WEBVTT - It Lurks in the Mine Shaft, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 2>is Robert Land.

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<v Speaker 3>And I'm Joe McCormick, and we're back to part two

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<v Speaker 3>of our Halloween season series called it Lurks in the

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<v Speaker 3>Mind Shaft, about creatures and spirits said to haunt the mines.

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<v Speaker 3>In part one, we talked about red caps, blue caps,

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<v Speaker 3>and the Cornish mining spirit known as the Knocker or

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<v Speaker 3>Tommy Knocker, which was originally the subject of labor lore

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<v Speaker 3>in Southwest England, but was later imported through immigrant oral

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<v Speaker 3>tradition to the minds of the Western United States. And

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<v Speaker 3>we're back today to talk about more so, rob In

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<v Speaker 3>the last episode we talked a bit about the creature

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<v Speaker 3>from German folklore known as the Cobald. Would you mind

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<v Speaker 3>if we do a little bit more on this one

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<v Speaker 3>because I found an interesting geological history connection.

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<v Speaker 2>Yeah, yeah, this will be fun to get into. The Cobald,

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<v Speaker 2>of course, is also well known to Dungeons and Dragons

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<v Speaker 2>players as the low level dragon kin creature that is

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<v Speaker 2>generally encountered at low levels and in beginner campaigns, but

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<v Speaker 2>has apparently become increasingly popular as a character choice for players.

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<v Speaker 2>Apparently there's a whole very popular meme among younger D

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<v Speaker 2>and D faults where you would have three Cobalts in

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<v Speaker 2>a trench coat pretending to be a person and like

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<v Speaker 2>people make you know, there's all sorts of fan art

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<v Speaker 2>of this. You can find three D printed miniatures and

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<v Speaker 2>so forth.

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<v Speaker 3>Okay, so you said a low level dragon form. This

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<v Speaker 3>is a draconic reptilian type creature, but also humanoid, kind

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<v Speaker 3>of a long snout with scales and.

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<v Speaker 2>A tail exactly. Yeah, basically goblinoid creatures with dragon features

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<v Speaker 2>ch iconic features. Yeah. So not a lot to do

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<v Speaker 2>with what we're going to get into here, except that they,

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<v Speaker 2>you know, typically live underground.

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<v Speaker 3>Yeah, underground small stature would have been common with the

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<v Speaker 3>real folklore. But the creature from actual historical folklore doesn't

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<v Speaker 3>have any reptilian features that I read about. That seems

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<v Speaker 3>to be a pure D and D invention. So this

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<v Speaker 3>originally came up in the context of talking about the

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<v Speaker 3>Tommy Knockers, because there is a lot of overlap between

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<v Speaker 3>these two creatures. So I'm going to go more lightly

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<v Speaker 3>on the things that are essentially the same between them.

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<v Speaker 3>The cobalt seems to have been well known in German

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<v Speaker 3>sources of the sixteenth and seventeenth centuries, and is usually

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<v Speaker 3>described as a type of goblin or fairy like creature,

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<v Speaker 3>looking like a little old man. I believe Georgia's Agricola,

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<v Speaker 3>who we mentioned last time, says that they are about

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<v Speaker 3>twenty seven inches tall. Other times they're said to be

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<v Speaker 3>two feet tall, somewhere in that range. They are sometimes

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<v Speaker 3>described as wearing a conical hat and pointy shoes, or

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<v Speaker 3>they can be dressed like a human miner in mining

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<v Speaker 3>clothes and mining gear. Sometimes friendly, but often delicious and deceitful.

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<v Speaker 3>The I don't know the moral alignment of the cobalt

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<v Speaker 3>from what I was reading, seems to have the same

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<v Speaker 3>range as the Tommy knocker, but it with a little

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<v Speaker 3>more emphasis on the meaner side of the scale. Okay,

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<v Speaker 3>the cobalt is most notably associated with mines, but it's

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<v Speaker 3>not limited only to minds. It can also inhabit households

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<v Speaker 3>on the surface, so it can be a household trickster,

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<v Speaker 3>like many of these other spirits we've talked about. In

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<v Speaker 3>either place, it would often play tricks, even nasty tricks,

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<v Speaker 3>on people. So in your house. It might throw sawdust

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<v Speaker 3>all over the floor, or kick ashes around up of

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<v Speaker 3>the fireplace, or drop sand in your milk. In the mine,

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<v Speaker 3>it could lead you astray, making you think you had

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<v Speaker 3>discovered a great vein of silver, only for you to

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<v Speaker 3>waste so many hours working on it and later realize

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<v Speaker 3>you had been fooled. The element cobalt actually gets its

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<v Speaker 3>name from the impish form of the cobalt, because early

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<v Speaker 3>modern miners believed the presence of cobalt or near a

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<v Speaker 3>vein of silver was problematic in some way. It made

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<v Speaker 3>the silver harder to get out, or damage the purity

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<v Speaker 3>of the silver in some way, So cobalt was a

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<v Speaker 3>demonic or mischievous mineral. One interesting thing about the cobalt

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<v Speaker 3>is that I found references to a passage where Martin Luther,

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<v Speaker 3>the father of the Protestant Reformation, talks about the cobalt

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<v Speaker 3>as a type of devil or minion of satan. I

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<v Speaker 3>came across this reference in a book called Early Modern

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<v Speaker 3>Supernatural The Dark Side of European Culture fourteen hundred to

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<v Speaker 3>seventeen hundred. This is a book from twenty twelve by

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<v Speaker 3>an author named Jane P. Davidson, who is a professor

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<v Speaker 3>of art history at University of Nevaderino. Davidson is in

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<v Speaker 3>the middle of writing about the blurring between categories of

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<v Speaker 3>supernatural beings and interesting that that's something that came up

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<v Speaker 3>in part one one of this series, that sometimes you

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<v Speaker 3>have these creatures where it's not quite clear are they

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<v Speaker 3>considered a fairy type creature, something other than human, or

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<v Speaker 3>a ghost of a dead human. Sometimes there is a

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<v Speaker 3>crossing of boundaries between these categories. A creature can be

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<v Speaker 3>considered one or the other, or maybe both at the

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<v Speaker 3>same time. In the case of the cobalt, some early

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<v Speaker 3>modern authors treated them as a type of fairy or gnome.

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<v Speaker 3>Others treated them as ghosts, having qualities similar to a

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<v Speaker 3>Poultergeist noisy ghost moving things around and making a rucus.

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<v Speaker 3>But also they were sometimes considered to have the qualities

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<v Speaker 3>of a demon or an imp, and some authors embraced

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<v Speaker 3>a fully Christian theological framing and simply said they were

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<v Speaker 3>devils of Satan. So Martin Luther is an example of

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<v Speaker 3>the latter. In a passage from his table talk, he says,

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<v Speaker 3>in translation of course quote, the devil vexes and harasses

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<v Speaker 3>the workmen and the mines. He makes them think they

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<v Speaker 3>have found new veins of silver, which when they have

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<v Speaker 3>labored and labored, turn out to be more illusions. Even

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<v Speaker 3>in open day on the surface of the earth, he

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<v Speaker 3>causes people to think they see a treasure before them,

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<v Speaker 3>which vanishes when they would pick it up. I have

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<v Speaker 3>never had any success in the minds, but such was

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<v Speaker 3>God's will, and I am content. And I thought this

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<v Speaker 3>was interesting because it recasts the mining imp as one

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<v Speaker 3>associated not so much with the mine as a place,

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<v Speaker 3>but with the mental space of searching for treasure. You know,

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<v Speaker 3>he says, even in open day on the surface of

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<v Speaker 3>the earth, if your mind is in prospector mode, if

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<v Speaker 3>you are looking for treasures and riches, searching for little

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<v Speaker 3>signs of ways to profit and get rich, this devil

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<v Speaker 3>will find you and take advantage of your greed or

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<v Speaker 3>your hope. So this made me think, is it worth

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<v Speaker 3>thinking about the difference between devils with a theological framing

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<v Speaker 3>and goblins or fairy folk with a more secular folklore framing.

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<v Speaker 3>The latter seems to me to be more part of

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<v Speaker 3>the geography or the environment, sort of a part of

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<v Speaker 3>the natural world, but a magical part of the natural world,

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<v Speaker 3>whereas the former the devil is part of a very

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<v Speaker 3>human focused cosmology. It's hard to think of a devil

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<v Speaker 3>as something leading a life of its own, living a

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<v Speaker 3>parallel existence in a hidden world where you might get

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<v Speaker 3>in trouble for spying on it going about its business.

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<v Speaker 3>You know, like these stories we have the Knockers, where

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<v Speaker 3>people are peeking in on the knockers working and they

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<v Speaker 3>get caught, and that's no good for them. That it's

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<v Speaker 3>not really going to happen with a devil because devils

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<v Speaker 3>have no business. They're not going about their own business.

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<v Speaker 3>Their business is exclined lusively the tempting and tormenting of

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<v Speaker 3>human souls.

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<v Speaker 2>Yeah, to use a very late example, you can look

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<v Speaker 2>at C. S. Lewis's The screw Tape Letters, in which, Yeah,

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<v Speaker 2>the demons are expressly concerned with us. They have no

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<v Speaker 2>other business, like, this is their entire life, this is

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<v Speaker 2>their identity.

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<v Speaker 3>I don't know if I've ever thought about it in

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<v Speaker 3>quite these terms before, but this strikes me as a

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<v Speaker 3>potent distinction between different types of creatures or imps a

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<v Speaker 3>person could believe they were crossing paths with You have

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<v Speaker 3>this more fairy folk tradition where these creatures are just

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<v Speaker 3>part of the world and you might by chance cross

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<v Speaker 3>paths with them, and you know, things, lots of things

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<v Speaker 3>could happen from that accidental meeting, But the meeting is

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<v Speaker 3>an accident. The meeting with a devil is never an accident.

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<v Speaker 3>The devil is looking for you, you know, and if you

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<v Speaker 3>meet it, it is because you have done something wrong

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<v Speaker 3>and you have allowed it the opportunity to get you,

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<v Speaker 3>which is something it's all trying to do.

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<v Speaker 2>Hmmm. Yeah, this is fascinating to think about because obviously,

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<v Speaker 2>if you experience an hallucination or see something in the

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<v Speaker 2>natural world that you don't have context for, you could

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<v Speaker 2>go with either explanation. But then you can also think

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<v Speaker 2>about like the purpose these different supernatural motifs serve. And

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<v Speaker 2>in the unique environment of a mind like a deep

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<v Speaker 2>rock mind, you have both the interaction with the natural world,

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<v Speaker 2>and therefore you can see yourself leaning more towards these

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<v Speaker 2>embodiments of nature, nature spirits, nature guardians, nature deities. But

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<v Speaker 2>then you are also in a highly social environment, you know,

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<v Speaker 2>working with people, trusting people, having weird feelings about how

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<v Speaker 2>your foreman is treating you, and so forth. And all

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<v Speaker 2>of that seems like maybe a little richer area for

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<v Speaker 2>the devils to do their work.

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<v Speaker 3>Yeah.

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<v Speaker 2>And I guess the other thing to stress, you know,

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<v Speaker 2>talking about how different people have characterized these things. I

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<v Speaker 2>guess this is always the problem when you have you know,

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<v Speaker 2>at some later point an academic or a best eerie

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<v Speaker 2>rider wants to categorize everything something that existed in an

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<v Speaker 2>oral tradition and may you know, differ from mind to mine,

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<v Speaker 2>from storyteller to storyteller, and even you know, situation to situation.

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<v Speaker 3>I think you can get a lot of things exactly

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<v Speaker 3>like that, where something is much more in the fairy

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<v Speaker 3>folk mold, in how it is discussed among the people,

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<v Speaker 3>that's its oral tradition mode of being. And then when

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<v Speaker 3>it's time for someone to come along and catalog that

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<v Speaker 3>belief in a book, it gets very much recategorized in

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<v Speaker 3>the theological framing.

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<v Speaker 2>Yeah, and we want to know what is its challenge rating?

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<v Speaker 3>Yeah?

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<v Speaker 2>Is it a fairy or is it a devil? You

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<v Speaker 2>have to tell me faye or you know, infernal fay

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<v Speaker 2>or fiend? Which is it?

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<v Speaker 3>Well, I've got another little alley to go down if

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<v Speaker 3>you want to play some more fair fiend games. Would

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<v Speaker 3>you like to look at some creatures of Scandinavian mining folklore,

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<v Speaker 3>Let's do it, okay? So for this I turned to

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<v Speaker 3>a book called Scandinavian Folk Belief and Legend by a

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<v Speaker 3>couple of scholars named Rymond Kevitaland and Henning K. Simsdorf.

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<v Speaker 3>This book is from the University of Minnesota Press, nineteen

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<v Speaker 3>eighty eight, and the authors note that while mining legends

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<v Speaker 3>are prolific throughout continental Europe, they're actually a little bit

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<v Speaker 3>less common, though still present in Scandinavia. So they were

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<v Speaker 3>able to collect five different varieties of mining legend here

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<v Speaker 3>based on accounts from different times in places from Sweden

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<v Speaker 3>and Norway. It seems mostly collected in the first half

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<v Speaker 3>of the twentieth century. So in contrast to the most

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<v Speaker 3>common subterranean mining spirit found elsewhere in Europe, which as

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<v Speaker 3>we discussed last time, was usually this elf like being

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<v Speaker 3>shaped like a tiny old man, the creature that haunts

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<v Speaker 3>a mine in Norway or Sweden is most often described

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<v Speaker 3>as a solitary female being, often a fine lady. There

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<v Speaker 3>are a few examples here that go by different names.

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<v Speaker 3>You have the Groovra, the ruler of the mine, the

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<v Speaker 3>groove Froken, the Lady of the Mine, or the Soulvmora,

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<v Speaker 3>the Silver Mother. Almost exactly like the Tommy Knocker and

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<v Speaker 3>other spirits we've discussed, the spectral Lady of the Mind

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<v Speaker 3>has a dual nature. In some tellings, she is benign

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<v Speaker 3>and even helpful, leading the miner to loads of ore

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<v Speaker 3>or protecting him from danger. But in other situations she

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<v Speaker 3>is a jealous guardian of the riches of the earth,

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<v Speaker 3>and she can cause disaster and strike the greedy miner dead.

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<v Speaker 3>In addition to the Lady of the Mine and the

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<v Speaker 3>Silver Mother, there are also stories in Scandinavian legend that

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<v Speaker 3>depict mythological beings as miners themselves. For example, mythical dwarves

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<v Speaker 3>are often depicted as in dustus miners and smiths, and

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<v Speaker 3>they could carry dangerous and powerful magic of their own.

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<v Speaker 3>So the authors include a few specific tales. First, I'll

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<v Speaker 3>mention a couple having to do with a lone female

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<v Speaker 3>mining spirit like the Silver Mother. One story from Middle

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<v Speaker 3>Sweden involves silver miners in a place called Holifores Forest.

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<v Speaker 3>The story goes when the mine first opened up, the

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<v Speaker 3>miners worked for a while without finding much, but then

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<v Speaker 3>one day they heard the voice of a lady calling

0:13:30.840 --> 0:13:33.080
<v Speaker 3>out to them. It was a woman's voice, and she said,

0:13:33.440 --> 0:13:36.440
<v Speaker 3>keep to the left, otherwise you disturb the foot of

0:13:36.480 --> 0:13:40.520
<v Speaker 3>my bed. These miners were, you know, they paid heed

0:13:40.559 --> 0:13:42.880
<v Speaker 3>to the voice. They followed her instructions, keeping to the

0:13:42.960 --> 0:13:44.960
<v Speaker 3>left of the pit, and what do you know, they

0:13:44.960 --> 0:13:48.640
<v Speaker 3>struck silver. So turned out well for them. Who knows

0:13:48.640 --> 0:13:51.000
<v Speaker 3>what would have happened if they had done otherwise, Maybe

0:13:51.040 --> 0:13:55.079
<v Speaker 3>they would have angered the silver mother. Another story collected

0:13:55.080 --> 0:13:58.080
<v Speaker 3>from near the same place in the Swedish province of

0:13:58.240 --> 0:14:01.920
<v Speaker 3>Vostmanland call. This one was called the Lady of the

0:14:01.960 --> 0:14:06.360
<v Speaker 3>mine warned them. It goes like this quote. In Clack Mountain,

0:14:06.480 --> 0:14:10.240
<v Speaker 3>there was a mining pit called Sunshine Mountain. My father

0:14:10.360 --> 0:14:13.240
<v Speaker 3>heard from my grandfather who worked there in his time,

0:14:13.320 --> 0:14:15.720
<v Speaker 3>that one day the miners had emerged from the mine

0:14:15.720 --> 0:14:18.920
<v Speaker 3>and were eating their noon meal in a shack. Suddenly

0:14:19.080 --> 0:14:22.680
<v Speaker 3>a fine lady appeared and said, go down into the shaft,

0:14:22.760 --> 0:14:25.760
<v Speaker 3>pick up your gear, and go home. The older men

0:14:25.840 --> 0:14:28.320
<v Speaker 3>did as she told them, but the younger fellows just

0:14:28.480 --> 0:14:32.080
<v Speaker 3>laughed and stayed. The mine collapsed and they were all

0:14:32.080 --> 0:14:35.120
<v Speaker 3>buried under the rocks. It was the lady of the mine,

0:14:35.160 --> 0:14:38.400
<v Speaker 3>who had warned them whenever she showed herself, a miner

0:14:38.400 --> 0:14:43.640
<v Speaker 3>would lose his life. Interesting detail here. The old men

0:14:43.880 --> 0:14:47.720
<v Speaker 3>listen and are saved, the young men ignore her and die.

0:14:48.360 --> 0:14:52.040
<v Speaker 3>Are the old men simply more cautious or is it

0:14:52.280 --> 0:14:55.040
<v Speaker 3>that the old men have respect for the legend and

0:14:55.120 --> 0:14:56.000
<v Speaker 3>thus are saved.

0:14:57.120 --> 0:14:58.880
<v Speaker 2>Ah, you know, I think it's probably both. I mean,

0:14:58.880 --> 0:15:02.280
<v Speaker 2>the youth of today they just don't listen to to

0:15:02.360 --> 0:15:05.080
<v Speaker 2>the Silver Mother like like like the old codgers know

0:15:05.160 --> 0:15:05.560
<v Speaker 2>how to do.

0:15:05.960 --> 0:15:08.080
<v Speaker 3>What did the young men think the Silver Mother was?

0:15:08.080 --> 0:15:10.440
<v Speaker 3>Was she just like, oh, that's just a crazy, random

0:15:10.520 --> 0:15:11.760
<v Speaker 3>lady coming out of the mine.

0:15:11.880 --> 0:15:15.280
<v Speaker 2>I don't know. Maybe you know what it probably is,

0:15:15.360 --> 0:15:16.880
<v Speaker 2>you know, getting back to some of what we were

0:15:16.880 --> 0:15:19.200
<v Speaker 2>discussing in the last episode and discussing in this one.

0:15:19.440 --> 0:15:23.000
<v Speaker 2>It probably comes back to that gut understanding of the mine.

0:15:23.200 --> 0:15:28.440
<v Speaker 2>It sounds, it's in some cases it smells, you know,

0:15:28.720 --> 0:15:31.480
<v Speaker 2>being able to sort of feel the mine, and the

0:15:31.520 --> 0:15:34.160
<v Speaker 2>young people they just don't have the experience and or

0:15:34.200 --> 0:15:37.760
<v Speaker 2>they're more brash, whereas the old men like they've been

0:15:37.760 --> 0:15:39.680
<v Speaker 2>down there in the mine long enough. I mean, they

0:15:39.720 --> 0:15:43.320
<v Speaker 2>didn't they didn't become old miners by not listening to

0:15:43.360 --> 0:15:44.000
<v Speaker 2>the mine.

0:15:44.040 --> 0:15:47.480
<v Speaker 3>As George Orwell reports, they can feel the weight upon them.

0:15:47.600 --> 0:15:51.600
<v Speaker 3>Yeah yeah, okay, So we have the Silver Mother leading

0:15:51.640 --> 0:15:54.440
<v Speaker 3>you to or and the Silver Mother warning you of danger.

0:15:54.520 --> 0:15:58.000
<v Speaker 3>And then finally they also include a short remembrance from

0:15:58.040 --> 0:16:01.480
<v Speaker 3>a place called the Nasa Mine, near the border between

0:16:01.520 --> 0:16:05.200
<v Speaker 3>Norway and Sweden, and that goes like this. Nils Olsen

0:16:05.320 --> 0:16:09.360
<v Speaker 3>from then from northern Rana tells how his father once

0:16:09.400 --> 0:16:12.120
<v Speaker 3>went over to look at the minds of Nasa. As

0:16:12.120 --> 0:16:15.200
<v Speaker 3>it turned out, he stayed away for quite a long time,

0:16:15.480 --> 0:16:17.880
<v Speaker 3>and when he finally returned, the people were just getting

0:16:17.920 --> 0:16:20.680
<v Speaker 3>ready to come after him. They had feared that the

0:16:20.760 --> 0:16:24.680
<v Speaker 3>Silver Mother in Nasa had taken him. So here the

0:16:24.760 --> 0:16:28.960
<v Speaker 3>Silver Mother herself seems to be the threat, a malicious

0:16:29.040 --> 0:16:32.000
<v Speaker 3>figure who in fact in the story does not harm anyone,

0:16:32.040 --> 0:16:35.640
<v Speaker 3>but the people assumed could seize you on a solitary

0:16:35.720 --> 0:16:40.000
<v Speaker 3>survey and make you disappear forever. But fortunately the father

0:16:40.040 --> 0:16:52.360
<v Speaker 3>and the story was spare. Okay. Now a couple more

0:16:52.400 --> 0:16:55.640
<v Speaker 3>Scandinavian tales in the other tradition, not the Lady of

0:16:55.680 --> 0:16:58.440
<v Speaker 3>the mines or the Silver Mother, but the spirits and

0:16:58.520 --> 0:17:02.000
<v Speaker 3>beings who are minor themselves, or at least make some

0:17:02.240 --> 0:17:05.360
<v Speaker 3>claim over the ore in the mine. One of them

0:17:05.480 --> 0:17:09.280
<v Speaker 3>is a story collected from Norway concerning a place called

0:17:09.400 --> 0:17:13.320
<v Speaker 3>Klett Mountain, a mountain with silver hidden inside it. The

0:17:13.359 --> 0:17:16.000
<v Speaker 3>main character of the story is a ferryman who works

0:17:16.040 --> 0:17:19.520
<v Speaker 3>a boat taking people across a nearby sound. One day,

0:17:19.680 --> 0:17:22.959
<v Speaker 3>two men come over and hire him to take them

0:17:23.000 --> 0:17:25.719
<v Speaker 3>across the sound, and one of them is carrying a

0:17:25.720 --> 0:17:28.520
<v Speaker 3>load of silver so big it almost sinks the boat.

0:17:29.000 --> 0:17:31.480
<v Speaker 3>The ferryman asks them where they got all the silver.

0:17:31.680 --> 0:17:34.800
<v Speaker 3>They tell him it's from Clett Mountain. He asks them

0:17:34.840 --> 0:17:37.920
<v Speaker 3>if there is more silver still in the mountain. They say, yes,

0:17:38.000 --> 0:17:39.840
<v Speaker 3>there's a bunch more there, and they tell him the

0:17:39.880 --> 0:17:42.480
<v Speaker 3>secret of where to find it. But when the boat

0:17:42.600 --> 0:17:46.159
<v Speaker 3>reaches the other shore, the two miners disembark, and as

0:17:46.200 --> 0:17:48.760
<v Speaker 3>soon as they leave the boat, they vanish into thin air.

0:17:50.200 --> 0:17:52.200
<v Speaker 3>I don't know if the implication is that they were

0:17:52.240 --> 0:17:56.040
<v Speaker 3>actually dwarves, but there was some kind of spectral miner here,

0:17:56.119 --> 0:17:58.359
<v Speaker 3>you know, they knew where to get the ore, and

0:17:58.400 --> 0:18:00.800
<v Speaker 3>they gave him the secret, and then they're gone.

0:18:00.800 --> 0:18:04.639
<v Speaker 2>And here well outside of the mine too. Yeah, that's interesting.

0:18:04.960 --> 0:18:08.159
<v Speaker 2>That's like if you were to encounter spectral dwarves on

0:18:08.240 --> 0:18:12.720
<v Speaker 2>Wall Street. Yeah, yeah, trading in like silver stocks or something.

0:18:12.800 --> 0:18:15.200
<v Speaker 2>And then like where did they go? Oh they were dwarves.

0:18:15.040 --> 0:18:17.919
<v Speaker 3>The taxi driver, yeah yeah, that drops them off and

0:18:17.960 --> 0:18:18.600
<v Speaker 3>they disappear.

0:18:18.840 --> 0:18:19.040
<v Speaker 2>Yeah.

0:18:19.800 --> 0:18:23.000
<v Speaker 3>And then finally, here's one last story, also collected from

0:18:23.160 --> 0:18:26.879
<v Speaker 3>vast Minland in Sweden in nineteen oh two. I'm just

0:18:26.920 --> 0:18:29.040
<v Speaker 3>going to read this one directly. This one is called

0:18:29.119 --> 0:18:33.439
<v Speaker 3>he lost his eyesight quote. According to legend, the copper

0:18:33.480 --> 0:18:37.280
<v Speaker 3>deposits at Leunsnarberg were discovered at the beginning of the

0:18:37.320 --> 0:18:41.280
<v Speaker 3>seventeenth century by a man named Martin Finn. One day

0:18:41.320 --> 0:18:44.200
<v Speaker 3>he went fishing and slept by his fire. He was

0:18:44.280 --> 0:18:47.479
<v Speaker 3>awakened by the sound of hammering and pounding in the mountain.

0:18:47.920 --> 0:18:51.119
<v Speaker 3>A rough voice shouted the first, who are treasure? A

0:18:51.200 --> 0:18:55.119
<v Speaker 3>spies will lose both eyes. When he pushed aside the

0:18:55.160 --> 0:18:58.359
<v Speaker 3>coals to quench the fire, the rock was laid bare

0:18:58.560 --> 0:19:03.439
<v Speaker 3>and there glistened the copper. But as soon as the

0:19:03.480 --> 0:19:08.240
<v Speaker 3>exploitation of the find began, Martin Finn went blind. So

0:19:08.600 --> 0:19:12.120
<v Speaker 3>that story is interesting because there's some ambiguity, at least

0:19:12.160 --> 0:19:14.520
<v Speaker 3>to me, in the way it's being told. I think, though,

0:19:14.560 --> 0:19:17.840
<v Speaker 3>I am not sure that this should be interpreted as

0:19:17.880 --> 0:19:22.680
<v Speaker 3>another example of supernatural miners, or at least supernatural claimants

0:19:22.760 --> 0:19:26.600
<v Speaker 3>to the discovery of the ore there. But it could

0:19:26.640 --> 0:19:30.240
<v Speaker 3>also be like supernatural guardians or protectors of the mind,

0:19:30.320 --> 0:19:32.199
<v Speaker 3>more like the Silver Mother. I guess it depends on

0:19:32.200 --> 0:19:35.520
<v Speaker 3>how you interpret the sound of the hammering and pounding

0:19:35.560 --> 0:19:39.480
<v Speaker 3>that woke Martin up. Was that the sound of the

0:19:39.560 --> 0:19:42.960
<v Speaker 3>beings that cursed him pounding the rock trying to reach

0:19:43.040 --> 0:19:46.080
<v Speaker 3>the ore first? In other words, is the speaker of

0:19:46.119 --> 0:19:50.720
<v Speaker 3>the curse a competing spectral miner, or was that hammering

0:19:50.800 --> 0:19:54.360
<v Speaker 3>the sound of human mind workers or explorers who were

0:19:54.359 --> 0:19:57.240
<v Speaker 3>there at the same time as Martin. If it's the latter,

0:19:57.320 --> 0:19:59.920
<v Speaker 3>I think you could interpret this more like the malevolent

0:20:00.119 --> 0:20:02.800
<v Speaker 3>version of the Silver Mother, like I am the spiritual

0:20:02.880 --> 0:20:06.280
<v Speaker 3>owner or guardian of this mine, and I will curse

0:20:06.320 --> 0:20:08.520
<v Speaker 3>and punish the first person who finds the ore I

0:20:08.560 --> 0:20:11.639
<v Speaker 3>have hidden there. But it reads to me more like

0:20:11.720 --> 0:20:15.600
<v Speaker 3>these are you know, the dwarfs or whatever other spectral beings.

0:20:15.640 --> 0:20:17.760
<v Speaker 3>They want the ore, They want to get there first.

0:20:17.840 --> 0:20:20.359
<v Speaker 3>You know that I saw it first, and if you

0:20:20.520 --> 0:20:22.400
<v Speaker 3>lay your eyes on it, I will punish.

0:20:22.160 --> 0:20:24.000
<v Speaker 2>You supernatural competition.

0:20:24.359 --> 0:20:27.840
<v Speaker 3>Yeah, so I was trying to think, are there any

0:20:27.920 --> 0:20:32.800
<v Speaker 3>consistent moral themes in this Scandinavian mining lore like we

0:20:32.880 --> 0:20:36.000
<v Speaker 3>saw in the early Cornish legends of the Tommy Knockers,

0:20:36.040 --> 0:20:40.560
<v Speaker 3>Because remember in the Cornish examples, there were moral punishments,

0:20:40.600 --> 0:20:44.680
<v Speaker 3>and what was punished was disrespect of the knockers themselves,

0:20:45.280 --> 0:20:50.080
<v Speaker 3>excessive curiosity like spying on the spirits, or excessive greed

0:20:50.280 --> 0:20:53.560
<v Speaker 3>and ambition trying to take more than your fair share

0:20:53.800 --> 0:20:57.359
<v Speaker 3>or trying to swindle the spirits. By contrast, I tried

0:20:57.400 --> 0:21:01.320
<v Speaker 3>to actually separate out what is being punished in the

0:21:01.359 --> 0:21:04.879
<v Speaker 3>three Scandinavian examples here that feature punishment or feature the

0:21:04.880 --> 0:21:08.120
<v Speaker 3>threat of punishment. In one, it seems to be simply

0:21:08.280 --> 0:21:12.040
<v Speaker 3>looking at the minds, like trespassing or possibly spying. That

0:21:12.119 --> 0:21:14.760
<v Speaker 3>could be a curiosity punishment, but it could also just

0:21:14.800 --> 0:21:19.199
<v Speaker 3>be a jealous guardianship of the mind. In another, it

0:21:19.240 --> 0:21:21.919
<v Speaker 3>seems to be not listening to the warning of the

0:21:21.960 --> 0:21:25.000
<v Speaker 3>Silver Mother. This might actually not be seen as a

0:21:25.040 --> 0:21:29.199
<v Speaker 3>punishment but merely a consequence. And in the third, it

0:21:29.280 --> 0:21:33.680
<v Speaker 3>is accidentally laying eyes on or that the spirits either

0:21:33.840 --> 0:21:37.359
<v Speaker 3>guard or seek to extract themselves, and this one to

0:21:37.440 --> 0:21:40.800
<v Speaker 3>me doesn't feel like a moral punishment. It seems just random.

0:21:41.040 --> 0:21:44.439
<v Speaker 3>So I think there's really no evidence here of punishment

0:21:44.520 --> 0:21:49.920
<v Speaker 3>for greed or excessive ambition. The magical violence feels more capricious,

0:21:50.240 --> 0:21:52.120
<v Speaker 3>random and purely dangerous.

0:21:52.800 --> 0:21:56.159
<v Speaker 2>M yeah, as in keeping with a natural force.

0:21:56.520 --> 0:21:59.800
<v Speaker 3>Yeah yeah. And I was also thinking about the silver

0:22:01.080 --> 0:22:05.920
<v Speaker 3>Does the fact that it is a regal, somber, solitary

0:22:06.080 --> 0:22:10.159
<v Speaker 3>woman change anything, comparing it to the idea of a

0:22:10.280 --> 0:22:14.960
<v Speaker 3>cadre of mischievous, diminutive, old gray bearded men. Does that

0:22:15.080 --> 0:22:18.199
<v Speaker 3>change how the legend is received and told by the

0:22:18.200 --> 0:22:20.520
<v Speaker 3>people who believe in it. And I would note also

0:22:20.640 --> 0:22:25.320
<v Speaker 3>that the curses here are more acute than we saw

0:22:25.400 --> 0:22:28.040
<v Speaker 3>in the Cornish legends, because if you remember the original

0:22:28.040 --> 0:22:31.400
<v Speaker 3>Cornish Tommy Knockers, they would curse you if you crossed them,

0:22:31.800 --> 0:22:34.960
<v Speaker 3>but that curse tended to be bad luck or bad

0:22:35.040 --> 0:22:38.080
<v Speaker 3>luck in mining. If the Silver Mother or any of

0:22:38.119 --> 0:22:42.080
<v Speaker 3>these Scandinavian beings curse you, it seems more likely to

0:22:42.160 --> 0:22:46.440
<v Speaker 3>mean violent death or being struck blind, something really acute.

0:22:47.200 --> 0:22:50.199
<v Speaker 3>And that's more like the later American evolution of the

0:22:50.240 --> 0:22:53.879
<v Speaker 3>Tommy Knockers, which tended to give omens about death and disaster.

0:22:55.160 --> 0:22:57.680
<v Speaker 2>Yeah, this is interesting to think about. They're more likely

0:22:57.720 --> 0:23:02.040
<v Speaker 2>to be like little Gromlin type creatures or or little

0:23:02.119 --> 0:23:05.240
<v Speaker 2>men if they are just cursing your luck. But then

0:23:05.760 --> 0:23:08.040
<v Speaker 2>if we're looking at it as a like a death

0:23:08.119 --> 0:23:12.880
<v Speaker 2>dealer or or death itself, then you know, what does

0:23:12.880 --> 0:23:15.240
<v Speaker 2>it mean that it is gendered and given this kind

0:23:15.320 --> 0:23:18.800
<v Speaker 2>of you know, almost the stature of a goddess. Yeah,

0:23:18.880 --> 0:23:22.080
<v Speaker 2>I've I've been thinking about that recently. You know, we

0:23:22.160 --> 0:23:26.840
<v Speaker 2>see you know, feminine versions of death in various cultures,

0:23:27.320 --> 0:23:30.640
<v Speaker 2>in pop culture as well, and like what does that mean? Yeah,

0:23:30.800 --> 0:23:33.919
<v Speaker 2>valkyries are a great example. What does that mean? You know,

0:23:34.200 --> 0:23:38.600
<v Speaker 2>looking I guess considering like the the heteronormative male view

0:23:39.119 --> 0:23:42.679
<v Speaker 2>on sexuality, is it is it an eroticism of death

0:23:43.400 --> 0:23:45.800
<v Speaker 2>or is it something more maternal? I mean is it

0:23:45.840 --> 0:23:49.240
<v Speaker 2>all these things? You know? And then what what service

0:23:49.240 --> 0:23:50.800
<v Speaker 2>does it do? Does it kind of lessen the blow

0:23:51.400 --> 0:23:55.960
<v Speaker 2>uh or the fear of an approaching death? You know?

0:23:56.000 --> 0:23:57.719
<v Speaker 2>I want to change the subject. I want to come

0:23:57.760 --> 0:24:00.920
<v Speaker 2>back to something that I was thinking very early on

0:24:01.359 --> 0:24:04.840
<v Speaker 2>in this and that is that J. R. R. Tolkienah

0:24:04.880 --> 0:24:07.480
<v Speaker 2>for the student of European myth of course, nicely explored

0:24:07.480 --> 0:24:10.119
<v Speaker 2>and reused many of these concepts with his depictions of

0:24:10.160 --> 0:24:14.719
<v Speaker 2>the dwarves of Kaza Doom later known as Moria who digged,

0:24:15.680 --> 0:24:18.359
<v Speaker 2>who were digging too greedily and too deep in the

0:24:18.440 --> 0:24:22.760
<v Speaker 2>relentless mining for the precious metal mythrill, and of course,

0:24:22.800 --> 0:24:26.120
<v Speaker 2>you know, unlocked their own doom and released the ball

0:24:26.240 --> 0:24:27.040
<v Speaker 2>Rock upon them.

0:24:27.440 --> 0:24:29.439
<v Speaker 3>Yeah, that's a great connection, and it seems to have

0:24:29.480 --> 0:24:31.880
<v Speaker 3>a lot in common with some of these tellings, though

0:24:31.880 --> 0:24:35.640
<v Speaker 3>I would note that Tolkien actually makes the legend much

0:24:35.680 --> 0:24:40.760
<v Speaker 3>more epic and grim. You know, the warning of awaking

0:24:40.800 --> 0:24:43.760
<v Speaker 3>this demon of the ancient world, something that is more

0:24:43.840 --> 0:24:48.800
<v Speaker 3>dangerous than anything you've ever seen, does seem it seems

0:24:48.840 --> 0:24:52.400
<v Speaker 3>like it goes much further beyond any of these actual

0:24:52.520 --> 0:24:54.639
<v Speaker 3>old bits of folklore where the worst thing that's going

0:24:54.720 --> 0:24:57.119
<v Speaker 3>to happen is like there's a being that causes a

0:24:57.160 --> 0:24:59.280
<v Speaker 3>cave in or seizes you in the mine, and it's

0:24:59.320 --> 0:25:02.399
<v Speaker 3>just sort of death. I mean, it's not it doesn't

0:25:02.440 --> 0:25:04.360
<v Speaker 3>have this epic monstrous form like.

0:25:04.320 --> 0:25:06.840
<v Speaker 2>The ball Rog. Yeah, the Ballrog is like the destroyer

0:25:06.920 --> 0:25:09.760
<v Speaker 2>or ultimately a civilization like it did, you know, it's

0:25:09.840 --> 0:25:12.200
<v Speaker 2>that level of threat to the dwarves that unlock it.

0:25:12.960 --> 0:25:15.479
<v Speaker 2>All right, Well, it makes sense that next we're going

0:25:15.520 --> 0:25:18.800
<v Speaker 2>to be diving a bit into German legend here, and

0:25:19.240 --> 0:25:21.320
<v Speaker 2>like all these things that you know, all these concepts

0:25:21.440 --> 0:25:25.320
<v Speaker 2>have some degree of interconnectedness, and you know, Scandinavian and

0:25:25.440 --> 0:25:30.560
<v Speaker 2>Norse mythology has strong connections going into German mythology and folklore.

0:25:31.119 --> 0:25:34.120
<v Speaker 2>So I want to talk about one that was new

0:25:34.160 --> 0:25:36.240
<v Speaker 2>to me that I found very exciting, and that is

0:25:36.400 --> 0:25:41.000
<v Speaker 2>der berg Munch, which is translated as the mountain monk

0:25:41.119 --> 0:25:44.000
<v Speaker 2>or even the mine monk. More often than not, I

0:25:44.080 --> 0:25:47.840
<v Speaker 2>found this entity described as the mine monk amazing.

0:25:47.920 --> 0:25:49.200
<v Speaker 3>Let's let's hear about this monk.

0:25:49.680 --> 0:25:53.080
<v Speaker 2>So one of the main sources I turned to for

0:25:53.119 --> 0:25:56.760
<v Speaker 2>this was the work of the brothers grim In. There

0:25:56.760 --> 0:25:59.280
<v Speaker 2>were a couple of volumes that they put out titled

0:25:59.280 --> 0:26:02.639
<v Speaker 2>German Legend in eighteen sixteen, in eighteen eighteen, and I

0:26:02.720 --> 0:26:06.199
<v Speaker 2>was working from a nineteen eighty one translation by Donald Ward.

0:26:06.800 --> 0:26:09.920
<v Speaker 2>And yeah, so we have the mind monk here. Sometimes

0:26:09.920 --> 0:26:14.080
<v Speaker 2>he's given a proper name, meister Hammerling or something like

0:26:14.280 --> 0:26:18.880
<v Speaker 2>Master of Hammering, you know, other times mountain monk, mind monk,

0:26:18.920 --> 0:26:24.520
<v Speaker 2>and so forth. And concerning the translation here I found

0:26:24.800 --> 0:26:27.080
<v Speaker 2>I have to stress this is something that's not directly

0:26:27.200 --> 0:26:31.000
<v Speaker 2>about the mind Monk, but is talking about a German

0:26:31.080 --> 0:26:33.440
<v Speaker 2>poem that references the mind Monk, and how we might

0:26:33.440 --> 0:26:36.800
<v Speaker 2>translate that into English. This was from nineteen twenty two.

0:26:37.000 --> 0:26:41.679
<v Speaker 2>Leonard Dhalty commented on the translation of the name meister

0:26:41.800 --> 0:26:46.959
<v Speaker 2>Hammerling in the poetry of nineteenth century German poet Henrik Heine,

0:26:48.040 --> 0:26:51.280
<v Speaker 2>and this is from notes on Translating Heina from the

0:26:51.320 --> 0:26:55.080
<v Speaker 2>Texas Review. Basically, the author here notes that there are

0:26:55.080 --> 0:26:57.840
<v Speaker 2>a few different possible meanings tied up in the name.

0:26:59.160 --> 0:27:02.000
<v Speaker 2>So first of all, is it is on its own

0:27:02.240 --> 0:27:05.640
<v Speaker 2>like a hateful gnome or cobalt who hammers underground. We've

0:27:05.680 --> 0:27:08.880
<v Speaker 2>been talking about this throughout these episodes. And is therefore

0:27:09.000 --> 0:27:11.639
<v Speaker 2>like a trickster, a devil, or even a clown. You know,

0:27:11.680 --> 0:27:16.560
<v Speaker 2>there's a sins, there's a there's a wide spectrum by

0:27:16.600 --> 0:27:22.400
<v Speaker 2>which this entity might manifest. The hammer also in German,

0:27:23.240 --> 0:27:26.439
<v Speaker 2>takes on the connotation of bully. Apparently that's something to

0:27:26.520 --> 0:27:29.879
<v Speaker 2>consider as well when when a hammer or the Hammerling

0:27:30.040 --> 0:27:34.520
<v Speaker 2>is mentioned. And the poem in question that the author

0:27:34.560 --> 0:27:39.440
<v Speaker 2>is commenting on here in concerns a passage where the

0:27:39.840 --> 0:27:43.200
<v Speaker 2>poet is pleading for Master Hammerling to build a bridge

0:27:43.200 --> 0:27:46.960
<v Speaker 2>for the poet, like, you know, like hey, master of Hammering,

0:27:47.000 --> 0:27:50.200
<v Speaker 2>build me a bridge. And sometimes in English that gets

0:27:50.200 --> 0:27:54.840
<v Speaker 2>transmitted into Hangman, apparently because I guess English readers aren't

0:27:54.840 --> 0:27:56.840
<v Speaker 2>going to necessarily pick up on the mind monk thing,

0:27:56.920 --> 0:28:01.080
<v Speaker 2>and you need some sort of ominous press like that

0:28:01.160 --> 0:28:04.400
<v Speaker 2>you were calling to, like hey, hey Hangman, or even

0:28:04.440 --> 0:28:07.520
<v Speaker 2>like hey, Death, build me a bridge. So I found

0:28:07.520 --> 0:28:10.760
<v Speaker 2>that interesting and perhaps speaks to the intimidating nature of

0:28:10.800 --> 0:28:15.639
<v Speaker 2>the monk in question, because descriptions of this entity sound

0:28:15.960 --> 0:28:18.480
<v Speaker 2>rather intimidating. We're not talking about a little person here.

0:28:18.520 --> 0:28:23.280
<v Speaker 2>We're talking about a gigantic figure in a dark robe,

0:28:24.240 --> 0:28:28.919
<v Speaker 2>a giant. And the Grim's right that he frequently appears

0:28:29.320 --> 0:28:32.359
<v Speaker 2>in several different minds that he mentions. One is the

0:28:32.840 --> 0:28:37.760
<v Speaker 2>Gara Bunden Alps, but especially on Fridays, that's when you

0:28:37.800 --> 0:28:41.280
<v Speaker 2>will find him in the in the shafts. He's generally

0:28:41.360 --> 0:28:45.080
<v Speaker 2>seen there emptying a bucket of ore into another bucket

0:28:45.360 --> 0:28:48.600
<v Speaker 2>and then back again. So once more we have this

0:28:48.720 --> 0:28:52.880
<v Speaker 2>idea of the supernatural entity in the mind creating a racket,

0:28:52.960 --> 0:28:56.600
<v Speaker 2>messing with the tools and equipment, but not getting any

0:28:56.680 --> 0:28:57.120
<v Speaker 2>work done.

0:28:57.400 --> 0:28:59.280
<v Speaker 3>Okay, we've seen this before.

0:29:00.080 --> 0:29:03.160
<v Speaker 2>Yeah, so in this case, you know, basically, the Grims

0:29:03.240 --> 0:29:06.200
<v Speaker 2>tell a few different stories, and the Grimms explained that

0:29:06.240 --> 0:29:08.680
<v Speaker 2>the mine owner in this particular case was well aware

0:29:08.840 --> 0:29:12.200
<v Speaker 2>of this particular spirit and made sure everyone left him alone, Like,

0:29:12.280 --> 0:29:15.240
<v Speaker 2>don't object to what he's doing. It seems pointless, but

0:29:15.320 --> 0:29:18.040
<v Speaker 2>just leave him alone and he won't harness. And so

0:29:18.200 --> 0:29:20.719
<v Speaker 2>he kept to himself, didn't cause any trouble. But then,

0:29:20.760 --> 0:29:24.240
<v Speaker 2>of course, one day a reckless miner, probably a young miner,

0:29:24.760 --> 0:29:28.200
<v Speaker 2>scolded and cursed at the mine monk, and this did

0:29:28.240 --> 0:29:31.360
<v Speaker 2>not go well for him. They explained that the giant

0:29:31.360 --> 0:29:36.680
<v Speaker 2>hooded figure lunged at this reckless I assume youth. They

0:29:36.720 --> 0:29:38.920
<v Speaker 2>pick him up, It picks him up and then shakes

0:29:39.000 --> 0:29:42.360
<v Speaker 2>him so severely that his face turns inside out. Like

0:29:42.400 --> 0:29:44.000
<v Speaker 2>it doesn't kill him, but for the rest of his

0:29:44.120 --> 0:29:46.840
<v Speaker 2>life he walks around with an inside out face.

0:29:47.400 --> 0:29:49.920
<v Speaker 3>Just one curse of that monk and your inside out.

0:29:50.280 --> 0:29:53.600
<v Speaker 2>Yeah, now, how are we supposed to interpret this? I

0:29:53.640 --> 0:29:56.959
<v Speaker 2>couldn't find a lot of scholarly breakdown on this. This

0:29:57.080 --> 0:30:00.160
<v Speaker 2>is not a grim story that's translated a lot apparently,

0:30:00.560 --> 0:30:02.840
<v Speaker 2>but you know, we can easily imagine this as being

0:30:02.920 --> 0:30:06.440
<v Speaker 2>a description of a very real disfigurement from a mining accident.

0:30:07.080 --> 0:30:09.800
<v Speaker 2>It could very well just be a magical, you know,

0:30:10.160 --> 0:30:12.920
<v Speaker 2>inversion of the face, or it could be something related

0:30:12.920 --> 0:30:16.600
<v Speaker 2>to trauma, you know, some sort of like a look

0:30:16.640 --> 0:30:20.520
<v Speaker 2>of fear locked into the facial features or something. All Right,

0:30:20.560 --> 0:30:23.400
<v Speaker 2>So there are more mind monk stories, though they share

0:30:23.440 --> 0:30:26.640
<v Speaker 2>some accounts of the annamine. They say a dozen men

0:30:26.760 --> 0:30:31.200
<v Speaker 2>were working in the silver rich Rosenkrantz shaft when a

0:30:31.280 --> 0:30:34.640
<v Speaker 2>mine monk appeared, or the mine monk appeared and breathed

0:30:34.680 --> 0:30:37.320
<v Speaker 2>on them, causing them all to drop dead, and the

0:30:37.360 --> 0:30:39.000
<v Speaker 2>shaft was abandoned thereafter.

0:30:39.440 --> 0:30:41.720
<v Speaker 3>Oh and bad breath.

0:30:42.000 --> 0:30:44.560
<v Speaker 2>Yeah. And this is very interesting too because it speaks

0:30:44.560 --> 0:30:48.400
<v Speaker 2>to the very real dangers of mind gases, which are

0:30:48.920 --> 0:30:53.040
<v Speaker 2>in mind terminology called damps. This comes from the German

0:30:53.480 --> 0:30:57.320
<v Speaker 2>a damph, which means vapor. So we have I was

0:30:57.360 --> 0:31:00.160
<v Speaker 2>not familiar with this, but we have various types of

0:31:00.240 --> 0:31:04.240
<v Speaker 2>damps that can occur in a mine environment. Again, in

0:31:04.360 --> 0:31:08.160
<v Speaker 2>the language and terminology of miners, you have fire damp.

0:31:08.240 --> 0:31:10.920
<v Speaker 2>This is a gas that occurs naturally in coal seams.

0:31:11.320 --> 0:31:16.280
<v Speaker 2>It's apparently nearly always methane, highly flammable and explosive at

0:31:16.360 --> 0:31:20.520
<v Speaker 2>higher concentrations. Then we have white damp or carbon monoxide,

0:31:20.800 --> 0:31:23.880
<v Speaker 2>particularly toxic and perhaps a reasonable fit for the breath

0:31:23.920 --> 0:31:28.400
<v Speaker 2>of the mine bunk because the correct or the wrong concentrations,

0:31:28.560 --> 0:31:30.600
<v Speaker 2>it can cause death within a few minutes, and this

0:31:30.680 --> 0:31:34.600
<v Speaker 2>is a risk, particularly in coal mines. We have black damp.

0:31:35.240 --> 0:31:38.840
<v Speaker 2>This is a situation where the atmosphere won't allow you

0:31:38.920 --> 0:31:42.400
<v Speaker 2>to light a lamp, usually because of an excess of

0:31:42.440 --> 0:31:45.800
<v Speaker 2>carbon dioxide and nitrogen in the air. Then there's stink

0:31:45.920 --> 0:31:49.400
<v Speaker 2>damp hydrogen sulfide, so you have the smell, the rotten

0:31:49.400 --> 0:31:52.000
<v Speaker 2>egg smell. And then there's after damp, and this is

0:31:52.000 --> 0:31:54.440
<v Speaker 2>a mixture of gases found in a mine after an

0:31:54.520 --> 0:31:55.840
<v Speaker 2>explosion or a fire.

0:31:57.160 --> 0:31:59.920
<v Speaker 3>So a lot of different gas hazards occurring in a mine.

0:32:00.200 --> 0:32:03.400
<v Speaker 2>Yeah, yeah, but I like this idea of presenting one

0:32:03.400 --> 0:32:06.800
<v Speaker 2>of these damps, again, probably white damp, as like the

0:32:07.640 --> 0:32:10.720
<v Speaker 2>killing breath weapon of the mind monk. Yeah, though in

0:32:10.720 --> 0:32:12.200
<v Speaker 2>this case, I don't, you know, it doesn't sound like

0:32:12.240 --> 0:32:15.920
<v Speaker 2>they did anything to particularly offend the mind monk except

0:32:15.960 --> 0:32:18.560
<v Speaker 2>maybe went into a shaft, went into a part of

0:32:18.560 --> 0:32:20.600
<v Speaker 2>the mountain they were not supposed to venture into.

0:32:21.280 --> 0:32:24.200
<v Speaker 3>Yeah, so it could be that this story in particular

0:32:24.240 --> 0:32:28.240
<v Speaker 3>has less of a moralistic bent and is instead an

0:32:28.280 --> 0:32:33.080
<v Speaker 3>attempt to magically explain a natural phenomenon exactly.

0:32:33.200 --> 0:32:35.560
<v Speaker 2>Yeah. And in most of these stories, I'll get to

0:32:35.560 --> 0:32:37.320
<v Speaker 2>one where the mind Monk talks, But most of the

0:32:37.360 --> 0:32:41.000
<v Speaker 2>time it seems like the mind Monk doesn't speak. You

0:32:41.160 --> 0:32:44.320
<v Speaker 2>just encounter it. It's fearsome to look at, and you know,

0:32:44.400 --> 0:32:47.680
<v Speaker 2>hope that he just continues to pour oar from one

0:32:47.680 --> 0:32:50.520
<v Speaker 2>bucket to another and doesn't breathe on you. Now, let's

0:32:50.520 --> 0:32:52.640
<v Speaker 2>see a few other tails of the mind Monk. They

0:32:52.680 --> 0:32:56.720
<v Speaker 2>mentioned that in the Ana Mine, the mine Monk appeared

0:32:57.320 --> 0:32:59.160
<v Speaker 2>as well, in the shape of a steed with a

0:32:59.200 --> 0:33:02.640
<v Speaker 2>long neck and terrifying eye, so an alternate form here.

0:33:03.480 --> 0:33:06.320
<v Speaker 2>And in the Saint George Mine it said that he

0:33:06.520 --> 0:33:11.160
<v Speaker 2>appeared in his standard form, you know, the tall, black

0:33:11.400 --> 0:33:15.960
<v Speaker 2>robed giant grabbed a young miner, lifted him up into

0:33:16.000 --> 0:33:19.120
<v Speaker 2>a silver rich shaft, and then sat him back down

0:33:19.200 --> 0:33:22.280
<v Speaker 2>so violently that he injured all of the youth's limbs.

0:33:23.320 --> 0:33:26.760
<v Speaker 2>And in the Harz Mountains, the mind Monk was said

0:33:26.800 --> 0:33:29.680
<v Speaker 2>to punish a foreman who was cruel to his workers

0:33:29.720 --> 0:33:33.040
<v Speaker 2>by positioning himself above the entrance to a particular shaft,

0:33:33.280 --> 0:33:35.840
<v Speaker 2>and when the foreman emerged beneath him, he caught the

0:33:35.880 --> 0:33:40.120
<v Speaker 2>man's head between his legs and crushed his skull. Whoa, Okay, yeah,

0:33:40.160 --> 0:33:42.680
<v Speaker 2>so now we have a little bit of the like

0:33:42.720 --> 0:33:46.360
<v Speaker 2>the moral even you could maybe say devil work of

0:33:46.400 --> 0:33:50.080
<v Speaker 2>the entity here because he's punishing a cruel foreman. Yeah

0:33:50.120 --> 0:33:52.440
<v Speaker 2>all right. But the best story, and this is one

0:33:52.440 --> 0:33:55.400
<v Speaker 2>where the mine monk speaks, is the tale they tell

0:33:55.720 --> 0:33:59.920
<v Speaker 2>of the mind monk of the Harz Mountains, which I

0:34:00.160 --> 0:34:03.520
<v Speaker 2>found some nice similarities between this and the Japanese ghost

0:34:03.560 --> 0:34:06.200
<v Speaker 2>story concerning the Yuki. Oh no, the Lady of the Snow.

0:34:06.720 --> 0:34:09.279
<v Speaker 3>Is this the story of the woman whose secret is

0:34:09.360 --> 0:34:12.360
<v Speaker 3>kept for many years but then when the secret is revealed.

0:34:12.400 --> 0:34:15.480
<v Speaker 2>Okay, yeah, and she's at once like a natural force,

0:34:15.560 --> 0:34:18.759
<v Speaker 2>but also she takes pity on mortals, but you know

0:34:18.760 --> 0:34:21.080
<v Speaker 2>it does ask for that secrecy in return.

0:34:21.480 --> 0:34:22.360
<v Speaker 3>Okay, let's hear it.

0:34:22.480 --> 0:34:24.680
<v Speaker 2>Okay. So in this story, we have a pair of miners.

0:34:24.760 --> 0:34:27.400
<v Speaker 2>They work as a team, and they descended into their

0:34:27.400 --> 0:34:29.640
<v Speaker 2>shaft one day and then uh oh, they realized that

0:34:29.680 --> 0:34:32.640
<v Speaker 2>they didn't have enough lamp oil to complete their shift.

0:34:33.120 --> 0:34:34.759
<v Speaker 2>They'd have to go all the way back home to

0:34:34.840 --> 0:34:37.200
<v Speaker 2>get more lamp oil, and of course that was just

0:34:37.239 --> 0:34:40.400
<v Speaker 2>going to tick off the mine foreman in the process.

0:34:40.440 --> 0:34:43.360
<v Speaker 2>So it seemed like a real losing situation. Yeah, but

0:34:43.960 --> 0:34:46.600
<v Speaker 2>then what occurs, Well, they see a light appearing down

0:34:46.680 --> 0:34:49.319
<v Speaker 2>the shaft, deeper in the shaft, you know, coming from

0:34:49.640 --> 0:34:53.320
<v Speaker 2>a you know, deeper into the mountain, and blow and behold,

0:34:53.360 --> 0:34:56.160
<v Speaker 2>approaching them is a towering figure in a black robe

0:34:56.320 --> 0:35:00.160
<v Speaker 2>carrying a miner's lamp. It is the mine monk, and

0:35:00.200 --> 0:35:02.520
<v Speaker 2>the two miners are of course terrified here, but the

0:35:02.520 --> 0:35:05.400
<v Speaker 2>mine monk actually speaks to them and tells them not

0:35:05.560 --> 0:35:08.719
<v Speaker 2>to be afraid. Quote, do not fear. I shall do

0:35:08.880 --> 0:35:12.120
<v Speaker 2>you no harm. But rather good, All right, what's he

0:35:12.160 --> 0:35:15.040
<v Speaker 2>gonna do? Well, he pours some of his lamp oil

0:35:15.120 --> 0:35:18.839
<v Speaker 2>into their lamps, and then he grabs their tools and

0:35:18.920 --> 0:35:22.040
<v Speaker 2>begins to work, doing a week's worth of work in

0:35:22.080 --> 0:35:25.479
<v Speaker 2>a single hour. It seems like a good deal. Yeah, yeah,

0:35:25.600 --> 0:35:28.600
<v Speaker 2>I'm gonna read another passage here. Tell no one that

0:35:28.640 --> 0:35:31.480
<v Speaker 2>you have seen me here, he says, and then he

0:35:31.520 --> 0:35:34.960
<v Speaker 2>slammed his fist against the shaft wall, which shattered, revealing

0:35:35.000 --> 0:35:38.960
<v Speaker 2>a long vein sparkling with pure gold and silver. So

0:35:39.040 --> 0:35:42.200
<v Speaker 2>once more, you know, a spirit of the mountain revealing

0:35:42.280 --> 0:35:45.640
<v Speaker 2>a rich vein of treasure inside the wall.

0:35:46.000 --> 0:35:48.760
<v Speaker 3>It's like boone, boone, boone. He gives them the oil,

0:35:48.800 --> 0:35:51.160
<v Speaker 3>but in fact they didn't even necessarily need the oil,

0:35:51.160 --> 0:35:53.000
<v Speaker 3>because he did all the work for them for a

0:35:53.000 --> 0:35:56.000
<v Speaker 3>whole week's worth, and then is like, here as a bonus,

0:35:56.160 --> 0:35:57.080
<v Speaker 3>here's another vein.

0:35:57.320 --> 0:36:00.319
<v Speaker 2>Yeah, they really hit the jackpot with this sky. Yeah.

0:36:00.320 --> 0:36:03.960
<v Speaker 2>Sometimes the mind Monk breathes toxic death on you. Other

0:36:04.000 --> 0:36:06.640
<v Speaker 2>times he just gives you gift after unearned gift.

0:36:07.120 --> 0:36:07.239
<v Speaker 1>Uh.

0:36:07.800 --> 0:36:10.040
<v Speaker 2>But this one. It gets a little weird here because

0:36:10.080 --> 0:36:12.680
<v Speaker 2>at this point the gold and silver is so blinding,

0:36:12.800 --> 0:36:15.840
<v Speaker 2>so dazzling, that the two mortal miners have to look away,

0:36:16.239 --> 0:36:18.759
<v Speaker 2>and when they look back, the mind Monk and the

0:36:18.840 --> 0:36:22.920
<v Speaker 2>vein of riches are gone. The grims here add that

0:36:22.960 --> 0:36:25.160
<v Speaker 2>if these miners had been quicker, they might have heaved

0:36:25.200 --> 0:36:28.000
<v Speaker 2>a pick into the shaft that had been opened or

0:36:28.000 --> 0:36:30.160
<v Speaker 2>the vein that had been opened, but it was too late,

0:36:30.600 --> 0:36:33.080
<v Speaker 2>so they didn't get the full riches and the mine

0:36:33.160 --> 0:36:35.319
<v Speaker 2>that the mine monk had revealed to them. But the

0:36:35.360 --> 0:36:39.200
<v Speaker 2>oil in their lanterns proved inexhaustible and it gave them.

0:36:39.280 --> 0:36:41.640
<v Speaker 2>This of course, gave them a huge advantage over other miners.

0:36:41.680 --> 0:36:44.640
<v Speaker 2>Other miners their lamps can run dry and then they

0:36:44.680 --> 0:36:46.480
<v Speaker 2>have to go out and get more lamp oil. But

0:36:46.520 --> 0:36:49.319
<v Speaker 2>these two, their lamps have been blessed by the mine

0:36:49.400 --> 0:36:53.000
<v Speaker 2>Monk's lamp oil, and they'll just burn, you know, without end.

0:36:53.600 --> 0:36:55.640
<v Speaker 3>That seems even better than the vein, right, I mean,

0:36:55.680 --> 0:36:57.120
<v Speaker 3>you can use that the rest of your life.

0:36:57.680 --> 0:37:00.680
<v Speaker 2>Yeah, But the mine Monk did say, hell, no one

0:37:00.680 --> 0:37:03.759
<v Speaker 2>that you have seen me here. And one Saturday night,

0:37:03.800 --> 0:37:05.960
<v Speaker 2>what do they do. They're out drinking with their friends

0:37:05.960 --> 0:37:08.680
<v Speaker 2>and the tavern and they tell the whole story. They

0:37:08.760 --> 0:37:11.040
<v Speaker 2>end up breaking their word to the mine Monk, and

0:37:11.120 --> 0:37:14.680
<v Speaker 2>the magical oil in their lanterns promptly gives out. So,

0:37:15.239 --> 0:37:17.320
<v Speaker 2>I mean it's terms in terms of bad things that

0:37:17.360 --> 0:37:20.239
<v Speaker 2>could happen after encountering the mine Monk, this isn't too bad.

0:37:20.239 --> 0:37:24.520
<v Speaker 2>They just basically lost the boon that the entity had

0:37:24.560 --> 0:37:27.880
<v Speaker 2>given them. And it's similar to what occurs in the

0:37:27.960 --> 0:37:32.280
<v Speaker 2>Lady of the Snow. You know she in most tellings anyway,

0:37:32.320 --> 0:37:36.040
<v Speaker 2>she does not kill the man who has finally revealed

0:37:36.320 --> 0:37:40.440
<v Speaker 2>what happened on that fateful night during the snowstorm. But

0:37:40.560 --> 0:37:43.280
<v Speaker 2>she does leave him, and I believe takes the children

0:37:43.400 --> 0:37:44.960
<v Speaker 2>that she has had with him as well.

0:37:46.000 --> 0:37:48.040
<v Speaker 3>But it's not in this story like the mine monk

0:37:48.239 --> 0:37:49.239
<v Speaker 3>breathes on them.

0:37:49.600 --> 0:37:53.319
<v Speaker 2>Now they're told, yeah, they told, so they lost the

0:37:53.360 --> 0:38:05.480
<v Speaker 2>magical lamp oil that he had given. So I like

0:38:05.480 --> 0:38:07.520
<v Speaker 2>how we see in this tale of the mind monk.

0:38:07.600 --> 0:38:10.720
<v Speaker 2>Several were these various tales in the mind monks, several

0:38:10.760 --> 0:38:13.680
<v Speaker 2>recurring themes of mind shaft entities. We got that pointless

0:38:13.760 --> 0:38:17.680
<v Speaker 2>labor that is sometimes beneficial, a power not to be offended,

0:38:17.960 --> 0:38:21.719
<v Speaker 2>revelation of riches, deadly gas lights in the dark, and

0:38:21.800 --> 0:38:26.040
<v Speaker 2>also sudden violent action not unlike a cave in or

0:38:26.120 --> 0:38:30.960
<v Speaker 2>various other related events. There are various sorts of rapid

0:38:31.040 --> 0:38:33.839
<v Speaker 2>high release energy phenomena inside of a mine that could

0:38:33.920 --> 0:38:36.239
<v Speaker 2>stand in for, you know, one of these encounters where

0:38:36.239 --> 0:38:37.880
<v Speaker 2>again like the mind monk is picking you up and

0:38:37.880 --> 0:38:40.840
<v Speaker 2>shaking you, or even like picking you up and putting

0:38:40.880 --> 0:38:42.880
<v Speaker 2>you in, sticking you into a shaft and then dropping

0:38:42.960 --> 0:38:46.560
<v Speaker 2>you back down again. You have things like mind trimmers

0:38:46.560 --> 0:38:50.600
<v Speaker 2>and rock burds, seismic events, methane, cold dust explosions, and

0:38:50.640 --> 0:38:53.360
<v Speaker 2>ground falls. As for the lights, you know, you have

0:38:53.400 --> 0:38:56.560
<v Speaker 2>sensory deprivation that might result in visual hallucinations in a

0:38:56.600 --> 0:38:59.960
<v Speaker 2>mining environment, but then also methane or cold dust explosions,

0:39:00.440 --> 0:39:06.200
<v Speaker 2>open flame ignitions, and even electrical arcing and lightning strikes

0:39:06.200 --> 0:39:09.040
<v Speaker 2>in mines. This is apparently a significant risk for some

0:39:09.160 --> 0:39:13.600
<v Speaker 2>mining operations, which you know, might seem counterintuitive to a

0:39:13.640 --> 0:39:17.319
<v Speaker 2>lot of folks that you know, don't know anything about mining.

0:39:17.320 --> 0:39:20.520
<v Speaker 2>You would think, oh, you're underground, you're safe. Not necessarily

0:39:20.560 --> 0:39:24.120
<v Speaker 2>the case. And then mythologically, I can only assume there

0:39:24.160 --> 0:39:27.120
<v Speaker 2>is at least some connection here between again the towering

0:39:27.200 --> 0:39:30.680
<v Speaker 2>mine monks and tales of stone giants such as you

0:39:30.680 --> 0:39:33.920
<v Speaker 2>know the ootin of Norse myth which included yes, like

0:39:33.960 --> 0:39:37.080
<v Speaker 2>storm giants and so forth, but also and ice giants,

0:39:37.080 --> 0:39:41.080
<v Speaker 2>but also mountain giants divided between mountain dwellers and cliff giants.

0:39:41.880 --> 0:39:44.520
<v Speaker 2>A number of Norse mythological concepts find their way into

0:39:44.520 --> 0:39:49.880
<v Speaker 2>German traditions, and this includes the figure of Rubsol or

0:39:49.920 --> 0:39:53.040
<v Speaker 2>the Lord of the Mountains, and there are various versions

0:39:53.080 --> 0:39:56.239
<v Speaker 2>of him and other European traditions as well. Joe I

0:39:56.280 --> 0:40:00.640
<v Speaker 2>included a painting of this character rubes All, the Lord

0:40:00.640 --> 0:40:02.919
<v Speaker 2>of the Mountains here. This is from eighteen fifty nine

0:40:03.000 --> 0:40:07.920
<v Speaker 2>by Morse von Schvend. I believe I'd seen this before

0:40:08.320 --> 0:40:10.839
<v Speaker 2>in a book from my childhood. Maybe it was one

0:40:10.840 --> 0:40:16.320
<v Speaker 2>of those fantastic legends from time life books, a series

0:40:16.360 --> 0:40:19.000
<v Speaker 2>on giants. But you know, we see like a monk

0:40:19.080 --> 0:40:22.880
<v Speaker 2>type figure with a jutting beard just walking through the

0:40:22.920 --> 0:40:23.560
<v Speaker 2>forest here.

0:40:23.719 --> 0:40:25.280
<v Speaker 3>Looks like he's wearing flip flops.

0:40:25.760 --> 0:40:28.480
<v Speaker 2>Yeah, yeah, some sort of old timey crocs.

0:40:28.800 --> 0:40:30.719
<v Speaker 3>Yeah yeah, I like it.

0:40:31.080 --> 0:40:33.000
<v Speaker 2>So I have two more entities I want to discuss here,

0:40:33.040 --> 0:40:36.600
<v Speaker 2>and there were international entities which I think roalms things

0:40:36.600 --> 0:40:39.879
<v Speaker 2>out rather nicely. The first I want to bring up

0:40:40.080 --> 0:40:45.040
<v Speaker 2>is Lteo of Bolivia. The author Luke Fodder explored this

0:40:45.080 --> 0:40:48.239
<v Speaker 2>one in a twenty nineteen Atlas Obscure article that has

0:40:48.239 --> 0:40:52.319
<v Speaker 2>some great photographs with it as well. So basically, the

0:40:52.360 --> 0:40:56.000
<v Speaker 2>practices associated with this entity occur in the silver mines

0:40:56.239 --> 0:41:00.520
<v Speaker 2>Osirio Rico in the Bolivian Andes and here otherwise Catholic

0:41:00.560 --> 0:41:03.839
<v Speaker 2>Christian local miners leave cigarettes at the base of some

0:41:04.000 --> 0:41:08.320
<v Speaker 2>apparently six hundred shrines to alto, which I believe translates

0:41:08.360 --> 0:41:12.480
<v Speaker 2>to the uncle, and this is a goatish, devil looking

0:41:12.520 --> 0:41:17.120
<v Speaker 2>figure with horns like red skin, a goateee, and generally

0:41:17.280 --> 0:41:21.759
<v Speaker 2>a jutting erection. They'll soak his impish likeness in alcohol

0:41:22.280 --> 0:41:25.000
<v Speaker 2>lah blah. Blood is apparently offered once a year as well.

0:41:25.040 --> 0:41:27.640
<v Speaker 2>There are some different accounts of that. And then you

0:41:27.680 --> 0:41:30.239
<v Speaker 2>also will make offerings of cigarettes or even light a

0:41:30.280 --> 0:41:32.800
<v Speaker 2>cigarette in his lips, and the degree to which the

0:41:32.840 --> 0:41:35.600
<v Speaker 2>cigarette burns down might be a sign of good luck.

0:41:35.880 --> 0:41:38.120
<v Speaker 3>From what I understand, lt O. Much like many of

0:41:38.120 --> 0:41:41.840
<v Speaker 3>these other figures we've been talking about, is is a

0:41:41.960 --> 0:41:45.759
<v Speaker 3>being of both blessings and curses that you know you

0:41:45.840 --> 0:41:49.239
<v Speaker 3>can you can do well by appeasing him, or you

0:41:49.280 --> 0:41:52.399
<v Speaker 3>could incur wrath and danger by not appeasing him.

0:41:52.719 --> 0:41:55.960
<v Speaker 2>Yeah, definitely, definitely getting into this idea of its standing

0:41:56.000 --> 0:41:59.560
<v Speaker 2>as a kind of nature entity. So, as Fodder explains

0:41:59.600 --> 0:42:01.880
<v Speaker 2>in the art, there seem to be several forces at

0:42:01.920 --> 0:42:05.200
<v Speaker 2>work with the genesis of this practice. So under Spanish

0:42:05.320 --> 0:42:09.120
<v Speaker 2>rule colonial rule, the mountain was mined under just really

0:42:09.120 --> 0:42:13.000
<v Speaker 2>brutal conditions, he writes, quote between four and eight million

0:42:13.480 --> 0:42:17.759
<v Speaker 2>Kachuan Indians and enslaved Africans died mining the mountain, and

0:42:17.840 --> 0:42:20.280
<v Speaker 2>among other names, the mountain was known as the Mountain

0:42:20.360 --> 0:42:24.399
<v Speaker 2>that Eats men. So brutal conditions here, and you had

0:42:24.400 --> 0:42:28.920
<v Speaker 2>this influx too of Christianity and its devil likeicnography, melding

0:42:28.920 --> 0:42:32.120
<v Speaker 2>of course with local folk beliefs and those of enslaved

0:42:32.120 --> 0:42:36.239
<v Speaker 2>people from Africa, again in a dangerous environment. I think

0:42:36.280 --> 0:42:38.520
<v Speaker 2>that's one of the things that's so captivating about any

0:42:38.560 --> 0:42:43.480
<v Speaker 2>of these mining tales is that we have folkloric elements

0:42:43.600 --> 0:42:46.600
<v Speaker 2>being developed and nurtured, like right at the edge of

0:42:46.680 --> 0:42:48.799
<v Speaker 2>life and death. I mean, that's often the case, I

0:42:48.800 --> 0:42:53.040
<v Speaker 2>guess in life anyway, actual life and death scenarios, perceived

0:42:53.080 --> 0:42:56.600
<v Speaker 2>life and death scenarios. But in the mind everything feels

0:42:56.800 --> 0:43:02.000
<v Speaker 2>perhaps heightened, right, It's like it's a pressure for folkloric belief.

0:43:02.440 --> 0:43:05.160
<v Speaker 3>Well, yeah, I guess there is a temptation sometimes to

0:43:05.280 --> 0:43:09.719
<v Speaker 3>think of the creativity that drives the emergence of new

0:43:09.760 --> 0:43:13.160
<v Speaker 3>pieces of folklore, creatures and stories as coming from an

0:43:13.280 --> 0:43:17.800
<v Speaker 3>environment of ease and idleness. When do you make up stories?

0:43:17.840 --> 0:43:19.919
<v Speaker 3>Maybe when when you're chilling, when you've got nothing else

0:43:19.960 --> 0:43:22.719
<v Speaker 3>to do, not much to worry about, but no in fact,

0:43:22.760 --> 0:43:25.800
<v Speaker 3>in reality, people are often making up the most interesting

0:43:25.880 --> 0:43:30.279
<v Speaker 3>in creative stories. Folklore is developing under really harsh conditions,

0:43:30.360 --> 0:43:33.440
<v Speaker 3>under times when people are facing threats of death or

0:43:33.480 --> 0:43:36.000
<v Speaker 3>when they've got, you know, a lot to worry about.

0:43:36.360 --> 0:43:38.480
<v Speaker 2>Yeah, I mean sometimes it's the case. Yeah, you may,

0:43:38.680 --> 0:43:41.360
<v Speaker 2>you may make up the story or elements the story

0:43:41.400 --> 0:43:43.920
<v Speaker 2>when in your leisure time when things are nice. But

0:43:44.120 --> 0:43:47.520
<v Speaker 2>when things are bad, when maybe when the Silver Mother

0:43:48.000 --> 0:43:49.839
<v Speaker 2>is not too far off in the distance, that's when

0:43:49.840 --> 0:43:51.240
<v Speaker 2>you find out what the story means.

0:43:52.040 --> 0:43:52.160
<v Speaker 1>Uh.

0:43:52.440 --> 0:43:54.759
<v Speaker 2>So, I don't know, it's interesting to think about here.

0:43:55.120 --> 0:43:57.360
<v Speaker 2>But coming back to lt O here, Yeah, there apparently

0:43:57.400 --> 0:44:00.120
<v Speaker 2>seems to be a strong sense that in order to

0:44:00.160 --> 0:44:02.560
<v Speaker 2>take from the mountain, to take silver from the mountain,

0:44:02.600 --> 0:44:04.720
<v Speaker 2>you have to give back to the spirit of the mountain.

0:44:04.719 --> 0:44:07.160
<v Speaker 2>And that's what these offerings to lt O or about.

0:44:08.800 --> 0:44:11.040
<v Speaker 2>That it's ultimately a force that might bring good luck

0:44:11.120 --> 0:44:15.279
<v Speaker 2>or terrible doom, depending on how you've honored and respected him.

0:44:15.719 --> 0:44:18.720
<v Speaker 2>And so, you know, clearly influenced by some visual ideas

0:44:18.760 --> 0:44:22.160
<v Speaker 2>concerning the Christian devil, but he seems very rooted in

0:44:22.320 --> 0:44:26.040
<v Speaker 2>indigenous ideas of earth deities and the entities Phallus would

0:44:26.040 --> 0:44:28.279
<v Speaker 2>seem to speak to this as well. You know that

0:44:29.320 --> 0:44:32.920
<v Speaker 2>he's an entity that is associated with sometimes doom, but

0:44:33.040 --> 0:44:37.120
<v Speaker 2>also life, But where does that life spring from? It

0:44:37.160 --> 0:44:39.320
<v Speaker 2>would seem to be more elemental in nature.

0:44:39.719 --> 0:44:43.919
<v Speaker 3>Yeah, there's another mining related entity from the and Dan

0:44:44.000 --> 0:44:48.360
<v Speaker 3>region known as Muki that has some characteristics in common

0:44:48.400 --> 0:44:52.200
<v Speaker 3>with lto here. But the Muki in the Indian minds

0:44:52.719 --> 0:44:55.920
<v Speaker 3>is a being that sometimes, like many of the other

0:44:55.920 --> 0:44:58.520
<v Speaker 3>stories we've talked about, sometimes can lead people to riches

0:44:58.640 --> 0:45:01.120
<v Speaker 3>or sometimes can lead them to danger and curses.

0:45:02.960 --> 0:45:04.839
<v Speaker 2>All right, I have one more I want to mention here,

0:45:04.880 --> 0:45:08.120
<v Speaker 2>and this is one that I was initially reading about

0:45:08.600 --> 0:45:12.760
<v Speaker 2>in Carol Rose's book of Fairies and Leprechauns. She brings

0:45:12.880 --> 0:45:16.760
<v Speaker 2>up an example of a spirit that is also tied

0:45:16.800 --> 0:45:21.040
<v Speaker 2>to both virility, again coming back to the phallus of Altio,

0:45:21.360 --> 0:45:24.759
<v Speaker 2>but is also associated with mines, and that is the

0:45:24.800 --> 0:45:29.440
<v Speaker 2>trickster spirit essue of the Yoruba people of Nigeria. So

0:45:29.520 --> 0:45:32.320
<v Speaker 2>apparently he according to de Rose, I'm going to caveat

0:45:32.360 --> 0:45:36.239
<v Speaker 2>this in a minute. This entity is portrayed as both

0:45:36.280 --> 0:45:39.080
<v Speaker 2>a trickster and a protector, is the patron of both

0:45:39.160 --> 0:45:42.920
<v Speaker 2>mothers and childbirth. And miners in Nigerian coal fields, and

0:45:42.960 --> 0:45:46.279
<v Speaker 2>he's depicted as having a large lock of plaited hair

0:45:46.400 --> 0:45:50.800
<v Speaker 2>sculpted like a penis. Now elsewhere I've seen this described

0:45:50.800 --> 0:45:54.080
<v Speaker 2>as more of a huge backward curving horn or like

0:45:54.120 --> 0:45:57.680
<v Speaker 2>a horned head dress, and the god, while usually regarded

0:45:57.719 --> 0:46:01.040
<v Speaker 2>as male, also sometimes either takes a fine form or

0:46:01.239 --> 0:46:05.240
<v Speaker 2>features feminine features such as breasts. I've also read Assue

0:46:05.280 --> 0:46:08.080
<v Speaker 2>described as the anger of the gods, and as one

0:46:08.120 --> 0:46:11.960
<v Speaker 2>might expect, religions from Afar, such as Christianity, have often

0:46:12.000 --> 0:46:15.680
<v Speaker 2>attempted to recast Essue as more of a devil figure,

0:46:16.040 --> 0:46:18.880
<v Speaker 2>though clearly he seems to have a more nuanced presence,

0:46:18.920 --> 0:46:21.319
<v Speaker 2>sometimes described as a god of trickery but also a

0:46:21.360 --> 0:46:24.440
<v Speaker 2>god of surprise, and I found that really interesting. But

0:46:24.480 --> 0:46:29.520
<v Speaker 2>again a god that, according to these sources, was both

0:46:29.560 --> 0:46:34.320
<v Speaker 2>associated with mining but also childbirth and surprise.

0:46:35.000 --> 0:46:38.759
<v Speaker 3>Yeah, so interesting that figures associated from mining with from

0:46:38.800 --> 0:46:41.279
<v Speaker 3>all these different parts of the world and different cultures,

0:46:41.719 --> 0:46:44.320
<v Speaker 3>have a few things seemingly in common. One is the

0:46:45.360 --> 0:46:51.440
<v Speaker 3>bivalent nature that they can represent either dangers or boons

0:46:51.480 --> 0:46:55.080
<v Speaker 3>and blessings, that they might be helpful or they might

0:46:55.120 --> 0:46:58.840
<v Speaker 3>be harmful, and also that they are so often associated

0:46:58.880 --> 0:47:02.960
<v Speaker 3>with tricks and miss pranks. Yeah, that seems like that

0:47:03.040 --> 0:47:05.359
<v Speaker 3>doesn't seem like I mean, obviously I don't have I'm

0:47:05.400 --> 0:47:07.480
<v Speaker 3>not a miner, so I have no experience in the mind.

0:47:08.000 --> 0:47:10.759
<v Speaker 3>But you I think the lay person who has no

0:47:10.880 --> 0:47:15.480
<v Speaker 3>experience would not assume a natural connection between the environment

0:47:15.560 --> 0:47:19.840
<v Speaker 3>of a mine and the concept of tricks, trickster behavior

0:47:19.920 --> 0:47:22.520
<v Speaker 3>or mischief or pranks. But that does seem to be

0:47:22.640 --> 0:47:23.200
<v Speaker 3>very common.

0:47:24.400 --> 0:47:26.840
<v Speaker 2>Yeah. Yeah, And as I mentioned in the last episode,

0:47:26.880 --> 0:47:29.200
<v Speaker 2>I'm sure we have some listeners out there who are

0:47:29.280 --> 0:47:33.000
<v Speaker 2>miners or have been in the mining business before. If

0:47:33.000 --> 0:47:34.640
<v Speaker 2>that's the case, I would love to hear from anyone

0:47:34.640 --> 0:47:37.840
<v Speaker 2>out there if you have particular insight on the just

0:47:37.880 --> 0:47:42.040
<v Speaker 2>the headspace of of miners. If not some of these

0:47:42.120 --> 0:47:45.279
<v Speaker 2>traditions or remnants of these traditions that may may or

0:47:45.280 --> 0:47:47.600
<v Speaker 2>may not still exist today. I mean some of them

0:47:47.640 --> 0:47:51.480
<v Speaker 2>definitely do. But I again, I would just like to

0:47:51.480 --> 0:47:55.919
<v Speaker 2>hear from from actual folks out there who have real

0:47:55.960 --> 0:47:57.000
<v Speaker 2>life experience in the.

0:47:56.960 --> 0:48:00.600
<v Speaker 3>Minds contact at Stuff to blow your mind dot com.

0:48:00.640 --> 0:48:03.279
<v Speaker 2>All right, where we're gonna go ahead and close off

0:48:03.280 --> 0:48:05.640
<v Speaker 2>this shaft for today, But we'd love to hear from

0:48:05.640 --> 0:48:09.240
<v Speaker 2>everyone out there, if you have some favorite mind spirits

0:48:09.280 --> 0:48:11.360
<v Speaker 2>that we didn't cover in this episode, also right in

0:48:11.440 --> 0:48:15.879
<v Speaker 2>with that, or anything from like the wide world of

0:48:16.239 --> 0:48:19.880
<v Speaker 2>you know, pop culture, magic things inspired. You know, we

0:48:19.960 --> 0:48:22.759
<v Speaker 2>mentioned dungeons and dragons a bit, but you know, any

0:48:22.760 --> 0:48:26.320
<v Speaker 2>other fantasy spin on any of these concepts that we

0:48:26.320 --> 0:48:28.000
<v Speaker 2>would love to hear from you on that as well.

0:48:29.200 --> 0:48:30.680
<v Speaker 2>Just to remind it that Stuff to Blow Your Mind

0:48:30.760 --> 0:48:33.280
<v Speaker 2>is primarily a science and culture podcast, with core episodes

0:48:33.320 --> 0:48:36.480
<v Speaker 2>on Tuesdays and Thursdays. We do a short form episode

0:48:36.520 --> 0:48:38.760
<v Speaker 2>on Wednesdays, and on Fridays we set aside most serious

0:48:38.800 --> 0:48:40.799
<v Speaker 2>concerns to just talk about a weird film on Weird

0:48:40.840 --> 0:48:41.600
<v Speaker 2>House Cinema.

0:48:41.760 --> 0:48:45.280
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:48:45.600 --> 0:48:47.200
<v Speaker 3>If you would like to get in touch with us

0:48:47.239 --> 0:48:49.760
<v Speaker 3>with feedback on this episode or any other, to suggest

0:48:49.760 --> 0:48:52.000
<v Speaker 3>a topic for the future, or just to say hello,

0:48:52.200 --> 0:48:55.280
<v Speaker 3>you can email us as always at contact at stuff

0:48:55.280 --> 0:49:03.920
<v Speaker 3>to Blow your Mind dot com.

0:49:04.040 --> 0:49:07.000
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:49:07.080 --> 0:49:09.839
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