WEBVTT - The Coma

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<v Speaker 1>La Zaria carincon and contracted me the Ni Kamati Vassil.

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<v Speaker 2>Name asps.

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<v Speaker 3>Or rest.

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<v Speaker 4>Dost stand Trebles something body that as mes.

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<v Speaker 5>Previously on Princess of South Beach Astralan Raul Finally Gabby,

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<v Speaker 5>except it wasn't the real Gabby. It was just some

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<v Speaker 5>other random man named Gabby Grera. What a letdown, Gambarkee.

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<v Speaker 5>And just as they were about to head back to Miami,

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<v Speaker 5>Estraya received a distressing call from her girlfriend, Sarah's mom,

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<v Speaker 5>telling her Sarah was in a terrible accident.

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<v Speaker 6>No Sadia.

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<v Speaker 5>Meanwhile, Estevan has teamed up with his nemesis Alicia Mendez

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<v Speaker 5>to get some work done at City Hall, and Luisa

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<v Speaker 5>went to her new BFFs, Victoria's Singles a Man, where

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<v Speaker 5>she met Victoria's sexy brother Joe and they hit it off.

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<v Speaker 5>Maybe someone around here will finally get a happy ending.

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<v Speaker 5>Maybe definitely not me though, seeing as how I'm dead. AnyWho,

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<v Speaker 5>let's check in on how Sarah's doing.

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<v Speaker 7>Hi, Please, I need to know where Sarah Navarro is.

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<v Speaker 7>Please just give me one moment.

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<v Speaker 2>Hey, Hey, it's gonna be okay.

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<v Speaker 7>Hey Doris, missus Navarro. Hey, it's okay there with me,

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<v Speaker 7>go on through.

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<v Speaker 2>I'm so glad to see you.

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<v Speaker 5>Where is she?

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<v Speaker 7>I want to see her. Listen before you go in there,

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<v Speaker 7>I need you to take a breath.

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<v Speaker 8>It's not She's not.

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<v Speaker 9>She looks pretty bad, and I just want you to

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<v Speaker 9>be prepared. She's in a full body cast and they've

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<v Speaker 9>put her in an induced coma. What they're hoping it

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<v Speaker 9>reduces the swelling in her brain. She hasn't been awake

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<v Speaker 9>since I got here.

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<v Speaker 2>Oh my god, I'm so sorry.

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<v Speaker 7>I don't care.

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<v Speaker 10>I just want to be with her, all right, come

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<v Speaker 10>on there?

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<v Speaker 8>Mm hm, baby, No, I should have been with you.

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<v Speaker 8>I should have been with it.

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<v Speaker 11>What happened.

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<v Speaker 9>It was a freak accident. She was driving home and

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<v Speaker 9>one of her tires exploded. They're saying it was faulty.

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<v Speaker 9>I'm just manufactured wrong.

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<v Speaker 8>This is my fault.

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<v Speaker 7>She would have never been in there if it wasn't

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<v Speaker 7>for me.

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<v Speaker 2>Can't blame yourself.

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<v Speaker 10>What so you could be laid up in here too.

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<v Speaker 9>Beating yourself up isn't helping anybody, now, Hush, we gotta

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<v Speaker 9>stay positive.

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<v Speaker 7>Okay, take my hand, Let's raise up a prayer.

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<v Speaker 2>For my baby girl.

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<v Speaker 4>Our father, God, hon I'm gonna go take this in

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<v Speaker 4>the hall.

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<v Speaker 12>M I'm so sorry, Raoul, what is the deal. I've

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<v Speaker 12>been calling Australia all day. Where are you guys?

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<v Speaker 13>Oh, we're back in Miami. Actually, something bad happened. You

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<v Speaker 13>should come down to the hospital.

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<v Speaker 12>Oh god, what happened?

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<v Speaker 2>Well, it has been seeing this woman named Asada, and

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<v Speaker 2>well this is going to take a while to explain.

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<v Speaker 5>Why don't we take a little break and catch up

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<v Speaker 5>with our newly divorced Louisa, who is single and ready

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<v Speaker 5>to mingle, especially with Victoria's sexy brother Joel.

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<v Speaker 7>M hm, he is pretty somebody had a good night.

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<v Speaker 10>Well, that brother of yours is quite the charmer.

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<v Speaker 14>He once smooth talked his way out of six hundred

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<v Speaker 14>dollars in speeding tickets, just to wink and a smile

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<v Speaker 14>at the judge.

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<v Speaker 10>And I have to admit, he seems too good to

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<v Speaker 10>be true. It's amazing. It's like he was the one

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<v Speaker 10>decent guy in the whole place.

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<v Speaker 7>Well, I am just thrilled that you two hit it off.

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<v Speaker 15>Now.

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<v Speaker 7>He called me right after your date to tell me

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<v Speaker 7>how much he liked you.

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<v Speaker 10>Oh, oh, you two are pretty close.

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<v Speaker 14>Huh oh, yes, I like to say that God blessed

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<v Speaker 14>me with a best friend and a brother and the

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<v Speaker 14>same person.

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<v Speaker 7>So what's next.

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<v Speaker 10>Well, I want to take it slow after everything with Estelen.

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<v Speaker 10>I'm not ready to just jump back in the saddle,

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<v Speaker 10>even when the saddle looked like your brother.

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<v Speaker 7>That's understand Annibal. But don't you think that at our

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<v Speaker 7>age it's a little easier to know what you want.

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<v Speaker 7>I mean, and when it's right, it's right. Why waste time?

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<v Speaker 10>That's true.

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<v Speaker 7>Plus I could totally see Joel doing great things for

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<v Speaker 7>your image.

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<v Speaker 10>What is that supposed to mean?

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<v Speaker 5>Oh?

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<v Speaker 8>Nothing?

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<v Speaker 10>Is it just?

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<v Speaker 15>Well?

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<v Speaker 7>Okay, after everything with your ex, let's just say that.

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<v Speaker 7>I've heard the ladies around town rumbling about how you're

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<v Speaker 7>well slipping what. You've always been the queen of.

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<v Speaker 14>South Beach, but now with your daughter gone and your

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<v Speaker 14>husband disgraced, the girls are saying that maybe.

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<v Speaker 7>Your time in the limelight is over.

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<v Speaker 14>I mean, oh, come on, it's hard for a woman

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<v Speaker 14>over fifty to be taken seriously anywhere, much less Miami.

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<v Speaker 7>These women our vultures. Any one of them would gladly

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<v Speaker 7>take your spot, I know.

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<v Speaker 14>But if you're seen out and about with a hot

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<v Speaker 14>young doctor, like my brother.

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<v Speaker 7>People would see that you've still got it.

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<v Speaker 10>Hmm. So okay, okay, okay, I'm texting him now. We're

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<v Speaker 10>going to meet up for drinks tomorrow night.

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<v Speaker 7>I love it. Oh, we have to go pick out outfits.

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<v Speaker 7>You're useless when it comes to fashion. What did you

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<v Speaker 7>say you're useless? I mean look at your shoes.

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<v Speaker 10>But these these are my house crooks. I'm at home.

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<v Speaker 14>Okay, well burn those and let's go take a look

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<v Speaker 14>at what's in your closet. Oh wait, I just went

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<v Speaker 14>shopping and I have a new Gucci dress in my

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<v Speaker 14>car that would look so great on you.

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<v Speaker 10>Let me go grab it if you insiast okay, but

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<v Speaker 10>hurry to get going.

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<v Speaker 5>I don't like this Victoria woman, but I will give

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<v Speaker 5>her one thing. Crocs are horrendous.

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<v Speaker 9>Whoa whoa, whoa, whoa whoa whoo.

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<v Speaker 5>Pull over, it's the fashion police. You are under arrest.

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<v Speaker 5>Leave the cross there and walk away with your hands up.

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<v Speaker 5>Oh anyway, let's check in at the hospital where Andris

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<v Speaker 5>is getting up to speed?

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<v Speaker 2>Raoul, Wow, you got her so fast.

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<v Speaker 12>These are new running shoes. How's Australia?

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<v Speaker 2>She's in there with s that his mom Now it's

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<v Speaker 2>pretty bad.

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<v Speaker 12>I guess that's the end of our search for Gabby. Huh, yeah,

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<v Speaker 12>I guess so well, we tried our best.

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<v Speaker 2>Yeah, it's just so sad, you know, giving up like this,

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<v Speaker 2>I know, But.

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<v Speaker 12>If I'm being honest, I'm actually pretty relieved. I felt

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<v Speaker 12>so bad after the whole fake Aabbey situation that this,

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<v Speaker 12>you know, kind of takes the pressure off. And also

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<v Speaker 12>for Astraea's sake, you know, it must be so hard

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<v Speaker 12>for her reopening old wounds.

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<v Speaker 2>Yeah, I just wish there was a way for her

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<v Speaker 2>to have some closure. Hey, what if you and I

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<v Speaker 2>take up the hunt?

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<v Speaker 3>We do what now?

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<v Speaker 13>Yeah, we could do it as a surprise for her

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<v Speaker 13>so she doesn't have to worry about it. Well, Sarah's recovery.

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<v Speaker 3>I mean, I would.

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<v Speaker 12>Hate to intrude on something so personal.

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<v Speaker 13>But don't you see this is what friendship is all about,

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<v Speaker 13>being there for people, right.

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<v Speaker 12>Yeah, but we don't have any leads to go on.

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<v Speaker 2>Oh boy, but you know what, I have someone that

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<v Speaker 2>ows me a favor.

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<v Speaker 5>What are you up to?

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<v Speaker 2>Raoul mi Hope?

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<v Speaker 5>Could it be that you're smarter than I gave you

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<v Speaker 5>credit for? Probably not, but hey, even a broken clock

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<v Speaker 5>is right twice a day. Now, let's see how things

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<v Speaker 5>are going down at city hall?

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<v Speaker 16>Okay, what they're gone in home?

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<v Speaker 17>Saying she is officially backing down and allowing the statue

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<v Speaker 17>to go up in brickle key.

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<v Speaker 16>Good.

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<v Speaker 17>Seems like you're starting to get the hang of this.

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<v Speaker 10>Thank you.

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<v Speaker 16>I have been taking lessons from Alifia. You know, once

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<v Speaker 16>you get over her rodent like qualities, she's not so

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<v Speaker 16>bad except for this smell.

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<v Speaker 17>I'm sure she would appreciate you attempting a compliment, sir.

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<v Speaker 2>It's strange.

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<v Speaker 16>I've never been mood anything before, but helping people being

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<v Speaker 16>honest it feels nice.

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<v Speaker 3>He's very, very confusing.

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<v Speaker 17>I'm sure it'll wear off, sir Ah.

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<v Speaker 16>Mister sirier, please Keller give me a moment, Raoul, how

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<v Speaker 16>are you doing? Do you still need money? I finally

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<v Speaker 16>got paid for being mayor. It's not a lot, but

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<v Speaker 16>I am sure I could lend you what you need.

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<v Speaker 15>No, I'm okay on money for the moment.

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<v Speaker 2>Actually, oh good, because it really is a pittance.

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<v Speaker 16>Lisa is charging me a fortune in rent.

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<v Speaker 15>I'm calling about something a little touchy. Okay, I need

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<v Speaker 15>your help finding Gabby.

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<v Speaker 2>I told you not to look for it.

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<v Speaker 15>And I know what you're gonna say, that we should

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<v Speaker 15>leave the past behind and that it's dangerous. Yes, but

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<v Speaker 15>you said that you had changed. I have my father's

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<v Speaker 15>memory meant something to you.

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<v Speaker 3>It does, and that you'd help me.

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<v Speaker 2>He said, help me with this. I do want to

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<v Speaker 2>make things right.

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<v Speaker 13>It's just that this particular is you don't understand.

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<v Speaker 3>This is bigger than your missing friend.

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<v Speaker 15>I thought you had changed.

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<v Speaker 8>I have.

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<v Speaker 15>I just know you haven't, the same as it's always been.

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<v Speaker 15>I was right. The only person you care about is you.

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<v Speaker 10>That's not.

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<v Speaker 3>Okay, log What would you do if you had a

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<v Speaker 3>terrible secret that guru in your career, but in order

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<v Speaker 3>to keep that secret you had to actively harm someone

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<v Speaker 3>and lie to the only son of your dead ex lover.

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<v Speaker 17>Hypothetically, this feels extremely specific and not hypothetical.

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<v Speaker 2>No, it's a hypothetical.

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<v Speaker 17>Okay, Well, hypothetically it's a question of what you care

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<v Speaker 17>about more your career or being a good person.

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<v Speaker 3>Is there a third option? I'm not seeing yet.

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<v Speaker 17>Oh, I thought that being a good person was the

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<v Speaker 17>obvious choice. That's my mistake, sir.

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<v Speaker 2>You're a genius caalog?

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<v Speaker 6>Oh yes, yes, my god, Yes, Yet yes, baby, mister

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<v Speaker 6>serial call this naw, give him this information understood, time

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<v Speaker 6>on it.

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<v Speaker 10>Oh? Oh, I didn't see you there.

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<v Speaker 17>Good afternoon, missus Calderon or madam first lady or miss Sorry.

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<v Speaker 17>I was gonna say miss, and I realized I don't

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<v Speaker 17>know your maiden name. You know what, I'm just gonna go,

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<v Speaker 17>who was that?

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<v Speaker 2>My chief of ista?

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<v Speaker 10>You're hiring children?

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<v Speaker 8>Now?

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<v Speaker 10>He looks like he's twelve.

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<v Speaker 3>Yes, but he kicks me up to date on the

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<v Speaker 3>TikTok trend, so I let him stay. What are you

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<v Speaker 3>doing here?

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<v Speaker 10>Oh? Oh, I'm here for the rent check?

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<v Speaker 2>Oh but I could have just wired it to you.

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<v Speaker 10>No, no, no, no, no, this this is much more fun, Luisa.

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<v Speaker 3>You're enjoying this way too much.

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<v Speaker 8>Yes, I am.

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<v Speaker 10>It's just so satisfying to what you squirm.

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<v Speaker 3>Have you heard from.

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<v Speaker 2>Glory recently?

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<v Speaker 8>Yes?

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<v Speaker 10>Yes, she's in Toronto. Now, this whole thing was so sudden.

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<v Speaker 10>I mean it's like she became a movie star overnight.

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<v Speaker 14>I know.

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<v Speaker 3>Here is the check? Oh finally, yeah, you wouldn't believe

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<v Speaker 3>a regular people live off. Did you know that minimum

0:14:22.240 --> 0:14:26.000
<v Speaker 3>wage in Miami is ten dollars per hour?

0:14:26.600 --> 0:14:28.920
<v Speaker 10>Since when do you care about.

0:14:28.720 --> 0:14:32.800
<v Speaker 1>Poor people since I became one. Look, Lisa, now that

0:14:32.840 --> 0:14:36.240
<v Speaker 1>I have you alone, we need to talk. It's about

0:14:36.280 --> 0:14:41.240
<v Speaker 1>something important, Lisa. Your new friend Victoria. You should be

0:14:41.320 --> 0:14:41.960
<v Speaker 1>careful with her.

0:14:42.280 --> 0:14:46.320
<v Speaker 10>Oh, what's the matter is Devan? Are you jealous?

0:14:46.600 --> 0:14:46.640
<v Speaker 15>What?

0:14:47.000 --> 0:14:47.040
<v Speaker 10>No?

0:14:47.360 --> 0:14:50.240
<v Speaker 2>No, listen, I just I don't trust her. I don't.

0:14:51.160 --> 0:14:52.040
<v Speaker 10>You don't even know her.

0:14:52.200 --> 0:14:55.000
<v Speaker 2>Luisa, are you seeing anyone?

0:14:55.640 --> 0:14:56.400
<v Speaker 3>I only ask no?

0:14:56.480 --> 0:15:00.000
<v Speaker 10>No, no, no, no, that is none of your business. Unbelievable.

0:15:00.640 --> 0:15:04.640
<v Speaker 10>This is so typical. You did this every time I got.

0:15:04.520 --> 0:15:05.120
<v Speaker 8>A new friend.

0:15:05.400 --> 0:15:06.000
<v Speaker 3>No I didn't.

0:15:06.480 --> 0:15:07.800
<v Speaker 18>Yes, yes, you did.

0:15:07.920 --> 0:15:10.560
<v Speaker 10>Anytime I had anyone in my life. Who wasn't you

0:15:11.040 --> 0:15:13.360
<v Speaker 10>all of a sudden you were all over me. Well

0:15:13.400 --> 0:15:16.560
<v Speaker 10>guess what, Stemma, I'm not your yo yo anymore. You

0:15:16.680 --> 0:15:18.800
<v Speaker 10>don't get to toss me away and then decide you

0:15:18.960 --> 0:15:21.480
<v Speaker 10>care about me and my life. Who care about? I'm

0:15:21.520 --> 0:15:25.360
<v Speaker 10>a grown woman and I can decide who my friends are.

0:15:25.840 --> 0:15:27.240
<v Speaker 11>I am trying to look out for you.

0:15:27.640 --> 0:15:29.120
<v Speaker 10>Well, maybe you should have tried that when we were

0:15:29.120 --> 0:15:33.920
<v Speaker 10>still married. I have a great day, three sep hold way,

0:15:35.000 --> 0:15:39.520
<v Speaker 10>oh what color are your.

0:15:40.920 --> 0:15:41.080
<v Speaker 9>Oh?

0:15:41.240 --> 0:15:41.760
<v Speaker 8>My god?

0:15:42.000 --> 0:15:42.280
<v Speaker 15>Joel?

0:15:44.000 --> 0:15:50.120
<v Speaker 10>Oh, Oh I'm so sweet? Ide No, no, here, it's okay.

0:15:50.400 --> 0:15:53.440
<v Speaker 18>It happens all the time, the text and walk collisions

0:15:53.520 --> 0:15:54.200
<v Speaker 18>in these hallways.

0:15:54.520 --> 0:15:56.360
<v Speaker 7>It's a very common problem around these parts.

0:15:57.200 --> 0:15:58.200
<v Speaker 18>Hey aren't you Luis.

0:15:59.240 --> 0:16:03.640
<v Speaker 10>Yes, yes I am, And I'm to the woman who

0:16:03.760 --> 0:16:07.240
<v Speaker 10>ran against my ex husband. I am Alicia Mendez. Nice

0:16:07.240 --> 0:16:11.880
<v Speaker 10>to finally meet you. Oh you too. Well, now that

0:16:11.960 --> 0:16:15.800
<v Speaker 10>we're divorced, I can confess how much I loved your campaign.

0:16:16.560 --> 0:16:18.400
<v Speaker 10>You know just how to get under his skin.

0:16:18.680 --> 0:16:21.280
<v Speaker 18>Well, now that I'm working with him, I can tell

0:16:21.400 --> 0:16:24.880
<v Speaker 18>you how impressed I am that you spent so long

0:16:25.080 --> 0:16:25.800
<v Speaker 18>married to him.

0:16:26.480 --> 0:16:31.400
<v Speaker 10>You deserve a metal No, Nina, I'm Cuban. We don't

0:16:31.440 --> 0:16:34.720
<v Speaker 10>break easy, you know.

0:16:34.920 --> 0:16:38.320
<v Speaker 18>Stemon and I recently started working together, and I'd love

0:16:38.400 --> 0:16:41.200
<v Speaker 18>to pick your brain, maybe buy you a coffee sometime,

0:16:41.800 --> 0:16:43.960
<v Speaker 18>get some tips and tricks on how to work with him.

0:16:44.320 --> 0:16:47.120
<v Speaker 18>I don't love the fact that he's mayor, but if

0:16:47.160 --> 0:16:49.440
<v Speaker 18>I have to interact with him, I'd like to at

0:16:49.480 --> 0:16:50.680
<v Speaker 18>least know what I'm getting myself into.

0:16:51.200 --> 0:16:54.360
<v Speaker 10>I hate talking a seman, but if it's for tips

0:16:54.400 --> 0:16:58.280
<v Speaker 10>on how to torture him, I'm game. Here's my number. Oh,

0:16:58.440 --> 0:16:59.280
<v Speaker 10>let's web a dream.

0:17:02.200 --> 0:17:05.880
<v Speaker 5>Wow, looks like new alliances are popping up all over

0:17:05.960 --> 0:17:11.280
<v Speaker 5>the place first, Raoul and andres and now this Speaking

0:17:11.359 --> 0:17:15.159
<v Speaker 5>of Raoul, let's see exactly what this Pandora's box has

0:17:15.240 --> 0:17:16.000
<v Speaker 5>in store for him.

0:17:41.720 --> 0:17:44.399
<v Speaker 13>Yellow roller Sentana speaking, Hi, Raoul, this.

0:17:44.480 --> 0:17:46.240
<v Speaker 17>Is kell Ong Kellog calling on behalf of the mayor.

0:17:46.400 --> 0:17:48.640
<v Speaker 17>I have an address for you, a Gabby Cabrera.

0:17:49.280 --> 0:17:52.520
<v Speaker 13>But wait wait wait uh you have her actual address.

0:17:52.520 --> 0:17:56.880
<v Speaker 17>As opposed to her theoretical address. Huh yes, her address.

0:17:56.960 --> 0:17:57.520
<v Speaker 5>I've been told.

0:17:57.600 --> 0:18:00.520
<v Speaker 17>Quote there are documents there that you might find interesting.

0:18:00.680 --> 0:18:01.200
<v Speaker 8>End quote.

0:18:01.359 --> 0:18:01.960
<v Speaker 17>Do you have a pen?

0:18:03.600 --> 0:18:05.760
<v Speaker 2>I'll find one. I took him from a doctor. Okay,

0:18:05.800 --> 0:18:06.160
<v Speaker 2>I'm ready.

0:18:06.359 --> 0:18:06.920
<v Speaker 12>What's going on?

0:18:07.160 --> 0:18:07.879
<v Speaker 2>Hang on one second?

0:18:08.720 --> 0:18:14.080
<v Speaker 13>Okay, go ahead, mm hmm okay six eight six nope,

0:18:14.240 --> 0:18:18.040
<v Speaker 13>there's nose six. Okay, there you go six seven nope. Okay,

0:18:18.560 --> 0:18:23.600
<v Speaker 13>I'm sorry, okay six eight six seven six. I think

0:18:23.600 --> 0:18:24.560
<v Speaker 13>I might beat dyslexic.

0:18:24.600 --> 0:18:25.000
<v Speaker 10>I don't know.

0:18:25.280 --> 0:18:28.800
<v Speaker 13>All right, here we go Hoppy Seed trailer Park, okay,

0:18:28.840 --> 0:18:33.000
<v Speaker 13>Fort Lauderdale. Okay, and where's that Florida?

0:18:33.320 --> 0:18:34.000
<v Speaker 2>How do you spell that?

0:18:34.680 --> 0:18:34.840
<v Speaker 15>Oh?

0:18:35.240 --> 0:18:36.960
<v Speaker 2>All right, I just put F F F is that?

0:18:37.040 --> 0:18:37.280
<v Speaker 3>Okay?

0:18:37.960 --> 0:18:38.800
<v Speaker 2>Okay? Thanks?

0:18:38.840 --> 0:18:40.640
<v Speaker 15>Call well?

0:18:40.680 --> 0:18:41.000
<v Speaker 8>What's that?

0:18:41.560 --> 0:18:43.840
<v Speaker 2>It's them on? He's hopping us find Gabby. But he

0:18:43.880 --> 0:18:45.800
<v Speaker 2>told me to keep a secret. So we're hearing the story.

0:18:45.840 --> 0:18:48.200
<v Speaker 12>Okay, okay, suspicious.

0:18:49.200 --> 0:18:51.359
<v Speaker 13>It was some snooty assistant just gave me the address

0:18:51.359 --> 0:18:53.359
<v Speaker 13>for Gabby's family and it's less than thirty minutes.

0:18:53.440 --> 0:18:54.720
<v Speaker 2>Wait, we gotta go.

0:18:54.800 --> 0:18:58.000
<v Speaker 12>Now that's amazing, but let's wait until tomorrow morning. I

0:18:58.320 --> 0:18:59.840
<v Speaker 12>need to let my editor. Now I'm gonna be late

0:18:59.880 --> 0:19:02.360
<v Speaker 12>on my article and I don't want to leave Australia

0:19:02.440 --> 0:19:03.320
<v Speaker 12>in the middle of all of this.

0:19:04.119 --> 0:19:06.120
<v Speaker 2>Okay, okay, good call. I'm gonna let.

0:19:18.200 --> 0:19:18.400
<v Speaker 15>Hey.

0:19:18.640 --> 0:19:24.840
<v Speaker 12>So slight complication, hmm.

0:19:25.800 --> 0:19:30.760
<v Speaker 5>Stevan growing a conscience, Luisa and Alicia becoming friends. Hell

0:19:31.160 --> 0:19:35.680
<v Speaker 5>must have frozen over, But be careful me. I don't

0:19:35.680 --> 0:19:38.120
<v Speaker 5>think your journey is over yet.

0:19:55.200 --> 0:19:58.159
<v Speaker 11>The Princess of South Beach Season two was produced by

0:19:58.240 --> 0:20:00.119
<v Speaker 11>Sonodo in partnership with Our Heart.

0:20:00.000 --> 0:20:01.440
<v Speaker 2>It's Make Ultura Network.

0:20:02.280 --> 0:20:06.879
<v Speaker 11>Created and directed by Jasmine Romero, Written by Jasmine Romero

0:20:07.160 --> 0:20:11.160
<v Speaker 11>with help from Menissa Hendrix, Produced by Luisa Guardo Castillo,

0:20:11.840 --> 0:20:16.600
<v Speaker 11>executive produced by Jasmine Romero, Executive produced by conaal Bayne

0:20:16.640 --> 0:20:20.679
<v Speaker 11>and Jessel Banzis for iHeart and Camilla Victoriano and Josha

0:20:20.800 --> 0:20:26.359
<v Speaker 11>Weinstein for Sonoro. Performances in this episode by Danny Pino,

0:20:27.200 --> 0:20:34.320
<v Speaker 11>Ex Maio, Karime Pinte, Andy Bustillios, Dorine Hamilton, Alan Eisenberg,

0:20:34.960 --> 0:20:41.040
<v Speaker 11>Kelly Conkel, Gina Torres, raule S Parsa, Mike Cablon, and

0:20:41.240 --> 0:20:47.440
<v Speaker 11>Jasmine Romero. Our production manager is kennsa Chains. Recording engineering

0:20:47.560 --> 0:20:51.080
<v Speaker 11>and sound design by Luinigoyan and Juan Diaz, with help

0:20:51.160 --> 0:20:55.520
<v Speaker 11>from Cassandra Tinajero and Andres Baena. Casting a coordination by

0:20:55.600 --> 0:21:01.080
<v Speaker 11>Kennca Chais, Angeli Martinez, Alex Gonzalez and Andres Chai. Theme

0:21:01.200 --> 0:21:05.480
<v Speaker 11>song and original music by Rodrigo Garcia. Rolis theme song

0:21:05.680 --> 0:21:10.600
<v Speaker 11>performed by Jaffetzamajoa and Carol Velasco. Voices recorded at the

0:21:10.720 --> 0:21:14.240
<v Speaker 11>Invisible Studios in Los Angeles, the Relic Room in New York,

0:21:14.520 --> 0:21:18.560
<v Speaker 11>and the Hollowed Halls Importman, with engineering by Charles Carroll,

0:21:18.920 --> 0:21:24.840
<v Speaker 11>David Wilson, Neil Wagenson, Sam Bear, Brett Tubin and Justin Phelps.

0:21:25.480 --> 0:21:27.760
<v Speaker 11>With special thanks to Heroni Mohavils