker 1>in your if you ain't got at least two felons in.

0:14:15.800 --> 0:14:17.440
<v Speaker 3>Your restaurant, the food is gonna be shitty.

0:14:17.679 --> 0:14:20.280
<v Speaker 1>And if you don't have at least one person to

0:14:20.440 --> 0:14:23.760
<v Speaker 1>a black family that has a black disease just cooking.

0:14:23.960 --> 0:14:26.960
<v Speaker 1>Like if your grandma ain't got the speedbag on her arm,

0:14:27.600 --> 0:14:28.680
<v Speaker 1>I don't want her dinner.

0:14:28.920 --> 0:14:33.600
<v Speaker 3>I don't want her feeling. It's not gonna be good. No, it's.

0:14:35.360 --> 0:14:39.760
<v Speaker 1>Person with a arms with black disease, such as the

0:14:39.840 --> 0:14:41.920
<v Speaker 1>gallay bag is not a disease.

0:14:42.080 --> 0:14:44.040
<v Speaker 6>It's just like what happens to women when they it's

0:14:44.040 --> 0:14:44.960
<v Speaker 6>called wings, you know.

0:14:45.360 --> 0:14:47.400
<v Speaker 3>Noah, it's it's I mean it's wings in it. Yeah,

0:14:47.480 --> 0:14:49.240
<v Speaker 3>chicken wings. You got damn mini.

0:14:52.080 --> 0:14:56.080
<v Speaker 1>So no bag is way better than come on, you

0:14:56.200 --> 0:14:59.160
<v Speaker 1>need this, you got the speed bag. But anyway, So anyway,

0:14:59.240 --> 0:15:00.880
<v Speaker 1>so it's it's felling cooking my chicken and eggs.

0:15:00.920 --> 0:15:03.600
<v Speaker 3>I know she's gonna be amazing. So I'm sitting here

0:15:03.680 --> 0:15:05.920
<v Speaker 3>and the high is just keeping coming down on me.

0:15:06.040 --> 0:15:09.880
<v Speaker 1>Right, So it's Saturday night and the police is out there,

0:15:10.000 --> 0:15:12.400
<v Speaker 1>and the girl ontle bit. By the time she so

0:15:12.600 --> 0:15:15.560
<v Speaker 1>got damn high, she didnet fell asleep. She nodding off

0:15:15.760 --> 0:15:18.640
<v Speaker 1>like the goddamn dope fiend lean looking like bubbles from

0:15:18.680 --> 0:15:19.320
<v Speaker 1>the wine shit.

0:15:20.080 --> 0:15:23.680
<v Speaker 8>So so I'm just like, yo, this is bad. So

0:15:24.320 --> 0:15:25.760
<v Speaker 8>I tell her to just go get in the cars.

0:15:25.800 --> 0:15:26.960
<v Speaker 8>They just go get in the car and just just

0:15:27.080 --> 0:15:29.240
<v Speaker 8>go to sleep. So the police is out there cause

0:15:29.240 --> 0:15:31.880
<v Speaker 8>they cause, you know, it's like the fucking club. So man,

0:15:31.920 --> 0:15:34.000
<v Speaker 8>I finally get the food and I'm walking out and

0:15:34.120 --> 0:15:35.880
<v Speaker 8>the police is looking at me. I'm just like, dude,

0:15:36.240 --> 0:15:37.760
<v Speaker 8>I'm looking at a duy.

0:15:37.520 --> 0:15:40.160
<v Speaker 3>Do it in the place truck. And I had to

0:15:40.360 --> 0:15:42.320
<v Speaker 3>put the key in my car. This was before.

0:15:42.400 --> 0:15:44.000
<v Speaker 1>This was like when I was a really broke nigga,

0:15:44.160 --> 0:15:47.000
<v Speaker 1>and like I didn't have the remote control open key

0:15:47.080 --> 0:15:51.040
<v Speaker 1>I had. I had the whole school, like you gotta

0:15:51.080 --> 0:15:53.120
<v Speaker 1>get the clan, enjoy the Latin turn.

0:15:53.840 --> 0:15:55.760
<v Speaker 3>Man. That was the most concentrated shit I had to

0:15:55.800 --> 0:15:56.480
<v Speaker 3>do about life.

0:15:56.960 --> 0:15:57.560
<v Speaker 7>And I got it.

0:15:57.720 --> 0:16:00.680
<v Speaker 8>And you know, I remember driving home and man, the

0:16:00.840 --> 0:16:04.200
<v Speaker 8>road started goddamn zig zaggy man, and I just said

0:16:04.200 --> 0:16:05.400
<v Speaker 8>to myself, I was like, God, if you let me

0:16:05.440 --> 0:16:07.200
<v Speaker 8>get home, I will never get this high again.

0:16:07.600 --> 0:16:09.480
<v Speaker 3>And I made it home and I busted down them

0:16:09.560 --> 0:16:14.480
<v Speaker 3>chicken and eggs and I never busted down. I never

0:16:14.560 --> 0:16:17.320
<v Speaker 3>got that high again. That was it, man, So wow,

0:16:17.800 --> 0:16:22.160
<v Speaker 3>that was it. I got contact from.

0:16:24.960 --> 0:16:26.680
<v Speaker 2>Oh man, that coffee tall looks.

0:16:31.080 --> 0:16:33.440
<v Speaker 11>You should just move to walking distance from the wildflouse

0:16:33.480 --> 0:16:34.200
<v Speaker 11>then you can get high.

0:16:34.680 --> 0:16:34.880
<v Speaker 3>Hey.

0:16:36.240 --> 0:16:42.200
<v Speaker 1>Research every time I go there, I try to figure out, uh,

0:16:42.680 --> 0:16:45.200
<v Speaker 1>because I know there's they claim that there's a million

0:16:46.280 --> 0:16:49.720
<v Speaker 1>plus combinations of the hash browns.

0:16:50.360 --> 0:16:52.760
<v Speaker 8>Yeah, you can get them scattered some other covered chunk

0:16:52.920 --> 0:16:56.800
<v Speaker 8>cap you can get them with chili.

0:16:59.120 --> 0:17:00.840
<v Speaker 3>You know what I'm saying. I I mean I know

0:17:00.920 --> 0:17:04.280
<v Speaker 3>the menu pretty well. No, but there's a scientific there's

0:17:04.320 --> 0:17:09.680
<v Speaker 3>a scientific number combination that says that, uh, it's one

0:17:09.800 --> 0:17:13.639
<v Speaker 3>mill it's one million plus different conferent combinations. Yeah, I

0:17:13.720 --> 0:17:16.440
<v Speaker 3>get everything my mind. Oh you what you get on yours?

0:17:16.480 --> 0:17:19.840
<v Speaker 3>What on your cheese? And everything to I go full throttle.

0:17:20.000 --> 0:17:22.399
<v Speaker 3>Oh damn, but I only do like a quarter of it.

0:17:22.680 --> 0:17:25.359
<v Speaker 1>Okay, you know I'm one of those like I'm in

0:17:25.440 --> 0:17:29.600
<v Speaker 1>the the god the am I about to make this

0:17:29.720 --> 0:17:35.320
<v Speaker 1>reference the Ron Pearlman face in my life? Oh he

0:17:35.600 --> 0:17:38.000
<v Speaker 1>orders everything and this does a little bit of each

0:17:38.080 --> 0:17:41.320
<v Speaker 1>thing and then leaves, which it's that's probably the worst

0:17:41.320 --> 0:17:44.280
<v Speaker 1>thing I could say, like because there's this unspoken rule

0:17:44.400 --> 0:17:45.560
<v Speaker 1>that we can't waste.

0:17:45.400 --> 0:17:48.280
<v Speaker 8>Food and then but then but see wilfle House they

0:17:48.320 --> 0:17:52.439
<v Speaker 8>done upgraded a formula bro. So now wait what they

0:17:52.520 --> 0:17:54.359
<v Speaker 8>done upgrade at the formula They messed with it.

0:17:54.720 --> 0:17:57.800
<v Speaker 1>Nah they brother, So now what they used to they

0:17:57.880 --> 0:17:59.920
<v Speaker 1>used to just have the regular waffles, just the regular

0:18:00.119 --> 0:18:02.280
<v Speaker 1>I got the oh, but now they got the peaking.

0:18:02.359 --> 0:18:04.080
<v Speaker 3>But now they got the new joint they do. They'll

0:18:04.119 --> 0:18:05.160
<v Speaker 3>do you a strawberry waffer.

0:18:05.200 --> 0:18:08.600
<v Speaker 8>They put a little strawberry like little something some cancer

0:18:08.680 --> 0:18:10.920
<v Speaker 8>crossing ship they put in there and they just cook

0:18:11.000 --> 0:18:12.560
<v Speaker 8>it up and it tastes fucking amazing.

0:18:13.200 --> 0:18:18.800
<v Speaker 3>Oh boy, oh boy, Wow, we really do need to

0:18:18.880 --> 0:18:19.960
<v Speaker 3>go to wilf House.

0:18:20.240 --> 0:18:23.520
<v Speaker 2>Yeah, that would be after that cancer comment. We really

0:18:23.600 --> 0:18:26.200
<v Speaker 2>need to go. Let's go.

0:18:27.160 --> 0:18:27.680
<v Speaker 3>Yeah that was that.

0:18:27.800 --> 0:18:30.119
<v Speaker 8>Did you see that story about the girls that was

0:18:30.560 --> 0:18:31.960
<v Speaker 8>got the waffle house? I don't think they got to

0:18:31.960 --> 0:18:34.040
<v Speaker 8>shut down. They were fired the girls that was doing

0:18:34.119 --> 0:18:37.040
<v Speaker 8>hair in the white house. Wait what this is true?

0:18:37.119 --> 0:18:39.320
<v Speaker 8>There was a did you get your hair died? Well

0:18:39.600 --> 0:18:41.919
<v Speaker 8>they were doing it. It was like it was somewhere

0:18:41.960 --> 0:18:44.359
<v Speaker 8>in Atlanta. I want to say a shot shot they

0:18:44.440 --> 0:18:48.760
<v Speaker 8>were doing shot totally shot. They were doing hair, washing

0:18:48.840 --> 0:18:49.840
<v Speaker 8>hair in the waffle house.

0:18:51.160 --> 0:18:53.040
<v Speaker 6>There are so many world Star videos a by waffle

0:18:53.119 --> 0:18:54.320
<v Speaker 6>house fights.

0:18:54.400 --> 0:18:57.360
<v Speaker 10>It's a lot, a lot's go down because it's twenty

0:18:57.400 --> 0:18:57.919
<v Speaker 10>four hours.

0:18:58.480 --> 0:19:00.439
<v Speaker 3>It's twenty four hours. But I got a imagine they

0:19:00.520 --> 0:19:02.720
<v Speaker 3>only make I'm sure, like their.

0:19:02.640 --> 0:19:04.879
<v Speaker 8>Profit margins are the highest from the hours of like

0:19:05.320 --> 0:19:08.080
<v Speaker 8>twelve midnight to like three four in the morning, like

0:19:08.200 --> 0:19:10.880
<v Speaker 8>eating waffle house. Much like you wonder about the guy

0:19:10.920 --> 0:19:12.520
<v Speaker 8>that goes to the strip club during the day.

0:19:14.560 --> 0:19:15.160
<v Speaker 3>I'm just thinking.

0:19:17.760 --> 0:19:19.680
<v Speaker 1>I'm just thinking, dude, because like if you go eating

0:19:19.680 --> 0:19:23.120
<v Speaker 1>waffle House during the day, like for you, a goddamn savage.

0:19:23.440 --> 0:19:30.520
<v Speaker 3>Wait is more for the day wait time time out, really,

0:19:31.119 --> 0:19:31.480
<v Speaker 3>I mean.

0:19:31.400 --> 0:19:33.639
<v Speaker 1>Because because for us, like when we was coming up,

0:19:33.800 --> 0:19:35.960
<v Speaker 1>waffle House was club. It was after the club. Food,

0:19:36.119 --> 0:19:38.600
<v Speaker 1>it was after the club. It's late night you go,

0:19:38.760 --> 0:19:40.840
<v Speaker 1>and that's what it is now. I will say during

0:19:40.920 --> 0:19:45.000
<v Speaker 1>the morning, like if morning I'm with you, we would

0:19:45.000 --> 0:19:50.960
<v Speaker 1>we would hit it. Sometimes when I land, before I

0:19:51.040 --> 0:19:52.800
<v Speaker 1>go to the hotel, I go to waffle House like

0:19:52.920 --> 0:19:53.800
<v Speaker 1>I eat daytime.

0:19:55.080 --> 0:19:57.280
<v Speaker 6>You go to the strip club in a daytime too, though, So.

0:19:57.960 --> 0:19:58.600
<v Speaker 3>No I don't.

0:20:00.080 --> 0:20:05.280
<v Speaker 1>Oh okay, So let's let's dial back via the food

0:20:05.320 --> 0:20:08.720
<v Speaker 1>talk a bit here, guys, and get a little serious.

0:20:10.200 --> 0:20:14.000
<v Speaker 3>At least in line with our guest today who is

0:20:14.880 --> 0:20:20.720
<v Speaker 3>a comedian. I feel it's probably one of the more,

0:20:21.960 --> 0:20:28.280
<v Speaker 3>probably one of the most unique storytellers in comedy, because

0:20:28.560 --> 0:20:31.399
<v Speaker 3>his level of comedy isn't just like why did the

0:20:31.480 --> 0:20:32.440
<v Speaker 3>Chicken across the Road? Like?

0:20:32.520 --> 0:20:35.960
<v Speaker 1>It's not just like set up punchline, set up punchline like.

0:20:36.840 --> 0:20:39.639
<v Speaker 1>He tells these stories of his life and they're the

0:20:39.760 --> 0:20:41.040
<v Speaker 1>most hilarious.

0:20:40.600 --> 0:20:43.560
<v Speaker 3>Thing ever, except they're all like real.

0:20:44.680 --> 0:20:50.960
<v Speaker 1>They're the most painful, realist, most insecure, most pie in

0:20:51.040 --> 0:20:56.320
<v Speaker 1>the face, you know, self deprecating stories I've ever heard.

0:20:56.400 --> 0:21:00.840
<v Speaker 1>But the way he delivers it makes it so relatable,

0:21:00.920 --> 0:21:02.320
<v Speaker 1>makes him so likable.

0:21:03.440 --> 0:21:04.320
<v Speaker 3>And he's made two.

0:21:04.240 --> 0:21:09.320
<v Speaker 1>Movies that I really feel that are important, I guess

0:21:09.400 --> 0:21:13.639
<v Speaker 1>for artists to like and people that aren't into art.

0:21:14.480 --> 0:21:17.240
<v Speaker 3>They speak to all areas of life.

0:21:18.280 --> 0:21:21.240
<v Speaker 1>I'm speaking of a Sleepwalk with Me and I'm speaking

0:21:21.280 --> 0:21:26.760
<v Speaker 1>of his newest film, Don't Think Twice. And our guest

0:21:27.080 --> 0:21:31.200
<v Speaker 1>is Mike Verbiglia, and he's coming up in the next segment.

0:21:36.200 --> 0:21:38.879
<v Speaker 1>Ladies and gentlemen, please give it up for Mike Burbiglia.

0:21:39.800 --> 0:21:40.000
<v Speaker 7>Man.

0:21:40.359 --> 0:21:46.160
<v Speaker 3>Thank you, guys, Welcome to Quest Love Supres. How's it going.

0:21:47.000 --> 0:21:50.720
<v Speaker 7>I'm good, I'm good. I'm uh, I'm I'm psyched that

0:21:50.800 --> 0:21:53.040
<v Speaker 7>you like the movie. And I was just I was

0:21:53.119 --> 0:21:58.000
<v Speaker 7>talking to Bill before him because he I ran into

0:21:58.160 --> 0:22:00.919
<v Speaker 7>him a few months ago, and I was telling him

0:22:00.920 --> 0:22:01.440
<v Speaker 7>about the movie.

0:22:03.600 --> 0:22:05.800
<v Speaker 3>Not to be confused with boss Ball, okay, and.

0:22:08.760 --> 0:22:12.879
<v Speaker 7>I ran into you at I'm forgetting the name of

0:22:12.920 --> 0:22:17.080
<v Speaker 7>the place Barrell Yeah and uh. And he was in

0:22:17.160 --> 0:22:19.760
<v Speaker 7>a group for many years.

0:22:21.400 --> 0:22:23.040
<v Speaker 2>I was in a group. I still I guess. I

0:22:23.119 --> 0:22:25.480
<v Speaker 2>still am in a group called Freestyle of Supreme sounds

0:22:25.480 --> 0:22:28.800
<v Speaker 2>a lot like Quest Surprises a Bound, So I played it.

0:22:28.960 --> 0:22:31.919
<v Speaker 2>I played and still play. I guess in a hip

0:22:31.960 --> 0:22:35.639
<v Speaker 2>hop improv comedy group where we get suggestions from the

0:22:35.680 --> 0:22:38.040
<v Speaker 2>audience to make up hip hop tunes. And the people

0:22:38.040 --> 0:22:40.520
<v Speaker 2>who are in the group are the people that went

0:22:40.560 --> 0:22:43.159
<v Speaker 2>on sort of to create Hamilton the musical. They are

0:22:43.520 --> 0:22:46.080
<v Speaker 2>Lynn Miranda and Chris Jackson and Dove Diggs and all

0:22:46.080 --> 0:22:47.880
<v Speaker 2>the guys who are in that are in the same group.

0:22:48.240 --> 0:22:51.120
<v Speaker 2>And Mike reminded me that we were at the same

0:22:51.359 --> 0:22:53.240
<v Speaker 2>Aspen Comedy Festival together once many.

0:22:54.680 --> 0:22:57.359
<v Speaker 7>Was that a Battle of the no I was just

0:22:57.400 --> 0:22:59.879
<v Speaker 7>doing stand up and these guys were doing freestyle.

0:23:00.119 --> 0:23:01.439
<v Speaker 2>Yeah, I didn't know each other, but.

0:23:01.440 --> 0:23:03.880
<v Speaker 7>Then a few months ago I ran into these guys

0:23:03.880 --> 0:23:06.280
<v Speaker 7>because I did something with Lynn Miranda a couple of

0:23:06.359 --> 0:23:09.400
<v Speaker 7>years ago, and I was like, hey, I didn't know Bill.

0:23:09.480 --> 0:23:11.320
<v Speaker 7>I was like, hey, Lynn, I think you'll like this

0:23:11.440 --> 0:23:15.760
<v Speaker 7>movie I made. It's probably a little bit like your life.

0:23:18.920 --> 0:23:22.920
<v Speaker 7>Little did I know that it was, and Bill was

0:23:23.000 --> 0:23:23.399
<v Speaker 7>part of it.

0:23:23.720 --> 0:23:23.920
<v Speaker 3>Yeah.

0:23:24.520 --> 0:23:27.280
<v Speaker 2>So I watched the movie today, Don't Think Twice an

0:23:27.280 --> 0:23:28.159
<v Speaker 2>incredible film and.

0:23:28.320 --> 0:23:29.000
<v Speaker 4>Was and.

0:23:30.720 --> 0:23:34.280
<v Speaker 2>That's a whole lot like my life straight up.

0:23:34.520 --> 0:23:36.560
<v Speaker 7>And what a meir. You and I were texting last night.

0:23:36.640 --> 0:23:39.000
<v Speaker 7>Who do you relate to most in the movie?

0:23:41.040 --> 0:23:43.960
<v Speaker 1>I mean, in the beginning, I thought I was Jack,

0:23:44.760 --> 0:23:48.879
<v Speaker 1>but then I thought then I thought maybe I was

0:23:48.920 --> 0:23:52.119
<v Speaker 1>your character, Miles. Yeah, because what I don't want to

0:23:52.160 --> 0:23:54.280
<v Speaker 1>be is I don't want to be the character that

0:23:55.320 --> 0:23:58.120
<v Speaker 1>doesn't realize that the party's over and the lights are out.

0:24:00.160 --> 0:24:01.600
<v Speaker 3>Can we kind of give them an overview?

0:24:01.720 --> 0:24:03.400
<v Speaker 7>Yeah? Yeah. So the gist of it is like, it's

0:24:03.400 --> 0:24:06.159
<v Speaker 7>a movie about a bunch of best friends in like

0:24:06.200 --> 0:24:09.560
<v Speaker 7>an improv comedy group, and they've been together for years

0:24:09.600 --> 0:24:10.920
<v Speaker 7>and then one of them gets a chance to be

0:24:11.000 --> 0:24:13.720
<v Speaker 7>on like a Saturday night Live type of show, and

0:24:13.840 --> 0:24:16.400
<v Speaker 7>the rest of them don't. And it's about That's why

0:24:16.400 --> 0:24:18.840
<v Speaker 7>we're talking about in relation to breakups, because it's what

0:24:19.000 --> 0:24:21.760
<v Speaker 7>happens when not everybody makes it in the same way

0:24:22.320 --> 0:24:26.160
<v Speaker 7>like Michael, like Michael Jackson for example, Wait side.

0:24:25.960 --> 0:24:29.800
<v Speaker 1>Note, because I'm gonna I'm gonna interrupt with small, meaningless

0:24:29.960 --> 0:24:34.840
<v Speaker 1>questions here, all right? Similar to Nike's font, Yeah, does

0:24:35.040 --> 0:24:37.680
<v Speaker 1>does Broadway Video own that Weekend Live?

0:24:37.760 --> 0:24:38.000
<v Speaker 3>Funt?

0:24:38.600 --> 0:24:38.639
<v Speaker 6>No?

0:24:38.800 --> 0:24:40.240
<v Speaker 7>They don't know that font? That fun?

0:24:40.320 --> 0:24:42.359
<v Speaker 3>How did you guys master that fund? Because that was

0:24:42.680 --> 0:24:44.639
<v Speaker 3>fun impressive that font.

0:24:45.240 --> 0:24:47.520
<v Speaker 7>We went through fonts and were like, yeah, that's similar

0:24:47.560 --> 0:24:48.280
<v Speaker 7>to sarent.

0:24:48.119 --> 0:24:52.399
<v Speaker 9>Live, but it's not the same, okay, And it's funny

0:24:52.400 --> 0:24:53.880
<v Speaker 9>you asked that question because I was wondering the same

0:24:53.920 --> 0:24:54.920
<v Speaker 9>thing while I was watching.

0:24:55.320 --> 0:24:57.400
<v Speaker 3>Well you know what. You were like, Yo, y'all nail

0:24:57.520 --> 0:24:58.160
<v Speaker 3>this perfectly?

0:24:58.359 --> 0:25:00.960
<v Speaker 7>And who was I was over its as Myers one day,

0:25:01.600 --> 0:25:03.200
<v Speaker 7>like when I was in prep for the movie and

0:25:03.240 --> 0:25:05.480
<v Speaker 7>we're doing all the production design stuff. Were're trying to

0:25:05.520 --> 0:25:07.840
<v Speaker 7>make it look like SARENT live. And I was walking

0:25:07.920 --> 0:25:12.159
<v Speaker 7>in to the hallways he you know, Causeth Myers is

0:25:12.240 --> 0:25:15.240
<v Speaker 7>literally down the hall from SNL. I was walking in

0:25:15.359 --> 0:25:17.960
<v Speaker 7>just like taking photos with my phone and the security guard.

0:25:18.000 --> 0:25:20.440
<v Speaker 7>I was like, hey, get out, you can't take photos,

0:25:20.440 --> 0:25:21.920
<v Speaker 7>and I was like, I got what I need?

0:25:23.920 --> 0:25:26.840
<v Speaker 3>And who was your fake dom Pardo? That was me?

0:25:27.320 --> 0:25:32.640
<v Speaker 7>I did you were the Yeah? But like, but what's

0:25:32.680 --> 0:25:34.960
<v Speaker 7>funny about it is and that's what I don't mind

0:25:35.000 --> 0:25:38.560
<v Speaker 7>talking about. It's like if if at Saren life suit us,

0:25:38.680 --> 0:25:40.680
<v Speaker 7>it would be literally the best thing that could have

0:25:40.760 --> 0:25:44.320
<v Speaker 7>ever happen. It's like when Al Frankin wrote that movie,

0:25:44.480 --> 0:25:48.359
<v Speaker 7>that book about fox News, the lying Liars, lies in

0:25:48.440 --> 0:25:50.960
<v Speaker 7>the lying liars that tell them, and then fox News

0:25:51.000 --> 0:25:53.960
<v Speaker 7>sued him, and before that it wasn't on the bestseller list,

0:25:54.480 --> 0:25:56.080
<v Speaker 7>and then because of that it ended up on the

0:25:56.119 --> 0:25:58.280
<v Speaker 7>best So anyway, I'm hoping it's a hit.

0:26:00.040 --> 0:26:02.720
<v Speaker 1>So yeah, I guess for those that have yet to

0:26:02.760 --> 0:26:08.840
<v Speaker 1>see it, I really feel like this could be my

0:26:09.080 --> 0:26:15.159
<v Speaker 1>big fat Greek wedding tortoise in the hair success story,

0:26:15.880 --> 0:26:20.000
<v Speaker 1>little train that could movie. I hope so, because this

0:26:20.240 --> 0:26:27.120
<v Speaker 1>is everyone's story and for me, the bottom line, I'm

0:26:27.200 --> 0:26:31.359
<v Speaker 1>obsessed with why people clearly.

0:26:32.720 --> 0:26:35.879
<v Speaker 3>Choose to ruin a good thing?

0:26:35.920 --> 0:26:39.200
<v Speaker 1>Why do they self sabotage like I can name about

0:26:39.960 --> 0:26:41.720
<v Speaker 1>and I'm probably one of them. I can name at

0:26:41.800 --> 0:26:44.680
<v Speaker 1>least thirty people in my life that kind of have.

0:26:45.320 --> 0:26:51.320
<v Speaker 1>If you're familiar with SNL trivia, you know the Final

0:26:51.400 --> 0:26:56.080
<v Speaker 1>Jeopardy where Trebek and Sean Connery are kind of going

0:26:56.119 --> 0:26:58.359
<v Speaker 1>at each other, and you know, Final Jeopardy is like

0:26:58.760 --> 0:27:01.680
<v Speaker 1>the answer is to All you have to say is

0:27:02.040 --> 0:27:04.440
<v Speaker 1>the answers to and then the next thing, you know,

0:27:04.880 --> 0:27:07.480
<v Speaker 1>the best analogy right, and then they will say.

0:27:07.400 --> 0:27:10.560
<v Speaker 3>Like Michigan, that's the answer for me.

0:27:11.359 --> 0:27:13.840
<v Speaker 1>The moment where I realized that this wasn't the average

0:27:13.880 --> 0:27:22.040
<v Speaker 1>film was was when uh Jie Gillian's character clearly didn't go,

0:27:22.840 --> 0:27:27.400
<v Speaker 1>you know, to the audition to become a star, which

0:27:27.440 --> 0:27:28.719
<v Speaker 1>he clearly could have been one.

0:27:29.600 --> 0:27:31.400
<v Speaker 3>And I mean, how.

0:27:32.920 --> 0:27:35.600
<v Speaker 1>How did you even have the insight to go into

0:27:35.680 --> 0:27:38.399
<v Speaker 1>that psychological level where to know that happens.

0:27:39.000 --> 0:27:42.200
<v Speaker 7>I feel like I know a lot of people who've

0:27:42.359 --> 0:27:45.440
<v Speaker 7>done that over the years, who have like who you're like,

0:27:45.800 --> 0:27:48.240
<v Speaker 7>you know how there's always the people you're like, yeah,

0:27:48.359 --> 0:27:51.879
<v Speaker 7>Eddie Murphy's good, but the real guy was always like

0:27:52.040 --> 0:27:54.640
<v Speaker 7>the real guy was this other dude.

0:27:55.880 --> 0:27:58.920
<v Speaker 3>Yeah, oh yeah. For every Jordan on the court, there's

0:27:59.000 --> 0:28:02.800
<v Speaker 3>like seven other and one that could have. Yeah.

0:28:02.920 --> 0:28:04.520
<v Speaker 8>That was the thing that was like the joke was,

0:28:04.600 --> 0:28:06.440
<v Speaker 8>how did Eddie Murphy end up on Saturday Night Live?

0:28:06.480 --> 0:28:08.280
<v Speaker 8>And because Charlie Burnett couldn't read.

0:28:09.960 --> 0:28:13.920
<v Speaker 7>Yeah, he's the actual guy I never named the a

0:28:14.080 --> 0:28:14.679
<v Speaker 7>street performer.

0:28:14.880 --> 0:28:16.960
<v Speaker 8>He was a street performer in DC. And he's the

0:28:17.040 --> 0:28:20.680
<v Speaker 8>guy who pretty much kind of who Chappelle used to watch.

0:28:21.280 --> 0:28:23.720
<v Speaker 8>And he's in DC Cab. I don't know if you've seen,

0:28:23.920 --> 0:28:25.200
<v Speaker 8>I've seen he's in.

0:28:25.320 --> 0:28:25.800
<v Speaker 3>He was like that.

0:28:25.920 --> 0:28:27.760
<v Speaker 8>He's one of the guys DC Cab. But like, I mean,

0:28:28.040 --> 0:28:30.320
<v Speaker 8>drugs everything. But he was a street performer. He died

0:28:30.400 --> 0:28:32.960
<v Speaker 8>in like late eighties, don't want to say, but he

0:28:33.200 --> 0:28:37.000
<v Speaker 8>was like the man, he was the dude, but he

0:28:37.040 --> 0:28:37.600
<v Speaker 8>couldn't read.

0:28:38.840 --> 0:28:40.400
<v Speaker 3>Wow, so you just sabotaged it.

0:28:40.680 --> 0:28:43.600
<v Speaker 7>Yeah, that's I mean, there's a million guys of the

0:28:43.680 --> 0:28:46.240
<v Speaker 7>seller like that. You guys you see all the time,

0:28:46.440 --> 0:28:48.880
<v Speaker 7>literally the funny student. You're like, how come that person

0:28:49.080 --> 0:28:50.560
<v Speaker 7>is not the most famous comic.

0:28:50.840 --> 0:28:53.520
<v Speaker 1>This is what I learned about at least my five

0:28:53.640 --> 0:28:57.320
<v Speaker 1>years of kind of being the New Yorker and and

0:28:58.360 --> 0:29:01.800
<v Speaker 1>scoping the comedy scene, which I do obsessively more than

0:29:01.880 --> 0:29:06.680
<v Speaker 1>musicians and more than chefs, Like comedians are a strange,

0:29:07.360 --> 0:29:12.400
<v Speaker 1>strange animal I'm now realizing that humor is used as

0:29:12.440 --> 0:29:17.920
<v Speaker 1>a means to deflect what the real problem is going inside.

0:29:18.760 --> 0:29:22.560
<v Speaker 1>And I didn't realize that until I started hanging out

0:29:22.680 --> 0:29:28.320
<v Speaker 1>at the cellar regularly. And there's the time period where,

0:29:28.400 --> 0:29:32.640
<v Speaker 1>like I started working for Schumer, she kind.

0:29:32.480 --> 0:29:35.400
<v Speaker 3>Of showed me the ropes. And the thing was, it

0:29:35.480 --> 0:29:38.840
<v Speaker 3>was at the very beginning of her slow rise.

0:29:39.400 --> 0:29:41.880
<v Speaker 1>By that point, she was just doing you know, her

0:29:41.960 --> 0:29:45.239
<v Speaker 1>Comedy Central specials, and the show wasn't even thought about then.

0:29:45.320 --> 0:29:48.400
<v Speaker 1>Once the show started to develop, and then you know,

0:29:48.480 --> 0:29:51.560
<v Speaker 1>I would ask her like obsessively, like, Okay, so do

0:29:51.640 --> 0:29:53.440
<v Speaker 1>you feel a pressure now?

0:29:53.520 --> 0:29:56.800
<v Speaker 3>Do you feel like you have to bring everyone with you?

0:29:57.000 --> 0:29:59.160
<v Speaker 3>Do you feel as though like you know, yeah?

0:29:59.280 --> 0:30:00.360
<v Speaker 7>And she kind of has.

0:30:01.240 --> 0:30:02.160
<v Speaker 3>I'm amazing.

0:30:02.320 --> 0:30:06.160
<v Speaker 7>It's ridiculous. People she puts on her show. We're in

0:30:06.240 --> 0:30:07.040
<v Speaker 7>the comedy scene.

0:30:07.440 --> 0:30:10.880
<v Speaker 3>She's she's like a more organized allan Iverson.

0:30:11.840 --> 0:30:17.080
<v Speaker 7>Oh wow, how she does Amy Schumer like a more organized.

0:30:17.360 --> 0:30:20.840
<v Speaker 1>Because okay, as a Philadelphian and as the season ticket

0:30:20.880 --> 0:30:26.960
<v Speaker 1>holder to the Sixers, you know, especially during the period

0:30:27.040 --> 0:30:32.160
<v Speaker 1>of allan ivers I've never seen someone like literally carry

0:30:32.200 --> 0:30:35.400
<v Speaker 1>the weight of his family behind that be cousins and

0:30:35.800 --> 0:30:39.440
<v Speaker 1>like he would have cousins in the third tier, extended

0:30:39.520 --> 0:30:42.520
<v Speaker 1>friends in the second tier, family members in the first year,

0:30:42.720 --> 0:30:45.880
<v Speaker 1>like and that's when I learned.

0:30:45.800 --> 0:30:48.920
<v Speaker 3>Like, oh no, I never want to be the person that.

0:30:50.520 --> 0:30:53.160
<v Speaker 1>Has to like you can't take them all with you,

0:30:54.280 --> 0:30:59.120
<v Speaker 1>and so you either are gonna have the crew of

0:30:59.160 --> 0:31:01.800
<v Speaker 1>the posse that you have to take care of, or

0:31:01.880 --> 0:31:05.880
<v Speaker 1>you roll by yourself. Now I personally choose to roll

0:31:06.000 --> 0:31:08.400
<v Speaker 1>by myself, to the chagrine of a lot of people

0:31:08.440 --> 0:31:08.920
<v Speaker 1>in my life.

0:31:09.120 --> 0:31:13.280
<v Speaker 3>Yeah, so it's it's you know, damned if you do,

0:31:13.440 --> 0:31:15.640
<v Speaker 3>damn it if you don't. But you know, I.

0:31:17.280 --> 0:31:19.800
<v Speaker 1>Can't figure out how like at the Comedy Celler, at

0:31:19.880 --> 0:31:22.640
<v Speaker 1>least can you explain what the what that environment is

0:31:22.760 --> 0:31:23.040
<v Speaker 1>like there?

0:31:23.240 --> 0:31:25.600
<v Speaker 7>When I started at the Cellar, it was in like

0:31:25.720 --> 0:31:29.840
<v Speaker 7>two thousand and two, and it actually was I think

0:31:30.000 --> 0:31:33.760
<v Speaker 7>much even tougher then, Like it was like Colin Quinn.

0:31:33.880 --> 0:31:36.160
<v Speaker 7>It was around the time Tough Crowd with Colin Quinn

0:31:36.280 --> 0:31:38.960
<v Speaker 7>was on Comedy Central. So it was like Colin Quinn

0:31:39.000 --> 0:31:42.800
<v Speaker 7>and Nick DePaolo, Greg Giraldo and Patrese, who was like

0:31:44.240 --> 0:31:47.520
<v Speaker 7>do you know Patrise, I mean like Pres O'Neill's you know,

0:31:47.600 --> 0:31:47.880
<v Speaker 7>one of the.

0:31:47.880 --> 0:31:48.480
<v Speaker 3>Greats and like.

0:31:50.240 --> 0:31:52.200
<v Speaker 7>Just I mean, those guys were tough on each other.

0:31:52.400 --> 0:31:59.120
<v Speaker 7>Like Patrice could make you want to crawl under a ross. No,

0:31:59.480 --> 0:32:03.600
<v Speaker 7>he used to how he addressed you, big head, Leah,

0:32:06.160 --> 0:32:10.280
<v Speaker 7>you got the biggest head that literally he would do

0:32:10.360 --> 0:32:14.080
<v Speaker 7>that for a half hour. He was he was a

0:32:14.200 --> 0:32:16.200
<v Speaker 7>mean guy. But but yeah, I know. So there's a

0:32:16.240 --> 0:32:19.360
<v Speaker 7>lot of like survival and and people going at each other.

0:32:19.480 --> 0:32:22.760
<v Speaker 7>And I was, I mean, I never thrived in that environment.

0:32:22.800 --> 0:32:25.400
<v Speaker 7>I mean, I I still play there. I love the Cellar,

0:32:25.480 --> 0:32:27.760
<v Speaker 7>but like I never you know, I never got into

0:32:27.800 --> 0:32:28.240
<v Speaker 7>that culture.

0:32:28.400 --> 0:32:31.120
<v Speaker 1>So I'm saying I'm noticing in at least the New

0:32:31.200 --> 0:32:35.680
<v Speaker 1>York comedy world, there's three avenues you can choose uh

0:32:36.880 --> 0:32:42.920
<v Speaker 1>kind of above uh twenty third Street, like sort of

0:32:43.040 --> 0:32:48.480
<v Speaker 1>like to midtown Manhattan. I don't know if like what

0:32:48.600 --> 0:32:50.720
<v Speaker 1>you would call that area, but that's where like more

0:32:50.760 --> 0:32:54.080
<v Speaker 1>mainstream comedy is. And Okay, I don't know if people

0:32:54.200 --> 0:32:57.920
<v Speaker 1>necessarily aspire to be there. I would think that those

0:32:58.040 --> 0:33:00.240
<v Speaker 1>that kind of thrive at that.

0:33:00.320 --> 0:33:03.240
<v Speaker 3>Particular strip could also play Vegas.

0:33:03.480 --> 0:33:05.120
<v Speaker 7>The Carolines.

0:33:05.600 --> 0:33:06.840
<v Speaker 3>I don't know what you would call like a David

0:33:06.840 --> 0:33:08.239
<v Speaker 3>Brenner type or that sort of thing.

0:33:08.360 --> 0:33:14.080
<v Speaker 1>But then over in Brooklyn, Yeah, I'm discovering little Field

0:33:14.200 --> 0:33:16.240
<v Speaker 1>Union Hall, alternative house.

0:33:16.360 --> 0:33:21.880
<v Speaker 3>Yeah, kind of the snobby millennials. And then there's that's.

0:33:21.640 --> 0:33:23.600
<v Speaker 7>What I like. But it's I like to performing there.

0:33:23.600 --> 0:33:26.920
<v Speaker 7>But it's just like performing for your friends. So you're

0:33:26.960 --> 0:33:27.719
<v Speaker 7>doing stand up.

0:33:28.080 --> 0:33:31.200
<v Speaker 3>There's no there's no challenge, no challenge to it at all.

0:33:31.360 --> 0:33:34.800
<v Speaker 7>It's it's like people like minded people. And that's why

0:33:34.800 --> 0:33:36.600
<v Speaker 7>I like The Seller is great because it's like a

0:33:36.680 --> 0:33:39.920
<v Speaker 7>lot of tourists, it's people from all over the place.

0:33:40.040 --> 0:33:42.840
<v Speaker 7>It's just like it's it's actually hard to kill at

0:33:42.880 --> 0:33:47.080
<v Speaker 7>the Seller. Really, it's pretty hard unless you're really feeling

0:33:47.120 --> 0:33:49.120
<v Speaker 7>like if you're Schumer or you're as He's like you're

0:33:49.560 --> 0:33:51.240
<v Speaker 7>famous and people are psyched that you're there.

0:33:51.960 --> 0:33:52.200
<v Speaker 3>People.

0:33:52.480 --> 0:33:55.040
<v Speaker 1>Do you think people come there to sort of stargaze

0:33:55.120 --> 0:33:57.240
<v Speaker 1>and I think that's yeah, there's a lot of just

0:33:57.320 --> 0:33:58.800
<v Speaker 1>hoping for that night that Louis.

0:34:00.160 --> 0:34:02.760
<v Speaker 3>Yeah, does that also?

0:34:02.880 --> 0:34:05.160
<v Speaker 1>Does that think for a bad set for you? Like

0:34:06.080 --> 0:34:08.319
<v Speaker 1>has someone ever just butted in line, like oh, Eddie

0:34:08.360 --> 0:34:09.640
<v Speaker 1>Murphy wants to do and then.

0:34:09.600 --> 0:34:11.400
<v Speaker 3>Like you have to go on afterwards or.

0:34:11.760 --> 0:34:15.600
<v Speaker 7>I remember I was on stage once for two minutes

0:34:15.640 --> 0:34:17.439
<v Speaker 7>and I got the light and I'm like, what the fuck.

0:34:18.960 --> 0:34:20.680
<v Speaker 7>I look over and it's Robin Williams.

0:34:20.920 --> 0:34:26.840
<v Speaker 1>Oh yeah, when Patch Adams want to get on, we

0:34:26.920 --> 0:34:28.120
<v Speaker 1>got missed out for coming up.

0:34:28.160 --> 0:34:29.720
<v Speaker 3>You gotta just cut that short.

0:34:30.360 --> 0:34:32.520
<v Speaker 7>I was so mad, though I was good, you know,

0:34:32.600 --> 0:34:36.279
<v Speaker 7>it's twenty five or whatever. I had an attitude. I

0:34:36.320 --> 0:34:38.319
<v Speaker 7>thought I was better than I was. I was like, fuck,

0:34:39.640 --> 0:34:40.800
<v Speaker 7>Robin Williams, who's that?

0:34:41.120 --> 0:34:41.320
<v Speaker 4>You know?

0:34:42.280 --> 0:34:44.799
<v Speaker 8>Walked off one of the things with your movie Man

0:34:45.480 --> 0:34:47.879
<v Speaker 8>another movie I kind of saw parallel, So I don't

0:34:47.880 --> 0:34:49.239
<v Speaker 8>know if you saw it inside.

0:34:48.960 --> 0:34:50.680
<v Speaker 7>Lewin Davis, Oh yeah, yeah, definitely.

0:34:50.760 --> 0:34:52.960
<v Speaker 8>It very much reminded me of that, just in the

0:34:53.040 --> 0:34:57.080
<v Speaker 8>sense of you have a person where you just realize

0:34:57.600 --> 0:34:59.560
<v Speaker 8>what do you do with the realization that it's just

0:34:59.719 --> 0:35:02.279
<v Speaker 8>not gonna happen, and you just have those characters. It's

0:35:02.360 --> 0:35:04.520
<v Speaker 8>just like, look, dude, I know you thought you were

0:35:04.640 --> 0:35:07.800
<v Speaker 8>that guy, but you're not that fucking guy. Have you

0:35:08.000 --> 0:35:09.520
<v Speaker 8>ever felt like that?

0:35:09.719 --> 0:35:11.839
<v Speaker 3>I mean, first, I think you're very funny. Why did

0:35:11.920 --> 0:35:14.399
<v Speaker 3>you make yourself that character? Yeah?

0:35:14.480 --> 0:35:14.839
<v Speaker 2>For real?

0:35:15.040 --> 0:35:17.400
<v Speaker 3>Not for real, because in my head I thought you

0:35:17.560 --> 0:35:19.160
<v Speaker 3>were gonna be the chosen one.

0:35:19.440 --> 0:35:24.279
<v Speaker 7>I thought no, and I my buddy, you know, your Matakone. Yeah,

0:35:24.680 --> 0:35:26.759
<v Speaker 7>he's a buddy who wrote for us and l for

0:35:26.760 --> 0:35:28.000
<v Speaker 7>a lot of years, and he gave notes in the

0:35:28.080 --> 0:35:30.200
<v Speaker 7>script and he's a friend of mine, and he he

0:35:30.480 --> 0:35:33.600
<v Speaker 7>was like, you gotta play Jack. And I was like,

0:35:34.160 --> 0:35:36.160
<v Speaker 7>you gotta play Keegan's character. And I was like, no, No,

0:35:36.360 --> 0:35:40.560
<v Speaker 7>I'm not talented enough to play You don't understand, like

0:35:40.920 --> 0:35:45.360
<v Speaker 7>you need somebody who is so good that they're undeniable

0:35:45.400 --> 0:35:48.920
<v Speaker 7>and on the screen you're like, when you're watching, you're like, oh,

0:35:49.080 --> 0:35:52.680
<v Speaker 7>it's gotta be him, because that's the guy who would

0:35:52.719 --> 0:35:54.880
<v Speaker 7>get it, because Keagan would have gotten it had he

0:35:54.960 --> 0:35:57.200
<v Speaker 7>not gone to Mad TV. You got asked to do

0:35:57.280 --> 0:35:59.719
<v Speaker 7>Mad TV before US, and no, Wow, So then what

0:36:00.200 --> 0:36:02.239
<v Speaker 7>good for his life? Because then that's where he met

0:36:02.320 --> 0:36:04.600
<v Speaker 7>Jordan Peel and they made one of the greatest sketch

0:36:04.640 --> 0:36:05.480
<v Speaker 7>comedy shows.

0:36:05.280 --> 0:36:08.200
<v Speaker 3>Of all time, I think, but talk about and Michael Key.

0:36:08.440 --> 0:36:11.200
<v Speaker 7>Yeah, kee and Michael Key. But uh but yeah. So

0:36:11.280 --> 0:36:13.399
<v Speaker 7>that's why I played Miles, which is the bitter guy,

0:36:13.480 --> 0:36:15.960
<v Speaker 7>which is I don't I'm not like Miles.

0:36:16.120 --> 0:36:18.200
<v Speaker 3>But I also I'm.

0:36:18.160 --> 0:36:19.759
<v Speaker 7>Pretty good at wearing bitterness.

0:36:21.239 --> 0:36:21.760
<v Speaker 3>You're petty.

0:36:22.920 --> 0:36:24.759
<v Speaker 7>I just I don't know if I'm I don't know

0:36:24.800 --> 0:36:28.080
<v Speaker 7>if I'm petty, but like when I do it, people

0:36:28.239 --> 0:36:28.719
<v Speaker 7>believe it.

0:36:30.440 --> 0:36:33.279
<v Speaker 3>We're petty, all right? This is the petty hour question

0:36:33.320 --> 0:36:39.200
<v Speaker 3>of Supreme. Yeah, we're here with Mike Big. Is pettiness

0:36:39.880 --> 0:36:42.440
<v Speaker 3>a positive character trait? I don't think so.

0:36:42.640 --> 0:36:47.839
<v Speaker 1>Man, I realized it's wrong, but I can I wear

0:36:48.000 --> 0:36:51.160
<v Speaker 1>proud like like a like a scarlet letter that I'm

0:36:51.320 --> 0:36:51.839
<v Speaker 1>happy about.

0:36:51.880 --> 0:36:53.720
<v Speaker 7>But you're such a son of a bitch if you're petty,

0:36:53.840 --> 0:36:56.520
<v Speaker 7>because there's so many people who are jealous of you,

0:36:57.719 --> 0:36:58.040
<v Speaker 7>and so.

0:37:02.000 --> 0:37:05.640
<v Speaker 1>I want to be like everybody. But I think it's relative.

0:37:05.680 --> 0:37:08.560
<v Speaker 1>The grass is greener on the other side. Yeah, I mean,

0:37:08.600 --> 0:37:10.600
<v Speaker 1>because and that was the thing I like watching the movie.

0:37:10.640 --> 0:37:12.600
<v Speaker 1>I didn't want to say. I mean, I think we

0:37:12.680 --> 0:37:16.080
<v Speaker 1>could preto much tell people what happened. I mean we won't.

0:37:16.080 --> 0:37:18.400
<v Speaker 8>I wouldn't do it, but it's still I think we

0:37:18.440 --> 0:37:20.879
<v Speaker 8>wouldn't be spoiling anything because the way the story is told,

0:37:21.480 --> 0:37:23.360
<v Speaker 8>it's I mean, to me, the magic was in the

0:37:23.400 --> 0:37:25.239
<v Speaker 8>way you told the story, not necessarily in just the

0:37:25.320 --> 0:37:28.279
<v Speaker 8>details themselves. But the thing is, if we're too self

0:37:28.360 --> 0:37:30.880
<v Speaker 8>aware of what character we are, like it's sex in

0:37:31.000 --> 0:37:32.520
<v Speaker 8>the city, and I feel like.

0:37:32.760 --> 0:37:35.000
<v Speaker 3>I feel like we're all miles.

0:37:37.320 --> 0:37:40.479
<v Speaker 1>It's been different parts. I feel like I've been that guy.

0:37:40.719 --> 0:37:43.120
<v Speaker 1>I've been every person at different points in my career.

0:37:43.760 --> 0:37:45.319
<v Speaker 1>I've been I've been every character in that movie.

0:37:45.440 --> 0:37:47.279
<v Speaker 7>Yeah, I feel we're so lucky.

0:37:47.360 --> 0:37:50.520
<v Speaker 6>I can't wait to be Jack, like I was watching

0:37:50.560 --> 0:37:52.240
<v Speaker 6>that movie, like, I know everybody.

0:37:51.880 --> 0:37:54.960
<v Speaker 9>Struggle, but yet my Jack moments may have not been

0:37:55.719 --> 0:37:58.839
<v Speaker 9>live moments, but even moments where you definitely want more

0:37:58.880 --> 0:38:00.200
<v Speaker 9>so than right.

0:38:00.600 --> 0:38:07.600
<v Speaker 3>Yeah, yeah, Well, can I get personal with your situations?

0:38:07.800 --> 0:38:10.279
<v Speaker 3>No cut card over here, baby, let's go all right.

0:38:10.480 --> 0:38:14.400
<v Speaker 1>Well, I'm just saying that who whose character did you

0:38:14.520 --> 0:38:17.960
<v Speaker 1>relate to? I could relate to all of them when

0:38:18.000 --> 0:38:20.040
<v Speaker 1>you watch the film. Did you see your own group

0:38:20.120 --> 0:38:20.800
<v Speaker 1>in this situation?

0:38:21.640 --> 0:38:22.880
<v Speaker 2>Absolutely? Okay.

0:38:23.280 --> 0:38:26.280
<v Speaker 8>There were definitely moments and not necessarily in the group

0:38:27.239 --> 0:38:30.960
<v Speaker 8>between me, Pool and Ninth, you know, for you know,

0:38:31.239 --> 0:38:32.160
<v Speaker 8>just to give them back story.

0:38:32.160 --> 0:38:33.440
<v Speaker 3>I was in a group called Little Brother.

0:38:34.160 --> 0:38:38.279
<v Speaker 1>A very influential group that kind of you know, a

0:38:38.400 --> 0:38:42.560
<v Speaker 1>lot of the today's mega you know, mega winners in

0:38:42.640 --> 0:38:45.080
<v Speaker 1>the hip hop game always referred to as like one

0:38:45.120 --> 0:38:45.960
<v Speaker 1>of their favorite groups.

0:38:46.320 --> 0:38:47.640
<v Speaker 3>Definitely one of my favorite groups.

0:38:47.719 --> 0:38:50.440
<v Speaker 1>Like, yeah, that's why he's here because we love the

0:38:50.480 --> 0:38:52.560
<v Speaker 1>ship out a little brother when he came out and.

0:38:52.640 --> 0:38:55.400
<v Speaker 3>So thank you man. So the group was me.

0:38:56.080 --> 0:38:58.520
<v Speaker 8>I was an EMC, my partner Big Pool, and I

0:38:58.640 --> 0:39:02.000
<v Speaker 8>produced a ninth Wonder who you know went on to

0:39:02.120 --> 0:39:06.080
<v Speaker 8>produce like major artists jay Z, Beyonce. Uh, I mean,

0:39:06.239 --> 0:39:08.480
<v Speaker 8>just you know do it this really big records. And

0:39:08.640 --> 0:39:11.200
<v Speaker 8>so for me, when me and Poo first started, we

0:39:11.480 --> 0:39:15.160
<v Speaker 8>had the conversation that listen, if you study hip hop,

0:39:15.320 --> 0:39:18.239
<v Speaker 8>you know the producer always goes on to do more,

0:39:18.640 --> 0:39:20.040
<v Speaker 8>and you want that to happen.

0:39:20.120 --> 0:39:20.680
<v Speaker 3>You know what I'm saying.

0:39:21.000 --> 0:39:23.400
<v Speaker 8>You know your man is talented. You want him to

0:39:23.520 --> 0:39:25.600
<v Speaker 8>go on and go and do and and go forth.

0:39:25.840 --> 0:39:28.160
<v Speaker 8>So between me and him, it was cool when when

0:39:28.239 --> 0:39:30.480
<v Speaker 8>Knife got the jay Z Look, we came up here

0:39:30.520 --> 0:39:33.480
<v Speaker 8>the baseline, met jay Z. I mean that was surreal,

0:39:33.680 --> 0:39:35.560
<v Speaker 8>you know what I'm saying because I remember being.

0:39:35.400 --> 0:39:38.520
<v Speaker 1>In the dorm with that dude. You came up the baseline. Yeah, yeah,

0:39:38.520 --> 0:39:40.280
<v Speaker 1>because we mixed the Miser Show on Baseline.

0:39:40.400 --> 0:39:42.320
<v Speaker 3>Wow, we met and we like that.

0:39:42.520 --> 0:39:44.480
<v Speaker 8>One day we met Jay he was just there and

0:39:44.800 --> 0:39:49.120
<v Speaker 8>he played us threats from the Black album and so yeah, man,

0:39:49.239 --> 0:39:51.800
<v Speaker 8>So for me to see that journey of me and

0:39:51.920 --> 0:39:55.040
<v Speaker 8>Knife being in the dorm together and him looking at like,

0:39:55.320 --> 0:39:57.880
<v Speaker 8>you know, the Source and us him looking at you know,

0:39:58.239 --> 0:40:00.960
<v Speaker 8>executive Bruce by DJ Premier, and I'm saying, like, yo, man,

0:40:01.040 --> 0:40:04.160
<v Speaker 8>one day I'm gonna have that executive producer ninth wander

0:40:04.239 --> 0:40:06.200
<v Speaker 8>Like that's gonna be me to see him go from

0:40:06.280 --> 0:40:09.400
<v Speaker 8>that to you know, jay Z. That was amazing to me,

0:40:09.520 --> 0:40:11.960
<v Speaker 8>and I wasn't I couldn't have been happier for him.

0:40:12.880 --> 0:40:16.160
<v Speaker 8>Where the disconnect was was in a lot of people

0:40:16.320 --> 0:40:20.280
<v Speaker 8>in our camp that really felt like we left them behind,

0:40:20.480 --> 0:40:22.719
<v Speaker 8>you know what I'm saying, and felt that, Okay, well

0:40:22.760 --> 0:40:25.120
<v Speaker 8>the Knife, if you did it with Jay, why didn't

0:40:25.120 --> 0:40:27.080
<v Speaker 8>you do it for me and this person, this person,

0:40:27.200 --> 0:40:29.520
<v Speaker 8>this person, this person, And it's kind of like what

0:40:29.600 --> 0:40:32.239
<v Speaker 8>you were saying, you know, you can't save everybody. And

0:40:32.400 --> 0:40:35.439
<v Speaker 8>so for me, my moment where I kind of felt

0:40:35.520 --> 0:40:38.759
<v Speaker 8>that Jack moment was then when Minstrel Show, when we

0:40:38.880 --> 0:40:41.040
<v Speaker 8>got you know, four and a half mics in the source.

0:40:41.120 --> 0:40:43.360
<v Speaker 3>At the time, the source was still kind of.

0:40:43.640 --> 0:40:45.279
<v Speaker 1>Right now, four and a half mice is four and

0:40:45.320 --> 0:40:46.719
<v Speaker 1>a half mic, Yeah, yeah, you know, you got four

0:40:46.760 --> 0:40:49.040
<v Speaker 1>and a half mics, and so which was the perfect

0:40:49.120 --> 0:40:50.880
<v Speaker 1>five was what you could get, but it was a

0:40:50.960 --> 0:40:54.520
<v Speaker 1>really reputable rating. So that was my I guess my

0:40:54.719 --> 0:40:59.239
<v Speaker 1>jack moment where I had my uh the girl that

0:40:59.440 --> 0:41:02.120
<v Speaker 1>left the Samantha Samantha, she's the one that didn't go to.

0:41:03.760 --> 0:41:06.880
<v Speaker 8>Gill Okay where I had my gillion moment and not

0:41:07.000 --> 0:41:09.960
<v Speaker 8>necessarily a self sabotaged moment, but just where you know,

0:41:10.040 --> 0:41:12.400
<v Speaker 8>the scene where she was like, yo, I'm good in

0:41:12.480 --> 0:41:15.840
<v Speaker 8>the world. You know, that was kind of when Drake happened,

0:41:16.360 --> 0:41:19.600
<v Speaker 8>because that was when everybody was like, yo, hey, you

0:41:20.040 --> 0:41:22.879
<v Speaker 8>Drake is the dude that you influenced. He big, Drake

0:41:23.000 --> 0:41:24.880
<v Speaker 8>was biging me up. Oh take my favorite rapper and

0:41:24.880 --> 0:41:28.000
<v Speaker 8>all this shit. And it was just like people were like, yo, man,

0:41:28.080 --> 0:41:30.000
<v Speaker 8>you could come and you could do him, and you

0:41:30.160 --> 0:41:32.320
<v Speaker 8>need to come for Drake. He stole your styliness. And

0:41:32.400 --> 0:41:34.399
<v Speaker 8>I was just like, dude, listen, Oh they.

0:41:34.400 --> 0:41:37.319
<v Speaker 3>Want you to come fromhim. Oh my god, are you serious? Dude?

0:41:37.719 --> 0:41:37.839
<v Speaker 6>Oh?

0:41:37.960 --> 0:41:42.800
<v Speaker 1>I thought, see, I know battling, No, I know, battling

0:41:43.080 --> 0:41:45.400
<v Speaker 1>is a thing in hip hop, but I'm always like,

0:41:45.719 --> 0:41:48.520
<v Speaker 1>that's pity that would be I thought like it was

0:41:48.560 --> 0:41:51.719
<v Speaker 1>a thing of like work with Drake, it was. It

0:41:51.840 --> 0:41:54.080
<v Speaker 1>was work with dra It started as like work with Drake,

0:41:54.120 --> 0:41:55.920
<v Speaker 1>but then there's always that small candure of people that.

0:41:55.920 --> 0:41:57.520
<v Speaker 3>Are like, nah, you need to come and we want

0:41:57.600 --> 0:41:59.480
<v Speaker 3>you to you know, we want you to do it

0:41:59.520 --> 0:42:00.520
<v Speaker 3>because you could be the man.

0:42:00.640 --> 0:42:02.759
<v Speaker 8>And so my thing was just like, look, man, kind

0:42:02.800 --> 0:42:05.279
<v Speaker 8>of like with that character, I'm good where I am

0:42:05.520 --> 0:42:07.319
<v Speaker 8>if I My whole theory is like, look, if you're

0:42:07.320 --> 0:42:10.919
<v Speaker 8>gonna pull a coupe and try to throw over the government, right, Okay,

0:42:10.960 --> 0:42:13.440
<v Speaker 8>if you're gonna replace throw that dude out, then the

0:42:13.520 --> 0:42:15.399
<v Speaker 8>government that you put in place needs to be as

0:42:15.480 --> 0:42:17.439
<v Speaker 8>good or better than the government you out did.

0:42:17.760 --> 0:42:19.719
<v Speaker 3>Else the people gonna come for your fucking head next,

0:42:19.719 --> 0:42:20.279
<v Speaker 3>you know what I'm saying.

0:42:20.600 --> 0:42:22.399
<v Speaker 1>So my thing is like, look, dude, I'm not done

0:42:22.400 --> 0:42:26.160
<v Speaker 1>to quote unquote come for uh you know, Drake or whoever,

0:42:26.520 --> 0:42:27.840
<v Speaker 1>because I'm not gonna.

0:42:27.600 --> 0:42:29.160
<v Speaker 3>Serve his audience the way that he is.

0:42:29.600 --> 0:42:32.000
<v Speaker 1>I'm not about to hop on fifty eleven goddamn remixes

0:42:32.040 --> 0:42:35.680
<v Speaker 1>with the hot drug dealer nigga of the moment do

0:42:36.200 --> 0:42:38.880
<v Speaker 1>this and do the audun like and I'm not knocking that,

0:42:38.960 --> 0:42:41.480
<v Speaker 1>but I ain't gonna do that shit. Man at thirty

0:42:41.520 --> 0:42:42.360
<v Speaker 1>six years old, nigga.

0:42:42.360 --> 0:42:45.560
<v Speaker 3>You serious. I really had no clue.

0:42:45.680 --> 0:42:49.200
<v Speaker 1>I like, maybe you do a record like Kanye did

0:42:49.239 --> 0:42:51.120
<v Speaker 1>this record with y'all. Yeah, we did a record like

0:42:51.160 --> 0:42:53.040
<v Speaker 1>way back Yeah, I mean, and we may do one

0:42:53.080 --> 0:42:53.520
<v Speaker 1>in the future.

0:42:53.560 --> 0:42:55.320
<v Speaker 3>I don't know. You did a record with Drake? We

0:42:55.360 --> 0:42:56.319
<v Speaker 3>did we had back in the day.

0:42:56.360 --> 0:42:58.120
<v Speaker 1>We did a record with him like that would be

0:42:58.200 --> 0:43:00.239
<v Speaker 1>back in the I guess it betray your movie. It

0:43:00.239 --> 0:43:03.920
<v Speaker 1>would be the equivalent of we did Sleep on Right

0:43:04.000 --> 0:43:06.800
<v Speaker 1>to Sleep Right, but then once the ship really.

0:43:06.680 --> 0:43:10.680
<v Speaker 3>Popped, we didn't, you know, do nothing Post Oranges the.

0:43:10.680 --> 0:43:11.440
<v Speaker 2>New Black.

0:43:12.920 --> 0:43:16.400
<v Speaker 3>Big temp did he He was the new phone? Who

0:43:16.600 --> 0:43:24.440
<v Speaker 3>is phone? What's good? Man?

0:43:24.520 --> 0:43:24.920
<v Speaker 2>My fault?

0:43:25.440 --> 0:43:28.399
<v Speaker 3>So now that was my moment. Man, I it really

0:43:28.480 --> 0:43:29.160
<v Speaker 3>hit a chord with me.

0:43:29.280 --> 0:43:31.399
<v Speaker 8>So for me, I'm just in a place whereas many

0:43:31.480 --> 0:43:34.440
<v Speaker 8>with with I really related to that character Gillion, because

0:43:34.480 --> 0:43:36.160
<v Speaker 8>I think she and I wanted to ask you about

0:43:36.160 --> 0:43:38.359
<v Speaker 8>that man, Because to me, I didn't see it as

0:43:38.400 --> 0:43:42.200
<v Speaker 8>sabotaged by her not going I talked I would again.

0:43:42.800 --> 0:43:45.520
<v Speaker 8>I looked at it as a person knowing their own

0:43:45.560 --> 0:43:48.520
<v Speaker 8>limitations and just knowing, like you know what, I know

0:43:48.719 --> 0:43:50.919
<v Speaker 8>I could do this, but if I do this, I'm

0:43:51.000 --> 0:43:53.880
<v Speaker 8>gonna suck it up, so let me just not like,

0:43:54.000 --> 0:43:55.560
<v Speaker 8>I don't have it in me to do this.

0:43:55.760 --> 0:43:57.239
<v Speaker 3>That was that was my interpretation of it.

0:43:57.360 --> 0:43:59.200
<v Speaker 6>Or she just didn't want it. She didn't want it.

0:43:59.400 --> 0:44:00.000
<v Speaker 7>I think she didn't.

0:44:00.000 --> 0:44:00.640
<v Speaker 6>She just didn't want it.

0:44:00.680 --> 0:44:02.439
<v Speaker 10>She didn't She felt like it was a sellout moment.

0:44:02.520 --> 0:44:04.719
<v Speaker 10>She said about like she was like compromising.

0:44:04.760 --> 0:44:06.840
<v Speaker 3>Sound good on this, lily Pad, Like I'm good on this,

0:44:06.960 --> 0:44:08.120
<v Speaker 3>lily Pad. I'm really straight.

0:44:08.400 --> 0:44:09.120
<v Speaker 6>I know you don't like this.

0:44:09.480 --> 0:44:12.839
<v Speaker 1>No, I'm saying it's selling out real. Well, I don't

0:44:12.880 --> 0:44:14.000
<v Speaker 1>think selling out is real.

0:44:14.120 --> 0:44:14.319
<v Speaker 7>Now.

0:44:14.480 --> 0:44:17.560
<v Speaker 3>I don't think it's no more. I don't think it exists.

0:44:17.600 --> 0:44:19.880
<v Speaker 3>Oh if y'all could just see no.

0:44:20.160 --> 0:44:23.680
<v Speaker 1>Wait, wait, wait, wait wait, because right now we're on radio,

0:44:23.880 --> 0:44:27.080
<v Speaker 1>so no one can see. I've never collectively see. I've

0:44:27.120 --> 0:44:29.640
<v Speaker 1>never collectively seen like all these teeth look at me

0:44:29.760 --> 0:44:35.279
<v Speaker 1>like scratching their head. Is selling out real?

0:44:35.680 --> 0:44:38.200
<v Speaker 7>I think it is, y I think it is.

0:44:38.800 --> 0:44:40.279
<v Speaker 3>I think it is, But I don't think it.

0:44:41.160 --> 0:44:43.719
<v Speaker 9>I mean, back in the eighties and the nineties, when

0:44:43.760 --> 0:44:46.279
<v Speaker 9>you know, no Cell was this whole big thing real, Yeah,

0:44:46.320 --> 0:44:48.719
<v Speaker 9>when that whole thing was around, it was it was.

0:44:48.880 --> 0:44:51.879
<v Speaker 9>It was a different kind of situation because I don't

0:44:51.880 --> 0:44:53.319
<v Speaker 9>even know why I'm talking to I don't know where I'm.

0:44:53.200 --> 0:44:53.480
<v Speaker 3>Going with this.

0:44:54.120 --> 0:44:57.520
<v Speaker 1>No, but no opportunities weren't there the opportunities like ll

0:44:57.800 --> 0:44:59.640
<v Speaker 1>like LL he would say, like, you know, back in

0:44:59.680 --> 0:45:01.440
<v Speaker 1>the day, we would say, yo, fucking doing the movies

0:45:01.480 --> 0:45:03.600
<v Speaker 1>and fucking doing this because we never thought it was

0:45:03.680 --> 0:45:04.120
<v Speaker 1>possible to.

0:45:04.320 --> 0:45:07.439
<v Speaker 3>But then happened exactly, and then he in the house,

0:45:07.920 --> 0:45:11.879
<v Speaker 3>so you know what I mean, Like it's in the house.

0:45:12.840 --> 0:45:15.359
<v Speaker 3>This is all right. Look, no, I don't be out either.

0:45:15.520 --> 0:45:18.600
<v Speaker 1>But let's let's take a cat like Miles Davis, who

0:45:20.000 --> 0:45:24.480
<v Speaker 1>has constantly made a career out of, uh building a

0:45:24.560 --> 0:45:28.680
<v Speaker 1>house and burning it down. Okay, I mean, he's totally

0:45:28.760 --> 0:45:32.200
<v Speaker 1>defined what jazz music is at least four or five times,

0:45:32.800 --> 0:45:36.279
<v Speaker 1>which is impossible, Like some people are lucky to change

0:45:36.360 --> 0:45:41.000
<v Speaker 1>music once, let alone five times. But then there was

0:45:41.040 --> 0:45:44.799
<v Speaker 1>a point where, uh, when I was reading his book

0:45:44.840 --> 0:45:47.560
<v Speaker 1>and just studying like a lot of his uh uh

0:45:47.960 --> 0:45:51.120
<v Speaker 1>late sixties mid seventies performances, where he you know, turned

0:45:51.120 --> 0:45:53.400
<v Speaker 1>this back to the audience, and you know, he had

0:45:53.440 --> 0:45:59.680
<v Speaker 1>this sort of uh wishy washy uh kind of middle

0:45:59.719 --> 0:46:05.080
<v Speaker 1>finger attitude towards his audience. And initially, of course, growing up,

0:46:05.120 --> 0:46:07.680
<v Speaker 1>I thought, oh man, that's cool, like you know, like

0:46:07.920 --> 0:46:10.600
<v Speaker 1>you know, he stands for something, he stands for principles.

0:46:11.280 --> 0:46:14.640
<v Speaker 1>But there's a period where I just started reading so

0:46:15.160 --> 0:46:19.040
<v Speaker 1>many psychology books and whatever, and then I realized, like.

0:46:20.120 --> 0:46:25.240
<v Speaker 3>Uh, you're scared of rejection. So it's like me before

0:46:25.320 --> 0:46:27.759
<v Speaker 3>you can Yeah, I'm yeah, I'm gonna reject you first

0:46:27.800 --> 0:46:31.200
<v Speaker 3>before years like eight Mile the fucking Bunny Rabbit Ship. Yeah.

0:46:31.360 --> 0:46:35.520
<v Speaker 3>And I don't I don't. I think that that the

0:46:36.480 --> 0:46:41.279
<v Speaker 3>idea of I'm not saying that integrity is not real.

0:46:41.920 --> 0:46:46.520
<v Speaker 1>But if we were really artists, artists with the Athian

0:46:46.680 --> 0:46:49.839
<v Speaker 1>or you know, slash, if we were all, we all

0:46:49.960 --> 0:46:51.680
<v Speaker 1>be performing free on the streets.

0:46:52.520 --> 0:46:55.120
<v Speaker 3>Like all of us in this room are business people,

0:46:55.840 --> 0:46:56.920
<v Speaker 3>whether we admit it.

0:46:57.360 --> 0:47:01.960
<v Speaker 6>Or no, to be able to get the energy to perform.

0:47:02.640 --> 0:47:06.480
<v Speaker 3>So I think that I don't know, I just I

0:47:06.600 --> 0:47:09.440
<v Speaker 3>don't believe in selling out.

0:47:09.480 --> 0:47:12.000
<v Speaker 1>I'm not using that this excuse like okay, well, whoever

0:47:12.120 --> 0:47:14.080
<v Speaker 1>has the next big check, I'm there for it.

0:47:14.680 --> 0:47:15.120
<v Speaker 10>Like I.

0:47:16.719 --> 0:47:20.279
<v Speaker 1>Okay, I guess I turned down the biggest check of

0:47:20.360 --> 0:47:25.200
<v Speaker 1>my life like two weeks ago because.

0:47:26.480 --> 0:47:32.640
<v Speaker 3>I didn't believe in what I was being paid to you.

0:47:33.040 --> 0:47:35.600
<v Speaker 1>I guess you got to understand the difference, right, It's

0:47:35.600 --> 0:47:38.880
<v Speaker 1>like there's selling out and cashing in, you know what

0:47:38.920 --> 0:47:41.480
<v Speaker 1>I mean. It's like, I'm not selling out, I'm cashing in.

0:47:41.640 --> 0:47:44.160
<v Speaker 1>So it's like to me, cashing in is like, look,

0:47:44.239 --> 0:47:46.960
<v Speaker 1>if I'm questlove or if I'm unpaid bill, if I

0:47:47.080 --> 0:47:49.440
<v Speaker 1>got if y'all motherfuckers is willing to give me a

0:47:49.560 --> 0:47:52.200
<v Speaker 1>check to do what it is I already do that

0:47:52.320 --> 0:47:52.960
<v Speaker 1>I love doing.

0:47:53.040 --> 0:47:54.799
<v Speaker 7>That's you know what I'm saying.

0:47:55.800 --> 0:47:57.680
<v Speaker 1>It's like I'm getting paid for what the fuck I do,

0:47:59.320 --> 0:48:00.719
<v Speaker 1>But if you ask me to change up the way

0:48:00.760 --> 0:48:04.840
<v Speaker 1>I do exactly. For instance, for example, like Premiere, like

0:48:04.960 --> 0:48:08.280
<v Speaker 1>me and you know, we were talking DJ Premiere legendary

0:48:08.440 --> 0:48:11.239
<v Speaker 1>DJ one half gangst all that he had an opportunity.

0:48:11.320 --> 0:48:12.880
<v Speaker 8>He was telling me he had an opportunity to do

0:48:13.520 --> 0:48:17.480
<v Speaker 8>the Grammys with Janet. This is back in the nineties.

0:48:17.719 --> 0:48:19.839
<v Speaker 3>Yeah together again. Yeah, she had.

0:48:20.000 --> 0:48:21.840
<v Speaker 1>He had the chance to perform on it with her.

0:48:22.320 --> 0:48:26.240
<v Speaker 1>But they wanted him to act like he was DJing.

0:48:26.800 --> 0:48:28.640
<v Speaker 3>It wasn't live. They wanted to pull a fat boy

0:48:28.680 --> 0:48:29.560
<v Speaker 3>slim yeah exactly.

0:48:29.640 --> 0:48:31.880
<v Speaker 1>They wanted him to be fucking lip DJ in so

0:48:32.040 --> 0:48:35.280
<v Speaker 1>she wanted the credibility factor. Yeah, she wanted the credibility,

0:48:35.320 --> 0:48:37.960
<v Speaker 1>but he was like, but she wanted you know, I

0:48:38.000 --> 0:48:40.560
<v Speaker 1>mean it's pop so everything is synchronized to the minute.

0:48:40.560 --> 0:48:42.560
<v Speaker 3>And he was trying to tell her like, look, I

0:48:42.680 --> 0:48:44.239
<v Speaker 3>can do it live. This is what I do.

0:48:44.440 --> 0:48:46.759
<v Speaker 8>I'm not gonna suck up, and she was just like, look,

0:48:46.800 --> 0:48:48.560
<v Speaker 8>I can't leave it a chance. So he was walked

0:48:48.560 --> 0:48:50.839
<v Speaker 8>away from the gig. So to me, like I would

0:48:51.640 --> 0:48:52.719
<v Speaker 8>I would have did it because you.

0:48:54.280 --> 0:48:54.480
<v Speaker 7>Do that.

0:48:55.040 --> 0:48:55.839
<v Speaker 6>I'll do it now.

0:48:57.640 --> 0:49:00.600
<v Speaker 3>I've done soul training, I've done won't you. But I think,

0:49:00.680 --> 0:49:05.560
<v Speaker 3>but I think with you man on next week's show.

0:49:09.040 --> 0:49:11.160
<v Speaker 1>I think with you man, you like twenty thirty years

0:49:11.160 --> 0:49:13.160
<v Speaker 1>in the game, so your creat is solidified.

0:49:13.239 --> 0:49:13.439
<v Speaker 3>See.

0:49:13.560 --> 0:49:18.040
<v Speaker 1>But that's that's overthinking the situation. And that's the number

0:49:18.080 --> 0:49:22.960
<v Speaker 1>one thing that self saboteurs do. They overthink. If you

0:49:23.120 --> 0:49:28.160
<v Speaker 1>knew the amount of hours I've wound up in the

0:49:28.280 --> 0:49:32.319
<v Speaker 1>hospital myself trying to take care of other saboteurs.

0:49:33.520 --> 0:49:36.800
<v Speaker 3>No, I'm no, not not bullshitting you. The amount of

0:49:37.320 --> 0:49:38.760
<v Speaker 3>talking them off the lege.

0:49:39.840 --> 0:49:43.520
<v Speaker 1>I say, my number one quote for if there was

0:49:43.960 --> 0:49:46.960
<v Speaker 1>some sort of like tally of all a mere quotes

0:49:47.080 --> 0:49:47.480
<v Speaker 1>for the year.

0:49:47.880 --> 0:49:51.000
<v Speaker 3>I'm certain that, dude, you're overthinking it.

0:49:51.360 --> 0:49:54.400
<v Speaker 1>I have to say that so many times to people

0:49:55.200 --> 0:49:58.560
<v Speaker 1>just to get them down to the first floor again,

0:49:59.200 --> 0:50:02.320
<v Speaker 1>because once they it inside their head, it's no escape

0:50:02.880 --> 0:50:05.440
<v Speaker 1>because the thing is okay, let's let's take premium situation.

0:50:06.360 --> 0:50:06.480
<v Speaker 7>Now.

0:50:06.680 --> 0:50:09.319
<v Speaker 3>Who would be the judge and a jury that would say,

0:50:10.400 --> 0:50:16.040
<v Speaker 3>oh my yo, Bill Premiere, it's not DJing Live. But again,

0:50:16.400 --> 0:50:21.280
<v Speaker 3>I'm but this is ninety this is no he worked.

0:50:21.360 --> 0:50:22.920
<v Speaker 3>He did that Janet remix?

0:50:23.280 --> 0:50:25.759
<v Speaker 9>Uh was it.

0:50:28.080 --> 0:50:28.239
<v Speaker 3>Right?

0:50:28.440 --> 0:50:28.560
<v Speaker 2>Was it?

0:50:28.640 --> 0:50:31.400
<v Speaker 3>Ticket? No? No, no, no, no, this is before. I

0:50:31.440 --> 0:50:34.040
<v Speaker 3>don't want to I don't want to be history or whatever.

0:50:34.120 --> 0:50:37.640
<v Speaker 1>It was, like, okay, the earlier, the earlier Janet, the

0:50:37.880 --> 0:50:41.040
<v Speaker 1>even more I would have been like, oh, finally, like

0:50:41.880 --> 0:50:42.400
<v Speaker 1>we made it.

0:50:42.600 --> 0:50:46.080
<v Speaker 3>Like I would have cheered that one of us got in,

0:50:46.600 --> 0:50:49.120
<v Speaker 3>you know, not like oh.

0:50:49.120 --> 0:50:54.480
<v Speaker 1>He's selling out because he's not plugged in, like it's

0:50:54.960 --> 0:50:56.560
<v Speaker 1>it's overthinking.

0:50:55.960 --> 0:50:57.759
<v Speaker 6>It record so he already made it.

0:50:58.200 --> 0:51:00.279
<v Speaker 1>But no, no, no, even I'm just saying that whatever

0:51:00.360 --> 0:51:02.759
<v Speaker 1>the situation, if he produced her, didn't produce her, or whatever,

0:51:03.640 --> 0:51:07.120
<v Speaker 1>the whole the whole point of it was that she

0:51:08.080 --> 0:51:11.880
<v Speaker 1>wanted I mean, okay, she was drinking from his milkshake.

0:51:11.960 --> 0:51:15.799
<v Speaker 3>She wanted some of that street cred and I drink

0:51:15.840 --> 0:51:23.360
<v Speaker 3>your milkshake. Yeah, I'm just a straw yo, wait it up.

0:51:23.719 --> 0:51:29.400
<v Speaker 1>Side note, side note, I cannot wait. I cannot wait

0:51:29.480 --> 0:51:32.239
<v Speaker 1>till bunb is a guest on this show. So I

0:51:32.280 --> 0:51:34.799
<v Speaker 1>can see these two out criteria and collection each other

0:51:36.080 --> 0:51:39.920
<v Speaker 1>of movie trivia. Yeah, I think that's overthinking it.

0:51:40.120 --> 0:51:47.920
<v Speaker 3>And a lot of our are artists are artists, they

0:51:48.080 --> 0:51:51.319
<v Speaker 3>kind of just they. But you gotta have a line though,

0:51:51.360 --> 0:51:53.600
<v Speaker 3>I mean, I think like because everyone has a code. Yeah,

0:51:53.600 --> 0:51:54.600
<v Speaker 3>you gotta have a cold man.

0:51:54.640 --> 0:51:57.520
<v Speaker 8>And so my thing is just like again, cashing out

0:51:57.600 --> 0:51:59.680
<v Speaker 8>versus cashing in versus selling out to me is only

0:51:59.760 --> 0:52:02.520
<v Speaker 8>a out move if you do something that is against

0:52:02.600 --> 0:52:05.560
<v Speaker 8>your principles. You know what I'm saying. That's against your

0:52:05.680 --> 0:52:08.759
<v Speaker 8>core principles, whatever they may be. You know what I'm saying.

0:52:08.880 --> 0:52:11.560
<v Speaker 8>So you know I will not betray my heart to

0:52:11.680 --> 0:52:13.560
<v Speaker 8>quote you know a famous.

0:52:14.800 --> 0:52:17.120
<v Speaker 3>You know what I mean, made this damn room. Oh

0:52:17.200 --> 0:52:17.759
<v Speaker 3>what that is?

0:52:22.880 --> 0:52:25.080
<v Speaker 1>It's quashed up Suprema on Pandora And we're here with

0:52:25.160 --> 0:52:29.280
<v Speaker 1>our guest, comedian Mike brobiglia Uh talking about his latest

0:52:29.320 --> 0:52:31.439
<v Speaker 1>movie don't think twice his amazing movie.

0:52:31.520 --> 0:52:34.120
<v Speaker 7>By the way, can I say the tweet that has.

0:52:34.320 --> 0:52:39.200
<v Speaker 1>Like yes, so right now Mike has discovered Afante's welcome.

0:52:39.280 --> 0:52:41.320
<v Speaker 3>Can you just read like twenty of his KI. A

0:52:41.360 --> 0:52:42.960
<v Speaker 3>lot of it is promo because I promote my record.

0:52:43.239 --> 0:52:45.080
<v Speaker 7>Know no, but I like this promo. But I like it.

0:52:45.840 --> 0:52:48.440
<v Speaker 7>My sophomore solo album, No News Is Good News will

0:52:48.480 --> 0:52:51.320
<v Speaker 7>drop at the top of twenty seventeen. My workload this

0:52:51.440 --> 0:52:53.200
<v Speaker 7>year is too hectic and I want to get it right.

0:52:53.680 --> 0:52:55.719
<v Speaker 7>And I was like, oh, that's really nice. He's like

0:52:55.840 --> 0:52:58.440
<v Speaker 7>leveling with his fans and he's like being on I

0:52:58.480 --> 0:53:01.520
<v Speaker 7>don't know, it's like it's anti promotional because you're actually

0:53:01.600 --> 0:53:04.120
<v Speaker 7>opening up and being like, I'm just a person. I'm

0:53:04.160 --> 0:53:04.799
<v Speaker 7>trying my best.

0:53:04.920 --> 0:53:06.640
<v Speaker 8>Yeah, I gotta keep it real with him. You want

0:53:06.680 --> 0:53:07.759
<v Speaker 8>to get in front of you, just go down a

0:53:07.800 --> 0:53:12.200
<v Speaker 8>few tweets that just scroll scroll.

0:53:12.320 --> 0:53:13.560
<v Speaker 3>I mean I've been chilling lately.

0:53:13.560 --> 0:53:15.359
<v Speaker 1>I've been you know, if you'd caught me, like, oh

0:53:15.520 --> 0:53:18.959
<v Speaker 1>nine ten took a load when I was really going hard.

0:53:19.239 --> 0:53:21.560
<v Speaker 3>Oh man, I'm a change man. I'm covered in the

0:53:21.600 --> 0:53:22.239
<v Speaker 3>blood of Jesus.

0:53:22.520 --> 0:53:25.719
<v Speaker 7>Who's like the who's like the Samantha, who's the gillions

0:53:25.800 --> 0:53:29.839
<v Speaker 7>character in music? Who's who's like the greatest but never

0:53:30.239 --> 0:53:31.040
<v Speaker 7>floaded live?

0:53:31.280 --> 0:53:31.440
<v Speaker 3>Right?

0:53:33.040 --> 0:53:38.719
<v Speaker 1>Ah, man, you're gonna make me call uh ah, all right,

0:53:39.040 --> 0:53:42.880
<v Speaker 1>just just go to my go to my discocks page.

0:53:45.120 --> 0:53:49.240
<v Speaker 1>Just go to my discocks page. And let's just assume

0:53:49.360 --> 0:53:54.120
<v Speaker 1>that no, let's pick a number and maybe ninety. Of

0:53:54.400 --> 0:53:59.200
<v Speaker 1>anyone I've ever worked with, I'll say this, with the

0:53:59.239 --> 0:54:04.640
<v Speaker 1>exception of jay Z. Jay Z was probably one of

0:54:04.680 --> 0:54:09.200
<v Speaker 1>the rare cats that, like, it was a pleasure to

0:54:09.280 --> 0:54:11.560
<v Speaker 1>work with them. That's why I worked with him, not

0:54:12.040 --> 0:54:14.240
<v Speaker 1>because like I saw like, oh a payday or finally

0:54:14.400 --> 0:54:16.080
<v Speaker 1>like a way out of this crab barrel. You know,

0:54:16.640 --> 0:54:21.480
<v Speaker 1>it's just that, you know the amount of times I've

0:54:21.560 --> 0:54:28.560
<v Speaker 1>had to Jedi mind trick someone, like say, I'm working

0:54:28.600 --> 0:54:30.680
<v Speaker 1>on a song with somebody and I feel as though,

0:54:30.760 --> 0:54:34.080
<v Speaker 1>you know, a particular like the one is where this

0:54:34.239 --> 0:54:37.120
<v Speaker 1>particular thing is. Like battling over where the one is

0:54:37.320 --> 0:54:40.239
<v Speaker 1>is like one of my main arguments with people. So

0:54:40.320 --> 0:54:43.880
<v Speaker 1>it's to the point where I'll just naturally go to

0:54:44.080 --> 0:54:47.920
<v Speaker 1>another count or whatever, just so that they'll, you know,

0:54:48.120 --> 0:54:50.920
<v Speaker 1>they'll contrary and by nature will just go to the

0:54:51.000 --> 0:54:53.040
<v Speaker 1>opposite place until they which is where you want them

0:54:53.080 --> 0:54:55.239
<v Speaker 1>to be anyway, exactly exactly.

0:54:57.719 --> 0:55:02.440
<v Speaker 3>With me, I don't want to hear them. Literally.

0:55:02.920 --> 0:55:05.960
<v Speaker 1>My theory is that if the crash symbol and the

0:55:06.080 --> 0:55:08.440
<v Speaker 1>kick go at the same time, that's that's the beginning

0:55:08.480 --> 0:55:08.960
<v Speaker 1>of the sentence.

0:55:09.120 --> 0:55:11.239
<v Speaker 3>Okay, yeah, all right. Now here's the thing though, I

0:55:11.320 --> 0:55:15.000
<v Speaker 3>feel like we kind of tarantinoed you in this situation.

0:55:16.000 --> 0:55:19.520
<v Speaker 1>I kind of wanted to build up to this movie,

0:55:19.640 --> 0:55:22.400
<v Speaker 1>but it was so powerful. Yeah, no, man, serious, I

0:55:22.440 --> 0:55:24.759
<v Speaker 1>had to talk about it. Yeah, Reglar, I kind of

0:55:24.800 --> 0:55:30.400
<v Speaker 1>want to work backwards because even before don't think twice

0:55:31.520 --> 0:55:36.200
<v Speaker 1>sleep walk with me. Yeah, when I saw it, even then,

0:55:36.320 --> 0:55:38.600
<v Speaker 1>I thought like, oh man, this is awesome my life

0:55:38.640 --> 0:55:42.239
<v Speaker 1>story like because you never, at least with hip hop,

0:55:42.680 --> 0:55:47.960
<v Speaker 1>especially after nineteen ninety seven and music in general, there's

0:55:48.520 --> 0:55:52.200
<v Speaker 1>this dividing line between the winners and the losers, where

0:55:52.239 --> 0:55:53.839
<v Speaker 1>winners are celebrated.

0:55:53.360 --> 0:55:55.920
<v Speaker 3>And the losers are forgotten about or never celebrated.

0:55:56.600 --> 0:56:00.440
<v Speaker 1>To me, it was always good to see the working man,

0:56:00.520 --> 0:56:05.520
<v Speaker 1>the blue collar working man. And you know in that film,

0:56:06.600 --> 0:56:07.960
<v Speaker 1>you drive yourself.

0:56:08.239 --> 0:56:10.360
<v Speaker 7>Yeah, I drive my mom's station wagon around.

0:56:11.680 --> 0:56:15.200
<v Speaker 1>To tell us all the process of driving to your

0:56:15.239 --> 0:56:19.880
<v Speaker 1>own gigs the especially tell me about the comedy condo.

0:56:20.480 --> 0:56:21.839
<v Speaker 7>Yeah, I can tell you I stayed.

0:56:22.160 --> 0:56:25.759
<v Speaker 3>So every comedian stays in the comedy condo. Yeah.

0:56:25.760 --> 0:56:29.400
<v Speaker 7>So the comedy condo usually means you'll have a comedy

0:56:29.480 --> 0:56:34.319
<v Speaker 7>club in a town and like Nashville, Tennessee, and let's

0:56:34.320 --> 0:56:38.040
<v Speaker 7>say and like Zany's Comedy Club of not making up

0:56:38.080 --> 0:56:41.600
<v Speaker 7>that name. That's a real club in Nationale. It's pretty good.

0:56:41.600 --> 0:56:45.480
<v Speaker 7>It's a really good club actually, And then the owner

0:56:45.760 --> 0:56:48.160
<v Speaker 7>will be like, well, it's less expensive. If you can

0:56:48.239 --> 0:56:52.960
<v Speaker 7>even imagine this, it's less expensive to buy a condo

0:56:53.719 --> 0:56:56.399
<v Speaker 7>to have all the comedians stay in that condo. Then

0:56:56.440 --> 0:56:58.759
<v Speaker 7>it would be to put them up in hotels. So

0:56:58.880 --> 0:57:00.480
<v Speaker 7>there'll be the club and then to be like the

0:57:00.560 --> 0:57:04.760
<v Speaker 7>comedy condo. And it's like it's always terrible. It's always

0:57:04.840 --> 0:57:06.160
<v Speaker 7>like them some war stories.

0:57:06.200 --> 0:57:09.880
<v Speaker 12>Man, No, just like you just end up in I

0:57:09.920 --> 0:57:14.440
<v Speaker 12>don't know, like like sheets are horrible or yeah, you know,

0:57:14.719 --> 0:57:17.560
<v Speaker 12>it's like yeah show and is it you by yourself

0:57:17.720 --> 0:57:17.920
<v Speaker 12>or like.

0:57:18.000 --> 0:57:20.240
<v Speaker 7>No, you're with like two other comics usually, so you're

0:57:20.280 --> 0:57:23.160
<v Speaker 7>with like the the Nature Act or the in the

0:57:23.360 --> 0:57:27.720
<v Speaker 7>MC and then uh yeah, I mean some of them,

0:57:27.760 --> 0:57:29.360
<v Speaker 7>you know, some of them, You don't, I don't know,

0:57:29.480 --> 0:57:32.200
<v Speaker 7>like I. What happened was is I was working the

0:57:32.280 --> 0:57:35.520
<v Speaker 7>door at the DC Improv when I was in college.

0:57:35.560 --> 0:57:38.600
<v Speaker 7>That's sort of how I broke in. And the first

0:57:38.640 --> 0:57:41.520
<v Speaker 7>guy I ever opened for was Chappelle. Actually, Okay, and.

0:57:41.680 --> 0:57:44.120
<v Speaker 3>So it's really true that he was fourteen.

0:57:43.840 --> 0:57:47.880
<v Speaker 7>Fifteen, Yeah, so he was he was headlining that club.

0:57:49.200 --> 0:57:51.680
<v Speaker 7>I was nineteen. He was like twenty three, twenty four.

0:57:51.760 --> 0:57:53.240
<v Speaker 7>Half Baked was about to come out.

0:57:53.480 --> 0:57:53.760
<v Speaker 3>Okay.

0:57:54.320 --> 0:57:56.440
<v Speaker 7>What was fascinating about meeting Chappelle when he was that

0:57:56.560 --> 0:58:00.520
<v Speaker 7>young is that he was and I I learned this

0:58:00.640 --> 0:58:03.040
<v Speaker 7>trick from him because I do it now, Like people

0:58:03.560 --> 0:58:05.040
<v Speaker 7>come up to me now and they're like, hey, I

0:58:05.120 --> 0:58:06.800
<v Speaker 7>know you're from blah blah blah, and I'm like, I

0:58:06.920 --> 0:58:09.000
<v Speaker 7>have a movie out right now. It's called Don't Think Twice.

0:58:09.000 --> 0:58:10.840
<v Speaker 7>It's down the Street blah blah blah. Because I remember

0:58:10.880 --> 0:58:12.720
<v Speaker 7>saying to Dave Chappelle, like, how do you go to

0:58:12.800 --> 0:58:14.120
<v Speaker 7>a stand up? How do you do this? How do

0:58:14.160 --> 0:58:16.200
<v Speaker 7>you do this? And he was like he would give me.

0:58:16.280 --> 0:58:18.320
<v Speaker 7>He gave me advice, and then he would be like,

0:58:19.320 --> 0:58:22.200
<v Speaker 7>my movie Half Bake's coming out four weeks and it's

0:58:22.240 --> 0:58:24.160
<v Speaker 7>at the EA Street theater down the street and get

0:58:24.160 --> 0:58:25.840
<v Speaker 7>all your friends to go, like there.

0:58:25.880 --> 0:58:26.360
<v Speaker 2>Is you know.

0:58:26.480 --> 0:58:29.040
<v Speaker 7>Chappelle is like, he's like Sam in the movie, but

0:58:29.200 --> 0:58:31.680
<v Speaker 7>he's like Jack also, Like, if you think about it,

0:58:31.800 --> 0:58:35.720
<v Speaker 7>he's got both of those in him. He's got insane

0:58:35.760 --> 0:58:40.360
<v Speaker 7>amounts of integrity. But he also he is he does

0:58:40.560 --> 0:58:43.960
<v Speaker 7>makes a fuck lot of money. He's a real businessman. No,

0:58:45.360 --> 0:58:46.440
<v Speaker 7>you're just gonna shake your head.

0:58:46.560 --> 0:58:49.800
<v Speaker 3>Yeah right, No, I won't say Sam, and I won't

0:58:49.840 --> 0:58:50.320
<v Speaker 3>say Jack.

0:58:51.240 --> 0:58:55.840
<v Speaker 1>Okay, he's Miles think I won't. Oh, I'm sorry forgive me.

0:58:56.760 --> 0:58:59.680
<v Speaker 1>You're right, Sam, he's like Sam. Right, he's definitely Sam.

0:59:00.080 --> 0:59:02.040
<v Speaker 7>He is Sam because he walked away from all that

0:59:02.160 --> 0:59:07.280
<v Speaker 7>money Comedy Central. Yes, but he is like Jack in

0:59:07.360 --> 0:59:12.280
<v Speaker 7>the sense that he's ambitious. He's an ambitious person. You

0:59:12.360 --> 0:59:15.200
<v Speaker 7>don't write like nineteen hours of stand up and not

0:59:15.480 --> 0:59:16.720
<v Speaker 7>be an ambitious person.

0:59:18.560 --> 0:59:23.080
<v Speaker 1>It's just I don't Again, it's the voices I wish

0:59:23.200 --> 0:59:26.280
<v Speaker 1>the world knew, Like I was one of those guys

0:59:26.360 --> 0:59:29.320
<v Speaker 1>that like and I don't. Lately, I've been on this kick,

0:59:29.440 --> 0:59:33.840
<v Speaker 1>like on social media about how important meditation is. Yeah,

0:59:34.800 --> 0:59:37.360
<v Speaker 1>and I mean, the only thing I could logically say

0:59:37.680 --> 0:59:42.840
<v Speaker 1>is that you know, if you look at Russell Simmons.

0:59:44.720 --> 0:59:48.720
<v Speaker 3>In the eighties looking like a fifty year old, but see.

0:59:48.600 --> 0:59:53.680
<v Speaker 1>Him now in the early yoga the early aughts, still

0:59:53.760 --> 0:59:56.760
<v Speaker 1>looking like he might be forty nine fifty and he's

0:59:57.440 --> 1:00:03.800
<v Speaker 1>approaching sixties. I wish everyone really knew the addiction and

1:00:03.880 --> 1:00:07.800
<v Speaker 1>the magic of what meditation is and how it can

1:00:08.000 --> 1:00:12.840
<v Speaker 1>really truly save your life. You know, there's a group

1:00:12.880 --> 1:00:15.000
<v Speaker 1>of people in my life that overthink a lot of

1:00:15.080 --> 1:00:16.800
<v Speaker 1>things and.

1:00:20.440 --> 1:00:20.760
<v Speaker 2>Kind of.

1:00:23.680 --> 1:00:26.360
<v Speaker 3>You know, it's it's I think it's just the fear

1:00:26.520 --> 1:00:31.880
<v Speaker 3>of failure or the fear of fumbling in public, you know.

1:00:31.960 --> 1:00:33.920
<v Speaker 1>And I know we live in a kind of a

1:00:34.000 --> 1:00:37.080
<v Speaker 1>social media world and whatever, which everything is documented and

1:00:37.920 --> 1:00:42.080
<v Speaker 1>no one wants to, you know, try the process in

1:00:42.160 --> 1:00:46.760
<v Speaker 1>front of the world watching them. But I just feel

1:00:47.040 --> 1:00:49.920
<v Speaker 1>as though crucial the way that the way that was

1:00:50.000 --> 1:00:52.080
<v Speaker 1>explained to me in a way that I truly understood

1:00:52.320 --> 1:00:56.760
<v Speaker 1>how meditation works is of course, they use the MacBook

1:00:56.840 --> 1:01:00.000
<v Speaker 1>pro analogy, which they said, okay, so whenever you get

1:01:00.080 --> 1:01:02.680
<v Speaker 1>the rainbow wheel that you hate and you have like

1:01:02.920 --> 1:01:07.520
<v Speaker 1>ninety five kajillion windows open on Safari, you know, what's

1:01:07.560 --> 1:01:08.960
<v Speaker 1>the thing you do and you're like, well, you either

1:01:09.040 --> 1:01:13.920
<v Speaker 1>forced quit or you reset, and breathing literally.

1:01:15.040 --> 1:01:16.320
<v Speaker 3>Deep breathing literally.

1:01:16.080 --> 1:01:19.120
<v Speaker 1>Slows your mind down and it closes all those windows

1:01:19.800 --> 1:01:24.800
<v Speaker 1>and you make better decisions in life with a clear head,

1:01:25.480 --> 1:01:28.640
<v Speaker 1>like where I am right now, my life with spend

1:01:28.920 --> 1:01:29.920
<v Speaker 1>literally with fourteen.

1:01:30.240 --> 1:01:32.920
<v Speaker 3>I mean, Boss Bill will tell you what a nightmare

1:01:33.040 --> 1:01:33.400
<v Speaker 3>I am.

1:01:35.200 --> 1:01:36.240
<v Speaker 5>I can latch all that too.

1:01:40.680 --> 1:01:43.080
<v Speaker 1>This is why a thing called Team of Mirror exists

1:01:43.160 --> 1:01:48.440
<v Speaker 1>because logical thinking is out the window with me, because

1:01:48.920 --> 1:01:52.880
<v Speaker 1>I'm busy trying to figure out, like, you know, which

1:01:52.960 --> 1:01:55.680
<v Speaker 1>Wu Tang song is gonna go with which David Byrns

1:01:55.720 --> 1:01:59.200
<v Speaker 1>song at next month's show, Like like that's the stuff

1:01:59.200 --> 1:02:02.200
<v Speaker 1>I'm thinking about. So it's I don't know what two

1:02:02.240 --> 1:02:05.080
<v Speaker 1>plus two equals, Like there's some information that I'm gonna lose,

1:02:05.520 --> 1:02:09.920
<v Speaker 1>and there's some information I'll retain and use. But I'm

1:02:10.000 --> 1:02:16.600
<v Speaker 1>just saying that I really think that meditation is the answer.

1:02:16.920 --> 1:02:20.520
<v Speaker 1>But I know it just sounds so cosmic and weird.

1:02:20.600 --> 1:02:22.480
<v Speaker 1>And the way that your eyebrows are looking at me,

1:02:22.720 --> 1:02:24.360
<v Speaker 1>like I don't know if you're full of shit or not.

1:02:24.840 --> 1:02:26.760
<v Speaker 6>No, no, I'm totally agreeing. I just know it's awesome.

1:02:27.760 --> 1:02:29.520
<v Speaker 10>That's my natural face and it's also like it takes

1:02:29.520 --> 1:02:30.960
<v Speaker 10>sometimes to get to a certain age to get to

1:02:31.040 --> 1:02:33.160
<v Speaker 10>that point. But you're totally right, And I know I

1:02:33.200 --> 1:02:34.280
<v Speaker 10>don't say that to you often.

1:02:34.280 --> 1:02:35.400
<v Speaker 2>But can I ask you a question? Can I ask

1:02:35.400 --> 1:02:37.360
<v Speaker 2>you a question about that? Because we were talking before

1:02:37.360 --> 1:02:39.960
<v Speaker 2>about about being a businessman versus selling out whatever, I

1:02:40.040 --> 1:02:43.360
<v Speaker 2>feel like you you are saying that you're thinking about

1:02:43.360 --> 1:02:45.360
<v Speaker 2>what song is next and whatever, But you're also a

1:02:45.560 --> 1:02:49.120
<v Speaker 2>very like in tune business person. So it's not like

1:02:49.160 --> 1:02:51.680
<v Speaker 2>you're completely vacated the other part of this because you don't.

1:02:52.920 --> 1:02:54.600
<v Speaker 2>You're not just like in your creative world where you

1:02:54.640 --> 1:02:57.240
<v Speaker 2>have noes. You're like, I'm not at all.

1:02:57.400 --> 1:03:01.520
<v Speaker 1>Look the further the furthest I go with business. At least,

1:03:01.560 --> 1:03:09.160
<v Speaker 1>my business thought is to make sure that I generate

1:03:09.360 --> 1:03:13.320
<v Speaker 1>enough business so that my mama don't move into my house.

1:03:18.040 --> 1:03:21.280
<v Speaker 3>So wait, Mike, can we start? I wasn't I wasn't

1:03:21.960 --> 1:03:24.800
<v Speaker 3>kidding when I said that we were tarantinoing this. No, No,

1:03:25.280 --> 1:03:26.400
<v Speaker 3>I want to start with your comic.

1:03:27.120 --> 1:03:28.880
<v Speaker 7>So when I started out, I was working the door

1:03:29.040 --> 1:03:32.080
<v Speaker 7>the comedy DC Improv, and I was opening for guys

1:03:32.120 --> 1:03:35.440
<v Speaker 7>like I said Chappelle and like Brian Reagan Mitch Hebburg,

1:03:35.520 --> 1:03:36.920
<v Speaker 7>David Tael, guys have come in there, you.

1:03:36.960 --> 1:03:37.720
<v Speaker 3>Knew Mitch Hepberg.

1:03:38.200 --> 1:03:38.920
<v Speaker 2>Yeah, wow.

1:03:39.080 --> 1:03:39.640
<v Speaker 6>What was he like?

1:03:39.760 --> 1:03:42.120
<v Speaker 3>Man Like, how do you come up with so many?

1:03:42.640 --> 1:03:43.920
<v Speaker 7>Just one?

1:03:44.800 --> 1:03:45.000
<v Speaker 3>How?

1:03:45.240 --> 1:03:48.600
<v Speaker 7>You know what he said? He said, I think that

1:03:48.600 --> 1:03:50.800
<v Speaker 7>I think is really wise, which is he thinks that

1:03:50.880 --> 1:03:52.920
<v Speaker 7>people undervalue daydreaming.

1:03:53.760 --> 1:03:54.160
<v Speaker 3>Mm hmm.

1:03:55.160 --> 1:03:59.120
<v Speaker 7>You know, like just just sitting there just like thinking,

1:04:00.160 --> 1:04:01.000
<v Speaker 7>write and step down.

1:04:01.080 --> 1:04:02.440
<v Speaker 3>That's the best life.

1:04:02.640 --> 1:04:06.240
<v Speaker 7>Yeah, a lot of times i'd i'd see Mitch somewhere,

1:04:06.320 --> 1:04:09.800
<v Speaker 7>like i'd I remember opening for him once in Dayton, Ohio,

1:04:09.880 --> 1:04:14.120
<v Speaker 7>That's where I met him, and then like years later

1:04:14.280 --> 1:04:16.640
<v Speaker 7>I run I ran into him like in Montreal at

1:04:16.760 --> 1:04:21.520
<v Speaker 7>festival and he was just like lying backstage before the show,

1:04:22.160 --> 1:04:24.800
<v Speaker 7>listening to music, and it's with his headphones and he's

1:04:24.840 --> 1:04:26.880
<v Speaker 7>just like lying on his back and everybody else is

1:04:27.000 --> 1:04:30.040
<v Speaker 7>like networking talking to each other, and he was just

1:04:30.160 --> 1:04:32.680
<v Speaker 7>like daydreaming like that's what he was all about. So

1:04:32.680 --> 1:04:34.439
<v Speaker 7>people would be like, where does his thoughts come from?

1:04:34.720 --> 1:04:37.920
<v Speaker 7>He's just always kind of lost in his thoughts and

1:04:38.040 --> 1:04:39.800
<v Speaker 7>he'd write down, you know, write down everything.

1:04:40.080 --> 1:04:45.120
<v Speaker 3>Wow, I've never heard of a person that does these

1:04:45.280 --> 1:04:49.960
<v Speaker 3>nonsensical just or just these random he was unbelievable all

1:04:50.000 --> 1:04:54.120
<v Speaker 3>over the place, you know, these these thoughts. So literally

1:04:54.280 --> 1:04:55.960
<v Speaker 3>he was just write down.

1:04:56.040 --> 1:04:58.880
<v Speaker 7>Just oh yeah, he had just like his wife, Lynn

1:04:59.600 --> 1:05:03.640
<v Speaker 7>has just no piles and piles of notebooks and uh.

1:05:04.720 --> 1:05:07.920
<v Speaker 7>One of one of the things that isn't even uh

1:05:08.360 --> 1:05:11.200
<v Speaker 7>in one of his jokes is in his notebook it says,

1:05:11.240 --> 1:05:12.240
<v Speaker 7>do you believe in Gosh?

1:05:13.440 --> 1:05:14.280
<v Speaker 3>Really? Wow?

1:05:15.000 --> 1:05:17.240
<v Speaker 7>So they did like a posthumous album of his stuff

1:05:17.240 --> 1:05:18.520
<v Speaker 7>and they call it do you Believe in Gosh?

1:05:19.360 --> 1:05:19.560
<v Speaker 3>Don't?

1:05:19.680 --> 1:05:20.240
<v Speaker 7>Isn't that great?

1:05:20.680 --> 1:05:21.680
<v Speaker 3>Where is that notebook?

1:05:21.760 --> 1:05:21.880
<v Speaker 6>Now?

1:05:22.600 --> 1:05:25.120
<v Speaker 7>She had all that up in their cab. They had

1:05:25.160 --> 1:05:27.040
<v Speaker 7>a cabin in the woods and I think big Bear

1:05:27.600 --> 1:05:30.400
<v Speaker 7>and that's where they lived, and and yes, she has

1:05:30.480 --> 1:05:33.440
<v Speaker 7>all that stuff. It's pretty amazing. I when I met

1:05:33.560 --> 1:05:35.600
<v Speaker 7>Mitch and Lynn it was Dayton, Ohio. Was at Jokers

1:05:35.680 --> 1:05:39.960
<v Speaker 7>Comedy Club, which doesn't exist anymore, and I was trying

1:05:40.040 --> 1:05:42.520
<v Speaker 7>to like socialize with them, and I mean I didn't

1:05:42.520 --> 1:05:44.360
<v Speaker 7>know anybody. I was like, hey, do you guys want

1:05:44.400 --> 1:05:46.840
<v Speaker 7>to go bowling? It is the dumbest thing. We were

1:05:46.920 --> 1:05:49.240
<v Speaker 7>next to a bowling alley and they were like all right,

1:05:49.400 --> 1:05:52.560
<v Speaker 7>and uh, And I was terrible. I'm nervous I'm like

1:05:52.600 --> 1:05:55.240
<v Speaker 7>with my idol, Like I really idolized match, So you

1:05:55.320 --> 1:05:57.280
<v Speaker 7>knew him by that point. I was just a fan

1:05:57.360 --> 1:05:59.200
<v Speaker 7>of him, and then I was opening for him. It

1:05:59.280 --> 1:06:01.640
<v Speaker 7>was like the most real thing in my life. And

1:06:01.760 --> 1:06:05.760
<v Speaker 7>then I was just terrible of rolling like ones and zeros,

1:06:06.160 --> 1:06:08.320
<v Speaker 7>and he said the funniest thing, he goes. I thought

1:06:08.400 --> 1:06:11.080
<v Speaker 7>when you suggested that we go bowling, that you would

1:06:11.120 --> 1:06:12.240
<v Speaker 7>be good at bowling.

1:06:17.320 --> 1:06:21.840
<v Speaker 3>So so you working in DC. That was your introduction

1:06:22.000 --> 1:06:23.920
<v Speaker 3>in comedy life. That was it? That was it. I mean,

1:06:23.960 --> 1:06:26.520
<v Speaker 3>you weren't like the class clown at the age of ten,

1:06:26.680 --> 1:06:27.520
<v Speaker 3>or I really wasn't.

1:06:27.560 --> 1:06:27.760
<v Speaker 6>I was.

1:06:27.960 --> 1:06:30.840
<v Speaker 7>I was always sort of like I always felt out

1:06:30.880 --> 1:06:33.080
<v Speaker 7>of place. I always felt like when I when I

1:06:33.120 --> 1:06:36.200
<v Speaker 7>would say the things that I was thinking about, people

1:06:36.240 --> 1:06:39.080
<v Speaker 7>would just be like, Oh, that's that's what's weird, you know,

1:06:39.280 --> 1:06:44.600
<v Speaker 7>and uh yeah. And then then but I I always

1:06:44.640 --> 1:06:46.800
<v Speaker 7>thought I was funny, you know what I mean, Like

1:06:46.880 --> 1:06:48.760
<v Speaker 7>it was one of those things like I think I'm

1:06:49.000 --> 1:06:51.720
<v Speaker 7>very funny and they don't get it and that kind

1:06:51.720 --> 1:06:54.200
<v Speaker 7>of thing. And then at a certain point I got

1:06:54.280 --> 1:06:57.160
<v Speaker 7>on stage in college and and uh and it started

1:06:57.160 --> 1:06:59.600
<v Speaker 7>to click. And in Sleepwalk with Me, I have that

1:06:59.720 --> 1:07:03.360
<v Speaker 7>joke where I say, I'm my my girlfriend's starting to

1:07:03.400 --> 1:07:05.280
<v Speaker 7>get the age where she's thinking about having kids, which

1:07:05.320 --> 1:07:08.840
<v Speaker 7>is exciting because we're gonna have to break up. I

1:07:08.880 --> 1:07:10.960
<v Speaker 7>don't want to have kids until I'm sure that nothing

1:07:11.040 --> 1:07:13.640
<v Speaker 7>else good can happen in my life. And that was

1:07:13.720 --> 1:07:14.640
<v Speaker 7>like the first time.

1:07:15.520 --> 1:07:17.600
<v Speaker 3>That's the real that was.

1:07:19.560 --> 1:07:21.560
<v Speaker 7>That was like the first time I made a joke

1:07:21.640 --> 1:07:23.520
<v Speaker 7>on stage. And it's in Sleepwalk with Me. It's like

1:07:23.560 --> 1:07:25.160
<v Speaker 7>this as a plot point, but like it was the

1:07:25.200 --> 1:07:28.320
<v Speaker 7>first time where I said something was true and it

1:07:28.400 --> 1:07:32.920
<v Speaker 7>was a joke at the same time. But that's comedy, right,

1:07:33.000 --> 1:07:34.720
<v Speaker 7>and that's ended up being sort of what I what

1:07:34.840 --> 1:07:37.360
<v Speaker 7>I do. But like that was the first time. Before that,

1:07:37.440 --> 1:07:41.160
<v Speaker 7>I was like making jokes about cookie Monster, and then

1:07:41.520 --> 1:07:43.800
<v Speaker 7>when I started making jokes about myself, it was better.

1:07:44.240 --> 1:07:48.240
<v Speaker 1>But I'll say that your particular brand of comedy, especially

1:07:48.280 --> 1:07:50.480
<v Speaker 1>at the time where I really became aware of you,

1:07:51.480 --> 1:07:56.440
<v Speaker 1>you don't see many comedians on Broadway. Yeah, And so

1:07:57.360 --> 1:08:00.560
<v Speaker 1>initially I was trying to figure out, well, okay, did

1:08:00.600 --> 1:08:02.720
<v Speaker 1>you at least cut your teeth in Midtown? I was

1:08:02.720 --> 1:08:04.640
<v Speaker 1>trying to figure out what side of the fence you

1:08:04.680 --> 1:08:07.800
<v Speaker 1>were on? Were you alternative Brooklyn. Were you the varsity

1:08:07.920 --> 1:08:11.800
<v Speaker 1>letter of the seller or were you pre Hacksville, of

1:08:12.400 --> 1:08:13.560
<v Speaker 1>Midtown or uptown?

1:08:13.720 --> 1:08:16.040
<v Speaker 7>I had, I did my tone in all of those

1:08:16.200 --> 1:08:17.760
<v Speaker 7>three worlds and the road.

1:08:17.920 --> 1:08:19.000
<v Speaker 3>Can you please all three?

1:08:20.840 --> 1:08:22.960
<v Speaker 7>Yeah? I mean I think ultimately you have to. I

1:08:23.000 --> 1:08:25.600
<v Speaker 7>mean it's a complex question, but you just have to

1:08:25.720 --> 1:08:29.639
<v Speaker 7>be you, and it has to you have to get

1:08:30.439 --> 1:08:34.320
<v Speaker 7>good enough that what you're doing can kind of work anywhere.

1:08:34.439 --> 1:08:37.599
<v Speaker 1>Okay, So the joke has to work with the allt crowd, Yeah,

1:08:38.000 --> 1:08:41.080
<v Speaker 1>with the I'm smarter than you Kyle's crowd of the

1:08:41.200 --> 1:08:44.759
<v Speaker 1>village and the hack the drunk hacks that might.

1:08:45.880 --> 1:08:48.200
<v Speaker 7>Yeah, although they're the hardest, of course. I mean that's

1:08:48.240 --> 1:08:50.040
<v Speaker 7>why I like that. So I've never I early on,

1:08:50.680 --> 1:08:53.879
<v Speaker 7>I would always get these gigs in Jersey because nobody

1:08:53.960 --> 1:08:57.120
<v Speaker 7>wanted to do them right, nobody wanted to work in Jersey.

1:08:57.320 --> 1:08:58.600
<v Speaker 7>Sorry Jersey, but.

1:08:59.280 --> 1:09:02.679
<v Speaker 3>No, I was gonna ask you. Now, I know Chris

1:09:02.840 --> 1:09:08.040
<v Speaker 3>Rock's regiment and he chooses Jersey.

1:09:08.720 --> 1:09:13.000
<v Speaker 1>Yeah, it's hard, right, And yeah, he listed like four

1:09:13.240 --> 1:09:16.960
<v Speaker 1>like before he starts in HBO Special whatever. He told

1:09:16.960 --> 1:09:20.040
<v Speaker 1>me the five clubs that he chooses, like Place down South,

1:09:20.600 --> 1:09:23.760
<v Speaker 1>place where only old people go. He's like, if I

1:09:23.800 --> 1:09:27.920
<v Speaker 1>can survive the scrutiny and the heart, Like, so, what

1:09:28.120 --> 1:09:31.519
<v Speaker 1>is your exercise process of So.

1:09:31.680 --> 1:09:35.439
<v Speaker 7>Mine would be like I go to the cellar, I

1:09:35.560 --> 1:09:38.519
<v Speaker 7>go to the I go to the Brooklyn rooms to

1:09:38.760 --> 1:09:42.640
<v Speaker 7>just like feel confident, to feel like, oh this work this.

1:09:42.920 --> 1:09:45.240
<v Speaker 3>Do they embrace you or do they look like you

1:09:45.360 --> 1:09:46.680
<v Speaker 3>might be a suit you might be.

1:09:46.960 --> 1:09:49.360
<v Speaker 7>No in Brooklyn. In Brooklyn, they like me because they

1:09:49.560 --> 1:09:54.120
<v Speaker 7>know I live in Brooklyn. I have a lot you know,

1:09:54.280 --> 1:09:57.920
<v Speaker 7>there's a lot of local references or whatever. But and

1:09:58.000 --> 1:10:00.280
<v Speaker 7>then and then I go to the cellar, go on

1:10:00.360 --> 1:10:04.040
<v Speaker 7>the road to comedy clubs like I'll go to Charlie

1:10:04.080 --> 1:10:08.040
<v Speaker 7>Goodnights and Raleigh or you know, Zanies and Nashville or

1:10:08.120 --> 1:10:10.240
<v Speaker 7>that kind of thing, because ultimately, you want it to

1:10:10.320 --> 1:10:12.800
<v Speaker 7>work everywhere, because you want it to be human, you know,

1:10:13.200 --> 1:10:15.880
<v Speaker 7>the bottom line of everything is like hearing you guys

1:10:15.920 --> 1:10:18.000
<v Speaker 7>talk about don't think twice and you're like, I'm Miles

1:10:18.080 --> 1:10:20.960
<v Speaker 7>or I'm Jack or whatever, that's like gold for me.

1:10:21.120 --> 1:10:24.080
<v Speaker 7>For me, that's like the biggest compliment. When you and

1:10:24.120 --> 1:10:26.320
<v Speaker 7>I were texting last night and you're like this person

1:10:26.320 --> 1:10:28.200
<v Speaker 7>in my life is like lindsay this person's like this,

1:10:28.479 --> 1:10:31.080
<v Speaker 7>It's like, oh my god, it fucking worked, Like I

1:10:31.160 --> 1:10:33.800
<v Speaker 7>can't believe it. It's working because you want it to

1:10:33.840 --> 1:10:36.280
<v Speaker 7>be so human that people just see themselves in it.

1:10:36.320 --> 1:10:39.000
<v Speaker 7>And that's what takes forever with stand up, that's what

1:10:39.160 --> 1:10:43.000
<v Speaker 7>takes for It takes years with material, you know, to

1:10:43.040 --> 1:10:43.679
<v Speaker 7>get it to that point.

1:10:43.760 --> 1:10:45.280
<v Speaker 3>What takes it so long? Why is it takes so

1:10:45.400 --> 1:10:47.920
<v Speaker 3>long to find that instead of I just.

1:10:47.960 --> 1:10:49.800
<v Speaker 7>Think because you you have to do this thing of

1:10:49.880 --> 1:10:54.600
<v Speaker 7>simultaneously having people see themselves in it and laugh and

1:10:54.760 --> 1:10:58.080
<v Speaker 7>laughter is just like you either get something, get to laugh,

1:10:58.160 --> 1:10:58.679
<v Speaker 7>or it doesn't.

1:11:00.240 --> 1:11:03.719
<v Speaker 2>How's the stand up process versus the movie screenplay process different?

1:11:04.000 --> 1:11:08.439
<v Speaker 7>Well, for me, it's similar because I I write a

1:11:08.560 --> 1:11:12.000
<v Speaker 7>lot with the screenplay and then I would have friends

1:11:12.080 --> 1:11:15.080
<v Speaker 7>over like this, like literally, like like ten of us

1:11:15.120 --> 1:11:18.040
<v Speaker 7>in a room just sitting around would read the screenplay

1:11:18.160 --> 1:11:19.960
<v Speaker 7>and I would get and I would ask people for

1:11:20.080 --> 1:11:23.360
<v Speaker 7>notes afterwards. And so I did that about ten times

1:11:23.400 --> 1:11:23.920
<v Speaker 7>with the movie.

1:11:24.520 --> 1:11:27.200
<v Speaker 3>And then uh wait, so you focus groups like with

1:11:27.520 --> 1:11:28.360
<v Speaker 3>ten people in the room.

1:11:28.520 --> 1:11:30.960
<v Speaker 7>Yeah, isn't that the hardest thing in the World's It

1:11:31.040 --> 1:11:34.719
<v Speaker 7>was really painful because afterwards you get assaulted with notes

1:11:34.760 --> 1:11:37.280
<v Speaker 7>and people are just like, you know, Iron Glass, who

1:11:37.400 --> 1:11:39.519
<v Speaker 7>was my producer ended up being my producer, was just

1:11:39.640 --> 1:11:42.800
<v Speaker 7>like early on it was just like Mike like, it's

1:11:42.880 --> 1:11:45.240
<v Speaker 7>just not a movie, like it just doesn't work. And

1:11:45.360 --> 1:11:48.200
<v Speaker 7>I was like, no, it does, and he was like.

1:11:48.920 --> 1:11:50.920
<v Speaker 7>I was like, it's like it's like The Big Chill

1:11:51.000 --> 1:11:52.760
<v Speaker 7>set in the world of an improv theater. And he

1:11:52.920 --> 1:11:55.000
<v Speaker 7>was like, well, the characters have to be more different

1:11:55.040 --> 1:11:57.240
<v Speaker 7>from each other, because at that point the characters were

1:11:57.280 --> 1:12:01.400
<v Speaker 7>too similar and the conflicts weren't there. And yeah, but

1:12:01.640 --> 1:12:03.600
<v Speaker 7>but yeah, I mean everything I do is sort of

1:12:04.160 --> 1:12:07.280
<v Speaker 7>I work I put in front of people.

1:12:07.920 --> 1:12:11.479
<v Speaker 3>How long did it take? What, like from screenplay to shooting?

1:12:11.520 --> 1:12:12.600
<v Speaker 3>How long did it take to do?

1:12:12.800 --> 1:12:15.240
<v Speaker 7>Took about a year and a half writing it. I

1:12:15.360 --> 1:12:19.080
<v Speaker 7>was in the middle of writing another film called My

1:12:19.160 --> 1:12:22.000
<v Speaker 7>Girlfriend's Boyfriend, which is an adaptation of one of my shows.

1:12:22.080 --> 1:12:24.720
<v Speaker 3>Wait, you're going to make that? I might? I might

1:12:25.000 --> 1:12:25.920
<v Speaker 3>based on the sketch.

1:12:26.560 --> 1:12:30.639
<v Speaker 7>Yeah, yeah, it's true, that's not real. Yeah, it's true

1:12:30.680 --> 1:12:33.960
<v Speaker 7>story the high school one. Yeah yeah, you can play that.

1:12:34.040 --> 1:12:37.000
<v Speaker 7>You can play that track so I don't have to

1:12:37.080 --> 1:12:42.439
<v Speaker 7>repeat it seriously. Yeah, yeah, that's true. The gist of

1:12:42.479 --> 1:12:44.040
<v Speaker 7>it I'll tell you the gist of it is, when

1:12:44.080 --> 1:12:46.519
<v Speaker 7>I was in high school, I went out with this

1:12:46.680 --> 1:12:50.000
<v Speaker 7>girl and she was like and I was. I was

1:12:50.160 --> 1:12:52.640
<v Speaker 7>like really into her, and then she was like, I

1:12:52.720 --> 1:12:57.400
<v Speaker 7>have another boyfriend, but it's kind of ending and that

1:12:57.520 --> 1:12:59.760
<v Speaker 7>kind of thing. This is going to be fine. And

1:12:59.840 --> 1:13:03.000
<v Speaker 7>then and she invites me to meet her parents and

1:13:03.080 --> 1:13:05.439
<v Speaker 7>I go, and I was like, oh, this is gonna

1:13:05.439 --> 1:13:08.439
<v Speaker 7>be my big moment. I drive your parents house and

1:13:08.600 --> 1:13:10.280
<v Speaker 7>we're hanging out, and then this other guy comes over

1:13:10.320 --> 1:13:14.519
<v Speaker 7>and I'm realizing slowly that it's her other boyfriend, and

1:13:14.680 --> 1:13:18.000
<v Speaker 7>like it's going okay, you know, I know, I don't

1:13:18.000 --> 1:13:19.200
<v Speaker 7>think so. I think he just thought I was a

1:13:19.280 --> 1:13:22.360
<v Speaker 7>friend in retrospect. I don't know for sure, but like

1:13:23.120 --> 1:13:23.519
<v Speaker 7>and and.

1:13:27.280 --> 1:13:31.280
<v Speaker 3>That was us, Yeah, like who's in? Why is it

1:13:31.840 --> 1:13:32.200
<v Speaker 3>in the room?

1:13:37.320 --> 1:13:37.360
<v Speaker 1>No?

1:13:37.640 --> 1:13:43.200
<v Speaker 7>No that I'm sorry, No, that's from that's Abby's the

1:13:43.439 --> 1:13:46.320
<v Speaker 7>character's name in Sleepwalk with Me, which is not her

1:13:46.360 --> 1:13:51.400
<v Speaker 7>real name in real life. But uh but but yeah, no,

1:13:51.560 --> 1:13:54.920
<v Speaker 7>that was this girl in high school and I was, man,

1:13:55.200 --> 1:13:57.439
<v Speaker 7>I yeah, I was just really hung up on her,

1:13:57.520 --> 1:13:59.960
<v Speaker 7>and I wanted to believe it was gonna work.

1:14:00.240 --> 1:14:02.040
<v Speaker 3>Well. See the led Zeppelin slogan.

1:14:02.840 --> 1:14:04.559
<v Speaker 7>No, No, that's different. That's different.

1:14:05.320 --> 1:14:09.280
<v Speaker 3>Yeah, for some reason, like I've you've jumbled my love.

1:14:12.320 --> 1:14:13.760
<v Speaker 3>But so if.

1:14:13.720 --> 1:14:16.519
<v Speaker 1>Comedy, I don't know if that's a cliche, like comedy

1:14:16.600 --> 1:14:18.360
<v Speaker 1>being time and tragedy.

1:14:18.560 --> 1:14:21.080
<v Speaker 7>Yeah the other day. The other day I tweeted, comedy

1:14:21.200 --> 1:14:22.600
<v Speaker 7>is tragedy plus fuck it.

1:14:27.880 --> 1:14:29.920
<v Speaker 3>So how do you make a joke of you have

1:14:30.000 --> 1:14:30.840
<v Speaker 3>an insomnia?

1:14:31.000 --> 1:14:31.599
<v Speaker 2>And oh?

1:14:31.760 --> 1:14:34.680
<v Speaker 7>Yeah, I mean that was weird. You Yeah, that's a

1:14:34.760 --> 1:14:38.120
<v Speaker 7>true story. But you guys do you guys know the story.

1:14:38.280 --> 1:14:42.280
<v Speaker 7>I have a sleep disorder where I where I sleepwalk

1:14:42.400 --> 1:14:45.760
<v Speaker 7>and I jumped out of second story window at Yeah,

1:14:46.160 --> 1:14:48.280
<v Speaker 7>I was on the road. This is like probably ten

1:14:48.360 --> 1:14:50.600
<v Speaker 7>years ago now. I was at La Quinta in.

1:14:50.760 --> 1:14:52.200
<v Speaker 3>And Walla Walla, Washington.

1:14:53.439 --> 1:14:57.080
<v Speaker 7>Yeah, at Lakina in and uh, and I had a

1:14:57.160 --> 1:14:59.360
<v Speaker 7>dream that there was a guided missile headed towards my

1:14:59.520 --> 1:15:02.479
<v Speaker 7>room and I was like, I jumped out of bed.

1:15:02.560 --> 1:15:05.840
<v Speaker 7>I was like, there's military personnel in my dream there.

1:15:05.880 --> 1:15:08.680
<v Speaker 7>And I was like, what's the plan And they said, uh,

1:15:09.520 --> 1:15:12.320
<v Speaker 7>the missile coordinates are set on you. And so I

1:15:12.439 --> 1:15:14.600
<v Speaker 7>decided in my dream, as it turns out it was

1:15:14.880 --> 1:15:17.799
<v Speaker 7>in my life as well, to jump out the window.

1:15:17.960 --> 1:15:20.719
<v Speaker 7>So as to detonate outside the window for the sake

1:15:20.760 --> 1:15:24.920
<v Speaker 7>of the platoon. So I jumped through the window like

1:15:25.040 --> 1:15:28.200
<v Speaker 7>the Hulk and uh, and I landed on the front lawn.

1:15:28.240 --> 1:15:30.880
<v Speaker 7>I got up and I kept running and I'm slowly

1:15:30.960 --> 1:15:34.040
<v Speaker 7>realizing I'm on the front line of Laquina and Walla

1:15:34.080 --> 1:15:37.439
<v Speaker 7>walla Washington in my underwear bleeding. I was like, oh no,

1:15:38.080 --> 1:15:40.120
<v Speaker 7>but I swear to god, I was relieved in that

1:15:40.280 --> 1:15:43.439
<v Speaker 7>moment that I hadn't been hit by the MESSI. I

1:15:44.200 --> 1:15:47.439
<v Speaker 7>was like, that would have been a disaster. And so yeah,

1:15:47.479 --> 1:15:49.800
<v Speaker 7>it ended up being sort of the baseline of what

1:15:50.200 --> 1:15:53.519
<v Speaker 7>what my whole It was a one person show off Broadway,

1:15:53.560 --> 1:15:56.080
<v Speaker 7>and then it ended up being my first movie. But yeah,

1:15:56.120 --> 1:15:58.160
<v Speaker 7>and in Responsible, what you're saying, like, how am I

1:15:58.160 --> 1:16:00.960
<v Speaker 7>comfortable talking about that for a while, while I wasn't,

1:16:01.040 --> 1:16:03.080
<v Speaker 7>Like for a while, I was like, Okay, I'm gonna

1:16:03.080 --> 1:16:06.240
<v Speaker 7>say this people. The first person told oh, that's a

1:16:06.280 --> 1:16:08.360
<v Speaker 7>good question. Well, first person, I told us my wife,

1:16:09.160 --> 1:16:12.320
<v Speaker 7>who at the time was my girlfriend, and I called

1:16:12.479 --> 1:16:13.560
<v Speaker 7>you know, I called her in the middle of the

1:16:13.680 --> 1:16:16.680
<v Speaker 7>night and I was just like, hey, you're you're not

1:16:16.720 --> 1:16:19.280
<v Speaker 7>going to believe this from the hospital, right or no

1:16:19.640 --> 1:16:23.040
<v Speaker 7>from it was weirdly from the from the front desk

1:16:23.640 --> 1:16:29.280
<v Speaker 7>of Washington, no one. I was bleeding and everything, and uh,

1:16:29.720 --> 1:16:31.120
<v Speaker 7>you know, I called her and I was like, hey,

1:16:31.200 --> 1:16:33.519
<v Speaker 7>this is what happened. And I called my parents and

1:16:34.040 --> 1:16:36.000
<v Speaker 7>and I went to the do I went to the hospital.

1:16:36.080 --> 1:16:38.080
<v Speaker 7>I went to check myself in the emergency. I was like,

1:16:38.160 --> 1:16:41.000
<v Speaker 7>I'm the Hulk. I'm the Hulk. I'm the They were like, no,

1:16:41.120 --> 1:16:43.559
<v Speaker 7>you're You're Bruce Banner. I was a point taking there.

1:16:44.479 --> 1:16:45.000
<v Speaker 3>And uh.

1:16:46.479 --> 1:16:48.880
<v Speaker 7>And yeah, no, So it was, yeah, it was. It

1:16:49.040 --> 1:16:52.000
<v Speaker 7>was a really weird thing to tell people, and I

1:16:52.080 --> 1:16:54.479
<v Speaker 7>didn't really Actually it's funny you should say we were

1:16:54.479 --> 1:16:56.920
<v Speaker 7>talking about Hebburg. Hepburg was one of the first people

1:16:56.960 --> 1:16:57.320
<v Speaker 7>I told.

1:16:57.880 --> 1:16:58.160
<v Speaker 2>It was.

1:16:58.439 --> 1:17:01.920
<v Speaker 7>Uh, it was at Caroline's where it was like a

1:17:01.960 --> 1:17:04.920
<v Speaker 7>couple of months later, and it was Mitch Heburg and

1:17:05.240 --> 1:17:09.040
<v Speaker 7>Lynn Chakraf were there and I just told him what

1:17:09.240 --> 1:17:12.000
<v Speaker 7>had happened. And he you know, he has he you know,

1:17:12.080 --> 1:17:15.920
<v Speaker 7>he had a lot of demons obviously, and uh, he

1:17:16.040 --> 1:17:18.400
<v Speaker 7>had a you know, he had a lot of issues.

1:17:18.479 --> 1:17:20.760
<v Speaker 7>And I think, you know, I think he understood it

1:17:20.840 --> 1:17:22.680
<v Speaker 7>in some way, like I think that there was a

1:17:22.840 --> 1:17:24.960
<v Speaker 7>there was a. It was the closest I ever felt

1:17:25.000 --> 1:17:26.640
<v Speaker 7>to Mitch was when I explained to him that I

1:17:26.760 --> 1:17:28.000
<v Speaker 7>jumped through a second third window.

1:17:28.840 --> 1:17:31.840
<v Speaker 3>So it wasn't like, YO, the craziest last night.

1:17:32.280 --> 1:17:34.560
<v Speaker 7>No, I mean I was really fucked up from it,

1:17:34.720 --> 1:17:36.760
<v Speaker 7>because I mean I still am to this day, Like

1:17:36.880 --> 1:17:39.600
<v Speaker 7>I'm still when I go to you know, when I

1:17:39.640 --> 1:17:41.439
<v Speaker 7>go to bed at night, I sleep in a sleeping bag.

1:17:41.439 --> 1:17:44.000
<v Speaker 7>I'm not making this up. I take medication, I sleep

1:17:44.040 --> 1:17:46.560
<v Speaker 7>in a sleeping bag, and for a while there I

1:17:46.640 --> 1:17:49.240
<v Speaker 7>was wearing mittens so I couldn't open the sleeping bag.

1:17:50.040 --> 1:17:52.960
<v Speaker 3>Yeah, and so so there is nothing like that that

1:17:53.080 --> 1:17:55.880
<v Speaker 3>can I guess there's no cure.

1:17:56.200 --> 1:17:58.400
<v Speaker 7>There's no cure. Yes, I mean you could take medication

1:17:58.560 --> 1:18:01.720
<v Speaker 7>I take I take Cloud. But but and I go

1:18:01.840 --> 1:18:04.600
<v Speaker 7>to my sleep my sleep doctor. But it's uh no,

1:18:04.760 --> 1:18:06.880
<v Speaker 7>there's no cure. There's never gonna I'm gonna have to

1:18:06.920 --> 1:18:08.280
<v Speaker 7>live with this for the rest of my life.

1:18:08.680 --> 1:18:10.720
<v Speaker 3>Wait, it might be an intrusive if I asked, when

1:18:10.720 --> 1:18:12.360
<v Speaker 3>was the last time you sleep walked?

1:18:13.000 --> 1:18:17.200
<v Speaker 7>No, you're canna ask. It's probably like it happens a

1:18:17.240 --> 1:18:19.160
<v Speaker 7>handful of times a year, so like six times a

1:18:19.280 --> 1:18:22.519
<v Speaker 7>year or so. I'll have an incident like I remember

1:18:22.560 --> 1:18:24.880
<v Speaker 7>a few years ago. It was like New Year's Eve,

1:18:25.760 --> 1:18:28.400
<v Speaker 7>and I did all the things that trigger it, like

1:18:28.520 --> 1:18:30.840
<v Speaker 7>I was eating red meat and I was drinking, and

1:18:30.920 --> 1:18:33.120
<v Speaker 7>I was doing I was sleep deprived. We were out

1:18:33.160 --> 1:18:37.240
<v Speaker 7>till like five am, and and then I had a

1:18:37.400 --> 1:18:40.120
<v Speaker 7>dream that there was a This is a kind of abstract,

1:18:40.160 --> 1:18:42.639
<v Speaker 7>but that there was a it was like an alien

1:18:42.800 --> 1:18:46.360
<v Speaker 7>was in my throat. And when I woke up, I

1:18:46.600 --> 1:18:50.080
<v Speaker 7>was trying to gorge myself in the bathroom. I was

1:18:50.160 --> 1:18:53.000
<v Speaker 7>trying to like rip like something out of my throat.

1:18:53.439 --> 1:18:56.400
<v Speaker 7>That's when I woke up and I and I had

1:18:56.680 --> 1:18:58.640
<v Speaker 7>I was and I had lost my voice for the

1:18:58.680 --> 1:19:02.320
<v Speaker 7>next couple of days, at least the next day or so. Yeah,

1:19:02.360 --> 1:19:05.760
<v Speaker 7>it's it's it's not Youah No, it's tough. I mean

1:19:05.800 --> 1:19:08.719
<v Speaker 7>it's it's definitely like one of those things where that's

1:19:08.920 --> 1:19:10.640
<v Speaker 7>my you know, we all have our thing, and it's

1:19:10.680 --> 1:19:13.599
<v Speaker 7>like that's my thing. I mean that it's pretty embarrassing

1:19:13.720 --> 1:19:15.920
<v Speaker 7>for me, but I kind of broke through the like

1:19:17.160 --> 1:19:19.840
<v Speaker 7>uncomfortability of discussing it and now I'm like, yeah, that's

1:19:19.920 --> 1:19:21.160
<v Speaker 7>just what I that's what I am.

1:19:21.280 --> 1:19:23.280
<v Speaker 3>But you say, like you do know at least kind

1:19:23.320 --> 1:19:25.280
<v Speaker 3>of it's what will trigger it, So is there.

1:19:25.640 --> 1:19:27.599
<v Speaker 7>Yeah, I mean you you know, there's this great book

1:19:27.600 --> 1:19:29.800
<v Speaker 7>if anyone has a sleep just or if anyone has

1:19:29.840 --> 1:19:31.840
<v Speaker 7>bad sleep or whatever. This is a great book called

1:19:31.880 --> 1:19:35.240
<v Speaker 7>The Promise of Sleep. And you know they basically say

1:19:35.240 --> 1:19:37.479
<v Speaker 7>a few hours before bed, turn off your phone, turn

1:19:37.520 --> 1:19:41.880
<v Speaker 7>off the internet, don't eat big meals, you know, like

1:19:41.960 --> 1:19:44.639
<v Speaker 7>that kind of thing, don't watch TV news and of course,

1:19:44.720 --> 1:19:50.280
<v Speaker 7>like that's all yeah, no, and so that's you know,

1:19:50.400 --> 1:19:52.120
<v Speaker 7>you try not to do that stuff. So it has

1:19:52.160 --> 1:19:55.679
<v Speaker 7>to be totally silent, that's yeah, And that's that's the hope.

1:19:55.760 --> 1:19:55.920
<v Speaker 3>Yeah.

1:19:56.080 --> 1:19:59.840
<v Speaker 7>Sometimes I listen to like meditation podcasts and things like that.

1:20:00.360 --> 1:20:01.960
<v Speaker 6>But what about like when you have a wild night

1:20:02.000 --> 1:20:03.800
<v Speaker 6>with your wife, Like, is she just puts you to sleep,

1:20:03.840 --> 1:20:04.240
<v Speaker 6>what do you do?

1:20:04.880 --> 1:20:09.280
<v Speaker 7>Like, do you are automatically She'll no, no, She'll she'll

1:20:09.439 --> 1:20:13.760
<v Speaker 7>like she'll like uh A lot of times she'll be

1:20:14.000 --> 1:20:16.800
<v Speaker 7>she'll like wake me up and be like, hey, you

1:20:16.800 --> 1:20:19.240
<v Speaker 7>should take your pill and that can and she'll stick

1:20:19.320 --> 1:20:24.120
<v Speaker 7>me in my sleeping bag. She literally said, my wife

1:20:24.200 --> 1:20:26.640
<v Speaker 7>calls it my pod. She'll be like she got she

1:20:27.160 --> 1:20:29.840
<v Speaker 7>calls me, she goes me mo and it's Mike, uh

1:20:30.280 --> 1:20:34.439
<v Speaker 7>not Jim. But uh, she'll go, she'll go, she'll go, Mo,

1:20:34.640 --> 1:20:36.519
<v Speaker 7>it's time to get in your pod and she'll stick

1:20:36.600 --> 1:20:41.080
<v Speaker 7>me in. It's yeah, it's uh wow, it's pretty embarrassing

1:20:41.720 --> 1:20:43.840
<v Speaker 7>if she wants she got to unzip you zip me?

1:20:44.080 --> 1:20:44.240
<v Speaker 6>Yeah?

1:20:44.320 --> 1:20:46.680
<v Speaker 5>Yeah, why it's embarrassing.

1:20:48.880 --> 1:20:49.720
<v Speaker 3>That's fascinating.

1:20:49.800 --> 1:20:53.120
<v Speaker 5>I don't know why you why you'd be embarrassed. I'm

1:20:53.600 --> 1:20:55.439
<v Speaker 5>really sleeping back part. That's embarrassing.

1:20:55.720 --> 1:20:57.200
<v Speaker 7>Sleep.

1:20:57.800 --> 1:20:58.000
<v Speaker 3>Yeah.

1:20:58.640 --> 1:21:00.240
<v Speaker 7>It's just one of those things where I all that

1:21:00.280 --> 1:21:03.760
<v Speaker 7>people think I was crazy. You know, people think like, oh,

1:21:03.840 --> 1:21:06.720
<v Speaker 7>this guy's just not all there. I mean, it's the

1:21:06.840 --> 1:21:08.840
<v Speaker 7>kind of thing that in the eighteen hundreds, they'd put

1:21:08.880 --> 1:21:11.599
<v Speaker 7>you in the hospital and they really throw away the key,

1:21:11.680 --> 1:21:14.160
<v Speaker 7>you know what I mean. Like it's if you jumped.

1:21:14.640 --> 1:21:18.120
<v Speaker 7>Think about that another era, you jump through a second

1:21:18.160 --> 1:21:19.840
<v Speaker 7>story window picture.

1:21:20.600 --> 1:21:21.400
<v Speaker 3>Yeah, I'm amazing.

1:21:21.840 --> 1:21:27.800
<v Speaker 7>This guy's crazy. I mer I'm a phenomenal athlete. Look

1:21:27.840 --> 1:21:30.760
<v Speaker 7>at me, people, I mean people aren't looking at me

1:21:30.800 --> 1:21:34.639
<v Speaker 7>at home. So you can google image man, and you're.

1:21:35.120 --> 1:21:38.720
<v Speaker 3>R B I G L I A B I R G.

1:21:39.120 --> 1:21:42.040
<v Speaker 3>You are a Google nightmare. I didn't realize the R

1:21:42.320 --> 1:21:45.080
<v Speaker 3>was the third letter of your last name. So for

1:21:45.160 --> 1:21:49.240
<v Speaker 3>the longest I was looking up Oh God, like, yeah

1:21:49.280 --> 1:21:51.599
<v Speaker 3>it was, it was. It took me time.

1:21:56.439 --> 1:22:00.920
<v Speaker 1>This is a quest Love Supreme on Pandora here with

1:22:01.040 --> 1:22:06.479
<v Speaker 1>the crew. So, Mike, what is what is your okay?

1:22:06.520 --> 1:22:10.759
<v Speaker 1>I hate to ask this question because I also.

1:22:10.760 --> 1:22:13.320
<v Speaker 3>Asked lim Manuel this question as well.

1:22:13.760 --> 1:22:16.679
<v Speaker 1>Any kind of rolled his eyes in the air slightly irked.

1:22:18.280 --> 1:22:22.640
<v Speaker 1>But have you started working on your next project? I

1:22:23.560 --> 1:22:28.759
<v Speaker 1>only if if this becomes so gargantuan that it becomes

1:22:28.800 --> 1:22:32.720
<v Speaker 1>a burden that you know, you could run the risk

1:22:32.800 --> 1:22:36.000
<v Speaker 1>of writers black or whatever. So are you immediately pushing

1:22:36.080 --> 1:22:37.040
<v Speaker 1>for the next project?

1:22:37.080 --> 1:22:41.439
<v Speaker 7>I have like five well, I have like the three

1:22:41.600 --> 1:22:43.760
<v Speaker 7>or four movie ideas that are kicking around in my

1:22:43.840 --> 1:22:46.080
<v Speaker 7>head right now, and I like to kind of let

1:22:46.160 --> 1:22:49.560
<v Speaker 7>them fight with each other, like like I don't I

1:22:49.600 --> 1:22:51.760
<v Speaker 7>don't rush to write one of them. I just let

1:22:51.800 --> 1:22:54.080
<v Speaker 7>them kind of play around in my head and then

1:22:54.120 --> 1:22:57.160
<v Speaker 7>if one of them feels strong enough, then then that's

1:22:57.160 --> 1:22:59.800
<v Speaker 7>when I'm gonna write it. But in the meantime, I'm

1:22:59.880 --> 1:23:02.720
<v Speaker 7>just trying to live, you know, and you know, be

1:23:02.840 --> 1:23:05.920
<v Speaker 7>a I have a fifteen month old daughter, and I'm

1:23:05.920 --> 1:23:07.360
<v Speaker 7>just trying to hang out with my wife and my

1:23:07.479 --> 1:23:10.880
<v Speaker 7>daughter and regret live thanks, just trying to live a bit.

1:23:11.000 --> 1:23:11.160
<v Speaker 3>You know.

1:23:11.360 --> 1:23:13.640
<v Speaker 7>It's I feel like I've been I've been kind of

1:23:13.760 --> 1:23:17.640
<v Speaker 7>hustling for like fifteen years, sixteen years, and I'm trying to.

1:23:17.720 --> 1:23:19.880
<v Speaker 3>Like you're trying to take a break now.

1:23:20.120 --> 1:23:22.360
<v Speaker 6>Yeah, it's an awesome looking hustled up.

1:23:22.479 --> 1:23:23.200
<v Speaker 3>But wait, it's.

1:23:25.800 --> 1:23:28.920
<v Speaker 1>Well, it's weird only because like I feel like, a

1:23:29.160 --> 1:23:34.720
<v Speaker 1>you're about to ride to such an arrival place, like now's.

1:23:34.479 --> 1:23:35.640
<v Speaker 3>Not the time to not.

1:23:35.880 --> 1:23:38.000
<v Speaker 8>I think he's I think it well because I had

1:23:38.000 --> 1:23:43.679
<v Speaker 8>a conversation about this with uha unpaid Bill uh Craig

1:23:43.960 --> 1:23:47.720
<v Speaker 8>uh Base Carter Carter, Homie Carter, who's going to ride us?

1:23:47.760 --> 1:23:48.880
<v Speaker 3>From how I met your mother?

1:23:49.240 --> 1:23:51.320
<v Speaker 8>Me and and were talking earlier, and we had a

1:23:51.439 --> 1:23:53.800
<v Speaker 8>conversation that was almost exactly what you're saying, Mike, in

1:23:53.840 --> 1:23:55.920
<v Speaker 8>the sense that once you get to this point in

1:23:56.000 --> 1:23:57.080
<v Speaker 8>your career, I think.

1:23:57.000 --> 1:23:59.559
<v Speaker 3>In age rather particularly when you have a kid, yeah,

1:24:00.400 --> 1:24:02.519
<v Speaker 3>you work smarter, not harder.

1:24:02.600 --> 1:24:02.760
<v Speaker 2>Yeah.

1:24:02.760 --> 1:24:03.680
<v Speaker 7>I think that's what I'm trying to do.

1:24:03.840 --> 1:24:06.599
<v Speaker 3>Yeah, you gotta kind of read you know what I'm saying.

1:24:06.640 --> 1:24:09.640
<v Speaker 1>Like the days of me staying up all night and

1:24:10.000 --> 1:24:13.800
<v Speaker 1>just working, you know, twelve sixteen eighteen hours straight in

1:24:13.880 --> 1:24:14.320
<v Speaker 1>the studio.

1:24:14.800 --> 1:24:16.240
<v Speaker 3>It's like, dude, I fuck that.

1:24:16.400 --> 1:24:18.320
<v Speaker 7>Yeah, I can't do that work. I'm the same exact

1:24:18.400 --> 1:24:19.920
<v Speaker 7>way I work.

1:24:19.960 --> 1:24:21.840
<v Speaker 8>And then I'm going to bed because it's like I

1:24:21.920 --> 1:24:23.639
<v Speaker 8>got to be at carpool at three thirty tomorrow.

1:24:23.680 --> 1:24:26.280
<v Speaker 3>Bro, Yeah you know what I'm saying, Like, I fuck it.

1:24:26.360 --> 1:24:28.840
<v Speaker 3>This should still be here when I you look confused like.

1:24:30.360 --> 1:24:33.800
<v Speaker 2>This, chill, what's just this?

1:24:34.400 --> 1:24:35.960
<v Speaker 6>But Mike, are you cool with that? Like? Are you

1:24:36.040 --> 1:24:37.479
<v Speaker 6>cool with where you are right now?

1:24:37.600 --> 1:24:37.840
<v Speaker 3>I think?

1:24:37.840 --> 1:24:39.200
<v Speaker 10>I mean it's kind of dope to look like I said,

1:24:39.240 --> 1:24:41.000
<v Speaker 10>look at your IMD page and see that you've been

1:24:41.040 --> 1:24:42.600
<v Speaker 10>in train Wreck, you got Orange and New Black, you

1:24:42.640 --> 1:24:43.519
<v Speaker 10>got your own projects.

1:24:43.560 --> 1:24:45.120
<v Speaker 6>Are you cool with that? Or do you want to

1:24:45.160 --> 1:24:47.960
<v Speaker 6>be like, you know, recognizable on the streets and everybody?

1:24:48.040 --> 1:24:51.360
<v Speaker 7>No, No, it's weird. I I am cool with it.

1:24:51.760 --> 1:24:54.599
<v Speaker 7>I when I was part of the reason I feel

1:24:54.600 --> 1:24:56.080
<v Speaker 7>like I was able to write the movie was in

1:24:56.160 --> 1:24:59.679
<v Speaker 7>my twenties. I feel like I wanted this one type

1:24:59.680 --> 1:25:01.439
<v Speaker 7>of six sas and it's like what me and all

1:25:01.479 --> 1:25:04.160
<v Speaker 7>my buddies wanted the same fucking thing, Like we want

1:25:04.240 --> 1:25:06.280
<v Speaker 7>to like write for Conan or SNL or this or

1:25:06.360 --> 1:25:08.040
<v Speaker 7>that or whatever, and then you get to be your

1:25:08.120 --> 1:25:09.840
<v Speaker 7>thirties and you start to be like, no, no, that

1:25:10.080 --> 1:25:12.639
<v Speaker 7>that's not what success is. Success is like any number

1:25:12.680 --> 1:25:15.560
<v Speaker 7>of things on a spectrum, and that it's personal to you.

1:25:16.360 --> 1:25:18.560
<v Speaker 7>And so I'm just starting to understand, like, no, no,

1:25:18.800 --> 1:25:21.400
<v Speaker 7>I'm my own thing, and I don't need to be

1:25:22.080 --> 1:25:24.040
<v Speaker 7>like you're saying, like recognizing the street and all that

1:25:24.120 --> 1:25:26.360
<v Speaker 7>kind of stuff, which I think in my twenties I craved,

1:25:26.840 --> 1:25:28.000
<v Speaker 7>surely because I'm single.

1:25:30.000 --> 1:25:33.240
<v Speaker 1>So in your head and the twenty in your twenties,

1:25:33.280 --> 1:25:35.600
<v Speaker 1>writing for Conan would have been the Pinaffs.

1:25:35.200 --> 1:25:38.360
<v Speaker 7>It would have Yeah, it would have been the ultimate thing.

1:25:39.000 --> 1:25:41.040
<v Speaker 3>And but do you think it's more of a satiable

1:25:41.120 --> 1:25:44.040
<v Speaker 3>thing because I've had that thing where it's just like, yo, man,

1:25:44.720 --> 1:25:46.920
<v Speaker 3>if I just get one Grammy, that's all I want.

1:25:47.120 --> 1:25:51.840
<v Speaker 1>Yeah, I want, And then it happens and then you're like, ah,

1:25:52.760 --> 1:25:54.360
<v Speaker 1>if we could just come home with like.

1:25:55.960 --> 1:26:00.439
<v Speaker 3>Five thousand dollars, that's all. What Wait? If I lived

1:26:00.479 --> 1:26:02.840
<v Speaker 3>a life where like I could just get four pairs

1:26:02.880 --> 1:26:06.479
<v Speaker 3>of Nikes every month, that's all I want, And then

1:26:06.560 --> 1:26:08.960
<v Speaker 3>it was like, Okay, a five bedroomhouse, and I swear

1:26:09.040 --> 1:26:10.040
<v Speaker 3>god that no more, that's all.

1:26:10.080 --> 1:26:13.000
<v Speaker 7>What Well, the craziest thing I think is it just well,

1:26:13.800 --> 1:26:15.800
<v Speaker 7>I find that that's what I like about New York

1:26:15.880 --> 1:26:19.160
<v Speaker 7>City is less like that than Los Angeles. I think,

1:26:19.400 --> 1:26:22.040
<v Speaker 7>in my opinion, when you go to Los Angeles, I

1:26:22.120 --> 1:26:24.360
<v Speaker 7>feel like you see a lot of people who they

1:26:24.479 --> 1:26:26.960
<v Speaker 7>got into it for the right reasons, and then they

1:26:27.040 --> 1:26:31.040
<v Speaker 7>start to take money gigs just because they're around. And

1:26:31.160 --> 1:26:34.400
<v Speaker 7>you know, there's money all around in Hollywood, and I

1:26:34.520 --> 1:26:39.080
<v Speaker 7>feel like my goal is just to continue, like I think,

1:26:39.360 --> 1:26:41.439
<v Speaker 7>don't think twice is better than Sleepwalk with Me. I

1:26:41.520 --> 1:26:43.519
<v Speaker 7>hope my third movie is better than my second movie.

1:26:43.880 --> 1:26:46.000
<v Speaker 7>I hope I can make about ten in my life

1:26:46.560 --> 1:26:48.439
<v Speaker 7>and then that'll be it for me, you know what

1:26:48.479 --> 1:26:50.960
<v Speaker 7>I mean, likee' that's all I want to do.

1:26:51.680 --> 1:26:53.880
<v Speaker 3>So you see an end game, you see a oh

1:26:53.920 --> 1:26:54.920
<v Speaker 3>I can walk away from this.

1:26:55.840 --> 1:26:58.920
<v Speaker 7>Yeah, I think about ten movies to get back to Tarantino.

1:26:58.960 --> 1:27:02.280
<v Speaker 7>I mean Tarantino is like that's what he said, that's

1:27:02.320 --> 1:27:02.800
<v Speaker 7>what he said.

1:27:03.560 --> 1:27:06.200
<v Speaker 8>Yeah, I mean even on a hip hop right. You

1:27:06.280 --> 1:27:10.080
<v Speaker 8>know Hank Shockley, who is the main producer of Enemy,

1:27:11.040 --> 1:27:11.719
<v Speaker 8>I'm talking.

1:27:11.560 --> 1:27:12.080
<v Speaker 3>For the people.

1:27:13.760 --> 1:27:17.800
<v Speaker 1>I'm still I wasn't correcting you I'm still getting over

1:27:17.920 --> 1:27:21.400
<v Speaker 1>the chill of stopping one well hit To that point,

1:27:21.760 --> 1:27:25.160
<v Speaker 1>Hank Shockley always said that bands after three records.

1:27:24.880 --> 1:27:27.200
<v Speaker 3>They need to just be like fuck it. He was,

1:27:27.800 --> 1:27:30.559
<v Speaker 3>and I mean and and to be fair, if.

1:27:30.520 --> 1:27:32.639
<v Speaker 8>You look at a lot of bands like their first three,

1:27:33.400 --> 1:27:35.800
<v Speaker 8>not that they didn't make anything great after that, but

1:27:36.600 --> 1:27:39.800
<v Speaker 8>I mean, look at Public Enemy, look at Outcast, look at.

1:27:40.640 --> 1:27:43.200
<v Speaker 1>But the thing is, we didn't start popping to our

1:27:43.240 --> 1:27:47.479
<v Speaker 1>fourth record. Well, y'all didn't start popping. Popping is different.

1:27:47.560 --> 1:27:50.000
<v Speaker 1>Y'all didn't pop into y'all four. And again y'all were

1:27:50.040 --> 1:27:51.559
<v Speaker 1>one of the ones. Like I mean, I bought all

1:27:51.640 --> 1:27:55.240
<v Speaker 1>y'all records. But even still, y'all got the opportunity to

1:27:55.600 --> 1:27:58.200
<v Speaker 1>make that record. Y'all came along at a time where

1:27:58.880 --> 1:28:02.760
<v Speaker 1>you know, well, y'all particular situation, you were given that

1:28:02.920 --> 1:28:05.839
<v Speaker 1>space to get to record three, four or five. Whereas

1:28:07.040 --> 1:28:10.639
<v Speaker 1>now you know what I'm saying, Uh, you know, particularly

1:28:10.680 --> 1:28:12.600
<v Speaker 1>black artists, you're not getting that many chances at that

1:28:13.479 --> 1:28:14.320
<v Speaker 1>without a home run.

1:28:15.920 --> 1:28:18.240
<v Speaker 3>It's just stopping.

1:28:24.360 --> 1:28:26.760
<v Speaker 1>This is from if this from a dude that took

1:28:26.840 --> 1:28:35.000
<v Speaker 1>his first vacation recently and to not work for five days,

1:28:35.120 --> 1:28:39.400
<v Speaker 1>it wasn't killing me as bad as I you know,

1:28:39.479 --> 1:28:42.280
<v Speaker 1>didn't think it was going to kill me, like because

1:28:42.360 --> 1:28:44.560
<v Speaker 1>normally when I tried to do that, okay, I'm not

1:28:44.640 --> 1:28:46.560
<v Speaker 1>going to work today, whatever. And I just feel like

1:28:47.840 --> 1:28:50.800
<v Speaker 1>like something's happening, someone's getting the advantage that.

1:28:53.080 --> 1:28:55.920
<v Speaker 3>You know, do you do you want kids in a wife?

1:28:55.960 --> 1:28:56.000
<v Speaker 7>Like?

1:28:56.080 --> 1:28:58.240
<v Speaker 3>Do you want to be married with kids? At some point?

1:28:58.360 --> 1:28:58.760
<v Speaker 3>I want?

1:29:00.120 --> 1:29:02.400
<v Speaker 1>But nah, that changes things, dude, I think you relate

1:29:02.439 --> 1:29:04.120
<v Speaker 1>to a lot of what like what Mike is like

1:29:04.240 --> 1:29:07.960
<v Speaker 1>just kids. It just that it changes everything.

1:29:08.080 --> 1:29:10.960
<v Speaker 3>Man, if you have a conscious, If you have a conscious,

1:29:11.080 --> 1:29:17.120
<v Speaker 3>it changes things. I know some ambitious people that put

1:29:17.520 --> 1:29:22.880
<v Speaker 3>their family second. I can see that.

1:29:23.160 --> 1:29:25.960
<v Speaker 1>I don't think that I could do that. But I'm

1:29:26.000 --> 1:29:30.760
<v Speaker 1>also a person that doesn't say why I never do that.

1:29:31.080 --> 1:29:32.840
<v Speaker 10>You won't do that because you waited this long. Those

1:29:32.880 --> 1:29:34.960
<v Speaker 10>other people started early and they don't appreciate it. You'll

1:29:34.960 --> 1:29:35.680
<v Speaker 10>appreciate it more.

1:29:35.840 --> 1:29:36.280
<v Speaker 6>I'm sorry.

1:29:36.400 --> 1:29:38.840
<v Speaker 8>Just now, that's that's a bad point. I mean because

1:29:38.920 --> 1:29:40.920
<v Speaker 8>right now, I mean I had my boys, John, I'm

1:29:40.960 --> 1:29:43.519
<v Speaker 8>from the South. We you know, we start early, so

1:29:43.880 --> 1:29:46.680
<v Speaker 8>you know it was you know, not seriously for real.

1:29:46.720 --> 1:29:52.120
<v Speaker 8>I mean my boys are fifteen and ten. Yeah, yeah, no,

1:29:52.240 --> 1:29:52.840
<v Speaker 8>we start everything.

1:29:52.960 --> 1:29:54.560
<v Speaker 3>I mean, it's the country. What the fuck else we

1:29:54.680 --> 1:29:58.400
<v Speaker 3>gonna do with cook out and not pull out.

1:30:00.200 --> 1:30:04.439
<v Speaker 9>Jesus Like, that's just that's just what you do. But

1:30:04.920 --> 1:30:09.080
<v Speaker 9>but no, like a fight stop? Did you just coin

1:30:09.240 --> 1:30:12.080
<v Speaker 9>like a I don't even know what the like?

1:30:12.920 --> 1:30:13.160
<v Speaker 2>Really?

1:30:13.680 --> 1:30:15.560
<v Speaker 3>I guess does that count as an idiom or I

1:30:15.600 --> 1:30:17.599
<v Speaker 3>don't know. I just can.

1:30:20.400 --> 1:30:21.280
<v Speaker 2>Mike should tweet that.

1:30:23.800 --> 1:30:24.639
<v Speaker 7>To end my career.

1:30:27.880 --> 1:30:29.599
<v Speaker 3>But nah, man, I hear what you're saying on Mike.

1:30:29.640 --> 1:30:32.080
<v Speaker 8>I mean, I think you know, particularly when you get

1:30:32.120 --> 1:30:35.599
<v Speaker 8>to that, because it's not from what I heard you say,

1:30:36.040 --> 1:30:37.880
<v Speaker 8>It's like, it's not like therapy and ship now what

1:30:38.000 --> 1:30:41.200
<v Speaker 8>I heard you say, it's not that it's necessarily stopping.

1:30:41.320 --> 1:30:43.439
<v Speaker 8>I think it's just necessarily just getting to that point

1:30:43.479 --> 1:30:47.960
<v Speaker 8>where you realize, like, okay, I've done Once you get

1:30:47.960 --> 1:30:50.320
<v Speaker 8>to a point where you realize I've expressed myself to

1:30:50.479 --> 1:30:52.960
<v Speaker 8>the on the highest level that I can, whether it's

1:30:53.000 --> 1:30:56.280
<v Speaker 8>a movie, whether it's a radio show, whether it's a

1:30:56.280 --> 1:30:56.800
<v Speaker 8>pot whatever.

1:30:56.840 --> 1:30:58.920
<v Speaker 3>If I've done that on the highest level.

1:30:58.880 --> 1:31:05.519
<v Speaker 1>Right then, which leads back to our earlier conversation of

1:31:06.320 --> 1:31:10.519
<v Speaker 1>listening to those voices in your head. Now what I'm

1:31:10.600 --> 1:31:16.200
<v Speaker 1>just saying, is if you think that there's a limit,

1:31:17.000 --> 1:31:20.519
<v Speaker 1>Like okay, now, logistically speaking, now, if we're.

1:31:20.439 --> 1:31:20.960
<v Speaker 3>Talking to.

1:31:24.439 --> 1:31:29.800
<v Speaker 1>Twenty year old Amir Thompson busking on the corners of

1:31:29.880 --> 1:31:33.720
<v Speaker 1>South Street in Philadelphia. Now, if someone came up to

1:31:33.840 --> 1:31:39.519
<v Speaker 1>me and said, check it all right, Like it's my

1:31:39.720 --> 1:31:42.840
<v Speaker 1>version of Jacob Marley that says, you know, okay, now

1:31:42.880 --> 1:31:47.000
<v Speaker 1>here's the deal. You're twenty now, and you know I'm

1:31:47.040 --> 1:31:49.639
<v Speaker 1>actively in hip hop. Now.

1:31:49.920 --> 1:31:53.320
<v Speaker 3>Usually quote it's supposed to go down at least in

1:31:54.720 --> 1:31:58.120
<v Speaker 3>like two years, that's when you get your moment in time. Now,

1:31:58.160 --> 1:31:59.320
<v Speaker 3>if that voice told me.

1:32:01.680 --> 1:32:05.120
<v Speaker 1>You're gonna get your moment and whatever the quote your

1:32:05.200 --> 1:32:07.680
<v Speaker 1>moment is is relative. I don't mean like you know,

1:32:07.920 --> 1:32:10.840
<v Speaker 1>just no I got to poor Champagne on people or whatever.

1:32:11.400 --> 1:32:13.640
<v Speaker 3>But if someone would have told me.

1:32:15.360 --> 1:32:20.400
<v Speaker 1>That twenty five years from now, when you're forty five,

1:32:21.640 --> 1:32:25.559
<v Speaker 1>it's gonna be on and popping, but till then, it's

1:32:25.560 --> 1:32:28.840
<v Speaker 1>gonna be the slowest, most tortuous.

1:32:28.439 --> 1:32:30.680
<v Speaker 3>Ride of your life. Like do you think do you

1:32:30.760 --> 1:32:33.880
<v Speaker 3>aint Biggie would have stuck over? Like if someone told

1:32:33.920 --> 1:32:34.920
<v Speaker 3>Biggie all right, all right.

1:32:35.120 --> 1:32:38.800
<v Speaker 1>Christopher Wallace at nineteen, it's just not really gonna happen

1:32:38.880 --> 1:32:40.439
<v Speaker 1>for you till you're like forty three.

1:32:41.720 --> 1:32:43.479
<v Speaker 8>Do you think he would have been like he maybe

1:32:43.560 --> 1:32:45.240
<v Speaker 8>he would have stuck around. I mean, I don't know,

1:32:45.439 --> 1:32:47.720
<v Speaker 8>but I mean, but that's like it for everybody, though,

1:32:47.760 --> 1:32:49.360
<v Speaker 8>I think, I mean, if you really look at it,

1:32:49.520 --> 1:32:52.000
<v Speaker 8>you know, in terms of but that's the thing. There's

1:32:52.000 --> 1:32:53.680
<v Speaker 8>an and I can kind of back it up with

1:32:53.800 --> 1:32:56.960
<v Speaker 8>science a little bit pseudo whatever. But there was an

1:32:57.120 --> 1:33:01.040
<v Speaker 8>article of Red while back they talk about by how

1:33:01.160 --> 1:33:06.240
<v Speaker 8>creative people why most of their creative peaks happened in

1:33:06.400 --> 1:33:08.640
<v Speaker 8>like your late thirties, you know what I'm saying, Like

1:33:08.720 --> 1:33:10.559
<v Speaker 8>your late thirties, early forties.

1:33:10.920 --> 1:33:13.120
<v Speaker 3>That's really what you get to your money making years.

1:33:13.160 --> 1:33:16.400
<v Speaker 8>And it's something to do with that's when both sides

1:33:16.439 --> 1:33:19.320
<v Speaker 8>of your brain kind of learned to talk to each other.

1:33:19.439 --> 1:33:22.880
<v Speaker 8>So it's like you learned how to merge the creative

1:33:23.240 --> 1:33:26.320
<v Speaker 8>and the business, and you kind of what you're saying,

1:33:26.320 --> 1:33:27.920
<v Speaker 8>you kind of get out of your head a little more,

1:33:28.200 --> 1:33:31.200
<v Speaker 8>but you understand how to make those two sides coexist.

1:33:31.439 --> 1:33:34.439
<v Speaker 8>So that's why people have their creative breakthroughs. So I mean,

1:33:34.479 --> 1:33:36.320
<v Speaker 8>so for somebody like Mike, I mean, you know, you

1:33:36.439 --> 1:33:38.640
<v Speaker 8>were just the comedy seller guy. I mean like, did

1:33:38.720 --> 1:33:41.400
<v Speaker 8>you ever think, like, man, I'm gonna make a fucking movie.

1:33:41.479 --> 1:33:42.840
<v Speaker 3>I mean, was that you know?

1:33:42.920 --> 1:33:44.960
<v Speaker 7>I always thought that was gonna happen faster like am

1:33:45.000 --> 1:33:47.280
<v Speaker 7>you're saying. I always thought like when I was like

1:33:47.360 --> 1:33:49.880
<v Speaker 7>twenty two, I was like, I'll make my first movie

1:33:49.960 --> 1:33:53.720
<v Speaker 7>at twenty four. And then no, it's like when I

1:33:53.800 --> 1:33:55.519
<v Speaker 7>was thirty two. It's like, we know, it's like literally

1:33:55.600 --> 1:33:57.519
<v Speaker 7>ten years longer than I thought it was gonna be.

1:33:58.160 --> 1:34:01.400
<v Speaker 3>Okay, now I'm just singing that in your thirty eight

1:34:01.520 --> 1:34:05.479
<v Speaker 3>Now No, no, I don't mean uh posture are I

1:34:05.560 --> 1:34:09.479
<v Speaker 3>mean in your in your eight movie plan?

1:34:09.880 --> 1:34:12.559
<v Speaker 7>Yeah, in your eight movie ten movie plan, eight more movies.

1:34:12.800 --> 1:34:17.160
<v Speaker 3>Okay, yeah, in your ten movie plan. What if movie

1:34:17.240 --> 1:34:21.680
<v Speaker 3>number seven becomes your piece of resistance? What if you

1:34:22.080 --> 1:34:23.120
<v Speaker 3>went Star Wars?

1:34:23.880 --> 1:34:25.840
<v Speaker 7>Yeah, drop the mic and lave you mean, well, no,

1:34:25.920 --> 1:34:28.559
<v Speaker 7>I'm just saying that, what if it enables you to.

1:34:30.439 --> 1:34:31.760
<v Speaker 3>Start an empire? Oh?

1:34:31.840 --> 1:34:34.559
<v Speaker 7>I see what you're saying, like like Apatow or something

1:34:34.640 --> 1:34:39.280
<v Speaker 7>where like yeah, what year old virgin kind of thing,

1:34:39.680 --> 1:34:41.479
<v Speaker 7>and then all of a sudden I could branch out

1:34:41.520 --> 1:34:45.400
<v Speaker 7>and make verbiglia films that their stamp on a bunch

1:34:45.439 --> 1:34:46.000
<v Speaker 7>of different.

1:34:46.040 --> 1:34:50.920
<v Speaker 1>Positive that Larry Sanders era Appatow didn't even think that

1:34:51.160 --> 1:34:55.160
<v Speaker 1>he would be the comedy go to god he is

1:34:55.280 --> 1:34:55.720
<v Speaker 1>right now.

1:34:56.600 --> 1:34:59.120
<v Speaker 7>No, I don't think he probably, but I think it takes.

1:34:58.960 --> 1:35:00.679
<v Speaker 8>That time, no, man, because you're you gotta think about

1:35:00.680 --> 1:35:03.040
<v Speaker 8>it like your now you were saying that twenty two

1:35:03.160 --> 1:35:05.439
<v Speaker 8>year old guy, right. I think sometimes we have to

1:35:05.560 --> 1:35:07.320
<v Speaker 8>grow in two as an arts. You have to give

1:35:07.320 --> 1:35:10.840
<v Speaker 8>your times, give yourself space to grow into that so

1:35:11.120 --> 1:35:13.920
<v Speaker 8>you're ready for it. So if you were that guy

1:35:14.000 --> 1:35:16.439
<v Speaker 8>at twenty two beating on buckets and they gave you

1:35:16.600 --> 1:35:19.000
<v Speaker 8>the Tonight show, you would have probably would have fucked

1:35:19.040 --> 1:35:19.439
<v Speaker 8>it up, you.

1:35:19.439 --> 1:35:21.280
<v Speaker 3>Know what I'm saying, because you weren't ready for that

1:35:21.400 --> 1:35:23.680
<v Speaker 3>at that Nobody ready, No one is ready for that.

1:35:23.840 --> 1:35:27.160
<v Speaker 1>Like I mean you you don't have no your brain

1:35:27.360 --> 1:35:30.639
<v Speaker 1>is not even fully formed to like calculate risk and shit,

1:35:30.680 --> 1:35:33.040
<v Speaker 1>you know what I'm saying, Like it's not even you're

1:35:33.040 --> 1:35:36.519
<v Speaker 1>not ready for it. I never I never desired the show.

1:35:37.080 --> 1:35:39.200
<v Speaker 1>It wasn't a dream like where like Dox Everson's on

1:35:39.240 --> 1:35:43.840
<v Speaker 1>the wall like to be that dude, but like I

1:35:43.960 --> 1:35:50.000
<v Speaker 1>take it as it comes. But if I were when

1:35:50.040 --> 1:35:56.040
<v Speaker 1>I was thirty eight. Okay, two thousand and nine, I

1:35:56.160 --> 1:36:00.240
<v Speaker 1>have no shame in my safeness and in my older

1:36:00.320 --> 1:36:03.880
<v Speaker 1>statesman whatever. I might get a little ert if you know,

1:36:04.000 --> 1:36:09.760
<v Speaker 1>millennial calls me og. But sir, are you og yet?

1:36:09.960 --> 1:36:12.479
<v Speaker 3>I'm certainly an og? No, but I mean has like

1:36:13.040 --> 1:36:15.040
<v Speaker 3>like Cuddy called you og yet?

1:36:15.040 --> 1:36:15.120
<v Speaker 7>Oh?

1:36:15.200 --> 1:36:17.760
<v Speaker 8>Yeah, like I've been called og yold up og. I

1:36:17.840 --> 1:36:19.120
<v Speaker 8>used to listen to you in middle school.

1:36:19.920 --> 1:36:22.600
<v Speaker 7>Oh I get that now, Really, I get people. I

1:36:23.040 --> 1:36:24.720
<v Speaker 7>keep on my show saying I listened to you in

1:36:24.880 --> 1:36:25.479
<v Speaker 7>middle school.

1:36:25.880 --> 1:36:26.200
<v Speaker 3>Wow.

1:36:26.560 --> 1:36:27.280
<v Speaker 7>Yeah, it's crazy.

1:36:27.960 --> 1:36:29.320
<v Speaker 3>They don't call you og.

1:36:29.640 --> 1:36:32.680
<v Speaker 7>Nobody calls me. Nobody would ever call me og in

1:36:32.840 --> 1:36:33.639
<v Speaker 7>any context.

1:36:34.040 --> 1:36:40.880
<v Speaker 3>Let me keep retweeting you wait a week? Well, yeah,

1:36:41.160 --> 1:36:43.960
<v Speaker 3>I'm just saying that in two thousand and eight, two

1:36:43.960 --> 1:36:47.640
<v Speaker 3>thousand and nine. I you know, I don't know. I

1:36:47.800 --> 1:36:51.800
<v Speaker 3>just feel like to say what your plans are?

1:36:54.200 --> 1:36:58.240
<v Speaker 1>I feel like that's desire, not planned, because if you

1:36:58.360 --> 1:37:03.000
<v Speaker 1>do become an appetitph or have an opportunity to become

1:37:03.840 --> 1:37:07.000
<v Speaker 1>or be greater than that, to become Spielberg or greater.

1:37:08.320 --> 1:37:13.080
<v Speaker 3>I would think that you that might be a sam

1:37:13.240 --> 1:37:14.000
<v Speaker 3>zone that you're in.

1:37:15.560 --> 1:37:18.639
<v Speaker 1>If you walk away for it for any other reason,

1:37:19.000 --> 1:37:23.400
<v Speaker 1>then you absolutely must bond with your kids. But even then,

1:37:23.520 --> 1:37:26.479
<v Speaker 1>like Spielberg has kids and a family and that certain

1:37:26.520 --> 1:37:29.280
<v Speaker 1>thing is able to juggle it. So I'm saying that

1:37:29.479 --> 1:37:30.160
<v Speaker 1>I don't know if you.

1:37:31.920 --> 1:37:32.640
<v Speaker 3>See, but I.

1:37:32.760 --> 1:37:36.760
<v Speaker 7>Relate most to Sam in the movie. Like I, when

1:37:36.800 --> 1:37:38.840
<v Speaker 7>I look at Sam, I'm like, Oh, that's what That's

1:37:38.880 --> 1:37:42.439
<v Speaker 7>what I I wish I was. I wish I was

1:37:42.479 --> 1:37:46.519
<v Speaker 7>someone who had complete integrity and didn't care about all that.

1:37:47.840 --> 1:37:52.479
<v Speaker 1>I didn't see her. I didn't see it as well. Again,

1:37:52.479 --> 1:37:54.720
<v Speaker 1>I didn't see it as integrity like she was just

1:37:55.560 --> 1:37:56.559
<v Speaker 1>so she was scared.

1:37:56.640 --> 1:37:57.800
<v Speaker 5>Yeah, I thought she was checking out.

1:37:58.200 --> 1:37:58.920
<v Speaker 6>At first she was.

1:37:58.920 --> 1:38:01.040
<v Speaker 10>Scared, but then when she broke down, she was not scared.

1:38:01.120 --> 1:38:02.720
<v Speaker 10>She explained that, I really don't want to do that.

1:38:02.800 --> 1:38:04.040
<v Speaker 10>I really don't want to be that. I don't want

1:38:04.040 --> 1:38:04.719
<v Speaker 10>to be on that shut.

1:38:06.400 --> 1:38:07.840
<v Speaker 9>I still think there might have been some fear that

1:38:08.040 --> 1:38:10.800
<v Speaker 9>in the beginning when I'm talking about when I think, yeah,

1:38:11.400 --> 1:38:12.280
<v Speaker 9>it's all fear.

1:38:12.280 --> 1:38:14.160
<v Speaker 10>Fear of yeah world, fear of maybe getting to that

1:38:14.200 --> 1:38:15.519
<v Speaker 10>point where you think you might be selling them.

1:38:15.760 --> 1:38:20.040
<v Speaker 8>Okay, So one another scene that that that that that

1:38:20.280 --> 1:38:24.240
<v Speaker 8>Sam reminded me of. So where's the line, right, so Louis.

1:38:24.439 --> 1:38:26.200
<v Speaker 1>You know, I don't know if you watch Louis, just

1:38:26.520 --> 1:38:30.840
<v Speaker 1>the scene where Louie is in his uh it' see

1:38:30.960 --> 1:38:32.960
<v Speaker 1>like season four where he goes to his agent he

1:38:33.000 --> 1:38:36.120
<v Speaker 1>has the he has the opportunity to host letterst level

1:38:36.479 --> 1:38:39.000
<v Speaker 1>and his agent just sits him down, and it's like, look, dude,

1:38:39.040 --> 1:38:40.960
<v Speaker 1>this is what it is. You make eighty thousand dollars

1:38:40.960 --> 1:38:44.280
<v Speaker 1>a year your stand up comic. You know, shit is

1:38:44.320 --> 1:38:46.000
<v Speaker 1>not going to get any better than this. If you

1:38:46.080 --> 1:38:49.320
<v Speaker 1>were if you were waiting for that moment. This is

1:38:49.400 --> 1:38:51.920
<v Speaker 1>that moment right here, and if you don't take it,

1:38:52.479 --> 1:38:54.559
<v Speaker 1>you're done forever, you know what I mean. Just kind

1:38:54.600 --> 1:38:56.679
<v Speaker 1>of just that you know, that nut up or shut

1:38:56.760 --> 1:39:00.080
<v Speaker 1>up kind of moment, right, and so he on.

1:39:00.200 --> 1:39:04.880
<v Speaker 9>People just got really excited anytime I was keeping a list,

1:39:05.000 --> 1:39:11.639
<v Speaker 9>any time I thought it was put up up where

1:39:11.640 --> 1:39:13.960
<v Speaker 9>I come from, that's what it is. But we're from

1:39:14.040 --> 1:39:18.400
<v Speaker 9>different places. Like just like a little he's watching a

1:39:18.479 --> 1:39:21.800
<v Speaker 9>lot of times the Road and you took that one

1:39:21.880 --> 1:39:23.280
<v Speaker 9>and I took that one.

1:39:23.479 --> 1:39:24.160
<v Speaker 2>Yeah, I got it.

1:39:24.240 --> 1:39:28.040
<v Speaker 3>The past diverged. But but nah, so where is that?

1:39:28.920 --> 1:39:29.519
<v Speaker 3>As an artist?

1:39:29.600 --> 1:39:31.519
<v Speaker 8>For you might like, so, where where is that moment

1:39:31.600 --> 1:39:36.719
<v Speaker 8>because you could say again where I'm just trying to understand,

1:39:36.760 --> 1:39:40.520
<v Speaker 8>how can you we say that the person is sabotaging

1:39:40.960 --> 1:39:43.040
<v Speaker 8>when again, it just may be a thing where you

1:39:43.160 --> 1:39:46.320
<v Speaker 8>just say, look, I know my limitations, you know what

1:39:46.360 --> 1:39:48.120
<v Speaker 8>I'm saying, and well, it's.

1:39:48.040 --> 1:39:52.200
<v Speaker 7>Just it's just what you I think. You ultimately have

1:39:52.320 --> 1:39:54.560
<v Speaker 7>to do what you love and not what you like.

1:39:55.920 --> 1:39:59.160
<v Speaker 7>So it's like people say to me now, like, oh,

1:39:59.479 --> 1:40:01.800
<v Speaker 7>the next you'll make will be with the studio. It'll

1:40:01.840 --> 1:40:05.160
<v Speaker 7>be like Universal Paramount or whatever. And I'm like, I

1:40:05.200 --> 1:40:08.920
<v Speaker 7>don't really like those movies. I don't really like big movies.

1:40:08.960 --> 1:40:12.160
<v Speaker 7>I love small movies like I love movies like Don't

1:40:12.200 --> 1:40:15.920
<v Speaker 7>Think Twice And you know, Captain Fantastic is a good

1:40:15.920 --> 1:40:18.880
<v Speaker 7>one that's out right now and Tickled Like there's like

1:40:19.040 --> 1:40:21.000
<v Speaker 7>indie small indie films just like what I love.

1:40:21.200 --> 1:40:23.479
<v Speaker 3>So you had an absolute final say on this film.

1:40:23.320 --> 1:40:25.840
<v Speaker 7>Yeah, I final cut. I finally cut in my first one.

1:40:26.600 --> 1:40:28.920
<v Speaker 7>I just want to in all my all my one

1:40:28.960 --> 1:40:30.840
<v Speaker 7>person shows the same thing.

1:40:31.000 --> 1:40:39.400
<v Speaker 3>Has Hollywood coming knocking. Yeah, they call Okay, by the way.

1:40:39.479 --> 1:40:46.440
<v Speaker 1>Congrats, Like I'm I'm obsessed. I'm obsessed with any not aggregates,

1:40:46.520 --> 1:40:51.439
<v Speaker 1>but just any sort of rating system. And you know,

1:40:51.479 --> 1:40:54.439
<v Speaker 1>when I first saw that ninety nine rotten Tomato thing,

1:40:54.560 --> 1:40:57.280
<v Speaker 1>I just thought like, oh, okay, one person reviewed it,

1:40:57.439 --> 1:41:00.000
<v Speaker 1>and then that was the yeah, And then I realized

1:41:00.000 --> 1:41:00.880
<v Speaker 1>I was like, yo.

1:41:00.960 --> 1:41:05.240
<v Speaker 3>This is like across the board. This is probably the highest.

1:41:04.960 --> 1:41:09.519
<v Speaker 1>Rated uh movie that has at least a minimum of

1:41:09.680 --> 1:41:11.040
<v Speaker 1>twenty major reviews to it.

1:41:11.600 --> 1:41:15.840
<v Speaker 7>Like everyone's just yeah, I've been I mean, I don't

1:41:15.880 --> 1:41:18.719
<v Speaker 7>know what the humble thing to say is here, people

1:41:18.920 --> 1:41:21.720
<v Speaker 7>like people have been digging it, like I've been really lucky.

1:41:22.640 --> 1:41:25.640
<v Speaker 1>Like this, this, this is the equivalent of this is

1:41:25.720 --> 1:41:28.360
<v Speaker 1>really the equivalent like if I got to put in

1:41:28.439 --> 1:41:33.920
<v Speaker 1>perspective of Illmatic getting five mics, Yeah, no, this is

1:41:33.960 --> 1:41:37.759
<v Speaker 1>the illmatic five mic movement where you know, like critics

1:41:37.800 --> 1:41:41.360
<v Speaker 1>are really truly getting it for those that don't understand

1:41:41.400 --> 1:41:45.719
<v Speaker 1>the reference, because I feel I've.

1:41:45.600 --> 1:41:49.120
<v Speaker 2>Been meaning illmatic. Did your mom and all her friends

1:41:49.160 --> 1:41:50.360
<v Speaker 2>write all those rotten reviews?

1:41:53.280 --> 1:41:53.320
<v Speaker 6>No?

1:41:53.520 --> 1:41:53.800
<v Speaker 3>Okay?

1:41:53.920 --> 1:41:58.080
<v Speaker 1>So uh for hip hop heads, uh nas is illmatic

1:41:58.439 --> 1:42:03.360
<v Speaker 1>and the extremely glowing review that uh, I guess we

1:42:03.439 --> 1:42:09.080
<v Speaker 1>can reveal that Mino Minya oh miss info was quote Shorty,

1:42:10.000 --> 1:42:10.439
<v Speaker 1>you didn't know.

1:42:10.479 --> 1:42:14.680
<v Speaker 6>This, Yeah, I didn't even know she was mean to

1:42:14.720 --> 1:42:16.160
<v Speaker 6>Oh I didn't know, miss info. Okay, thank you.

1:42:16.560 --> 1:42:16.760
<v Speaker 3>Yeah.

1:42:17.520 --> 1:42:21.120
<v Speaker 1>Yeah, back when Mino was at the Source magazine, back

1:42:21.160 --> 1:42:24.839
<v Speaker 1>when that was our pitchfork, it was that was our pitchfork,

1:42:24.920 --> 1:42:28.040
<v Speaker 1>that was our rolling stone, and there was a good

1:42:29.640 --> 1:42:33.439
<v Speaker 1>six year stretch of it being absolutely credible. Last word

1:42:33.560 --> 1:42:35.800
<v Speaker 1>on what was quality hip hop or not?

1:42:37.000 --> 1:42:38.920
<v Speaker 3>Mad Man got made, Man Got four and a.

1:42:38.920 --> 1:42:39.600
<v Speaker 2>Half and it was just.

1:42:41.439 --> 1:42:43.000
<v Speaker 3>Got four and a half. Yeah, it was just like

1:42:43.479 --> 1:42:46.280
<v Speaker 3>the little Kim got no, no, no, look got five.

1:42:46.479 --> 1:42:49.040
<v Speaker 3>Look Kim got five? She got five? She got five?

1:42:51.720 --> 1:42:55.160
<v Speaker 3>Is the one? Where was the one after that?

1:42:55.320 --> 1:42:55.400
<v Speaker 9>Oh?

1:42:55.439 --> 1:42:58.519
<v Speaker 3>The Naked Truth was the Naked truth? Yeah, because that.

1:42:58.680 --> 1:43:02.120
<v Speaker 1>Was oh crap, because the dude was like her, what

1:43:02.320 --> 1:43:09.280
<v Speaker 1>was it her? Hey, well deserves Yeah, light us up

1:43:09.439 --> 1:43:12.280
<v Speaker 1>was a tipping point track. And then Scott gave it

1:43:12.720 --> 1:43:15.600
<v Speaker 1>to all right, do you remember that?

1:43:15.720 --> 1:43:16.000
<v Speaker 4>All right?

1:43:16.120 --> 1:43:18.519
<v Speaker 1>Now we're falling down rabbit hole? Do you remember the

1:43:18.600 --> 1:43:21.240
<v Speaker 1>Senior Love Daddy shout out moment, do the right thing?

1:43:22.000 --> 1:43:25.720
<v Speaker 1>We love Radio Senior Loved and he names all those groups. Well,

1:43:26.360 --> 1:43:29.240
<v Speaker 1>like I was watching that and made a beat from

1:43:29.280 --> 1:43:31.160
<v Speaker 1>Matt with Scott and we were going to take it.

1:43:31.280 --> 1:43:32.200
<v Speaker 3>And then next thing I know.

1:43:33.360 --> 1:43:35.840
<v Speaker 1>Look even here in the beginning, like you're my drumsticks

1:43:35.880 --> 1:43:38.000
<v Speaker 1>and all, like, yeah, that was a roots track.

1:43:38.600 --> 1:43:41.560
<v Speaker 3>Wowow, but now it's a five my classic thank you,

1:43:43.840 --> 1:43:46.760
<v Speaker 3>don't check the stor Yeah, but no.

1:43:47.080 --> 1:43:52.240
<v Speaker 1>I'm just saying that when NAS's Illmatic got reviewed, that

1:43:52.560 --> 1:43:55.840
<v Speaker 1>was it was well, it was a game changing moment

1:43:55.880 --> 1:43:57.920
<v Speaker 1>in hip hop, and I guess I wound up being

1:43:57.960 --> 1:43:59.360
<v Speaker 1>a burden to Nas at the end.

1:44:00.560 --> 1:44:05.800
<v Speaker 3>Yeah, no, it did. It became a burden. And so.

1:44:07.320 --> 1:44:09.400
<v Speaker 1>You know, I mean to get a ninety I think

1:44:09.520 --> 1:44:12.200
<v Speaker 1>getting a ninety nine is better than getting a hundred.

1:44:13.520 --> 1:44:15.120
<v Speaker 3>No, I think, well.

1:44:15.040 --> 1:44:18.360
<v Speaker 7>There's one, yeah, there's one negative one from the Washington

1:44:18.439 --> 1:44:23.320
<v Speaker 7>Post and I he tweet and tweeted about it because

1:44:23.320 --> 1:44:26.959
<v Speaker 7>Seth Rogen tweeted like, I agree with all the critics.

1:44:27.160 --> 1:44:29.200
<v Speaker 7>I agree, like I agree with all the critics about

1:44:29.240 --> 1:44:32.280
<v Speaker 7>don't think twice or whatever, and then that motherfucker tweeted

1:44:33.160 --> 1:44:35.439
<v Speaker 7>I won't even say his name, it's like not all

1:44:35.560 --> 1:44:42.040
<v Speaker 7>the critics. I was like, no, I'm not that. Yeah,

1:44:44.520 --> 1:44:46.720
<v Speaker 7>like I'm not gonna I'm not gonna write that.

1:44:46.760 --> 1:44:49.280
<v Speaker 3>I'm not going to my two cents on the new

1:44:49.320 --> 1:44:50.120
<v Speaker 3>Frank Ocean album.

1:44:50.520 --> 1:44:55.080
<v Speaker 1>Oh yeah, but I feel like you're the kind of

1:44:55.200 --> 1:45:00.920
<v Speaker 1>person that lives totally Bill. Bill's is the weird thing, though,

1:45:00.960 --> 1:45:04.880
<v Speaker 1>because I don't feel that Boss Bill is the guy

1:45:06.080 --> 1:45:10.120
<v Speaker 1>that genuinely feels that he needs to knock down your

1:45:10.240 --> 1:45:16.040
<v Speaker 1>Jinga game, right, but just part of him that just

1:45:16.200 --> 1:45:19.639
<v Speaker 1>has to Charlie Brown kick your Jinga game.

1:45:20.160 --> 1:45:22.360
<v Speaker 9>I'll let you play Jinga if if you know, if

1:45:22.400 --> 1:45:23.880
<v Speaker 9>it looks like you guys know what you're doing. But

1:45:23.920 --> 1:45:25.280
<v Speaker 9>if you don't know what you're doing, I'm gonna knock

1:45:25.280 --> 1:45:26.559
<v Speaker 9>that ship down and let somebody else play.

1:45:27.600 --> 1:45:30.320
<v Speaker 3>All right, did you all right? More rabbit hole falling?

1:45:31.000 --> 1:45:32.960
<v Speaker 7>Did you metaphor?

1:45:34.120 --> 1:45:35.479
<v Speaker 3>I'm just saying that is.

1:45:35.479 --> 1:45:38.000
<v Speaker 7>The jengamore metaphor out of respect for the Djenga in

1:45:38.080 --> 1:45:40.600
<v Speaker 7>the movie. Yes, good, I love it.

1:45:41.080 --> 1:45:45.240
<v Speaker 3>I'm just saying that, like you, but part of you

1:45:45.400 --> 1:45:48.600
<v Speaker 3>knew that you didn't want to like it in the

1:45:48.680 --> 1:45:49.200
<v Speaker 3>first place.

1:45:49.560 --> 1:45:51.640
<v Speaker 9>No, it's not that I didn't go into it, not

1:45:51.760 --> 1:45:56.080
<v Speaker 9>one voice so high. I didn't go into it knowing

1:45:56.120 --> 1:45:59.519
<v Speaker 9>that I didn't want to like it. It's I knew

1:45:59.600 --> 1:46:00.600
<v Speaker 9>what to expect, and.

1:46:00.680 --> 1:46:04.040
<v Speaker 3>I knew so even though expressed sadly.

1:46:04.560 --> 1:46:06.519
<v Speaker 9>It's like I knew what's expecting. I didn't want to

1:46:06.640 --> 1:46:08.320
<v Speaker 9>like just you know, go off the cuff and say,

1:46:08.360 --> 1:46:10.000
<v Speaker 9>oh it's trash and I didn't even listen to it.

1:46:10.600 --> 1:46:12.920
<v Speaker 9>I needed to get confirmation, and I got confirmation.

1:46:16.280 --> 1:46:17.479
<v Speaker 3>But I don't think.

1:46:18.840 --> 1:46:23.559
<v Speaker 1>I still say that you have to live with something,

1:46:25.120 --> 1:46:28.640
<v Speaker 1>uh for about three months before you.

1:46:28.760 --> 1:46:33.360
<v Speaker 3>Really Yeah, yeah, I don't know. Yeah, it's like it's

1:46:33.400 --> 1:46:34.960
<v Speaker 3>like I could listen to Jesus and know that I

1:46:35.080 --> 1:46:36.200
<v Speaker 3>never needed to listen to it again.

1:46:36.360 --> 1:46:38.800
<v Speaker 9>But you see, I had to change your heart about Jesus. Yeah,

1:46:38.800 --> 1:46:41.240
<v Speaker 9>you had to go to a loud ass stadium to

1:46:41.360 --> 1:46:44.040
<v Speaker 9>hear where. I believe Bob Power, who was our guest

1:46:44.080 --> 1:46:46.160
<v Speaker 9>when you told this story, said that if you play

1:46:46.240 --> 1:46:49.400
<v Speaker 9>anything at a loud volume, it automatically sounds better. So

1:46:49.680 --> 1:46:52.880
<v Speaker 9>I mean, come on or in a strip club that

1:46:53.080 --> 1:46:55.200
<v Speaker 9>was I mean, if you if you're listening to Jesus

1:46:56.280 --> 1:46:58.840
<v Speaker 9>a loud volume at Madison Square Garden, it's going to

1:46:58.920 --> 1:47:02.759
<v Speaker 9>sound like it's going to sound amazing because everything sounds Send.

1:47:02.680 --> 1:47:04.040
<v Speaker 8>It Up was the only one that stuck for me

1:47:04.120 --> 1:47:05.800
<v Speaker 8>on that, like send it up. I cut for it

1:47:05.920 --> 1:47:07.439
<v Speaker 8>like that one was like, okay, ill fun, We'll send

1:47:07.479 --> 1:47:11.040
<v Speaker 8>it up. And Black Skinhead is like great montage Navy

1:47:11.080 --> 1:47:17.920
<v Speaker 8>seal training music. That's cool, like you know what I'm saying.

1:47:18.000 --> 1:47:18.960
<v Speaker 3>But other than that, I.

1:47:19.000 --> 1:47:21.320
<v Speaker 10>Mean ever since they played it at the engagement party

1:47:21.360 --> 1:47:25.120
<v Speaker 10>and messed me up songa party at Kim and Kanye's

1:47:25.160 --> 1:47:27.960
<v Speaker 10>engagement party at the stadium, Jaden and then were dancing

1:47:28.000 --> 1:47:29.240
<v Speaker 10>in the background the black Skinhead.

1:47:29.280 --> 1:47:30.120
<v Speaker 6>It was like, what are we doing?

1:47:30.479 --> 1:47:30.639
<v Speaker 3>Who?

1:47:31.280 --> 1:47:37.360
<v Speaker 6>Jayden and highly, Yes, I missed this. It was at

1:47:37.360 --> 1:47:38.599
<v Speaker 6>the San Francisco Stadium.

1:47:39.360 --> 1:47:41.680
<v Speaker 3>So you watch Keeping Up with the Gardashians.

1:47:41.960 --> 1:47:46.920
<v Speaker 7>Oh sh you gotta you gotta look on black Twitter Marrow.

1:47:49.160 --> 1:47:50.920
<v Speaker 2>Yeah, that wasn't I missed that too.

1:47:51.160 --> 1:47:53.760
<v Speaker 3>Oh my god, I'm not all right. I'm not even

1:47:53.800 --> 1:47:54.920
<v Speaker 3>gonna leave you out there like.

1:47:56.520 --> 1:47:59.720
<v Speaker 1>Twice a year, you know, like when sometimes you have

1:47:59.800 --> 1:48:02.880
<v Speaker 1>to handel your battery, your your remote control what.

1:48:05.479 --> 1:48:06.320
<v Speaker 3>I don't know what you were doing?

1:48:06.840 --> 1:48:07.280
<v Speaker 2>Everyone?

1:48:12.760 --> 1:48:18.679
<v Speaker 1>What's happened when your remote control batteries haven't been changed

1:48:18.720 --> 1:48:19.400
<v Speaker 1>in a second, we.

1:48:20.920 --> 1:48:21.439
<v Speaker 3>Got roll them.

1:48:21.479 --> 1:48:26.320
<v Speaker 1>You got a fondle furious styles right the fury I

1:48:26.439 --> 1:48:35.080
<v Speaker 1>was doing with Michael Jackson. Uh oh, for those listening

1:48:35.160 --> 1:48:36.800
<v Speaker 1>at home, you don't want to see what's happening.

1:48:36.840 --> 1:48:38.559
<v Speaker 6>For those ladies listening you do want to see.

1:48:42.040 --> 1:48:45.519
<v Speaker 1>Okay, so maybe once or twice or three times a year,

1:48:47.000 --> 1:48:49.040
<v Speaker 1>you know, the TV will be stuck on the E

1:48:49.320 --> 1:48:52.720
<v Speaker 1>channel and I'll fall into a Kardashian rabbit hole and

1:48:53.720 --> 1:48:56.200
<v Speaker 1>about nine of those episodes will just run and I

1:48:56.280 --> 1:48:57.200
<v Speaker 1>can't stop watching it.

1:48:57.439 --> 1:48:59.880
<v Speaker 6>Every man in here has watched it. At least one

1:49:03.920 --> 1:49:06.240
<v Speaker 6>speak on it, because you quiet speak on it, Mike.

1:49:06.160 --> 1:49:07.240
<v Speaker 3>Speak on watch it.

1:49:07.800 --> 1:49:11.400
<v Speaker 7>I've watched about half an episode of a Kardashian and.

1:49:11.439 --> 1:49:13.479
<v Speaker 3>Then I didn't.

1:49:13.600 --> 1:49:16.160
<v Speaker 7>I'm sorry. I didn't get into it. No, I I

1:49:16.320 --> 1:49:17.720
<v Speaker 7>just couldn't. I couldn't follow it.

1:49:21.800 --> 1:49:23.160
<v Speaker 3>Right, I couldn't keep up.

1:49:23.240 --> 1:49:27.120
<v Speaker 7>Literally, well, I was confused because I I turned it

1:49:27.240 --> 1:49:28.840
<v Speaker 7>on just because Kanye was on it.

1:49:30.200 --> 1:49:35.519
<v Speaker 3>He is on it, yeah, now I thought he was.

1:49:37.320 --> 1:49:38.160
<v Speaker 6>Win the rabbit hole.

1:49:38.680 --> 1:49:40.800
<v Speaker 7>But then I was like, if he's not on it more,

1:49:41.479 --> 1:49:43.720
<v Speaker 7>I'm not going to watch this because I don't know

1:49:43.800 --> 1:49:44.800
<v Speaker 7>what the rest of them do.

1:49:46.000 --> 1:49:48.439
<v Speaker 3>Nothing, Like what do they do? Like? Why are they?

1:49:48.600 --> 1:49:51.840
<v Speaker 3>Why is it? I think we're jealous that they're able

1:49:51.920 --> 1:49:53.639
<v Speaker 3>to monetize.

1:49:55.000 --> 1:49:55.679
<v Speaker 6>When it's features.

1:49:55.920 --> 1:49:57.280
<v Speaker 3>I don't want to monetize.

1:49:57.439 --> 1:50:00.120
<v Speaker 7>I don't like this an that's what I you know,

1:50:00.240 --> 1:50:03.320
<v Speaker 7>that's a good example, I think, I think it's a

1:50:03.439 --> 1:50:05.040
<v Speaker 7>sellout adventure.

1:50:05.360 --> 1:50:06.960
<v Speaker 6>Well your dig but they sell out on purpose. They

1:50:07.040 --> 1:50:09.160
<v Speaker 6>never had like a you know, there was never anything.

1:50:10.439 --> 1:50:10.679
<v Speaker 3>Yeah.

1:50:11.520 --> 1:50:14.320
<v Speaker 1>I mean, if you think Chris Jenner was at the

1:50:14.479 --> 1:50:17.760
<v Speaker 1>murder trial of her boob that her ex husband was

1:50:17.800 --> 1:50:21.960
<v Speaker 1>defending while sitting defending her side dude while with the

1:50:22.080 --> 1:50:24.000
<v Speaker 1>new dude, like, that's.

1:50:25.360 --> 1:50:26.400
<v Speaker 2>That's like the boyfriend.

1:50:28.200 --> 1:50:29.120
<v Speaker 6>Mike and America confused.

1:50:29.120 --> 1:50:29.400
<v Speaker 3>They don't know.

1:50:29.439 --> 1:50:32.639
<v Speaker 2>That's like the boyfriend that came to Mike's girlfriend's house

1:50:32.680 --> 1:50:34.599
<v Speaker 2>and then Mike Kim there too, and those two boyfriends.

1:50:35.240 --> 1:50:36.800
<v Speaker 7>Yeah, the murder.

1:50:39.120 --> 1:50:46.680
<v Speaker 1>One murder, But how do we get to this? We

1:50:46.800 --> 1:50:48.719
<v Speaker 1>just fell down rabbit holes. I was trying to explain

1:50:48.720 --> 1:50:52.839
<v Speaker 1>thematic and we ended up it like the little Kim, which.

1:50:52.720 --> 1:50:55.840
<v Speaker 3>Then led to so let's go back to omadic. I

1:50:55.880 --> 1:50:58.720
<v Speaker 3>guess yeah, so you got ninety nine and rotten to

1:51:00.080 --> 1:51:02.720
<v Speaker 3>a fag? You congratulations? Is Mike?

1:51:04.240 --> 1:51:06.880
<v Speaker 7>What I feel? I feel like, I feel lucky. I

1:51:07.000 --> 1:51:10.920
<v Speaker 7>feel luckier about like us sitting around talking about it

1:51:11.000 --> 1:51:13.679
<v Speaker 7>and how it relates to our lives. Then I feel

1:51:13.680 --> 1:51:16.240
<v Speaker 7>about reviewers. I feel like, because that's that's all when

1:51:16.240 --> 1:51:18.639
<v Speaker 7>you're making music or you're making a movie or whatever.

1:51:18.680 --> 1:51:18.880
<v Speaker 3>It is.

1:51:19.200 --> 1:51:21.519
<v Speaker 7>All you want is for people to go, oh, that's

1:51:21.600 --> 1:51:24.479
<v Speaker 7>like my life, and that's you know, that's all you want.

1:51:24.560 --> 1:51:27.040
<v Speaker 7>So that's all that. I feel very lucky.

1:51:27.800 --> 1:51:29.519
<v Speaker 1>Okay, you know they don't all work. Can we go

1:51:29.640 --> 1:51:36.920
<v Speaker 1>bottom line? Let's go bottom line across the room desires like,

1:51:38.000 --> 1:51:44.080
<v Speaker 1>are we really truly honest with what we want out

1:51:44.160 --> 1:51:47.800
<v Speaker 1>of life? Steve, Steve Mandel Sugar Steve.

1:51:48.760 --> 1:51:51.720
<v Speaker 3>What is it that you want out of life? To

1:51:51.840 --> 1:51:55.080
<v Speaker 3>be honestly, what do you want? You go to him

1:51:55.160 --> 1:51:59.080
<v Speaker 3>first of this, because I know it's gonna be hilarious.

1:52:01.840 --> 1:52:06.080
<v Speaker 5>Pass think about it.

1:52:07.120 --> 1:52:09.080
<v Speaker 3>I mean, but I think there's an instinct in all

1:52:09.120 --> 1:52:11.960
<v Speaker 3>of us that truly knows what we want.

1:52:13.200 --> 1:52:17.000
<v Speaker 5>I mean in what regard the personal relationships or professional.

1:52:19.280 --> 1:52:21.519
<v Speaker 3>Like, at what point? At what point are we like

1:52:23.400 --> 1:52:28.760
<v Speaker 3>I'm satisfied, I'm gonna stop. I know what happens. I

1:52:28.760 --> 1:52:29.280
<v Speaker 3>don't think it.

1:52:31.000 --> 1:52:34.080
<v Speaker 8>I don't think you ever stopped. Yeah, I don't think

1:52:34.080 --> 1:52:36.439
<v Speaker 8>you ever stopped. I think you just can reach a

1:52:36.560 --> 1:52:40.040
<v Speaker 8>point of complacency. Yeah, right, you stop chasing. It's like

1:52:40.120 --> 1:52:43.599
<v Speaker 8>the Bill Withers thing where he's like, you know, if

1:52:43.640 --> 1:52:45.880
<v Speaker 8>you're going through when you're when you're going through life.

1:52:45.880 --> 1:52:48.800
<v Speaker 8>If you're on your way to excellent, right at some

1:52:48.880 --> 1:52:50.800
<v Speaker 8>point you're gonna get pretty good. And once you get

1:52:50.840 --> 1:52:53.080
<v Speaker 8>to pretty good, look around, because that may be as

1:52:53.120 --> 1:52:55.640
<v Speaker 8>far as you're gonna go. So it's just kind of like,

1:52:56.479 --> 1:52:58.840
<v Speaker 8>I don't think no one ever stops, but you have

1:52:59.000 --> 1:53:02.120
<v Speaker 8>to think at some point right now, if my life

1:53:02.200 --> 1:53:04.960
<v Speaker 8>doesn't go past just being able to talk ship with

1:53:05.160 --> 1:53:11.519
<v Speaker 8>questlove and two Jews, have my Jewish brothers, you know

1:53:11.560 --> 1:53:13.880
<v Speaker 8>what I'm saying, like in a room and electric lady,

1:53:14.439 --> 1:53:15.479
<v Speaker 8>just being able to talk ship with.

1:53:15.520 --> 1:53:19.439
<v Speaker 3>My homies and have like anyone's exploded in the room

1:53:19.520 --> 1:53:20.240
<v Speaker 3>behind me as.

1:53:21.840 --> 1:53:24.200
<v Speaker 6>Okay, yeah, we're still an he's not read anymore, he's

1:53:24.200 --> 1:53:24.599
<v Speaker 6>not ready.

1:53:25.960 --> 1:53:28.320
<v Speaker 1>No, But I'm saying, if my life doesn't go past

1:53:28.400 --> 1:53:30.400
<v Speaker 1>this point, it's like, yo, I'm good.

1:53:30.800 --> 1:53:33.720
<v Speaker 3>I get to make a living fucking with people. I

1:53:33.840 --> 1:53:38.200
<v Speaker 3>really you know, love and respect and ship like what else?

1:53:38.560 --> 1:53:39.240
<v Speaker 5>I got my answer?

1:53:39.720 --> 1:53:45.000
<v Speaker 11>Okay, inspired the Elvis album. We did an album with

1:53:45.040 --> 1:53:45.759
<v Speaker 11>Elvis Costello.

1:53:46.520 --> 1:53:49.240
<v Speaker 3>All right, So you're just you're contenting.

1:53:48.880 --> 1:53:53.440
<v Speaker 11>Me when your achievements surpassed your dreams.

1:53:54.280 --> 1:53:56.920
<v Speaker 1>So you got to produce your idol so you don't

1:53:56.960 --> 1:53:59.320
<v Speaker 1>feel like now, like, okay, next record.

1:53:59.120 --> 1:54:01.880
<v Speaker 11>Yeah, there's more he's gonna do. He's gonna do another

1:54:01.960 --> 1:54:03.439
<v Speaker 11>song that I wrote the lyrics for us.

1:54:03.439 --> 1:54:04.920
<v Speaker 5>So it gets it gets bigger than.

1:54:11.560 --> 1:54:13.000
<v Speaker 3>You know strug girl.

1:54:16.280 --> 1:54:17.439
<v Speaker 5>But that's all bounced with.

1:54:17.600 --> 1:54:21.519
<v Speaker 11>You know, you gotta keep the family situation harmonious and

1:54:22.200 --> 1:54:25.479
<v Speaker 11>you know, keep the regular work job going. And if

1:54:25.520 --> 1:54:29.320
<v Speaker 11>all those things are cool, then you know you're cool.

1:54:30.479 --> 1:54:34.240
<v Speaker 13>I think so, all right, a buch of sugar being right,

1:54:37.320 --> 1:54:40.800
<v Speaker 13>can we just let one episode without diabetes being mentioned?

1:54:40.880 --> 1:54:41.200
<v Speaker 3>Please?

1:54:41.440 --> 1:54:41.480
<v Speaker 4>No?

1:54:43.360 --> 1:54:46.400
<v Speaker 3>Bill? Yeah, what do you want outline besides getting.

1:54:46.200 --> 1:54:48.600
<v Speaker 5>Laid, which ain't gonna have.

1:54:48.800 --> 1:54:51.320
<v Speaker 3>That's it. It's gonna happen, man, It's gonna happen.

1:54:51.640 --> 1:54:53.440
<v Speaker 2>Thank you well to talk about that.

1:54:53.800 --> 1:54:53.920
<v Speaker 6>Uh.

1:54:54.160 --> 1:54:55.840
<v Speaker 2>I feel like we've all been working so hard to

1:54:55.880 --> 1:54:57.800
<v Speaker 2>get through a place where we can plateau, not like

1:54:57.880 --> 1:55:00.560
<v Speaker 2>plateau in a negative sense, but then like, you worked

1:55:00.600 --> 1:55:02.240
<v Speaker 2>so hard to get to this place where you can

1:55:02.600 --> 1:55:04.920
<v Speaker 2>do what you want. And I think that that's that

1:55:05.080 --> 1:55:08.600
<v Speaker 2>was always my my desire was, like I I did

1:55:08.760 --> 1:55:11.080
<v Speaker 2>not intend to get involved in any of the things

1:55:11.120 --> 1:55:11.760
<v Speaker 2>I'm involved in.

1:55:12.320 --> 1:55:17.920
<v Speaker 9>Yes, okay, but if you fulfill your ghetto, we're not

1:55:18.000 --> 1:55:21.640
<v Speaker 9>doing If you get your If you get your OH,

1:55:22.640 --> 1:55:23.480
<v Speaker 9>then will you be like.

1:55:25.200 --> 1:55:26.120
<v Speaker 3>I did it? That's it.

1:55:26.200 --> 1:55:28.040
<v Speaker 2>I think I'd like to get the OH so that

1:55:28.120 --> 1:55:31.040
<v Speaker 2>we could stop talking about it more than more than

1:55:31.120 --> 1:55:31.840
<v Speaker 2>actually getting it.

1:55:33.320 --> 1:55:33.520
<v Speaker 7>In the.

1:55:39.760 --> 1:55:40.120
<v Speaker 2>Oscar.

1:55:40.640 --> 1:55:41.480
<v Speaker 7>You don't have an oscar.

1:55:42.720 --> 1:55:47.200
<v Speaker 2>That's like the most potentious bullshit, like I.

1:55:47.200 --> 1:55:47.960
<v Speaker 7>Don't have an oscar.

1:55:50.360 --> 1:55:50.840
<v Speaker 3>You know how many?

1:55:51.400 --> 1:55:53.240
<v Speaker 7>You know how many great films don't have oscars?

1:55:53.400 --> 1:55:53.760
<v Speaker 2>How many?

1:55:55.440 --> 1:55:55.920
<v Speaker 7>So many?

1:55:58.160 --> 1:56:04.360
<v Speaker 3>Like I feel like I'm superficial for desires, you know,

1:56:04.480 --> 1:56:05.120
<v Speaker 3>I don't think.

1:56:11.280 --> 1:56:14.440
<v Speaker 7>I think, well, I don't know. I mean, there's this

1:56:15.800 --> 1:56:18.920
<v Speaker 7>Angela Duckworth wrote this column for The Times recently, where

1:56:19.000 --> 1:56:23.120
<v Speaker 7>she said, when you're to college graduates, she said, I

1:56:23.480 --> 1:56:26.480
<v Speaker 7>don't recommend you. I won't ask yourself what do I

1:56:26.520 --> 1:56:28.600
<v Speaker 7>want to be when I grow up? Ask yourself what's

1:56:28.600 --> 1:56:30.920
<v Speaker 7>the world I want to live in? And how can

1:56:31.000 --> 1:56:34.040
<v Speaker 7>I help make that happen? And I feel like, now

1:56:34.120 --> 1:56:36.360
<v Speaker 7>in my late thirties, I'm starting to be like, that's

1:56:36.400 --> 1:56:38.000
<v Speaker 7>what I want to do. I just want to figure

1:56:38.040 --> 1:56:38.920
<v Speaker 7>out how can I help?

1:56:39.600 --> 1:56:46.440
<v Speaker 3>Mm hmm, that's I got a list, So skip Fico

1:56:46.600 --> 1:56:47.360
<v Speaker 3>and Bill, let's go.

1:56:48.120 --> 1:56:49.720
<v Speaker 6>Oh No, I'm in a list for Mike to help.

1:56:50.120 --> 1:56:55.960
<v Speaker 6>But what you want, don't get Bill, let's.

1:56:57.720 --> 1:56:58.720
<v Speaker 3>My my my.

1:56:58.920 --> 1:57:03.600
<v Speaker 1>What I want my ultimately is to make as much

1:57:03.680 --> 1:57:06.160
<v Speaker 1>money as I can behind the scenes, so I can

1:57:06.240 --> 1:57:07.240
<v Speaker 1>only leave my house when I.

1:57:07.280 --> 1:57:09.960
<v Speaker 3>Feel like it. So that's real good.

1:57:10.200 --> 1:57:12.560
<v Speaker 8>Yeah, to make as much to have enough money to

1:57:12.640 --> 1:57:15.480
<v Speaker 8>where I don't gotta leave my house like and be seen.

1:57:15.720 --> 1:57:16.960
<v Speaker 8>That is real, you know what I mean.

1:57:17.080 --> 1:57:19.640
<v Speaker 3>So that's that's awesome. Yeah, that's what That's also what

1:57:19.720 --> 1:57:20.560
<v Speaker 3>I want, you know what I mean.

1:57:20.720 --> 1:57:24.440
<v Speaker 8>It's just I think sometimes you know, when we as desires,

1:57:24.480 --> 1:57:25.640
<v Speaker 8>like you know how Mike you was saying, you know,

1:57:25.760 --> 1:57:27.880
<v Speaker 8>in your twenties, you think, man, I'm gonna do this

1:57:28.080 --> 1:57:30.920
<v Speaker 8>at twenty four. For me, it was very much a

1:57:31.000 --> 1:57:35.120
<v Speaker 8>thing where I think sometimes you know, whatever your belief God,

1:57:35.280 --> 1:57:37.160
<v Speaker 8>you know, whatever the universe, how do you want to

1:57:37.240 --> 1:57:40.200
<v Speaker 8>phrase it? I think sometimes people, you know, in life

1:57:40.280 --> 1:57:42.800
<v Speaker 8>you'll get what you asked for, but not what you

1:57:42.960 --> 1:57:44.520
<v Speaker 8>want it, you know what I mean. It's kind of

1:57:44.600 --> 1:57:46.480
<v Speaker 8>like the Henry Ford thing of like if I asked,

1:57:46.640 --> 1:57:48.320
<v Speaker 8>if I would have asked the public what they wanted,

1:57:49.200 --> 1:57:51.080
<v Speaker 8>they to ask for a faster horse, you know what

1:57:51.080 --> 1:57:53.520
<v Speaker 8>I mean. So sometimes I think in life you can

1:57:53.600 --> 1:57:56.080
<v Speaker 8>say if you're that young kid and you just think, Yo,

1:57:56.160 --> 1:57:57.520
<v Speaker 8>I want a record deal. I want to record I

1:57:57.560 --> 1:57:59.280
<v Speaker 8>want to record deal. I want to record deal. And

1:57:59.400 --> 1:58:01.240
<v Speaker 8>you get the record deal and then you realize, oh

1:58:01.280 --> 1:58:04.200
<v Speaker 8>my god, this is ship. So then in the midst

1:58:04.200 --> 1:58:06.200
<v Speaker 8>of that record deal you realize, you know, what what

1:58:06.360 --> 1:58:09.720
<v Speaker 8>I really want is freedom. But you don't get that

1:58:10.000 --> 1:58:12.160
<v Speaker 8>until you don't get the lesson, until you get that

1:58:12.320 --> 1:58:14.240
<v Speaker 8>thing that you thought that you really wanted.

1:58:14.520 --> 1:58:16.280
<v Speaker 3>So for me, I'm just at a point where I

1:58:16.400 --> 1:58:19.760
<v Speaker 3>was like, you know, I admire I like my privacy.

1:58:19.840 --> 1:58:22.160
<v Speaker 3>I like just you know, laying low. I really don't

1:58:22.240 --> 1:58:25.800
<v Speaker 3>do people like that. You know what I'm saying. I

1:58:26.000 --> 1:58:28.720
<v Speaker 3>prefer just close company, just people you know, I do

1:58:29.720 --> 1:58:36.400
<v Speaker 3>being kicked yea and everything.

1:58:38.080 --> 1:58:40.080
<v Speaker 8>His answer is my answer, get my bread and just

1:58:40.160 --> 1:58:42.120
<v Speaker 8>be able to lay low. And you ain't got to

1:58:42.200 --> 1:58:44.040
<v Speaker 8>know my name, you ain't got to know. Just know

1:58:44.200 --> 1:58:46.320
<v Speaker 8>my work and know where it's my checks.

1:58:46.600 --> 1:58:48.080
<v Speaker 3>That's it. I want to be the kind of guy

1:58:48.120 --> 1:58:49.920
<v Speaker 3>that can shut a sight down like Gawker, just you know,

1:58:50.560 --> 1:58:55.400
<v Speaker 3>pure spite, Yo, who are you?

1:58:59.000 --> 1:59:04.920
<v Speaker 9>You can't be like the mental terrorists Like I'm like,

1:59:04.960 --> 1:59:06.400
<v Speaker 9>I just want to be able to do my thing.

1:59:07.200 --> 1:59:09.360
<v Speaker 9>You know how I want to do it without all

1:59:09.440 --> 1:59:13.320
<v Speaker 9>the extra hullabaloo and recognition. I want to be a

1:59:13.360 --> 1:59:17.120
<v Speaker 9>little you know, be a regular person, but you know

1:59:17.240 --> 1:59:18.520
<v Speaker 9>that just does extraordinary shit.

1:59:19.760 --> 1:59:22.560
<v Speaker 6>Oh okay, so let me look at my list I

1:59:22.600 --> 1:59:27.480
<v Speaker 6>would like to own. I would like a house in Brazil,

1:59:27.680 --> 1:59:28.400
<v Speaker 6>a house.

1:59:28.160 --> 1:59:28.560
<v Speaker 3>In d C.

1:59:28.720 --> 1:59:31.320
<v Speaker 6>And in all seriousness that I do want a house

1:59:31.320 --> 1:59:32.280
<v Speaker 6>in Brazil and house in DC.

1:59:32.640 --> 1:59:36.200
<v Speaker 10>But I'd just like to get again. I've been doing good.

1:59:36.400 --> 1:59:38.080
<v Speaker 10>I was doing good getting paid to be myself.

1:59:38.120 --> 1:59:38.440
<v Speaker 3>I like that.

1:59:38.480 --> 1:59:39.680
<v Speaker 6>I would like to be able to really make a

1:59:39.720 --> 1:59:40.960
<v Speaker 6>living off with that. That'd be great.

1:59:42.040 --> 1:59:44.160
<v Speaker 10>And for a man to say one day, hey, would

1:59:44.200 --> 1:59:48.040
<v Speaker 10>you marry me? Because you know, it's just I heard

1:59:48.080 --> 1:59:48.720
<v Speaker 10>that's kind of nice.

1:59:48.760 --> 1:59:49.480
<v Speaker 6>What a dude does that.

1:59:49.920 --> 1:59:52.000
<v Speaker 10>Don't mean to get all girly on y'all when it

1:59:52.120 --> 1:59:53.920
<v Speaker 10>never happens and you're at a certain age.

1:59:53.720 --> 1:59:55.360
<v Speaker 6>You're like, and then I'd like to use this little

1:59:55.440 --> 2:00:01.840
<v Speaker 6>coaching here for a little baby unusable to use this.

2:00:03.400 --> 2:00:04.600
<v Speaker 2>Or you know, like a.

2:00:06.920 --> 2:00:09.760
<v Speaker 6>Firm, I will take anybody. I have a couple of

2:00:10.000 --> 2:00:12.440
<v Speaker 6>short lists, lady.

2:00:12.240 --> 2:00:14.480
<v Speaker 3>And that's another episode of.

2:00:17.800 --> 2:00:18.080
<v Speaker 12>Steve.

2:00:18.160 --> 2:00:22.920
<v Speaker 6>You don't have any babies, do you? That sugar hereditary

2:00:23.000 --> 2:00:25.040
<v Speaker 6>or is it no, that was that was man made.

2:00:28.200 --> 2:00:29.400
<v Speaker 3>We'll talk across.

2:00:30.600 --> 2:00:34.200
<v Speaker 5>I'll give you one sperm, the.

2:00:34.240 --> 2:00:41.920
<v Speaker 1>Little swimmer that could never had. Okay, yeah, I just

2:00:42.040 --> 2:00:43.160
<v Speaker 1>want this episode to be.

2:00:45.000 --> 2:00:47.040
<v Speaker 7>Wait, but but meir, what do you want?

2:00:47.120 --> 2:00:50.400
<v Speaker 3>What do you want? Now? I feel like my life

2:00:50.480 --> 2:00:54.120
<v Speaker 3>is superficial? Go in, go in like you in the circle.

2:00:54.240 --> 2:00:56.480
<v Speaker 9>Now, well, okay, let me look before you preface it, like,

2:00:56.640 --> 2:01:00.200
<v Speaker 9>you have a skill set that a lot of us

2:01:00.280 --> 2:01:03.280
<v Speaker 9>don't have, and we can't make money off of our

2:01:03.320 --> 2:01:05.360
<v Speaker 9>skill set the way that you can. So you know,

2:01:05.520 --> 2:01:09.000
<v Speaker 9>if if you feel like you know, you're ones a

2:01:09.040 --> 2:01:12.720
<v Speaker 9>little bit more superficial, I'm not mad at that because.

2:01:12.480 --> 2:01:14.200
<v Speaker 3>You have them. You got a lot more tools to

2:01:14.240 --> 2:01:14.520
<v Speaker 3>work with.

2:01:14.640 --> 2:01:17.240
<v Speaker 8>It's like, dude, no, seriously, it's like because you DJ

2:01:17.600 --> 2:01:21.280
<v Speaker 8>and you your incredible drummer and you're famous, so it's

2:01:21.360 --> 2:01:23.160
<v Speaker 8>like you almost okay do I'm gonna tell you. I

2:01:23.240 --> 2:01:27.040
<v Speaker 8>know you have your Mario with the with the mushroom,

2:01:27.920 --> 2:01:29.919
<v Speaker 8>with the big mushroom and the flower.

2:01:30.320 --> 2:01:33.680
<v Speaker 1>When you shoot out the fucking fireball, you're super like

2:01:33.720 --> 2:01:37.320
<v Speaker 1>you're super Mario with all the fucking your powers, all

2:01:37.360 --> 2:01:38.160
<v Speaker 1>your powers.

2:01:38.600 --> 2:01:43.120
<v Speaker 9>All that shit is relative. Okay, how so it's relative. Okay,

2:01:43.160 --> 2:01:44.720
<v Speaker 9>so how can I make a million dollars off of

2:01:44.760 --> 2:01:45.360
<v Speaker 9>my skill set?

2:01:47.560 --> 2:01:52.320
<v Speaker 3>Well that's the thing because if you're thirty eight years old.

2:01:53.720 --> 2:01:57.400
<v Speaker 1>And you say, okay, well here's my final plan, and

2:01:57.440 --> 2:02:00.800
<v Speaker 1>da da da da da, I don't know. I'm just

2:02:00.880 --> 2:02:03.840
<v Speaker 1>saying that, I like putting a cap on it.

2:02:04.000 --> 2:02:04.640
<v Speaker 3>I didn't see.

2:02:05.720 --> 2:02:09.360
<v Speaker 1>I didn't even imagine that that part of my life

2:02:09.480 --> 2:02:12.840
<v Speaker 1>was ever going to happen. I mean, who starts winning

2:02:13.040 --> 2:02:13.920
<v Speaker 1>at forty four?

2:02:14.320 --> 2:02:14.480
<v Speaker 7>Man?

2:02:14.640 --> 2:02:17.520
<v Speaker 3>Yo, everybody, we just had this conversation.

2:02:18.760 --> 2:02:21.600
<v Speaker 6>Forty four you are now, dude, we just.

2:02:21.600 --> 2:02:25.360
<v Speaker 8>Had I had this conversation with Carl Dude, like actor, right,

2:02:25.480 --> 2:02:28.040
<v Speaker 8>Steve Carrell. We were talking about with Steve Carrell. You know,

2:02:28.440 --> 2:02:29.440
<v Speaker 8>he didn't really start popping.

2:02:29.520 --> 2:02:35.760
<v Speaker 3>He was forty fucking Morgan Freeman. He ain't starting he

2:02:35.920 --> 2:02:38.320
<v Speaker 3>was god damn sixty shit, you know what I mean?

2:02:38.560 --> 2:02:43.240
<v Speaker 1>Like, all right, my, my, my, real. I don't know

2:02:43.280 --> 2:02:48.120
<v Speaker 1>if it's because of this mantra. All right, there's there's

2:02:48.160 --> 2:02:51.480
<v Speaker 1>a Spin magazine that Spike Lee was on the cover

2:02:51.560 --> 2:02:53.040
<v Speaker 1>of back in nineteen ninety two.

2:02:54.280 --> 2:02:56.960
<v Speaker 3>That's just like the Bible to me? Was that the

2:02:57.120 --> 2:02:58.400
<v Speaker 3>one he edited?

2:02:58.560 --> 2:03:02.640
<v Speaker 1>Yeah, they let Spike Lee edit when Mo Beta Blues

2:03:02.680 --> 2:03:04.200
<v Speaker 1>came out or a Jungle Fever.

2:03:06.000 --> 2:03:07.480
<v Speaker 3>The Spin magazine, and.

2:03:07.560 --> 2:03:11.680
<v Speaker 1>He gave an article to Harry Allen Chuffdee to Wright,

2:03:12.560 --> 2:03:18.800
<v Speaker 1>of which those two accurately predicted what their life would

2:03:18.800 --> 2:03:20.520
<v Speaker 1>be like in twenty years now.

2:03:20.520 --> 2:03:25.560
<v Speaker 3>It was nineteen ninety and you know, the Bomb Squad

2:03:25.600 --> 2:03:28.040
<v Speaker 3>and public Enemy was so damn ubiquitous, like.

2:03:28.120 --> 2:03:32.240
<v Speaker 1>Between Bell DeVos poison, if you have a black planet,

2:03:32.400 --> 2:03:35.800
<v Speaker 1>Ice cubes. America's most wanted the Juice soundtrack like they

2:03:35.880 --> 2:03:37.640
<v Speaker 1>were the stand they were the gold standard what the

2:03:37.720 --> 2:03:38.280
<v Speaker 1>hip hop was.

2:03:38.880 --> 2:03:43.080
<v Speaker 3>And they said, we're probably going to fall off in

2:03:43.320 --> 2:03:47.560
<v Speaker 3>about three to four years. Wow, Then our contemporaries will

2:03:49.680 --> 2:03:51.760
<v Speaker 3>sort of discard us out the window.

2:03:53.720 --> 2:03:56.600
<v Speaker 1>The very first time I ever heard of, because Harry

2:03:56.680 --> 2:03:59.840
<v Speaker 1>is such a nerd, the idea of the information super high.

2:04:01.000 --> 2:04:04.040
<v Speaker 1>You know, we will probably be you know, be kicked

2:04:04.080 --> 2:04:07.720
<v Speaker 1>off our label, so we'll be forced to sell records.

2:04:07.360 --> 2:04:07.880
<v Speaker 3>On our own.

2:04:08.600 --> 2:04:10.920
<v Speaker 1>They went with this whole thing, and Chuck's whole thing

2:04:11.080 --> 2:04:12.760
<v Speaker 1>was like, well, not to be a total kill joy,

2:04:12.880 --> 2:04:16.839
<v Speaker 1>but you know, I'm also in this business.

2:04:16.960 --> 2:04:22.160
<v Speaker 3>My endgame is to create five thousand black leaders.

2:04:22.880 --> 2:04:23.120
<v Speaker 7>Wow.

2:04:23.320 --> 2:04:25.920
<v Speaker 3>And so I thought, hmm, maybe I could be a

2:04:25.960 --> 2:04:27.800
<v Speaker 3>black leader that that sort of thing.

2:04:28.560 --> 2:04:32.200
<v Speaker 1>I mean, it sounded lofty and kind of just like weird,

2:04:32.400 --> 2:04:35.600
<v Speaker 1>like the idea of meditating or whatever. I just read

2:04:35.640 --> 2:04:38.640
<v Speaker 1>it as like this seems a little bitter and whatever.

2:04:39.240 --> 2:04:43.960
<v Speaker 1>But then I realized, like, oh man, that's some legacy shit.

2:04:44.080 --> 2:04:45.160
<v Speaker 7>Yeah, that's powerful.

2:04:45.440 --> 2:04:48.760
<v Speaker 1>That's some real legacy shit. Well one, they were in

2:04:48.880 --> 2:04:52.200
<v Speaker 1>that miss that eighteen point missions. They were ninety nine

2:04:52.240 --> 2:04:56.000
<v Speaker 1>percent correct of what life was gonna was gonna be

2:04:56.200 --> 2:05:00.120
<v Speaker 1>in two thousand and two. But at that I I

2:05:00.280 --> 2:05:08.600
<v Speaker 1>guess my my, I guess my goal is to.

2:05:10.880 --> 2:05:16.240
<v Speaker 3>Create unmovable, unerasable graffiti.

2:05:16.640 --> 2:05:17.200
<v Speaker 7>That's nice.

2:05:18.520 --> 2:05:23.400
<v Speaker 1>So you don't think you've done that already. I mean

2:05:23.560 --> 2:05:30.360
<v Speaker 1>at the rate where my last class where six of

2:05:30.480 --> 2:05:32.360
<v Speaker 1>my eighteen students.

2:05:35.000 --> 2:05:35.920
<v Speaker 3>Never heard of Thriller.

2:05:36.760 --> 2:05:39.800
<v Speaker 1>That scared me because now I'm realizing that, you know,

2:05:39.880 --> 2:05:42.080
<v Speaker 1>it's one thing where it's like, Okay, you might forget

2:05:42.200 --> 2:05:44.920
<v Speaker 1>EPMD's fourth record, you ain't forgetting.

2:05:45.000 --> 2:05:47.960
<v Speaker 3>But now we got a generation that may or may

2:05:48.200 --> 2:05:49.160
<v Speaker 3>not know.

2:05:50.600 --> 2:05:53.560
<v Speaker 1>I mean, I hate to say that Prince had to

2:05:53.640 --> 2:05:57.600
<v Speaker 1>go through his transitional process to be forever etched in

2:05:57.680 --> 2:06:01.400
<v Speaker 1>the memory of a lot of people that he otherwise,

2:06:01.640 --> 2:06:03.600
<v Speaker 1>especially with the way he was going with the you know,

2:06:03.840 --> 2:06:08.480
<v Speaker 1>being off the internet and stuff, you know, like basic

2:06:08.560 --> 2:06:10.400
<v Speaker 1>things that we should take for granted, Like there might

2:06:10.480 --> 2:06:15.120
<v Speaker 1>be a time in twenty sixty where Thriller might not matter.

2:06:16.200 --> 2:06:19.880
<v Speaker 3>You know what I mean, something like thrillering the greatest

2:06:19.920 --> 2:06:23.680
<v Speaker 3>selling of album. You know. It's just that's scary to me.

2:06:23.920 --> 2:06:28.480
<v Speaker 3>So I'm trying to but what has lasted? I mean

2:06:28.600 --> 2:06:31.440
<v Speaker 3>other than I mean a song, like I mean happy Birthday?

2:06:31.560 --> 2:06:34.440
<v Speaker 7>I mean what, Yeah, that's there's a whole book about this. Recently,

2:06:36.240 --> 2:06:41.000
<v Speaker 7>Chuck Klosterman wrote about what is in what becomes history

2:06:41.840 --> 2:06:44.560
<v Speaker 7>now and he was saying, like, of all the music

2:06:44.680 --> 2:06:49.560
<v Speaker 7>that exists right now, probably Marching Band Wow, because it's ubiquitous.

2:06:49.600 --> 2:06:53.040
<v Speaker 7>It's in everything. It's ever, every football game, every every movie.

2:06:53.800 --> 2:06:59.560
<v Speaker 3>Will never stop. That's like the Tuxedo of no. I think.

2:07:00.640 --> 2:07:00.960
<v Speaker 3>I don't.

2:07:01.040 --> 2:07:05.240
<v Speaker 1>I don't think whatever. My contribution that will last is

2:07:05.600 --> 2:07:11.920
<v Speaker 1>in music, so uh, you know, I you know, is

2:07:12.000 --> 2:07:16.800
<v Speaker 1>it in the food world, is it in radio? Is

2:07:16.880 --> 2:07:20.400
<v Speaker 1>it in creating drum sets for for kids?

2:07:20.560 --> 2:07:22.840
<v Speaker 3>I don't know. I think you have to keep going though,

2:07:22.880 --> 2:07:24.440
<v Speaker 3>I think you have to just you know, when we

2:07:24.560 --> 2:07:26.080
<v Speaker 3>say like not stopping. It's not.

2:07:26.280 --> 2:07:28.360
<v Speaker 8>It's just you got to use all the tools in

2:07:28.400 --> 2:07:30.800
<v Speaker 8>your toolbox because you never know which one is going

2:07:30.840 --> 2:07:33.360
<v Speaker 8>to knock the wall down or knock a wall down,

2:07:33.440 --> 2:07:36.080
<v Speaker 8>you know what I'm saying. So it could be it

2:07:36.120 --> 2:07:38.320
<v Speaker 8>could be your fried chicken. I mean, who the fuck knows? Right,

2:07:38.400 --> 2:07:41.720
<v Speaker 8>It just you have to just keep keep going, goy

2:07:41.880 --> 2:07:42.680
<v Speaker 8>laugh like I did.

2:07:42.960 --> 2:07:46.000
<v Speaker 3>I double dog did not be your chicken. That's what I'm.

2:07:48.160 --> 2:07:49.080
<v Speaker 6>Legcy quest left.

2:07:49.040 --> 2:07:50.160
<v Speaker 3>But that would be the black.

2:07:51.720 --> 2:07:55.600
<v Speaker 7>I feel it's disingenuous of me to just say what

2:07:56.120 --> 2:07:58.400
<v Speaker 7>my goals were without pointing out that, like, I'm also

2:07:58.520 --> 2:08:03.320
<v Speaker 7>like ambitious and I want things, but also like you know,

2:08:04.120 --> 2:08:06.680
<v Speaker 7>I don't know, like I I have some Jack and

2:08:06.800 --> 2:08:10.360
<v Speaker 7>me too, like the Jack character in Me Too. I mean,

2:08:10.440 --> 2:08:12.880
<v Speaker 7>if my wife were here, she would like yell at

2:08:12.920 --> 2:08:14.520
<v Speaker 7>me for my answer and be like, that's not what

2:08:14.600 --> 2:08:18.880
<v Speaker 7>you're like at all. You're ambitious, you're selfish things.

2:08:18.920 --> 2:08:21.080
<v Speaker 3>You have to be Jack to write a movie.

2:08:21.240 --> 2:08:24.880
<v Speaker 7>Yeah, and direct a movie yeah, and starting it. Yeah

2:08:25.120 --> 2:08:28.800
<v Speaker 7>you are. I got some of it.

2:08:28.920 --> 2:08:39.120
<v Speaker 1>In We're Here with Mikerobiglia, creator and star of Don't

2:08:39.200 --> 2:08:42.840
<v Speaker 1>Think Twice and also sleep Walk with me and a

2:08:42.960 --> 2:08:44.680
<v Speaker 1>gazillion other projects.

2:08:46.400 --> 2:08:52.040
<v Speaker 3>Yeah, well Orange's new and anyone else wanted.

2:08:51.800 --> 2:08:59.840
<v Speaker 8>To Uh Twitter Bacheler of Suicide Squad, I felt join that.

2:09:00.400 --> 2:09:02.680
<v Speaker 7>Thank you. I got mad at m p a A

2:09:02.800 --> 2:09:09.360
<v Speaker 7>Because they gave me a R Yeah thirteen for smokeing

2:09:09.440 --> 2:09:10.600
<v Speaker 7>adult smoking weed.

2:09:11.040 --> 2:09:11.320
<v Speaker 3>Wow?

2:09:11.720 --> 2:09:12.520
<v Speaker 7>Is that crazy?

2:09:14.200 --> 2:09:14.680
<v Speaker 2>N p A A.

2:09:14.800 --> 2:09:18.040
<v Speaker 7>Man, there's a crazy movie. There's a crazy documentary about that.

2:09:20.360 --> 2:09:24.240
<v Speaker 7>This This movie is not yet raided and it's everdent.

2:09:24.160 --> 2:09:26.080
<v Speaker 3>Hed that so wait, what is the process?

2:09:26.200 --> 2:09:26.240
<v Speaker 4>Like?

2:09:26.800 --> 2:09:28.040
<v Speaker 7>It's not available anywhere?

2:09:28.520 --> 2:09:29.800
<v Speaker 3>Is it? The Four Old People?

2:09:30.480 --> 2:09:33.480
<v Speaker 7>I swear to god, it's so hard. I know, I know,

2:09:33.600 --> 2:09:34.640
<v Speaker 7>but now it's pulled off.

2:09:35.240 --> 2:09:37.880
<v Speaker 1>I feel like, is it like the Huey Lewis High

2:09:37.920 --> 2:09:40.640
<v Speaker 1>School Committee and Back to the Future that watches your movie.

2:09:40.720 --> 2:09:44.120
<v Speaker 7>It's like eight people according to this movie. This movie

2:09:44.200 --> 2:09:46.440
<v Speaker 7>is not yet rated. It's like eight people and they've

2:09:46.440 --> 2:09:49.160
<v Speaker 7>been doing it forever, and I think it. It has

2:09:49.200 --> 2:09:52.120
<v Speaker 7>sort of a moralistic bent to it, you know, And

2:09:52.520 --> 2:09:56.040
<v Speaker 7>a lot of times they'll give notes in the movie.

2:09:56.080 --> 2:09:59.280
<v Speaker 7>They'll be like, uh, we should only see her orgasming

2:09:59.440 --> 2:10:02.400
<v Speaker 7>for eight seconds and not eleven seconds.

2:10:03.160 --> 2:10:08.480
<v Speaker 5>And it's like Bill Sherman's yeah, yeah, that's crazy.

2:10:08.640 --> 2:10:12.320
<v Speaker 3>That's crazy. Yeah, well so these eight people watch every

2:10:12.760 --> 2:10:13.240
<v Speaker 3>very movie.

2:10:13.320 --> 2:10:15.680
<v Speaker 7>Yeah movie, Yeah, so what if.

2:10:15.600 --> 2:10:20.680
<v Speaker 3>Your film like is shown at like one in the

2:10:20.760 --> 2:10:23.640
<v Speaker 3>morning or something like. I feel like it also depends

2:10:24.000 --> 2:10:25.440
<v Speaker 3>the talented people.

2:10:25.440 --> 2:10:28.120
<v Speaker 7>Just play at art houses. You can have your movie

2:10:28.200 --> 2:10:31.360
<v Speaker 7>be not rated, but then it'll it may not it

2:10:31.440 --> 2:10:34.680
<v Speaker 7>may not end upwhere Yeah, they can't play a movie

2:10:34.760 --> 2:10:35.560
<v Speaker 7>theater or that kind of thing.

2:10:36.400 --> 2:10:38.640
<v Speaker 3>So you wanted this to be PEG thirteen.

2:10:39.080 --> 2:10:42.120
<v Speaker 7>Yeah, because there's it's harmless. I feel like teenagers can

2:10:42.200 --> 2:10:44.640
<v Speaker 7>watch it and there's nothing to it. I mean, it's

2:10:44.720 --> 2:10:47.040
<v Speaker 7>just a story about friends. Like I wanted it to

2:10:47.120 --> 2:10:49.280
<v Speaker 7>be like a big chill or like a sant almost

2:10:49.320 --> 2:10:52.000
<v Speaker 7>fire kind of movie for this generation. So I'm like

2:10:52.400 --> 2:10:55.400
<v Speaker 7>the fact that they're kind of making it like taboo

2:10:55.600 --> 2:10:57.400
<v Speaker 7>for anyone's it's just kind of annoying.

2:10:57.600 --> 2:10:59.600
<v Speaker 8>I think it's an adult movie, but it's not like

2:10:59.760 --> 2:11:02.400
<v Speaker 8>a vulgar There's nothing in it that I thought warrants

2:11:02.480 --> 2:11:03.440
<v Speaker 8>it and already.

2:11:03.320 --> 2:11:04.200
<v Speaker 6>He makes it real.

2:11:05.280 --> 2:11:06.720
<v Speaker 7>Yeah, I felt about it.

2:11:07.680 --> 2:11:10.200
<v Speaker 1>But the thing was the main thing that turned me

2:11:10.320 --> 2:11:15.840
<v Speaker 1>off about Suicide Squad was as PG thirteen, I was

2:11:15.920 --> 2:11:18.240
<v Speaker 1>just like just lame, Like if it were are then

2:11:18.280 --> 2:11:22.080
<v Speaker 1>I'd be like a word, okay, I would you know,

2:11:22.120 --> 2:11:25.200
<v Speaker 1>I have the desire to see it, but I did.

2:11:25.320 --> 2:11:28.760
<v Speaker 11>I know why yours is are because you point out

2:11:28.840 --> 2:11:31.600
<v Speaker 11>how all the pettiness and adults.

2:11:33.040 --> 2:11:35.120
<v Speaker 5>People can handle it Like that was the most disturbing

2:11:35.480 --> 2:11:35.920
<v Speaker 5>part to me.

2:11:36.240 --> 2:11:40.280
<v Speaker 11>And really the most memorable part was how they were friends, obviously,

2:11:40.920 --> 2:11:45.400
<v Speaker 11>but but there you know, there's that there's that party

2:11:45.440 --> 2:11:48.120
<v Speaker 11>that's rooting for your friend, that part that's jealous and

2:11:48.320 --> 2:11:51.280
<v Speaker 11>all living side by side and comes out, you know,

2:11:51.400 --> 2:11:53.520
<v Speaker 11>like when when the people in your movie say, oh,

2:11:53.560 --> 2:11:55.200
<v Speaker 11>I just got this the gig or I got the

2:11:55.240 --> 2:11:57.640
<v Speaker 11>writing gig or whatever, and there's there's moments of like

2:11:58.520 --> 2:12:00.280
<v Speaker 11>nobody knows what to say because what you they want

2:12:00.280 --> 2:12:02.040
<v Speaker 11>to say this fuckhy not me.

2:12:02.960 --> 2:12:05.360
<v Speaker 7>A crazy thing about my movie is that I don't

2:12:06.000 --> 2:12:08.040
<v Speaker 7>it's great to talk about it because I can't watch

2:12:08.080 --> 2:12:11.120
<v Speaker 7>anymore because I get choked up. I like start crying

2:12:11.160 --> 2:12:13.360
<v Speaker 7>every time because I feel like I relate to all

2:12:13.400 --> 2:12:15.080
<v Speaker 7>the characters. I feel sad for them.

2:12:15.480 --> 2:12:17.240
<v Speaker 3>What's the moment in the movie that you must relate

2:12:17.320 --> 2:12:19.720
<v Speaker 3>to when.

2:12:21.560 --> 2:12:23.440
<v Speaker 7>The final scene with Jack and Sam?

2:12:24.680 --> 2:12:27.800
<v Speaker 1>But wait, I was gonna say I was for a second,

2:12:28.040 --> 2:12:31.520
<v Speaker 1>I thought you were going to make Jack sabotage his

2:12:31.960 --> 2:12:32.440
<v Speaker 1>moment too.

2:12:32.560 --> 2:12:33.960
<v Speaker 7>Oh yeah, nah fuck.

2:12:38.640 --> 2:12:41.120
<v Speaker 3>But for a second he was like, maybe I won't

2:12:41.200 --> 2:12:44.520
<v Speaker 3>take the train of mine. Dude, Lauren's going to kill you.

2:12:44.720 --> 2:12:45.680
<v Speaker 3>But not Lauren, but.

2:12:45.760 --> 2:12:49.680
<v Speaker 7>Yeah, I mean Timothy Timothy.

2:12:49.960 --> 2:12:50.840
<v Speaker 3>So Timothy was.

2:12:50.920 --> 2:12:55.720
<v Speaker 1>Rather kind of douchy though, which I felt like you

2:12:55.880 --> 2:12:58.480
<v Speaker 1>had to make him super doucey so it wouldn't be

2:12:59.640 --> 2:13:02.240
<v Speaker 1>what you think that Lauren is, because Lauren is the

2:13:02.360 --> 2:13:03.080
<v Speaker 1>opposite of that.

2:13:03.360 --> 2:13:06.400
<v Speaker 7>Different, it's different. Yeah, yeah, you know, I just it's

2:13:06.440 --> 2:13:08.440
<v Speaker 7>his own thing. I just wanted to make the boss

2:13:08.720 --> 2:13:11.040
<v Speaker 7>like cold, you know what I mean, just like tough.

2:13:11.320 --> 2:13:12.720
<v Speaker 3>Well where'd that bicycle come from?

2:13:12.920 --> 2:13:13.640
<v Speaker 5>That was my question.

2:13:14.600 --> 2:13:15.040
<v Speaker 3>I'm sorry.

2:13:15.120 --> 2:13:17.680
<v Speaker 7>So there's like, yeah, the wooden bicycle in the movie.

2:13:18.560 --> 2:13:22.280
<v Speaker 7>I live in Brooklyn by this. I always walked by

2:13:22.400 --> 2:13:25.880
<v Speaker 7>this shop that has like Swedish bicycles, and one day

2:13:26.360 --> 2:13:28.839
<v Speaker 7>I walked by and it had like a wooden bicycle.

2:13:29.360 --> 2:13:30.920
<v Speaker 7>I was like, I got to put that in something.

2:13:30.960 --> 2:13:32.880
<v Speaker 7>It's so funny. It's one of the funniest looking things

2:13:32.880 --> 2:13:33.520
<v Speaker 7>I've ever seen.

2:13:33.960 --> 2:13:35.000
<v Speaker 5>Are they like expensive?

2:13:35.160 --> 2:13:36.360
<v Speaker 3>Is that like? Is that why?

2:13:36.640 --> 2:13:38.640
<v Speaker 7>Yeah? I think they were like thousands of dollars.

2:13:38.800 --> 2:13:39.000
<v Speaker 2>Yeah.

2:13:39.080 --> 2:13:42.560
<v Speaker 3>Yeah, and the band on the show.

2:13:43.120 --> 2:13:44.240
<v Speaker 7>Yeah, that's a real band.

2:13:44.440 --> 2:13:45.360
<v Speaker 3>They were really exciting.

2:13:46.400 --> 2:13:46.560
<v Speaker 2>Yeah.

2:13:46.640 --> 2:13:48.640
<v Speaker 7>Yeah, they're called l Yeah.

2:13:48.680 --> 2:13:49.440
<v Speaker 3>How did you? How did you?

2:13:50.320 --> 2:13:54.880
<v Speaker 7>I found them? Just like fishing around for new bands.

2:13:54.960 --> 2:13:57.160
<v Speaker 7>My wife and I just we listened to a lot

2:13:57.200 --> 2:13:59.560
<v Speaker 7>of new bands and and we just found that band.

2:14:00.400 --> 2:14:06.080
<v Speaker 5>That's a real band. They were because who sang the

2:14:06.160 --> 2:14:07.240
<v Speaker 5>Dylan song at the end.

2:14:08.640 --> 2:14:14.560
<v Speaker 7>It's piano by Roger Neil it's piano instrumental. Who there's

2:14:14.560 --> 2:14:18.640
<v Speaker 7>a composer, yeah, in the credits and uh. And Dylan

2:14:18.800 --> 2:14:20.960
<v Speaker 7>was nice enough to I mean I don't I never

2:14:21.000 --> 2:14:23.640
<v Speaker 7>met Bob Dylan, but he was, you know, his manager,

2:14:24.200 --> 2:14:26.520
<v Speaker 7>Jeff Rosen, was nice enough to let us have that

2:14:26.640 --> 2:14:30.560
<v Speaker 7>sound for for next to nothing. It's really generous. I mean,

2:14:30.800 --> 2:14:34.040
<v Speaker 7>Bob Dylan's really good to independent film like He's I

2:14:34.120 --> 2:14:37.680
<v Speaker 7>have to say, like that guy is like really gives

2:14:37.720 --> 2:14:39.960
<v Speaker 7>it up to a lot of movies for very little money.

2:14:40.840 --> 2:14:44.200
<v Speaker 7>It's nice talk about talk about legacy. He's a guy

2:14:44.240 --> 2:14:47.560
<v Speaker 7>who's I think very kind of focused on sort of passing,

2:14:47.840 --> 2:14:49.800
<v Speaker 7>you know, paying it forward to the next generation.

2:14:50.120 --> 2:14:52.520
<v Speaker 6>Is that like a small collective of no musicians that

2:14:53.040 --> 2:14:54.960
<v Speaker 6>do kind of kind of cater I don't know.

2:14:55.360 --> 2:15:00.840
<v Speaker 1>I mean George Clinton, Bob Dylan, is that well, George

2:15:00.880 --> 2:15:07.040
<v Speaker 1>Clinton always uh uh charged the lowest rate possible for

2:15:08.440 --> 2:15:08.880
<v Speaker 1>his music.

2:15:09.960 --> 2:15:13.080
<v Speaker 3>Yeah, it's kind of the crack theory, like you give him,

2:15:13.200 --> 2:15:15.600
<v Speaker 3>get your test. I'm not gonna I'm not gonna comment

2:15:15.680 --> 2:15:22.720
<v Speaker 3>on that. Why George George George George cleaned himself up.

2:15:22.800 --> 2:15:26.160
<v Speaker 3>So yeah, oh yeah, but yeah, it's the crack theory.

2:15:26.720 --> 2:15:33.480
<v Speaker 3>Give you a little taste, yeah, give you taste, and

2:15:33.560 --> 2:15:36.040
<v Speaker 3>then and then get you addicted, and then he keep

2:15:36.080 --> 2:15:36.480
<v Speaker 3>coming back.

2:15:36.480 --> 2:15:38.720
<v Speaker 7>But oh, by the way, Dylan is a great example

2:15:38.800 --> 2:15:44.600
<v Speaker 7>of the guy who has always he never he never stopped.

2:15:44.600 --> 2:15:48.560
<v Speaker 7>He kept going. He keeps making new albums. He's not

2:15:48.680 --> 2:15:50.760
<v Speaker 7>like the Stones. He doesn't go out and do the hits.

2:15:50.800 --> 2:15:53.120
<v Speaker 7>He's just he keeps like making new music.

2:15:54.000 --> 2:15:56.880
<v Speaker 3>Side note, the Dylan that I know like the back

2:15:56.920 --> 2:16:02.000
<v Speaker 3>of my hand, just the Christian era. Yeah, yeah, yeah,

2:16:02.200 --> 2:16:02.880
<v Speaker 3>Christian there.

2:16:02.920 --> 2:16:05.280
<v Speaker 7>Oh yeah, yeah, there's a whole bunch of albums in there.

2:16:05.280 --> 2:16:08.520
<v Speaker 1>There's a Christian Yeah, there's like four records that between

2:16:08.640 --> 2:16:09.680
<v Speaker 1>like seventy six.

2:16:09.600 --> 2:16:13.520
<v Speaker 3>And Infidels, like yeah, yeah, yeah.

2:16:13.640 --> 2:16:15.680
<v Speaker 1>So when my parents were on their Christian kick with

2:16:15.880 --> 2:16:19.520
<v Speaker 1>only Christian radio in the house. I thought Bob Dylan

2:16:19.680 --> 2:16:20.880
<v Speaker 1>was a Christian artist.

2:16:21.240 --> 2:16:23.680
<v Speaker 7>That's amazing. I didn't know about That's incredible.

2:16:24.520 --> 2:16:26.760
<v Speaker 9>Didn't didn't deal and also do some records with Full

2:16:26.840 --> 2:16:32.120
<v Speaker 9>Force and No No with salam Remy and Curtis Blow.

2:16:32.879 --> 2:16:34.800
<v Speaker 3>Whoa what dog?

2:16:35.040 --> 2:16:40.920
<v Speaker 1>Salam Remy was Salam's father was a staff person at

2:16:41.000 --> 2:16:46.920
<v Speaker 1>Mercury so eighty forty five. He was already at like

2:16:47.200 --> 2:16:52.520
<v Speaker 1>thirteen fourteen years old producing Curtis Blow that America album Wow,

2:16:52.680 --> 2:16:55.920
<v Speaker 1>the Kingdom Come album backed by popular demand.

2:16:57.000 --> 2:16:59.240
<v Speaker 3>Salam Remy, salam.

2:16:58.920 --> 2:17:02.640
<v Speaker 1>Remy at like fifteen sixteen years old. You know, Salamay

2:17:02.680 --> 2:17:04.320
<v Speaker 1>did the Payback mix, the James.

2:17:04.120 --> 2:17:06.480
<v Speaker 3>Brown Pai that. Wait, I didn't know that. I didn't

2:17:06.480 --> 2:17:09.000
<v Speaker 3>know that. I did think that the Payback the Payback mix,

2:17:09.040 --> 2:17:09.520
<v Speaker 3>which one is it?

2:17:09.720 --> 2:17:13.879
<v Speaker 9>It's that James Brown Like there's like a James Brown

2:17:14.000 --> 2:17:16.640
<v Speaker 9>Master Mix. Oh wow, yeah you know it if you

2:17:16.720 --> 2:17:16.960
<v Speaker 9>heard it.

2:17:19.120 --> 2:17:25.320
<v Speaker 1>So side rabbit Hole, that's a really big album, Rabbit

2:17:25.959 --> 2:17:29.879
<v Speaker 1>the rabbit Hole starting quest Questlove's rabbit Hole.

2:17:31.200 --> 2:17:31.520
<v Speaker 2>Too late.

2:17:31.600 --> 2:17:38.560
<v Speaker 1>Now Yeah, well, Mike, I I have to say, uh,

2:17:39.640 --> 2:17:45.720
<v Speaker 1>thank you really a sincere thanks uh for creating a

2:17:46.720 --> 2:17:54.480
<v Speaker 1>conversation piece and something really universal, like it's rare. It's

2:17:54.600 --> 2:18:01.520
<v Speaker 1>super rare that, uh that I see or witness something

2:18:02.640 --> 2:18:06.480
<v Speaker 1>that I totally relate to and they don't necessarily look

2:18:06.640 --> 2:18:09.400
<v Speaker 1>like me per se, but I totally see myself in

2:18:09.560 --> 2:18:10.200
<v Speaker 1>those characters.

2:18:10.840 --> 2:18:14.680
<v Speaker 3>You know. I really I can't thank you enough for it,

2:18:14.920 --> 2:18:16.600
<v Speaker 3>like that I needed to.

2:18:16.959 --> 2:18:19.640
<v Speaker 1>I really need to see that film and thank you

2:18:19.840 --> 2:18:21.320
<v Speaker 1>for creatings.

2:18:22.080 --> 2:18:24.240
<v Speaker 6>Thanks a lot of thanks for giving up to the

2:18:24.320 --> 2:18:26.640
<v Speaker 6>improv community too, like that was dope.

2:18:29.240 --> 2:18:31.880
<v Speaker 7>Thanks for having me on and this is this is

2:18:32.520 --> 2:18:33.200
<v Speaker 7>this is awesome.

2:18:33.360 --> 2:18:36.480
<v Speaker 3>Thank you, Thank you. Go see the movie. Go see yesh.

2:18:36.600 --> 2:18:37.600
<v Speaker 3>Yeah it's twice.

2:18:37.840 --> 2:18:39.800
<v Speaker 7>Yeah, it's in It's in like one hundred and fifty

2:18:39.879 --> 2:18:42.400
<v Speaker 7>theaters in the country right now. And uh, don't think

2:18:42.440 --> 2:18:44.280
<v Speaker 7>twicemovie dot com if you want to find out where

2:18:44.280 --> 2:18:44.480
<v Speaker 7>it is.

2:18:44.760 --> 2:18:45.440
<v Speaker 3>I have to say.

2:18:45.560 --> 2:18:47.840
<v Speaker 1>This is uh this, this is this is one of

2:18:47.879 --> 2:18:52.920
<v Speaker 1>them deep cut episodes. I suppose it's one of them

2:18:52.959 --> 2:18:56.680
<v Speaker 1>deep cuts. All right, So what did you learn Telo today?

2:18:56.840 --> 2:18:57.040
<v Speaker 7>Man?

2:18:57.360 --> 2:19:01.680
<v Speaker 8>I learned today that Amir Thompson is one of the

2:19:01.760 --> 2:19:02.959
<v Speaker 8>most shallow motherfuckers.

2:19:06.760 --> 2:19:11.760
<v Speaker 3>Fucking paper chasing keep up with the Jones ass fucking.

2:19:12.959 --> 2:19:13.119
<v Speaker 6>Yo.

2:19:13.440 --> 2:19:20.080
<v Speaker 3>It's gonna make a great album. Nah manh nah Man.

2:19:20.200 --> 2:19:23.400
<v Speaker 3>I learned that. I learned that from from Mike.

2:19:23.840 --> 2:19:28.320
<v Speaker 8>Just that whole man, just that whole thing about the sleepwalking,

2:19:28.440 --> 2:19:31.040
<v Speaker 8>Like that's just imagine, Like I mean, just having the

2:19:31.120 --> 2:19:34.600
<v Speaker 8>courage to share something like that and uh, just you know,

2:19:35.200 --> 2:19:37.520
<v Speaker 8>knowing that you gotta deal with that all your life.

2:19:37.560 --> 2:19:39.000
<v Speaker 3>I mean, that's just something crazy.

2:19:39.080 --> 2:19:42.600
<v Speaker 8>But I mean he is definitely one of the favorite

2:19:42.640 --> 2:19:45.280
<v Speaker 8>people that I've introduced a lot of stuff that he's saying.

2:19:45.840 --> 2:19:48.360
<v Speaker 8>He I hear myself in that, you know what I'm saying,

2:19:48.360 --> 2:19:51.879
<v Speaker 8>in terms of getting older, you know, hitting that kind

2:19:51.879 --> 2:19:54.560
<v Speaker 8>of late thirties, not being old, but just older and

2:19:55.120 --> 2:19:57.080
<v Speaker 8>just being able to put things in perspective, you know

2:19:57.120 --> 2:20:01.480
<v Speaker 8>what I'm saying. He was very you know his movie

2:20:01.560 --> 2:20:04.320
<v Speaker 8>Like hearing him talk about the process of how you know,

2:20:04.520 --> 2:20:06.960
<v Speaker 8>twenty two working the door at the comedy seller and

2:20:07.120 --> 2:20:09.160
<v Speaker 8>thinking you're gonna do your first movie bout twenty four,

2:20:09.200 --> 2:20:11.360
<v Speaker 8>which you don't do it till ten years later. I

2:20:11.440 --> 2:20:14.520
<v Speaker 8>mean that resonates so much. Man, Like that, you know

2:20:14.680 --> 2:20:17.120
<v Speaker 8>when people say that the entertainment and this is me

2:20:17.200 --> 2:20:19.880
<v Speaker 8>in unpaid We've had this conversation on Texas up before

2:20:20.280 --> 2:20:23.199
<v Speaker 8>when people say that the entertainment, you know, it takes

2:20:23.280 --> 2:20:23.800
<v Speaker 8>hard work.

2:20:24.280 --> 2:20:27.840
<v Speaker 1>I don't think anyone ever realizes how much hard work

2:20:27.959 --> 2:20:30.640
<v Speaker 1>it is. I don't think they realize that. It's like, no,

2:20:30.959 --> 2:20:35.879
<v Speaker 1>it's gonna be ten, fifteen, twenty years of just fucking

2:20:36.040 --> 2:20:37.800
<v Speaker 1>slavery until one day.

2:20:37.800 --> 2:20:39.840
<v Speaker 8>You'll see like and it's like, oh shit, you know

2:20:39.959 --> 2:20:43.520
<v Speaker 8>we made it. But yeah, man, I learned that a

2:20:43.560 --> 2:20:44.960
<v Speaker 8>lot of our stories are very similar.

2:20:45.240 --> 2:20:48.800
<v Speaker 3>Cool big ups to Mic, unpaid Bill, What did you

2:20:48.879 --> 2:20:49.400
<v Speaker 3>learn today?

2:20:50.000 --> 2:20:52.039
<v Speaker 2>I learned that I need to keep a running document

2:20:52.160 --> 2:20:58.560
<v Speaker 2>of Fonte's quotes. Number one, number two I learned, I thought, well,

2:20:58.920 --> 2:21:00.960
<v Speaker 2>cashing in versus sell out. I thought that was a

2:21:01.000 --> 2:21:03.600
<v Speaker 2>fascinating idea because I've never ever heard that before.

2:21:03.720 --> 2:21:05.320
<v Speaker 3>Don't forget pulling out, Well.

2:21:05.240 --> 2:21:05.560
<v Speaker 5>That's.

2:21:08.200 --> 2:21:13.840
<v Speaker 2>Nuttingtting. Yeah, you know, and I would, honestly, I would

2:21:13.879 --> 2:21:15.600
<v Speaker 2>not have watched that movie had we not been here

2:21:15.680 --> 2:21:18.160
<v Speaker 2>talking to Mike, because I don't ever watch movies because

2:21:18.320 --> 2:21:19.560
<v Speaker 2>I don't have any goddamn time.

2:21:19.920 --> 2:21:22.080
<v Speaker 3>But I was like, yeah, you're in the industry.

2:21:22.240 --> 2:21:23.600
<v Speaker 2>Well I know, but but I don't.

2:21:23.600 --> 2:21:23.880
<v Speaker 3>I don't.

2:21:24.440 --> 2:21:26.040
<v Speaker 2>It's the one thing that like is farn to me.

2:21:26.280 --> 2:21:28.480
<v Speaker 2>I don't. I don't go to the movies. I don't

2:21:28.480 --> 2:21:32.280
<v Speaker 2>know kids, man, kids, but but I was. I was

2:21:32.320 --> 2:21:34.240
<v Speaker 2>saying that that I haven't seen a movie like that

2:21:34.280 --> 2:21:36.280
<v Speaker 2>in a while. That was so universal, that appealed to

2:21:36.400 --> 2:21:39.879
<v Speaker 2>me in a way that I thought I was almost

2:21:40.920 --> 2:21:42.880
<v Speaker 2>after I watched it, I was embarrassed coming here and

2:21:42.959 --> 2:21:46.480
<v Speaker 2>to say to everybody that's about me, like that movie

2:21:46.600 --> 2:21:48.640
<v Speaker 2>is straight up my life like that, like except the

2:21:48.720 --> 2:21:51.920
<v Speaker 2>improv ship, which is not that, but like having a

2:21:51.959 --> 2:21:54.280
<v Speaker 2>group of friends. Wait, I know I play.

2:21:55.879 --> 2:21:58.720
<v Speaker 3>This is the improv. We are improv.

2:21:59.560 --> 2:22:07.640
<v Speaker 2>It's true. It's true. Yea uh yeah, yeah yeah, So

2:22:07.800 --> 2:22:11.640
<v Speaker 2>I I was just I was. It was just interesting

2:22:11.680 --> 2:22:14.360
<v Speaker 2>to see how universally your own story is and how

2:22:15.440 --> 2:22:18.040
<v Speaker 2>other people share that ship. And it's nice to know

2:22:18.120 --> 2:22:20.400
<v Speaker 2>that the journey of life is with other people.

2:22:21.120 --> 2:22:32.560
<v Speaker 3>True. There you go, paid Steve question. So what would

2:22:32.560 --> 2:22:33.560
<v Speaker 3>you learn, Steve?

2:22:34.240 --> 2:22:41.080
<v Speaker 11>I learned that Mike Bigley, his name is not I

2:22:41.440 --> 2:22:44.560
<v Speaker 11>learned a lot about him. He's an introspective, bright guy

2:22:46.200 --> 2:22:51.280
<v Speaker 11>that's good grip on things and it's creative. And but

2:22:51.520 --> 2:22:54.840
<v Speaker 11>like unpaid Bill, I didn't think I was going to

2:22:54.920 --> 2:22:58.200
<v Speaker 11>be into the movie. I'm not into independent films. I'm

2:22:58.240 --> 2:23:01.120
<v Speaker 11>not into improv I don't like being told to watch

2:23:01.200 --> 2:23:07.680
<v Speaker 11>a movie. Sorry, but but again, like these guys that

2:23:07.800 --> 2:23:11.720
<v Speaker 11>came out of it, sort of thinking, you know, I

2:23:11.800 --> 2:23:15.400
<v Speaker 11>can relate to Summer all of those characters in the sense,

2:23:15.800 --> 2:23:17.400
<v Speaker 11>especially in the sense of what I brought up to

2:23:17.440 --> 2:23:20.560
<v Speaker 11>him that that's sort of duality of rooting for your

2:23:20.600 --> 2:23:24.320
<v Speaker 11>friends and also sort of having that constant jealousy to

2:23:24.360 --> 2:23:25.400
<v Speaker 11>beat them to the finish line.

2:23:25.560 --> 2:23:27.680
<v Speaker 8>There's an Oscar Wild quote about that where it's like,

2:23:27.760 --> 2:23:30.440
<v Speaker 8>you know, it's something to the effect of you can

2:23:30.720 --> 2:23:34.480
<v Speaker 8>it's easy. Basically, it's easy to be friends in times

2:23:34.520 --> 2:23:37.600
<v Speaker 8>of sympathy when your friends need this sympathy, But can

2:23:37.720 --> 2:23:40.040
<v Speaker 8>you be a friend in their time of success? Like

2:23:40.160 --> 2:23:41.359
<v Speaker 8>that's what tests friendships.

2:23:41.800 --> 2:23:43.520
<v Speaker 2>It's not just quote Oscar Wild.

2:23:44.000 --> 2:23:45.200
<v Speaker 3>Yeah, fuck you man.

2:23:49.720 --> 2:23:53.840
<v Speaker 2>Every time we do this ship you you will quote

2:23:54.000 --> 2:23:57.320
<v Speaker 2>the dumbest television show, the dumbest.

2:23:57.120 --> 2:24:00.000
<v Speaker 3>Smartest rapper and then like an.

2:24:02.959 --> 2:24:03.200
<v Speaker 2>Are you.

2:24:04.760 --> 2:24:06.120
<v Speaker 3>To the top of my hands? Brother?

2:24:07.040 --> 2:24:10.000
<v Speaker 2>To be alone by yourself, like with the money and

2:24:10.200 --> 2:24:13.000
<v Speaker 2>just like like novels, like you could be in prison.

2:24:13.520 --> 2:24:16.360
<v Speaker 2>I know anyway, Sorry, un paid bill, what did you learn? No,

2:24:16.520 --> 2:24:17.880
<v Speaker 2>that's paid Bill. I'm paid Bill.

2:24:20.160 --> 2:24:20.760
<v Speaker 3>What did I learn.

2:24:21.320 --> 2:24:23.640
<v Speaker 9>I mean, I think everybody's pretty much already touched on

2:24:23.680 --> 2:24:27.879
<v Speaker 9>it so far. You know, just watching the movie, which

2:24:27.920 --> 2:24:30.760
<v Speaker 9>probably wasn't a movie I would have normally watched, but

2:24:31.640 --> 2:24:33.200
<v Speaker 9>like by the end of it, I got so wrapped

2:24:33.240 --> 2:24:35.120
<v Speaker 9>up in it because, like like everybody said, it was

2:24:35.160 --> 2:24:37.600
<v Speaker 9>like watching my life on screen. Like I'm not I'm

2:24:37.640 --> 2:24:42.000
<v Speaker 9>not in improv, I'm not you know, into I'm not

2:24:42.080 --> 2:24:44.600
<v Speaker 9>a musician or anything, but just so much much of

2:24:44.680 --> 2:24:47.200
<v Speaker 9>it rings true with just seeing being on Facebook every

2:24:47.240 --> 2:24:49.800
<v Speaker 9>day and seeing what my friends are doing and see

2:24:49.840 --> 2:24:52.120
<v Speaker 9>where I am in life, and you know, uh, you know,

2:24:52.520 --> 2:24:54.920
<v Speaker 9>and some people I'm ahead of, some people I'm way behind.

2:24:55.000 --> 2:24:58.440
<v Speaker 9>So you know, it's it's it's I don't know, it's weird.

2:24:58.560 --> 2:25:00.000
<v Speaker 9>Getting old, it's it kind of sucked.

2:25:00.600 --> 2:25:02.120
<v Speaker 3>I don't like it. How old are you?

2:25:02.400 --> 2:25:07.920
<v Speaker 9>I'm thirty six, I said, I said, getting older. No,

2:25:08.160 --> 2:25:10.520
<v Speaker 9>I thought you were like forty six. Now I am

2:25:10.640 --> 2:25:14.720
<v Speaker 9>a year in like a week or something younger than Fonte. Yeah,

2:25:15.440 --> 2:25:16.640
<v Speaker 9>I'm a year a week younger than you.

2:25:18.560 --> 2:25:19.760
<v Speaker 3>Look, man, I don't like this.

2:25:21.720 --> 2:25:25.600
<v Speaker 1>I mean, look, I'm not saying everybody's journey gotta be

2:25:25.680 --> 2:25:29.240
<v Speaker 1>my journey. But again, I was kind of ready, you know,

2:25:29.480 --> 2:25:32.640
<v Speaker 1>thirty eight, thirty nine. I was like, well, this was nice,

2:25:33.200 --> 2:25:33.440
<v Speaker 1>it was.

2:25:35.080 --> 2:25:35.360
<v Speaker 3>Cool.

2:25:36.680 --> 2:25:40.080
<v Speaker 1>But I'm like you and then you know, evidently like

2:25:40.720 --> 2:25:43.200
<v Speaker 1>a window open. I'm just saying that it can happen late,

2:25:44.000 --> 2:25:45.240
<v Speaker 1>but a.

2:25:45.280 --> 2:25:45.760
<v Speaker 3>Lot of tight.

2:25:45.959 --> 2:25:48.400
<v Speaker 1>I don't think that's That's what I'm proc, dude, that's

2:25:48.760 --> 2:25:51.320
<v Speaker 1>that's not late. I think that's kind of poor for

2:25:51.440 --> 2:25:54.360
<v Speaker 1>the chorus. I mean, well, yeah, but just a lot

2:25:54.560 --> 2:25:55.359
<v Speaker 1>you usually.

2:25:55.120 --> 2:25:59.400
<v Speaker 3>Post thirty five, we start like, okay, might as well.

2:26:00.520 --> 2:26:03.080
<v Speaker 9>I think you're just looking at it from the perspective

2:26:03.080 --> 2:26:06.039
<v Speaker 9>of being in the music industry, and like in any

2:26:06.280 --> 2:26:08.800
<v Speaker 9>any other field, you know, just.

2:26:08.920 --> 2:26:13.080
<v Speaker 3>Say, man with like twelve syllables, okay, in.

2:26:13.120 --> 2:26:16.040
<v Speaker 9>Any other industry, most people don't find success in their twenties.

2:26:16.240 --> 2:26:18.040
<v Speaker 3>So you know, man, talk about it.

2:26:18.120 --> 2:26:20.400
<v Speaker 10>I think we we're the generation that was. I always

2:26:20.440 --> 2:26:22.560
<v Speaker 10>say that Diddy messed it up. I say that Diddy

2:26:22.600 --> 2:26:24.640
<v Speaker 10>messed it up when he quit college and kept doing

2:26:24.680 --> 2:26:26.560
<v Speaker 10>those trips to New York and got success early and

2:26:26.600 --> 2:26:28.600
<v Speaker 10>became millionaires. And everybody looked at Diddy and was like,

2:26:28.680 --> 2:26:31.520
<v Speaker 10>you know what, it could be done by twenty something,

2:26:31.680 --> 2:26:32.400
<v Speaker 10>but not for you.

2:26:32.600 --> 2:26:35.240
<v Speaker 1>Oh I feel you me, I telt you met him

2:26:36.000 --> 2:26:37.920
<v Speaker 1>having a successful rap career as.

2:26:37.760 --> 2:26:38.879
<v Speaker 3>A non rapper.

2:26:40.440 --> 2:26:42.440
<v Speaker 6>That's how Kim Kardashian looked at it. But I'm just

2:26:42.480 --> 2:26:43.520
<v Speaker 6>saying that, oh, well.

2:26:43.480 --> 2:26:46.680
<v Speaker 1>Yeah, diddy' is the beginning of the quarter personality, right, so,

2:26:46.959 --> 2:26:49.000
<v Speaker 1>but yeah, it starts with them and ends with Kim.

2:26:49.440 --> 2:26:49.600
<v Speaker 7>Oh.

2:26:49.720 --> 2:26:51.840
<v Speaker 6>But here's what I learned today that you were asking,

2:26:51.920 --> 2:26:52.480
<v Speaker 6>mister Loft.

2:26:53.760 --> 2:26:58.920
<v Speaker 10>Mister, I learned that I'm like, y'all, I'm really in

2:26:59.040 --> 2:27:01.680
<v Speaker 10>the improv stand up a couple of times and whatnot.

2:27:02.000 --> 2:27:04.120
<v Speaker 10>And so for Mike, I've realized that, you know what,

2:27:04.280 --> 2:27:08.320
<v Speaker 10>it's it's possible to live your dreams and it's possible

2:27:08.360 --> 2:27:10.240
<v Speaker 10>to use all these tools for the greater good. Because

2:27:10.240 --> 2:27:12.000
<v Speaker 10>I'm hoping at some point did all those classes and

2:27:12.040 --> 2:27:13.360
<v Speaker 10>I pro groups and stuff lead.

2:27:14.000 --> 2:27:16.039
<v Speaker 6>So I'm just saying that's what I learned today.

2:27:16.080 --> 2:27:16.960
<v Speaker 3>It's led you to this.

2:27:17.760 --> 2:27:18.800
<v Speaker 6>Oh that's right, I made it.

2:27:19.400 --> 2:27:22.520
<v Speaker 2>Yeah you did?

2:27:23.120 --> 2:27:27.000
<v Speaker 3>What did you learn? Like? Seeing being the l now

2:27:27.040 --> 2:27:28.360
<v Speaker 3>as the leader of this flock?

2:27:28.520 --> 2:27:30.000
<v Speaker 1>Now, I feel like I'm gonna let you all down

2:27:30.040 --> 2:27:32.600
<v Speaker 1>again because the one thing I learned I'm gonna try tonight.

2:27:33.640 --> 2:27:35.800
<v Speaker 3>Okay, I'm gonna sleeping and sleeping.

2:27:36.000 --> 2:27:39.400
<v Speaker 2>Yes, you're gonna pot it out.

2:27:39.879 --> 2:27:40.160
<v Speaker 6>I just.

2:27:42.400 --> 2:27:43.640
<v Speaker 3>I ain't going with the mints to.

2:27:43.640 --> 2:27:45.760
<v Speaker 6>Make sure I have the inside zipper though, because you.

2:27:46.360 --> 2:27:49.480
<v Speaker 3>Well, no, only only because I'm one of those people

2:27:49.640 --> 2:27:55.279
<v Speaker 3>who's uh air conditioning Like you ever? Are you ever.

2:27:55.240 --> 2:27:57.600
<v Speaker 1>So cold in the morning or hot in the morning

2:27:58.000 --> 2:28:00.160
<v Speaker 1>that you're too lazy to get out of bed just

2:28:00.440 --> 2:28:03.439
<v Speaker 1>change the temperature day you just rather suffer.

2:28:03.240 --> 2:28:05.400
<v Speaker 3>Through it and just hope that take your clothes off

2:28:06.560 --> 2:28:07.680
<v Speaker 3>or right, I'm one.

2:28:07.640 --> 2:28:10.760
<v Speaker 1>Of those lazy can't walk to the air conditioner just

2:28:10.879 --> 2:28:15.240
<v Speaker 1>to turn it down or whatever. So right now, like

2:28:15.440 --> 2:28:20.080
<v Speaker 1>my my joint is like on freeze freeze time's pie.

2:28:20.280 --> 2:28:22.280
<v Speaker 3>Like my room's like forty one degrees.

2:28:22.560 --> 2:28:25.520
<v Speaker 6>Like tell then we call that strip club weather?

2:28:26.680 --> 2:28:27.320
<v Speaker 3>Is that we call it?

2:28:27.440 --> 2:28:27.600
<v Speaker 4>Yeah?

2:28:27.600 --> 2:28:29.360
<v Speaker 6>Because that's they kept the nipples hard. That's how to

2:28:29.440 --> 2:28:30.160
<v Speaker 6>keep the nipples hard.

2:28:30.440 --> 2:28:37.199
<v Speaker 5>And I also want to say, electric ladies the bomb.

2:28:37.840 --> 2:28:41.080
<v Speaker 3>Yeah, yeah, we got couches and we sitting.

2:28:41.879 --> 2:28:48.560
<v Speaker 5>This is better than that, Yes, Persia, Yes, it's it's.

2:28:49.879 --> 2:28:53.600
<v Speaker 1>It's it's important, quite awesome to to come back home

2:28:53.800 --> 2:28:58.879
<v Speaker 1>to uh electrical lady and uh until next time, ladies

2:28:58.920 --> 2:28:59.720
<v Speaker 1>and gentlemen.

2:29:00.240 --> 2:29:08.000
<v Speaker 3>On behalf of boss bill and and unpaid Bill and Lie.

2:29:10.680 --> 2:29:13.680
<v Speaker 3>All right, let you Beck and fin take. My name

2:29:13.760 --> 2:29:28.160
<v Speaker 3>is quest Love and this is question only Onda quest

2:29:28.240 --> 2:29:28.840
<v Speaker 3>Love Supreme.

2:29:28.879 --> 2:29:32.160
<v Speaker 1>It is a production of iHeart Radio. This classic episode

2:29:32.280 --> 2:29:41.039
<v Speaker 1>was produced by the team at Mandora. For more podcasts

2:29:41.080 --> 2:29:44.600
<v Speaker 1>from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

2:29:45.080 --> 2:29:46.760
<v Speaker 1>or wherever you listen to your favorite shows.