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Speaker 1: The volume.

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Speaker 2: Yet, welcome back everybody who's excited to dissect the culture

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Speaker 2: you are.

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Speaker 1: I am excited to see it in your face. I'm

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Speaker 1: very excited.

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Speaker 3: You seem like you have something to talk about today,

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Speaker 3: Like you're excited, like you're holding some information.

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Speaker 1: What information do you have? I actually don't have anything.

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Speaker 1: I can see in your face.

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Speaker 3: I can tell when you like you want to let

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Speaker 3: something out and it's like outside of wait until we

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Speaker 3: get on mic and camera to like you've been avoiding

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Speaker 3: me in the studio since I got here, Like I

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Speaker 3: walk out there, you come in here.

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Speaker 1: I walked in here, you walk out out there?

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Speaker 2: What's side to take a phone call? But I mean

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Speaker 2: jet Field does it? Does melt steal beams?

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Speaker 1: That? I mean, I've been holding that information for quite

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Speaker 1: some time. So we're not. We're not. If you're thinking

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Speaker 1: that's what I was gonna get doing that.

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Speaker 3: First of all, continued prayers and consolances to everyone that

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Speaker 3: was affected by the tragic tragic day of nine to eleven,

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Speaker 3: two thousand and one, twenty four years later, we are here,

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Speaker 3: never forget.

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Speaker 2: I stopped by uh two firehouses today, the one the

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Speaker 2: one around the corner and the one in hell's kitchens. Uh,

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Speaker 2: you know, because a lot of firefighters that did pass

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Speaker 2: all nine to eleven, they will open their doors so

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Speaker 2: everyone could pay the respect. If you walk by a firehouse,

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Speaker 2: you could sit in one to two today, especially the one, you.

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Speaker 3: Know, the one around the corners. Pretty cool, the guys

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Speaker 3: are pretty cool. Set them out sometimes.

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Speaker 2: Yeah, it's just uh, which I guess maybe it's a

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Speaker 2: selfish thought when you're when you're this far downtown, it

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Speaker 2: gets stevens Hatter.

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Speaker 1: Oh yeah, because this firehouse I'm sure was there in

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Speaker 1: one minute. Oh sure, definitely.

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Speaker 2: So yeah, that firehouse had you know a majority of

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Speaker 2: them were some of the first people in there, which

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Speaker 2: you know tragically leads to being higher and not making

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Speaker 2: it down.

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Speaker 1: So to all New Yorkers America period.

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Speaker 2: I mean, I know we say never forget in a

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Speaker 2: condescending way sometimes put seriously, this this is a huge

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Speaker 2: day in my life, like everything changed. So you know,

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Speaker 2: it's our tenth or eleven time talking about nine to.

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Speaker 1: Eleven on the anniversary on the podcast.

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Speaker 2: So you know, I feel like our listeners know our

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Speaker 2: thoughts on this entire thing, but we still should always bring.

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Speaker 3: Us being New Yorkers and you know, being in the

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Speaker 3: city obviously on nine to eleven. It's forever a part

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Speaker 3: of our uh our lives. Yeah, think we will ever

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Speaker 3: be anywhere in the world and not remember nine to eleven.

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Speaker 3: So continued prayers, condolences to all families and victims of

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Speaker 3: the tragic nine to eleven and hopefully, you know, twenty

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Speaker 3: four years later, people are somewhat back to some normalcy

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Speaker 3: and life is is.

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Speaker 1: Not really really you know, somewhat.

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Speaker 2: No, actually it is normal because everything after nine eleven

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Speaker 2: has been completely fucking chaotic, and so that's become the

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Speaker 2: new normal.

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Speaker 1: Yeah.

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Speaker 2: It seems like when he was running into tower, now

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Speaker 2: that became all right, Yeah, everything's chaotic after that.

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Speaker 1: Yeah, everything feels normal after that happens.

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Speaker 3: I keep tumble now more than ever. I think people

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Speaker 3: really we're just so insensitive, like we really don't care.

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Speaker 3: But they released a video of US shooting a missile

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Speaker 3: at a UFO and it bouncing off the UFO and

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Speaker 3: nobody is even talking about it, like the UFO didn't

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Speaker 3: slow down, stop, nothing like it. He asked one of

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Speaker 3: the They asked one of the guys, They.

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Speaker 1: Said, just make you nervous. Are you're scared?

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Speaker 3: He was like, yeah, yeah, I'm scared about like one

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Speaker 3: of our missiles, Like we shot at a unidentified flying

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Speaker 3: object and it completely just kept flying straight through the missile.

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Speaker 1: And did you think this is the first time.

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Speaker 3: Yeah, like didn't break course nothing. It's just like, yeah, scary.

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Speaker 2: I mean they just gotta uh what's what's homie from

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Speaker 2: a Jurassic Park and Independence Day?

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Speaker 1: Jeff? They just got to hit Jeff Global. He figured

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Speaker 1: out Independence Day to get through that force field. Yeah,

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Speaker 1: and then uh hum, the Rednecks sacrificed himself like yeah,

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Speaker 1: come on, we got get back. That was just get back.

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Speaker 2: Everyone said he didn't get abducted the years ago waiting

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Speaker 2: for us get back.

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Speaker 1: He was waiting for us get back. Yeah.

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Speaker 3: Man, Yeah, but we're so intensive we don't care, like

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Speaker 3: we're gonna we're gonna see the aliens one day. They're

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Speaker 3: gonna be just chilling on the corner. We're gonna just

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Speaker 3: keep strolling like all right, cool, Like it's there's nothing.

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Speaker 2: Obviously Independence Day was a movie, but it just proves

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Speaker 2: just like how much masculinity is really gone, like the

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Speaker 2: lack of men and what we know how to do.

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Speaker 2: They were just grabbing anybody to fly fighter jets into

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Speaker 2: space to fight the aliens.

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Speaker 1: And it was just like farmers like, yeah, I know

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Speaker 1: how to do that. Well anybody if they say, oh ma,

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Speaker 1: here's F sixteen, it's your time, Sloane.

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Speaker 3: No, it was people that were crop dusters that know

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Speaker 3: how to fly. Yeah, they used to Like it was

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Speaker 3: like just had to teach them how to shoot.

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Speaker 2: But like, for sure, but I don't even have the

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Speaker 2: knowledge of how to fly one of the right Brothers planes.

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Speaker 2: Those guys knew how to do those in the farms

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Speaker 2: and then just got in the F sixteen and.

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Speaker 1: Save save the world.

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Speaker 2: Anything like open the wound for Will Smith to get

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Speaker 2: in there and get busy. What would you do if

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Speaker 2: you sat in a fighters yet and they was like, nah,

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Speaker 2: it's it's us at them.

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Speaker 1: I mean at some point you have to you know.

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Speaker 3: If I had some flying experience and it was like listen,

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Speaker 3: this has we're trying to save the.

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Speaker 1: World, I think I would do it. I think I

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Speaker 1: would get in the fighter jet.

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Speaker 3: I mean a fighter jet and the crop dust are

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Speaker 3: two totally different planes. That's like saying, yo, jumping a Honda.

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Speaker 1: We don't even have the crop duster experience. No, but

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Speaker 1: they have zero. But they wouldn't tell us to get

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Speaker 1: in the plane. You never know people that was crop.

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Speaker 2: There was people that knew how to fly some type

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Speaker 2: of because they had they had an actual skill.

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Speaker 1: Yeah, they were men, they farmed, they had a trade.

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Speaker 1: This is you want me to talk to the aliens.

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Speaker 1: I can talk to him.

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Speaker 3: Yeah we can. We can talk about what's going on. Yeah,

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Speaker 3: we could do that.

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Speaker 1: We want to carry out next week at the album.

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Speaker 2: I could play the really good like panicked guy in

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Speaker 2: the back seat. You know, some fighter jets have two seats,

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Speaker 2: the one that's just like yo, they right here, they're

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Speaker 2: right here.

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Speaker 1: Yeah, I play that. I could do that. Give me

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Speaker 1: I practically tell you where. They give me a real.

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Speaker 3: Pilot, and I can help him like navigate, like listen,

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Speaker 3: they're right there behind us.

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Speaker 1: You know, let's get out of here.

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Speaker 3: I can do that. But me flying, that's not happening.

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Speaker 3: If it's up to me, we all fucked.

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Speaker 2: I mean, I can't wait for the alien. It's just

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Speaker 2: to let's just settle this once in for all. You mean,

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Speaker 2: just just take us over. We need a new regime.

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Speaker 2: The whole world needs regime change, not a country the planet.

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Speaker 1: I'm back in and show us.

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Speaker 2: I don't think they're scared us, tell us what to do.

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Speaker 1: They're not trying to take over the planet. I don't

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Speaker 1: think that's what it is. It's their planet. Yeah, there

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Speaker 1: it is. They've been here.

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Speaker 2: Are you under the impression that AI is actually an

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Speaker 2: alien from Saturn? Because that's a new that's a new theory.

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Speaker 2: AI is actually an alien and it's from Saturn. No,

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Speaker 2: it's not a technology, it is a being. It is

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Speaker 2: it is from Saturn.

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Speaker 1: No, I didn't. I didn't jump down that rabbit hole yet.

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Speaker 1: All that it's your loss. You're done right now. It's

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Speaker 1: not a rabbit hole. It's a fact. Okay.

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Speaker 3: No, I didn't know that. You just told me something

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Speaker 3: new today. It's not far fetched though. I mean, I'm

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Speaker 3: not mad at that, but I don't.

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Speaker 1: I didn't. I didn't jump down that rabbit hole. I

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Speaker 1: don't even know how we got to that. What are

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Speaker 1: you doing? This weekend we have the Canelo fight, biggest

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Speaker 1: fight of the not the century, but.

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Speaker 3: Definitely a lot of two years though. I feel like

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Speaker 3: this is this is definitely one of the biggest fights

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Speaker 3: in the last twenty years.

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Speaker 1: For sure. That wouldn't know that's successive. What this is

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Speaker 1: definitely one of the biggest fights in the last even.

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Speaker 2: Though Packy had lost after he then he went to

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Speaker 2: fight Mayweather.

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Speaker 1: Okay, so that wasn't exactly that was.

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Speaker 3: It was still pack Mayweather put foot in both in

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Speaker 3: their you know when they in their primes, and pack

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Speaker 3: Out again knocked out and didn't lose another fight after

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Speaker 3: getting knocked out and then fort Floyd.

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Speaker 2: Then yes, I would still put Dala hoy in Mayweather

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Speaker 2: against this that that was a fight everyone was anticipating.

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Speaker 3: Crazy, Yeah, that was anticipated. But this is this is

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Speaker 3: the one of those. This is on that same course

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Speaker 3: of you know, one of the most legendary boxing fights

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Speaker 3: that we we will ever receive.

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Speaker 1: For sure. Should I do a fight party? What we're doing?

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Speaker 1: What's everyone doing? Fight parties?

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Speaker 3: You still have those, of course, which you want to

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Speaker 3: go to a bar? No, they definitely don't want to

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Speaker 3: go to a bar. I hate watching boxing. I watched

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Speaker 3: them Who's my my Irish brother?

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Speaker 2: And that sent his dick to Zillia Banks Canelo No, hey,

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Speaker 2: first of all, Canelos Mexican.

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Speaker 1: Oh, she just happen to be a gender what'd you say?

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Speaker 1: It was McGregor.

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Speaker 2: Yeah, I watched Mayweather McGregor at a bar, and it

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Speaker 2: was the.

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Speaker 1: Worst experience I've ever had in my entirely.

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Speaker 2: Watching fights in public places sucks.

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Speaker 1: In public places suck. I'm not really a.

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Speaker 2: I can watch regular season football at bars and public places.

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Speaker 2: Super Bowl I hate it, like anytime where they throw

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Speaker 2: music on during commercials and like, I can't stand any

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Speaker 2: of that. I just want to be quiet and watch

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Speaker 2: what the fuck I'm watching.

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Speaker 4: Watching the Knicks during the playoffs was fun when me,

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Speaker 4: Pege and Josh went, But.

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Speaker 2: That's because it's like a community of Knicks fans in

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Speaker 2: New Yorkers. Like if we went to Mexico, I would

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Speaker 2: definitely want to go out to watch the Canelo fight

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Speaker 2: because it.

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Speaker 1: Would be crazy everywhere. Absolutely.

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Speaker 2: But now other than that, I'm I'm I'm fight party

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Speaker 2: all the way tomorrows.

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Speaker 1: I'll pay for the food if you want to cook. Cook.

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Speaker 4: I thought like fight parties were like like wings and

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Speaker 4: pizza and ship, like.

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Speaker 3: Yeah, and cook wings and make a pizza, flip the

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Speaker 3: dough in the air, all that.

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Speaker 1: Okay, yeah that's what you said. I actually like shread

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Speaker 1: the mozzrella. I like to make pizza. It's fun. It's

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Speaker 1: like a make pizza.

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Speaker 2: You get dough and then you get sauce and you

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Speaker 2: get mozzrella and whatever.

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Speaker 3: Like you made pizza from scratch before no, I bought

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Speaker 3: dough and then that's from scratch.

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Speaker 1: I didn't make the dough. I do so I bought

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Speaker 1: the dough. So you didn't make the dough, all.

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Speaker 2: Right, Yeah, oh I do it often, like really often,

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Speaker 2: like with Aamara too.

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Speaker 1: She usually ruins him.

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Speaker 4: I was gonna say, he's mentioned he mixed it with tomorrow.

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Speaker 1: Yeah, it's fun. Okay. You if you get the pre crust,

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Speaker 1: that's the easiest one, like.

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Speaker 2: Where you can just throw it in the oven and

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Speaker 2: just whatever you want to put on top. But the dough,

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Speaker 2: shit is fun. I fuck it up a lot because

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Speaker 2: even when you buy the dough, if you fuck up

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Speaker 2: the flour, like I give dollar pizza slices more credit.

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Speaker 1: Once I started to trying to make pizza. Sh It

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Speaker 1: is difficult, but that's just fun. We can make pizza,

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Speaker 1: we can make wings, or we could just order.

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Speaker 4: Thank you so much that.

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Speaker 2: I'm down. I'm down, Well all right, let me order.

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Speaker 2: Let me pre order now for all the Spanish people

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Speaker 2: in Jersey City. I can't order the day of that

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Speaker 2: will never happen. We get the food on Monday.

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Speaker 1: I just got to order early in the daya so,

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Speaker 1: but yeah, you do a five party at my crip.

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Speaker 1: That could be fun. Yeah, that'd be cool. I know.

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Speaker 1: I mean, I know you're not coming, but if you have,

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Speaker 1: if you have a watch party, I'll pull up. Okay,

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Speaker 1: I just gotta feel like, do y'all know like women?

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Speaker 1: Do I know women? Yes? I know women. Okay, add

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Speaker 1: them to the list.

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Speaker 2: Because I can provide a venue, I can provide a cable,

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Speaker 2: I will purchase the fight.

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Speaker 1: I have a TV. I will buy the food.

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Speaker 2: I can't like the other libations, the ones that people

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Speaker 2: care the most about, I can't provide.

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Speaker 1: Yeah, but women don't want to go to someone.

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Speaker 4: Well, I was gonna say women only go to fight

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Speaker 4: parties when they want to fuck one of the niggas

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Speaker 4: that's at the fight party.

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Speaker 1: The mall knows women that would want to do that.

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Speaker 1: Oh no, damn, I'm that hideous.

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Speaker 3: No, I'm just saying I don't know off top I

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Speaker 3: don't know women off the top of my ASD like

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Speaker 3: I would have to do some digging in the files

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Speaker 3: like some make it not a sexual thing whatsoever, and

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Speaker 3: just watch just a bunch of people.

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Speaker 2: Can just you know, have conversation, be friends and focus

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Speaker 2: on the sport of boxing.

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Speaker 4: Well, or if you want it to be a real

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Speaker 4: fight party, we can get with.

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Speaker 1: Fight party to me is ten people.

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Speaker 2: I'm not like, come on, not a fight party because

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Speaker 2: at that point you could just go outside.

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Speaker 1: Yeah, like ten people. It's on Netflix, right, is this

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Speaker 1: on Netflix? I think it's on Netflix.

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Speaker 4: So it's three of us. We need seven more people.

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Speaker 2: Oh no, get I can hit Beatrice, I can I

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Speaker 2: could hit just the people that are in the area.

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Speaker 1: Okay, That's all I got. That's all you need.

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Speaker 4: That's all you need.

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Speaker 2: That is true you need. That's how we watched every

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Speaker 2: Knicks game too. Who do you have in this fight?

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Speaker 1: Oh?

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Speaker 4: Man?

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Speaker 3: So I'm watching I'm watching the Netflix series leading up

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Speaker 3: to the fight. And then I saw an interview with

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Speaker 3: Canelo and and and and Crawford the other day, and

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Speaker 3: Canelo didn't know Crawford had seven kids, so when he

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Speaker 3: found out out, he was like, oh shit. So like

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Speaker 3: his face was kind of like this guy has said

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Speaker 3: he he's fighting for more than than I thought. He

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Speaker 3: was like, you know what I'm saying. He had that

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Speaker 3: look on his face like seven kids, like holy shit,

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Speaker 3: you know what I mean. So my heart is saying Crawford,

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Speaker 3: but my boxing mind is saying Canelo.

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Speaker 1: I'm going Canelo. Uh.

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Speaker 2: As much as I do love my my ginger brother,

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Speaker 2: I think he's going to win.

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Speaker 1: I'm going for Crawford, but.

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Speaker 2: I think I think Canelo's gonna win this. And I'm

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Speaker 2: actually kind of shocked how many people think it's going

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Speaker 2: to be a landslide with Crawford. Like that's been the

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Speaker 2: consensus of everyone I've talked to that Crawford was good.

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Speaker 3: I was like, yeah, y'all sure, Like listen, I love

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Speaker 3: Terrence Crawford. I think he's incredible. I think he you know,

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Speaker 3: he's gonna surprise people with this performance. But I also

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Speaker 3: think that, you know, he's just a different type of

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Speaker 3: fighter that I don't think Crawford has ever faced before,

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Speaker 3: and I think that'll be the difference. I think once

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Speaker 3: Crawford is in a ring with him, he'll realize that

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Speaker 3: this is probably as tough as opponent that he's ever faced.

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Speaker 3: And but I think I think it will be an

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Speaker 3: entertaining fight, though I think it. I don't think it'll

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Speaker 3: be a knockout. I think it's going to go to distance.

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Speaker 3: It's gonna go to the cards, and I do think

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Speaker 3: that Canelo will be will be the better fighter yea

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Speaker 3: Saturday night.

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Speaker 2: I definitely definitely think it's going the distance for sure.

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Speaker 2: Back to your point of this being one of the

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Speaker 2: biggest fights in the last how many years, now that

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Speaker 2: I do think about it, with everything that's been happening

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Speaker 2: with boxing, I agree. Also on the side of just

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Speaker 2: the sport. Again, we've supported the Paul Brothers everything they've done.

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Speaker 2: I think it is great that they're finding other ways

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Speaker 2: to keep boxing relevant. But this may be the most

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Speaker 2: important thing for the real side of the sport because

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Speaker 2: now we're down to Mayweather and Tyson fighting each other,

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Speaker 2: which again I like the I like what Ice Ceps

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Speaker 2: doing with the Big three, Like I think everyone should

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Speaker 2: still be able to make money in retirement. I have

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Speaker 2: nothing against that whatsoever, but it is starting to take

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Speaker 2: a lot of the seriousness away from what boxing once

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00:14:12,240 --> 00:14:15,439
Speaker 2: was when that gets more views than anything else whatsoever.

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Speaker 2: Like what cub was doing is awesome, but if you

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Speaker 2: compare it to the TV rights of the NBA. It's

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Speaker 2: not even close. This Canelo and Crawford shit is like

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Speaker 2: the last ship we have as far as superstars and

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Speaker 2: anticipated fights. We're sitting there just wondering who Jake Paul's

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Speaker 2: gonna fight.

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Speaker 3: Well, he's gonna fight uh Tank, He's fighting Tank.

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Speaker 1: And again, Tank is a prime a professional.

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Speaker 2: I'd like to see him fight another professional in their

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Speaker 2: prime as well, which is rare sometimes. But Canelo and Crawford,

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Speaker 2: to your point, this is the last one that like we've.

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Speaker 1: Had in quite some time. Well, of course I'm gonna

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Speaker 1: watch Mayweather enticson, but like, yeah, you're gonna watch it.

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Speaker 3: But Tank still he still has the Lamont Roach rematch

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Speaker 3: that was a great first fight that had.

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Speaker 1: Uh.

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Speaker 3: People still want to see Tank fight uh shakor Yeah.

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Speaker 2: And I wish all that would happen before we get

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Speaker 2: to Jake Paul. And that's not a slight to Jake Paul.

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Speaker 2: I just think Tank has a few people he needs

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Speaker 2: to fight before we get to this, that's all.

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Speaker 1: Yeah. I mean Laoyda Floyd could fight fucking James Tony for.

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Speaker 3: Anybody, So for him to take that Jake Paul fight

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Speaker 3: now is a little yeah where but I mean, the

360
00:15:28,760 --> 00:15:30,960
Speaker 3: bag that he's getting is hard to listen. Man, it's

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Speaker 3: hard to turn it's it's hard to turn that bad.

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Speaker 3: We can say, we can sit here and say what

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Speaker 3: we want.

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Speaker 1: Who said I wouldn't, But I'm saying it's just hard

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Speaker 1: to saying that type of money down.

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Speaker 3: But I think, you know, Tank, after that, the Jake

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Speaker 3: Paul fight, he'll go on and fight obviously Lamont Roach again. Uh.

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Speaker 3: I think he will fight Shaicolle Stevenson at some point

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Speaker 3: down the line. I think the Canelo Crawford is interesting

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Speaker 3: only because you know, if this, I think whichever.

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Speaker 1: Wade this goes is going to be a rematch. Yeah,

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Speaker 1: oh for sure. So we'll get it. We'll get it.

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Speaker 3: We'll get second Canelo Crawford. Yeah. So I mean, you know,

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Speaker 3: we got at least another two years of waiting to

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Speaker 3: see some good fights.

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Speaker 2: So another interesting point that you you bring up. We're

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Speaker 2: definitely going to get a second. It may be a trilogy,

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00:16:15,480 --> 00:16:17,880
Speaker 2: for all we know. Is the fix already in so

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Speaker 2: we can guarantee that there's a second and third fight. No,

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Speaker 2: I think I think it's not politics as usually, like

381
00:16:22,680 --> 00:16:24,680
Speaker 2: we give Jake Paul all them shit, Like hey, this

382
00:16:24,720 --> 00:16:26,720
Speaker 2: fight is fixed. But let's not act like professional boxing

383
00:16:26,720 --> 00:16:29,880
Speaker 2: hasn't been either. Is the fix in already where it

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Speaker 2: feels like it's so debated or somebody gets fucked over,

385
00:16:34,760 --> 00:16:37,040
Speaker 2: like let's say Canelo, it goes a distance. It's clear

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Speaker 2: that Canelo nine ten on every fucking round, and they

387
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Speaker 2: give it a Crawford that's gonna spark.

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Speaker 1: All right, we need a rematch? Do we think that.

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00:16:44,320 --> 00:16:47,920
Speaker 2: Because people in their prime not fighting each other is

390
00:16:48,600 --> 00:16:50,720
Speaker 2: less than it used to be? Are are they gonna

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Speaker 2: set this up for the next ten years five years?

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Speaker 3: No? I think I think that either way it goes,

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Speaker 3: the rematches happening.

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Speaker 2: I think some when someone gets slighted that forces the

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Speaker 2: first thing the commentators say out the gays, all right,

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Speaker 2: now we need a rematch.

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00:17:05,960 --> 00:17:09,120
Speaker 3: No, this doesn't. A second fight is happening. No matter

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00:17:09,160 --> 00:17:11,880
Speaker 3: which way is this goes Saturday night. A second fight

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00:17:11,960 --> 00:17:15,479
Speaker 3: is happening. Now, third fight. I think that's depending on

400
00:17:15,800 --> 00:17:18,840
Speaker 3: how the second fight goes. Yeah, who's victorious in that fight?

401
00:17:19,760 --> 00:17:23,080
Speaker 3: Like if Canelo wins this fight, Crawford wins the second fight,

402
00:17:23,119 --> 00:17:24,680
Speaker 3: then obviously we have to have a third to kind

403
00:17:24,680 --> 00:17:27,400
Speaker 3: of break that whole, you know, tie one and one.

404
00:17:28,600 --> 00:17:30,080
Speaker 3: But yeah, I mean it's it's a lot of money

405
00:17:30,119 --> 00:17:32,040
Speaker 3: in Canelo Crawford. They are two of the biggest names

406
00:17:32,040 --> 00:17:35,240
Speaker 3: in the sport right now. And we know how you know,

407
00:17:35,480 --> 00:17:37,680
Speaker 3: the fight game is while wild fighters are hot, while

408
00:17:37,680 --> 00:17:41,000
Speaker 3: they're in demand, uh you know, TV deals and pay

409
00:17:41,000 --> 00:17:42,560
Speaker 3: per view deals, They're going to get as much money

410
00:17:42,600 --> 00:17:45,440
Speaker 3: out of it as they can. So you know, we'll

411
00:17:45,520 --> 00:17:48,159
Speaker 3: have to see that. But this is the this is

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Speaker 3: the one fight that I think every fight fan has

413
00:17:52,280 --> 00:17:55,119
Speaker 3: been waiting for and is excited to see. Yeah, So,

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00:17:55,200 --> 00:17:57,080
Speaker 3: I mean, I'm looking forward to it. And again, my

415
00:17:57,119 --> 00:18:00,600
Speaker 3: heart is with Crawford, but I've seen Canelo too much, man.

416
00:18:00,640 --> 00:18:02,920
Speaker 3: And you know, I've seen some great fighters stand in

417
00:18:02,960 --> 00:18:04,560
Speaker 3: front of front of Canelo and they all say the

418
00:18:04,560 --> 00:18:06,760
Speaker 3: same thing after the fight was he's a lot better

419
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Speaker 3: than I thought he was.

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00:18:07,400 --> 00:18:09,000
Speaker 1: He hits it, he's a lot stronger than I thought

421
00:18:09,040 --> 00:18:09,320
Speaker 1: he was.

422
00:18:10,359 --> 00:18:12,200
Speaker 3: And again, I love Crawford, but I think he's gonna

423
00:18:12,200 --> 00:18:13,560
Speaker 3: find out the same thing Saturday night.

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Speaker 1: Yeah, I'm with you all right.

425
00:18:17,080 --> 00:18:19,760
Speaker 2: Outside of boxing, how come no one's went to any

426
00:18:19,760 --> 00:18:23,120
Speaker 2: fashion week? Like where the Where the whackst podcast? Ever,

427
00:18:23,200 --> 00:18:24,680
Speaker 2: no one went to any fashion week events.

428
00:18:25,119 --> 00:18:25,840
Speaker 4: That was straight.

429
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Speaker 1: I was oping to see yall instagram that job. Y'all

430
00:18:27,680 --> 00:18:30,760
Speaker 1: was moving and shaken. It just started though. Oh I thought,

431
00:18:30,840 --> 00:18:32,399
Speaker 1: I thought this shit been going on. It's been.

432
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Speaker 4: It's been some stuff.

433
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Speaker 2: But I get confused with Fashion Week, Like it's like

434
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Speaker 2: seven different weeks in New York.

435
00:18:40,160 --> 00:18:41,720
Speaker 1: Do they have set weeks for this or do they

436
00:18:41,800 --> 00:18:43,439
Speaker 1: just rand him to be like, yo, this is this

437
00:18:43,560 --> 00:18:45,960
Speaker 1: the week. No, it's the flip a coin and it's like,

438
00:18:46,000 --> 00:18:47,800
Speaker 1: you know what we're gonna go with February first.

439
00:18:48,320 --> 00:18:50,639
Speaker 3: No, it's always around the same time every year. Okay,

440
00:18:50,800 --> 00:18:54,160
Speaker 3: September eleventh to the sixteenth, Okay, I saw a bunch

441
00:18:54,200 --> 00:18:58,159
Speaker 3: of events already. Well, people are in town since Monday

442
00:18:58,680 --> 00:19:01,399
Speaker 3: dinners and the parties and things like that. But you know,

443
00:19:01,440 --> 00:19:05,040
Speaker 3: and in the VMA's last weekend, so you know, it's

444
00:19:05,080 --> 00:19:06,160
Speaker 3: been there's been a lot of events.

445
00:19:06,200 --> 00:19:07,040
Speaker 1: We live in New York.

446
00:19:07,080 --> 00:19:09,040
Speaker 3: It's always something going on in New York City. But

447
00:19:09,080 --> 00:19:11,320
Speaker 3: it is officially Fashion Week as we speak.

448
00:19:11,880 --> 00:19:14,600
Speaker 4: We're washed, bro, Like you need to just accept it,

449
00:19:15,040 --> 00:19:18,280
Speaker 4: learn to live with it. Nobody's inviting us to stuff. Well,

450
00:19:18,600 --> 00:19:20,320
Speaker 4: y'all get invited, y'all, don't go Okay.

451
00:19:20,119 --> 00:19:23,600
Speaker 1: No, I got invited stuff. It's just like what am I?

452
00:19:23,640 --> 00:19:24,280
Speaker 1: What am I do there?

453
00:19:24,359 --> 00:19:26,879
Speaker 3: Just stand like, yeah, I'm not gonna keep running a

454
00:19:26,920 --> 00:19:29,720
Speaker 3: different events just to watch the new drop that's coming

455
00:19:29,760 --> 00:19:32,919
Speaker 3: out next year and then you know.

456
00:19:33,880 --> 00:19:36,639
Speaker 1: No, I would never walk the runway peege Wait, why not?

457
00:19:37,440 --> 00:19:39,840
Speaker 1: I would? No, that would be fun to try to do.

458
00:19:41,280 --> 00:19:42,800
Speaker 4: Serve Page, get off my ear.

459
00:19:42,840 --> 00:19:46,400
Speaker 1: I would would never walk the runway. Don't do that.

460
00:19:46,520 --> 00:19:48,720
Speaker 1: If would, you don't do that, I'm telling you I

461
00:19:48,720 --> 00:19:49,080
Speaker 1: would never.

462
00:19:49,880 --> 00:19:53,720
Speaker 2: Jerry ash Fear of God show asked Mall to walk

463
00:19:53,760 --> 00:19:55,720
Speaker 2: down in his Fear of God.

464
00:19:55,960 --> 00:19:59,280
Speaker 1: Nikes, you're doing it. Why wouldn't you do that?

465
00:20:00,600 --> 00:20:02,400
Speaker 2: And I'm not taking away from Bottles because they really

466
00:20:02,480 --> 00:20:04,240
Speaker 2: know how to walk. What you really got to do

467
00:20:04,320 --> 00:20:06,040
Speaker 2: is walk. You have to be a professional Jake walk.

468
00:20:06,320 --> 00:20:08,560
Speaker 3: If Jerry asked, only because I fucked with Jerry like

469
00:20:08,920 --> 00:20:10,400
Speaker 3: that's one of my favorite designers.

470
00:20:10,400 --> 00:20:13,960
Speaker 1: Absolutely I would. Yeah, anybody else, I'm cool. I was

471
00:20:14,000 --> 00:20:16,240
Speaker 1: just about to say god Speed, you wouldn't, Vanity you not?

472
00:20:16,320 --> 00:20:19,440
Speaker 4: He closing the show for Godspeed would be the last one.

473
00:20:20,119 --> 00:20:21,240
Speaker 1: It's it's just more.

474
00:20:21,280 --> 00:20:24,040
Speaker 2: Actually he walks around changes and it just keeps going

475
00:20:24,040 --> 00:20:27,879
Speaker 2: in circles in different godspeat Yeah, I mean Vanity, we

476
00:20:27,920 --> 00:20:30,080
Speaker 2: would have to do all our stuff. Would you walk

477
00:20:30,080 --> 00:20:32,280
Speaker 2: in the new Royal Maul fashion Show like with just

478
00:20:32,359 --> 00:20:36,879
Speaker 2: our merch? I mean I would have to Yeah, okay,

479
00:20:38,200 --> 00:20:39,840
Speaker 2: I mean you weren't the last photo shoots.

480
00:20:39,840 --> 00:20:42,159
Speaker 1: I didn't think that the fashion show would be.

481
00:20:42,160 --> 00:20:45,239
Speaker 2: There if it was, as I'm shying, stirs it up.

482
00:20:45,760 --> 00:20:49,879
Speaker 1: If it was, we had a fast shoot. But if

483
00:20:49,880 --> 00:20:53,000
Speaker 1: it was a fashion show, Okay, who else do you

484
00:20:53,000 --> 00:20:55,640
Speaker 1: think would would we get the whole crew? Like? Would

485
00:20:55,680 --> 00:20:56,879
Speaker 1: it be me and you?

486
00:20:57,080 --> 00:21:03,040
Speaker 2: Demarus Page, Josh Enter? Get, we could fly Yomas back up?

487
00:21:03,320 --> 00:21:05,640
Speaker 2: We get adding on the saw. Actually here we get

488
00:21:05,720 --> 00:21:11,000
Speaker 2: we get Kelly from volume Logan. You're thinking Channing Sharp

489
00:21:11,000 --> 00:21:12,120
Speaker 2: if he ever signs the new deal.

490
00:21:12,400 --> 00:21:14,879
Speaker 1: No, we got to stay away from Shannon. He just

491
00:21:14,880 --> 00:21:18,920
Speaker 1: did a Tony Yao episode. What does that mean he's

492
00:21:18,920 --> 00:21:23,600
Speaker 1: back out the street? Nah? And yo? So they could

493
00:21:23,600 --> 00:21:24,520
Speaker 1: plug the new episode?

494
00:21:24,600 --> 00:21:27,680
Speaker 3: Yeah, yo, for sure, Yayo with some merch. Let him walk,

495
00:21:28,040 --> 00:21:30,080
Speaker 3: let him walk the wrong way for sure. Absolutely, we

496
00:21:30,280 --> 00:21:31,880
Speaker 3: would have Yao in the faster show.

497
00:21:31,880 --> 00:21:33,399
Speaker 2: All right, Well, then listen, list the brands that you

498
00:21:33,400 --> 00:21:35,400
Speaker 2: would do a faster show with we have fear of God.

499
00:21:35,400 --> 00:21:42,520
Speaker 2: Already God speak anything with God. I mean, I'm salty

500
00:21:42,520 --> 00:21:44,120
Speaker 2: that A is still to this day has not even

501
00:21:44,119 --> 00:21:46,600
Speaker 2: put me in any of the ads at this point.

502
00:21:46,640 --> 00:21:48,879
Speaker 1: They just be fine in anybody, and I'm like.

503
00:21:48,920 --> 00:21:53,240
Speaker 2: Yo, every season it's a different influence.

504
00:21:53,280 --> 00:21:54,280
Speaker 1: I mean, I've been checking.

505
00:21:54,320 --> 00:21:57,720
Speaker 2: I've been checking my Instagram followers like, huh nah, they don't.

506
00:21:58,720 --> 00:21:59,880
Speaker 1: I don't got this, I don't got the sauce.

507
00:21:59,920 --> 00:22:01,879
Speaker 3: Like, no, they ain't messing with you. You got to

508
00:22:01,880 --> 00:22:04,520
Speaker 3: wait outside on the line drops, wait outside, We'll let you.

509
00:22:05,720 --> 00:22:08,040
Speaker 1: I think I'm in and shout to Teddy, I love.

510
00:22:08,720 --> 00:22:10,760
Speaker 2: But I think I'm in an abusive relationship with them

511
00:22:11,119 --> 00:22:13,480
Speaker 2: because I'll happily pay for for stuff all the time,

512
00:22:13,760 --> 00:22:15,760
Speaker 2: stuff all the time. But every time I start to

513
00:22:15,760 --> 00:22:18,920
Speaker 2: feel like I'm getting in, uh to the place of

514
00:22:19,000 --> 00:22:21,879
Speaker 2: this is a whole new brand, y'all y'all stopping me

515
00:22:21,920 --> 00:22:23,840
Speaker 2: at the door, this and that, all of a sudden,

516
00:22:23,840 --> 00:22:27,080
Speaker 2: I get a friends and family discount anytime I'm about

517
00:22:27,119 --> 00:22:29,080
Speaker 2: to leave, like I really feel, like like in a

518
00:22:29,240 --> 00:22:31,840
Speaker 2: like a DV victor, they do like they love every

519
00:22:31,880 --> 00:22:35,840
Speaker 2: single time I'm about to leave. They love like treating

520
00:22:35,920 --> 00:22:38,200
Speaker 2: like this. I pay for ship, I support, I wear

521
00:22:38,200 --> 00:22:40,199
Speaker 2: it everywhere. Now y'all saying, oh, you got to make

522
00:22:40,200 --> 00:22:42,000
Speaker 2: an appointment to just buy a T shirt, I'm like.

523
00:22:41,920 --> 00:22:42,400
Speaker 1: Who the fuck?

524
00:22:45,200 --> 00:22:48,520
Speaker 2: Anytime that happens, somebody from the OG first stat will

525
00:22:48,520 --> 00:22:49,960
Speaker 2: be like, Yo, no, what are you doing?

526
00:22:50,040 --> 00:22:52,800
Speaker 1: Come on yo? Tell him seventy percent off?

527
00:22:52,840 --> 00:22:53,119
Speaker 3: Yeah?

528
00:22:53,200 --> 00:22:56,080
Speaker 1: Yeah, yeah, it's a love bomb every single fucking time.

529
00:22:56,200 --> 00:22:56,360
Speaker 5: Yeah.

530
00:22:56,480 --> 00:22:57,840
Speaker 3: They want to keep you. They want to keep you

531
00:22:57,880 --> 00:22:59,000
Speaker 3: there just as long as they can.

532
00:22:59,480 --> 00:23:01,400
Speaker 1: I mean if I got to walk in their show, yeah,

533
00:23:01,359 --> 00:23:03,920
Speaker 1: they'd have me forever. Dope though they got some fly ship.

534
00:23:05,520 --> 00:23:07,920
Speaker 2: I mean we would never probably get asked for any designer.

535
00:23:08,240 --> 00:23:10,960
Speaker 2: We wouldn't get ask period, but designer ship. I like,

536
00:23:11,040 --> 00:23:13,159
Speaker 2: do your stuff to some degree, do you? Or I

537
00:23:13,160 --> 00:23:17,200
Speaker 2: would do LV just the non printed everywhere ship.

538
00:23:18,200 --> 00:23:20,680
Speaker 1: But I don't know. I feel like I would trip

539
00:23:21,440 --> 00:23:26,120
Speaker 1: on the runway over nothing over nothing, over over my insecurities.

540
00:23:26,119 --> 00:23:26,920
Speaker 1: Oh he does triple.

541
00:23:27,680 --> 00:23:31,439
Speaker 2: I'd be tripping over overthinking of left right left right

542
00:23:31,520 --> 00:23:31,919
Speaker 2: left right.

543
00:23:33,160 --> 00:23:33,640
Speaker 1: Yeah.

544
00:23:33,760 --> 00:23:40,320
Speaker 2: This, I'd probably start holding my breath and not realize it.

545
00:23:41,080 --> 00:23:43,200
Speaker 2: Like forty seconds in I'd be like I just realized

546
00:23:43,200 --> 00:23:43,800
Speaker 2: I didn't breathe.

547
00:23:43,920 --> 00:23:49,400
Speaker 1: Yeah, I start coughing bro stoic ass face.

548
00:23:49,440 --> 00:23:52,200
Speaker 2: Oh my god, I feel like that would be way

549
00:23:52,200 --> 00:23:53,239
Speaker 2: harder than people think it is.

550
00:23:53,680 --> 00:23:57,080
Speaker 1: Walking the run way. Hell yeah, that shit looks terrifying.

551
00:23:56,880 --> 00:23:59,000
Speaker 2: Just walking or you would No, I can just walk,

552
00:23:59,040 --> 00:24:00,679
Speaker 2: but not on a runway, like I'd have to have

553
00:24:00,840 --> 00:24:04,919
Speaker 2: like the right bop. I'd start overthinking, right, That's why

554
00:24:04,960 --> 00:24:08,240
Speaker 2: They's why they wouldn't ask you. Oh, I know, I'm

555
00:24:08,280 --> 00:24:10,560
Speaker 2: giving credit to models because that is an art to

556
00:24:10,640 --> 00:24:13,360
Speaker 2: walking in the barzar, But like, would it be weird

557
00:24:13,400 --> 00:24:15,200
Speaker 2: if I practiced in the mirror of like what I

558
00:24:15,240 --> 00:24:16,840
Speaker 2: wanted to give them as far as a walking very

559
00:24:16,960 --> 00:24:17,440
Speaker 2: would it be?

560
00:24:17,560 --> 00:24:20,480
Speaker 1: You know, casual stoic, they're very weird.

561
00:24:20,760 --> 00:24:22,959
Speaker 3: Just walk, Just put an outfit on it, Just go

562
00:24:23,000 --> 00:24:25,560
Speaker 3: out there, let the people see the outfit. Very simple.

563
00:24:25,600 --> 00:24:27,879
Speaker 3: You're overthinking this thing. Just be cool, man. That's all

564
00:24:27,880 --> 00:24:28,840
Speaker 3: you gotta do is just be cool.

565
00:24:29,160 --> 00:24:31,320
Speaker 1: We act like you're going to pay the meter.

566
00:24:31,840 --> 00:24:33,960
Speaker 2: And I think it was twenty fifteen or sixteen when

567
00:24:34,800 --> 00:24:38,400
Speaker 2: when Kanye was doing all those fashion shows for Pablo

568
00:24:38,440 --> 00:24:40,280
Speaker 2: and then you know he did with the listening session

569
00:24:40,280 --> 00:24:42,199
Speaker 2: in the garden where it was like all that, and

570
00:24:42,200 --> 00:24:44,960
Speaker 2: then he did like Central Park or whatever you know

571
00:24:45,000 --> 00:24:48,359
Speaker 2: they were because Ye wanted to do so many of them.

572
00:24:48,760 --> 00:24:50,000
Speaker 1: Def Jam was literally.

573
00:24:49,680 --> 00:24:52,760
Speaker 2: Calling anybody that they fucking knew, and they was like,

574
00:24:53,320 --> 00:24:54,680
Speaker 2: you want to put on an American A Peril T

575
00:24:54,800 --> 00:24:56,880
Speaker 2: shirt and walk in Central Park.

576
00:24:56,920 --> 00:24:59,679
Speaker 1: I was like, no, they called you for that. They

577
00:24:59,720 --> 00:25:02,600
Speaker 1: called everybody for yea release.

578
00:25:02,400 --> 00:25:04,639
Speaker 2: Because he wanted to do like seventy five, not like

579
00:25:04,800 --> 00:25:07,359
Speaker 2: on some influencer shit shit li YACHTI was in that

580
00:25:07,359 --> 00:25:09,560
Speaker 2: ship and no one even knew really who Yachty was.

581
00:25:09,600 --> 00:25:12,480
Speaker 2: Like that at that time, like they were calling anybody

582
00:25:12,520 --> 00:25:16,400
Speaker 2: that was connected to anyone at deaf Jam because because

583
00:25:16,440 --> 00:25:20,960
Speaker 2: Kanye had had already over overused at anyone in the

584
00:25:21,000 --> 00:25:23,240
Speaker 2: fashion world of the real models, they just needed people

585
00:25:23,240 --> 00:25:26,320
Speaker 2: to stand for an hour and a half, not even

586
00:25:26,160 --> 00:25:29,840
Speaker 2: in yeezy apparel, like literally just white T shirts and

587
00:25:29,880 --> 00:25:31,600
Speaker 2: whatever aesthetic and you just had to be an extra

588
00:25:31,640 --> 00:25:33,439
Speaker 2: in the back. I was like, I think I remember that.

589
00:25:33,560 --> 00:25:36,520
Speaker 2: I was like, you just want me to stand? That

590
00:25:36,600 --> 00:25:40,000
Speaker 2: was some years ago, twenty sixteen. Yeah, I remember that,

591
00:25:40,320 --> 00:25:43,760
Speaker 2: Oh my god, but I regret it though. If I

592
00:25:43,760 --> 00:25:45,760
Speaker 2: were to go back, I would have said yes. I

593
00:25:45,800 --> 00:25:49,399
Speaker 2: would have said yes to that. Now in retrospect. I

594
00:25:49,440 --> 00:25:51,159
Speaker 2: really would have. That would have just been a story

595
00:25:51,200 --> 00:25:54,120
Speaker 2: to have of like I had to stand like this,

596
00:25:54,760 --> 00:25:57,919
Speaker 2: like like I was guarding the Queen for two hours straight,

597
00:25:58,320 --> 00:26:00,879
Speaker 2: not even any easy clothes, just a regular white T

598
00:26:00,960 --> 00:26:03,160
Speaker 2: shirt in white pants, just like this in Central Park.

599
00:26:04,040 --> 00:26:04,920
Speaker 1: We gotta find that pholt.

600
00:26:04,960 --> 00:26:06,880
Speaker 3: I'm sure some faces in there like we look at

601
00:26:06,920 --> 00:26:09,320
Speaker 3: now for sure, like oh ship, like that person was.

602
00:26:09,600 --> 00:26:12,480
Speaker 3: I was watching your worst movie of all time, Rudy

603
00:26:12,520 --> 00:26:15,720
Speaker 3: the other night, and I didn't realize that Vince Vaughn.

604
00:26:15,640 --> 00:26:21,480
Speaker 1: Was the the not that I was crying laughing like you.

605
00:26:21,480 --> 00:26:23,159
Speaker 1: I had no idea Vince.

606
00:26:23,040 --> 00:26:26,560
Speaker 2: Vaughan because that wasn't post Swingers, right, that might have

607
00:26:26,640 --> 00:26:29,159
Speaker 2: been Vince's like first real big movie, That's.

608
00:26:29,000 --> 00:26:29,560
Speaker 1: What I'm saying.

609
00:26:29,600 --> 00:26:31,520
Speaker 3: So and seeing that, I was like, yo, I had

610
00:26:31,520 --> 00:26:33,240
Speaker 3: no idea that that was Vince Vaughn whole time.

611
00:26:33,320 --> 00:26:36,960
Speaker 2: And he kind of still acts like he's saying wedding crashers.

612
00:26:36,400 --> 00:26:39,160
Speaker 1: Like let's say, once you.

613
00:26:39,119 --> 00:26:42,400
Speaker 2: Look at his whole filmography after, it's like he's really

614
00:26:42,440 --> 00:26:46,400
Speaker 2: just acting like he doesn't getting old. He's the same person.

615
00:26:47,280 --> 00:26:49,800
Speaker 2: He's spoiled, lazy, running back.

616
00:26:52,720 --> 00:26:56,119
Speaker 1: Yeah that so, so you still like the movie. I

617
00:26:56,160 --> 00:26:57,880
Speaker 1: do like Rudy Man. I don't know why you don't

618
00:26:57,960 --> 00:26:59,560
Speaker 1: like that movie. It was a good movie, A really

619
00:26:59,560 --> 00:27:04,159
Speaker 1: good movie celebrating mediocre shit. Oh man, it was. It

620
00:27:04,200 --> 00:27:05,720
Speaker 1: was a good movie. Man. We didn't even do nothing

621
00:27:05,760 --> 00:27:09,160
Speaker 1: with that degree. That's not true. He became a public

622
00:27:09,160 --> 00:27:11,880
Speaker 1: speaker because of the movie. Nah. I'm sure he did

623
00:27:11,920 --> 00:27:12,800
Speaker 1: something before that though.

624
00:27:12,840 --> 00:27:14,719
Speaker 2: He probably went to go work back at his father's

625
00:27:14,720 --> 00:27:17,560
Speaker 2: steel mill.

626
00:27:19,720 --> 00:27:19,960
Speaker 1: Maul.

627
00:27:20,000 --> 00:27:21,879
Speaker 2: I know you do not have a phone, so I

628
00:27:21,920 --> 00:27:24,440
Speaker 2: am here to let you know that that is probably

629
00:27:24,440 --> 00:27:26,160
Speaker 2: a device that you need in this day and age.

630
00:27:25,960 --> 00:27:27,000
Speaker 1: Bought me one. You got me one.

631
00:27:27,200 --> 00:27:29,960
Speaker 2: I mean, listen, I could find it a service, just

632
00:27:30,000 --> 00:27:32,720
Speaker 2: don't tell nobody. For twenty five dollars a month, you

633
00:27:32,760 --> 00:27:36,119
Speaker 2: get unlimited talk, text and data forever.

634
00:27:36,320 --> 00:27:38,800
Speaker 1: And their name is boost Mobile Plus.

635
00:27:38,880 --> 00:27:42,520
Speaker 3: Boost Mobile is now legitimate nationwide five G network.

636
00:27:42,520 --> 00:27:44,119
Speaker 1: Were they not before? I mean, I don't know if

637
00:27:44,119 --> 00:27:45,480
Speaker 1: it was legit, but now it's legit.

638
00:27:45,600 --> 00:27:48,119
Speaker 3: They've invested billions at the building five G towls across

639
00:27:48,160 --> 00:27:51,080
Speaker 3: the country. Visit boostmobile dot com or head to your

640
00:27:51,080 --> 00:27:54,119
Speaker 3: local bootstore today and get unlimited talk, text and data

641
00:27:54,160 --> 00:27:57,160
Speaker 3: for twenty five dollars a month forever. Five G speed's

642
00:27:57,160 --> 00:27:59,879
Speaker 3: not available in all areas. After thirty GB customers make

643
00:28:00,000 --> 00:28:02,800
Speaker 3: sperment slower speeds. Customers will pay twenty five dollars a

644
00:28:02,840 --> 00:28:04,800
Speaker 3: month as long as they remain active on the Boot

645
00:28:04,840 --> 00:28:05,480
Speaker 3: Unlimited plan.

646
00:28:11,560 --> 00:28:13,800
Speaker 1: Did you see Iceman Episode three? Yeah? What'd you think

647
00:28:13,800 --> 00:28:16,520
Speaker 1: about it? Yeah? It was underwhelms. I didn't.

648
00:28:16,920 --> 00:28:23,080
Speaker 2: I thought the the songs that he previewed were underwhelming

649
00:28:23,119 --> 00:28:25,480
Speaker 2: compared to all the other Iceman stuff and the stuff

650
00:28:25,480 --> 00:28:26,480
Speaker 2: he's put on DSPs.

651
00:28:27,960 --> 00:28:28,840
Speaker 1: Visually it was cool.

652
00:28:30,840 --> 00:28:33,520
Speaker 2: I sound like a hypocrite, but I'm getting a little

653
00:28:33,520 --> 00:28:37,359
Speaker 2: tired of just like all the Easter egg stuff, and

654
00:28:37,400 --> 00:28:41,000
Speaker 2: like everything now has to focus on what does this mean?

655
00:28:41,040 --> 00:28:41,560
Speaker 1: What does this mean?

656
00:28:41,560 --> 00:28:43,400
Speaker 2: All right, there's a bunch of guys in the balcony.

657
00:28:43,440 --> 00:28:46,280
Speaker 2: One has a white hat. What is like it's just

658
00:28:46,320 --> 00:28:48,240
Speaker 2: getting like exhausting.

659
00:28:48,320 --> 00:28:49,880
Speaker 1: I get why he's doing it, and if I were

660
00:28:49,960 --> 00:28:52,080
Speaker 1: him or advising him, I'd do the same thing.

661
00:28:52,120 --> 00:28:53,479
Speaker 2: You got to lean into it. This is what came

662
00:28:53,520 --> 00:28:57,480
Speaker 2: out of the beef. But musically, that's the only thing

663
00:28:57,760 --> 00:28:59,520
Speaker 2: I really care about. At the end of the day,

664
00:29:00,040 --> 00:29:03,240
Speaker 2: I thought that whatever happened, what's the name of the song?

665
00:29:03,560 --> 00:29:04,760
Speaker 1: It didn't go on DSPs.

666
00:29:05,160 --> 00:29:06,880
Speaker 4: You mean that's just how I feel, Rory.

667
00:29:07,040 --> 00:29:09,920
Speaker 1: I mean, yes, it's the same thing. No, what happened?

668
00:29:09,920 --> 00:29:12,640
Speaker 1: That's how I feel. What did I miss? Just a

669
00:29:12,640 --> 00:29:13,480
Speaker 1: bunch of those titles.

670
00:29:14,640 --> 00:29:17,760
Speaker 2: I just thought it was underwhelming, and even if it's

671
00:29:17,920 --> 00:29:22,480
Speaker 2: a demo cool, Like it's cool to leak stuff on stream,

672
00:29:22,760 --> 00:29:26,080
Speaker 2: but at this high quality of production and one of

673
00:29:26,120 --> 00:29:28,680
Speaker 2: the first rappers that is doing it this way as

674
00:29:28,760 --> 00:29:33,520
Speaker 2: far as releasing music offstream live with visuals, I just

675
00:29:33,560 --> 00:29:35,480
Speaker 2: don't to get matched up to the music that we've

676
00:29:35,480 --> 00:29:38,920
Speaker 2: been hearing from Drake the last few weeks.

677
00:29:40,240 --> 00:29:41,160
Speaker 1: It started out crazy.

678
00:29:41,160 --> 00:29:43,040
Speaker 2: I thought I was about to get Drake back in

679
00:29:43,040 --> 00:29:46,080
Speaker 2: his bag, and then it switched into something that I

680
00:29:46,080 --> 00:29:48,040
Speaker 2: think is beneath Drake's talent level.

681
00:29:49,120 --> 00:29:52,040
Speaker 1: That's that's really it. The Eat shit started out cool too.

682
00:29:52,120 --> 00:29:54,040
Speaker 1: I don't know. I don't want to be the one.

683
00:29:53,960 --> 00:29:56,880
Speaker 2: To comment on a Drake and Eat song. It eats

684
00:29:56,960 --> 00:29:59,360
Speaker 2: not for me. I don't know if the kids love that,

685
00:29:59,440 --> 00:30:01,400
Speaker 2: but I don't know. It feels like a lot just

686
00:30:01,400 --> 00:30:05,520
Speaker 2: more of more of the same. That's all, just more

687
00:30:05,600 --> 00:30:08,680
Speaker 2: the same beats, more the same flows, more the same content.

688
00:30:09,240 --> 00:30:11,240
Speaker 3: I want to see where it goes, where the story goes.

689
00:30:12,000 --> 00:30:14,800
Speaker 3: I mean, I did the record that he ended with that,

690
00:30:14,800 --> 00:30:15,880
Speaker 3: that record sounds crazy.

691
00:30:16,000 --> 00:30:19,120
Speaker 2: I wanted to hear whatever beat was playing when he

692
00:30:19,120 --> 00:30:20,640
Speaker 2: was in the elevator of episode two.

693
00:30:21,120 --> 00:30:23,600
Speaker 1: That's what I thought we were getting. And I don't

694
00:30:23,640 --> 00:30:25,520
Speaker 1: know think everybody felt like that that's what they would get.

695
00:30:25,600 --> 00:30:27,880
Speaker 2: But I don't know, See, that's what everyone thought they

696
00:30:27,920 --> 00:30:29,280
Speaker 2: was getting the red button, and I laughed.

697
00:30:29,480 --> 00:30:31,600
Speaker 1: I didn't think we were getting it on this one whatsoever.

698
00:30:31,600 --> 00:30:35,640
Speaker 3: I think what did I miss was the first one,

699
00:30:35,880 --> 00:30:37,480
Speaker 3: So I think everybody felt like it was going to

700
00:30:37,520 --> 00:30:40,600
Speaker 3: be like releases. I mean, obviously the Yeat and the

701
00:30:41,240 --> 00:30:45,000
Speaker 3: Julia wolf Wrecking came out dog At Yeah, but the

702
00:30:45,040 --> 00:30:49,080
Speaker 3: record that's her record though, I believe so. But that

703
00:30:49,080 --> 00:30:52,360
Speaker 3: that the record at the end with the Iceman sample

704
00:30:53,200 --> 00:30:55,160
Speaker 3: that sounds like that sounds like it might be.

705
00:30:55,080 --> 00:30:57,200
Speaker 1: The intro to the Iceman album. Here's my thing.

706
00:30:57,800 --> 00:31:01,240
Speaker 2: Nobody in their right mind thinks Drake does not have

707
00:31:01,320 --> 00:31:04,960
Speaker 2: access to amazing production so you can keep playing all

708
00:31:04,960 --> 00:31:07,720
Speaker 2: these crazy beats, like I believe. I don't know who's true,

709
00:31:07,720 --> 00:31:09,200
Speaker 2: but everyone said that was a boy wanted to beat

710
00:31:09,200 --> 00:31:11,959
Speaker 2: that when he was in the elevator, Like we already

711
00:31:12,000 --> 00:31:15,479
Speaker 2: know Drake has worked with put On, partnered with some

712
00:31:15,520 --> 00:31:18,560
Speaker 2: of the greatest producers of our generation. Nobody thinks Drake

713
00:31:18,600 --> 00:31:20,680
Speaker 2: can't get good beats? What are you saying on them?

714
00:31:21,000 --> 00:31:23,920
Speaker 2: So I teasing the beats is cool, But what are

715
00:31:23,960 --> 00:31:26,440
Speaker 2: you going to say? Is what people care about? Well,

716
00:31:26,480 --> 00:31:29,320
Speaker 2: I get it, it's a rollout, it's anticipation. I just

717
00:31:29,360 --> 00:31:33,200
Speaker 2: this was the most underwhelming Iceman episode. Like he I

718
00:31:33,240 --> 00:31:36,120
Speaker 2: think really needs to make a bang with episode four

719
00:31:36,600 --> 00:31:38,600
Speaker 2: for people to continue to care about this series. I

720
00:31:38,600 --> 00:31:41,480
Speaker 2: thought one and two were cool, caused up more conversation,

721
00:31:42,000 --> 00:31:45,440
Speaker 2: put out actual music with it. This one just I

722
00:31:45,440 --> 00:31:47,160
Speaker 2: felt like it was a bit of a dud and

723
00:31:47,280 --> 00:31:50,560
Speaker 2: any anticipation went away at the end of it.

724
00:31:50,560 --> 00:31:53,040
Speaker 1: It was like that was it. This could be his

725
00:31:53,080 --> 00:31:54,000
Speaker 1: Wire season two.

726
00:31:55,240 --> 00:31:57,080
Speaker 2: This could be the Ports. This is the whole reason

727
00:31:57,080 --> 00:31:59,680
Speaker 2: of how we get season this, three, four.

728
00:31:59,680 --> 00:32:02,080
Speaker 1: Five, This could be him at the docks.

729
00:32:02,320 --> 00:32:04,680
Speaker 3: Look, they were Legacy on the table and tomato sauce

730
00:32:05,640 --> 00:32:08,479
Speaker 3: pour dice on top of it. I mean, listen, it's

731
00:32:08,480 --> 00:32:10,640
Speaker 3: gonna be some things you might go back to be like, Okay,

732
00:32:10,840 --> 00:32:11,920
Speaker 3: that all makes sense now.

733
00:32:12,040 --> 00:32:18,960
Speaker 2: I rewatched The Wire season two actually pretty recently, and

734
00:32:19,080 --> 00:32:20,840
Speaker 2: I always felt underwhelmed by that.

735
00:32:21,040 --> 00:32:22,120
Speaker 1: I don't know if it just got.

736
00:32:22,240 --> 00:32:25,240
Speaker 2: Older and knew where the rest of the season was going.

737
00:32:25,280 --> 00:32:29,240
Speaker 2: I actually like enjoy season two. It's definitely it's not

738
00:32:29,320 --> 00:32:32,240
Speaker 2: the best, But the end of season two going into

739
00:32:32,240 --> 00:32:36,040
Speaker 2: season three may be my favorite part of the entire series,

740
00:32:36,200 --> 00:32:41,520
Speaker 2: Like that whole bark Steed l Marlow transition from two

741
00:32:41,600 --> 00:32:44,440
Speaker 2: to three to me is like the best part of it.

742
00:32:44,560 --> 00:32:46,880
Speaker 1: So I take back a lot of the hate I

743
00:32:46,880 --> 00:32:49,160
Speaker 1: had for season two with the Wire. It's just we

744
00:32:49,200 --> 00:32:50,600
Speaker 1: saw so many white faces and it was just like,

745
00:32:50,640 --> 00:32:52,040
Speaker 1: all right, man shows us.

746
00:32:52,800 --> 00:32:54,560
Speaker 3: So you might feel the same way about Ice Mad

747
00:32:54,600 --> 00:32:58,560
Speaker 3: episode three unless he completely changes what's it called?

748
00:32:58,560 --> 00:33:04,080
Speaker 4: To Mars, that's just the way I feel. Yeah, yeah,

749
00:33:04,080 --> 00:33:06,360
Speaker 4: that's just how I feel. We cannot get that one right.

750
00:33:06,400 --> 00:33:07,920
Speaker 2: That's just because he said that's just how I feel

751
00:33:07,960 --> 00:33:12,240
Speaker 2: and didn't tell me anything he felt. Maybe he can

752
00:33:12,240 --> 00:33:13,920
Speaker 2: clean that record up, but as of now, I don't

753
00:33:13,920 --> 00:33:15,920
Speaker 2: think there could be anything that would make me like

754
00:33:16,360 --> 00:33:19,760
Speaker 2: really like that record. Oh, I mean, you know where

755
00:33:19,760 --> 00:33:21,960
Speaker 2: I stood on the last two.

756
00:33:22,040 --> 00:33:23,800
Speaker 1: Like I even still like the Central Sea record.

757
00:33:23,800 --> 00:33:27,400
Speaker 2: This was just the underwhelming one to me, and I

758
00:33:27,400 --> 00:33:29,360
Speaker 2: think he needs to do a quick, quick turnaround.

759
00:33:29,560 --> 00:33:32,640
Speaker 1: I know he's still doing shows, but I would say episode.

760
00:33:32,400 --> 00:33:35,320
Speaker 2: Four needs to come because the antition, anticipation he built

761
00:33:35,320 --> 00:33:38,480
Speaker 2: with one and two, I think it dropped at episode three.

762
00:33:38,720 --> 00:33:43,280
Speaker 3: I think the fact, well, we've never seen an artist

763
00:33:43,400 --> 00:33:44,560
Speaker 3: roll out an album this way.

764
00:33:44,640 --> 00:33:46,480
Speaker 1: This is probably first, I think.

765
00:33:46,600 --> 00:33:48,960
Speaker 2: But it also has to hit with with what he's saying,

766
00:33:48,960 --> 00:33:50,120
Speaker 2: because it's the most important time.

767
00:33:50,200 --> 00:33:53,640
Speaker 1: That's all. Yeah, what was this rumor?

768
00:33:53,800 --> 00:33:55,800
Speaker 2: I saw this clip to his stat Quot saying forty

769
00:33:55,840 --> 00:33:58,440
Speaker 2: and boy wonder I have hated each other for years.

770
00:33:58,600 --> 00:34:00,080
Speaker 1: I don't know if I'm rolling.

771
00:34:01,360 --> 00:34:03,200
Speaker 3: Stat Quote said that. First of all, I haven't heard

772
00:34:03,240 --> 00:34:05,160
Speaker 3: about stack Quorn, so with stat is he okay?

773
00:34:05,680 --> 00:34:07,960
Speaker 2: Yeah and shout out to stat Quot. I was fucked

774
00:34:07,960 --> 00:34:10,040
Speaker 2: with stack Quote. I haven't heard his name. We're seen

775
00:34:10,120 --> 00:34:11,640
Speaker 2: him a while, but that could just be because I'm.

776
00:34:12,400 --> 00:34:15,000
Speaker 1: Stat We burnt that stat mixtape in the ground when

777
00:34:15,000 --> 00:34:16,640
Speaker 1: that shit right, Stack corrap.

778
00:34:17,600 --> 00:34:20,799
Speaker 2: I wish Shady didn't fumble the talent that they had,

779
00:34:20,840 --> 00:34:23,680
Speaker 2: but he was on a stream with Justin Hunt. They

780
00:34:23,719 --> 00:34:26,760
Speaker 2: were talking about Drake and Kendrick shit, and he mentioned

781
00:34:27,280 --> 00:34:29,520
Speaker 2: I also didn't know him and Boy Wonder was so close.

782
00:34:29,560 --> 00:34:30,359
Speaker 1: He said, that's his brother.

783
00:34:30,440 --> 00:34:35,160
Speaker 2: He said, Boy Wondering Forty were not friends for years,

784
00:34:35,760 --> 00:34:39,520
Speaker 2: which I mean, I don't know if it's like breaking

785
00:34:39,600 --> 00:34:43,239
Speaker 2: new like I don't know stack Quo's relationship with that

786
00:34:43,360 --> 00:34:48,520
Speaker 2: crew that he would be valid in that. But I've

787
00:34:48,520 --> 00:34:51,120
Speaker 2: said to you on this pod and off Mike of

788
00:34:51,200 --> 00:34:53,560
Speaker 2: my perception of not even knowing anything. I felt like

789
00:34:53,640 --> 00:34:57,279
Speaker 2: Forty has been a little distant in Drake's career for

790
00:34:57,280 --> 00:34:59,920
Speaker 2: the last few years, and I didn't know if that

791
00:35:00,080 --> 00:35:01,960
Speaker 2: because he was working on other stuff or working on

792
00:35:02,000 --> 00:35:04,920
Speaker 2: Ovio sound stuff. I know, there's all those footage of

793
00:35:05,000 --> 00:35:07,080
Speaker 2: him with four bats, like I thought maybe he was

794
00:35:07,120 --> 00:35:12,040
Speaker 2: focusing on other stuff. But it's felt like Forty hasn't

795
00:35:12,080 --> 00:35:15,800
Speaker 2: had a hand in Drake's career the same he did

796
00:35:16,040 --> 00:35:19,240
Speaker 2: prior to which is fine, like that happens. I don't

797
00:35:19,360 --> 00:35:22,680
Speaker 2: necessarily think that means there's beef, but we clearly see

798
00:35:22,680 --> 00:35:25,239
Speaker 2: that Boy Wonder is still very very much hands on

799
00:35:26,200 --> 00:35:29,560
Speaker 2: with everything that Drake does, even through the battle as well.

800
00:35:29,800 --> 00:35:32,640
Speaker 2: So I'm not saying it's a thing that stat Quo

801
00:35:32,760 --> 00:35:37,160
Speaker 2: said it, but yeah, perception, we don't know. Well, I

802
00:35:37,160 --> 00:35:39,239
Speaker 2: mean you know these people, but I don't really know

803
00:35:39,280 --> 00:35:42,200
Speaker 2: what goes on in their internal shit. I've seen Forty

804
00:35:42,239 --> 00:35:46,759
Speaker 2: be dissant. I've seen wondering Drake not be distant as

805
00:35:46,760 --> 00:35:48,680
Speaker 2: a fan, just as a fan, as someone that reads

806
00:35:48,680 --> 00:35:54,000
Speaker 2: credits at someone that has also obsessed over Drake's sound

807
00:35:54,080 --> 00:35:56,160
Speaker 2: for the last fifteen years that Forty had a huge

808
00:35:56,160 --> 00:35:58,160
Speaker 2: hand in. I can tell the difference when Forty's involved

809
00:35:58,160 --> 00:36:01,480
Speaker 2: in when he's not, just because I'm a nerd. But yeah,

810
00:36:01,600 --> 00:36:04,040
Speaker 2: I don't know if there was some tension internally with

811
00:36:04,080 --> 00:36:06,000
Speaker 2: the crew, which happens, or Forty just wanted to go

812
00:36:06,000 --> 00:36:09,480
Speaker 2: do some other shit yeah and focus on the Ovio

813
00:36:09,560 --> 00:36:12,080
Speaker 2: sound thing. But I do think it's interesting that that

814
00:36:12,160 --> 00:36:13,319
Speaker 2: stat quo said that.

815
00:36:14,920 --> 00:36:18,239
Speaker 1: I mean, I don't hate. I don't know if they

816
00:36:18,360 --> 00:36:21,439
Speaker 1: hated each other, Yeah, hates probably they're both really nice people. Yeah,

817
00:36:21,800 --> 00:36:22,680
Speaker 1: I don't know hate.

818
00:36:22,840 --> 00:36:24,920
Speaker 3: I don't know if anybody can hate Forty like, he

819
00:36:24,960 --> 00:36:27,520
Speaker 3: doesn't have an energy that I think people would hate him,

820
00:36:27,560 --> 00:36:29,800
Speaker 3: like Wonders super cool.

821
00:36:30,080 --> 00:36:33,279
Speaker 1: I don't see why anybody hate him. Maybe just.

822
00:36:35,200 --> 00:36:39,200
Speaker 3: Competitive shit, you know, kind of that energy with producers,

823
00:36:39,320 --> 00:36:41,279
Speaker 3: you know, that little thing. But I don't know if

824
00:36:41,320 --> 00:36:44,719
Speaker 3: that's hate. It could be just a competitize thing.

825
00:36:45,920 --> 00:36:49,080
Speaker 2: I feel like Forty no matter what, it could be

826
00:36:49,160 --> 00:36:52,840
Speaker 2: a just blaze record. Forty is was going to touch

827
00:36:53,000 --> 00:36:59,279
Speaker 2: every single record like Forty. How Forty mixes is legendary

828
00:36:59,320 --> 00:37:01,000
Speaker 2: to this era of how I see a lot of

829
00:37:01,080 --> 00:37:05,280
Speaker 2: other mixers. He touches everything from not just engineering, production

830
00:37:05,440 --> 00:37:08,360
Speaker 2: and mixing with every boy wanted to be two Like,

831
00:37:08,719 --> 00:37:11,920
Speaker 2: it's not competition. Forty has to put his sauce on everything.

832
00:37:12,280 --> 00:37:15,520
Speaker 2: Like to me, we used to talk years and years ago.

833
00:37:15,600 --> 00:37:18,720
Speaker 2: I've always felt like Drake and Forty were a duo.

834
00:37:19,400 --> 00:37:21,000
Speaker 2: Hip hop fans are gonna get so mad at me,

835
00:37:21,880 --> 00:37:23,879
Speaker 2: Eric b rock Kim like I've always felt there a group.

836
00:37:24,200 --> 00:37:26,480
Speaker 2: To me, Drake is two people. It's Drake and Forty.

837
00:37:26,800 --> 00:37:29,600
Speaker 2: I've always felt that way. So competition like nah, I

838
00:37:29,600 --> 00:37:31,400
Speaker 2: feel like Forty's one most people like, let's get the

839
00:37:31,400 --> 00:37:34,640
Speaker 2: best that we can get and I'll arrange everything. So

840
00:37:35,040 --> 00:37:37,960
Speaker 2: I can't see a competition between Wonder and Forty and

841
00:37:38,800 --> 00:37:42,120
Speaker 2: Wonder on the same side is like shit. Even when

842
00:37:42,560 --> 00:37:45,200
Speaker 2: you know an Bengo card of course is gonna bring

843
00:37:45,200 --> 00:37:47,200
Speaker 2: Hove up in the faded black shit.

844
00:37:47,320 --> 00:37:50,720
Speaker 1: When Hove was telling just like you know, you couldn't

845
00:37:50,719 --> 00:37:53,040
Speaker 1: like maybe not make the album, like.

846
00:37:55,280 --> 00:37:56,960
Speaker 2: If you don't show up, like you're not making the

847
00:37:56,960 --> 00:37:59,480
Speaker 2: album and just like yeah right, like that's our sound

848
00:37:59,520 --> 00:38:03,080
Speaker 2: people are for no matter what. That's Wonder and Drake.

849
00:38:03,920 --> 00:38:06,120
Speaker 2: That's not a competition. You're always gonna need the boy

850
00:38:06,200 --> 00:38:08,080
Speaker 2: Wonder to sound with Drake. It's his sound too.

851
00:38:08,760 --> 00:38:11,480
Speaker 1: Where would there be a competition, Yeah, I mean they

852
00:38:11,560 --> 00:38:12,880
Speaker 1: all created this sound together.

853
00:38:12,960 --> 00:38:15,680
Speaker 3: Yeah, you know, because obviously you produce music as well,

854
00:38:15,719 --> 00:38:17,400
Speaker 3: so you know what it is when you have guys

855
00:38:17,400 --> 00:38:21,480
Speaker 3: that it's just this is our circle, this is our camp.

856
00:38:21,560 --> 00:38:24,080
Speaker 1: It's not base. We all work together, we all work

857
00:38:24,120 --> 00:38:24,600
Speaker 1: off of each other.

858
00:38:24,640 --> 00:38:26,960
Speaker 3: If I have an idea, you know, you might be

859
00:38:26,960 --> 00:38:29,359
Speaker 3: able to help bring it to fruition, Like you might

860
00:38:29,840 --> 00:38:32,759
Speaker 3: understand the sound that I'm looking for. So when I

861
00:38:32,760 --> 00:38:36,040
Speaker 3: say competitive, it's not like a competitive like I'm trying

862
00:38:36,040 --> 00:38:39,560
Speaker 3: to outdo you. It's competitive like I'm trying to create

863
00:38:39,560 --> 00:38:41,600
Speaker 3: some shit that's going to inspire you, like, oh shit,

864
00:38:41,680 --> 00:38:44,400
Speaker 3: that was crazy, Like that's what that's what Forty's doing that.

865
00:38:44,480 --> 00:38:46,080
Speaker 3: I gotta, you know, one of that shit. I gotta

866
00:38:46,120 --> 00:38:48,160
Speaker 3: go back in. I gotta create some shit like I

867
00:38:48,200 --> 00:38:49,960
Speaker 3: think that type of energy. I don't think it was

868
00:38:50,000 --> 00:38:52,560
Speaker 3: a competitive energy and where you know we're trying to

869
00:38:53,239 --> 00:38:55,400
Speaker 3: you know, go against each other. It was more so

870
00:38:55,520 --> 00:38:58,320
Speaker 3: like inspiring motivating each other to kind of like create

871
00:38:58,360 --> 00:39:02,000
Speaker 3: the best sound and the the best records that they've done,

872
00:39:02,560 --> 00:39:04,319
Speaker 3: you know, throughout the years. With Drake, I think it's

873
00:39:04,360 --> 00:39:06,640
Speaker 3: a family. It's more of a family thing, not you know,

874
00:39:07,200 --> 00:39:10,040
Speaker 3: a negative competitive thing. It's more or less just like

875
00:39:10,440 --> 00:39:11,399
Speaker 3: you know, pushing each other.

876
00:39:11,520 --> 00:39:13,600
Speaker 2: I mean, I think because all all of the people

877
00:39:13,680 --> 00:39:18,960
Speaker 2: in his camp, it's forty Wonder Vinyls, everyone that's hushed,

878
00:39:19,000 --> 00:39:21,920
Speaker 2: everyone that's in there has created this sound with Drake,

879
00:39:22,000 --> 00:39:26,040
Speaker 2: maybe they had different different ideas of where it should

880
00:39:26,080 --> 00:39:29,040
Speaker 2: go and that started a disagreement rather than a competition

881
00:39:29,080 --> 00:39:31,040
Speaker 2: thing of like, hey, we all created this sound.

882
00:39:31,080 --> 00:39:32,360
Speaker 1: I think it should go this way. I think it

883
00:39:32,360 --> 00:39:33,040
Speaker 1: should go that way.

884
00:39:33,239 --> 00:39:36,320
Speaker 2: But my real hot take on this entire thing is MESSI.

885
00:39:38,440 --> 00:39:41,960
Speaker 2: You know, I love Toronto, but I've spent a lot

886
00:39:41,960 --> 00:39:44,080
Speaker 2: of time pauls around some Toronto men. Sometimes y'all get

887
00:39:44,120 --> 00:39:45,800
Speaker 2: emotional when somebody fucks somebody.

888
00:39:45,800 --> 00:39:49,319
Speaker 1: Girl, you always starting some shit.

889
00:39:50,680 --> 00:39:53,040
Speaker 2: But I've said, I mean, I've jokingly said that, You know,

890
00:39:53,040 --> 00:39:55,319
Speaker 2: all jokes have some truth. I've joked with men from

891
00:39:55,360 --> 00:39:59,720
Speaker 2: Toronto about this too. Like Toronto men love love, they host.

892
00:40:00,040 --> 00:40:02,359
Speaker 2: Sometimes somebody feels away with you. I'm a gonna say,

893
00:40:02,400 --> 00:40:04,680
Speaker 2: you know, I get along with Toronto men.

894
00:40:04,719 --> 00:40:08,160
Speaker 1: But don't say Toronto men men. Nah, it's specific up there.

895
00:40:09,560 --> 00:40:11,759
Speaker 1: That's why they made specific right here.

896
00:40:11,960 --> 00:40:14,920
Speaker 2: That's why they make incredible music, because that's what was

897
00:40:14,960 --> 00:40:19,120
Speaker 2: missing in music. We still have to love our hose,

898
00:40:19,239 --> 00:40:22,000
Speaker 2: our women. Everybody everyone got too cool.

899
00:40:22,200 --> 00:40:24,080
Speaker 1: At least they be talking about their feelings. They feel

900
00:40:24,120 --> 00:40:24,399
Speaker 1: a way.

901
00:40:24,960 --> 00:40:26,960
Speaker 2: Yeah, don't act like you've not been around, Like if

902
00:40:26,960 --> 00:40:29,239
Speaker 2: you were to do a percentage wise, of course, every

903
00:40:29,280 --> 00:40:31,120
Speaker 2: man is an individual. But if we were to put

904
00:40:31,480 --> 00:40:35,200
Speaker 2: data up, if we asked Saturn chat GBT, who has

905
00:40:35,239 --> 00:40:38,000
Speaker 2: the most emotional men when it comes to women in.

906
00:40:37,880 --> 00:40:41,680
Speaker 1: The Greater North America area? What what city would you say?

907
00:40:41,719 --> 00:40:45,799
Speaker 1: Just in? Justin a barbershop, New York? Oh? Nah? Hell no?

908
00:40:48,080 --> 00:40:50,640
Speaker 1: What go fuck somebody girl up in Dykman and see

909
00:40:50,640 --> 00:40:53,800
Speaker 1: what happens. Nah, that's an ego thing though, Nah and

910
00:40:53,880 --> 00:40:55,520
Speaker 1: d all of it is ego thing. What are you

911
00:40:55,560 --> 00:40:58,040
Speaker 1: talking about? That's saying that's gonna be a gang.

912
00:40:58,080 --> 00:41:02,600
Speaker 2: That's he's not gonna He's gonna feel more angry at

913
00:41:02,600 --> 00:41:04,880
Speaker 2: the fact that he felt like he was disrespected, not

914
00:41:04,960 --> 00:41:07,400
Speaker 2: that you fuck the girl that he loves.

915
00:41:08,160 --> 00:41:10,200
Speaker 3: What It's all ego, no matter how you try to

916
00:41:10,239 --> 00:41:13,439
Speaker 3: slice that, that's ego pie.

917
00:41:13,680 --> 00:41:15,759
Speaker 1: That's not a Toronto thing. That's a man thing.

918
00:41:16,280 --> 00:41:21,719
Speaker 3: Men all over logic of course, for the La New York, Atlanta.

919
00:41:21,480 --> 00:41:24,600
Speaker 2: Those that know, no, what I'm saying is not crazy women.

920
00:41:24,719 --> 00:41:28,960
Speaker 2: I've had this conversation with countless people from Canada, from America,

921
00:41:29,200 --> 00:41:31,680
Speaker 2: from the UK, Toronto men. I'm not saying it's a

922
00:41:31,719 --> 00:41:34,520
Speaker 2: bad thing, but they just are deeply in love with

923
00:41:34,880 --> 00:41:37,960
Speaker 2: the If they say hi to a woman, that's theirs. Now, okay, well,

924
00:41:38,000 --> 00:41:39,879
Speaker 2: and they gonna feel a way if you say high back.

925
00:41:40,040 --> 00:41:42,560
Speaker 4: Let's put it like this, Maybe they're it's not that

926
00:41:42,640 --> 00:41:45,560
Speaker 4: they love them their homes more, it's that they're not

927
00:41:45,640 --> 00:41:49,840
Speaker 4: afraid to show it more. They're like less like niggas

928
00:41:49,840 --> 00:41:51,920
Speaker 4: in New York will pretend they only they bitches like

929
00:41:52,080 --> 00:41:52,719
Speaker 4: they they don't.

930
00:41:52,800 --> 00:41:54,080
Speaker 1: Yeah, they don't.

931
00:41:54,080 --> 00:41:56,480
Speaker 2: They for the streets and then they'll they'll they'll take

932
00:41:56,520 --> 00:41:59,800
Speaker 2: it and they'll bury that inside, you know, not to

933
00:42:00,040 --> 00:42:01,759
Speaker 2: don men gonna be like, yoh, why'd you do that?

934
00:42:02,760 --> 00:42:05,319
Speaker 1: I just don't understand how I'm saying. It's about forty

935
00:42:05,360 --> 00:42:08,200
Speaker 1: one married, but a lot.

936
00:42:08,040 --> 00:42:10,560
Speaker 3: Of time in Toronto, I've never ran ran into that though,

937
00:42:11,440 --> 00:42:13,680
Speaker 3: okay never, I'm just saying me my personal.

938
00:42:13,640 --> 00:42:15,800
Speaker 1: Experience, I've never ran into that. I mean, maybe you

939
00:42:15,800 --> 00:42:19,480
Speaker 1: don't get pussy. I don't know that is true. That

940
00:42:19,600 --> 00:42:22,759
Speaker 1: is very true. Maybe I don't. We will never know.

941
00:42:23,520 --> 00:42:25,439
Speaker 2: But usually what you guys say all the time, which

942
00:42:25,480 --> 00:42:28,240
Speaker 2: I do disagree, it's always women that break up everything.

943
00:42:28,280 --> 00:42:28,719
Speaker 1: That could be the.

944
00:42:28,960 --> 00:42:31,560
Speaker 3: Forty and boy wondered, Nah, man, it's that's not I

945
00:42:31,600 --> 00:42:32,960
Speaker 3: don't know where status getting that from.

946
00:42:33,160 --> 00:42:34,800
Speaker 1: That broke up a Drake in the weekend.

947
00:42:37,360 --> 00:42:40,000
Speaker 3: I don't know if it broke them up. It definitely did, No,

948
00:42:41,400 --> 00:42:43,920
Speaker 3: I think that was more business. Wasn't a woman.

949
00:42:44,320 --> 00:42:46,399
Speaker 2: No, they didn't really have business like that. He turned

950
00:42:46,400 --> 00:42:49,319
Speaker 2: that down and they still remain friends. And then Drake

951
00:42:49,360 --> 00:42:51,000
Speaker 2: took a shorty out on a date.

952
00:42:53,239 --> 00:42:56,080
Speaker 1: I don't know what you're talking about. He even said

953
00:42:56,080 --> 00:42:57,319
Speaker 1: it in family Matters, we ain't do ship.

954
00:42:57,360 --> 00:42:59,840
Speaker 2: But Liplock like, yeah, you're supposed to my man's that

955
00:42:59,880 --> 00:43:02,560
Speaker 2: you take my actual ex girlfriend out on a date publicly.

956
00:43:02,960 --> 00:43:05,160
Speaker 1: I'm gonna steal a fucking way about it to the weekend.

957
00:43:05,680 --> 00:43:07,279
Speaker 1: How you he was talking to so many people on

958
00:43:07,280 --> 00:43:10,680
Speaker 1: that record, that specific part is one hundred percent about

959
00:43:10,760 --> 00:43:12,640
Speaker 1: the weekend. No, See, when you put a hundred percent.

960
00:43:12,480 --> 00:43:14,520
Speaker 4: On it, you put one hundred percent on somebody else

961
00:43:14,640 --> 00:43:15,480
Speaker 4: lives exactly.

962
00:43:17,040 --> 00:43:19,840
Speaker 1: See, that's when you get into trouble with one hundred percent.

963
00:43:20,440 --> 00:43:23,200
Speaker 1: How do you know that? I don't. I did say

964
00:43:23,239 --> 00:43:25,399
Speaker 1: that's one hundred percent, because it is. But y'all got

965
00:43:25,400 --> 00:43:27,040
Speaker 1: it cool.

966
00:43:27,080 --> 00:43:29,440
Speaker 2: If we have to put the fast ship under all

967
00:43:29,480 --> 00:43:31,120
Speaker 2: the podcast ship, then no, I don't know.

968
00:43:31,200 --> 00:43:33,799
Speaker 1: No, you said you said one hundred percent. Fucking grop

969
00:43:33,880 --> 00:43:36,520
Speaker 1: can't back me up on this, but I'm telling you, okay,

970
00:43:36,920 --> 00:43:38,880
Speaker 1: now listen, maybe you got information. I don't. I'm not

971
00:43:38,920 --> 00:43:39,799
Speaker 1: mad at that.

972
00:43:39,800 --> 00:43:42,360
Speaker 2: That was a public This isn't behind the scenes information.

973
00:43:42,400 --> 00:43:44,560
Speaker 1: It was a public thing. What's the famous chick mate.

974
00:43:44,719 --> 00:43:46,520
Speaker 3: I'm not saying it wasn't public that I'm saying you

975
00:43:46,560 --> 00:43:49,279
Speaker 3: said specifically on family matters when he said all I

976
00:43:49,320 --> 00:43:50,960
Speaker 3: did was lip like you said, that was one hundred

977
00:43:50,960 --> 00:43:53,120
Speaker 3: percent about the weekend and some girl, that's what you

978
00:43:53,160 --> 00:43:53,920
Speaker 3: just said.

979
00:43:54,120 --> 00:43:56,440
Speaker 2: There's no way you can't say this is about the weekend.

980
00:43:56,520 --> 00:43:59,080
Speaker 2: This is one hundred percent. I don't need confirmation, and

981
00:43:59,400 --> 00:44:01,839
Speaker 2: let me do the very very slowly because there are

982
00:44:02,000 --> 00:44:03,399
Speaker 2: n words in here, and you guys are not gonna

983
00:44:03,400 --> 00:44:07,720
Speaker 2: get me again. If Drake shooters doing tiktoks really shooting

984
00:44:07,760 --> 00:44:10,880
Speaker 2: you a gang that's Pee's brother, y'all ain't getting shit shot?

985
00:44:11,040 --> 00:44:12,799
Speaker 1: Is who is this? Who is he talking to her here?

986
00:44:12,840 --> 00:44:16,720
Speaker 1: That's want to ask, Oh, you tell me, well, Peas

987
00:44:16,840 --> 00:44:20,520
Speaker 1: would be Pring, which is their mutual friend, and Prince

988
00:44:20,600 --> 00:44:24,719
Speaker 1: brother is in weekends camp. Do we assume that that's

989
00:44:24,719 --> 00:44:26,120
Speaker 1: who he's talking about? Okay?

990
00:44:27,040 --> 00:44:30,880
Speaker 2: Can't listen to the stick talk in falsetto saving for

991
00:44:30,960 --> 00:44:33,279
Speaker 2: hip hop? Who he is he told about Rick Ross?

992
00:44:33,360 --> 00:44:34,879
Speaker 2: Or is he talking about maybe a singer that sings

993
00:44:34,880 --> 00:44:35,440
Speaker 2: in falsetto?

994
00:44:37,520 --> 00:44:40,400
Speaker 1: Okay, going, you don't even be at home, dog, you

995
00:44:40,400 --> 00:44:43,520
Speaker 1: want a souvenir out the gift shop? Still mad about

996
00:44:43,560 --> 00:44:43,919
Speaker 1: that one?

997
00:44:44,000 --> 00:44:44,200
Speaker 3: Hoe?

998
00:44:44,360 --> 00:44:45,240
Speaker 1: We ain't even fuck?

999
00:44:45,600 --> 00:44:51,680
Speaker 2: I just lip locked. Who is he talking about? And

1000
00:44:51,760 --> 00:44:55,280
Speaker 2: you're twenty v one? Who does metro singing in falsetto?

1001
00:44:56,239 --> 00:45:01,680
Speaker 2: Does Kendrick sing in falsetto? All of this is from Toronto.

1002
00:45:01,680 --> 00:45:02,720
Speaker 2: It's metro from Toronto.

1003
00:45:05,520 --> 00:45:08,319
Speaker 1: You said one hundred percent. All right, stand on it, yeah,

1004
00:45:08,360 --> 00:45:08,960
Speaker 1: break it down.

1005
00:45:10,960 --> 00:45:13,279
Speaker 4: You're not crazy, Rory. I know you were not trying

1006
00:45:13,280 --> 00:45:15,319
Speaker 4: to make you feel crazy. You're not crazy, not at all.

1007
00:45:15,320 --> 00:45:16,440
Speaker 1: I just said, he said one hundred percent.

1008
00:45:16,480 --> 00:45:19,880
Speaker 2: I said, Okay, you guys think Kai heard us speaking

1009
00:45:19,920 --> 00:45:23,120
Speaker 2: of Iceman episode three, not us specifically, but the whole

1010
00:45:23,120 --> 00:45:26,400
Speaker 2: world of like, all right, we respect you, but complex

1011
00:45:27,440 --> 00:45:30,200
Speaker 2: media music list number one. I don't know if you're

1012
00:45:30,239 --> 00:45:32,879
Speaker 2: the music guy. He's been getting some hot takes off.

1013
00:45:32,880 --> 00:45:35,040
Speaker 2: I know he's critique music before, but he said that

1014
00:45:35,680 --> 00:45:38,359
Speaker 2: Iceman episode three shit was trash on the gate.

1015
00:45:38,440 --> 00:45:40,120
Speaker 4: Yeah, I didn't expect him. I didn't expect him to

1016
00:45:40,160 --> 00:45:41,600
Speaker 4: say that. It's not that I don't believe that he

1017
00:45:41,640 --> 00:45:43,319
Speaker 4: feels that way. I just didn't expect him to say that.

1018
00:45:43,400 --> 00:45:46,160
Speaker 2: But maybe he wants to be respected in the music

1019
00:45:46,200 --> 00:45:50,359
Speaker 2: space with some hot takes maybe or maybe probably also

1020
00:45:50,400 --> 00:45:51,799
Speaker 2: feels that as well, because then he tried to call

1021
00:45:51,880 --> 00:45:54,440
Speaker 2: Drake and everyone said he was blocked. But that's just

1022
00:45:54,440 --> 00:45:57,160
Speaker 2: how phones ring when someone's overseas, Like, that's not.

1023
00:45:57,120 --> 00:46:00,480
Speaker 1: A blocked call. But I do think Drake in the

1024
00:46:00,480 --> 00:46:01,359
Speaker 1: petty mode that he's in.

1025
00:46:01,440 --> 00:46:03,560
Speaker 2: Probably will block Kaye at some point for saying that,

1026
00:46:04,440 --> 00:46:06,040
Speaker 2: But I don't know he's got he's got young Boy.

1027
00:46:06,040 --> 00:46:07,880
Speaker 1: He was crying at Young Boys. Toy doesn't need drake.

1028
00:46:10,080 --> 00:46:12,640
Speaker 4: Young Boy blowing up? Man young Well, he been blew up,

1029
00:46:12,680 --> 00:46:13,720
Speaker 4: but like he's.

1030
00:46:13,520 --> 00:46:15,440
Speaker 1: Starting to saying young Boy was blowing up.

1031
00:46:15,600 --> 00:46:20,440
Speaker 4: I know myself. That's why I corrected myself. He's entering

1032
00:46:20,480 --> 00:46:24,839
Speaker 4: into my old ass stratosphere of old people. Shit right,

1033
00:46:24,880 --> 00:46:27,120
Speaker 4: who's still playing the clips all over and over again,

1034
00:46:27,520 --> 00:46:28,279
Speaker 4: like he's starting to.

1035
00:46:28,239 --> 00:46:30,279
Speaker 1: Go viral over here. I'm like, damn. Like NBA Young

1036
00:46:30,320 --> 00:46:31,200
Speaker 1: Boys shows.

1037
00:46:30,880 --> 00:46:35,120
Speaker 6: Look lit like oh no, it's it's it shows a

1038
00:46:35,160 --> 00:46:36,040
Speaker 6: real world fan base.

1039
00:46:36,080 --> 00:46:39,880
Speaker 2: But I do like seeing this because a lot of people,

1040
00:46:39,880 --> 00:46:43,080
Speaker 2: including myself, say, all right, you stream crazier than everyone,

1041
00:46:43,120 --> 00:46:46,400
Speaker 2: can you sell a ticket? Not only is he selling crazy,

1042
00:46:46,560 --> 00:46:48,000
Speaker 2: everyone knows every fucking word.

1043
00:46:48,000 --> 00:46:52,960
Speaker 1: They're losing their mind. Kai is crying like my bad. Yeah.

1044
00:46:53,000 --> 00:46:56,279
Speaker 3: Seeing NBA Young Boys shows definitely like confirmation that I'm

1045
00:46:56,320 --> 00:47:00,800
Speaker 3: just old. I don't know one NBA Young Boy like song,

1046
00:47:01,440 --> 00:47:03,400
Speaker 3: and like I'm watching the clips and I'm like, I

1047
00:47:03,440 --> 00:47:08,080
Speaker 3: love the like seeing the entire like stadium arena, everybody

1048
00:47:08,120 --> 00:47:10,319
Speaker 3: into it, everybody knowing. But it's kind of like I'm

1049
00:47:10,320 --> 00:47:11,799
Speaker 3: looking at this, You're like, oh, this is a whole

1050
00:47:11,800 --> 00:47:13,880
Speaker 3: part of the culture that I have no idea.

1051
00:47:14,000 --> 00:47:15,440
Speaker 6: You look like, did jay Z mean when he was

1052
00:47:15,520 --> 00:47:18,480
Speaker 6: like yeah, Like I'm because like he getting his shit off,

1053
00:47:18,520 --> 00:47:20,359
Speaker 6: like he flowing, and I'm just like and I'm looking

1054
00:47:20,360 --> 00:47:23,239
Speaker 6: at you know, just the audience and everybody knows all

1055
00:47:23,239 --> 00:47:25,040
Speaker 6: the lyrics and things like that, and I'm just like,

1056
00:47:25,400 --> 00:47:27,640
Speaker 6: the energy is what is a trip?

1057
00:47:27,680 --> 00:47:31,520
Speaker 3: I'm like, oh, shit, like this is a show. If

1058
00:47:31,560 --> 00:47:33,400
Speaker 3: you go out on stage as an artist, it is

1059
00:47:33,440 --> 00:47:37,320
Speaker 3: your own. It's it's just like there's nothing probably greater

1060
00:47:37,520 --> 00:47:41,480
Speaker 3: than looking out into a fucking arena and everybody knows

1061
00:47:41,680 --> 00:47:45,480
Speaker 3: every word. You're saying, Like that's an artist's dream, you

1062
00:47:45,520 --> 00:47:47,640
Speaker 3: know what I'm saying. So to see that and to

1063
00:47:47,680 --> 00:47:50,680
Speaker 3: see everybody soul like just turned up and you know

1064
00:47:50,719 --> 00:47:53,000
Speaker 3: what I'm saying that somebody from the it's like, okay,

1065
00:47:53,040 --> 00:47:56,000
Speaker 3: like this is this is a show. This is These

1066
00:47:56,040 --> 00:47:58,840
Speaker 3: are like his fans, like people that have been waiting

1067
00:47:58,880 --> 00:48:01,160
Speaker 3: to see him live. They couldn't wait for this moment,

1068
00:48:01,200 --> 00:48:03,000
Speaker 3: They couldn't wait for this tour to come to the city,

1069
00:48:03,080 --> 00:48:07,040
Speaker 3: like this is what hip hop is about. Like rapper

1070
00:48:07,080 --> 00:48:11,480
Speaker 3: comes on stage, everybody goes crazy. Nobody's trying to be

1071
00:48:11,600 --> 00:48:16,400
Speaker 3: you know, cool. Everybody's standing on their seats, shirts off rapping.

1072
00:48:16,760 --> 00:48:19,440
Speaker 3: The girls know all the lyrics, the guys know all

1073
00:48:19,480 --> 00:48:22,920
Speaker 3: the lyrics. Like that to me is just some incredible

1074
00:48:22,960 --> 00:48:23,840
Speaker 3: shit to witness.

1075
00:48:23,920 --> 00:48:24,799
Speaker 4: But so we're going.

1076
00:48:26,280 --> 00:48:28,360
Speaker 1: I don't like we should go as a social experiment.

1077
00:48:29,160 --> 00:48:31,680
Speaker 3: I don't know if that's the social experiment though. I

1078
00:48:31,680 --> 00:48:33,719
Speaker 3: don't know if you want a socially experiment with an

1079
00:48:33,800 --> 00:48:34,920
Speaker 3: NBA Young Boy.

1080
00:48:35,080 --> 00:48:36,520
Speaker 1: Live shop, I am.

1081
00:48:36,719 --> 00:48:38,759
Speaker 3: I feel like you'll get chased out because they I

1082
00:48:38,760 --> 00:48:42,080
Speaker 3: feel like his fans know that you ain't supposed to

1083
00:48:42,080 --> 00:48:44,879
Speaker 3: be here. This ain't for you. Like we don't try

1084
00:48:44,920 --> 00:48:47,440
Speaker 3: to jump on now like we've been. This has been

1085
00:48:47,480 --> 00:48:50,600
Speaker 3: a whole way. Obviously, I'm familiar with NBA Young Boy.

1086
00:48:50,840 --> 00:48:53,560
Speaker 3: I don't know his music the way his fans you know,

1087
00:48:53,560 --> 00:48:56,400
Speaker 3: know it, but I'm familiar with the fan base that

1088
00:48:56,440 --> 00:48:58,439
Speaker 3: he has. I'm familiar with the following that he has

1089
00:48:58,440 --> 00:49:01,399
Speaker 3: and the streaming numbers that he We all know that,

1090
00:49:01,680 --> 00:49:04,840
Speaker 3: but to now see it like night after night, he

1091
00:49:04,920 --> 00:49:07,640
Speaker 3: just did LA last night Kyle was did Kay is crying.

1092
00:49:08,239 --> 00:49:10,280
Speaker 3: I'm just seeing this shit. I'm just like, Yo, what

1093
00:49:10,480 --> 00:49:11,600
Speaker 3: is happening right now?

1094
00:49:12,000 --> 00:49:16,160
Speaker 2: I'm curious based off the sound of stuff, Like, for example,

1095
00:49:16,360 --> 00:49:20,279
Speaker 2: when we saw Gucci versus Geezi, and we saw the

1096
00:49:20,320 --> 00:49:22,520
Speaker 2: difference Gucci being the legend that he is, a lot

1097
00:49:22,520 --> 00:49:24,800
Speaker 2: of his legendary records were never mixed.

1098
00:49:24,800 --> 00:49:26,680
Speaker 1: They was thrown out.

1099
00:49:26,120 --> 00:49:29,640
Speaker 2: Like Jeez had deaf Jam behind him with the biggest budget.

1100
00:49:29,680 --> 00:49:33,600
Speaker 2: His records just feel expensive. They sound expensive. The Gucci

1101
00:49:33,640 --> 00:49:36,520
Speaker 2: shit didn't hit the same next to that. I've never

1102
00:49:36,520 --> 00:49:38,640
Speaker 2: seen an arena so a young Boy's volume, like how

1103
00:49:38,719 --> 00:49:41,760
Speaker 2: much he puts out. Some of his most classic records

1104
00:49:42,120 --> 00:49:45,360
Speaker 2: are like two track shit that I don't even know

1105
00:49:45,400 --> 00:49:47,560
Speaker 2: how it could sound an arena. Yet when I see

1106
00:49:47,560 --> 00:49:52,560
Speaker 2: the footage, it looks like fucking J Cole's performing. That's

1107
00:49:52,600 --> 00:49:54,960
Speaker 2: what I want to see, Like, how are these records

1108
00:49:54,960 --> 00:49:58,040
Speaker 2: transferring in a arena? I've never seen anyone do that

1109
00:49:58,600 --> 00:50:01,279
Speaker 2: do Wan young boy. The type of music he makes,

1110
00:50:01,280 --> 00:50:04,320
Speaker 2: and even some of the classic core fan based records

1111
00:50:04,320 --> 00:50:08,040
Speaker 2: he has are so low quality. I'm not talking about him,

1112
00:50:08,040 --> 00:50:09,759
Speaker 2: but they're low quality records. You can tell you two

1113
00:50:09,760 --> 00:50:11,560
Speaker 2: tracted it was like, Yo, upload that to the internet. Now,

1114
00:50:12,560 --> 00:50:14,239
Speaker 2: I would love, Like, I want to know how that

1115
00:50:14,320 --> 00:50:17,880
Speaker 2: rings off in an arena, because even Gucci, Gucci has

1116
00:50:17,920 --> 00:50:20,359
Speaker 2: classic shit, but even though just on a stream next

1117
00:50:20,360 --> 00:50:22,680
Speaker 2: to JIZI with an expensive sound, and it's like, damn,

1118
00:50:22,760 --> 00:50:24,560
Speaker 2: this is a classic GZ record, but it don't hit

1119
00:50:24,600 --> 00:50:27,680
Speaker 2: be cause it's just don't sound the same next to this.

1120
00:50:27,640 --> 00:50:29,759
Speaker 1: And then in the state in an arena, Yeah, like,

1121
00:50:29,800 --> 00:50:31,920
Speaker 1: I gotta know how that sounds.

1122
00:50:32,000 --> 00:50:34,040
Speaker 3: All that shit from Young Boy sound looks like it's

1123
00:50:34,080 --> 00:50:36,960
Speaker 3: going off. I love seeing people online saying, Yo, if

1124
00:50:36,960 --> 00:50:40,000
Speaker 3: he don't perform this one, I'm gonna be upset. Like

1125
00:50:40,120 --> 00:50:42,160
Speaker 3: all of that to me is just dope to see

1126
00:50:42,200 --> 00:50:45,080
Speaker 3: people so engaged with an artist like that, and then

1127
00:50:45,120 --> 00:50:47,719
Speaker 3: for NBA Young Boy to go out there and you

1128
00:50:47,719 --> 00:50:51,120
Speaker 3: know it seems like he's you know, he's he's fulfilling

1129
00:50:51,120 --> 00:50:53,520
Speaker 3: the request. Yeah, he's doing all the joints that you

1130
00:50:53,520 --> 00:50:56,120
Speaker 3: know his fans want they hear. I just think this

1131
00:50:56,200 --> 00:50:57,800
Speaker 3: is some really really dope shit.

1132
00:50:57,680 --> 00:50:58,440
Speaker 1: To watch, Josh.

1133
00:50:58,440 --> 00:51:00,880
Speaker 4: I'm sending you to viral TikTok. That's like going on

1134
00:51:01,120 --> 00:51:03,840
Speaker 4: right now with this girl that has like everybody like, well,

1135
00:51:03,920 --> 00:51:05,200
Speaker 4: damn I want to go to the NBA show. And

1136
00:51:05,200 --> 00:51:06,279
Speaker 4: that's the one that made me want to go to

1137
00:51:06,280 --> 00:51:08,000
Speaker 4: the NBA show. I'm like, yo, I want to feel

1138
00:51:08,000 --> 00:51:10,759
Speaker 4: this passionately about music like they screaming that ship like

1139
00:51:10,800 --> 00:51:14,120
Speaker 4: when the first month that like Dreams of Nightmares came out.

1140
00:51:14,160 --> 00:51:15,960
Speaker 4: I'm like, I want to feel that feeling again. I

1141
00:51:16,000 --> 00:51:18,080
Speaker 4: want to feel that bitch I'm a boss feeling again.

1142
00:51:18,160 --> 00:51:20,279
Speaker 4: The niggas in Paris feeling like I haven't had that

1143
00:51:20,320 --> 00:51:21,200
Speaker 4: feeling a whole.

1144
00:51:21,320 --> 00:51:23,480
Speaker 1: A connection to it because they live through the time

1145
00:51:23,560 --> 00:51:25,279
Speaker 1: of Yes, that's what I'm saying.

1146
00:51:25,280 --> 00:51:27,080
Speaker 3: We can't go because it's like we would just be

1147
00:51:27,239 --> 00:51:29,960
Speaker 3: trying to get on board now and it's kind of

1148
00:51:30,000 --> 00:51:32,520
Speaker 3: like we're not gonna understand it. We need some time

1149
00:51:32,600 --> 00:51:33,239
Speaker 3: to really like.

1150
00:51:37,160 --> 00:51:46,560
Speaker 1: To take ship. I mean, it sounds fire. That sounds

1151
00:51:46,640 --> 00:51:48,960
Speaker 1: fled out of this.

1152
00:51:50,480 --> 00:51:53,080
Speaker 4: All right, pass we get what you're gonna call it,

1153
00:51:53,120 --> 00:51:55,759
Speaker 4: DeMont size, But come on, man, how do you know

1154
00:51:56,239 --> 00:51:57,359
Speaker 4: that ship sounds.

1155
00:51:57,040 --> 00:51:57,560
Speaker 1: Fire to me?

1156
00:51:57,600 --> 00:51:59,840
Speaker 2: I can't like I want to go with her, Yeah,

1157
00:52:00,080 --> 00:52:01,840
Speaker 2: Like I want to go with somebody that's gonna like

1158
00:52:01,920 --> 00:52:03,160
Speaker 2: wrap those lyrics in my face.

1159
00:52:03,160 --> 00:52:05,160
Speaker 1: So I start to feel like, but this is this

1160
00:52:05,239 --> 00:52:06,880
Speaker 1: is se That's why I know I'm saying close to

1161
00:52:06,920 --> 00:52:07,719
Speaker 1: your chest because you.

1162
00:52:07,680 --> 00:52:10,240
Speaker 3: Know how I'm at shows. I'm just standing there, literally

1163
00:52:10,320 --> 00:52:13,600
Speaker 3: just watching the artists perform. I'm not you've been to

1164
00:52:13,640 --> 00:52:16,000
Speaker 3: meet to me with with Drake shows, you like you

1165
00:52:16,160 --> 00:52:18,319
Speaker 3: just standing there and I know all these records. I

1166
00:52:18,360 --> 00:52:20,880
Speaker 3: don't know all of these records. I'm really gonna be listening,

1167
00:52:20,960 --> 00:52:24,920
Speaker 3: standing there watching Young Boy perform, and I can't go

1168
00:52:25,000 --> 00:52:27,640
Speaker 3: with somebody that knows and they hyped and they trying

1169
00:52:27,640 --> 00:52:31,879
Speaker 3: to get me, like I don't even know what he's saying. Yeah,

1170
00:52:31,920 --> 00:52:33,520
Speaker 3: so it's fake if I go because I don't even

1171
00:52:33,560 --> 00:52:35,960
Speaker 3: know these these songs like that. So some of them,

1172
00:52:35,960 --> 00:52:38,000
Speaker 3: I'm like, I might know a couple of the balls,

1173
00:52:38,000 --> 00:52:40,000
Speaker 3: like okay, yeah, I remember that ball right there. But

1174
00:52:40,640 --> 00:52:43,680
Speaker 3: these people are, like you said, Roy, they grew up

1175
00:52:43,680 --> 00:52:46,440
Speaker 3: with this shit, they lived with this music. They couldn't

1176
00:52:46,520 --> 00:52:48,279
Speaker 3: wait for Young Boy to come to their city, like

1177
00:52:48,320 --> 00:52:51,000
Speaker 3: they've been waiting for this moment for years.

1178
00:52:51,320 --> 00:52:52,879
Speaker 1: So now that is here, I.

1179
00:52:52,800 --> 00:52:55,040
Speaker 3: Just think it's dope to see it and shout out

1180
00:52:55,040 --> 00:52:56,680
Speaker 3: the Young Boy man because you know, being able to

1181
00:52:56,719 --> 00:52:59,600
Speaker 3: develop a fan base like this and all of these

1182
00:52:59,680 --> 00:53:03,160
Speaker 3: years curating this this this sound for your for your audience,

1183
00:53:03,200 --> 00:53:04,840
Speaker 3: and and now being able to go to these cities

1184
00:53:04,880 --> 00:53:07,680
Speaker 3: and sell out these arenas is it's some dope shit,

1185
00:53:07,760 --> 00:53:09,160
Speaker 3: So saluting be a young boy man.

1186
00:53:09,280 --> 00:53:10,920
Speaker 4: I'm gonna check it out. I feel like I've always

1187
00:53:11,040 --> 00:53:13,920
Speaker 4: judged him by the way he looked mm hmm, like

1188
00:53:14,000 --> 00:53:16,279
Speaker 4: I mean, he looked like every other Yeah, I know.

1189
00:53:16,280 --> 00:53:17,879
Speaker 4: That's why I don't listen to them. If I if

1190
00:53:17,920 --> 00:53:20,160
Speaker 4: I don't listen. If I met you, he looked like

1191
00:53:20,160 --> 00:53:22,480
Speaker 4: who else? Who a bunch of artists you listen to?

1192
00:53:22,760 --> 00:53:26,919
Speaker 4: It's the same look who match you listen to? Ratchett shit,

1193
00:53:27,960 --> 00:53:30,640
Speaker 4: not men that I listen to women, ratesss shit. I

1194
00:53:30,640 --> 00:53:32,440
Speaker 4: don't listen to men ration shit. I don't know none

1195
00:53:32,440 --> 00:53:35,359
Speaker 4: of this ship now these people. If I will meet

1196
00:53:35,400 --> 00:53:37,120
Speaker 4: you in a dark alley and and you look like

1197
00:53:37,120 --> 00:53:38,560
Speaker 4: I should be afraid of you, like I should cross

1198
00:53:38,560 --> 00:53:40,400
Speaker 4: the street, I don't really check your music out. I

1199
00:53:40,400 --> 00:53:42,320
Speaker 4: don't know, and I shouldn't do that. I should be better,

1200
00:53:42,480 --> 00:53:44,200
Speaker 4: which is why I'm going to check out some of

1201
00:53:44,320 --> 00:53:45,120
Speaker 4: NBA's music.

1202
00:53:45,320 --> 00:53:45,799
Speaker 1: I don't be.

1203
00:53:45,760 --> 00:53:49,000
Speaker 4: Listening to these these rappers with the be the tattoos

1204
00:53:49,000 --> 00:53:50,000
Speaker 4: and shit on their face like I.

1205
00:53:49,920 --> 00:53:52,680
Speaker 1: Don't listen to that. You listen to Wayne. I was

1206
00:53:52,760 --> 00:53:53,160
Speaker 1: just about to.

1207
00:53:53,120 --> 00:53:56,840
Speaker 4: Say, Okay, Wayne, the original, the creator, right, But these new.

1208
00:53:56,719 --> 00:54:01,319
Speaker 1: Ones know and y'all don't either. Why I looking at me.

1209
00:54:01,280 --> 00:54:01,960
Speaker 4: Like I'm crazy.

1210
00:54:02,080 --> 00:54:03,359
Speaker 1: Oh no, I've tried.

1211
00:54:03,800 --> 00:54:07,520
Speaker 2: You aware that he has been a superstar in his

1212
00:54:07,560 --> 00:54:09,719
Speaker 2: own right with his fan base for a long time.

1213
00:54:09,719 --> 00:54:10,600
Speaker 2: I've seen the numbers.

1214
00:54:10,640 --> 00:54:11,120
Speaker 1: I've tried.

1215
00:54:11,280 --> 00:54:14,480
Speaker 2: I've done the jay Z headbop like pretending like I

1216
00:54:14,480 --> 00:54:16,040
Speaker 2: think this is all right, but I'm never gonna listen

1217
00:54:16,040 --> 00:54:18,719
Speaker 2: this to again. But I need somebody like that girl

1218
00:54:18,719 --> 00:54:21,720
Speaker 2: to sell it to me with the green hair. What's

1219
00:54:21,760 --> 00:54:24,960
Speaker 2: what's what's worse with a concert going with somebody that's

1220
00:54:25,000 --> 00:54:27,200
Speaker 2: way too cool, like Maul bringing up the Drake Show

1221
00:54:27,239 --> 00:54:31,239
Speaker 2: when he was there, or for example, Deannie Scotti Beam

1222
00:54:31,320 --> 00:54:34,040
Speaker 2: love you to death. Every Cold Show I go to

1223
00:54:34,239 --> 00:54:37,400
Speaker 2: with her, she's wrapping every fucking word in my face

1224
00:54:38,080 --> 00:54:38,840
Speaker 2: the entire.

1225
00:54:39,480 --> 00:54:41,320
Speaker 1: I was insane at the Cold Show. I was insuffer

1226
00:54:43,080 --> 00:54:45,360
Speaker 1: because I feed off Deann's energy.

1227
00:54:45,360 --> 00:54:47,360
Speaker 2: It makes it feel a little bit better, Like sometimes

1228
00:54:47,480 --> 00:54:48,600
Speaker 2: I'll wrap back with her.

1229
00:54:49,280 --> 00:54:50,840
Speaker 1: I get mad if I'm in the car when somebody's

1230
00:54:50,880 --> 00:54:55,239
Speaker 1: rapping the whole song car that's too much. Now loud

1231
00:54:55,320 --> 00:54:57,280
Speaker 1: enough where you can show.

1232
00:54:57,239 --> 00:54:58,719
Speaker 3: If we have to show, and you'll keep you keep

1233
00:54:58,760 --> 00:55:02,000
Speaker 3: jumping in my ear, in my face, trying to get balls.

1234
00:55:01,400 --> 00:55:04,960
Speaker 3: It's like, Yo, shut the fuck. The artist is right

1235
00:55:04,960 --> 00:55:06,520
Speaker 3: here in front of us, like let them do that.

1236
00:55:06,600 --> 00:55:08,000
Speaker 3: You shut you shut up.

1237
00:55:08,360 --> 00:55:11,040
Speaker 1: That was me at Cole I was talking, but you.

1238
00:55:11,120 --> 00:55:13,879
Speaker 2: Wrapped along at a concert before. No, I'm not saying

1239
00:55:13,960 --> 00:55:15,200
Speaker 2: screaming is someone's face, but.

1240
00:55:15,320 --> 00:55:17,439
Speaker 3: Yeah, but I'm not grabbing you trying to like get

1241
00:55:17,480 --> 00:55:19,279
Speaker 3: you like, but to that type of show, that's what

1242
00:55:19,320 --> 00:55:19,920
Speaker 3: you gotta.

1243
00:55:19,719 --> 00:55:21,720
Speaker 1: Do at this show. You gotta punch somebody in their face.

1244
00:55:22,040 --> 00:55:24,320
Speaker 3: Yeah, like you've got Yeah, you gotta punch somebody in

1245
00:55:24,360 --> 00:55:25,640
Speaker 3: their face for interest.

1246
00:55:25,640 --> 00:55:27,919
Speaker 1: It's like a jelloh yeah, this is this is That's

1247
00:55:27,960 --> 00:55:28,480
Speaker 1: just what this is.

1248
00:55:28,560 --> 00:55:30,680
Speaker 3: But it's it's it's dope to see it, man, it's

1249
00:55:30,680 --> 00:55:32,359
Speaker 3: definitely dope to see it. I know he did LA

1250
00:55:32,760 --> 00:55:35,680
Speaker 3: last night. I think I'm not sure what Elch is going,

1251
00:55:35,760 --> 00:55:38,359
Speaker 3: but yo, I gotta, I gotta, I gotta, I gotta.

1252
00:55:38,520 --> 00:55:40,759
Speaker 3: I got a downlottle more NBA young boy music and

1253
00:55:41,080 --> 00:55:43,400
Speaker 3: learn learn the music more so I can before I

1254
00:55:43,440 --> 00:55:45,000
Speaker 3: can go to a live show.

1255
00:55:45,000 --> 00:55:47,959
Speaker 1: I can't just go out there not knowing. I gotta

1256
00:55:48,040 --> 00:55:49,360
Speaker 1: know the music. I have to know to me.

1257
00:55:49,640 --> 00:55:54,440
Speaker 4: Coming to Newark on September twenty ninth, All Mall's birthday.

1258
00:55:55,440 --> 00:55:57,200
Speaker 4: We're not your actual birthday, but your birthday weekend.

1259
00:55:57,760 --> 00:56:01,000
Speaker 1: Yeah, nah, no, I can't. I would have considered the

1260
00:56:01,000 --> 00:56:05,200
Speaker 1: Garden or Barclays. Oh, Barclays seven, closer to the Prudential

1261
00:56:05,239 --> 00:56:09,480
Speaker 1: Center seven. Yeah, the Yo, the Jersey crowd, the Jersey

1262
00:56:09,520 --> 00:56:11,480
Speaker 1: young boy crowd. I'm good. That is gonna be the

1263
00:56:11,560 --> 00:56:12,719
Speaker 1: most terrifying year.

1264
00:56:12,800 --> 00:56:15,719
Speaker 2: Yeah, the New York show compared to the Garden Show,

1265
00:56:15,760 --> 00:56:18,000
Speaker 2: which by the way, is twenty minutes away from each other.

1266
00:56:18,400 --> 00:56:20,720
Speaker 4: It's going to be two different world No, I'm cool,

1267
00:56:21,040 --> 00:56:22,880
Speaker 4: two different worlds. I'm going to the Morning in Brooklyn.

1268
00:56:22,960 --> 00:56:24,840
Speaker 4: I promise you, I'm not going to the one in Newark.

1269
00:56:25,800 --> 00:56:29,840
Speaker 4: You bug the fuck out. It was not like in Newark.

1270
00:56:29,880 --> 00:56:32,440
Speaker 1: I'm cool. If you're gonna experience it, maybe the Newark

1271
00:56:32,480 --> 00:56:33,120
Speaker 1: one is the one.

1272
00:56:33,320 --> 00:56:36,160
Speaker 4: Yeah, but I gotta walk the real film. But they're

1273
00:56:36,160 --> 00:56:40,080
Speaker 4: gonna shoot outside that ship. Yeah, Newark cool. I feel

1274
00:56:40,080 --> 00:56:41,799
Speaker 4: like I gotta wish, I usty if I go though,

1275
00:56:42,960 --> 00:56:44,560
Speaker 4: I got no. But then you're gonna beat like everybody

1276
00:56:44,560 --> 00:56:45,799
Speaker 4: else gotta stand up.

1277
00:56:46,239 --> 00:56:48,520
Speaker 1: No, no, you gotta, you gotta blench. I have to

1278
00:56:48,520 --> 00:56:48,960
Speaker 1: blend in.

1279
00:56:49,320 --> 00:56:52,520
Speaker 3: Where's when a super NBIA Young Boys Show, they will

1280
00:56:52,560 --> 00:56:53,400
Speaker 3: beat the ship out.

1281
00:56:53,239 --> 00:56:53,720
Speaker 1: Of the America.

1282
00:56:53,840 --> 00:56:56,040
Speaker 3: First of all, they're gonna think I'm a nark is

1283
00:56:56,120 --> 00:56:59,280
Speaker 3: police a suit at the NBA Young Boys Show though.

1284
00:56:59,440 --> 00:57:00,919
Speaker 1: No you can't. That's like we're going to the GZ

1285
00:57:01,040 --> 00:57:04,120
Speaker 1: Orchestra show. No. Absolutely, Oh that's fine. No, it's not.

1286
00:57:04,520 --> 00:57:06,120
Speaker 1: I promise you it was not. Nah.

1287
00:57:06,520 --> 00:57:09,239
Speaker 2: I feel like your NBA Young Boy Show should change

1288
00:57:09,239 --> 00:57:10,959
Speaker 2: the rules for arenas. I should be able to walk.

1289
00:57:10,880 --> 00:57:12,960
Speaker 1: In with no shirt this people isn't there with no

1290
00:57:13,040 --> 00:57:14,680
Speaker 1: shirts on? Well, they walked in with a shirt on,

1291
00:57:14,719 --> 00:57:16,400
Speaker 1: they took it off after. Oh, I'm saying I should

1292
00:57:16,400 --> 00:57:18,280
Speaker 1: be able to show up with no shirt at all.

1293
00:57:19,160 --> 00:57:20,560
Speaker 1: I mean, you know, as young.

1294
00:57:20,440 --> 00:57:24,000
Speaker 4: Boy ever like once a little high.

1295
00:57:22,560 --> 00:57:25,520
Speaker 1: Yeah, I thought that was his whole aesthetic. It's your

1296
00:57:25,560 --> 00:57:28,840
Speaker 1: shirtless no hear he wearing some shit on stage.

1297
00:57:29,080 --> 00:57:30,400
Speaker 3: I mean, I'm sure at some point you might take

1298
00:57:30,400 --> 00:57:31,880
Speaker 3: a shirt off and really get into the you know,

1299
00:57:32,400 --> 00:57:32,760
Speaker 3: the night.

1300
00:57:32,840 --> 00:57:34,840
Speaker 1: But it's just dope to see it.

1301
00:57:34,840 --> 00:57:36,920
Speaker 3: Man, all all the clips I'm saying, is the energy

1302
00:57:37,000 --> 00:57:41,320
Speaker 3: is I haven't seen, bro.

1303
00:57:41,360 --> 00:57:43,320
Speaker 1: I'm not gonna lie. That type of energy is crazy

1304
00:57:43,360 --> 00:57:45,160
Speaker 1: for the entire arena to be. You know how hard

1305
00:57:45,160 --> 00:57:47,240
Speaker 1: it is to sell tickets period right now, let alone

1306
00:57:47,240 --> 00:57:51,560
Speaker 1: in arena. But you know that type of clip. Yeah yeah.

1307
00:57:51,600 --> 00:57:53,480
Speaker 3: And then, like I said, his fan base is very

1308
00:57:53,680 --> 00:57:56,760
Speaker 3: they've been waiting for this ship. They've been way couldn't

1309
00:57:56,800 --> 00:57:58,360
Speaker 3: wait for this tour.

1310
00:57:59,640 --> 00:58:01,480
Speaker 2: And you know they're dedicated fans because then I'm not

1311
00:58:01,520 --> 00:58:03,760
Speaker 2: going to get into everyone makes mistakes, but I feel

1312
00:58:03,800 --> 00:58:05,640
Speaker 2: like every other month I'm seeing some wild ship the

1313
00:58:05,720 --> 00:58:09,720
Speaker 2: young boy is doing like those are He could do anything,

1314
00:58:10,920 --> 00:58:13,240
Speaker 2: the fact how he's moved on certain things, or how

1315
00:58:13,280 --> 00:58:15,400
Speaker 2: the Internet has painted him and you could still sell

1316
00:58:15,400 --> 00:58:16,320
Speaker 2: out arenas this way.

1317
00:58:17,160 --> 00:58:18,120
Speaker 1: Yeah, they love your.

1318
00:58:18,080 --> 00:58:23,960
Speaker 4: Music, Philly, I'd rather die.

1319
00:58:24,520 --> 00:58:27,640
Speaker 1: Yeah, Philly would be kind of nothing. He signed a motown, well,

1320
00:58:27,640 --> 00:58:29,320
Speaker 1: I mean it merged. They all merged.

1321
00:58:29,320 --> 00:58:32,680
Speaker 2: It's musical chairs mm, like he didn't he didn't sign

1322
00:58:32,760 --> 00:58:34,080
Speaker 2: to the same motown.

1323
00:58:34,440 --> 00:58:34,919
Speaker 1: No ship.

1324
00:58:36,520 --> 00:58:38,440
Speaker 3: Oh he was in Oakland. That wasn't even La, that

1325
00:58:38,520 --> 00:58:43,640
Speaker 3: was Oakland last Uh what dates is that? That's no,

1326
00:58:43,680 --> 00:58:48,600
Speaker 3: he's in Oakland tonight? Oh yeah, well tomorrow Okay, he

1327
00:58:48,680 --> 00:58:49,880
Speaker 3: was in La last night though.

1328
00:58:50,520 --> 00:58:53,720
Speaker 1: Okay, Well, on.

1329
00:58:53,680 --> 00:58:55,520
Speaker 2: The low, I think the Phoenix show might be the

1330
00:58:55,560 --> 00:58:59,040
Speaker 2: scariest because I know the Mexicans love Young Boy.

1331
00:58:59,320 --> 00:59:02,200
Speaker 1: Mm hmmm, that might be. It would rivet between Nor

1332
00:59:02,360 --> 00:59:05,439
Speaker 1: and Phoenix of the scariest shows on the store. Scroll that. Oh, no,

1333
00:59:05,920 --> 00:59:11,040
Speaker 1: Lewis and Chicago. My wait, hold St. Louis for sure? Baltimore,

1334
00:59:11,080 --> 00:59:11,600
Speaker 1: I don't know.

1335
00:59:11,880 --> 00:59:15,400
Speaker 4: I'm not going to no NBA Young Boys show in Baltimore.

1336
00:59:15,440 --> 00:59:19,280
Speaker 1: I'm cool, I'm cool. Oh No, that's Chicago. Whe's scary

1337
00:59:20,480 --> 00:59:23,240
Speaker 1: because he had beef for Chicago like he had beef

1338
00:59:23,280 --> 00:59:25,360
Speaker 1: for Dirky. Oh yeah, yeah yeah.

1339
00:59:25,400 --> 00:59:30,120
Speaker 3: So yeah, man, Hopefully you know, I mean, hopefully nothing happens.

1340
00:59:30,120 --> 00:59:33,040
Speaker 3: We don't want to get no news about anything negative

1341
00:59:33,120 --> 00:59:35,600
Speaker 3: or crazy happening, because seeing this type of energy is

1342
00:59:35,640 --> 00:59:37,920
Speaker 3: just dope to see people go out and support their artists.

1343
00:59:37,920 --> 00:59:41,720
Speaker 3: But we know the history of him and certain Chicago artists.

1344
00:59:41,720 --> 00:59:44,880
Speaker 4: So yeah, I don't know nobody from that side, from

1345
00:59:44,880 --> 00:59:47,360
Speaker 4: what side NBA Young Boys side?

1346
00:59:47,560 --> 00:59:47,880
Speaker 1: Listen.

1347
00:59:47,920 --> 00:59:49,400
Speaker 2: I told you when I went to bat and Rouge

1348
00:59:49,880 --> 00:59:52,120
Speaker 2: a couple of months ago and she told me, oh,

1349
00:59:52,400 --> 00:59:54,920
Speaker 2: this young Boyshood, I said, could we just not be here.

1350
00:59:54,960 --> 00:59:58,080
Speaker 1: Then we was drivers like, yeah, where you're from.

1351
00:59:58,120 --> 00:59:59,600
Speaker 2: I was like, well let's then let's take a left

1352
00:59:59,600 --> 01:00:01,920
Speaker 2: and a left, get the fuck out of here.

1353
01:00:01,720 --> 01:00:02,280
Speaker 1: You scared?

1354
01:00:02,560 --> 01:00:06,200
Speaker 4: Yeah, you thought I was say no, nigga.

1355
01:00:06,360 --> 01:00:10,760
Speaker 2: Actually we walk around with the assault rifles just out

1356
01:00:10,920 --> 01:00:12,360
Speaker 2: like they ain't even illegal.

1357
01:00:13,120 --> 01:00:17,360
Speaker 1: Yeah, years and I could. I want to learn.

1358
01:00:17,600 --> 01:00:19,439
Speaker 4: I want to go now now the prime. I want

1359
01:00:19,440 --> 01:00:21,040
Speaker 4: to go now music.

1360
01:00:21,080 --> 01:00:22,360
Speaker 1: It's fake if I go now. I don't know. I

1361
01:00:22,400 --> 01:00:23,360
Speaker 1: don't know the music enough.

1362
01:00:23,440 --> 01:00:25,080
Speaker 4: But that's okay, do you actually people A lot of

1363
01:00:25,080 --> 01:00:27,480
Speaker 4: people tend to go to shows to learn new music.

1364
01:00:27,720 --> 01:00:29,000
Speaker 1: You don't got to go to the show and know

1365
01:00:29,040 --> 01:00:31,680
Speaker 1: every song. You got to know the music. Man. That's

1366
01:00:31,760 --> 01:00:33,680
Speaker 1: like going to the game and not knowing who playing.

1367
01:00:34,560 --> 01:00:35,640
Speaker 1: I don't know what you discover.

1368
01:00:35,760 --> 01:00:38,040
Speaker 4: You discover songs because a lot of songs you might

1369
01:00:38,080 --> 01:00:40,320
Speaker 4: put on like in your head phones, like turn this

1370
01:00:40,320 --> 01:00:41,120
Speaker 4: ship off right.

1371
01:00:41,760 --> 01:00:43,720
Speaker 1: But you go to the show and you see.

1372
01:00:43,480 --> 01:00:45,360
Speaker 4: Shorty with degree here doing all I just like, wait,

1373
01:00:45,360 --> 01:00:48,040
Speaker 4: hold on, what's this song? Let me That's why you're

1374
01:00:48,040 --> 01:00:50,520
Speaker 4: supposed to go check out new shows, local artists, all

1375
01:00:50,560 --> 01:00:51,120
Speaker 4: of that stuff.

1376
01:00:51,640 --> 01:00:54,240
Speaker 2: They're sitting at the Young Boys show in the mash pit,

1377
01:00:54,280 --> 01:00:56,160
Speaker 2: trying to hold your phone up for Shazam.

1378
01:00:56,360 --> 01:00:59,080
Speaker 1: Yeah, they're gonna knock you out. Who's who?

1379
01:00:59,200 --> 01:00:59,360
Speaker 2: You know?

1380
01:00:59,440 --> 01:01:01,280
Speaker 3: I would be figure out. I would be in the

1381
01:01:01,280 --> 01:01:03,800
Speaker 3: skybox and put me in a suite. Let me just

1382
01:01:03,880 --> 01:01:06,280
Speaker 3: chill up here, look down at you know, the real fans.

1383
01:01:06,840 --> 01:01:08,840
Speaker 3: I just want to hear the music and see the performance, like,

1384
01:01:08,920 --> 01:01:10,640
Speaker 3: let me. I can't beat in that. I need to

1385
01:01:10,640 --> 01:01:11,120
Speaker 3: touch the face.

1386
01:01:11,240 --> 01:01:14,280
Speaker 1: Nah, I can't be in that. What's the most dangerous

1387
01:01:14,280 --> 01:01:18,040
Speaker 1: show You've ever been to? The most dangerous show I've

1388
01:01:18,040 --> 01:01:21,480
Speaker 1: ever been to, even.

1389
01:01:21,360 --> 01:01:23,320
Speaker 2: If it turned out that way and you didn't anticipate it,

1390
01:01:25,840 --> 01:01:27,280
Speaker 2: the most dangerous show.

1391
01:01:27,800 --> 01:01:29,280
Speaker 4: I've never been to a dangerous show.

1392
01:01:29,720 --> 01:01:33,720
Speaker 3: I feel like it may have been somebody at Irvin Plaza.

1393
01:01:34,160 --> 01:01:37,760
Speaker 4: But not that oh the Nipsey also one Walter Crips

1394
01:01:37,800 --> 01:01:40,760
Speaker 4: in the building. But I felt safe. This was in

1395
01:01:40,920 --> 01:01:43,360
Speaker 4: New York, Irvin Plaza, Okay.

1396
01:01:43,400 --> 01:01:45,160
Speaker 1: Yeah, I feel like it was. I can't remember who

1397
01:01:45,200 --> 01:01:48,320
Speaker 1: it was, though I felt safe. Though. I feel like

1398
01:01:48,320 --> 01:01:51,240
Speaker 1: it was Irvin Plaza, Okay, might have been. I was

1399
01:01:51,240 --> 01:01:51,520
Speaker 1: in there.

1400
01:01:51,520 --> 01:01:54,560
Speaker 3: I remember having a feeling like, Yeah, the energy in

1401
01:01:54,600 --> 01:01:58,280
Speaker 3: hair is a little it's a little tense. But never

1402
01:01:58,360 --> 01:02:00,720
Speaker 3: in like never at the Garden to show with the

1403
01:02:00,760 --> 01:02:01,240
Speaker 3: guard When I.

1404
01:02:01,280 --> 01:02:04,080
Speaker 2: Go with that, well, I mean you did say you

1405
01:02:04,080 --> 01:02:05,680
Speaker 2: were in the hallway when R. Kelly walked down and

1406
01:02:06,280 --> 01:02:10,160
Speaker 2: violence ensued. You say, I was kind of dangerous.

1407
01:02:10,480 --> 01:02:12,080
Speaker 3: There was a gun there, say he didn't want nobody

1408
01:02:12,120 --> 01:02:14,840
Speaker 3: looking at him in his eyes and.

1409
01:02:14,720 --> 01:02:19,360
Speaker 1: Then somebody allegedly put pepper spray in his eyes. Yeah,

1410
01:02:19,400 --> 01:02:21,160
Speaker 1: but that wasn't dangerous. That was R and B Like,

1411
01:02:21,240 --> 01:02:22,600
Speaker 1: that wasn't like dangerous.

1412
01:02:23,000 --> 01:02:26,880
Speaker 2: I mean, speaking of Newark and Jersey in general, Hot

1413
01:02:26,960 --> 01:02:29,880
Speaker 2: ninety seven once did remember when they used to do

1414
01:02:29,960 --> 01:02:31,800
Speaker 2: those like Next Up or Whose Next?

1415
01:02:31,880 --> 01:02:34,120
Speaker 1: Shows, which I appreciate. They was trying to.

1416
01:02:34,040 --> 01:02:37,280
Speaker 2: Get like local talent, and they did one that was

1417
01:02:37,440 --> 01:02:40,560
Speaker 2: just specific to Jersey with a bunch of Jersey acts.

1418
01:02:40,600 --> 01:02:44,400
Speaker 1: I want to say Trench hosted it as well. That

1419
01:02:44,560 --> 01:02:45,320
Speaker 1: was the most.

1420
01:02:45,120 --> 01:02:48,640
Speaker 2: Violent show I think I've ever been that, Like, they

1421
01:02:48,800 --> 01:02:52,800
Speaker 2: rivaled what when Saigon Prodigy and all the Queensbridge fought

1422
01:02:52,880 --> 01:02:56,480
Speaker 2: at SOB's with that legendary footage. There was so much

1423
01:02:56,560 --> 01:02:59,800
Speaker 2: tension in that small, small fucking venue. Yeah, that was

1424
01:03:00,080 --> 01:03:02,280
Speaker 2: either the one time been a show where I'm like,

1425
01:03:03,080 --> 01:03:06,160
Speaker 2: I don't know if it is worth worth staying here,

1426
01:03:06,480 --> 01:03:10,320
Speaker 2: Like yeah, I'll be a bystander somehow in this entire show, I.

1427
01:03:10,280 --> 01:03:13,560
Speaker 3: Can't remember who was at Irvin Plaza, like who was

1428
01:03:14,320 --> 01:03:18,840
Speaker 3: It may have been Meeking somebody else. And I was like, yeah,

1429
01:03:18,880 --> 01:03:21,600
Speaker 3: this energy and it was just a little you know,

1430
01:03:21,720 --> 01:03:24,920
Speaker 3: you know that energy which was like the faces ain't friendly,

1431
01:03:25,040 --> 01:03:26,040
Speaker 3: nobody smiling.

1432
01:03:26,720 --> 01:03:29,480
Speaker 1: It's not a lot of women you know those shows.

1433
01:03:29,520 --> 01:03:30,040
Speaker 1: Of course, you know.

1434
01:03:30,400 --> 01:03:32,120
Speaker 3: It was just like all right, man, I'm about to well.

1435
01:03:32,200 --> 01:03:33,920
Speaker 3: Let me staying close to the exit because it might

1436
01:03:33,960 --> 01:03:34,600
Speaker 3: go down there.

1437
01:03:34,680 --> 01:03:37,680
Speaker 2: But I've told you guys the story of when I

1438
01:03:37,720 --> 01:03:40,200
Speaker 2: was DJing at the New Yereaken with my Mans and

1439
01:03:40,240 --> 01:03:42,520
Speaker 2: we got into it and I thought I was gonna

1440
01:03:42,520 --> 01:03:43,800
Speaker 2: die with the guys from Connecticut.

1441
01:03:43,880 --> 01:03:44,040
Speaker 1: Yep.

1442
01:03:44,480 --> 01:03:47,640
Speaker 2: So there was another time I was DJing from Man's

1443
01:03:47,640 --> 01:03:49,200
Speaker 2: that was opening up for I won't say his name.

1444
01:03:49,200 --> 01:03:51,000
Speaker 2: He was signed to the Lock, not the Locks, to

1445
01:03:51,080 --> 01:03:53,800
Speaker 2: d Block at the time, and we were opening up

1446
01:03:53,800 --> 01:03:57,400
Speaker 2: for him based off his manager's relationship with d Block.

1447
01:03:57,720 --> 01:03:59,960
Speaker 2: But my Man's was on some singing and rapping shit.

1448
01:04:00,080 --> 01:04:05,720
Speaker 2: It It wasn't that type of crowd. This is like

1449
01:04:05,760 --> 01:04:07,560
Speaker 2: when you really got to cut your teeth and earn

1450
01:04:07,600 --> 01:04:10,480
Speaker 2: your keep, Like what it's like to feel like you're

1451
01:04:10,560 --> 01:04:16,240
Speaker 2: dying on stage of just going records record somebody that

1452
01:04:16,320 --> 01:04:19,760
Speaker 2: was affiliated with that artist twice my size. In the

1453
01:04:19,800 --> 01:04:21,720
Speaker 2: middle of my man performing and we had like an

1454
01:04:21,880 --> 01:04:24,520
Speaker 2: intricate DJ set. I was trying to mix certain stuff,

1455
01:04:24,560 --> 01:04:29,200
Speaker 2: like we had a set, we've rehearsed, it's c all

1456
01:04:29,280 --> 01:04:36,080
Speaker 2: this entire thing for fucker over. Me hits the fader

1457
01:04:36,160 --> 01:04:38,240
Speaker 2: and puts it to the side and said, it's time

1458
01:04:38,280 --> 01:04:38,880
Speaker 2: fiata lee.

1459
01:04:40,400 --> 01:04:41,480
Speaker 1: In the middle of the performance.

1460
01:04:41,840 --> 01:04:43,800
Speaker 2: Yeah, but I had I had well, I was on vinyl,

1461
01:04:43,800 --> 01:04:46,360
Speaker 2: so I had two things playing, so it didn't affect.

1462
01:04:46,480 --> 01:04:50,640
Speaker 1: Like my man kept rapping, And it was the.

1463
01:04:49,920 --> 01:04:52,200
Speaker 2: First time in my life where I was like, I'm

1464
01:04:52,360 --> 01:04:55,680
Speaker 2: about to say something that I know I'm gonna die,

1465
01:04:55,800 --> 01:04:57,480
Speaker 2: but I have no other option.

1466
01:04:57,640 --> 01:05:00,360
Speaker 1: Got to be a man, I had no other option.

1467
01:05:00,800 --> 01:05:03,640
Speaker 2: I know this is not going to end well, I said,

1468
01:05:03,760 --> 01:05:04,600
Speaker 2: ain't no fucking way.

1469
01:05:04,640 --> 01:05:06,480
Speaker 1: We got three more fucking songs. Get away from me.

1470
01:05:07,680 --> 01:05:10,240
Speaker 2: Let's just say we were handled outside of the building,

1471
01:05:10,360 --> 01:05:11,480
Speaker 2: but my man finished the set.

1472
01:05:11,640 --> 01:05:15,040
Speaker 3: No handled out to finished the set, though finished the set. Handled,

1473
01:05:15,080 --> 01:05:17,000
Speaker 3: We get beat up outside, but we finished the set.

1474
01:05:17,000 --> 01:05:18,040
Speaker 3: Though that's all that matters.

1475
01:05:18,160 --> 01:05:21,520
Speaker 1: And my man, who I love, did what every opening

1476
01:05:21,560 --> 01:05:24,760
Speaker 1: act does because the Locks are supposed to be special guests.

1477
01:05:24,800 --> 01:05:27,680
Speaker 1: With this guy as well. It was like on the flyer.

1478
01:05:28,680 --> 01:05:31,320
Speaker 1: So when you're just drowning in a set and it's

1479
01:05:31,360 --> 01:05:33,240
Speaker 1: dead choir and saying like the yo, Yo, get the

1480
01:05:33,240 --> 01:05:36,400
Speaker 1: fuck off the stage. Yo, who's ready to see the Locks?

1481
01:05:37,800 --> 01:05:41,520
Speaker 1: Who crowded up and he said for the last song,

1482
01:05:41,560 --> 01:05:43,960
Speaker 1: he went, you're not cut it, Let's get out of here.

1483
01:05:44,560 --> 01:05:47,000
Speaker 2: We was in there because this was nine like when

1484
01:05:47,600 --> 01:05:50,000
Speaker 2: we were on the Blog era type of rap, and

1485
01:05:50,000 --> 01:05:52,080
Speaker 2: that crowd was not trying to hear none of that ship.

1486
01:05:52,400 --> 01:05:54,920
Speaker 1: He was really singing. He was like had an R

1487
01:05:54,960 --> 01:05:55,640
Speaker 1: and B part.

1488
01:05:56,160 --> 01:05:58,880
Speaker 2: It was a bunch of dudes and Champion hoodies waiting

1489
01:05:58,960 --> 01:06:00,520
Speaker 2: to see if styles to show up.

1490
01:06:01,080 --> 01:06:03,280
Speaker 1: It was. It was one of the crazy experiences. But no,

1491
01:06:03,400 --> 01:06:07,200
Speaker 1: we were physically handled at that old place.

1492
01:06:07,280 --> 01:06:10,640
Speaker 2: No, no, no, it was it was in the city. Was

1493
01:06:10,680 --> 01:06:16,040
Speaker 2: it that Santos might have been in Santos? Hey, yeah,

1494
01:06:16,440 --> 01:06:21,000
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1495
01:06:21,040 --> 01:06:25,960
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1514
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Speaker 2: fifty dollars in bonus bets if you win. So please

1515
01:07:15,640 --> 01:07:18,520
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1516
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Speaker 2: your first deposit today.

1517
01:07:20,800 --> 01:07:23,680
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1518
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Speaker 3: the Seminal Tribe of Florida and Florida, offered by Seminal

1519
01:07:26,720 --> 01:07:29,640
Speaker 3: hard Rock Digital LLC in all of the states. Must

1520
01:07:29,680 --> 01:07:34,840
Speaker 3: be twenty one plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana,

1521
01:07:34,920 --> 01:07:37,960
Speaker 3: New Jersey, Ohio, Tennessee, or Virginia to play. Terms and

1522
01:07:37,960 --> 01:07:41,480
Speaker 3: conditions apply. Concerned about gambling and Florida called one eight

1523
01:07:41,480 --> 01:07:42,440
Speaker 3: eight eight admit it.

1524
01:07:42,760 --> 01:07:43,480
Speaker 1: In Indiana.

1525
01:07:43,560 --> 01:07:45,680
Speaker 3: If you are someone you know has a gambling problem

1526
01:07:45,880 --> 01:07:48,080
Speaker 3: and wants helped, call one eight hundred and nine with

1527
01:07:48,200 --> 01:07:52,480
Speaker 3: it gambling problem called one eight hundred gambler. Arizona, Colorado, Illinois,

1528
01:07:52,520 --> 01:08:01,440
Speaker 3: New Jersey, Ohio, Tennessee, and Virginia. I like baby d

1529
01:08:01,600 --> 01:08:03,640
Speaker 3: We about a week away, WE about a week for

1530
01:08:04,560 --> 01:08:05,800
Speaker 3: Pardi Body.

1531
01:08:06,720 --> 01:08:08,040
Speaker 1: How you feeling excited?

1532
01:08:10,560 --> 01:08:12,439
Speaker 4: You know if I didn't have this job, I would

1533
01:08:12,480 --> 01:08:14,360
Speaker 4: feel more excited for the album because I could then

1534
01:08:14,480 --> 01:08:15,960
Speaker 4: just enjoy it like a normal person.

1535
01:08:16,120 --> 01:08:17,479
Speaker 1: What you mean, why you can't enjoy it?

1536
01:08:17,600 --> 01:08:19,400
Speaker 4: No, I'm going to enjoy it. But I don't want

1537
01:08:19,400 --> 01:08:21,240
Speaker 4: to have to talk about it. I don't want to

1538
01:08:21,280 --> 01:08:24,200
Speaker 4: have to hear critique on it. I don't want to

1539
01:08:24,240 --> 01:08:25,680
Speaker 4: have to defend it. I don't want to have to

1540
01:08:25,680 --> 01:08:27,160
Speaker 4: not defend it. I don't want to have to critique

1541
01:08:27,160 --> 01:08:28,320
Speaker 4: it myself. I don't want to have to do that.

1542
01:08:28,360 --> 01:08:29,839
Speaker 3: I just want to be you don't have to critique,

1543
01:08:29,960 --> 01:08:32,680
Speaker 3: you just say how you feel about the music that

1544
01:08:32,720 --> 01:08:33,040
Speaker 3: you heard.

1545
01:08:33,120 --> 01:08:34,400
Speaker 4: Yeah, but I also I don't want to have to

1546
01:08:34,400 --> 01:08:36,599
Speaker 4: do that on a public platform. My job is my job.

1547
01:08:36,640 --> 01:08:38,960
Speaker 4: I love my job. I respect my job. But sometimes

1548
01:08:39,000 --> 01:08:40,800
Speaker 4: as a music listener or a fan of an artist,

1549
01:08:40,840 --> 01:08:42,320
Speaker 4: I wish I could just listen to the fucking music

1550
01:08:42,360 --> 01:08:44,040
Speaker 4: and I have to talk to people about it in public.

1551
01:08:46,200 --> 01:08:48,720
Speaker 3: I understand, but I mean, you can know, like you

1552
01:08:48,760 --> 01:08:51,080
Speaker 3: don't have to think about you know, your feelings and

1553
01:08:51,120 --> 01:08:54,520
Speaker 3: your your perspective on what you're listening to are yours.

1554
01:08:54,200 --> 01:08:55,880
Speaker 1: And you can you can see how you feel.

1555
01:08:56,040 --> 01:08:58,679
Speaker 3: I understand what you're saying, though, like you like people

1556
01:08:58,680 --> 01:09:01,559
Speaker 3: want to try to say I'm definit people don't think

1557
01:09:01,560 --> 01:09:02,960
Speaker 3: it's wag, and you know, you don't want to go

1558
01:09:03,000 --> 01:09:05,599
Speaker 3: against what the masses are saying, because then you look

1559
01:09:05,680 --> 01:09:08,639
Speaker 3: like you just you know, capping or kaping for Cardi.

1560
01:09:08,760 --> 01:09:11,719
Speaker 3: I get that, but it's okay to you know, express

1561
01:09:11,720 --> 01:09:14,599
Speaker 3: how you feel about what your experiencing and what you're listening.

1562
01:09:14,840 --> 01:09:17,320
Speaker 4: Yeah, but sometimes I don't want you know, sometimes I

1563
01:09:17,360 --> 01:09:19,679
Speaker 4: don't want to express it, but I am looking forward

1564
01:09:19,680 --> 01:09:22,599
Speaker 4: to the album. I'm excited. Y'all know I love Cardi,

1565
01:09:22,720 --> 01:09:24,320
Speaker 4: and yeah, I'm looking forward to it.

1566
01:09:24,520 --> 01:09:28,400
Speaker 2: I think she's confident about the music. Obviously, she would

1567
01:09:28,400 --> 01:09:30,360
Speaker 2: promote her album no matter what, and we know vinyl

1568
01:09:30,400 --> 01:09:33,120
Speaker 2: sales and all the pre order stuff counts way more

1569
01:09:33,200 --> 01:09:35,360
Speaker 2: to Billboard than it does with streams, so she's trying

1570
01:09:35,360 --> 01:09:37,240
Speaker 2: to push that as much as possible so the numbers

1571
01:09:37,280 --> 01:09:40,120
Speaker 2: can reflect because that matters to Cardi in that world.

1572
01:09:40,720 --> 01:09:43,800
Speaker 2: But I feel like she's come across as confident about

1573
01:09:43,800 --> 01:09:47,840
Speaker 2: this album, like that she really likes it, so.

1574
01:09:46,880 --> 01:09:48,240
Speaker 1: She feels like she's happy with it.

1575
01:09:48,360 --> 01:09:52,200
Speaker 2: Yeah, But before admittedly I felt like, all right, this

1576
01:09:52,360 --> 01:09:54,559
Speaker 2: is a little weird. I don't know if she feels

1577
01:09:54,560 --> 01:09:58,080
Speaker 2: confident about this entire thing. She's coming across like she's

1578
01:09:58,200 --> 01:10:02,160
Speaker 2: actually really excited for everyone here, this project, So I

1579
01:10:02,160 --> 01:10:03,760
Speaker 2: hope it's good me too.

1580
01:10:03,760 --> 01:10:06,160
Speaker 3: I'm looking forward to It's been, like I said, you know,

1581
01:10:06,200 --> 01:10:09,840
Speaker 3: since between the first one and now, we've waited this long,

1582
01:10:09,880 --> 01:10:12,040
Speaker 3: but hopefully they got it to a place where the

1583
01:10:12,120 --> 01:10:14,240
Speaker 3: music is strong and it's good, and you know, I'm

1584
01:10:14,240 --> 01:10:16,439
Speaker 3: looking forward to him what the team did for sure.

1585
01:10:16,600 --> 01:10:22,680
Speaker 2: Yeah, I don't know, man, I'm nervous for her, and.

1586
01:10:22,640 --> 01:10:25,720
Speaker 3: That's what's nervous about what music not being good.

1587
01:10:27,320 --> 01:10:31,719
Speaker 1: I guess it's like empathy to to some degree.

1588
01:10:31,760 --> 01:10:33,679
Speaker 2: And that's why I think it's funny that the whole

1589
01:10:33,720 --> 01:10:36,400
Speaker 2: Barty gang thinks like I dislike Cardi, and even Cardi

1590
01:10:36,479 --> 01:10:39,519
Speaker 2: to some degree thinks that, like, I want this to

1591
01:10:39,600 --> 01:10:45,040
Speaker 2: work so well for her because this is a crossroads.

1592
01:10:45,040 --> 01:10:47,400
Speaker 2: No matter what, Cardi will always be a superstar. She

1593
01:10:47,400 --> 01:10:49,479
Speaker 2: she has her legacy, she like everything is there no

1594
01:10:49,520 --> 01:10:49,840
Speaker 2: matter what.

1595
01:10:49,880 --> 01:10:50,519
Speaker 1: But this is a bit.

1596
01:10:50,720 --> 01:10:53,559
Speaker 2: This is a big fucking crossroads. Like I want this

1597
01:10:53,600 --> 01:10:55,200
Speaker 2: to work. I want this to be a great story.

1598
01:10:55,320 --> 01:10:58,760
Speaker 2: I don't want it to be like, damn, this is this,

1599
01:10:58,880 --> 01:11:03,040
Speaker 2: ain't this ain't. Yeah, I'm nervous. I'm nervous for her.

1600
01:11:03,120 --> 01:11:04,599
Speaker 2: This is a bigger moment.

1601
01:11:05,080 --> 01:11:05,280
Speaker 1: Shit.

1602
01:11:05,400 --> 01:11:08,679
Speaker 2: Even I know they said don't compare all women rappers,

1603
01:11:08,760 --> 01:11:10,680
Speaker 2: but I'm not even doing it because she's a woman.

1604
01:11:10,720 --> 01:11:12,920
Speaker 1: I'm just comparing Nicki on her last project.

1605
01:11:12,920 --> 01:11:14,240
Speaker 2: I was so happy to see that it just did

1606
01:11:14,280 --> 01:11:17,280
Speaker 2: really well, because it's hard to do that all the time,

1607
01:11:17,400 --> 01:11:19,479
Speaker 2: no matter what Nicki's legacy is that it could have

1608
01:11:19,520 --> 01:11:21,400
Speaker 2: flopped and be like that's still NICKI don't get it twisted.

1609
01:11:22,360 --> 01:11:24,000
Speaker 2: I was happy to see that it did really well.

1610
01:11:24,000 --> 01:11:25,639
Speaker 2: I was happy to see that she did an arena tour.

1611
01:11:25,640 --> 01:11:28,800
Speaker 2: And it's so crazy, like, yeah, I don't want to

1612
01:11:28,840 --> 01:11:31,599
Speaker 2: see people that have been in the game this long

1613
01:11:31,840 --> 01:11:34,560
Speaker 2: to just for it to fail, because that's a crossroads.

1614
01:11:34,680 --> 01:11:36,000
Speaker 1: How old is Cardi? She's younger than me.

1615
01:11:37,520 --> 01:11:40,240
Speaker 2: This is like when I feel for running backs, like, yeah,

1616
01:11:40,400 --> 01:11:44,080
Speaker 2: they make it. What running of running backs.

1617
01:11:45,400 --> 01:11:47,760
Speaker 1: Career is? On average? How many years do you think?

1618
01:11:48,120 --> 01:11:48,960
Speaker 1: Maybe three four?

1619
01:11:49,280 --> 01:11:51,120
Speaker 2: You get in the league on average at twenty two

1620
01:11:51,200 --> 01:11:54,920
Speaker 2: years old. You could be a legend and only get

1621
01:11:55,040 --> 01:11:57,519
Speaker 2: to twenty eight years old. Now you're on Earth at

1622
01:11:57,520 --> 01:11:59,400
Speaker 2: twenty eight years old with no career and all you've

1623
01:11:59,400 --> 01:12:00,439
Speaker 2: ever done your whole life was this.

1624
01:12:00,640 --> 01:12:01,160
Speaker 1: Yeah.

1625
01:12:01,200 --> 01:12:04,280
Speaker 2: Like I feel that same way with with rappers and

1626
01:12:04,360 --> 01:12:07,240
Speaker 2: a listers in this regard, like if it flopped, like what.

1627
01:12:07,120 --> 01:12:10,840
Speaker 1: Do you do well? I mean, either way Cardi will

1628
01:12:10,880 --> 01:12:11,760
Speaker 1: be fine, you know what I mean?

1629
01:12:11,800 --> 01:12:14,840
Speaker 2: But for sure, but it's it's definitely a big It's

1630
01:12:14,840 --> 01:12:17,439
Speaker 2: a big moment. This is probably the biggest, biggest moment

1631
01:12:17,520 --> 01:12:18,000
Speaker 2: for her.

1632
01:12:18,400 --> 01:12:20,719
Speaker 3: But it's but it's it's a huge moment because again

1633
01:12:20,800 --> 01:12:23,240
Speaker 3: coming off of the success of the first one and

1634
01:12:23,240 --> 01:12:26,160
Speaker 3: then everything she's done, everything she's done in between that,

1635
01:12:26,280 --> 01:12:29,720
Speaker 3: all of the things that she's accomplished between albums, So

1636
01:12:29,760 --> 01:12:32,560
Speaker 3: obviously this is this is why the moment is. It

1637
01:12:32,600 --> 01:12:35,320
Speaker 3: is so big, and people are you know, anticipating it

1638
01:12:35,360 --> 01:12:38,439
Speaker 3: because she's a superstar. But I think that, you know,

1639
01:12:38,520 --> 01:12:42,000
Speaker 3: she seems like she seems like she's she's happy, she's comfortable.

1640
01:12:43,520 --> 01:12:45,080
Speaker 3: She has some legal things she had to kind of

1641
01:12:45,080 --> 01:12:47,720
Speaker 3: deal with in between the rollout that kind of like,

1642
01:12:47,760 --> 01:12:50,040
Speaker 3: you know, seemed like it would affect a little bit,

1643
01:12:50,040 --> 01:12:53,080
Speaker 3: but she seems like she's past that, moved on and

1644
01:12:53,320 --> 01:12:55,360
Speaker 3: you know, I like everything she's doing as far as

1645
01:12:55,439 --> 01:12:57,160
Speaker 3: rolling it out, and you know, she was in Harlem

1646
01:12:57,680 --> 01:12:59,479
Speaker 3: with the vinyls on a on a blanket on the

1647
01:12:59,560 --> 01:13:01,800
Speaker 3: on the on the sidewalk selling you know, vinyls and

1648
01:13:01,840 --> 01:13:06,000
Speaker 3: things like that. So I think she she she looks

1649
01:13:06,040 --> 01:13:08,120
Speaker 3: like she's happy with the product.

1650
01:13:08,240 --> 01:13:10,280
Speaker 2: If the first and again, why nurse, if the first

1651
01:13:10,280 --> 01:13:13,120
Speaker 2: one flopped, it would have been Okay. I told y'ash

1652
01:13:13,120 --> 01:13:16,040
Speaker 2: she's a reality TV star like that, try to make music, Like,

1653
01:13:16,040 --> 01:13:17,840
Speaker 2: what did y'all think this was gonna be this one?

1654
01:13:17,920 --> 01:13:22,120
Speaker 2: But it wasn't that she proved everybody wrong. Absolutely, and

1655
01:13:22,160 --> 01:13:25,040
Speaker 2: now it's like, all right, you're established the staff. Now

1656
01:13:25,080 --> 01:13:28,880
Speaker 2: it's it's game time for real. So you know, I

1657
01:13:29,760 --> 01:13:31,880
Speaker 2: hope it's great. I'm on the same side as Demeris, like,

1658
01:13:31,920 --> 01:13:33,280
Speaker 2: I just want it to be good.

1659
01:13:33,360 --> 01:13:34,519
Speaker 1: I don't want to have to come in here and

1660
01:13:34,520 --> 01:13:36,679
Speaker 1: say bad things that's greatly.

1661
01:13:37,160 --> 01:13:40,120
Speaker 2: I want it to be good music. I feel the

1662
01:13:40,120 --> 01:13:41,600
Speaker 2: same way about ice Cube it. I mean, if this

1663
01:13:41,680 --> 01:13:43,439
Speaker 2: album that comes out tomorrow, like, what do we say

1664
01:13:43,479 --> 01:13:46,840
Speaker 2: about ice cubes legacy If this doesn't does nothing for

1665
01:13:46,960 --> 01:13:50,559
Speaker 2: ice Cube legacy, ice Cube IQ legend, Like what do

1666
01:13:50,560 --> 01:13:54,160
Speaker 2: you really think about death Certificate after nw A, all

1667
01:13:54,200 --> 01:13:57,599
Speaker 2: the movies this effects? No, I think this is This

1668
01:13:57,680 --> 01:13:59,960
Speaker 2: is the determining factor crossroads for ice Cube.

1669
01:14:00,080 --> 01:14:03,160
Speaker 1: My opinion. Absolutely, Cube is Cube and we know this

1670
01:14:03,320 --> 01:14:06,759
Speaker 1: needs business. Just man up. No, it means nothing.

1671
01:14:07,400 --> 01:14:09,760
Speaker 2: I would have loved and I know it's not. You know,

1672
01:14:09,800 --> 01:14:11,800
Speaker 2: I know Cube has his own business, great business man.

1673
01:14:12,040 --> 01:14:13,479
Speaker 2: I would have liked Qube to be part of this

1674
01:14:13,560 --> 01:14:16,920
Speaker 2: mass appeal year now that he's putting out, Like I

1675
01:14:16,920 --> 01:14:19,719
Speaker 2: think that would have been cool to have that full

1676
01:14:19,760 --> 01:14:23,000
Speaker 2: West Coast type thing with the legacy acts that they're doing,

1677
01:14:23,040 --> 01:14:25,600
Speaker 2: because I mean, I can't stop listening to Supreme Cliente

1678
01:14:26,280 --> 01:14:28,680
Speaker 2: two shit, what mass Peel is doing is great. I

1679
01:14:28,720 --> 01:14:31,160
Speaker 2: would have liked Cube to be because we don't have

1680
01:14:31,160 --> 01:14:32,160
Speaker 2: a Cuban NAS record.

1681
01:14:33,160 --> 01:14:33,479
Speaker 1: Nope.

1682
01:14:34,800 --> 01:14:37,639
Speaker 2: I just think the mass appeal touched on this By that,

1683
01:14:37,720 --> 01:14:40,360
Speaker 2: I mean NAS could have been really cool with Cube

1684
01:14:40,439 --> 01:14:42,960
Speaker 2: putting out music this year. That would have been like

1685
01:14:42,960 --> 01:14:45,559
Speaker 2: the big missing piece to me and everything that they're doing.

1686
01:14:45,600 --> 01:14:48,120
Speaker 3: I hate that people don't really understand who ice Cube

1687
01:14:48,160 --> 01:14:51,599
Speaker 3: business is, like an artist, a rapper, Like people don't

1688
01:14:51,640 --> 01:14:54,080
Speaker 3: really don't know like your bother people know ice Cube

1689
01:14:54,120 --> 01:14:57,479
Speaker 3: from movies and film and things like that, and you know,

1690
01:14:57,520 --> 01:14:59,519
Speaker 3: obviously the Big Three we's been able to do with that,

1691
01:15:00,080 --> 01:15:04,920
Speaker 3: but like people don't really know like ice Cube was,

1692
01:15:05,000 --> 01:15:08,519
Speaker 3: like he represented the West Coast, like he's one of

1693
01:15:08,560 --> 01:15:12,479
Speaker 3: the greatest from the West Coast, I mean hip hop period,

1694
01:15:12,479 --> 01:15:16,639
Speaker 3: but like what he did for California and that sound

1695
01:15:16,840 --> 01:15:19,640
Speaker 3: obviously n w A. But like as a solo artist,

1696
01:15:19,960 --> 01:15:22,960
Speaker 3: Cuba is like, you know, a legend in every sense

1697
01:15:22,960 --> 01:15:26,280
Speaker 3: of the word. Obviously now being an older guy and

1698
01:15:26,320 --> 01:15:28,320
Speaker 3: you know, still being able to have his feet under

1699
01:15:28,360 --> 01:15:30,479
Speaker 3: him as far as like an ear for music things

1700
01:15:30,520 --> 01:15:31,920
Speaker 3: like that. I don't think he'll ever lose that and

1701
01:15:32,560 --> 01:15:35,519
Speaker 3: be able to write. But people not going to respect.

1702
01:15:35,520 --> 01:15:37,799
Speaker 3: Like if people listen to this now and the project

1703
01:15:37,840 --> 01:15:39,800
Speaker 3: is looking like ice Cube is trash, Like if this

1704
01:15:39,880 --> 01:15:41,400
Speaker 3: is their first time hearing that, I.

1705
01:15:41,400 --> 01:15:44,000
Speaker 1: Have no connections to what his legs and they have

1706
01:15:44,120 --> 01:15:46,479
Speaker 1: no idea who ice Cube is.

1707
01:15:46,680 --> 01:15:50,479
Speaker 2: Like maybe maybe they heard today was a good day,

1708
01:15:50,520 --> 01:15:52,479
Speaker 2: but maybe they heard that, but they don't really know.

1709
01:15:52,560 --> 01:15:54,320
Speaker 1: They don't, they don't, they don't. I mean, I think

1710
01:15:54,360 --> 01:15:58,439
Speaker 1: everyone younger than me. The first record they probably heard

1711
01:15:58,439 --> 01:16:01,400
Speaker 1: from ice Cube was I Could do It, put your

1712
01:16:01,439 --> 01:16:05,639
Speaker 1: back into it, Like that's that's probably yeah, which is kind.

1713
01:16:05,520 --> 01:16:08,120
Speaker 2: Of like nuts, Like do you guys know this guy's history?

1714
01:16:08,160 --> 01:16:11,320
Speaker 2: America's shipped from the n w A, the death certificate

1715
01:16:11,360 --> 01:16:14,600
Speaker 2: like Lynch mob, Like yeah, but that who else do

1716
01:16:14,600 --> 01:16:16,120
Speaker 2: you think that happens with? I think that happens with LL.

1717
01:16:16,360 --> 01:16:18,840
Speaker 2: I think that happens with I'm not comparing Will Smith

1718
01:16:19,000 --> 01:16:22,040
Speaker 2: to LL and Cbe by any means, but I think

1719
01:16:22,040 --> 01:16:25,840
Speaker 2: when just people get to uh the Hollywood status that way, yeah,

1720
01:16:25,920 --> 01:16:27,639
Speaker 2: it kind of erasist.

1721
01:16:27,080 --> 01:16:30,519
Speaker 1: Like do you really know this? Yeah music, Yeah, like

1722
01:16:30,560 --> 01:16:33,400
Speaker 1: even the younger people. And I'm not here to make

1723
01:16:33,479 --> 01:16:34,120
Speaker 1: political ship.

1724
01:16:34,200 --> 01:16:36,280
Speaker 2: But when everyone was killing ice Cube when he sat

1725
01:16:36,320 --> 01:16:38,960
Speaker 2: with Tucker, I was like, a god, you guys know

1726
01:16:39,000 --> 01:16:39,799
Speaker 2: who ice Cube?

1727
01:16:39,960 --> 01:16:42,599
Speaker 1: Like the risks he's taken.

1728
01:16:42,760 --> 01:16:45,280
Speaker 2: Yeah, it's just somebody that's really walked it like they

1729
01:16:45,360 --> 01:16:48,639
Speaker 2: talk it like like you can't if Cube is doing something,

1730
01:16:48,680 --> 01:16:49,360
Speaker 2: it's intentional.

1731
01:16:49,439 --> 01:16:51,200
Speaker 1: He knows what the fuck he's doing. You can't put

1732
01:16:51,200 --> 01:16:51,840
Speaker 1: that on Cube.

1733
01:16:51,880 --> 01:16:54,840
Speaker 3: They tried to cancel Cube for wanting to sit down

1734
01:16:54,880 --> 01:16:58,040
Speaker 3: with Trump, like people were active like ice Cube is canceled.

1735
01:16:58,400 --> 01:16:59,920
Speaker 1: I'm like, do you I know what you're trying to cancel?

1736
01:17:01,080 --> 01:17:04,200
Speaker 3: Like you're trying to cancel ice Cube, Like, y'all, y'all

1737
01:17:04,240 --> 01:17:05,640
Speaker 3: clearly don't know who ice Cube is.

1738
01:17:05,760 --> 01:17:08,720
Speaker 1: You have no idea the risks, y'all, they don't know

1739
01:17:08,760 --> 01:17:11,160
Speaker 1: ice Cy had. This isn't the way.

1740
01:17:11,320 --> 01:17:13,080
Speaker 2: Yea was just trying to have a moment by taking

1741
01:17:13,120 --> 01:17:15,719
Speaker 2: a photo in front of the elevator with Trump saying

1742
01:17:15,720 --> 01:17:18,519
Speaker 2: a word. This is somebody's vocal forever, like he's here

1743
01:17:18,520 --> 01:17:20,040
Speaker 2: to actually try to make some change on it.

1744
01:17:20,600 --> 01:17:23,360
Speaker 3: From from the time he came in the game, Like

1745
01:17:23,439 --> 01:17:26,400
Speaker 3: that's what he represented was like, you know, going against

1746
01:17:26,439 --> 01:17:29,160
Speaker 3: whatever was in place, whatever government policies, things like that,

1747
01:17:29,600 --> 01:17:31,200
Speaker 3: you know, being a voice for the people in the

1748
01:17:31,200 --> 01:17:33,880
Speaker 3: community that he from. That he represents the things that

1749
01:17:33,920 --> 01:17:35,880
Speaker 3: you know, we had to deal with. Like so you know,

1750
01:17:35,920 --> 01:17:38,200
Speaker 3: when people try to that, lets you know that they

1751
01:17:38,240 --> 01:17:40,200
Speaker 3: don't know ice Cube. They just got introduced to him

1752
01:17:40,200 --> 01:17:42,000
Speaker 3: a few years ago. They don't really know the things

1753
01:17:42,040 --> 01:17:44,040
Speaker 3: that ice Cube represents and what he's done and what

1754
01:17:44,040 --> 01:17:46,960
Speaker 3: he's continuing to do as far as you know, break

1755
01:17:47,000 --> 01:17:51,040
Speaker 3: down barriers and create opportunities for people that look like

1756
01:17:51,120 --> 01:17:52,840
Speaker 3: him and come from the places that he come from.

1757
01:17:52,880 --> 01:17:55,040
Speaker 3: Like this is something ice Cube is represented forever.

1758
01:17:55,120 --> 01:17:58,200
Speaker 4: So but that happens a lot with sorryy with like

1759
01:17:58,439 --> 01:18:02,400
Speaker 4: just cancel cold when it comes to people's insertion and

1760
01:18:02,479 --> 01:18:05,439
Speaker 4: politics like halving the people don't even understand the politics

1761
01:18:05,479 --> 01:18:07,479
Speaker 4: that they're trying to cancel people over. And this isn't

1762
01:18:07,520 --> 01:18:09,320
Speaker 4: me standing up for Trump in no way. I don't

1763
01:18:09,320 --> 01:18:12,160
Speaker 4: want those two things to get conflicted. But a lot

1764
01:18:12,160 --> 01:18:16,320
Speaker 4: of people are just canceling what their side of the

1765
01:18:16,360 --> 01:18:19,000
Speaker 4: news or says that they should cancel, Like there's no

1766
01:18:19,160 --> 01:18:22,240
Speaker 4: nuance in these conversations. There's no like, who is the

1767
01:18:22,320 --> 01:18:25,240
Speaker 4: right person to talk to this person about this issue.

1768
01:18:25,280 --> 01:18:27,439
Speaker 4: It's just everything is just so black and white or

1769
01:18:27,680 --> 01:18:29,280
Speaker 4: red and blue, and people don't know what the fuck

1770
01:18:29,280 --> 01:18:31,839
Speaker 4: they're talking about. It's like there's this deaf to knowledge,

1771
01:18:31,880 --> 01:18:34,360
Speaker 4: death to nuance, Like not even just in politics and

1772
01:18:34,439 --> 01:18:36,519
Speaker 4: music and everything, like no one takes the time to

1773
01:18:36,600 --> 01:18:39,240
Speaker 4: do research before they just throw an opinion out or

1774
01:18:39,240 --> 01:18:40,760
Speaker 4: throw a fake cancelation out there.

1775
01:18:40,800 --> 01:18:44,479
Speaker 1: It's absolutely yeah, because I mean, I think I'm just

1776
01:18:44,520 --> 01:18:47,439
Speaker 1: going to trust that the man that wrote the entire

1777
01:18:47,560 --> 01:18:50,599
Speaker 1: record Fuck the Police in nineteen eighty eight has good

1778
01:18:50,600 --> 01:18:54,600
Speaker 1: intentions in anything he's doing. Somebody in nineteen ninety that

1779
01:18:54,760 --> 01:18:59,080
Speaker 1: named their album America's Most Wanted with three k's Like,

1780
01:19:00,040 --> 01:19:01,760
Speaker 1: I'm just gonna go ahead, and then he knows what

1781
01:19:01,800 --> 01:19:04,439
Speaker 1: he's doing, Like I think it's intentional. Here are pretty

1782
01:19:04,439 --> 01:19:09,240
Speaker 1: pure in what is going on. But cbe.

1783
01:19:09,280 --> 01:19:12,920
Speaker 2: I mean to y'all, I'm a little young for I

1784
01:19:12,960 --> 01:19:16,640
Speaker 2: think Cube is great, but your generation. I've noticed with

1785
01:19:16,720 --> 01:19:19,439
Speaker 2: people your age, anytime we do the debates of like

1786
01:19:19,520 --> 01:19:23,960
Speaker 2: top five's to top ten, your whole generation always has Cube.

1787
01:19:24,760 --> 01:19:27,599
Speaker 1: Within seven I've noticed oh yeah, like.

1788
01:19:27,760 --> 01:19:32,160
Speaker 2: Y'all from eighty to eighty four, y'all Revere Cube and

1789
01:19:32,240 --> 01:19:33,120
Speaker 2: like a whole different lift.

1790
01:19:33,479 --> 01:19:35,120
Speaker 1: I fuck with c but I was a little young.

1791
01:19:35,120 --> 01:19:36,800
Speaker 1: I had to go back to all that. I wasn't

1792
01:19:36,840 --> 01:19:37,360
Speaker 1: there for it.

1793
01:19:37,800 --> 01:19:39,640
Speaker 2: So of course I respect and love CBE, but I

1794
01:19:39,640 --> 01:19:42,240
Speaker 2: wouldn't put him in my personal top ten. Like I

1795
01:19:42,280 --> 01:19:45,840
Speaker 2: was just banging Cube all the time, y'all generation he's

1796
01:19:45,880 --> 01:19:46,920
Speaker 2: God like.

1797
01:19:47,160 --> 01:19:49,040
Speaker 3: I mean, the reason why even if you go look

1798
01:19:49,040 --> 01:19:50,479
Speaker 3: at his films and things like that, we go look

1799
01:19:50,479 --> 01:19:52,400
Speaker 3: at the Friday series. The reason why Friday was such

1800
01:19:52,400 --> 01:19:55,360
Speaker 3: a big film is because CBE was such a big.

1801
01:19:55,600 --> 01:19:57,719
Speaker 1: Yeah deal, like he was a big.

1802
01:19:57,560 --> 01:19:59,720
Speaker 3: Name Boys in the Hood before, Yeah, you know what

1803
01:19:59,720 --> 01:20:01,599
Speaker 3: I'm saying, Like even Boys in the Hood, like those

1804
01:20:01,640 --> 01:20:06,840
Speaker 3: were monumental films because I mean, obviously the storyline and

1805
01:20:06,880 --> 01:20:09,760
Speaker 3: things like that were great as well, but ice Q

1806
01:20:10,000 --> 01:20:12,439
Speaker 3: being the figure, being the face of those moments in

1807
01:20:12,479 --> 01:20:17,080
Speaker 3: those films, that's why those things happened, because it was like, oh,

1808
01:20:17,120 --> 01:20:19,960
Speaker 3: that's ice Cube, Like he was all of the guys

1809
01:20:19,960 --> 01:20:22,920
Speaker 3: that y'all think are like big and superstars now, like

1810
01:20:23,080 --> 01:20:24,320
Speaker 3: ice Cube was that.

1811
01:20:24,360 --> 01:20:26,240
Speaker 1: Times ten in the nineties.

1812
01:20:26,439 --> 01:20:29,200
Speaker 3: Like I didn't shit the eighties even like he was

1813
01:20:29,240 --> 01:20:31,920
Speaker 3: that and to see what he's continuing to do now

1814
01:20:32,000 --> 01:20:34,760
Speaker 3: in film and in business and things like that, you know,

1815
01:20:34,800 --> 01:20:37,360
Speaker 3: I think it's just incredible and speaks to you know,

1816
01:20:37,640 --> 01:20:39,720
Speaker 3: the guy that had the mind back then at such

1817
01:20:39,720 --> 01:20:42,559
Speaker 3: a young age of creating his own way and his

1818
01:20:42,600 --> 01:20:44,800
Speaker 3: own opportunity and doing it his way.

1819
01:20:44,880 --> 01:20:46,280
Speaker 1: So salute the Cube man. Yeah.

1820
01:20:46,320 --> 01:20:48,960
Speaker 2: And even to close, I'm I'm here to say the

1821
01:20:48,960 --> 01:20:53,240
Speaker 2: way we talk about Jamie Fox and how talented he

1822
01:20:53,320 --> 01:20:54,840
Speaker 2: is and how like how many hands he has in

1823
01:20:55,000 --> 01:20:58,000
Speaker 2: so many things creatively, I don't think it's crazy to

1824
01:20:58,040 --> 01:21:00,680
Speaker 2: say that Cube is not close to that status as

1825
01:21:00,720 --> 01:21:03,960
Speaker 2: well of every box that he's checked when it comes

1826
01:21:03,960 --> 01:21:07,040
Speaker 2: to creativity, because he was not only acting in those

1827
01:21:07,080 --> 01:21:09,160
Speaker 2: he was writing those movies, producing those movies.

1828
01:21:09,680 --> 01:21:11,799
Speaker 1: He could be funny, he could be a serious actor

1829
01:21:13,520 --> 01:21:13,960
Speaker 1: rap career.

1830
01:21:14,000 --> 01:21:17,000
Speaker 2: We already know what's over there. Like Cube is up

1831
01:21:17,040 --> 01:21:18,720
Speaker 2: there as one of the most talented people that I've

1832
01:21:18,760 --> 01:21:21,120
Speaker 2: ever seen in my life. Absolutely, Yeah, I think Cube

1833
01:21:21,120 --> 01:21:23,720
Speaker 2: needs to get brought in that that Jamie conversation sometimes.

1834
01:21:23,840 --> 01:21:26,760
Speaker 1: Absolutely, I mean he's not like he didn't.

1835
01:21:26,800 --> 01:21:31,640
Speaker 2: Also, Jamie is not the musician that that Cube has

1836
01:21:31,640 --> 01:21:38,280
Speaker 2: been so you cannot compare Ice Cube's catalog from NWA

1837
01:21:38,800 --> 01:21:40,559
Speaker 2: to his catalog.

1838
01:21:40,640 --> 01:21:42,680
Speaker 4: You said he's not the musician, and I'm just like

1839
01:21:42,720 --> 01:21:46,120
Speaker 4: the guy that plays the instruments and can also sing

1840
01:21:46,120 --> 01:21:49,360
Speaker 4: and can also write music. We're not gonna dumb down

1841
01:21:49,479 --> 01:21:53,519
Speaker 4: Jamie Fox's artistry or a musicians doing that. I'm not

1842
01:21:53,600 --> 01:21:55,640
Speaker 4: saying that he's not the musician that he is. When

1843
01:21:55,680 --> 01:21:59,360
Speaker 4: I hear a musician, I hear musicianship like I don't rapping.

1844
01:21:59,439 --> 01:22:01,360
Speaker 4: A musicians and shit are two different things. I just

1845
01:22:01,360 --> 01:22:02,559
Speaker 4: wanted to clarify that fair.

1846
01:22:02,560 --> 01:22:05,679
Speaker 2: But let's not act even when like Cube was working

1847
01:22:05,720 --> 01:22:08,639
Speaker 2: with Bomb Squad, when he was working with Dre and Yelly,

1848
01:22:08,680 --> 01:22:10,919
Speaker 2: you can see the difference when Cube works with producers

1849
01:22:10,960 --> 01:22:11,280
Speaker 2: as well.

1850
01:22:11,320 --> 01:22:14,719
Speaker 1: Cube is definitely very much involved in Oh for sure.

1851
01:22:14,760 --> 01:22:18,680
Speaker 2: And you know, not to take anything away from mc

1852
01:22:18,840 --> 01:22:21,160
Speaker 2: ren because I think mc ren is very much underrated.

1853
01:22:21,800 --> 01:22:29,120
Speaker 2: Every every iconic easy verse pre before the split, that's Cube,

1854
01:22:29,920 --> 01:22:31,400
Speaker 2: the dra shit, that's Cube.

1855
01:22:32,320 --> 01:22:35,160
Speaker 1: Cube's own solo verses don't even need to get into.

1856
01:22:35,720 --> 01:22:38,680
Speaker 2: Cube is one of the greatest writers that's ever existed

1857
01:22:38,800 --> 01:22:39,639
Speaker 2: in rap.

1858
01:22:40,040 --> 01:22:43,440
Speaker 1: No, you just said a musician and then demophic writing.

1859
01:22:43,160 --> 01:22:46,920
Speaker 2: And musicianship very very dissimilar to so I understand what

1860
01:22:46,960 --> 01:22:49,160
Speaker 2: Demarus is saying with push back there, But if we're

1861
01:22:49,200 --> 01:22:53,000
Speaker 2: talking music, Cube surpasses Jamie Fox is not close. Acting

1862
01:22:53,080 --> 01:22:55,679
Speaker 2: of course, Jamie Fox surpasses Cube, and it's not close,

1863
01:22:55,720 --> 01:22:59,240
Speaker 2: but they're both in the realm of both of those

1864
01:22:59,600 --> 01:23:01,080
Speaker 2: higher than any of their peers.

1865
01:23:01,200 --> 01:23:03,680
Speaker 1: Yeah, for sure, the Ice Cube having well did you

1866
01:23:03,720 --> 01:23:05,080
Speaker 1: have a TV? Was he in the TV show? Do

1867
01:23:05,160 --> 01:23:07,799
Speaker 1: you have a sitcom? I feel like maybe a season

1868
01:23:07,880 --> 01:23:11,400
Speaker 1: or something I feel like I've seen.

1869
01:23:13,960 --> 01:23:15,400
Speaker 4: Or maybe we just feel like he should have been

1870
01:23:15,439 --> 01:23:19,519
Speaker 4: in one, and you know what, Sorry there yet turned

1871
01:23:19,520 --> 01:23:23,879
Speaker 4: into a sitcom okay, and it ran for three seasons

1872
01:23:23,920 --> 01:23:24,760
Speaker 4: on TBS.

1873
01:23:24,880 --> 01:23:28,120
Speaker 3: Okay, I know, I know, I remember seeing Cube on

1874
01:23:28,240 --> 01:23:31,920
Speaker 3: like TV other than film, like I just can't remember

1875
01:23:31,960 --> 01:23:32,479
Speaker 3: what it was.

1876
01:23:33,479 --> 01:23:37,960
Speaker 2: And listen, I actually kind of take back the acting

1877
01:23:38,080 --> 01:23:39,360
Speaker 2: that Jamie's far better.

1878
01:23:39,439 --> 01:23:40,560
Speaker 1: Of course, Jamie.

1879
01:23:40,240 --> 01:23:42,320
Speaker 2: Fox is better than ice Cube at that, like ice

1880
01:23:42,360 --> 01:23:46,480
Speaker 2: Cube's never done a ray. But go through Cube's filmography

1881
01:23:46,720 --> 01:23:50,360
Speaker 2: like it's a like a little closer than people would

1882
01:23:50,520 --> 01:23:54,040
Speaker 2: would say between comedy and serious stuff.

1883
01:23:54,080 --> 01:23:59,400
Speaker 1: I mean Boys in the Hood to begin with barbershop.

1884
01:23:59,600 --> 01:24:02,080
Speaker 2: I know it turned into by the third one, it

1885
01:24:02,080 --> 01:24:04,360
Speaker 2: got into like the two b shit. But let's not

1886
01:24:04,400 --> 01:24:07,639
Speaker 2: act like Barbershop one was not a classic extremely well.

1887
01:24:07,479 --> 01:24:09,520
Speaker 1: Acted movie shit Barbershops.

1888
01:24:09,880 --> 01:24:15,800
Speaker 2: Yeah, no, barbar Stark two is great even on I

1889
01:24:15,800 --> 01:24:19,280
Speaker 2: don't know, like from CB four to Friday to Next Friday,

1890
01:24:19,320 --> 01:24:21,280
Speaker 2: all those like to be that good at comedy and

1891
01:24:21,320 --> 01:24:23,160
Speaker 2: then also that good at serious acting.

1892
01:24:24,000 --> 01:24:25,759
Speaker 1: Let's not say that he's that far off.

1893
01:24:27,640 --> 01:24:31,479
Speaker 2: He doesn't have the blockbusters that Jamie does, but that's

1894
01:24:31,520 --> 01:24:32,840
Speaker 2: a good fucking actor.

1895
01:24:32,880 --> 01:24:34,320
Speaker 1: No, absolutely no, he's definitely.

1896
01:24:34,360 --> 01:24:37,519
Speaker 4: Nobody's saying he's not goodly just he also tends to

1897
01:24:37,680 --> 01:24:40,400
Speaker 4: kind of, I don't want to say, play the same

1898
01:24:40,600 --> 01:24:45,880
Speaker 4: role but similar like because ice Cube has that angry

1899
01:24:45,960 --> 01:24:48,519
Speaker 4: ass face. Most of the things he plays in he

1900
01:24:48,600 --> 01:24:51,000
Speaker 4: there casting him as an angry person because of the

1901
01:24:51,000 --> 01:24:53,960
Speaker 4: way that his face is. That's just yeah, Like, no

1902
01:24:54,000 --> 01:24:57,680
Speaker 4: matter what the role is or serious serious, Even in

1903
01:24:57,760 --> 01:25:01,080
Speaker 4: his comedics and Friday, he was funny, but he wasn't

1904
01:25:01,080 --> 01:25:02,680
Speaker 4: the comedy Well, even with.

1905
01:25:02,600 --> 01:25:04,799
Speaker 2: All about the Benjamin's, he would play the more serious

1906
01:25:04,840 --> 01:25:07,360
Speaker 2: guy Mike Epps the way he would with Chris Christopher

1907
01:25:08,840 --> 01:25:13,360
Speaker 2: hilarious moments.

1908
01:25:09,680 --> 01:25:15,080
Speaker 4: And hilarious naturally, but the character that he's playing tends

1909
01:25:15,120 --> 01:25:18,880
Speaker 4: to be a type cast, angry, more serious character. That

1910
01:25:19,040 --> 01:25:21,000
Speaker 4: just is what it is, Like, it doesn't say anything

1911
01:25:21,000 --> 01:25:24,120
Speaker 4: about his acting ability. It's just he hasn't really had

1912
01:25:24,160 --> 01:25:26,840
Speaker 4: the range to stretch that out. I don't watch ice

1913
01:25:26,880 --> 01:25:28,840
Speaker 4: Cube and forget that I'm watching ice Cube, but I

1914
01:25:28,840 --> 01:25:30,479
Speaker 4: can watch Jamie Fox and forget that I'm.

1915
01:25:30,360 --> 01:25:33,160
Speaker 1: Watching for sure. I mean, yeah, no, I hear you there.

1916
01:25:33,160 --> 01:25:37,479
Speaker 2: But even I think it's a statue that Friday Players Club,

1917
01:25:37,520 --> 01:25:42,439
Speaker 2: Next Friday all about the Benjamin's Friday after Next Jankie Promoters.

1918
01:25:42,560 --> 01:25:45,920
Speaker 2: He wrote all of those two fire like that's that's

1919
01:25:45,960 --> 01:25:49,120
Speaker 2: a different talent and Barbershop. I felt like they brought

1920
01:25:49,160 --> 01:25:52,280
Speaker 2: him more of the softer role in that, like he wasn't.

1921
01:25:52,439 --> 01:25:54,320
Speaker 2: He wasn't Cube and all those other ones.

1922
01:25:55,920 --> 01:25:56,280
Speaker 1: He wasn't.

1923
01:25:56,640 --> 01:25:59,680
Speaker 2: But he didn't play Ricky like he played the calmer guy,

1924
01:25:59,720 --> 01:26:00,479
Speaker 2: like like.

1925
01:26:00,439 --> 01:26:03,200
Speaker 1: I stop the ship. So I don't know.

1926
01:26:03,240 --> 01:26:05,439
Speaker 2: I mean, I'm glad we got want to give ice

1927
01:26:05,479 --> 01:26:06,960
Speaker 2: Cube his flowers rant.

1928
01:26:06,800 --> 01:26:08,320
Speaker 4: He deserves them. Ice Cube.

1929
01:26:08,439 --> 01:26:10,320
Speaker 2: Yeah, And I believe that album's is called Man Up,

1930
01:26:10,439 --> 01:26:13,800
Speaker 2: which is out now. If you're listening to this, I'm

1931
01:26:13,800 --> 01:26:14,519
Speaker 2: definitely gonna.

1932
01:26:14,320 --> 01:26:16,719
Speaker 1: Listen to it. Do we have voicemails? Got mail?

1933
01:26:17,640 --> 01:26:19,920
Speaker 2: And of course they are sponsored by Boost. That's how

1934
01:26:19,960 --> 01:26:21,200
Speaker 2: everyone even called in.

1935
01:26:23,080 --> 01:26:28,840
Speaker 5: From Austin, Texas. Revon for Rory. How you feel about

1936
01:26:28,840 --> 01:26:32,559
Speaker 5: your boy Colin McGregor running for president? Bland the one

1937
01:26:32,640 --> 01:26:37,840
Speaker 5: you think he's qualified? And two if Trump could get

1938
01:26:37,840 --> 01:26:39,519
Speaker 5: elected over here? Do you think he could elected?

1939
01:26:40,320 --> 01:26:45,599
Speaker 1: Let me know Greg's running for president in Ireland? Really?

1940
01:26:46,280 --> 01:26:51,479
Speaker 1: Oh shit? Uh I can't quite answer this of his

1941
01:26:51,600 --> 01:26:54,840
Speaker 1: qualifications because all he's been saying is I'm running for president.

1942
01:26:54,880 --> 01:26:57,000
Speaker 2: He hasn't given us a stance. I don't know his

1943
01:26:57,080 --> 01:27:01,760
Speaker 2: policy between Northern Ireland. I haven't like now to your

1944
01:27:01,760 --> 01:27:05,920
Speaker 2: point of anyone get elected. Trump was a real estate guy,

1945
01:27:05,960 --> 01:27:08,479
Speaker 2: then to a reality TV star, became a celebrity, then

1946
01:27:08,520 --> 01:27:10,759
Speaker 2: became that. I'm not saying anyone can get elected.

1947
01:27:11,600 --> 01:27:11,800
Speaker 1: Shit.

1948
01:27:11,880 --> 01:27:15,080
Speaker 2: Ronald Reagan was an actor, the terminator, became a fucking governor.

1949
01:27:15,360 --> 01:27:18,840
Speaker 2: Anything as possible, right. I just I don't know where

1950
01:27:19,280 --> 01:27:23,599
Speaker 2: what Connor's stances are. Maybe he's really into political science.

1951
01:27:23,640 --> 01:27:24,120
Speaker 1: I don't know.

1952
01:27:24,360 --> 01:27:27,120
Speaker 2: Yeah, but the only thing I've seen is I'm running

1953
01:27:27,160 --> 01:27:31,439
Speaker 2: for president and uh Aziliah Banks, here's my dick it's

1954
01:27:31,479 --> 01:27:36,280
Speaker 2: like the only two things that I've seen for this rollout.

1955
01:27:36,840 --> 01:27:39,960
Speaker 3: I'm not familiar with, you know, politics over in Hireland.

1956
01:27:40,680 --> 01:27:42,799
Speaker 3: But I don't know if Connor has a shot.

1957
01:27:43,760 --> 01:27:47,439
Speaker 4: Legally he qualifies, but I mean legally most people qualify.

1958
01:27:47,800 --> 01:27:50,880
Speaker 2: Legally, I qualify in America.

1959
01:27:51,200 --> 01:27:55,439
Speaker 1: I'm just does that mean I should run? Yeah? Yeah,

1960
01:27:55,479 --> 01:27:55,880
Speaker 1: I don't know.

1961
01:27:58,520 --> 01:28:02,800
Speaker 2: No, I if we're being serious, of course not. But

1962
01:28:03,479 --> 01:28:06,160
Speaker 2: the Irish politics, I mean, they do need not to

1963
01:28:06,200 --> 01:28:08,200
Speaker 2: be corny. They do need people that are going to

1964
01:28:08,240 --> 01:28:10,240
Speaker 2: push back and fight, Like even if you get down

1965
01:28:10,600 --> 01:28:15,320
Speaker 2: to the well, he can fight the Israel and Palestine conflict.

1966
01:28:15,760 --> 01:28:19,799
Speaker 2: You know, Ireland has always been the only Western country

1967
01:28:19,800 --> 01:28:22,000
Speaker 2: that has always stood with Palestine.

1968
01:28:22,960 --> 01:28:24,799
Speaker 1: It's a country that has to push.

1969
01:28:24,600 --> 01:28:27,000
Speaker 2: Back on a lot because all of our allies being

1970
01:28:27,080 --> 01:28:33,240
Speaker 2: other white countries, we don't align with the same agreements obviously,

1971
01:28:33,240 --> 01:28:35,120
Speaker 2: which goes to our history which we still can't even

1972
01:28:35,120 --> 01:28:37,720
Speaker 2: get that sliver of northern Ireland back from from you

1973
01:28:37,800 --> 01:28:41,479
Speaker 2: fucking Brits. Yeah, I mean you need somebody strong. I'm

1974
01:28:41,520 --> 01:28:43,840
Speaker 2: just I just don't know if McGregor, like just running.

1975
01:28:43,520 --> 01:28:45,240
Speaker 1: In there is the answer.

1976
01:28:45,240 --> 01:28:48,639
Speaker 4: I don't know if that's the guy he's pushing a lot.

1977
01:28:48,680 --> 01:28:52,439
Speaker 4: He's facing a lot of pushback because Jim McGregor has

1978
01:28:52,720 --> 01:28:57,080
Speaker 4: greatcases and allegations, so one that he lost a civil case.

1979
01:28:57,120 --> 01:28:58,719
Speaker 1: So does our current president.

1980
01:28:58,840 --> 01:29:01,040
Speaker 4: Yeah, I know, I'm just saying this is why.

1981
01:29:00,880 --> 01:29:03,320
Speaker 3: He at this point, like I think you need one

1982
01:29:03,360 --> 01:29:07,360
Speaker 3: that was kind of like nobody cares.

1983
01:29:07,439 --> 01:29:09,840
Speaker 1: They don't trust the leader unless he has those cases. Yeah,

1984
01:29:09,960 --> 01:29:11,040
Speaker 1: Like is he a real person?

1985
01:29:11,160 --> 01:29:16,080
Speaker 2: Like yeah, no, No, I mean I think why McGregor,

1986
01:29:16,120 --> 01:29:18,479
Speaker 2: outside of being a talented fighter, why he made it

1987
01:29:18,520 --> 01:29:20,840
Speaker 2: even further because he's a very talented marketer.

1988
01:29:21,120 --> 01:29:22,600
Speaker 1: I think that's the same reason.

1989
01:29:23,120 --> 01:29:27,880
Speaker 2: Mayweather was like, I'll even do this UFC boxing ship

1990
01:29:28,000 --> 01:29:29,360
Speaker 2: with you, Like all right, fine, I let you FC

1991
01:29:29,479 --> 01:29:32,439
Speaker 2: guy box me because you are a promoter, you know

1992
01:29:32,520 --> 01:29:34,479
Speaker 2: how to do this ship. That's all this, that's all

1993
01:29:34,479 --> 01:29:37,519
Speaker 2: he's doing. Okay, I don't think he's seriously running. But

1994
01:29:37,560 --> 01:29:41,840
Speaker 2: I said the same thing about Trump. So they'll they'll

1995
01:29:41,880 --> 01:29:46,640
Speaker 2: pull this clip back in five years and at his inauguration.

1996
01:29:47,400 --> 01:29:51,679
Speaker 2: So I don't know, anything is possible. Yeah, literally, anything's possible.

1997
01:29:51,680 --> 01:29:53,920
Speaker 3: Now that's that's that call was for you. I have

1998
01:29:54,000 --> 01:29:56,639
Speaker 3: nothing to say, And I didn't even know he was running.

1999
01:29:57,080 --> 01:30:00,800
Speaker 2: Uh, but what is the Saint Thomas? Do you think

2000
01:30:00,840 --> 01:30:01,720
Speaker 2: Tim Duncan can run?

2001
01:30:02,880 --> 01:30:04,759
Speaker 1: Uh, he's from Saint Croix.

2002
01:30:05,160 --> 01:30:06,960
Speaker 2: Why do I always think he's from Saint Thomas Because

2003
01:30:06,960 --> 01:30:09,000
Speaker 2: you just hear Saint and just thinking, no, that's not true.

2004
01:30:09,080 --> 01:30:10,960
Speaker 1: Yes, that's it. You're dyslexic, so you don't you think

2005
01:30:11,000 --> 01:30:14,120
Speaker 1: everything is just? Well? Then I called Thomas Saint little Saint,

2006
01:30:14,800 --> 01:30:17,000
Speaker 1: little Saint to rest in peace, Saint.

2007
01:30:17,040 --> 01:30:22,000
Speaker 3: I just talked about Cubese, all the ties together fair well.

2008
01:30:22,080 --> 01:30:27,000
Speaker 1: Yeah, I think Tim Dunky could make a run. Sure, yeah, absolutely.

2009
01:30:27,400 --> 01:30:29,800
Speaker 3: He's probably the biggest export out of Saint Croix ever,

2010
01:30:29,880 --> 01:30:33,040
Speaker 3: so I mean definitely, I don't know if he will,

2011
01:30:33,040 --> 01:30:33,479
Speaker 3: though he doesn't.

2012
01:30:33,520 --> 01:30:37,200
Speaker 1: I don't think he has the person.

2013
01:30:37,240 --> 01:30:40,479
Speaker 3: That's not personality, but he's very mild mannered, soft spoken.

2014
01:30:40,800 --> 01:30:43,160
Speaker 1: I don't think that's what they need out there. But

2015
01:30:43,360 --> 01:30:45,280
Speaker 1: I don't think Tim duncan, Now that's that's nice thing.

2016
01:30:45,320 --> 01:30:47,080
Speaker 4: What state do y'all think would allow y'all to be

2017
01:30:47,160 --> 01:30:51,679
Speaker 4: like mayor governor like Arnold Schwartzen nigger who I don't.

2018
01:30:51,479 --> 01:30:53,559
Speaker 2: Want to make sure that everyone knows that Damara said that,

2019
01:30:53,600 --> 01:30:55,960
Speaker 2: And I didn't think Arnold Schwarzger.

2020
01:30:55,360 --> 01:30:57,320
Speaker 1: Right, Arnold Schwartzenegger.

2021
01:30:58,640 --> 01:31:01,400
Speaker 4: Yes, I always thought it was nigger, like like the

2022
01:31:01,880 --> 01:31:03,439
Speaker 4: I didn't know that he was a a. I thought

2023
01:31:03,479 --> 01:31:04,880
Speaker 4: it was a a, so I thought it was nigger.

2024
01:31:05,360 --> 01:31:09,679
Speaker 4: Fuck it anyway, Arnold Arnie disterminator. Do y'all think y'all

2025
01:31:09,680 --> 01:31:12,320
Speaker 4: could be mayor or governor in any state? In any state?

2026
01:31:12,479 --> 01:31:13,160
Speaker 4: Like how he was?

2027
01:31:13,439 --> 01:31:16,280
Speaker 2: No, No, really, I don't even think I could be

2028
01:31:16,320 --> 01:31:19,000
Speaker 2: the head of the block club in my neighborhood, like

2029
01:31:19,240 --> 01:31:20,280
Speaker 2: the block club.

2030
01:31:20,000 --> 01:31:21,760
Speaker 1: With the neighborhood Watch. You could be you could be

2031
01:31:21,760 --> 01:31:26,599
Speaker 1: president neighborhood Watch block clubs. Would you walk like the president?

2032
01:31:27,520 --> 01:31:30,080
Speaker 2: Try to like have one person that would go to

2033
01:31:30,360 --> 01:31:33,160
Speaker 2: the Oliver like all that ship they represent your your

2034
01:31:33,160 --> 01:31:36,759
Speaker 2: street to go talk to people. They weren't really elected club.

2035
01:31:37,080 --> 01:31:37,360
Speaker 1: It was.

2036
01:31:37,360 --> 01:31:42,280
Speaker 2: It was more like that, not neighborhood Watch. It would

2037
01:31:42,320 --> 01:31:44,280
Speaker 2: just be people on your street that there would be

2038
01:31:44,320 --> 01:31:46,920
Speaker 2: one person that'd be like, all right, you are the

2039
01:31:46,960 --> 01:31:49,760
Speaker 2: one that goes to the meetings to talk about our.

2040
01:31:49,720 --> 01:31:53,360
Speaker 1: Specific the Latin kings in myhood that was y Yes.

2041
01:31:53,400 --> 01:31:55,000
Speaker 3: I had to go over there and talk to them.

2042
01:31:55,200 --> 01:31:58,719
Speaker 3: I mean the bloods, the crypts.

2043
01:32:00,080 --> 01:32:03,000
Speaker 2: I don't know what you talk about like that's and

2044
01:32:03,040 --> 01:32:04,680
Speaker 2: they went to the community meetings to talk about the

2045
01:32:04,680 --> 01:32:05,519
Speaker 2: potholes in the street.

2046
01:32:05,560 --> 01:32:08,479
Speaker 3: Yeah, absolutely, Okay, No, they're just the pot streets, not

2047
01:32:08,520 --> 01:32:09,320
Speaker 3: the plot holes.

2048
01:32:10,040 --> 01:32:14,240
Speaker 1: It was different, not the potholes. No, I don't even

2049
01:32:14,240 --> 01:32:14,880
Speaker 1: think I could do that.

2050
01:32:15,200 --> 01:32:18,559
Speaker 2: I have been getting since I've been a homeowner, though

2051
01:32:18,720 --> 01:32:20,679
Speaker 2: I do go to way more community meetings, and that's

2052
01:32:20,760 --> 01:32:24,040
Speaker 2: just strictly because I think I'm a homeowner and like,

2053
01:32:24,160 --> 01:32:26,680
Speaker 2: now you kind of have to, Yeah, I need to

2054
01:32:26,680 --> 01:32:29,400
Speaker 2: know what it really like affects the property value of

2055
01:32:29,439 --> 01:32:31,320
Speaker 2: this entire thing. Like I'm sick of the shite, Like

2056
01:32:31,360 --> 01:32:32,960
Speaker 2: we need to cut all these phone wires.

2057
01:32:33,000 --> 01:32:33,759
Speaker 1: This is insane.

2058
01:32:34,080 --> 01:32:36,400
Speaker 2: The Verizon guy, it took three hours just for him

2059
01:32:36,400 --> 01:32:39,519
Speaker 2: to sift through the thousands of wires that aren't.

2060
01:32:39,280 --> 01:32:40,680
Speaker 1: Even connected, Like what's going on?

2061
01:32:40,760 --> 01:32:44,000
Speaker 2: Yeah, So I mean, yeah, I could be part of that,

2062
01:32:44,560 --> 01:32:45,800
Speaker 2: but I don't think I have the time for it,

2063
01:32:46,479 --> 01:32:48,519
Speaker 2: like to be ahead of that NAHN too much.

2064
01:32:49,160 --> 01:32:52,360
Speaker 4: What if that's paying well, they usually don't though, right.

2065
01:32:52,520 --> 01:32:54,200
Speaker 1: They're not politics.

2066
01:32:54,200 --> 01:32:57,040
Speaker 3: Politicians don't get paid well unless they have shit going

2067
01:32:57,040 --> 01:32:59,000
Speaker 3: on outside of actual I.

2068
01:32:58,920 --> 01:33:01,639
Speaker 4: Mean, they all get paid, but it's not technically from.

2069
01:33:01,479 --> 01:33:03,000
Speaker 1: The politicians do not get paid.

2070
01:33:03,000 --> 01:33:06,799
Speaker 2: Well, but anybody that enters Congress, senate, president, you see,

2071
01:33:06,920 --> 01:33:10,519
Speaker 2: for some really weird reason, their net worth quadruple once

2072
01:33:10,560 --> 01:33:11,280
Speaker 2: they get that position.

2073
01:33:11,320 --> 01:33:12,519
Speaker 1: But they only get paid twenty grand.

2074
01:33:13,120 --> 01:33:15,519
Speaker 2: President gets paid what like four and a which is

2075
01:33:15,560 --> 01:33:16,960
Speaker 2: a lot of money. Don't get me twisted, But to

2076
01:33:16,960 --> 01:33:19,439
Speaker 2: be the leader of the richest nation, four and a

2077
01:33:19,479 --> 01:33:22,599
Speaker 2: grand is not a lot because you know you're getting

2078
01:33:22,600 --> 01:33:23,759
Speaker 2: your money otherwise.

2079
01:33:23,800 --> 01:33:25,280
Speaker 1: And then you can buy an eight million dollar house

2080
01:33:25,320 --> 01:33:27,280
Speaker 1: in Multer's venue. Who's counting?

2081
01:33:31,439 --> 01:33:32,960
Speaker 2: Can can we look up? Can we look up what

2082
01:33:33,600 --> 01:33:35,600
Speaker 2: Nancy Pelosi is paid per year? And then can we

2083
01:33:35,600 --> 01:33:38,519
Speaker 2: look at Nancy Pelosi's networth? Let's can we compare those two?

2084
01:33:38,520 --> 01:33:41,720
Speaker 1: Now that's now, now that's a topic. Yeah, to get

2085
01:33:41,760 --> 01:33:42,040
Speaker 1: into it.

2086
01:33:42,200 --> 01:33:44,920
Speaker 2: Sorry, Nance, I'm not just using you because it's everybody,

2087
01:33:45,640 --> 01:33:46,600
Speaker 2: but yours.

2088
01:33:46,280 --> 01:33:49,599
Speaker 4: Is like it's like pay pay my bitch made bray.

2089
01:33:51,160 --> 01:33:52,479
Speaker 1: Let's see what AI says here.

2090
01:33:53,439 --> 01:33:56,599
Speaker 2: One hundred and seventy four per year, which is great money, great,

2091
01:33:56,640 --> 01:33:57,040
Speaker 2: great money.

2092
01:33:57,080 --> 01:33:59,000
Speaker 1: Can we now type in what her net worth is?

2093
01:33:59,200 --> 01:34:01,439
Speaker 4: Yeah, well maybe she was gifted a house by her fan.

2094
01:34:01,560 --> 01:34:07,639
Speaker 1: Gifted. I love when they say gifted. She is worthing

2095
01:34:09,400 --> 01:34:15,000
Speaker 1: seven million investments, investments in real estate.

2096
01:34:15,040 --> 01:34:18,720
Speaker 2: Why is it when anytime lawmakers enter in there, all

2097
01:34:18,720 --> 01:34:19,360
Speaker 2: of a sudden.

2098
01:34:19,160 --> 01:34:25,519
Speaker 1: Their network just fucking goes, it goes. I just I

2099
01:34:25,560 --> 01:34:26,200
Speaker 1: don't get it.

2100
01:34:27,120 --> 01:34:30,200
Speaker 3: I know who does get it, and he's making changes,

2101
01:34:31,680 --> 01:34:32,760
Speaker 3: he's ringing the bell.

2102
01:34:34,680 --> 01:34:37,000
Speaker 2: Well, they're one president that wanted to make a statements

2103
01:34:37,040 --> 01:34:38,559
Speaker 2: like I only want to take a penny per year,

2104
01:34:38,600 --> 01:34:39,080
Speaker 2: and we was like.

2105
01:34:39,040 --> 01:34:40,280
Speaker 1: No, but we know how much you make it.

2106
01:34:40,760 --> 01:34:43,360
Speaker 2: Oh my god, just take the four one thousand dollars salary.

2107
01:34:43,360 --> 01:34:46,479
Speaker 2: Don't solve my intelligence this much. So I don't think

2108
01:34:46,479 --> 01:34:47,599
Speaker 2: anyone would have us tomerist.

2109
01:34:47,600 --> 01:34:48,240
Speaker 1: That's all I'm saying.

2110
01:34:48,400 --> 01:34:51,000
Speaker 4: Well, I mean, I agree, but I was just wondering

2111
01:34:51,000 --> 01:34:52,519
Speaker 4: if you guys know we can make change.

2112
01:34:53,800 --> 01:34:57,320
Speaker 2: It's easy to make change. You just talk about it

2113
01:34:57,360 --> 01:35:00,200
Speaker 2: and don't do nothing exactly. You just yell really loud.

2114
01:35:00,320 --> 01:35:02,679
Speaker 3: Show up at show up at events in the city,

2115
01:35:02,720 --> 01:35:06,200
Speaker 3: and put on a little hat that represents the union.

2116
01:35:06,840 --> 01:35:08,200
Speaker 1: Oh, I thought you were going to a different place.

2117
01:35:09,880 --> 01:35:16,479
Speaker 1: Maybe that's a cute to end us. You said, be blessed.

2118
01:35:16,520 --> 01:35:18,599
Speaker 1: I'm that nigga. He's just Jewish. Geez.