WEBVTT - 220: A Woman Scorned

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<v Speaker 1>This episode was recorded prior to the sag After strike.

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheartradio.

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<v Speaker 2>Down as Katie, So, you still feel like you're digesting

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<v Speaker 2>your food from south By Southwest.

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<v Speaker 1>And I'm also starving. I'm also really hungry right now?

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<v Speaker 1>Are you hungry?

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<v Speaker 3>You are?

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<v Speaker 4>No? I had a delicious, very hawklike turkey sandwich right

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<v Speaker 4>before I got on here, Like I was like, Oh,

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<v Speaker 4>I'm gonna toast myself a Dave's killer seated bread. I'm

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<v Speaker 4>gonna have some mayonnaise, I'm gonna have some crunchy romaine lettuce,

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<v Speaker 4>and I'm gonna have some delicious sliced turkey meat, a

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<v Speaker 4>fucking pickle and some chips.

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<v Speaker 1>Yeah.

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<v Speaker 3>I mean it's truly good.

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<v Speaker 1>That is such a That's hucks dream sandwich.

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<v Speaker 4>And it's also I feel like what they always gave you. Yeah,

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<v Speaker 4>but yours was maybe not on like seeded bread. It

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<v Speaker 4>was probably on like a Hogi roll or something.

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<v Speaker 1>Oh. I always asked for wheat bread. I always asked

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<v Speaker 1>for eat bread. Yeah yeah, yeah, And.

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<v Speaker 3>Now my mouth is watering too.

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<v Speaker 1>You know, And I and I started you were you

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<v Speaker 1>were so much healthier than I was. You started eating

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<v Speaker 1>that bread that you had to keep in the freezer. Remember, oh, like.

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<v Speaker 3>A gluten freeze Yes, something.

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<v Speaker 1>Sure that tracks berry? Right, berry was our fe berry berry.

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<v Speaker 1>You would order it and say, let me get that

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<v Speaker 1>gluten free bread. And I remember, and then I started

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<v Speaker 1>ordering that too.

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<v Speaker 4>Well, if a gluten free bad bread is toasted with

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<v Speaker 4>a shitload of mayonnaise on, and it really can't tell.

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<v Speaker 3>That much the difference.

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<v Speaker 1>Yeah, But you know what's.

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<v Speaker 4>Crazy when you're pregnant. You're not allowed to eat deli meat.

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<v Speaker 3>Do you know this?

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<v Speaker 2>Oh?

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<v Speaker 1>Fuck, I think I knew this.

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<v Speaker 3>Or sushi, right, Yeah, you're not alsos to have sushi.

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<v Speaker 3>You're not apposed to have deli meat.

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<v Speaker 4>Anything that could be carrying listeria, I think is what

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<v Speaker 4>it is. But like a food born like contaminated illness.

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<v Speaker 4>And because like deli meat can sometimes just be out,

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<v Speaker 4>really it can be carrying shit that's really dangerous. So that,

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<v Speaker 4>by the way, it's also like one in a billion

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<v Speaker 4>that that happens, but it does happen.

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<v Speaker 3>And for some reason, when I was pregnant, I was like,

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<v Speaker 3>if I don't.

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<v Speaker 4>Get a fucking cold cut, I am going to fucking

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<v Speaker 4>off myself, Like all I wanted was turkey, a ruben,

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<v Speaker 4>dry like corn beef, anything like that.

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<v Speaker 3>So I pushed my daughter out and take this.

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<v Speaker 4>Oh. I ordered like delivery Postmates right to my room

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<v Speaker 4>at cedar Cyina I literally an hour after she had

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<v Speaker 4>come out, and I ordered like a huge ruben from

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<v Speaker 4>Goldblatz Deli. It was like turkey, roast beef, corn beef,

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<v Speaker 4>Russian dressing, cold flaw on a fucking bun, like a

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<v Speaker 4>huge HOGI and I took down the whole thing and

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<v Speaker 4>I was like the most delicious thing ever.

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<v Speaker 3>I was never gonna make that mistake again.

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<v Speaker 4>The first when I gave birth to Albi, stupidly, my doula,

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<v Speaker 4>who I love, said to me, you know you've lost,

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<v Speaker 4>like you know, take so much energy and blood to

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<v Speaker 4>like bur the baby, so like you want to really

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<v Speaker 4>replenish your systems, So why don't you order like a

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<v Speaker 4>salmon and some spinach. You said, bait, No, That's what

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<v Speaker 4>I had for Albi, and I to this day I

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<v Speaker 4>regret that. To this day, I'm like, if you fucking

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<v Speaker 4>bur the baby, whatever it is you're craving, you should

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<v Speaker 4>have it in like if it's vehicles. If it's delimeat,

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<v Speaker 4>if it's if it's oysters, if it's.

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<v Speaker 1>Bacon cheeseburger, you want you shaken.

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<v Speaker 4>White Castle, give a ship. But I stupidly my first

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<v Speaker 4>time around.

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<v Speaker 3>I remember it.

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<v Speaker 4>I ordered salmon with spinach from Granville, which is delicious,

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<v Speaker 4>but it's like when I'm like dieting and being careful.

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<v Speaker 1>Yeah, you don't want that. Right after push no.

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<v Speaker 4>My daughter, I had a ruben melted fucking cheese on it.

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<v Speaker 3>He was so delicious.

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<v Speaker 4>I had pickles, potato pancakes, apple sauce, sour cream, like

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<v Speaker 4>such Jewish jellyfood. And then two hours later I ordered

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<v Speaker 4>Southern fried chicken with honey and maple syrup, like almost

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<v Speaker 4>like a like a chicken and waffle.

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<v Speaker 1>I'm clutching my chest, you guys, I'm clutching my rosary.

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<v Speaker 3>All right, let's fucking get in shod.

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<v Speaker 1>We get into it.

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<v Speaker 3>We get into it. Fucking get.

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<v Speaker 4>Two twenty called A Woman Scorned, which aired on May second,

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<v Speaker 4>twenty thirteen.

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<v Speaker 1>And it was written by Zahir McGhee and directed by

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<v Speaker 1>the star of Friday the thirteen Part six, Tony Goldwin.

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<v Speaker 4>I cannot believe Tony Goldwin directed this episode, he was

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<v Speaker 4>he had such like so to do.

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<v Speaker 1>Let me tell you Tony is a master of all

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<v Speaker 1>trades man like, and this episode god like. I think.

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<v Speaker 1>My first note is the energy of this episode is

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<v Speaker 1>on overdrive and I love it like it's this episode

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<v Speaker 1>is so high paced and the stakes are so high.

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<v Speaker 3>It's bad, states are so high. Everyone has so many moments.

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<v Speaker 1>Okay.

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<v Speaker 4>It was guest starring Scott Foley as Jake Ballard, Dan

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<v Speaker 4>Bucatinski is James Novak, George Newbern as Charlie, Joe Morton

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<v Speaker 4>as Mysterious Man, and.

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<v Speaker 1>Then Sharmila Davar as Lauren Wellman, Kate McGregor Stewart is Married,

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<v Speaker 1>Molly Baker as Rachel Moss, and Amy Farrington as Tammy

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<v Speaker 1>Blakelee Bird Lady Birdwork, Birdwork.

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<v Speaker 3>Okay.

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<v Speaker 4>Synopsis, Just to remind all you listeners out there, what

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<v Speaker 4>the fuck is going on? In this episode, the OPA

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<v Speaker 4>team discovers that Charlie is working for the White House Mole.

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<v Speaker 4>By tracking down Charlie, they make strides towards identifying Albatross.

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<v Speaker 4>After an unknown assassin broke into her apartment, President Fitzord

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<v Speaker 4>is Jake Ballard to keep Olivia safe, and Olivia is

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<v Speaker 4>not happy about it.

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<v Speaker 1>Oh man, that Fits re commit himself to her in

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<v Speaker 1>the family, or she'll exposes affair with Olivia on national television.

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<v Speaker 1>Cyrus desperately tries to convince Fitz to take Mellie's threats seriously.

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<v Speaker 1>Fitz chooses to let the clock tick out on his

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<v Speaker 1>marriage and perhaps his career.

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<v Speaker 4>Goddamn all right, So the stakes of this episode are

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<v Speaker 4>so high because this is one of those awesome Scanal

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<v Speaker 4>episodes where we're literally up against a ticking clock. That

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<v Speaker 4>Melli has moved into the Blair House and she is

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<v Speaker 4>threatening saying, I've made an appointment with National fucking News

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<v Speaker 4>tomorrow six pm. I am going live and telling the

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<v Speaker 4>country that my husband is a philandering whore and has

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<v Speaker 4>been cheating on me unless he leaves Olivia Pope and

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<v Speaker 4>recommits to me and the family. And so the whole

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<v Speaker 4>episode is like, will she do it, won't she do it?

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<v Speaker 4>Will Cyrus be able to stop her from doing it?

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<v Speaker 4>Will Fits care that she's doing it? Olivia knows she's

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<v Speaker 4>about to do it, and it's all about like.

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<v Speaker 1>Like going to go down? Yeah, And also really quickly

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<v Speaker 1>I had to google Blairhouse because I had no They

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<v Speaker 1>kept saying Blair House, Blairhouse, Blairhouse. I was like, what

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<v Speaker 1>the fuck is the Blair House? And it's supposedly it's

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<v Speaker 1>the President's guesthouse. That's that's the you know, the definition

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<v Speaker 1>of Blair House. It's the President's guesthouse. So that's where

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<v Speaker 1>where Mellie is staying, which is, you know, pretty far

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<v Speaker 1>away from the White House. I have to walk through

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<v Speaker 1>these tunnels, right, I want to stay there?

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<v Speaker 3>Is it accessible? Is that actually true?

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<v Speaker 4>In the episode they sort of say, she's like, I'm

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<v Speaker 4>moving into Blairhouse.

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<v Speaker 3>Don't worry.

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<v Speaker 4>No one's going to know about it because I can

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<v Speaker 4>take tunnels to and from to get there, which we

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<v Speaker 4>always see. Also Jeff Perry Cyrus running through these tunnels

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<v Speaker 4>getting from one to the other, and he is so

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<v Speaker 4>fucking exceptional and it's.

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<v Speaker 1>Beautiful, beautiful has to run ten on and.

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<v Speaker 4>I know Jeff Perry has a bad knee, but when

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<v Speaker 4>he does it and he's on a phone and he's

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<v Speaker 4>streaming in that gut, ur all like, it's just like beautiful,

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<v Speaker 4>it's beautiful funny, because again, these are the things you

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<v Speaker 4>can't fake, Like we always say, kissing, eating, smoking, and

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<v Speaker 4>like you, I can't fake running like.

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<v Speaker 3>He has to run.

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<v Speaker 1>Yeah.

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<v Speaker 4>So she's living in Blair House, which is, thank you,

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<v Speaker 4>Ghera Mo Diaz, the White House guest house, and the

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<v Speaker 4>team has sort of gotten to Oh. Also, Carrie starts

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<v Speaker 4>the episode swimming her fucking ass off as Olivia Pope,

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<v Speaker 4>and we caught up to Jake Ballard is like watching

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<v Speaker 4>her at the pool, watching her at the apartment, and

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<v Speaker 4>she's like, what the fuck are you doing? Get away

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<v Speaker 4>from me and he's like, no, I'm on strict orders.

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<v Speaker 4>And she's like, let me call the President himself. She

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<v Speaker 4>calls the President. She's like, get your puppy off of me.

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<v Speaker 4>I don't need this fucking puppy dog watching after me.

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<v Speaker 4>And he's like nope, nope, and that's not gonna happen.

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<v Speaker 4>But of course the President doesn't know that Olivia and

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<v Speaker 4>Jake in previous EPs they already hooked up.

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<v Speaker 1>Right, And I don't think Jake knows that Olivian fits

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<v Speaker 1>are that in deep with each other.

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<v Speaker 3>If I may the episode, Yeah, he's uses later.

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<v Speaker 4>It's so sweet, like when he finds out, he's like,

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<v Speaker 4>I didn't know you were the President's girl.

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<v Speaker 1>Yeah, oh yeah, she's like, why did you sleep with me?

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<v Speaker 1>And he's like, because you're amazing, and you know.

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<v Speaker 4>You're amazing, and I've been watching you and I'm calling

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<v Speaker 4>for you and I'm so into you, and I wouldn't

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<v Speaker 4>have but I didn't know. I didn't know how deep

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<v Speaker 4>you were in. I didn't know you were with that.

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<v Speaker 4>I didn't know you were the president's girl.

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<v Speaker 1>And also how fucking creepy that he's been watching, like

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<v Speaker 1>literally watching her because he has a camera in her

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<v Speaker 1>apartment camera.

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<v Speaker 4>Creepy, which, like, hut to, we're kind of jumping all

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<v Speaker 4>over this episode, but just go with us. Yeah, cut

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<v Speaker 4>to the kind of endish of this episode where Jeff

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<v Speaker 4>Jake is sitting in his apartment watching the footage of

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<v Speaker 4>him and Olivia fucking, which I'm just like, yeah, this

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<v Speaker 4>is so creepy, Like, Jake, you are so messed up.

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<v Speaker 3>I don't even know.

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<v Speaker 4>And he's like sitting in his creepy armchair like all

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<v Speaker 4>sitting gross.

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<v Speaker 1>He's like sort of grinny and yet enjoying it.

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<v Speaker 4>Yeah, he's like watching back, like, oh, yeah, here's where

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<v Speaker 4>I take off my shirt and we're fucking on the

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<v Speaker 4>we start hooking up on my kitchen counter, and then

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<v Speaker 4>we move into the bed and you're like, oh my god,

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<v Speaker 4>you have cameras in your bedroom. But then you realize

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<v Speaker 4>the reason he's watching back the video is because he

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<v Speaker 4>sees that Charlie broke into his apartment. He also watched

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<v Speaker 4>the footage of Jake and Olivia having sex, and now

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<v Speaker 4>Jake knows that Charlie knows.

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<v Speaker 1>And there's an amazing shot of Jake watching Charlie watching

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<v Speaker 1>Jake and Olivia having sex. It's like the Russian dolls, right.

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<v Speaker 3>Like that's exactly what it is. That's so And of course.

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<v Speaker 1>George Nwburn has like a leader of like a Coca

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<v Speaker 1>cola whatever the fuck. He's drinking like a big soda

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<v Speaker 1>and he's definitely grinning and enjoying, you know what he's watching.

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<v Speaker 1>It's so good.

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<v Speaker 4>And then the the OPA associates, we are all huddled

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<v Speaker 4>over by the coffee maker and Live walks in. You know,

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<v Speaker 4>Jake has followed her to work. She's like, you can

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<v Speaker 4>stay here butt of my office, and he's like watching,

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<v Speaker 4>you know, staying guard dog outside, and Olivia is like,

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<v Speaker 4>what is going on?

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<v Speaker 3>What secret do you all have? What is happening?

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<v Speaker 4>And we all sort of have one of those classic

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<v Speaker 4>iconic OPA scenes, all finish each other, yeah, I don't know,

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<v Speaker 4>I don't know what don't know, And then we finish

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<v Speaker 4>each other's sentences to basically tell her that we think

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<v Speaker 4>Cyrus is the mold.

0:11:19.800 --> 0:11:23.920
<v Speaker 1>Yes, because we saw we recognize, well, Huck recognizes Charlie's

0:11:23.960 --> 0:11:28.160
<v Speaker 1>ear in the footage from the storage place where Huck

0:11:28.559 --> 0:11:31.920
<v Speaker 1>was put in a box, so we yeah, yeah, yeah,

0:11:32.080 --> 0:11:34.559
<v Speaker 1>so this is people should know this is well, theyugh no,

0:11:34.679 --> 0:11:37.040
<v Speaker 1>because they they'll have heard the episode right before this

0:11:37.200 --> 0:11:39.719
<v Speaker 1>on the podcast, but right before this was seven fifty two,

0:11:40.320 --> 0:11:43.640
<v Speaker 1>right before this episode, so everything that's why Huck looks

0:11:43.880 --> 0:11:44.880
<v Speaker 1>Huck actually one.

0:11:44.960 --> 0:11:47.520
<v Speaker 4>Well in this episode, he's like coming in and they're like, oh,

0:11:47.559 --> 0:11:49.120
<v Speaker 4>are you ready to go back to work because you're

0:11:49.200 --> 0:11:52.319
<v Speaker 4>so like fucked up from being like caught in a box.

0:11:52.520 --> 0:11:55.040
<v Speaker 1>He's melting down this whole episode, which is one of

0:11:55.080 --> 0:11:57.680
<v Speaker 1>the things, Katie that made me laugh because when those

0:11:58.280 --> 0:12:01.959
<v Speaker 1>beautiful pastries come into the picture in this episode, in

0:12:02.040 --> 0:12:05.600
<v Speaker 1>that pink box, the bear claws and the cheese Danish

0:12:05.679 --> 0:12:10.120
<v Speaker 1>and the and I you know, as an actor, I

0:12:10.280 --> 0:12:12.760
<v Speaker 1>had to make the decision not to eat the pastry

0:12:12.800 --> 0:12:16.079
<v Speaker 1>because I was like, Huck is having the worst anxiety

0:12:16.160 --> 0:12:19.360
<v Speaker 1>attacks non stop throughout this whole episode. Why would he

0:12:19.400 --> 0:12:21.880
<v Speaker 1>stop and have a bear claw? So I decided not

0:12:21.960 --> 0:12:24.040
<v Speaker 1>to eat. But I was so upset about that because

0:12:24.040 --> 0:12:25.520
<v Speaker 1>I was like, that's just so bad.

0:12:25.840 --> 0:12:30.200
<v Speaker 4>Let's just applaud Giermo Diaz for his commitment to his craft.

0:12:30.440 --> 0:12:35.199
<v Speaker 1>I am a thespian, my listeners, a committed thespian.

0:12:36.080 --> 0:12:39.000
<v Speaker 3>That is, I'm so proud of you. You made that choice.

0:12:40.400 --> 0:12:41.719
<v Speaker 3>I'm so anxious. I'm just gonna eat this.

0:12:41.880 --> 0:12:44.840
<v Speaker 1>I'm emotional. Why couldn't I have been an emotional eater?

0:12:44.920 --> 0:12:46.920
<v Speaker 1>Why didn't I choose to be an emotional eater as

0:12:46.960 --> 0:12:48.840
<v Speaker 1>an actor? I should have gone with that decision.

0:12:48.880 --> 0:12:52.559
<v Speaker 3>That would would not have tracked for Huck. No, it

0:12:52.559 --> 0:12:53.480
<v Speaker 3>would not have been Hucked.

0:12:53.679 --> 0:12:53.800
<v Speaker 1>Now.

0:12:53.920 --> 0:12:56.800
<v Speaker 4>The most amazing scene too, is then Fitz is getting

0:12:56.800 --> 0:12:59.400
<v Speaker 4>a real itch for Olivia and makes her come to

0:12:59.559 --> 0:13:01.720
<v Speaker 4>his oval office and she's pissed.

0:13:01.800 --> 0:13:03.800
<v Speaker 1>She comes in and she's like what yeah, And the

0:13:03.920 --> 0:13:06.840
<v Speaker 1>only reason she goes to his office is because he says,

0:13:06.880 --> 0:13:09.080
<v Speaker 1>come to my office. She's like no, and he says,

0:13:09.080 --> 0:13:11.400
<v Speaker 1>all right, then I'm gonna go to your office. Are

0:13:11.480 --> 0:13:13.400
<v Speaker 1>you is your is your gang all there? I can't

0:13:13.400 --> 0:13:15.920
<v Speaker 1>wait to meet them, And she's like, damn it, and

0:13:16.080 --> 0:13:19.120
<v Speaker 1>that's what propels her to go to fucking fits and

0:13:19.200 --> 0:13:22.079
<v Speaker 1>she's mad she busted out the she busted out those

0:13:22.120 --> 0:13:24.400
<v Speaker 1>white gloves too, to go to office.

0:13:24.240 --> 0:13:26.640
<v Speaker 3>Her hands and she's like what yes, and he's like,

0:13:26.920 --> 0:13:29.040
<v Speaker 3>I still love you, Like what are we doing?

0:13:29.160 --> 0:13:30.880
<v Speaker 4>I love you? And then she like points, let's go

0:13:30.920 --> 0:13:32.680
<v Speaker 4>to the area of the Oval office that's not under

0:13:32.720 --> 0:13:36.599
<v Speaker 4>surveillance on that part. And then she's like basically we

0:13:36.720 --> 0:13:38.880
<v Speaker 4>get to the point of the episode where she's like

0:13:39.280 --> 0:13:41.439
<v Speaker 4>she says in that awesome Olivia Pope things, she's like,

0:13:41.520 --> 0:13:43.319
<v Speaker 4>you want me earn me?

0:13:44.280 --> 0:13:48.280
<v Speaker 1>So good? Oh yeah, that was good.

0:13:49.440 --> 0:13:54.520
<v Speaker 3>She's like me, I mean for a hundred reasons.

0:13:54.559 --> 0:13:55.440
<v Speaker 2>But that right.

0:13:55.480 --> 0:13:57.800
<v Speaker 1>And she also says, you can't just summon me and

0:13:57.920 --> 0:14:00.920
<v Speaker 1>just you know, when you're horny or lowly or whatever.

0:14:01.559 --> 0:14:08.480
<v Speaker 3>Yeah, she says, not a fantasy. You want me earn me? Whoa,

0:14:08.920 --> 0:14:10.560
<v Speaker 3>it's so fucking good.

0:14:10.720 --> 0:14:12.880
<v Speaker 1>Yeah. And usually that's when a guy or a girl

0:14:13.040 --> 0:14:15.360
<v Speaker 1>whatever will back down and be like, oh ship, I

0:14:15.400 --> 0:14:17.000
<v Speaker 1>don't know if I don't know if I could do that,

0:14:18.880 --> 0:14:22.520
<v Speaker 1>just yo, no, no, no, no, I just wanted to bone.

0:14:24.920 --> 0:14:28.640
<v Speaker 4>You might be a crazy bitch, Like, no, fucking thank you.

0:14:29.800 --> 0:14:37.120
<v Speaker 4>We will be back with more after the break. Okay,

0:14:37.920 --> 0:14:40.680
<v Speaker 4>she has that amazing scene which was is incredible, and

0:14:40.840 --> 0:14:44.600
<v Speaker 4>this is another scene that Okay, Cyrus goes to goes

0:14:44.800 --> 0:14:50.280
<v Speaker 4>over to Blairhouse to try to bribe Mellie not to talk,

0:14:50.560 --> 0:14:53.160
<v Speaker 4>and he's like, we'll give you governor, we'll give you senate,

0:14:53.320 --> 0:14:56.800
<v Speaker 4>like we're gonna fucking load up your political career that

0:14:56.880 --> 0:15:00.640
<v Speaker 4>if you just do not go on public record saying

0:15:00.840 --> 0:15:02.760
<v Speaker 4>that there was an affair, like, we will give you

0:15:03.040 --> 0:15:04.840
<v Speaker 4>so much political capital it'll be worth it.

0:15:04.920 --> 0:15:05.880
<v Speaker 3>And she's like with nope.

0:15:06.120 --> 0:15:07.640
<v Speaker 1>Yeah, He's like, we'll give you an issue. What do

0:15:07.680 --> 0:15:10.840
<v Speaker 1>you want, like you know, the pipelines, whatever it is,

0:15:10.920 --> 0:15:12.520
<v Speaker 1>and you can run with it and you'll you know

0:15:13.600 --> 0:15:16.560
<v Speaker 1>soar And I also I noticed in it and this

0:15:16.680 --> 0:15:19.960
<v Speaker 1>is the second time this Cyrus walks through those long

0:15:20.120 --> 0:15:23.320
<v Speaker 1>corridors under the White House to get to Blair House.

0:15:23.320 --> 0:15:25.640
<v Speaker 1>So he does this several times. I don't know, I

0:15:25.680 --> 0:15:29.600
<v Speaker 1>don't know where they shot that. It's it's awesome though, right.

0:15:29.560 --> 0:15:32.680
<v Speaker 4>It's awesome, and it's like long and we've used it

0:15:32.720 --> 0:15:35.880
<v Speaker 4>a bunch of times, the way that Norm Lewis takes

0:15:35.920 --> 0:15:38.760
<v Speaker 4>when when Edison is going into a bunker, Like, I

0:15:38.800 --> 0:15:41.680
<v Speaker 4>feel like we've used those hallways a bunch of times.

0:15:41.720 --> 0:15:44.000
<v Speaker 3>They're like the underground pathways under the White House.

0:15:44.040 --> 0:15:45.880
<v Speaker 1>Where the fuck are they? We have to ask where

0:15:45.880 --> 0:15:46.200
<v Speaker 1>they are?

0:15:46.720 --> 0:15:48.800
<v Speaker 3>They must have been built. I feel like they were

0:15:48.840 --> 0:15:49.440
<v Speaker 3>on stage.

0:15:49.880 --> 0:15:53.600
<v Speaker 1>Oh maybe you know. I also noticed in all the

0:15:53.720 --> 0:15:56.200
<v Speaker 1>scenes in I believe it's all of them, Mellie is

0:15:56.240 --> 0:15:59.920
<v Speaker 1>wearing green, and I kept thinking, oh, because she's green

0:16:00.160 --> 0:16:02.880
<v Speaker 1>with envy this whole episode, and I thought, I wonder

0:16:02.880 --> 0:16:05.680
<v Speaker 1>if that's something that Lynn Paolo and or or and

0:16:06.080 --> 0:16:09.360
<v Speaker 1>or Bellamy Young thought of. But I just kept being like,

0:16:09.520 --> 0:16:12.880
<v Speaker 1>oh shit, she's just wearing this gorgeous like green outfit.

0:16:13.400 --> 0:16:16.440
<v Speaker 3>Oh she's green with that, She's green with envy.

0:16:16.480 --> 0:16:18.480
<v Speaker 4>When when we have Lynn Paalow on, we're gonna have

0:16:18.520 --> 0:16:22.200
<v Speaker 4>to put that on the list of ship Yes, this

0:16:22.400 --> 0:16:26.400
<v Speaker 4>scene you absolutely demolished. Goes into Olivia's office and says,

0:16:26.920 --> 0:16:30.320
<v Speaker 4>the last girl that the President was sleeping with, Charlie,

0:16:30.400 --> 0:16:35.360
<v Speaker 4>had her killed. And so he says, you you're basically

0:16:35.440 --> 0:16:37.440
<v Speaker 4>telling her you want her to be careful. Yeah, he

0:16:37.560 --> 0:16:39.320
<v Speaker 4>says that she's sleeping with the president.

0:16:39.440 --> 0:16:42.200
<v Speaker 1>Yeah, And she's like, well, why you know whatever she says,

0:16:42.240 --> 0:16:44.080
<v Speaker 1>and then he's like, because the last girl scept with

0:16:44.160 --> 0:16:46.920
<v Speaker 1>the president ended up dead in the Potomac. Oh, it's

0:16:46.920 --> 0:16:47.680
<v Speaker 1>such a I don't.

0:16:48.280 --> 0:16:50.000
<v Speaker 3>And then you say, and I want and I want

0:16:50.040 --> 0:16:51.720
<v Speaker 3>you to live. I want to stay alive.

0:16:51.880 --> 0:16:56.200
<v Speaker 1>Yeah. Also live has that look on her face like,

0:16:56.240 --> 0:16:58.760
<v Speaker 1>oh shit, everybody knows I slept with the president. I

0:16:58.840 --> 0:17:00.200
<v Speaker 1>mean we all know. Everybody know, we.

0:17:00.480 --> 0:17:04.680
<v Speaker 3>All know except for Josh. In this episode, everybody everyone

0:17:04.760 --> 0:17:05.560
<v Speaker 3>in o PA knows.

0:17:05.640 --> 0:17:08.000
<v Speaker 4>And Jake Ballard finds out in this episode that Olivia

0:17:08.119 --> 0:17:08.880
<v Speaker 4>fits are an item.

0:17:09.080 --> 0:17:11.919
<v Speaker 1>Yes. I love that line from h David Rosen from

0:17:11.960 --> 0:17:13.679
<v Speaker 1>Josh Blina when he says, oh, I wonder who he's

0:17:13.720 --> 0:17:16.280
<v Speaker 1>banging when we see the news, you know later on

0:17:16.440 --> 0:17:19.320
<v Speaker 1>when when yes, I'm it's.

0:17:19.160 --> 0:17:20.640
<v Speaker 3>Fine, Oh my god, we're going all over.

0:17:20.720 --> 0:17:23.560
<v Speaker 1>We've gone wrong, We've gone wrong, We've gone wrong.

0:17:23.600 --> 0:17:31.240
<v Speaker 3>Building barbecue in Austin and we're just fuck okay, Cyrus.

0:17:31.640 --> 0:17:33.639
<v Speaker 4>Right after that sceat Cyrus goes to Mellie back up

0:17:33.640 --> 0:17:35.119
<v Speaker 4>Blair House and says, what if I could get rid

0:17:35.160 --> 0:17:38.320
<v Speaker 4>of Olivia Pope? And so the writers are sort of

0:17:38.520 --> 0:17:42.280
<v Speaker 4>taking us down this path, like is he gonna try?

0:17:44.080 --> 0:17:46.919
<v Speaker 3>Like is that a thing? And it's so cute.

0:17:47.080 --> 0:17:50.480
<v Speaker 4>I love the whole bird work ship, the opa. We

0:17:51.000 --> 0:17:53.480
<v Speaker 4>put Charlie up on the board. We're trying to figure

0:17:53.520 --> 0:17:56.119
<v Speaker 4>out for sure if Cyrus is the mole, because Olivia

0:17:56.160 --> 0:17:57.960
<v Speaker 4>has said, if we're gonna accuse my friend of a

0:17:58.080 --> 0:17:59.639
<v Speaker 4>very long time that he's the mole, we better be

0:17:59.680 --> 0:18:02.840
<v Speaker 4>fucking sure. Start looking into Charlie. We PLoP Charlie's face

0:18:02.960 --> 0:18:06.680
<v Speaker 4>up on the board. You say, like, sweet ship, Yes

0:18:06.880 --> 0:18:08.280
<v Speaker 4>he likes Yeah.

0:18:08.359 --> 0:18:10.120
<v Speaker 1>Someone asked what is what does he like? What he's

0:18:10.160 --> 0:18:12.080
<v Speaker 1>liked to do? And Huck He's like, uh, he likes

0:18:12.160 --> 0:18:15.880
<v Speaker 1>to kill and he also likes sweets. And then Olivia

0:18:16.000 --> 0:18:19.000
<v Speaker 1>is like, well, what's the best fucking bakery in town? Right?

0:18:19.040 --> 0:18:21.840
<v Speaker 4>And then we go there, and then Quinn and Josh

0:18:22.080 --> 0:18:25.720
<v Speaker 4>Quinn and Rose to them colonoles and I'm like, when

0:18:25.760 --> 0:18:26.200
<v Speaker 4>you don't.

0:18:26.119 --> 0:18:28.640
<v Speaker 3>Have a badge, you need to make friends.

0:18:29.240 --> 0:18:32.080
<v Speaker 4>And then I like, I'm like, hi, oh my gosh,

0:18:32.320 --> 0:18:34.679
<v Speaker 4>my friend always picks up the most delicious canoles.

0:18:34.720 --> 0:18:36.600
<v Speaker 3>It's so delicious. Have you ever seen him before?

0:18:36.640 --> 0:18:38.679
<v Speaker 4>And I show her a picture of Siren of Charlie

0:18:38.680 --> 0:18:41.040
<v Speaker 4>and she's like, yeah, Thursdays at six, And I'm.

0:18:40.960 --> 0:18:45.080
<v Speaker 1>Like, wait, Katie, did you guys shoot that in an

0:18:45.160 --> 0:18:50.639
<v Speaker 1>actual bakery where their pastries in the display thingy? Because

0:18:50.880 --> 0:18:53.760
<v Speaker 1>I wouldn't have been to resist. My mouth is watering too.

0:18:55.520 --> 0:18:57.720
<v Speaker 4>How about are you so method as an actor that

0:18:57.840 --> 0:19:01.240
<v Speaker 4>during this episode when you were like all being anxious

0:19:01.280 --> 0:19:04.800
<v Speaker 4>and shit, were you eating any of that crap off camera?

0:19:05.000 --> 0:19:07.760
<v Speaker 1>Or were you just like I must have. I'm not

0:19:08.000 --> 0:19:10.000
<v Speaker 1>that method. I must have.

0:19:11.680 --> 0:19:12.359
<v Speaker 2>In a minute.

0:19:12.440 --> 0:19:15.760
<v Speaker 1>Have you had a No, it's been forever. The last

0:19:15.800 --> 0:19:18.480
<v Speaker 1>time I had a Canoli was when I went to

0:19:18.960 --> 0:19:21.680
<v Speaker 1>like my my ex sister in law's house because they're

0:19:22.280 --> 0:19:25.680
<v Speaker 1>full on like Italian and they always have Canole's and

0:19:25.800 --> 0:19:29.080
<v Speaker 1>all that. That's imposta and you know, got everything.

0:19:30.080 --> 0:19:33.320
<v Speaker 4>Like so, connoli is one of those desserts that I

0:19:33.480 --> 0:19:35.760
<v Speaker 4>never liked as a kid. I thought it was disgusting,

0:19:36.080 --> 0:19:38.879
<v Speaker 4>and now as an adult, I think it is so delicious.

0:19:39.080 --> 0:19:40.680
<v Speaker 1>Do you like the chocolate chips in it? Or do

0:19:40.760 --> 0:19:41.680
<v Speaker 1>you like it just plain?

0:19:42.040 --> 0:19:43.680
<v Speaker 3>I like the chocolate chips in it, I do.

0:19:43.880 --> 0:19:44.280
<v Speaker 1>What about you?

0:19:44.520 --> 0:19:44.639
<v Speaker 2>Oh?

0:19:44.800 --> 0:19:47.840
<v Speaker 1>Fuck yeah? I Usually I would say no, but with Canol's,

0:19:48.359 --> 0:19:51.760
<v Speaker 1>I like that little extra crunchy chocolate delight.

0:19:52.359 --> 0:19:54.280
<v Speaker 4>You know what, I just realized, it's kind of like

0:19:54.400 --> 0:19:58.520
<v Speaker 4>a New York Chinese food soup cracker.

0:19:59.119 --> 0:20:02.159
<v Speaker 1>Oh you know what it does? I mean it kind

0:20:02.200 --> 0:20:04.560
<v Speaker 1>of resembles a fortune cookie in a way too, right,

0:20:04.760 --> 0:20:06.800
<v Speaker 1>Like yeah, yes, yes.

0:20:06.960 --> 0:20:10.000
<v Speaker 4>But like I always feel like those the cracker on

0:20:10.119 --> 0:20:12.240
<v Speaker 4>the outside of the canoli, isn't it sort of.

0:20:12.400 --> 0:20:16.040
<v Speaker 1>Like oh, like a wanton cracker a little bit?

0:20:16.119 --> 0:20:18.199
<v Speaker 3>Like because it's fried it yes, right, and.

0:20:19.720 --> 0:20:24.000
<v Speaker 1>Yeah the little bubblies yeah, and then it's cheese and

0:20:24.160 --> 0:20:29.160
<v Speaker 1>of course sugar inside. Might let me tell you something.

0:20:29.320 --> 0:20:31.960
<v Speaker 1>You're gonna You're gonna find a box of canoli's outside

0:20:32.000 --> 0:20:33.399
<v Speaker 1>your house in like an hour.

0:20:33.680 --> 0:20:34.320
<v Speaker 2>Let's google this.

0:20:34.480 --> 0:20:35.639
<v Speaker 3>Where where can we get?

0:20:36.080 --> 0:20:37.360
<v Speaker 1>Where can we get a canole?

0:20:37.680 --> 0:20:39.760
<v Speaker 3>Wait? I'm dying to know, Like where.

0:20:39.840 --> 0:20:41.840
<v Speaker 4>I don't think I've ever had a canoli in Los

0:20:41.880 --> 0:20:42.680
<v Speaker 4>ange I don't think so.

0:20:42.800 --> 0:20:44.520
<v Speaker 1>I don't think I have either in New York. It's

0:20:44.600 --> 0:20:50.160
<v Speaker 1>so fucking easy, right Street or only Mulberry Street.

0:20:50.600 --> 0:20:54.959
<v Speaker 3>Where to get a great canoli? Fuck? I am jones

0:20:55.200 --> 0:20:57.440
<v Speaker 3>right now like a pregnant woman. Where to get a

0:20:57.480 --> 0:20:59.080
<v Speaker 3>great canoli in Los Angeles?

0:20:59.240 --> 0:21:03.080
<v Speaker 1>Well, booty bump that ship, bloody bump.

0:21:02.960 --> 0:21:03.439
<v Speaker 3>That sho.

0:21:04.960 --> 0:21:08.800
<v Speaker 4>Okay wait it says the fifteen best places for canol

0:21:09.080 --> 0:21:10.879
<v Speaker 4>in Los Angeles, And then we're getting back to this

0:21:11.080 --> 0:21:13.240
<v Speaker 4>Cavaretta's Italian Groceries.

0:21:13.840 --> 0:21:16.840
<v Speaker 3>Oh fuck to paying a canyon. Now you're going there?

0:21:16.960 --> 0:21:20.560
<v Speaker 4>Fuck out here, we need the Valley Eagle Rock Italian

0:21:20.680 --> 0:21:21.639
<v Speaker 4>Bakery and Deli.

0:21:22.000 --> 0:21:23.800
<v Speaker 1>That's far too is it? It is?

0:21:23.960 --> 0:21:28.440
<v Speaker 4>But my mouth is literally watering. I can I can't. Okay,

0:21:29.200 --> 0:21:30.520
<v Speaker 4>all right, where do we leave off?

0:21:30.960 --> 0:21:31.920
<v Speaker 3>Yeah? Where do we leave off?

0:21:31.960 --> 0:21:35.000
<v Speaker 4>We find out Charlie gets the Canoli's, and then we

0:21:35.160 --> 0:21:37.600
<v Speaker 4>even find out through a little bit more slew thing

0:21:38.000 --> 0:21:40.840
<v Speaker 4>that he brings the Canolis to a book club and

0:21:41.000 --> 0:21:43.320
<v Speaker 4>that's thanks to Rosen he finds that out. And we

0:21:43.400 --> 0:21:44.840
<v Speaker 4>go to the book club and we find out that

0:21:44.960 --> 0:21:48.720
<v Speaker 4>Charlie's been hooking up with this girl, Tam Blakely, and

0:21:48.840 --> 0:21:51.280
<v Speaker 4>we have Tam Blakely into O PA and she's sitting

0:21:51.280 --> 0:21:53.200
<v Speaker 4>at the head of the conference table and it's hilarious.

0:21:53.240 --> 0:21:55.119
<v Speaker 3>I can remember shooting these scenes and we had the

0:21:55.320 --> 0:21:56.000
<v Speaker 3>best time.

0:21:56.560 --> 0:22:00.760
<v Speaker 1>Yeah, when whenever date, whenever, Josh Molina was in O PA.

0:22:01.760 --> 0:22:04.920
<v Speaker 1>It was just such a blast, like we just we

0:22:05.119 --> 0:22:06.360
<v Speaker 1>just had such such.

0:22:06.160 --> 0:22:11.280
<v Speaker 4>An added layer of insanity. Yeah, but I can remember

0:22:11.440 --> 0:22:13.399
<v Speaker 4>she she gets called in because we lie to her

0:22:13.480 --> 0:22:16.119
<v Speaker 4>and we say, hey, we're interviewing Charlie for this like

0:22:16.400 --> 0:22:17.800
<v Speaker 4>very high profile job, and.

0:22:17.880 --> 0:22:20.760
<v Speaker 3>She's like, I knew he was special, I knew he

0:22:20.920 --> 0:22:21.600
<v Speaker 3>was important.

0:22:23.119 --> 0:22:25.480
<v Speaker 4>Oh, she's so good, and like we said already, it

0:22:25.640 --> 0:22:28.920
<v Speaker 4>sort of becomes obvious that he's not into this girl

0:22:29.160 --> 0:22:31.159
<v Speaker 4>at all. He's totally using her because she was the

0:22:31.200 --> 0:22:33.040
<v Speaker 4>courts stenographer for Defiance.

0:22:33.480 --> 0:22:35.720
<v Speaker 1>They banged though, right, you think they had sex? They

0:22:35.800 --> 0:22:38.880
<v Speaker 1>had sex? I'm sure no, because there's a shot. There's

0:22:38.920 --> 0:22:42.160
<v Speaker 1>that little quick like photo burst where they're making out,

0:22:42.200 --> 0:22:44.879
<v Speaker 1>where they're kissing where he like pushes her up against

0:22:44.880 --> 0:22:46.960
<v Speaker 1>the wall. She pushes him up against the wall. I

0:22:47.040 --> 0:22:48.960
<v Speaker 1>wonder if the characters like had sex.

0:22:49.280 --> 0:22:52.080
<v Speaker 4>No, he pushes her up the up against the bookshelf

0:22:52.160 --> 0:22:55.119
<v Speaker 4>and a library. Yeah yeah, yeah, and then she pushes

0:22:55.240 --> 0:22:58.840
<v Speaker 4>him up to be like, Yo, these book club bitches

0:22:59.080 --> 0:23:04.280
<v Speaker 4>be crazy, thirsty freaks in the bed.

0:23:04.320 --> 0:23:08.600
<v Speaker 1>They are ret tea. They did their DTFU.

0:23:07.840 --> 0:23:11.359
<v Speaker 3>Speaking about another sex scene, James and Cyrus. How about that?

0:23:12.160 --> 0:23:15.639
<v Speaker 1>Oh man, wait, did they have sex in this episode?

0:23:15.720 --> 0:23:16.840
<v Speaker 1>Or they just don't have sex?

0:23:16.920 --> 0:23:20.320
<v Speaker 4>They they make out, but it's like the most I

0:23:20.520 --> 0:23:25.240
<v Speaker 4>feel like intimate makeout we have seen of j And

0:23:25.359 --> 0:23:28.480
<v Speaker 4>then he like drops his pants and James gets down

0:23:28.520 --> 0:23:30.600
<v Speaker 4>on his knees because we can assume that he's gonna

0:23:30.600 --> 0:23:31.320
<v Speaker 4>give him a blow.

0:23:31.600 --> 0:23:35.119
<v Speaker 1>Yeah, yeah, yeah. Can we just talk about how freaking

0:23:35.240 --> 0:23:38.520
<v Speaker 1>like as a as a gay person, like how fucking

0:23:38.760 --> 0:23:43.320
<v Speaker 1>generous and thoughtful Shanda has been with the lgbt Q

0:23:43.520 --> 0:23:46.600
<v Speaker 1>I A plus community, Like from the gate, Like in

0:23:46.720 --> 0:23:49.639
<v Speaker 1>the first episode, she deals with someone who's in the

0:23:49.720 --> 0:23:52.520
<v Speaker 1>closet and then sort of exactly and discovers that there's

0:23:52.560 --> 0:23:55.280
<v Speaker 1>nothing to be ashamed of, and you know, decides to

0:23:55.720 --> 0:23:58.240
<v Speaker 1>live his authentic self and all that. And then and

0:23:58.440 --> 0:24:02.320
<v Speaker 1>then to see these two lead characters, you know, play

0:24:02.400 --> 0:24:05.960
<v Speaker 1>these openly gay gay men, and it's just so matter

0:24:06.040 --> 0:24:08.399
<v Speaker 1>of fact. It's so refreshing, you know what I mean,

0:24:08.440 --> 0:24:11.440
<v Speaker 1>because I grew up with watching fucking bullshit, like you know,

0:24:11.600 --> 0:24:15.879
<v Speaker 1>like like Three's Company and fucking Jack was acting like

0:24:15.960 --> 0:24:17.560
<v Speaker 1>he was gay and it was a big joke, and

0:24:18.160 --> 0:24:20.800
<v Speaker 1>or Monroe on that other show, what the fuck was

0:24:20.840 --> 0:24:24.520
<v Speaker 1>that other show? Fucking I'm Too Close for Comfort And

0:24:24.600 --> 0:24:27.200
<v Speaker 1>it was all just like like buffoonery and like we

0:24:27.320 --> 0:24:30.280
<v Speaker 1>were clowns and it was a joke anyway, So it's

0:24:30.400 --> 0:24:32.480
<v Speaker 1>just so No, it's amazing.

0:24:32.160 --> 0:24:32.600
<v Speaker 3>To see it.

0:24:32.760 --> 0:24:35.000
<v Speaker 4>And I also I love seeing that they're not like

0:24:35.480 --> 0:24:38.120
<v Speaker 4>like in no offense to Dan Bucatinski. God, don't listen

0:24:38.160 --> 0:24:41.159
<v Speaker 4>to this, Dan, but like they're also not like twenty

0:24:41.400 --> 0:24:42.560
<v Speaker 4>and like supermodel.

0:24:42.680 --> 0:24:46.280
<v Speaker 3>Yes not like we're also seeing this like, Okay, we'll

0:24:46.359 --> 0:24:47.240
<v Speaker 3>have hot guys.

0:24:47.800 --> 0:24:49.520
<v Speaker 4>I mean, we'll have gay guys, but they have to

0:24:49.600 --> 0:24:52.359
<v Speaker 4>be like universally like super hot in the right age

0:24:52.400 --> 0:24:54.399
<v Speaker 4>and all this kind of stuff. Like I like that

0:24:54.480 --> 0:24:57.920
<v Speaker 4>they're just like fucking men, like regular men who like

0:24:58.119 --> 0:25:01.960
<v Speaker 4>have jobs and are just like, yes, you know, have

0:25:02.160 --> 0:25:04.600
<v Speaker 4>like a sex life and sleep in the same bed

0:25:04.720 --> 0:25:06.960
<v Speaker 4>and adopt a daughter and like all of that.

0:25:07.359 --> 0:25:09.720
<v Speaker 1>Every every time I watched these I read them, and

0:25:09.800 --> 0:25:11.800
<v Speaker 1>of course watched them, I thought of my parents at

0:25:11.840 --> 0:25:15.320
<v Speaker 1>home watching it, and I thought the the the amount

0:25:15.560 --> 0:25:19.240
<v Speaker 1>of strides forward that these episodes are making just in

0:25:19.440 --> 0:25:22.560
<v Speaker 1>my life alone with my family. I mean, they're accepting

0:25:22.600 --> 0:25:25.320
<v Speaker 1>and there they're wonderful. It took them just a second,

0:25:26.160 --> 0:25:28.960
<v Speaker 1>you know, to sort of fully accept, but just the

0:25:29.040 --> 0:25:32.879
<v Speaker 1>fact that they're watching this and and just again the

0:25:33.400 --> 0:25:36.840
<v Speaker 1>the amount of the acceptance that they've opened up their hearts.

0:25:37.000 --> 0:25:38.200
<v Speaker 3>They're watching a show.

0:25:38.240 --> 0:25:40.200
<v Speaker 4>It's like, yeah, of course your parents accept you and

0:25:40.280 --> 0:25:43.520
<v Speaker 4>love you and they but now they're watching on a

0:25:43.640 --> 0:25:47.920
<v Speaker 4>TV show like like that. It's it's very normal, Like

0:25:48.080 --> 0:25:52.000
<v Speaker 4>she's normalizing it because she's putting it into mainstream media.

0:25:52.200 --> 0:25:54.280
<v Speaker 4>And yet again, like I know, we talked about this

0:25:54.320 --> 0:25:56.440
<v Speaker 4>on the panel. It's south by Southwest, but like here

0:25:56.560 --> 0:25:58.400
<v Speaker 4>we are part of this show that was a water

0:25:58.520 --> 0:26:01.080
<v Speaker 4>cooler show and appointment viewing on Thursday nights, and some

0:26:01.240 --> 0:26:03.520
<v Speaker 4>parts of it were soapoppery and some parts that were this,

0:26:03.640 --> 0:26:05.720
<v Speaker 4>and some parts that were that, But really it was

0:26:05.760 --> 0:26:12.440
<v Speaker 4>Shonda Rhyme's making massive strides towards inclusion and representation and

0:26:13.359 --> 0:26:19.240
<v Speaker 4>putting hot button topics issues and very controversial things in

0:26:20.119 --> 0:26:22.280
<v Speaker 4>ten PM network viewing.

0:26:22.640 --> 0:26:25.040
<v Speaker 3>I mean, fucking crazy.

0:26:25.200 --> 0:26:29.400
<v Speaker 1>That stuff that gets embedded into people's brains and psychees

0:26:29.480 --> 0:26:32.240
<v Speaker 1>and they start thinking, oh, yeah, that is normal, that's

0:26:32.520 --> 0:26:34.720
<v Speaker 1>you know what I mean. It's wonderful. It's good because

0:26:34.960 --> 0:26:37.320
<v Speaker 1>the opposite could happen too. When you see negative shit

0:26:37.440 --> 0:26:39.639
<v Speaker 1>like that and then people start thinking, you know, terrible

0:26:39.680 --> 0:26:43.480
<v Speaker 1>shit about you know, certain certain people or whatever. But yeah,

0:26:43.720 --> 0:26:45.639
<v Speaker 1>I'm we're so blessed.

0:26:45.880 --> 0:26:48.359
<v Speaker 3>We're so blessed. And it was so like so cool

0:26:48.480 --> 0:26:50.160
<v Speaker 3>to be a part of a show that had reach

0:26:50.359 --> 0:26:51.960
<v Speaker 3>like that. Yeah, just so many people.

0:26:52.080 --> 0:26:55.639
<v Speaker 4>But then was also like making statements and making change.

0:26:55.840 --> 0:27:01.080
<v Speaker 4>It was fucking awesome. Yeah, yay, Cyrus and James blow jobs.

0:27:01.280 --> 0:27:03.560
<v Speaker 1>Yay, we'll be right back guys.

0:27:07.480 --> 0:27:10.160
<v Speaker 4>In twenty two minutes. We're on a ticking clock. She's

0:27:10.240 --> 0:27:13.480
<v Speaker 4>gonna go live. And Cyrus comes and says to Fits,

0:27:13.520 --> 0:27:15.760
<v Speaker 4>there's a newsman in front of Blairhouse and Melli will

0:27:15.880 --> 0:27:18.600
<v Speaker 4>go live, and so you need to like tell the

0:27:18.680 --> 0:27:19.920
<v Speaker 4>woman you love.

0:27:20.359 --> 0:27:21.359
<v Speaker 3>That you're in it with her.

0:27:21.800 --> 0:27:24.080
<v Speaker 4>And so all of a sudden, Fits is like, get

0:27:24.119 --> 0:27:26.640
<v Speaker 4>me my jacket, you know, get me the cars, get

0:27:26.720 --> 0:27:28.520
<v Speaker 4>me the fucking security.

0:27:28.680 --> 0:27:30.280
<v Speaker 3>Let's go. And you kind of think he's going to

0:27:30.280 --> 0:27:32.000
<v Speaker 3>Blairhouse to make it better for Melly.

0:27:31.800 --> 0:27:32.600
<v Speaker 1>And yeah, you do.

0:27:34.160 --> 0:27:35.359
<v Speaker 3>Noe, Nope, nope.

0:27:35.720 --> 0:27:39.520
<v Speaker 4>He shows up at Olivia's apartment and tells Jake get

0:27:39.560 --> 0:27:40.360
<v Speaker 4>the fuck out of here.

0:27:40.840 --> 0:27:43.199
<v Speaker 1>Fuck out of here. You done, you finished it, your

0:27:43.280 --> 0:27:44.080
<v Speaker 1>job is done.

0:27:44.440 --> 0:27:47.200
<v Speaker 3>Thanks for covering the post. I'll take it from here.

0:27:47.560 --> 0:27:52.280
<v Speaker 1>Yeah, and Jake leaves and Olivia opens that door and

0:27:52.359 --> 0:27:54.119
<v Speaker 1>she's like, what is it, what is happening? What are

0:27:54.160 --> 0:27:56.200
<v Speaker 1>you doing here? And he just he walks right in.

0:27:56.320 --> 0:27:58.399
<v Speaker 1>Did you notice he just walks into her apartment. He

0:27:58.400 --> 0:27:59.639
<v Speaker 1>didn't even wait for her to invite her.

0:27:59.680 --> 0:28:02.560
<v Speaker 4>In such swag he wants write in and she goes,

0:28:02.600 --> 0:28:04.040
<v Speaker 4>what are you doing here? You have twenty two minutes

0:28:04.040 --> 0:28:05.960
<v Speaker 4>you could still say this. You could save your political career.

0:28:06.000 --> 0:28:07.600
<v Speaker 4>You have no way that you're gonna get reelected for

0:28:07.680 --> 0:28:08.240
<v Speaker 4>a second term.

0:28:08.440 --> 0:28:10.399
<v Speaker 3>What the fuck are you doing? And he's like, I

0:28:10.640 --> 0:28:14.080
<v Speaker 3>want you to watch me choose you.

0:28:14.480 --> 0:28:19.280
<v Speaker 4>Yes, we're gonna watch me earn you together, I think,

0:28:19.359 --> 0:28:21.040
<v Speaker 4>And he says the most beautiful lines.

0:28:21.119 --> 0:28:22.600
<v Speaker 3>God so here McGee.

0:28:22.280 --> 0:28:25.360
<v Speaker 1>Wrote the Ship's Right. I love him, but he says.

0:28:25.240 --> 0:28:29.400
<v Speaker 4>These lines like I think you're scared that I don't.

0:28:29.880 --> 0:28:34.040
<v Speaker 4>That is something like I love you more than the presidency. Yeah,

0:28:34.040 --> 0:28:36.320
<v Speaker 4>I don't give a fuck about Rihan getting re elected.

0:28:36.440 --> 0:28:38.000
<v Speaker 4>I love you more than all of it.

0:28:38.240 --> 0:28:40.200
<v Speaker 3>It's so good.

0:28:40.600 --> 0:28:42.800
<v Speaker 1>And he also sort of alludes to the fact he's like,

0:28:42.840 --> 0:28:44.480
<v Speaker 1>I don't I don't think you. I don't think you

0:28:44.600 --> 0:28:47.360
<v Speaker 1>believe that I was actually that I'm gonna do this,

0:28:47.520 --> 0:28:50.680
<v Speaker 1>that I that you mean more to me than my

0:28:50.920 --> 0:28:53.600
<v Speaker 1>job than the presidency, because you do, and I'm gonna

0:28:53.640 --> 0:28:57.040
<v Speaker 1>show you. I'm gonna see that, You're gonna earn you.

0:28:58.200 --> 0:29:01.520
<v Speaker 1>I wonder if Olivia was like, oh shit, goddamn, maybe

0:29:01.600 --> 0:29:03.720
<v Speaker 1>I don't Maybe I don't want to be earned, you

0:29:03.840 --> 0:29:04.280
<v Speaker 1>know what I mean.

0:29:04.480 --> 0:29:06.280
<v Speaker 3>Sure, I'm sure she was terrified. I'm sure. I mean

0:29:06.280 --> 0:29:06.800
<v Speaker 3>I could see.

0:29:06.960 --> 0:29:09.760
<v Speaker 1>Yeah, that would change her whole trajectory in her life. Right,

0:29:09.920 --> 0:29:12.120
<v Speaker 1>that's right, she wouldn't be able to be Olivia Pope anymore.

0:29:12.160 --> 0:29:13.360
<v Speaker 1>Probably most likely.

0:29:14.000 --> 0:29:15.800
<v Speaker 3>No, they're supposed to go to Vermont and make jam

0:29:15.960 --> 0:29:16.880
<v Speaker 3>yet she can't have a job.

0:29:17.320 --> 0:29:19.280
<v Speaker 4>Yeah, But she's sitting on a chair and he's sitting

0:29:19.280 --> 0:29:22.080
<v Speaker 4>on the couch, and they have this clock, this sheaic ass,

0:29:22.120 --> 0:29:24.719
<v Speaker 4>little white fucking clock from her apartment that no one

0:29:24.760 --> 0:29:25.960
<v Speaker 4>could even see the time, but they.

0:29:26.200 --> 0:29:29.040
<v Speaker 3>They put it on her table to sort of watch

0:29:29.080 --> 0:29:29.760
<v Speaker 3>the clock run out.

0:29:29.760 --> 0:29:31.480
<v Speaker 4>And at the same time, they're cutting back and forth

0:29:31.560 --> 0:29:34.320
<v Speaker 4>between Mellie, who's also watching the clock run out, and

0:29:34.520 --> 0:29:39.120
<v Speaker 4>she's realizing he's not going to come, and he doesn't

0:29:39.200 --> 0:29:39.880
<v Speaker 4>fucking care.

0:29:40.240 --> 0:29:45.040
<v Speaker 1>Yeah. I love seeing him so like relaxed and fucking

0:29:45.280 --> 0:29:47.960
<v Speaker 1>he's such a stud in these scenes, like he's just like,

0:29:48.400 --> 0:29:51.040
<v Speaker 1>I don't give a fuck. You're my girl, and I

0:29:51.120 --> 0:29:54.320
<v Speaker 1>don't give a fuck. Who knows it. It's so ice.

0:29:54.840 --> 0:29:56.920
<v Speaker 4>They have moments where she her eyes are welling up.

0:29:56.960 --> 0:29:58.960
<v Speaker 4>There are moments where he's sitting cross legged with his

0:29:59.280 --> 0:30:01.000
<v Speaker 4>mouth in front of his hand, in front of his mouth.

0:30:01.080 --> 0:30:04.120
<v Speaker 4>He's got like a little smile, a little snicker, like

0:30:04.280 --> 0:30:07.200
<v Speaker 4>it's so hot and so fucking great.

0:30:07.240 --> 0:30:09.200
<v Speaker 3>And it's a long time.

0:30:09.320 --> 0:30:11.920
<v Speaker 4>They give us cutting between Melly and Olivia and fits

0:30:11.960 --> 0:30:14.920
<v Speaker 4>and the song that's playing is what is that song?

0:30:14.960 --> 0:30:18.080
<v Speaker 1>I was gonna ask you, Oh fuck, it's so good.

0:30:18.360 --> 0:30:23.480
<v Speaker 1>Your all, honey, that's it?

0:30:23.800 --> 0:30:27.720
<v Speaker 5>Get bite And then he goes like, sweet morning, dude,

0:30:29.280 --> 0:30:33.040
<v Speaker 5>look at you. And it was playing to see you

0:30:33.320 --> 0:30:34.560
<v Speaker 5>are my destiny.

0:30:34.920 --> 0:30:44.120
<v Speaker 3>It's ridiculous, it's perfect. There's no no as you know,

0:30:47.280 --> 0:30:48.240
<v Speaker 3>your money.

0:30:48.880 --> 0:30:51.920
<v Speaker 1>It just gives this extra life to that scene.

0:30:53.040 --> 0:30:57.080
<v Speaker 3>Its sound supervising to the fucking max.

0:30:57.160 --> 0:31:01.480
<v Speaker 4>It's perfect, scandal, it's everything, it's absolutely everything.

0:31:02.320 --> 0:31:04.560
<v Speaker 3>And the clock runs out.

0:31:05.080 --> 0:31:06.160
<v Speaker 1>It runs out, yo.

0:31:06.840 --> 0:31:09.480
<v Speaker 4>And we don't know what's going to happen because it's

0:31:09.560 --> 0:31:11.959
<v Speaker 4>almost so amazing, but the clock runs out, and you're right,

0:31:12.080 --> 0:31:16.600
<v Speaker 4>we don't know if Olivia is going to choose him. Yeah,

0:31:17.120 --> 0:31:21.800
<v Speaker 4>like he chose her over his political career, but she

0:31:22.520 --> 0:31:25.640
<v Speaker 4>hasn't said anything, and we don't know if he just

0:31:25.720 --> 0:31:28.760
<v Speaker 4>committed political suicide, like and he's and it's gonna be

0:31:28.760 --> 0:31:29.680
<v Speaker 4>reciprocated or not.

0:31:29.960 --> 0:31:32.680
<v Speaker 1>Exactly yeah, exactly.

0:31:32.280 --> 0:31:33.680
<v Speaker 3>Yeah start kissing.

0:31:34.160 --> 0:31:38.360
<v Speaker 1>Oh man, They're like, yeah, this is a hot ass

0:31:38.480 --> 0:31:41.480
<v Speaker 1>sex scene. I mean, there's a million hot sex scenes

0:31:41.520 --> 0:31:46.520
<v Speaker 1>with Olivian fits, but this one is particularly just super steamy. Man,

0:31:46.680 --> 0:31:47.560
<v Speaker 1>and then and.

0:31:47.640 --> 0:31:50.720
<v Speaker 4>Then this one and all Tony's also directing it, and

0:31:50.840 --> 0:31:52.080
<v Speaker 4>he's directing that ship.

0:31:53.200 --> 0:31:56.680
<v Speaker 1>Yo, how do you do that shit? Wait? I wonder

0:31:56.720 --> 0:31:59.800
<v Speaker 1>if the ad like our ad if because as a

0:32:00.000 --> 0:32:02.640
<v Speaker 1>director I would, and an actor I would. I mean

0:32:02.640 --> 0:32:04.840
<v Speaker 1>I've never acted in the film I directed. I didn't act,

0:32:04.880 --> 0:32:06.320
<v Speaker 1>and so I don't know, but I feel like I

0:32:06.360 --> 0:32:08.120
<v Speaker 1>would tell the ad. Look, if you feel like we

0:32:08.240 --> 0:32:11.400
<v Speaker 1>got it, you call cut, you know what I mean? Like,

0:32:11.480 --> 0:32:14.200
<v Speaker 1>I wonder how that worked, how Tony works that, or

0:32:14.240 --> 0:32:15.960
<v Speaker 1>if he's like in the middle of the scene, like

0:32:16.560 --> 0:32:18.640
<v Speaker 1>you know, making out with Olivia and he cuts him.

0:32:18.920 --> 0:32:20.800
<v Speaker 1>He says himself, Okay, I think we got it.

0:32:21.440 --> 0:32:23.320
<v Speaker 4>Do you know what I mean, yeah, I think I

0:32:23.840 --> 0:32:27.120
<v Speaker 4>think they must have let it lie, probably with Oliver

0:32:27.400 --> 0:32:27.880
<v Speaker 4>our DP.

0:32:28.360 --> 0:32:33.240
<v Speaker 3>Yeah, I think probably Oliver and the first a D.

0:32:33.560 --> 0:32:35.640
<v Speaker 4>Like, you know, Tony would probably go talk to Oliver

0:32:35.720 --> 0:32:37.000
<v Speaker 4>and be like, hey, let me know, like if I

0:32:37.080 --> 0:32:38.920
<v Speaker 4>need to move or we're not getting it right, or

0:32:39.000 --> 0:32:41.120
<v Speaker 4>like the shots not lined up. You know, they probably

0:32:41.240 --> 0:32:44.280
<v Speaker 4>were pretty and Oliver had directed a bunch of scannels himself, right,

0:32:44.400 --> 0:32:46.040
<v Speaker 4>that's true. So I feel like there was probably a

0:32:46.120 --> 0:32:47.960
<v Speaker 4>lot of that going on. But then next time we

0:32:48.040 --> 0:32:49.680
<v Speaker 4>have Tony Goldwyn on, we need to ask him what

0:32:49.760 --> 0:32:51.600
<v Speaker 4>it was like directing a self in sex scenes.

0:32:51.960 --> 0:32:55.160
<v Speaker 1>Hell yeah, let me tell you something, man. He as

0:32:55.240 --> 0:32:58.160
<v Speaker 1>a director, I mean he's an amazing actor, but as

0:32:58.200 --> 0:33:02.240
<v Speaker 1>a director, what an inspiration. Man. He's this episode like

0:33:02.400 --> 0:33:06.560
<v Speaker 1>fucking sores, man. It's sores at a pace that is

0:33:06.760 --> 0:33:11.400
<v Speaker 1>high paced and energetic and fucking it's just on from

0:33:11.440 --> 0:33:15.480
<v Speaker 1>the beginning to end, like nonstops. So it's just so good.

0:33:15.600 --> 0:33:17.640
<v Speaker 1>It's the energy, it's it's I don't know if it

0:33:17.720 --> 0:33:20.040
<v Speaker 1>had to do because there was all the bird talk

0:33:20.120 --> 0:33:24.080
<v Speaker 1>in this episode and those birds are lifting us up. Yeah,

0:33:24.320 --> 0:33:27.560
<v Speaker 1>it's just so good. Tony did it? Did an amaze

0:33:27.600 --> 0:33:29.440
<v Speaker 1>a remarkable job directing, and.

0:33:29.520 --> 0:33:31.480
<v Speaker 3>We have to remember to put on the list when

0:33:31.480 --> 0:33:32.000
<v Speaker 3>he comes back.

0:33:32.040 --> 0:33:34.360
<v Speaker 4>I am really curious actually about how he directs himself

0:33:34.400 --> 0:33:35.960
<v Speaker 4>in like the sextcene, Like how does he do it?

0:33:36.160 --> 0:33:36.400
<v Speaker 3>Yeah?

0:33:37.200 --> 0:33:40.320
<v Speaker 4>So then Melli we realize she kind of looks almost

0:33:40.400 --> 0:33:43.920
<v Speaker 4>like childlike she realizes that she wasn't chosen and now

0:33:44.000 --> 0:33:46.560
<v Speaker 4>she's gonna is her balls as big as her bridges, Like,

0:33:46.640 --> 0:33:48.440
<v Speaker 4>yeah they are? Can she put her money where her

0:33:48.480 --> 0:33:50.280
<v Speaker 4>fucking mouth? And is she going to go on national

0:33:50.320 --> 0:33:52.560
<v Speaker 4>television and tell the story that her husband's been cheating

0:33:52.600 --> 0:33:55.360
<v Speaker 4>on her? And then of course none other who is

0:33:55.560 --> 0:33:59.680
<v Speaker 4>doing the interview in Blair House, fucking James Novak, who

0:33:59.760 --> 0:34:05.200
<v Speaker 4>thinks mother fucking Anderson Cooper and he's interviewing her.

0:34:05.360 --> 0:34:07.200
<v Speaker 3>And this is where Cyrus.

0:34:07.680 --> 0:34:12.880
<v Speaker 1>Who fucking but how conniving of Mellie to be like,

0:34:13.000 --> 0:34:16.840
<v Speaker 1>I'm gonna choose Cyrus's husband to be the one that

0:34:16.960 --> 0:34:18.200
<v Speaker 1>I want to interview me.

0:34:18.520 --> 0:34:20.640
<v Speaker 3>Oh she do you know what I mean? She is

0:34:20.719 --> 0:34:21.360
<v Speaker 3>a package?

0:34:21.480 --> 0:34:21.680
<v Speaker 1>Man?

0:34:21.960 --> 0:34:22.560
<v Speaker 3>I love it.

0:34:23.040 --> 0:34:25.920
<v Speaker 4>Cyrus goes fucking running as fast as his little broken

0:34:25.960 --> 0:34:28.480
<v Speaker 4>knee will take him down that hallways.

0:34:27.880 --> 0:34:30.080
<v Speaker 3>On the phone, get it off the waves, Get him

0:34:30.120 --> 0:34:34.480
<v Speaker 3>off like flapping back. He is flapping like all freaking

0:34:34.600 --> 0:34:36.000
<v Speaker 3>the fuck out. He's like screaming.

0:34:36.320 --> 0:34:38.719
<v Speaker 4>It's always so great because you always feel like he

0:34:39.000 --> 0:34:40.480
<v Speaker 4>is on the version of having a heart attack.

0:34:40.600 --> 0:34:44.320
<v Speaker 1>Oh every single time, every time, every time.

0:34:44.160 --> 0:34:46.080
<v Speaker 3>He feels like he's gonna have a heart attack. It's

0:34:46.280 --> 0:34:47.040
<v Speaker 3>so funny.

0:34:47.719 --> 0:34:50.800
<v Speaker 1>And then he finds himself there in the interview, you know,

0:34:51.320 --> 0:34:55.160
<v Speaker 1>behind the camera obviously, and he's just you could just

0:34:55.239 --> 0:34:58.279
<v Speaker 1>see the frustration and the desperation of wanting to just

0:34:58.680 --> 0:35:01.600
<v Speaker 1>run in there and snap that's James right out of

0:35:01.640 --> 0:35:03.799
<v Speaker 1>that fucking interview or chair and get him out of there.

0:35:04.120 --> 0:35:05.080
<v Speaker 1>He is so mad.

0:35:05.400 --> 0:35:07.080
<v Speaker 3>Yes, and Melly does it.

0:35:07.480 --> 0:35:11.319
<v Speaker 4>She says a national television that Fits her marriage has

0:35:11.400 --> 0:35:13.840
<v Speaker 4>been in trouble and that Fits was having an affair.

0:35:14.160 --> 0:35:17.000
<v Speaker 4>And the whole time Melly's saying that Fitz is having

0:35:17.000 --> 0:35:21.560
<v Speaker 4>an affair. Live and Fits are just banging in her apartment.

0:35:21.640 --> 0:35:24.800
<v Speaker 4>It's just cutting back and forth between the cyrus, blood

0:35:24.880 --> 0:35:29.440
<v Speaker 4>boiling James interviewing Melly, Melly telling the American people, and

0:35:29.640 --> 0:35:32.080
<v Speaker 4>Fits and Live are just Phonetown, USA.

0:35:32.440 --> 0:35:37.200
<v Speaker 1>I Also, this is my favorite hair on on on Live.

0:35:37.520 --> 0:35:38.600
<v Speaker 1>It's really nice.

0:35:38.680 --> 0:35:41.680
<v Speaker 4>Very last scene of the episode, it's pressing in the shower, yeah,

0:35:42.600 --> 0:35:44.560
<v Speaker 4>well that one, and also when it's when after in

0:35:44.640 --> 0:35:46.520
<v Speaker 4>the shower, because then you see it curly, which is

0:35:46.600 --> 0:35:47.279
<v Speaker 4>beautiful too.

0:35:47.480 --> 0:35:50.080
<v Speaker 1>Yes. Oh, and then you see that after all that sex,

0:35:50.120 --> 0:35:52.839
<v Speaker 1>they're in the shower. I bet they You think they

0:35:53.000 --> 0:35:55.480
<v Speaker 1>ordered some really good food after they had sex. Probably right,

0:35:55.960 --> 0:35:56.319
<v Speaker 1>I would have.

0:35:56.320 --> 0:36:01.520
<v Speaker 4>Been stopping a stash them calories so delicious. Although, to

0:36:01.640 --> 0:36:04.000
<v Speaker 4>be honest, when you're like first having sex with someone,

0:36:04.120 --> 0:36:07.359
<v Speaker 4>I just feel like you like, never eat, right, You're

0:36:07.440 --> 0:36:08.400
<v Speaker 4>just like so scared you're.

0:36:08.239 --> 0:36:11.120
<v Speaker 1>Gonna f yeah exactly, or have to use the bathroom.

0:36:11.200 --> 0:36:12.840
<v Speaker 1>You're like, hell no, yeah, hell no.

0:36:13.239 --> 0:36:15.160
<v Speaker 4>Although I think Olivia and Fits have been fucking for

0:36:15.239 --> 0:36:16.600
<v Speaker 4>a very long time, so maybe they're past that.

0:36:16.600 --> 0:36:17.760
<v Speaker 3>Maybe they are ordering Chinese.

0:36:17.960 --> 0:36:19.600
<v Speaker 1>Yeah, I think they might be past that.

0:36:19.920 --> 0:36:21.680
<v Speaker 4>So the end of the very end of the episode,

0:36:22.000 --> 0:36:25.279
<v Speaker 4>Mellie's unleash the beast. She's total the American people and

0:36:25.440 --> 0:36:29.080
<v Speaker 4>we and Olivia and Fits have finally maybe tired out slightly,

0:36:29.239 --> 0:36:31.440
<v Speaker 4>but they're going to clean themselves up from all those.

0:36:31.480 --> 0:36:32.279
<v Speaker 3>Juices and.

0:36:34.280 --> 0:36:38.239
<v Speaker 4>They're gonna They're in Olivia's shower and it's so beautiful

0:36:38.360 --> 0:36:42.120
<v Speaker 4>to see Carrie's hair wet, Olivia's hair wet and curly,

0:36:42.480 --> 0:36:44.359
<v Speaker 4>and they both have no makeup and they are both

0:36:44.400 --> 0:36:45.759
<v Speaker 4>in the shower and they both just look at each

0:36:45.760 --> 0:36:48.239
<v Speaker 4>other and he says hi and she says hi.

0:36:49.000 --> 0:36:53.319
<v Speaker 1>Oh man. We also we we we forgot to mention

0:36:53.480 --> 0:36:59.959
<v Speaker 1>that pop up hope pops up in this episode to remember, oh.

0:37:00.080 --> 0:37:00.560
<v Speaker 3>I got well.

0:37:00.640 --> 0:37:05.160
<v Speaker 4>We learn also before the sex montage, really quick, is

0:37:05.280 --> 0:37:09.120
<v Speaker 4>that Charlie? We think Cyrus is the mole, but we

0:37:09.480 --> 0:37:12.040
<v Speaker 4>the OPA team puts two and two together, like, holy shit,

0:37:12.160 --> 0:37:15.600
<v Speaker 4>if Charlie was fucking that stenographer for her information on Defiance,

0:37:15.640 --> 0:37:16.880
<v Speaker 4>then it's not linked to Cyrus.

0:37:17.160 --> 0:37:21.279
<v Speaker 3>Cyrus Defiant, Yeah, Like who is Charlie working for? What

0:37:21.560 --> 0:37:22.239
<v Speaker 3>is going on?

0:37:22.760 --> 0:37:22.960
<v Speaker 1>Yeah?

0:37:23.760 --> 0:37:26.960
<v Speaker 4>And then we see fully figure out that he's been compromised.

0:37:27.040 --> 0:37:30.080
<v Speaker 4>And then we see fully walking with the mystery man

0:37:30.840 --> 0:37:33.359
<v Speaker 4>Joe Morton, and he's like, I think I've been compromised,

0:37:33.400 --> 0:37:36.320
<v Speaker 4>and Joe Morton's like, well, don't kill anybody, just keep digging,

0:37:37.200 --> 0:37:37.719
<v Speaker 4>and we're like.

0:37:38.000 --> 0:37:40.080
<v Speaker 3>Who the fuck are these two shady motherfuckers?

0:37:40.600 --> 0:37:42.880
<v Speaker 1>Fuck, So we don't know. Do you remember, Katie? I

0:37:42.960 --> 0:37:46.080
<v Speaker 1>don't fucking remember. I'm like, damn, what happened. I don't

0:37:46.400 --> 0:37:50.440
<v Speaker 1>remember who the fuck is is Charlie working for, Like,

0:37:50.520 --> 0:37:51.480
<v Speaker 1>who's he doing this for?

0:37:52.440 --> 0:37:54.680
<v Speaker 3>I think he's doing it for popa Poop.

0:37:55.200 --> 0:37:58.440
<v Speaker 1>Doing it yeah, because he's he's succeed He's.

0:37:58.280 --> 0:38:00.800
<v Speaker 3>Also I mean japis two twenty.

0:38:00.920 --> 0:38:03.120
<v Speaker 4>We have two episodes left of season two, so I'm

0:38:03.560 --> 0:38:05.960
<v Speaker 4>trusting the process that we are going to find out.

0:38:06.800 --> 0:38:10.879
<v Speaker 4>But I think it's popa Pope. I could be completely wrong,

0:38:11.000 --> 0:38:12.919
<v Speaker 4>but I think that it's popa Pope.

0:38:13.000 --> 0:38:14.520
<v Speaker 1>Well, we're going to find out soon enough.

0:38:14.840 --> 0:38:18.320
<v Speaker 4>There are a couple fun ass facts from this episode.

0:38:19.040 --> 0:38:21.560
<v Speaker 4>I was wondering this. The title of this episode comes

0:38:21.600 --> 0:38:25.960
<v Speaker 4>from the phrase hell hath no fury like a woman scorned,

0:38:26.520 --> 0:38:29.319
<v Speaker 4>which is so true, which itself is a paraphrase from

0:38:29.360 --> 0:38:33.160
<v Speaker 4>a line in William Congreve's sixty ninety seven play called

0:38:33.200 --> 0:38:36.920
<v Speaker 4>The Mourning Bride, in which the original line is heaven

0:38:37.080 --> 0:38:41.279
<v Speaker 4>has no rage like love to hatred turned, nor hell

0:38:41.680 --> 0:38:43.280
<v Speaker 4>a fury like a woman's scorn.

0:38:45.280 --> 0:38:48.520
<v Speaker 1>You like it. It's very it's very uh, it's very sick.

0:38:48.880 --> 0:38:51.759
<v Speaker 4>Yeah, but like, yeah, hell hath no fury like a

0:38:51.800 --> 0:38:55.280
<v Speaker 4>woman scorned, which is Melly up and down this episode,

0:38:55.719 --> 0:38:58.279
<v Speaker 4>and she is going to take everybody down with her.

0:38:59.280 --> 0:39:03.400
<v Speaker 4>Oh read it tell me about the the tunnels beneath

0:39:03.400 --> 0:39:03.919
<v Speaker 4>the White House.

0:39:03.920 --> 0:39:06.719
<v Speaker 1>The tunnels beneath the White House. We see Cyrus going

0:39:06.760 --> 0:39:09.359
<v Speaker 1>back and forth between Blairhouse and the White House via

0:39:09.480 --> 0:39:12.800
<v Speaker 1>an empty tunnel. There are at least two such tunnel

0:39:12.840 --> 0:39:15.560
<v Speaker 1>tunnels beneath the White House. The first tunnel, built during

0:39:15.719 --> 0:39:19.520
<v Speaker 1>World War Two as a bomb shelter, leads the basement

0:39:19.560 --> 0:39:22.759
<v Speaker 1>of the Treasury Building and eventually an unmarked exit on

0:39:23.120 --> 0:39:26.120
<v Speaker 1>h Street. The other emerges onto the South Lawn. This

0:39:26.239 --> 0:39:28.560
<v Speaker 1>is a lot of information, y'all. Yea where the president

0:39:29.760 --> 0:39:33.560
<v Speaker 1>together get right, where the President can access his helicopter

0:39:33.640 --> 0:39:35.840
<v Speaker 1>if needed. Oh shit, this is kind of dope. And

0:39:36.000 --> 0:39:39.000
<v Speaker 1>there are rumors of tunnels connecting the White House to

0:39:39.120 --> 0:39:43.600
<v Speaker 1>the Capitol, Oh shit, the Vice President, Residents Camp David,

0:39:43.760 --> 0:39:46.359
<v Speaker 1>the Pentagon, and the Blair House where we see Melly

0:39:46.440 --> 0:39:50.239
<v Speaker 1>in this episode. But these rumors are unsubstantiated, so we're

0:39:50.280 --> 0:39:52.880
<v Speaker 1>not sure about him. But that's cool, that's interesting.

0:39:53.080 --> 0:39:55.200
<v Speaker 3>Yeah, wow, this is cool too.

0:39:55.480 --> 0:39:59.359
<v Speaker 4>There's also a multi level bunker beneath the North Lawn

0:39:59.440 --> 0:40:03.000
<v Speaker 4>which was built after nine to eleven. Oh shit, good lord,

0:40:04.000 --> 0:40:06.480
<v Speaker 4>there's tons of secret shit going on underneath the White House.

0:40:07.800 --> 0:40:09.880
<v Speaker 3>Guys, before we go, we just have to do some.

0:40:16.600 --> 0:40:24.720
<v Speaker 6>Gooka cuckoo cuckoo tweetweet cuckoo tweeteet tweet, little tweety tw tweet,

0:40:24.840 --> 0:40:29.520
<v Speaker 6>little tweety tweet, little tweet tweet tweet tweet.

0:40:29.600 --> 0:40:32.080
<v Speaker 3>That was my first dance recital when I was like four.

0:40:33.239 --> 0:40:41.840
<v Speaker 3>Song he Rocks in the tree Tops song love to

0:40:41.920 --> 0:40:43.440
<v Speaker 3>hear the Robin go tweet.

0:40:44.680 --> 0:40:51.480
<v Speaker 4>Robin okay at Jay Robarts on May thir twenty thirteen,

0:40:52.360 --> 0:40:55.520
<v Speaker 4>texted at Kerry Washington, nice gig you have there, smooching

0:40:55.560 --> 0:40:59.680
<v Speaker 4>on at Scott Foley and at Tony Goldwyn. Hashtag you

0:40:59.760 --> 0:41:02.640
<v Speaker 4>want earn me? Hashtag who is the mole? Hashtag as kttle.

0:41:02.640 --> 0:41:05.839
<v Speaker 4>I mean, seriously, Carrie just had to fucking make out

0:41:05.880 --> 0:41:09.200
<v Speaker 4>with both of them with two hotties now seven years.

0:41:09.120 --> 0:41:12.720
<v Speaker 1>What a tough job, goddamn it. And then this queen,

0:41:13.320 --> 0:41:17.560
<v Speaker 1>Miss Katie Lowe's tweeted hashtag gladiators. I wish I could

0:41:17.600 --> 0:41:20.480
<v Speaker 1>have live tweeted last night's episode. First time I've missed one,

0:41:20.600 --> 0:41:23.120
<v Speaker 1>and it sooked dying to know what you thought? Were

0:41:23.160 --> 0:41:24.239
<v Speaker 1>you shooting during this time?

0:41:24.320 --> 0:41:26.120
<v Speaker 3>Probably right, we's have been shooting.

0:41:26.440 --> 0:41:29.080
<v Speaker 1>Why would I have missed whenever we don't lie, we

0:41:29.160 --> 0:41:31.560
<v Speaker 1>didn't live tweeted, it's because we were on set shooting.

0:41:31.960 --> 0:41:38.600
<v Speaker 3>Yes, okay, bye s Marie Bailey, who we know well?

0:41:39.000 --> 0:41:41.439
<v Speaker 4>Dot dot dot The big question now besides when they'll

0:41:41.480 --> 0:41:44.200
<v Speaker 4>be back in the shower dot dot dot is hashtag

0:41:44.280 --> 0:41:45.080
<v Speaker 4>who is the mole?

0:41:45.760 --> 0:41:49.319
<v Speaker 3>Good night? Hashtag gladiators. Yeah, when will they be back

0:41:49.360 --> 0:41:51.680
<v Speaker 3>in the show? Damn that shit was so high?

0:41:51.840 --> 0:41:56.719
<v Speaker 1>Hmm. Then another newbieing queen, Miss Carrie Washington, tweeted, she

0:41:56.840 --> 0:42:00.399
<v Speaker 1>was replying to somebody she said, can we please roar

0:42:00.520 --> 0:42:04.040
<v Speaker 1>for our director slash potus at Tony Goldwyn? How great

0:42:04.200 --> 0:42:08.600
<v Speaker 1>was that episode? Retweet, we tweet, we tweet retweet hashtags scandal.

0:42:08.800 --> 0:42:11.160
<v Speaker 1>She was given props to Tony Goldwin. Of course he's

0:42:11.280 --> 0:42:12.040
<v Speaker 1>their stylar.

0:42:12.160 --> 0:42:16.040
<v Speaker 4>Jib fucking Sarah McGee's writing and Tony Goldwin's directing on

0:42:16.120 --> 0:42:18.759
<v Speaker 4>this was fucking insane at Kevin Costly on May second,

0:42:18.760 --> 0:42:21.279
<v Speaker 4>twenty thirteen, tweeted, I love how at Bellamy Young can

0:42:21.360 --> 0:42:23.440
<v Speaker 4>make me hate Melly one minute and then break my

0:42:23.560 --> 0:42:26.560
<v Speaker 4>heart the next. Hashtag ass scandal hashtag scandal so.

0:42:26.760 --> 0:42:30.040
<v Speaker 1>True, so true scandal Obsessed tweeted best part of tonight

0:42:30.520 --> 0:42:33.799
<v Speaker 1>watching Fits and Olivia finally enjoy one another after years

0:42:33.880 --> 0:42:39.319
<v Speaker 1>of angst. Hashtag scandal, hashtag ass scandal, hell yeah so hot?

0:42:40.440 --> 0:42:45.479
<v Speaker 4>Last one at o T Jay wanna underscore k hashtag scandal.

0:42:45.520 --> 0:42:48.400
<v Speaker 4>ABC teaches us that lust is a powerful thing. It

0:42:48.600 --> 0:42:53.160
<v Speaker 4>may imitate love, but it is not love. Hashtag live

0:42:53.560 --> 0:42:54.440
<v Speaker 4>end fits.

0:42:54.600 --> 0:42:58.160
<v Speaker 1>What's that live and Fits? I think she tried to

0:42:58.239 --> 0:43:00.880
<v Speaker 1>do live and fits, but in sort of a you know,

0:43:01.000 --> 0:43:02.000
<v Speaker 1>a cool sort of.

0:43:02.120 --> 0:43:05.600
<v Speaker 4>Abbreciated with It's been a minute since I've had, like

0:43:05.760 --> 0:43:08.479
<v Speaker 4>really gotten with the Twitter like lingo, lingo.

0:43:08.560 --> 0:43:08.799
<v Speaker 3>Okay.

0:43:09.120 --> 0:43:12.360
<v Speaker 4>Next up, we have episode to twenty one, which was

0:43:12.440 --> 0:43:15.640
<v Speaker 4>titled any Questions Episode two twenty one.

0:43:15.719 --> 0:43:17.520
<v Speaker 3>Do you remember anything that happened to Katie?

0:43:17.560 --> 0:43:19.520
<v Speaker 1>You know what's funny When I saw that any Questions?

0:43:19.560 --> 0:43:21.400
<v Speaker 1>I thought, oh shit, are they as like, is our

0:43:21.440 --> 0:43:23.520
<v Speaker 1>producer asking us if we have any questions about to

0:43:23.600 --> 0:43:26.120
<v Speaker 1>twenty one? It was called any Questions? Oh shit, I

0:43:26.200 --> 0:43:28.560
<v Speaker 1>have no idea what the fuck that episode was about.

0:43:28.560 --> 0:43:31.640
<v Speaker 3>I was called any questions unless anybody have any questions?

0:43:31.719 --> 0:43:35.080
<v Speaker 4>But holy shit, we are We are gearing up for

0:43:35.200 --> 0:43:38.840
<v Speaker 4>the last two episodes of season two of Unpacking the Toolbox.

0:43:38.960 --> 0:43:42.520
<v Speaker 1>And God, this has been It feels like it's flown

0:43:42.960 --> 0:43:45.719
<v Speaker 1>by like it was. It's been so exciting and so

0:43:45.920 --> 0:43:48.920
<v Speaker 1>much fun. I can't wait till next season.

0:43:49.520 --> 0:43:49.560
<v Speaker 2>Me.

0:43:49.680 --> 0:43:50.719
<v Speaker 1>We ain't even done with this.

0:43:50.840 --> 0:43:53.839
<v Speaker 3>One, I know, And I can't wait to see who

0:43:53.920 --> 0:43:55.160
<v Speaker 3>the fuck Charlie is working for?

0:43:55.440 --> 0:43:58.360
<v Speaker 4>Who the f mole is? What happens now that the

0:43:58.400 --> 0:44:01.399
<v Speaker 4>whole country knows it's just cheating on list?

0:44:01.480 --> 0:44:03.480
<v Speaker 1>It fits? And Olivia gonna get back in that shower,

0:44:04.160 --> 0:44:06.040
<v Speaker 1>Like these are important questions, y'all.

0:44:06.440 --> 0:44:08.120
<v Speaker 4>Yeah, if you want the answers and to hear all

0:44:08.160 --> 0:44:10.279
<v Speaker 4>the behind the scenes hot gos, listen to Unpacking the

0:44:10.360 --> 0:44:13.040
<v Speaker 4>Toolbox with Giero Diz and Katie Lows.

0:44:13.120 --> 0:44:14.600
<v Speaker 1>And if you want to hear it in Spanish, is

0:44:14.920 --> 0:44:19.759
<v Speaker 1>this ramienta that's unpacking. I'm gonna teach you how to

0:44:19.800 --> 0:44:21.719
<v Speaker 1>say that by the end of this what we have

0:44:21.880 --> 0:44:25.279
<v Speaker 1>like just a couple of more episodes, But by next

0:44:25.400 --> 0:44:27.719
<v Speaker 1>season you're gonna you're gonna be able to say this

0:44:30.080 --> 0:44:31.280
<v Speaker 1>Unpacking the Toolbox.

0:44:31.800 --> 0:44:40.120
<v Speaker 3>How about this? Ask up, audios, gladioris I have to ask.

0:44:40.200 --> 0:44:41.960
<v Speaker 1>I'm gonna call my mom later and ask her, how

0:44:42.000 --> 0:44:43.960
<v Speaker 1>do you say gladiators in Spanish, I don't.

0:44:43.840 --> 0:44:46.759
<v Speaker 3>Know gladios adios.

0:44:53.320 --> 0:45:00.840
<v Speaker 1>And we love you. Bye bye. Thank you guys for

0:45:01.000 --> 0:45:04.719
<v Speaker 1>joining us on Unpacking the Toolbox. If you enjoyed the show,

0:45:04.800 --> 0:45:07.960
<v Speaker 1>please subscribe, share with your friends, rate, or leave us

0:45:07.960 --> 0:45:08.360
<v Speaker 1>a review.

0:45:08.560 --> 0:45:12.480
<v Speaker 4>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

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<v Speaker 4>Tyler Klang, and Gabrielle Collins. Our producer and editor is

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<v Speaker 4>Vince de Johnny, with music by Chad Fisher. Unpacking the

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<v Speaker 4>Toolbox is a production of Shondaland Audio in partnership with iHeartRadio.

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<v Speaker 4>For more podcasts from Shondaland Audio, visit the iHeartRadio app

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<v Speaker 4>or anywhere you subscribe to your favorite shows.