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Speaker 1: I'm gathered with uh, the entire view universe everyone, Jacky's

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Speaker 1: hob Banky movie, The Golden Calf, Alanis Morissett as God.

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Speaker 1: Remember are you talking about Karma? Am I talking about Karma?

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Speaker 2: The movie Dogma Dogma?

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Speaker 1: This is not now. I was not naming ugly dolls.

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Speaker 1: I was talking about we gotta keep going and like that.

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Speaker 1: We barely got the theme song off and it's not

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Speaker 1: even the right theme song because Kevin is gone.

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Speaker 3: He has defected to Team Cocoa House.

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Speaker 2: Are you serious?

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Speaker 3: Yes, I am. I wish, I wish to god it

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Speaker 3: was a joke.

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Speaker 2: The House of Hair.

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Speaker 1: He has defected to Team Coco House, the House of

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Speaker 1: Hair roll. You should have seen it at the idea

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Speaker 1: of the House of Hair something that he does not

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Speaker 1: call it, but imagine if he did, that would be

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Speaker 1: such an I roll situation. Yeah, he's in New York

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Speaker 1: with Team Cocoa House. Wow, And so we got we

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Speaker 1: have the wrong We have the proversion theme song. But

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Speaker 1: maybe people are like, maybe people are like, oh, that's

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Speaker 1: a good song. I'd like to listen to that song more.

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Speaker 1: They don't have to want to hear more of the show.

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Speaker 1: But then they subscribed us to hear the song, the

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Speaker 1: proversion songmore so maybe that could work out despite Kevin. Yeah,

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Speaker 1: the movie was Dog but this is actually the sequel

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Speaker 1: to or doing Dog Moss with Elizabeth Moss. No, this

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Speaker 1: is spelled m as her smell. Does she say that

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Speaker 1: in the movie.

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Speaker 2: Yeah, that's the name of the song she sing.

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Speaker 3: Is it really?

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Speaker 1: Oh?

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Speaker 3: Never, I have not have not.

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Speaker 4: Do you know that song in his kiss it's in

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Speaker 4: his k yeah, yeah, yes, yeah, well it's like that.

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Speaker 3: But her smell, it's in her It is like that.

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Speaker 1: Yeah, okay, you say so wonderful move if you say

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Speaker 1: solo and we are doing uh snoochies and we are

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Speaker 1: doing snoogans and snoochi boujies after a long day of

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Speaker 1: of uh, I.

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Speaker 5: Wasn't even spoosed to walking here walking yes after yes,

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Speaker 5: and the guy is there Brian Dante, Dante, thank you,

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Speaker 5: I like my pasta all Dante.

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Speaker 1: Sorry, I just turned my headphones done so I could

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Speaker 1: only hear that joke forever. Uh so we so we

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Speaker 1: do snoogans, which is when you put tap your you

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Speaker 1: press your foreheads together and you say snoogans to you

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Speaker 1: and then you do Snoogy bouchies, which is where you

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Speaker 1: kind of walk next like you if you can picture

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Speaker 1: if some pop it's like a handshake but with your neck. Okay,

51
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Speaker 1: so you're kind of like, you know how next can

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Speaker 1: kind of like lock into each other.

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Speaker 2: Yeah yeah, well it's like a puzzle piece but.

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Speaker 1: The apples, Yeah yeah, it fits perfectly into the woman's.

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Speaker 2: Uh like Robin Wright pen yes, and.

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Speaker 1: You say may or snows. She's always pooches and Amy chased.

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Speaker 1: Amy is there you gather everyone for a dog.

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Speaker 2: Mind, she was chased, but she's also chased.

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Speaker 3: She did end up being yes, violated, No, no.

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Speaker 1: She ended up being chased in them in the in

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Speaker 1: the movie and she's not know what's going violates.

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Speaker 3: I know, that's what I'm saying.

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Speaker 1: She I'm saying she ended up being chased because she

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Speaker 1: didn't want to do it with Banky's friend, got it.

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Speaker 1: And I do need your help on this stuff because

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Speaker 1: I know this is.

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Speaker 2: Like not my area.

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Speaker 6: It's not my area, but I mean I did see

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Speaker 6: chasing Amy in the theaters. I'm familiar with.

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Speaker 1: What's Banky's friend's name, Banksy Oh okay, it's Banky and

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Speaker 1: Banksy Okay. Artist well and well. Banky also did comic

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Speaker 1: book Correct, which is basically what Banksy does as well.

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Speaker 3: Yes, and so amy. It is like I don't really

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Speaker 3: like doing the niggas and the snoojie boogies. It's like

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Speaker 3: too white.

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Speaker 1: We can like even a hug is like a little

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Speaker 1: weird at the end of every day. But I do

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Speaker 1: like foreheads and like next stuff. It's just like too much.

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Speaker 1: It's too much for the end of the day. And

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Speaker 1: I'm like, thank you for telling me this. I have

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Speaker 1: sort of taken on sort of a surrogate director's role

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Speaker 1: in this movie. Why after the heart attack which one

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Speaker 1: Kevin Smith's Oh no, yes he had. He's doing shows

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Speaker 1: about it. So it's not content. It's not a secret, Okay,

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Speaker 1: it's content. So we like so I'm like sort of

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Speaker 1: like the most.

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Speaker 2: I remember when I was like, everything is.

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Speaker 3: Content, No, tell me about that story.

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Speaker 2: That's the whole story. She said that it was the

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Speaker 2: name of a documentary, Your Sun make.

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Speaker 3: Everything is content.

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Speaker 1: Yeah, and we are not doing this the movie anymore.

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Speaker 1: Welcome to Hollywood Handbook Insider skuy to kicking button, dropping

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Speaker 1: names in the Red Carpet Line, back Hollways in the

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Speaker 1: industry we call show business.

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Speaker 3: The show is normal.

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Speaker 1: Everything is happening the same, and it is great that

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Speaker 1: we have Queenie Hi, who has been on the show

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Speaker 1: so many times, although you would not know from how

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Speaker 1: she handles the parking situation. Every big old time is

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Speaker 1: brand new and ever somehow worse hard.

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Speaker 4: Enough to like get these guys to commit to a time.

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Speaker 4: So then I don't want to be like, how do

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Speaker 4: I park? Because sometimes I'm afraid they're going to stop

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Speaker 4: ignoring me and just start.

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Speaker 2: Being mean to me.

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Speaker 4: Because I feel you guys sometimes, So that's what it is.

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Speaker 4: It's old cruel.

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Speaker 1: The misunderstanding of how to drive through an open gate

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Speaker 1: is it to see if we are going to be

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Speaker 1: a warm person.

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Speaker 2: You can say what you want, Oh she's fiery, you's

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Speaker 2: got a temper or whatever, she's hot. But I am

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Speaker 2: a warm like I have a heart.

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Speaker 4: And I have checked on Sean every day since his

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Speaker 4: child was born, and sometimes it doesn't text back every day.

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Speaker 1: Yeah what do you say that baby? Well, look, yeah,

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Speaker 1: we can get into it. He's not here, yeah's not here.

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Speaker 1: I just noticed that, yeah right yeah, because I was

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Speaker 1: the one going oh wow.

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Speaker 2: And then it is like that's it.

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Speaker 1: Yeah, and so you know, honestly, this has been such

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Speaker 1: a long time coming.

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Speaker 3: Like being here, we make it look so perfect.

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Speaker 4: Yeah, it's like you make it seem like you put

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Speaker 4: a lot of preparation into it.

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Speaker 1: And that it's but that it's just like everything is

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Speaker 1: going so well. Yeah, and that honestly is is not

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Speaker 1: honesty really yes.

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Speaker 2: But things are going well between the two of you

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Speaker 2: or with you and the show.

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Speaker 1: You the whole thing is going great. That's what we

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Speaker 1: put out there every single episode. Look how easy it is.

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Speaker 1: And so other people are like, oh my, I have

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Speaker 1: issues with my podcast co host and I must be

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Speaker 1: a failing Yeah, I'm doing it wrong because these guys,

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Speaker 1: thank you, watch it season five if I it's one

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Speaker 1: last episode per season, and so at Subway it's a special.

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Speaker 1: Pretty soon they will be donating episodes to others.

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Speaker 4: It's tight, and it's going to be it's going to

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Speaker 4: be part of the comedians.

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Speaker 3: But yeah, I mean, and you know what it's not.

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Speaker 4: Have you guys ever been to counseling like couples, because

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Speaker 4: there are comedy partners that have been to couples counseling.

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Speaker 3: That's what this is for us. This is where we

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Speaker 3: work it out.

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Speaker 2: Uh huh.

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Speaker 3: You know the answer is no behind these walls at all.

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Speaker 1: You know all then what's happening with the lights?

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Speaker 6: I don't have any idea. They keep like coming down.

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Speaker 2: I was either having joke or things. We're about to

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Speaker 2: get fun.

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Speaker 1: Real fun, and it's like part of it is this

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Speaker 1: Kevin thing with team Coco House.

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Speaker 4: I want to hear a fun story I have about Yea.

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Speaker 4: ConA never invited me on the show as a guest, and.

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Speaker 3: I want to invite you on a character like a

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Speaker 3: big suit.

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Speaker 2: Yes, I will explain what they are, uh, stripper, wow,

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Speaker 2: porn actress.

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Speaker 3: Okay, girl gone wild? Uh huh? And what we say

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Speaker 3: is sex worker, sex work or sex worker?

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Speaker 2: Oh my apologies.

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Speaker 3: Okay.

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Speaker 4: And and I love UCB. It was the best time

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Speaker 4: of my life two thousand. In two thousand and one,

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Speaker 4: as soon as that second tower fell, I mean the

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Speaker 4: parts were just everywhere, and by parts, I mean rolls, and.

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Speaker 3: By rolls, that's when it really it really takes.

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Speaker 2: Really picked up. Things really picked up for me.

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Speaker 3: As after the second tower. Yeah, uh huh.

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Speaker 4: I miss the oughts because everything was like I ought

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Speaker 4: to take this part. Yeah, And I did anyway. That's

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Speaker 4: the last time I saw Colden.

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Speaker 3: Was when you were just played like a stripper witch. Okay,

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Speaker 3: that's funny. You wear a hat. Yeah huh. And never

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Speaker 3: as a guest.

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Speaker 2: Never as a guest.

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Speaker 3: Well, he mostly doing field pieces. Now what is he in?

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Speaker 2: Like Kabool?

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Speaker 4: Now?

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Speaker 3: Yes, he's going to Kabool.

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Speaker 2: Yeah cool, great.

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Speaker 3: To play.

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Speaker 2: That's what he always dreamed of, right when he was

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Speaker 2: watching Carson.

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Speaker 3: Mm hmmm. Yeah, he's going to do like a zorb.

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Speaker 4: I'll never see my fanis we do a bubble soccer anyway.

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Speaker 4: I'm sorry to interrupt.

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Speaker 2: Kevin's gone.

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Speaker 3: Kevin is gone.

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Speaker 1: And he was someone that we could always whenever things

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Speaker 1: got really bad, we could always kind of turn our

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Speaker 1: attention to Kevin and be like, look at his supred

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Speaker 1: hair or whatever.

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Speaker 3: Yeah, exactly, and he loved that.

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Speaker 4: I've never heard anyone be happier, right, Oh my god, Yeah,

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Speaker 4: those were his aughts.

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Speaker 1: Yes, his pants are weird, whatever it is. And then

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Speaker 1: we Forgetvin. Whatever the thing.

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Speaker 3: Was that we were upset about, Heaven. He was in

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Speaker 3: chef Heaven. Uh.

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Speaker 2: So, Kevin's gone, And just like a child graduates from college,

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Speaker 2: you have an empty all of a sudden, like our like.

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Speaker 1: Studio is starting to look a little roomy, you know,

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Speaker 1: we're just wandering the halls. Yeah, our voices are echoing.

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Speaker 1: And so we're like, okay, what do we do? What's

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Speaker 1: our next thing? And do we keep it fresh? How

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Speaker 1: do we do exciting new show? And we say like, oh, well,

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Speaker 1: let's pretend we're having a big fight, like draw attention

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Speaker 1: to our show because we are like doing this feud

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Speaker 1: do it like feude.

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Speaker 2: Love Family Feud with Steve Harvey, Yes, my Love.

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Speaker 1: Show, and these families are fighting and people are like

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Speaker 1: really interested in seeing these families go at it.

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Speaker 2: Yeah, yeah, yeah.

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Speaker 1: And so we're like, let's do a fight like feud,

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Speaker 1: and Sean is like, oh, like okay, great, We'll like

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Speaker 1: make fun of stuff about each other, like I can

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Speaker 1: make fun of your lisp or something. And I'm like,

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Speaker 1: he said that to you, and I'm like, you can

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Speaker 1: do what to my witch?

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Speaker 3: Uh huh?

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Speaker 2: Yeah. This was the sketch. Do you've seen it. You've

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Speaker 2: seen it, You've seen it, right.

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Speaker 3: Sometimes I can't walked up the sketch.

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Speaker 4: Yeah, but sometimes I would go into McManus and people

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Speaker 4: would shout stripper witch and I'd be like sex work

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Speaker 4: or sex worker, and then I'd say, yes, I will

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Speaker 4: have some free onion rings.

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Speaker 2: They were to selfies at the time. I would just thinky.

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Speaker 3: Manness and it's gone. New York is the free.

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Speaker 2: Is it anymore a bunch of tall buildings.

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Speaker 1: It's McManus is now McManus became a McMansion.

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Speaker 3: Yes, oh wow.

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Speaker 1: Uh, and so we I'm like, pardon wow, and he

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Speaker 1: is like, I, well, you know, it's not like a lisplis,

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Speaker 1: but it's like kind of a thing you do with

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Speaker 1: your ssas that's weird. It's like a tongue thrust or something.

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Speaker 1: And he's like, sorry for mentioning it, and I say, stuff,

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Speaker 1: you're sorry. He's in a sack, which is not I

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Speaker 1: guess the thing to say when you.

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Speaker 2: Are you have sibilant says.

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Speaker 1: We're trying to do your SSEs normally. And I take

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Speaker 1: a swing at him.

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Speaker 2: What did you say, hayes hi?

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Speaker 1: Yeah, uh huh, and he uh blocks it, which I

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Speaker 1: knew he was going to do. And then he takes

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Speaker 1: a swing back and I block that easily.

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Speaker 2: So you guys are physically fighting right away.

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Speaker 3: This was our first physical fight.

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Speaker 1: Yeah, and so we are in a where like we're

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Speaker 1: both kind of struggling against each other's uh fist like

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Speaker 1: punch move, and then we start both like furiously kneeing

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Speaker 1: each other in the mads. Oh my god, that entered

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Speaker 1: that stage of the fight. If you know stage combat

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Speaker 1: very well, that's kind of like we both we took question.

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Speaker 4: She's my favorite drag queen stage combat. Yes, she is sickening.

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Speaker 3: We uh, we took the class together.

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Speaker 2: She serves all the lurks.

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Speaker 3: It's called lurks now that how it's pronounced.

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Speaker 1: Well, I mean, they keep finding different ways to say they.

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Speaker 1: What do you always say we? I've never been out

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Speaker 1: on that show. I talked to Tony Hale.

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Speaker 2: Oh yeah, that was good. That was fun.

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Speaker 3: Beep.

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Speaker 2: You've never been on veep here ever ever?

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Speaker 3: Even guy, I've never been on I've never been on Via.

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Speaker 3: I think it's really great.

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Speaker 2: Never been to Harvard. What were you gonna say?

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Speaker 3: Sorry that the guy?

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Speaker 1: Uh, everyone involved in everyone in the cast of that

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Speaker 1: show ended up being president in Vie at some point.

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Speaker 6: Right, Yeah, it's true. I watched the series finale and

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Speaker 6: they all became president.

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Speaker 2: They all ended up big time at the same time.

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Speaker 6: I don't know if it was at the same time

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Speaker 6: it was.

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Speaker 1: I saw it Sam Regards and friend of the show.

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Speaker 1: So funny, and he became president on the show.

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Speaker 2: He did, that's true.

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Speaker 1: Tim Simon's never come within ten million miles of this show.

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Speaker 1: Also became president. Correct, Yes he did because he was in.

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Speaker 3: Yeah you can.

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Speaker 4: I don't know who cares. Thank you like characters making insults.

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Speaker 4: The story was always confusing.

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Speaker 3: So here's what we have to do.

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Speaker 1: I say, I got I'm a I gotta do this

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Speaker 1: myself for a little while.

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Speaker 3: Wow, I just need a little space. So we're going along.

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Speaker 2: Who made that? So you made the decision that you

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Speaker 2: would host the show alone, not he would host the show.

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Speaker 3: I made the call.

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Speaker 2: I so how did that go with him? Was he

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Speaker 2: okay with it?

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Speaker 1: I didn't tell the call was the engineer Devon? And

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Speaker 1: I said, engine Devin, get studio, get in this. Well,

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Speaker 1: so here's what I have to do. If I I

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Speaker 1: don't want to.

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Speaker 3: Beg this guy who engineer Devon.

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Speaker 1: I don't want to be in a position where I'm

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Speaker 1: like asking him for anything because he will put the

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Speaker 1: squeeze to me.

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Speaker 2: Okay, I don't know what you know. I don't, but

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Speaker 2: you know, I don't, but.

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Speaker 1: Keep you though, And so I say, hey, bitch, do

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Speaker 1: you want to be the guest the like the honored

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Speaker 1: guest on the show?

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Speaker 3: And Sean doesn't want to.

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Speaker 1: Let you do it, but I want you to be

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Speaker 1: the guest and record tomorrow's very early in the morning.

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Speaker 3: And Engineer den is like, oh great, oh cool? Huh.

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Speaker 3: And so this is the situation is.

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Speaker 2: In your dev we're doing this without Sean.

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Speaker 3: You are You're Sean, Yes.

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Speaker 2: You Bury the lead. I'm how happy I am now?

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Speaker 3: Yeah?

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Speaker 1: Much more fun than being a guest, right, And so

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Speaker 1: Engineer Devin is the guest.

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Speaker 4: Well, I feel bad because I didn't have a story

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Speaker 4: at the beginning. I was just confused by and then until.

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Speaker 3: Sometimes I do it. I do great. No, you did

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Speaker 3: exactly what you're supposed to do. Yeah, the story And oh.

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Speaker 2: Right, one of you has a story. The others like

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Speaker 2: supposed to.

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Speaker 6: You can do it next time.

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Speaker 1: Okay, yeah, you're supposed to do that, but Sean often

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Speaker 1: does he often will do that.

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Speaker 4: So is this going to be the thing You're just

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Speaker 4: going to compare me to your former partner all the time.

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Speaker 2: Like in Nanny Hollwin, She's like Why are you afraid

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Speaker 2: of the lobster?

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Speaker 3: Just put it in a see that's not I don't

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Speaker 3: cite that movie.

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Speaker 2: Why do you see it?

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00:16:52,000 --> 00:16:54,520
Speaker 3: No, I don't. I don't cite. I don't. I'm not.

337
00:16:54,600 --> 00:16:55,320
Speaker 3: I'm not trying to.

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Speaker 1: I'm not trying to give it eyeballs. You know, I'm

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Speaker 1: not trying to. I'm not trying to put money.

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Speaker 3: In that guy's pocket.

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Speaker 2: What Israel?

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Speaker 3: Who are you.

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Speaker 4: One of those b D one of those BTK people

344
00:17:07,840 --> 00:17:08,600
Speaker 4: about Israel.

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Speaker 2: They're like buying torture and kitchen or something. What do

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Speaker 2: they do to Israel? It's not nice.

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Speaker 1: It's bind, torture, kill god. I wish I could remember.

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00:17:18,800 --> 00:17:21,399
Speaker 1: Wouldn't it have been funny if I could remember the

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Speaker 1: name of that Korean band?

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Speaker 3: Is it BTS B?

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Speaker 4: Yeah?

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Speaker 1: Yeah, if I had done that in the time, Yes,

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00:17:28,280 --> 00:17:31,520
Speaker 1: I'm one of like I'm following the BTS movement. Well,

354
00:17:31,640 --> 00:17:35,400
Speaker 1: that would have been really funny.

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Speaker 2: Yeah.

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Speaker 1: Okay, So we just have to ask seven a few questions.

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Speaker 1: We have to ask him how he got on the funny.

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Speaker 2: Oh, he's the guest. Okay, the guest, so ke so Kevin.

359
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Speaker 3: This is actually so thank you so much for this up.

360
00:17:51,359 --> 00:17:54,040
Speaker 2: Are you about to tell me because I've done.

361
00:17:54,280 --> 00:18:01,520
Speaker 1: Nothing wrong, and I know I I have been here before.

362
00:18:01,680 --> 00:18:04,919
Speaker 1: I have been exactly where you are a million times.

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Speaker 1: So this is a different kind of Kevin elaborate is

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00:18:12,960 --> 00:18:17,200
Speaker 1: called a devon. And that is as far as I

365
00:18:17,240 --> 00:18:19,399
Speaker 1: could tell the only Okay.

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Speaker 2: Devin, Hi, how's your veganism? What'd you eat for dinner

367
00:18:27,640 --> 00:18:28,120
Speaker 2: last night?

368
00:18:29,880 --> 00:18:31,760
Speaker 3: Cob salad? Cob salad.

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Speaker 6: Okay, I'm not vegan.

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Speaker 2: Hey, you told me this.

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Speaker 1: I know, I know, I know there are some differences.

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00:18:40,720 --> 00:18:43,040
Speaker 1: That is one of the differences. Yes, And I also

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Speaker 1: I don't like to promote. I'm not trying to give

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00:18:44,880 --> 00:18:51,240
Speaker 1: attention to Bill Cobbsy trying to get by talking about Yes,

375
00:18:51,280 --> 00:18:53,800
Speaker 1: I'm not trying to put money like Gus pocket by eating.

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Speaker 2: So if he's the guest, who's the engineer?

377
00:18:57,640 --> 00:18:58,639
Speaker 3: God, I guess me.

378
00:18:59,200 --> 00:19:01,480
Speaker 2: I haven't met George. And yet do you think.

379
00:19:03,080 --> 00:19:07,200
Speaker 1: Cat you would start I think breaking into like you

380
00:19:07,240 --> 00:19:10,479
Speaker 1: would both start singing, but in a way that was

381
00:19:10,720 --> 00:19:12,640
Speaker 1: like nasty to each other.

382
00:19:12,760 --> 00:19:14,760
Speaker 2: Like like few like a dance off.

383
00:19:15,680 --> 00:19:17,080
Speaker 3: It would be like the other.

384
00:19:18,480 --> 00:19:19,520
Speaker 2: Did you see feud?

385
00:19:25,000 --> 00:19:31,000
Speaker 1: Like yeah, I think you guys would respectfully be enemies. Huh.

386
00:19:31,000 --> 00:19:31,280
Speaker 2: Cool?

387
00:19:31,280 --> 00:19:34,199
Speaker 3: Because she has a BA vocal performance. You're aware of this.

388
00:19:34,320 --> 00:19:37,320
Speaker 2: Yeah, and I have a BS. I called on you.

389
00:19:38,400 --> 00:19:40,960
Speaker 3: I called you call BS and who is that?

390
00:19:41,240 --> 00:19:45,439
Speaker 2: Directed at the woman who had that speech? We call BS.

391
00:19:46,240 --> 00:19:47,760
Speaker 2: And then they auto tuned the news.

392
00:19:47,880 --> 00:19:55,320
Speaker 1: Remember Oh okay, she said, we called BS.

393
00:19:54,359 --> 00:19:56,200
Speaker 2: Made this speech. Yeah, it was cool.

394
00:19:56,320 --> 00:20:00,639
Speaker 4: She did a It was like a concert.

395
00:20:01,320 --> 00:20:03,960
Speaker 3: They auto tuned this. They always do.

396
00:20:04,080 --> 00:20:07,680
Speaker 1: I'll say this, it's time for these guys have been like, uh,

397
00:20:08,080 --> 00:20:10,320
Speaker 1: sort of hiding in the shadows for a little while.

398
00:20:10,600 --> 00:20:16,720
Speaker 3: What we do in the Yeah, sure, it's time for

399
00:20:16,840 --> 00:20:20,920
Speaker 3: these guys to auto tune Trump. It's time.

400
00:20:21,840 --> 00:20:24,119
Speaker 1: I mean, these guys sit around there like we're staying

401
00:20:24,160 --> 00:20:24,840
Speaker 1: out of this one.

402
00:20:25,720 --> 00:20:28,119
Speaker 3: Now, now you stay out of it.

403
00:20:28,280 --> 00:20:33,800
Speaker 2: Yeah, they're the fifth estate. Yeah, you know, and they

404
00:20:33,840 --> 00:20:35,600
Speaker 2: have to put checks.

405
00:20:35,760 --> 00:20:37,080
Speaker 3: Oh we want to be objective.

406
00:20:37,240 --> 00:20:41,080
Speaker 4: Yeah, that must be nice to have that luxury while

407
00:20:41,119 --> 00:20:42,160
Speaker 4: the world burns.

408
00:20:42,320 --> 00:20:44,119
Speaker 3: Yes, auto tuned Trump?

409
00:20:45,160 --> 00:20:46,760
Speaker 2: There dare we mm hmm.

410
00:20:48,040 --> 00:20:53,000
Speaker 3: It's time a Devin, How you getting the Funniesuf.

411
00:20:52,760 --> 00:20:54,480
Speaker 2: I'm doing a bad job interviewing.

412
00:20:56,720 --> 00:20:57,479
Speaker 3: No, it sucks.

413
00:20:57,560 --> 00:21:00,040
Speaker 1: Look like it's like I don't want to be in

414
00:21:00,080 --> 00:21:02,359
Speaker 1: this position either. This is the beginning of like a

415
00:21:02,440 --> 00:21:04,200
Speaker 1: new we're doing this new thing.

416
00:21:04,400 --> 00:21:06,760
Speaker 2: You know, you seem thrilled to be doing it with me.

417
00:21:07,160 --> 00:21:10,120
Speaker 3: I am a Julie Julie. I helped you get into

418
00:21:10,160 --> 00:21:13,320
Speaker 3: the building. If I didn't want you to be here,

419
00:21:13,359 --> 00:21:15,320
Speaker 3: it would be so easy to keep you out.

420
00:21:19,320 --> 00:21:21,200
Speaker 4: Just put a mustache on the gate, and I think

421
00:21:21,200 --> 00:21:22,440
Speaker 4: it's another building.

422
00:21:23,280 --> 00:21:25,080
Speaker 3: The gate was open, i'd be there. You don't have

423
00:21:25,080 --> 00:21:25,760
Speaker 3: to do any you.

424
00:21:25,720 --> 00:21:29,439
Speaker 2: Wouldn't see it. It calls gate that's closed, do not enter.

425
00:21:29,600 --> 00:21:32,920
Speaker 1: Not too many details, by the way, I'm sorry. Well,

426
00:21:33,119 --> 00:21:35,680
Speaker 1: you'll know when you've done it, when you've gone too far,

427
00:21:35,760 --> 00:21:37,840
Speaker 1: you'll know because we will be being murdered.

428
00:21:37,960 --> 00:21:40,919
Speaker 4: Did you see the back did you see the what

429
00:21:41,040 --> 00:21:44,200
Speaker 4: is that called the rear view window of my rental cars?

430
00:21:44,240 --> 00:21:47,680
Speaker 4: Covered with tea? Because I was what, I left a

431
00:21:47,760 --> 00:21:49,560
Speaker 4: hot tea on my car.

432
00:21:50,160 --> 00:21:53,040
Speaker 3: Oh, it's from the outside.

433
00:21:53,320 --> 00:21:55,359
Speaker 2: I left a cup of tea on the top of

434
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Speaker 2: my car.

435
00:21:56,359 --> 00:22:00,280
Speaker 4: And then I was like, real, I saw it, and

436
00:22:00,320 --> 00:22:02,399
Speaker 4: I take it with milk, which no one should know,

437
00:22:03,119 --> 00:22:04,840
Speaker 4: uh huh.

438
00:22:04,960 --> 00:22:08,359
Speaker 2: And then I was like, oh, cars a milky, where's

439
00:22:08,440 --> 00:22:08,960
Speaker 2: my tea?

440
00:22:10,960 --> 00:22:14,640
Speaker 4: I pull up room room and he's just like this

441
00:22:14,800 --> 00:22:18,360
Speaker 4: was the gate we were talking about shut the fuck up,

442
00:22:22,280 --> 00:22:26,200
Speaker 4: and now you're telling me there's an engineer, Devin.

443
00:22:26,440 --> 00:22:27,800
Speaker 3: It was a lot, It's a lot.

444
00:22:28,600 --> 00:22:29,640
Speaker 2: I was bamboozled.

445
00:22:29,680 --> 00:22:31,919
Speaker 4: Just I feel like I'm an hour seven of the

446
00:22:31,960 --> 00:22:35,120
Speaker 4: hour eleven pro version.

447
00:22:35,480 --> 00:22:38,000
Speaker 1: And I love it's so it's so nice, by the way,

448
00:22:38,040 --> 00:22:43,200
Speaker 1: having people on the show who have ever even known

449
00:22:43,280 --> 00:22:47,520
Speaker 1: about it before. We've got through a little rud of

450
00:22:47,600 --> 00:22:50,880
Speaker 1: a bunch of people that are not very interested in us. Yeah.

451
00:22:50,880 --> 00:22:54,560
Speaker 2: I've been listening, I know, and.

452
00:22:54,680 --> 00:22:59,160
Speaker 1: I want people that are pay attention to me outside

453
00:22:59,200 --> 00:22:59,760
Speaker 1: of the show.

454
00:23:00,440 --> 00:23:02,359
Speaker 3: Follow your moves, that's what I want.

455
00:23:02,480 --> 00:23:03,199
Speaker 2: Read your Twitter?

456
00:23:03,920 --> 00:23:09,000
Speaker 4: Yes, how has your Twitter changed since all this conversation

457
00:23:09,119 --> 00:23:11,920
Speaker 4: about like, you know how like everyone's a critic?

458
00:23:12,760 --> 00:23:16,280
Speaker 1: Yeah, so my Twitter is changing a lot. I've really

459
00:23:16,359 --> 00:23:22,080
Speaker 1: been going after the critics. Yeah, people get like these

460
00:23:22,240 --> 00:23:24,879
Speaker 1: like everyone out there thinks they can do this, I know,

461
00:23:24,920 --> 00:23:27,560
Speaker 1: and they're so stupid and they all are so done

462
00:23:27,560 --> 00:23:30,160
Speaker 1: And if you could, ye would right.

463
00:23:30,240 --> 00:23:35,280
Speaker 4: And it's like here's the new rule, Bill maher copyright Yes,

464
00:23:36,800 --> 00:23:37,440
Speaker 4: Like if you.

465
00:23:37,400 --> 00:23:39,960
Speaker 3: Don't copyrighted it, who did you just did?

466
00:23:40,040 --> 00:23:40,399
Speaker 2: Thank you?

467
00:23:40,800 --> 00:23:43,919
Speaker 4: If he if you don't do what I do, you

468
00:23:44,000 --> 00:23:47,600
Speaker 4: have no right to criticize anything I do ever, like

469
00:23:48,080 --> 00:23:51,399
Speaker 4: you try to walk a mile in my comedy shoes

470
00:23:51,440 --> 00:23:55,679
Speaker 4: before you tell me, oh, that joke sucks, or like

471
00:23:56,440 --> 00:23:56,840
Speaker 4: I have.

472
00:23:57,160 --> 00:24:00,520
Speaker 2: I had a show I think it was a couple

473
00:24:00,560 --> 00:24:01,400
Speaker 2: of years ago.

474
00:24:02,960 --> 00:24:06,200
Speaker 4: And I was really proud of it, and then sometimes

475
00:24:06,240 --> 00:24:08,600
Speaker 4: i'd read, well, actually I didn't really read any bad reviews.

476
00:24:09,080 --> 00:24:10,200
Speaker 3: Got pretty universal.

477
00:24:10,440 --> 00:24:12,960
Speaker 2: Yeah, no, difficult people. Was at one point one hundred

478
00:24:13,840 --> 00:24:15,399
Speaker 2: on Rotten to Madies.

479
00:24:15,640 --> 00:24:17,520
Speaker 1: Okay, so you're gonna have to Are you able to

480
00:24:17,520 --> 00:24:20,199
Speaker 1: come up with something you've ever done that has gotten

481
00:24:20,600 --> 00:24:22,080
Speaker 1: any negative feedback?

482
00:24:22,320 --> 00:24:25,080
Speaker 2: I mean there's some tweets that haven't been faved like.

483
00:24:25,040 --> 00:24:27,760
Speaker 4: As many times as those are critics, And those are

484
00:24:27,800 --> 00:24:30,720
Speaker 4: critics because I follow some of them on Twitter. Yeah,

485
00:24:30,880 --> 00:24:37,280
Speaker 4: you know James Panawasig, Matt Zueller Sites, Jason Zinneman, and.

486
00:24:38,520 --> 00:24:41,320
Speaker 2: But it's cough. Is like in a way, though it's cough,

487
00:24:41,320 --> 00:24:43,840
Speaker 2: I don't consider in that because he's funny, like he

488
00:24:43,920 --> 00:24:47,360
Speaker 2: posts like those Simpsons. He will do memes, they're funny.

489
00:24:47,920 --> 00:24:49,679
Speaker 2: So when it's cough, like, what.

490
00:24:49,760 --> 00:24:53,080
Speaker 1: I get certainly is that how you see him first

491
00:24:53,200 --> 00:24:54,760
Speaker 1: wandering around the Big Lake set?

492
00:24:54,960 --> 00:24:56,199
Speaker 2: Is it a scarlet sea?

493
00:24:56,880 --> 00:25:00,560
Speaker 3: What about big Lake. He was. He wrote the York

494
00:25:00,640 --> 00:25:02,720
Speaker 3: Time story about Big Leg.

495
00:25:02,640 --> 00:25:03,479
Speaker 2: Story or review.

496
00:25:03,880 --> 00:25:06,280
Speaker 3: It was this story. But it's that there was a

497
00:25:06,560 --> 00:25:08,840
Speaker 3: there was a little, but there was a little.

498
00:25:09,080 --> 00:25:10,479
Speaker 2: Uh did he twist the knife?

499
00:25:10,600 --> 00:25:12,879
Speaker 1: He threw a little bit of shade before that was

500
00:25:12,920 --> 00:25:15,000
Speaker 1: even something that anyone knew how to do.

501
00:25:15,880 --> 00:25:15,920
Speaker 3: That.

502
00:25:16,000 --> 00:25:16,800
Speaker 2: Why he's so pale?

503
00:25:16,920 --> 00:25:17,880
Speaker 3: No, it just kind of.

504
00:25:17,800 --> 00:25:24,480
Speaker 1: Like gathered is pale because permanently in the shade, your

505
00:25:24,520 --> 00:25:26,320
Speaker 1: stomaching neon green.

506
00:25:26,760 --> 00:25:28,520
Speaker 2: I look like slimer from the waist down.

507
00:25:29,040 --> 00:25:32,800
Speaker 1: Is that from something related to what we're talking about.

508
00:25:33,400 --> 00:25:34,560
Speaker 2: No, it's my genetics.

509
00:25:34,800 --> 00:25:37,160
Speaker 3: Oh okay, so you should you're saying you shouldn't.

510
00:25:36,800 --> 00:25:39,960
Speaker 1: Talk about someone being pale skin tone because your stomach

511
00:25:40,119 --> 00:25:41,720
Speaker 1: is neo green like Slimer.

512
00:25:41,800 --> 00:25:43,280
Speaker 2: Yeah, but like fit like toy.

513
00:25:45,080 --> 00:25:47,080
Speaker 3: Like Slimer looks like ship.

514
00:25:47,720 --> 00:25:50,200
Speaker 2: He looks. It's not nice.

515
00:25:51,280 --> 00:25:54,040
Speaker 3: Slimmer's body shade terrible.

516
00:25:54,440 --> 00:25:55,359
Speaker 2: It's not nice.

517
00:25:56,000 --> 00:25:58,840
Speaker 4: And I don't think it's because of his diet, because

518
00:25:58,840 --> 00:26:03,000
Speaker 4: I actually think you No, I'm at the place now

519
00:26:03,040 --> 00:26:04,840
Speaker 4: where I'm like, what you eat doesn't matter.

520
00:26:05,119 --> 00:26:07,959
Speaker 1: Slimmer is not your Fotomer always says like I can

521
00:26:08,000 --> 00:26:08,920
Speaker 1: eat whatever I want.

522
00:26:09,160 --> 00:26:12,360
Speaker 3: I can. No, he can't look at him. He looks terrible.

523
00:26:12,440 --> 00:26:15,919
Speaker 2: It's so mean. Who are you to say that he

524
00:26:16,040 --> 00:26:17,840
Speaker 2: looks bad? You know what I mean? Like, maybe he

525
00:26:17,880 --> 00:26:19,800
Speaker 2: looks good.

526
00:26:19,640 --> 00:26:22,120
Speaker 3: For a ghost. Are you still here?

527
00:26:25,200 --> 00:26:29,280
Speaker 2: Speaking of ghosts?

528
00:26:29,280 --> 00:26:31,479
Speaker 3: Look all kinds of the Some of the ghosts look

529
00:26:31,520 --> 00:26:31,920
Speaker 3: really good.

530
00:26:31,960 --> 00:26:35,360
Speaker 4: The ghost that blued the blue ray, well, okay, let's

531
00:26:35,359 --> 00:26:35,840
Speaker 4: talk about that.

532
00:26:36,520 --> 00:26:37,640
Speaker 2: I've been thinking about that.

533
00:26:37,760 --> 00:26:40,440
Speaker 3: Even the ghost in the library for a second was

534
00:26:40,480 --> 00:26:41,960
Speaker 3: looking pretty foid.

535
00:26:42,680 --> 00:26:47,040
Speaker 2: The ghost that blows ray isn't a dream.

536
00:26:47,160 --> 00:26:49,639
Speaker 4: And I realized this recently because I watched Ghostbusters, and

537
00:26:49,800 --> 00:26:52,359
Speaker 4: because I just watched it for the place the part

538
00:26:52,359 --> 00:26:56,880
Speaker 4: where raised ice crossed, and I was like, this is okay,

539
00:26:57,040 --> 00:27:00,199
Speaker 4: because he's just dreaming it.

540
00:26:59,520 --> 00:27:01,800
Speaker 1: Like it didn't really think it's in a dream, just

541
00:27:01,800 --> 00:27:04,080
Speaker 1: because he's lying in bed, he's lying sitting up like

542
00:27:04,119 --> 00:27:05,080
Speaker 1: against the headboard.

543
00:27:06,320 --> 00:27:09,879
Speaker 3: You can't get a blowjob in that pisde You can't. No,

544
00:27:09,960 --> 00:27:13,399
Speaker 3: you can't. Oh, so that's what makes it it's a dream.

545
00:27:13,440 --> 00:27:14,440
Speaker 2: And that's why I think they were.

546
00:27:14,440 --> 00:27:17,040
Speaker 3: Like, pg uh huh.

547
00:27:17,640 --> 00:27:21,080
Speaker 6: Doesn't this physical zipper come down? Though in the dream

548
00:27:21,080 --> 00:27:21,960
Speaker 6: it does in the dream.

549
00:27:22,240 --> 00:27:24,119
Speaker 3: What else in the movie is a dream? That's a

550
00:27:24,119 --> 00:27:24,679
Speaker 3: good question.

551
00:27:25,640 --> 00:27:27,040
Speaker 2: Nothing with the ghosts.

552
00:27:27,640 --> 00:27:31,040
Speaker 3: That's all real, but that part is with the ghosts.

553
00:27:32,080 --> 00:27:33,520
Speaker 2: I'm sorry, I don't understand the question.

554
00:27:34,080 --> 00:27:38,280
Speaker 1: Okay, it felt I don't know how to simplify it,

555
00:27:38,320 --> 00:27:39,760
Speaker 1: so I guess we have to move on.

556
00:27:40,000 --> 00:27:41,400
Speaker 2: Critics are so stupid.

557
00:27:41,680 --> 00:27:45,080
Speaker 3: Critics are some of the most dumbest people.

558
00:27:45,119 --> 00:27:47,960
Speaker 2: Stupid, and they're like, what do you know about stuff

559
00:27:47,960 --> 00:27:49,000
Speaker 2: that you don't even make?

560
00:27:49,119 --> 00:27:49,800
Speaker 3: This is what I said.

561
00:27:49,840 --> 00:27:51,840
Speaker 2: I've watched all of the stuff.

562
00:27:51,880 --> 00:27:53,440
Speaker 3: This is what I said to Jesse David Fox.

563
00:27:53,480 --> 00:27:55,560
Speaker 1: He puts my podcast on a list like number seven

564
00:27:55,680 --> 00:27:58,480
Speaker 1: or something at the end of the year out and

565
00:27:58,520 --> 00:28:00,480
Speaker 1: I got Jesse David Fox, hey, pal, well you do

566
00:28:00,520 --> 00:28:02,639
Speaker 1: a freaking podcast that you see and then he did

567
00:28:02,720 --> 00:28:04,159
Speaker 1: one that was much more successful.

568
00:28:05,480 --> 00:28:09,240
Speaker 3: That's why you shouldn't has.

569
00:28:08,760 --> 00:28:14,200
Speaker 4: You know. I like it when artists threaten critics online

570
00:28:14,200 --> 00:28:17,439
Speaker 4: and post their photos next to very long essays they

571
00:28:17,480 --> 00:28:20,960
Speaker 4: tweet yes, And I also want to say that they

572
00:28:21,000 --> 00:28:22,679
Speaker 4: I don't think they're even tweeting them anymore.

573
00:28:22,720 --> 00:28:26,400
Speaker 1: They're typing them out into like a like a snapchat

574
00:28:26,640 --> 00:28:30,040
Speaker 1: text field and then doing like a sequence.

575
00:28:29,520 --> 00:28:34,000
Speaker 4: Of like forty oh the Michael Cha Okay, wasn't going

576
00:28:34,080 --> 00:28:37,320
Speaker 4: to st I'm scared what you're scared of?

577
00:28:37,760 --> 00:28:40,720
Speaker 1: He's really successful and what if you what if it

578
00:28:40,760 --> 00:28:41,320
Speaker 1: happens to me?

579
00:28:42,040 --> 00:28:47,120
Speaker 2: Well, going to you're one of the good guys. You're

580
00:28:47,200 --> 00:28:48,880
Speaker 2: not a because Michael Chay.

581
00:28:49,000 --> 00:28:51,080
Speaker 1: I go right to look at this homeless stuff I do.

582
00:28:52,760 --> 00:28:54,800
Speaker 1: I go right to that. As soon as I get

583
00:28:54,880 --> 00:28:57,040
Speaker 1: trouble from cha, I'm like, well, actually I do it.

584
00:28:57,080 --> 00:28:57,760
Speaker 3: This great stuff.

585
00:28:57,960 --> 00:29:00,280
Speaker 4: Oh you mean you're yes, right? And hey, this is

586
00:29:00,320 --> 00:29:04,200
Speaker 4: a uh not a philanthropist. You're a volunteer. You're a

587
00:29:04,200 --> 00:29:06,840
Speaker 4: community activist. Is that fair to say that.

588
00:29:06,880 --> 00:29:09,680
Speaker 1: Is kind of philanthropy because my time is very expensive.

589
00:29:11,440 --> 00:29:15,680
Speaker 4: Michael Jay thinks comedy critics are stupid and bad and lame.

590
00:29:16,680 --> 00:29:20,120
Speaker 4: And I just also want to say that I think

591
00:29:20,160 --> 00:29:22,880
Speaker 4: it's really cool that hot girls have like discovered feminism

592
00:29:23,280 --> 00:29:26,360
Speaker 4: because I believe women means a lot of things.

593
00:29:27,520 --> 00:29:29,280
Speaker 3: It means let's get into it. Yea.

594
00:29:29,800 --> 00:29:32,040
Speaker 4: And why I'm here, which you didn't ask, but it's fine.

595
00:29:33,560 --> 00:29:36,840
Speaker 4: So I think it's really cool that Olivia mun finally,

596
00:29:36,960 --> 00:29:37,680
Speaker 4: why are you here?

597
00:29:43,000 --> 00:29:45,360
Speaker 2: I'm here because you're a guest.

598
00:29:45,440 --> 00:29:47,000
Speaker 6: Oh right, Oh yeah, you said to be here at

599
00:29:47,040 --> 00:29:49,320
Speaker 6: nine thirty, So okay, Julie, why are you here.

600
00:29:49,640 --> 00:29:51,840
Speaker 4: There are two gigs that I'm up for, one of

601
00:29:51,840 --> 00:29:54,240
Speaker 4: which I'm very comfortable about and one of which I

602
00:29:54,280 --> 00:29:55,400
Speaker 4: am not okay with.

603
00:29:55,840 --> 00:29:58,080
Speaker 3: You're in l like going up for gigs.

604
00:29:58,120 --> 00:29:59,440
Speaker 2: I'm testing for two gigs.

605
00:30:00,240 --> 00:30:05,080
Speaker 1: Test in front of the executives, in front of a screen. Okay,

606
00:30:06,800 --> 00:30:12,080
Speaker 1: green screen, I hope. So are you worried that your

607
00:30:12,120 --> 00:30:13,400
Speaker 1: stomach is going to disappear?

608
00:30:15,480 --> 00:30:17,560
Speaker 3: I wish and weight loss solutions?

609
00:30:17,720 --> 00:30:21,880
Speaker 4: God, you can't even enter the like, you know, Pacific

610
00:30:22,040 --> 00:30:24,480
Speaker 4: time zone without people being like.

611
00:30:26,480 --> 00:30:27,400
Speaker 2: Weight loss bag.

612
00:30:28,640 --> 00:30:28,840
Speaker 5: You know.

613
00:30:29,120 --> 00:30:33,880
Speaker 2: Sorry, It's like, I mean, let me be slimmer.

614
00:30:40,960 --> 00:30:42,360
Speaker 3: Okay. What are the parts?

615
00:30:43,640 --> 00:30:45,480
Speaker 2: One is I'm up to host Busy tonight.

616
00:30:46,240 --> 00:30:46,600
Speaker 3: Wow.

617
00:30:46,960 --> 00:30:50,760
Speaker 4: And I'm not comfortable about it because I'm not I

618
00:30:50,760 --> 00:30:53,840
Speaker 4: mean you you see me like when I text her

619
00:30:53,840 --> 00:30:56,960
Speaker 4: when I like, I'm not very busy, especially not in

620
00:30:57,000 --> 00:30:57,880
Speaker 4: the last two years.

621
00:30:58,320 --> 00:30:59,960
Speaker 3: Yeah, texting every day?

622
00:31:00,120 --> 00:31:01,760
Speaker 2: Yeah, Well someone cares.

623
00:31:02,120 --> 00:31:03,600
Speaker 3: Yeah.

624
00:31:03,640 --> 00:31:06,880
Speaker 2: And then the other one is I'm up for boat wow.

625
00:31:07,160 --> 00:31:10,720
Speaker 7: Yeah, and that you are comfortable with very much so well,

626
00:31:10,760 --> 00:31:17,040
Speaker 7: Constance wu who I believe all women uh huh, had

627
00:31:17,080 --> 00:31:19,480
Speaker 7: some unfortunate timing the other day.

628
00:31:19,560 --> 00:31:22,760
Speaker 4: And when this airs, it'll be very fresh in people's minds,

629
00:31:22,880 --> 00:31:25,160
Speaker 4: and when I say the other day, yeah, it could

630
00:31:25,160 --> 00:31:27,080
Speaker 4: mean I don't.

631
00:31:26,960 --> 00:31:27,440
Speaker 2: Know what this is.

632
00:31:27,480 --> 00:31:30,160
Speaker 1: So this, well, here's the thing. Kevin's gone every time

633
00:31:30,200 --> 00:31:32,640
Speaker 1: I'm like, let's do this one now, this one's good. Yeah,

634
00:31:32,680 --> 00:31:34,080
Speaker 1: I would love to do that for this. And Kevin

635
00:31:34,160 --> 00:31:36,960
Speaker 1: is terrified of our guest booker.

636
00:31:37,240 --> 00:31:39,720
Speaker 2: Why I thought he was the guest booker.

637
00:31:39,840 --> 00:31:44,880
Speaker 3: Me too, What does he do? It's exactly.

638
00:31:46,160 --> 00:31:48,800
Speaker 1: And so every time he's like, well, Hannah said, then

639
00:31:48,840 --> 00:31:52,479
Speaker 1: we had like the hands to promote those things come

640
00:31:52,520 --> 00:31:56,960
Speaker 1: out at this Hannah Hannah Gadsby, Hannah Gadsby is is

641
00:31:58,000 --> 00:32:03,440
Speaker 1: doing guest promotion for us? Get she's not coming on

642
00:32:03,440 --> 00:32:05,280
Speaker 1: the show. She both sad, guess she is not the

643
00:32:05,320 --> 00:32:10,320
Speaker 1: guest h And so he's like, exact time, and so

644
00:32:10,480 --> 00:32:15,840
Speaker 1: he and he is bullying you me yes, by making

645
00:32:15,880 --> 00:32:18,520
Speaker 1: you like, have your episode come out at this very

646
00:32:18,560 --> 00:32:21,040
Speaker 1: specific time whenever he wants.

647
00:32:21,080 --> 00:32:23,760
Speaker 2: Well, the great news is I have nothing to plug.

648
00:32:24,880 --> 00:32:27,040
Speaker 1: Well this is the thing that's then you see like

649
00:32:27,360 --> 00:32:31,040
Speaker 1: all you have to do. Yeah, it's say the dumbest thing.

650
00:32:31,200 --> 00:32:35,040
Speaker 1: Someone is like like what like you picked just something

651
00:32:35,080 --> 00:32:38,600
Speaker 1: like like a like you're gonna post like a like a.

652
00:32:38,960 --> 00:32:40,160
Speaker 2: No idea what you're talking about.

653
00:32:40,200 --> 00:32:42,160
Speaker 3: It's all you have to do is say that you

654
00:32:42,240 --> 00:32:43,720
Speaker 3: have anything.

655
00:32:43,280 --> 00:32:46,320
Speaker 6: Like a big tweet planned yeah, next Wednesday.

656
00:32:46,440 --> 00:32:49,840
Speaker 2: Okay, Yeah, I have a big tweet plan for next Wednesday.

657
00:32:50,000 --> 00:32:54,760
Speaker 3: Okay, Well what is it it's about? Oh? Okay, what's okay?

658
00:32:54,760 --> 00:32:56,479
Speaker 3: Because you haven't tweeted in a while? Have you?

659
00:32:56,960 --> 00:32:59,680
Speaker 2: Thank you for noticing? Yeah, trying to keep them waiting,

660
00:33:00,080 --> 00:33:00,800
Speaker 2: keep wanting more.

661
00:33:02,120 --> 00:33:07,400
Speaker 4: I did have a role as as the burlesque dancer

662
00:33:07,440 --> 00:33:12,120
Speaker 4: who like takes Bob Fozzi's virginity away. I think he

663
00:33:12,240 --> 00:33:14,640
Speaker 4: was twelve at the time with.

664
00:33:14,640 --> 00:33:18,840
Speaker 3: Another Is that who ver Donna is? No, I don't know.

665
00:33:19,160 --> 00:33:22,000
Speaker 2: Oh my god, I'm so embarrassed for you right now.

666
00:33:23,440 --> 00:33:29,840
Speaker 3: Who is ver Don? Remember? Donnarera don Irera?

667
00:33:30,120 --> 00:33:32,040
Speaker 2: Yeah, that's like.

668
00:33:33,640 --> 00:33:37,080
Speaker 4: Back then they didn't have like, you know, fingerprint, like

669
00:33:37,240 --> 00:33:39,600
Speaker 4: put your fingerprint here, and that's how we verify you.

670
00:33:39,800 --> 00:33:42,080
Speaker 3: Verified who don Irera?

671
00:33:42,680 --> 00:33:43,280
Speaker 1: Yeah?

672
00:33:44,120 --> 00:33:46,200
Speaker 3: And that was the ver Don system.

673
00:33:46,760 --> 00:33:48,920
Speaker 4: Well, we were the Verdon sisters and we took Bob

674
00:33:48,920 --> 00:33:51,480
Speaker 4: Fosse's virginity away, which I didn't know when I was

675
00:33:52,200 --> 00:33:53,520
Speaker 4: by the way, I thought we were just you know,

676
00:33:54,040 --> 00:33:54,720
Speaker 4: making them hard.

677
00:33:55,400 --> 00:33:57,200
Speaker 2: But then they said in an episode like.

678
00:33:57,200 --> 00:33:58,120
Speaker 3: Hey, how'd you lose it?

679
00:33:58,160 --> 00:33:58,400
Speaker 6: Bob?

680
00:33:58,400 --> 00:33:59,959
Speaker 2: And he's like, well, and then I see my own

681
00:34:00,160 --> 00:34:02,800
Speaker 2: face and I said, I took his. I could have

682
00:34:02,840 --> 00:34:04,040
Speaker 2: known that as an actor's secret.

683
00:34:04,160 --> 00:34:05,600
Speaker 3: He showed a picture of you.

684
00:34:06,120 --> 00:34:08,399
Speaker 4: It went to the person who was doing the edit

685
00:34:08,440 --> 00:34:11,200
Speaker 4: at the edited bay was like, now's the time to

686
00:34:11,239 --> 00:34:11,960
Speaker 4: show Queenie.

687
00:34:12,200 --> 00:34:16,160
Speaker 1: Uh huh, okay, you so tell you you were talking

688
00:34:16,200 --> 00:34:19,120
Speaker 1: about Constance and unfortunate timing.

689
00:34:19,320 --> 00:34:25,040
Speaker 4: Constance Craving is my name in a musical I'm developing

690
00:34:25,760 --> 00:34:28,799
Speaker 4: that I will not sing any of because I'm not

691
00:34:28,840 --> 00:34:29,719
Speaker 4: a guest anymore.

692
00:34:30,520 --> 00:34:32,640
Speaker 1: She's moving. Yeah, we used to do that, and you

693
00:34:32,760 --> 00:34:33,799
Speaker 1: used to complain about it.

694
00:34:39,200 --> 00:34:41,720
Speaker 3: So she is. So is she not doing the show?

695
00:34:41,920 --> 00:34:42,440
Speaker 2: I don't know.

696
00:34:42,719 --> 00:34:44,640
Speaker 4: No one tells me anything. They just say do you

697
00:34:44,680 --> 00:34:47,360
Speaker 4: want to test for it? And I say, I'm not

698
00:34:47,520 --> 00:34:48,200
Speaker 4: very busy.

699
00:34:48,960 --> 00:34:51,680
Speaker 1: Is it possible that they're using you as like a

700
00:34:51,719 --> 00:34:56,920
Speaker 1: foil something to motivate Constance, to get her get that

701
00:34:57,080 --> 00:34:59,960
Speaker 1: fire back, get her to want to do the sh

702
00:35:00,040 --> 00:35:00,479
Speaker 1: show again.

703
00:35:01,200 --> 00:35:02,120
Speaker 3: She loves all the people.

704
00:35:02,560 --> 00:35:03,919
Speaker 2: She does love them. You can tell.

705
00:35:05,239 --> 00:35:06,640
Speaker 4: You could tell by how many times she said the

706
00:35:06,640 --> 00:35:10,640
Speaker 4: word pleasant. In that essay she wrote, because unless I

707
00:35:10,719 --> 00:35:14,719
Speaker 4: really love something, I don't call it pleasant. Sometimes when

708
00:35:14,760 --> 00:35:21,399
Speaker 4: I'm a getting fucked, I like to say the.

709
00:35:21,400 --> 00:35:24,120
Speaker 3: P word, wow, that this is really pleasant.

710
00:35:24,280 --> 00:35:26,840
Speaker 2: If I'm gonna get a good finish.

711
00:35:26,640 --> 00:35:27,839
Speaker 3: Line, I do want to be here.

712
00:35:28,160 --> 00:35:31,839
Speaker 2: I love this, fuck it, I love this fucking It's fun,

713
00:35:31,960 --> 00:35:32,840
Speaker 2: easy and pleasant.

714
00:35:32,920 --> 00:35:39,160
Speaker 1: Everyone evolved so pleasant, And you know, sometimes I have another.

715
00:35:40,360 --> 00:35:41,160
Speaker 2: Less pleasant.

716
00:35:41,200 --> 00:35:44,759
Speaker 4: But I'm gonna do it anyway because I guess I'm weird.

717
00:35:45,400 --> 00:35:48,600
Speaker 2: My friends are like, you're weird, and I'm like, you're

718
00:35:48,600 --> 00:35:49,319
Speaker 2: supposed to be my.

719
00:35:49,280 --> 00:35:55,719
Speaker 4: Friends believe women. So but it'll be a good fit

720
00:35:55,800 --> 00:35:56,600
Speaker 4: I think for me.

721
00:35:57,560 --> 00:35:59,560
Speaker 3: Okay, so in your rye, you have booked it.

722
00:36:00,320 --> 00:36:04,279
Speaker 4: I am no, but I'm comfortable going in for it.

723
00:36:04,480 --> 00:36:05,120
Speaker 3: Here are the boats.

724
00:36:05,120 --> 00:36:06,920
Speaker 2: I've been on the Staten Island ferry.

725
00:36:07,040 --> 00:36:12,399
Speaker 1: Uh huh yeah, like I was, yeah, like a train

726
00:36:12,440 --> 00:36:14,080
Speaker 1: wreck train Wreck was on it.

727
00:36:14,960 --> 00:36:18,960
Speaker 2: Yes, remember, yeah, I do. She had sex with minor,

728
00:36:19,800 --> 00:36:20,759
Speaker 2: David minor.

729
00:36:20,840 --> 00:36:24,839
Speaker 3: She didn't know. That is not what happened. She had

730
00:36:24,880 --> 00:36:27,040
Speaker 3: sex with a child. I'm sorry.

731
00:36:27,600 --> 00:36:32,479
Speaker 4: Like in the movie Boss, are you talking about working girl?

732
00:36:32,680 --> 00:36:36,279
Speaker 1: No, I'm talking about the movie train Wreck's say sex worker,

733
00:36:36,320 --> 00:36:40,480
Speaker 1: by the way, fine, fine, and train Wreck she has

734
00:36:40,520 --> 00:36:43,720
Speaker 1: sex with a underage boy bill hater.

735
00:36:44,400 --> 00:36:47,359
Speaker 3: No, it's not, it's not haters step.

736
00:36:47,080 --> 00:36:50,799
Speaker 2: To the left, haters to the left. Hayter's back off

737
00:36:51,160 --> 00:36:51,720
Speaker 2: my haters.

738
00:36:52,680 --> 00:36:55,520
Speaker 1: And then she gets on Staten Island ferry after that,

739
00:36:55,600 --> 00:36:58,520
Speaker 1: and then it says I think it says train wreck

740
00:36:58,560 --> 00:37:00,600
Speaker 1: on the screen, or maybe it's I think that's later

741
00:37:00,640 --> 00:37:02,720
Speaker 1: in the movie. But she does ride the Statin Island Fairy.

742
00:37:03,200 --> 00:37:04,719
Speaker 1: She takes a fairy of shame.

743
00:37:05,000 --> 00:37:05,439
Speaker 2: That's cool.

744
00:37:05,520 --> 00:37:06,200
Speaker 3: They should have said that.

745
00:37:07,400 --> 00:37:10,719
Speaker 6: Uh yeah, yeah, they should have It's good.

746
00:37:11,080 --> 00:37:14,000
Speaker 4: Oh wow, I'm sorry. I don't know what to do sometimes,

747
00:37:14,480 --> 00:37:16,000
Speaker 4: so I'm just gonna do Sean.

748
00:37:17,160 --> 00:37:20,000
Speaker 1: Uh, well, we were talking about let me try to

749
00:37:20,200 --> 00:37:22,440
Speaker 1: tell you what to do. We were talking about you

750
00:37:22,480 --> 00:37:23,839
Speaker 1: were talking about the boats you've been on.

751
00:37:24,120 --> 00:37:25,160
Speaker 2: Yeah, that was done.

752
00:37:25,440 --> 00:37:27,880
Speaker 3: That was it.

753
00:37:28,120 --> 00:37:30,320
Speaker 4: I think I was once on one, like a ferry

754
00:37:30,400 --> 00:37:32,359
Speaker 4: from like Boston to p Town.

755
00:37:32,840 --> 00:37:36,000
Speaker 2: So two fairies I've been on. I'm afraid of sailing.

756
00:37:37,800 --> 00:37:39,480
Speaker 2: I went to camp. No, that's not true. I've been

757
00:37:39,520 --> 00:37:42,360
Speaker 2: in a kayak. I was in kayaker camp. Did not

758
00:37:42,400 --> 00:37:43,080
Speaker 2: do well at camp.

759
00:37:43,560 --> 00:37:45,840
Speaker 1: You've you were saying you've been to camp, and you

760
00:37:45,880 --> 00:37:48,320
Speaker 1: said that is not true, and then you said you

761
00:37:48,400 --> 00:37:50,359
Speaker 1: were in a kayak at camp.

762
00:37:50,440 --> 00:37:51,920
Speaker 4: Yeah, yeah, yeah, I was in a kayak and I

763
00:37:51,920 --> 00:37:54,200
Speaker 4: was in Guysn'd Dolls at camp.

764
00:37:54,640 --> 00:37:57,640
Speaker 2: I got the horse ride here. Yeah, Fugue for tin Horns?

765
00:37:58,680 --> 00:37:59,800
Speaker 3: Is that one of the songs?

766
00:38:00,040 --> 00:38:00,919
Speaker 2: It is the opening song?

767
00:38:01,280 --> 00:38:01,600
Speaker 3: Okay?

768
00:38:01,680 --> 00:38:04,279
Speaker 1: And again like every time you were here, like why

769
00:38:04,360 --> 00:38:06,360
Speaker 1: do I always have to do musical stuff? And this

770
00:38:06,520 --> 00:38:08,160
Speaker 1: is why it always came.

771
00:38:08,520 --> 00:38:10,839
Speaker 2: I was the one who complains.

772
00:38:10,560 --> 00:38:19,960
Speaker 3: Yes, I know, Devin, what are you? Thank you? That

773
00:38:20,120 --> 00:38:22,480
Speaker 3: is a good question, that's going deep.

774
00:38:22,360 --> 00:38:24,319
Speaker 2: Cob solid one.

775
00:38:25,160 --> 00:38:26,239
Speaker 3: It is a really good question.

776
00:38:26,440 --> 00:38:29,280
Speaker 1: What's what's an interesting thought? It is what's the interesting

777
00:38:29,360 --> 00:38:32,600
Speaker 1: thought that you've been having? What you haven't poken on it?

778
00:38:33,440 --> 00:38:35,400
Speaker 2: Invasive invasive thoughts.

779
00:38:35,920 --> 00:38:38,600
Speaker 6: Watched the first episode of Paradise Hotel last night. What

780
00:38:38,800 --> 00:38:42,680
Speaker 6: is that exactly? It's this new reality show that's actually

781
00:38:42,680 --> 00:38:45,040
Speaker 6: a reviving of a format from like two thousand and three.

782
00:38:45,400 --> 00:38:47,919
Speaker 3: I do kind of remember the really old one.

783
00:38:48,080 --> 00:38:51,960
Speaker 2: Yeah, is this like it's not Bachelor in Paradise adjacent.

784
00:38:51,640 --> 00:38:55,200
Speaker 6: It's not. What's funny about it? They are absolutely ripping

785
00:38:55,239 --> 00:38:58,759
Speaker 6: off a British show, Love Island that came afterwards. But

786
00:38:58,800 --> 00:39:01,000
Speaker 6: they're using an old name, so they can't be sued

787
00:39:01,080 --> 00:39:04,320
Speaker 6: cool for ripping off a newer format that's much more successful.

788
00:39:04,400 --> 00:39:06,680
Speaker 6: Got aha, it's it's upsetting.

789
00:39:06,880 --> 00:39:08,520
Speaker 3: What happens? Is there any snogging?

790
00:39:08,920 --> 00:39:12,680
Speaker 6: Yeah, there's some snogging. Yes, there's it's uh. The format

791
00:39:12,760 --> 00:39:15,160
Speaker 6: is a bunch of singles. They pair up and have

792
00:39:15,200 --> 00:39:17,640
Speaker 6: a hotel room apiece and one person single. They try

793
00:39:17,680 --> 00:39:19,439
Speaker 6: and break up all the other couples, and then someone

794
00:39:19,440 --> 00:39:21,239
Speaker 6: gets voted off at the end of every episode.

795
00:39:21,480 --> 00:39:24,799
Speaker 1: One person one single at the beginning, yes, and they

796
00:39:24,920 --> 00:39:26,839
Speaker 1: their job is to then pingpong around all the other

797
00:39:26,840 --> 00:39:27,960
Speaker 1: couples and try and break them up.

798
00:39:28,000 --> 00:39:30,920
Speaker 4: So it's like Temptation Island, but with like one agent,

799
00:39:31,200 --> 00:39:34,920
Speaker 4: like someone who's the agent do yes the dirty.

800
00:39:34,560 --> 00:39:36,719
Speaker 6: Deeds, but in a hotel gent where they keep them

801
00:39:36,760 --> 00:39:38,640
Speaker 6: liquored up seemingly all day long.

802
00:39:38,960 --> 00:39:41,879
Speaker 4: The agent is not affected by this WGA thing, which

803
00:39:41,880 --> 00:39:42,799
Speaker 4: I think is fabulous.

804
00:39:42,800 --> 00:39:45,279
Speaker 2: By the way, I love this WGA thing. I think

805
00:39:45,360 --> 00:39:46,719
Speaker 2: everyone looks great in it.

806
00:39:47,280 --> 00:39:47,919
Speaker 3: Okay good.

807
00:39:48,160 --> 00:39:50,160
Speaker 1: So usually, like a lot of times on the show,

808
00:39:50,200 --> 00:39:53,440
Speaker 1: we say stuff that is like not what we were Yes.

809
00:39:53,560 --> 00:39:57,279
Speaker 4: Oh oh that yes, no, No, I think it's fabulous.

810
00:39:57,360 --> 00:40:00,239
Speaker 4: I think it's a great I think it's great. I

811
00:40:00,239 --> 00:40:04,640
Speaker 4: think there's definitely an end insight. I can't wait. And

812
00:40:04,680 --> 00:40:07,000
Speaker 4: the great thing too, is that it's affected me a lot.

813
00:40:08,160 --> 00:40:11,279
Speaker 4: Is that my life has changed so much since I

814
00:40:11,320 --> 00:40:12,320
Speaker 4: had to fire by agent.

815
00:40:12,960 --> 00:40:16,800
Speaker 1: Okay, wellstically, so we'll say that it had not changed.

816
00:40:18,120 --> 00:40:20,239
Speaker 3: No, no, no, no, I'm just saying I can't even

817
00:40:20,400 --> 00:40:23,120
Speaker 3: think about that as an example. Say that your life

818
00:40:23,160 --> 00:40:24,319
Speaker 3: had not changed at all.

819
00:40:24,600 --> 00:40:28,040
Speaker 1: Ah, wouldn't that be kind of good because the one

820
00:40:28,080 --> 00:40:36,720
Speaker 1: thing that would change is not having to pay somebody.

821
00:40:38,760 --> 00:40:41,800
Speaker 1: So so by saying, like if you were to say,

822
00:40:42,200 --> 00:40:44,160
Speaker 1: I know you were saying it has changed a lot

823
00:40:44,360 --> 00:40:46,719
Speaker 1: for the for the better, but say that nothing had

824
00:40:46,800 --> 00:40:51,560
Speaker 1: changed at all, wouldn't that suggest that they're that they

825
00:40:51,600 --> 00:41:00,960
Speaker 1: weren't necessarily doing as much as they should be. And

826
00:41:01,160 --> 00:41:03,080
Speaker 1: take as long as you want. This is something I

827
00:41:03,120 --> 00:41:06,000
Speaker 1: want to do more of the show. It's like people

828
00:41:06,040 --> 00:41:11,839
Speaker 1: actually being allowed to think one this is how.

829
00:41:11,760 --> 00:41:12,640
Speaker 2: I will respond to you.

830
00:41:12,800 --> 00:41:13,120
Speaker 3: Okay.

831
00:41:13,239 --> 00:41:16,000
Speaker 4: I have been hashtagging all of my social media with

832
00:41:16,320 --> 00:41:20,600
Speaker 4: WGA staffing Boost and it has gotten me a laid

833
00:41:22,840 --> 00:41:27,440
Speaker 4: because people are looking at that hashtag. Yeah, and guess

834
00:41:27,640 --> 00:41:32,080
Speaker 4: what they see? My slimer Torso they're interested in Oh.

835
00:41:32,040 --> 00:41:35,359
Speaker 1: So you are doing full body picks for your own.

836
00:41:35,520 --> 00:41:36,760
Speaker 3: Well, you can do that on Twitter.

837
00:41:36,800 --> 00:41:38,360
Speaker 2: You don't need to blur out the nips like you

838
00:41:38,400 --> 00:41:39,200
Speaker 2: do on Instagram.

839
00:41:39,280 --> 00:41:43,120
Speaker 1: Uh huh yeah, okay, so you just.

840
00:41:43,120 --> 00:41:45,640
Speaker 4: Say it's been my life a lot more a pleasance.

841
00:41:48,640 --> 00:41:48,960
Speaker 3: Okay.

842
00:41:49,040 --> 00:41:51,440
Speaker 1: So this is I'm like putting together sort of the

843
00:41:51,440 --> 00:41:54,480
Speaker 1: timeline of your last couple of weeks, which is you

844
00:41:54,520 --> 00:41:58,279
Speaker 1: did a hashtag WGA staffing boost, got laid with with

845
00:41:58,600 --> 00:42:00,160
Speaker 1: it sounds like nudes.

846
00:42:01,560 --> 00:42:07,080
Speaker 2: But the the instead of you. It's two zero's.

847
00:42:10,640 --> 00:42:13,960
Speaker 3: Wow, what is that? Does that mean anything different?

848
00:42:14,520 --> 00:42:16,960
Speaker 2: Well, the zeros look like my breasts.

849
00:42:20,880 --> 00:42:21,920
Speaker 3: Not capital o's.

850
00:42:22,160 --> 00:42:24,760
Speaker 4: Let's just say this is a pretty good staffing season.

851
00:42:26,760 --> 00:42:28,239
Speaker 2: Let's just leave it in.

852
00:42:28,320 --> 00:42:29,960
Speaker 3: You're you're getting staffed.

853
00:42:30,040 --> 00:42:32,600
Speaker 2: Let me oh, I'm getting staffed, all right?

854
00:42:36,160 --> 00:42:39,840
Speaker 3: Wow? Okay.

855
00:42:39,880 --> 00:42:41,759
Speaker 1: And so then that's how you ended up in this

856
00:42:41,840 --> 00:42:46,200
Speaker 1: situation where recently you said you were essentially releasing a

857
00:42:46,239 --> 00:42:51,360
Speaker 1: statement because of having sex with someone that you referred

858
00:42:51,360 --> 00:42:54,560
Speaker 1: to as pleasant. That was the result of your hashtag

859
00:42:54,640 --> 00:42:56,120
Speaker 1: WJ staffing boost.

860
00:42:57,040 --> 00:42:59,600
Speaker 3: That was unrelated. Oh okay, wow.

861
00:42:59,400 --> 00:43:00,719
Speaker 2: We haven't see there is.

862
00:43:02,719 --> 00:43:03,280
Speaker 3: Very busy.

863
00:43:03,440 --> 00:43:04,960
Speaker 2: I have to catch you up, but I feel like

864
00:43:05,000 --> 00:43:06,600
Speaker 2: I haven't been here in a long time.

865
00:43:06,719 --> 00:43:08,600
Speaker 1: It has been a really long a long time. We

866
00:43:08,640 --> 00:43:10,320
Speaker 1: don't live in the same city.

867
00:43:10,400 --> 00:43:13,880
Speaker 2: Yeah, but phones work both ways.

868
00:43:13,160 --> 00:43:19,719
Speaker 1: Okay, dingling dangling, that's yeah, that's true. We could do

869
00:43:19,760 --> 00:43:21,320
Speaker 1: more catching up and again that's something I want to

870
00:43:21,360 --> 00:43:23,200
Speaker 1: do on this show. I just want to catch up. Yeah,

871
00:43:23,200 --> 00:43:24,080
Speaker 1: I just want to be able to.

872
00:43:24,120 --> 00:43:24,880
Speaker 3: Catch up a little bit.

873
00:43:25,440 --> 00:43:26,960
Speaker 2: Does that mean you want me to ask you questions

874
00:43:27,120 --> 00:43:27,959
Speaker 2: about how you're doing.

875
00:43:28,239 --> 00:43:30,440
Speaker 1: No, I mean I just like, you know, just like

876
00:43:30,520 --> 00:43:32,640
Speaker 1: the stuff we've been thinking about, like this is that's

877
00:43:32,640 --> 00:43:36,040
Speaker 1: what this has been, you know, the three of us.

878
00:43:36,120 --> 00:43:40,840
Speaker 2: What all right, it's fine, just ting.

879
00:43:40,640 --> 00:43:41,560
Speaker 3: Just chopping it up.

880
00:43:42,480 --> 00:43:45,640
Speaker 1: When Sean's in here doing jokes.

881
00:43:45,800 --> 00:43:50,480
Speaker 3: Yes, he's obsessed with his love.

882
00:43:50,600 --> 00:43:54,960
Speaker 1: He's always what like like so many posts like we

883
00:43:55,000 --> 00:43:57,960
Speaker 1: went to this It's like okay and we went to

884
00:43:57,960 --> 00:43:58,680
Speaker 1: see this movie.

885
00:43:58,760 --> 00:44:02,200
Speaker 6: Yeah yeah, in so long Shoteah.

886
00:44:02,200 --> 00:44:02,600
Speaker 2: It was fun.

887
00:44:02,680 --> 00:44:09,160
Speaker 3: It was really fun. Laughed, liked laughed, laughed like love.

888
00:44:11,719 --> 00:44:16,840
Speaker 4: Right, you know, it's like I forgot real conversation about this. Fine, Yes, great,

889
00:44:17,000 --> 00:44:20,720
Speaker 4: Look I like being congratulated when I fall silent.

890
00:44:21,840 --> 00:44:23,399
Speaker 3: Yeah, that's what that's what I did.

891
00:44:23,520 --> 00:44:24,200
Speaker 2: Yeah, I like that.

892
00:44:24,239 --> 00:44:26,719
Speaker 3: I like being thank you good job.

893
00:44:26,880 --> 00:44:29,640
Speaker 2: Thanks. What are you looking at your watch for?

894
00:44:29,880 --> 00:44:31,799
Speaker 1: I was seeing if Sean was texting me and he

895
00:44:32,000 --> 00:44:32,680
Speaker 1: was not, and.

896
00:44:32,560 --> 00:44:33,560
Speaker 3: That is good.

897
00:44:34,280 --> 00:44:35,360
Speaker 2: That seems a little hurtful.

898
00:44:35,440 --> 00:44:39,400
Speaker 1: That to me is some of the best news, and

899
00:44:39,440 --> 00:44:41,680
Speaker 1: that makes me feel like I'm in heaven.

900
00:44:42,520 --> 00:44:43,680
Speaker 2: What's going on with you, guys?

901
00:44:44,280 --> 00:44:47,760
Speaker 4: I said earlier, the lisp thing into the high yaas

902
00:44:47,920 --> 00:44:49,640
Speaker 4: that seems like a BS story.

903
00:44:50,280 --> 00:44:53,200
Speaker 3: There's some crotch punching too, it was. I don't know

904
00:44:53,200 --> 00:44:58,560
Speaker 3: if I believe being in the NATS, you don't believe that.

905
00:44:58,680 --> 00:45:00,759
Speaker 4: I just think there's something else going on under the

906
00:45:00,800 --> 00:45:04,840
Speaker 4: surface of that, because I've never heard you have a

907
00:45:04,880 --> 00:45:07,279
Speaker 4: lisp in the first place. And I also know that

908
00:45:07,360 --> 00:45:10,719
Speaker 4: guys tend to like, you know, monkey around and like

909
00:45:11,400 --> 00:45:14,080
Speaker 4: wrap each other up and and that's like.

910
00:45:14,320 --> 00:45:15,920
Speaker 2: That's part for the course.

911
00:45:18,080 --> 00:45:21,680
Speaker 3: So you think there's something, yeah, something more going on.

912
00:45:22,520 --> 00:45:23,600
Speaker 3: What do you think it is?

913
00:45:23,640 --> 00:45:25,120
Speaker 2: I don't know. I haven't seen you in a year.

914
00:45:26,880 --> 00:45:29,319
Speaker 4: I'm asking you to challenge yourself to say, what is

915
00:45:29,400 --> 00:45:31,440
Speaker 4: underneath this this fissure?

916
00:45:34,000 --> 00:45:34,759
Speaker 3: Baby don't help?

917
00:45:35,800 --> 00:45:39,440
Speaker 2: Oh, yeah, that's tough. Are you jealous of the baby.

918
00:45:39,320 --> 00:45:44,879
Speaker 3: Or we're already in a place where, like I like we.

919
00:45:47,800 --> 00:45:48,600
Speaker 2: Speak on that.

920
00:45:50,560 --> 00:45:53,239
Speaker 1: I even remember, like, so, thank you so much for

921
00:45:53,280 --> 00:45:54,960
Speaker 1: saying that, because when you say that, it feels like

922
00:45:55,000 --> 00:45:57,200
Speaker 1: from a different person's life.

923
00:45:57,239 --> 00:45:58,800
Speaker 2: That's why I said it.

924
00:45:58,800 --> 00:46:01,680
Speaker 1: It's from I don't even remember that person and that

925
00:46:02,880 --> 00:46:05,320
Speaker 1: kind of popcorn.

926
00:46:04,880 --> 00:46:08,520
Speaker 3: Gallery who you know?

927
00:46:08,840 --> 00:46:14,440
Speaker 1: Yeah, that like that. That's when this was not a job.

928
00:46:16,080 --> 00:46:20,879
Speaker 1: It was me and my friend. Yeah, and now he's

929
00:46:20,920 --> 00:46:21,680
Speaker 1: got that.

930
00:46:21,960 --> 00:46:26,000
Speaker 2: Like you, guys have abandoned a lot of bits on

931
00:46:26,080 --> 00:46:27,279
Speaker 2: the show, uh.

932
00:46:27,200 --> 00:46:34,960
Speaker 1: Huh, some of our best ones. And but but to

933
00:46:35,040 --> 00:46:41,560
Speaker 1: be fair, we have taken replaced them with bad ones.

934
00:46:44,080 --> 00:46:46,719
Speaker 1: It's not like we have stopped doing them. We have

935
00:46:46,880 --> 00:46:49,480
Speaker 1: just done different ones. Are you talking about the ads

936
00:46:49,560 --> 00:46:51,440
Speaker 1: that are worse? Yes, we started.

937
00:46:51,520 --> 00:46:52,879
Speaker 3: We do way more ads now.

938
00:46:54,520 --> 00:46:56,320
Speaker 2: Yeah, that's the only thing I can think.

939
00:46:56,160 --> 00:46:57,480
Speaker 3: Of, Santa Man.

940
00:46:58,520 --> 00:47:02,000
Speaker 1: You mean, what are our new bit repeated bits that

941
00:47:02,080 --> 00:47:02,399
Speaker 1: we do?

942
00:47:03,320 --> 00:47:04,879
Speaker 3: Well, we did I Love you and I'm in love

943
00:47:04,920 --> 00:47:07,239
Speaker 3: with you. That was maybe four years ago.

944
00:47:07,480 --> 00:47:10,400
Speaker 4: Literally heard every episode of the show. I've never made

945
00:47:10,440 --> 00:47:12,640
Speaker 4: sense of that as far as how it attaches to it.

946
00:47:12,719 --> 00:47:15,720
Speaker 3: Cannot make sense of the idea of whatever.

947
00:47:15,800 --> 00:47:21,640
Speaker 4: I don't care, I don't have a limited amount of

948
00:47:21,760 --> 00:47:22,879
Speaker 4: I have to be in Santa.

949
00:47:22,560 --> 00:47:27,239
Speaker 3: Monica unable to be made sense of not.

950
00:47:27,440 --> 00:47:29,960
Speaker 2: From the show. I just don't remember that as like

951
00:47:30,040 --> 00:47:33,239
Speaker 2: a bit for Hamburger Sandwich. I remember hot Dog go

952
00:47:33,280 --> 00:47:37,040
Speaker 2: to the bathroom? I know, bosh, oh that's a new bit.

953
00:47:38,080 --> 00:47:42,520
Speaker 4: I love how he talks as I miss Sean, I

954
00:47:42,600 --> 00:47:43,719
Speaker 4: do what like?

955
00:47:43,800 --> 00:47:48,000
Speaker 3: So like if I.

956
00:47:47,080 --> 00:47:51,359
Speaker 2: Miss you and I think you what I could get

957
00:47:51,400 --> 00:47:54,040
Speaker 2: an animal in here and do that? What kind would

958
00:47:54,080 --> 00:47:54,279
Speaker 2: you like?

959
00:47:54,280 --> 00:47:55,399
Speaker 3: To be more specific?

960
00:47:56,800 --> 00:48:00,600
Speaker 1: I mean, yeah, sure, or like a freaking like to

961
00:48:00,840 --> 00:48:01,239
Speaker 1: chill up?

962
00:48:01,360 --> 00:48:01,640
Speaker 3: Fine?

963
00:48:02,520 --> 00:48:07,360
Speaker 4: I miss you and Sean fun example, and I want

964
00:48:07,440 --> 00:48:09,759
Speaker 4: you to confront him about his baby.

965
00:48:11,080 --> 00:48:14,080
Speaker 3: I like. And it's not something you can't put it

966
00:48:14,120 --> 00:48:17,480
Speaker 3: back in Uh huh. I can't put the toothpaste back

967
00:48:17,520 --> 00:48:18,040
Speaker 3: on the tube.

968
00:48:18,320 --> 00:48:19,240
Speaker 2: Uh huh.

969
00:48:19,320 --> 00:48:20,680
Speaker 3: You know, so what happened?

970
00:48:20,719 --> 00:48:23,320
Speaker 2: You know the quip things you're still circling.

971
00:48:24,000 --> 00:48:26,160
Speaker 1: You'll figure it out, figuring out what the bid is

972
00:48:26,160 --> 00:48:28,000
Speaker 1: for that, but I don't know if we will.

973
00:48:29,239 --> 00:48:32,319
Speaker 4: It seems like it should be easy. It's a toothbrush, right, yeah,

974
00:48:33,719 --> 00:48:35,920
Speaker 4: stop doing that. Oh, as far as their feedback, that's

975
00:48:35,920 --> 00:48:36,520
Speaker 4: always helpful.

976
00:48:36,520 --> 00:48:36,960
Speaker 2: I love that.

977
00:48:37,000 --> 00:48:42,920
Speaker 4: I love it when advertising people are creative fucking critics though, yes,

978
00:48:43,080 --> 00:48:48,880
Speaker 4: critics reality shows, critics, non advertising critics, the worst, the

979
00:48:48,920 --> 00:48:53,240
Speaker 4: worst fashion bloggers that are like really nice and don't

980
00:48:53,280 --> 00:48:54,120
Speaker 4: like aren't mean.

981
00:48:54,440 --> 00:48:55,640
Speaker 2: I hate those bitches.

982
00:48:56,280 --> 00:48:59,160
Speaker 3: Did you want to say something about Olivia Munn No,

983
00:49:00,160 --> 00:49:04,000
Speaker 3: this episode, I mean rules, it went great. It went great.

984
00:49:04,080 --> 00:49:07,520
Speaker 3: It rules, It's so good, it's great.

985
00:49:07,920 --> 00:49:11,680
Speaker 2: What do we need, like like like, we don't need Kevin. Yeah,

986
00:49:11,719 --> 00:49:13,080
Speaker 2: we don't need Sean.

987
00:49:13,200 --> 00:49:13,960
Speaker 3: We don't need Sean.

988
00:49:14,600 --> 00:49:16,440
Speaker 2: I would love to have seen Bosh this.

989
00:49:16,400 --> 00:49:21,120
Speaker 7: Trip at him all and he is cute, to be fair,

990
00:49:21,160 --> 00:49:21,880
Speaker 7: he's so cute.

991
00:49:22,320 --> 00:49:26,480
Speaker 3: It's real cute. It's like, like it can this can work.

992
00:49:26,880 --> 00:49:27,880
Speaker 3: And this was the first.

993
00:49:28,239 --> 00:49:29,399
Speaker 2: Wasn't listening to that?

994
00:49:29,560 --> 00:49:30,279
Speaker 3: He wasn't all.

995
00:49:30,480 --> 00:49:32,799
Speaker 1: Let me repeat the exact same thing. You said you

996
00:49:32,840 --> 00:49:34,560
Speaker 1: wanted to see Bosh on this trip.

997
00:49:34,680 --> 00:49:35,960
Speaker 2: Okay, so you heard us.

998
00:49:35,920 --> 00:49:39,520
Speaker 1: And then and then Devin said, to be fair, he's cute.

999
00:49:39,520 --> 00:49:41,760
Speaker 1: I don't know why he said to be fair, because

1000
00:49:41,800 --> 00:49:45,160
Speaker 1: he was just agreeing with what you said to you.

1001
00:49:45,280 --> 00:49:48,520
Speaker 1: And you said I like animals to you in a

1002
00:49:48,719 --> 00:49:53,320
Speaker 1: loud way. Well, because I do impossible not to hear well.

1003
00:49:53,560 --> 00:49:55,880
Speaker 2: Something I feel strongly about.

1004
00:49:56,040 --> 00:49:57,960
Speaker 1: And to get back to what I was saying, this

1005
00:49:58,040 --> 00:49:59,400
Speaker 1: is not gonna be. This isn't even gonna be the

1006
00:49:59,400 --> 00:50:02,520
Speaker 1: best one of this new way of doing it. Yeah,

1007
00:50:02,640 --> 00:50:03,040
Speaker 1: this is.

1008
00:50:03,000 --> 00:50:03,759
Speaker 3: The first one.

1009
00:50:04,000 --> 00:50:05,560
Speaker 2: Yeah yeah yeah.

1010
00:50:05,239 --> 00:50:07,279
Speaker 3: And everyone from now on is going to be.

1011
00:50:07,520 --> 00:50:09,240
Speaker 2: I'm going back to New York on Friday.

1012
00:50:10,480 --> 00:50:16,160
Speaker 3: Okay, so we can we can bank a bunch. Well,

1013
00:50:16,239 --> 00:50:18,120
Speaker 3: let's get well, let's do it. Let's do another.

1014
00:50:18,320 --> 00:50:22,160
Speaker 1: You can stay, Oh yeah, absolutely okay by Hollywood Hamburg