1 00:00:00,240 --> 00:00:03,560 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,600 --> 00:00:08,440 Speaker 1: Weekly Zeitgeist. These are some of our favorite segments from 3 00:00:08,640 --> 00:00:17,919 Speaker 1: this week, all edited together into one NonStop infotainment laugh stravaganza. 4 00:00:18,880 --> 00:00:20,599 Speaker 2: Yeah, So, without. 5 00:00:20,360 --> 00:00:25,799 Speaker 1: Further ado, here is the Weekly Zeitgeist. Well Miles, we 6 00:00:25,840 --> 00:00:29,240 Speaker 1: are thrilled to be joined in our third seat. A 7 00:00:29,320 --> 00:00:33,920 Speaker 1: creative and political activist who hosts Beyond the Pale and 8 00:00:34,080 --> 00:00:38,640 Speaker 1: w BAI in New York Must Listen these days always 9 00:00:38,640 --> 00:00:42,760 Speaker 1: a must listen, but especially of late, is a caucus 10 00:00:42,760 --> 00:00:46,880 Speaker 1: member of Jews for Racial and Economic Justice, co founder 11 00:00:46,880 --> 00:00:49,839 Speaker 1: of its electoral armed the Jewish Vote. Please welcome back 12 00:00:49,880 --> 00:00:55,400 Speaker 1: to this show, Raphael Schumanna. 13 00:00:56,800 --> 00:00:58,080 Speaker 3: It's good to have you. Man up. 14 00:00:58,880 --> 00:01:00,880 Speaker 2: How you doing, man, that's good. 15 00:01:01,080 --> 00:01:07,000 Speaker 4: You know, considering gestures to the world. Yeah, okay, but 16 00:01:07,560 --> 00:01:11,160 Speaker 4: trying to it's it's so weird. It's like, I think 17 00:01:11,160 --> 00:01:12,800 Speaker 4: a lot of people feel this, but like when the 18 00:01:12,840 --> 00:01:15,679 Speaker 4: world is like this, you're supposed to sometimes lock it 19 00:01:15,720 --> 00:01:18,480 Speaker 4: out and do your job job, and it just seems 20 00:01:18,760 --> 00:01:23,080 Speaker 4: really challenging to get into normal modes like doing laundry 21 00:01:23,480 --> 00:01:26,200 Speaker 4: while will you should be in the streets in what 22 00:01:26,280 --> 00:01:27,720 Speaker 4: feels like all the time right now. 23 00:01:27,760 --> 00:01:29,240 Speaker 2: But yeah, yeah. 24 00:01:29,440 --> 00:01:34,720 Speaker 1: Yeah, you've been in these streets recently arrested and for 25 00:01:35,120 --> 00:01:39,800 Speaker 1: your work trying to get Chuck Schumer to help bring 26 00:01:39,840 --> 00:01:40,720 Speaker 1: about a ceasefire. 27 00:01:41,080 --> 00:01:45,000 Speaker 4: Yeah, and to convince his niece to stop acting and 28 00:01:45,040 --> 00:01:45,720 Speaker 4: stop comedy. 29 00:01:46,319 --> 00:01:50,240 Speaker 2: And that's the social media. 30 00:01:52,400 --> 00:01:56,480 Speaker 3: Yeah yeah, watching the social media masks will slip on. 31 00:01:56,840 --> 00:01:57,880 Speaker 3: Oh yeah, means like. 32 00:02:00,200 --> 00:02:02,920 Speaker 1: Whoa, all right, Well we're going to get into all 33 00:02:02,960 --> 00:02:05,840 Speaker 1: of that plenty more, but first we do like to 34 00:02:06,360 --> 00:02:08,080 Speaker 1: get to know you a little bit better by asking 35 00:02:08,120 --> 00:02:12,760 Speaker 1: you what is something from your search history that's about 36 00:02:12,760 --> 00:02:13,280 Speaker 1: who you are? 37 00:02:13,560 --> 00:02:16,760 Speaker 4: I don't know. That's like the thing I always do, 38 00:02:16,840 --> 00:02:19,680 Speaker 4: and it's probably always the last thing is always I'm 39 00:02:19,720 --> 00:02:22,800 Speaker 4: a bad speller, so it's every random word to just 40 00:02:22,880 --> 00:02:26,639 Speaker 4: get the Google auto correct and then use that as 41 00:02:26,639 --> 00:02:30,280 Speaker 4: a really boring last search start. But it's what I need. 42 00:02:30,960 --> 00:02:33,079 Speaker 4: That's my my lifesaver over there. 43 00:02:33,400 --> 00:02:36,520 Speaker 3: What's the what's the what word? Are getting hung up on? 44 00:02:36,520 --> 00:02:39,760 Speaker 4: One? Is always like So now I developed a nomadic 45 00:02:39,800 --> 00:02:43,480 Speaker 4: device to remember this one principle versus principal pal, and 46 00:02:43,520 --> 00:02:45,560 Speaker 4: I realized, like, you know, the principle of the school 47 00:02:45,639 --> 00:02:46,840 Speaker 4: wants to be your pal. 48 00:02:49,800 --> 00:02:53,040 Speaker 1: Yeah, but you just picture the principle of the school, 49 00:02:53,120 --> 00:02:59,079 Speaker 1: turning his baseball cap around backwards. 50 00:03:00,040 --> 00:03:01,400 Speaker 3: Yeah, rap, I want to talk to you about some 51 00:03:01,440 --> 00:03:02,720 Speaker 3: of your Instagram posts. 52 00:03:02,760 --> 00:03:08,560 Speaker 2: My man, I want my office there you go? 53 00:03:09,919 --> 00:03:14,800 Speaker 3: How to that's like we always the same thing with 54 00:03:14,840 --> 00:03:19,640 Speaker 3: a capital, like a capital versus a capitol building. Oh yeah, 55 00:03:19,760 --> 00:03:22,880 Speaker 3: I don't well, I still see that one get through 56 00:03:23,000 --> 00:03:26,160 Speaker 3: like in like established, I guess have this quote unquote 57 00:03:26,280 --> 00:03:29,640 Speaker 3: outlets for journalism and I'm like, you can't fuck that 58 00:03:29,880 --> 00:03:32,160 Speaker 3: up now, I certainly can. 59 00:03:32,280 --> 00:03:34,440 Speaker 1: Can you tell me how you keep it straight? Because 60 00:03:34,480 --> 00:03:37,560 Speaker 1: this principal ship is going to save my ass every time. 61 00:03:37,680 --> 00:03:41,120 Speaker 3: I don't know, I just the toll o L is 62 00:03:41,120 --> 00:03:44,920 Speaker 3: always the building you know. That's for who can the 63 00:03:44,960 --> 00:03:46,960 Speaker 3: bell tolls right. 64 00:03:48,520 --> 00:03:51,320 Speaker 4: The buildings around? Like, oh you could do that? 65 00:03:51,680 --> 00:03:54,160 Speaker 3: Oh hell yeah yeah, But I think I only remembered 66 00:03:54,160 --> 00:03:57,320 Speaker 3: it because I only saw capital written as a kid first. 67 00:03:57,400 --> 00:04:03,760 Speaker 3: And then when that new one out, yeah, like capt 68 00:04:03,760 --> 00:04:08,360 Speaker 3: to caw like it over here. 69 00:04:09,560 --> 00:04:12,600 Speaker 1: So I the I used to get dessert and dessert 70 00:04:12,960 --> 00:04:16,640 Speaker 1: mixed up, and then a girl I was dating, it's like, 71 00:04:16,680 --> 00:04:21,040 Speaker 1: well you always want more dessert and dessert has two s's. Wow, 72 00:04:22,320 --> 00:04:23,640 Speaker 1: nobody wants more dessert. 73 00:04:24,040 --> 00:04:26,920 Speaker 2: Yeah, so one so there. 74 00:04:27,120 --> 00:04:29,159 Speaker 4: We just we just spun off a new podcast. 75 00:04:29,880 --> 00:04:30,920 Speaker 3: Yeah, there you go. 76 00:04:31,640 --> 00:04:35,880 Speaker 1: Also roll when you're when something is rolling, two l's, 77 00:04:36,120 --> 00:04:39,360 Speaker 1: you know, the l's get on a roll. Yeah, so 78 00:04:39,720 --> 00:04:42,520 Speaker 1: that's you know, and this this could be the whole show. 79 00:04:42,600 --> 00:04:48,160 Speaker 3: Matthew Conaughey, mic con august, Hey, what do you know there? 80 00:04:48,160 --> 00:04:48,400 Speaker 2: It is? 81 00:04:48,760 --> 00:04:48,960 Speaker 3: Yeah? 82 00:04:49,040 --> 00:04:51,320 Speaker 4: Well all right, what are you doing to write? Mattheum conaughey. 83 00:04:51,360 --> 00:04:53,080 Speaker 2: So often we were doing it. 84 00:04:53,160 --> 00:04:54,280 Speaker 3: There was run. 85 00:04:54,760 --> 00:04:58,800 Speaker 5: There was like when he was talking about running for office, 86 00:05:00,400 --> 00:05:04,000 Speaker 5: and we were fully in support of it, and so 87 00:05:04,040 --> 00:05:08,400 Speaker 5: we had headlines such as, why not now, McConaughey, why 88 00:05:08,440 --> 00:05:14,880 Speaker 5: not now? Yeah, mcconaugh hey, how about this handsome fella? 89 00:05:15,560 --> 00:05:17,040 Speaker 2: I do like to watch. 90 00:05:16,800 --> 00:05:19,480 Speaker 1: His scene in Wolf of Wall Street on a somewhat 91 00:05:19,520 --> 00:05:23,000 Speaker 1: regular basis. The vocal warm up right into him just 92 00:05:23,120 --> 00:05:26,400 Speaker 1: fully embodying everybody I know who has ever worked on 93 00:05:26,440 --> 00:05:26,960 Speaker 1: Wall Street. 94 00:05:28,279 --> 00:05:30,640 Speaker 3: It's a patron saint of Wall Street bros. 95 00:05:30,839 --> 00:05:33,680 Speaker 1: Yeah, what is something you think is overrated? 96 00:05:34,920 --> 00:05:41,400 Speaker 6: Because it's spooky movie season? I think ari Astor as 97 00:05:41,760 --> 00:05:50,440 Speaker 6: a filmmaker is a bit overrated. The Midsommar, Midsommar Hereditary 98 00:05:51,080 --> 00:05:56,880 Speaker 6: and then the one that came out most recently both Afraid. 99 00:05:57,440 --> 00:06:00,640 Speaker 6: I didn't see that one. I think that he let 100 00:06:00,680 --> 00:06:04,360 Speaker 6: me clarify. I think he is good at making a 101 00:06:04,680 --> 00:06:08,160 Speaker 6: horror movie that makes me feel very scared and unsettled. 102 00:06:08,600 --> 00:06:12,160 Speaker 6: Because I saw both mitzimmartin Hereditarian theaters and they were 103 00:06:12,240 --> 00:06:16,719 Speaker 6: effective horror movies in that I felt miserable and scared 104 00:06:16,960 --> 00:06:17,599 Speaker 6: the whole time. 105 00:06:18,720 --> 00:06:20,520 Speaker 2: Yeah, it's loud enough to just be scared. 106 00:06:20,600 --> 00:06:24,080 Speaker 1: You want to feel worse, just like bad in general, 107 00:06:24,480 --> 00:06:28,440 Speaker 1: like you've got a flu or something, right, aches. 108 00:06:28,279 --> 00:06:31,920 Speaker 6: I have an emotional I left mid No. I left 109 00:06:32,000 --> 00:06:34,840 Speaker 6: Hereditary with like a migraine headache because I was just 110 00:06:34,920 --> 00:06:42,320 Speaker 6: so tense and like just feel like, Yeah, but I 111 00:06:42,360 --> 00:06:44,359 Speaker 6: don't think he's a good storyteller. I think he's a 112 00:06:44,400 --> 00:06:47,600 Speaker 6: good director, and I think he gets good performances, and 113 00:06:47,640 --> 00:06:50,359 Speaker 6: I know I think he's like good at I guess 114 00:06:50,360 --> 00:06:52,200 Speaker 6: maybe is he overrated. 115 00:06:52,240 --> 00:06:52,599 Speaker 2: I don't know. 116 00:06:52,760 --> 00:06:55,159 Speaker 6: I just think he's I don't like his screenplays, Like 117 00:06:55,200 --> 00:06:58,320 Speaker 6: I think he's not a storyteller. I think they're kind 118 00:06:58,320 --> 00:07:01,599 Speaker 6: of sloppy. I think that he doesn't know how to 119 00:07:01,600 --> 00:07:04,839 Speaker 6: write women really at all, Like you know, there's and 120 00:07:04,960 --> 00:07:07,479 Speaker 6: he like his treatment of mental health and mental illness 121 00:07:07,560 --> 00:07:11,400 Speaker 6: is really not good anyway. 122 00:07:12,600 --> 00:07:14,960 Speaker 1: It's really like I think there's a lot of filmmakers 123 00:07:15,000 --> 00:07:17,680 Speaker 1: like that. Now who are They have all the power, 124 00:07:17,920 --> 00:07:20,440 Speaker 1: and the thing they choose to do with that power 125 00:07:20,560 --> 00:07:22,600 Speaker 1: is to just like be like I'm going to do 126 00:07:22,680 --> 00:07:25,280 Speaker 1: my own little stories, and they would be like so 127 00:07:25,400 --> 00:07:29,360 Speaker 1: much better off just you know, finding finding other people's 128 00:07:29,360 --> 00:07:30,160 Speaker 1: stories to tell. 129 00:07:30,600 --> 00:07:33,200 Speaker 6: Yeah, or like I don't know, send your draft to 130 00:07:33,280 --> 00:07:34,400 Speaker 6: someone and get. 131 00:07:36,200 --> 00:07:38,200 Speaker 3: Well, he doesn't need him, because Mark I saw that thing. 132 00:07:38,240 --> 00:07:41,680 Speaker 3: Martin Scorsese is like the pacing from Killers of the 133 00:07:41,720 --> 00:07:45,080 Speaker 3: Flower Moon is like inspired by Midsommar and he's like, 134 00:07:45,120 --> 00:07:47,480 Speaker 3: oh yeah, there's the fucking goat and I'm like, I 135 00:07:47,520 --> 00:07:49,200 Speaker 3: wonder what that means for this movie. 136 00:07:49,320 --> 00:07:52,840 Speaker 1: Oh yeah, this guy's never gonna not make his own 137 00:07:52,880 --> 00:07:55,160 Speaker 1: screenplays after this. 138 00:07:55,320 --> 00:07:57,560 Speaker 3: Yeah, yeah, you're goodbye to anything. 139 00:07:57,840 --> 00:08:01,680 Speaker 1: But like Scorsese, Spielberg, Kubrick, like those people. 140 00:08:01,520 --> 00:08:04,760 Speaker 2: All made other people's screenplays like those. 141 00:08:05,000 --> 00:08:06,840 Speaker 1: Yeah, you know, you can still be a good filmmaker 142 00:08:06,880 --> 00:08:09,960 Speaker 1: and not just write bad screenplays and makers like. 143 00:08:09,960 --> 00:08:15,000 Speaker 6: The two or However, many scripts that Steven Spielberg wrote 144 00:08:15,080 --> 00:08:18,200 Speaker 6: are like not very good. He's a far better director 145 00:08:18,240 --> 00:08:19,520 Speaker 6: than he's screenwriter. 146 00:08:21,160 --> 00:08:23,120 Speaker 2: What are his I actually didn't even. 147 00:08:22,960 --> 00:08:26,880 Speaker 6: Know the Oh let me look it up here. They 148 00:08:27,000 --> 00:08:31,480 Speaker 6: used to know this, but ai I think oh. 149 00:08:31,560 --> 00:08:37,839 Speaker 2: I was a collaboration with Kubrick, which also yeah, like maybe. 150 00:08:37,640 --> 00:08:40,120 Speaker 3: Yeah, it's but by Spielberg. And then the story by 151 00:08:40,160 --> 00:08:45,800 Speaker 3: Ian Watson. Close Encounters are the third kind, right, that's 152 00:08:45,800 --> 00:08:47,280 Speaker 3: written and directed by Spielberg. 153 00:08:47,800 --> 00:08:50,400 Speaker 6: Oh, and he wrote The Fableman's which tracks because it's 154 00:08:50,400 --> 00:08:52,640 Speaker 6: like pretty autobious biographic but. 155 00:08:52,600 --> 00:08:53,360 Speaker 2: It makes sense. 156 00:08:53,640 --> 00:08:55,679 Speaker 6: I like didn't like that movie very much. 157 00:08:55,760 --> 00:08:58,720 Speaker 3: And then Goonies is Chris Columbus based on a story 158 00:08:58,760 --> 00:08:59,679 Speaker 3: by Spielberg. 159 00:09:00,080 --> 00:09:02,800 Speaker 1: Hmmm, I will I will give him that one. 160 00:09:03,080 --> 00:09:06,680 Speaker 3: Older guy pretty good. But that's also three people writing 161 00:09:06,679 --> 00:09:08,240 Speaker 3: with a story by Shielberg. Yeah. 162 00:09:08,240 --> 00:09:12,040 Speaker 1: I didn't realize until very recently that Richard Donner made Goonies, 163 00:09:12,120 --> 00:09:14,720 Speaker 1: like directed Goonies. I always thought it was Christopher Columbus 164 00:09:14,720 --> 00:09:18,360 Speaker 1: because he wrote the screenplay. Richard Donner like really was 165 00:09:19,200 --> 00:09:23,880 Speaker 1: responsible for my entire childhood with like Superman, Doonies, and 166 00:09:24,000 --> 00:09:26,720 Speaker 1: Lethal Weapon, which I saw way too young, and I 167 00:09:26,800 --> 00:09:35,439 Speaker 1: was like, those are like my three favorite movies. Dog, Yeah, 168 00:09:35,880 --> 00:09:40,199 Speaker 1: those hit pretty pretty hard. What is what something you 169 00:09:40,240 --> 00:09:41,160 Speaker 1: think is underrated? 170 00:09:41,640 --> 00:09:45,360 Speaker 7: Apparently we've been severely underrating the money making potential of 171 00:09:45,520 --> 00:09:49,680 Speaker 7: movies for adults. Right, of course, I see film did 172 00:09:49,800 --> 00:09:52,640 Speaker 7: very well last weekend. Now, it had an incredibly high budget, 173 00:09:52,679 --> 00:09:56,720 Speaker 7: but it performed very well. And obviously this is coming 174 00:09:56,720 --> 00:09:59,400 Speaker 7: off the summer one, the Oppenheimer movie, a biopic, A 175 00:09:59,480 --> 00:10:05,600 Speaker 7: Freaking Rock Oppenheimer made nearly a billion dollars worldwide, made 176 00:10:05,679 --> 00:10:08,720 Speaker 7: more than any of the recent Marvel movies has made. 177 00:10:09,320 --> 00:10:13,160 Speaker 7: There is clearly they have clearly created a void of 178 00:10:13,280 --> 00:10:17,679 Speaker 7: demand for movies for grown ups. And it's because once 179 00:10:17,760 --> 00:10:19,680 Speaker 7: one time the narrative was, well, it's just it's just 180 00:10:19,760 --> 00:10:21,800 Speaker 7: Tom Cruise, the last movie star. He's the only one 181 00:10:21,880 --> 00:10:23,839 Speaker 7: keeping at the loft. It's like, no, not really. The 182 00:10:23,920 --> 00:10:26,880 Speaker 7: last Ession of Hossible movie did not do well. But 183 00:10:26,920 --> 00:10:30,480 Speaker 7: there clearly are adults who want to go out to 184 00:10:30,480 --> 00:10:34,360 Speaker 7: the theater with their families or and and not watch 185 00:10:34,559 --> 00:10:38,240 Speaker 7: the Mario Brothers movie. They want to see something for 186 00:10:38,240 --> 00:10:40,800 Speaker 7: for grown ups that looks good on a big screen. 187 00:10:41,640 --> 00:10:46,120 Speaker 2: Some adults. Mario Brothers movie, Okay, laugh, Mario Brothers movie. 188 00:10:46,320 --> 00:10:52,800 Speaker 3: Christus Man, how does he do those how does he 189 00:10:52,880 --> 00:10:53,800 Speaker 3: do those voices? 190 00:10:54,040 --> 00:10:56,320 Speaker 7: He just disappears into every role. 191 00:10:57,679 --> 00:11:01,880 Speaker 3: Hey, it's me Mario. Oh my god, I've done it again. 192 00:11:02,280 --> 00:11:02,960 Speaker 3: Shape shifter. 193 00:11:03,559 --> 00:11:07,520 Speaker 1: Yeah, it's the Oppenheimer thing is worth like, yeah, at 194 00:11:07,559 --> 00:11:13,319 Speaker 1: the time, it was part of this Barbenheimer Boppenheimer phenomenon. 195 00:11:13,640 --> 00:11:15,839 Speaker 1: That yeah, I feel like we rushed past the fact 196 00:11:15,880 --> 00:11:20,079 Speaker 1: that a biopic of Robert Oppenheimer made almost a billion dollars. 197 00:11:20,240 --> 00:11:24,800 Speaker 1: That's doesn't really make sense and doesn't cohere to any 198 00:11:24,840 --> 00:11:28,520 Speaker 1: form of Hollywood logic. 199 00:11:28,679 --> 00:11:29,679 Speaker 2: You know that, right? 200 00:11:30,760 --> 00:11:34,640 Speaker 1: Is it just it's just because it's Nolan and when 201 00:11:34,640 --> 00:11:38,560 Speaker 1: you have a filmmaker but like has when Stanley Kubrick 202 00:11:38,679 --> 00:11:42,679 Speaker 1: was making movies, like people people weren't rushing out to 203 00:11:42,840 --> 00:11:47,080 Speaker 1: see them, like like it was a blockbuster, you know, 204 00:11:47,320 --> 00:11:50,599 Speaker 1: like it this this feels like it's a new phenomenon 205 00:11:50,640 --> 00:11:54,000 Speaker 1: that we haven't really seen, like a director who anything 206 00:11:54,000 --> 00:11:55,680 Speaker 1: he puts out is just like that's going to make 207 00:11:55,720 --> 00:11:58,320 Speaker 1: a billion dollars and it can be like a dry 208 00:11:58,520 --> 00:12:01,560 Speaker 1: ass you know, and not none that this was like 209 00:12:01,600 --> 00:12:05,720 Speaker 1: a dry, boring movie, but it's it's pretty remarkable and 210 00:12:05,880 --> 00:12:09,400 Speaker 1: very adult of us. And I must compliment we the 211 00:12:09,840 --> 00:12:13,599 Speaker 1: movie going public. All right, let's uh, let's take a 212 00:12:13,720 --> 00:12:26,360 Speaker 1: quick break and we'll be right back and we're back 213 00:12:27,240 --> 00:12:31,199 Speaker 1: and rat First, first of all, I listened to I 214 00:12:31,280 --> 00:12:34,120 Speaker 1: think it was the most recent episode of Beyond the 215 00:12:34,160 --> 00:12:38,320 Speaker 1: Pale is the most recent episode that was on SoundCloud 216 00:12:38,800 --> 00:12:42,960 Speaker 1: where you were talking about your experience, you know, like 217 00:12:43,040 --> 00:12:48,160 Speaker 1: we referenced earlier, you know, protesting at Schumer's house getting arrested. 218 00:12:48,920 --> 00:12:52,439 Speaker 2: That there was a story from. 219 00:12:52,360 --> 00:12:55,840 Speaker 1: The bus that m ypd I'll put you guys on 220 00:12:55,880 --> 00:12:59,599 Speaker 1: the bus after and that there's a story about it 221 00:12:59,600 --> 00:13:05,760 Speaker 1: where there's original and about a wedding song that just 222 00:13:05,800 --> 00:13:10,319 Speaker 1: like kind of warmed my heart in gave me something 223 00:13:10,320 --> 00:13:11,840 Speaker 1: to warm my heart in a place that I wasn't 224 00:13:11,840 --> 00:13:14,280 Speaker 1: expecting necessarily to have my heart warmed. 225 00:13:14,679 --> 00:13:16,280 Speaker 2: Can you talk about those two stories. 226 00:13:16,679 --> 00:13:20,240 Speaker 4: Yeah, So we were in front of Chuck Schumer's house 227 00:13:20,880 --> 00:13:25,200 Speaker 4: to push him to back the ceasefire legislation that's coming 228 00:13:25,240 --> 00:13:27,439 Speaker 4: out that already has come out since then by Corey 229 00:13:27,440 --> 00:13:31,640 Speaker 4: Bush and Rushido to Lave and others. And he's used 230 00:13:31,640 --> 00:13:33,600 Speaker 4: to people in front of his house and he also 231 00:13:34,000 --> 00:13:36,200 Speaker 4: heard about it. So police were ready. So what we 232 00:13:36,240 --> 00:13:39,600 Speaker 4: have to do is block the streets and Grand Army Plaza, 233 00:13:39,640 --> 00:13:42,360 Speaker 4: which is a big plosa that's like a major Artery 234 00:13:42,480 --> 00:13:46,640 Speaker 4: in Brooklyn, where he lives, and that's where we were arrested. 235 00:13:47,040 --> 00:13:50,200 Speaker 4: I think over fifty three of us or so. Yeah, 236 00:13:50,240 --> 00:13:53,439 Speaker 4: and of course we were put in these buses. NYPD likes 237 00:13:53,440 --> 00:13:57,800 Speaker 4: to commandeer MTA buses when they have a mass arrest, 238 00:13:58,040 --> 00:14:01,880 Speaker 4: and that's what they did. And they were basically pulling 239 00:14:01,960 --> 00:14:05,800 Speaker 4: us into the bus, blocking the traffic. And it's Brooklyn, 240 00:14:05,960 --> 00:14:08,120 Speaker 4: so half the people we blocked the traffic before, we're 241 00:14:08,120 --> 00:14:11,120 Speaker 4: like cheering us and recording and putting on social media. 242 00:14:11,880 --> 00:14:15,120 Speaker 4: So we were going into the bus and I realized 243 00:14:15,920 --> 00:14:18,920 Speaker 4: I sit down, puffed in this bus and hey everyone, 244 00:14:18,920 --> 00:14:22,480 Speaker 4: because police here pretty much are obsessed with arresting people 245 00:14:22,560 --> 00:14:27,280 Speaker 4: for jumping fairs, not paying fairs, and everyone just started 246 00:14:27,320 --> 00:14:30,760 Speaker 4: singing a song like like just calling them out for all, 247 00:14:30,840 --> 00:14:33,520 Speaker 4: like not only comingdeering a bus for free, but all 248 00:14:33,560 --> 00:14:36,600 Speaker 4: of them just walking in for free, which is they 249 00:14:36,640 --> 00:14:40,760 Speaker 4: actually Yeah, there was a story where we were arrested 250 00:14:40,800 --> 00:14:44,800 Speaker 4: with two elected officials in the state and one of 251 00:14:44,800 --> 00:14:49,720 Speaker 4: them was Zoron and he was on Mendani and he 252 00:14:49,880 --> 00:14:52,680 Speaker 4: was with me and a friend and this woman, an 253 00:14:52,680 --> 00:14:58,240 Speaker 4: older woman, amazing adorable activists. Her name is we call 254 00:14:58,320 --> 00:15:01,880 Speaker 4: her Raz but her name is Rosalin Pachessky, and she's 255 00:15:01,920 --> 00:15:05,680 Speaker 4: a very like long time and very involved member of 256 00:15:05,760 --> 00:15:09,680 Speaker 4: Jewish Voice for Peace BAVP, which was part of that 257 00:15:09,960 --> 00:15:15,400 Speaker 4: coalition of left Jewish people and activists that were confronting It. 258 00:15:15,440 --> 00:15:18,240 Speaker 4: Was like two thousand people came out to confront Schumer 259 00:15:18,320 --> 00:15:22,280 Speaker 4: on this and they bring her into the buns and 260 00:15:22,360 --> 00:15:24,800 Speaker 4: she sits down and you imagine like maybe a five 261 00:15:24,840 --> 00:15:29,080 Speaker 4: foot tall, like sweet grandma, and she's looking in and 262 00:15:29,840 --> 00:15:32,520 Speaker 4: sits down. Her hands are behind her back, and what 263 00:15:32,560 --> 00:15:36,000 Speaker 4: we realize is that she's not really cuffed, like she's 264 00:15:36,000 --> 00:15:37,760 Speaker 4: somehow waiting to get a cussed with. 265 00:15:37,800 --> 00:15:38,520 Speaker 2: To pro move. 266 00:15:39,560 --> 00:15:42,160 Speaker 1: Yeah, so your hands buying your back immediately, and they'll 267 00:15:42,200 --> 00:15:43,440 Speaker 1: assume that you've been. 268 00:15:47,160 --> 00:15:50,440 Speaker 4: I don't think why she was cuffed or why maybe 269 00:15:50,520 --> 00:15:52,800 Speaker 4: someone felt bad for her they didn't cover I don't know, 270 00:15:53,040 --> 00:15:55,760 Speaker 4: but the thing is she's like has her hands on 271 00:15:55,760 --> 00:15:59,000 Speaker 4: her back and everyone thinks she's cuffed. And there's this 272 00:15:59,360 --> 00:16:02,640 Speaker 4: Zara Muslim and one of the few are only actually 273 00:16:02,720 --> 00:16:06,840 Speaker 4: Muslim elected that in that state Assembly. He's just like, 274 00:16:07,640 --> 00:16:09,480 Speaker 4: you know, sitting there, we're all like in pain with 275 00:16:09,520 --> 00:16:13,240 Speaker 4: these cuffs, and he just does the most Jewish motherly 276 00:16:13,400 --> 00:16:16,760 Speaker 4: kind of amazing thing, which was you just see her hand, 277 00:16:16,760 --> 00:16:18,960 Speaker 4: you see him and her kind of look and wait 278 00:16:19,000 --> 00:16:20,920 Speaker 4: till the cops are looking the other way. And then 279 00:16:21,160 --> 00:16:23,600 Speaker 4: her hand slips out from her back, goes into a 280 00:16:23,680 --> 00:16:28,040 Speaker 4: bag and takes out a candy which I immediately realize is 281 00:16:28,040 --> 00:16:33,280 Speaker 4: a word. There's original it and Zoron without a word, 282 00:16:33,440 --> 00:16:35,800 Speaker 4: turns around, opens his mouth, and she feeds him this 283 00:16:35,920 --> 00:16:38,840 Speaker 4: candy and makes her hand back in behind her like 284 00:16:38,920 --> 00:16:43,080 Speaker 4: she's a cuff. And it just was the most amazing 285 00:16:43,160 --> 00:16:46,800 Speaker 4: thing for someone like me who often has a camera 286 00:16:46,880 --> 00:16:50,000 Speaker 4: on him. Is really so I'm telling I'm gonna I'm 287 00:16:50,040 --> 00:16:53,760 Speaker 4: reaching Molly Crabapple with this story. She's like, I think 288 00:16:53,760 --> 00:16:56,720 Speaker 4: you all know about her. She's this amazing illustrator, and 289 00:16:56,760 --> 00:16:59,040 Speaker 4: I want to have this illustrated because to me that 290 00:16:59,080 --> 00:17:03,040 Speaker 4: it was this magical moment. And and while I'm experiencing 291 00:17:03,080 --> 00:17:05,479 Speaker 4: that moment, I mean, where there's original Like, where are 292 00:17:05,520 --> 00:17:08,560 Speaker 4: there commercials like this? Like didn't we grow up with 293 00:17:08,640 --> 00:17:11,240 Speaker 4: were there's original commercials like this? Not like in a 294 00:17:11,280 --> 00:17:12,720 Speaker 4: bus getting arrested. 295 00:17:12,640 --> 00:17:13,840 Speaker 3: Right when people are protesting. 296 00:17:13,840 --> 00:17:16,760 Speaker 1: It would have been way more. 297 00:17:17,160 --> 00:17:20,200 Speaker 4: Yeah, But it was like typically like an older elder 298 00:17:20,280 --> 00:17:20,680 Speaker 4: or someone. 299 00:17:20,760 --> 00:17:24,600 Speaker 2: Yeah, an elder showing love. Yeah that is, and none of. 300 00:17:24,640 --> 00:17:27,320 Speaker 4: Us we're ever excited by where there's original. 301 00:17:27,160 --> 00:17:31,000 Speaker 1: No, but like in that situation, hell yeah, like the 302 00:17:31,080 --> 00:17:32,080 Speaker 1: brand is strong. 303 00:17:33,800 --> 00:17:36,000 Speaker 4: I didn't know it was still around, but I could 304 00:17:36,080 --> 00:17:39,400 Speaker 4: use one right now. But yeah, I don't like. Yeah, 305 00:17:39,440 --> 00:17:41,879 Speaker 4: so that that's like the story, that's like the ones. 306 00:17:41,920 --> 00:17:44,240 Speaker 4: There's so many stories of ros wherever you go with her. 307 00:17:44,760 --> 00:17:47,960 Speaker 4: He's a powerful figure that brings a lot of history, 308 00:17:47,960 --> 00:17:51,840 Speaker 4: whether her she was like acunity professor and reproductive right 309 00:17:51,880 --> 00:17:55,840 Speaker 4: scholar back in the day when like no one was that, Yeah, 310 00:17:55,880 --> 00:17:58,280 Speaker 4: she's incredible. And then there was this other I think 311 00:17:58,760 --> 00:18:02,199 Speaker 4: the other story you're referring to, who is while I'm like, 312 00:18:02,280 --> 00:18:05,600 Speaker 4: while we're kind of like looking down and we were 313 00:18:05,640 --> 00:18:07,520 Speaker 4: like shaking the bus. We were like giving the cops 314 00:18:07,560 --> 00:18:12,520 Speaker 4: a really hard time. And during that moment, one of 315 00:18:12,560 --> 00:18:16,000 Speaker 4: my someone at Jewish for Racial and Economic Justice, their 316 00:18:16,080 --> 00:18:19,320 Speaker 4: new political director, he came on the bus and I 317 00:18:19,640 --> 00:18:23,399 Speaker 4: guess enough of us knew Alicia actually got married that 318 00:18:23,560 --> 00:18:28,199 Speaker 4: day earlier that day that then that day, Alicia was 319 00:18:28,640 --> 00:18:33,359 Speaker 4: had her marriage and decided that her honeymoon was going 320 00:18:33,440 --> 00:18:37,560 Speaker 4: to be getting arrested with us, and so people just 321 00:18:37,600 --> 00:18:41,000 Speaker 4: started stomping and singing, and it's a bustle of Jews, 322 00:18:41,080 --> 00:18:46,720 Speaker 4: so it was like the Jewish wedding song. I was like, 323 00:18:47,040 --> 00:18:51,479 Speaker 4: everyone's like stand stomping. It was so beautiful. Even I 324 00:18:51,520 --> 00:18:53,680 Speaker 4: even caught a cop like put his hand on his 325 00:18:53,680 --> 00:18:58,119 Speaker 4: heart and just be like, ah, way are you pretending? 326 00:19:00,359 --> 00:19:02,200 Speaker 3: He's like, do y'all need some chairs for the horror? 327 00:19:03,800 --> 00:19:05,479 Speaker 3: Like what take these cups? 328 00:19:05,720 --> 00:19:06,280 Speaker 2: Sorry? 329 00:19:07,040 --> 00:19:09,199 Speaker 4: Yeah, he's been to it looked like he'd been to 330 00:19:09,240 --> 00:19:12,560 Speaker 4: a Jewish wedding. And you know, those are just like 331 00:19:12,600 --> 00:19:15,800 Speaker 4: the two beautiful things that happen in this kind of 332 00:19:15,920 --> 00:19:20,280 Speaker 4: movement space where where people come out for real shit 333 00:19:21,080 --> 00:19:24,760 Speaker 4: and still we find like joy and write friendship and 334 00:19:24,760 --> 00:19:27,359 Speaker 4: stuff and these things and those long conversations we have 335 00:19:27,480 --> 00:19:30,240 Speaker 4: in jail cells and sitting on a jail cell and 336 00:19:30,280 --> 00:19:34,640 Speaker 4: seeing the carvings of like act up etched on the thing, 337 00:19:34,760 --> 00:19:38,359 Speaker 4: and one day, twenty years from now, someone else sitting 338 00:19:38,359 --> 00:19:41,560 Speaker 4: there seeing the etchings of BLM on the chairs and 339 00:19:41,680 --> 00:19:45,360 Speaker 4: just getting that energy from from this long arc. 340 00:19:45,520 --> 00:19:48,280 Speaker 2: You know, yeah, I don't know that story. 341 00:19:48,359 --> 00:19:52,399 Speaker 1: And just generally the movement that you're involved in is 342 00:19:52,640 --> 00:19:56,239 Speaker 1: such a beautiful testament to the Jewish faith that like, 343 00:19:56,680 --> 00:19:59,000 Speaker 1: I don't know, so many people at this time of 344 00:19:59,520 --> 00:20:03,440 Speaker 1: terror are willing to like advocate for justice, and it 345 00:20:03,480 --> 00:20:07,640 Speaker 1: reflects like a clarity and a humanism that is uncommon 346 00:20:07,640 --> 00:20:09,879 Speaker 1: in the religions I grew up around, you know, like 347 00:20:09,920 --> 00:20:14,160 Speaker 1: a Baptist in the South, or like Catholicism or you know. 348 00:20:17,920 --> 00:20:21,359 Speaker 2: But I've always I've always admired. 349 00:20:21,320 --> 00:20:24,119 Speaker 1: The Jewish faith, and you know, I feel like this 350 00:20:24,280 --> 00:20:29,399 Speaker 1: is a time when, yeah, people like the things that 351 00:20:29,440 --> 00:20:37,040 Speaker 1: are getting talked about are this violent Zionism or anti Semitism. 352 00:20:37,440 --> 00:20:40,520 Speaker 1: It's like, no, like what about these stories? 353 00:20:40,920 --> 00:20:41,119 Speaker 3: You know? 354 00:20:41,359 --> 00:20:43,560 Speaker 4: Yeah? Absolutely, yeah. 355 00:20:43,880 --> 00:20:46,680 Speaker 1: But you were also there for a story that came 356 00:20:46,760 --> 00:20:51,439 Speaker 1: up on the show in DC, the action on the 357 00:20:51,520 --> 00:20:54,600 Speaker 1: rotunda and the question that we were asking on this 358 00:20:54,640 --> 00:20:56,119 Speaker 1: show is where the fuck was the FBI? 359 00:20:56,240 --> 00:20:56,480 Speaker 2: Man? 360 00:20:58,160 --> 00:21:03,119 Speaker 1: More evidence that the deep state has a massive left 361 00:21:03,119 --> 00:21:03,840 Speaker 1: wing bias? 362 00:21:04,119 --> 00:21:04,720 Speaker 2: Am I right? 363 00:21:04,840 --> 00:21:07,120 Speaker 3: I mean there was yeah, like Marjorie Taylor Green said, 364 00:21:07,200 --> 00:21:12,320 Speaker 3: this is an insurrection with that same energy, which was 365 00:21:12,440 --> 00:21:16,800 Speaker 3: really baffling to see when truly we're seeing people come 366 00:21:16,840 --> 00:21:18,760 Speaker 3: together to advocate for peace. 367 00:21:18,880 --> 00:21:21,800 Speaker 4: But there's this Fox clip I should send you, and 368 00:21:21,880 --> 00:21:24,800 Speaker 4: it's it's them like wondering how we got in and 369 00:21:24,840 --> 00:21:27,879 Speaker 4: how we did it. And then the Fox journalist actually 370 00:21:27,920 --> 00:21:31,120 Speaker 4: who was on the ground was kind of like honest. 371 00:21:30,800 --> 00:21:32,880 Speaker 8: And he was just like, Oh, they got in by 372 00:21:32,960 --> 00:21:36,640 Speaker 8: just going through the metal detector and saying that they're 373 00:21:36,680 --> 00:21:40,600 Speaker 8: coming to practice free speech and that's our free speech laws. 374 00:21:41,240 --> 00:21:43,520 Speaker 8: Like they were trying to make it into this big 375 00:21:43,560 --> 00:21:45,440 Speaker 8: thing like people look a way. 376 00:21:45,320 --> 00:21:48,480 Speaker 3: So did Antifa open the doors for that enter it? 377 00:21:49,720 --> 00:21:52,480 Speaker 4: Yeah, exactly, But it was just like anyone can go 378 00:21:52,560 --> 00:21:56,160 Speaker 4: into the rotunda and meet their their Congress member and talk, 379 00:21:56,359 --> 00:21:58,639 Speaker 4: you know, you could literally talk to their staff. You 380 00:21:58,720 --> 00:22:02,280 Speaker 4: passed by, AOC's a bunch of post its on the wall, 381 00:22:02,400 --> 00:22:05,120 Speaker 4: like she's like the rock star in Congress of all 382 00:22:05,200 --> 00:22:08,520 Speaker 4: these post its like showing their adoration and support of AOC, 383 00:22:08,720 --> 00:22:11,080 Speaker 4: and it's kind of it's kind of cool, but. 384 00:22:11,200 --> 00:22:14,480 Speaker 1: Just like, so, so what's the difference between that and 385 00:22:14,520 --> 00:22:17,640 Speaker 1: what happened on January sixth? Like that's why I like, oh, 386 00:22:17,800 --> 00:22:20,200 Speaker 1: just because you guys weren't ripping things off the wall 387 00:22:20,240 --> 00:22:22,000 Speaker 1: and chanting that you wanted to hang. 388 00:22:22,560 --> 00:22:26,640 Speaker 3: The vice president. That's that's why you're allowed in. 389 00:22:29,160 --> 00:22:32,600 Speaker 4: The public. It's it's basically the public doar in public? 390 00:22:33,080 --> 00:22:36,919 Speaker 1: Come on, right, how did you get this cheat code 391 00:22:36,960 --> 00:22:39,160 Speaker 1: that you weren't supposed to rip things off the wall 392 00:22:39,600 --> 00:22:41,159 Speaker 1: and threaten to kill. 393 00:22:42,680 --> 00:22:45,080 Speaker 4: But it was It was that there was two actions 394 00:22:45,080 --> 00:22:48,239 Speaker 4: in DC. One was led by if Not Now and 395 00:22:48,280 --> 00:22:52,199 Speaker 4: that was sealing all the entrances and exits to the 396 00:22:52,200 --> 00:22:55,399 Speaker 4: White House, which the Secret Service arrested people for. And 397 00:22:55,440 --> 00:22:58,600 Speaker 4: then this event a couple of days later for the 398 00:22:58,760 --> 00:23:01,920 Speaker 4: for Congress, and that was to really just take over 399 00:23:01,960 --> 00:23:05,240 Speaker 4: the rotunda. And what happened was there was ten thousand 400 00:23:05,280 --> 00:23:09,360 Speaker 4: people outside supporting US, five hundred went in and together 401 00:23:10,320 --> 00:23:16,880 Speaker 4: that was the largest Jewish action for Palestinians in history 402 00:23:17,000 --> 00:23:17,879 Speaker 4: anywhere in the world. 403 00:23:18,000 --> 00:23:18,200 Speaker 2: Wow. 404 00:23:18,400 --> 00:23:21,240 Speaker 1: Yeah, can you describe what if Not nows? Just for 405 00:23:21,240 --> 00:23:22,040 Speaker 1: anybody who doesn't know. 406 00:23:22,600 --> 00:23:25,760 Speaker 4: So there's two groups really largely at play here. One 407 00:23:25,840 --> 00:23:27,560 Speaker 4: is if Not Now and if Not Now so j 408 00:23:27,760 --> 00:23:31,879 Speaker 4: Alstar JVP Jewish Voice Piece because it's older, it's like 409 00:23:31,920 --> 00:23:36,080 Speaker 4: three decades old, and it started of course with in 410 00:23:36,200 --> 00:23:39,439 Speaker 4: solidarity with Palestinian So it's very much like their orientation 411 00:23:39,680 --> 00:23:43,560 Speaker 4: is like go to the front line of who's being 412 00:23:43,600 --> 00:23:48,160 Speaker 4: affected by the occupation and apartheid and let them lead 413 00:23:48,359 --> 00:23:51,520 Speaker 4: and we be their Jewish allies, their comrades, you know, 414 00:23:51,680 --> 00:23:54,120 Speaker 4: and that's a beautiful model. And if not, now it's 415 00:23:54,119 --> 00:23:57,399 Speaker 4: ok another level, not in competition or anything, but like 416 00:23:58,000 --> 00:24:02,080 Speaker 4: that identifying that there's also something in our culture and 417 00:24:02,080 --> 00:24:05,240 Speaker 4: how we were raised that needs to be addressed and 418 00:24:05,280 --> 00:24:07,199 Speaker 4: that we need to unlearn the things that we were 419 00:24:07,280 --> 00:24:10,960 Speaker 4: raised with throughout our lives. And so it's very much 420 00:24:10,960 --> 00:24:14,800 Speaker 4: inward and it's very much more youth oriented at least initially, 421 00:24:14,840 --> 00:24:20,160 Speaker 4: and then also really specifically about ending American Jewish support 422 00:24:20,359 --> 00:24:23,119 Speaker 4: for for apartheid and occupation. 423 00:24:24,560 --> 00:24:27,680 Speaker 3: Like and I've seen so many wilds, Like I've seen 424 00:24:27,680 --> 00:24:31,160 Speaker 3: people call Jewish Voice for Peace like a terrorist group, 425 00:24:31,320 --> 00:24:35,880 Speaker 3: like some really awful shit or like and I and rap. 426 00:24:35,960 --> 00:24:38,440 Speaker 3: Since I've known you, and like you've come on the show, 427 00:24:38,520 --> 00:24:41,200 Speaker 3: like we've had a lot of conversations where your work 428 00:24:41,359 --> 00:24:44,639 Speaker 3: in you know, standing up and they're being in solidarity 429 00:24:44,640 --> 00:24:46,560 Speaker 3: with the people of Palestine has opened you up to 430 00:24:46,560 --> 00:24:48,919 Speaker 3: all kinds of tacks like that people would accuse you 431 00:24:48,960 --> 00:24:51,600 Speaker 3: of being like self of self hatred and things like that. 432 00:24:52,040 --> 00:24:54,639 Speaker 3: I'm really curious, especially for you, who's so involved in 433 00:24:54,640 --> 00:24:56,639 Speaker 3: this and is looking at it through the perspective you 434 00:24:56,680 --> 00:25:00,280 Speaker 3: are like what that's been like to watch watch these 435 00:25:00,280 --> 00:25:03,720 Speaker 3: things unfold the last few weeks and begin to see 436 00:25:03,760 --> 00:25:06,920 Speaker 3: these rifts open up in really really dramatic ways, and 437 00:25:08,119 --> 00:25:10,760 Speaker 3: you know like what that process is to sort of 438 00:25:10,800 --> 00:25:14,359 Speaker 3: look on and say like so, like some of us 439 00:25:14,400 --> 00:25:17,919 Speaker 3: are here, others are completely there. Yeah, like what how 440 00:25:17,960 --> 00:25:18,960 Speaker 3: do we make sense of it? 441 00:25:19,880 --> 00:25:21,840 Speaker 4: That's such a good question, And there's still so many 442 00:25:21,920 --> 00:25:24,679 Speaker 4: open things that we're learning, Like right now there is 443 00:25:24,720 --> 00:25:27,880 Speaker 4: a U saw the statistics. There is a huge difference 444 00:25:27,960 --> 00:25:31,560 Speaker 4: depending on your age and like where you fall. And 445 00:25:32,280 --> 00:25:35,439 Speaker 4: this issued either as an American of any faith or 446 00:25:35,480 --> 00:25:39,000 Speaker 4: no faith, or as a Jew. But I think if 447 00:25:39,040 --> 00:25:41,680 Speaker 4: not now in JPP had like shift the paradigm and 448 00:25:41,800 --> 00:25:45,199 Speaker 4: made it safer for a lot of people to be 449 00:25:45,320 --> 00:25:49,080 Speaker 4: able to say, like why am I being called anti Semitic? 450 00:25:49,440 --> 00:25:54,240 Speaker 4: If these Jews are also believe what I believe? And 451 00:25:54,280 --> 00:25:56,800 Speaker 4: then also we do that too, like we say, why 452 00:25:56,840 --> 00:25:59,920 Speaker 4: are we called self hating Jews? If Israel's largest human 453 00:26:00,080 --> 00:26:03,760 Speaker 4: rights organization calls it apartheid and there's a whole society 454 00:26:03,840 --> 00:26:08,560 Speaker 4: called breaking the silence? Who are veterans in Israel who 455 00:26:08,600 --> 00:26:11,760 Speaker 4: oppose the occupation. Many of them had even refused to 456 00:26:11,800 --> 00:26:16,040 Speaker 4: serve and spend jail time refusing to serve, and it 457 00:26:16,080 --> 00:26:19,640 Speaker 4: continues today. And these are like teenagers, like or early 458 00:26:19,720 --> 00:26:23,199 Speaker 4: twenty year olds. So there's all this kind of layers 459 00:26:23,280 --> 00:26:29,080 Speaker 4: upon layers of people seeking safety through validation. And it's 460 00:26:29,160 --> 00:26:34,440 Speaker 4: kind of sad because what results for Palestinians is that 461 00:26:34,720 --> 00:26:37,400 Speaker 4: I think you've probably seen all these super clips online, 462 00:26:37,520 --> 00:26:41,000 Speaker 4: and that is when Palestinians are brought on to news shows, 463 00:26:41,680 --> 00:26:46,080 Speaker 4: they're not asked about if their families, okay, who they lost, 464 00:26:46,280 --> 00:26:49,199 Speaker 4: what they fear. They're asked if they support terrorism, you 465 00:26:49,200 --> 00:26:52,560 Speaker 4: can ask, yeah, exactly, and it's really and then some 466 00:26:52,640 --> 00:26:57,560 Speaker 4: of the Palestinian guests and experts and journalists would say, oh, 467 00:26:57,600 --> 00:27:01,320 Speaker 4: by the way, my uncle died and my niece is 468 00:27:01,440 --> 00:27:04,879 Speaker 4: missing and x y Z thanks for asking, you know 469 00:27:04,920 --> 00:27:06,880 Speaker 4: what I mean, and they would just go they would 470 00:27:06,880 --> 00:27:12,600 Speaker 4: just pivot back to Amman, which is really it's it's 471 00:27:12,680 --> 00:27:16,399 Speaker 4: really I can't imagine what that feels like to have 472 00:27:16,480 --> 00:27:20,720 Speaker 4: to be to not only have to disavow things like 473 00:27:20,920 --> 00:27:22,399 Speaker 4: I posted. I mean the other day it was an 474 00:27:22,440 --> 00:27:26,359 Speaker 4: asteroid that was coming to Earth to destroy and I wrote, yeah, 475 00:27:26,440 --> 00:27:30,120 Speaker 4: but do Palestinian support it? You know, like it's just 476 00:27:30,119 --> 00:27:33,880 Speaker 4: like becoming this thing. We're just gross. And also when 477 00:27:33,920 --> 00:27:37,320 Speaker 4: they do speak about anything with Israel and Palestine, a 478 00:27:37,359 --> 00:27:41,119 Speaker 4: Palestinian has to be like a PhD in European anti 479 00:27:41,160 --> 00:27:45,080 Speaker 4: semitism in order not to say something that's triggering and this, 480 00:27:45,160 --> 00:27:49,359 Speaker 4: and I understand those triggers, but also there's almost zero 481 00:27:49,440 --> 00:27:55,040 Speaker 4: grace for Palestinians to just even mourn or speak for 482 00:27:55,119 --> 00:27:58,119 Speaker 4: their own security. 483 00:27:58,119 --> 00:28:00,240 Speaker 1: Here we get this article in the La Times over 484 00:28:00,240 --> 00:28:03,520 Speaker 1: the weekend about how the left has really let us down. 485 00:28:03,720 --> 00:28:06,320 Speaker 1: I mean that we've gotten this article over and over again. 486 00:28:06,720 --> 00:28:09,919 Speaker 3: It's like, yeah, it's millennials are killing X industry. Is 487 00:28:10,040 --> 00:28:13,760 Speaker 3: the left is really there this week it's this thing. 488 00:28:14,640 --> 00:28:17,080 Speaker 1: And like they're going to be able to find anti 489 00:28:17,080 --> 00:28:21,560 Speaker 1: semitism on the left because there's anti semitism everywhere, Like 490 00:28:21,840 --> 00:28:24,439 Speaker 1: anti semitism is it is a huge problem. But in 491 00:28:24,480 --> 00:28:29,560 Speaker 1: this context, as you're as you're there involved in this 492 00:28:29,640 --> 00:28:35,399 Speaker 1: struggle for peace, it seems like you've seen something quite 493 00:28:35,400 --> 00:28:39,480 Speaker 1: different from anti semitism being on the grid for these 494 00:28:39,520 --> 00:28:40,920 Speaker 1: protests and these actions. 495 00:28:41,120 --> 00:28:44,400 Speaker 4: We like to say peace and justice, right, like peace, yeah, 496 00:28:45,160 --> 00:28:47,920 Speaker 4: because like a lot of people, yeah, a lot of 497 00:28:47,920 --> 00:28:50,920 Speaker 4: people define peace, and I think peace is the right word, 498 00:28:51,040 --> 00:28:54,440 Speaker 4: but a lot of people have redefined peace. I mean quiet, 499 00:28:54,560 --> 00:28:58,200 Speaker 4: and like you know, there's no there's no there's no 500 00:28:58,320 --> 00:29:01,240 Speaker 4: rally as I can tell, or or Black Lives Matter 501 00:29:01,360 --> 00:29:04,120 Speaker 4: right now on the street that's very large right now, 502 00:29:04,640 --> 00:29:07,800 Speaker 4: But that doesn't mean there's peace, right there's still those 503 00:29:07,800 --> 00:29:10,480 Speaker 4: things are still happening every day. So I guess I 504 00:29:10,600 --> 00:29:14,480 Speaker 4: like to remind folks to also say just this part, 505 00:29:14,560 --> 00:29:18,520 Speaker 4: because peace in Gaza is four hours of electricity a day, 506 00:29:19,160 --> 00:29:23,040 Speaker 4: calorie counting by Israel, to not allow too much food 507 00:29:23,120 --> 00:29:29,040 Speaker 4: and water, limitations, blockade around every well, note travel restrictions, 508 00:29:29,760 --> 00:29:33,360 Speaker 4: it's just open air prison. And a lot of people 509 00:29:33,400 --> 00:29:38,440 Speaker 4: define the day before that horrendous attack by Hamas on civilians, 510 00:29:38,920 --> 00:29:41,440 Speaker 4: A lot of people define that that day before that 511 00:29:41,600 --> 00:29:48,040 Speaker 4: is peace. And yeah, anti Semitism. Yeah. Another thing is 512 00:29:48,040 --> 00:29:52,160 Speaker 4: like it's very easy to kind of assume anti Semitism 513 00:29:52,280 --> 00:29:54,160 Speaker 4: is like in the water in the air, and it's 514 00:29:54,200 --> 00:29:58,080 Speaker 4: really it's something that's manufactured by the right and it 515 00:29:58,200 --> 00:30:00,720 Speaker 4: was created by the right in Europe in order to 516 00:30:02,160 --> 00:30:05,760 Speaker 4: remove to create, like a middle manager like to create. 517 00:30:06,680 --> 00:30:12,800 Speaker 4: So the core of racism is this like supremacy, ethnic supremacy, 518 00:30:12,880 --> 00:30:18,320 Speaker 4: and for example, the idea that someone exists like Martin 519 00:30:18,360 --> 00:30:22,240 Speaker 4: Luther King or Nelson Mandela or something exists like black 520 00:30:22,360 --> 00:30:28,560 Speaker 4: culture defining global culture for decades and decades, all of 521 00:30:28,600 --> 00:30:32,920 Speaker 4: these amazing accomplishments, all the inventions, all the things, all 522 00:30:32,960 --> 00:30:37,960 Speaker 4: the scientific breakthroughs that any black person does, negates the 523 00:30:38,000 --> 00:30:42,760 Speaker 4: idea of white supremacy. So a useful tool to undo 524 00:30:42,840 --> 00:30:46,200 Speaker 4: that is the idea of this mystical Jewish person. This 525 00:30:46,320 --> 00:30:52,000 Speaker 4: Jewish person, be it Sorrows or whoever, is behind the 526 00:30:52,040 --> 00:30:56,760 Speaker 4: success of black people. It's behind the migrant, you know, 527 00:30:56,880 --> 00:31:00,840 Speaker 4: like the idea that America is this immigrant beaconto for 528 00:31:00,920 --> 00:31:05,160 Speaker 4: immigration and all these things. And so it's a really 529 00:31:05,240 --> 00:31:10,840 Speaker 4: useful tool to a redirect like financial pain and suffering 530 00:31:10,960 --> 00:31:14,680 Speaker 4: from capitalism to a group of people, and also to 531 00:31:15,720 --> 00:31:19,960 Speaker 4: protect the idea of the myth of white supremacy. And 532 00:31:20,000 --> 00:31:22,640 Speaker 4: I guess, like what I'm seeing on the streets to 533 00:31:22,720 --> 00:31:26,239 Speaker 4: your question, finally, what I'm seeing on the streets, I 534 00:31:26,280 --> 00:31:30,360 Speaker 4: do see occasionally anti Semitic thing. I will see it, 535 00:31:30,400 --> 00:31:32,160 Speaker 4: and then sometimes most of the time I'll call the 536 00:31:32,200 --> 00:31:35,040 Speaker 4: person in and be like hey, like they'll be like 537 00:31:35,600 --> 00:31:39,080 Speaker 4: the Jewish state. This is like what the Jewish state does. 538 00:31:39,160 --> 00:31:41,840 Speaker 4: And I'll be like, well, do you mean the Israeli 539 00:31:41,880 --> 00:31:44,360 Speaker 4: state or do you mean the Jewish state? And then 540 00:31:44,400 --> 00:31:47,120 Speaker 4: they're like, oh, I didn't think about that. But had 541 00:31:47,160 --> 00:31:49,360 Speaker 4: they said that in front of a New York Post reporter, 542 00:31:49,760 --> 00:31:51,360 Speaker 4: that would be on the front page and would be 543 00:31:51,480 --> 00:31:56,080 Speaker 4: used to define DSA, would be used to define anything 544 00:31:56,240 --> 00:32:00,560 Speaker 4: and try to destroy the left. And what I saw 545 00:32:00,720 --> 00:32:05,320 Speaker 4: in Israel there is an Arab town I forget the 546 00:32:05,360 --> 00:32:07,760 Speaker 4: name right now, there's an Arab town that after the attacks, 547 00:32:08,120 --> 00:32:12,920 Speaker 4: welcomed Jewish refugees. And the history of that Arab town 548 00:32:13,000 --> 00:32:14,520 Speaker 4: was it was one of it was the site of 549 00:32:14,560 --> 00:32:18,720 Speaker 4: the most horrific massacre by Jews of Palestinians of Arabs 550 00:32:19,040 --> 00:32:21,240 Speaker 4: in that town. And they still are opening their doors 551 00:32:21,520 --> 00:32:25,320 Speaker 4: to the families affected by that attack by Hamas. You know, 552 00:32:25,760 --> 00:32:28,880 Speaker 4: you're seeing these things on the street and you're you're 553 00:32:28,920 --> 00:32:31,840 Speaker 4: basically going to find what you're looking for, right, And 554 00:32:31,880 --> 00:32:34,000 Speaker 4: the question is what are you amplifying and what are 555 00:32:34,040 --> 00:32:36,840 Speaker 4: you using to define an entire thing with? 556 00:32:37,920 --> 00:32:40,880 Speaker 3: Yeah, because I've seen how useful that sort of the 557 00:32:40,960 --> 00:32:43,520 Speaker 3: left is anti Semitic, like that, how that take has 558 00:32:43,520 --> 00:32:47,600 Speaker 3: been used by like establishment democrats and shit to completely 559 00:32:47,600 --> 00:32:49,400 Speaker 3: try and take the wind out of the sales or 560 00:32:49,480 --> 00:32:54,280 Speaker 3: question the validity of people pointing out that the ills 561 00:32:54,320 --> 00:32:57,320 Speaker 3: of Palestinian people living under occupation and then just being 562 00:32:57,320 --> 00:32:59,560 Speaker 3: able to sort of use this like thought killing cliche 563 00:32:59,640 --> 00:33:02,880 Speaker 3: to be like, well, they're all anti Semitics, So let's 564 00:33:02,920 --> 00:33:06,040 Speaker 3: now back to our person on the ground from the 565 00:33:06,080 --> 00:33:09,240 Speaker 3: IDF that is going to tell us exactly what's happening now. 566 00:33:09,640 --> 00:33:12,520 Speaker 3: And yeah, like I see how like in a way, 567 00:33:12,680 --> 00:33:15,160 Speaker 3: like for the establishment politics too, like this has been 568 00:33:15,280 --> 00:33:17,440 Speaker 3: used to being like, oh, we can also sort of 569 00:33:17,920 --> 00:33:20,440 Speaker 3: try and kneecap a movement as well by bringing it 570 00:33:20,480 --> 00:33:23,480 Speaker 3: into this, you know, a very skewed perspective that they want. 571 00:33:23,400 --> 00:33:27,320 Speaker 4: To show absolutely absolutely And also what I saw the 572 00:33:27,400 --> 00:33:32,160 Speaker 4: difference in our protests, the Jewish ones, the police were 573 00:33:32,240 --> 00:33:36,640 Speaker 4: like there and they threw a lot of people around 574 00:33:36,720 --> 00:33:39,400 Speaker 4: and did this stuff. But when I went to the 575 00:33:39,480 --> 00:33:42,640 Speaker 4: Palestinian youth protest in front of the Israeli Embassy in 576 00:33:42,720 --> 00:33:47,240 Speaker 4: DC on that Friday night, it was riot gear. It 577 00:33:47,560 --> 00:33:50,680 Speaker 4: was cars parked in a way. There was also this guy, 578 00:33:51,240 --> 00:33:53,680 Speaker 4: infamous cop I forget his name, but he's known to 579 00:33:53,720 --> 00:33:57,040 Speaker 4: have killed a BLM protester and he's just walking around 580 00:33:57,160 --> 00:33:59,960 Speaker 4: like it was so different, and these were two kid 581 00:34:00,080 --> 00:34:03,320 Speaker 4: it right, and it was it was wild that these 582 00:34:03,400 --> 00:34:07,120 Speaker 4: kids in this little residential neighborhood of this very secure 583 00:34:07,600 --> 00:34:12,319 Speaker 4: Israeli embassy were met with riot cops versus us in 584 00:34:12,360 --> 00:34:14,920 Speaker 4: the heart of the power of the United States and 585 00:34:15,000 --> 00:34:18,279 Speaker 4: the most sensitive part of the world. And we were 586 00:34:18,400 --> 00:34:21,480 Speaker 4: just you know, singing into a bus, you know. 587 00:34:21,960 --> 00:34:25,040 Speaker 1: Right, Yeah, let's uh, let's take a quick break and 588 00:34:25,080 --> 00:34:25,600 Speaker 1: we'll come back. 589 00:34:25,600 --> 00:34:26,520 Speaker 2: We'll keep talking about this. 590 00:34:26,600 --> 00:34:38,799 Speaker 1: We'll be right back, and we're back and we're just 591 00:34:38,840 --> 00:34:41,440 Speaker 1: going to get right down to right down to it. 592 00:34:41,760 --> 00:34:46,880 Speaker 1: Five night Freddy's video game movie that did not was 593 00:34:46,920 --> 00:34:49,000 Speaker 1: not aware that I had a sense based on the poster. 594 00:34:49,080 --> 00:34:51,360 Speaker 1: It was something it was a movie based on something 595 00:34:51,760 --> 00:34:57,200 Speaker 1: based on video game and it's like spooky Chucky, did 596 00:34:57,239 --> 00:35:00,319 Speaker 1: you guys, Yeah. 597 00:34:59,480 --> 00:35:03,239 Speaker 9: Which is I'm bummed that the movie sucks because it 598 00:35:03,400 --> 00:35:07,480 Speaker 9: was Chuck could really use the good pr right now. 599 00:35:07,480 --> 00:35:09,520 Speaker 10: Yeah, there, Did either of you play it? 600 00:35:09,560 --> 00:35:11,880 Speaker 9: I never played it, but I remember that was the 601 00:35:11,880 --> 00:35:16,480 Speaker 9: first video game I ever saw, like play through YouTube. 602 00:35:16,600 --> 00:35:19,919 Speaker 3: Yes, yes, okay, I've I never played it, but when 603 00:35:19,920 --> 00:35:22,279 Speaker 3: we were both working at Playboy Jamie. When I was 604 00:35:22,320 --> 00:35:25,120 Speaker 3: doing video there, there was like a video series with 605 00:35:25,160 --> 00:35:28,560 Speaker 3: two playmates that are gamers, and I remember I had 606 00:35:28,600 --> 00:35:31,480 Speaker 3: to like produce a shoot with that, and I was like, 607 00:35:31,520 --> 00:35:33,560 Speaker 3: what the fuck. And I was like, oh, this game 608 00:35:33,600 --> 00:35:36,799 Speaker 3: is fucking freaky. But I'm not into horror as a 609 00:35:36,960 --> 00:35:39,080 Speaker 3: like a genre, but I have seen it played and like, 610 00:35:39,120 --> 00:35:41,759 Speaker 3: at the time, this was like the biggest shit, Like 611 00:35:41,880 --> 00:35:44,000 Speaker 3: I think it came out in twenty fourteen, but yeah, 612 00:35:44,080 --> 00:35:46,759 Speaker 3: it's like a you know, huge, huge, like indie game. 613 00:35:47,280 --> 00:35:48,520 Speaker 3: M yeah, it was. 614 00:35:48,719 --> 00:35:50,600 Speaker 9: I didn't even realize it was an indie game because 615 00:35:50,600 --> 00:35:53,000 Speaker 9: of how like, yeah, that was the first time I 616 00:35:53,000 --> 00:35:56,960 Speaker 9: had ever like encountered that as a thing that happened 617 00:35:57,040 --> 00:35:59,560 Speaker 9: and thought it was isolated. And then you know, obviously 618 00:35:59,600 --> 00:36:02,960 Speaker 9: I've never stopped seeing it. But it's I mean, Haunted 619 00:36:03,000 --> 00:36:07,120 Speaker 9: Animatronics a great idea, and the guy who invented the 620 00:36:07,200 --> 00:36:10,879 Speaker 9: Chuck E Cheese animatrons very racist, like don't don't fuck 621 00:36:10,960 --> 00:36:11,520 Speaker 9: with this guy. 622 00:36:12,000 --> 00:36:16,200 Speaker 10: However, however, there he uh, at. 623 00:36:16,160 --> 00:36:18,520 Speaker 9: Least up as as recently as a couple of years ago, 624 00:36:18,840 --> 00:36:22,640 Speaker 9: still had this warehouse in Florida where the animatronics were 625 00:36:22,640 --> 00:36:25,200 Speaker 9: once made, and was really trying to capitalize on the 626 00:36:25,239 --> 00:36:27,040 Speaker 9: success of five Night Freddy. 627 00:36:27,560 --> 00:36:30,800 Speaker 10: And because he basically lived in uh. 628 00:36:30,680 --> 00:36:35,319 Speaker 9: You know, like haunted Animatronics palace, so he started like 629 00:36:35,719 --> 00:36:40,520 Speaker 9: selling the like five Night Freddie birthday party experience with 630 00:36:40,600 --> 00:36:43,600 Speaker 9: his like scary old animatronics and it seemed to be 631 00:36:43,680 --> 00:36:45,520 Speaker 9: somewhat successful. 632 00:36:45,680 --> 00:36:47,640 Speaker 3: At some point. I mean, like the real the diehard 633 00:36:47,719 --> 00:36:50,279 Speaker 3: fans are like they fuck. I mean, it's there's a 634 00:36:50,320 --> 00:36:53,480 Speaker 3: reason why it became a Blumhouse film. It's because he 635 00:36:53,600 --> 00:36:56,440 Speaker 3: definitely there is an audience. There's an absolute audience for it. 636 00:36:56,680 --> 00:36:59,879 Speaker 1: Producer Victor is noting that there are multiple three hour 637 00:37:00,120 --> 00:37:03,120 Speaker 1: lower documentaries about five Night, five Night. 638 00:37:03,280 --> 00:37:04,000 Speaker 10: Five Night Freddy. 639 00:37:04,440 --> 00:37:05,080 Speaker 3: Yea Reddy? 640 00:37:05,520 --> 00:37:09,560 Speaker 10: What could that possibly mean? That's that's so interesting. 641 00:37:09,640 --> 00:37:11,200 Speaker 3: Well, that's like a big thing that like as the 642 00:37:11,320 --> 00:37:13,520 Speaker 3: reviews come in, like there's a whole debate where some 643 00:37:13,560 --> 00:37:16,480 Speaker 3: people are like it's not really for casuals man, like 644 00:37:16,600 --> 00:37:18,320 Speaker 3: if you don't funk, like, or some people are like 645 00:37:18,320 --> 00:37:21,640 Speaker 3: there's not enough for vision. Yeah, yeah, yeah, it is wild, 646 00:37:21,719 --> 00:37:25,000 Speaker 3: Like I'm and I'm like, it's interesting following the reaction because, 647 00:37:25,040 --> 00:37:27,560 Speaker 3: like anything, when you have a huge like when a 648 00:37:27,600 --> 00:37:30,920 Speaker 3: fandom gets to that point where now like a Plumhouse 649 00:37:31,040 --> 00:37:33,040 Speaker 3: or major studios like, yeah, let's see if we can 650 00:37:33,040 --> 00:37:35,480 Speaker 3: make money off of this. It's always interesting to see 651 00:37:35,520 --> 00:37:39,000 Speaker 3: how like inevitably the fans will be disappointed. I think 652 00:37:39,040 --> 00:37:41,439 Speaker 3: it's just generally what's always gonna happen, Like it's there's 653 00:37:41,480 --> 00:37:43,279 Speaker 3: only a few instances where you have something with like 654 00:37:43,320 --> 00:37:46,680 Speaker 3: a huge mega following take that next jump to like 655 00:37:46,800 --> 00:37:51,040 Speaker 3: major film distribution, and it be you know, palatable. 656 00:37:51,520 --> 00:37:54,960 Speaker 9: I was kind of I was positive because I didn't 657 00:37:55,080 --> 00:37:57,080 Speaker 9: see I kind of forgot it was coming out until 658 00:37:57,080 --> 00:38:01,400 Speaker 9: I they showed the trailer at saw X and I 659 00:38:01,520 --> 00:38:03,560 Speaker 9: was like, damn, they got Hutcherson. 660 00:38:03,760 --> 00:38:06,200 Speaker 10: And my friend was like, I don't think that's hard 661 00:38:06,200 --> 00:38:06,400 Speaker 10: to do. 662 00:38:08,719 --> 00:38:16,960 Speaker 3: What did you just say, Yeah, damn, Josh's what like 663 00:38:17,120 --> 00:38:19,200 Speaker 3: twenty twelve, Yeah you need something. 664 00:38:19,400 --> 00:38:22,720 Speaker 9: I did see Josh Hutcherson getting into a very quiet 665 00:38:22,800 --> 00:38:24,920 Speaker 9: argument with his girlfriend in front of a restaurant near 666 00:38:24,960 --> 00:38:25,640 Speaker 9: my house once. 667 00:38:25,520 --> 00:38:28,480 Speaker 10: So it is like not that hard to get Hutcherson. 668 00:38:29,239 --> 00:38:32,200 Speaker 9: But but I was like, I don't know, maybe I 669 00:38:32,280 --> 00:38:33,799 Speaker 9: just like went twenty twelve brain for a. 670 00:38:33,760 --> 00:38:36,279 Speaker 10: Second, where like, oh my damn, they got Hutcherson. Five 671 00:38:36,360 --> 00:38:37,319 Speaker 10: Night Freddy is huge. 672 00:38:37,560 --> 00:38:39,160 Speaker 3: Yeah, it's bigger than Hunger Games. 673 00:38:39,480 --> 00:38:40,160 Speaker 10: Yeah. 674 00:38:40,320 --> 00:38:40,520 Speaker 2: Yeah. 675 00:38:40,520 --> 00:38:45,000 Speaker 1: There's something about the minds of people who are like 676 00:38:45,360 --> 00:38:48,640 Speaker 1: scared of animatronics I guess, or like into I don't know, 677 00:38:48,680 --> 00:38:53,160 Speaker 1: because the writer of the original indie game also like 678 00:38:53,200 --> 00:38:54,680 Speaker 1: a right wing person. 679 00:38:55,160 --> 00:38:58,680 Speaker 10: God, what is it with animatronics and being a piece 680 00:38:58,719 --> 00:38:59,120 Speaker 10: of shit? 681 00:38:59,480 --> 00:39:02,560 Speaker 3: I think because they're like techno slaves or some shit. 682 00:39:02,680 --> 00:39:05,520 Speaker 3: Probably you know, Yeah, it's like I make them do 683 00:39:05,600 --> 00:39:07,759 Speaker 3: what I say, and I can make you in my 684 00:39:08,160 --> 00:39:10,200 Speaker 3: like I don't know. That's probably some weird god complex. 685 00:39:10,560 --> 00:39:12,280 Speaker 10: Yeah, yeah, I can some level. 686 00:39:12,400 --> 00:39:14,200 Speaker 3: But hey, I would love to see where the where 687 00:39:14,200 --> 00:39:15,439 Speaker 3: the woke anamaz. 688 00:39:17,000 --> 00:39:21,440 Speaker 9: Right, I mean there's certainly woke animatronic fans, but I 689 00:39:21,640 --> 00:39:25,720 Speaker 9: right right, but we're not technically minded unfortunately, right right. 690 00:39:25,600 --> 00:39:27,239 Speaker 3: Right right, you're just there for the commentary. 691 00:39:27,800 --> 00:39:30,279 Speaker 1: We are topping out for five nights at Freddy's. We 692 00:39:30,320 --> 00:39:35,360 Speaker 1: are topping out on metacritics. So the overall metacritics score 693 00:39:35,480 --> 00:39:38,160 Speaker 1: is twenty nine, an average of twenty nine, and we're 694 00:39:38,200 --> 00:39:42,480 Speaker 1: topping out. Usually usually you will get like one or 695 00:39:42,480 --> 00:39:46,040 Speaker 1: two that's like, hey, I actually enjoyed this because I 696 00:39:46,080 --> 00:39:48,920 Speaker 1: was like, my meds are dialed in or something, you know, 697 00:39:49,040 --> 00:39:51,359 Speaker 1: Like so like I sometimes I just enjoy the hell 698 00:39:51,360 --> 00:39:54,120 Speaker 1: out of them. Like one of my favorite filmgoing Expirits 699 00:39:54,160 --> 00:39:56,400 Speaker 1: was Die Hard for for no reason other than I 700 00:39:56,440 --> 00:39:58,640 Speaker 1: was just in a good, good movie. Right place in 701 00:39:58,680 --> 00:40:00,880 Speaker 1: your life, Yeah, good place in my life. I loved 702 00:40:00,920 --> 00:40:02,400 Speaker 1: that movie the first time I saw it, and then 703 00:40:02,400 --> 00:40:04,360 Speaker 1: I watched it again, I was like, oh, this is bad, 704 00:40:05,120 --> 00:40:08,560 Speaker 1: right right right, But like this is at we're topping 705 00:40:08,600 --> 00:40:11,560 Speaker 1: out at two out of five stars. Most of them 706 00:40:11,560 --> 00:40:14,719 Speaker 1: are lower than that average, and this like not all 707 00:40:14,800 --> 00:40:17,520 Speaker 1: reviews are in, but it's it seems pretty dismal, and 708 00:40:17,560 --> 00:40:22,840 Speaker 1: everyone's saying it's boring. Yeah, it's not boring. 709 00:40:23,480 --> 00:40:25,480 Speaker 3: Yeah, I mean even like the fans, Like there's a 710 00:40:25,520 --> 00:40:28,319 Speaker 3: guy who would like stream it on YouTube, like this guy, 711 00:40:28,400 --> 00:40:31,799 Speaker 3: Jack Septic guy, Like his review is like it is 712 00:40:32,200 --> 00:40:36,400 Speaker 3: not great, sort of like the nice person and a 713 00:40:36,440 --> 00:40:37,840 Speaker 3: lot of people were like, you made a lot of 714 00:40:37,880 --> 00:40:40,440 Speaker 3: five nights of freddie content. But again I think that's 715 00:40:40,480 --> 00:40:42,600 Speaker 3: where like you see a lot of you know, other 716 00:40:42,840 --> 00:40:45,560 Speaker 3: other fans come in and be like it's just people 717 00:40:45,560 --> 00:40:48,200 Speaker 3: aren't gonna understand it. It's not for normies. But then 718 00:40:48,280 --> 00:40:50,000 Speaker 3: this guy who like plays the game a ton is 719 00:40:50,040 --> 00:40:52,600 Speaker 3: like just felt rushed in some spots. Other parts it 720 00:40:52,760 --> 00:40:55,799 Speaker 3: just was very normal, like did not feel like as 721 00:40:56,320 --> 00:40:58,680 Speaker 3: you know, original as like the game the original idea 722 00:40:58,719 --> 00:40:59,240 Speaker 3: is itself. 723 00:40:59,280 --> 00:41:03,200 Speaker 1: So you see the trailer, You're like, oh, they got Hutcherson, 724 00:41:03,360 --> 00:41:08,600 Speaker 1: but they but they Like now I'm kind of embarrassed 725 00:41:08,600 --> 00:41:11,239 Speaker 1: because Hutcherson knows like what I'm into, and like they 726 00:41:11,239 --> 00:41:14,439 Speaker 1: did such a bad job with the lore that now 727 00:41:15,000 --> 00:41:17,880 Speaker 1: like I'm like, they shouldn't have done this to Hutcherson 728 00:41:18,000 --> 00:41:18,959 Speaker 1: or us. 729 00:41:19,080 --> 00:41:23,160 Speaker 9: Or Matthew Lillard, you know Matthew they got they got Lillard, 730 00:41:23,239 --> 00:41:24,560 Speaker 9: that got Lillard. 731 00:41:24,760 --> 00:41:27,520 Speaker 3: I mean Mary Stuart Masterson. 732 00:41:28,040 --> 00:41:31,360 Speaker 9: Kind of a star studded cast. I was really impressed 733 00:41:31,360 --> 00:41:33,600 Speaker 9: with the cast. I love that they got Lillard. I 734 00:41:33,640 --> 00:41:34,880 Speaker 9: feel like Lillard. 735 00:41:34,520 --> 00:41:35,239 Speaker 10: Played the game. 736 00:41:35,400 --> 00:41:39,520 Speaker 9: That's my guess is that Lillard was into it. Hudgerson, 737 00:41:39,680 --> 00:41:42,479 Speaker 9: we don't. I don't know of his hobbies. I don't know. 738 00:41:42,920 --> 00:41:44,759 Speaker 3: His agents were like, hey man, you're gonna have to 739 00:41:44,760 --> 00:41:45,400 Speaker 3: say yes to this. 740 00:41:46,520 --> 00:41:47,640 Speaker 2: We got bad news. 741 00:41:48,160 --> 00:41:49,840 Speaker 10: You have to be the leading five knight Freddy. 742 00:41:50,040 --> 00:41:54,480 Speaker 1: You're five knife Freddy because you're Freddy Freddy. 743 00:41:54,719 --> 00:41:57,280 Speaker 3: Your Knife. Yeah, you're Knife Freddie, because nobody was fucking 744 00:41:57,360 --> 00:41:59,279 Speaker 3: with Journey to the Center of the Earth too. 745 00:42:00,680 --> 00:42:01,880 Speaker 10: God, he was in that. 746 00:42:02,760 --> 00:42:04,560 Speaker 9: Uh it's a bummer that we would eat at the 747 00:42:04,600 --> 00:42:06,560 Speaker 9: same realm in place. It's like when I saw Taylor 748 00:42:06,640 --> 00:42:09,960 Speaker 9: Lautner at a bar, I go too, and you're just like, 749 00:42:10,000 --> 00:42:13,640 Speaker 9: this is this sucks recently. It's like five years ago, 750 00:42:13,760 --> 00:42:15,040 Speaker 9: so I think that. 751 00:42:15,120 --> 00:42:17,960 Speaker 3: Well, yeah, but I mean like post like super high 752 00:42:18,120 --> 00:42:18,920 Speaker 3: Twilight Peak. 753 00:42:19,360 --> 00:42:22,279 Speaker 10: Yeah, yeah, And it was like a place where you 754 00:42:22,360 --> 00:42:24,759 Speaker 10: get like, you know, three dollars backwash. 755 00:42:24,840 --> 00:42:27,320 Speaker 9: I'm like, why the hell is Taylor Latner here drinking 756 00:42:27,360 --> 00:42:29,480 Speaker 9: three dollars backwash with the pleabs? 757 00:42:29,800 --> 00:42:31,120 Speaker 3: Was he doing the thing where he had his back 758 00:42:31,160 --> 00:42:32,640 Speaker 3: to the bar looking out at the bar. 759 00:42:33,600 --> 00:42:36,280 Speaker 10: He was holding court, he was holding the court. 760 00:42:36,800 --> 00:42:39,880 Speaker 9: It was really cool, Like he bought rounds, he was 761 00:42:39,920 --> 00:42:44,040 Speaker 9: holding court. He had no issue with you knowing he 762 00:42:44,080 --> 00:42:46,480 Speaker 9: was drinking backwash at the bar, which is cool. That's 763 00:42:46,480 --> 00:42:48,880 Speaker 9: a cool quality. He was with I think his girlfriend 764 00:42:48,960 --> 00:42:51,880 Speaker 9: now his wife also named Taylor. That's not very cool. 765 00:42:51,960 --> 00:42:56,200 Speaker 9: I don't think Wait he married a Taylor. Yeah yeah, 766 00:42:56,280 --> 00:42:57,840 Speaker 9: now they're the Tailor's Lotner. 767 00:42:59,440 --> 00:43:03,840 Speaker 1: Yeah, that's incredible. Should we talk about the Britney Spears 768 00:43:03,880 --> 00:43:05,839 Speaker 1: memoir the audio book. 769 00:43:06,000 --> 00:43:10,520 Speaker 3: Have you got Williams. Yeah, I've just slowly seen some 770 00:43:10,680 --> 00:43:13,600 Speaker 3: like excerpts get sort of elevated to the top. But 771 00:43:13,960 --> 00:43:16,480 Speaker 3: obviously I think the big one with the release of 772 00:43:16,520 --> 00:43:19,600 Speaker 3: the audio book was everyone sharing the clip of Michelle 773 00:43:19,920 --> 00:43:23,520 Speaker 3: Michelle Williams doing an impression of Justin Timberlake doing a 774 00:43:23,560 --> 00:43:24,040 Speaker 3: black scent. 775 00:43:24,520 --> 00:43:28,080 Speaker 2: Yeah, it's what It's a lot. Have you not heard it? 776 00:43:28,360 --> 00:43:31,360 Speaker 3: No, Jamie for someone who is so online, I'm like, James, 777 00:43:31,360 --> 00:43:33,520 Speaker 3: this is old hat for Jamie, I'm sure. Okay. So 778 00:43:33,560 --> 00:43:33,840 Speaker 3: I was. 779 00:43:34,000 --> 00:43:36,080 Speaker 9: I was trying to. I was like, let's see how 780 00:43:36,080 --> 00:43:37,560 Speaker 9: long I because I was like I want to read it. 781 00:43:37,600 --> 00:43:40,520 Speaker 9: And I also was waiting for an episode of Chelsea 782 00:43:40,600 --> 00:43:42,160 Speaker 9: Devonte's podcast about it. 783 00:43:42,160 --> 00:43:43,360 Speaker 10: It was like, and then I'll engage. 784 00:43:43,440 --> 00:43:46,520 Speaker 3: Oh yeah, wait, just one excerpt, you know, like this 785 00:43:46,719 --> 00:43:50,439 Speaker 3: is one loose line that's like blowing up where she's 786 00:43:50,560 --> 00:43:52,480 Speaker 3: first of all, like Britney Spears is talking about why 787 00:43:52,520 --> 00:43:55,279 Speaker 3: she was fucking with in Sync over Backstreet Boys. She's 788 00:43:55,320 --> 00:43:57,360 Speaker 3: like in sync, like they listen to hip hop, like 789 00:43:57,400 --> 00:43:59,719 Speaker 3: they seem more oriented towards that kind of culture or 790 00:43:59,719 --> 00:44:02,319 Speaker 3: the back She Boys. Felt very white. I'm just gonna 791 00:44:02,400 --> 00:44:04,480 Speaker 3: we'll just play this clip really quick because there's. 792 00:44:04,360 --> 00:44:08,160 Speaker 9: All white guys from Florida, and yeah, like by the 793 00:44:08,239 --> 00:44:08,839 Speaker 9: same guy. 794 00:44:09,160 --> 00:44:13,560 Speaker 3: Let's not forget Chris with his techno dreads either, but hey, 795 00:44:13,800 --> 00:44:17,960 Speaker 3: let's focus on Skylark. So but yeah, this is a 796 00:44:18,080 --> 00:44:20,400 Speaker 3: this is one of the excerpts here, just talking about 797 00:44:20,400 --> 00:44:23,960 Speaker 3: this time where he met another famous R and B musician. 798 00:44:24,560 --> 00:44:26,600 Speaker 1: So the other thing, like a lot of people are 799 00:44:26,600 --> 00:44:30,640 Speaker 1: pointing out like this seems Michelle Williams is a five 800 00:44:30,719 --> 00:44:34,640 Speaker 1: time Academy Award nominee. People are like, why is she 801 00:44:34,800 --> 00:44:38,200 Speaker 1: doing this? And then they're listening and they're like, oh, 802 00:44:38,320 --> 00:44:41,759 Speaker 1: she's the best that has ever done this before. She's 803 00:44:41,840 --> 00:44:44,960 Speaker 1: killing it. She's doing a great job. So yeah, this 804 00:44:45,040 --> 00:44:47,160 Speaker 1: is a little sample of that, and it's an anecdote 805 00:44:47,320 --> 00:44:49,400 Speaker 1: that a lot of it's caught a lot of people's attention. 806 00:44:50,200 --> 00:44:52,600 Speaker 11: His band in Sync was what people back then called 807 00:44:52,640 --> 00:44:55,640 Speaker 11: so Pimp. They were white boys, but they loved hip hop. 808 00:44:56,160 --> 00:44:58,720 Speaker 11: To me, that's what separated them from the Backstreet Boys, 809 00:44:59,160 --> 00:45:02,200 Speaker 11: who seemed very conciously to position themselves as a white group. 810 00:45:02,800 --> 00:45:03,800 Speaker 11: In Sync hung out. 811 00:45:03,640 --> 00:45:05,120 Speaker 10: With black artists. 812 00:45:06,560 --> 00:45:07,040 Speaker 1: Sometimes. 813 00:45:07,080 --> 00:45:10,200 Speaker 11: I thought they tried too hard to fit in. One day, 814 00:45:10,320 --> 00:45:12,359 Speaker 11: Jay and I were in New York going to parts 815 00:45:12,360 --> 00:45:15,560 Speaker 11: of town I'd never been to before. Walking our way 816 00:45:15,680 --> 00:45:18,279 Speaker 11: was a guy with a huge, blinged out medallion. He 817 00:45:18,400 --> 00:45:21,839 Speaker 11: was flanked by two giant security guards. Jay got all 818 00:45:21,880 --> 00:45:28,520 Speaker 11: excited and said so loud, oh yeahes Genuine, what's up, homie? 819 00:45:28,880 --> 00:45:31,959 Speaker 11: After Genuine walked away, Felicia did an impression of Jay. 820 00:45:32,560 --> 00:45:35,080 Speaker 11: Oh yeah, boches boshes Genuine. 821 00:45:36,040 --> 00:45:37,400 Speaker 10: Jay wasn't even embarrassed. 822 00:45:39,280 --> 00:45:45,120 Speaker 1: Wow, I like the there's like a YadA YadA pass that. 823 00:45:45,200 --> 00:45:47,040 Speaker 1: I'm sure they had an interaction, but it kind of 824 00:45:47,080 --> 00:45:50,239 Speaker 1: suggests that Genuine just he did that and Genuine just 825 00:45:50,280 --> 00:45:50,840 Speaker 1: walked away. 826 00:45:51,040 --> 00:45:54,120 Speaker 3: Yeah, it was like, oh my god, the fuck is that? 827 00:45:56,760 --> 00:46:01,000 Speaker 9: The abrupt switch after the like the audio book pause 828 00:46:01,120 --> 00:46:03,680 Speaker 9: before Genuine walked away, Like you're. 829 00:46:03,600 --> 00:46:08,200 Speaker 2: Just oh my god, after Jaine walked away. 830 00:46:08,280 --> 00:46:11,080 Speaker 9: She's a professional's good professional. 831 00:46:11,320 --> 00:46:12,880 Speaker 10: That alarming. 832 00:46:13,480 --> 00:46:18,200 Speaker 9: I'm looking forward to, uh to reading that book or 833 00:46:18,520 --> 00:46:20,319 Speaker 9: probably more likely listening to it. 834 00:46:20,360 --> 00:46:21,839 Speaker 10: Celebrity memoirs are meant to be. 835 00:46:21,760 --> 00:46:24,120 Speaker 3: Listened to, especially oh yeah, because I'm pretty sure what 836 00:46:24,120 --> 00:46:27,360 Speaker 3: Britney spears personally was like I want Michelle Williams to 837 00:46:27,440 --> 00:46:29,600 Speaker 3: narrate this, like, this is why this is happening. 838 00:46:30,080 --> 00:46:31,360 Speaker 10: Very weird, very weird. 839 00:46:31,719 --> 00:46:34,600 Speaker 3: How do they know each other dialed in so well? Though? 840 00:46:35,440 --> 00:46:38,600 Speaker 3: What better person to lend your voice or to have 841 00:46:38,640 --> 00:46:40,760 Speaker 3: their like, have them lend their voice and have Michelle 842 00:46:40,760 --> 00:46:44,760 Speaker 3: Williams do the Britney Spears book so good get the egot? 843 00:46:45,520 --> 00:46:50,880 Speaker 9: Yeah she will, this is her grammy, Yeah, yeah, beautiful. 844 00:46:51,640 --> 00:46:54,040 Speaker 1: There's I mean, there's all sorts of There's also the 845 00:46:54,080 --> 00:46:57,360 Speaker 1: story that Britney Spears almost got what was the famous 846 00:46:57,480 --> 00:47:01,520 Speaker 1: role that she almost oh the Notebook, the Notebook, Yeah, 847 00:47:01,520 --> 00:47:03,400 Speaker 1: she almost was cast in the Notebook. 848 00:47:03,600 --> 00:47:04,600 Speaker 3: She was like in the field. 849 00:47:05,239 --> 00:47:06,839 Speaker 2: It was between no. 850 00:47:06,760 --> 00:47:09,399 Speaker 1: It, she was in the final two, between her and 851 00:47:09,680 --> 00:47:13,960 Speaker 1: Rachel McAdams, and like they like Scarlett Johansson all these 852 00:47:13,960 --> 00:47:16,480 Speaker 1: other people had tried out and they were like, Britney 853 00:47:16,520 --> 00:47:22,560 Speaker 1: Spears is like fucking nailing this really absolutely like an 854 00:47:22,600 --> 00:47:23,640 Speaker 1: amazing actor. 855 00:47:24,280 --> 00:47:26,360 Speaker 10: Oh wow, there's like her audition tape. 856 00:47:26,239 --> 00:47:31,439 Speaker 3: Is event I think they camera tested with with Ryan too. 857 00:47:32,000 --> 00:47:33,279 Speaker 1: Yeah, that's I always want. 858 00:47:33,320 --> 00:47:35,600 Speaker 9: I mean, I know that there were a number of 859 00:47:35,719 --> 00:47:38,960 Speaker 9: extenuating circumstances in Brittany's life that uh, but I was 860 00:47:39,280 --> 00:47:42,719 Speaker 9: her her movie career was like a non starter, and 861 00:47:42,920 --> 00:47:46,800 Speaker 9: up until recently you couldn't even get Crossroads, Like you 862 00:47:46,840 --> 00:47:50,880 Speaker 9: couldn't even stream it until recently. Even though that was 863 00:47:50,920 --> 00:47:53,160 Speaker 9: like an early Shonda Rhyme's. 864 00:47:52,640 --> 00:47:54,799 Speaker 1: Script, Oh I didn't realize that. 865 00:47:55,239 --> 00:47:58,480 Speaker 9: Yeah, that was like one. I think it was like SHONDERI. 866 00:47:58,600 --> 00:48:01,520 Speaker 9: One of Shonda Rhyme's like first produced scripts ever was 867 00:48:01,560 --> 00:48:03,960 Speaker 9: the Britney Spears vehicle Crossroads. 868 00:48:04,239 --> 00:48:05,600 Speaker 10: And she's so good. 869 00:48:05,400 --> 00:48:08,080 Speaker 9: In it, and she's so charming and like she's a 870 00:48:08,120 --> 00:48:11,400 Speaker 9: good actor, and it's like there it worked out for 871 00:48:11,520 --> 00:48:14,840 Speaker 9: Mandy Moore many more kind of dropped music and started 872 00:48:14,840 --> 00:48:17,120 Speaker 9: this is Us singer. I still don't know what that 873 00:48:17,160 --> 00:48:19,600 Speaker 9: show is about, but damn, she would have been cool 874 00:48:19,640 --> 00:48:20,440 Speaker 9: in the notebook. 875 00:48:21,080 --> 00:48:24,800 Speaker 3: Yeah, here's what Shonda rhymes. Also, didn't she do Princess 876 00:48:24,840 --> 00:48:25,520 Speaker 3: Diaries too? 877 00:48:25,640 --> 00:48:27,759 Speaker 2: That was like another super early one. 878 00:48:28,080 --> 00:48:32,160 Speaker 9: Yeah yeah, yeah, yeah, sean shot after Crossroads? Yeah right yeah, 879 00:48:32,640 --> 00:48:37,040 Speaker 9: pre Crossroads And if I'm recalling, I know I know 880 00:48:37,120 --> 00:48:41,680 Speaker 9: too much of Shonda's filmography. I think it's just shy 881 00:48:41,880 --> 00:48:45,040 Speaker 9: of It's like the year before Grey's Anatomy. She did 882 00:48:45,080 --> 00:48:49,160 Speaker 9: Princess Diaries too, Royal Engagement, yep, sure enough, it is true. 883 00:48:49,560 --> 00:48:52,000 Speaker 10: It is true. But I'm like, what is Shonda's relationship 884 00:48:52,040 --> 00:48:55,520 Speaker 10: with Britney? Is there one? Yeah, I don't know, we 885 00:48:55,600 --> 00:48:56,160 Speaker 10: don't know. 886 00:48:56,840 --> 00:48:58,960 Speaker 2: Right what could have been? You know? 887 00:48:59,280 --> 00:49:02,839 Speaker 3: Truely if she was Meredith Gray, yeah, you know. 888 00:49:02,920 --> 00:49:04,600 Speaker 9: Yeah, right, but then it's like we would have been 889 00:49:04,719 --> 00:49:06,920 Speaker 9: I mean, and again this is like not even taking 890 00:49:06,920 --> 00:49:10,560 Speaker 9: into account what happens later in Britney's career, but like 891 00:49:10,560 --> 00:49:14,160 Speaker 9: we would have we would have not gotten some really 892 00:49:14,200 --> 00:49:17,640 Speaker 9: solid Britney albums if she if she had gotten too 893 00:49:17,680 --> 00:49:18,360 Speaker 9: far into acting. 894 00:49:18,480 --> 00:49:20,799 Speaker 1: So so yeah, when she talks about it, she's like, 895 00:49:21,440 --> 00:49:23,880 Speaker 1: you know, at a certain point, I decided to stop 896 00:49:23,920 --> 00:49:28,359 Speaker 1: auditioning and just record, just drop classic albums on you all. 897 00:49:28,560 --> 00:49:30,439 Speaker 10: And if yeah, if. 898 00:49:30,320 --> 00:49:33,959 Speaker 9: We got because if we got like if we got 899 00:49:34,000 --> 00:49:37,160 Speaker 9: Brittany in the Notebook, we may not have gotten Blackout 900 00:49:37,960 --> 00:49:42,000 Speaker 9: And that would have been challenging for me as a youth. 901 00:49:42,160 --> 00:49:45,240 Speaker 10: That would for American culture, that would have been pretty hard. 902 00:49:45,880 --> 00:49:49,120 Speaker 1: America's bad right now. I think America's bad right now. 903 00:49:49,680 --> 00:49:55,239 Speaker 1: Try and picture this counterpack. But yeah, and also she 904 00:49:56,320 --> 00:49:58,960 Speaker 1: has a quote, like in one of the articles I 905 00:49:59,000 --> 00:50:02,200 Speaker 1: read about the note Book thing that she was like 906 00:50:02,280 --> 00:50:07,560 Speaker 1: it was just mentally too difficult, Like I just embodied 907 00:50:07,560 --> 00:50:10,520 Speaker 1: the character, and like trying out for that character like 908 00:50:10,600 --> 00:50:13,120 Speaker 1: got to me so like she was almost like too 909 00:50:13,160 --> 00:50:17,440 Speaker 1: meth for to to like actually pursue acting because it 910 00:50:17,480 --> 00:50:21,080 Speaker 1: was just like too painful for her, that one. 911 00:50:20,920 --> 00:50:23,919 Speaker 2: Which sounds like a great actor, like, yeah, let's let's 912 00:50:23,920 --> 00:50:24,520 Speaker 2: make it happen. 913 00:50:24,800 --> 00:50:27,359 Speaker 3: Yeah. It's funny too, like because Justin Timberlake does not 914 00:50:27,440 --> 00:50:29,560 Speaker 3: come out looking good in this too. Like she talks 915 00:50:29,560 --> 00:50:32,320 Speaker 3: about how like she became pregnant like with his child 916 00:50:32,400 --> 00:50:34,880 Speaker 3: and then you know, have an abortion and things like that, 917 00:50:34,920 --> 00:50:36,840 Speaker 3: and then like now it's funny to see the pr 918 00:50:36,920 --> 00:50:40,160 Speaker 3: machine move in Justin's direction and they're like, Justin Timberlake 919 00:50:40,239 --> 00:50:43,200 Speaker 3: is fine. He's actually just focusing on being with his 920 00:50:43,280 --> 00:50:44,880 Speaker 3: family like amid the noise. 921 00:50:46,800 --> 00:50:49,720 Speaker 9: But it's also like pretty well documented that his family 922 00:50:49,840 --> 00:50:50,799 Speaker 9: does not like him. 923 00:50:51,640 --> 00:50:53,520 Speaker 10: So cool, I hope. 924 00:50:53,560 --> 00:50:54,280 Speaker 2: I'm sure they're. 925 00:50:54,080 --> 00:50:57,800 Speaker 9: Really enjoying spending time with you on this your fiftieth cancelation. 926 00:50:58,200 --> 00:51:01,000 Speaker 9: I was trying to I was trying to think of, 927 00:51:01,200 --> 00:51:03,960 Speaker 9: you know, like because of SAG rules, I'm like I 928 00:51:04,000 --> 00:51:06,640 Speaker 9: have to think of like a Halloween costume I can wear, 929 00:51:06,920 --> 00:51:08,959 Speaker 9: and I have a lot of I can pretty close 930 00:51:09,000 --> 00:51:12,080 Speaker 9: to replicate the Justin Timberlake denim outfit. And so I'm 931 00:51:12,080 --> 00:51:15,480 Speaker 9: trying to put something together like recently Disgrace Denim boyfriend. 932 00:51:16,000 --> 00:51:20,120 Speaker 9: But but it's getting the hat together because then I, 933 00:51:20,280 --> 00:51:23,080 Speaker 9: you know, and then I was just gonna put you know, tears, streaks, 934 00:51:23,120 --> 00:51:25,520 Speaker 9: some snotch like that recently disgraced dnhim boyfriend. 935 00:51:25,600 --> 00:51:27,560 Speaker 10: That's a that's a free one for everything. 936 00:51:29,000 --> 00:51:32,200 Speaker 3: You got to get those gradiated, like those gradient shades too. 937 00:51:32,560 --> 00:51:37,480 Speaker 9: Oh my god, yeah, like the yellow, the freaky late 938 00:51:37,560 --> 00:51:38,960 Speaker 9: nineties blue blockers everything. 939 00:51:39,000 --> 00:51:42,360 Speaker 3: Yeah, yeah, Yo, it's so wild like that that outfit. 940 00:51:42,400 --> 00:51:45,000 Speaker 3: There's like how there's like tutorials on how to make 941 00:51:45,040 --> 00:51:48,400 Speaker 3: the Disgrace Denim boyfriend outfit. Like it's like it's how 942 00:51:48,480 --> 00:51:54,360 Speaker 3: to make your denim Britney and Justin good lord, what 943 00:51:54,480 --> 00:51:55,000 Speaker 3: a time? 944 00:51:55,640 --> 00:51:56,160 Speaker 10: What a time? 945 00:51:56,200 --> 00:52:02,120 Speaker 9: I mean, great, great, horrible man, great outfits. Brittany, God 946 00:52:02,160 --> 00:52:02,920 Speaker 9: bless her, she's. 947 00:52:02,760 --> 00:52:04,840 Speaker 3: A keep on dancing with those Knights girl. 948 00:52:06,440 --> 00:52:09,399 Speaker 2: Or done? All right, that's gonna do it. 949 00:52:09,520 --> 00:52:13,640 Speaker 1: For this week's Weekly Zeitgeist, Please like and review the 950 00:52:13,719 --> 00:52:18,440 Speaker 1: show If you like, The show means the world to Miles. 951 00:52:18,520 --> 00:52:22,880 Speaker 1: He he needs your validation folks, I hope you're having 952 00:52:22,880 --> 00:53:13,880 Speaker 1: a great weekend and I will talk to you Monday. Bye.