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Speaker 1: H comedian and SNL legend Jay Farrow joins us on

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Speaker 1: today's episode of Rewives. His wit and hilarious commentary make

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Speaker 1: this one of the best rewives to date. Jay was

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Speaker 1: so invested when I tell you, I love this guy.

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Speaker 1: This is my new favorite guy. There are only a

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Speaker 1: few people that I want to call back to do this.

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Speaker 1: Jay could be my co host on this. He's so good,

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Speaker 1: you just seek he's really thinking, Oh God, is he excellent?

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Speaker 1: In this episode, the Beverly Hills Housewives are in Amsterdam.

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Speaker 1: Need I say more? Kim Richards and Lisa Rinna go

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Speaker 1: at it. Chaos erupts, a wine glass was thrown. Kyle

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Speaker 1: Richards storms out of the room, fleeing in a cape

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Speaker 1: like fashion. This is the Real Housewives of Beverly Hills,

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Speaker 1: Season five, episode sixteen, amster damn girl. All right, So

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Speaker 1: I want to know your relationship to the housewife None,

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Speaker 1: you know nothing, you know everything. You've dated someone who's

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Speaker 1: watched like zero. You know. My mother is a big

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Speaker 1: My mother is a fan of all the series. So

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Speaker 1: my mother watched it religiously. Um I only here, only

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Speaker 1: here second hand the drama that's going on, however, um

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Speaker 1: I did. I did get a chance to I did

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Speaker 1: get a chance to see the episode clip and uh

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Speaker 1: and yeah, y'all, it's a lot of drama. I like that.

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Speaker 1: I think that's what that's what drives it. I think

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Speaker 1: it was kind of a setup then putting everybody in

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Speaker 1: Amsterdam with white wine. But you know, it's whatever you know,

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Speaker 1: and um, well, we're gonna get into that because that's

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Speaker 1: part of the things you're dealing with the show. That's

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Speaker 1: quote unquote a reality show. Years later after this, the

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Speaker 1: franchise started. So in the beginning, there was some level

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Speaker 1: of reality because we were naive. We didn't know what

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Speaker 1: we were doing. We were wearing our own clothes, we

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Speaker 1: were doing our own makeup, We didn't know any of

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Speaker 1: the people, and we didn't understand the game. We didn't

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Speaker 1: understand the matrix. And we also hadn't been on for

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Speaker 1: so long or not been on and watched other people

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Speaker 1: do it for years, so you figure, what's gonna work,

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Speaker 1: what's gonna rate? I mean, I wonder if there's anything

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Speaker 1: like that about like your business and being a comedian

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Speaker 1: or coming into something and with a preconceived notion and

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Speaker 1: try to try to force it and and and make

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Speaker 1: it happen versus just being who you are who you are.

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Speaker 1: I mean, I think SNL is a great example. I mean,

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Speaker 1: you have to you're auditioning for your job every week,

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Speaker 1: so it's like it's like you're pretty much throwing you

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Speaker 1: don't know what you don't know what's gonna work until

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Speaker 1: you hit the table and you're pretty much throwing um,

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Speaker 1: throwing ship at the wall and saying what will stick.

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Speaker 1: And you're like, okay, cool, well that what that work

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Speaker 1: is work. But once you get into the rhythm of it,

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Speaker 1: you know what I mean, Once you once you start

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Speaker 1: understanding all the different constituents and every thing, that's when

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Speaker 1: you start politicking and getting that game up and kind

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Speaker 1: of getting people to align with you so they can

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Speaker 1: write for you, because if you don't have anybody in

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Speaker 1: your corner, you're pretty much fizz al out with that place,

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Speaker 1: you know what I'm saying. Right, And in the beginning,

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Speaker 1: there was a freedom for them, not really knowing where

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Speaker 1: they were, what was going on, how long this would

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Speaker 1: go on, that it was going to be an institution

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Speaker 1: a phenomenon, so they could be more free. There weren't

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Speaker 1: all these rules and all this like same competition, and

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Speaker 1: you see it in some of the work of the

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Speaker 1: old school stuff, right, Yeah, absolutely absolutely. I mean, and uh,

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Speaker 1: that place, it's just a and I don't know how

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Speaker 1: it is. I don't know how it is on set

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Speaker 1: with y'all, but it's just a it's a competitive it's

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Speaker 1: just super competitive all the time because you want your

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Speaker 1: stuff to get on, you want to hit, but you

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Speaker 1: also want to leave something substantive for people to for

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Speaker 1: people to grasp onto and really follow you after you

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Speaker 1: leave that show, because that's what you're doing it for.

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Speaker 1: You don't do that. You you do that show too

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Speaker 1: because it's the great it's uh, it's it's one of

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Speaker 1: the greatest shows ever created. In the greatest sketch show

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Speaker 1: of all time. Um, I mean, and I'm just speaking

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Speaker 1: through longevity terms, but after it's about the relationships that

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Speaker 1: you cultivate on that show, um, and and and and

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Speaker 1: and perpetuating man, after you get off, and that's what

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Speaker 1: really solidifies your start. Like you got folks like Adam

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Speaker 1: Sandler and uh who is it, Chris Rock and uh

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Speaker 1: Spade and and Will Well. I'm just saying, I'm like, well,

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Speaker 1: the guys that kind of work together well you know, oh, sorry,

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Speaker 1: you know what? I yeah, I do. Oh the relationships

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Speaker 1: that that's such a great point, but also the credibility

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Speaker 1: because you just sort of alluded to like the low

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Speaker 1: hanging fruit. You could go in and do the thing

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Speaker 1: you know is going to get the laugh, but you're

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Speaker 1: trying to also do work like you could take the

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Speaker 1: commercial movie that you know they're going to get the laugh,

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Speaker 1: but you want to do work that you're proud of.

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Speaker 1: So there's you're balancing all these different things at the

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Speaker 1: same time. Absolutely, I was at m y U and

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Speaker 1: I got an internship at s n L. I knew uh,

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Speaker 1: I knew one of the one of like an executive producer.

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Speaker 1: And I got a job at SNL for the summer.

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Speaker 1: But n why you wouldn't give me credit? And I said,

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Speaker 1: I don't care, I'll do it anyway. But SNL wouldn't

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Speaker 1: let me do it unless the college was giving me credit.

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Speaker 1: And I wasn't the person that I am today that

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Speaker 1: would have just like figured out wherever the dean's offices

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Speaker 1: and walked in and I didn't do it. And it's

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Speaker 1: one it's probably one of maybe only two only regrets

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Speaker 1: in my whole life was not doing that. So I

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Speaker 1: have always regretted that because just to be in that

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Speaker 1: environment and experience that, that's always been a regret. So

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Speaker 1: just instead I got I was a p a on

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Speaker 1: saved by the bell. It doesn't feel exactly the same,

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Speaker 1: I mean, but that's was saved by the bell was

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Speaker 1: topping though, So that's not a bad uh. That a

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Speaker 1: bad swap right there, exactly. And I and to your point,

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Speaker 1: I just interviewed Mario Lopez, who I know, so that's funny,

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Speaker 1: did you uh was a Tiffany And I used to

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Speaker 1: have the biggest crush on Tiffany and with fists and

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Speaker 1: back in the day, I just thought that she was

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Speaker 1: just so kelly. She was just so pretty Jess because

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Speaker 1: she was kind of I don't know what was that word.

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Speaker 1: She kind of gave me weirdo vibes. And also she

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Speaker 1: hated that they let Tiffany where all the good sexy clothes,

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Speaker 1: and she was sort of like the feminist. She hated

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Speaker 1: that she was a smart feminist and in real life

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Speaker 1: she was more sort of serious in that way too.

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Speaker 1: I think did you um you mentioned that there's a

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Speaker 1: lot of competition on SNL, but we're gonna get to

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Speaker 1: the housewives. But is it also off meaning like because

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Speaker 1: with the Housewives, everybody pretends they're super chummy, and even

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Speaker 1: if they are chummy off camera, if someone gets something

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Speaker 1: someone else doesn't get, everybody's alert like why would they

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Speaker 1: get that commercial that I didn't get? Or why did

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Speaker 1: that person host it today's show? And and so you

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Speaker 1: got to kind of keep your cards close to the

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Speaker 1: vest because everybody know is there in a fifteen minute

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Speaker 1: window and they want to just get theirs and and

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Speaker 1: it's it's it's really competitive. I feel like I feel like, uh, yeah,

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Speaker 1: it is. It is competitive off the show, but more

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Speaker 1: like more like you'll think it to yourself, you'd be like,

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Speaker 1: wait a second, why does how do they get what?

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Speaker 1: What agency they? And I don't got that right? Right?

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Speaker 1: You do? Wait? A a verizing commercial and a piece

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Speaker 1: of commercial people doing on this side you know what.

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Speaker 1: But it's but it's more like me personally when I

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Speaker 1: see when I see my folks who are on the show,

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Speaker 1: uh doing whatever, I root for them. I'm like, yo,

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Speaker 1: that's dope. Like it's never it's never, like, man, you

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Speaker 1: forget that some now if I am if I get

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Speaker 1: a little disgrunted and a little and a little uh

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Speaker 1: flustered and mad about it. It's not to them, it's

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Speaker 1: to my team. I'm like, listen, what what are y'all

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Speaker 1: doing that? The work is out there. You see, my

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Speaker 1: friend got this commercial. They got this commercial. They're doing this,

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Speaker 1: like said, I can at least end up on Nissan.

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Speaker 1: What do we know? Yeah, you know what, not Horizon,

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Speaker 1: you could get Nissan. That's hysterical. Yeah, I'm just saying,

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Speaker 1: you know, I'm just I got it. So all right,

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Speaker 1: So we'll get to Amsterdam. So let me do you

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Speaker 1: know who any of these people are in the world?

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Speaker 1: Like before You're like, oh, I've seen that person, I've

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Speaker 1: heard about that person. Any knowledge? Yeah yeah, yeah. When

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Speaker 1: I see the face, I'm like, okay, cool, I've seen

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Speaker 1: this person in this before or whatever. But uh, as

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Speaker 1: far as just like knowing the intricacies of everything, hell no, okay, okay,

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Speaker 1: So I just wanted to know where starting okay. So um.

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Speaker 1: Lisa Rinna used to be a soap ap soap opera

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Speaker 1: actress and she kind of like dwindled in her career

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Speaker 1: and then she was on Dancing with the Stars, and

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Speaker 1: then she ended up being on the house I was in.

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Speaker 1: It's funny because Cohen, who produces the shows and is

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Speaker 1: host watch What Happens Live, he didn't initially want her

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Speaker 1: to be a housewife. She's now not on the show

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Speaker 1: anymore currently, but um, at that point, she's like the

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Speaker 1: beginning of her tenure kind of. But she always brought

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Speaker 1: the drama, so we find out in this episode. And

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Speaker 1: I know, I think her husband doesn't drink, and I

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Speaker 1: do think she tells us that she lost her sister

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Speaker 1: to an overdose, so it seems like she is very

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Speaker 1: sensitive to addiction. Do you have any You don't have

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Speaker 1: to say who it is, but do you have any

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Speaker 1: frame of reference for addiction in your own life, like

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Speaker 1: when you thought somebody was not doing something and then

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Speaker 1: you found out they were, or being the addiction cop

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Speaker 1: where you're trying to catch them, or any of that stuff.

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Speaker 1: I know, well, yeah I have. I've got somebody in

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Speaker 1: my family right now it's very heavily addicted to alcohol

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Speaker 1: and they keep and they can't get themselves out of it,

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Speaker 1: and you know they'll they'll hit me up and keep

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Speaker 1: asking me like I got the weirdest, the weirdest message

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Speaker 1: from this person the other day and it just said,

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Speaker 1: a bro, how much for BT? I was like, what, Like,

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Speaker 1: I didn't, I couldn't even I didn't understand. Would say,

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Speaker 1: what does he mean? Like this is he saying like

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Speaker 1: a ticket? Like but he was drunk what he wrote it?

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Speaker 1: So it is a constant underlying problem the rest of us.

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Speaker 1: Everybody has their problems, okay, but when it's something that,

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Speaker 1: when it's something that's affecting family time, where you know,

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Speaker 1: now they can't make it too. Okay. I was down

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Speaker 1: there in Virginia and Virginia Beach, my hometown, and I

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Speaker 1: was doing the show, and all my family came out

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Speaker 1: except for these few people because one of them is addicted,

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Speaker 1: and the rest of the family was trying to help

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Speaker 1: and find this person. They didn't even make it to

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Speaker 1: my show. It becomes the whole family's problem in the

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Speaker 1: hiding of it. Okay. So you're seeing a little of

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Speaker 1: that here with Kim and Kyle, who are sisters, both

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Speaker 1: child actresses, and Kim has suffered with addiction for a

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Speaker 1: long time. The thing that I think is interesting is

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Speaker 1: I don't remember how the audience really took it. But

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Speaker 1: sometimes now in going back to watch these old episodes,

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Speaker 1: I see things differently than when I was watching it

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Speaker 1: on television then, and I felt that, yes, Lisa Rinna

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Speaker 1: seems to have a sensitivity about this topic, and she's

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Speaker 1: on a show with this person, but this isn't her friend.

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Speaker 1: So now she's going around and talking to everybody about

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Speaker 1: this topic except the person directly and effectively, she's talking

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Speaker 1: to us. So I understand why she would be sensitive

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Speaker 1: about addiction and it would trigger her, but I don't

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Speaker 1: understand why she would try to I don't think it

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Speaker 1: holds water that she's running around to talk to all

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Speaker 1: these other people about someone who she's not even really

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Speaker 1: good friends with, feigning concern. And I also do understand

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Speaker 1: the person who is the addict, even if they are

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Speaker 1: falling off, they're also on a television show, so now

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Speaker 1: they are aware, acutely aware that this has been discussed

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Speaker 1: with not only every member on the cast, but the

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Speaker 1: United States of America and other countries. So that's nice

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Speaker 1: sort of thing that I think. Uh So, you think

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Speaker 1: it was like it was a it was a slight

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Speaker 1: It was a slight shading that a slight shading that

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Speaker 1: was realized, and it's kind of like it's kind of

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Speaker 1: like when your grandmother said something to you, Like everybody

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Speaker 1: in the family knows has been talking about it. You know,

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Speaker 1: they've been talking about it. They've been sitting there, They've

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Speaker 1: been sitting there chatting about it the whole time. Yes,

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Speaker 1: I have alopecia, that's cool. But you ain't gonna tell

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Speaker 1: the whole Godday Church about the ship. You know what

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Speaker 1: I'm saying. You gotta sit there and there. It's the

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Speaker 1: same thing. I think it's the same thing with the

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Speaker 1: situation when somebody is indirectly speaking to you, and yes,

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Speaker 1: if you were there, you will get You will get

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Speaker 1: very super agitated about it because it's it's your business.

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Speaker 1: You don't want your business spread around like, uh, what

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Speaker 1: am I spread around? Like make the stallions but cheeks

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Speaker 1: you don't want that, you understand, right, But live and

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Speaker 1: direct you would have more respect for and at least

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Speaker 1: be able to address, like come to me directly. You

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Speaker 1: may get into an argument. You can't say, she's not

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Speaker 1: going to be defensive, but at least it's like live

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Speaker 1: and direct. Let's not pretend you're so concerned about me

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Speaker 1: when we're not great friends anyway, but you're going around

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Speaker 1: telling everybody and the audience. I think about the fourth

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Speaker 1: wall a lot now having the show having been part

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Speaker 1: of the experience, because the audience just thinks, you know,

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Speaker 1: this is all quote unquote totally real, and the cast

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Speaker 1: has a responsibility by the way, to the producers and

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Speaker 1: the show to air everything. Does that make any sense?

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Speaker 1: So somebody has to say it, and the producers are

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Speaker 1: telling somebody to say it, so at least as the messenger,

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Speaker 1: I think, Look, I like I like the I like

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Speaker 1: the truth that you have with your personality. Of course,

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Speaker 1: being for the North, you know, people don't people don't

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Speaker 1: be as But even though, like even when people came

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Speaker 1: up to you and they were like, yo, I heard you,

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Speaker 1: Like yo, I heard you. So did you say this

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Speaker 1: about me? Like yeah, I think you know it all.

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Speaker 1: You're like, well, maybe I know it all. Like come

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Speaker 1: some of this knowledge, I said, oh, ship like she

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Speaker 1: stops when they try to come for you and you

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Speaker 1: have that yeah. Well, you know, as a comedian sometimes

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Speaker 1: that's a gift, that's an improv scene. That's like you

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Speaker 1: gave me something. Now I'm gonna take it to the

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Speaker 1: next level, you know what I mean? You call me

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Speaker 1: a know it all. That's not an easy one to

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Speaker 1: get out of. Nobody likes to know it all. No, no,

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Speaker 1: but if you do, if you know it all, you

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Speaker 1: like yeah, yeah, yeah, that's funny. So yeah, all right,

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Speaker 1: so you're on that argument, you're even though Lisa has

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Speaker 1: experience of addiction, what where do you sway? Where are you? Like?

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Speaker 1: Where's your a lot allegiance? There? Who someone wins a point?

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Speaker 1: Who's getting that point? Um? I think, like I said,

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Speaker 1: I like just because just because like I don't, I

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Speaker 1: don't think it's cool to like just spread business say everybody,

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Speaker 1: but that's what this show does. That's what I think that.

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Speaker 1: I definitely think that, Um that that that Kim was cool.

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Speaker 1: I think I think she was justified by like standing

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Speaker 1: her position and and and being like yo, man, like yo,

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Speaker 1: if you want to like, yes, I was addicted whatever.

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Speaker 1: I think that. I think that that Lisa definitely could

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Speaker 1: have been more direct. And if she was direct, I

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Speaker 1: would have had more respect. But if your studo talking

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Speaker 1: about somebody like that sneakness and like that's you subtweeting,

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Speaker 1: I don't like, we don't like sub tweets right at me?

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Speaker 1: Dog don't just yes, I never heard that subtweets. That's

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Speaker 1: a pussy move. Yeah, okay, exactly, that's the punk move

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Speaker 1: in front of my face. I'm that girl, I'm I'm not.

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Speaker 1: I don't even know what a subtweet is. But a loser,

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Speaker 1: Yeah totally, okay, I got it. But now what about

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Speaker 1: people who immediately take the bait? And Lisa says, I've

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Speaker 1: suffered with addiction. That's a great that's also he's been

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Speaker 1: the one on this series who has said many different

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Speaker 1: things emotional issues. She's blamed her mother's death like she

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Speaker 1: blames a lot of different things, post traumatic stress disorder

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Speaker 1: for she. Lisa n is known to blame, be very

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Speaker 1: dramatic about to like package her reason for doing things

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Speaker 1: instead of just owning the thing that she did. And

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Speaker 1: she her thing is own it. She always as owning. So,

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Speaker 1: but I believe that the person who's right can make

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Speaker 1: themselves wrong. And what about Kim now saying you did this,

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Speaker 1: and now let's talk about your family. Don't make me

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Speaker 1: bring up your family, which is like a threat and

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Speaker 1: effectively telling everyone that there's a secret or something with

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Speaker 1: Lisa's family. Now that's now, that's not right either, that's

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Speaker 1: not right either it's the same. It seems like they

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Speaker 1: have they have they have kind of a similar similar tactics.

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Speaker 1: Like at the end of the day, it's like, Okay,

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Speaker 1: Lisa wasn't right, Lisa's not right for um, for Toronto

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Speaker 1: addressing and making it this grand thing about herself when

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Speaker 1: it's really when it's really not about her, when it's

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Speaker 1: really about Kim. She shouldn't have done that. But at

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Speaker 1: the same time, Um, at the same time, Kim shouldn't

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Speaker 1: have Kim shouldn't have been like I got something, I'm

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Speaker 1: gonna let out the bag and trying to get like

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Speaker 1: that's not like two roles don't make it right. Somebody

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Speaker 1: had to be the bigger person at that time, and

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Speaker 1: she could have been. Kim definitely could have been a

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Speaker 1: bigger person. Have been like, listen, I don't respect you

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Speaker 1: talking about whatever is going on with with with my

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Speaker 1: life and I am not gonna give out information about yours.

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Speaker 1: You know me, I know you. Let's keep it like

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Speaker 1: that like we should. She could have done that, but

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Speaker 1: she didn't want to do that. She did bait, she

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Speaker 1: did kind of she did take the bait, she took

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Speaker 1: the shock bait, she took the shop. You're good at this.

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Speaker 1: I want to let you know something because I've had

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Speaker 1: people on here who watched the show, like Elizabeth Moss

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Speaker 1: who's obsessed, and I've had people who have never watched it,

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Speaker 1: and you're as good as both, Like, like, you're very

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Speaker 1: good at that. I can't explain it, You're just like

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Speaker 1: you're you're good at this. It's interesting, I think because

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Speaker 1: my mother is a no fis type. My mother is

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Speaker 1: the best time Brooklyn, you know, so I've got I've

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Speaker 1: got that half in me. Meanwhile, my father, my father

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Speaker 1: is from Dorfork, Virginia, you know what I mean. They

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Speaker 1: jokes and all of that. But my mother she's like

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Speaker 1: straight to the point, she's really analytical. So she's like listen,

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Speaker 1: She's she's always told us that, like that's the moral

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Speaker 1: code that we have had as as as children. She's like, listen,

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Speaker 1: keep things lucid as possible, don't lie, keep it real,

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Speaker 1: straight up, be straight honestly, don't be don't be pussified,

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Speaker 1: don't do that. There is a there is a certain

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Speaker 1: respect level for people who would keep it all the

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Speaker 1: way a hundred with you, even if what they're saying

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Speaker 1: to you is it the most consumable thing. Thank you.

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Speaker 1: That's my entire what you just said is my entire existence.

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Speaker 1: And it's not always popular, but you're at least you

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Speaker 1: know what time it is. If I exactly. If you

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Speaker 1: don't like me, that's cool. If you don't like me,

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Speaker 1: that's cool. But if you if you're acting a portraying

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Speaker 1: a different face than I know than this this sheep,

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Speaker 1: this wolves, and the this thieves in the temple, yes, facts,

359
00:19:08,840 --> 00:19:11,919
Speaker 1: and I'd rather know the thieves. I'd rather know the

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Speaker 1: thieves than call the people who are my friends. I mean,

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Speaker 1: call the people who are thieves my friends. And I

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Speaker 1: don't even know. And now I'm in a situation, right, Okay,

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Speaker 1: So I'm gonna give you a little subtext about two

364
00:19:33,960 --> 00:19:36,439
Speaker 1: of the characters. Kyle's the one who flees with like

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Speaker 1: a cape. Kim is her sister, the one who has

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Speaker 1: struggled with addiction. There's a third, Kathy Hilton, who's currently

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Speaker 1: a cast member. But I used to work for Kathy

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Speaker 1: as an assistant parent drive Paris and Nikki too and

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Speaker 1: from school beating nanny for them. I was best friends

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Speaker 1: with Kyle, and I've always known Kim, so I know

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Speaker 1: the bts of this situation. And I'm also watching this

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Speaker 1: with you and as a fan, and I'm also on

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Speaker 1: The Housewives, so I have institutional knowledge on this trio.

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Speaker 1: So at this table, and I guess there were other

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Speaker 1: scenes in the season, Kim is saying, Kyle, you aren't

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Speaker 1: getting my back, and I don't really always understand what

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Speaker 1: gaslighting means, but I feel like she's kind of throwing

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Speaker 1: fire at Kyle because Kyle is, yes, her sister, but

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Speaker 1: when you took on the role to be on the

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00:20:27,520 --> 00:20:29,879
Speaker 1: show as a cast member, we all kind of have

381
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Speaker 1: to like also fight for ourselves and be good cast members.

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Speaker 1: Like she has to be honest about how she really feels.

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Speaker 1: She can't like in secret say to Kim, what the

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Speaker 1: funk are you doing and then on camera act like

385
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Speaker 1: it's okay, so um, and it's not because I like Kyle,

386
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Speaker 1: which I do. I'm giving her a little bit of

387
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Speaker 1: the benefit of the doubt. But Kim is saying, you

388
00:20:48,359 --> 00:20:52,159
Speaker 1: never defend me, and I don't see him really Kyle

389
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Speaker 1: really defending Kim, And I wonder, as a sibling, what

390
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Speaker 1: do you think about that? Should Kyle be defending Kim

391
00:21:00,040 --> 00:21:06,960
Speaker 1: on some level? Ah Uh? Let's see you. I feel

392
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Speaker 1: like I feel like, um, huh, I mean your family business.

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Speaker 1: I feel like you're I feel like your family business

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Speaker 1: is your family business, right, Okay, if it's if it

395
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Speaker 1: is known to a wider if it is known to

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Speaker 1: wider people, yes, if it's something that if it's something

397
00:21:29,600 --> 00:21:32,600
Speaker 1: that really hurts that person it's hard for them to

398
00:21:32,600 --> 00:21:36,119
Speaker 1: talk about or whatever, I feel like you should definitely

399
00:21:36,760 --> 00:21:41,280
Speaker 1: have that person's back. If if they're just like, um,

400
00:21:41,359 --> 00:21:44,160
Speaker 1: if they're free with it, whatever, it's just like, yeah,

401
00:21:44,240 --> 00:21:47,240
Speaker 1: this happened, this is all good, it's all straight. Bam.

402
00:21:47,400 --> 00:21:49,560
Speaker 1: I got so hold on. So let me tell you

403
00:21:49,600 --> 00:21:52,560
Speaker 1: exactly what it is. Earlier in this series. I don't

404
00:21:52,560 --> 00:21:56,280
Speaker 1: think it's this season, but maybe two seasons before. Kyle

405
00:21:56,359 --> 00:21:59,240
Speaker 1: said to Kim in the car, like my husband supported

406
00:21:59,320 --> 00:22:02,160
Speaker 1: you and you and Kim said to Kyle, you stole

407
00:22:02,200 --> 00:22:04,960
Speaker 1: my house, like Kyle said, you're an alcoholic Kim, and

408
00:22:05,040 --> 00:22:08,160
Speaker 1: like she feels like she's been covering up her situation,

409
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Speaker 1: and through this series, Kyle's had to kind of hold

410
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Speaker 1: that while she's on a reality show that they both

411
00:22:13,600 --> 00:22:17,040
Speaker 1: decided to do. So. Now fast forward now and Kim, sister, Kyle,

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Speaker 1: you don't defend me, and Kathy would have been a

413
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Speaker 1: real sister Kathy Hilton. So now we are in sensitive territory.

414
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Speaker 1: And actually I haven't said this, and I am friends

415
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Speaker 1: with Kyle, but I have to be objective. I think

416
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Speaker 1: when someone has been talking to a bunch of people

417
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Speaker 1: about someone's addiction, even though it's sort of out, it's

418
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Speaker 1: not a fun time. Kyle should have been like, guys,

419
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Speaker 1: if you want to talk about her addiction, go to

420
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Speaker 1: her or go to me, but this is not something

421
00:22:41,680 --> 00:22:44,080
Speaker 1: to take to so Kyle. Maybe Kim's right that Kyle

422
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Speaker 1: should have defended her on some level that we would

423
00:22:46,880 --> 00:22:50,360
Speaker 1: have seen right when it's yeah, when it's when it's massive,

424
00:22:50,440 --> 00:22:52,560
Speaker 1: when it's a whole bunch of people, if it's a

425
00:22:53,040 --> 00:22:55,280
Speaker 1: if it's a few folks, if it's not a whole

426
00:22:55,400 --> 00:22:58,439
Speaker 1: collective of folks around there, and y'all, just I feel like,

427
00:22:58,800 --> 00:23:01,159
Speaker 1: I feel like you can handle there's certain things that

428
00:23:01,280 --> 00:23:03,480
Speaker 1: just don't need to be brought up to the mass,

429
00:23:03,560 --> 00:23:07,280
Speaker 1: to a mass group. That's what I think personally, I mean,

430
00:23:07,280 --> 00:23:10,040
Speaker 1: and I see I see that all the time. I

431
00:23:10,080 --> 00:23:12,600
Speaker 1: mean even even in my life. And I'm not gonna

432
00:23:12,600 --> 00:23:15,959
Speaker 1: say who the people are but we had a family.

433
00:23:16,080 --> 00:23:18,719
Speaker 1: We had a family. Uh, we had a family, uh

434
00:23:19,000 --> 00:23:22,399
Speaker 1: Christmas or whatever, and there was there was things said

435
00:23:22,560 --> 00:23:26,199
Speaker 1: from something from from a couple they were talking, but

436
00:23:26,280 --> 00:23:29,879
Speaker 1: it seemed like they always did it in front of people.

437
00:23:29,960 --> 00:23:31,600
Speaker 1: One of them. One of them always did it in

438
00:23:31,600 --> 00:23:34,280
Speaker 1: front of people, the other one. They were like, why

439
00:23:34,320 --> 00:23:36,320
Speaker 1: are you trying to bring this up? Why are you

440
00:23:36,320 --> 00:23:38,159
Speaker 1: trying to bring this up right now in front of

441
00:23:38,160 --> 00:23:41,440
Speaker 1: other people? I think those If you have any type

442
00:23:41,480 --> 00:23:44,720
Speaker 1: of bickering with somebody and it's personal, I think that

443
00:23:44,720 --> 00:23:47,679
Speaker 1: should be personally handled. I don't think it needs to

444
00:23:47,680 --> 00:23:49,840
Speaker 1: be I don't think it needs to be out into

445
00:23:49,920 --> 00:23:52,600
Speaker 1: the mass if it is. Well, yes, if my sister

446
00:23:52,680 --> 00:23:55,720
Speaker 1: had a problem and everybody was talking about it was

447
00:23:55,760 --> 00:23:58,119
Speaker 1: at a party, I would defend her. I would have

448
00:23:58,160 --> 00:24:01,360
Speaker 1: to defend her. That's my sister. And listen, Kim has

449
00:24:01,359 --> 00:24:04,520
Speaker 1: pulled focus in that family for years and been dramatic

450
00:24:04,560 --> 00:24:06,040
Speaker 1: and the victim and all that, and I know that

451
00:24:06,080 --> 00:24:09,679
Speaker 1: from firsthand. But I think I would say Kyle should

452
00:24:09,680 --> 00:24:12,720
Speaker 1: not play Switzerland in that case. Just say something. You

453
00:24:12,720 --> 00:24:16,080
Speaker 1: don't have to be full. Yeah, okay, so we agree

454
00:24:17,359 --> 00:24:21,200
Speaker 1: on that, and then let's pretend that there is a

455
00:24:21,240 --> 00:24:23,600
Speaker 1: skelet in Lisa's closet. I don't know, but she has

456
00:24:23,640 --> 00:24:26,560
Speaker 1: a serious reaction throwing a glass at a dinner table,

457
00:24:26,800 --> 00:24:30,119
Speaker 1: Like is that physical? Where are you on what that is? Like?

458
00:24:30,280 --> 00:24:32,679
Speaker 1: What if that happened on Saturday Night Live? But not

459
00:24:32,720 --> 00:24:37,120
Speaker 1: in a scene? Hey, yeah, that's the sault. You can

460
00:24:37,840 --> 00:24:40,920
Speaker 1: you can't throw something heavier. You can't throw something that's

461
00:24:40,960 --> 00:24:46,440
Speaker 1: a pound at me. That's okay. So does Bravo have

462
00:24:46,480 --> 00:24:49,159
Speaker 1: a responsibility to bench Lisa in some way? Like there

463
00:24:49,160 --> 00:24:52,399
Speaker 1: should there be like work human resources because now people

464
00:24:52,400 --> 00:24:55,040
Speaker 1: get in serious trouble for ship. Back then it was

465
00:24:55,040 --> 00:24:58,119
Speaker 1: a wild, wild West. Now do I think this should?

466
00:24:58,119 --> 00:25:01,080
Speaker 1: This should definitely be a quality asolute should be equality

467
00:25:01,119 --> 00:25:03,680
Speaker 1: on both sides as far as as far as suspension goes,

468
00:25:03,720 --> 00:25:06,040
Speaker 1: and if it is, if it is for the folks

469
00:25:06,040 --> 00:25:08,439
Speaker 1: of a different community, it should be the same on

470
00:25:08,560 --> 00:25:12,320
Speaker 1: the other side. Um, I don't know the producers thought,

471
00:25:12,440 --> 00:25:14,960
Speaker 1: I don't I don't know that. I don't know the producers,

472
00:25:15,240 --> 00:25:19,000
Speaker 1: But I do think that a quality equality on both

473
00:25:19,000 --> 00:25:24,000
Speaker 1: sides would be the best. Uh it just even if

474
00:25:24,040 --> 00:25:26,360
Speaker 1: other people would hear, even if people want to come

475
00:25:26,400 --> 00:25:29,119
Speaker 1: on the show hearing that you have the type of

476
00:25:29,160 --> 00:25:32,159
Speaker 1: etiquette where you where you don't choose the side and

477
00:25:32,240 --> 00:25:36,600
Speaker 1: you don't treat somebody different. That could that can in

478
00:25:36,640 --> 00:25:38,960
Speaker 1: turn make somebody be like, Okay, I want to sign

479
00:25:39,000 --> 00:25:40,800
Speaker 1: up for this, I want to do this, or if this,

480
00:25:40,920 --> 00:25:43,240
Speaker 1: I'm not going to do that because I actually want

481
00:25:43,280 --> 00:25:45,800
Speaker 1: to think about this. So Teresa, I think attacked somebody

482
00:25:45,880 --> 00:25:49,120
Speaker 1: or Andy at a reunion. Then didn't Porsche attack someone

483
00:25:49,119 --> 00:25:50,560
Speaker 1: at a reunion? And then I think she was like

484
00:25:50,640 --> 00:25:53,080
Speaker 1: bench So anyway, we'll get to that later. But that's

485
00:25:53,119 --> 00:25:54,760
Speaker 1: an interesting thing because there have been a lot there's

486
00:25:54,760 --> 00:25:57,560
Speaker 1: a lot of discussion, and race has been a different conversation.

487
00:25:58,080 --> 00:26:00,960
Speaker 1: Let's talk about this now. It was already unfair. It's

488
00:26:00,960 --> 00:26:05,199
Speaker 1: already unfair. Why is it unfair? You got folks, you

489
00:26:05,320 --> 00:26:09,920
Speaker 1: got more than five white wives together in a place

490
00:26:10,840 --> 00:26:17,880
Speaker 1: with white wine. Not okay, when it's red wine, it's

491
00:26:17,920 --> 00:26:21,640
Speaker 1: a fine time. When it's white they ready to fight.

492
00:26:22,320 --> 00:26:27,080
Speaker 1: That's what happened. Okay. The white wine is critical, Okay,

493
00:26:26,600 --> 00:26:30,880
Speaker 1: white white wine is critical. And it's Amsterdam. People could

494
00:26:30,880 --> 00:26:33,439
Speaker 1: have been you know, it's amsterdamn baby, somebody could have

495
00:26:33,480 --> 00:26:36,040
Speaker 1: been on some shrooms. You don't know what people doing. Yeah,

496
00:26:36,040 --> 00:26:38,600
Speaker 1: we're getting to that bullshit too. If they have never

497
00:26:38,720 --> 00:26:42,199
Speaker 1: left the womb with the pot. Yeah, that's ridiculous. Al right,

498
00:26:42,240 --> 00:26:44,399
Speaker 1: so three different things right now, then we're gonna get

499
00:26:44,400 --> 00:26:49,520
Speaker 1: into the pot. Den So chemist Kyle's saying like that

500
00:26:49,560 --> 00:26:54,240
Speaker 1: she's always taken this abuse from Kim, meaning like Kim

501
00:26:54,320 --> 00:26:56,680
Speaker 1: is gonna say you're a terrible sister and all that,

502
00:26:56,760 --> 00:26:59,719
Speaker 1: and that this is like a repet know, a repetitious cycle.

503
00:27:00,760 --> 00:27:03,520
Speaker 1: Here's what's interesting. Kim brings up her kids and then

504
00:27:03,720 --> 00:27:09,600
Speaker 1: she's gone through hell with her kids because of this addiction. Now,

505
00:27:11,200 --> 00:27:13,560
Speaker 1: I don't there's two ways to look at this. Number One,

506
00:27:14,200 --> 00:27:18,199
Speaker 1: this coming out and being circulated, Yes, will present a

507
00:27:18,320 --> 00:27:20,880
Speaker 1: problem for her and her kids. I bet you if

508
00:27:20,880 --> 00:27:22,879
Speaker 1: this is coming out, it's probably based in some truth.

509
00:27:22,920 --> 00:27:24,960
Speaker 1: I don't remember the earlier episodes, but I don't think

510
00:27:25,160 --> 00:27:27,400
Speaker 1: that this was based on just a lot like a fantasy.

511
00:27:27,440 --> 00:27:29,959
Speaker 1: I think that she probably was off the wagon. And

512
00:27:30,000 --> 00:27:32,040
Speaker 1: the thing of it is, there's two ways to look One, Yes,

513
00:27:32,200 --> 00:27:35,119
Speaker 1: it affects her kids because now it's being on earth

514
00:27:35,119 --> 00:27:38,080
Speaker 1: to maybe she did fall off too. If you don't

515
00:27:38,080 --> 00:27:39,560
Speaker 1: want your kids to be embarrassed, you do not go

516
00:27:39,600 --> 00:27:41,760
Speaker 1: on a reality show, like you don't say I'm gonna

517
00:27:41,800 --> 00:27:43,399
Speaker 1: bring up your ship from your family, you get a

518
00:27:43,480 --> 00:27:45,840
Speaker 1: drink thrown on you, and then you worry about the

519
00:27:45,840 --> 00:27:48,439
Speaker 1: fact of what your kids are going to think about

520
00:27:48,480 --> 00:27:50,560
Speaker 1: your addiction being brought up. I think that's a reach.

521
00:27:50,800 --> 00:27:53,480
Speaker 1: What do you think? I mean, Yeah, come on, it's

522
00:27:54,119 --> 00:27:56,440
Speaker 1: it's it's it is reality television at the end of

523
00:27:56,480 --> 00:28:00,479
Speaker 1: the day, and the juicy, the juiciness gets the ratings.

524
00:28:00,480 --> 00:28:03,439
Speaker 1: So it's like, it's yeah, you're setting you are setting

525
00:28:03,480 --> 00:28:06,680
Speaker 1: yourself up for failure. If you say I don't want

526
00:28:06,800 --> 00:28:09,679
Speaker 1: I don't want this talked about on a national platform

527
00:28:10,359 --> 00:28:15,320
Speaker 1: that incites drama and also bickering, I don't you are

528
00:28:15,400 --> 00:28:18,640
Speaker 1: asking yourself you are setting yourself up for failure. So

529
00:28:19,200 --> 00:28:21,439
Speaker 1: I do. I do agree with you, and I do

530
00:28:21,560 --> 00:28:24,120
Speaker 1: think that that is a reach. Refany you're calling bullshit

531
00:28:24,200 --> 00:28:28,040
Speaker 1: because anything that one would do on this show that

532
00:28:28,080 --> 00:28:32,159
Speaker 1: would generate good ratings is something that your child is

533
00:28:32,200 --> 00:28:34,240
Speaker 1: probably not going to be proud of because it's not

534
00:28:34,240 --> 00:28:36,960
Speaker 1: going to be getting you know, being the poet Laurea.

535
00:28:37,320 --> 00:28:38,800
Speaker 1: I mean, it's gonna you know what I mean, It's

536
00:28:38,800 --> 00:28:44,320
Speaker 1: gonna be something that's not fun. Yeah, I listen. An

537
00:28:44,360 --> 00:28:47,200
Speaker 1: example would be, I mean, I hate to skip talking

538
00:28:47,240 --> 00:28:49,880
Speaker 1: about other reality shows, but if you watch something like

539
00:28:50,040 --> 00:28:55,960
Speaker 1: Loving Hip Hop or whatever, the craziest stuff, Joscela Hernandez

540
00:28:56,320 --> 00:29:01,320
Speaker 1: walking in calling Mimi fast mommy, uh Molly made and

541
00:29:02,000 --> 00:29:05,720
Speaker 1: uh walking out with some sexy lingerie and she didn't

542
00:29:05,760 --> 00:29:09,600
Speaker 1: already she that she's been sleeping with her man Stevie

543
00:29:09,680 --> 00:29:12,600
Speaker 1: j and all of that. You and they have a daughter,

544
00:29:13,040 --> 00:29:17,680
Speaker 1: they have a daughter. It there's nothing she can do about, right.

545
00:29:19,600 --> 00:29:22,240
Speaker 1: It's it's it's it's literal, and I don't want to say,

546
00:29:22,280 --> 00:29:25,000
Speaker 1: I mean, okay, it's a rodeo. It's a rodeo show.

547
00:29:25,440 --> 00:29:29,320
Speaker 1: That's what it is. Yeah, and the most the most

548
00:29:29,440 --> 00:29:35,560
Speaker 1: uh accentuated, freaking uh, the most uh out there a

549
00:29:35,680 --> 00:29:37,920
Speaker 1: thing that could happen, Like you're saying, it's gonna get

550
00:29:37,920 --> 00:29:41,400
Speaker 1: the ratings and it's gonna keep people watching. And ultimately,

551
00:29:42,880 --> 00:29:45,600
Speaker 1: even though it's bad, they say, there's no such thing

552
00:29:45,640 --> 00:29:49,000
Speaker 1: as bad press. If they're talking about you, they're talking

553
00:29:49,000 --> 00:29:51,120
Speaker 1: about you. It's gotten more like that. I used to

554
00:29:51,160 --> 00:29:53,000
Speaker 1: not believe that, but it actually has gotten more like

555
00:29:53,040 --> 00:29:55,040
Speaker 1: it doesn't matter because there's some other garbage is gonna

556
00:29:55,080 --> 00:29:57,160
Speaker 1: be dumped on the pile tomorrow. That'll make your pile

557
00:29:57,200 --> 00:30:00,200
Speaker 1: smell less like shit. It's so true. I don't that

558
00:30:00,280 --> 00:30:02,720
Speaker 1: because I hate I like a clean record for the

559
00:30:02,760 --> 00:30:06,440
Speaker 1: most part. But everybody gets Nobody gets out without paying

560
00:30:06,440 --> 00:30:08,640
Speaker 1: the bill. Nobody gets out without me in the bill.

561
00:30:08,840 --> 00:30:10,760
Speaker 1: So all right, So now we get to the Bulldog,

562
00:30:11,400 --> 00:30:14,720
Speaker 1: which was a lot of bullshit. So Brandy is the one.

563
00:30:15,000 --> 00:30:18,640
Speaker 1: She used to be married to Eddie schibrian Um he

564
00:30:18,760 --> 00:30:21,880
Speaker 1: cheated on her with Leanne rhymes very public divorce. But

565
00:30:21,960 --> 00:30:24,600
Speaker 1: I agreed with her here because she's the one looking

566
00:30:24,600 --> 00:30:27,320
Speaker 1: around and every everyone's acting like they literally they came

567
00:30:27,320 --> 00:30:32,320
Speaker 1: out of their their the womb that day, like oh marijuana,

568
00:30:33,000 --> 00:30:37,200
Speaker 1: Oh whoa, you're you going to try some? That would

569
00:30:37,240 --> 00:30:41,320
Speaker 1: be so interesting and edgy, Like it's weird, Like you

570
00:30:41,360 --> 00:30:45,120
Speaker 1: guys came here. It's we it's weird, it's spot it's

571
00:30:45,160 --> 00:30:48,280
Speaker 1: before it was legalized in some places. But okay, and

572
00:30:48,320 --> 00:30:51,560
Speaker 1: also and then like Kim didn't come. I think that's

573
00:30:51,560 --> 00:30:53,720
Speaker 1: a smart idea to not come. You know, years ago

574
00:30:53,800 --> 00:30:56,160
Speaker 1: I ate two space cakes and because I thought it

575
00:30:56,200 --> 00:30:58,040
Speaker 1: wasn't gonna work, which is what I was told. You're

576
00:30:58,040 --> 00:30:59,680
Speaker 1: gonna be I think it's not gonna work, and you

577
00:30:59,720 --> 00:31:03,040
Speaker 1: get to another I was tripping in a train station.

578
00:31:03,160 --> 00:31:08,840
Speaker 1: I couldn't move. I was debilitated. Can I add to that? Um,

579
00:31:09,680 --> 00:31:12,080
Speaker 1: Listen when they tell you, when they when they tell

580
00:31:12,160 --> 00:31:14,400
Speaker 1: you that this will put you on your ass, believe

581
00:31:14,520 --> 00:31:17,760
Speaker 1: them put you on your ass. I had this thing

582
00:31:17,800 --> 00:31:21,600
Speaker 1: called a stop like cookie. And when I was in uh,

583
00:31:21,640 --> 00:31:23,560
Speaker 1: I think I was in uh. What was I? I

584
00:31:23,640 --> 00:31:27,040
Speaker 1: was at Tommy Tease and it was northern California, not

585
00:31:27,080 --> 00:31:28,880
Speaker 1: sure if it was it was near Oakland. It was

586
00:31:28,920 --> 00:31:32,200
Speaker 1: definitely Yelting's right there near Oakland. Y'all. This little it

587
00:31:32,320 --> 00:31:35,160
Speaker 1: was like this big. It was this big. It looks

588
00:31:35,200 --> 00:31:39,200
Speaker 1: like a butterfly. Anybody, everybody scared of no butterfly. This's

589
00:31:39,240 --> 00:31:42,160
Speaker 1: a butterfly. Son. I've seen butterflies all my life. I've

590
00:31:42,200 --> 00:31:44,560
Speaker 1: watched read and rain Rainbow. Get the hell out of here,

591
00:31:44,640 --> 00:31:47,000
Speaker 1: you know. So I'm like, I'm gonna do this. It's

592
00:31:47,000 --> 00:31:49,880
Speaker 1: gonna be cool. I took the whole thing, big mistake,

593
00:31:50,800 --> 00:31:53,080
Speaker 1: and it took a while to kick in, and you

594
00:31:53,160 --> 00:32:00,000
Speaker 1: got fucked for two days. Yes, it's like it didn't

595
00:32:00,360 --> 00:32:03,600
Speaker 1: It stayed in my body like it didn't want to leave.

596
00:32:04,240 --> 00:32:07,400
Speaker 1: And the worst part about it is at the height

597
00:32:07,440 --> 00:32:10,200
Speaker 1: of the high, I felt like there was a ghost

598
00:32:10,320 --> 00:32:14,080
Speaker 1: in my bedroom taking advantage of me. Because, when I

599
00:32:14,120 --> 00:32:17,520
Speaker 1: tell you, it was as if Moses had taken his

600
00:32:17,680 --> 00:32:20,880
Speaker 1: staffs and put it on the top of my butt cheeks.

601
00:32:21,240 --> 00:32:24,280
Speaker 1: And then the butt cheeks spread like this, and I

602
00:32:24,280 --> 00:32:28,080
Speaker 1: didn't know what like a butterfly. Like a butterfly. It

603
00:32:29,560 --> 00:32:33,240
Speaker 1: butterfly my booty. I swimp the lord just like shrimp,

604
00:32:33,320 --> 00:32:37,760
Speaker 1: you shrimp get butterfly happened, but if nothing came out luckily.

605
00:32:37,840 --> 00:32:40,320
Speaker 1: But I was scared. I was scared. I was suspicious.

606
00:32:40,520 --> 00:32:45,040
Speaker 1: I was suspicious. That's okay. So that last week and

607
00:32:45,080 --> 00:32:48,560
Speaker 1: I posted about this last week, a company that wanted

608
00:32:48,600 --> 00:32:50,720
Speaker 1: me to try their products. People send me food products

609
00:32:50,720 --> 00:32:53,440
Speaker 1: and beauty products because I do these reviews sent me

610
00:32:54,400 --> 00:32:57,440
Speaker 1: quote unquote cb D gummies and that's what it says

611
00:32:57,440 --> 00:32:59,280
Speaker 1: on the thing. And you know those stupid gummies that

612
00:32:59,320 --> 00:33:02,360
Speaker 1: are like I or in her vitamin seeing their candy

613
00:33:02,600 --> 00:33:06,600
Speaker 1: melatonin gonse, it's candy near my bed. Yeah so so

614
00:33:06,600 --> 00:33:08,320
Speaker 1: so I so I ate two because I thought of

615
00:33:08,360 --> 00:33:10,440
Speaker 1: serving is always two to three. I'll take two tiny

616
00:33:10,640 --> 00:33:14,000
Speaker 1: little squares, very small, tiny little squares, not even like

617
00:33:14,040 --> 00:33:17,080
Speaker 1: a chick lit like a third of a chicklet. So

618
00:33:17,120 --> 00:33:18,840
Speaker 1: it took two and they gave me a CBD oil,

619
00:33:18,880 --> 00:33:20,800
Speaker 1: and I think CBDs bullshit because I'm like, it's like

620
00:33:20,840 --> 00:33:23,000
Speaker 1: sort of just like relax oil, like I'm not gonna

621
00:33:23,000 --> 00:33:24,800
Speaker 1: know if it works, doesn't work. Let's pretend it works.

622
00:33:24,840 --> 00:33:27,600
Speaker 1: Who cares? Just like something like I don't know if

623
00:33:27,600 --> 00:33:30,960
Speaker 1: it's working. So I take some of the oil so

624
00:33:31,000 --> 00:33:34,080
Speaker 1: it does not say anything about th HC on the package.

625
00:33:34,600 --> 00:33:36,320
Speaker 1: So a couple of like an hour and a half later,

626
00:33:36,360 --> 00:33:38,160
Speaker 1: I'm talking to fiance. I'm on the couch and I said,

627
00:33:38,160 --> 00:33:39,560
Speaker 1: I was talking about how I slept that night before

628
00:33:39,600 --> 00:33:41,080
Speaker 1: I go it's weird of I feel like I'm sleeping

629
00:33:41,120 --> 00:33:44,080
Speaker 1: now like a zombie. And I started to feel like

630
00:33:44,120 --> 00:33:45,640
Speaker 1: these waves and it felt like I was like in

631
00:33:45,680 --> 00:33:48,560
Speaker 1: a cloud. And then my friend looked on the website

632
00:33:48,880 --> 00:33:52,000
Speaker 1: and she was like, that has these all the things

633
00:33:52,040 --> 00:33:55,720
Speaker 1: you take have full spectrum th HC with CBD. And

634
00:33:55,800 --> 00:33:58,880
Speaker 1: to your point, I was high for two and a

635
00:33:58,880 --> 00:34:01,440
Speaker 1: half days, like I couldn't get off. I finally came,

636
00:34:01,440 --> 00:34:03,600
Speaker 1: but then I was exhausted and had a film on me,

637
00:34:03,680 --> 00:34:05,760
Speaker 1: like like a food roll up. You had to peel

638
00:34:05,800 --> 00:34:08,920
Speaker 1: off the paper. It was a nightmare. So that's what

639
00:34:09,080 --> 00:34:12,040
Speaker 1: those things are like in Amsterdam. It's not a joke

640
00:34:12,080 --> 00:34:13,600
Speaker 1: and you don't know how it's gonna hit, so you

641
00:34:13,600 --> 00:34:18,640
Speaker 1: have to enter quietly. Right, But but it Chay is

642
00:34:18,640 --> 00:34:22,319
Speaker 1: not if you're just smoking a chain, that's not gonna

643
00:34:21,640 --> 00:34:25,359
Speaker 1: that's It just depends on. It depends on, like if

644
00:34:25,400 --> 00:34:27,880
Speaker 1: it's all right, if it's like forty plus th c,

645
00:34:28,120 --> 00:34:30,040
Speaker 1: all right, cool, you don't get messed up and you

646
00:34:30,080 --> 00:34:32,600
Speaker 1: know how to hit that. But if you just have

647
00:34:32,800 --> 00:34:35,360
Speaker 1: like a little fun that come on there, Oh my god,

648
00:34:35,440 --> 00:34:40,200
Speaker 1: I'm smoking weed. Yeah it's Amsterdam. Yeah, right, So you

649
00:34:40,239 --> 00:34:42,960
Speaker 1: agree with Brandy when she's like calling bullshit on everybody

650
00:34:43,280 --> 00:34:46,000
Speaker 1: who's pretending they have never smoked pot before, and she

651
00:34:46,120 --> 00:34:50,160
Speaker 1: smoked pot with them. But Kyle brings a good card

652
00:34:50,480 --> 00:34:52,960
Speaker 1: to the table, just like Kim brought the kid card.

653
00:34:53,480 --> 00:34:58,160
Speaker 1: Kyle brings the kid card saying it's a parenting choice

654
00:34:58,200 --> 00:35:00,400
Speaker 1: because she doesn't want her kids to see her smoking

655
00:35:00,400 --> 00:35:03,160
Speaker 1: pot on television. And I don't know that's a line,

656
00:35:03,200 --> 00:35:05,759
Speaker 1: like I think that might be. I think it's kind

657
00:35:05,760 --> 00:35:08,319
Speaker 1: of bullshit. But it's a good line, and I also

658
00:35:08,320 --> 00:35:11,680
Speaker 1: think it's partially true. That's a bar. That's I mean,

659
00:35:11,719 --> 00:35:13,839
Speaker 1: that's definitely a bar. And it's like you you want

660
00:35:13,840 --> 00:35:17,399
Speaker 1: to keep your you want to keep whatever, whatever you're

661
00:35:17,440 --> 00:35:22,200
Speaker 1: doing that is considered taboo, whatever. You just want to

662
00:35:22,280 --> 00:35:24,160
Speaker 1: keep that away from your You do want to keep

663
00:35:24,160 --> 00:35:27,280
Speaker 1: that away from your children. So I definitely, I definitely

664
00:35:27,320 --> 00:35:30,319
Speaker 1: do agree with her when she says that. But at

665
00:35:30,320 --> 00:35:34,719
Speaker 1: the same time, still it's weed. It's not as like

666
00:35:34,800 --> 00:35:38,120
Speaker 1: you're saying the world has changed and that was that

667
00:35:38,200 --> 00:35:41,240
Speaker 1: was back then, um, and it was considered a little

668
00:35:41,239 --> 00:35:46,120
Speaker 1: more taboo to or whatever. But at the same time,

669
00:35:46,200 --> 00:35:51,040
Speaker 1: now it's like looking back at it now, would it

670
00:35:51,120 --> 00:35:53,920
Speaker 1: be like, oh, it's not it's not that big of

671
00:35:53,920 --> 00:35:55,880
Speaker 1: a deal. A matter of fact, you probably look cooler

672
00:35:56,640 --> 00:36:02,279
Speaker 1: if you if you smoke something, right. Um, However, this

673
00:36:02,400 --> 00:36:05,120
Speaker 1: show is like a quilt or like a web, you know,

674
00:36:05,160 --> 00:36:07,040
Speaker 1: you see those like hammocks that have those like unique

675
00:36:07,120 --> 00:36:09,880
Speaker 1: not like that like netting. And now you are fast

676
00:36:09,880 --> 00:36:12,480
Speaker 1: forwarding and you're in Amsterdam and you're pretending like you

677
00:36:12,560 --> 00:36:16,680
Speaker 1: don't smoke pot with that same person. The boomerang is

678
00:36:16,680 --> 00:36:21,640
Speaker 1: gonna come back and smack you. It's right, and it's

679
00:36:21,640 --> 00:36:26,040
Speaker 1: like it's Amsterdam. It's a like like we were just

680
00:36:26,120 --> 00:36:29,279
Speaker 1: talking about everything in moderation. You're not gonna go. You're

681
00:36:29,320 --> 00:36:31,799
Speaker 1: there for like a couple of days. It's like, have

682
00:36:32,640 --> 00:36:36,800
Speaker 1: have fun, you know, do have fun, have fun, don't.

683
00:36:37,320 --> 00:36:38,880
Speaker 1: I don't know if she was doing I don't know

684
00:36:38,920 --> 00:36:40,560
Speaker 1: what she was doing in the badood. She was in

685
00:36:40,600 --> 00:36:44,360
Speaker 1: the bathroom doing some ship. Obviously that's you know, obviously,

686
00:36:44,400 --> 00:36:48,359
Speaker 1: that's that's that's a that's that's no candy, yeah or

687
00:36:48,400 --> 00:36:50,799
Speaker 1: whatever what exactly. But now we're gonna be holier than

688
00:36:50,800 --> 00:36:52,680
Speaker 1: now and decide what we think is okay and what

689
00:36:52,760 --> 00:36:55,399
Speaker 1: we think isn't okay. Like and it's not okay because

690
00:36:55,400 --> 00:36:59,759
Speaker 1: one's illegal. One's legal in some places. But Brandy as

691
00:36:59,800 --> 00:37:02,960
Speaker 1: kids too. So let's pretend Grant Brandy was doing something

692
00:37:03,000 --> 00:37:05,840
Speaker 1: recreation you call it. I'm just saying, this show means

693
00:37:06,600 --> 00:37:08,440
Speaker 1: you're not allowed to pull up those cards because it's

694
00:37:08,440 --> 00:37:10,319
Speaker 1: all coming out and you just gotta keep your nose

695
00:37:10,360 --> 00:37:14,759
Speaker 1: completely clean. And if you go walk into here's what

696
00:37:14,800 --> 00:37:17,160
Speaker 1: it is, you're going on a trip to Amsterdam. If

697
00:37:17,160 --> 00:37:20,360
Speaker 1: you're walking into the pot den you started in with

698
00:37:20,360 --> 00:37:22,720
Speaker 1: your kids already, so it's it's fair game. We walked

699
00:37:22,719 --> 00:37:24,600
Speaker 1: I just thought of this. Now we walked into the

700
00:37:24,600 --> 00:37:27,279
Speaker 1: pot Den. You walk in into the front row at

701
00:37:27,320 --> 00:37:30,200
Speaker 1: a comedy show, you're gonna get heckled. You don't want

702
00:37:30,200 --> 00:37:31,680
Speaker 1: to get heckled. Don't walk in there, and don't sit

703
00:37:31,719 --> 00:37:33,919
Speaker 1: in the front row. Like so, if you're walking into

704
00:37:33,960 --> 00:37:37,120
Speaker 1: the Bulldog, someone might say something about smoking pot, and

705
00:37:37,160 --> 00:37:40,120
Speaker 1: I guess I'm retracting my statement. I don't think it

706
00:37:40,160 --> 00:37:41,640
Speaker 1: is a parenting choice because you had to make the

707
00:37:41,680 --> 00:37:45,280
Speaker 1: parenting choice before you walked in the pot den. Okay, okay,

708
00:37:45,760 --> 00:37:48,760
Speaker 1: under sound, I'm saying, we're on a television show walking

709
00:37:48,760 --> 00:37:52,000
Speaker 1: into a space cake pot den. If my kids may

710
00:37:52,040 --> 00:37:56,080
Speaker 1: find out I've smoked pot before, it's and it's again,

711
00:37:56,120 --> 00:37:59,000
Speaker 1: it's and it's and it is Amsterdam. In fact, you

712
00:37:59,040 --> 00:38:01,719
Speaker 1: went to Amsterdam. If you're yeah, I'm not going to

713
00:38:01,719 --> 00:38:04,520
Speaker 1: Amsterdam because my yeah, and then the producers will say, hey,

714
00:38:04,520 --> 00:38:06,319
Speaker 1: we'll just don't go to the place you smoke. They

715
00:38:06,360 --> 00:38:11,120
Speaker 1: have a lot of nice things in Amsterdam. You're in Gary, Indiana.

716
00:38:11,960 --> 00:38:13,880
Speaker 1: There's a time and a place. There's a time and

717
00:38:13,920 --> 00:38:17,359
Speaker 1: a place for everything. And whereas if it is if

718
00:38:17,360 --> 00:38:20,560
Speaker 1: it is in a place that's known for whatever. Okay,

719
00:38:20,760 --> 00:38:23,000
Speaker 1: you showed up, you knew what you were getting. It

720
00:38:23,120 --> 00:38:37,279
Speaker 1: was in the brochure. In fact, who are these characters?

721
00:38:37,520 --> 00:38:41,440
Speaker 1: Do you identify with the most? For better or for worse?

722
00:38:42,480 --> 00:38:47,239
Speaker 1: Who do I identify with the most? Man? Uh? I

723
00:38:47,320 --> 00:38:50,360
Speaker 1: don't even god day, I don't even know that. Who's

724
00:38:50,560 --> 00:38:53,600
Speaker 1: who's the most authentic person? Who's the most authentive person

725
00:38:53,640 --> 00:38:57,080
Speaker 1: on the show? Is it? Uh? Ironically, it could be.

726
00:38:57,200 --> 00:38:59,560
Speaker 1: It could be Brandy the one who's because I was thinking,

727
00:38:59,760 --> 00:39:01,839
Speaker 1: I'm a little Brandy and a little Kyle like she

728
00:39:02,040 --> 00:39:05,120
Speaker 1: it's not it can be abrasive, but she was like,

729
00:39:05,120 --> 00:39:07,400
Speaker 1: are we gonna be bullshit now? But you know, maybe

730
00:39:07,680 --> 00:39:12,400
Speaker 1: in this episode Brandy, who seemed fairly sane, I think

731
00:39:12,520 --> 00:39:16,960
Speaker 1: I think I identified with Brandy and hey, identify a

732
00:39:17,040 --> 00:39:21,359
Speaker 1: little bit, just a little bit, a little bit with Kim.

733
00:39:21,360 --> 00:39:24,440
Speaker 1: And I will say this is because I've had to

734
00:39:24,520 --> 00:39:28,320
Speaker 1: kick addictions of the minor ship whatever, minor ship whatever,

735
00:39:28,440 --> 00:39:33,200
Speaker 1: but still having that pain and having and knowing what

736
00:39:33,239 --> 00:39:36,279
Speaker 1: that is and knowing what it takes to get over that,

737
00:39:36,440 --> 00:39:40,920
Speaker 1: and knowing the mental strenuity that it strenu that it

738
00:39:41,000 --> 00:39:45,480
Speaker 1: causes to be able to go to that place. I

739
00:39:45,480 --> 00:39:47,560
Speaker 1: I applaud that. So I'm a little I'm a little

740
00:39:47,560 --> 00:39:50,319
Speaker 1: bit of her. I'm a little bit. I'm definitely a

741
00:39:50,320 --> 00:39:53,439
Speaker 1: little bit of that. Okay. And then the last question is, well,

742
00:39:53,480 --> 00:39:56,920
Speaker 1: two more who the rose and the thorn of the episode?

743
00:39:57,120 --> 00:39:58,799
Speaker 1: The part you like the best in the part you

744
00:39:58,840 --> 00:40:01,319
Speaker 1: like the least the heart I liked the best the

745
00:40:01,360 --> 00:40:04,560
Speaker 1: part I like the leash. I like Kim correcting Lisa.

746
00:40:04,760 --> 00:40:09,719
Speaker 1: That's what I like him correcting Lisa. I didn't like.

747
00:40:11,040 --> 00:40:16,480
Speaker 1: I like when it escalated past that and somebody through

748
00:40:16,520 --> 00:40:19,480
Speaker 1: and and and the glass bottle, the wine glass got thrown.

749
00:40:19,719 --> 00:40:23,120
Speaker 1: I needed that. I just okay, I'm going back. I've

750
00:40:23,160 --> 00:40:26,280
Speaker 1: had I've had a cup thrown at me before. Not fun,

751
00:40:26,680 --> 00:40:29,640
Speaker 1: you know what I'm saying. I dodged that bitch, you

752
00:40:29,680 --> 00:40:32,880
Speaker 1: know it missed, but it was still dangerous. So I

753
00:40:32,920 --> 00:40:34,880
Speaker 1: always I can always think back to that part and

754
00:40:34,920 --> 00:40:36,799
Speaker 1: be like, yo, sir, if that yo you would have

755
00:40:36,840 --> 00:40:39,160
Speaker 1: got hit, you would have had some stitches, it have

756
00:40:39,160 --> 00:40:42,000
Speaker 1: been some problems. I don't like broken glass. I don't

757
00:40:42,000 --> 00:40:46,160
Speaker 1: like I only thinking about my Fu hates broken glass

758
00:40:46,160 --> 00:40:49,759
Speaker 1: of freaks him out. Anything that broken glass freaks him out. Yeah,

759
00:40:50,120 --> 00:40:53,480
Speaker 1: all the little pieces, and I've I've had another moment

760
00:40:53,840 --> 00:40:56,799
Speaker 1: when my mother, God bless her, God bless my mom. Man,

761
00:40:56,880 --> 00:40:58,920
Speaker 1: she's such a she's such a sweetheart. I love it

762
00:40:58,960 --> 00:41:01,560
Speaker 1: to death. And like I said, she she watches religiously whatever.

763
00:41:02,280 --> 00:41:06,000
Speaker 1: Um but she put glass broken glass, she had broken.

764
00:41:06,160 --> 00:41:08,759
Speaker 1: It was broken wine glass. She put it in the

765
00:41:08,840 --> 00:41:12,279
Speaker 1: trash can. She covered it up with plastic. And you know,

766
00:41:12,760 --> 00:41:14,960
Speaker 1: when I was growing up, it was my duty to

767
00:41:15,000 --> 00:41:17,560
Speaker 1: take the trash shot. But if I would see that

768
00:41:17,600 --> 00:41:19,239
Speaker 1: it was just a little bit up, I would try

769
00:41:19,280 --> 00:41:24,360
Speaker 1: to push it down. I pushed it, yep, and it

770
00:41:24,520 --> 00:41:27,480
Speaker 1: cut my finger almost although I'm not flicking you off,

771
00:41:27,840 --> 00:41:31,320
Speaker 1: almost all the way to the tendon. I see it.

772
00:41:32,160 --> 00:41:34,840
Speaker 1: That's crazy that you have like a personal story attached

773
00:41:34,840 --> 00:41:37,560
Speaker 1: to when that glass got broken in this episode. That's insane,

774
00:41:37,560 --> 00:41:40,600
Speaker 1: I see it. Yeah, that's oh you remember, like it

775
00:41:40,640 --> 00:41:45,280
Speaker 1: was yesterday. Yeah, So my mother she felt so bad.

776
00:41:45,719 --> 00:41:47,720
Speaker 1: She felt so bad. She was like, I'm so sorry.

777
00:41:48,000 --> 00:41:52,280
Speaker 1: It missed the tendon by literally a centimeter. Oh my god,

778
00:41:52,360 --> 00:41:55,319
Speaker 1: that's a crazy Wow. That is such a crazy story.

779
00:41:55,360 --> 00:41:57,279
Speaker 1: And that's so weird that this was the episode that

780
00:41:57,320 --> 00:42:01,520
Speaker 1: we gave you that's crazy. Actually, my I don't know.

781
00:42:01,560 --> 00:42:04,239
Speaker 1: I kind of liked I'm a call bullshit person. I

782
00:42:04,320 --> 00:42:06,840
Speaker 1: kind of liked at the end Brandy being like, because

783
00:42:06,880 --> 00:42:10,319
Speaker 1: I've seen Brandy listen, Brandy is definitely taught, you know,

784
00:42:10,400 --> 00:42:14,160
Speaker 1: challenging and can be a little abrasive and crass. But

785
00:42:14,960 --> 00:42:17,480
Speaker 1: she was like, everyone gets to to be you know,

786
00:42:17,560 --> 00:42:20,160
Speaker 1: talk about everything I do. But now I can't call

787
00:42:20,200 --> 00:42:26,320
Speaker 1: anybody else's bullshit out. So I did like that, And um,

788
00:42:26,360 --> 00:42:28,880
Speaker 1: I was a little bored by the actual reason for

789
00:42:28,920 --> 00:42:32,000
Speaker 1: the trip itself, Like Yolanda is lovely and nice. I

790
00:42:32,040 --> 00:42:34,839
Speaker 1: understand why she's not on the show anymore because it's

791
00:42:34,880 --> 00:42:36,880
Speaker 1: all a little too lovely and nice is a little boring,

792
00:42:37,880 --> 00:42:40,480
Speaker 1: do you know what I mean? Like for me, yeah,

793
00:42:40,520 --> 00:42:42,960
Speaker 1: there was no zip, but like this was the zip.

794
00:42:43,320 --> 00:42:46,440
Speaker 1: And then my last and final question for you was

795
00:42:46,480 --> 00:42:51,200
Speaker 1: who won the night? Who did one a night? Damn No?

796
00:42:51,400 --> 00:42:55,000
Speaker 1: I think he no. The person okay, the person who

797
00:42:55,040 --> 00:43:01,480
Speaker 1: walks out loses? Ah, Hyle lost. Kyle lost for like fleeing, Okay,

798
00:43:02,040 --> 00:43:07,239
Speaker 1: she lost her flea Okay, I would say I would

799
00:43:07,280 --> 00:43:11,520
Speaker 1: say Lisa lost because Lisa wasn't Lisa lost because she

800
00:43:11,640 --> 00:43:17,200
Speaker 1: wasn't straightforward and chose violence and chose violence, So I

801
00:43:17,239 --> 00:43:20,440
Speaker 1: would say that I would say, I would say the loser.

802
00:43:20,560 --> 00:43:24,080
Speaker 1: I would say the loses. Oh god, Dad, they're both loses.

803
00:43:24,920 --> 00:43:31,640
Speaker 1: Kyle Flett lost. Kyle lost. Um Lisa chose violence and

804
00:43:31,680 --> 00:43:34,520
Speaker 1: talked around the school, so she lost too. Who won?

805
00:43:34,960 --> 00:43:38,640
Speaker 1: I think you think Kim I agree. I actually think

806
00:43:38,680 --> 00:43:40,160
Speaker 1: him one too. And it's weird because I don't know

807
00:43:40,200 --> 00:43:42,719
Speaker 1: if back then Kim one because the audience is on

808
00:43:42,719 --> 00:43:47,640
Speaker 1: the ride. But as an older, wiser parent, which I wasn't,

809
00:43:47,680 --> 00:43:50,080
Speaker 1: then I think Kim one too. I mean, I do

810
00:43:50,120 --> 00:43:53,000
Speaker 1: not think she's perfect at all, but I think she was.

811
00:43:53,320 --> 00:43:56,040
Speaker 1: You can never give the winning card to like people

812
00:43:56,040 --> 00:43:58,239
Speaker 1: who don't who play under the radar, like the other

813
00:43:58,280 --> 00:44:00,400
Speaker 1: woman Eileen, who's a soap back, just was like I

814
00:44:00,440 --> 00:44:02,319
Speaker 1: don't like you. She's like, I don't like it. Those

815
00:44:02,320 --> 00:44:04,960
Speaker 1: are filler characters to me. Those are like cock between

816
00:44:05,000 --> 00:44:06,800
Speaker 1: the tiles. There's always a couple of those in that

817
00:44:06,880 --> 00:44:09,239
Speaker 1: are just like talking and I'm not even bringing up

818
00:44:09,239 --> 00:44:11,760
Speaker 1: what they're saying because they're not really taking the shots,

819
00:44:11,760 --> 00:44:13,879
Speaker 1: you know what I mean. There's people in comedy too.

820
00:44:13,880 --> 00:44:16,759
Speaker 1: I'm sure some people are just like filler, same thing.

821
00:44:17,000 --> 00:44:19,879
Speaker 1: They're not on the front lines. It's not the it's

822
00:44:19,920 --> 00:44:22,480
Speaker 1: the people who go for it, yes and take and

823
00:44:22,760 --> 00:44:27,080
Speaker 1: lose the biggest two. It's true. But if you if

824
00:44:27,120 --> 00:44:30,640
Speaker 1: you hit, when you take that risk, yes it's it's

825
00:44:30,760 --> 00:44:35,000
Speaker 1: worth it. Thank you, thank you. And I learned that

826
00:44:35,080 --> 00:44:36,919
Speaker 1: years ago when I was only apprentice, because you could

827
00:44:36,920 --> 00:44:39,200
Speaker 1: always tell the people each task that would try to take,

828
00:44:39,280 --> 00:44:41,960
Speaker 1: like the third from the bottom job that like you

829
00:44:41,960 --> 00:44:44,399
Speaker 1: wouldn't get noticed, so you'd be enough under the radar.

830
00:44:44,440 --> 00:44:46,520
Speaker 1: You could pretend you were doing a little and those

831
00:44:46,520 --> 00:44:49,319
Speaker 1: were always losers like I was always you know, just

832
00:44:49,320 --> 00:44:53,040
Speaker 1: like right on the front taking hits, getting in because yeah,

833
00:44:53,080 --> 00:44:56,600
Speaker 1: so the characters on the show, I can't give a

834
00:44:56,640 --> 00:44:59,040
Speaker 1: winning just because someone didn't say anything rude if they

835
00:44:59,040 --> 00:45:01,920
Speaker 1: were boring. So those are the filler. Yeah, So it's

836
00:45:01,960 --> 00:45:05,319
Speaker 1: like that in comedy. Too interesting you are I would

837
00:45:05,320 --> 00:45:07,359
Speaker 1: love I mean, I'm going to probably call you another

838
00:45:07,400 --> 00:45:10,200
Speaker 1: time to do another one, like you're doing really fun

839
00:45:10,239 --> 00:45:12,400
Speaker 1: and you like really get into the analysis, which I

840
00:45:12,480 --> 00:45:14,960
Speaker 1: love and now I know you, so I like that too,

841
00:45:14,960 --> 00:45:16,359
Speaker 1: like I get to know you. Maybe I'm gonna get

842
00:45:16,400 --> 00:45:19,680
Speaker 1: to meet your mom sometime. Hell yeah, and she I'm

843
00:45:19,800 --> 00:45:25,239
Speaker 1: telling you, Ramona Farrow is a religious Housewives like she

844
00:45:25,280 --> 00:45:29,080
Speaker 1: watches every every series she watches it. She's just and

845
00:45:29,160 --> 00:45:33,080
Speaker 1: she's still She's adorable. She has surgery back in two

846
00:45:33,120 --> 00:45:35,960
Speaker 1: thousand and one, and um, she got like she would

847
00:45:36,000 --> 00:45:37,879
Speaker 1: watch her soap operas because she couldn't go to work.

848
00:45:37,920 --> 00:45:39,879
Speaker 1: And what I mean, and I was at the time,

849
00:45:39,920 --> 00:45:41,960
Speaker 1: I was, I was in eighth grade and I was,

850
00:45:42,200 --> 00:45:46,000
Speaker 1: I was helping get out whatever. But um, she started

851
00:45:46,040 --> 00:45:48,759
Speaker 1: recording her soap operas back in two thousand and what

852
00:45:48,880 --> 00:45:54,040
Speaker 1: she still does it today. Straight, she has recorded it

853
00:45:54,080 --> 00:45:58,879
Speaker 1: and she and she loves reality television and the Housewives

854
00:45:58,960 --> 00:46:03,560
Speaker 1: like every every series. She loved himself. Um, you're so wonderful,

855
00:46:03,560 --> 00:46:05,680
Speaker 1: what a great energy like you didn't you know, I

856
00:46:05,760 --> 00:46:08,080
Speaker 1: just really loved this with you so nice to me.

857
00:46:08,280 --> 00:46:11,160
Speaker 1: I can't say that enough. Let's Bethany, let's do this again.

858
00:46:11,239 --> 00:46:13,799
Speaker 1: We have fabulous. You put me in such a good

859
00:46:13,800 --> 00:46:17,000
Speaker 1: mood today. Yeah,