1 00:00:01,840 --> 00:00:04,519 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,600 --> 00:00:07,240 Speaker 2: And Kevin an iHeartRadio podcast? 3 00:00:09,480 --> 00:00:14,480 Speaker 1: What podcast is this? That's what you really missed with 4 00:00:14,760 --> 00:00:17,279 Speaker 1: Jenna and Kevin. That was beautiful. 5 00:00:17,320 --> 00:00:22,200 Speaker 2: Jenna. You're proud of yourself, aren't you? On that one? 6 00:00:22,400 --> 00:00:26,920 Speaker 1: No? Off the cuffs? Wow, she still got it, still 7 00:00:26,920 --> 00:00:34,159 Speaker 1: got a kid's Hello, and welcome to the show today. 8 00:00:34,200 --> 00:00:37,640 Speaker 1: We are doing Journey Regional. 9 00:00:38,520 --> 00:00:42,080 Speaker 2: We did the kids. Yay, we made it. We seasoned 10 00:00:42,600 --> 00:00:47,680 Speaker 2: one finale of Glee. Who would have thought? We sure 11 00:00:47,720 --> 00:00:52,320 Speaker 2: didn't when we got cast on the show. You've heard 12 00:00:52,320 --> 00:00:55,080 Speaker 2: from Ryan three times now and from Ian and a 13 00:00:55,080 --> 00:00:58,760 Speaker 2: bunch of cast members that none of us really knew 14 00:00:59,080 --> 00:01:00,560 Speaker 2: if we were going to make it this far, and 15 00:01:00,600 --> 00:01:03,680 Speaker 2: most of us didn't think we would. But there we are, 16 00:01:04,000 --> 00:01:06,319 Speaker 2: twenty two episodes. 17 00:01:06,720 --> 00:01:08,800 Speaker 1: And a buttload more to. 18 00:01:08,760 --> 00:01:12,039 Speaker 2: Go, and a lot of songs and a tour. And 19 00:01:12,720 --> 00:01:16,959 Speaker 2: this originally aired on June eighth, twenty ten. 20 00:01:18,080 --> 00:01:20,640 Speaker 1: Wow. How crazy? Wow? 21 00:01:20,800 --> 00:01:23,880 Speaker 2: Okay, yeah, that was late. Normally seasons ends the beginning 22 00:01:23,920 --> 00:01:26,920 Speaker 2: of May sort of thing. But I think because we 23 00:01:26,959 --> 00:01:29,199 Speaker 2: did thirteen at a weird time, then all that press 24 00:01:29,200 --> 00:01:31,440 Speaker 2: stuff happened. Had we had a big break in between 25 00:01:32,240 --> 00:01:34,880 Speaker 2: the first thirteen. Yeah, we had to catch up. But 26 00:01:35,560 --> 00:01:40,720 Speaker 2: here we are on this week in Glee her story. 27 00:01:42,360 --> 00:01:46,000 Speaker 2: We were in Emmy magazine. Do you remember doing this 28 00:01:46,080 --> 00:01:50,400 Speaker 2: photo shoot briefly? I remember it very well and then 29 00:01:50,440 --> 00:01:53,800 Speaker 2: a month Yeah, I don't know why. I remember it 30 00:01:53,840 --> 00:01:57,120 Speaker 2: was downtown and this like studio loft thing. 31 00:01:57,720 --> 00:02:00,600 Speaker 1: Yeah, yeah, all of us. 32 00:02:00,880 --> 00:02:03,720 Speaker 2: I kept the vans from this photo shoot for years 33 00:02:04,160 --> 00:02:04,680 Speaker 2: that I wore. 34 00:02:06,000 --> 00:02:10,320 Speaker 1: Now did we shoot because I don't remember to shoot 35 00:02:10,320 --> 00:02:13,040 Speaker 1: that well. I remember it being chaos because there were 36 00:02:13,040 --> 00:02:15,959 Speaker 1: so many of us and they stacked us. Did we 37 00:02:16,160 --> 00:02:21,840 Speaker 1: actually take those photos together or did they superimpose us 38 00:02:21,880 --> 00:02:24,680 Speaker 1: in there's a group photo of girls and the group 39 00:02:24,720 --> 00:02:26,080 Speaker 1: photo of the guys. 40 00:02:27,320 --> 00:02:31,280 Speaker 2: I don't remember. I sort of think it was all individual. 41 00:02:31,760 --> 00:02:34,520 Speaker 2: I yeah, they were just trying to make it work 42 00:02:34,639 --> 00:02:37,080 Speaker 2: because you know, a month later we were nominated for 43 00:02:37,240 --> 00:02:39,400 Speaker 2: nineteen Emmys. No big deal. 44 00:02:39,800 --> 00:02:40,600 Speaker 1: Oh my god. 45 00:02:40,880 --> 00:02:42,640 Speaker 2: Do you remember that When we got to the stages, 46 00:02:43,880 --> 00:02:46,880 Speaker 2: there was a huge banner on our main stage that 47 00:02:46,960 --> 00:02:51,040 Speaker 2: said congratulations on nineteen. It felt very obnoxious, like I 48 00:02:51,080 --> 00:02:53,400 Speaker 2: felt embarrassed, but it was also very cool. But they 49 00:02:53,440 --> 00:02:56,000 Speaker 2: did that every time every time. That's not one for 50 00:02:56,040 --> 00:02:59,440 Speaker 2: Bagel Awards. We got a banner. Yeah, it's true. 51 00:03:00,360 --> 00:03:05,320 Speaker 1: Also on this day, Glee the Music Journey to Regionals 52 00:03:05,800 --> 00:03:08,959 Speaker 1: was the album was released, and it featured six tracks 53 00:03:08,960 --> 00:03:11,600 Speaker 1: from episode twenty two But when We're going to recap, 54 00:03:11,960 --> 00:03:15,360 Speaker 1: including Don't Stop Believing the regional's version with all of Us, 55 00:03:16,040 --> 00:03:20,280 Speaker 1: and the EP debuted at number one on both the 56 00:03:20,400 --> 00:03:24,640 Speaker 1: US Billboard two hundred and Soundtracks chart, selling one hundred 57 00:03:24,680 --> 00:03:26,800 Speaker 1: and fifty four thousand copies of. 58 00:03:27,080 --> 00:03:30,600 Speaker 2: What I Just Got goosebumps. I did not know that. 59 00:03:31,440 --> 00:03:35,080 Speaker 1: The album became the cast third number one album on 60 00:03:35,120 --> 00:03:36,240 Speaker 1: the bill What. 61 00:03:37,600 --> 00:03:38,640 Speaker 2: I don't remember that. 62 00:03:39,440 --> 00:03:41,320 Speaker 1: I remember that. 63 00:03:41,320 --> 00:03:45,440 Speaker 2: That's crazy that an EP just from one episode was 64 00:03:45,560 --> 00:03:48,280 Speaker 2: number one and sold one hundred and fifty four thousand copies. 65 00:03:49,280 --> 00:03:51,600 Speaker 2: That's diabolical, you guys. 66 00:03:52,000 --> 00:03:54,600 Speaker 1: I was thinking about it. I was like, how did 67 00:03:54,640 --> 00:03:57,560 Speaker 1: we get to number one so quickly? All the time, 68 00:03:57,680 --> 00:04:01,000 Speaker 1: like it was we really were here. Huge. It was 69 00:04:01,040 --> 00:04:05,920 Speaker 1: a really huge shot. And sometimes people say it and 70 00:04:06,040 --> 00:04:08,200 Speaker 1: like it hits like a brick Jenna's brick wall, but 71 00:04:08,280 --> 00:04:12,680 Speaker 1: like this, like I'm like, oh, it was really big, yeah, 72 00:04:12,840 --> 00:04:13,600 Speaker 1: really popular. 73 00:04:13,720 --> 00:04:17,440 Speaker 2: We were bamboozled by it. We still are. And this 74 00:04:17,680 --> 00:04:23,120 Speaker 2: was the most viewed episode of any new seasons of 75 00:04:23,160 --> 00:04:26,000 Speaker 2: all the season finales of any new shows, the season finales. 76 00:04:26,279 --> 00:04:28,080 Speaker 1: Yeah, that's right, that's right. 77 00:04:29,800 --> 00:04:31,919 Speaker 2: And I had almost eleven million viewers, and so we 78 00:04:32,080 --> 00:04:35,000 Speaker 2: kept growing every single week, and you'll see in season 79 00:04:35,000 --> 00:04:36,839 Speaker 2: two it just keeps growing even more. 80 00:04:37,600 --> 00:04:45,359 Speaker 1: Now. I this episode, I was very weepy. I remember 81 00:04:45,360 --> 00:04:48,320 Speaker 1: the whole time, and then I was weep be watching 82 00:04:48,360 --> 00:04:48,839 Speaker 1: it back. 83 00:04:49,760 --> 00:04:54,039 Speaker 2: I I was a little weepy watching it back as well, 84 00:04:54,240 --> 00:04:57,000 Speaker 2: because there's a couple scenes that feel a little real, 85 00:04:57,800 --> 00:05:02,640 Speaker 2: and this is I think goes to Ian's point about 86 00:05:02,640 --> 00:05:06,440 Speaker 2: where they sometimes commentate on what's actually happening. And there 87 00:05:07,320 --> 00:05:14,240 Speaker 2: is a speech Will gives to the kids about sort 88 00:05:14,279 --> 00:05:16,640 Speaker 2: of the journey we've had and how much Glee Club 89 00:05:16,760 --> 00:05:20,280 Speaker 2: means to everyone, and years from now you won't remember 90 00:05:20,520 --> 00:05:23,239 Speaker 2: what songs you did, you won't remember each other's names, 91 00:05:23,320 --> 00:05:26,520 Speaker 2: and it just made me reflect upon our group and 92 00:05:26,560 --> 00:05:29,720 Speaker 2: how so far we've stood the test of that time 93 00:05:30,000 --> 00:05:32,880 Speaker 2: thus far. But it is one of those things when 94 00:05:32,880 --> 00:05:34,760 Speaker 2: you and I talk about this every week, we're like, 95 00:05:34,960 --> 00:05:37,760 Speaker 2: do what songs did we do? And things do become 96 00:05:37,800 --> 00:05:41,159 Speaker 2: a little blurry. And I was emotional watching Shoe give 97 00:05:41,240 --> 00:05:44,960 Speaker 2: us that speech because I don't think we were tired. 98 00:05:45,000 --> 00:05:47,640 Speaker 2: It was twenty two episodes. We didn't really know what 99 00:05:47,720 --> 00:05:50,200 Speaker 2: was going on, and you can't know how applicable that's 100 00:05:50,200 --> 00:05:52,920 Speaker 2: going to be to our futures, and it totally was. 101 00:05:53,720 --> 00:05:57,480 Speaker 1: That's right. What were we yearing up to do after 102 00:05:57,560 --> 00:06:00,280 Speaker 1: this episode? 103 00:06:00,640 --> 00:06:05,920 Speaker 2: Well after it aired, we had already done tour okay, right, 104 00:06:05,960 --> 00:06:08,160 Speaker 2: tour was wrapping up. So it was our first official 105 00:06:08,279 --> 00:06:12,720 Speaker 2: hiatus because we started shooting the beginning of July, right, 106 00:06:12,800 --> 00:06:16,279 Speaker 2: so we only had a couple a couple of weeks 107 00:06:16,440 --> 00:06:17,279 Speaker 2: of doing nothing. 108 00:06:17,680 --> 00:06:20,040 Speaker 1: Okay, I'm looking through my photos right now. 109 00:06:20,520 --> 00:06:21,680 Speaker 2: Yeah, what do you see? 110 00:06:22,120 --> 00:06:23,719 Speaker 1: I see photos of only you and me? 111 00:06:24,600 --> 00:06:26,800 Speaker 2: Sounds about right. Let me let me scroll back. 112 00:06:27,320 --> 00:06:33,359 Speaker 1: We went to Monaco, oh yeah, oh my god. We 113 00:06:33,400 --> 00:06:36,479 Speaker 1: went to the TV and Film Festival in Monaco, which 114 00:06:36,520 --> 00:06:40,200 Speaker 1: was a wild, wild trip of a vacation. Then we 115 00:06:40,240 --> 00:06:43,280 Speaker 1: went to London to do press Fergalle. Then we took 116 00:06:43,320 --> 00:06:45,600 Speaker 1: a day trip to Paris, where you were very hungover 117 00:06:45,640 --> 00:06:48,040 Speaker 1: and he slept on the tour bus. Then we went 118 00:06:49,880 --> 00:06:51,760 Speaker 1: back and then I went back to New York and 119 00:06:51,839 --> 00:06:53,960 Speaker 1: went home for a while, and I went to Brazil, 120 00:06:54,440 --> 00:07:00,159 Speaker 1: that's right. And then we had all the Emmy Press 121 00:07:00,279 --> 00:07:02,000 Speaker 1: that we did when we got back, we did that 122 00:07:02,040 --> 00:07:05,360 Speaker 1: event at the Music Box. We'll get into all of that, right, 123 00:07:05,400 --> 00:07:08,159 Speaker 1: and then we went to the Emmys. 124 00:07:07,839 --> 00:07:11,440 Speaker 2: And we started we started shooting I said July beginning 125 00:07:11,480 --> 00:07:14,400 Speaker 2: of July, but we actually started shooting the season beginning 126 00:07:14,440 --> 00:07:16,360 Speaker 2: of August, so I think they delayed our start a 127 00:07:16,360 --> 00:07:20,200 Speaker 2: little bit to give us that time and Jenna. This 128 00:07:20,240 --> 00:07:24,400 Speaker 2: episode aired on June eighth, twenty ten. Those photos of us, 129 00:07:26,160 --> 00:07:27,920 Speaker 2: of the paparazzi photos of us on the beach of 130 00:07:27,960 --> 00:07:31,240 Speaker 2: Monica were taken on this very day and came out 131 00:07:31,560 --> 00:07:37,160 Speaker 2: June tenth, So June eighth was the day Jenna and 132 00:07:37,200 --> 00:07:39,480 Speaker 2: I became a famous celebrity couple. 133 00:07:39,600 --> 00:07:43,000 Speaker 1: The most famous will ever be same this. 134 00:07:43,160 --> 00:07:47,400 Speaker 2: On this day in twenty ten, we peaked, but we 135 00:07:47,440 --> 00:07:48,080 Speaker 2: did it together. 136 00:07:49,800 --> 00:07:54,720 Speaker 1: As weekly we we did it. We made ourselves, tagged 137 00:07:54,760 --> 00:07:57,760 Speaker 1: ourselves as a couple. We were moving in together. The 138 00:07:57,840 --> 00:08:02,200 Speaker 1: story worked out, I really did. Yeah, so hilarious. It's 139 00:08:02,240 --> 00:08:06,000 Speaker 1: also where I went to Brazil during this hiatus. I 140 00:08:06,040 --> 00:08:09,680 Speaker 1: passed out, Remember, I got burdigo. We went to Comic Con, 141 00:08:10,200 --> 00:08:12,240 Speaker 1: we found out we were going to be only juniors, 142 00:08:12,240 --> 00:08:15,480 Speaker 1: and we had another year in school. It was pretty 143 00:08:16,120 --> 00:08:17,640 Speaker 1: a wild, wild journey. 144 00:08:18,120 --> 00:08:20,720 Speaker 2: Speaking of Journey, Yeah, speaking. 145 00:08:20,360 --> 00:08:25,560 Speaker 1: Of Journey, let's let's get into this episode. The number 146 00:08:25,560 --> 00:08:28,560 Speaker 1: one song was still on MG featuring When I Am 147 00:08:28,600 --> 00:08:31,000 Speaker 1: By a Sure, and the number one movie was still 148 00:08:31,120 --> 00:08:33,320 Speaker 1: Shrek Forever After Ever After. 149 00:08:33,440 --> 00:08:36,160 Speaker 2: Which, by the way, did you hear that their negotiations 150 00:08:36,200 --> 00:08:38,480 Speaker 2: to make Shrek five and the original cast is. 151 00:08:38,480 --> 00:08:40,400 Speaker 1: In I've got to catch up on. 152 00:08:42,600 --> 00:08:46,440 Speaker 2: Yeah, Okay, all right, So in this episode we have 153 00:08:47,559 --> 00:08:50,200 Speaker 2: it was directed by Brad Faulchuck written well, it says 154 00:08:50,200 --> 00:08:53,400 Speaker 2: by Brad Peltchick. But as we know, all three of them. 155 00:08:53,559 --> 00:08:56,520 Speaker 2: Josh Grobin is back, Graf is back, a Dina is back, 156 00:08:57,440 --> 00:09:00,640 Speaker 2: and we just have we have everyone Live Newton, John 157 00:09:01,840 --> 00:09:04,959 Speaker 2: Grace us with our presence one more time, and we 158 00:09:05,040 --> 00:09:08,000 Speaker 2: have some greatest hits, I mean so much so A 159 00:09:08,120 --> 00:09:09,000 Speaker 2: debut at number one. 160 00:09:08,920 --> 00:09:12,679 Speaker 1: Until four one hundred and fifty thousand albums sold. 161 00:09:13,000 --> 00:09:14,959 Speaker 2: What take us through? 162 00:09:14,960 --> 00:09:18,280 Speaker 1: The song Shenna Faithfully anyway you want it, Love and 163 00:09:18,360 --> 00:09:21,640 Speaker 1: Touch and squeeze and don't stop Believing all by Journey, 164 00:09:21,960 --> 00:09:28,920 Speaker 1: performed by the Nude Erections. H Bohemian Rhapsody by Queen 165 00:09:29,000 --> 00:09:33,880 Speaker 1: one of my favorite gle numbers ever Shooster with Love 166 00:09:34,080 --> 00:09:40,320 Speaker 1: by Lulu over the Rainbow, uh performed by mister Shu 167 00:09:40,760 --> 00:09:45,480 Speaker 1: and Uh Noah Parkerman. What's going on in this? 168 00:09:45,720 --> 00:09:46,080 Speaker 2: Uh? 169 00:09:46,280 --> 00:09:48,079 Speaker 1: Give me an overview? Overview, Kevin? 170 00:09:48,160 --> 00:09:54,560 Speaker 2: Okay, So basically what happens is it's Regional's time and Sue, 171 00:09:54,679 --> 00:09:57,319 Speaker 2: of course, is up to no good. She gets herself 172 00:09:57,360 --> 00:10:02,520 Speaker 2: on the judging panel and new directions and will completely 173 00:10:02,600 --> 00:10:05,520 Speaker 2: spiral and freak out because they know if Sue's one 174 00:10:05,520 --> 00:10:09,000 Speaker 2: of the judges, there's no way new directions are going 175 00:10:09,040 --> 00:10:12,840 Speaker 2: to either place nor win, which is what they have 176 00:10:12,920 --> 00:10:15,560 Speaker 2: to do for Figgins to allow them to keep the 177 00:10:15,559 --> 00:10:21,200 Speaker 2: Glee Club happening and funded. So basically, it's what can 178 00:10:21,200 --> 00:10:23,640 Speaker 2: we do and what does Glee Club mean to us? 179 00:10:23,760 --> 00:10:27,360 Speaker 2: Even if we can't win. That's what's happening, you know. 180 00:10:28,480 --> 00:10:31,480 Speaker 1: And there's a fun fact here. I know you said 181 00:10:31,480 --> 00:10:34,000 Speaker 1: that this was the highest finale rating for a niche 182 00:10:34,480 --> 00:10:37,160 Speaker 1: a series finale watched on TV at the time. In 183 00:10:38,080 --> 00:10:41,600 Speaker 1: two thousand nine, ten Journey to Regionals was watched by 184 00:10:41,800 --> 00:10:48,319 Speaker 1: ten point nine two million American viewers. That's right, it's 185 00:10:48,360 --> 00:10:48,960 Speaker 1: a lot of people. 186 00:10:49,240 --> 00:10:50,040 Speaker 2: It's a lot of people. 187 00:10:50,800 --> 00:10:52,440 Speaker 1: What's going on? Talk to me. 188 00:10:52,920 --> 00:10:57,120 Speaker 2: Okay, So Sue reveals she's a judge at regionals because 189 00:10:57,120 --> 00:11:00,000 Speaker 2: she's a celebrity, and it's a celebrity panel of judge 190 00:11:00,120 --> 00:11:03,560 Speaker 2: is obviously a glee clubs like, wan't, wan't, there's no 191 00:11:03,600 --> 00:11:08,720 Speaker 2: way we can win. So mister Shue has a party too. 192 00:11:09,360 --> 00:11:10,840 Speaker 2: He has all the kids over at his house, which 193 00:11:11,040 --> 00:11:15,040 Speaker 2: seems suspicious to decide the set list, but the kids 194 00:11:15,080 --> 00:11:19,360 Speaker 2: are all crying and upset. Do you remember shooting this. 195 00:11:19,520 --> 00:11:20,600 Speaker 2: I remember shooting this. 196 00:11:20,679 --> 00:11:23,640 Speaker 1: Very well, so so clearly in my mind, so clearly. 197 00:11:24,280 --> 00:11:25,839 Speaker 2: I did not realize this was season one. 198 00:11:26,120 --> 00:11:28,560 Speaker 1: I was just so I remember this a season one. 199 00:11:28,640 --> 00:11:30,839 Speaker 1: I remember being so happy that we got to sit 200 00:11:30,880 --> 00:11:35,400 Speaker 1: on mister Shoe's couch all night. I also remember having 201 00:11:35,480 --> 00:11:41,120 Speaker 1: to cry again. It's not easy for me to cry. 202 00:11:41,200 --> 00:11:43,600 Speaker 2: So like I told us, you warned us, you said, 203 00:11:43,640 --> 00:11:45,560 Speaker 2: once you reveal you can do something, they're gonna have 204 00:11:45,600 --> 00:11:47,480 Speaker 2: you do it over and over again. And here we go. 205 00:11:47,720 --> 00:11:53,360 Speaker 1: There it is, and I just remember having to like 206 00:11:53,520 --> 00:11:55,720 Speaker 1: stay in it the whole time. And it was a 207 00:11:55,800 --> 00:11:58,280 Speaker 1: late night. It was like the last scene of the day. 208 00:12:01,000 --> 00:12:05,400 Speaker 1: But I remember I remember Brad coming in. I don't 209 00:12:05,440 --> 00:12:08,920 Speaker 1: remember what he said, to us, but I do remember 210 00:12:10,920 --> 00:12:13,800 Speaker 1: him kind of I think, mirroring what was going on, 211 00:12:13,920 --> 00:12:15,800 Speaker 1: like the we side with the writer's mirroring what was 212 00:12:15,840 --> 00:12:18,400 Speaker 1: going on. I feel like there was something emotional going 213 00:12:18,440 --> 00:12:20,280 Speaker 1: on in this group. Do you remember shooting this. 214 00:12:20,960 --> 00:12:25,160 Speaker 2: I do. We were telling ghost stories, oh, because I 215 00:12:25,200 --> 00:12:27,480 Speaker 2: think if I remember correctly, this was a Friday night, 216 00:12:27,640 --> 00:12:31,760 Speaker 2: which means this was really really late. There was nobody 217 00:12:31,800 --> 00:12:35,400 Speaker 2: else on Paramount shooting at this hour. It was probably 218 00:12:35,480 --> 00:12:40,800 Speaker 2: midnight or one am. Paramount Studios shares a wall with 219 00:12:40,840 --> 00:12:43,400 Speaker 2: a graveyard, the Hollywood Forever Cemetery, and so there are 220 00:12:43,440 --> 00:12:49,800 Speaker 2: all these stories about those backstages being haunted. Nia was 221 00:12:49,800 --> 00:12:52,120 Speaker 2: telling a story about when she worked on the lot 222 00:12:52,160 --> 00:12:54,760 Speaker 2: as a child with Red Fox and saw him pass 223 00:12:54,760 --> 00:12:58,280 Speaker 2: away on that set, and was telling that story, and 224 00:12:58,280 --> 00:13:01,360 Speaker 2: then we were looking up on our phone other stories 225 00:13:01,400 --> 00:13:08,480 Speaker 2: about the ghosts and people's experiences, and so nobody was around. 226 00:13:08,520 --> 00:13:10,760 Speaker 2: The set was really really dark. They had this like 227 00:13:10,800 --> 00:13:13,400 Speaker 2: fake rain going on outside, so it felt so spooky, 228 00:13:13,440 --> 00:13:16,920 Speaker 2: and we were freaking ourselves out so badly, and that's 229 00:13:16,960 --> 00:13:19,520 Speaker 2: all I could think about when we were well, when 230 00:13:19,520 --> 00:13:22,120 Speaker 2: I was watching the scene, everyone's like crying and upset 231 00:13:22,960 --> 00:13:24,960 Speaker 2: and I do remember Brad coming in and I he 232 00:13:25,040 --> 00:13:26,840 Speaker 2: was always really good at this, at relating it to 233 00:13:26,880 --> 00:13:30,560 Speaker 2: real life and having us imagine like if this was 234 00:13:30,600 --> 00:13:32,760 Speaker 2: the last time we ever got to do this, like that, 235 00:13:33,240 --> 00:13:36,320 Speaker 2: trying to get us in that moment of look how 236 00:13:36,320 --> 00:13:39,440 Speaker 2: far we've come, the friends we've made, all that we've achieved, 237 00:13:39,480 --> 00:13:40,559 Speaker 2: and now it's coming to an. 238 00:13:40,600 --> 00:13:42,480 Speaker 1: End, and meanwhile we're spooking each other. 239 00:13:42,720 --> 00:13:45,599 Speaker 2: Yeah, ghost stories professional. 240 00:13:45,200 --> 00:13:47,040 Speaker 1: Okay, that, thank you for that reminded us. 241 00:13:47,559 --> 00:13:59,880 Speaker 2: D Cho then goes to Emma and asks for advice, 242 00:14:00,760 --> 00:14:03,600 Speaker 2: and she reminds him of like, hey, this is why 243 00:14:04,120 --> 00:14:06,160 Speaker 2: you love Glee. Also, by the way, I'm dating someone. 244 00:14:06,240 --> 00:14:10,160 Speaker 2: He's a dentist named Carl, but we haven't slept together. 245 00:14:10,679 --> 00:14:14,079 Speaker 2: Just FYI. Also, I don't remember Carl being mentioned this early. 246 00:14:15,440 --> 00:14:18,280 Speaker 1: I don't know why, but I do remember Carl being 247 00:14:18,280 --> 00:14:21,240 Speaker 1: mentioned this early because I remember in my mind stay 248 00:14:21,280 --> 00:14:24,960 Speaker 1: most joining around the time cor joined. Yes, that's like 249 00:14:25,040 --> 00:14:28,800 Speaker 1: my marker of like you who is joining or the 250 00:14:29,200 --> 00:14:34,360 Speaker 1: time the time stamp. And then mister Shoe is driving 251 00:14:34,360 --> 00:14:37,960 Speaker 1: in his beat up blue car. Yea pulls over the 252 00:14:37,960 --> 00:14:41,440 Speaker 1: side of the road, has a very emotional car journey. 253 00:14:41,480 --> 00:14:45,640 Speaker 1: If you will and he don't stop. Comes on the radio, 254 00:14:45,680 --> 00:14:51,240 Speaker 1: he pulls over bursts into tears, and is magically inspired 255 00:14:52,320 --> 00:15:01,080 Speaker 1: for his next trick to do a journey medley for Brilliant. 256 00:15:01,160 --> 00:15:02,880 Speaker 2: You know, he had a great idea. He had a 257 00:15:02,880 --> 00:15:03,360 Speaker 2: great idea. 258 00:15:03,600 --> 00:15:06,480 Speaker 1: He did have a great idea. I honestly do think 259 00:15:06,480 --> 00:15:07,240 Speaker 1: it's a good idea. 260 00:15:07,400 --> 00:15:09,720 Speaker 2: I think it's a great idea. He smashed it that 261 00:15:10,240 --> 00:15:16,160 Speaker 2: we'll get to it. So then it's regionals and they 262 00:15:16,680 --> 00:15:19,080 Speaker 2: ian on the mike, introducing all the judges to Sylvester, 263 00:15:19,120 --> 00:15:23,760 Speaker 2: Josh Grobe and leaving Newton John and local news reporter 264 00:15:24,600 --> 00:15:29,240 Speaker 2: icon Er. I mean, he's just cold. 265 00:15:31,320 --> 00:15:31,560 Speaker 1: Bill. 266 00:15:32,480 --> 00:15:36,320 Speaker 2: So oural intensity performs love that Name, and they do 267 00:15:36,360 --> 00:15:38,200 Speaker 2: a mashup of living Newton John and Josh Grobe and 268 00:15:38,320 --> 00:15:42,800 Speaker 2: new directions. Of course, Spirals freaks out, Shoe walks in, 269 00:15:42,960 --> 00:15:47,640 Speaker 2: is like, hey mm hmm, we're not doing this now. 270 00:15:47,680 --> 00:15:49,920 Speaker 2: Do you remember also filming this scene, because I feel 271 00:15:49,960 --> 00:15:53,760 Speaker 2: like Brad had he had sectionals where we had that 272 00:15:53,840 --> 00:16:00,720 Speaker 2: other huge backstage green room scene and yes, of course, 273 00:16:01,800 --> 00:16:03,920 Speaker 2: and this one I remember we were all scared of 274 00:16:04,000 --> 00:16:05,800 Speaker 2: because the other one took so long and this one 275 00:16:05,840 --> 00:16:06,920 Speaker 2: was not that. 276 00:16:07,840 --> 00:16:10,400 Speaker 1: We were scared that this was going to take that long. 277 00:16:10,720 --> 00:16:12,920 Speaker 2: And like he had blocked it in a way, I 278 00:16:12,960 --> 00:16:15,840 Speaker 2: think if I remember correctly, before we had even gotten there, Yeah, 279 00:16:15,880 --> 00:16:18,000 Speaker 2: to be more efficient than the time before we were 280 00:16:18,080 --> 00:16:21,080 Speaker 2: learning no Yes. 281 00:16:21,080 --> 00:16:25,680 Speaker 1: And that was one that the green room where we 282 00:16:25,840 --> 00:16:29,600 Speaker 1: shot that we was on Paramount and it was actually 283 00:16:29,800 --> 00:16:32,360 Speaker 1: some of the Ryan Murphy TV offices. 284 00:16:33,040 --> 00:16:35,040 Speaker 2: That's right. We used a lot of Paramount for this 285 00:16:35,080 --> 00:16:37,880 Speaker 2: because the hospital that comes up later on YEP is 286 00:16:37,920 --> 00:16:40,960 Speaker 2: also just random halls at Paramount, but. 287 00:16:40,840 --> 00:16:43,280 Speaker 1: That's where the writers hung out and their assistants and 288 00:16:43,400 --> 00:16:45,360 Speaker 1: Ryan and Brad and Ian and all them. They had 289 00:16:45,360 --> 00:16:49,360 Speaker 1: these like lofts basically, and these were the first version 290 00:16:49,400 --> 00:16:51,360 Speaker 1: of the lofts that they had gotten and where their 291 00:16:51,360 --> 00:16:54,520 Speaker 1: offices were, so they used that and I do remember 292 00:16:54,560 --> 00:16:56,800 Speaker 1: it being much more efficient and much faster, and I 293 00:16:56,920 --> 00:16:59,680 Speaker 1: was because there's just so much to do in this episode. 294 00:16:59,760 --> 00:17:02,160 Speaker 2: So this is where we really get into it, so 295 00:17:02,840 --> 00:17:07,520 Speaker 2: it's time for new directions to perform. And the scene 296 00:17:07,760 --> 00:17:11,280 Speaker 2: at the start of it before we start going between 297 00:17:11,720 --> 00:17:15,719 Speaker 2: Finn and Rachel and he walks over to her and 298 00:17:15,760 --> 00:17:19,359 Speaker 2: says I love you really quickly. I was like this 299 00:17:19,400 --> 00:17:22,960 Speaker 2: whole episode, I was just floored by Corey I know. 300 00:17:23,720 --> 00:17:27,239 Speaker 2: I also, I have to say, so I saw that 301 00:17:27,280 --> 00:17:29,640 Speaker 2: movie air the New Matt Damon Ben Apple. 302 00:17:29,800 --> 00:17:31,280 Speaker 1: I did. I'm so jealous. 303 00:17:31,440 --> 00:17:36,679 Speaker 2: I saw it and I can't fight this feeling comes 304 00:17:36,720 --> 00:17:38,359 Speaker 2: on at some did you cry? 305 00:17:39,800 --> 00:17:41,040 Speaker 1: Yeah? 306 00:17:41,160 --> 00:17:42,919 Speaker 2: It got me good. And then I went home and 307 00:17:42,960 --> 00:17:46,080 Speaker 2: watched this and I was like, Okay, I'm having a 308 00:17:46,119 --> 00:17:52,720 Speaker 2: full Corey in my emotions day. Oh yeah, but he's 309 00:17:52,800 --> 00:17:57,120 Speaker 2: so good and I know it, but like what pisses 310 00:17:57,240 --> 00:18:00,399 Speaker 2: me off is like he was so such a good 311 00:18:00,440 --> 00:18:02,720 Speaker 2: actor and I don't think we like necessarily told him 312 00:18:02,800 --> 00:18:06,199 Speaker 2: that enough or yeah, yeah, and like the things that 313 00:18:06,240 --> 00:18:08,920 Speaker 2: we miss out on getting to see him do right 314 00:18:09,200 --> 00:18:12,600 Speaker 2: because he's so good anyway, So the little thing I 315 00:18:12,640 --> 00:18:15,679 Speaker 2: love you right before and they do Faithfully, which is 316 00:18:15,840 --> 00:18:17,280 Speaker 2: such a good version of the song. 317 00:18:17,440 --> 00:18:19,040 Speaker 1: Oh they sound excellent. 318 00:18:19,320 --> 00:18:21,080 Speaker 2: Faithfully is incredible. 319 00:18:22,000 --> 00:18:23,560 Speaker 1: I love doing this on tour too. I'd like to 320 00:18:23,560 --> 00:18:26,000 Speaker 1: listen to this on tour. Honestly, I'm not sick of 321 00:18:26,040 --> 00:18:28,080 Speaker 1: the song. I'll listen to the Journey version. I'll listen 322 00:18:28,160 --> 00:18:32,760 Speaker 1: to our version. I think it's incredible. Yeah, I agree, 323 00:18:33,880 --> 00:18:37,000 Speaker 1: And then we do love and touch and squeeze in 324 00:18:37,080 --> 00:18:42,160 Speaker 1: anyway you want it, which uh. When we were rehearsing 325 00:18:42,240 --> 00:18:48,600 Speaker 1: for this, this was the number where we did the Carlton, right. 326 00:18:51,119 --> 00:18:52,560 Speaker 1: I don't know if you caught that. You guys, we 327 00:18:52,640 --> 00:18:56,960 Speaker 1: do the Carlton. I yelled Jenna's arms, No, you did it. 328 00:18:57,119 --> 00:19:06,760 Speaker 2: I did. When I was watching the girls and their bumpets. 329 00:19:06,359 --> 00:19:10,160 Speaker 1: The bumpets were a whole other thing. The costumes were 330 00:19:10,480 --> 00:19:13,320 Speaker 1: very itchy because they were the gold, like that gold 331 00:19:13,480 --> 00:19:17,679 Speaker 1: itchy material. We were in them for so long and 332 00:19:17,720 --> 00:19:22,560 Speaker 1: they smelled so bad. And those bumpets were a choice, 333 00:19:23,119 --> 00:19:24,040 Speaker 1: a choice if you're. 334 00:19:23,880 --> 00:19:26,359 Speaker 2: Too young to remember, the bumpet. The bumpet was the 335 00:19:26,400 --> 00:19:29,480 Speaker 2: thing you'd put in your hair and to give it 336 00:19:29,520 --> 00:19:30,880 Speaker 2: that volume, that height, and. 337 00:19:30,840 --> 00:19:33,919 Speaker 1: Then hide it underneath more of your hair. And so 338 00:19:34,160 --> 00:19:36,520 Speaker 1: I don't know what they were thinking putting us. We 339 00:19:36,560 --> 00:19:38,720 Speaker 1: didn't really have a lot of say yet, none of 340 00:19:38,760 --> 00:19:41,240 Speaker 1: the other competition we would. Will we ever look like? 341 00:19:42,000 --> 00:19:46,400 Speaker 2: Yeah, you'll see between this episode and season two episode one, 342 00:19:46,880 --> 00:19:50,400 Speaker 2: glow Up, Glow Up, everyone just looks a little different. 343 00:19:50,880 --> 00:19:53,480 Speaker 2: Skirts are a little shorter, makeups, a little heavier. 344 00:19:53,800 --> 00:19:54,920 Speaker 1: Hair is a lot longer. 345 00:19:55,320 --> 00:20:00,560 Speaker 2: Yeah. This was also when I was on I was 346 00:20:00,600 --> 00:20:04,359 Speaker 2: sick per usual and was on some medication that I 347 00:20:04,400 --> 00:20:08,439 Speaker 2: had an allergic reaction to, and my entire body and 348 00:20:08,480 --> 00:20:11,600 Speaker 2: face broke out in hives and people were like, you 349 00:20:11,640 --> 00:20:13,480 Speaker 2: look like you have horns growing out of your forehead. 350 00:20:14,000 --> 00:20:17,399 Speaker 2: It was so bad, and Kelly had to take me 351 00:20:17,480 --> 00:20:20,560 Speaker 2: to the er. He had to take me to Cedar Sinai, 352 00:20:21,000 --> 00:20:22,719 Speaker 2: which was right up the block from where we were shooting. 353 00:20:23,040 --> 00:20:27,000 Speaker 1: Were we shooting this number during that? Oh my god. 354 00:20:27,480 --> 00:20:31,520 Speaker 2: And we had a full audience full of people. You 355 00:20:31,600 --> 00:20:34,520 Speaker 2: saw like two levels of people. And yeah, just in 356 00:20:34,560 --> 00:20:36,800 Speaker 2: the middle of the day, they had somehow they got 357 00:20:36,840 --> 00:20:40,359 Speaker 2: me right. I was still in costume. They took me 358 00:20:40,440 --> 00:20:42,959 Speaker 2: right in, they gave me all the stuff and we 359 00:20:42,960 --> 00:20:45,400 Speaker 2: were at that theater for two days shooting, and even 360 00:20:45,400 --> 00:20:48,480 Speaker 2: the next day I kept breaking out in hives. So 361 00:20:48,680 --> 00:20:50,600 Speaker 2: I was on all this medicine. I remember when we 362 00:20:50,640 --> 00:20:52,280 Speaker 2: came back to shoot towards the end of the day, 363 00:20:52,840 --> 00:20:54,600 Speaker 2: I was on so much benadryl. But I had to 364 00:20:54,600 --> 00:20:59,199 Speaker 2: stay awake and people were laughing at me because I 365 00:20:59,320 --> 00:21:02,000 Speaker 2: was acting very crazy, drunk crazy. 366 00:21:02,359 --> 00:21:05,159 Speaker 1: Yeah, that was at the Saban Theater. I'm real shore right, 367 00:21:05,440 --> 00:21:06,960 Speaker 1: that's where when we shot that. 368 00:21:06,960 --> 00:21:09,760 Speaker 2: I would also like to point out if you there's 369 00:21:09,760 --> 00:21:14,440 Speaker 2: a shot during Faithfully when it's on Leah. If you pause, 370 00:21:14,520 --> 00:21:16,880 Speaker 2: it's the first shot I think of her in profile 371 00:21:16,920 --> 00:21:19,200 Speaker 2: as Finn looks at her. You can see the dummies 372 00:21:19,240 --> 00:21:22,479 Speaker 2: in the audience, and if you keep pausing it, you 373 00:21:22,520 --> 00:21:26,560 Speaker 2: see the dummies in every shot of that audience. So 374 00:21:27,040 --> 00:21:30,000 Speaker 2: it's usually on the edges. So if you look like 375 00:21:30,320 --> 00:21:33,200 Speaker 2: two to three people in or out of the edge 376 00:21:33,200 --> 00:21:36,680 Speaker 2: of the aisle, you'll see all of these dummies. 377 00:21:36,840 --> 00:21:37,880 Speaker 1: I have to take a screen shot. 378 00:21:38,160 --> 00:21:40,679 Speaker 2: And I also saw Aaron Krueger and I saw Kelly 379 00:21:40,920 --> 00:21:43,760 Speaker 2: from Makeup there in the end of the first row, 380 00:21:44,400 --> 00:21:46,800 Speaker 2: like our makeup department. So I also don't know if 381 00:21:46,800 --> 00:21:51,879 Speaker 2: we were short on people for the audience, but we 382 00:21:51,960 --> 00:21:53,400 Speaker 2: had some of the crew in there as well. 383 00:21:53,960 --> 00:21:58,600 Speaker 1: Wow wow wow, I remember laughing at doing don't stop 384 00:21:58,680 --> 00:21:59,679 Speaker 1: with the key change. 385 00:22:01,880 --> 00:22:05,320 Speaker 2: Also, we did not record it like that. No, I 386 00:22:05,359 --> 00:22:07,679 Speaker 2: haven't confirmed this, but when we get Adam anders On here, 387 00:22:07,720 --> 00:22:09,840 Speaker 2: maybe we'll ask him, because I think they did that 388 00:22:10,280 --> 00:22:12,240 Speaker 2: after the fact, which is why we all sound a 389 00:22:12,320 --> 00:22:13,760 Speaker 2: little album monkey. 390 00:22:14,040 --> 00:22:17,000 Speaker 1: Yes, that's right. I think they played it and we 391 00:22:17,000 --> 00:22:18,720 Speaker 1: were like, what is that? 392 00:22:19,320 --> 00:22:21,200 Speaker 2: They needed the drama, the excitement. 393 00:22:21,440 --> 00:22:23,520 Speaker 1: No, it had to be different than the original don't 394 00:22:23,520 --> 00:22:26,080 Speaker 1: stop before, but we did not record it that way. 395 00:22:26,720 --> 00:22:30,760 Speaker 1: And then after the performance, which I mean it was 396 00:22:30,880 --> 00:22:32,800 Speaker 1: it was really fun to shoot, but I also remember 397 00:22:32,800 --> 00:22:35,400 Speaker 1: it being like, it's just those are those two days 398 00:22:35,400 --> 00:22:39,560 Speaker 1: were like laborious, They're a lot, they're long, they are hard, 399 00:22:39,880 --> 00:22:42,040 Speaker 1: Like you just have to like show up when they 400 00:22:42,040 --> 00:22:45,119 Speaker 1: ask you to show up, do your thing, perform a 401 00:22:45,320 --> 00:22:50,160 Speaker 1: thousand times, go to rehearsal at night. After we get 402 00:22:50,160 --> 00:22:52,240 Speaker 1: out of hair and makeup, we go on the stage, 403 00:22:52,320 --> 00:22:56,560 Speaker 1: rehearse again for the next day, go home, sleep, wake up, 404 00:22:56,680 --> 00:22:59,040 Speaker 1: come back and do it again. And they're like please. 405 00:22:59,200 --> 00:23:01,560 Speaker 1: I remember every actor like Brad Beeker did a lot 406 00:23:01,600 --> 00:23:05,760 Speaker 1: of these competition episodes in later seasons, and he would 407 00:23:05,800 --> 00:23:08,480 Speaker 1: just be like, just bear with me. We got this. 408 00:23:09,440 --> 00:23:12,119 Speaker 1: Just we're in this together and we're just gonna do it. 409 00:23:12,200 --> 00:23:14,160 Speaker 2: So because it can feel like you're not doing anything 410 00:23:14,600 --> 00:23:16,719 Speaker 2: because it takes so long, so you feel like like 411 00:23:16,760 --> 00:23:19,520 Speaker 2: what are we actually accomplishing, And so you just had 412 00:23:19,560 --> 00:23:22,160 Speaker 2: to like trust the process that they know what they're 413 00:23:22,200 --> 00:23:23,760 Speaker 2: doing and they're shooting, you know, bit by. 414 00:23:23,680 --> 00:23:26,720 Speaker 1: Bit, and your feeds hurt so bad. You guys were 415 00:23:26,840 --> 00:23:30,919 Speaker 1: the meals all day, Well, shees are terrible. Okay. So 416 00:23:31,000 --> 00:23:35,040 Speaker 1: then then we come off of performing. We're very happy 417 00:23:35,080 --> 00:23:37,919 Speaker 1: with that. We think we have a chance at winning. 418 00:23:38,560 --> 00:23:43,760 Speaker 1: And Quinn's mom shows up, Yeah, and she says that 419 00:23:43,840 --> 00:23:47,159 Speaker 1: she left her father and she wants her to come home. 420 00:23:47,560 --> 00:23:52,119 Speaker 1: And Quinn, what I thought she was going to respond 421 00:23:52,119 --> 00:23:54,879 Speaker 1: with was like where were you, you know, to like 422 00:23:55,600 --> 00:23:59,080 Speaker 1: stand up for me, but her water bricks and she's 423 00:23:59,080 --> 00:24:00,440 Speaker 1: gonna have a baby. 424 00:24:00,520 --> 00:24:03,240 Speaker 2: And then we have one of the most insane that's 425 00:24:03,440 --> 00:24:06,240 Speaker 2: brilliant performances ever. 426 00:24:06,880 --> 00:24:09,879 Speaker 1: It's very Ryan Murphy. It's a very Ryan Murphey montage. 427 00:24:10,760 --> 00:24:14,240 Speaker 1: It's brilliant. I watched that and I was like, draw 428 00:24:14,359 --> 00:24:18,000 Speaker 1: to the ground. Imagine watching that in your living room 429 00:24:18,160 --> 00:24:20,440 Speaker 1: for the first time, not knowing what's coming, and you're 430 00:24:20,440 --> 00:24:24,760 Speaker 1: watching that, like the vocal adrenaline in that in the 431 00:24:24,800 --> 00:24:28,439 Speaker 1: circle with John Groff in the middle, like like like 432 00:24:28,520 --> 00:24:32,040 Speaker 1: a Hua being birth. It's brilliant. It's so good, it's 433 00:24:32,080 --> 00:24:34,480 Speaker 1: so good, and they I have to say, I was 434 00:24:34,520 --> 00:24:36,199 Speaker 1: watching this and I think I texted you while I 435 00:24:36,200 --> 00:24:39,320 Speaker 1: was watching the vocal agrenalin number because those dancers are 436 00:24:41,080 --> 00:24:45,880 Speaker 1: doing it. It is that combo is so intricate and 437 00:24:45,880 --> 00:24:48,480 Speaker 1: and like you cannot do that unless you are a 438 00:24:48,520 --> 00:24:53,879 Speaker 1: professional dancer like they were doing it, and I was like, 439 00:24:53,920 --> 00:24:55,560 Speaker 1: oh my god, at least Zack and Brook it to 440 00:24:55,600 --> 00:24:59,200 Speaker 1: like show off their their dancing choreography skills, because they 441 00:24:59,359 --> 00:25:02,080 Speaker 1: show off their stand in a line still with us so. 442 00:25:02,200 --> 00:25:06,160 Speaker 2: Exactly, like Zach Woodley and Brooke Lifton are incredible, and 443 00:25:06,560 --> 00:25:08,240 Speaker 2: it was also probably such a treat for them to 444 00:25:08,240 --> 00:25:11,399 Speaker 2: get to work with professional dancers and also. 445 00:25:11,280 --> 00:25:14,840 Speaker 1: US vocal adrenaline. Like that number. They probably rehearsed for 446 00:25:14,960 --> 00:25:17,159 Speaker 1: like a day and they learned it that fast. And 447 00:25:17,200 --> 00:25:20,399 Speaker 1: we rehearse for like twenty days to do a stand 448 00:25:20,440 --> 00:25:21,520 Speaker 1: in a lot a straight line. 449 00:25:21,560 --> 00:25:26,199 Speaker 2: So yeah, yeah, absolutely, that's they absolutely got that so quickly. 450 00:25:26,280 --> 00:25:28,119 Speaker 2: There's no doubt. Also seeing Haley who was one of 451 00:25:28,119 --> 00:25:30,800 Speaker 2: the dancers and she went on tour with us so young, 452 00:25:30,920 --> 00:25:32,560 Speaker 2: with Graf basically that whole number. 453 00:25:32,600 --> 00:25:35,200 Speaker 1: Yeah, and she looks so good. They looked so good. 454 00:25:35,359 --> 00:25:37,000 Speaker 1: It was so good. It was so good. 455 00:25:37,240 --> 00:25:43,199 Speaker 2: Graf does incredible like he he's also I think I 456 00:25:43,240 --> 00:25:45,760 Speaker 2: think that was the best lip sync performance of anybody 457 00:25:46,280 --> 00:25:49,200 Speaker 2: out of that first season. He is so perfectly on 458 00:25:49,280 --> 00:25:52,240 Speaker 2: the spit is flying out of his mouth, always graff 459 00:25:52,280 --> 00:25:57,040 Speaker 2: trademark yep, staple, and I think I just think it's 460 00:25:57,240 --> 00:25:59,239 Speaker 2: like perfect him sitting down on the piano and doing 461 00:25:59,320 --> 00:26:02,800 Speaker 2: everything his lips sink is always meticulous. 462 00:26:02,240 --> 00:26:05,280 Speaker 1: Yep, yep. I also don't think I read this in 463 00:26:05,359 --> 00:26:07,760 Speaker 1: the script. I mean, I don't think I was reading 464 00:26:07,760 --> 00:26:10,320 Speaker 1: the full script, to be completely honest, by this point. 465 00:26:10,880 --> 00:26:15,399 Speaker 1: I think I was reading like you're like searching for stuff. 466 00:26:15,520 --> 00:26:19,119 Speaker 1: But I when this. I remember watching this at lunch 467 00:26:19,240 --> 00:26:21,199 Speaker 1: with everybody and being like, what. 468 00:26:22,280 --> 00:26:24,000 Speaker 2: I don't remember this either. I don't know if it 469 00:26:24,040 --> 00:26:24,959 Speaker 2: was written this way. 470 00:26:25,080 --> 00:26:26,720 Speaker 1: I don't think it was. I think this was probably 471 00:26:26,760 --> 00:26:29,600 Speaker 1: a concept of Zac and Ryan came up with like separately. 472 00:26:29,680 --> 00:26:34,399 Speaker 1: But I was very impressed and did not remember that. 473 00:26:35,240 --> 00:26:39,920 Speaker 2: I can't say, like Diana matching the parts of Bohemian 474 00:26:40,000 --> 00:26:44,199 Speaker 2: Rhapsody with what she's saying and having Amber, and I 475 00:26:44,240 --> 00:26:46,600 Speaker 2: thought Mark in there was doing a great job of 476 00:26:46,880 --> 00:26:50,720 Speaker 2: being shocked and disgusted at the same time, and so 477 00:26:51,080 --> 00:26:54,560 Speaker 2: that insane, insane thing. And so she has her baby 478 00:26:54,600 --> 00:27:00,240 Speaker 2: Bohemian Rhapsoty is performed and is executed to perfection per 479 00:27:00,320 --> 00:27:04,760 Speaker 2: usual best part, and Rachel didn't go to the hospital. 480 00:27:04,840 --> 00:27:09,480 Speaker 2: She watches vocal journaline and runs into Shelby and is like, hey, 481 00:27:10,240 --> 00:27:14,119 Speaker 2: you should come teach Ugly Club view directions with Sho 482 00:27:14,800 --> 00:27:16,600 Speaker 2: and she's like, no, I can't do this anymore. I 483 00:27:16,600 --> 00:27:19,920 Speaker 2: need a family. And she says, well, Quinn just had 484 00:27:20,960 --> 00:27:27,120 Speaker 2: a beautiful baby girl, and guess who shows about the hospital. 485 00:27:28,200 --> 00:27:34,320 Speaker 1: Shelby and they're in the little nursery which doesn't really exist. 486 00:27:35,560 --> 00:27:38,480 Speaker 1: I don't know why in the hospital you see these nurseries. 487 00:27:39,560 --> 00:27:42,399 Speaker 2: No, I've been there. They used to have these, okay, 488 00:27:42,960 --> 00:27:46,080 Speaker 2: because when my sister had her baby twenty three years ago, 489 00:27:46,920 --> 00:27:48,800 Speaker 2: oh my god, it was like that there was a 490 00:27:48,800 --> 00:27:50,760 Speaker 2: window and you could I would go up to it 491 00:27:50,920 --> 00:27:52,200 Speaker 2: and you could see all the babies. 492 00:27:53,840 --> 00:27:56,440 Speaker 1: No, these days after COVID, they leave the baby in 493 00:27:56,480 --> 00:28:00,040 Speaker 1: the room with you unless you last. Oh yeah. So 494 00:28:00,200 --> 00:28:02,919 Speaker 1: literally you go to they like gurney you with the 495 00:28:02,960 --> 00:28:06,240 Speaker 1: baby in your arms, and then they have a little 496 00:28:06,600 --> 00:28:10,720 Speaker 1: like moving uh fascinette for the baby. It's clear in 497 00:28:10,800 --> 00:28:13,080 Speaker 1: the room with like a little drawer of lar dark 498 00:28:13,119 --> 00:28:15,240 Speaker 1: darkness and stuff and that's it and then leave you 499 00:28:15,280 --> 00:28:18,480 Speaker 1: to it. You can request like can you take the 500 00:28:18,480 --> 00:28:22,520 Speaker 1: baby away? But I'm like I'm noting that, Like but 501 00:28:22,560 --> 00:28:25,879 Speaker 1: that changed during COVID anyway, I've never seen the that 502 00:28:25,880 --> 00:28:27,920 Speaker 1: that glass wall. 503 00:28:28,040 --> 00:28:34,040 Speaker 2: But and so Shelby ends up talking to Quinn and 504 00:28:34,040 --> 00:28:37,040 Speaker 2: Puck at that little windows, staring at it at the baby, 505 00:28:37,480 --> 00:28:41,360 Speaker 2: and Puck says the baby's name is Beth, and Shelby 506 00:28:41,400 --> 00:28:44,440 Speaker 2: then adopts her and names her Beth. 507 00:28:44,920 --> 00:28:46,200 Speaker 1: No so cute. 508 00:28:46,640 --> 00:28:51,000 Speaker 2: Meanwhile, the judges are deliberating, oh my goodness, and she's 509 00:28:51,040 --> 00:28:54,160 Speaker 2: out of control, and the lady Newton John is saying 510 00:28:54,600 --> 00:29:01,040 Speaker 2: the wild wildless thing, wildest stuff to Sue, and you know, 511 00:29:01,120 --> 00:29:04,440 Speaker 2: started off being mean about new directions, being well, I know, 512 00:29:04,520 --> 00:29:05,960 Speaker 2: I feel very bad. I don't care who comes in 513 00:29:06,000 --> 00:29:07,360 Speaker 2: for a second or third, but I know who's coming 514 00:29:07,400 --> 00:29:12,280 Speaker 2: in last. Right after hearing how horribly Olivia Newton John 515 00:29:13,200 --> 00:29:17,000 Speaker 2: is talking about them, which is a reflection upon Sue, 516 00:29:17,040 --> 00:29:18,760 Speaker 2: because then they all turn on Sue being like, you're 517 00:29:18,800 --> 00:29:19,360 Speaker 2: not a celebrity. 518 00:29:19,360 --> 00:29:21,720 Speaker 1: What are you doing here, You're living in Ohio. You're 519 00:29:21,760 --> 00:29:25,320 Speaker 1: gonna stay here, We're gonna leave you and going to 520 00:29:24,880 --> 00:29:29,080 Speaker 1: LA and I do have to stay. Them playing elevated 521 00:29:29,160 --> 00:29:31,400 Speaker 1: versions of those songs. It's very funny. 522 00:29:31,480 --> 00:29:33,800 Speaker 2: I love that kind of stuff. I'm a sucker for. 523 00:29:33,760 --> 00:29:36,120 Speaker 1: That well, if you're cool enough to like do that, 524 00:29:36,360 --> 00:29:38,720 Speaker 1: then like you're a cool person, is what I think. 525 00:29:39,120 --> 00:29:44,520 Speaker 2: That's true. And it comes down to where Sue actually 526 00:29:44,640 --> 00:29:49,840 Speaker 2: starts defending the new directions and it's sweet and you're like, oh, 527 00:29:49,920 --> 00:29:54,600 Speaker 2: how's this going to go? M h, But what happens, Shenna. 528 00:29:55,000 --> 00:29:58,440 Speaker 1: We end up losing. We still don't know who where, 529 00:29:59,480 --> 00:30:02,240 Speaker 1: how the judge is actually voted individually, but we do 530 00:30:02,360 --> 00:30:08,160 Speaker 1: know as a majority, vocal Adrenaline wins and we didn't 531 00:30:08,200 --> 00:30:13,000 Speaker 1: even place no, we didn't feed in place pathetic and 532 00:30:13,320 --> 00:30:17,320 Speaker 1: that's and for us, we think at that point, steaks 533 00:30:17,360 --> 00:30:20,400 Speaker 1: are really high. That's the glee club. That's it to 534 00:30:20,880 --> 00:30:22,320 Speaker 1: each other again. Yeah, goodbye. 535 00:30:22,720 --> 00:30:26,920 Speaker 2: Guess who's not having it? Emma, Emma. Emma's in there 536 00:30:26,960 --> 00:30:32,520 Speaker 2: going at it like WWE style with Figgins screaming and 537 00:30:32,600 --> 00:30:35,560 Speaker 2: it's fun, always fun. Will and Emma have this moment 538 00:30:35,640 --> 00:30:37,880 Speaker 2: in the hallway right after and she's like, you can't 539 00:30:37,920 --> 00:30:40,000 Speaker 2: just give up, like you have to fight for glee 540 00:30:40,040 --> 00:30:42,760 Speaker 2: club and he's like, you're not just talking about glee club, 541 00:30:43,360 --> 00:30:46,360 Speaker 2: are you, and he kisses her and the hallway during 542 00:30:46,360 --> 00:30:47,240 Speaker 2: the school day. 543 00:30:47,240 --> 00:30:49,479 Speaker 1: Yeah, I don't know, I don't know. I don't know, 544 00:30:50,280 --> 00:30:51,080 Speaker 1: I don't know what. 545 00:30:52,360 --> 00:30:55,320 Speaker 2: And then Rachel walks up, has no reaction to it, 546 00:30:55,800 --> 00:30:58,200 Speaker 2: and it's like, mister she, we'd like to see you 547 00:30:58,280 --> 00:31:04,240 Speaker 2: in the auditorium. 548 00:31:01,680 --> 00:31:03,960 Speaker 1: You know, unfazed. Honestly, I have to say, as a 549 00:31:04,000 --> 00:31:07,680 Speaker 1: teenager in high school, like pretty unfazed. Like maybe that 550 00:31:07,720 --> 00:31:11,360 Speaker 1: would have been drama, but who knows, maybe not. So 551 00:31:11,520 --> 00:31:15,040 Speaker 1: we get to the auditorium and mister Shoe comes and 552 00:31:15,840 --> 00:31:20,120 Speaker 1: we're all sitting there and we dedicate the performance to 553 00:31:21,240 --> 00:31:24,080 Speaker 1: mister Shoe, and we all go around and we talk 554 00:31:24,120 --> 00:31:28,320 Speaker 1: about how he's affected and how he's impacted our lives. 555 00:31:28,400 --> 00:31:33,120 Speaker 1: And I remember shooting this and I remember Brad saying 556 00:31:33,320 --> 00:31:36,000 Speaker 1: it's okay to cry. That's all I remember him saying, 557 00:31:36,080 --> 00:31:38,120 Speaker 1: is like, bring on the tears basically. 558 00:31:38,080 --> 00:31:40,960 Speaker 2: So I was like, oh, here's another reflection of my 559 00:31:41,080 --> 00:31:43,520 Speaker 2: failures and inabilities as an actor. Everyone's going to be 560 00:31:43,520 --> 00:31:44,160 Speaker 2: crying except me. 561 00:31:44,520 --> 00:31:46,680 Speaker 1: Here's the interesting thing that we were all crying that 562 00:31:46,800 --> 00:31:48,640 Speaker 1: I think it would be more interesting to see somebody 563 00:31:48,760 --> 00:31:49,120 Speaker 1: not crive. 564 00:31:49,240 --> 00:31:50,960 Speaker 2: That's right, That's why I did it. You know, there's 565 00:31:51,000 --> 00:31:52,040 Speaker 2: an intentional choice. 566 00:31:53,120 --> 00:31:54,800 Speaker 1: And we performed this numbers. 567 00:31:54,960 --> 00:31:56,600 Speaker 2: Did you know this song to serve with love. 568 00:31:56,840 --> 00:31:57,320 Speaker 1: No, I did not. 569 00:31:57,840 --> 00:32:00,400 Speaker 2: I do not either, And I remember I I couldn't 570 00:32:00,440 --> 00:32:03,360 Speaker 2: remember any of it while we were shooting it. I 571 00:32:03,400 --> 00:32:06,640 Speaker 2: was having such a hard time remembering the backgrounds well. 572 00:32:06,640 --> 00:32:09,040 Speaker 1: The background loocals were very complicated on this one because 573 00:32:09,040 --> 00:32:11,800 Speaker 1: it was kind of like a cannon or around where 574 00:32:12,880 --> 00:32:16,719 Speaker 1: Leo was singing the main chorus, and then we were 575 00:32:16,800 --> 00:32:19,600 Speaker 1: kind of echoing it and the timing was all off, 576 00:32:19,640 --> 00:32:21,960 Speaker 1: and I don't you know, we learn those things, like 577 00:32:21,960 --> 00:32:25,280 Speaker 1: Tim Davis comes ten minutes before we start shooting and says, okay, 578 00:32:25,320 --> 00:32:29,480 Speaker 1: this is how it goes, and we're like okay. 579 00:32:28,480 --> 00:32:31,600 Speaker 2: And it's like when you're doing a full like dance 580 00:32:31,720 --> 00:32:34,320 Speaker 2: number you can swing your arms or hair in front 581 00:32:34,320 --> 00:32:37,880 Speaker 2: of your face from you don't when you're just sitting 582 00:32:37,880 --> 00:32:42,720 Speaker 2: there and it's tears and emotional like dream of little dream, 583 00:32:42,760 --> 00:32:43,800 Speaker 2: there's nothing you can do. 584 00:32:44,160 --> 00:32:47,760 Speaker 1: You're naked, or like true colors, you just nay. 585 00:32:49,320 --> 00:32:52,360 Speaker 2: Know the actual words, which sucks. 586 00:32:53,240 --> 00:32:55,560 Speaker 1: But I did get cheery eyed. I did get cheery 587 00:32:55,560 --> 00:33:00,200 Speaker 1: eyed watching it, and so does mister Shuster and he's 588 00:33:00,720 --> 00:33:03,800 Speaker 1: very appreciative. And then we see Sue in the background 589 00:33:04,160 --> 00:33:07,000 Speaker 1: crying or tears in her eyes not crying. Let me 590 00:33:07,200 --> 00:33:11,800 Speaker 1: just rewind she's slightly crying. 591 00:33:12,920 --> 00:33:16,360 Speaker 2: Sue then meets to in the choir room, and I 592 00:33:16,400 --> 00:33:19,280 Speaker 2: want to talk about this scene because I do not 593 00:33:20,200 --> 00:33:24,560 Speaker 2: have any recollection of this line. She comes into this 594 00:33:24,680 --> 00:33:29,600 Speaker 2: room is as barren as me, just like really quickly 595 00:33:30,040 --> 00:33:31,960 Speaker 2: just says it, throws it away and moves on. 596 00:33:32,760 --> 00:33:35,360 Speaker 1: She has a lot of really good lines in this scene. 597 00:33:35,680 --> 00:33:39,920 Speaker 2: Yeah, it was crazy. I mean basically what happens after 598 00:33:40,840 --> 00:33:44,480 Speaker 2: saying insane things to him like you're a good teacher, 599 00:33:44,520 --> 00:33:46,400 Speaker 2: will Now, I don't like you so much, but I 600 00:33:46,480 --> 00:33:48,680 Speaker 2: admire you and your work and the work you're doing 601 00:33:48,680 --> 00:33:51,440 Speaker 2: with your kids. And she's basically like, I don't want 602 00:33:51,440 --> 00:33:52,680 Speaker 2: to lose you as an enemy. 603 00:33:53,200 --> 00:33:56,720 Speaker 1: Right, I want to ridicule your hair. I want to 604 00:33:56,760 --> 00:33:59,560 Speaker 1: make fun of you for cheering up more than Michael 605 00:33:59,600 --> 00:34:04,840 Speaker 1: Landon in the sweeps weeks episode of the Prairie and 606 00:34:05,080 --> 00:34:07,160 Speaker 1: Ce Sylvester doesn't want to live in that kind of world. 607 00:34:08,040 --> 00:34:11,640 Speaker 1: So also fun fact, misters, she was packing up the 608 00:34:11,800 --> 00:34:14,600 Speaker 1: choir room when she walks in, and that that Wiener 609 00:34:14,640 --> 00:34:17,880 Speaker 1: dog porcelain thing he's holding is actually from his choir 610 00:34:17,960 --> 00:34:24,080 Speaker 1: room and it was his teachers, his music teachers, and 611 00:34:24,600 --> 00:34:30,640 Speaker 1: while Sue is giving Will backhanded compliments, she it is 612 00:34:30,719 --> 00:34:34,560 Speaker 1: revealed that she actually did vote for New Directions to win. 613 00:34:35,280 --> 00:34:39,759 Speaker 2: And she went to Figgins and is like, give them 614 00:34:39,800 --> 00:34:40,359 Speaker 2: another year. 615 00:34:41,040 --> 00:34:44,520 Speaker 1: I'm going to continue to blackmail you. And that's it. 616 00:34:44,760 --> 00:34:48,920 Speaker 1: And so we get another year. That's how season do. 617 00:34:50,000 --> 00:34:52,280 Speaker 2: And Will gives us the number of his own somewhere 618 00:34:52,280 --> 00:34:53,360 Speaker 2: over the rainbow. 619 00:34:53,560 --> 00:34:58,560 Speaker 1: And Mattie Maddie performs that that was like something that 620 00:34:58,600 --> 00:35:02,799 Speaker 1: he had performed four and he plays skulele, so he 621 00:35:03,400 --> 00:35:07,000 Speaker 1: I guess they wrote that in Yeah but for sweet 622 00:35:07,480 --> 00:35:12,440 Speaker 1: Yeah that's a great number. Yeah, really nice and I 623 00:35:12,920 --> 00:35:17,600 Speaker 1: that is pretty much the end of season one. That's it. 624 00:35:17,760 --> 00:35:19,879 Speaker 2: The New Directions will be back. You get another year 625 00:35:20,080 --> 00:35:24,120 Speaker 2: to being nice for a brief moment, because she needs 626 00:35:24,360 --> 00:35:27,359 Speaker 2: She's just competitive, right m hm. And somewhere deep down 627 00:35:27,400 --> 00:35:28,160 Speaker 2: there she has a heart. 628 00:35:28,440 --> 00:35:30,359 Speaker 1: Somewhere deep down she does have a heart. Jane has 629 00:35:30,360 --> 00:35:33,600 Speaker 1: said that. And of course, and of course we're going 630 00:35:33,640 --> 00:35:36,080 Speaker 1: to get another europe New Directions. Who's who are we kidding? 631 00:35:36,480 --> 00:35:38,759 Speaker 2: New Directions gotta stick around because Fox picked us up 632 00:35:38,760 --> 00:35:45,080 Speaker 2: for another season. That's right, and that is season one, folks. Wow, 633 00:35:46,520 --> 00:35:50,120 Speaker 2: can you believe it. I love this episode. I loved 634 00:35:50,120 --> 00:35:51,640 Speaker 2: it so much that I kept going and started to 635 00:35:51,640 --> 00:35:53,239 Speaker 2: watch season two immediately after. 636 00:35:54,360 --> 00:35:57,080 Speaker 1: I didn't, but I did love this episode A lot, 637 00:35:57,360 --> 00:36:01,640 Speaker 1: a lot, a lot a lot very well. That episode. 638 00:36:02,239 --> 00:36:06,279 Speaker 2: If you watch season one straightened the season two, it's 639 00:36:06,320 --> 00:36:09,920 Speaker 2: a bit jarring, I think, because, like we said, we 640 00:36:10,080 --> 00:36:13,600 Speaker 2: do like a little different, some of us more than others. 641 00:36:14,239 --> 00:36:18,919 Speaker 1: We we definitely and season two. The start of season two, 642 00:36:19,280 --> 00:36:23,480 Speaker 1: I always say these episodes, the kickoff episodes have like 643 00:36:23,880 --> 00:36:26,200 Speaker 1: a lot of exposition again, and I don't know, I 644 00:36:26,360 --> 00:36:29,520 Speaker 1: just they never fully meet the expectation of like a 645 00:36:29,600 --> 00:36:31,520 Speaker 1: season premiere for me. 646 00:36:31,680 --> 00:36:33,640 Speaker 2: Yeah, I can't wait to talk about it because it's 647 00:36:34,560 --> 00:36:47,560 Speaker 2: pretty dick crazy TARTI takes Jenna, let's do it the 648 00:36:47,640 --> 00:36:49,719 Speaker 2: last one of the season. I say this, like we're 649 00:36:49,719 --> 00:36:50,440 Speaker 2: not gonna be back. 650 00:36:50,320 --> 00:36:56,160 Speaker 1: Next week, right, cringe moments aka oucheese. 651 00:36:57,160 --> 00:37:02,840 Speaker 2: I would say, Will and Emma sing in the hallway. Yeah, 652 00:37:03,040 --> 00:37:04,399 Speaker 2: I seems inappropriate. 653 00:37:07,000 --> 00:37:08,399 Speaker 1: I'm with that one. I'm with you. 654 00:37:09,200 --> 00:37:14,840 Speaker 2: Also, I Livington john says some crazy crazy things and 655 00:37:14,920 --> 00:37:18,480 Speaker 2: that judging room. But also I sort of like she 656 00:37:18,560 --> 00:37:19,520 Speaker 2: can do whatever she wants. 657 00:37:19,680 --> 00:37:24,719 Speaker 1: That's right. I agree, that's why I didn't pick that because. 658 00:37:24,760 --> 00:37:25,760 Speaker 2: Worst dance move. 659 00:37:27,640 --> 00:37:29,240 Speaker 1: Jenna's arms in the Carlton. 660 00:37:30,880 --> 00:37:33,239 Speaker 2: I would also like to point out best dance move. 661 00:37:34,000 --> 00:37:38,680 Speaker 2: I mean the vocal adrenaline, the girls flying through the air, 662 00:37:41,040 --> 00:37:44,680 Speaker 2: the birth of John Groff through the arms. 663 00:37:45,000 --> 00:37:49,160 Speaker 1: Yeah, let's just say Bohemian Rhapsody is the best dance move. 664 00:37:49,719 --> 00:37:52,239 Speaker 2: The whole thing, the best song. 665 00:37:53,000 --> 00:37:58,279 Speaker 1: Oh man. I mean, I feel like I want to 666 00:37:58,320 --> 00:37:59,320 Speaker 1: say Faithfully. 667 00:38:00,040 --> 00:38:02,760 Speaker 2: Oh, I say, it's a tie between Faithful and Boheman Rhapsody. 668 00:38:03,160 --> 00:38:05,560 Speaker 1: Fair enough, we can pick one in one and call 669 00:38:05,560 --> 00:38:14,160 Speaker 1: it gred best performance by a prop. I think the baby. 670 00:38:14,280 --> 00:38:15,800 Speaker 2: I was gonna say that too much. Does the baby 671 00:38:15,840 --> 00:38:21,600 Speaker 2: count that beautiful newborn? Yes? You want to know something 672 00:38:21,760 --> 00:38:25,359 Speaker 2: so disturbing? What that baby's a teen now? 673 00:38:26,120 --> 00:38:29,400 Speaker 1: No, we need to find that baby. 674 00:38:29,800 --> 00:38:32,600 Speaker 2: I was watching it and Marco turned to me that 675 00:38:32,680 --> 00:38:34,960 Speaker 2: baby's a teenager, and I had to pose it and 676 00:38:35,320 --> 00:38:36,120 Speaker 2: catch my breath. 677 00:38:36,400 --> 00:38:41,879 Speaker 1: Right, Oh boy, yeah, that baby is thirteen years old. 678 00:38:42,120 --> 00:38:44,960 Speaker 2: Uh huh, I hate that for us. 679 00:38:45,400 --> 00:38:47,239 Speaker 1: I hate that. 680 00:38:47,640 --> 00:38:48,160 Speaker 2: I hate that. 681 00:38:48,960 --> 00:38:50,120 Speaker 1: Okay, thanks for that. 682 00:38:51,000 --> 00:38:55,960 Speaker 2: You're welcome anytime. Favorite lines of this episode. 683 00:38:57,320 --> 00:39:01,040 Speaker 1: Okay, well, this sounds like kind of cringey, but also, oh, 684 00:39:01,400 --> 00:39:06,799 Speaker 1: really the delivery is excellent, Jane Jane and Will. Will 685 00:39:06,800 --> 00:39:09,759 Speaker 1: says I should shake her hand and Sue says, not 686 00:39:09,840 --> 00:39:12,799 Speaker 1: unless you got some insanitizer. I've seen that car you drive. 687 00:39:13,040 --> 00:39:17,200 Speaker 1: I don't want to catch poor it said old boy. 688 00:39:17,640 --> 00:39:25,200 Speaker 2: She says poor, I don't want to catch poor. I 689 00:39:25,239 --> 00:39:30,360 Speaker 2: think my favorite line was Dana's screaming shut up, shut 690 00:39:30,480 --> 00:39:32,960 Speaker 2: up during the birthing. 691 00:39:35,000 --> 00:39:40,960 Speaker 1: It's so good, so good. Okay, and and tell me, 692 00:39:41,120 --> 00:39:42,120 Speaker 1: tell me what you found. 693 00:39:42,520 --> 00:39:47,839 Speaker 2: Jenna should be found on TikTok. It is a Chicago 694 00:39:48,239 --> 00:39:51,279 Speaker 2: drag queen by the name of Annie Andrews. If you 695 00:39:51,280 --> 00:39:57,040 Speaker 2: go on TikTok her TikTok is, it's Annie Andrews and 696 00:39:57,120 --> 00:40:03,120 Speaker 2: she does the full Quinn. She does It's a Man's World, 697 00:40:03,440 --> 00:40:06,680 Speaker 2: Oh my God, the pregnancy belly, and she does the 698 00:40:06,719 --> 00:40:11,000 Speaker 2: Bohemian Rhapsody birth scene and it's not her playing Bohemon Rhapsody. 699 00:40:11,480 --> 00:40:14,960 Speaker 2: They're playing the actual episode version of it. So she's 700 00:40:15,000 --> 00:40:20,520 Speaker 2: doing all the lines that does and it is incredible. 701 00:40:22,400 --> 00:40:25,759 Speaker 2: So I mean, if you are in Chicago, go check 702 00:40:25,800 --> 00:40:29,160 Speaker 2: out Annie Andrews because this, you know, if you're watching 703 00:40:29,239 --> 00:40:32,520 Speaker 2: this season of Dragons, past season of Drag Race Lucy 704 00:40:32,600 --> 00:40:35,840 Speaker 2: Laeduca got some flat for not having a pregnancy bellion 705 00:40:35,880 --> 00:40:37,840 Speaker 2: when she did her Beyonce look. And let me tell you, 706 00:40:38,320 --> 00:40:39,960 Speaker 2: Annie Andrews had the pregnancy belly. 707 00:40:40,080 --> 00:40:43,480 Speaker 1: She absolutely does have the pregnancy bellion and she is 708 00:40:43,719 --> 00:40:49,680 Speaker 1: giving Okay, wow, it's so good. Drag Queen's doing Glee. 709 00:40:49,760 --> 00:40:51,439 Speaker 1: I mean, yep, it's nothing better. 710 00:40:52,120 --> 00:40:52,919 Speaker 2: Quinn deserved better. 711 00:40:55,080 --> 00:40:57,280 Speaker 1: That's funny, very good, very good. 712 00:40:57,640 --> 00:40:58,960 Speaker 2: Thank you Annie Andrews. 713 00:40:59,440 --> 00:41:02,040 Speaker 1: Yes, and we did it. That is season one, you guys. 714 00:41:02,040 --> 00:41:04,840 Speaker 1: Thank you for sticking with us. That was really fun. 715 00:41:05,200 --> 00:41:10,480 Speaker 1: And like Ian said, it's Murderer's Row this season. I 716 00:41:10,520 --> 00:41:14,680 Speaker 1: love that. And I can't wait to recap season two 717 00:41:14,760 --> 00:41:15,240 Speaker 1: with y'all. 718 00:41:15,920 --> 00:41:18,960 Speaker 2: I mean, we're just getting started, Jenna, Oh my god, 719 00:41:19,120 --> 00:41:22,960 Speaker 2: we're just getting started. Thank you for listening. Thank you 720 00:41:23,040 --> 00:41:25,920 Speaker 2: for being with us this long. We're so excited to 721 00:41:25,920 --> 00:41:27,840 Speaker 2: be doing this and so happy to be like reading 722 00:41:27,840 --> 00:41:32,239 Speaker 2: all of your feedback. Keep tagging us and these tiktoks, 723 00:41:33,480 --> 00:41:36,360 Speaker 2: and we'll see you next season next week. 724 00:41:36,800 --> 00:41:37,800 Speaker 1: That's how you really missed. 725 00:41:38,000 --> 00:41:41,880 Speaker 2: That's what you really missed. Bye bye. Thanks for listening 726 00:41:42,160 --> 00:41:44,680 Speaker 2: and follow us on Instagram at and that's what you 727 00:41:44,800 --> 00:41:47,000 Speaker 2: really miss pod. Make sure to write us a review 728 00:41:47,080 --> 00:41:49,239 Speaker 2: and leave us five stars. See you next time.