1 00:00:00,080 --> 00:00:02,920 Speaker 1: This episode was recorded prior to the sag After strike. 2 00:00:03,120 --> 00:00:05,800 Speaker 1: Unpacking the Toolbox is a production of Shondaland Audio in 3 00:00:05,840 --> 00:00:07,160 Speaker 1: partnership with Higheartradio. 4 00:00:27,280 --> 00:00:39,200 Speaker 2: Down as Katie, So, you still feel like you're digesting 5 00:00:39,240 --> 00:00:41,600 Speaker 2: your food from south By Southwest. 6 00:00:41,080 --> 00:00:43,800 Speaker 1: And I'm also starving. I'm also really hungry right now? 7 00:00:43,800 --> 00:00:44,360 Speaker 1: Are you hungry? 8 00:00:44,479 --> 00:00:44,839 Speaker 3: You are? 9 00:00:45,000 --> 00:00:50,600 Speaker 4: No? I had a delicious, very hawklike turkey sandwich right 10 00:00:50,640 --> 00:00:52,800 Speaker 4: before I got on here, Like I was like, Oh, 11 00:00:52,840 --> 00:00:56,639 Speaker 4: I'm gonna toast myself a Dave's killer seated bread. I'm 12 00:00:56,640 --> 00:00:59,520 Speaker 4: gonna have some mayonnaise, I'm gonna have some crunchy romaine lettuce, 13 00:00:59,520 --> 00:01:03,000 Speaker 4: and I'm gonna have some delicious sliced turkey meat, a 14 00:01:03,040 --> 00:01:04,560 Speaker 4: fucking pickle and some chips. 15 00:01:04,800 --> 00:01:05,080 Speaker 1: Yeah. 16 00:01:05,120 --> 00:01:06,399 Speaker 3: I mean it's truly good. 17 00:01:06,920 --> 00:01:09,600 Speaker 1: That is such a That's hucks dream sandwich. 18 00:01:09,959 --> 00:01:12,560 Speaker 4: And it's also I feel like what they always gave you. Yeah, 19 00:01:12,560 --> 00:01:14,880 Speaker 4: but yours was maybe not on like seeded bread. It 20 00:01:14,920 --> 00:01:17,240 Speaker 4: was probably on like a Hogi roll or something. 21 00:01:17,280 --> 00:01:19,399 Speaker 1: Oh. I always asked for wheat bread. I always asked 22 00:01:19,440 --> 00:01:21,080 Speaker 1: for eat bread. Yeah yeah, yeah, And. 23 00:01:21,120 --> 00:01:22,720 Speaker 3: Now my mouth is watering too. 24 00:01:22,840 --> 00:01:25,080 Speaker 1: You know, And I and I started you were you 25 00:01:25,120 --> 00:01:28,119 Speaker 1: were so much healthier than I was. You started eating 26 00:01:28,120 --> 00:01:31,920 Speaker 1: that bread that you had to keep in the freezer. Remember, oh, like. 27 00:01:31,880 --> 00:01:34,280 Speaker 3: A gluten freeze Yes, something. 28 00:01:34,240 --> 00:01:37,959 Speaker 1: Sure that tracks berry? Right, berry was our fe berry berry. 29 00:01:38,480 --> 00:01:40,480 Speaker 1: You would order it and say, let me get that 30 00:01:40,520 --> 00:01:42,840 Speaker 1: gluten free bread. And I remember, and then I started 31 00:01:42,959 --> 00:01:43,720 Speaker 1: ordering that too. 32 00:01:44,000 --> 00:01:46,080 Speaker 4: Well, if a gluten free bad bread is toasted with 33 00:01:46,080 --> 00:01:48,320 Speaker 4: a shitload of mayonnaise on, and it really can't tell. 34 00:01:48,160 --> 00:01:49,120 Speaker 3: That much the difference. 35 00:01:49,400 --> 00:01:50,520 Speaker 1: Yeah, But you know what's. 36 00:01:50,360 --> 00:01:53,680 Speaker 4: Crazy when you're pregnant. You're not allowed to eat deli meat. 37 00:01:53,760 --> 00:01:54,200 Speaker 3: Do you know this? 38 00:01:54,400 --> 00:01:54,560 Speaker 2: Oh? 39 00:01:54,640 --> 00:01:55,640 Speaker 1: Fuck, I think I knew this. 40 00:01:55,760 --> 00:01:58,080 Speaker 3: Or sushi, right, Yeah, you're not alsos to have sushi. 41 00:01:58,080 --> 00:01:59,120 Speaker 3: You're not apposed to have deli meat. 42 00:01:59,160 --> 00:02:03,120 Speaker 4: Anything that could be carrying listeria, I think is what 43 00:02:03,160 --> 00:02:06,960 Speaker 4: it is. But like a food born like contaminated illness. 44 00:02:06,960 --> 00:02:10,320 Speaker 4: And because like deli meat can sometimes just be out, 45 00:02:10,520 --> 00:02:15,160 Speaker 4: really it can be carrying shit that's really dangerous. So that, 46 00:02:16,840 --> 00:02:18,919 Speaker 4: by the way, it's also like one in a billion 47 00:02:19,120 --> 00:02:20,799 Speaker 4: that that happens, but it does happen. 48 00:02:21,440 --> 00:02:23,120 Speaker 3: And for some reason, when I was pregnant, I was like, 49 00:02:23,200 --> 00:02:24,000 Speaker 3: if I don't. 50 00:02:23,800 --> 00:02:27,400 Speaker 4: Get a fucking cold cut, I am going to fucking 51 00:02:27,639 --> 00:02:32,360 Speaker 4: off myself, Like all I wanted was turkey, a ruben, 52 00:02:33,200 --> 00:02:36,639 Speaker 4: dry like corn beef, anything like that. 53 00:02:37,040 --> 00:02:40,960 Speaker 3: So I pushed my daughter out and take this. 54 00:02:41,400 --> 00:02:45,679 Speaker 4: Oh. I ordered like delivery Postmates right to my room 55 00:02:45,720 --> 00:02:48,600 Speaker 4: at cedar Cyina I literally an hour after she had 56 00:02:48,639 --> 00:02:52,200 Speaker 4: come out, and I ordered like a huge ruben from 57 00:02:52,240 --> 00:02:56,040 Speaker 4: Goldblatz Deli. It was like turkey, roast beef, corn beef, 58 00:02:56,120 --> 00:03:00,680 Speaker 4: Russian dressing, cold flaw on a fucking bun, like a 59 00:03:00,800 --> 00:03:03,400 Speaker 4: huge HOGI and I took down the whole thing and 60 00:03:03,440 --> 00:03:05,280 Speaker 4: I was like the most delicious thing ever. 61 00:03:05,360 --> 00:03:06,720 Speaker 3: I was never gonna make that mistake again. 62 00:03:06,760 --> 00:03:11,600 Speaker 4: The first when I gave birth to Albi, stupidly, my doula, 63 00:03:11,720 --> 00:03:14,519 Speaker 4: who I love, said to me, you know you've lost, 64 00:03:14,680 --> 00:03:17,080 Speaker 4: like you know, take so much energy and blood to 65 00:03:17,160 --> 00:03:19,000 Speaker 4: like bur the baby, so like you want to really 66 00:03:19,040 --> 00:03:21,640 Speaker 4: replenish your systems, So why don't you order like a 67 00:03:21,760 --> 00:03:24,920 Speaker 4: salmon and some spinach. You said, bait, No, That's what 68 00:03:25,040 --> 00:03:28,160 Speaker 4: I had for Albi, and I to this day I 69 00:03:28,200 --> 00:03:32,000 Speaker 4: regret that. To this day, I'm like, if you fucking 70 00:03:32,040 --> 00:03:35,280 Speaker 4: bur the baby, whatever it is you're craving, you should 71 00:03:35,480 --> 00:03:40,400 Speaker 4: have it in like if it's vehicles. If it's delimeat, 72 00:03:40,440 --> 00:03:43,040 Speaker 4: if it's if it's oysters, if it's. 73 00:03:42,920 --> 00:03:46,440 Speaker 1: Bacon cheeseburger, you want you shaken. 74 00:03:46,080 --> 00:03:49,480 Speaker 4: White Castle, give a ship. But I stupidly my first 75 00:03:49,520 --> 00:03:49,960 Speaker 4: time around. 76 00:03:50,040 --> 00:03:50,640 Speaker 3: I remember it. 77 00:03:50,720 --> 00:03:55,080 Speaker 4: I ordered salmon with spinach from Granville, which is delicious, 78 00:03:55,080 --> 00:03:57,560 Speaker 4: but it's like when I'm like dieting and being careful. 79 00:03:57,680 --> 00:04:01,360 Speaker 1: Yeah, you don't want that. Right after push no. 80 00:04:01,520 --> 00:04:06,480 Speaker 4: My daughter, I had a ruben melted fucking cheese on it. 81 00:04:06,560 --> 00:04:07,480 Speaker 3: He was so delicious. 82 00:04:07,520 --> 00:04:12,200 Speaker 4: I had pickles, potato pancakes, apple sauce, sour cream, like 83 00:04:12,280 --> 00:04:15,120 Speaker 4: such Jewish jellyfood. And then two hours later I ordered 84 00:04:15,160 --> 00:04:19,600 Speaker 4: Southern fried chicken with honey and maple syrup, like almost 85 00:04:19,600 --> 00:04:21,200 Speaker 4: like a like a chicken and waffle. 86 00:04:24,960 --> 00:04:28,280 Speaker 1: I'm clutching my chest, you guys, I'm clutching my rosary. 87 00:04:28,720 --> 00:04:30,640 Speaker 3: All right, let's fucking get in shod. 88 00:04:30,680 --> 00:04:31,320 Speaker 1: We get into it. 89 00:04:31,520 --> 00:04:33,920 Speaker 3: We get into it. Fucking get. 90 00:04:35,800 --> 00:04:41,320 Speaker 4: Two twenty called A Woman Scorned, which aired on May second, 91 00:04:41,880 --> 00:04:43,400 Speaker 4: twenty thirteen. 92 00:04:43,160 --> 00:04:46,280 Speaker 1: And it was written by Zahir McGhee and directed by 93 00:04:46,960 --> 00:04:52,440 Speaker 1: the star of Friday the thirteen Part six, Tony Goldwin. 94 00:04:54,320 --> 00:04:58,159 Speaker 4: I cannot believe Tony Goldwin directed this episode, he was 95 00:04:58,320 --> 00:05:01,000 Speaker 4: he had such like so to do. 96 00:05:01,680 --> 00:05:04,680 Speaker 1: Let me tell you Tony is a master of all 97 00:05:04,839 --> 00:05:08,880 Speaker 1: trades man like, and this episode god like. I think. 98 00:05:08,960 --> 00:05:11,680 Speaker 1: My first note is the energy of this episode is 99 00:05:11,720 --> 00:05:15,560 Speaker 1: on overdrive and I love it like it's this episode 100 00:05:15,600 --> 00:05:18,400 Speaker 1: is so high paced and the stakes are so high. 101 00:05:18,400 --> 00:05:21,000 Speaker 3: It's bad, states are so high. Everyone has so many moments. 102 00:05:21,000 --> 00:05:21,200 Speaker 1: Okay. 103 00:05:21,200 --> 00:05:23,280 Speaker 4: It was guest starring Scott Foley as Jake Ballard, Dan 104 00:05:23,320 --> 00:05:26,280 Speaker 4: Bucatinski is James Novak, George Newbern as Charlie, Joe Morton 105 00:05:26,320 --> 00:05:28,160 Speaker 4: as Mysterious Man, and. 106 00:05:28,040 --> 00:05:32,119 Speaker 1: Then Sharmila Davar as Lauren Wellman, Kate McGregor Stewart is Married, 107 00:05:32,160 --> 00:05:36,400 Speaker 1: Molly Baker as Rachel Moss, and Amy Farrington as Tammy 108 00:05:36,440 --> 00:05:39,880 Speaker 1: Blakelee Bird Lady Birdwork, Birdwork. 109 00:05:40,320 --> 00:05:40,680 Speaker 3: Okay. 110 00:05:40,800 --> 00:05:43,200 Speaker 4: Synopsis, Just to remind all you listeners out there, what 111 00:05:43,360 --> 00:05:46,280 Speaker 4: the fuck is going on? In this episode, the OPA 112 00:05:46,360 --> 00:05:48,800 Speaker 4: team discovers that Charlie is working for the White House Mole. 113 00:05:48,920 --> 00:05:51,960 Speaker 4: By tracking down Charlie, they make strides towards identifying Albatross. 114 00:05:52,000 --> 00:05:54,839 Speaker 4: After an unknown assassin broke into her apartment, President Fitzord 115 00:05:54,960 --> 00:05:57,560 Speaker 4: is Jake Ballard to keep Olivia safe, and Olivia is 116 00:05:57,680 --> 00:05:58,840 Speaker 4: not happy about it. 117 00:05:58,880 --> 00:06:02,359 Speaker 1: Oh man, that Fits re commit himself to her in 118 00:06:02,360 --> 00:06:05,440 Speaker 1: the family, or she'll exposes affair with Olivia on national television. 119 00:06:05,800 --> 00:06:10,280 Speaker 1: Cyrus desperately tries to convince Fitz to take Mellie's threats seriously. 120 00:06:10,520 --> 00:06:12,960 Speaker 1: Fitz chooses to let the clock tick out on his 121 00:06:13,040 --> 00:06:14,719 Speaker 1: marriage and perhaps his career. 122 00:06:16,600 --> 00:06:19,720 Speaker 4: Goddamn all right, So the stakes of this episode are 123 00:06:19,720 --> 00:06:22,240 Speaker 4: so high because this is one of those awesome Scanal 124 00:06:22,279 --> 00:06:25,200 Speaker 4: episodes where we're literally up against a ticking clock. That 125 00:06:25,320 --> 00:06:29,919 Speaker 4: Melli has moved into the Blair House and she is 126 00:06:30,000 --> 00:06:34,040 Speaker 4: threatening saying, I've made an appointment with National fucking News 127 00:06:34,600 --> 00:06:37,440 Speaker 4: tomorrow six pm. I am going live and telling the 128 00:06:37,440 --> 00:06:40,520 Speaker 4: country that my husband is a philandering whore and has 129 00:06:40,520 --> 00:06:44,000 Speaker 4: been cheating on me unless he leaves Olivia Pope and 130 00:06:44,040 --> 00:06:46,800 Speaker 4: recommits to me and the family. And so the whole 131 00:06:46,839 --> 00:06:49,120 Speaker 4: episode is like, will she do it, won't she do it? 132 00:06:49,160 --> 00:06:51,200 Speaker 4: Will Cyrus be able to stop her from doing it? 133 00:06:51,240 --> 00:06:54,800 Speaker 4: Will Fits care that she's doing it? Olivia knows she's 134 00:06:54,839 --> 00:06:58,040 Speaker 4: about to do it, and it's all about like. 135 00:06:57,480 --> 00:07:01,080 Speaker 1: Like going to go down? Yeah, And also really quickly 136 00:07:01,120 --> 00:07:04,440 Speaker 1: I had to google Blairhouse because I had no They 137 00:07:04,480 --> 00:07:06,560 Speaker 1: kept saying Blair House, Blairhouse, Blairhouse. I was like, what 138 00:07:06,600 --> 00:07:09,240 Speaker 1: the fuck is the Blair House? And it's supposedly it's 139 00:07:09,279 --> 00:07:14,520 Speaker 1: the President's guesthouse. That's that's the you know, the definition 140 00:07:14,600 --> 00:07:18,040 Speaker 1: of Blair House. It's the President's guesthouse. So that's where 141 00:07:18,080 --> 00:07:21,160 Speaker 1: where Mellie is staying, which is, you know, pretty far 142 00:07:21,200 --> 00:07:23,560 Speaker 1: away from the White House. I have to walk through 143 00:07:23,560 --> 00:07:25,520 Speaker 1: these tunnels, right, I want to stay there? 144 00:07:25,680 --> 00:07:27,800 Speaker 3: Is it accessible? Is that actually true? 145 00:07:27,840 --> 00:07:29,880 Speaker 4: In the episode they sort of say, she's like, I'm 146 00:07:29,880 --> 00:07:30,680 Speaker 4: moving into Blairhouse. 147 00:07:30,680 --> 00:07:31,080 Speaker 3: Don't worry. 148 00:07:31,080 --> 00:07:32,240 Speaker 4: No one's going to know about it because I can 149 00:07:32,280 --> 00:07:34,040 Speaker 4: take tunnels to and from to get there, which we 150 00:07:34,120 --> 00:07:38,160 Speaker 4: always see. Also Jeff Perry Cyrus running through these tunnels 151 00:07:38,160 --> 00:07:39,680 Speaker 4: getting from one to the other, and he is so 152 00:07:39,760 --> 00:07:41,200 Speaker 4: fucking exceptional and it's. 153 00:07:41,120 --> 00:07:46,240 Speaker 1: Beautiful, beautiful has to run ten on and. 154 00:07:46,360 --> 00:07:49,040 Speaker 4: I know Jeff Perry has a bad knee, but when 155 00:07:49,080 --> 00:07:51,280 Speaker 4: he does it and he's on a phone and he's 156 00:07:51,400 --> 00:07:57,320 Speaker 4: streaming in that gut, ur all like, it's just like beautiful, 157 00:07:57,600 --> 00:08:01,600 Speaker 4: it's beautiful funny, because again, these are the things you 158 00:08:01,640 --> 00:08:04,880 Speaker 4: can't fake, Like we always say, kissing, eating, smoking, and 159 00:08:04,880 --> 00:08:06,920 Speaker 4: like you, I can't fake running like. 160 00:08:06,840 --> 00:08:07,880 Speaker 3: He has to run. 161 00:08:08,120 --> 00:08:09,240 Speaker 1: Yeah. 162 00:08:09,280 --> 00:08:11,680 Speaker 4: So she's living in Blair House, which is, thank you, 163 00:08:11,800 --> 00:08:15,560 Speaker 4: Ghera Mo Diaz, the White House guest house, and the 164 00:08:15,640 --> 00:08:19,120 Speaker 4: team has sort of gotten to Oh. Also, Carrie starts 165 00:08:19,160 --> 00:08:21,600 Speaker 4: the episode swimming her fucking ass off as Olivia Pope, 166 00:08:21,640 --> 00:08:24,880 Speaker 4: and we caught up to Jake Ballard is like watching 167 00:08:24,960 --> 00:08:26,480 Speaker 4: her at the pool, watching her at the apartment, and 168 00:08:26,480 --> 00:08:27,920 Speaker 4: she's like, what the fuck are you doing? Get away 169 00:08:27,960 --> 00:08:29,800 Speaker 4: from me and he's like, no, I'm on strict orders. 170 00:08:29,800 --> 00:08:32,200 Speaker 4: And she's like, let me call the President himself. She 171 00:08:32,240 --> 00:08:35,840 Speaker 4: calls the President. She's like, get your puppy off of me. 172 00:08:36,280 --> 00:08:38,679 Speaker 4: I don't need this fucking puppy dog watching after me. 173 00:08:38,960 --> 00:08:42,360 Speaker 4: And he's like nope, nope, and that's not gonna happen. 174 00:08:42,840 --> 00:08:46,880 Speaker 4: But of course the President doesn't know that Olivia and 175 00:08:47,000 --> 00:08:50,920 Speaker 4: Jake in previous EPs they already hooked up. 176 00:08:51,040 --> 00:08:54,080 Speaker 1: Right, And I don't think Jake knows that Olivian fits 177 00:08:54,160 --> 00:08:57,000 Speaker 1: are that in deep with each other. 178 00:08:57,240 --> 00:09:01,319 Speaker 3: If I may the episode, Yeah, he's uses later. 179 00:09:02,000 --> 00:09:04,959 Speaker 4: It's so sweet, like when he finds out, he's like, 180 00:09:05,120 --> 00:09:07,360 Speaker 4: I didn't know you were the President's girl. 181 00:09:07,840 --> 00:09:10,360 Speaker 1: Yeah, oh yeah, she's like, why did you sleep with me? 182 00:09:10,440 --> 00:09:12,560 Speaker 1: And he's like, because you're amazing, and you know. 183 00:09:12,840 --> 00:09:15,000 Speaker 4: You're amazing, and I've been watching you and I'm calling 184 00:09:15,080 --> 00:09:17,040 Speaker 4: for you and I'm so into you, and I wouldn't 185 00:09:17,040 --> 00:09:19,000 Speaker 4: have but I didn't know. I didn't know how deep 186 00:09:19,080 --> 00:09:20,640 Speaker 4: you were in. I didn't know you were with that. 187 00:09:20,720 --> 00:09:22,079 Speaker 4: I didn't know you were the president's girl. 188 00:09:22,160 --> 00:09:24,439 Speaker 1: And also how fucking creepy that he's been watching, like 189 00:09:24,840 --> 00:09:26,760 Speaker 1: literally watching her because he has a camera in her 190 00:09:26,800 --> 00:09:28,640 Speaker 1: apartment camera. 191 00:09:29,200 --> 00:09:31,560 Speaker 4: Creepy, which, like, hut to, we're kind of jumping all 192 00:09:31,559 --> 00:09:33,600 Speaker 4: over this episode, but just go with us. Yeah, cut 193 00:09:33,720 --> 00:09:37,080 Speaker 4: to the kind of endish of this episode where Jeff 194 00:09:37,320 --> 00:09:40,280 Speaker 4: Jake is sitting in his apartment watching the footage of 195 00:09:40,360 --> 00:09:42,719 Speaker 4: him and Olivia fucking, which I'm just like, yeah, this 196 00:09:42,960 --> 00:09:47,520 Speaker 4: is so creepy, Like, Jake, you are so messed up. 197 00:09:47,600 --> 00:09:48,319 Speaker 3: I don't even know. 198 00:09:48,400 --> 00:09:51,600 Speaker 4: And he's like sitting in his creepy armchair like all 199 00:09:52,240 --> 00:09:53,080 Speaker 4: sitting gross. 200 00:09:53,280 --> 00:09:56,040 Speaker 1: He's like sort of grinny and yet enjoying it. 201 00:09:56,600 --> 00:09:59,439 Speaker 4: Yeah, he's like watching back, like, oh, yeah, here's where 202 00:09:59,480 --> 00:10:01,280 Speaker 4: I take off my shirt and we're fucking on the 203 00:10:01,440 --> 00:10:03,160 Speaker 4: we start hooking up on my kitchen counter, and then 204 00:10:03,160 --> 00:10:04,400 Speaker 4: we move into the bed and you're like, oh my god, 205 00:10:04,440 --> 00:10:07,080 Speaker 4: you have cameras in your bedroom. But then you realize 206 00:10:07,600 --> 00:10:09,880 Speaker 4: the reason he's watching back the video is because he 207 00:10:10,040 --> 00:10:15,960 Speaker 4: sees that Charlie broke into his apartment. He also watched 208 00:10:16,040 --> 00:10:19,400 Speaker 4: the footage of Jake and Olivia having sex, and now 209 00:10:19,760 --> 00:10:22,080 Speaker 4: Jake knows that Charlie knows. 210 00:10:22,240 --> 00:10:27,840 Speaker 1: And there's an amazing shot of Jake watching Charlie watching 211 00:10:28,640 --> 00:10:33,160 Speaker 1: Jake and Olivia having sex. It's like the Russian dolls, right. 212 00:10:33,200 --> 00:10:37,760 Speaker 3: Like that's exactly what it is. That's so And of course. 213 00:10:38,440 --> 00:10:41,120 Speaker 1: George Nwburn has like a leader of like a Coca 214 00:10:41,200 --> 00:10:43,600 Speaker 1: cola whatever the fuck. He's drinking like a big soda 215 00:10:43,679 --> 00:10:46,920 Speaker 1: and he's definitely grinning and enjoying, you know what he's watching. 216 00:10:46,920 --> 00:10:49,720 Speaker 1: It's so good. 217 00:10:50,040 --> 00:10:54,480 Speaker 4: And then the the OPA associates, we are all huddled 218 00:10:54,559 --> 00:10:56,880 Speaker 4: over by the coffee maker and Live walks in. You know, 219 00:10:57,240 --> 00:10:59,240 Speaker 4: Jake has followed her to work. She's like, you can 220 00:10:59,280 --> 00:11:01,640 Speaker 4: stay here butt of my office, and he's like watching, 221 00:11:01,880 --> 00:11:05,520 Speaker 4: you know, staying guard dog outside, and Olivia is like, 222 00:11:05,600 --> 00:11:06,319 Speaker 4: what is going on? 223 00:11:06,600 --> 00:11:08,320 Speaker 3: What secret do you all have? What is happening? 224 00:11:08,960 --> 00:11:10,840 Speaker 4: And we all sort of have one of those classic 225 00:11:11,040 --> 00:11:14,559 Speaker 4: iconic OPA scenes, all finish each other, yeah, I don't know, 226 00:11:14,640 --> 00:11:15,840 Speaker 4: I don't know what don't know, And then we finish 227 00:11:15,880 --> 00:11:18,280 Speaker 4: each other's sentences to basically tell her that we think 228 00:11:18,679 --> 00:11:19,600 Speaker 4: Cyrus is the mold. 229 00:11:19,800 --> 00:11:23,920 Speaker 1: Yes, because we saw we recognize, well, Huck recognizes Charlie's 230 00:11:23,960 --> 00:11:28,160 Speaker 1: ear in the footage from the storage place where Huck 231 00:11:28,559 --> 00:11:31,920 Speaker 1: was put in a box, so we yeah, yeah, yeah, 232 00:11:32,080 --> 00:11:34,559 Speaker 1: so this is people should know this is well, theyugh no, 233 00:11:34,679 --> 00:11:37,040 Speaker 1: because they they'll have heard the episode right before this 234 00:11:37,200 --> 00:11:39,719 Speaker 1: on the podcast, but right before this was seven fifty two, 235 00:11:40,320 --> 00:11:43,640 Speaker 1: right before this episode, so everything that's why Huck looks 236 00:11:43,880 --> 00:11:44,880 Speaker 1: Huck actually one. 237 00:11:44,960 --> 00:11:47,520 Speaker 4: Well in this episode, he's like coming in and they're like, oh, 238 00:11:47,559 --> 00:11:49,120 Speaker 4: are you ready to go back to work because you're 239 00:11:49,200 --> 00:11:52,319 Speaker 4: so like fucked up from being like caught in a box. 240 00:11:52,520 --> 00:11:55,040 Speaker 1: He's melting down this whole episode, which is one of 241 00:11:55,080 --> 00:11:57,680 Speaker 1: the things, Katie that made me laugh because when those 242 00:11:58,280 --> 00:12:01,959 Speaker 1: beautiful pastries come into the picture in this episode, in 243 00:12:02,040 --> 00:12:05,600 Speaker 1: that pink box, the bear claws and the cheese Danish 244 00:12:05,679 --> 00:12:10,120 Speaker 1: and the and I you know, as an actor, I 245 00:12:10,280 --> 00:12:12,760 Speaker 1: had to make the decision not to eat the pastry 246 00:12:12,800 --> 00:12:16,079 Speaker 1: because I was like, Huck is having the worst anxiety 247 00:12:16,160 --> 00:12:19,360 Speaker 1: attacks non stop throughout this whole episode. Why would he 248 00:12:19,400 --> 00:12:21,880 Speaker 1: stop and have a bear claw? So I decided not 249 00:12:21,960 --> 00:12:24,040 Speaker 1: to eat. But I was so upset about that because 250 00:12:24,040 --> 00:12:25,520 Speaker 1: I was like, that's just so bad. 251 00:12:25,840 --> 00:12:30,200 Speaker 4: Let's just applaud Giermo Diaz for his commitment to his craft. 252 00:12:30,440 --> 00:12:35,199 Speaker 1: I am a thespian, my listeners, a committed thespian. 253 00:12:36,080 --> 00:12:39,000 Speaker 3: That is, I'm so proud of you. You made that choice. 254 00:12:40,400 --> 00:12:41,719 Speaker 3: I'm so anxious. I'm just gonna eat this. 255 00:12:41,880 --> 00:12:44,840 Speaker 1: I'm emotional. Why couldn't I have been an emotional eater? 256 00:12:44,920 --> 00:12:46,920 Speaker 1: Why didn't I choose to be an emotional eater as 257 00:12:46,960 --> 00:12:48,840 Speaker 1: an actor? I should have gone with that decision. 258 00:12:48,880 --> 00:12:52,559 Speaker 3: That would would not have tracked for Huck. No, it 259 00:12:52,559 --> 00:12:53,480 Speaker 3: would not have been Hucked. 260 00:12:53,679 --> 00:12:53,800 Speaker 1: Now. 261 00:12:53,920 --> 00:12:56,800 Speaker 4: The most amazing scene too, is then Fitz is getting 262 00:12:56,800 --> 00:12:59,400 Speaker 4: a real itch for Olivia and makes her come to 263 00:12:59,559 --> 00:13:01,720 Speaker 4: his oval office and she's pissed. 264 00:13:01,800 --> 00:13:03,800 Speaker 1: She comes in and she's like what yeah, And the 265 00:13:03,920 --> 00:13:06,840 Speaker 1: only reason she goes to his office is because he says, 266 00:13:06,880 --> 00:13:09,080 Speaker 1: come to my office. She's like no, and he says, 267 00:13:09,080 --> 00:13:11,400 Speaker 1: all right, then I'm gonna go to your office. Are 268 00:13:11,480 --> 00:13:13,400 Speaker 1: you is your is your gang all there? I can't 269 00:13:13,400 --> 00:13:15,920 Speaker 1: wait to meet them, And she's like, damn it, and 270 00:13:16,080 --> 00:13:19,120 Speaker 1: that's what propels her to go to fucking fits and 271 00:13:19,200 --> 00:13:22,079 Speaker 1: she's mad she busted out the she busted out those 272 00:13:22,120 --> 00:13:24,400 Speaker 1: white gloves too, to go to office. 273 00:13:24,240 --> 00:13:26,640 Speaker 3: Her hands and she's like what yes, and he's like, 274 00:13:26,920 --> 00:13:29,040 Speaker 3: I still love you, Like what are we doing? 275 00:13:29,160 --> 00:13:30,880 Speaker 4: I love you? And then she like points, let's go 276 00:13:30,920 --> 00:13:32,680 Speaker 4: to the area of the Oval office that's not under 277 00:13:32,720 --> 00:13:36,599 Speaker 4: surveillance on that part. And then she's like basically we 278 00:13:36,720 --> 00:13:38,880 Speaker 4: get to the point of the episode where she's like 279 00:13:39,280 --> 00:13:41,439 Speaker 4: she says in that awesome Olivia Pope things, she's like, 280 00:13:41,520 --> 00:13:43,319 Speaker 4: you want me earn me? 281 00:13:44,280 --> 00:13:48,280 Speaker 1: So good? Oh yeah, that was good. 282 00:13:49,440 --> 00:13:54,520 Speaker 3: She's like me, I mean for a hundred reasons. 283 00:13:54,559 --> 00:13:55,440 Speaker 2: But that right. 284 00:13:55,480 --> 00:13:57,800 Speaker 1: And she also says, you can't just summon me and 285 00:13:57,920 --> 00:14:00,920 Speaker 1: just you know, when you're horny or lowly or whatever. 286 00:14:01,559 --> 00:14:08,480 Speaker 3: Yeah, she says, not a fantasy. You want me earn me? Whoa, 287 00:14:08,920 --> 00:14:10,560 Speaker 3: it's so fucking good. 288 00:14:10,720 --> 00:14:12,880 Speaker 1: Yeah. And usually that's when a guy or a girl 289 00:14:13,040 --> 00:14:15,360 Speaker 1: whatever will back down and be like, oh ship, I 290 00:14:15,400 --> 00:14:17,000 Speaker 1: don't know if I don't know if I could do that, 291 00:14:18,880 --> 00:14:22,520 Speaker 1: just yo, no, no, no, no, I just wanted to bone. 292 00:14:24,920 --> 00:14:28,640 Speaker 4: You might be a crazy bitch, Like, no, fucking thank you. 293 00:14:29,800 --> 00:14:37,120 Speaker 4: We will be back with more after the break. Okay, 294 00:14:37,920 --> 00:14:40,680 Speaker 4: she has that amazing scene which was is incredible, and 295 00:14:40,840 --> 00:14:44,600 Speaker 4: this is another scene that Okay, Cyrus goes to goes 296 00:14:44,800 --> 00:14:50,280 Speaker 4: over to Blairhouse to try to bribe Mellie not to talk, 297 00:14:50,560 --> 00:14:53,160 Speaker 4: and he's like, we'll give you governor, we'll give you senate, 298 00:14:53,320 --> 00:14:56,800 Speaker 4: like we're gonna fucking load up your political career that 299 00:14:56,880 --> 00:15:00,640 Speaker 4: if you just do not go on public record saying 300 00:15:00,840 --> 00:15:02,760 Speaker 4: that there was an affair, like, we will give you 301 00:15:03,040 --> 00:15:04,840 Speaker 4: so much political capital it'll be worth it. 302 00:15:04,920 --> 00:15:05,880 Speaker 3: And she's like with nope. 303 00:15:06,120 --> 00:15:07,640 Speaker 1: Yeah, He's like, we'll give you an issue. What do 304 00:15:07,680 --> 00:15:10,840 Speaker 1: you want, like you know, the pipelines, whatever it is, 305 00:15:10,920 --> 00:15:12,520 Speaker 1: and you can run with it and you'll you know 306 00:15:13,600 --> 00:15:16,560 Speaker 1: soar And I also I noticed in it and this 307 00:15:16,680 --> 00:15:19,960 Speaker 1: is the second time this Cyrus walks through those long 308 00:15:20,120 --> 00:15:23,320 Speaker 1: corridors under the White House to get to Blair House. 309 00:15:23,320 --> 00:15:25,640 Speaker 1: So he does this several times. I don't know, I 310 00:15:25,680 --> 00:15:29,600 Speaker 1: don't know where they shot that. It's it's awesome though, right. 311 00:15:29,560 --> 00:15:32,680 Speaker 4: It's awesome, and it's like long and we've used it 312 00:15:32,720 --> 00:15:35,880 Speaker 4: a bunch of times, the way that Norm Lewis takes 313 00:15:35,920 --> 00:15:38,760 Speaker 4: when when Edison is going into a bunker, Like, I 314 00:15:38,800 --> 00:15:41,680 Speaker 4: feel like we've used those hallways a bunch of times. 315 00:15:41,720 --> 00:15:44,000 Speaker 3: They're like the underground pathways under the White House. 316 00:15:44,040 --> 00:15:45,880 Speaker 1: Where the fuck are they? We have to ask where 317 00:15:45,880 --> 00:15:46,200 Speaker 1: they are? 318 00:15:46,720 --> 00:15:48,800 Speaker 3: They must have been built. I feel like they were 319 00:15:48,840 --> 00:15:49,440 Speaker 3: on stage. 320 00:15:49,880 --> 00:15:53,600 Speaker 1: Oh maybe you know. I also noticed in all the 321 00:15:53,720 --> 00:15:56,200 Speaker 1: scenes in I believe it's all of them, Mellie is 322 00:15:56,240 --> 00:15:59,920 Speaker 1: wearing green, and I kept thinking, oh, because she's green 323 00:16:00,160 --> 00:16:02,880 Speaker 1: with envy this whole episode, and I thought, I wonder 324 00:16:02,880 --> 00:16:05,680 Speaker 1: if that's something that Lynn Paolo and or or and 325 00:16:06,080 --> 00:16:09,360 Speaker 1: or Bellamy Young thought of. But I just kept being like, 326 00:16:09,520 --> 00:16:12,880 Speaker 1: oh shit, she's just wearing this gorgeous like green outfit. 327 00:16:13,400 --> 00:16:16,440 Speaker 3: Oh she's green with that, She's green with envy. 328 00:16:16,480 --> 00:16:18,480 Speaker 4: When when we have Lynn Paalow on, we're gonna have 329 00:16:18,520 --> 00:16:22,200 Speaker 4: to put that on the list of ship Yes, this 330 00:16:22,400 --> 00:16:26,400 Speaker 4: scene you absolutely demolished. Goes into Olivia's office and says, 331 00:16:26,920 --> 00:16:30,320 Speaker 4: the last girl that the President was sleeping with, Charlie, 332 00:16:30,400 --> 00:16:35,360 Speaker 4: had her killed. And so he says, you you're basically 333 00:16:35,440 --> 00:16:37,440 Speaker 4: telling her you want her to be careful. Yeah, he 334 00:16:37,560 --> 00:16:39,320 Speaker 4: says that she's sleeping with the president. 335 00:16:39,440 --> 00:16:42,200 Speaker 1: Yeah, And she's like, well, why you know whatever she says, 336 00:16:42,240 --> 00:16:44,080 Speaker 1: and then he's like, because the last girl scept with 337 00:16:44,160 --> 00:16:46,920 Speaker 1: the president ended up dead in the Potomac. Oh, it's 338 00:16:46,920 --> 00:16:47,680 Speaker 1: such a I don't. 339 00:16:48,280 --> 00:16:50,000 Speaker 3: And then you say, and I want and I want 340 00:16:50,040 --> 00:16:51,720 Speaker 3: you to live. I want to stay alive. 341 00:16:51,880 --> 00:16:56,200 Speaker 1: Yeah. Also live has that look on her face like, 342 00:16:56,240 --> 00:16:58,760 Speaker 1: oh shit, everybody knows I slept with the president. I 343 00:16:58,840 --> 00:17:00,200 Speaker 1: mean we all know. Everybody know, we. 344 00:17:00,480 --> 00:17:04,680 Speaker 3: All know except for Josh. In this episode, everybody everyone 345 00:17:04,760 --> 00:17:05,560 Speaker 3: in o PA knows. 346 00:17:05,640 --> 00:17:08,000 Speaker 4: And Jake Ballard finds out in this episode that Olivia 347 00:17:08,119 --> 00:17:08,880 Speaker 4: fits are an item. 348 00:17:09,080 --> 00:17:11,919 Speaker 1: Yes. I love that line from h David Rosen from 349 00:17:11,960 --> 00:17:13,679 Speaker 1: Josh Blina when he says, oh, I wonder who he's 350 00:17:13,720 --> 00:17:16,280 Speaker 1: banging when we see the news, you know later on 351 00:17:16,440 --> 00:17:19,320 Speaker 1: when when yes, I'm it's. 352 00:17:19,160 --> 00:17:20,640 Speaker 3: Fine, Oh my god, we're going all over. 353 00:17:20,720 --> 00:17:23,560 Speaker 1: We've gone wrong, We've gone wrong, We've gone wrong. 354 00:17:23,600 --> 00:17:31,240 Speaker 3: Building barbecue in Austin and we're just fuck okay, Cyrus. 355 00:17:31,640 --> 00:17:33,639 Speaker 4: Right after that sceat Cyrus goes to Mellie back up 356 00:17:33,640 --> 00:17:35,119 Speaker 4: Blair House and says, what if I could get rid 357 00:17:35,160 --> 00:17:38,320 Speaker 4: of Olivia Pope? And so the writers are sort of 358 00:17:38,520 --> 00:17:42,280 Speaker 4: taking us down this path, like is he gonna try? 359 00:17:44,080 --> 00:17:46,919 Speaker 3: Like is that a thing? And it's so cute. 360 00:17:47,080 --> 00:17:50,480 Speaker 4: I love the whole bird work ship, the opa. We 361 00:17:51,000 --> 00:17:53,480 Speaker 4: put Charlie up on the board. We're trying to figure 362 00:17:53,520 --> 00:17:56,119 Speaker 4: out for sure if Cyrus is the mole, because Olivia 363 00:17:56,160 --> 00:17:57,960 Speaker 4: has said, if we're gonna accuse my friend of a 364 00:17:58,080 --> 00:17:59,639 Speaker 4: very long time that he's the mole, we better be 365 00:17:59,680 --> 00:18:02,840 Speaker 4: fucking sure. Start looking into Charlie. We PLoP Charlie's face 366 00:18:02,960 --> 00:18:06,680 Speaker 4: up on the board. You say, like, sweet ship, Yes 367 00:18:06,880 --> 00:18:08,280 Speaker 4: he likes Yeah. 368 00:18:08,359 --> 00:18:10,120 Speaker 1: Someone asked what is what does he like? What he's 369 00:18:10,160 --> 00:18:12,080 Speaker 1: liked to do? And Huck He's like, uh, he likes 370 00:18:12,160 --> 00:18:15,880 Speaker 1: to kill and he also likes sweets. And then Olivia 371 00:18:16,000 --> 00:18:19,000 Speaker 1: is like, well, what's the best fucking bakery in town? Right? 372 00:18:19,040 --> 00:18:21,840 Speaker 4: And then we go there, and then Quinn and Josh 373 00:18:22,080 --> 00:18:25,720 Speaker 4: Quinn and Rose to them colonoles and I'm like, when 374 00:18:25,760 --> 00:18:26,200 Speaker 4: you don't. 375 00:18:26,119 --> 00:18:28,640 Speaker 3: Have a badge, you need to make friends. 376 00:18:29,240 --> 00:18:32,080 Speaker 4: And then I like, I'm like, hi, oh my gosh, 377 00:18:32,320 --> 00:18:34,679 Speaker 4: my friend always picks up the most delicious canoles. 378 00:18:34,720 --> 00:18:36,600 Speaker 3: It's so delicious. Have you ever seen him before? 379 00:18:36,640 --> 00:18:38,679 Speaker 4: And I show her a picture of Siren of Charlie 380 00:18:38,680 --> 00:18:41,040 Speaker 4: and she's like, yeah, Thursdays at six, And I'm. 381 00:18:40,960 --> 00:18:45,080 Speaker 1: Like, wait, Katie, did you guys shoot that in an 382 00:18:45,160 --> 00:18:50,639 Speaker 1: actual bakery where their pastries in the display thingy? Because 383 00:18:50,880 --> 00:18:53,760 Speaker 1: I wouldn't have been to resist. My mouth is watering too. 384 00:18:55,520 --> 00:18:57,720 Speaker 4: How about are you so method as an actor that 385 00:18:57,840 --> 00:19:01,240 Speaker 4: during this episode when you were like all being anxious 386 00:19:01,280 --> 00:19:04,800 Speaker 4: and shit, were you eating any of that crap off camera? 387 00:19:05,000 --> 00:19:07,760 Speaker 1: Or were you just like I must have. I'm not 388 00:19:08,000 --> 00:19:10,000 Speaker 1: that method. I must have. 389 00:19:11,680 --> 00:19:12,359 Speaker 2: In a minute. 390 00:19:12,440 --> 00:19:15,760 Speaker 1: Have you had a No, it's been forever. The last 391 00:19:15,800 --> 00:19:18,480 Speaker 1: time I had a Canoli was when I went to 392 00:19:18,960 --> 00:19:21,680 Speaker 1: like my my ex sister in law's house because they're 393 00:19:22,280 --> 00:19:25,680 Speaker 1: full on like Italian and they always have Canole's and 394 00:19:25,800 --> 00:19:29,080 Speaker 1: all that. That's imposta and you know, got everything. 395 00:19:30,080 --> 00:19:33,320 Speaker 4: Like so, connoli is one of those desserts that I 396 00:19:33,480 --> 00:19:35,760 Speaker 4: never liked as a kid. I thought it was disgusting, 397 00:19:36,080 --> 00:19:38,879 Speaker 4: and now as an adult, I think it is so delicious. 398 00:19:39,080 --> 00:19:40,680 Speaker 1: Do you like the chocolate chips in it? Or do 399 00:19:40,760 --> 00:19:41,680 Speaker 1: you like it just plain? 400 00:19:42,040 --> 00:19:43,680 Speaker 3: I like the chocolate chips in it, I do. 401 00:19:43,880 --> 00:19:44,280 Speaker 1: What about you? 402 00:19:44,520 --> 00:19:44,639 Speaker 2: Oh? 403 00:19:44,800 --> 00:19:47,840 Speaker 1: Fuck yeah? I Usually I would say no, but with Canol's, 404 00:19:48,359 --> 00:19:51,760 Speaker 1: I like that little extra crunchy chocolate delight. 405 00:19:52,359 --> 00:19:54,280 Speaker 4: You know what, I just realized, it's kind of like 406 00:19:54,400 --> 00:19:58,520 Speaker 4: a New York Chinese food soup cracker. 407 00:19:59,119 --> 00:20:02,159 Speaker 1: Oh you know what it does? I mean it kind 408 00:20:02,200 --> 00:20:04,560 Speaker 1: of resembles a fortune cookie in a way too, right, 409 00:20:04,760 --> 00:20:06,800 Speaker 1: Like yeah, yes, yes. 410 00:20:06,960 --> 00:20:10,000 Speaker 4: But like I always feel like those the cracker on 411 00:20:10,119 --> 00:20:12,240 Speaker 4: the outside of the canoli, isn't it sort of. 412 00:20:12,400 --> 00:20:16,040 Speaker 1: Like oh, like a wanton cracker a little bit? 413 00:20:16,119 --> 00:20:18,199 Speaker 3: Like because it's fried it yes, right, and. 414 00:20:19,720 --> 00:20:24,000 Speaker 1: Yeah the little bubblies yeah, and then it's cheese and 415 00:20:24,160 --> 00:20:29,160 Speaker 1: of course sugar inside. Might let me tell you something. 416 00:20:29,320 --> 00:20:31,960 Speaker 1: You're gonna You're gonna find a box of canoli's outside 417 00:20:32,000 --> 00:20:33,399 Speaker 1: your house in like an hour. 418 00:20:33,680 --> 00:20:34,320 Speaker 2: Let's google this. 419 00:20:34,480 --> 00:20:35,639 Speaker 3: Where where can we get? 420 00:20:36,080 --> 00:20:37,360 Speaker 1: Where can we get a canole? 421 00:20:37,680 --> 00:20:39,760 Speaker 3: Wait? I'm dying to know, Like where. 422 00:20:39,840 --> 00:20:41,840 Speaker 4: I don't think I've ever had a canoli in Los 423 00:20:41,880 --> 00:20:42,680 Speaker 4: ange I don't think so. 424 00:20:42,800 --> 00:20:44,520 Speaker 1: I don't think I have either in New York. It's 425 00:20:44,600 --> 00:20:50,160 Speaker 1: so fucking easy, right Street or only Mulberry Street. 426 00:20:50,600 --> 00:20:54,959 Speaker 3: Where to get a great canoli? Fuck? I am jones 427 00:20:55,200 --> 00:20:57,440 Speaker 3: right now like a pregnant woman. Where to get a 428 00:20:57,480 --> 00:20:59,080 Speaker 3: great canoli in Los Angeles? 429 00:20:59,240 --> 00:21:03,080 Speaker 1: Well, booty bump that ship, bloody bump. 430 00:21:02,960 --> 00:21:03,439 Speaker 3: That sho. 431 00:21:04,960 --> 00:21:08,800 Speaker 4: Okay wait it says the fifteen best places for canol 432 00:21:09,080 --> 00:21:10,879 Speaker 4: in Los Angeles, And then we're getting back to this 433 00:21:11,080 --> 00:21:13,240 Speaker 4: Cavaretta's Italian Groceries. 434 00:21:13,840 --> 00:21:16,840 Speaker 3: Oh fuck to paying a canyon. Now you're going there? 435 00:21:16,960 --> 00:21:20,560 Speaker 4: Fuck out here, we need the Valley Eagle Rock Italian 436 00:21:20,680 --> 00:21:21,639 Speaker 4: Bakery and Deli. 437 00:21:22,000 --> 00:21:23,800 Speaker 1: That's far too is it? It is? 438 00:21:23,960 --> 00:21:28,440 Speaker 4: But my mouth is literally watering. I can I can't. Okay, 439 00:21:29,200 --> 00:21:30,520 Speaker 4: all right, where do we leave off? 440 00:21:30,960 --> 00:21:31,920 Speaker 3: Yeah? Where do we leave off? 441 00:21:31,960 --> 00:21:35,000 Speaker 4: We find out Charlie gets the Canoli's, and then we 442 00:21:35,160 --> 00:21:37,600 Speaker 4: even find out through a little bit more slew thing 443 00:21:38,000 --> 00:21:40,840 Speaker 4: that he brings the Canolis to a book club and 444 00:21:41,000 --> 00:21:43,320 Speaker 4: that's thanks to Rosen he finds that out. And we 445 00:21:43,400 --> 00:21:44,840 Speaker 4: go to the book club and we find out that 446 00:21:44,960 --> 00:21:48,720 Speaker 4: Charlie's been hooking up with this girl, Tam Blakely, and 447 00:21:48,840 --> 00:21:51,280 Speaker 4: we have Tam Blakely into O PA and she's sitting 448 00:21:51,280 --> 00:21:53,200 Speaker 4: at the head of the conference table and it's hilarious. 449 00:21:53,240 --> 00:21:55,119 Speaker 3: I can remember shooting these scenes and we had the 450 00:21:55,320 --> 00:21:56,000 Speaker 3: best time. 451 00:21:56,560 --> 00:22:00,760 Speaker 1: Yeah, when whenever date, whenever, Josh Molina was in O PA. 452 00:22:01,760 --> 00:22:04,920 Speaker 1: It was just such a blast, like we just we 453 00:22:05,119 --> 00:22:06,360 Speaker 1: just had such such. 454 00:22:06,160 --> 00:22:11,280 Speaker 4: An added layer of insanity. Yeah, but I can remember 455 00:22:11,440 --> 00:22:13,399 Speaker 4: she she gets called in because we lie to her 456 00:22:13,480 --> 00:22:16,119 Speaker 4: and we say, hey, we're interviewing Charlie for this like 457 00:22:16,400 --> 00:22:17,800 Speaker 4: very high profile job, and. 458 00:22:17,880 --> 00:22:20,760 Speaker 3: She's like, I knew he was special, I knew he 459 00:22:20,920 --> 00:22:21,600 Speaker 3: was important. 460 00:22:23,119 --> 00:22:25,480 Speaker 4: Oh, she's so good, and like we said already, it 461 00:22:25,640 --> 00:22:28,920 Speaker 4: sort of becomes obvious that he's not into this girl 462 00:22:29,160 --> 00:22:31,159 Speaker 4: at all. He's totally using her because she was the 463 00:22:31,200 --> 00:22:33,040 Speaker 4: courts stenographer for Defiance. 464 00:22:33,480 --> 00:22:35,720 Speaker 1: They banged though, right, you think they had sex? They 465 00:22:35,800 --> 00:22:38,880 Speaker 1: had sex? I'm sure no, because there's a shot. There's 466 00:22:38,920 --> 00:22:42,160 Speaker 1: that little quick like photo burst where they're making out, 467 00:22:42,200 --> 00:22:44,879 Speaker 1: where they're kissing where he like pushes her up against 468 00:22:44,880 --> 00:22:46,960 Speaker 1: the wall. She pushes him up against the wall. I 469 00:22:47,040 --> 00:22:48,960 Speaker 1: wonder if the characters like had sex. 470 00:22:49,280 --> 00:22:52,080 Speaker 4: No, he pushes her up the up against the bookshelf 471 00:22:52,160 --> 00:22:55,119 Speaker 4: and a library. Yeah yeah, yeah, and then she pushes 472 00:22:55,240 --> 00:22:58,840 Speaker 4: him up to be like, Yo, these book club bitches 473 00:22:59,080 --> 00:23:04,280 Speaker 4: be crazy, thirsty freaks in the bed. 474 00:23:04,320 --> 00:23:08,600 Speaker 1: They are ret tea. They did their DTFU. 475 00:23:07,840 --> 00:23:11,359 Speaker 3: Speaking about another sex scene, James and Cyrus. How about that? 476 00:23:12,160 --> 00:23:15,639 Speaker 1: Oh man, wait, did they have sex in this episode? 477 00:23:15,720 --> 00:23:16,840 Speaker 1: Or they just don't have sex? 478 00:23:16,920 --> 00:23:20,320 Speaker 4: They they make out, but it's like the most I 479 00:23:20,520 --> 00:23:25,240 Speaker 4: feel like intimate makeout we have seen of j And 480 00:23:25,359 --> 00:23:28,480 Speaker 4: then he like drops his pants and James gets down 481 00:23:28,520 --> 00:23:30,600 Speaker 4: on his knees because we can assume that he's gonna 482 00:23:30,600 --> 00:23:31,320 Speaker 4: give him a blow. 483 00:23:31,600 --> 00:23:35,119 Speaker 1: Yeah, yeah, yeah. Can we just talk about how freaking 484 00:23:35,240 --> 00:23:38,520 Speaker 1: like as a as a gay person, like how fucking 485 00:23:38,760 --> 00:23:43,320 Speaker 1: generous and thoughtful Shanda has been with the lgbt Q 486 00:23:43,520 --> 00:23:46,600 Speaker 1: I A plus community, Like from the gate, Like in 487 00:23:46,720 --> 00:23:49,639 Speaker 1: the first episode, she deals with someone who's in the 488 00:23:49,720 --> 00:23:52,520 Speaker 1: closet and then sort of exactly and discovers that there's 489 00:23:52,560 --> 00:23:55,280 Speaker 1: nothing to be ashamed of, and you know, decides to 490 00:23:55,720 --> 00:23:58,240 Speaker 1: live his authentic self and all that. And then and 491 00:23:58,440 --> 00:24:02,320 Speaker 1: then to see these two lead characters, you know, play 492 00:24:02,400 --> 00:24:05,960 Speaker 1: these openly gay gay men, and it's just so matter 493 00:24:06,040 --> 00:24:08,399 Speaker 1: of fact. It's so refreshing, you know what I mean, 494 00:24:08,440 --> 00:24:11,440 Speaker 1: because I grew up with watching fucking bullshit, like you know, 495 00:24:11,600 --> 00:24:15,879 Speaker 1: like like Three's Company and fucking Jack was acting like 496 00:24:15,960 --> 00:24:17,560 Speaker 1: he was gay and it was a big joke, and 497 00:24:18,160 --> 00:24:20,800 Speaker 1: or Monroe on that other show, what the fuck was 498 00:24:20,840 --> 00:24:24,520 Speaker 1: that other show? Fucking I'm Too Close for Comfort And 499 00:24:24,600 --> 00:24:27,200 Speaker 1: it was all just like like buffoonery and like we 500 00:24:27,320 --> 00:24:30,280 Speaker 1: were clowns and it was a joke anyway, So it's 501 00:24:30,400 --> 00:24:32,480 Speaker 1: just so No, it's amazing. 502 00:24:32,160 --> 00:24:32,600 Speaker 3: To see it. 503 00:24:32,760 --> 00:24:35,000 Speaker 4: And I also I love seeing that they're not like 504 00:24:35,480 --> 00:24:38,120 Speaker 4: like in no offense to Dan Bucatinski. God, don't listen 505 00:24:38,160 --> 00:24:41,159 Speaker 4: to this, Dan, but like they're also not like twenty 506 00:24:41,400 --> 00:24:42,560 Speaker 4: and like supermodel. 507 00:24:42,680 --> 00:24:46,280 Speaker 3: Yes not like we're also seeing this like, Okay, we'll 508 00:24:46,359 --> 00:24:47,240 Speaker 3: have hot guys. 509 00:24:47,800 --> 00:24:49,520 Speaker 4: I mean, we'll have gay guys, but they have to 510 00:24:49,600 --> 00:24:52,359 Speaker 4: be like universally like super hot in the right age 511 00:24:52,400 --> 00:24:54,399 Speaker 4: and all this kind of stuff. Like I like that 512 00:24:54,480 --> 00:24:57,920 Speaker 4: they're just like fucking men, like regular men who like 513 00:24:58,119 --> 00:25:01,960 Speaker 4: have jobs and are just like, yes, you know, have 514 00:25:02,160 --> 00:25:04,600 Speaker 4: like a sex life and sleep in the same bed 515 00:25:04,720 --> 00:25:06,960 Speaker 4: and adopt a daughter and like all of that. 516 00:25:07,359 --> 00:25:09,720 Speaker 1: Every every time I watched these I read them, and 517 00:25:09,800 --> 00:25:11,800 Speaker 1: of course watched them, I thought of my parents at 518 00:25:11,840 --> 00:25:15,320 Speaker 1: home watching it, and I thought the the the amount 519 00:25:15,560 --> 00:25:19,240 Speaker 1: of strides forward that these episodes are making just in 520 00:25:19,440 --> 00:25:22,560 Speaker 1: my life alone with my family. I mean, they're accepting 521 00:25:22,600 --> 00:25:25,320 Speaker 1: and there they're wonderful. It took them just a second, 522 00:25:26,160 --> 00:25:28,960 Speaker 1: you know, to sort of fully accept, but just the 523 00:25:29,040 --> 00:25:32,879 Speaker 1: fact that they're watching this and and just again the 524 00:25:33,400 --> 00:25:36,840 Speaker 1: the amount of the acceptance that they've opened up their hearts. 525 00:25:37,000 --> 00:25:38,200 Speaker 3: They're watching a show. 526 00:25:38,240 --> 00:25:40,200 Speaker 4: It's like, yeah, of course your parents accept you and 527 00:25:40,280 --> 00:25:43,520 Speaker 4: love you and they but now they're watching on a 528 00:25:43,640 --> 00:25:47,920 Speaker 4: TV show like like that. It's it's very normal, Like 529 00:25:48,080 --> 00:25:52,000 Speaker 4: she's normalizing it because she's putting it into mainstream media. 530 00:25:52,200 --> 00:25:54,280 Speaker 4: And yet again, like I know, we talked about this 531 00:25:54,320 --> 00:25:56,440 Speaker 4: on the panel. It's south by Southwest, but like here 532 00:25:56,560 --> 00:25:58,400 Speaker 4: we are part of this show that was a water 533 00:25:58,520 --> 00:26:01,080 Speaker 4: cooler show and appointment viewing on Thursday nights, and some 534 00:26:01,240 --> 00:26:03,520 Speaker 4: parts of it were soapoppery and some parts that were this, 535 00:26:03,640 --> 00:26:05,720 Speaker 4: and some parts that were that, But really it was 536 00:26:05,760 --> 00:26:12,440 Speaker 4: Shonda Rhyme's making massive strides towards inclusion and representation and 537 00:26:13,359 --> 00:26:19,240 Speaker 4: putting hot button topics issues and very controversial things in 538 00:26:20,119 --> 00:26:22,280 Speaker 4: ten PM network viewing. 539 00:26:22,640 --> 00:26:25,040 Speaker 3: I mean, fucking crazy. 540 00:26:25,200 --> 00:26:29,400 Speaker 1: That stuff that gets embedded into people's brains and psychees 541 00:26:29,480 --> 00:26:32,240 Speaker 1: and they start thinking, oh, yeah, that is normal, that's 542 00:26:32,520 --> 00:26:34,720 Speaker 1: you know what I mean. It's wonderful. It's good because 543 00:26:34,960 --> 00:26:37,320 Speaker 1: the opposite could happen too. When you see negative shit 544 00:26:37,440 --> 00:26:39,639 Speaker 1: like that and then people start thinking, you know, terrible 545 00:26:39,680 --> 00:26:43,480 Speaker 1: shit about you know, certain certain people or whatever. But yeah, 546 00:26:43,720 --> 00:26:45,639 Speaker 1: I'm we're so blessed. 547 00:26:45,880 --> 00:26:48,359 Speaker 3: We're so blessed. And it was so like so cool 548 00:26:48,480 --> 00:26:50,160 Speaker 3: to be a part of a show that had reach 549 00:26:50,359 --> 00:26:51,960 Speaker 3: like that. Yeah, just so many people. 550 00:26:52,080 --> 00:26:55,639 Speaker 4: But then was also like making statements and making change. 551 00:26:55,840 --> 00:27:01,080 Speaker 4: It was fucking awesome. Yeah, yay, Cyrus and James blow jobs. 552 00:27:01,280 --> 00:27:03,560 Speaker 1: Yay, we'll be right back guys. 553 00:27:07,480 --> 00:27:10,160 Speaker 4: In twenty two minutes. We're on a ticking clock. She's 554 00:27:10,240 --> 00:27:13,480 Speaker 4: gonna go live. And Cyrus comes and says to Fits, 555 00:27:13,520 --> 00:27:15,760 Speaker 4: there's a newsman in front of Blairhouse and Melli will 556 00:27:15,880 --> 00:27:18,600 Speaker 4: go live, and so you need to like tell the 557 00:27:18,680 --> 00:27:19,920 Speaker 4: woman you love. 558 00:27:20,359 --> 00:27:21,359 Speaker 3: That you're in it with her. 559 00:27:21,800 --> 00:27:24,080 Speaker 4: And so all of a sudden, Fits is like, get 560 00:27:24,119 --> 00:27:26,640 Speaker 4: me my jacket, you know, get me the cars, get 561 00:27:26,720 --> 00:27:28,520 Speaker 4: me the fucking security. 562 00:27:28,680 --> 00:27:30,280 Speaker 3: Let's go. And you kind of think he's going to 563 00:27:30,280 --> 00:27:32,000 Speaker 3: Blairhouse to make it better for Melly. 564 00:27:31,800 --> 00:27:32,600 Speaker 1: And yeah, you do. 565 00:27:34,160 --> 00:27:35,359 Speaker 3: Noe, Nope, nope. 566 00:27:35,720 --> 00:27:39,520 Speaker 4: He shows up at Olivia's apartment and tells Jake get 567 00:27:39,560 --> 00:27:40,360 Speaker 4: the fuck out of here. 568 00:27:40,840 --> 00:27:43,199 Speaker 1: Fuck out of here. You done, you finished it, your 569 00:27:43,280 --> 00:27:44,080 Speaker 1: job is done. 570 00:27:44,440 --> 00:27:47,200 Speaker 3: Thanks for covering the post. I'll take it from here. 571 00:27:47,560 --> 00:27:52,280 Speaker 1: Yeah, and Jake leaves and Olivia opens that door and 572 00:27:52,359 --> 00:27:54,119 Speaker 1: she's like, what is it, what is happening? What are 573 00:27:54,160 --> 00:27:56,200 Speaker 1: you doing here? And he just he walks right in. 574 00:27:56,320 --> 00:27:58,399 Speaker 1: Did you notice he just walks into her apartment. He 575 00:27:58,400 --> 00:27:59,639 Speaker 1: didn't even wait for her to invite her. 576 00:27:59,680 --> 00:28:02,560 Speaker 4: In such swag he wants write in and she goes, 577 00:28:02,600 --> 00:28:04,040 Speaker 4: what are you doing here? You have twenty two minutes 578 00:28:04,040 --> 00:28:05,960 Speaker 4: you could still say this. You could save your political career. 579 00:28:06,000 --> 00:28:07,600 Speaker 4: You have no way that you're gonna get reelected for 580 00:28:07,680 --> 00:28:08,240 Speaker 4: a second term. 581 00:28:08,440 --> 00:28:10,399 Speaker 3: What the fuck are you doing? And he's like, I 582 00:28:10,640 --> 00:28:14,080 Speaker 3: want you to watch me choose you. 583 00:28:14,480 --> 00:28:19,280 Speaker 4: Yes, we're gonna watch me earn you together, I think, 584 00:28:19,359 --> 00:28:21,040 Speaker 4: And he says the most beautiful lines. 585 00:28:21,119 --> 00:28:22,600 Speaker 3: God so here McGee. 586 00:28:22,280 --> 00:28:25,360 Speaker 1: Wrote the Ship's Right. I love him, but he says. 587 00:28:25,240 --> 00:28:29,400 Speaker 4: These lines like I think you're scared that I don't. 588 00:28:29,880 --> 00:28:34,040 Speaker 4: That is something like I love you more than the presidency. Yeah, 589 00:28:34,040 --> 00:28:36,320 Speaker 4: I don't give a fuck about Rihan getting re elected. 590 00:28:36,440 --> 00:28:38,000 Speaker 4: I love you more than all of it. 591 00:28:38,240 --> 00:28:40,200 Speaker 3: It's so good. 592 00:28:40,600 --> 00:28:42,800 Speaker 1: And he also sort of alludes to the fact he's like, 593 00:28:42,840 --> 00:28:44,480 Speaker 1: I don't I don't think you. I don't think you 594 00:28:44,600 --> 00:28:47,360 Speaker 1: believe that I was actually that I'm gonna do this, 595 00:28:47,520 --> 00:28:50,680 Speaker 1: that I that you mean more to me than my 596 00:28:50,920 --> 00:28:53,600 Speaker 1: job than the presidency, because you do, and I'm gonna 597 00:28:53,640 --> 00:28:57,040 Speaker 1: show you. I'm gonna see that, You're gonna earn you. 598 00:28:58,200 --> 00:29:01,520 Speaker 1: I wonder if Olivia was like, oh shit, goddamn, maybe 599 00:29:01,600 --> 00:29:03,720 Speaker 1: I don't Maybe I don't want to be earned, you 600 00:29:03,840 --> 00:29:04,280 Speaker 1: know what I mean. 601 00:29:04,480 --> 00:29:06,280 Speaker 3: Sure, I'm sure she was terrified. I'm sure. I mean 602 00:29:06,280 --> 00:29:06,800 Speaker 3: I could see. 603 00:29:06,960 --> 00:29:09,760 Speaker 1: Yeah, that would change her whole trajectory in her life. Right, 604 00:29:09,920 --> 00:29:12,120 Speaker 1: that's right, she wouldn't be able to be Olivia Pope anymore. 605 00:29:12,160 --> 00:29:13,360 Speaker 1: Probably most likely. 606 00:29:14,000 --> 00:29:15,800 Speaker 3: No, they're supposed to go to Vermont and make jam 607 00:29:15,960 --> 00:29:16,880 Speaker 3: yet she can't have a job. 608 00:29:17,320 --> 00:29:19,280 Speaker 4: Yeah, But she's sitting on a chair and he's sitting 609 00:29:19,280 --> 00:29:22,080 Speaker 4: on the couch, and they have this clock, this sheaic ass, 610 00:29:22,120 --> 00:29:24,719 Speaker 4: little white fucking clock from her apartment that no one 611 00:29:24,760 --> 00:29:25,960 Speaker 4: could even see the time, but they. 612 00:29:26,200 --> 00:29:29,040 Speaker 3: They put it on her table to sort of watch 613 00:29:29,080 --> 00:29:29,760 Speaker 3: the clock run out. 614 00:29:29,760 --> 00:29:31,480 Speaker 4: And at the same time, they're cutting back and forth 615 00:29:31,560 --> 00:29:34,320 Speaker 4: between Mellie, who's also watching the clock run out, and 616 00:29:34,520 --> 00:29:39,120 Speaker 4: she's realizing he's not going to come, and he doesn't 617 00:29:39,200 --> 00:29:39,880 Speaker 4: fucking care. 618 00:29:40,240 --> 00:29:45,040 Speaker 1: Yeah. I love seeing him so like relaxed and fucking 619 00:29:45,280 --> 00:29:47,960 Speaker 1: he's such a stud in these scenes, like he's just like, 620 00:29:48,400 --> 00:29:51,040 Speaker 1: I don't give a fuck. You're my girl, and I 621 00:29:51,120 --> 00:29:54,320 Speaker 1: don't give a fuck. Who knows it. It's so ice. 622 00:29:54,840 --> 00:29:56,920 Speaker 4: They have moments where she her eyes are welling up. 623 00:29:56,960 --> 00:29:58,960 Speaker 4: There are moments where he's sitting cross legged with his 624 00:29:59,280 --> 00:30:01,000 Speaker 4: mouth in front of his hand, in front of his mouth. 625 00:30:01,080 --> 00:30:04,120 Speaker 4: He's got like a little smile, a little snicker, like 626 00:30:04,280 --> 00:30:07,200 Speaker 4: it's so hot and so fucking great. 627 00:30:07,240 --> 00:30:09,200 Speaker 3: And it's a long time. 628 00:30:09,320 --> 00:30:11,920 Speaker 4: They give us cutting between Melly and Olivia and fits 629 00:30:11,960 --> 00:30:14,920 Speaker 4: and the song that's playing is what is that song? 630 00:30:14,960 --> 00:30:18,080 Speaker 1: I was gonna ask you, Oh fuck, it's so good. 631 00:30:18,360 --> 00:30:23,480 Speaker 1: Your all, honey, that's it? 632 00:30:23,800 --> 00:30:27,720 Speaker 5: Get bite And then he goes like, sweet morning, dude, 633 00:30:29,280 --> 00:30:33,040 Speaker 5: look at you. And it was playing to see you 634 00:30:33,320 --> 00:30:34,560 Speaker 5: are my destiny. 635 00:30:34,920 --> 00:30:44,120 Speaker 3: It's ridiculous, it's perfect. There's no no as you know, 636 00:30:47,280 --> 00:30:48,240 Speaker 3: your money. 637 00:30:48,880 --> 00:30:51,920 Speaker 1: It just gives this extra life to that scene. 638 00:30:53,040 --> 00:30:57,080 Speaker 3: Its sound supervising to the fucking max. 639 00:30:57,160 --> 00:31:01,480 Speaker 4: It's perfect, scandal, it's everything, it's absolutely everything. 640 00:31:02,320 --> 00:31:04,560 Speaker 3: And the clock runs out. 641 00:31:05,080 --> 00:31:06,160 Speaker 1: It runs out, yo. 642 00:31:06,840 --> 00:31:09,480 Speaker 4: And we don't know what's going to happen because it's 643 00:31:09,560 --> 00:31:11,959 Speaker 4: almost so amazing, but the clock runs out, and you're right, 644 00:31:12,080 --> 00:31:16,600 Speaker 4: we don't know if Olivia is going to choose him. Yeah, 645 00:31:17,120 --> 00:31:21,800 Speaker 4: like he chose her over his political career, but she 646 00:31:22,520 --> 00:31:25,640 Speaker 4: hasn't said anything, and we don't know if he just 647 00:31:25,720 --> 00:31:28,760 Speaker 4: committed political suicide, like and he's and it's gonna be 648 00:31:28,760 --> 00:31:29,680 Speaker 4: reciprocated or not. 649 00:31:29,960 --> 00:31:32,680 Speaker 1: Exactly yeah, exactly. 650 00:31:32,280 --> 00:31:33,680 Speaker 3: Yeah start kissing. 651 00:31:34,160 --> 00:31:38,360 Speaker 1: Oh man, They're like, yeah, this is a hot ass 652 00:31:38,480 --> 00:31:41,480 Speaker 1: sex scene. I mean, there's a million hot sex scenes 653 00:31:41,520 --> 00:31:46,520 Speaker 1: with Olivian fits, but this one is particularly just super steamy. Man, 654 00:31:46,680 --> 00:31:47,560 Speaker 1: and then and. 655 00:31:47,640 --> 00:31:50,720 Speaker 4: Then this one and all Tony's also directing it, and 656 00:31:50,840 --> 00:31:52,080 Speaker 4: he's directing that ship. 657 00:31:53,200 --> 00:31:56,680 Speaker 1: Yo, how do you do that shit? Wait? I wonder 658 00:31:56,720 --> 00:31:59,800 Speaker 1: if the ad like our ad if because as a 659 00:32:00,000 --> 00:32:02,640 Speaker 1: director I would, and an actor I would. I mean 660 00:32:02,640 --> 00:32:04,840 Speaker 1: I've never acted in the film I directed. I didn't act, 661 00:32:04,880 --> 00:32:06,320 Speaker 1: and so I don't know, but I feel like I 662 00:32:06,360 --> 00:32:08,120 Speaker 1: would tell the ad. Look, if you feel like we 663 00:32:08,240 --> 00:32:11,400 Speaker 1: got it, you call cut, you know what I mean? Like, 664 00:32:11,480 --> 00:32:14,200 Speaker 1: I wonder how that worked, how Tony works that, or 665 00:32:14,240 --> 00:32:15,960 Speaker 1: if he's like in the middle of the scene, like 666 00:32:16,560 --> 00:32:18,640 Speaker 1: you know, making out with Olivia and he cuts him. 667 00:32:18,920 --> 00:32:20,800 Speaker 1: He says himself, Okay, I think we got it. 668 00:32:21,440 --> 00:32:23,320 Speaker 4: Do you know what I mean, yeah, I think I 669 00:32:23,840 --> 00:32:27,120 Speaker 4: think they must have let it lie, probably with Oliver 670 00:32:27,400 --> 00:32:27,880 Speaker 4: our DP. 671 00:32:28,360 --> 00:32:33,240 Speaker 3: Yeah, I think probably Oliver and the first a D. 672 00:32:33,560 --> 00:32:35,640 Speaker 4: Like, you know, Tony would probably go talk to Oliver 673 00:32:35,720 --> 00:32:37,000 Speaker 4: and be like, hey, let me know, like if I 674 00:32:37,080 --> 00:32:38,920 Speaker 4: need to move or we're not getting it right, or 675 00:32:39,000 --> 00:32:41,120 Speaker 4: like the shots not lined up. You know, they probably 676 00:32:41,240 --> 00:32:44,280 Speaker 4: were pretty and Oliver had directed a bunch of scannels himself, right, 677 00:32:44,400 --> 00:32:46,040 Speaker 4: that's true. So I feel like there was probably a 678 00:32:46,120 --> 00:32:47,960 Speaker 4: lot of that going on. But then next time we 679 00:32:48,040 --> 00:32:49,680 Speaker 4: have Tony Goldwyn on, we need to ask him what 680 00:32:49,760 --> 00:32:51,600 Speaker 4: it was like directing a self in sex scenes. 681 00:32:51,960 --> 00:32:55,160 Speaker 1: Hell yeah, let me tell you something, man. He as 682 00:32:55,240 --> 00:32:58,160 Speaker 1: a director, I mean he's an amazing actor, but as 683 00:32:58,200 --> 00:33:02,240 Speaker 1: a director, what an inspiration. Man. He's this episode like 684 00:33:02,400 --> 00:33:06,560 Speaker 1: fucking sores, man. It's sores at a pace that is 685 00:33:06,760 --> 00:33:11,400 Speaker 1: high paced and energetic and fucking it's just on from 686 00:33:11,440 --> 00:33:15,480 Speaker 1: the beginning to end, like nonstops. So it's just so good. 687 00:33:15,600 --> 00:33:17,640 Speaker 1: It's the energy, it's it's I don't know if it 688 00:33:17,720 --> 00:33:20,040 Speaker 1: had to do because there was all the bird talk 689 00:33:20,120 --> 00:33:24,080 Speaker 1: in this episode and those birds are lifting us up. Yeah, 690 00:33:24,320 --> 00:33:27,560 Speaker 1: it's just so good. Tony did it? Did an amaze 691 00:33:27,600 --> 00:33:29,440 Speaker 1: a remarkable job directing, and. 692 00:33:29,520 --> 00:33:31,480 Speaker 3: We have to remember to put on the list when 693 00:33:31,480 --> 00:33:32,000 Speaker 3: he comes back. 694 00:33:32,040 --> 00:33:34,360 Speaker 4: I am really curious actually about how he directs himself 695 00:33:34,400 --> 00:33:35,960 Speaker 4: in like the sextcene, Like how does he do it? 696 00:33:36,160 --> 00:33:36,400 Speaker 3: Yeah? 697 00:33:37,200 --> 00:33:40,320 Speaker 4: So then Melli we realize she kind of looks almost 698 00:33:40,400 --> 00:33:43,920 Speaker 4: like childlike she realizes that she wasn't chosen and now 699 00:33:44,000 --> 00:33:46,560 Speaker 4: she's gonna is her balls as big as her bridges, Like, 700 00:33:46,640 --> 00:33:48,440 Speaker 4: yeah they are? Can she put her money where her 701 00:33:48,480 --> 00:33:50,280 Speaker 4: fucking mouth? And is she going to go on national 702 00:33:50,320 --> 00:33:52,560 Speaker 4: television and tell the story that her husband's been cheating 703 00:33:52,600 --> 00:33:55,360 Speaker 4: on her? And then of course none other who is 704 00:33:55,560 --> 00:33:59,680 Speaker 4: doing the interview in Blair House, fucking James Novak, who 705 00:33:59,760 --> 00:34:05,200 Speaker 4: thinks mother fucking Anderson Cooper and he's interviewing her. 706 00:34:05,360 --> 00:34:07,200 Speaker 3: And this is where Cyrus. 707 00:34:07,680 --> 00:34:12,880 Speaker 1: Who fucking but how conniving of Mellie to be like, 708 00:34:13,000 --> 00:34:16,840 Speaker 1: I'm gonna choose Cyrus's husband to be the one that 709 00:34:16,960 --> 00:34:18,200 Speaker 1: I want to interview me. 710 00:34:18,520 --> 00:34:20,640 Speaker 3: Oh she do you know what I mean? She is 711 00:34:20,719 --> 00:34:21,360 Speaker 3: a package? 712 00:34:21,480 --> 00:34:21,680 Speaker 1: Man? 713 00:34:21,960 --> 00:34:22,560 Speaker 3: I love it. 714 00:34:23,040 --> 00:34:25,920 Speaker 4: Cyrus goes fucking running as fast as his little broken 715 00:34:25,960 --> 00:34:28,480 Speaker 4: knee will take him down that hallways. 716 00:34:27,880 --> 00:34:30,080 Speaker 3: On the phone, get it off the waves, Get him 717 00:34:30,120 --> 00:34:34,480 Speaker 3: off like flapping back. He is flapping like all freaking 718 00:34:34,600 --> 00:34:36,000 Speaker 3: the fuck out. He's like screaming. 719 00:34:36,320 --> 00:34:38,719 Speaker 4: It's always so great because you always feel like he 720 00:34:39,000 --> 00:34:40,480 Speaker 4: is on the version of having a heart attack. 721 00:34:40,600 --> 00:34:44,320 Speaker 1: Oh every single time, every time, every time. 722 00:34:44,160 --> 00:34:46,080 Speaker 3: He feels like he's gonna have a heart attack. It's 723 00:34:46,280 --> 00:34:47,040 Speaker 3: so funny. 724 00:34:47,719 --> 00:34:50,800 Speaker 1: And then he finds himself there in the interview, you know, 725 00:34:51,320 --> 00:34:55,160 Speaker 1: behind the camera obviously, and he's just you could just 726 00:34:55,239 --> 00:34:58,279 Speaker 1: see the frustration and the desperation of wanting to just 727 00:34:58,680 --> 00:35:01,600 Speaker 1: run in there and snap that's James right out of 728 00:35:01,640 --> 00:35:03,799 Speaker 1: that fucking interview or chair and get him out of there. 729 00:35:04,120 --> 00:35:05,080 Speaker 1: He is so mad. 730 00:35:05,400 --> 00:35:07,080 Speaker 3: Yes, and Melly does it. 731 00:35:07,480 --> 00:35:11,319 Speaker 4: She says a national television that Fits her marriage has 732 00:35:11,400 --> 00:35:13,840 Speaker 4: been in trouble and that Fits was having an affair. 733 00:35:14,160 --> 00:35:17,000 Speaker 4: And the whole time Melly's saying that Fitz is having 734 00:35:17,000 --> 00:35:21,560 Speaker 4: an affair. Live and Fits are just banging in her apartment. 735 00:35:21,640 --> 00:35:24,800 Speaker 4: It's just cutting back and forth between the cyrus, blood 736 00:35:24,880 --> 00:35:29,440 Speaker 4: boiling James interviewing Melly, Melly telling the American people, and 737 00:35:29,640 --> 00:35:32,080 Speaker 4: Fits and Live are just Phonetown, USA. 738 00:35:32,440 --> 00:35:37,200 Speaker 1: I Also, this is my favorite hair on on on Live. 739 00:35:37,520 --> 00:35:38,600 Speaker 1: It's really nice. 740 00:35:38,680 --> 00:35:41,680 Speaker 4: Very last scene of the episode, it's pressing in the shower, yeah, 741 00:35:42,600 --> 00:35:44,560 Speaker 4: well that one, and also when it's when after in 742 00:35:44,640 --> 00:35:46,520 Speaker 4: the shower, because then you see it curly, which is 743 00:35:46,600 --> 00:35:47,279 Speaker 4: beautiful too. 744 00:35:47,480 --> 00:35:50,080 Speaker 1: Yes. Oh, and then you see that after all that sex, 745 00:35:50,120 --> 00:35:52,839 Speaker 1: they're in the shower. I bet they You think they 746 00:35:53,000 --> 00:35:55,480 Speaker 1: ordered some really good food after they had sex. Probably right, 747 00:35:55,960 --> 00:35:56,319 Speaker 1: I would have. 748 00:35:56,320 --> 00:36:01,520 Speaker 4: Been stopping a stash them calories so delicious. Although, to 749 00:36:01,640 --> 00:36:04,000 Speaker 4: be honest, when you're like first having sex with someone, 750 00:36:04,120 --> 00:36:07,359 Speaker 4: I just feel like you like, never eat, right, You're 751 00:36:07,440 --> 00:36:08,400 Speaker 4: just like so scared you're. 752 00:36:08,239 --> 00:36:11,120 Speaker 1: Gonna f yeah exactly, or have to use the bathroom. 753 00:36:11,200 --> 00:36:12,840 Speaker 1: You're like, hell no, yeah, hell no. 754 00:36:13,239 --> 00:36:15,160 Speaker 4: Although I think Olivia and Fits have been fucking for 755 00:36:15,239 --> 00:36:16,600 Speaker 4: a very long time, so maybe they're past that. 756 00:36:16,600 --> 00:36:17,760 Speaker 3: Maybe they are ordering Chinese. 757 00:36:17,960 --> 00:36:19,600 Speaker 1: Yeah, I think they might be past that. 758 00:36:19,920 --> 00:36:21,680 Speaker 4: So the end of the very end of the episode, 759 00:36:22,000 --> 00:36:25,279 Speaker 4: Mellie's unleash the beast. She's total the American people and 760 00:36:25,440 --> 00:36:29,080 Speaker 4: we and Olivia and Fits have finally maybe tired out slightly, 761 00:36:29,239 --> 00:36:31,440 Speaker 4: but they're going to clean themselves up from all those. 762 00:36:31,480 --> 00:36:32,279 Speaker 3: Juices and. 763 00:36:34,280 --> 00:36:38,239 Speaker 4: They're gonna They're in Olivia's shower and it's so beautiful 764 00:36:38,360 --> 00:36:42,120 Speaker 4: to see Carrie's hair wet, Olivia's hair wet and curly, 765 00:36:42,480 --> 00:36:44,359 Speaker 4: and they both have no makeup and they are both 766 00:36:44,400 --> 00:36:45,759 Speaker 4: in the shower and they both just look at each 767 00:36:45,760 --> 00:36:48,239 Speaker 4: other and he says hi and she says hi. 768 00:36:49,000 --> 00:36:53,319 Speaker 1: Oh man. We also we we we forgot to mention 769 00:36:53,480 --> 00:36:59,959 Speaker 1: that pop up hope pops up in this episode to remember, oh. 770 00:37:00,080 --> 00:37:00,560 Speaker 3: I got well. 771 00:37:00,640 --> 00:37:05,160 Speaker 4: We learn also before the sex montage, really quick, is 772 00:37:05,280 --> 00:37:09,120 Speaker 4: that Charlie? We think Cyrus is the mole, but we 773 00:37:09,480 --> 00:37:12,040 Speaker 4: the OPA team puts two and two together, like, holy shit, 774 00:37:12,160 --> 00:37:15,600 Speaker 4: if Charlie was fucking that stenographer for her information on Defiance, 775 00:37:15,640 --> 00:37:16,880 Speaker 4: then it's not linked to Cyrus. 776 00:37:17,160 --> 00:37:21,279 Speaker 3: Cyrus Defiant, Yeah, Like who is Charlie working for? What 777 00:37:21,560 --> 00:37:22,239 Speaker 3: is going on? 778 00:37:22,760 --> 00:37:22,960 Speaker 1: Yeah? 779 00:37:23,760 --> 00:37:26,960 Speaker 4: And then we see fully figure out that he's been compromised. 780 00:37:27,040 --> 00:37:30,080 Speaker 4: And then we see fully walking with the mystery man 781 00:37:30,840 --> 00:37:33,359 Speaker 4: Joe Morton, and he's like, I think I've been compromised, 782 00:37:33,400 --> 00:37:36,320 Speaker 4: and Joe Morton's like, well, don't kill anybody, just keep digging, 783 00:37:37,200 --> 00:37:37,719 Speaker 4: and we're like. 784 00:37:38,000 --> 00:37:40,080 Speaker 3: Who the fuck are these two shady motherfuckers? 785 00:37:40,600 --> 00:37:42,880 Speaker 1: Fuck, So we don't know. Do you remember, Katie? I 786 00:37:42,960 --> 00:37:46,080 Speaker 1: don't fucking remember. I'm like, damn, what happened. I don't 787 00:37:46,400 --> 00:37:50,440 Speaker 1: remember who the fuck is is Charlie working for, Like, 788 00:37:50,520 --> 00:37:51,480 Speaker 1: who's he doing this for? 789 00:37:52,440 --> 00:37:54,680 Speaker 3: I think he's doing it for popa Poop. 790 00:37:55,200 --> 00:37:58,440 Speaker 1: Doing it yeah, because he's he's succeed He's. 791 00:37:58,280 --> 00:38:00,800 Speaker 3: Also I mean japis two twenty. 792 00:38:00,920 --> 00:38:03,120 Speaker 4: We have two episodes left of season two, so I'm 793 00:38:03,560 --> 00:38:05,960 Speaker 4: trusting the process that we are going to find out. 794 00:38:06,800 --> 00:38:10,879 Speaker 4: But I think it's popa Pope. I could be completely wrong, 795 00:38:11,000 --> 00:38:12,919 Speaker 4: but I think that it's popa Pope. 796 00:38:13,000 --> 00:38:14,520 Speaker 1: Well, we're going to find out soon enough. 797 00:38:14,840 --> 00:38:18,320 Speaker 4: There are a couple fun ass facts from this episode. 798 00:38:19,040 --> 00:38:21,560 Speaker 4: I was wondering this. The title of this episode comes 799 00:38:21,600 --> 00:38:25,960 Speaker 4: from the phrase hell hath no fury like a woman scorned, 800 00:38:26,520 --> 00:38:29,319 Speaker 4: which is so true, which itself is a paraphrase from 801 00:38:29,360 --> 00:38:33,160 Speaker 4: a line in William Congreve's sixty ninety seven play called 802 00:38:33,200 --> 00:38:36,920 Speaker 4: The Mourning Bride, in which the original line is heaven 803 00:38:37,080 --> 00:38:41,279 Speaker 4: has no rage like love to hatred turned, nor hell 804 00:38:41,680 --> 00:38:43,280 Speaker 4: a fury like a woman's scorn. 805 00:38:45,280 --> 00:38:48,520 Speaker 1: You like it. It's very it's very uh, it's very sick. 806 00:38:48,880 --> 00:38:51,759 Speaker 4: Yeah, but like, yeah, hell hath no fury like a 807 00:38:51,800 --> 00:38:55,280 Speaker 4: woman scorned, which is Melly up and down this episode, 808 00:38:55,719 --> 00:38:58,279 Speaker 4: and she is going to take everybody down with her. 809 00:38:59,280 --> 00:39:03,400 Speaker 4: Oh read it tell me about the the tunnels beneath 810 00:39:03,400 --> 00:39:03,919 Speaker 4: the White House. 811 00:39:03,920 --> 00:39:06,719 Speaker 1: The tunnels beneath the White House. We see Cyrus going 812 00:39:06,760 --> 00:39:09,359 Speaker 1: back and forth between Blairhouse and the White House via 813 00:39:09,480 --> 00:39:12,800 Speaker 1: an empty tunnel. There are at least two such tunnel 814 00:39:12,840 --> 00:39:15,560 Speaker 1: tunnels beneath the White House. The first tunnel, built during 815 00:39:15,719 --> 00:39:19,520 Speaker 1: World War Two as a bomb shelter, leads the basement 816 00:39:19,560 --> 00:39:22,759 Speaker 1: of the Treasury Building and eventually an unmarked exit on 817 00:39:23,120 --> 00:39:26,120 Speaker 1: h Street. The other emerges onto the South Lawn. This 818 00:39:26,239 --> 00:39:28,560 Speaker 1: is a lot of information, y'all. Yea where the president 819 00:39:29,760 --> 00:39:33,560 Speaker 1: together get right, where the President can access his helicopter 820 00:39:33,640 --> 00:39:35,840 Speaker 1: if needed. Oh shit, this is kind of dope. And 821 00:39:36,000 --> 00:39:39,000 Speaker 1: there are rumors of tunnels connecting the White House to 822 00:39:39,120 --> 00:39:43,600 Speaker 1: the Capitol, Oh shit, the Vice President, Residents Camp David, 823 00:39:43,760 --> 00:39:46,359 Speaker 1: the Pentagon, and the Blair House where we see Melly 824 00:39:46,440 --> 00:39:50,239 Speaker 1: in this episode. But these rumors are unsubstantiated, so we're 825 00:39:50,280 --> 00:39:52,880 Speaker 1: not sure about him. But that's cool, that's interesting. 826 00:39:53,080 --> 00:39:55,200 Speaker 3: Yeah, wow, this is cool too. 827 00:39:55,480 --> 00:39:59,359 Speaker 4: There's also a multi level bunker beneath the North Lawn 828 00:39:59,440 --> 00:40:03,000 Speaker 4: which was built after nine to eleven. Oh shit, good lord, 829 00:40:04,000 --> 00:40:06,480 Speaker 4: there's tons of secret shit going on underneath the White House. 830 00:40:07,800 --> 00:40:09,880 Speaker 3: Guys, before we go, we just have to do some. 831 00:40:16,600 --> 00:40:24,720 Speaker 6: Gooka cuckoo cuckoo tweetweet cuckoo tweeteet tweet, little tweety tw tweet, 832 00:40:24,840 --> 00:40:29,520 Speaker 6: little tweety tweet, little tweet tweet tweet tweet. 833 00:40:29,600 --> 00:40:32,080 Speaker 3: That was my first dance recital when I was like four. 834 00:40:33,239 --> 00:40:41,840 Speaker 3: Song he Rocks in the tree Tops song love to 835 00:40:41,920 --> 00:40:43,440 Speaker 3: hear the Robin go tweet. 836 00:40:44,680 --> 00:40:51,480 Speaker 4: Robin okay at Jay Robarts on May thir twenty thirteen, 837 00:40:52,360 --> 00:40:55,520 Speaker 4: texted at Kerry Washington, nice gig you have there, smooching 838 00:40:55,560 --> 00:40:59,680 Speaker 4: on at Scott Foley and at Tony Goldwyn. Hashtag you 839 00:40:59,760 --> 00:41:02,640 Speaker 4: want earn me? Hashtag who is the mole? Hashtag as kttle. 840 00:41:02,640 --> 00:41:05,839 Speaker 4: I mean, seriously, Carrie just had to fucking make out 841 00:41:05,880 --> 00:41:09,200 Speaker 4: with both of them with two hotties now seven years. 842 00:41:09,120 --> 00:41:12,720 Speaker 1: What a tough job, goddamn it. And then this queen, 843 00:41:13,320 --> 00:41:17,560 Speaker 1: Miss Katie Lowe's tweeted hashtag gladiators. I wish I could 844 00:41:17,600 --> 00:41:20,480 Speaker 1: have live tweeted last night's episode. First time I've missed one, 845 00:41:20,600 --> 00:41:23,120 Speaker 1: and it sooked dying to know what you thought? Were 846 00:41:23,160 --> 00:41:24,239 Speaker 1: you shooting during this time? 847 00:41:24,320 --> 00:41:26,120 Speaker 3: Probably right, we's have been shooting. 848 00:41:26,440 --> 00:41:29,080 Speaker 1: Why would I have missed whenever we don't lie, we 849 00:41:29,160 --> 00:41:31,560 Speaker 1: didn't live tweeted, it's because we were on set shooting. 850 00:41:31,960 --> 00:41:38,600 Speaker 3: Yes, okay, bye s Marie Bailey, who we know well? 851 00:41:39,000 --> 00:41:41,439 Speaker 4: Dot dot dot The big question now besides when they'll 852 00:41:41,480 --> 00:41:44,200 Speaker 4: be back in the shower dot dot dot is hashtag 853 00:41:44,280 --> 00:41:45,080 Speaker 4: who is the mole? 854 00:41:45,760 --> 00:41:49,319 Speaker 3: Good night? Hashtag gladiators. Yeah, when will they be back 855 00:41:49,360 --> 00:41:51,680 Speaker 3: in the show? Damn that shit was so high? 856 00:41:51,840 --> 00:41:56,719 Speaker 1: Hmm. Then another newbieing queen, Miss Carrie Washington, tweeted, she 857 00:41:56,840 --> 00:42:00,399 Speaker 1: was replying to somebody she said, can we please roar 858 00:42:00,520 --> 00:42:04,040 Speaker 1: for our director slash potus at Tony Goldwyn? How great 859 00:42:04,200 --> 00:42:08,600 Speaker 1: was that episode? Retweet, we tweet, we tweet retweet hashtags scandal. 860 00:42:08,800 --> 00:42:11,160 Speaker 1: She was given props to Tony Goldwin. Of course he's 861 00:42:11,280 --> 00:42:12,040 Speaker 1: their stylar. 862 00:42:12,160 --> 00:42:16,040 Speaker 4: Jib fucking Sarah McGee's writing and Tony Goldwin's directing on 863 00:42:16,120 --> 00:42:18,759 Speaker 4: this was fucking insane at Kevin Costly on May second, 864 00:42:18,760 --> 00:42:21,279 Speaker 4: twenty thirteen, tweeted, I love how at Bellamy Young can 865 00:42:21,360 --> 00:42:23,440 Speaker 4: make me hate Melly one minute and then break my 866 00:42:23,560 --> 00:42:26,560 Speaker 4: heart the next. Hashtag ass scandal hashtag scandal so. 867 00:42:26,760 --> 00:42:30,040 Speaker 1: True, so true scandal Obsessed tweeted best part of tonight 868 00:42:30,520 --> 00:42:33,799 Speaker 1: watching Fits and Olivia finally enjoy one another after years 869 00:42:33,880 --> 00:42:39,319 Speaker 1: of angst. Hashtag scandal, hashtag ass scandal, hell yeah so hot? 870 00:42:40,440 --> 00:42:45,479 Speaker 4: Last one at o T Jay wanna underscore k hashtag scandal. 871 00:42:45,520 --> 00:42:48,400 Speaker 4: ABC teaches us that lust is a powerful thing. It 872 00:42:48,600 --> 00:42:53,160 Speaker 4: may imitate love, but it is not love. Hashtag live 873 00:42:53,560 --> 00:42:54,440 Speaker 4: end fits. 874 00:42:54,600 --> 00:42:58,160 Speaker 1: What's that live and Fits? I think she tried to 875 00:42:58,239 --> 00:43:00,880 Speaker 1: do live and fits, but in sort of a you know, 876 00:43:01,000 --> 00:43:02,000 Speaker 1: a cool sort of. 877 00:43:02,120 --> 00:43:05,600 Speaker 4: Abbreciated with It's been a minute since I've had, like 878 00:43:05,760 --> 00:43:08,479 Speaker 4: really gotten with the Twitter like lingo, lingo. 879 00:43:08,560 --> 00:43:08,799 Speaker 3: Okay. 880 00:43:09,120 --> 00:43:12,360 Speaker 4: Next up, we have episode to twenty one, which was 881 00:43:12,440 --> 00:43:15,640 Speaker 4: titled any Questions Episode two twenty one. 882 00:43:15,719 --> 00:43:17,520 Speaker 3: Do you remember anything that happened to Katie? 883 00:43:17,560 --> 00:43:19,520 Speaker 1: You know what's funny When I saw that any Questions? 884 00:43:19,560 --> 00:43:21,400 Speaker 1: I thought, oh shit, are they as like, is our 885 00:43:21,440 --> 00:43:23,520 Speaker 1: producer asking us if we have any questions about to 886 00:43:23,600 --> 00:43:26,120 Speaker 1: twenty one? It was called any Questions? Oh shit, I 887 00:43:26,200 --> 00:43:28,560 Speaker 1: have no idea what the fuck that episode was about. 888 00:43:28,560 --> 00:43:31,640 Speaker 3: I was called any questions unless anybody have any questions? 889 00:43:31,719 --> 00:43:35,080 Speaker 4: But holy shit, we are We are gearing up for 890 00:43:35,200 --> 00:43:38,840 Speaker 4: the last two episodes of season two of Unpacking the Toolbox. 891 00:43:38,960 --> 00:43:42,520 Speaker 1: And God, this has been It feels like it's flown 892 00:43:42,960 --> 00:43:45,719 Speaker 1: by like it was. It's been so exciting and so 893 00:43:45,920 --> 00:43:48,920 Speaker 1: much fun. I can't wait till next season. 894 00:43:49,520 --> 00:43:49,560 Speaker 2: Me. 895 00:43:49,680 --> 00:43:50,719 Speaker 1: We ain't even done with this. 896 00:43:50,840 --> 00:43:53,839 Speaker 3: One, I know, And I can't wait to see who 897 00:43:53,920 --> 00:43:55,160 Speaker 3: the fuck Charlie is working for? 898 00:43:55,440 --> 00:43:58,360 Speaker 4: Who the f mole is? What happens now that the 899 00:43:58,400 --> 00:44:01,399 Speaker 4: whole country knows it's just cheating on list? 900 00:44:01,480 --> 00:44:03,480 Speaker 1: It fits? And Olivia gonna get back in that shower, 901 00:44:04,160 --> 00:44:06,040 Speaker 1: Like these are important questions, y'all. 902 00:44:06,440 --> 00:44:08,120 Speaker 4: Yeah, if you want the answers and to hear all 903 00:44:08,160 --> 00:44:10,279 Speaker 4: the behind the scenes hot gos, listen to Unpacking the 904 00:44:10,360 --> 00:44:13,040 Speaker 4: Toolbox with Giero Diz and Katie Lows. 905 00:44:13,120 --> 00:44:14,600 Speaker 1: And if you want to hear it in Spanish, is 906 00:44:14,920 --> 00:44:19,759 Speaker 1: this ramienta that's unpacking. I'm gonna teach you how to 907 00:44:19,800 --> 00:44:21,719 Speaker 1: say that by the end of this what we have 908 00:44:21,880 --> 00:44:25,279 Speaker 1: like just a couple of more episodes, But by next 909 00:44:25,400 --> 00:44:27,719 Speaker 1: season you're gonna you're gonna be able to say this 910 00:44:30,080 --> 00:44:31,280 Speaker 1: Unpacking the Toolbox. 911 00:44:31,800 --> 00:44:40,120 Speaker 3: How about this? Ask up, audios, gladioris I have to ask. 912 00:44:40,200 --> 00:44:41,960 Speaker 1: I'm gonna call my mom later and ask her, how 913 00:44:42,000 --> 00:44:43,960 Speaker 1: do you say gladiators in Spanish, I don't. 914 00:44:43,840 --> 00:44:46,759 Speaker 3: Know gladios adios. 915 00:44:53,320 --> 00:45:00,840 Speaker 1: And we love you. Bye bye. Thank you guys for 916 00:45:01,000 --> 00:45:04,719 Speaker 1: joining us on Unpacking the Toolbox. If you enjoyed the show, 917 00:45:04,800 --> 00:45:07,960 Speaker 1: please subscribe, share with your friends, rate, or leave us 918 00:45:07,960 --> 00:45:08,360 Speaker 1: a review. 919 00:45:08,560 --> 00:45:12,480 Speaker 4: Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan, 920 00:45:12,800 --> 00:45:16,520 Speaker 4: Tyler Klang, and Gabrielle Collins. Our producer and editor is 921 00:45:16,640 --> 00:45:20,239 Speaker 4: Vince de Johnny, with music by Chad Fisher. Unpacking the 922 00:45:20,280 --> 00:45:23,560 Speaker 4: Toolbox is a production of Shondaland Audio in partnership with iHeartRadio. 923 00:45:23,960 --> 00:45:27,479 Speaker 4: For more podcasts from Shondaland Audio, visit the iHeartRadio app 924 00:45:27,560 --> 00:45:29,680 Speaker 4: or anywhere you subscribe to your favorite shows.