1 00:00:00,760 --> 00:00:14,520 Speaker 1: I am all in you. 2 00:00:16,960 --> 00:00:21,040 Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,360 --> 00:00:25,200 Speaker 1: Hey everybody, Scott Patterson, Pop Culture, episode six, Season five, 4 00:00:25,239 --> 00:00:29,200 Speaker 1: Norman Mailer, I'm pregnant. I am joined by my intrepid 5 00:00:29,320 --> 00:00:34,960 Speaker 1: crue TaRaSu, Daniel Romo, Amy Sugarman, who has a little 6 00:00:35,000 --> 00:00:37,479 Speaker 1: bit of time left for us. And then she's heading in. 7 00:00:37,720 --> 00:00:40,160 Speaker 3: I'm going to the dermatologist. I know everyone cares. 8 00:00:40,400 --> 00:00:40,800 Speaker 1: There you go. 9 00:00:40,920 --> 00:00:41,720 Speaker 3: I know everyone cares. 10 00:00:41,760 --> 00:00:44,640 Speaker 1: There you go. Anyway, so we're gonna where Lorela is 11 00:00:44,680 --> 00:00:48,440 Speaker 1: explaining to Luke why she hasn't changed a porch light, 12 00:00:48,640 --> 00:00:50,960 Speaker 1: the burning question of the season. 13 00:00:51,240 --> 00:00:53,360 Speaker 2: Oh no, did you see mothmatic prophecies? 14 00:00:53,760 --> 00:00:54,120 Speaker 4: Yes? 15 00:00:55,480 --> 00:00:57,480 Speaker 2: Oh well, okay, then did you see the sequel? 16 00:00:57,800 --> 00:00:59,880 Speaker 1: Wait a minute, Danielle, you want to play Luke. 17 00:01:00,160 --> 00:01:01,640 Speaker 4: Because you're narrating, right. 18 00:01:02,280 --> 00:01:06,360 Speaker 1: Then you should narrate. Let's start over. You narrate, Okay, 19 00:01:06,520 --> 00:01:07,120 Speaker 1: I play. 20 00:01:07,160 --> 00:01:11,319 Speaker 4: Look cool, all right. 21 00:01:11,319 --> 00:01:16,040 Speaker 1: So don't stand on my cape. Okay. 22 00:01:16,120 --> 00:01:18,600 Speaker 4: So Lorelai is explaining to Luke why she hasn't changed 23 00:01:18,600 --> 00:01:19,200 Speaker 4: the porch light. 24 00:01:19,640 --> 00:01:21,560 Speaker 2: Oh no, did you see mothman prophecies? 25 00:01:21,840 --> 00:01:22,200 Speaker 1: Yes? 26 00:01:22,480 --> 00:01:24,680 Speaker 3: Okay, well, okay, then did you see the sequel? 27 00:01:24,959 --> 00:01:25,720 Speaker 1: There's a sequel. 28 00:01:26,319 --> 00:01:28,959 Speaker 2: Yeah, it's a heartbreaking sagin which Richard Gear gets a 29 00:01:28,959 --> 00:01:31,640 Speaker 2: life threatening disease from changing a dirty porch line. 30 00:01:32,360 --> 00:01:35,360 Speaker 4: So The Mothman Prophecies is a two thousand and two 31 00:01:35,360 --> 00:01:39,000 Speaker 4: thriller starring Richard Gear and Laura Lenny. Richard's character Jack 32 00:01:39,280 --> 00:01:42,000 Speaker 4: travels to a small town to investigate strange events after 33 00:01:42,040 --> 00:01:44,960 Speaker 4: his wife sees a winged figure right before a near 34 00:01:45,080 --> 00:01:49,400 Speaker 4: fatal car accident. So essentially, Lorelai is referencing the film, 35 00:01:49,560 --> 00:01:52,560 Speaker 4: using it as an excuse of not wanting to change the. 36 00:01:52,680 --> 00:01:54,920 Speaker 3: Don't want to be an idiot. But I don't get it. 37 00:01:54,960 --> 00:01:58,080 Speaker 2: Is there is there a porch light thing in the 38 00:01:58,120 --> 00:01:59,400 Speaker 2: Mothman Prophecies. 39 00:02:00,120 --> 00:02:02,920 Speaker 1: I don't think so. I think she's just making a 40 00:02:02,960 --> 00:02:06,480 Speaker 1: funny and using Mothman. Maybe there is. Maybe, I don't know. 41 00:02:06,560 --> 00:02:09,480 Speaker 3: There's got to be. There's got to be, is it. 42 00:02:09,760 --> 00:02:12,480 Speaker 1: I thought that was halle Berry. Is that halle Berry 43 00:02:12,520 --> 00:02:17,760 Speaker 1: and Laura Lenny? I don't know. I just remember halle 44 00:02:17,760 --> 00:02:19,160 Speaker 1: Berry standing in the middle of street and there was 45 00:02:19,160 --> 00:02:19,760 Speaker 1: a car accident. 46 00:02:20,080 --> 00:02:23,040 Speaker 3: People hate when I google during but it's like something 47 00:02:23,200 --> 00:02:23,720 Speaker 3: I have to. 48 00:02:24,240 --> 00:02:28,359 Speaker 1: Sometimes you got it. Sometimes you as the you know. 49 00:02:28,320 --> 00:02:32,799 Speaker 2: I'm investigating further, but nothing comes up when I google 50 00:02:32,960 --> 00:02:34,880 Speaker 2: porch lights and Mothman prophecy. 51 00:02:35,080 --> 00:02:39,640 Speaker 1: Now I think she's just, you know, doing what Laura 52 00:02:39,720 --> 00:02:45,800 Speaker 1: La does. Doyle sarcastically praising Glenn for getting published in 53 00:02:45,880 --> 00:02:47,360 Speaker 1: The New York Times. 54 00:02:48,160 --> 00:02:49,000 Speaker 3: Tara, you played. 55 00:02:48,760 --> 00:02:49,680 Speaker 1: Doyle, all right. 56 00:02:49,960 --> 00:02:52,639 Speaker 5: It is amazing. It's absolutely amazing that I spent all 57 00:02:52,680 --> 00:02:56,080 Speaker 5: summer in Indiana working my ass off for the Munchie Messenger, 58 00:02:56,480 --> 00:02:59,679 Speaker 5: and you went. You went from Star Trek convention to 59 00:02:59,760 --> 00:03:03,800 Speaker 5: Bowet fan Club symposium and yet lucky here the New 60 00:03:03,880 --> 00:03:04,440 Speaker 5: York Times. 61 00:03:04,480 --> 00:03:05,080 Speaker 3: Isn't that great? 62 00:03:05,120 --> 00:03:05,400 Speaker 1: Rory? 63 00:03:05,440 --> 00:03:06,760 Speaker 5: Are you seeing how great it is? 64 00:03:06,960 --> 00:03:09,359 Speaker 1: Boba Fett is a fictional bounty hunter in the Star 65 00:03:09,400 --> 00:03:12,800 Speaker 1: Wars franchise. Doyle has set someone like Glenn who likes 66 00:03:12,840 --> 00:03:16,240 Speaker 1: Star Wars, Star Drag and Star Wars would be published 67 00:03:16,520 --> 00:03:18,280 Speaker 1: before him. That was funny. 68 00:03:18,480 --> 00:03:24,880 Speaker 3: That's happy. May fourth, Yeah, May the fourth be with you, 69 00:03:25,840 --> 00:03:26,520 Speaker 3: Laurai says. 70 00:03:26,520 --> 00:03:28,680 Speaker 2: The Dragonfly In is going to be a salon for 71 00:03:28,720 --> 00:03:31,359 Speaker 2: the literati now that Norman Mailer has had lunch there 72 00:03:31,360 --> 00:03:32,360 Speaker 2: three times this week. 73 00:03:33,240 --> 00:03:35,480 Speaker 4: So of course we'll have to keep Gorvadal on the 74 00:03:35,480 --> 00:03:37,800 Speaker 4: other side of the room. But you know, probably Gabriel 75 00:03:37,840 --> 00:03:40,119 Speaker 4: Garcia Marquez will run interference for us. 76 00:03:40,480 --> 00:03:43,839 Speaker 2: Gorvadell is an author who wrote twenty five novels, two 77 00:03:43,920 --> 00:03:47,200 Speaker 2: hundred essays, more than two hundred essays, and ventured into politics. 78 00:03:47,520 --> 00:03:50,520 Speaker 2: Gabrielle Garcia Marquez is a Columbian author who is best 79 00:03:50,560 --> 00:03:53,560 Speaker 2: known for writing One Hundred Years of Solitude, Love in 80 00:03:53,640 --> 00:03:56,760 Speaker 2: the Time of Cholera, and five other novels. Lorelai is 81 00:03:56,800 --> 00:03:59,400 Speaker 2: referencing the feud and falling out of Gorvadell and Norman 82 00:03:59,440 --> 00:04:02,240 Speaker 2: Mailer argued on The Dick Cavit Show where Vidal went 83 00:04:02,240 --> 00:04:05,560 Speaker 2: after Mailer for his dance on women's liberation and on 84 00:04:05,640 --> 00:04:09,400 Speaker 2: the women's liberation movement, and the feud continued. Martin Scorsese 85 00:04:09,560 --> 00:04:12,320 Speaker 2: even made an HBO documentary about it. 86 00:04:12,360 --> 00:04:15,760 Speaker 1: There's a twenty four minute video of it on YouTube. 87 00:04:15,760 --> 00:04:18,400 Speaker 1: You should. Everybody should watch it. It is amazing. It 88 00:04:18,480 --> 00:04:22,240 Speaker 1: really shows the times they were living in. Yeah, the 89 00:04:22,360 --> 00:04:26,680 Speaker 1: similarities of time we're living in now as opposed to them, 90 00:04:26,960 --> 00:04:29,640 Speaker 1: but of course yes, much different back then. 91 00:04:30,040 --> 00:04:32,960 Speaker 2: Twenty fourteen documentary was called The New York Review of 92 00:04:32,960 --> 00:04:36,839 Speaker 2: Books The Fifty Year Argument, And as Scott said, you 93 00:04:36,880 --> 00:04:39,360 Speaker 2: can watch the fight from the Dick Cavit Show. 94 00:04:39,480 --> 00:04:44,520 Speaker 1: Classic classic All right, Suki complaining that Norman Mailer only 95 00:04:44,680 --> 00:04:45,920 Speaker 1: orders iced tea. 96 00:04:47,200 --> 00:04:48,920 Speaker 2: All I know is when Billy Joel came into the 97 00:04:48,960 --> 00:04:51,960 Speaker 2: Independence and he would pack it away appetizer's main courses, two, 98 00:04:51,960 --> 00:04:52,680 Speaker 2: three desserts. 99 00:04:52,720 --> 00:04:54,359 Speaker 3: That was a man that knew how to eat, and 100 00:04:54,400 --> 00:04:55,400 Speaker 3: he was almost able. 101 00:04:55,240 --> 00:04:55,680 Speaker 2: To hide it. 102 00:04:56,640 --> 00:04:59,080 Speaker 1: Billy Joel is a singer songwriter who sold over one 103 00:04:59,200 --> 00:05:04,080 Speaker 1: hundred and feet million records. Suki is referencing Billy Joel 104 00:05:04,480 --> 00:05:07,599 Speaker 1: ordering more than Norman Mailer does. 105 00:05:07,960 --> 00:05:09,240 Speaker 3: Favorite Billy Joel song, Go. 106 00:05:10,800 --> 00:05:13,000 Speaker 1: Piano Man, I love. 107 00:05:13,080 --> 00:05:14,040 Speaker 3: It's still rock and roll. 108 00:05:14,080 --> 00:05:17,000 Speaker 2: It's still rock and roll to me? What about weed 109 00:05:17,080 --> 00:05:20,120 Speaker 2: didn't start the fire? If anybody can sing all the lyrics, 110 00:05:20,240 --> 00:05:21,000 Speaker 2: remember it's like. 111 00:05:23,279 --> 00:05:29,039 Speaker 5: Uptown girl, Uptown girl, good morning, uptown girl. 112 00:05:29,440 --> 00:05:34,440 Speaker 1: Oh girl. Yeah, she's got me so many clean when 113 00:05:34,480 --> 00:05:41,760 Speaker 1: she left me and I gave her my Hampton's home, 114 00:05:42,200 --> 00:05:43,760 Speaker 1: we've had five So get. 115 00:05:43,640 --> 00:05:45,119 Speaker 3: Her Billy Joel so fast. 116 00:05:45,160 --> 00:05:48,360 Speaker 2: Because there's also scenes from an Italian restaurant, there's like 117 00:05:48,440 --> 00:05:52,760 Speaker 2: these are the times to remember. He's got like like 118 00:05:52,760 --> 00:05:55,800 Speaker 2: like deep cuts that are hits. 119 00:05:56,200 --> 00:05:59,680 Speaker 4: So basically she's sang. Billy Joel's way more famous than 120 00:05:59,680 --> 00:06:03,000 Speaker 4: normal Mailer and he can even order food. Is that 121 00:06:03,160 --> 00:06:04,360 Speaker 4: kind of the just I. 122 00:06:04,279 --> 00:06:06,400 Speaker 2: Just think she was pulling out a random famous person 123 00:06:06,400 --> 00:06:08,000 Speaker 2: that comes to the inn and actually ate. 124 00:06:08,920 --> 00:06:14,960 Speaker 1: Yeah. Yeah, there was a chance to mock Billy Joel. 125 00:06:14,800 --> 00:06:17,400 Speaker 2: So it was a little He has a little bit 126 00:06:17,400 --> 00:06:20,400 Speaker 2: of a sort of a dig on Billy Joel, which 127 00:06:20,560 --> 00:06:21,720 Speaker 2: wasn't nice. 128 00:06:21,800 --> 00:06:28,120 Speaker 1: I like, yeah, anyway, did Billy Joel write a novel? No, 129 00:06:28,640 --> 00:06:32,960 Speaker 1: because they got one in about his book, but. 130 00:06:32,880 --> 00:06:35,800 Speaker 3: He did write we didn't start the fire. 131 00:06:38,200 --> 00:06:40,080 Speaker 4: All right, I'll go to the next one. So Rory's 132 00:06:40,120 --> 00:06:43,440 Speaker 4: talking to Dean about her assignments at the Yale Daily News. 133 00:06:44,760 --> 00:06:47,000 Speaker 2: I already have a ton of data and pages of research, 134 00:06:47,040 --> 00:06:49,200 Speaker 2: and oh, the best thing is Nancy, the girl on 135 00:06:49,240 --> 00:06:52,200 Speaker 2: the first fourth I already have a ton of data 136 00:06:52,200 --> 00:06:54,279 Speaker 2: and pages of research, and O the best thing is Nancy, 137 00:06:54,320 --> 00:06:56,280 Speaker 2: this girl on the fourth floor. Her father was the 138 00:06:56,279 --> 00:06:58,880 Speaker 2: guy who ran security at the gallery where Lars Ulrich 139 00:06:58,960 --> 00:07:00,800 Speaker 2: sold all of his art, and he said he would 140 00:07:00,800 --> 00:07:02,320 Speaker 2: try to get him on the phone for an interview. 141 00:07:02,360 --> 00:07:04,160 Speaker 3: I gotta breathe now. 142 00:07:04,960 --> 00:07:07,920 Speaker 4: Lars Uric is the drummer for the rock band Metallica. 143 00:07:08,080 --> 00:07:11,000 Speaker 4: Rory's referencing him because she is hoping to get him 144 00:07:11,000 --> 00:07:13,320 Speaker 4: for her features column at the Yale Daily News and 145 00:07:13,440 --> 00:07:14,720 Speaker 4: is getting excited about it. 146 00:07:14,600 --> 00:07:17,600 Speaker 2: With that horribly boring article that I'm so glad she didn't. 147 00:07:17,400 --> 00:07:20,320 Speaker 3: Right, I know, so bad? 148 00:07:20,360 --> 00:07:21,000 Speaker 1: All right, who's up? 149 00:07:21,480 --> 00:07:21,880 Speaker 3: I'll go. 150 00:07:22,440 --> 00:07:24,280 Speaker 5: Dean's selling Rory he can't hang out with her on 151 00:07:24,320 --> 00:07:27,680 Speaker 5: Thursday night because he's working at Dozi's during a twenty 152 00:07:27,680 --> 00:07:29,040 Speaker 5: four hour trucker crowd. 153 00:07:29,640 --> 00:07:32,520 Speaker 1: Yeah, you haven't lived until you've heard Taylor Beltel stand 154 00:07:32,520 --> 00:07:33,000 Speaker 1: By Your. 155 00:07:32,880 --> 00:07:36,480 Speaker 5: Man, Sam By Your Man is a country song by 156 00:07:36,600 --> 00:07:40,040 Speaker 5: Tammy Wynette. It became the most successful country song of 157 00:07:40,080 --> 00:07:43,559 Speaker 5: Tammy's career. And Dean is referencing this hit country song 158 00:07:43,840 --> 00:07:46,880 Speaker 5: that the trucker crowd would be singing, so Taylor would 159 00:07:46,920 --> 00:07:48,160 Speaker 5: be singing along as well. 160 00:07:53,560 --> 00:07:56,440 Speaker 1: Suki is upset that, and the financial planner is temporarily 161 00:07:56,480 --> 00:07:58,440 Speaker 1: cutting out lunch at the end. 162 00:07:58,800 --> 00:08:04,360 Speaker 3: This is this old Norman Maylor. Oh no, sorry, Danielle, Yeah. 163 00:08:06,720 --> 00:08:08,160 Speaker 1: Okay, you guys go ahead. 164 00:08:08,560 --> 00:08:10,640 Speaker 2: This is all Norman Mayler's fault. He just sits around 165 00:08:10,720 --> 00:08:12,840 Speaker 2: ording nothing and yammering on and on. And I mean 166 00:08:13,080 --> 00:08:15,720 Speaker 2: so he was married to Marilyn Roe, who wasn't That 167 00:08:15,840 --> 00:08:17,040 Speaker 2: was Arthur Miller. 168 00:08:17,520 --> 00:08:22,440 Speaker 1: Marily Monroe and Arthur Miller were married for five beautiful, 169 00:08:22,600 --> 00:08:28,960 Speaker 1: loving years and they never had a disagreement. Suki is 170 00:08:29,000 --> 00:08:33,720 Speaker 1: upset and referencing the wrong author. She is getting Norman 171 00:08:33,800 --> 00:08:40,199 Speaker 1: Mailer confused with Arthur Miller. But Norman Mayler wrote a 172 00:08:40,240 --> 00:08:43,920 Speaker 1: biography on Marilyn Roe in ninety seventy three called Marylyn, 173 00:08:44,000 --> 00:08:47,240 Speaker 1: and Stephen Mahler his son just told us his dad 174 00:08:47,280 --> 00:08:50,959 Speaker 1: gravitated towards Marylyn's story and loved her films. That's did 175 00:08:51,160 --> 00:08:55,920 Speaker 1: every every everybody in the freaking world. So this may 176 00:08:55,960 --> 00:09:01,000 Speaker 1: be a reference for Norman's love of Marilyn apparently. And 177 00:09:01,040 --> 00:09:05,040 Speaker 1: I think Stephen told me that his dad never met Maryland, 178 00:09:06,200 --> 00:09:08,960 Speaker 1: but that he was sitting behind her once at an 179 00:09:09,000 --> 00:09:13,320 Speaker 1: awards thing and he almost tapped her on the shoulder, 180 00:09:13,400 --> 00:09:15,320 Speaker 1: but then at that very moment, she got up and 181 00:09:15,320 --> 00:09:18,160 Speaker 1: went to the lady's front, so he never got to 182 00:09:18,160 --> 00:09:19,079 Speaker 1: meet her or talk to her. 183 00:09:20,200 --> 00:09:20,520 Speaker 3: All right. 184 00:09:20,559 --> 00:09:23,679 Speaker 4: The next one, Lorlai walks into Chris's apartment and it's 185 00:09:23,720 --> 00:09:26,640 Speaker 4: a mess because he is home alone with gig. 186 00:09:27,840 --> 00:09:29,640 Speaker 5: How long ago did Axel Rose leave? 187 00:09:30,040 --> 00:09:33,440 Speaker 4: Axel Rose is the guitarist for the band Guns N' 188 00:09:33,520 --> 00:09:36,719 Speaker 4: Roses and Laurlai is referencing a rock star leaving a 189 00:09:36,800 --> 00:09:38,959 Speaker 4: room in a mess, but it's just Christopher at home 190 00:09:39,080 --> 00:09:40,520 Speaker 4: with Gigi, And you. 191 00:09:40,480 --> 00:09:42,080 Speaker 2: Know it's a good line when it makes us laugh 192 00:09:42,200 --> 00:09:42,520 Speaker 2: in this. 193 00:09:43,040 --> 00:09:45,240 Speaker 1: But the thing is is I've been to Axel Rose's 194 00:09:45,280 --> 00:09:50,439 Speaker 1: house and it was extremely tidy. Character is true? 195 00:09:50,679 --> 00:09:51,240 Speaker 3: Is that true? 196 00:09:51,440 --> 00:09:54,920 Speaker 1: That is true? And Bok took me to Axel Rose's 197 00:09:54,920 --> 00:09:55,760 Speaker 1: house for a party. 198 00:09:56,000 --> 00:09:59,880 Speaker 3: Wait, that's working epic. But was it tidy? 199 00:10:00,200 --> 00:10:01,680 Speaker 1: It was extremely tidy? 200 00:10:01,920 --> 00:10:03,080 Speaker 3: But did you go in every room? 201 00:10:04,280 --> 00:10:07,720 Speaker 1: I did not go in every day everything. I went 202 00:10:07,720 --> 00:10:10,400 Speaker 1: into several rooms because I got a tour of the house, 203 00:10:10,400 --> 00:10:11,679 Speaker 1: but I don't think I got in everyone. 204 00:10:11,880 --> 00:10:13,800 Speaker 3: Was there any other famous people there? Or is it 205 00:10:13,880 --> 00:10:14,960 Speaker 3: just the three of you hanging. 206 00:10:14,760 --> 00:10:15,720 Speaker 1: Out several Yeah? 207 00:10:16,320 --> 00:10:17,679 Speaker 4: Wow, that's really cool. 208 00:10:18,240 --> 00:10:20,319 Speaker 3: Sebastian boxings like a good time. 209 00:10:22,080 --> 00:10:24,880 Speaker 1: I could we could do a whole podcast with just 210 00:10:24,960 --> 00:10:28,680 Speaker 1: him and talking about our night at the Rainbow Barn 211 00:10:28,760 --> 00:10:31,720 Speaker 1: Grill on Sunset Boulevard and at the Roxy. I mean 212 00:10:31,920 --> 00:10:35,760 Speaker 1: one night, I wouldn't be that that was an epic evening. 213 00:10:36,000 --> 00:10:42,240 Speaker 4: You're a night at the Roxbury there? 214 00:10:44,120 --> 00:10:45,280 Speaker 3: Oh my god, that is so good. 215 00:10:45,320 --> 00:10:47,960 Speaker 1: Okay, he didn't need to be Actually, we had so 216 00:10:48,080 --> 00:10:51,360 Speaker 1: much fun without Will Ferrell. If you can even imagine. 217 00:10:50,920 --> 00:10:54,040 Speaker 2: That, loral I turned Ggi's crib around so the bars 218 00:10:54,040 --> 00:10:55,480 Speaker 2: are higher on one side. 219 00:10:56,520 --> 00:10:58,520 Speaker 4: Yeah, until her hair grows long enough for the Prince 220 00:10:58,600 --> 00:10:59,319 Speaker 4: to shim me up. 221 00:10:59,520 --> 00:11:02,400 Speaker 2: Also very funny which I did not catch during the episode, 222 00:11:02,480 --> 00:11:06,360 Speaker 2: but obviously that's a reference to Rapunzel. The Rapunzel fairy 223 00:11:06,360 --> 00:11:08,040 Speaker 2: tale was about a girl locked away in a tower 224 00:11:08,040 --> 00:11:10,680 Speaker 2: and she's rescued by prince who climbed up her hair. 225 00:11:11,080 --> 00:11:13,920 Speaker 2: Laura Lai is comparing gg to Rapunzel because Gigi keeps 226 00:11:13,960 --> 00:11:16,480 Speaker 2: climbing up the crip. Very funny, very funny, and. 227 00:11:16,440 --> 00:11:17,760 Speaker 5: I don't get that episode. 228 00:11:17,960 --> 00:11:18,520 Speaker 3: You miss that. 229 00:11:18,960 --> 00:11:24,880 Speaker 4: Yeah, Christopher saying to Lurla he can't raise gg on 230 00:11:24,920 --> 00:11:27,080 Speaker 4: his own and calling Lorelai different. 231 00:11:28,040 --> 00:11:30,800 Speaker 1: Oh you're different. I mean you're special, you're stronger, You're 232 00:11:30,840 --> 00:11:35,079 Speaker 1: like a superhero with red boots, and. 233 00:11:33,760 --> 00:11:39,360 Speaker 4: Christopher is referencing I believe it, I like it. I 234 00:11:39,480 --> 00:11:43,680 Speaker 4: like it. Christopher is referencing Wonder Woman, who's super superhero 235 00:11:43,720 --> 00:11:46,760 Speaker 4: outfit is red boots, booskirt and of course at top 236 00:11:46,800 --> 00:11:50,480 Speaker 4: with magical golden lasso. And Christopher is calling Laura super 237 00:11:50,679 --> 00:11:56,400 Speaker 4: a superhero for raising Rory on her own. 238 00:11:55,960 --> 00:12:02,199 Speaker 2: No disrespect to Galt Good, but there is no wonder 239 00:12:02,240 --> 00:12:04,480 Speaker 2: Woman to me other than Linda Carter. 240 00:12:06,120 --> 00:12:08,760 Speaker 3: I mean literally, I love her. 241 00:12:09,080 --> 00:12:10,080 Speaker 1: How are you going to do better than that? 242 00:12:11,720 --> 00:12:12,920 Speaker 3: I mean, wonder woman. 243 00:12:12,880 --> 00:12:16,319 Speaker 2: Is I would say, of my women superheroes, she is 244 00:12:16,360 --> 00:12:19,959 Speaker 2: my favorite. Also, like what was that one that Scarlett 245 00:12:20,040 --> 00:12:21,480 Speaker 2: Johansen was, I'm not under her? 246 00:12:22,240 --> 00:12:23,880 Speaker 4: Oh black Widow. 247 00:12:23,800 --> 00:12:32,400 Speaker 2: No wonder Woman. Loura Lei and Rory arriving to Emily's 248 00:12:32,400 --> 00:12:33,920 Speaker 2: house and the maid answers. 249 00:12:34,800 --> 00:12:36,959 Speaker 5: Hi, we should be on the guest list. Hulston Liza 250 00:12:37,160 --> 00:12:37,920 Speaker 5: expecting Us. 251 00:12:38,320 --> 00:12:40,840 Speaker 2: Alston is a designer who was friends with Liza Minelli. 252 00:12:40,880 --> 00:12:44,079 Speaker 2: They were inseparable during the seventies and eighties and often 253 00:12:44,120 --> 00:12:46,480 Speaker 2: seen together in the nightclub scene in New York City, 254 00:12:46,559 --> 00:12:49,760 Speaker 2: especially at Studio fifty four. Interesting thing to tie it 255 00:12:49,800 --> 00:12:55,360 Speaker 2: all together. In a Billy Joel song, he references in 256 00:12:55,400 --> 00:12:59,959 Speaker 2: her Halston dress. Oh interesting, I don't remember which Billy 257 00:13:00,040 --> 00:13:03,440 Speaker 2: Jewel song, but he says, you know, all impressed in 258 00:13:03,520 --> 00:13:07,120 Speaker 2: her Hallston dress, something like that, Laura is looking fun 259 00:13:07,200 --> 00:13:09,400 Speaker 2: at trying to enter Emily's house like she would be 260 00:13:09,480 --> 00:13:09,800 Speaker 2: at a. 261 00:13:09,720 --> 00:13:12,520 Speaker 1: Club, and that ladies in general. 262 00:13:12,559 --> 00:13:14,920 Speaker 3: Late do you have Crackstaff? 263 00:13:15,520 --> 00:13:20,240 Speaker 1: Oh my goodness, talk amongst yourself while I dig it up. 264 00:13:20,640 --> 00:13:22,480 Speaker 1: They send it to me in secret emails. 265 00:13:23,120 --> 00:13:25,679 Speaker 3: First of all, in The Skull and Keys. 266 00:13:27,920 --> 00:13:30,920 Speaker 1: Bones whatever, this thing unlocked? 267 00:13:32,080 --> 00:13:34,920 Speaker 2: Hang on, was Reese Witherspoon in that movie The Skull 268 00:13:35,080 --> 00:13:36,120 Speaker 2: Or did I make that up? 269 00:13:37,080 --> 00:13:38,600 Speaker 1: Yeah? She was? She was great? 270 00:13:39,720 --> 00:13:40,520 Speaker 3: Was she'm looking at? 271 00:13:40,600 --> 00:13:46,000 Speaker 1: She was? Performs? All right here listen, Crackstaff has on 272 00:13:46,080 --> 00:13:49,080 Speaker 1: earth some very very interesting tidbits. Are you ready? 273 00:13:49,480 --> 00:13:51,640 Speaker 2: I do not think Reese Witherspoon was in that movie. 274 00:13:51,440 --> 00:13:54,360 Speaker 1: Just I don't think so. The man interviewing it was 275 00:13:54,440 --> 00:13:57,640 Speaker 1: Leslie Bib. Sorry, all right, so the first Leslie Bib 276 00:13:57,800 --> 00:14:00,960 Speaker 1: Leslie Bib is good. Yeah, yeah right, so the first 277 00:14:01,040 --> 00:14:05,480 Speaker 1: crack Staff one. I'm sorry, it's not impressive research. We 278 00:14:05,559 --> 00:14:09,080 Speaker 1: all know this. The man interviewing Norm Bailer is actually 279 00:14:09,080 --> 00:14:10,400 Speaker 1: his son, Stephen Mayler. 280 00:14:14,600 --> 00:14:19,400 Speaker 6: Mind is blowing away. I can't even feel my face. 281 00:14:20,120 --> 00:14:25,160 Speaker 6: It's well known that Amy loves to use actors in 282 00:14:25,320 --> 00:14:28,360 Speaker 6: multiple roles. And we're not talking about our Amy. We're 283 00:14:28,400 --> 00:14:32,680 Speaker 6: talking about Gilmore Amy. But Amy Amy Sugarman is kind 284 00:14:32,680 --> 00:14:35,880 Speaker 6: of the same way. She uses us in multiple. 285 00:14:36,640 --> 00:14:42,400 Speaker 1: Rebecca Rebecca Mets, and we have homework assignment stuff. Rebecca Mets, 286 00:14:42,400 --> 00:14:46,479 Speaker 1: who played and the business Consultant, also played the breastfeeding 287 00:14:46,520 --> 00:14:50,240 Speaker 1: mom in the diner back and. 288 00:14:49,360 --> 00:14:51,240 Speaker 3: I knew that. 289 00:14:51,400 --> 00:14:54,440 Speaker 2: I'm sorry everybody that I forgot Kyle, but I actually 290 00:14:54,600 --> 00:14:57,480 Speaker 2: knew I recognized her from the show. 291 00:14:58,120 --> 00:15:03,200 Speaker 1: In the scene where Luke is fixing Laureles oven, Laurele 292 00:15:03,240 --> 00:15:07,080 Speaker 1: I is on the phone with Rory. Rory says you 293 00:15:07,160 --> 00:15:10,440 Speaker 1: sound happy, referring to a relationship with Luke, and laurel 294 00:15:10,520 --> 00:15:14,440 Speaker 1: I replies, I am kid. This is a callback to 295 00:15:14,520 --> 00:15:19,560 Speaker 1: season one, episode eleven, when they share the same exchange 296 00:15:19,720 --> 00:15:20,800 Speaker 1: about Max. 297 00:15:22,040 --> 00:15:26,040 Speaker 5: Interesting season one you said. 298 00:15:26,080 --> 00:15:33,160 Speaker 7: Season one episode eleven, Yeah, good one. Huh that makes 299 00:15:33,240 --> 00:15:36,880 Speaker 7: up for the obvious first one. 300 00:15:39,320 --> 00:15:43,560 Speaker 1: Doyle tells Paris that Rabbi Barons had to change his 301 00:15:43,680 --> 00:15:47,720 Speaker 1: number twice because of her harassment. It is just a coincidence, 302 00:15:48,080 --> 00:15:51,440 Speaker 1: is it? Is it just a coincidence that Rabbi Barns 303 00:15:51,520 --> 00:15:57,000 Speaker 1: is also the name of the rabbi and stars hollow. 304 00:15:57,800 --> 00:16:02,320 Speaker 1: Why would that be? Well that the same guy, Yeah, 305 00:16:02,880 --> 00:16:04,000 Speaker 1: the same guy, right. 306 00:16:04,040 --> 00:16:08,200 Speaker 3: Right, that's what we're referencing. Crack Staff might be off 307 00:16:08,200 --> 00:16:09,040 Speaker 3: their game this week. 308 00:16:09,080 --> 00:16:10,280 Speaker 1: I don't know. What do you think I don't. 309 00:16:10,480 --> 00:16:12,280 Speaker 4: I'm about to. I'm about to tell you if they're 310 00:16:12,320 --> 00:16:12,880 Speaker 4: off their game. 311 00:16:13,160 --> 00:16:16,920 Speaker 1: I mean it might be that week in Aruba that 312 00:16:17,320 --> 00:16:18,840 Speaker 1: you know they do they. 313 00:16:18,720 --> 00:16:21,800 Speaker 4: Have anything else? What did they have anything else on 314 00:16:21,840 --> 00:16:22,280 Speaker 4: that list? 315 00:16:23,360 --> 00:16:25,600 Speaker 1: We are? That's it for Crackstaff. 316 00:16:26,640 --> 00:16:29,480 Speaker 3: Danielle's got something tisk oh. 317 00:16:30,360 --> 00:16:32,360 Speaker 1: Oh oh, you got to crackstaff. 318 00:16:32,600 --> 00:16:35,200 Speaker 4: At twenty seconds there's a clown pillow and that was 319 00:16:35,240 --> 00:16:36,760 Speaker 4: spotted by your Australia. 320 00:16:36,960 --> 00:16:38,400 Speaker 3: Hello clown pillow. 321 00:16:39,760 --> 00:16:47,520 Speaker 1: Hello, listen. It's it's my fault. I overwork Crackstaff. Crackstaff. 322 00:16:48,200 --> 00:16:53,080 Speaker 1: It's it's they're just going at it so much and 323 00:16:53,080 --> 00:16:55,040 Speaker 1: they have a lot of other jobs. You don't realize this. 324 00:16:55,120 --> 00:16:58,560 Speaker 1: They do my wardrobe too, they do. They do a 325 00:16:58,560 --> 00:17:00,400 Speaker 1: lot of my wardrobe, which is like do. 326 00:17:00,400 --> 00:17:02,160 Speaker 3: They know where John Barbados suit is? 327 00:17:02,480 --> 00:17:03,600 Speaker 1: Like the best staff. 328 00:17:06,280 --> 00:17:08,040 Speaker 3: Crack Staff located with builta. 329 00:17:08,640 --> 00:17:11,359 Speaker 1: I think there's some very good stuff in here. There's 330 00:17:11,480 --> 00:17:14,320 Speaker 1: good stuff. Now, it's the meat is good. That the 331 00:17:14,400 --> 00:17:18,239 Speaker 1: bread a little weak, but the meat is good. I 332 00:17:18,320 --> 00:17:18,840 Speaker 1: like the meat. 333 00:17:19,880 --> 00:17:22,240 Speaker 3: Thank you, stale bread, but the meat. 334 00:17:22,720 --> 00:17:26,720 Speaker 1: Shout out to crack staff, thank you. 335 00:17:26,760 --> 00:17:27,480 Speaker 3: Next week. 336 00:17:28,520 --> 00:17:31,560 Speaker 1: We're gonna next week Yeah, we're gonna do a new episode. 337 00:17:31,560 --> 00:17:33,640 Speaker 1: We're gonna do I Jump You Jump by Jack or 338 00:17:33,640 --> 00:17:36,960 Speaker 1: I Jump Jack, I Jump you jump Jack jumping, I 339 00:17:37,119 --> 00:17:38,000 Speaker 1: Jump you Jump. 340 00:17:38,440 --> 00:17:44,640 Speaker 2: It's a Titanic reference, everybody, it's the Dermatologist. 341 00:17:44,680 --> 00:17:47,919 Speaker 1: All right, good luck everybody anyway, best fans on the planet. 342 00:17:48,000 --> 00:17:51,119 Speaker 1: Love you guys, Thank you for downloading, and always remember 343 00:17:51,240 --> 00:17:52,919 Speaker 1: I am all In. 344 00:17:53,280 --> 00:18:25,760 Speaker 8: Stay safe, hey everybody, and don't forget Follow us on 345 00:18:25,800 --> 00:18:30,240 Speaker 8: Instagram at I Am all In podcast and email us 346 00:18:30,280 --> 00:18:34,080 Speaker 8: at Gilmore at iHeartRadio dot com. 347 00:18:34,240 --> 00:18:35,120 Speaker 1: Oh you're Gilmore friends. 348 00:18:35,119 --> 00:18:36,879 Speaker 8: If you're looking for the best cup of coffee in 349 00:18:36,880 --> 00:18:40,520 Speaker 8: the world, go to my website from my company Scottip 350 00:18:40,760 --> 00:18:42,880 Speaker 8: dot com s C O T T y P dot 351 00:18:42,920 --> 00:18:48,000 Speaker 8: com scottip dot com Grade one Specialty Coffee