WEBVTT - What Went Wrong with RHONY Reboot?

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<v Speaker 1>Hey rain Drops. Yes, so I finally got merch.

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<v Speaker 2>That's right. You can buy your allegedly and my Voice mugs,

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<v Speaker 2>T shirts, rain Drops, hoodies and T shirts all on

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<v Speaker 2>Carlos Kingshop dot com. That's right.

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<v Speaker 1>Get your hoodies, your T shirts, and.

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<v Speaker 2>Your mugs all on Carlos Kingshop dot com. Welcome to

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<v Speaker 2>Reality to King. It's me Carlos Kings, the King of

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<v Speaker 2>Reality TV and one of the most sought after executive

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<v Speaker 2>producers in reality television with over ten years of production experience.

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<v Speaker 2>Twice a week on Reality with the Kings, we'll sit

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<v Speaker 2>down with my friends across the entertainment industry, recap our

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<v Speaker 2>favorite reality shows and revisit unforgettable moments that we are

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<v Speaker 2>still talking and tweeting about. Hay rain Drops. Yes, I

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<v Speaker 2>don't sound like my chip herself because I'm not sure

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<v Speaker 2>if this episode deserves my wives, conness, my vibrancy, my charm,

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<v Speaker 2>and my wit. On today's episode of Reality with the King,

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<v Speaker 2>we have a funeral that is the death of Ronnie.

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<v Speaker 2>This reboot is a boot. I don't know what else

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<v Speaker 2>to say besides listen to this episode because I had

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<v Speaker 2>to talk about this to someone who can bring back

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<v Speaker 2>the energy that you all are used to of Carlos King.

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<v Speaker 2>So I'm joined by Gibson John's who together we are

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<v Speaker 2>going to talk about what went wrong with the Ronnie reboot.

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<v Speaker 2>And before I played this episode, I just have to say,

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<v Speaker 2>you will never win in the game of reality television

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<v Speaker 2>when you hide your relationship and when you hide your

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<v Speaker 2>life to the audience. We don't get to see Jenna

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<v Speaker 2>alliance fiance, we don't get to see UBA's boyfriend. That's

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<v Speaker 2>the kiss of death. But look, listen to Gibson John's

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<v Speaker 2>and I talk about what went wrong with the Rony reboot. Ladies, gentlemen,

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<v Speaker 2>and day here you go, hey, rain drops on today's

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<v Speaker 2>episode of Reality for the King. I am doing a

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<v Speaker 2>very special episode today. The guy who I'm talking to

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<v Speaker 2>is a friend to the show and he inspired today's

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<v Speaker 2>episode because I follow him on Twitter and I saw

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<v Speaker 2>a lot of posts about the recent episode of the

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<v Speaker 2>Real Housewives of New York City and I'm seeing all

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<v Speaker 2>of this backlash in regards to a prank. And because

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<v Speaker 2>I do not watch the show, I need to discuss

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<v Speaker 2>with Gibson John's spoiler alert as to why everybody is

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<v Speaker 2>saying this is what's wrong with this reboot? So ladies, gentlemen,

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<v Speaker 2>and they give it up for the one of the

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<v Speaker 2>only Gibson Johns.

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<v Speaker 3>What an intro.

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<v Speaker 4>You know, even though Twitter is a bit of a

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<v Speaker 4>dumpster fire these days, we're still we're still inspiring.

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<v Speaker 3>New episodes from it. No, I didn't. I forgot you

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<v Speaker 3>didn't watch the show.

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<v Speaker 2>Oh and so this is this is the best part,

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<v Speaker 2>Gibson John's. Let's have a real conversation. Yes, I watch

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<v Speaker 2>all of the episodes of the first season of the reboot,

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<v Speaker 2>in addition to the two part reunion, right, and my

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<v Speaker 2>rain drops know this. I was like, guys, this show

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<v Speaker 2>is not that bad. I'm enjoying it. I like the girls.

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<v Speaker 2>Boom boom boom. So I'm like, okay, fine, I like

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<v Speaker 2>the cast. Listen. I can critique stuff here and there,

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<v Speaker 2>but overall I was I was pleased.

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<v Speaker 4>Right.

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<v Speaker 2>Then comes the second season of this reboot, and after

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<v Speaker 2>watching fifteen minutes of it, I was like, I can't

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<v Speaker 2>it felt contrived and Gibson, this is the first episode

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<v Speaker 2>of the season two premiere, and my spidy senses within

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<v Speaker 2>fifteen minutes was like, this is not good. And I

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<v Speaker 2>was so disinterested that I stopped watching it, but what

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<v Speaker 2>is going on with this season? Because I did not

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<v Speaker 2>even want to prepare for this conversation I'm having with you,

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<v Speaker 2>because I said to myself, you know, because I'm a journalist, Hey, Portia,

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<v Speaker 2>and I'm like, let me watch the clips. I'm so disinterested.

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<v Speaker 2>I did not even watch the clips because I just

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<v Speaker 2>don't give a buck.

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<v Speaker 4>Yeah, I felt the same way about the first season

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<v Speaker 4>as you did.

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<v Speaker 3>I was like, this isn't perfect.

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<v Speaker 4>It's not it's not that good, but it has potential,

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<v Speaker 4>Like some of the casting is pretty good. Hopefully for

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<v Speaker 4>a second season, they come back, they fix some of

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<v Speaker 4>the issues and whatnot. They've gone backwards in the second

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<v Speaker 4>season and up till.

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<v Speaker 3>Now it hasn't been great.

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<v Speaker 4>But my biggest issue was just sort of like the

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<v Speaker 4>awareness of them being on camera and off camera, and

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<v Speaker 4>sort of they were just hyper aware of how they

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<v Speaker 4>were coming across from the show. And I think that's

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<v Speaker 4>that's kind of common for a second season Housewife, but

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<v Speaker 4>having a full having a full cast of that makes

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<v Speaker 4>it really hard to watch and they're just so they're

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<v Speaker 4>so obsessed with sort of like how it's all coming across.

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<v Speaker 4>But then this past episode, it just took it to

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<v Speaker 4>another level and people are aren't happy.

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<v Speaker 3>Do you want me to explain sort of the.

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<v Speaker 2>Plane everything to me and to the audience, because I'm

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<v Speaker 2>not sure even they're aware of how bad is becoming

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<v Speaker 2>happy to do it? And as you recap this most

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<v Speaker 2>recent episode, can you also include that there's been breadcrumbs

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<v Speaker 2>of fourth wall stuff happening and fake storylines? But but

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<v Speaker 2>go ahead, yeah.

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<v Speaker 4>Okay, So Rebecca Minkoff joined the show obviously for this season,

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<v Speaker 4>and she's a friend of She is an established back designer.

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<v Speaker 4>We know that she's a scientologist. And what's interesting, I

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<v Speaker 4>think is that she never really got a full intro.

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<v Speaker 4>She just sort of like showed up to a group

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<v Speaker 4>lunch on the first episode and it was like Rebecca Minkoff,

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<v Speaker 4>and it's like they're kind of assuming the audience like

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<v Speaker 4>knows exactly who she is and she's like this big

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<v Speaker 4>deal and she is a name brand in the fashion world,

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<v Speaker 4>but like you have to do the work to explain

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<v Speaker 4>that to the audience, right Like that that was sort

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<v Speaker 4>of the first sort of clue for me that the

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<v Speaker 4>Rebecca puzzle piece was just not ever going to really

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<v Speaker 4>fully work. Then she gets asked about scientology on the

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<v Speaker 4>helicopter ride to the Hamptons and brings like, what do

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<v Speaker 4>you want us to say to people who ask about it?

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<v Speaker 4>And she's like just She's like just say no comment,

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<v Speaker 4>and they're like okay, and they just kind of like

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<v Speaker 4>take that and they don't challenge her on it. So

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<v Speaker 4>that was another sort of thing that I've been watching,

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<v Speaker 4>is the scientology aspect. So then we get to and

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<v Speaker 4>she kind of has been she's been pretty boring this

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<v Speaker 4>whole time. She has not really brought anything to the

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<v Speaker 4>show this episode. Do you remember the clip of Cy

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<v Speaker 4>Jeff Lewis Live that went viral where she was It

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<v Speaker 4>was a hot mic where she says, or somebody asked her,

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<v Speaker 4>how has Rebecca mink Golf been on the show, and

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<v Speaker 4>she says she's been really boring. Well, this episode was

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<v Speaker 4>filmed around the time at that leaked, So we see

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<v Speaker 4>Rebecca and Aaron go to lunch and and you know,

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<v Speaker 4>we there, you know, Aaron's like, Brin's been talking about you.

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<v Speaker 4>She's been saying that, like, you know, yourself sold Nord

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<v Speaker 4>some rack, and she's been really shady. And then that

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<v Speaker 4>coupled with Cy calling her boring, I think sort of

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<v Speaker 4>inspired this whole prank that we saw play out. So essentially,

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<v Speaker 4>the beginning of the episode is, oh my god, Rebecca's pregnant.

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<v Speaker 4>Oh my god, Like it's it's getting around the group. Aaron,

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<v Speaker 4>she told, Aaron, who told who told Brynn and Jessel,

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<v Speaker 4>and then it's like four days later we see this

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<v Speaker 4>lunch and but we don't see them come up with

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<v Speaker 4>any sort of plan. So we we as an audience,

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<v Speaker 4>think that Rebecca might be pregnant. We think that this

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<v Speaker 4>is like going to get around the group and it's

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<v Speaker 4>going to come to ahead at this end of the episode.

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<v Speaker 4>Event well, we get to the end of the episode,

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<v Speaker 4>event it, you know, Jenna tells Rebecca that she you know,

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<v Speaker 4>she's pregnant and all this stuff. Aaron pulls Rebecca aside

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<v Speaker 4>as she gets really upset and calls her out for

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<v Speaker 4>telling the rest of the group, and then Aarin was like,

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<v Speaker 4>that was good, that was good, and then it says

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<v Speaker 4>to be continued. So essentially the entire episode is us

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<v Speaker 4>as well as the other women, being made to think

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<v Speaker 4>that Rebecca has stepped out on her marriage gotten pregnant

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<v Speaker 4>by another guy via some like orgy situation or something.

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<v Speaker 4>It builds, it builds and builds, builds, but we don't

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<v Speaker 4>know that it's a prank. Aarin and Rebecca have come

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<v Speaker 4>up with this plan to basically prove that the other

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<v Speaker 4>women specifically bring our gossips, that they're going to spread

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<v Speaker 4>information even if it's sensitive, and that's it's to be continued.

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<v Speaker 4>So we don't really have the explanation of the prank

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<v Speaker 4>because we didn't see them come up with it. Yeah,

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<v Speaker 4>so were lent to believe at the end of the

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<v Speaker 4>episode that at that lunch that I alluded to, that

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<v Speaker 4>is when the plan was hatched to create this fake

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<v Speaker 4>pregnancy prank. But we haven't been We never saw that

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<v Speaker 4>as an audience or we're not going to see that

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<v Speaker 4>until next week probably, So.

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<v Speaker 3>Here we are.

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<v Speaker 4>We're not in on the joke. So we've also been

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<v Speaker 4>sort of pranked as viewers. And you know, obviously this

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<v Speaker 4>is coming after Rebecca really not bringing much to the show,

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<v Speaker 4>the other women being really aware of how things are

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<v Speaker 4>coming across and whatnot, and it just it adds to

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<v Speaker 4>the to the feeling that they don't really know what

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<v Speaker 4>they're doing with this show, you know what I mean,

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<v Speaker 4>It's not just anauthentic. In my mind, it's more like,

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<v Speaker 4>what are you trying to do here? You know, like,

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<v Speaker 4>this isn't I don't want to be pranked as an

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<v Speaker 4>audience member. It would have been maybe kind of fun

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<v Speaker 4>if they had let us in on the joke and

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<v Speaker 4>we saw all the other women sort of being like,

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<v Speaker 4>oh my god, she's pregnant and we knew that she wasn't.

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<v Speaker 3>But this was also something that was teased in the trailer.

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<v Speaker 4>It was there was this was splice and dice in

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<v Speaker 4>the in the in the season's trailer, it was like,

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<v Speaker 4>oh my god, wait, is Rebecca min Golf pregnant? Is

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<v Speaker 4>this about somebody else? Or no, it's just a fake

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<v Speaker 4>prank they came up with while filming.

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<v Speaker 1>This is horrible because listen, it's right.

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<v Speaker 2>I'm just gonna be very blunt. It's one thing to

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<v Speaker 2>prank your fellow cast members. I get a prank, but

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<v Speaker 2>but yeah, let's just say whatever that's the storyline. It's

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<v Speaker 2>one thing to prank your fellow cast members. The biggest

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<v Speaker 2>mistake to me is the audience is not in on

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<v Speaker 2>the joke, or in this case, in on the prank,

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<v Speaker 2>because as an audience, you're watching with your emotions on

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<v Speaker 2>the table, right, so to be emotionally unsatisfied at the end,

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<v Speaker 2>knowing that, wait, this is not real and we didn't

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<v Speaker 2>give a hits up. And the problem that I'm having

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<v Speaker 2>with that, Gibson is you ladies, haven't earned the right

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<v Speaker 2>to prank the audience. Yes, who do you think you are?

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<v Speaker 2>You're not Atlanta Housewives sixteen seasons in. You are not

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<v Speaker 2>oc You're not Beverly Hills. You're not even fucking Dubai

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<v Speaker 2>at this point right, which we'll talk about that later.

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<v Speaker 2>You guys have this very important position because at the

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<v Speaker 2>end of the day, the Real House Washs in New

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<v Speaker 2>York City was an iconic show that birth the greats

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<v Speaker 2>of Bethany, Derinda, Ramona, Luin, etc. Right, Sonya as well.

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<v Speaker 2>So there's a lot of way to carry and you, ladies,

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<v Speaker 2>not only did not understand the assignment, you failed it.

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<v Speaker 2>And it goes to show you that when it comes

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<v Speaker 2>to this cast and you're one thousand percent of by

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<v Speaker 2>Gibson on any reality show, the second season and your

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<v Speaker 2>sophomore season is the most difficult because the ladies in

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<v Speaker 2>this case, in this day and age, they're reading the tweets.

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<v Speaker 2>They kind of see how they're being like in their words,

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<v Speaker 2>portrayed right, like, oh, I'm the villain, people hate me,

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<v Speaker 2>you know, and you sort of one or two things happen.

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<v Speaker 2>You sort of become a caricature of yourself to where

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<v Speaker 2>you behave in a way where you think the audience

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<v Speaker 2>wants you to behave. Right. So that's one end of it.

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<v Speaker 2>The other end of it is you are completely different

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<v Speaker 2>in your first season because you're playing it's safe, because

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<v Speaker 2>you are so villainized that you don't want to you

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<v Speaker 2>don't want to make any mistakes right. And it's interesting

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<v Speaker 2>because Gibson, I promise you, I caught them the first

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<v Speaker 2>fifteen minutes of the first episode of the second season

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<v Speaker 2>of this reboot, and I'm not into it, and I

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<v Speaker 2>want to get into this before I get into Jena Alliance.

0:13:58.240 --> 0:14:01.839
<v Speaker 2>I also read on Twitter a few weeks ago that

0:14:03.080 --> 0:14:08.040
<v Speaker 2>even Brin told another cast member, let's have a fake

0:14:08.160 --> 0:14:11.440
<v Speaker 2>fight about fashion on something. Can you explain that to us? Yeah?

0:14:11.480 --> 0:14:15.040
<v Speaker 4>So that was on the Hampton Strip at Aaron's house.

0:14:15.240 --> 0:14:22.080
<v Speaker 4>Brynn whispered to Rebecca she had she had back then

0:14:22.240 --> 0:14:25.880
<v Speaker 4>also shaded her fashion line. I believe it was, and

0:14:26.080 --> 0:14:29.240
<v Speaker 4>Rebecca just sort of took it or like didn't really

0:14:29.320 --> 0:14:32.040
<v Speaker 4>hit back in the way that maybe somebody who was

0:14:32.080 --> 0:14:35.480
<v Speaker 4>adept at Housewives would And Brin sort of whispered to

0:14:35.520 --> 0:14:37.840
<v Speaker 4>her at the breakfast table. She was like, no, Like

0:14:37.880 --> 0:14:41.080
<v Speaker 4>what you should say is like, well, you're selling sweatshirts

0:14:41.080 --> 0:14:44.640
<v Speaker 4>at Bravo con like like I'm I'm sold like across

0:14:44.640 --> 0:14:47.800
<v Speaker 4>the world. Like that's and they they kept that in

0:14:47.840 --> 0:14:51.480
<v Speaker 4>the episode. They showed her sort of coaching her at

0:14:51.520 --> 0:14:55.560
<v Speaker 4>the breakfast table. And you know, Brings one of those

0:14:55.600 --> 0:14:58.080
<v Speaker 4>people who I think had a pretty good first season.

0:14:58.160 --> 0:14:59.400
<v Speaker 4>She showed like a lot, she had a lot of

0:14:59.400 --> 0:15:02.000
<v Speaker 4>star power, and she was I think she brought some

0:15:02.080 --> 0:15:05.960
<v Speaker 4>interesting storyline to it and backstory. But this season she's

0:15:06.080 --> 0:15:08.480
<v Speaker 4>just completely It was the first thing you said, which

0:15:08.520 --> 0:15:10.320
<v Speaker 4>was she sort of leaned into the caricature of it.

0:15:10.440 --> 0:15:13.880
<v Speaker 4>Like everything she says is like very like sexed up

0:15:14.040 --> 0:15:17.480
<v Speaker 4>and very kind of vixeny, and like just she's playing

0:15:17.480 --> 0:15:20.280
<v Speaker 4>that character kind of at all times, and she's she's.

0:15:20.360 --> 0:15:22.440
<v Speaker 2>Flirting with Jenna Alliance like like like.

0:15:22.480 --> 0:15:23.160
<v Speaker 3>All the time.

0:15:23.880 --> 0:15:26.520
<v Speaker 4>Jenna Alliance, the New the New One, Roquelle, who was

0:15:26.560 --> 0:15:31.240
<v Speaker 4>also a lesbian Aaron's dad always in confessionals, it's like

0:15:31.360 --> 0:15:34.400
<v Speaker 4>always happening kind of and it's just sort of like, yeah,

0:15:34.400 --> 0:15:36.160
<v Speaker 4>in bits and pieces, that was kind of fun in

0:15:36.200 --> 0:15:39.560
<v Speaker 4>the first season, but it's still happening at all times

0:15:39.640 --> 0:15:42.560
<v Speaker 4>on the second season. Jeff Lewis even called it out

0:15:42.600 --> 0:15:45.280
<v Speaker 4>on Watch Reppins Live. He was like, enough, it's like

0:15:45.320 --> 0:15:47.360
<v Speaker 4>if I was Jenna's partner, I'd be fucking annoyed.

0:15:48.600 --> 0:15:50.440
<v Speaker 2>Yeah. And the thing is, it's sort of it's like

0:15:50.560 --> 0:15:51.960
<v Speaker 2>curbaiting a little bit.

0:15:52.040 --> 0:15:53.280
<v Speaker 3>It's like I see that.

0:15:53.560 --> 0:15:54.840
<v Speaker 2>Do you know what I mean? Because the thing is

0:15:54.840 --> 0:15:59.000
<v Speaker 2>this as the upply gay man, I'm not going to

0:16:00.000 --> 0:16:03.160
<v Speaker 2>constantly well number one, I don't float with straight men, right,

0:16:04.200 --> 0:16:08.280
<v Speaker 2>I listen, this is my opinion. I think it crosses

0:16:08.320 --> 0:16:10.760
<v Speaker 2>the line, and I think it's disrespectful, you know, I.

0:16:10.800 --> 0:16:11.360
<v Speaker 3>Think I think.

0:16:11.520 --> 0:16:13.040
<v Speaker 4>I think in bits and pieces it can be kind

0:16:13.080 --> 0:16:14.520
<v Speaker 4>of fun, like if you're at a party and it's

0:16:14.560 --> 0:16:17.200
<v Speaker 4>just sort of like oh yeah, but it's it happens

0:16:17.280 --> 0:16:17.680
<v Speaker 4>a lot.

0:16:18.040 --> 0:16:20.720
<v Speaker 2>Yeah, and listen if okay, I'll give a good example.

0:16:21.040 --> 0:16:22.920
<v Speaker 2>If one of my best female friends has a husband

0:16:22.920 --> 0:16:24.640
<v Speaker 2>who's like coolest shit, and I'm like, oh my god,

0:16:24.680 --> 0:16:28.400
<v Speaker 2>you're gorgeous. That's one thing I'm not. But but I'm

0:16:28.520 --> 0:16:34.080
<v Speaker 2>the way brand flirts with Jenna and women. It's close proximity,

0:16:34.360 --> 0:16:38.040
<v Speaker 2>you know. It's like the Beyonce Kittie Cat song. She's purrying.

0:16:38.160 --> 0:16:40.120
<v Speaker 1>It's like a me a like, hey, you want to

0:16:40.120 --> 0:16:41.040
<v Speaker 1>go out bath like that?

0:16:41.120 --> 0:16:42.360
<v Speaker 3>Yeah, like that kind of stuff.

0:16:42.400 --> 0:16:45.080
<v Speaker 2>Like I'm not doing that to a straight guy. I like,

0:16:45.160 --> 0:16:48.320
<v Speaker 2>I'll compliment you, right, but I'm not going to like

0:16:49.240 --> 0:16:53.280
<v Speaker 2>invade your personal space. So that's that's that. But the

0:16:53.360 --> 0:16:56.560
<v Speaker 2>bigger thing to me, though, Gibson, it sounds to me

0:16:56.760 --> 0:17:02.120
<v Speaker 2>like production is sabotaging this show because to show the

0:17:02.320 --> 0:17:06.200
<v Speaker 2>whispers of no, you should have, like, you know, argue

0:17:06.240 --> 0:17:07.960
<v Speaker 2>back with me, you should have let me have it

0:17:08.080 --> 0:17:12.040
<v Speaker 2>or whatever. And then to to show that this was

0:17:12.080 --> 0:17:15.200
<v Speaker 2>a prank with Rebecca and Aaron, you know that they

0:17:15.280 --> 0:17:17.600
<v Speaker 2>set up and the audience finds that at the end.

0:17:18.080 --> 0:17:21.439
<v Speaker 2>Those are two things that as the production company and

0:17:21.440 --> 0:17:26.160
<v Speaker 2>a producer, I wouldn't do because I just I would

0:17:26.200 --> 0:17:28.920
<v Speaker 2>never give my audience that much intail in terms of

0:17:28.960 --> 0:17:29.399
<v Speaker 2>how fake it.

0:17:29.600 --> 0:17:31.520
<v Speaker 4>That was sort of my question for you, Carlos, is

0:17:31.560 --> 0:17:33.440
<v Speaker 4>because like I think a lot of people, I think

0:17:33.520 --> 0:17:35.240
<v Speaker 4>up until now, a lot of the blame has just

0:17:35.280 --> 0:17:37.800
<v Speaker 4>been put kind of squarely on the women and the cast,

0:17:38.119 --> 0:17:41.440
<v Speaker 4>which I think they bear the brunt of I think

0:17:41.480 --> 0:17:43.240
<v Speaker 4>a lot of a lot of this and why the

0:17:43.480 --> 0:17:46.000
<v Speaker 4>show is just not working. But I think after this

0:17:46.119 --> 0:17:49.359
<v Speaker 4>episode people have sort of shifted some of the blame

0:17:49.440 --> 0:17:53.760
<v Speaker 4>to production, because again, if this, if this episode had

0:17:53.760 --> 0:17:55.959
<v Speaker 4>been represented of like, Okay, we start with the Rebecca

0:17:56.040 --> 0:17:58.440
<v Speaker 4>and Aaron lunch and it's like Rebecca is fed up

0:17:58.520 --> 0:18:02.480
<v Speaker 4>with being you know, shaded, and they want to prove

0:18:02.480 --> 0:18:04.920
<v Speaker 4>that brain will just like repeat anything. And then they

0:18:04.920 --> 0:18:07.239
<v Speaker 4>show us that they come up with this plan and

0:18:07.280 --> 0:18:09.520
<v Speaker 4>the rest of the forty minutes of the episode is,

0:18:10.160 --> 0:18:12.480
<v Speaker 4>oh my god, Brin's freaking out about it, Jessel's freaking

0:18:12.520 --> 0:18:14.720
<v Speaker 4>out about its, Ie freaking out about it. They're gossiping

0:18:14.800 --> 0:18:16.840
<v Speaker 4>about it for thirty minutes, and then at the end

0:18:16.920 --> 0:18:18.959
<v Speaker 4>we get the big review we show we see their

0:18:19.000 --> 0:18:21.520
<v Speaker 4>reaction and it's built up for us because we know

0:18:21.640 --> 0:18:25.080
<v Speaker 4>it's fake. That would be I wouldn't really like that,

0:18:25.440 --> 0:18:28.520
<v Speaker 4>but at least it doesn't feel like we're again they're

0:18:28.520 --> 0:18:30.520
<v Speaker 4>pulling a fast one on us as well. Yeah, and

0:18:30.640 --> 0:18:32.720
<v Speaker 4>like playing with our emotions and so a lot of

0:18:32.760 --> 0:18:35.000
<v Speaker 4>people I think just had an issue also, just like

0:18:35.080 --> 0:18:37.840
<v Speaker 4>the way that it was edited together and put together,

0:18:39.760 --> 0:18:43.239
<v Speaker 4>and they're blaming production because they don't really know. They

0:18:43.280 --> 0:18:45.200
<v Speaker 4>think they don't really know what show they're making, Like

0:18:45.280 --> 0:18:46.000
<v Speaker 4>do you like is it?

0:18:46.600 --> 0:18:46.920
<v Speaker 3>I don't know?

0:18:47.080 --> 0:18:49.480
<v Speaker 2>Yes, I don't know. Yes, this is not keeping up

0:18:49.480 --> 0:18:53.399
<v Speaker 2>with the Kardashians Une where it's not Chris, you know

0:18:53.480 --> 0:18:56.720
<v Speaker 2>what I mean, Chris like making the fake art or whatever. Yeah,

0:18:57.160 --> 0:19:00.920
<v Speaker 2>you know, like like early days of the Card on E.

0:19:01.280 --> 0:19:04.480
<v Speaker 2>I'm very I'm gonna be very Gibson knows what I'm doing.

0:19:04.520 --> 0:19:08.440
<v Speaker 2>I'm very different because it's a different show. On E

0:19:09.320 --> 0:19:11.720
<v Speaker 2>they play into the pranks, you know, t ping Chris

0:19:11.880 --> 0:19:14.080
<v Speaker 2>is how like you said, the fake are like it

0:19:14.200 --> 0:19:17.520
<v Speaker 2>was part like Chloe and the girls stick right and

0:19:17.640 --> 0:19:20.280
<v Speaker 2>we but we will always we always knew about it.

0:19:20.600 --> 0:19:24.159
<v Speaker 2>We always knew about it as the audience. Let's have

0:19:24.240 --> 0:19:27.280
<v Speaker 2>a real conversation, Gibson. I'm not watching Housewives to see

0:19:27.280 --> 0:19:31.520
<v Speaker 2>a prank me. I'm not listen. I want to see

0:19:31.600 --> 0:19:34.520
<v Speaker 2>personal story. I want to see these real women have

0:19:34.680 --> 0:19:37.639
<v Speaker 2>real conversations about what's going on in their lives, in

0:19:37.720 --> 0:19:41.080
<v Speaker 2>their friendships, in they're in a circle. I don't care

0:19:41.200 --> 0:19:45.200
<v Speaker 2>to see a prank the old New York Housewives. And

0:19:45.280 --> 0:19:47.160
<v Speaker 2>this is why I'm gonna give the production a little

0:19:47.160 --> 0:19:50.320
<v Speaker 2>bit of grace. Right again, Carlos King would have never

0:19:50.440 --> 0:19:54.080
<v Speaker 2>done that. And even if I was told by higher up,

0:19:54.200 --> 0:19:58.719
<v Speaker 2>so whatever the powers that be, I would have fought strongly. Like, guys,

0:19:59.600 --> 0:20:02.440
<v Speaker 2>this is not the way to go because the audience

0:20:02.600 --> 0:20:05.560
<v Speaker 2>doesn't know them yet and they haven't earned their trust.

0:20:05.920 --> 0:20:08.040
<v Speaker 3>And there and we already don't love the show.

0:20:09.640 --> 0:20:11.440
<v Speaker 4>Like it's like so it's like, that's not if you

0:20:11.480 --> 0:20:13.000
<v Speaker 4>want to rope us in and like try to get

0:20:13.080 --> 0:20:14.600
<v Speaker 4>us hooked on the show, this is not the way

0:20:14.640 --> 0:20:14.920
<v Speaker 4>to do it.

0:20:15.200 --> 0:20:31.800
<v Speaker 2>Yes, not exactly, child. We are just getting started. This

0:20:32.000 --> 0:20:35.240
<v Speaker 2>is reality with the King, and I'm Carlos King. Let's

0:20:35.280 --> 0:20:40.119
<v Speaker 2>get back into the show. So let me give the

0:20:40.200 --> 0:20:43.240
<v Speaker 2>production a little bit of grace, right, Okay. One thing

0:20:43.359 --> 0:20:46.800
<v Speaker 2>we do know about Old Roney, right, the the the

0:20:47.200 --> 0:20:50.879
<v Speaker 2>ogs and the icon the iconic legends that they are

0:20:51.960 --> 0:20:56.120
<v Speaker 2>is the fact that they were funny and we play

0:20:56.200 --> 0:20:59.760
<v Speaker 2>they played, They played up the comedy of their situations right,

0:20:59.800 --> 0:21:05.000
<v Speaker 2>and a very comedic way. It was like seven Lucille

0:21:05.080 --> 0:21:07.359
<v Speaker 2>balls that made up the New York Housewise right.

0:21:07.359 --> 0:21:08.560
<v Speaker 3>Total like they were.

0:21:09.119 --> 0:21:14.399
<v Speaker 2>And I'm a going records for saying this. The New

0:21:14.480 --> 0:21:18.480
<v Speaker 2>York City Housewives were always the most comedic franchise, right.

0:21:18.800 --> 0:21:26.080
<v Speaker 2>They were known for their comedy. So perhaps perhaps that

0:21:26.480 --> 0:21:30.919
<v Speaker 2>the production felt like, what's the twenty twenty four version

0:21:31.640 --> 0:21:37.919
<v Speaker 2>of these rony ladies? And unfortunately this isn't it because

0:21:39.040 --> 0:21:41.240
<v Speaker 2>at least I'm gonna say that none of these girls

0:21:41.280 --> 0:21:45.000
<v Speaker 2>put together can hold the cancel to Ramona Singer, to

0:21:45.119 --> 0:21:46.000
<v Speaker 2>Bethany Frankel.

0:21:46.640 --> 0:21:51.639
<v Speaker 1>So this cast, to me, isn't funny. I don't find no, I.

0:21:51.720 --> 0:21:58.520
<v Speaker 3>Never last well, I never do. I don't Carlos, I don't.

0:21:58.480 --> 0:22:02.840
<v Speaker 2>Give said the black just so you know you make

0:22:02.920 --> 0:22:10.359
<v Speaker 2>me laugh, Okay, comedy somewhere, Yes, they're not funny. Comedians

0:22:10.400 --> 0:22:17.000
<v Speaker 2>were not cast to be on this show. I have

0:22:17.200 --> 0:22:23.680
<v Speaker 2>to say this. This was a mistake. This was a

0:22:23.760 --> 0:22:30.600
<v Speaker 2>mistake to reboot an iconic franchise, and I understand the

0:22:31.560 --> 0:22:34.320
<v Speaker 2>reasoning behind it. And we don't have to get into

0:22:34.320 --> 0:22:36.520
<v Speaker 2>all of that because that's a whole nother podcast episode.

0:22:37.640 --> 0:22:41.480
<v Speaker 2>It's the political. Yeah, so we already talked about the

0:22:41.560 --> 0:22:44.320
<v Speaker 2>political nature of why that happened. And let's be clear

0:22:44.520 --> 0:22:49.439
<v Speaker 2>that's that's that's what it is. If that's the case, fine,

0:22:50.000 --> 0:22:54.800
<v Speaker 2>who am I to like whatever? Cast women that not

0:22:54.960 --> 0:22:58.800
<v Speaker 2>only represent New York City but who are funny. It's

0:22:58.840 --> 0:23:01.040
<v Speaker 2>sort of like the and we're gonna see what happens

0:23:01.080 --> 0:23:05.960
<v Speaker 2>with Atlanta Housewives when it comes back next year. Atlanta Housewives.

0:23:06.600 --> 0:23:12.200
<v Speaker 2>They're known to be the shadiest girls who can read

0:23:12.400 --> 0:23:17.080
<v Speaker 2>each other up and down the sidewalk right shock. The

0:23:17.359 --> 0:23:21.600
<v Speaker 2>Atlanta girls are pros at at shade messy shock value,

0:23:22.200 --> 0:23:25.919
<v Speaker 2>like they're they're they're funny, but attas they'll always make

0:23:26.000 --> 0:23:28.760
<v Speaker 2>us laugh. They will yeah yeah without trying hard, and

0:23:29.119 --> 0:23:33.040
<v Speaker 2>and and the difference is this, Ronie, they were funny in.

0:23:33.119 --> 0:23:33.720
<v Speaker 3>A very.

0:23:37.320 --> 0:23:42.359
<v Speaker 2>Yeah yeah exactly exactly, whereas Atlanta is shady. It's like

0:23:42.800 --> 0:23:46.040
<v Speaker 2>where Kenya and Porsche read each other needy Kimisch like

0:23:46.560 --> 0:23:50.840
<v Speaker 2>it's hilarious without intending to be hilarious. So it's sort

0:23:50.840 --> 0:23:53.480
<v Speaker 2>of like they have, like I think, four new women

0:23:53.880 --> 0:23:56.760
<v Speaker 2>on this upcoming season. Those four new women have to

0:23:56.840 --> 0:24:01.119
<v Speaker 2>represent the shade fun that we saw in the golden

0:24:01.240 --> 0:24:04.240
<v Speaker 2>days of that franchise. And I think they I've heard

0:24:04.240 --> 0:24:07.879
<v Speaker 2>great things about this upcoming seat good really great things

0:24:08.280 --> 0:24:14.680
<v Speaker 2>plus porsches back, So there you go wrong cast. These

0:24:14.760 --> 0:24:17.960
<v Speaker 2>women are power players and I love that for them.

0:24:18.840 --> 0:24:21.840
<v Speaker 2>One thing about New York City women not like stereotyping

0:24:21.920 --> 0:24:24.080
<v Speaker 2>them like this does not apply to all New York

0:24:24.080 --> 0:24:27.159
<v Speaker 2>City women, but New York City women, the majority of

0:24:27.240 --> 0:24:30.680
<v Speaker 2>them are very savvy. You cannot put one on them.

0:24:30.920 --> 0:24:36.560
<v Speaker 2>They're they're they're savvy, smart, successful, and they and they're

0:24:36.680 --> 0:24:41.560
<v Speaker 2>very conscious of like their image and their career. And

0:24:41.760 --> 0:24:46.800
<v Speaker 2>these women represent that. But it doesn't make them reality stars. No, No.

0:24:46.920 --> 0:24:48.960
<v Speaker 4>I think a couple of things. One is that I've

0:24:49.040 --> 0:24:51.320
<v Speaker 4>said that I wish that they would put in like

0:24:52.920 --> 0:24:55.240
<v Speaker 4>a seasoned reality star in there to sort of help

0:24:55.280 --> 0:24:57.840
<v Speaker 4>guide the way a little bit. And two, I agree

0:24:57.880 --> 0:25:00.400
<v Speaker 4>it's sort of like where are the Julia Fai boxes

0:25:00.480 --> 0:25:02.280
<v Speaker 4>of the world that that could have been cast here

0:25:02.320 --> 0:25:05.840
<v Speaker 4>where Like, she is very savvy, she's kind of made

0:25:05.840 --> 0:25:08.240
<v Speaker 4>a name for herself, but she's also funny as fuck.

0:25:08.600 --> 0:25:10.280
<v Speaker 4>You know that it's people like that that are and

0:25:10.359 --> 0:25:13.080
<v Speaker 4>she has this sort of like edgy, actual edgy kind

0:25:13.119 --> 0:25:16.520
<v Speaker 4>of nature to her. I gravitate towards people like Roquel

0:25:16.680 --> 0:25:19.680
<v Speaker 4>the New One and Jenna who are actually even though

0:25:19.680 --> 0:25:22.479
<v Speaker 4>they aren't necessarily like amazing housewives, I wouldn't say, they

0:25:22.520 --> 0:25:24.480
<v Speaker 4>still have like a lot of authenticity to them and

0:25:24.560 --> 0:25:26.879
<v Speaker 4>they just kind of they're kind of no bullshit people,

0:25:26.920 --> 0:25:28.639
<v Speaker 4>which I which is very New York to me.

0:25:29.480 --> 0:25:32.159
<v Speaker 3>And the last thing I'll say is like, you know,

0:25:32.320 --> 0:25:34.560
<v Speaker 3>I think I do think that like this.

0:25:34.840 --> 0:25:38.840
<v Speaker 4>Wrote this complete Roney reboot and sort of the the

0:25:38.920 --> 0:25:41.680
<v Speaker 4>way the audience has reacted to it overall, and just

0:25:41.840 --> 0:25:43.879
<v Speaker 4>like in the ratings, I think reflect that is like

0:25:44.880 --> 0:25:47.040
<v Speaker 4>it hasn't been received well, and I think it proves

0:25:47.080 --> 0:25:49.160
<v Speaker 4>that maybe this is not the best way to reboot

0:25:49.200 --> 0:25:52.080
<v Speaker 4>a franchise. You know, I think I think about Oc

0:25:52.320 --> 0:25:55.600
<v Speaker 4>and Potomac, who both were found themselves in kind of

0:25:55.680 --> 0:25:59.000
<v Speaker 4>dire straits there for a little bit, but they both

0:25:59.080 --> 0:26:01.359
<v Speaker 4>kind of took a very simil their approach to refreshing

0:26:01.400 --> 0:26:04.639
<v Speaker 4>and rebooting quote unquote their franchises, which was keep some

0:26:05.359 --> 0:26:09.240
<v Speaker 4>OG's or quasi ogs in the mix, some really solid

0:26:09.320 --> 0:26:12.360
<v Speaker 4>mid run people, but then also inject three to four

0:26:12.480 --> 0:26:15.960
<v Speaker 4>new faces that really bring the energy and can keep

0:26:16.080 --> 0:26:19.240
<v Speaker 4>up with the Ogs and aren't intimidated by them. It's

0:26:19.280 --> 0:26:21.320
<v Speaker 4>about getting that ratio right, you know what I mean?

0:26:21.359 --> 0:26:24.040
<v Speaker 4>You have to feel a connection to the to the

0:26:24.080 --> 0:26:26.919
<v Speaker 4>beginnings of the show, and whether that is through somebody

0:26:27.119 --> 0:26:29.600
<v Speaker 4>like a Tamra or Heather or Ushannon, who are none

0:26:29.600 --> 0:26:32.520
<v Speaker 4>of them are technically ogs, but they all.

0:26:32.440 --> 0:26:34.120
<v Speaker 3>Feel like kind of OG's at this point.

0:26:34.240 --> 0:26:37.639
<v Speaker 4>Right then you have Gina and Emily, who have been

0:26:37.680 --> 0:26:39.800
<v Speaker 4>there for a while now and they feel really integral

0:26:39.840 --> 0:26:42.480
<v Speaker 4>to the show. Go to Potomac, you have Giselle, Karen

0:26:42.520 --> 0:26:44.920
<v Speaker 4>and Ashley. They are OG's, they are connected to the

0:26:44.960 --> 0:26:47.040
<v Speaker 4>beginning of the show. Then you have Wendy and Mia

0:26:47.119 --> 0:26:49.600
<v Speaker 4>who kind of feel like they're really ingrained into the

0:26:49.640 --> 0:26:52.120
<v Speaker 4>show now. But then they have three to four women

0:26:52.160 --> 0:26:54.960
<v Speaker 4>who most of which I think are really they're really

0:26:55.040 --> 0:26:56.880
<v Speaker 4>bringing it to atomic and I think that it brought

0:26:56.920 --> 0:27:00.240
<v Speaker 4>it kind of back from last season. So like those

0:27:00.280 --> 0:27:02.520
<v Speaker 4>two shows prove that you don't have to do the complete,

0:27:03.720 --> 0:27:07.480
<v Speaker 4>the complete kind of clean slate, And I just don't

0:27:07.480 --> 0:27:09.159
<v Speaker 4>know where they go from here when it comes to

0:27:09.240 --> 0:27:11.320
<v Speaker 4>New York, because they did do the clean slate, you

0:27:11.400 --> 0:27:11.600
<v Speaker 4>know what.

0:27:11.640 --> 0:27:16.480
<v Speaker 3>I mean, And you can't really you can't really reverse that, no, And.

0:27:16.560 --> 0:27:20.800
<v Speaker 2>I think it's a lesson in the sense of, like, listen,

0:27:21.720 --> 0:27:24.440
<v Speaker 2>the good thing about being creative and being a producer,

0:27:24.840 --> 0:27:27.960
<v Speaker 2>is it is our job to try new things? Yeah

0:27:28.560 --> 0:27:31.520
<v Speaker 2>that and listen. In some cases you win and you

0:27:31.640 --> 0:27:34.359
<v Speaker 2>brought up three good examples of what happened with that.

0:27:34.760 --> 0:27:37.960
<v Speaker 2>I would even say Beverley Hills. You know, the Kyle

0:27:38.160 --> 0:27:41.320
<v Speaker 2>is the only og, but Erica feels like she's been

0:27:41.359 --> 0:27:45.440
<v Speaker 2>there since day one. During as well, Garcela and Soon

0:27:45.480 --> 0:27:48.000
<v Speaker 2>are so integrated that you feel like, okay, they're They're

0:27:48.119 --> 0:27:51.320
<v Speaker 2>definitely mar quee names for this show. So when you

0:27:51.400 --> 0:27:55.160
<v Speaker 2>lose a Lisa Rena and you, you know, you try

0:27:55.200 --> 0:27:57.719
<v Speaker 2>to figure out new girls here and there, you at

0:27:57.800 --> 0:28:03.200
<v Speaker 2>least have a healthy dosed of familiar faces to where

0:28:03.720 --> 0:28:05.680
<v Speaker 2>even if you cast a Crystal.

0:28:06.080 --> 0:28:10.480
<v Speaker 3>You know, okay, okay, I'm thinking up for your bunting

0:28:10.480 --> 0:28:10.720
<v Speaker 3>down and.

0:28:10.760 --> 0:28:16.680
<v Speaker 2>You don't get it right. It's okay, it's okay. But

0:28:17.560 --> 0:28:19.640
<v Speaker 2>I think the biggest thing for me when it comes

0:28:19.680 --> 0:28:23.800
<v Speaker 2>to New York City is I think hindsight is always

0:28:23.840 --> 0:28:24.720
<v Speaker 2>twenty twenty.

0:28:26.720 --> 0:28:27.120
<v Speaker 3>For sure.

0:28:27.600 --> 0:28:30.800
<v Speaker 2>I don't think we're going to see a third season

0:28:31.080 --> 0:28:37.400
<v Speaker 2>of this rebooted cast. I would I would be shocked

0:28:37.640 --> 0:28:40.760
<v Speaker 2>if I see any of these women on my screen again,

0:28:41.240 --> 0:28:43.000
<v Speaker 2>unless they're going on House of villains.

0:28:43.880 --> 0:28:46.880
<v Speaker 3>Wow, well they're none of them are none of them want.

0:28:46.720 --> 0:28:47.920
<v Speaker 4>To be the villains, so they're not going to be

0:28:47.960 --> 0:28:52.280
<v Speaker 4>on House the Villains. But I don't know, I feel

0:28:52.320 --> 0:28:55.360
<v Speaker 4>like I can totally see you being correct. I do

0:28:55.520 --> 0:28:57.760
<v Speaker 4>feel like it's a slightly different to me, Like it's

0:28:57.760 --> 0:29:01.680
<v Speaker 4>a slightly different obviously a Dubai on on quote unquote

0:29:01.680 --> 0:29:03.880
<v Speaker 4>on pause, and that was sort of like a I

0:29:03.920 --> 0:29:05.640
<v Speaker 4>don't want to call it a failed experiment because it

0:29:05.680 --> 0:29:07.840
<v Speaker 4>wasn't failed, but like it didn't fully work.

0:29:08.680 --> 0:29:10.560
<v Speaker 3>I feel like there's there was.

0:29:10.600 --> 0:29:13.680
<v Speaker 4>More riding on the Roney reboot, and so I wonder if,

0:29:13.760 --> 0:29:17.200
<v Speaker 4>like they do give it one more chance, but like

0:29:18.240 --> 0:29:20.440
<v Speaker 4>some kind of bring back a couple of the women

0:29:20.600 --> 0:29:24.720
<v Speaker 4>and inject it either with Lindsay and Paige from Summer House,

0:29:25.000 --> 0:29:28.800
<v Speaker 4>or they bring back somebody some stunt casting that really works,

0:29:28.880 --> 0:29:30.760
<v Speaker 4>or I don't know, but I'm sort of like, do

0:29:30.840 --> 0:29:33.040
<v Speaker 4>they do it one more time? But the ratings are

0:29:33.040 --> 0:29:34.400
<v Speaker 4>where Dubais were, so I don't know.

0:29:34.560 --> 0:29:36.520
<v Speaker 2>I'm just oh, no, no, no, no, no no, this

0:29:36.640 --> 0:29:39.880
<v Speaker 2>is what I think is going to happen. Ladies, gentlemen,

0:29:39.960 --> 0:29:42.719
<v Speaker 2>And they take a picture of this cast because you're

0:29:42.720 --> 0:29:46.320
<v Speaker 2>not going to see them on TV anymore. That's and listen,

0:29:46.480 --> 0:29:50.480
<v Speaker 2>I clearly I'm not saying I have intel information. I don't.

0:29:50.920 --> 0:29:56.080
<v Speaker 2>I'm just it's so bad that and look, none of

0:29:56.120 --> 0:29:58.960
<v Speaker 2>these women are break all stars like and that's the

0:29:59.000 --> 0:30:01.800
<v Speaker 2>reason why I'm saying, like, these women know what I

0:30:01.960 --> 0:30:05.200
<v Speaker 2>do think may happen. There has been a call to

0:30:05.320 --> 0:30:08.600
<v Speaker 2>action and I will love to be a fly on

0:30:08.680 --> 0:30:14.600
<v Speaker 2>the wall at a dinner table in Florida with Ramona Singer,

0:30:14.960 --> 0:30:18.520
<v Speaker 2>Luene Della Steps and Sonya Morgan Derinda, and I would

0:30:18.560 --> 0:30:21.120
<v Speaker 2>love to hear what they have to say about the

0:30:21.280 --> 0:30:25.200
<v Speaker 2>state of this reboot. And I think those women Gibson

0:30:25.480 --> 0:30:28.000
<v Speaker 2>need to keep their phone on. I would not be

0:30:28.120 --> 0:30:34.440
<v Speaker 2>surprised if the network announces, okay, guys, we were bringing

0:30:34.520 --> 0:30:39.960
<v Speaker 2>back four ogs and three new women, like like we

0:30:40.160 --> 0:30:43.360
<v Speaker 2>heard you guys loud and clear. And I think, my opinion,

0:30:44.040 --> 0:30:48.040
<v Speaker 2>I think the dust and the controversy has settled enough

0:30:49.480 --> 0:30:51.840
<v Speaker 2>to where you can see these people come back.

0:30:53.160 --> 0:30:55.160
<v Speaker 3>Yeah, somebody's I forget who it was, but somebody said

0:30:55.200 --> 0:30:56.920
<v Speaker 3>on Twitter, I'd pay to see that group chat.

0:30:57.840 --> 0:30:58.200
<v Speaker 2>They did.

0:30:59.320 --> 0:31:02.280
<v Speaker 4>Somebody said, I and pay to see that OG group chat.

0:31:02.440 --> 0:31:04.160
<v Speaker 4>And I think they're right, you know, I think that

0:31:04.560 --> 0:31:07.200
<v Speaker 4>I do think the og women have like handled the

0:31:08.200 --> 0:31:12.360
<v Speaker 4>pr talking about the reboot of it all really well.

0:31:12.560 --> 0:31:14.520
<v Speaker 3>They've been really classy about it, you know.

0:31:14.920 --> 0:31:19.440
<v Speaker 4>And but you have to know that they know and

0:31:19.560 --> 0:31:23.200
<v Speaker 4>everybody knows. Everybody knows that what the fans really want

0:31:23.400 --> 0:31:26.880
<v Speaker 4>is one thing and they're kind of rejecting this other thing.

0:31:27.120 --> 0:31:30.880
<v Speaker 3>And the show is not doing itself any favors. It's

0:31:30.960 --> 0:31:33.040
<v Speaker 3>just not you know, no, it's not.

0:31:33.240 --> 0:31:37.480
<v Speaker 2>And the ladies, the ladies aren't doing themselves any favors.

0:31:37.160 --> 0:31:40.600
<v Speaker 1>Because they aren't trying to be real.

0:31:41.440 --> 0:31:45.000
<v Speaker 2>And if you have to point the blame at anybody,

0:31:45.200 --> 0:31:47.360
<v Speaker 2>you have to point the blame at the women because

0:31:47.360 --> 0:31:50.480
<v Speaker 2>there's only so much that producers can do. And that's

0:31:50.480 --> 0:31:52.640
<v Speaker 2>the reason why I'm giving the productions some grace again

0:31:52.640 --> 0:31:54.360
<v Speaker 2>in terms of like the way they Yeah, I get

0:31:54.400 --> 0:31:56.760
<v Speaker 2>that the way they edited this prank, I wouldn't have

0:31:56.800 --> 0:31:59.000
<v Speaker 2>done that. I don't think that's a great choice. But

0:31:59.120 --> 0:32:02.680
<v Speaker 2>at the end of the day, a success a successful show, Gibson,

0:32:03.400 --> 0:32:07.000
<v Speaker 2>and this is me producing tons of casts. At the

0:32:07.120 --> 0:32:08.680
<v Speaker 2>end of the day, it does rely on the cast

0:32:08.880 --> 0:32:11.800
<v Speaker 2>to really to really want the success. And I just

0:32:11.840 --> 0:32:14.800
<v Speaker 2>don't think these women's coming in a second season. I

0:32:15.000 --> 0:32:18.080
<v Speaker 2>just don't think they were willing to give more than

0:32:18.120 --> 0:32:18.960
<v Speaker 2>what they offered.

0:32:19.640 --> 0:32:20.480
<v Speaker 4>And I.

0:32:22.160 --> 0:32:25.040
<v Speaker 2>Think at the end of the day as well, they

0:32:25.160 --> 0:32:27.440
<v Speaker 2>all can go back to their full time jobs and

0:32:27.560 --> 0:32:29.080
<v Speaker 2>and that and that to me is great. It was

0:32:29.280 --> 0:32:30.000
<v Speaker 2>it was, you know.

0:32:30.600 --> 0:32:32.520
<v Speaker 4>I think what I've been saying about them is like

0:32:33.880 --> 0:32:37.240
<v Speaker 4>it feels like they all want the benefits of the platform,

0:32:37.800 --> 0:32:42.400
<v Speaker 4>which is getting pressed and and and being closer to

0:32:42.440 --> 0:32:44.840
<v Speaker 4>being like a household name and fame and all this stuff.

0:32:44.880 --> 0:32:48.840
<v Speaker 4>And they want the benefits of the platform without having

0:32:48.960 --> 0:32:51.640
<v Speaker 4>to do the work that the platform requires of them,

0:32:51.880 --> 0:32:55.480
<v Speaker 4>which is getting their hand, getting getting getting in the

0:32:55.560 --> 0:33:00.280
<v Speaker 4>muck and and looking a little complicating their public mentioned

0:33:00.280 --> 0:33:02.360
<v Speaker 4>a little bit, you know what I mean? Because ultimately,

0:33:02.840 --> 0:33:04.240
<v Speaker 4>and this is something that I talked about on my

0:33:04.280 --> 0:33:07.280
<v Speaker 4>podcast recently, is like, you know, something that's been frustrating

0:33:07.320 --> 0:33:09.560
<v Speaker 4>me about housewives in the most recent years is like

0:33:09.720 --> 0:33:13.840
<v Speaker 4>women are afraid of being unlikable or looking not brand

0:33:13.920 --> 0:33:16.360
<v Speaker 4>friendly at risk of like you know, not getting enough

0:33:16.360 --> 0:33:19.760
<v Speaker 4>sponsorship deals on Instagram. But ultimately, that's just like a

0:33:19.800 --> 0:33:22.600
<v Speaker 4>short term play, you know that that's short term thinking.

0:33:22.720 --> 0:33:25.600
<v Speaker 4>In my mind, if you think long term. You brought

0:33:25.680 --> 0:33:28.240
<v Speaker 4>up House of Villains. The villains are the icons of

0:33:28.320 --> 0:33:31.240
<v Speaker 4>reality TV, ultimately a lot of them. It's like, those

0:33:31.280 --> 0:33:33.440
<v Speaker 4>are the people that live on and continue to get

0:33:33.560 --> 0:33:36.040
<v Speaker 4>opportunities down the road. So you might take a hit

0:33:36.120 --> 0:33:38.800
<v Speaker 4>to your likability for a year or two there, but

0:33:38.920 --> 0:33:41.560
<v Speaker 4>ultimately those are the moments that fans remember. Those are

0:33:41.760 --> 0:33:44.520
<v Speaker 4>those are the moments that live on and for meat

0:33:44.760 --> 0:33:47.200
<v Speaker 4>past even your time on the show. They help you

0:33:47.440 --> 0:33:51.400
<v Speaker 4>maintain your spot on the show, and brands are down

0:33:51.480 --> 0:33:53.200
<v Speaker 4>to work with people like that these days. So it's

0:33:53.240 --> 0:33:56.560
<v Speaker 4>not I wish that people would get over that fear,

0:33:56.640 --> 0:33:59.880
<v Speaker 4>which I understand as a human being, but ultimately, being

0:33:59.920 --> 0:34:02.280
<v Speaker 4>on reality TV it requires you to be messy and

0:34:02.400 --> 0:34:05.880
<v Speaker 4>complicated and a little bit controversial. And I don't think

0:34:05.880 --> 0:34:07.120
<v Speaker 4>these women want to be controversial.

0:34:07.280 --> 0:34:09.040
<v Speaker 2>No no, no, no, no, no, no no no, because

0:34:09.040 --> 0:34:10.520
<v Speaker 2>they have to go back to work on Monday. You

0:34:10.600 --> 0:34:13.200
<v Speaker 2>know what I mean, I think and listen, I get it.

0:34:13.360 --> 0:34:15.560
<v Speaker 2>But that that also means don't sign up to do

0:34:15.680 --> 0:34:17.239
<v Speaker 2>reality television. That's the case.

0:34:17.680 --> 0:34:20.080
<v Speaker 1>So my last question for you is this. You and

0:34:20.160 --> 0:34:22.120
<v Speaker 1>I are big fans of Jersey, and.

0:34:22.320 --> 0:34:25.080
<v Speaker 2>We both had two very different views of who should

0:34:25.080 --> 0:34:28.160
<v Speaker 2>come back to Jersey, which I love that about us. Yes,

0:34:28.360 --> 0:34:35.880
<v Speaker 2>with the failure of this reboot, I'll say at Gibson,

0:34:37.320 --> 0:34:41.840
<v Speaker 2>do not touch Jersey. I would rather see Melissa Teresa

0:34:42.000 --> 0:34:47.919
<v Speaker 2>argue over Sprinkle cookies for like again, I would rather

0:34:48.040 --> 0:34:55.480
<v Speaker 2>see that I am now able to say Jersey is

0:34:55.560 --> 0:35:01.239
<v Speaker 2>such an iconic brand and show that The lesson in

0:35:01.360 --> 0:35:03.200
<v Speaker 2>this New York City reboot is you can't do a

0:35:03.239 --> 0:35:07.520
<v Speaker 2>clean slate in Jersey. Now. Can you bring some back

0:35:07.600 --> 0:35:14.759
<v Speaker 2>and some not sure? But the biggest point is this

0:35:14.920 --> 0:35:19.279
<v Speaker 2>cannot happen to Jersey, and I think Jersey should. I

0:35:19.360 --> 0:35:22.520
<v Speaker 2>think to my ladies in Jersey, if you're listening, you

0:35:22.600 --> 0:35:26.520
<v Speaker 2>can read another day because I keep your phone on too.

0:35:26.760 --> 0:35:29.919
<v Speaker 2>I think, I think, I think everybody's sort of looking

0:35:29.920 --> 0:35:31.319
<v Speaker 2>at New York City reboot like.

0:35:32.920 --> 0:35:37.400
<v Speaker 4>Got it right, like that this can't be applied to

0:35:37.440 --> 0:35:40.840
<v Speaker 4>any other franchise because the complete clean slate, it can't. Yes, No,

0:35:41.080 --> 0:35:43.560
<v Speaker 4>And I think, yeah, I think you're right. I think

0:35:43.600 --> 0:35:45.879
<v Speaker 4>you're right in terms of I mean, I do think

0:35:45.920 --> 0:35:47.719
<v Speaker 4>that even if they went with one side or the other,

0:35:47.840 --> 0:35:52.600
<v Speaker 4>it still maintains a level of connection to its original

0:35:52.680 --> 0:35:55.279
<v Speaker 4>self in some way. But I agree, like I would rather,

0:35:55.600 --> 0:35:58.239
<v Speaker 4>I would definitely rather watch just I'd rather go in

0:35:58.320 --> 0:36:00.640
<v Speaker 4>the same the same circle though been running in for

0:36:00.719 --> 0:36:02.719
<v Speaker 4>the past six or seven or eight or nine or

0:36:02.719 --> 0:36:04.440
<v Speaker 4>ten or eleven or twelve years, however many years you

0:36:04.440 --> 0:36:07.040
<v Speaker 4>want to say, we've been doing this with Jersey. I'm

0:36:07.120 --> 0:36:09.200
<v Speaker 4>happy to stay on that ride. Yeah, I'm happy to

0:36:09.280 --> 0:36:09.680
<v Speaker 4>stay on that.

0:36:09.840 --> 0:36:13.279
<v Speaker 2>Yes, yes, do not touch Jersey. I mean if you,

0:36:13.440 --> 0:36:15.560
<v Speaker 2>if you touch it, do what you do.

0:36:15.640 --> 0:36:17.920
<v Speaker 1>With with Potomac, Beverly Hills and OC.

0:36:18.200 --> 0:36:20.719
<v Speaker 2>But like there cannot be a clean slate, So we

0:36:20.800 --> 0:36:23.719
<v Speaker 2>agree with that and listen, let's see what happens when

0:36:23.719 --> 0:36:27.400
<v Speaker 2>New York City reboot. There's more to come. I'm not

0:36:27.560 --> 0:36:31.680
<v Speaker 2>checking back in. I'm checked out. Nothing can happen to

0:36:31.840 --> 0:36:35.120
<v Speaker 2>give me to watch this season. I'm loving OC, I'm

0:36:35.200 --> 0:36:39.640
<v Speaker 2>loving Potomac, and Beverly Hills comes back next week, So Gibson,

0:36:40.120 --> 0:36:41.560
<v Speaker 2>I would love you to come back, so we could

0:36:41.600 --> 0:36:44.800
<v Speaker 2>recap an episode or two or three of Beverly Hills.

0:36:45.040 --> 0:36:47.520
<v Speaker 1>But in the meantime, let the world know where can

0:36:47.560 --> 0:36:49.520
<v Speaker 1>find you in your podcast as well.

0:36:50.040 --> 0:36:51.920
<v Speaker 4>Yes, of course we'll call this. First of all, I'll

0:36:51.920 --> 0:36:56.520
<v Speaker 4>say I'll continue to watch for both of Thanks, and

0:36:57.000 --> 0:36:59.200
<v Speaker 4>I'm happy to report back at a later date once

0:36:59.280 --> 0:37:03.040
<v Speaker 4>the season has to day. But yeah, so my podcast

0:37:03.200 --> 0:37:05.880
<v Speaker 4>is called Gaby with Gibb every Tuesday and Friday. Wherever

0:37:05.920 --> 0:37:09.520
<v Speaker 4>you listen to this great podcast, and yeah, it's it's

0:37:10.080 --> 0:37:12.960
<v Speaker 4>similar discussions as well. When we you just listened to,

0:37:13.360 --> 0:37:15.200
<v Speaker 4>Carlos has been on before. I have some of the

0:37:15.239 --> 0:37:18.080
<v Speaker 4>housewives on. It's been a minute since I've done an

0:37:18.080 --> 0:37:20.080
<v Speaker 4>interview actually, but I had Angie k on, I had

0:37:20.120 --> 0:37:23.200
<v Speaker 4>Wendy on. So a good mix of of Bravo and

0:37:23.280 --> 0:37:25.240
<v Speaker 4>reality TV content over on Gaviy with GiB.

0:37:25.360 --> 0:37:27.840
<v Speaker 2>Yeah, and he's really great and and and and the

0:37:28.040 --> 0:37:32.719
<v Speaker 2>girls love so you get to see that camaraderie as well.

0:37:33.000 --> 0:37:34.759
<v Speaker 2>Thank you give for so much with take time out

0:37:34.760 --> 0:37:36.400
<v Speaker 2>your big day to recap. Thanks give me and I

0:37:36.480 --> 0:37:37.520
<v Speaker 2>will see you soon.

0:37:38.719 --> 0:37:39.000
<v Speaker 3>Bye.

0:37:43.200 --> 0:37:46.000
<v Speaker 2>Thank you for listening to Reality with the King. New

0:37:46.160 --> 0:37:51.759
<v Speaker 2>episodes drop on Tuesdays and Thursdays. Share, comment, follow, and

0:37:51.920 --> 0:37:56.120
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0:37:56.760 --> 0:38:00.239
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0:38:00.320 --> 0:38:04.880
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0:38:05.200 --> 0:38:08.680
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0:38:08.719 --> 0:38:12.719
<v Speaker 2>get all of my visuals, Baby, my expressions, Yes, and

0:38:12.840 --> 0:38:16.240
<v Speaker 2>don't forget. Tweet me your thoughts and hot takes about

0:38:16.280 --> 0:38:22.080
<v Speaker 2>this episode using the Hattag Reality with the King. Reality

0:38:22.120 --> 0:38:25.560
<v Speaker 2>with the King is a production of Kingdom Rain Entertainment,

0:38:26.280 --> 0:38:43.920
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