1 00:00:00,080 --> 00:00:02,280 Speaker 1: Coming up at the top of the hour, right about 2 00:00:02,320 --> 00:00:05,600 Speaker 1: four minutes after. It's my strawberry letter for today, the 3 00:00:05,640 --> 00:00:13,200 Speaker 1: subject living with three other women might be cool? What oh? Right? 4 00:00:13,240 --> 00:00:17,200 Speaker 1: Now the nephew is here with today's prank phone call? 5 00:00:17,280 --> 00:00:19,720 Speaker 1: Did you write this letter? Me? Me, me, me, me, 6 00:00:19,720 --> 00:00:24,680 Speaker 1: me me? You write this letter? I did not? Okay, 7 00:00:25,200 --> 00:00:27,600 Speaker 1: night and the chup rock steps want to see the 8 00:00:27,680 --> 00:00:30,240 Speaker 1: dream of a hardcore lean. The dream wasn't crafted to 9 00:00:30,240 --> 00:00:33,600 Speaker 1: be portographic. Here it is chup rock y'all the prank 10 00:00:33,920 --> 00:00:39,199 Speaker 1: you prank chup chup rock alleged sile what ain't for 11 00:00:39,240 --> 00:00:42,360 Speaker 1: the hampen? Somebody fin the use my instrumental and then 12 00:00:42,440 --> 00:00:45,479 Speaker 1: act like they're gonna just use my Hello? Hello, may 13 00:00:45,479 --> 00:00:48,400 Speaker 1: I speak to Chuck? Hey, I need to talk to 14 00:00:48,440 --> 00:00:51,280 Speaker 1: you man. This d Low from our flow Jaim Productions 15 00:00:51,280 --> 00:00:55,680 Speaker 1: out of Jacksonville, Florida. My name d Low from flow 16 00:00:55,760 --> 00:01:00,440 Speaker 1: Jam Productions out of Jacksonville, Flaid. Can you hear me? Brother? 17 00:01:01,360 --> 00:01:03,320 Speaker 1: Bring your blood pressure down a couple of notes, be 18 00:01:04,120 --> 00:01:07,000 Speaker 1: hold on because of me? And you already got a problem. 19 00:01:07,040 --> 00:01:11,480 Speaker 1: Now my understanding of somebody using my instrumental on some 20 00:01:11,600 --> 00:01:14,119 Speaker 1: kind of records you got called if you was mine 21 00:01:14,840 --> 00:01:17,760 Speaker 1: and all the all them. All that music is my music, 22 00:01:17,920 --> 00:01:20,040 Speaker 1: and I got a problem with all of that. Brother, 23 00:01:20,480 --> 00:01:23,440 Speaker 1: calm your blood pressure down. You know what I'm saying 24 00:01:23,440 --> 00:01:26,039 Speaker 1: to you, my brother, pressure calmed down. All I'm saying 25 00:01:26,080 --> 00:01:30,320 Speaker 1: to you will ain't nobody Finn release, no CD, no album. 26 00:01:30,440 --> 00:01:33,200 Speaker 1: I'm using my music out. It ain't Finn out. I 27 00:01:33,319 --> 00:01:35,880 Speaker 1: understand who you will and all the stuff you'ven't done 28 00:01:35,880 --> 00:01:39,240 Speaker 1: in the past, but you ain't gonna use my stuff though. Brother. 29 00:01:39,360 --> 00:01:41,039 Speaker 1: Let me tell you something. Anything I ever got in 30 00:01:41,120 --> 00:01:43,320 Speaker 1: my life in twenty years of recording, I don't know 31 00:01:43,360 --> 00:01:46,440 Speaker 1: how you got my number. Who you are? You know 32 00:01:46,560 --> 00:01:49,160 Speaker 1: who you're supposed to be representing. But anything I do 33 00:01:49,360 --> 00:01:52,600 Speaker 1: is always straight up. We do our music ourselves or 34 00:01:52,760 --> 00:01:56,160 Speaker 1: a producer I'm using, he does his thing, I pay him, 35 00:01:56,240 --> 00:01:58,480 Speaker 1: or do whatever I gotta do. You're calling me. I 36 00:01:58,520 --> 00:02:00,480 Speaker 1: don't even know who you are, but you need to 37 00:02:00,480 --> 00:02:02,320 Speaker 1: calm down your blood pressure. If you want to continue 38 00:02:02,360 --> 00:02:04,600 Speaker 1: this conversation where we can get to some kind of 39 00:02:04,680 --> 00:02:07,200 Speaker 1: figuring out of who you are and what you're talking about, 40 00:02:07,600 --> 00:02:09,720 Speaker 1: you want to yell at me and try to do that. 41 00:02:09,800 --> 00:02:12,239 Speaker 1: I don't I don't go for yelling and intimidation. I 42 00:02:12,280 --> 00:02:13,920 Speaker 1: ain't want of these young dudes out there. So if 43 00:02:13,919 --> 00:02:16,600 Speaker 1: you don't bring your blood pressure down, then I'm gonna 44 00:02:16,639 --> 00:02:19,320 Speaker 1: have a problem. My blood pressure will go up and 45 00:02:19,320 --> 00:02:22,840 Speaker 1: then we'll have a real, real problem. Do you feel 46 00:02:22,840 --> 00:02:24,880 Speaker 1: what I'm saying to you? I understand everything that you're 47 00:02:24,880 --> 00:02:27,080 Speaker 1: saying to me. All I'm saying to you, I know. 48 00:02:27,200 --> 00:02:29,760 Speaker 1: I know my music when I hear and I think 49 00:02:29,840 --> 00:02:33,040 Speaker 1: your boy cow that took my music from me. Now, 50 00:02:33,080 --> 00:02:36,000 Speaker 1: if you this stuff you got on, if you was mine, 51 00:02:36,360 --> 00:02:39,800 Speaker 1: o't that's mine. I ain't nobody tripping with y'all on 52 00:02:39,880 --> 00:02:42,639 Speaker 1: what you do. I'm just trying to tell you you 53 00:02:42,720 --> 00:02:45,000 Speaker 1: said all that stuff is mine? You talking about those 54 00:02:45,000 --> 00:02:46,840 Speaker 1: are my lyrics on that playboy? You don't write no 55 00:02:46,919 --> 00:02:49,200 Speaker 1: lyrics for me? Were you crazy? No, I'm like one 56 00:02:49,240 --> 00:02:52,400 Speaker 1: of them. Lay you don't know abody touch my lyrics? 57 00:02:52,400 --> 00:02:54,760 Speaker 1: Be you're saying all that I'm not. I ain't talking 58 00:02:54,760 --> 00:02:57,040 Speaker 1: about the mules. The lyrics. I'm talking about. The music 59 00:02:57,120 --> 00:02:59,919 Speaker 1: is South. That's what I'm talking about. The lyrics I 60 00:03:00,000 --> 00:03:02,760 Speaker 1: don't know nothing about that might be you, But I'm 61 00:03:02,800 --> 00:03:04,680 Speaker 1: just trying to let you know about the music that 62 00:03:04,800 --> 00:03:07,639 Speaker 1: belong to me convert that mike that you got. There 63 00:03:07,720 --> 00:03:10,480 Speaker 1: might be me convert the mike. I ain't no mike. 64 00:03:10,800 --> 00:03:14,040 Speaker 1: The music is mine. Let's get that out there now. 65 00:03:14,520 --> 00:03:17,080 Speaker 1: The music on this song you got, if you was mine, 66 00:03:17,280 --> 00:03:20,280 Speaker 1: that's my music. Brother. You ain't Bobby woman, how can 67 00:03:20,320 --> 00:03:22,840 Speaker 1: it be your music? The interpretation of the music was 68 00:03:22,880 --> 00:03:25,840 Speaker 1: from Bobby woolmack. Hey, brother, Now, I don't know if 69 00:03:25,840 --> 00:03:27,920 Speaker 1: you're the one that stole my music. I don't know 70 00:03:27,960 --> 00:03:31,160 Speaker 1: if it was your boy Cal who called himself DJ 71 00:03:31,360 --> 00:03:34,359 Speaker 1: Rexhall whoever he called himself. All I'm trying to let 72 00:03:34,400 --> 00:03:37,240 Speaker 1: you know where this music belonged to me? A right, 73 00:03:37,320 --> 00:03:38,680 Speaker 1: So what do you want? If you want to meet 74 00:03:38,720 --> 00:03:40,520 Speaker 1: me on the streets of where and you can handle 75 00:03:40,560 --> 00:03:41,840 Speaker 1: it the way you want to handle it with me, 76 00:03:42,160 --> 00:03:44,040 Speaker 1: you want to handle it that way. You ain't saying 77 00:03:44,040 --> 00:03:47,240 Speaker 1: nothing to me, man, You ain't saying that's what's saying me, brother, 78 00:03:47,480 --> 00:03:49,240 Speaker 1: That's that's all I want them to keep blasts. You 79 00:03:49,280 --> 00:03:52,360 Speaker 1: don't say me, did you just say something bout my 80 00:03:52,480 --> 00:03:55,760 Speaker 1: rapt me? You don't talk on you. You don't talk 81 00:03:55,800 --> 00:03:58,880 Speaker 1: about my we gonna we will me if you keep 82 00:03:58,920 --> 00:04:02,240 Speaker 1: talking about my You don't bring my up on nothing. 83 00:04:02,280 --> 00:04:04,280 Speaker 1: You know nothing, you ain't nothing. If you want to 84 00:04:04,280 --> 00:04:06,200 Speaker 1: talk as men, then we sit down and we talk 85 00:04:06,240 --> 00:04:08,160 Speaker 1: as men, because I don't know what you're talking about. 86 00:04:08,400 --> 00:04:10,920 Speaker 1: But if you're coming to bed throwing my name in 87 00:04:11,000 --> 00:04:13,680 Speaker 1: the middle of severy, then I got a problem with 88 00:04:13,760 --> 00:04:16,080 Speaker 1: that being and I'll handle it with you. I'm not 89 00:04:16,160 --> 00:04:18,680 Speaker 1: new younging, I don't make records. I ain't gonna miss 90 00:04:18,720 --> 00:04:20,800 Speaker 1: you on the record. I'm gonna come see you so 91 00:04:20,839 --> 00:04:23,279 Speaker 1: we can sit down, eye the eye and we get 92 00:04:23,279 --> 00:04:25,560 Speaker 1: down to what it is. And all I'm saying is 93 00:04:25,640 --> 00:04:27,200 Speaker 1: I got a problem with it and have been a 94 00:04:27,200 --> 00:04:29,680 Speaker 1: bigger problem I got at this point. Now is for 95 00:04:29,720 --> 00:04:31,640 Speaker 1: you to tell me. Do I want to meet you 96 00:04:31,680 --> 00:04:34,040 Speaker 1: on the streets somewhere? And you know what, I ain't 97 00:04:34,040 --> 00:04:36,320 Speaker 1: got no problem with that. You wan't want me to 98 00:04:36,400 --> 00:04:38,240 Speaker 1: find really want me to see you? Now? You know 99 00:04:38,320 --> 00:04:41,039 Speaker 1: what your problem is, man, Your problem is that you 100 00:04:41,080 --> 00:04:43,880 Speaker 1: ain't getting a successful as heavy day. You didn't do 101 00:04:43,960 --> 00:04:47,039 Speaker 1: what Biggie what Biggie Smalls did. That's your problem, man, 102 00:04:47,279 --> 00:04:50,240 Speaker 1: That's no problem that those are incredible artists who have 103 00:04:50,320 --> 00:04:53,160 Speaker 1: done all kinds of beautiful things in music. I have 104 00:04:53,279 --> 00:04:56,039 Speaker 1: done my thing in music all of those things that 105 00:04:56,080 --> 00:04:58,400 Speaker 1: you're trying to get me to go past the line 106 00:04:58,400 --> 00:05:01,360 Speaker 1: of sensibility that goes to now. Like I said before, 107 00:05:01,400 --> 00:05:05,160 Speaker 1: forget about that when I said earlier stands brother, when 108 00:05:05,200 --> 00:05:06,880 Speaker 1: you wanted to see me, I don't care. Why do 109 00:05:06,920 --> 00:05:08,640 Speaker 1: you want to me that? How about I got a 110 00:05:08,640 --> 00:05:12,360 Speaker 1: better idea for you. I'm doing a club date in Jacksonville. Floss, brother, 111 00:05:13,000 --> 00:05:15,760 Speaker 1: you can got my guests and come see me personally 112 00:05:16,200 --> 00:05:19,920 Speaker 1: and maturely. Come with this vigor, though, Come with this vigor. 113 00:05:20,440 --> 00:05:22,320 Speaker 1: You know what you're talking about. You're gonna quit using 114 00:05:22,360 --> 00:05:25,800 Speaker 1: these big words. This ain't no big words you're gonna use. 115 00:05:25,920 --> 00:05:27,839 Speaker 1: But you wanna come there with this attitude. You ain't 116 00:05:27,839 --> 00:05:30,880 Speaker 1: gonna see no bodyguard there, you feel me. All I'm 117 00:05:30,920 --> 00:05:33,960 Speaker 1: saying to you is the music belongs to me. That's 118 00:05:33,960 --> 00:05:36,679 Speaker 1: what I'm saying to you, man, That's all I'm saying 119 00:05:36,680 --> 00:05:40,000 Speaker 1: to you. And who your boy everdently to swipe my music, 120 00:05:40,279 --> 00:05:42,400 Speaker 1: laid it under you and you don't put some tracks 121 00:05:42,400 --> 00:05:45,240 Speaker 1: on top of it? Ain't right, dog, brother. Let me 122 00:05:45,279 --> 00:05:52,279 Speaker 1: tell you something. The guy is a guy of incredible integrity. 123 00:05:52,400 --> 00:05:55,240 Speaker 1: The truth, brother, it's the truth. I mean, I'm sorry, man, 124 00:05:55,279 --> 00:05:57,479 Speaker 1: I mean, it's clear that Trump said, and I'm sorry 125 00:05:57,480 --> 00:05:59,920 Speaker 1: that you up saying, but bring all of that, Forget 126 00:06:00,000 --> 00:06:03,080 Speaker 1: all of that, forget everything we're talking about right now. 127 00:06:03,320 --> 00:06:05,240 Speaker 1: I want you to know this. Can I tell you 128 00:06:05,320 --> 00:06:08,840 Speaker 1: something else? Can I say something else to you? Can 129 00:06:08,880 --> 00:06:12,440 Speaker 1: you say it calmly? I can't, can't. Yes, this is 130 00:06:12,520 --> 00:06:15,239 Speaker 1: if you time me from the Steve Harvey Morning Show. 131 00:06:15,360 --> 00:06:19,560 Speaker 1: You just got pranked by Monica. You just got branked 132 00:06:19,600 --> 00:06:27,279 Speaker 1: by your boy name Shot. Oh man, you guys are crazy. 133 00:06:28,040 --> 00:06:34,120 Speaker 1: You're serious serious baby wow man, wow man, that's man. 134 00:06:34,279 --> 00:06:41,320 Speaker 1: Shot look all right, cool and I gotta get everybody back. 135 00:06:41,920 --> 00:06:46,799 Speaker 1: Bring all that big up when he was so nice 136 00:06:46,839 --> 00:06:50,360 Speaker 1: and so cool though, you can't be mad at him. 137 00:06:50,440 --> 00:06:57,440 Speaker 1: But you, on the other hand, nephew Rock Yeah what 138 00:06:57,440 --> 00:07:00,360 Speaker 1: what what other rapper? Let's see you know, were done 139 00:07:00,360 --> 00:07:02,719 Speaker 1: fifty cents? I would love for you to do fifty 140 00:07:02,760 --> 00:07:09,920 Speaker 1: cent I can do based on his Instagram you would lose. Yeah, 141 00:07:10,680 --> 00:07:13,280 Speaker 1: I take time. No, I think it's certain people. I 142 00:07:13,320 --> 00:07:19,040 Speaker 1: think Tommy scared of Yeah, yeah, you think it's yeah, 143 00:07:19,120 --> 00:07:25,040 Speaker 1: I'll prank fifty yeah. Well you sound like that that 144 00:07:23,400 --> 00:07:30,200 Speaker 1: that that that that couple. I can do, but your 145 00:07:30,200 --> 00:07:35,640 Speaker 1: boys have you men, do I can prank? I think 146 00:07:35,680 --> 00:07:38,560 Speaker 1: you should do it. I really did. How about t Yeah, 147 00:07:38,840 --> 00:07:42,160 Speaker 1: I got another good one, our leader, t I, our leader. 148 00:07:42,200 --> 00:07:44,120 Speaker 1: So I can call T I and say I'm with 149 00:07:44,680 --> 00:07:47,040 Speaker 1: I'm with Gucci and we got a problem with you 150 00:07:47,120 --> 00:07:51,520 Speaker 1: we need to talk about. Please do Oh Tommy, that 151 00:07:51,560 --> 00:07:56,840 Speaker 1: would be so good. We're gonna have to go to 152 00:07:56,960 --> 00:08:01,200 Speaker 1: jay Z. I mean yeah, j Z? Yeah? Where are 153 00:08:01,200 --> 00:08:06,720 Speaker 1: you gonna get his number? You everybody, we're talking about 154 00:08:06,720 --> 00:08:09,120 Speaker 1: this in your phone? What you're talking about? Not doing 155 00:08:09,160 --> 00:08:13,080 Speaker 1: that though? Do it for the prank? Baby? Come on now, 156 00:08:13,200 --> 00:08:19,480 Speaker 1: don't vine for the prank. You gotta stay in there 157 00:08:19,520 --> 00:08:22,480 Speaker 1: with me. Now. I try to give you like stuff, 158 00:08:22,600 --> 00:08:25,120 Speaker 1: you know, so you don't be out your league. I'm 159 00:08:25,160 --> 00:08:29,120 Speaker 1: not out of my league. Give me the best. See Denzel, 160 00:08:29,360 --> 00:08:31,200 Speaker 1: you because you ain't gonna be able to handle and 161 00:08:31,360 --> 00:08:36,160 Speaker 1: come back. But what then gonna say? That's gonna right there? 162 00:08:36,240 --> 00:08:40,839 Speaker 1: See you're nervous. M I'm sorry, Mr Washington. See right 163 00:08:40,840 --> 00:08:48,040 Speaker 1: there's your league, see right there about about the couple 164 00:08:48,200 --> 00:08:52,880 Speaker 1: Samuel Jackson, how hell now, dog, you ain't gonna be 165 00:08:52,880 --> 00:08:55,320 Speaker 1: able to play none of that prank would never be 166 00:08:55,360 --> 00:08:58,640 Speaker 1: over with up and asking what's in here, Dann Wallet, 167 00:08:58,640 --> 00:09:01,719 Speaker 1: I'm gonna do the old don't talk. Oh, please give 168 00:09:01,840 --> 00:09:04,680 Speaker 1: him the number, Steve alright, none of your blankety blank 169 00:09:06,120 --> 00:09:11,920 Speaker 1: thank you, temmy thank you. Yeah. Like coming up next 170 00:09:11,960 --> 00:09:15,680 Speaker 1: the Strawberry Letters subject living with three other women might 171 00:09:15,800 --> 00:09:18,680 Speaker 1: be cool. Nephew said he didn't write it. We'll find 172 00:09:18,720 --> 00:09:19,640 Speaker 1: out right after this