1 00:00:09,840 --> 00:00:19,119 Speaker 1: La Zaria carincon and contracted me the Ni Kamati Vassil. 2 00:00:20,280 --> 00:00:22,599 Speaker 2: Name asps. 3 00:00:24,079 --> 00:00:24,840 Speaker 3: Or rest. 4 00:00:26,200 --> 00:00:48,000 Speaker 4: Dost stand Trebles something body that as mes. 5 00:00:52,120 --> 00:01:00,800 Speaker 5: Previously on Princess of South Beach Astralan Raul Finally Gabby, 6 00:01:01,480 --> 00:01:03,680 Speaker 5: except it wasn't the real Gabby. It was just some 7 00:01:04,080 --> 00:01:09,280 Speaker 5: other random man named Gabby Grera. What a letdown, Gambarkee. 8 00:01:10,600 --> 00:01:12,960 Speaker 5: And just as they were about to head back to Miami, 9 00:01:13,560 --> 00:01:17,120 Speaker 5: Estraya received a distressing call from her girlfriend, Sarah's mom, 10 00:01:17,400 --> 00:01:20,280 Speaker 5: telling her Sarah was in a terrible accident. 11 00:01:23,200 --> 00:01:24,120 Speaker 6: No Sadia. 12 00:01:25,240 --> 00:01:30,640 Speaker 5: Meanwhile, Estevan has teamed up with his nemesis Alicia Mendez 13 00:01:30,760 --> 00:01:34,160 Speaker 5: to get some work done at City Hall, and Luisa 14 00:01:34,440 --> 00:01:38,000 Speaker 5: went to her new BFFs, Victoria's Singles a Man, where 15 00:01:38,120 --> 00:01:42,000 Speaker 5: she met Victoria's sexy brother Joe and they hit it off. 16 00:01:42,640 --> 00:01:46,319 Speaker 5: Maybe someone around here will finally get a happy ending. 17 00:01:47,040 --> 00:01:52,240 Speaker 5: Maybe definitely not me though, seeing as how I'm dead. AnyWho, 18 00:01:53,000 --> 00:01:54,880 Speaker 5: let's check in on how Sarah's doing. 19 00:02:06,760 --> 00:02:08,760 Speaker 7: Hi, Please, I need to know where Sarah Navarro is. 20 00:02:09,080 --> 00:02:12,160 Speaker 7: Please just give me one moment. 21 00:02:13,760 --> 00:02:15,040 Speaker 2: Hey, Hey, it's gonna be okay. 22 00:02:15,440 --> 00:02:21,519 Speaker 7: Hey Doris, missus Navarro. Hey, it's okay there with me, 23 00:02:22,080 --> 00:02:22,720 Speaker 7: go on through. 24 00:02:26,600 --> 00:02:27,840 Speaker 2: I'm so glad to see you. 25 00:02:28,520 --> 00:02:29,000 Speaker 5: Where is she? 26 00:02:29,120 --> 00:02:32,359 Speaker 7: I want to see her. Listen before you go in there, 27 00:02:32,639 --> 00:02:33,919 Speaker 7: I need you to take a breath. 28 00:02:34,560 --> 00:02:36,600 Speaker 8: It's not She's not. 29 00:02:37,800 --> 00:02:40,440 Speaker 9: She looks pretty bad, and I just want you to 30 00:02:40,560 --> 00:02:45,200 Speaker 9: be prepared. She's in a full body cast and they've 31 00:02:45,280 --> 00:02:47,919 Speaker 9: put her in an induced coma. What they're hoping it 32 00:02:48,080 --> 00:02:51,560 Speaker 9: reduces the swelling in her brain. She hasn't been awake 33 00:02:51,639 --> 00:02:52,400 Speaker 9: since I got here. 34 00:02:52,960 --> 00:02:54,760 Speaker 2: Oh my god, I'm so sorry. 35 00:02:54,880 --> 00:02:55,519 Speaker 7: I don't care. 36 00:02:55,639 --> 00:02:57,720 Speaker 10: I just want to be with her, all right, come 37 00:02:57,760 --> 00:02:58,040 Speaker 10: on there? 38 00:03:00,040 --> 00:03:11,679 Speaker 8: Mm hm, baby, No, I should have been with you. 39 00:03:12,720 --> 00:03:13,720 Speaker 8: I should have been with it. 40 00:03:14,240 --> 00:03:15,000 Speaker 11: What happened. 41 00:03:15,720 --> 00:03:19,480 Speaker 9: It was a freak accident. She was driving home and 42 00:03:20,280 --> 00:03:24,880 Speaker 9: one of her tires exploded. They're saying it was faulty. 43 00:03:25,560 --> 00:03:26,960 Speaker 9: I'm just manufactured wrong. 44 00:03:27,520 --> 00:03:28,520 Speaker 8: This is my fault. 45 00:03:29,440 --> 00:03:31,239 Speaker 7: She would have never been in there if it wasn't 46 00:03:31,280 --> 00:03:31,519 Speaker 7: for me. 47 00:03:32,520 --> 00:03:33,520 Speaker 2: Can't blame yourself. 48 00:03:36,600 --> 00:03:39,480 Speaker 10: What so you could be laid up in here too. 49 00:03:40,240 --> 00:03:44,800 Speaker 9: Beating yourself up isn't helping anybody, now, Hush, we gotta 50 00:03:44,800 --> 00:03:45,600 Speaker 9: stay positive. 51 00:03:46,000 --> 00:03:48,680 Speaker 7: Okay, take my hand, Let's raise up a prayer. 52 00:03:48,440 --> 00:03:49,280 Speaker 2: For my baby girl. 53 00:03:50,360 --> 00:03:56,560 Speaker 4: Our father, God, hon I'm gonna go take this in 54 00:03:56,640 --> 00:03:56,920 Speaker 4: the hall. 55 00:03:59,680 --> 00:04:05,760 Speaker 12: M I'm so sorry, Raoul, what is the deal. I've 56 00:04:05,800 --> 00:04:07,920 Speaker 12: been calling Australia all day. Where are you guys? 57 00:04:08,320 --> 00:04:13,440 Speaker 13: Oh, we're back in Miami. Actually, something bad happened. You 58 00:04:13,480 --> 00:04:14,600 Speaker 13: should come down to the hospital. 59 00:04:15,040 --> 00:04:16,400 Speaker 12: Oh god, what happened? 60 00:04:17,000 --> 00:04:21,840 Speaker 2: Well, it has been seeing this woman named Asada, and 61 00:04:23,960 --> 00:04:27,200 Speaker 2: well this is going to take a while to explain. 62 00:04:28,839 --> 00:04:30,960 Speaker 5: Why don't we take a little break and catch up 63 00:04:31,040 --> 00:04:34,680 Speaker 5: with our newly divorced Louisa, who is single and ready 64 00:04:34,760 --> 00:04:39,120 Speaker 5: to mingle, especially with Victoria's sexy brother Joel. 65 00:05:00,040 --> 00:05:05,120 Speaker 7: M hm, he is pretty somebody had a good night. 66 00:05:07,960 --> 00:05:11,159 Speaker 10: Well, that brother of yours is quite the charmer. 67 00:05:12,640 --> 00:05:14,960 Speaker 14: He once smooth talked his way out of six hundred 68 00:05:15,000 --> 00:05:18,120 Speaker 14: dollars in speeding tickets, just to wink and a smile 69 00:05:18,240 --> 00:05:18,839 Speaker 14: at the judge. 70 00:05:18,880 --> 00:05:23,280 Speaker 10: And I have to admit, he seems too good to 71 00:05:23,360 --> 00:05:26,680 Speaker 10: be true. It's amazing. It's like he was the one 72 00:05:27,040 --> 00:05:28,920 Speaker 10: decent guy in the whole place. 73 00:05:29,560 --> 00:05:32,000 Speaker 7: Well, I am just thrilled that you two hit it off. 74 00:05:32,400 --> 00:05:32,520 Speaker 15: Now. 75 00:05:32,600 --> 00:05:34,640 Speaker 7: He called me right after your date to tell me 76 00:05:34,720 --> 00:05:35,520 Speaker 7: how much he liked you. 77 00:05:35,920 --> 00:05:38,279 Speaker 10: Oh, oh, you two are pretty close. 78 00:05:38,400 --> 00:05:42,160 Speaker 14: Huh oh, yes, I like to say that God blessed 79 00:05:42,240 --> 00:05:44,680 Speaker 14: me with a best friend and a brother and the 80 00:05:44,800 --> 00:05:45,520 Speaker 14: same person. 81 00:05:46,680 --> 00:05:47,400 Speaker 7: So what's next. 82 00:05:47,880 --> 00:05:52,640 Speaker 10: Well, I want to take it slow after everything with Estelen. 83 00:05:53,320 --> 00:05:56,160 Speaker 10: I'm not ready to just jump back in the saddle, 84 00:05:56,839 --> 00:05:58,839 Speaker 10: even when the saddle looked like your brother. 85 00:05:59,320 --> 00:06:04,440 Speaker 7: That's understand Annibal. But don't you think that at our 86 00:06:04,520 --> 00:06:08,240 Speaker 7: age it's a little easier to know what you want. 87 00:06:08,720 --> 00:06:12,200 Speaker 7: I mean, and when it's right, it's right. Why waste time? 88 00:06:12,720 --> 00:06:13,280 Speaker 10: That's true. 89 00:06:13,720 --> 00:06:16,960 Speaker 7: Plus I could totally see Joel doing great things for 90 00:06:17,080 --> 00:06:17,640 Speaker 7: your image. 91 00:06:18,120 --> 00:06:19,960 Speaker 10: What is that supposed to mean? 92 00:06:20,360 --> 00:06:20,520 Speaker 5: Oh? 93 00:06:20,680 --> 00:06:21,000 Speaker 8: Nothing? 94 00:06:21,320 --> 00:06:21,680 Speaker 10: Is it just? 95 00:06:22,520 --> 00:06:22,680 Speaker 15: Well? 96 00:06:23,600 --> 00:06:27,800 Speaker 7: Okay, after everything with your ex, let's just say that. 97 00:06:29,120 --> 00:06:32,920 Speaker 7: I've heard the ladies around town rumbling about how you're 98 00:06:34,440 --> 00:06:40,279 Speaker 7: well slipping what. You've always been the queen of. 99 00:06:40,320 --> 00:06:43,360 Speaker 14: South Beach, but now with your daughter gone and your 100 00:06:43,640 --> 00:06:48,839 Speaker 14: husband disgraced, the girls are saying that maybe. 101 00:06:48,640 --> 00:06:50,440 Speaker 7: Your time in the limelight is over. 102 00:06:50,800 --> 00:06:54,040 Speaker 14: I mean, oh, come on, it's hard for a woman 103 00:06:54,240 --> 00:06:58,400 Speaker 14: over fifty to be taken seriously anywhere, much less Miami. 104 00:06:59,279 --> 00:07:04,080 Speaker 7: These women our vultures. Any one of them would gladly 105 00:07:04,360 --> 00:07:05,760 Speaker 7: take your spot, I know. 106 00:07:06,040 --> 00:07:09,680 Speaker 14: But if you're seen out and about with a hot 107 00:07:10,280 --> 00:07:12,360 Speaker 14: young doctor, like my brother. 108 00:07:13,920 --> 00:07:17,040 Speaker 7: People would see that you've still got it. 109 00:07:18,240 --> 00:07:24,280 Speaker 10: Hmm. So okay, okay, okay, I'm texting him now. We're 110 00:07:24,360 --> 00:07:26,600 Speaker 10: going to meet up for drinks tomorrow night. 111 00:07:26,960 --> 00:07:29,800 Speaker 7: I love it. Oh, we have to go pick out outfits. 112 00:07:30,320 --> 00:07:33,480 Speaker 7: You're useless when it comes to fashion. What did you 113 00:07:33,560 --> 00:07:37,040 Speaker 7: say you're useless? I mean look at your shoes. 114 00:07:37,920 --> 00:07:41,200 Speaker 10: But these these are my house crooks. I'm at home. 115 00:07:41,720 --> 00:07:45,200 Speaker 14: Okay, well burn those and let's go take a look 116 00:07:45,200 --> 00:07:48,960 Speaker 14: at what's in your closet. Oh wait, I just went 117 00:07:49,120 --> 00:07:51,880 Speaker 14: shopping and I have a new Gucci dress in my 118 00:07:52,080 --> 00:07:54,640 Speaker 14: car that would look so great on you. 119 00:07:55,280 --> 00:07:58,960 Speaker 10: Let me go grab it if you insiast okay, but 120 00:07:59,080 --> 00:08:00,600 Speaker 10: hurry to get going. 121 00:08:03,760 --> 00:08:06,280 Speaker 5: I don't like this Victoria woman, but I will give 122 00:08:06,320 --> 00:08:09,040 Speaker 5: her one thing. Crocs are horrendous. 123 00:08:09,280 --> 00:08:11,000 Speaker 9: Whoa whoa, whoa, whoa whoa whoo. 124 00:08:11,120 --> 00:08:16,120 Speaker 5: Pull over, it's the fashion police. You are under arrest. 125 00:08:16,600 --> 00:08:20,160 Speaker 5: Leave the cross there and walk away with your hands up. 126 00:08:20,800 --> 00:08:25,760 Speaker 5: Oh anyway, let's check in at the hospital where Andris 127 00:08:26,280 --> 00:08:27,280 Speaker 5: is getting up to speed? 128 00:08:32,360 --> 00:08:36,199 Speaker 2: Raoul, Wow, you got her so fast. 129 00:08:37,320 --> 00:08:39,640 Speaker 12: These are new running shoes. How's Australia? 130 00:08:40,600 --> 00:08:42,800 Speaker 2: She's in there with s that his mom Now it's 131 00:08:43,360 --> 00:08:43,920 Speaker 2: pretty bad. 132 00:08:46,360 --> 00:08:50,000 Speaker 12: I guess that's the end of our search for Gabby. Huh, yeah, 133 00:08:50,880 --> 00:08:54,160 Speaker 12: I guess so well, we tried our best. 134 00:08:54,960 --> 00:08:58,520 Speaker 2: Yeah, it's just so sad, you know, giving up like this, 135 00:08:59,559 --> 00:09:00,720 Speaker 2: I know, But. 136 00:09:01,480 --> 00:09:04,600 Speaker 12: If I'm being honest, I'm actually pretty relieved. I felt 137 00:09:04,640 --> 00:09:08,120 Speaker 12: so bad after the whole fake Aabbey situation that this, 138 00:09:08,440 --> 00:09:10,960 Speaker 12: you know, kind of takes the pressure off. And also 139 00:09:11,000 --> 00:09:13,960 Speaker 12: for Astraea's sake, you know, it must be so hard 140 00:09:14,040 --> 00:09:16,240 Speaker 12: for her reopening old wounds. 141 00:09:17,160 --> 00:09:19,840 Speaker 2: Yeah, I just wish there was a way for her 142 00:09:19,880 --> 00:09:25,360 Speaker 2: to have some closure. Hey, what if you and I 143 00:09:25,440 --> 00:09:26,080 Speaker 2: take up the hunt? 144 00:09:26,520 --> 00:09:27,240 Speaker 3: We do what now? 145 00:09:27,720 --> 00:09:29,840 Speaker 13: Yeah, we could do it as a surprise for her 146 00:09:30,160 --> 00:09:32,800 Speaker 13: so she doesn't have to worry about it. Well, Sarah's recovery. 147 00:09:35,240 --> 00:09:36,800 Speaker 3: I mean, I would. 148 00:09:38,480 --> 00:09:41,320 Speaker 12: Hate to intrude on something so personal. 149 00:09:42,440 --> 00:09:45,520 Speaker 13: But don't you see this is what friendship is all about, 150 00:09:46,200 --> 00:09:48,360 Speaker 13: being there for people, right. 151 00:09:48,440 --> 00:09:51,040 Speaker 12: Yeah, but we don't have any leads to go on. 152 00:09:51,320 --> 00:09:54,120 Speaker 2: Oh boy, but you know what, I have someone that 153 00:09:54,160 --> 00:09:54,800 Speaker 2: ows me a favor. 154 00:10:00,760 --> 00:10:02,000 Speaker 5: What are you up to? 155 00:10:02,440 --> 00:10:04,640 Speaker 2: Raoul mi Hope? 156 00:10:05,240 --> 00:10:07,160 Speaker 5: Could it be that you're smarter than I gave you 157 00:10:07,240 --> 00:10:11,800 Speaker 5: credit for? Probably not, but hey, even a broken clock 158 00:10:11,880 --> 00:10:15,160 Speaker 5: is right twice a day. Now, let's see how things 159 00:10:15,200 --> 00:10:16,680 Speaker 5: are going down at city hall? 160 00:10:24,040 --> 00:10:25,280 Speaker 16: Okay, what they're gone in home? 161 00:10:25,400 --> 00:10:28,840 Speaker 17: Saying she is officially backing down and allowing the statue 162 00:10:28,840 --> 00:10:29,839 Speaker 17: to go up in brickle key. 163 00:10:30,160 --> 00:10:30,400 Speaker 16: Good. 164 00:10:30,679 --> 00:10:32,199 Speaker 17: Seems like you're starting to get the hang of this. 165 00:10:32,760 --> 00:10:33,040 Speaker 10: Thank you. 166 00:10:33,160 --> 00:10:35,559 Speaker 16: I have been taking lessons from Alifia. You know, once 167 00:10:35,600 --> 00:10:37,640 Speaker 16: you get over her rodent like qualities, she's not so 168 00:10:37,760 --> 00:10:38,760 Speaker 16: bad except for this smell. 169 00:10:38,920 --> 00:10:41,240 Speaker 17: I'm sure she would appreciate you attempting a compliment, sir. 170 00:10:41,679 --> 00:10:42,240 Speaker 2: It's strange. 171 00:10:42,240 --> 00:10:45,800 Speaker 16: I've never been mood anything before, but helping people being 172 00:10:46,040 --> 00:10:48,280 Speaker 16: honest it feels nice. 173 00:10:49,320 --> 00:10:50,520 Speaker 3: He's very, very confusing. 174 00:10:50,920 --> 00:10:53,800 Speaker 17: I'm sure it'll wear off, sir Ah. 175 00:10:54,120 --> 00:10:58,280 Speaker 16: Mister sirier, please Keller give me a moment, Raoul, how 176 00:10:58,320 --> 00:11:00,240 Speaker 16: are you doing? Do you still need money? I finally 177 00:11:00,280 --> 00:11:01,800 Speaker 16: got paid for being mayor. It's not a lot, but 178 00:11:01,920 --> 00:11:03,520 Speaker 16: I am sure I could lend you what you need. 179 00:11:04,400 --> 00:11:06,760 Speaker 15: No, I'm okay on money for the moment. 180 00:11:06,800 --> 00:11:09,000 Speaker 2: Actually, oh good, because it really is a pittance. 181 00:11:09,800 --> 00:11:12,000 Speaker 16: Lisa is charging me a fortune in rent. 182 00:11:13,120 --> 00:11:18,720 Speaker 15: I'm calling about something a little touchy. Okay, I need 183 00:11:18,800 --> 00:11:20,000 Speaker 15: your help finding Gabby. 184 00:11:21,360 --> 00:11:22,640 Speaker 2: I told you not to look for it. 185 00:11:22,800 --> 00:11:24,559 Speaker 15: And I know what you're gonna say, that we should 186 00:11:24,600 --> 00:11:27,719 Speaker 15: leave the past behind and that it's dangerous. Yes, but 187 00:11:27,840 --> 00:11:30,560 Speaker 15: you said that you had changed. I have my father's 188 00:11:30,600 --> 00:11:31,760 Speaker 15: memory meant something to you. 189 00:11:32,240 --> 00:11:33,920 Speaker 3: It does, and that you'd help me. 190 00:11:34,200 --> 00:11:38,079 Speaker 2: He said, help me with this. I do want to 191 00:11:38,200 --> 00:11:38,839 Speaker 2: make things right. 192 00:11:39,000 --> 00:11:43,520 Speaker 13: It's just that this particular is you don't understand. 193 00:11:44,679 --> 00:11:46,560 Speaker 3: This is bigger than your missing friend. 194 00:11:47,400 --> 00:11:48,800 Speaker 15: I thought you had changed. 195 00:11:49,080 --> 00:11:49,480 Speaker 8: I have. 196 00:11:50,000 --> 00:11:53,439 Speaker 15: I just know you haven't, the same as it's always been. 197 00:11:54,920 --> 00:11:58,959 Speaker 15: I was right. The only person you care about is you. 198 00:12:00,200 --> 00:12:00,440 Speaker 10: That's not. 199 00:12:05,920 --> 00:12:10,599 Speaker 3: Okay, log What would you do if you had a 200 00:12:10,840 --> 00:12:15,040 Speaker 3: terrible secret that guru in your career, but in order 201 00:12:15,160 --> 00:12:19,240 Speaker 3: to keep that secret you had to actively harm someone 202 00:12:19,880 --> 00:12:23,560 Speaker 3: and lie to the only son of your dead ex lover. 203 00:12:25,440 --> 00:12:29,760 Speaker 17: Hypothetically, this feels extremely specific and not hypothetical. 204 00:12:30,520 --> 00:12:32,320 Speaker 2: No, it's a hypothetical. 205 00:12:33,160 --> 00:12:37,280 Speaker 17: Okay, Well, hypothetically it's a question of what you care 206 00:12:37,320 --> 00:12:39,840 Speaker 17: about more your career or being a good person. 207 00:12:40,440 --> 00:12:42,040 Speaker 3: Is there a third option? I'm not seeing yet. 208 00:12:42,240 --> 00:12:44,160 Speaker 17: Oh, I thought that being a good person was the 209 00:12:44,280 --> 00:12:45,959 Speaker 17: obvious choice. That's my mistake, sir. 210 00:12:48,800 --> 00:12:49,920 Speaker 2: You're a genius caalog? 211 00:12:50,400 --> 00:12:59,480 Speaker 6: Oh yes, yes, my god, Yes, Yet yes, baby, mister 212 00:12:59,600 --> 00:13:04,960 Speaker 6: serial call this naw, give him this information understood, time 213 00:13:05,040 --> 00:13:05,240 Speaker 6: on it. 214 00:13:05,920 --> 00:13:08,880 Speaker 10: Oh? Oh, I didn't see you there. 215 00:13:09,800 --> 00:13:14,839 Speaker 17: Good afternoon, missus Calderon or madam first lady or miss Sorry. 216 00:13:14,920 --> 00:13:16,720 Speaker 17: I was gonna say miss, and I realized I don't 217 00:13:16,720 --> 00:13:18,079 Speaker 17: know your maiden name. You know what, I'm just gonna go, 218 00:13:24,679 --> 00:13:25,160 Speaker 17: who was that? 219 00:13:26,720 --> 00:13:28,280 Speaker 2: My chief of ista? 220 00:13:28,840 --> 00:13:29,880 Speaker 10: You're hiring children? 221 00:13:29,960 --> 00:13:30,080 Speaker 8: Now? 222 00:13:30,679 --> 00:13:31,640 Speaker 10: He looks like he's twelve. 223 00:13:31,840 --> 00:13:33,199 Speaker 3: Yes, but he kicks me up to date on the 224 00:13:33,240 --> 00:13:36,079 Speaker 3: TikTok trend, so I let him stay. What are you 225 00:13:36,200 --> 00:13:36,560 Speaker 3: doing here? 226 00:13:36,880 --> 00:13:40,800 Speaker 10: Oh? Oh, I'm here for the rent check? 227 00:13:41,200 --> 00:13:43,160 Speaker 2: Oh but I could have just wired it to you. 228 00:13:43,880 --> 00:13:47,960 Speaker 10: No, no, no, no, no, this this is much more fun, Luisa. 229 00:13:48,120 --> 00:13:50,160 Speaker 3: You're enjoying this way too much. 230 00:13:51,160 --> 00:13:51,760 Speaker 8: Yes, I am. 231 00:13:53,280 --> 00:13:55,800 Speaker 10: It's just so satisfying to what you squirm. 232 00:13:57,520 --> 00:13:58,280 Speaker 3: Have you heard from. 233 00:13:59,640 --> 00:14:01,079 Speaker 2: Glory recently? 234 00:14:01,640 --> 00:14:01,840 Speaker 8: Yes? 235 00:14:02,080 --> 00:14:06,920 Speaker 10: Yes, she's in Toronto. Now, this whole thing was so sudden. 236 00:14:07,760 --> 00:14:11,120 Speaker 10: I mean it's like she became a movie star overnight. 237 00:14:11,880 --> 00:14:12,079 Speaker 14: I know. 238 00:14:14,800 --> 00:14:19,960 Speaker 3: Here is the check? Oh finally, yeah, you wouldn't believe 239 00:14:19,960 --> 00:14:22,200 Speaker 3: a regular people live off. Did you know that minimum 240 00:14:22,240 --> 00:14:26,000 Speaker 3: wage in Miami is ten dollars per hour? 241 00:14:26,600 --> 00:14:28,920 Speaker 10: Since when do you care about. 242 00:14:28,720 --> 00:14:32,800 Speaker 1: Poor people since I became one. Look, Lisa, now that 243 00:14:32,840 --> 00:14:36,240 Speaker 1: I have you alone, we need to talk. It's about 244 00:14:36,280 --> 00:14:41,240 Speaker 1: something important, Lisa. Your new friend Victoria. You should be 245 00:14:41,320 --> 00:14:41,960 Speaker 1: careful with her. 246 00:14:42,280 --> 00:14:46,320 Speaker 10: Oh, what's the matter is Devan? Are you jealous? 247 00:14:46,600 --> 00:14:46,640 Speaker 15: What? 248 00:14:47,000 --> 00:14:47,040 Speaker 10: No? 249 00:14:47,360 --> 00:14:50,240 Speaker 2: No, listen, I just I don't trust her. I don't. 250 00:14:51,160 --> 00:14:52,040 Speaker 10: You don't even know her. 251 00:14:52,200 --> 00:14:55,000 Speaker 2: Luisa, are you seeing anyone? 252 00:14:55,640 --> 00:14:56,400 Speaker 3: I only ask no? 253 00:14:56,480 --> 00:15:00,000 Speaker 10: No, no, no, no, that is none of your business. Unbelievable. 254 00:15:00,640 --> 00:15:04,640 Speaker 10: This is so typical. You did this every time I got. 255 00:15:04,520 --> 00:15:05,120 Speaker 8: A new friend. 256 00:15:05,400 --> 00:15:06,000 Speaker 3: No I didn't. 257 00:15:06,480 --> 00:15:07,800 Speaker 18: Yes, yes, you did. 258 00:15:07,920 --> 00:15:10,560 Speaker 10: Anytime I had anyone in my life. Who wasn't you 259 00:15:11,040 --> 00:15:13,360 Speaker 10: all of a sudden you were all over me. Well 260 00:15:13,400 --> 00:15:16,560 Speaker 10: guess what, Stemma, I'm not your yo yo anymore. You 261 00:15:16,680 --> 00:15:18,800 Speaker 10: don't get to toss me away and then decide you 262 00:15:18,960 --> 00:15:21,480 Speaker 10: care about me and my life. Who care about? I'm 263 00:15:21,520 --> 00:15:25,360 Speaker 10: a grown woman and I can decide who my friends are. 264 00:15:25,840 --> 00:15:27,240 Speaker 11: I am trying to look out for you. 265 00:15:27,640 --> 00:15:29,120 Speaker 10: Well, maybe you should have tried that when we were 266 00:15:29,120 --> 00:15:33,920 Speaker 10: still married. I have a great day, three sep hold way, 267 00:15:35,000 --> 00:15:39,520 Speaker 10: oh what color are your. 268 00:15:40,920 --> 00:15:41,080 Speaker 9: Oh? 269 00:15:41,240 --> 00:15:41,760 Speaker 8: My god? 270 00:15:42,000 --> 00:15:42,280 Speaker 15: Joel? 271 00:15:44,000 --> 00:15:50,120 Speaker 10: Oh, Oh I'm so sweet? Ide No, no, here, it's okay. 272 00:15:50,400 --> 00:15:53,440 Speaker 18: It happens all the time, the text and walk collisions 273 00:15:53,520 --> 00:15:54,200 Speaker 18: in these hallways. 274 00:15:54,520 --> 00:15:56,360 Speaker 7: It's a very common problem around these parts. 275 00:15:57,200 --> 00:15:58,200 Speaker 18: Hey aren't you Luis. 276 00:15:59,240 --> 00:16:03,640 Speaker 10: Yes, yes I am, And I'm to the woman who 277 00:16:03,760 --> 00:16:07,240 Speaker 10: ran against my ex husband. I am Alicia Mendez. Nice 278 00:16:07,240 --> 00:16:11,880 Speaker 10: to finally meet you. Oh you too. Well, now that 279 00:16:11,960 --> 00:16:15,800 Speaker 10: we're divorced, I can confess how much I loved your campaign. 280 00:16:16,560 --> 00:16:18,400 Speaker 10: You know just how to get under his skin. 281 00:16:18,680 --> 00:16:21,280 Speaker 18: Well, now that I'm working with him, I can tell 282 00:16:21,400 --> 00:16:24,880 Speaker 18: you how impressed I am that you spent so long 283 00:16:25,080 --> 00:16:25,800 Speaker 18: married to him. 284 00:16:26,480 --> 00:16:31,400 Speaker 10: You deserve a metal No, Nina, I'm Cuban. We don't 285 00:16:31,440 --> 00:16:34,720 Speaker 10: break easy, you know. 286 00:16:34,920 --> 00:16:38,320 Speaker 18: Stemon and I recently started working together, and I'd love 287 00:16:38,400 --> 00:16:41,200 Speaker 18: to pick your brain, maybe buy you a coffee sometime, 288 00:16:41,800 --> 00:16:43,960 Speaker 18: get some tips and tricks on how to work with him. 289 00:16:44,320 --> 00:16:47,120 Speaker 18: I don't love the fact that he's mayor, but if 290 00:16:47,160 --> 00:16:49,440 Speaker 18: I have to interact with him, I'd like to at 291 00:16:49,480 --> 00:16:50,680 Speaker 18: least know what I'm getting myself into. 292 00:16:51,200 --> 00:16:54,360 Speaker 10: I hate talking a seman, but if it's for tips 293 00:16:54,400 --> 00:16:58,280 Speaker 10: on how to torture him, I'm game. Here's my number. Oh, 294 00:16:58,440 --> 00:16:59,280 Speaker 10: let's web a dream. 295 00:17:02,200 --> 00:17:05,880 Speaker 5: Wow, looks like new alliances are popping up all over 296 00:17:05,960 --> 00:17:11,280 Speaker 5: the place first, Raoul and andres and now this Speaking 297 00:17:11,359 --> 00:17:15,159 Speaker 5: of Raoul, let's see exactly what this Pandora's box has 298 00:17:15,240 --> 00:17:16,000 Speaker 5: in store for him. 299 00:17:41,720 --> 00:17:44,399 Speaker 13: Yellow roller Sentana speaking, Hi, Raoul, this. 300 00:17:44,480 --> 00:17:46,240 Speaker 17: Is kell Ong Kellog calling on behalf of the mayor. 301 00:17:46,400 --> 00:17:48,640 Speaker 17: I have an address for you, a Gabby Cabrera. 302 00:17:49,280 --> 00:17:52,520 Speaker 13: But wait wait wait uh you have her actual address. 303 00:17:52,520 --> 00:17:56,880 Speaker 17: As opposed to her theoretical address. Huh yes, her address. 304 00:17:56,960 --> 00:17:57,520 Speaker 5: I've been told. 305 00:17:57,600 --> 00:18:00,520 Speaker 17: Quote there are documents there that you might find interesting. 306 00:18:00,680 --> 00:18:01,200 Speaker 8: End quote. 307 00:18:01,359 --> 00:18:01,960 Speaker 17: Do you have a pen? 308 00:18:03,600 --> 00:18:05,760 Speaker 2: I'll find one. I took him from a doctor. Okay, 309 00:18:05,800 --> 00:18:06,160 Speaker 2: I'm ready. 310 00:18:06,359 --> 00:18:06,920 Speaker 12: What's going on? 311 00:18:07,160 --> 00:18:07,879 Speaker 2: Hang on one second? 312 00:18:08,720 --> 00:18:14,080 Speaker 13: Okay, go ahead, mm hmm okay six eight six nope, 313 00:18:14,240 --> 00:18:18,040 Speaker 13: there's nose six. Okay, there you go six seven nope. Okay, 314 00:18:18,560 --> 00:18:23,600 Speaker 13: I'm sorry, okay six eight six seven six. I think 315 00:18:23,600 --> 00:18:24,560 Speaker 13: I might beat dyslexic. 316 00:18:24,600 --> 00:18:25,000 Speaker 10: I don't know. 317 00:18:25,280 --> 00:18:28,800 Speaker 13: All right, here we go Hoppy Seed trailer Park, okay, 318 00:18:28,840 --> 00:18:33,000 Speaker 13: Fort Lauderdale. Okay, and where's that Florida? 319 00:18:33,320 --> 00:18:34,000 Speaker 2: How do you spell that? 320 00:18:34,680 --> 00:18:34,840 Speaker 15: Oh? 321 00:18:35,240 --> 00:18:36,960 Speaker 2: All right, I just put F F F is that? 322 00:18:37,040 --> 00:18:37,280 Speaker 3: Okay? 323 00:18:37,960 --> 00:18:38,800 Speaker 2: Okay? Thanks? 324 00:18:38,840 --> 00:18:40,640 Speaker 15: Call well? 325 00:18:40,680 --> 00:18:41,000 Speaker 8: What's that? 326 00:18:41,560 --> 00:18:43,840 Speaker 2: It's them on? He's hopping us find Gabby. But he 327 00:18:43,880 --> 00:18:45,800 Speaker 2: told me to keep a secret. So we're hearing the story. 328 00:18:45,840 --> 00:18:48,200 Speaker 12: Okay, okay, suspicious. 329 00:18:49,200 --> 00:18:51,359 Speaker 13: It was some snooty assistant just gave me the address 330 00:18:51,359 --> 00:18:53,359 Speaker 13: for Gabby's family and it's less than thirty minutes. 331 00:18:53,440 --> 00:18:54,720 Speaker 2: Wait, we gotta go. 332 00:18:54,800 --> 00:18:58,000 Speaker 12: Now that's amazing, but let's wait until tomorrow morning. I 333 00:18:58,320 --> 00:18:59,840 Speaker 12: need to let my editor. Now I'm gonna be late 334 00:18:59,880 --> 00:19:02,360 Speaker 12: on my article and I don't want to leave Australia 335 00:19:02,440 --> 00:19:03,320 Speaker 12: in the middle of all of this. 336 00:19:04,119 --> 00:19:06,120 Speaker 2: Okay, okay, good call. I'm gonna let. 337 00:19:18,200 --> 00:19:18,400 Speaker 15: Hey. 338 00:19:18,640 --> 00:19:24,840 Speaker 12: So slight complication, hmm. 339 00:19:25,800 --> 00:19:30,760 Speaker 5: Stevan growing a conscience, Luisa and Alicia becoming friends. Hell 340 00:19:31,160 --> 00:19:35,680 Speaker 5: must have frozen over, But be careful me. I don't 341 00:19:35,680 --> 00:19:38,120 Speaker 5: think your journey is over yet. 342 00:19:55,200 --> 00:19:58,159 Speaker 11: The Princess of South Beach Season two was produced by 343 00:19:58,240 --> 00:20:00,119 Speaker 11: Sonodo in partnership with Our Heart. 344 00:20:00,000 --> 00:20:01,440 Speaker 2: It's Make Ultura Network. 345 00:20:02,280 --> 00:20:06,879 Speaker 11: Created and directed by Jasmine Romero, Written by Jasmine Romero 346 00:20:07,160 --> 00:20:11,160 Speaker 11: with help from Menissa Hendrix, Produced by Luisa Guardo Castillo, 347 00:20:11,840 --> 00:20:16,600 Speaker 11: executive produced by Jasmine Romero, Executive produced by conaal Bayne 348 00:20:16,640 --> 00:20:20,679 Speaker 11: and Jessel Banzis for iHeart and Camilla Victoriano and Josha 349 00:20:20,800 --> 00:20:26,359 Speaker 11: Weinstein for Sonoro. Performances in this episode by Danny Pino, 350 00:20:27,200 --> 00:20:34,320 Speaker 11: Ex Maio, Karime Pinte, Andy Bustillios, Dorine Hamilton, Alan Eisenberg, 351 00:20:34,960 --> 00:20:41,040 Speaker 11: Kelly Conkel, Gina Torres, raule S Parsa, Mike Cablon, and 352 00:20:41,240 --> 00:20:47,440 Speaker 11: Jasmine Romero. Our production manager is kennsa Chains. Recording engineering 353 00:20:47,560 --> 00:20:51,080 Speaker 11: and sound design by Luinigoyan and Juan Diaz, with help 354 00:20:51,160 --> 00:20:55,520 Speaker 11: from Cassandra Tinajero and Andres Baena. Casting a coordination by 355 00:20:55,600 --> 00:21:01,080 Speaker 11: Kennca Chais, Angeli Martinez, Alex Gonzalez and Andres Chai. Theme 356 00:21:01,200 --> 00:21:05,480 Speaker 11: song and original music by Rodrigo Garcia. Rolis theme song 357 00:21:05,680 --> 00:21:10,600 Speaker 11: performed by Jaffetzamajoa and Carol Velasco. Voices recorded at the 358 00:21:10,720 --> 00:21:14,240 Speaker 11: Invisible Studios in Los Angeles, the Relic Room in New York, 359 00:21:14,520 --> 00:21:18,560 Speaker 11: and the Hollowed Halls Importman, with engineering by Charles Carroll, 360 00:21:18,920 --> 00:21:24,840 Speaker 11: David Wilson, Neil Wagenson, Sam Bear, Brett Tubin and Justin Phelps. 361 00:21:25,480 --> 00:21:27,760 Speaker 11: With special thanks to Heroni Mohavils