1 00:00:05,200 --> 00:00:07,600 Speaker 1: Hey, this is Sanny and Smitha and welcome to stuff 2 00:00:07,640 --> 00:00:19,279 Speaker 1: I never told you a protection of iHeartRadio, and welcome 3 00:00:19,440 --> 00:00:24,919 Speaker 1: to another edition of Fictional Women Around the World. Spoilers, 4 00:00:26,520 --> 00:00:29,200 Speaker 1: but nothing too major. I'm trying to avoid it. The 5 00:00:30,120 --> 00:00:34,520 Speaker 1: season finale for season two of poker Face just came 6 00:00:34,560 --> 00:00:39,760 Speaker 1: out this very morning, and I'm still processing somethings, so 7 00:00:40,000 --> 00:00:44,000 Speaker 1: I'm trying not just boil it majorly. But it did 8 00:00:44,120 --> 00:00:46,479 Speaker 1: just happen. So if you want to avoid it completely, 9 00:00:47,360 --> 00:00:51,640 Speaker 1: then I recommend the show. It's on Peacock, which is 10 00:00:51,640 --> 00:00:55,680 Speaker 1: not a sponsor. But anyway, all right, today we are 11 00:00:55,800 --> 00:01:00,760 Speaker 1: talking about Charlie Cale from the television show poker Face, 12 00:01:00,800 --> 00:01:03,600 Speaker 1: who I would argue is neurodivergent, and I'm going to 13 00:01:03,640 --> 00:01:07,560 Speaker 1: get into that more later. So poker Face is a 14 00:01:07,600 --> 00:01:11,280 Speaker 1: mystery comedy drama show that debuted on Peacock, again not 15 00:01:11,319 --> 00:01:15,360 Speaker 1: a sponsor, in twenty twenty three. It currently has two seasons, 16 00:01:15,560 --> 00:01:18,319 Speaker 1: the second one just wrapped. It was created by Ryan 17 00:01:18,400 --> 00:01:22,480 Speaker 1: Johnson of Knives Out and The Last Jedi Fame and 18 00:01:22,600 --> 00:01:27,120 Speaker 1: features just a plethora of guest stars. I'm always shocked 19 00:01:27,120 --> 00:01:31,000 Speaker 1: who shows up on there. Guest writers and guest directors, 20 00:01:31,000 --> 00:01:35,520 Speaker 1: including Natasha Leone, who plays the main character. She actually 21 00:01:35,560 --> 00:01:40,880 Speaker 1: directed the finale of season two. It is highly influenced 22 00:01:40,880 --> 00:01:43,240 Speaker 1: by the show Colombo, which I have never seen. Oh 23 00:01:43,280 --> 00:01:45,280 Speaker 1: you haven't, No, have you seen it? 24 00:01:45,400 --> 00:01:50,640 Speaker 2: Yes, I grew up with very Matt Locke Colombo, not 25 00:01:50,880 --> 00:01:51,640 Speaker 2: much of murder. 26 00:01:51,720 --> 00:01:53,840 Speaker 1: She wrote that might be a ho misogynistic thing. 27 00:01:53,880 --> 00:01:57,200 Speaker 2: I don't know, because my family, my grandfather specifically watched those, 28 00:01:57,200 --> 00:01:58,560 Speaker 2: but my dad loved Colombo. 29 00:02:00,040 --> 00:02:03,160 Speaker 1: I looked it up because of this, because I was 30 00:02:03,200 --> 00:02:06,760 Speaker 1: missing so many references. I was like, oh, really, m 31 00:02:08,240 --> 00:02:08,600 Speaker 1: a lot. 32 00:02:08,960 --> 00:02:11,120 Speaker 2: He was kind of the not the original, but he 33 00:02:11,160 --> 00:02:14,600 Speaker 2: was definitely a big icon in that he was goofy 34 00:02:15,400 --> 00:02:18,880 Speaker 2: and seemingly like you're unsuspecting of his genius, but he 35 00:02:18,960 --> 00:02:22,840 Speaker 2: actually is a genius, and he's not your normal looking detective. 36 00:02:23,639 --> 00:02:29,240 Speaker 1: Yes. Well, in the last episode, which was directed by 37 00:02:29,280 --> 00:02:32,640 Speaker 1: Ty West and was pretty scary for what is the 38 00:02:32,800 --> 00:02:37,079 Speaker 1: usual of this series, they're the character in there who 39 00:02:37,160 --> 00:02:42,960 Speaker 1: was an assassin did a Colombo impression and I had 40 00:02:43,000 --> 00:02:44,880 Speaker 1: That's when I was like, who is this? I had 41 00:02:44,880 --> 00:02:46,600 Speaker 1: to look it up, and so I watched a bunch 42 00:02:46,639 --> 00:02:48,360 Speaker 1: of clips and I was like, Okay, I see I 43 00:02:48,440 --> 00:02:54,080 Speaker 1: see the icon yeah, the influence, yes, and okay. So 44 00:02:54,160 --> 00:03:00,359 Speaker 1: the show's protagonist, Charlie Kale, frequently smokes or vapes as 45 00:03:00,400 --> 00:03:05,880 Speaker 1: an homage to a Colombo character, and it's also how 46 00:03:06,000 --> 00:03:08,520 Speaker 1: can you catch them? And not who done it? So 47 00:03:08,560 --> 00:03:11,880 Speaker 1: the way the show is structured is you already, as 48 00:03:11,919 --> 00:03:16,560 Speaker 1: the viewer, know usually who did it, it's how is 49 00:03:16,560 --> 00:03:20,079 Speaker 1: she going to figure it out? So here's a basic 50 00:03:20,120 --> 00:03:23,840 Speaker 1: rundown of the premise. Charlie Cale, played by Natasha Leone, 51 00:03:23,960 --> 00:03:26,000 Speaker 1: is a woman in her mid thirties who has this 52 00:03:26,120 --> 00:03:30,240 Speaker 1: ability to detect when people are lying. A human light 53 00:03:30,320 --> 00:03:34,720 Speaker 1: detector is how she often describes herself. She's sort of 54 00:03:34,760 --> 00:03:39,520 Speaker 1: the antithesis to Anna de Armis's character and knives Out 55 00:03:39,720 --> 00:03:45,040 Speaker 1: because she couldn't lie. The thing is, she can't tell 56 00:03:45,160 --> 00:03:47,600 Speaker 1: why people are lying, because people why for all sorts 57 00:03:47,600 --> 00:03:52,840 Speaker 1: of reasons. Because of her ability and just her overall personality. 58 00:03:53,040 --> 00:03:58,200 Speaker 1: This means she gets sucked into so Manie Shenanigan's especially 59 00:03:59,280 --> 00:04:05,720 Speaker 1: murders kids obviously obviously, and just to mention, Natasha Leone 60 00:04:05,760 --> 00:04:09,440 Speaker 1: had a cameo in Ria Johnson's Knives Out sequel Glass 61 00:04:09,440 --> 00:04:15,640 Speaker 1: Onion when there was a bunch of detectives that Blanc's 62 00:04:15,720 --> 00:04:18,080 Speaker 1: character was playing. What was that game that was so 63 00:04:18,160 --> 00:04:18,960 Speaker 1: popular for who? 64 00:04:21,000 --> 00:04:23,880 Speaker 2: I don't I don't remember this Mafia, but it wasn't. 65 00:04:24,279 --> 00:04:28,120 Speaker 1: Yeah, yeah, it wasn't Mafia, but it was. It was 66 00:04:28,200 --> 00:04:30,760 Speaker 1: the game where, like you, there's a trader in the 67 00:04:30,760 --> 00:04:34,479 Speaker 1: group and they're trying to sabotage you. We were going 68 00:04:34,560 --> 00:04:38,640 Speaker 1: to play it with our listeners, are we so long ago? 69 00:04:40,120 --> 00:04:43,880 Speaker 1: She was one of the when Blanc was playing among us, 70 00:04:45,520 --> 00:04:48,200 Speaker 1: She was one of the people. It was during pandemic, 71 00:04:48,360 --> 00:04:50,560 Speaker 1: so they were all kind of locked down. She was 72 00:04:50,600 --> 00:04:53,600 Speaker 1: one of the people that was playing with him virtually 73 00:04:54,640 --> 00:04:57,359 Speaker 1: all right. So generally this show is a murder of 74 00:04:57,400 --> 00:05:01,400 Speaker 1: the week show, though there are some exceptions and definitely 75 00:05:01,440 --> 00:05:05,520 Speaker 1: times they play on the audience's expectation of what that 76 00:05:05,880 --> 00:05:10,360 Speaker 1: is for a surprise factor, But generally the episodes are 77 00:05:10,400 --> 00:05:13,400 Speaker 1: structured like this. We see the story of someone we 78 00:05:13,520 --> 00:05:16,599 Speaker 1: don't know play out, and in one way or another, 79 00:05:16,760 --> 00:05:20,159 Speaker 1: it leads to a murder and usually an attempt to 80 00:05:20,200 --> 00:05:23,599 Speaker 1: cover it up. Then the second half of the show 81 00:05:23,760 --> 00:05:26,680 Speaker 1: reveals how Charlie was off to the side the whole time, 82 00:05:26,720 --> 00:05:31,200 Speaker 1: sometimes just out of frame, and typically friends with the 83 00:05:31,240 --> 00:05:33,720 Speaker 1: person who got murdered or has some kind of stake 84 00:05:34,440 --> 00:05:38,360 Speaker 1: with the person who got murdered, so she goes on 85 00:05:38,520 --> 00:05:41,479 Speaker 1: to try to solve the murder. Notably, this does not 86 00:05:41,839 --> 00:05:45,880 Speaker 1: usually involve cops, but typically at the end there is 87 00:05:46,040 --> 00:05:50,520 Speaker 1: some sort of revolution that isn't death, but sometimes it 88 00:05:50,560 --> 00:05:56,119 Speaker 1: is death. Sometimes. It's also very much a road trip story, 89 00:05:56,200 --> 00:05:59,360 Speaker 1: since she's traveling across the US and she's always looking 90 00:05:59,360 --> 00:06:01,800 Speaker 1: for odd jobs to make money, which in part explains 91 00:06:01,880 --> 00:06:07,200 Speaker 1: how she runs into just all of these situations. One 92 00:06:07,240 --> 00:06:12,080 Speaker 1: of my favorite examples of recontextualizing Charlie's involvement in the 93 00:06:12,120 --> 00:06:15,479 Speaker 1: story when you get the second half is from season one, 94 00:06:15,839 --> 00:06:19,560 Speaker 1: an episode called The Stall. This one is about like 95 00:06:19,600 --> 00:06:25,200 Speaker 1: a really renowned, dedicated barbecue pit master who suddenly decided 96 00:06:25,200 --> 00:06:28,480 Speaker 1: to retire, saying he can't he just can't do it anymore, 97 00:06:28,600 --> 00:06:32,640 Speaker 1: he can't slaughter animals anymore, and his brother and his 98 00:06:32,680 --> 00:06:36,640 Speaker 1: brother's wife are really against this because they can't afford 99 00:06:36,720 --> 00:06:39,240 Speaker 1: to buy him out and it's a really profitable business, 100 00:06:40,279 --> 00:06:44,280 Speaker 1: so they come up with this elaborate plan to murder him, 101 00:06:44,480 --> 00:06:48,440 Speaker 1: which they do. Then, when we get back to Charlie's 102 00:06:48,440 --> 00:06:51,920 Speaker 1: side of it, it turns out that she had basically 103 00:06:52,640 --> 00:06:55,960 Speaker 1: had to work there because a dog she didn't even 104 00:06:55,960 --> 00:07:01,000 Speaker 1: want to adopt ruined their restaurant ate a bunch of meats. 105 00:07:01,040 --> 00:07:04,480 Speaker 1: So she was working to pay off her debt and 106 00:07:04,800 --> 00:07:10,240 Speaker 1: she befriends the pitmaster and she gave him I don't 107 00:07:10,240 --> 00:07:12,600 Speaker 1: know why, I can't remember exactly why, but she gave 108 00:07:12,680 --> 00:07:16,640 Speaker 1: him all these movies about animals as the protagonist, like 109 00:07:16,800 --> 00:07:22,240 Speaker 1: Babe and Autia, and he was so moved by them. 110 00:07:22,280 --> 00:07:24,040 Speaker 1: That's why he decided to quit. 111 00:07:24,760 --> 00:07:27,880 Speaker 2: So she's the reason exactly essentially. 112 00:07:29,320 --> 00:07:31,440 Speaker 1: But it was so funny because you know, you're just 113 00:07:31,480 --> 00:07:37,480 Speaker 1: watching it and it's it's it's a fun recontextualizing of like, oh, 114 00:07:39,000 --> 00:07:45,280 Speaker 1: don't be friends with Unfortunately she yeah, has a bad 115 00:07:45,320 --> 00:07:47,080 Speaker 1: track record with that, which we'll talk about more in 116 00:07:47,120 --> 00:08:01,080 Speaker 1: a second. Another thing that they love to play with 117 00:08:01,240 --> 00:08:04,600 Speaker 1: is the like you know, they have the classic here's 118 00:08:04,640 --> 00:08:08,440 Speaker 1: how I figured it out monologue. A lot of times 119 00:08:08,440 --> 00:08:11,680 Speaker 1: that does not go down as expected in this show. 120 00:08:12,800 --> 00:08:15,160 Speaker 1: Another fun example of how they mess with the formula, 121 00:08:15,200 --> 00:08:17,920 Speaker 1: And actually I watched this episode at your house when 122 00:08:17,960 --> 00:08:22,040 Speaker 1: I was dog sitting Peaches, And another fun example of 123 00:08:22,040 --> 00:08:24,480 Speaker 1: how they mess with this formula is in the season 124 00:08:24,480 --> 00:08:27,360 Speaker 1: two episode Sloppy Joseph, which is one of my favorites. 125 00:08:28,120 --> 00:08:32,520 Speaker 1: A young girl murders a gerbil and a young boy's 126 00:08:32,600 --> 00:08:38,880 Speaker 1: self esteem, so not always murder, sometimes suicide, but generally 127 00:08:38,920 --> 00:08:47,600 Speaker 1: it's murder. Okay, but let us show I love that episode. Okay, 128 00:08:48,040 --> 00:08:51,320 Speaker 1: but let's talk about this character. When we first meet 129 00:08:51,400 --> 00:08:55,120 Speaker 1: Charlie Kele, she is working at Frost Casino and Las Vegas, 130 00:08:55,160 --> 00:08:57,920 Speaker 1: which has just been handed down to the boss's son, 131 00:08:58,280 --> 00:09:03,200 Speaker 1: Sterling Frost Junior. Basically, she had been using her ability 132 00:09:03,200 --> 00:09:07,120 Speaker 1: to fleece people in poker and make money, but she 133 00:09:07,240 --> 00:09:10,080 Speaker 1: got caught and is now sort of trapped in this 134 00:09:10,200 --> 00:09:14,800 Speaker 1: job because Frost Senior he had there had been rumors 135 00:09:14,840 --> 00:09:18,000 Speaker 1: about her gamblers talk, as they say, and he had 136 00:09:18,040 --> 00:09:21,520 Speaker 1: studied her for hours from this like crows ness that 137 00:09:21,600 --> 00:09:24,400 Speaker 1: he had in his casino, and he figured out what 138 00:09:24,480 --> 00:09:29,000 Speaker 1: she could do and told her, you know, you have 139 00:09:29,080 --> 00:09:31,840 Speaker 1: to otherwise people are going to punish you. You have 140 00:09:31,920 --> 00:09:34,080 Speaker 1: to work with me and you have to help me 141 00:09:34,640 --> 00:09:39,600 Speaker 1: detect these lies. And he also told everybody that she's dirty, 142 00:09:39,640 --> 00:09:42,920 Speaker 1: and so she couldn't gamble anymore. If you name, if 143 00:09:42,960 --> 00:09:45,440 Speaker 1: word gets out that you're dirty, I guess in the 144 00:09:45,440 --> 00:09:48,920 Speaker 1: gambling world that's it. So she works with her best 145 00:09:48,960 --> 00:09:52,840 Speaker 1: friend Natalie, who makes a pointed remark about why Charlie 146 00:09:52,840 --> 00:09:57,079 Speaker 1: complains about things but doesn't do anything about them. Natalie 147 00:09:57,160 --> 00:10:01,000 Speaker 1: discovers child pornography on the lapto of one of their 148 00:10:01,200 --> 00:10:05,720 Speaker 1: top gamblers, which she reports to Frost Junior. He promises 149 00:10:05,760 --> 00:10:08,240 Speaker 1: to investigate it, but instead has his right hand the 150 00:10:08,320 --> 00:10:13,640 Speaker 1: man Cliff, murder her and frame her abusive husband. However, 151 00:10:14,360 --> 00:10:18,360 Speaker 1: Charlie has her whole bull thing and knows that the 152 00:10:18,400 --> 00:10:22,360 Speaker 1: official story isn't true. She eventually finds a way to 153 00:10:22,960 --> 00:10:28,200 Speaker 1: record the failures of Frost Junior and pass them on 154 00:10:28,320 --> 00:10:31,480 Speaker 1: to his father because she says basically like, there are 155 00:10:31,600 --> 00:10:35,800 Speaker 1: other ways to punish people than the police. Junior kills 156 00:10:35,880 --> 00:10:39,200 Speaker 1: himself and Charlie is playing for it and forced to 157 00:10:39,240 --> 00:10:43,480 Speaker 1: flee in her sixty nine Barracuda that she pretty much 158 00:10:43,559 --> 00:10:47,520 Speaker 1: lives out of her car. When it comes to why 159 00:10:47,600 --> 00:10:51,120 Speaker 1: I would characterize her ability as neurodivergent, it seems that 160 00:10:51,200 --> 00:10:54,360 Speaker 1: she has a compulsion to call bolt like sometimes she 161 00:10:54,640 --> 00:10:58,560 Speaker 1: just says it because that's what she says, bull It's 162 00:10:58,640 --> 00:11:01,000 Speaker 1: and she can't stop herself. It gets her into trouble, 163 00:11:01,880 --> 00:11:04,920 Speaker 1: and there are multiple instances in the show when she 164 00:11:05,080 --> 00:11:10,560 Speaker 1: maligns how much this ability has and continues to impact 165 00:11:10,600 --> 00:11:15,280 Speaker 1: her life, whether it's family members cutting her out, her 166 00:11:15,360 --> 00:11:20,720 Speaker 1: constantly moving to try to find places with nobles are 167 00:11:20,800 --> 00:11:24,400 Speaker 1: so much be that it's white noise, which she did try, 168 00:11:25,480 --> 00:11:29,560 Speaker 1: developing an eye twitch or headaches because of how much 169 00:11:29,600 --> 00:11:36,200 Speaker 1: people lie. It completely impacts her life. And this is 170 00:11:36,280 --> 00:11:42,240 Speaker 1: interesting because people like to try to dissect how her 171 00:11:42,280 --> 00:11:47,320 Speaker 1: ability works. So it's not her reading tells. It is 172 00:11:47,320 --> 00:11:52,120 Speaker 1: a physical thing she experiences where she just knows something 173 00:11:52,200 --> 00:11:55,160 Speaker 1: is off, and it seems she can tell how big 174 00:11:55,200 --> 00:11:57,880 Speaker 1: the lie is. All right, So this is where we 175 00:11:57,920 --> 00:12:01,240 Speaker 1: get to the murder of the Weak plot, with the 176 00:12:01,440 --> 00:12:05,040 Speaker 1: overarching plot that Charlie has to continually move and stay 177 00:12:05,080 --> 00:12:07,960 Speaker 1: off the grid to avoid Cliff, who has been dispatched 178 00:12:08,000 --> 00:12:12,320 Speaker 1: to bring her back to Sterling Senior. She solves all 179 00:12:12,440 --> 00:12:15,600 Speaker 1: kinds of murders and all kinds of settings. There's a 180 00:12:15,800 --> 00:12:21,280 Speaker 1: metal band, there's race tracks, there's a special effects warehouse. 181 00:12:21,760 --> 00:12:27,160 Speaker 1: But eventually Cliff recaptures her after she's been nearly murdered 182 00:12:27,160 --> 00:12:29,040 Speaker 1: and hospitalized. And I have to say that episode was 183 00:12:29,040 --> 00:12:32,559 Speaker 1: a good twist on the whole thing too. Turns out 184 00:12:32,880 --> 00:12:37,400 Speaker 1: Sterling Senior knew that she hadn't murdered his son. Also, 185 00:12:37,480 --> 00:12:40,720 Speaker 1: he's a mafia boss, which we all suspected, and wants 186 00:12:40,760 --> 00:12:45,160 Speaker 1: to offer Charlie a legit job. However, he is murdered 187 00:12:45,480 --> 00:12:50,960 Speaker 1: and Charlie is framed for his death, so she flees 188 00:12:51,000 --> 00:12:55,200 Speaker 1: once again while in contact with her FBI friend Luca Clark, 189 00:12:56,040 --> 00:12:58,839 Speaker 1: and she retreats to her sister's house, who's played by 190 00:12:58,880 --> 00:13:03,840 Speaker 1: Claya Duval, and the two of them have been estrange 191 00:13:03,880 --> 00:13:07,360 Speaker 1: because Charlie was blamed in their family for causing their 192 00:13:07,400 --> 00:13:11,080 Speaker 1: parents to divorce because she knew they were lying about stuff. 193 00:13:12,480 --> 00:13:16,280 Speaker 1: They sort of makeup and Charlie gets the keys to 194 00:13:16,360 --> 00:13:19,640 Speaker 1: the family boat, only to learn that the boat doesn't function. 195 00:13:20,160 --> 00:13:23,280 Speaker 1: So desperate, she calls Cliff for help, but then discovers 196 00:13:23,520 --> 00:13:27,600 Speaker 1: he was the one who killed FROs Senior and attacks 197 00:13:27,679 --> 00:13:31,280 Speaker 1: him before jumping in the water and making her escape. 198 00:13:31,720 --> 00:13:35,599 Speaker 1: She then gets a call from the Consortium of mafia's 199 00:13:35,960 --> 00:13:38,840 Speaker 1: in the Eastern United States. The five families of their 200 00:13:38,920 --> 00:13:44,120 Speaker 1: called in, particularly Beatrix Hasp played by Ray Pearlman. They're 201 00:13:44,200 --> 00:13:47,960 Speaker 1: mad because she calls all this chaos and a power vacuum, 202 00:13:48,480 --> 00:13:51,880 Speaker 1: but Hasp offers her protection if she comes to work 203 00:13:51,920 --> 00:13:56,280 Speaker 1: for her. Charlie declines, Beatrix puts a hit out on her, 204 00:13:56,600 --> 00:14:00,760 Speaker 1: and Charlie is on the road fleeing once again. Then 205 00:14:00,960 --> 00:14:02,480 Speaker 1: this is when you get into season two. That was 206 00:14:02,480 --> 00:14:06,839 Speaker 1: all season one, And I'm only gonna quickly summarize season 207 00:14:06,840 --> 00:14:10,080 Speaker 1: two because it did just happen. But okay, more murders 208 00:14:10,120 --> 00:14:14,480 Speaker 1: solved across the US, more dodging a hitman, until Charlie 209 00:14:14,520 --> 00:14:17,400 Speaker 1: and Beatrix come to a truce and Beatrix agrees to 210 00:14:17,480 --> 00:14:21,640 Speaker 1: testify and exchange for witness protection. Charlie then finds her 211 00:14:21,720 --> 00:14:23,640 Speaker 1: way to an apartment in New York with the help 212 00:14:23,680 --> 00:14:27,720 Speaker 1: of Good Buddy, a person she communicates with on the radio. 213 00:14:28,600 --> 00:14:32,720 Speaker 1: More murders occur, and then assassins, and then she meets 214 00:14:32,760 --> 00:14:37,160 Speaker 1: a person who can lie to her. Oh, she meets 215 00:14:37,240 --> 00:14:52,640 Speaker 1: her Moriarty. And that's what I will leave it at all, right, 216 00:14:52,800 --> 00:14:56,320 Speaker 1: So I really enjoy it. I love a good puzzle, 217 00:14:56,560 --> 00:15:00,760 Speaker 1: Samantha nos I was nerding out about Dames, trying to 218 00:15:00,800 --> 00:15:03,160 Speaker 1: guess all the things that were going to happen. I 219 00:15:03,200 --> 00:15:05,680 Speaker 1: really enjoy it. But I also really enjoy the character 220 00:15:05,800 --> 00:15:09,480 Speaker 1: and actually She reminds me of you, Samantha Me yes, 221 00:15:09,720 --> 00:15:15,640 Speaker 1: because she is somebody who's really curious and does it 222 00:15:15,720 --> 00:15:18,880 Speaker 1: like back away from a tough conversation, Like she's somebody 223 00:15:18,920 --> 00:15:23,880 Speaker 1: who legitimately is like, no, tell me about this, I 224 00:15:23,920 --> 00:15:26,080 Speaker 1: want to know. I'm not just it's not a superficial 225 00:15:26,120 --> 00:15:30,480 Speaker 1: conversation with her. So when I think of traits that 226 00:15:31,000 --> 00:15:36,320 Speaker 1: this character displays, curiosity and cleverness, she's very very curious. 227 00:15:36,360 --> 00:15:41,200 Speaker 1: She cannot let things go. But she's also really smart. 228 00:15:41,440 --> 00:15:46,800 Speaker 1: She picks up on things so quickly. And I read 229 00:15:46,840 --> 00:15:49,880 Speaker 1: an article about how these kinds of shows work and 230 00:15:49,920 --> 00:15:52,880 Speaker 1: how like a couple of seconds matter because as the audience, 231 00:15:53,800 --> 00:15:56,320 Speaker 1: we're figuring it out as we're watching it, so they 232 00:15:56,360 --> 00:15:58,880 Speaker 1: have to be really tight with the editing, and they're 233 00:15:58,920 --> 00:16:01,760 Speaker 1: really good with that. But it feels like she's always 234 00:16:01,840 --> 00:16:04,200 Speaker 1: kind of a little even if you know who it is, 235 00:16:04,800 --> 00:16:10,400 Speaker 1: she's kind of ahead. She's very kind hearted. In this 236 00:16:10,480 --> 00:16:14,720 Speaker 1: most recent episode, her Moriarty called her compulsive do gooder. 237 00:16:15,760 --> 00:16:20,000 Speaker 1: But she is somebody who sees people for who they 238 00:16:20,040 --> 00:16:23,520 Speaker 1: are and wants to help them legitimately, and that's nice. 239 00:16:24,760 --> 00:16:26,920 Speaker 1: She isn't a bad place. Now I gotta tell you 240 00:16:26,960 --> 00:16:28,400 Speaker 1: that that season finale. 241 00:16:28,120 --> 00:16:28,520 Speaker 2: Was like. 242 00:16:30,360 --> 00:16:35,400 Speaker 1: But she still was helping somebody at the end. And 243 00:16:35,480 --> 00:16:42,320 Speaker 1: also perhaps obviously honesty. She is honest and she values honesty. 244 00:16:43,960 --> 00:16:47,800 Speaker 1: There are ways people can get around her bullet detector, 245 00:16:48,200 --> 00:16:52,320 Speaker 1: like if you always kind of I don't know, answer 246 00:16:52,360 --> 00:16:55,400 Speaker 1: a question with the question. Are certain ways she can 247 00:16:55,440 --> 00:16:57,560 Speaker 1: phrase things. That is not what was going on with 248 00:16:57,600 --> 00:17:02,440 Speaker 1: the Moriarty though, but there are ways people can get 249 00:17:02,480 --> 00:17:05,600 Speaker 1: around it. And now I'm like, now that she's met 250 00:17:05,640 --> 00:17:10,320 Speaker 1: this person, I can imagine how terrifying that would be, 251 00:17:10,320 --> 00:17:12,600 Speaker 1: because you're so confident in this ability and then you 252 00:17:12,680 --> 00:17:17,120 Speaker 1: had someone come in and now can you trust it. 253 00:17:17,560 --> 00:17:22,120 Speaker 1: She's also pretty much a loner. She always makes friends. 254 00:17:22,200 --> 00:17:25,800 Speaker 1: She's very friendly, but she moves on like it's always 255 00:17:25,800 --> 00:17:27,320 Speaker 1: like I made this friend and then I move on, 256 00:17:27,920 --> 00:17:31,000 Speaker 1: and she's pretty she's a loner because of this ability. 257 00:17:32,640 --> 00:17:36,680 Speaker 1: It is sad too, Like I texted a friend after 258 00:17:36,800 --> 00:17:39,280 Speaker 1: I watched the finale today and I was like, I 259 00:17:39,600 --> 00:17:41,600 Speaker 1: didn't expect it. This is what I thought was going 260 00:17:41,640 --> 00:17:43,800 Speaker 1: to happen, and I didn't expect it to be this sad. 261 00:17:44,800 --> 00:17:48,680 Speaker 1: But she she thought she'd found somebody who always told 262 00:17:48,680 --> 00:17:55,600 Speaker 1: the truth, and she was so relieved. Oh jeez, but 263 00:17:55,640 --> 00:17:59,080 Speaker 1: she values that so much. She was so relieved that 264 00:17:59,160 --> 00:18:04,040 Speaker 1: somebody was just being honest with her. Oh gosh. Anyway, 265 00:18:04,400 --> 00:18:09,120 Speaker 1: she also she has spoken about how she kind of 266 00:18:09,760 --> 00:18:12,280 Speaker 1: she doesn't seek out danger or jeopardy, but she finds 267 00:18:12,320 --> 00:18:16,560 Speaker 1: it kind of exhilarating. Uh. And one of the things 268 00:18:16,560 --> 00:18:20,320 Speaker 1: that I there's a lot of suspension of disbelief, perhaps 269 00:18:20,359 --> 00:18:23,760 Speaker 1: obviously with the show, but one of the things that 270 00:18:23,800 --> 00:18:27,960 Speaker 1: I'm always like, why are you confronting these people alone? 271 00:18:27,960 --> 00:18:31,639 Speaker 1: What do you know that she does it all the 272 00:18:31,720 --> 00:18:34,480 Speaker 1: time though she confronts them alone, And I'm like, you're 273 00:18:34,480 --> 00:18:38,160 Speaker 1: a small lady and nobody knows where who you are. 274 00:18:38,480 --> 00:18:40,639 Speaker 2: You make a lot of people mad. Why would you 275 00:18:40,680 --> 00:18:41,000 Speaker 2: do this? 276 00:18:41,280 --> 00:18:43,959 Speaker 1: Yes, I will say a lot of the murders are 277 00:18:44,080 --> 00:18:50,200 Speaker 1: kind of like crimes of passion. Sure, yeah, yeah, so 278 00:18:50,400 --> 00:18:56,359 Speaker 1: it's not like they're serial killers until recently. But still 279 00:18:56,400 --> 00:19:01,080 Speaker 1: I'm always like, my goodness. Also, the phone thing, they 280 00:19:01,119 --> 00:19:03,600 Speaker 1: haven't really figured that out, or she hasn't figured it out. 281 00:19:03,640 --> 00:19:09,400 Speaker 1: I don't know, but I'm always like, where is your phone? 282 00:19:08,240 --> 00:19:12,439 Speaker 1: But I do love the show, but those are my 283 00:19:12,600 --> 00:19:19,280 Speaker 1: things that I sometimes I'm like, what, so there actually 284 00:19:19,359 --> 00:19:22,160 Speaker 1: has been a lot of stuff written about poker face 285 00:19:22,240 --> 00:19:26,000 Speaker 1: and feminism. There are a lot of plotlines that condemn 286 00:19:26,240 --> 00:19:29,000 Speaker 1: particular types misogyny. I have to say, the show really 287 00:19:29,040 --> 00:19:35,720 Speaker 1: comes for certain types of misogynist dude bros a lot, 288 00:19:37,240 --> 00:19:42,560 Speaker 1: and when you look at who the victims are sometimes 289 00:19:42,560 --> 00:19:44,800 Speaker 1: it'll hit you over the head with like, yeah, this 290 00:19:44,960 --> 00:19:49,960 Speaker 1: dude is absolutely a misogynist. So I mean, even at 291 00:19:49,960 --> 00:19:53,720 Speaker 1: the start, Natalie with her abusive husband as the scapegoat, 292 00:19:53,800 --> 00:19:56,639 Speaker 1: there was this whole thing where he sent dick pics 293 00:19:56,680 --> 00:19:59,360 Speaker 1: to like everybody, or he showed up on their cloud 294 00:19:59,520 --> 00:20:01,920 Speaker 1: or something, and that was a part of the plot 295 00:20:01,960 --> 00:20:06,960 Speaker 1: and that was how they framed him. In a recent episode, 296 00:20:07,520 --> 00:20:10,520 Speaker 1: there was this whole thing with breast milk and guys 297 00:20:10,600 --> 00:20:14,959 Speaker 1: working out and drinking the breast milk, and it was 298 00:20:15,240 --> 00:20:19,800 Speaker 1: very like, these dudes are babies. These dudes are babies. 299 00:20:20,200 --> 00:20:22,440 Speaker 1: They're crying when they're not getting the muscles they want. 300 00:20:23,520 --> 00:20:27,520 Speaker 1: Tech bros galore, Wow, and then kind of just the 301 00:20:27,520 --> 00:20:33,960 Speaker 1: whole idea. One of the recent episodes is a really 302 00:20:34,000 --> 00:20:37,879 Speaker 1: good example of this. But like they were filming a 303 00:20:38,000 --> 00:20:43,080 Speaker 1: TV episode and it was very misogynistic. And then the 304 00:20:43,119 --> 00:20:46,800 Speaker 1: man who killed his wife used what was happening in 305 00:20:46,840 --> 00:20:48,800 Speaker 1: the TV episode to murder his wife because they were 306 00:20:48,800 --> 00:20:51,920 Speaker 1: filming it in his funeral home. He owned a funeral home, 307 00:20:52,520 --> 00:20:57,760 Speaker 1: and he killed her because she wanted to leave divorce him, 308 00:20:58,480 --> 00:21:03,760 Speaker 1: and then he burned her body and pressed her into 309 00:21:03,800 --> 00:21:07,720 Speaker 1: a vinyl of a song she hated. And it was 310 00:21:08,040 --> 00:21:10,120 Speaker 1: very much like this is a guy who just can't 311 00:21:10,160 --> 00:21:18,640 Speaker 1: even handle his wife. Lee. There's a lot of examples 312 00:21:18,680 --> 00:21:20,320 Speaker 1: of that. I would go into it, and actually I 313 00:21:20,359 --> 00:21:22,080 Speaker 1: would like to come back and talk about it, but 314 00:21:22,520 --> 00:21:24,080 Speaker 1: I already knew this one was going to be long, 315 00:21:24,200 --> 00:21:32,440 Speaker 1: so that's for a future episode. But for now, listeners, 316 00:21:32,680 --> 00:21:34,960 Speaker 1: if you have any suggestions for the segments or any 317 00:21:34,960 --> 00:21:37,800 Speaker 1: thoughts about this at all, please let me know because 318 00:21:37,800 --> 00:21:40,760 Speaker 1: I still have questions. I have one main question remaining 319 00:21:40,800 --> 00:21:45,560 Speaker 1: after the season. Finally, you can email us at Hello 320 00:21:45,560 --> 00:21:47,359 Speaker 1: at Stuffannever Told You dot com. You can find us 321 00:21:47,359 --> 00:21:49,439 Speaker 1: on Blue Sky at Molsta Podcasts, or on Instagram and 322 00:21:49,480 --> 00:21:51,800 Speaker 1: TikTok at stuff One Never Told You for us on YouTube, 323 00:21:51,800 --> 00:21:53,159 Speaker 1: and we have a book you can get bad to 324 00:21:53,160 --> 00:21:55,600 Speaker 1: Get Her Rex. Thanks as aways too, our super Discristina, 325 00:21:55,640 --> 00:21:58,280 Speaker 1: our executive pridusder Mya, and our conturcor Joey, thank you 326 00:21:58,560 --> 00:22:00,680 Speaker 1: and thanks to you for listening. Steffan Never Told You 327 00:22:00,720 --> 00:22:02,440 Speaker 1: a Prediction by her Indio. For more podcast from My 328 00:22:02,480 --> 00:22:04,120 Speaker 1: Heart Radio, you can check out your Heart video apps, 329 00:22:04,119 --> 00:22:06,320 Speaker 1: Apple podcasts, or wherever we listen to your favorite shows,