1 00:00:00,760 --> 00:00:18,040 Speaker 1: I am all in. Oh, I am all in with 2 00:00:18,120 --> 00:00:22,560 Speaker 1: Scott Patterson and I heart radio podcast. Hey everybody, Scott Patterson, 3 00:00:22,640 --> 00:00:25,119 Speaker 1: I am all in podcast. We are here with the 4 00:00:25,200 --> 00:00:32,640 Speaker 1: intrepid team of Tara sud Daniel Romo, Amy Sugarman. Yes, 5 00:00:33,320 --> 00:00:37,680 Speaker 1: I just realized something. What did you just realize? Your home? Yes? 6 00:00:37,880 --> 00:00:41,199 Speaker 1: See the see that I'm bom and I'm happy and 7 00:00:41,240 --> 00:00:46,000 Speaker 1: I'm I'm I'm home baby, And oh my god, yes, 8 00:00:46,479 --> 00:00:48,559 Speaker 1: I woke up this morning. I cooked my son of 9 00:00:48,960 --> 00:00:53,880 Speaker 1: an omelet with peppers and cheese and green onions in 10 00:00:53,920 --> 00:00:57,320 Speaker 1: the whole deal. Yes, for anyone who's late to the party. 11 00:00:57,720 --> 00:01:01,480 Speaker 1: Scott has been in Canada for like three months, four months, 12 00:01:01,600 --> 00:01:07,000 Speaker 1: four months, oh my god, four solid months, and I 13 00:01:07,080 --> 00:01:13,679 Speaker 1: was in a word, two words, losing it man. And 14 00:01:13,760 --> 00:01:17,160 Speaker 1: I think you guys could tell right. I mean, you 15 00:01:17,240 --> 00:01:20,480 Speaker 1: were great, But so have you not been? Have you 16 00:01:20,520 --> 00:01:22,399 Speaker 1: not slept in your own bed for four months? Four 17 00:01:22,440 --> 00:01:26,800 Speaker 1: since June seven? Oh my god? And now I'm in 18 00:01:26,880 --> 00:01:29,759 Speaker 1: my bed and I am sleeping like a two year 19 00:01:29,800 --> 00:01:34,680 Speaker 1: old baby. I'm snoozing away. Oh man, thank you. It's 20 00:01:34,680 --> 00:01:37,400 Speaker 1: good to be back in Cali. I gotta tell you, 21 00:01:37,680 --> 00:01:41,399 Speaker 1: it's really good. Isn't that weird? Like you know, you 22 00:01:41,400 --> 00:01:43,520 Speaker 1: you take it for granted, and then you leave for 23 00:01:43,560 --> 00:01:46,760 Speaker 1: a while, you come back and you're like, wow, Cali man, 24 00:01:47,000 --> 00:01:49,560 Speaker 1: love it. Danielle likes to travel. I don't like to 25 00:01:49,600 --> 00:01:53,040 Speaker 1: try love it. I love to travel too, but not 26 00:01:53,160 --> 00:01:57,840 Speaker 1: for four months at a time. That's tough. Days is good, 27 00:01:57,840 --> 00:01:59,640 Speaker 1: and then I will be back in my bed. Yeah. 28 00:02:00,280 --> 00:02:02,440 Speaker 1: And also not for leisure, like you weren't you were 29 00:02:02,480 --> 00:02:05,160 Speaker 1: going to work, you know, like, not for like I 30 00:02:05,160 --> 00:02:08,960 Speaker 1: want to explore Europe. That's a different four months than 31 00:02:09,080 --> 00:02:12,320 Speaker 1: I have to go somewhere in one spot and just work. 32 00:02:12,800 --> 00:02:21,200 Speaker 1: You mean, like Rory and Lorela, I didn't around. But 33 00:02:21,440 --> 00:02:25,520 Speaker 1: it's it's so great to be home. I thank you. 34 00:02:25,600 --> 00:02:29,520 Speaker 1: It's thanks for having me back. I appreciate being allowed 35 00:02:29,560 --> 00:02:32,679 Speaker 1: back into California because I know it's up to you guys, right, 36 00:02:32,840 --> 00:02:38,320 Speaker 1: Yeah we made it, but I had bigger people on 37 00:02:38,400 --> 00:02:42,600 Speaker 1: my size and your home for this talk about this 38 00:02:42,639 --> 00:02:47,040 Speaker 1: episode and let's I got a couple of questions. Alright, 39 00:02:47,080 --> 00:02:50,800 Speaker 1: So so Daniel you want to you want to sit up? Signs? Yeah, 40 00:02:50,840 --> 00:02:53,800 Speaker 1: go ahead and spign go ahead and Daniel with the 41 00:02:53,800 --> 00:02:56,320 Speaker 1: floor is yours? Daniel Roma ladies and Gentlemen, I Got You, 42 00:02:56,520 --> 00:03:00,959 Speaker 1: Season four, Episode four, Chicken or Beef Air Day, October 43 00:03:01,680 --> 00:03:05,120 Speaker 1: two thousand three, Back and stars hollowed for the weekend, 44 00:03:05,200 --> 00:03:08,160 Speaker 1: Rory runs into Dean, who awkwardly invites her to his 45 00:03:08,200 --> 00:03:11,520 Speaker 1: wedding the next day. During his bachelor party that night, 46 00:03:11,600 --> 00:03:17,240 Speaker 1: Dean stumbles into Luke Steiner and drunkenly confesses to missing Rory. Meanwhile, 47 00:03:17,400 --> 00:03:19,920 Speaker 1: while trying to get construction started on the new dragonflight 48 00:03:19,960 --> 00:03:23,320 Speaker 1: in lor La and Suki are driven crazy by Taylor, 49 00:03:23,400 --> 00:03:26,800 Speaker 1: who controls the perfit procedures for every building in town. 50 00:03:27,760 --> 00:03:32,120 Speaker 1: So um, thank you, Danielle. Here's what I have to 51 00:03:32,200 --> 00:03:34,880 Speaker 1: say this is, you know, I had a lot of 52 00:03:34,960 --> 00:03:37,320 Speaker 1: questions about this episode as I was watching it. When 53 00:03:37,360 --> 00:03:39,240 Speaker 1: I finished it, and so I went back and I 54 00:03:39,280 --> 00:03:41,240 Speaker 1: looked at was there a new DP, because we went 55 00:03:41,240 --> 00:03:44,520 Speaker 1: through a couple of different dps, directors of photographers, cinematography 56 00:03:44,640 --> 00:03:47,080 Speaker 1: looked it kind of looked different. It looked a little flat. 57 00:03:47,400 --> 00:03:49,760 Speaker 1: Something was off, and I didn't know what. I couldn't 58 00:03:49,800 --> 00:03:51,760 Speaker 1: quite put my finger on it. Whether it was script 59 00:03:51,880 --> 00:03:54,720 Speaker 1: or acting or lighting or whatever it was. But it 60 00:03:54,760 --> 00:03:57,880 Speaker 1: didn't feel like the show I had fallen in love 61 00:03:57,920 --> 00:04:00,920 Speaker 1: with um. And I know Chris Long directed it and 62 00:04:01,000 --> 00:04:05,520 Speaker 1: he's brilliant. Love Chris Long. Um, it's a new writer. 63 00:04:05,680 --> 00:04:11,200 Speaker 1: Jane Eppenson S S sorry Jane Espenson, UM, who's a 64 00:04:11,280 --> 00:04:16,039 Speaker 1: terrific writer. Um. But the opening for me, I gotta 65 00:04:16,080 --> 00:04:23,000 Speaker 1: tell you annoyed like an alarm. Uh the thing that is, 66 00:04:23,279 --> 00:04:26,719 Speaker 1: you know, it's like telephones ringing in scenes bug me 67 00:04:26,960 --> 00:04:30,280 Speaker 1: and uh, this alarm thing. And I just thought, boy, 68 00:04:30,360 --> 00:04:33,320 Speaker 1: this is not you know, why are they annoying intentionally 69 00:04:33,360 --> 00:04:35,480 Speaker 1: annoying the audience trying to make a joke. I didn't 70 00:04:35,480 --> 00:04:37,080 Speaker 1: think it was funny. Amy, how do you feel You're 71 00:04:37,120 --> 00:04:40,280 Speaker 1: obviously you're gesticulating over there. So I'm always so happy 72 00:04:40,400 --> 00:04:43,280 Speaker 1: that I am not alone. So, and I know we're 73 00:04:43,279 --> 00:04:47,200 Speaker 1: going to get hateful comments, but I have to say, 74 00:04:47,320 --> 00:04:52,120 Speaker 1: and I really am curious what you guys. Alexis or Rory, 75 00:04:52,200 --> 00:04:58,080 Speaker 1: I'm not sure which seemed weird for me? I was like, 76 00:04:58,240 --> 00:05:00,840 Speaker 1: what is this an imposter? What is going on? Did 77 00:05:00,880 --> 00:05:07,599 Speaker 1: anyone else? I thought? Because my Alex freaking went off, 78 00:05:09,279 --> 00:05:16,080 Speaker 1: I heard it, let it go? Did you just tell 79 00:05:16,080 --> 00:05:21,039 Speaker 1: her to shut up? An? So I'm just gonna have 80 00:05:21,080 --> 00:05:26,440 Speaker 1: to call her a because exactly, so okay, so I 81 00:05:26,560 --> 00:05:29,320 Speaker 1: did nobody. I was like, what is going I was 82 00:05:29,360 --> 00:05:32,440 Speaker 1: having it out of body experience watching this. I didn't 83 00:05:32,480 --> 00:05:35,719 Speaker 1: know what was going on. It was very true. It 84 00:05:35,800 --> 00:05:43,080 Speaker 1: was very true to this episode to us Amy Scott 85 00:05:43,200 --> 00:05:47,480 Speaker 1: versus Tara and Danielle go. I don't even know if 86 00:05:47,520 --> 00:05:50,320 Speaker 1: I have like a rationale. I just thought I was 87 00:05:50,360 --> 00:05:54,559 Speaker 1: fully entertained the entire time. I loved it so much. 88 00:05:54,640 --> 00:05:57,039 Speaker 1: I thought it was so such a great episode. I 89 00:05:57,080 --> 00:05:59,640 Speaker 1: loved all the Dean stuff. Maybe I'm just team Dean. 90 00:05:59,720 --> 00:06:02,360 Speaker 1: I don't know, but I do like it. I like 91 00:06:02,520 --> 00:06:07,719 Speaker 1: the episode. I just thought Rory was off or Rory 92 00:06:07,880 --> 00:06:10,240 Speaker 1: do you think it was? Was it the haircut? Was 93 00:06:10,240 --> 00:06:12,960 Speaker 1: gonna say it? Was it the haircut? She seems we 94 00:06:13,000 --> 00:06:15,520 Speaker 1: have a college girl on our hands. Now she's going 95 00:06:15,560 --> 00:06:17,599 Speaker 1: to have different hair, She's gonna have a different way. 96 00:06:17,640 --> 00:06:23,560 Speaker 1: She walks different clothes like she acted like and it's 97 00:06:23,720 --> 00:06:26,960 Speaker 1: and that's a different way. She doesn't really need her 98 00:06:27,080 --> 00:06:30,880 Speaker 1: mom that much anymore, which has kind of broken the 99 00:06:30,880 --> 00:06:33,880 Speaker 1: the narrative of the show somewhat. One of the main 100 00:06:33,960 --> 00:06:39,040 Speaker 1: themes of the show is Laurela protecting her daughter, driving 101 00:06:39,080 --> 00:06:42,760 Speaker 1: her daughter crazy, teaching her daughter, getting angry at her daughter, 102 00:06:42,880 --> 00:06:45,600 Speaker 1: loving her daughter, all of that stuff. And she has 103 00:06:45,640 --> 00:06:47,279 Speaker 1: long hair. Now she has short hair. She doesn't need 104 00:06:47,320 --> 00:06:49,800 Speaker 1: her mom so much anymore. So what are we in 105 00:06:49,960 --> 00:06:53,240 Speaker 1: for here now? Now? The complaint that was that that 106 00:06:53,360 --> 00:06:56,080 Speaker 1: I lodged last episode. You can't take it out of 107 00:06:56,120 --> 00:06:58,080 Speaker 1: starshow Now we're back in stars Hollow with all the 108 00:06:58,160 --> 00:07:02,200 Speaker 1: characters right, the full rainbow, the full plethora of characters here. 109 00:07:02,400 --> 00:07:04,880 Speaker 1: Yet it still seemed flat for some reason, with the 110 00:07:04,960 --> 00:07:07,080 Speaker 1: short hair, the alarms, you know, it was kind of 111 00:07:07,160 --> 00:07:09,560 Speaker 1: kind of annoying. Alarm was bad. You know why? I 112 00:07:09,600 --> 00:07:11,960 Speaker 1: think so, mate, because I thought the second half of 113 00:07:11,960 --> 00:07:15,360 Speaker 1: the episode it seemed more normal. Maybe it was the 114 00:07:15,400 --> 00:07:19,040 Speaker 1: alarm because they had to sort of yell, and I 115 00:07:19,120 --> 00:07:22,880 Speaker 1: was just like, this is and I love everything, but 116 00:07:22,960 --> 00:07:25,760 Speaker 1: I'm like the yelling and it it was weird acting, 117 00:07:25,920 --> 00:07:29,200 Speaker 1: Like you know, I wrote my notes, this is about 118 00:07:29,240 --> 00:07:33,520 Speaker 1: ten songs short of a bad musical. You know what 119 00:07:33,520 --> 00:07:36,880 Speaker 1: I'm saying. It's like, why are they everybody? The acting 120 00:07:36,960 --> 00:07:40,880 Speaker 1: was so stilted. It was over the top. Everybody's shouting, shouting, shouting, 121 00:07:40,920 --> 00:07:44,880 Speaker 1: even after even after the alarm stopped. Okay, I need 122 00:07:44,920 --> 00:07:47,440 Speaker 1: some backup Tara, why did you like it? I liked 123 00:07:47,440 --> 00:07:50,520 Speaker 1: it because it's like everything that Scott said he wanted 124 00:07:50,640 --> 00:07:53,600 Speaker 1: from Stars Hollow. You got that quirkiness back. You have 125 00:07:53,720 --> 00:07:55,720 Speaker 1: the post it's on the ground to lead you to 126 00:07:55,720 --> 00:07:58,240 Speaker 1: the way that's it's out of the alarm system. You 127 00:07:58,320 --> 00:08:00,360 Speaker 1: have hurt with a new job. I've thought it was 128 00:08:00,400 --> 00:08:03,560 Speaker 1: just a show, so I don't want to interrupt save 129 00:08:03,640 --> 00:08:08,560 Speaker 1: your letters. The first scene. The first scene, but it's quirky, 130 00:08:08,800 --> 00:08:11,360 Speaker 1: it's I get what you're saying. I honestly think if 131 00:08:11,680 --> 00:08:14,200 Speaker 1: if it wasn't beeping so loud, I think you would 132 00:08:14,200 --> 00:08:17,240 Speaker 1: have thought of it differently. Okay, Okay, I think if 133 00:08:17,240 --> 00:08:19,400 Speaker 1: you take away the beeping of the alarm system, it 134 00:08:19,400 --> 00:08:21,840 Speaker 1: would have been fine, because I wrote once the alarm 135 00:08:21,960 --> 00:08:25,600 Speaker 1: was off, it seemed more normal. I literally thought A 136 00:08:26,360 --> 00:08:29,800 Speaker 1: it was either a like was having a bad day 137 00:08:29,960 --> 00:08:32,880 Speaker 1: or like they didn't write Rory. Something was so off 138 00:08:32,920 --> 00:08:37,520 Speaker 1: for me with A Okay, I'm getting confused with the 139 00:08:39,559 --> 00:08:44,200 Speaker 1: here because my thing will go off if I say 140 00:08:44,240 --> 00:08:51,880 Speaker 1: it that. I just wasn't with the acting. Uh, even 141 00:08:51,920 --> 00:08:55,000 Speaker 1: when we get the lanes and Zack and what's his 142 00:08:55,080 --> 00:08:58,400 Speaker 1: first in there? And like even the Zach rant was 143 00:08:58,440 --> 00:09:00,760 Speaker 1: well written, but I didn't think it was well acted. 144 00:09:00,880 --> 00:09:03,800 Speaker 1: And I thought everybody was just had everybody just needed 145 00:09:03,800 --> 00:09:06,400 Speaker 1: to calm down and just be a little more naturalistic 146 00:09:06,480 --> 00:09:12,760 Speaker 1: and and and Alexis is, let's see if that trips it, 147 00:09:14,440 --> 00:09:18,280 Speaker 1: uh like so so so I was, I was hope 148 00:09:18,360 --> 00:09:21,520 Speaker 1: and Alexis usually provides that for me, the grounding, the 149 00:09:21,640 --> 00:09:26,040 Speaker 1: naturalistic type of acting, and everybody else can and it 150 00:09:26,080 --> 00:09:28,280 Speaker 1: was just it was just for me, everybody was just 151 00:09:28,360 --> 00:09:31,040 Speaker 1: kind of shrieking and shrill and over the top. And 152 00:09:31,080 --> 00:09:32,720 Speaker 1: I was just kind of taken aback by it. And 153 00:09:32,720 --> 00:09:35,000 Speaker 1: it was and it was just it's just sort of 154 00:09:35,040 --> 00:09:37,120 Speaker 1: the scenes just sort of late. They just sort of 155 00:09:37,200 --> 00:09:40,600 Speaker 1: laid there that there was no real movement of camera movement. 156 00:09:40,640 --> 00:09:43,400 Speaker 1: It was it was just something was off about it. 157 00:09:43,480 --> 00:09:46,840 Speaker 1: I wrote new camera angles at laure Lize, like something 158 00:09:46,960 --> 00:09:49,319 Speaker 1: was just it was almost like either one of two things, 159 00:09:50,440 --> 00:09:56,720 Speaker 1: hashtag trying too hard like everyone or exactly it was 160 00:09:56,760 --> 00:09:59,520 Speaker 1: the craft services bad that day and everyone had like 161 00:10:00,040 --> 00:10:02,440 Speaker 1: diarrhea and they're trying to just get through it. Like 162 00:10:02,520 --> 00:10:08,320 Speaker 1: so that's probably it anyway, the opening scene to have 163 00:10:08,360 --> 00:10:16,280 Speaker 1: the clown pillow though it did, I wrote it down, Uh, 164 00:10:16,320 --> 00:10:20,880 Speaker 1: so I mean, yeah, it didn't start out well for me. Um, 165 00:10:20,920 --> 00:10:24,319 Speaker 1: I agree, And I even went through there what twenty 166 00:10:24,360 --> 00:10:29,080 Speaker 1: two total scenes, and I remarked on all of them. 167 00:10:29,320 --> 00:10:33,320 Speaker 1: Uh so now we're so basically got better for me. Yeah, 168 00:10:33,880 --> 00:10:36,200 Speaker 1: well it had to. I mean it started off, how 169 00:10:36,360 --> 00:10:42,480 Speaker 1: how could it get worse? Oh? And like I love 170 00:10:42,520 --> 00:10:47,560 Speaker 1: the show. So for everybody that writes like nasty crabs, 171 00:10:47,720 --> 00:10:50,200 Speaker 1: like they can't all be home run, you know, I'm 172 00:10:50,240 --> 00:10:53,959 Speaker 1: just telling you what I thought, even like was acting weird, 173 00:10:54,000 --> 00:10:59,920 Speaker 1: but even Dean wasn't acting. I'm touching Calmed down, calmed, 174 00:11:00,280 --> 00:11:04,160 Speaker 1: I'm touching ding, I'm touching him up. Love Jared, Love Jared. 175 00:11:04,160 --> 00:11:07,000 Speaker 1: But I think he got Gilmore somehow. I think I 176 00:11:07,040 --> 00:11:10,360 Speaker 1: think he got Gilmore. And now he's like he's sort 177 00:11:10,400 --> 00:11:13,760 Speaker 1: of ACTI ACTI acting, you know, showy acting instead of 178 00:11:13,760 --> 00:11:16,880 Speaker 1: being his natural self. And it's the only time I 179 00:11:16,880 --> 00:11:18,760 Speaker 1: will give that to you is when we had the 180 00:11:18,840 --> 00:11:24,200 Speaker 1: drunk scene, I was like, yeah, he's never been drunk 181 00:11:24,200 --> 00:11:27,080 Speaker 1: before in his entire life. That was not drunk acting. 182 00:11:27,720 --> 00:11:32,280 Speaker 1: Outside of that, I just love him. I love him. 183 00:11:32,679 --> 00:11:38,760 Speaker 1: I so agree that listen, that is acting drunk is 184 00:11:38,800 --> 00:11:41,640 Speaker 1: one of the hardest things to do there for an actor, 185 00:11:42,160 --> 00:11:47,160 Speaker 1: but he had to end so bad question. Yeah, when 186 00:11:47,200 --> 00:11:52,320 Speaker 1: you act drunk, Yeah, is it easier just to be drunk? No, no, 187 00:11:52,440 --> 00:11:54,480 Speaker 1: you can't do that. Just take some shots. You can't 188 00:11:54,480 --> 00:11:56,520 Speaker 1: do that. You can't do that because then he's what 189 00:11:56,520 --> 00:11:58,000 Speaker 1: are you gonna do when they you know, because they're 190 00:11:58,000 --> 00:12:04,400 Speaker 1: shooting scene for several hours? Right, So you guys Tori spelling. 191 00:12:05,160 --> 00:12:08,120 Speaker 1: So I don't want to plug my other podcast, but 192 00:12:08,160 --> 00:12:10,600 Speaker 1: if you like nine O two one oh. So on 193 00:12:10,800 --> 00:12:14,240 Speaker 1: the nine two one oh episode where where Donna Martin 194 00:12:14,440 --> 00:12:17,840 Speaker 1: is super drunk and it's like a very famous episode, 195 00:12:18,080 --> 00:12:22,480 Speaker 1: Tori said, she twirls in circles, you know, like spinning 196 00:12:22,520 --> 00:12:28,640 Speaker 1: in circles, so that she's and I thought, pretty genius girl, 197 00:12:28,840 --> 00:12:32,080 Speaker 1: right right, But remember the thing as an act you 198 00:12:32,080 --> 00:12:35,200 Speaker 1: have to remember about being drunk portraying a drunk is 199 00:12:35,200 --> 00:12:37,960 Speaker 1: that you're really when you're drunk, you're trying to act straight. 200 00:12:39,880 --> 00:12:45,040 Speaker 1: Oh right, you're trying to act normal, act normal. So 201 00:12:46,040 --> 00:12:49,480 Speaker 1: that's and it really is one little misstep and one 202 00:12:49,520 --> 00:12:52,160 Speaker 1: little tilt of the head, that's all it takes. People 203 00:12:52,200 --> 00:12:54,760 Speaker 1: just overdo it. But what if Daniel made a great point, 204 00:12:54,800 --> 00:13:01,000 Speaker 1: like what if what if she did. Yes, can you 205 00:13:01,040 --> 00:13:03,880 Speaker 1: pointed out Jared started this show, he said how old 206 00:13:03,920 --> 00:13:07,960 Speaker 1: in the interview he was like, seventeen seventeen eighteen, Yeah, 207 00:13:09,200 --> 00:13:12,320 Speaker 1: he's barely twenty one. If he was, maybe he's never 208 00:13:12,360 --> 00:13:16,040 Speaker 1: been drunk. I don't know. I mean, let's get him 209 00:13:16,040 --> 00:13:18,880 Speaker 1: back on out there, I thought. But here's what I 210 00:13:18,960 --> 00:13:20,959 Speaker 1: liked about what he did with the drunk stuff is 211 00:13:21,000 --> 00:13:23,560 Speaker 1: he went for it. He didn't he didn't shy away 212 00:13:23,559 --> 00:13:26,360 Speaker 1: from it. I mean, he really committed to it. So 213 00:13:26,480 --> 00:13:31,079 Speaker 1: a lot of it for me, what he did worked, okay, 214 00:13:31,120 --> 00:13:34,840 Speaker 1: a lot okay. So let's say it's not polished, polished, okay, 215 00:13:34,880 --> 00:13:37,280 Speaker 1: but but a lot of it did work for me. 216 00:13:37,640 --> 00:13:39,640 Speaker 1: I got the idea that he I mean, he was 217 00:13:39,679 --> 00:13:42,280 Speaker 1: a little indicatie, that's for sure. But I thought he 218 00:13:42,280 --> 00:13:45,600 Speaker 1: did he committed to it, he didn't shy away from it, 219 00:13:45,640 --> 00:13:48,320 Speaker 1: and he went for it full force, which is better, 220 00:13:49,080 --> 00:13:51,000 Speaker 1: you know, than being half asked about it. So I 221 00:13:51,000 --> 00:13:53,760 Speaker 1: commend him for that. Commend I want to commend you 222 00:13:53,840 --> 00:13:57,840 Speaker 1: on the use of the word indicatie, because you that's 223 00:13:57,880 --> 00:14:02,800 Speaker 1: a perfect word. It was too little, right, right, Instead 224 00:14:02,840 --> 00:14:05,880 Speaker 1: of being drunk, you're acting drunk and you're indicating that 225 00:14:05,920 --> 00:14:09,640 Speaker 1: you're drunk. But you know, look maybe look people, there 226 00:14:09,679 --> 00:14:14,120 Speaker 1: are different drunks for different people. Maybe that's how he 227 00:14:14,160 --> 00:14:16,760 Speaker 1: gets when he's really drunk. Who the hell knows, right, 228 00:14:16,800 --> 00:14:19,280 Speaker 1: I mean, you get drunk a certain way. We're all different, right, 229 00:14:19,480 --> 00:14:22,960 Speaker 1: So maybe that's how he does it. Right, So I 230 00:14:22,960 --> 00:14:24,920 Speaker 1: thought he actually I thought, you know, I want to 231 00:14:24,920 --> 00:14:26,920 Speaker 1: defend him because I actually thought he did a pretty 232 00:14:26,920 --> 00:14:29,960 Speaker 1: good job for all the other actors. I thought he 233 00:14:30,000 --> 00:14:32,880 Speaker 1: was the best drunk right well, and he was special 234 00:14:32,960 --> 00:14:36,120 Speaker 1: guest star. Did anyone notice that I did. I wrote 235 00:14:36,120 --> 00:14:37,920 Speaker 1: it down. I was like, Oh, he's special guests are 236 00:14:37,920 --> 00:14:40,440 Speaker 1: on this one. That means like that's like special, right, 237 00:14:40,520 --> 00:14:44,600 Speaker 1: Like when you get that, you're you're cool. That's right, 238 00:14:46,360 --> 00:14:49,840 Speaker 1: it is right, guys, Like it has the word in it. 239 00:14:50,040 --> 00:14:53,040 Speaker 1: No I know, but that means you're cooler, like you're 240 00:14:53,080 --> 00:15:00,680 Speaker 1: not just I guess something. Ed Herman gets special guest 241 00:15:00,720 --> 00:15:06,000 Speaker 1: appearance and in the title credits, so he's special. And 242 00:15:06,040 --> 00:15:10,760 Speaker 1: then Jared got special guest Star. So yeah, I'm gonna 243 00:15:10,760 --> 00:15:16,120 Speaker 1: go with that was special. So the the alarm alarming 244 00:15:16,240 --> 00:15:20,400 Speaker 1: stuff actually had a life to it. So we've so 245 00:15:20,480 --> 00:15:23,280 Speaker 1: now we're introduced to Kirk in a new job with 246 00:15:23,480 --> 00:15:25,760 Speaker 1: kind of a full meal of an episode because he's 247 00:15:25,760 --> 00:15:27,560 Speaker 1: in three or four scenes, he's dressed up in that 248 00:15:27,720 --> 00:15:30,720 Speaker 1: universe's looking good, he's looking sharp. You know this was 249 00:15:30,880 --> 00:15:34,920 Speaker 1: his fault, you know, his screw up. Um, but it's 250 00:15:34,960 --> 00:15:37,920 Speaker 1: like here, you know, Kirk is finally given the stage 251 00:15:38,240 --> 00:15:43,600 Speaker 1: in an underwhelming um you know, kind of uh a 252 00:15:43,840 --> 00:15:48,800 Speaker 1: a disguise that is perpetually unfunny. In my opinion, Amy, 253 00:15:48,880 --> 00:15:52,960 Speaker 1: what do you think was my favorite? I hate to 254 00:15:53,040 --> 00:15:59,920 Speaker 1: say it, Yeah, it wasn't. The episode was getting better 255 00:16:00,120 --> 00:16:02,280 Speaker 1: at that point, like as it went on, but I 256 00:16:02,360 --> 00:16:04,600 Speaker 1: just was like, you know what the problem with the 257 00:16:04,600 --> 00:16:08,160 Speaker 1: show is when this show files fires and all silsor 258 00:16:08,600 --> 00:16:10,880 Speaker 1: the bar is so high, how are you going to 259 00:16:11,000 --> 00:16:15,640 Speaker 1: maintain that? That's the problem with with with being so 260 00:16:15,720 --> 00:16:19,320 Speaker 1: great at so many things in certain episodes, because you're 261 00:16:19,320 --> 00:16:22,080 Speaker 1: great at comedy, you're great at the drama, you're great 262 00:16:22,080 --> 00:16:24,720 Speaker 1: at the dramedy, You're great at all this stuff. You're 263 00:16:24,760 --> 00:16:27,160 Speaker 1: I mean, you can even get slapsticky at times. And 264 00:16:27,160 --> 00:16:30,000 Speaker 1: when all of that works, and it has worked several 265 00:16:30,040 --> 00:16:34,360 Speaker 1: times in this show and we've all opined about it, 266 00:16:34,360 --> 00:16:37,600 Speaker 1: it's it doesn't get better than this. Right, So when 267 00:16:37,640 --> 00:16:40,840 Speaker 1: you miss, when you miss that markets, it's tough, right, 268 00:16:41,040 --> 00:16:44,720 Speaker 1: and even when it's just a centimeter off, like jarred 269 00:16:44,760 --> 00:16:52,960 Speaker 1: by it. Let me ask you this, Why did you 270 00:16:53,000 --> 00:16:57,280 Speaker 1: think Scott and Tara of the wedding in the gazebo? 271 00:16:58,320 --> 00:17:02,760 Speaker 1: I did not recall that, do you guys know what 272 00:17:02,760 --> 00:17:08,359 Speaker 1: I'm saying? The wedding you mean Dean and uh, yeah, 273 00:17:08,400 --> 00:17:10,840 Speaker 1: that they're setting it up and there are the ceremonies 274 00:17:10,880 --> 00:17:12,840 Speaker 1: like in the gazebo. No, no, it was in the church. 275 00:17:12,880 --> 00:17:15,479 Speaker 1: They came out of the church. Oh. Just the party. 276 00:17:15,720 --> 00:17:20,159 Speaker 1: The party. It was the party the night before. Yeah, 277 00:17:20,200 --> 00:17:22,400 Speaker 1: it was the pre It wasn't the Yeah, that's why 278 00:17:22,440 --> 00:17:24,440 Speaker 1: she goes to Lane and she's like, Lane, why didn't 279 00:17:24,440 --> 00:17:27,320 Speaker 1: you tell me? Which? I agree, Lane isn't being a 280 00:17:27,440 --> 00:17:30,120 Speaker 1: really great friend. If you're talking about somebody that's off, 281 00:17:30,200 --> 00:17:36,120 Speaker 1: it's Lane. Lane. I would if if if I were Lane, 282 00:17:36,200 --> 00:17:38,520 Speaker 1: the second I found out, I would call Rory like, 283 00:17:38,680 --> 00:17:42,160 Speaker 1: guess what this is happening? Don't come here this weekend? 284 00:17:42,320 --> 00:17:44,919 Speaker 1: You know? Like to Lane's point, she told Rory, I 285 00:17:44,960 --> 00:17:47,040 Speaker 1: didn't know you were coming home this weekend. Why isn't 286 00:17:47,320 --> 00:17:51,440 Speaker 1: Rory saying telling Lane I'm home. That is a good point. 287 00:17:51,680 --> 00:17:53,679 Speaker 1: Can we debate this for a second. Yeah, I'd like 288 00:17:53,760 --> 00:17:56,560 Speaker 1: to know all y'all's perspectives if Lane really should have 289 00:17:56,600 --> 00:18:00,760 Speaker 1: told Rory. I'm in this weird similar predicament where my 290 00:18:00,840 --> 00:18:02,560 Speaker 1: friends sort of had a crush on a guy and 291 00:18:02,560 --> 00:18:05,359 Speaker 1: then I found out he's dating someone, and I'm just 292 00:18:05,440 --> 00:18:07,639 Speaker 1: not going to say anything because I just hope she 293 00:18:07,720 --> 00:18:11,320 Speaker 1: forgot she has a crush on him. So you know 294 00:18:11,320 --> 00:18:15,399 Speaker 1: what I mean, Maybe I don't agree. I actually think that, 295 00:18:15,520 --> 00:18:17,800 Speaker 1: like if it were me, i'd want to know, like 296 00:18:17,880 --> 00:18:19,720 Speaker 1: I want to know when they're getting married, just because 297 00:18:19,720 --> 00:18:21,840 Speaker 1: it's like, I feel like it's kind of worse if 298 00:18:21,880 --> 00:18:24,000 Speaker 1: you find out after the fact and knowing that your 299 00:18:24,040 --> 00:18:28,200 Speaker 1: friend knew the whole time and wasn't telling you. Because Lane, 300 00:18:28,440 --> 00:18:31,240 Speaker 1: Lane didn't say she didn't know. She just said I 301 00:18:31,240 --> 00:18:34,520 Speaker 1: didn't think you'd be home this weekend. But so I 302 00:18:34,560 --> 00:18:36,960 Speaker 1: totally agree with you, Tara, But I'm kind of like 303 00:18:37,000 --> 00:18:40,920 Speaker 1: I wonder if like Lane and Rory are okay right now, 304 00:18:41,119 --> 00:18:46,719 Speaker 1: Like maybe kind of Rory has I think I think 305 00:18:46,760 --> 00:18:48,879 Speaker 1: they're okay. I think they're just in different parts of 306 00:18:48,880 --> 00:18:51,440 Speaker 1: their lives, like Rory's away college and Lane's still home 307 00:18:51,480 --> 00:18:53,160 Speaker 1: and she has bands, like, you know, I think it's 308 00:18:53,200 --> 00:18:56,320 Speaker 1: just it happens with friendships. To make that phone call though, 309 00:18:56,320 --> 00:18:58,600 Speaker 1: where Lane calls Rory and goes, hey, just so you know, 310 00:18:58,720 --> 00:19:01,280 Speaker 1: like your ex boyfriend that you you much loved is 311 00:19:01,320 --> 00:19:04,240 Speaker 1: getting married to a ramdo girl from your high school 312 00:19:04,400 --> 00:19:07,439 Speaker 1: but time out ouch Rory screwed it up, so no 313 00:19:07,520 --> 00:19:11,080 Speaker 1: sympathy there, Like, but Lane should have said something, but 314 00:19:11,160 --> 00:19:12,919 Speaker 1: I feel like it's not. It's not like you're calling 315 00:19:12,960 --> 00:19:15,560 Speaker 1: for that purpose. Like I feel like girlfriends just gossip 316 00:19:15,640 --> 00:19:17,640 Speaker 1: to each other, like, oh my god, guess what you know, 317 00:19:17,760 --> 00:19:21,320 Speaker 1: Like it's definitely found out when my ex got engaged, 318 00:19:21,640 --> 00:19:24,600 Speaker 1: like you know, like and I haven't seen this person. 319 00:19:24,640 --> 00:19:27,800 Speaker 1: My high school boyfriend got engaged and literally my friend 320 00:19:27,840 --> 00:19:30,959 Speaker 1: text me, oh my god. It's more like it's more 321 00:19:31,000 --> 00:19:35,520 Speaker 1: of like a gossipy thing than like warning totally. I 322 00:19:36,520 --> 00:19:39,119 Speaker 1: don't know if it is. When you're that it's like 323 00:19:39,200 --> 00:19:44,400 Speaker 1: your first true love and it was oh, I don't know, 324 00:19:44,480 --> 00:19:46,600 Speaker 1: but she had she had Jess after the fact, so 325 00:19:46,600 --> 00:19:48,439 Speaker 1: it's not like it was like fresh off the relation. 326 00:19:48,480 --> 00:19:50,640 Speaker 1: I mean kind of but not really well, and there's 327 00:19:50,680 --> 00:19:53,080 Speaker 1: so much like her it was only like four minutes 328 00:19:53,119 --> 00:19:58,080 Speaker 1: ago that her boyfriend punched her ex boyfriend. Like, I 329 00:19:58,119 --> 00:19:59,720 Speaker 1: don't know, Scott, what do you think when you have 330 00:19:59,760 --> 00:20:05,800 Speaker 1: told old it's just hard to believe that she didn't 331 00:20:05,840 --> 00:20:10,320 Speaker 1: find out in some way didn't Right, It's there's it's 332 00:20:10,320 --> 00:20:13,640 Speaker 1: such a small town that everybody's so connected, and it's 333 00:20:13,680 --> 00:20:15,760 Speaker 1: not like she cut everybody off. She just went twenty 334 00:20:15,760 --> 00:20:19,320 Speaker 1: minutes away. You know, she's coming home on weekend. So 335 00:20:19,359 --> 00:20:23,520 Speaker 1: it's like, what you know, Well, I'm jumping ahead, but 336 00:20:24,000 --> 00:20:28,080 Speaker 1: do you think Luke needs to tell Laurel or Rory 337 00:20:28,119 --> 00:20:31,560 Speaker 1: about what Dean said? You know, I I part, I 338 00:20:31,720 --> 00:20:36,000 Speaker 1: really liked Luke in this episode because he really was 339 00:20:36,200 --> 00:20:39,199 Speaker 1: the rock in this you know, and he didn't he 340 00:20:39,240 --> 00:20:42,000 Speaker 1: didn't meddle, he didn't get you know, he didn't poke 341 00:20:42,119 --> 00:20:45,320 Speaker 1: his nose in where it didn't belong, except telling Rory, like, 342 00:20:45,520 --> 00:20:48,719 Speaker 1: don't just he's trying to spare fields, right, don't go 343 00:20:48,800 --> 00:20:50,159 Speaker 1: to the wedding. You just don't want to go to 344 00:20:50,200 --> 00:20:52,240 Speaker 1: the wedding because what what he thought was going to 345 00:20:52,359 --> 00:20:56,480 Speaker 1: happen was you know, drunk Dean saying I messed up, 346 00:20:56,560 --> 00:20:59,639 Speaker 1: I miss Rory. You know, Oh my god, I'm so 347 00:20:59,640 --> 00:21:02,240 Speaker 1: glad you brought that up. But I liked everything. I 348 00:21:02,320 --> 00:21:05,480 Speaker 1: liked that he just minded his own business. He listened, 349 00:21:05,720 --> 00:21:09,480 Speaker 1: He wasn't gonna, you know, uh be a stone and 350 00:21:09,560 --> 00:21:12,679 Speaker 1: anybody's shoe and a busy body and coming up and 351 00:21:12,720 --> 00:21:15,480 Speaker 1: saying well and trying trying to send its like in 352 00:21:15,520 --> 00:21:17,680 Speaker 1: his mind, these are all kids. They made their choices, 353 00:21:18,280 --> 00:21:22,080 Speaker 1: you know, let the let the chips fall of gossip. Yes, 354 00:21:22,119 --> 00:21:26,239 Speaker 1: he's the opposite of that. I also thought it was 355 00:21:26,400 --> 00:21:31,640 Speaker 1: very uh important to note that Rory just took Luke 356 00:21:31,680 --> 00:21:34,280 Speaker 1: at his word. She didn't. She sort of like h 357 00:21:34,760 --> 00:21:37,040 Speaker 1: but then he said don't go, and so she's like, okay. 358 00:21:37,240 --> 00:21:39,240 Speaker 1: I think it shows how much he cares for her. 359 00:21:40,040 --> 00:21:44,120 Speaker 1: I wanted to protect how much she respects him right right, 360 00:21:44,520 --> 00:21:46,680 Speaker 1: and that when I think she tells Lorl like, oh, 361 00:21:46,760 --> 00:21:49,800 Speaker 1: Luke said don't go, that, Lorl doesn't really question it either. 362 00:21:49,840 --> 00:21:51,480 Speaker 1: It's like, all right, if he said don't go, we're 363 00:21:51,480 --> 00:21:57,280 Speaker 1: not going. Yeah, WHOA. I just don't know why neither 364 00:21:57,320 --> 00:22:00,359 Speaker 1: of them are like interrogating a little bit more like 365 00:22:00,400 --> 00:22:02,040 Speaker 1: I would have been like, why what do you know? 366 00:22:03,800 --> 00:22:09,160 Speaker 1: But they're just like okay, moving on, okay, quick note 367 00:22:09,200 --> 00:22:12,120 Speaker 1: before we keep going. Did you guys notice that they 368 00:22:12,160 --> 00:22:16,120 Speaker 1: say Dave moved to California? Boy? Did I notice? Yeah? 369 00:22:16,160 --> 00:22:23,200 Speaker 1: I'm so sad California. He moved to the o C. Baby, 370 00:22:23,280 --> 00:22:26,880 Speaker 1: And I actually think it would have been funny if 371 00:22:26,920 --> 00:22:29,720 Speaker 1: they actually said he moved to Orange County. I think 372 00:22:29,760 --> 00:22:33,760 Speaker 1: California was cheeky enough. I wouldn't mind. I thought it 373 00:22:33,800 --> 00:22:37,800 Speaker 1: was funny when his fandmates were like, oh, no, true 374 00:22:37,880 --> 00:22:41,000 Speaker 1: rocker goes to college, and then Rory just starts listing 375 00:22:41,040 --> 00:22:44,680 Speaker 1: off all like the famous to college like Mick Jagger, 376 00:22:44,720 --> 00:22:49,000 Speaker 1: and I was just like, that's hilarious. Can I throw 377 00:22:49,080 --> 00:22:52,119 Speaker 1: one more flag on the play? Didn't anybody think it 378 00:22:52,200 --> 00:22:55,800 Speaker 1: was weird that Lane nor Deane I don't know if 379 00:22:55,800 --> 00:22:58,480 Speaker 1: that's the right use of the word, nor noticed her hair. 380 00:23:00,320 --> 00:23:03,240 Speaker 1: Either of them commented on her. I think did. Yeah. 381 00:23:03,280 --> 00:23:07,440 Speaker 1: Dean did, in his drunken slumber, commented on You're right. 382 00:23:07,480 --> 00:23:10,679 Speaker 1: He didn't commented to her, but he said it in 383 00:23:10,760 --> 00:23:14,240 Speaker 1: her new hair something all drunkie. He didn't know, Oh 384 00:23:14,280 --> 00:23:18,639 Speaker 1: my god, you got your haircut. That was so weird. Well, 385 00:23:18,680 --> 00:23:21,399 Speaker 1: what we're finding out now is the best thing about 386 00:23:21,440 --> 00:23:27,040 Speaker 1: that band, which is Dave Regolski is gone, like darn, 387 00:23:27,880 --> 00:23:33,360 Speaker 1: darn it, exclamation point, no more Dave Regolski, no more 388 00:23:33,440 --> 00:23:38,199 Speaker 1: Adam Brody and we how much did we enjoy? And 389 00:23:38,280 --> 00:23:41,359 Speaker 1: this is a big piece of the show, you know, 390 00:23:41,520 --> 00:23:44,840 Speaker 1: it's something we really look forward to. It's gone. Another 391 00:23:44,840 --> 00:23:46,560 Speaker 1: piece of the show we really look forward to his 392 00:23:46,640 --> 00:23:50,280 Speaker 1: mother daughter and you know, and now that's kind of 393 00:23:50,320 --> 00:23:53,080 Speaker 1: gone too. So it's like it's a different show. Now, 394 00:23:53,119 --> 00:23:56,280 Speaker 1: it's a different parenting, it's a different you know, she's 395 00:23:56,320 --> 00:23:58,520 Speaker 1: filling that empty and she's got an empty nest. What 396 00:23:58,640 --> 00:24:01,280 Speaker 1: is she going to do? She's weekend mom and now 397 00:24:01,359 --> 00:24:04,080 Speaker 1: she's doing her her in and is the in stuff 398 00:24:04,320 --> 00:24:13,240 Speaker 1: that compelling? Is the suki Michelle? You know millef. It's like, yeah, 399 00:24:13,240 --> 00:24:16,000 Speaker 1: what's going on? These were these people were tight. Now 400 00:24:16,040 --> 00:24:19,600 Speaker 1: he's being arrogant and distant, feeling all butt hurt because 401 00:24:19,600 --> 00:24:22,280 Speaker 1: he wasn't asked right away to be that he wasn't 402 00:24:22,280 --> 00:24:25,600 Speaker 1: put on retainer. Have a weird question, Yes, this is 403 00:24:25,680 --> 00:24:31,960 Speaker 1: season four, episode four? Yes? Does it not seem like 404 00:24:32,119 --> 00:24:35,040 Speaker 1: this is the episode they all came back from summer break, 405 00:24:35,240 --> 00:24:38,240 Speaker 1: Like the haircut Michelle looks different. It's like, are you 406 00:24:38,280 --> 00:24:41,320 Speaker 1: sure you didn't film the first three last year, like 407 00:24:41,400 --> 00:24:44,760 Speaker 1: it's all I was thinking that, But then I also 408 00:24:44,800 --> 00:24:48,399 Speaker 1: remember that last week like school hadn't really started, it 409 00:24:48,440 --> 00:24:51,680 Speaker 1: had just started, like I think we started right before 410 00:24:51,800 --> 00:24:55,080 Speaker 1: summer ended because she had to move into her dorm. 411 00:24:55,119 --> 00:24:58,000 Speaker 1: So when I'm saying, like in I r L in 412 00:24:58,080 --> 00:25:00,600 Speaker 1: real life, are we sure they didn't film those three 413 00:25:00,680 --> 00:25:03,560 Speaker 1: episodes at the back end, which I know you didn't, 414 00:25:04,000 --> 00:25:08,200 Speaker 1: But like, why did Alexis get her haircut? Oh God, 415 00:25:10,000 --> 00:25:13,320 Speaker 1: why did Alexis get her haircut? Now? Wouldn't you have 416 00:25:13,320 --> 00:25:16,560 Speaker 1: thought she got it like for episode one of this season? 417 00:25:17,320 --> 00:25:19,720 Speaker 1: And why does Michelle look weird? Like what's going on? 418 00:25:20,560 --> 00:25:24,239 Speaker 1: Let's see this is demonstrating. Okay, let's take some of 419 00:25:24,240 --> 00:25:27,560 Speaker 1: our more famous shows. Now the examples I'm going to 420 00:25:27,600 --> 00:25:30,600 Speaker 1: give our sitcoms. But still I think it's a Germaine 421 00:25:31,240 --> 00:25:38,800 Speaker 1: uh Seinfeld mhm, cheers. Friends. Take these people out of 422 00:25:38,840 --> 00:25:43,280 Speaker 1: those sets and out of those situations, those dynamics, those 423 00:25:43,800 --> 00:25:49,160 Speaker 1: friendships and relationships, what have you? You're lost, right, there 424 00:25:49,160 --> 00:25:53,160 Speaker 1: are too many Gilmore characters out of their elements, out 425 00:25:53,200 --> 00:25:58,120 Speaker 1: of their sets, were weird fake w Yes, it's it's 426 00:25:58,160 --> 00:26:03,960 Speaker 1: scrambling the brains of Gilmore. Are fans like what's going on? Consistency? 427 00:26:04,359 --> 00:26:09,400 Speaker 1: Consistency matters in character, right, It's like, can you see Luke, 428 00:26:10,000 --> 00:26:12,800 Speaker 1: you know, working at Bergdorf Goodman in New York City, 429 00:26:13,040 --> 00:26:17,400 Speaker 1: you know, in a suit like what happened Tara Danielle? 430 00:26:17,440 --> 00:26:20,000 Speaker 1: Did you guys not think Michelle seemed to tad off? 431 00:26:21,119 --> 00:26:22,719 Speaker 1: He seemed off to me, But I felt like that 432 00:26:22,800 --> 00:26:26,280 Speaker 1: was part of the script because he was at this 433 00:26:26,320 --> 00:26:29,240 Speaker 1: new place like they, and he's trying to be more 434 00:26:29,359 --> 00:26:32,360 Speaker 1: push you know, like elevated, like the new place he's 435 00:26:32,359 --> 00:26:35,840 Speaker 1: working at, when the reality is who he really is 436 00:26:35,840 --> 00:26:39,000 Speaker 1: is you know what the independence in was, you know, 437 00:26:39,119 --> 00:26:43,000 Speaker 1: so he he's like for me, yeah, of course he 438 00:26:43,119 --> 00:26:45,440 Speaker 1: felt off. Like even his hair was like a little 439 00:26:45,480 --> 00:26:50,159 Speaker 1: bit different and those and like and even the um, 440 00:26:51,200 --> 00:26:53,240 Speaker 1: you know, the headset, like all that stuff was very 441 00:26:53,359 --> 00:26:58,000 Speaker 1: like Tash and in modern and forward and you know, 442 00:26:58,160 --> 00:27:00,439 Speaker 1: like that's why at the end when we cut to 443 00:27:00,440 --> 00:27:03,159 Speaker 1: the dragon fly and they're taking the cute photo, he 444 00:27:03,280 --> 00:27:07,280 Speaker 1: looks like he looks more like himself again. And I 445 00:27:07,320 --> 00:27:10,920 Speaker 1: think I think a good show, a good show makes 446 00:27:10,920 --> 00:27:15,080 Speaker 1: a contract with its audience, and that contract is we 447 00:27:15,160 --> 00:27:18,160 Speaker 1: will not betray you. We will. We will keep these 448 00:27:18,280 --> 00:27:21,000 Speaker 1: characters in the setting in which you fall in love 449 00:27:21,080 --> 00:27:23,720 Speaker 1: with them because we want you to keep coming back 450 00:27:23,800 --> 00:27:26,480 Speaker 1: for more and more. We want you to be comfortable 451 00:27:26,600 --> 00:27:31,960 Speaker 1: now whatever happens between the characters in those familiar settings, 452 00:27:32,440 --> 00:27:35,879 Speaker 1: I think is you know, great, that's the unpredictable nature, 453 00:27:35,880 --> 00:27:38,240 Speaker 1: But you cannot ask an audience to work this hard. 454 00:27:38,440 --> 00:27:41,040 Speaker 1: I agree with you, Yes, I agree with what you're saying. 455 00:27:41,080 --> 00:27:45,639 Speaker 1: This episode. I actually find Rory at Yale very comfortable 456 00:27:45,720 --> 00:27:48,679 Speaker 1: and real to me, and I know I do not. 457 00:27:48,920 --> 00:27:51,520 Speaker 1: I think it's too soon for me. I know what 458 00:27:51,600 --> 00:27:55,520 Speaker 1: the future hold, and I literally love the Yale stuff 459 00:27:55,560 --> 00:27:58,800 Speaker 1: that's coming. I'm at because I'm also a team logan, 460 00:27:58,920 --> 00:28:03,359 Speaker 1: so whatever, but this episode it's all wonky to me. 461 00:28:05,160 --> 00:28:09,400 Speaker 1: I also thought that, um, like for Michelle, I think 462 00:28:09,480 --> 00:28:12,919 Speaker 1: he didn't want to show Laura line Suki that like 463 00:28:13,080 --> 00:28:15,879 Speaker 1: he he didn't want to beg to come back, because 464 00:28:15,920 --> 00:28:18,520 Speaker 1: I get that, like he wanted to be like, look, 465 00:28:18,560 --> 00:28:21,399 Speaker 1: I have this new job, I'm doing great, but deep 466 00:28:21,400 --> 00:28:27,600 Speaker 1: down he wanted that askally. He wanted La to say no, Michelle, 467 00:28:27,640 --> 00:28:30,360 Speaker 1: I need you at the Dragonfly in and then as 468 00:28:30,400 --> 00:28:33,040 Speaker 1: soon as that that kind of switched because at first 469 00:28:33,040 --> 00:28:36,080 Speaker 1: I think he felt rejected and left behind, so he 470 00:28:36,160 --> 00:28:38,240 Speaker 1: was like, I am doing good in my new job 471 00:28:38,280 --> 00:28:44,120 Speaker 1: in YadA YadA, and then woult Okay, but wait a minute, okay, here, 472 00:28:44,160 --> 00:28:46,280 Speaker 1: here's here's what I'm talking about. One of the weirdest 473 00:28:46,280 --> 00:28:49,840 Speaker 1: scenes I've ever seen on this show, one of the strangest, oddest, weirdest, 474 00:28:50,520 --> 00:28:54,040 Speaker 1: the most out of context scenes I've ever seen, is 475 00:28:54,040 --> 00:28:57,640 Speaker 1: the conversation in Lauraized kitchen with Suki Laura line, Suki 476 00:28:57,760 --> 00:29:03,160 Speaker 1: talking about, you know some of uh Michelle's more objectionable characteristics. 477 00:29:03,720 --> 00:29:05,400 Speaker 1: Do we really like him that well? He is kind 478 00:29:05,400 --> 00:29:07,920 Speaker 1: of obnoxious, I mean, just like Judge, Judge, e judge. 479 00:29:08,240 --> 00:29:10,560 Speaker 1: And then they figured it's like what is going there. 480 00:29:10,560 --> 00:29:14,240 Speaker 1: It's like they're tearing down the character before our very eyes, 481 00:29:14,640 --> 00:29:17,760 Speaker 1: instead of instead of allowing the audience to enjoy these 482 00:29:17,760 --> 00:29:19,680 Speaker 1: people in the setting in which you're used to enjoying 483 00:29:19,720 --> 00:29:23,400 Speaker 1: them in. I thought it was bizarre. It was it's 484 00:29:23,400 --> 00:29:27,280 Speaker 1: a show that is turning on itself, turning too inward 485 00:29:27,600 --> 00:29:31,800 Speaker 1: and getting too analytical. And because he's like one of 486 00:29:31,840 --> 00:29:35,880 Speaker 1: their closest friends, all of a sudden he's gone, and 487 00:29:35,880 --> 00:29:38,320 Speaker 1: and everybody and everybody's got hurt feelings and they didn't 488 00:29:38,320 --> 00:29:41,320 Speaker 1: do the right thing. That it just it just leads 489 00:29:41,440 --> 00:29:44,200 Speaker 1: like that bad choice leads to more bad choices and 490 00:29:44,280 --> 00:29:47,400 Speaker 1: more bad scenes. Okay, first of all, you nailed it, 491 00:29:47,440 --> 00:29:51,800 Speaker 1: because the only thing weirder than them ripping on Michelle 492 00:29:52,200 --> 00:29:56,960 Speaker 1: was the odd scene in the fake w as I 493 00:29:57,040 --> 00:30:01,840 Speaker 1: call because the lighting was so weird. It almost looked 494 00:30:01,880 --> 00:30:04,840 Speaker 1: like I was like, is this the show? Did nobody 495 00:30:04,840 --> 00:30:06,400 Speaker 1: have that? I was like, is this a commercial? What 496 00:30:06,640 --> 00:30:09,560 Speaker 1: is this? Like? It was like weird purplely it was 497 00:30:09,600 --> 00:30:12,880 Speaker 1: just that didn't even where were we I don't know why. 498 00:30:12,880 --> 00:30:16,440 Speaker 1: I was okay with it, Like, I was totally okay 499 00:30:16,440 --> 00:30:20,320 Speaker 1: with it. I liked it. I liked the whole It 500 00:30:20,760 --> 00:30:25,800 Speaker 1: was sacrilege. It was sacrilege. You were taking one of 501 00:30:25,840 --> 00:30:30,480 Speaker 1: the most beloved characters of that series and putting him in, 502 00:30:31,040 --> 00:30:35,560 Speaker 1: you know, an outpost somewhere that completely unrecognizable as a 503 00:30:35,640 --> 00:30:39,200 Speaker 1: character and a completely unfamiliar setting. I think that sacrilege. 504 00:30:39,560 --> 00:30:43,920 Speaker 1: But just but the payoff is he's now part of 505 00:30:44,080 --> 00:30:47,040 Speaker 1: yes by in you know what I mean, So like, yeah, 506 00:30:47,120 --> 00:30:49,840 Speaker 1: he had to go there for two minutes of an episode, 507 00:30:49,880 --> 00:30:53,040 Speaker 1: but he's back. True. I mean, I think they could 508 00:30:53,040 --> 00:30:55,600 Speaker 1: have just said he was just like hanging out at 509 00:30:55,600 --> 00:30:57,760 Speaker 1: home and here he's ready to work again. I don't 510 00:30:57,760 --> 00:31:00,200 Speaker 1: know Michelle though. Michelle is not going to hang out 511 00:31:00,240 --> 00:31:02,080 Speaker 1: at home. He's gonna like try to rub it in 512 00:31:02,120 --> 00:31:04,960 Speaker 1: your face that he's doing okay, So why why Why 513 00:31:05,000 --> 00:31:09,440 Speaker 1: is it Michelle part of the team trying to find 514 00:31:09,960 --> 00:31:13,280 Speaker 1: find money or supporting all of this, like just so 515 00:31:13,360 --> 00:31:16,360 Speaker 1: that they don't have any money to pay him right now? 516 00:31:18,160 --> 00:31:20,160 Speaker 1: What's weird is as a whole, I liked this episode, 517 00:31:20,160 --> 00:31:29,080 Speaker 1: but as we're breaking it down, I'm like, yeah he did. 518 00:31:29,240 --> 00:31:31,520 Speaker 1: No one think it was weird that Dean invited his 519 00:31:31,600 --> 00:31:36,520 Speaker 1: ex girlfriend to his wedding without consulting Lindsay, Yeah, yeah, 520 00:31:37,200 --> 00:31:41,560 Speaker 1: not only that, but the day before m hm m hm, 521 00:31:43,480 --> 00:31:45,960 Speaker 1: he's not gonna want to see Rory. They're like, oh, 522 00:31:46,080 --> 00:31:48,520 Speaker 1: she kind of like yeah, I was more shocked that 523 00:31:48,640 --> 00:31:52,480 Speaker 1: she was going to go if. I don't know what 524 00:31:52,640 --> 00:31:54,760 Speaker 1: was weird or I felt like once he invited her 525 00:31:54,840 --> 00:31:58,360 Speaker 1: she had Yeah, she didn't kind of fall into that, 526 00:31:58,440 --> 00:32:01,760 Speaker 1: like I guess I have to it. It was better 527 00:32:01,880 --> 00:32:07,240 Speaker 1: she didn't. And then I wrote, Rory seems weird again, 528 00:32:08,520 --> 00:32:13,680 Speaker 1: It's weird well, I feel like, besides the first scene, 529 00:32:14,360 --> 00:32:16,560 Speaker 1: I think it is weird to have your ex, your 530 00:32:16,600 --> 00:32:19,720 Speaker 1: first love, to get married and know all about it. Yeah, 531 00:32:19,720 --> 00:32:23,320 Speaker 1: she's she. I mean, I don't know, I'm maybe I'm 532 00:32:23,360 --> 00:32:25,880 Speaker 1: just trying to relate to her. But the first time, 533 00:32:26,520 --> 00:32:28,440 Speaker 1: and as far as we know, this is her first 534 00:32:28,480 --> 00:32:30,960 Speaker 1: time coming home after you know, while going away for 535 00:32:31,080 --> 00:32:37,040 Speaker 1: college is weird. It's not like it's not normal. You're like, whoa, 536 00:32:37,320 --> 00:32:40,560 Speaker 1: I am back in my hometown, even though it hasn't 537 00:32:40,600 --> 00:32:42,800 Speaker 1: been a year she's been away or whatever, but that 538 00:32:42,880 --> 00:32:47,920 Speaker 1: first time coming home from college is weird. Well, the 539 00:32:47,960 --> 00:32:52,360 Speaker 1: community certainly had that effect on the entire show, that's 540 00:32:52,480 --> 00:32:55,160 Speaker 1: for sure. And you know the mail, the mail joke, 541 00:32:55,560 --> 00:32:59,600 Speaker 1: like the people keep delivering the mail to the wrong 542 00:32:59,680 --> 00:33:02,240 Speaker 1: people and they get it to town hall and everybody's 543 00:33:02,280 --> 00:33:10,400 Speaker 1: got It's like what they kept the town meeting. They 544 00:33:10,480 --> 00:33:13,520 Speaker 1: kept doing the the alarm joke and the mail joke, 545 00:33:13,600 --> 00:33:15,640 Speaker 1: and it's like, is this ever gonna end? I don't 546 00:33:15,680 --> 00:33:18,120 Speaker 1: even think Luke was at the town meeting. Miss Patty 547 00:33:18,200 --> 00:33:24,360 Speaker 1: came into Luke's to deliver mail. Well, yeah, how are 548 00:33:24,400 --> 00:33:27,360 Speaker 1: you using these characters? I mean, Liz Torres is a 549 00:33:27,480 --> 00:33:31,960 Speaker 1: brilliant comedic actress. Can you just give her something that 550 00:33:31,960 --> 00:33:35,560 Speaker 1: has to do with the dance studio or something? Now 551 00:33:35,600 --> 00:33:39,280 Speaker 1: she's a male person. I don't know, it's just I 552 00:33:39,320 --> 00:33:44,600 Speaker 1: didn't like it. And okay, oh my god, tailor shop. 553 00:33:44,720 --> 00:33:47,800 Speaker 1: Can we go into the tailor shop. That's what I 554 00:33:47,800 --> 00:33:50,480 Speaker 1: want to talk about next, is like Taylor's being such 555 00:33:50,520 --> 00:33:54,520 Speaker 1: an that's Taylor. Now at least I thought, okay, now 556 00:33:54,600 --> 00:34:00,640 Speaker 1: he's negotiating, he wants something. I okay, Now I'm starting 557 00:34:00,680 --> 00:34:03,640 Speaker 1: to hook into this episode a little bit, you know, 558 00:34:04,040 --> 00:34:07,160 Speaker 1: because I love Taylor and she's in there and it's like, 559 00:34:07,200 --> 00:34:10,000 Speaker 1: what's happening and what's with these rules? And you know 560 00:34:10,320 --> 00:34:12,960 Speaker 1: she did almost forget to pay. Yeah, and it's Monday, 561 00:34:13,000 --> 00:34:17,320 Speaker 1: they're coming Monday, and the inspectors and it's a chocolate 562 00:34:17,400 --> 00:34:21,440 Speaker 1: chocolate chocolate. I mean, yeah, you're right, what dumbass? You know, 563 00:34:21,640 --> 00:34:26,200 Speaker 1: the Historical Preservation Society has a large say in what 564 00:34:26,320 --> 00:34:30,560 Speaker 1: goes on in any historical historic This was more this, 565 00:34:30,760 --> 00:34:38,160 Speaker 1: You're right, this was more manufactured. Gilmore right. Finally Gilmore 566 00:34:38,239 --> 00:34:44,399 Speaker 1: issue right, something that's right. But it's like, at least 567 00:34:44,400 --> 00:34:46,840 Speaker 1: so at least Taylor's in there negotiating with her, and 568 00:34:46,840 --> 00:34:52,760 Speaker 1: we've got somewhat of a humorous scene. Um town home meeting. Uh, 569 00:34:52,920 --> 00:34:56,040 Speaker 1: that happiest doughnut did crack me. That's the first that's 570 00:34:56,040 --> 00:34:59,120 Speaker 1: the first time I left. But it did seem like 571 00:34:59,160 --> 00:35:01,080 Speaker 1: the high school play I have written down here. This 572 00:35:01,120 --> 00:35:03,600 Speaker 1: town meeting seems like the high school play. I also 573 00:35:03,640 --> 00:35:07,920 Speaker 1: thought how inappropriate that they someone called out Taylor's magazine, 574 00:35:08,080 --> 00:35:14,560 Speaker 1: girly magazine. These are lifestyle magazine. Okay, so okay, wow, 575 00:35:14,920 --> 00:35:22,200 Speaker 1: are you kidding me? This is injected into the show. 576 00:35:22,239 --> 00:35:26,759 Speaker 1: Are you kidding me? Girl? Girly magazines for Taylor? And 577 00:35:26,840 --> 00:35:31,120 Speaker 1: that's supposed to be funny. I thought it was funny. 578 00:35:31,560 --> 00:35:38,640 Speaker 1: I I thought it was weird. We were witnessing character 579 00:35:38,719 --> 00:35:41,400 Speaker 1: destruction on a scale I have never seen this show do. 580 00:35:42,239 --> 00:35:45,160 Speaker 1: I mean, it's just like just tear tear down Michelle, 581 00:35:45,760 --> 00:35:49,279 Speaker 1: tear down Taylor. You know, it's just like Jesus. And 582 00:35:49,320 --> 00:35:52,120 Speaker 1: then someone said can I slap him? What was that part? 583 00:35:52,120 --> 00:35:55,240 Speaker 1: Because I was like, whoa? Somebody wanted to slap Taylor? 584 00:35:55,800 --> 00:35:59,600 Speaker 1: It was God, Yes, I think I wrote down the 585 00:35:59,640 --> 00:36:01,759 Speaker 1: line someone said can I slap him? I think it 586 00:36:01,800 --> 00:36:05,560 Speaker 1: was when the three of them Michelle said it I think. Oh. 587 00:36:05,640 --> 00:36:09,560 Speaker 1: I was like, this is just right right right, and 588 00:36:09,600 --> 00:36:12,240 Speaker 1: I yeah, you know, Gypsy was involved in the mail 589 00:36:13,160 --> 00:36:15,600 Speaker 1: and you know, she was delivering mail at the town 590 00:36:15,680 --> 00:36:17,800 Speaker 1: hall meeting, and I just wrote, this is really weird. 591 00:36:18,400 --> 00:36:20,640 Speaker 1: I was happy that Gypsy back though, because we hadn't 592 00:36:20,640 --> 00:36:23,200 Speaker 1: seen her in a while, and so, you know, it 593 00:36:23,360 --> 00:36:25,680 Speaker 1: just for me, none of the jokes and none of 594 00:36:25,719 --> 00:36:29,560 Speaker 1: the insults worked at all. It was just so uninteresting 595 00:36:30,200 --> 00:36:33,920 Speaker 1: and it just was It was hard to sit through it. 596 00:36:33,920 --> 00:36:37,319 Speaker 1: It really was because I didn't recognize it. Um, but 597 00:36:37,480 --> 00:36:43,920 Speaker 1: did you recognize Schmidt? Yes, Max Schenel Schmidt. That was 598 00:36:44,200 --> 00:36:48,240 Speaker 1: I literally saw the scene and I was like, Max Greenfield. Okay, 599 00:36:48,320 --> 00:36:52,960 Speaker 1: So there's this show called New Girl starring Zoey Deschanelle 600 00:36:53,000 --> 00:36:56,520 Speaker 1: and an actor named Max Greenfield. Is that right, Daniel, Yeah, 601 00:36:56,760 --> 00:37:00,439 Speaker 1: And he played this very amazing character, Schmidt. And he's 602 00:37:00,480 --> 00:37:03,840 Speaker 1: at the bachelor party. He's one of those dudes that 603 00:37:03,920 --> 00:37:06,440 Speaker 1: comes into your diner. What's so funny is right now 604 00:37:06,440 --> 00:37:08,960 Speaker 1: he's like going viral on TikTok because his daughter made 605 00:37:09,040 --> 00:37:11,279 Speaker 1: him do it TikTok dance. So like the timing of 606 00:37:11,280 --> 00:37:13,120 Speaker 1: it all was very funny too. I was like, hey, 607 00:37:13,200 --> 00:37:16,239 Speaker 1: I just saw TikTok. Yeah, so all those guys come 608 00:37:16,280 --> 00:37:19,719 Speaker 1: into your diner. One of them Schmidt like, what did 609 00:37:19,719 --> 00:37:22,800 Speaker 1: you all think about the bachelor party? And it was 610 00:37:22,840 --> 00:37:26,759 Speaker 1: phase one, which I wanted to know what Phase two was, 611 00:37:27,880 --> 00:37:32,319 Speaker 1: just saying strippers strippers and like, oh gosh, Scott, I 612 00:37:32,320 --> 00:37:35,799 Speaker 1: actually thought it was. I will agree that you were 613 00:37:35,960 --> 00:37:38,000 Speaker 1: very good in this episode. And I'm not just blowing 614 00:37:38,000 --> 00:37:41,799 Speaker 1: smoke because you're here. Luke seemed very Luke, like he 615 00:37:41,920 --> 00:37:46,320 Speaker 1: wasn't off well no, and I think it was especially 616 00:37:46,840 --> 00:37:51,239 Speaker 1: m poignant because he didn't want to be involved in 617 00:37:51,280 --> 00:37:54,360 Speaker 1: the proceedings, and uh, I thought I was watching the episode, 618 00:37:54,400 --> 00:37:59,520 Speaker 1: I felt the same. But if you guys, it was 619 00:37:59,600 --> 00:38:04,880 Speaker 1: kind of the perfect antidote finally identified with somebody you 620 00:38:05,000 --> 00:38:07,799 Speaker 1: called it. You're like, the bachelor Party's done. Well. Yeah, 621 00:38:07,920 --> 00:38:11,360 Speaker 1: That's what I thought was really cool is that Luke 622 00:38:11,920 --> 00:38:16,359 Speaker 1: literally saved Dean from himself that night, Like because Dean 623 00:38:16,440 --> 00:38:19,000 Speaker 1: was starting to mumble and say things about Rory at 624 00:38:19,000 --> 00:38:21,680 Speaker 1: the diner in front of all his friends, and only 625 00:38:21,760 --> 00:38:24,280 Speaker 1: Luke was the one that caught on and he was like, oh, buddy, 626 00:38:24,560 --> 00:38:27,680 Speaker 1: I'm not gonna let this happen to you. Literally pulled 627 00:38:27,760 --> 00:38:30,880 Speaker 1: him away and was like, all right, guys like parties 628 00:38:30,960 --> 00:38:35,600 Speaker 1: over Luca father figuring, Yeah, he took care of took 629 00:38:35,640 --> 00:38:40,680 Speaker 1: care of the poor Dean. And Dean said, why didn't 630 00:38:40,719 --> 00:38:45,000 Speaker 1: she love me? And you guys' smart and so pretty? 631 00:38:45,000 --> 00:38:47,759 Speaker 1: Oh oh yeah, he does say the prettiest hair, Why 632 00:38:47,760 --> 00:38:50,719 Speaker 1: didn't she love me? What do you guys? I think 633 00:38:50,760 --> 00:38:53,759 Speaker 1: the guy needs to like see a therapist. I mean 634 00:38:53,800 --> 00:38:56,640 Speaker 1: it's like how much abuse can he take from one person? 635 00:38:57,040 --> 00:39:00,560 Speaker 1: I mean, he spilled his guts out, he builds her car, 636 00:39:00,840 --> 00:39:05,240 Speaker 1: he loves her purely, and he's dumped, dumped, dumped, dumped dumped. 637 00:39:05,280 --> 00:39:07,600 Speaker 1: You're too You're not smart enough, you're not good enough. 638 00:39:07,760 --> 00:39:10,680 Speaker 1: He goes to the Gilmore House for dinner. Dump dump 639 00:39:10,800 --> 00:39:14,040 Speaker 1: dumped on dump dum dump dumps. Okay, he gets the message. 640 00:39:14,040 --> 00:39:18,040 Speaker 1: He goes away. Fine, what the hell you know? This 641 00:39:18,120 --> 00:39:20,960 Speaker 1: is what young people do. They constantly come back for 642 00:39:21,040 --> 00:39:25,359 Speaker 1: more abuse. It's like, get away from her, man, she 643 00:39:25,440 --> 00:39:28,480 Speaker 1: doesn't want you, she doesn't know what she wants. She's 644 00:39:28,520 --> 00:39:30,960 Speaker 1: too young. Yeah, I was gonna say, I don't know 645 00:39:31,000 --> 00:39:33,879 Speaker 1: if if she doesn't want him. I think she's she's 646 00:39:34,080 --> 00:39:36,440 Speaker 1: too young, and it's like let her live her life 647 00:39:37,280 --> 00:39:40,440 Speaker 1: and she's just not ready. She's just not ready to 648 00:39:40,480 --> 00:39:43,680 Speaker 1: get married. She's got bigger fish to fry. Anyone think 649 00:39:43,719 --> 00:39:46,880 Speaker 1: it's a good idea for Dean to be getting married. No, No, 650 00:39:47,320 --> 00:39:51,719 Speaker 1: not at all. Um, well apparently obviously not in his 651 00:39:51,800 --> 00:39:54,759 Speaker 1: current state of his heart is with Rory. You know, 652 00:39:55,160 --> 00:39:57,320 Speaker 1: Lindsay's going to get the short end of that stick, 653 00:39:57,880 --> 00:40:02,719 Speaker 1: you know, So no, unintended, Yeah he should not. Like 654 00:40:02,760 --> 00:40:05,280 Speaker 1: if you guys lived in stars Hollow, here's the question 655 00:40:05,360 --> 00:40:08,440 Speaker 1: and you're at the wedding and they say, does anyone object? 656 00:40:10,400 --> 00:40:13,080 Speaker 1: I don't think that people. I don't think people know it, 657 00:40:13,600 --> 00:40:16,200 Speaker 1: like know the extent of why it's a bad idea, 658 00:40:16,360 --> 00:40:20,320 Speaker 1: outside of probably Luke at this point, Like I think 659 00:40:20,480 --> 00:40:23,359 Speaker 1: everyone's just kind of like like they might just say, like, oh, 660 00:40:23,400 --> 00:40:25,719 Speaker 1: they're young, but I think that's all they really know. Yeah, 661 00:40:26,040 --> 00:40:28,320 Speaker 1: like Lucas kind of the one that has the information 662 00:40:28,440 --> 00:40:32,680 Speaker 1: right now that this is a bad idea there. You know, listen, 663 00:40:32,800 --> 00:40:37,360 Speaker 1: there's one thing that I know, Um, adults cannot stop 664 00:40:37,920 --> 00:40:42,799 Speaker 1: young passion. It will go in the direction that it's 665 00:40:42,840 --> 00:40:45,160 Speaker 1: going to go in, and nobody can stop it if 666 00:40:45,160 --> 00:40:48,759 Speaker 1: it's that strong. You know, he's just he's a young guy. 667 00:40:48,800 --> 00:40:50,600 Speaker 1: He wants to be married, he wants to settle down, 668 00:40:50,600 --> 00:40:52,239 Speaker 1: he wants to have children, he wants to have a 669 00:40:52,280 --> 00:40:56,000 Speaker 1: real life. He thought it was going to be you know, Rory, 670 00:40:56,040 --> 00:40:59,440 Speaker 1: it's you know, she didn't want didn't want any part 671 00:40:59,440 --> 00:41:02,560 Speaker 1: of it. So you know, it's just that's okay, That's 672 00:41:02,560 --> 00:41:06,600 Speaker 1: how it works out sometimes, Danielle, what a future because 673 00:41:06,600 --> 00:41:08,960 Speaker 1: you don't know, do you see for Dean and Lindsay. 674 00:41:09,680 --> 00:41:11,600 Speaker 1: I mean, I don't think they're going to make it. 675 00:41:11,840 --> 00:41:16,520 Speaker 1: At some point they're going to break up, but TBD 676 00:41:19,400 --> 00:41:26,600 Speaker 1: any other premonitions. That's my premonition is that Rory Lindsay 677 00:41:26,640 --> 00:41:28,480 Speaker 1: is going to get jealous of something that Rory and 678 00:41:28,520 --> 00:41:31,239 Speaker 1: Dean do, like whether they hang out or whatever, and 679 00:41:31,280 --> 00:41:34,680 Speaker 1: then that's gonna be the cause of them to go there. 680 00:41:34,719 --> 00:41:36,680 Speaker 1: I'll tell you one thing, this show really does not 681 00:41:36,760 --> 00:41:41,480 Speaker 1: do weddings very well, do they. Jesus, they're botching everything. 682 00:41:44,040 --> 00:41:46,320 Speaker 1: It's a Sunday that's the worst. That's the worst of 683 00:41:47,200 --> 00:41:50,880 Speaker 1: the worst day for a way. Yeah, I mean, you know, 684 00:41:50,960 --> 00:41:54,040 Speaker 1: can we have a nice wedding and everybody's in love? Like? 685 00:41:54,160 --> 00:41:58,359 Speaker 1: What's wrong with these people? Right? Because they bring their 686 00:41:58,440 --> 00:42:01,399 Speaker 1: a game for like the town? Why why are they 687 00:42:01,400 --> 00:42:03,960 Speaker 1: botching weddings all the time? I don't get it. What 688 00:42:04,000 --> 00:42:06,120 Speaker 1: was it? Wasn't there? There was a wedding earlier? Was 689 00:42:06,160 --> 00:42:09,000 Speaker 1: it was it Christopher's wedding or who who got married? No, 690 00:42:09,120 --> 00:42:12,600 Speaker 1: there was that beautiful wedding at the who wasn't remember 691 00:42:12,719 --> 00:42:18,000 Speaker 1: that woman? Remember that woman, that sort of overbearing woman 692 00:42:18,160 --> 00:42:22,480 Speaker 1: with the annoying daughter who was getting Yeah, yeah, but no, 693 00:42:22,560 --> 00:42:25,280 Speaker 1: I'm talking about the main characters. But what didn't David? 694 00:42:25,400 --> 00:42:29,239 Speaker 1: Who's wedding was? It was? Was Mori kisses Jack? I 695 00:42:29,280 --> 00:42:33,840 Speaker 1: thought it wasn't that Christopher and Sherry? Who was it? Suki? 696 00:42:34,120 --> 00:42:36,760 Speaker 1: Was it Suki's wedding to Ski? It was Suki's wedding, 697 00:42:37,600 --> 00:42:39,839 Speaker 1: She's wedding to Jacks. So they didn't botch that one up. 698 00:42:40,560 --> 00:42:42,279 Speaker 1: But it wasn't in the town. It was at the inn. 699 00:42:42,680 --> 00:42:44,560 Speaker 1: It was at the end, and it was a nice wedding. 700 00:42:45,040 --> 00:42:48,200 Speaker 1: Have Laurel, I plan your wedding right, don't do it 701 00:42:48,239 --> 00:42:51,920 Speaker 1: in the in the town the professional. Okay, So they 702 00:42:51,920 --> 00:42:53,799 Speaker 1: got a wedding, they got a decent one. So now 703 00:42:53,880 --> 00:42:56,160 Speaker 1: we go to the inn and we go through this 704 00:42:56,160 --> 00:43:01,399 Speaker 1: whole to do with Suki and Michelle are there with 705 00:43:01,520 --> 00:43:06,120 Speaker 1: Loralai and and Taylor's inspecting, and that's when we learned, Aha, 706 00:43:07,200 --> 00:43:11,000 Speaker 1: it's really about his ice cream truck. I just love 707 00:43:11,040 --> 00:43:16,640 Speaker 1: that he never actually asked Luke like he he played 708 00:43:16,680 --> 00:43:18,560 Speaker 1: it all up as if like Luke is gonna say that. 709 00:43:18,920 --> 00:43:21,920 Speaker 1: Luke would have said no because it's a Taylor. But 710 00:43:21,960 --> 00:43:23,920 Speaker 1: like when he's like when Luke was like sorry to 711 00:43:23,960 --> 00:43:25,719 Speaker 1: be and he's like, yeah, that's fine, I was like, 712 00:43:25,760 --> 00:43:31,759 Speaker 1: oh my god. Really, he goes, sure, what do I h? 713 00:43:35,560 --> 00:43:38,520 Speaker 1: Oh good? And that's when she realizes the thing I've 714 00:43:38,560 --> 00:43:50,200 Speaker 1: realized in life. It's about scratching backs and kissing things. Yeah. Yeah, 715 00:43:50,760 --> 00:43:53,279 Speaker 1: big monologue in the diner. That was a lot of 716 00:43:53,360 --> 00:43:57,960 Speaker 1: that's a word salad coming out, you know. Um, okay, 717 00:43:58,040 --> 00:44:01,080 Speaker 1: so where are we now? Well, so now is really 718 00:44:01,080 --> 00:44:06,120 Speaker 1: where we have Luke, you know, uh goes to talk 719 00:44:06,160 --> 00:44:08,600 Speaker 1: to Dean. So right after we find out about the 720 00:44:08,640 --> 00:44:13,040 Speaker 1: ice cream truck is when Luke makes them a little 721 00:44:13,040 --> 00:44:18,360 Speaker 1: hangover during his hangover and they have sort of a talk. Right. 722 00:44:18,400 --> 00:44:21,080 Speaker 1: That was my favorite scene. That's one of my favorite 723 00:44:21,120 --> 00:44:24,520 Speaker 1: Luke scenes. And I wrote Luke is a badass, you know, 724 00:44:24,640 --> 00:44:26,680 Speaker 1: he just because he just because he just stared at 725 00:44:26,719 --> 00:44:28,520 Speaker 1: the guy and he's like, you know, he's not going 726 00:44:28,560 --> 00:44:33,160 Speaker 1: to offer any real opinion and he's just gonna all right, 727 00:44:33,200 --> 00:44:36,080 Speaker 1: this kid is in a crisis, and there's you know, 728 00:44:36,160 --> 00:44:38,840 Speaker 1: I'm not a therapist. I can just listen to him 729 00:44:38,920 --> 00:44:40,880 Speaker 1: and he's there's nothing I can do about it anyway, 730 00:44:40,920 --> 00:44:44,040 Speaker 1: because I think he learned that lesson from dealing with Jess, 731 00:44:44,280 --> 00:44:46,719 Speaker 1: so like, you can do your best and they're just 732 00:44:46,760 --> 00:44:50,520 Speaker 1: gonna do what they want anyway. Right. Well, God, that's 733 00:44:50,560 --> 00:44:53,160 Speaker 1: such a really something I want to talk about is 734 00:44:53,200 --> 00:44:58,480 Speaker 1: that Luke is a man of few words, but I 735 00:44:58,520 --> 00:45:01,279 Speaker 1: think sometimes that's the right way to He's kind of going, 736 00:45:01,400 --> 00:45:04,040 Speaker 1: I'm bringing you this drink, you know what, I'm sort 737 00:45:04,040 --> 00:45:10,000 Speaker 1: of saying, do you with my face? And he does 738 00:45:10,120 --> 00:45:15,520 Speaker 1: choose to go to Rory and say don't go her, 739 00:45:15,800 --> 00:45:21,520 Speaker 1: he will intervene, sure, spare her feelings, right because what 740 00:45:21,360 --> 00:45:24,440 Speaker 1: what what was he actually trying to prevent her from seeing, 741 00:45:25,080 --> 00:45:30,279 Speaker 1: like Dean saying like like leaving leaving Lindsay at the 742 00:45:30,320 --> 00:45:32,439 Speaker 1: altar and just not showing up. What was he trying 743 00:45:32,480 --> 00:45:35,920 Speaker 1: to question? What was he trying to prevent Rory from seeing? 744 00:45:37,600 --> 00:45:41,080 Speaker 1: But who's he saving Is he saving Rory or Dean? 745 00:45:41,160 --> 00:45:43,560 Speaker 1: Because I felt it more as if he was saving Dean. 746 00:45:43,800 --> 00:45:46,319 Speaker 1: I was about saying thing Dean is the one that's 747 00:45:46,360 --> 00:45:49,040 Speaker 1: drunkenly mumbling these things at the diner and saying how 748 00:45:49,080 --> 00:45:52,080 Speaker 1: much he misses are it's not Rory doing that, so like, 749 00:45:52,320 --> 00:45:55,280 Speaker 1: I don't know. To me, I felt like he was. Also, 750 00:45:56,320 --> 00:45:59,000 Speaker 1: so you're thinking, like, hey, Rory, butt out, don't mess 751 00:45:59,000 --> 00:46:02,359 Speaker 1: this kid up. I's vulnerable. I think Luke is like 752 00:46:02,560 --> 00:46:06,480 Speaker 1: your presence him, Yeah, you're going to mess him up 753 00:46:06,520 --> 00:46:09,840 Speaker 1: if he goes. But also like Rory, like, but I 754 00:46:09,840 --> 00:46:12,399 Speaker 1: think he the parties involved for you not to go, yes, 755 00:46:12,560 --> 00:46:15,839 Speaker 1: because I think Luke knows Rory doesn't want Dean right 756 00:46:15,840 --> 00:46:18,799 Speaker 1: now in that way, right, So he's saying it's only 757 00:46:18,800 --> 00:46:22,320 Speaker 1: going to cause everybody pain and heartache if you imagine 758 00:46:22,360 --> 00:46:25,480 Speaker 1: she goes, and then Dean's like, you're the one I 759 00:46:25,520 --> 00:46:28,400 Speaker 1: love and then Rory has to tell him again, I 760 00:46:28,480 --> 00:46:31,919 Speaker 1: don't love you. So I feel like Luke is sort 761 00:46:31,960 --> 00:46:35,759 Speaker 1: of has everybody's best interests at heart. It's a it's 762 00:46:35,760 --> 00:46:37,760 Speaker 1: a wedding, and they're treating it like it's a funeral, 763 00:46:37,880 --> 00:46:40,560 Speaker 1: like avoid it, don't go you'll be ripped apart. It's awful, 764 00:46:40,680 --> 00:46:46,000 Speaker 1: you know, But I feel like, but I feel like 765 00:46:46,040 --> 00:46:49,560 Speaker 1: he kind of like saved all that drama that would 766 00:46:49,600 --> 00:46:52,400 Speaker 1: come if she went like, just don't go, don't have conflict, 767 00:46:52,520 --> 00:46:56,239 Speaker 1: like stay out of it. So, in other words, the 768 00:46:56,280 --> 00:46:59,440 Speaker 1: best part of what Gilmour could be Luke saved us 769 00:46:59,480 --> 00:47:04,239 Speaker 1: from good We don't get now we don't get to 770 00:47:04,239 --> 00:47:12,600 Speaker 1: see anything. I didn't. It's like, what was the point 771 00:47:12,800 --> 00:47:14,760 Speaker 1: because I would have loved to see that. I would 772 00:47:14,760 --> 00:47:18,839 Speaker 1: have it too. There's your episode, Hello, Danielle. What we're 773 00:47:18,880 --> 00:47:22,279 Speaker 1: gonna say? I was gonna say I did feel a 774 00:47:22,640 --> 00:47:26,719 Speaker 1: runaway groom scene coming coming, and I was like, oh, 775 00:47:26,760 --> 00:47:30,680 Speaker 1: it's coming, it's coming, it's coming. And then obviously Luke 776 00:47:30,760 --> 00:47:34,799 Speaker 1: saved the day. But I don't know, guys, I liked 777 00:47:34,800 --> 00:47:37,239 Speaker 1: how that played out, though, well. I liked that they 778 00:47:37,280 --> 00:47:41,839 Speaker 1: just totally for me, it became more about their relationship 779 00:47:41,880 --> 00:47:44,879 Speaker 1: with Luke. Rory and Laurel lies because he said don't go. 780 00:47:45,239 --> 00:47:48,399 Speaker 1: And even when Rory tells Laurea lies, she says, Luke 781 00:47:48,440 --> 00:47:51,440 Speaker 1: said don't go. He seems serious, and she says he 782 00:47:51,480 --> 00:47:54,600 Speaker 1: seems serious, and so they don't. We are missing the 783 00:47:54,640 --> 00:47:58,080 Speaker 1: fact that Luke tried calling she did a bunch of times, 784 00:47:58,200 --> 00:48:01,600 Speaker 1: and she did not answer her phone or anything. Oh yeah, 785 00:48:01,640 --> 00:48:04,719 Speaker 1: that's right, So it could have been he could have 786 00:48:05,120 --> 00:48:10,279 Speaker 1: needed to tell Laura Lee. Yeah yeah, which is like 787 00:48:10,400 --> 00:48:13,080 Speaker 1: very funny because I mean, well, I guess also in 788 00:48:13,120 --> 00:48:14,879 Speaker 1: that time, like everyone had cell phones. But I don't 789 00:48:14,880 --> 00:48:17,480 Speaker 1: think it's like we weren't actively texting like we do now. 790 00:48:18,120 --> 00:48:20,799 Speaker 1: But I thought it more of like she isn't a 791 00:48:20,800 --> 00:48:23,880 Speaker 1: really busy time with the end, so I didn't really 792 00:48:24,000 --> 00:48:26,839 Speaker 1: falter in that. But also it was very odd that 793 00:48:26,880 --> 00:48:30,719 Speaker 1: no one could get a hold of her, agree, but 794 00:48:30,880 --> 00:48:32,800 Speaker 1: was She's out at the end dealing with that meeting, 795 00:48:32,840 --> 00:48:36,080 Speaker 1: so maybe she's like trying to focus on that. I 796 00:48:36,120 --> 00:48:38,840 Speaker 1: want to I want to interject here. Um this is 797 00:48:39,239 --> 00:48:42,960 Speaker 1: I'm gonna take us back to scene thirteen because this 798 00:48:43,040 --> 00:48:49,040 Speaker 1: is my favorite line of the entire show. Um, when 799 00:48:49,080 --> 00:48:54,280 Speaker 1: Laura la I was chasing Taylor down the street after 800 00:48:54,400 --> 00:48:59,200 Speaker 1: the town hall meeting and cornered him and he said, 801 00:48:59,280 --> 00:49:01,879 Speaker 1: my god, Laura, all you scared me. I almost blew 802 00:49:01,960 --> 00:49:08,680 Speaker 1: my emergency whistle. Okay. I love that. It's like, yeah, alright, 803 00:49:08,719 --> 00:49:11,600 Speaker 1: finally I love that line too, but not to be 804 00:49:11,680 --> 00:49:14,680 Speaker 1: a topper to me when she says, what was his 805 00:49:14,760 --> 00:49:23,040 Speaker 1: body language? Like? Tall? Are we saying? Best lines? Minds 806 00:49:23,040 --> 00:49:24,759 Speaker 1: from Dean when he goes the two of you are 807 00:49:24,800 --> 00:49:27,399 Speaker 1: definitely beef. It's not like resemble beef for anything, though. 808 00:49:30,840 --> 00:49:32,640 Speaker 1: I always like the Kirk lines. And he was like, 809 00:49:32,680 --> 00:49:35,560 Speaker 1: my family tree dates back to that twenty sorry twelveth 810 00:49:35,560 --> 00:49:37,560 Speaker 1: century night. And then Lorel I was like wow, and 811 00:49:37,560 --> 00:49:39,640 Speaker 1: he's like, oh yeah, like Ted Knight like as if 812 00:49:39,680 --> 00:49:45,120 Speaker 1: like sorry, that one fell flat for me. I just 813 00:49:45,160 --> 00:49:47,879 Speaker 1: love Kirk's lines. I think that's why Ted Night. Did 814 00:49:47,920 --> 00:49:49,919 Speaker 1: he did he really say that? I think I wrote 815 00:49:49,920 --> 00:49:53,640 Speaker 1: down to Did he really just say that? Not to Night? Okay? Um, 816 00:49:54,239 --> 00:49:58,880 Speaker 1: so do you have any inside things Scott or should 817 00:49:58,880 --> 00:50:03,280 Speaker 1: we name like out of one out of ten beef 818 00:50:03,719 --> 00:50:08,719 Speaker 1: at a wedding? I do have some stuff hang on 819 00:50:10,400 --> 00:50:15,040 Speaker 1: my crack team just an emergency emailed me. Okay, good 820 00:50:16,040 --> 00:50:23,680 Speaker 1: talk amongst yourself. All right, here we go a few 821 00:50:23,719 --> 00:50:27,319 Speaker 1: things for this episode. At one minute, clown Pillow does 822 00:50:27,360 --> 00:50:31,480 Speaker 1: show up, So Daniel nice grab on that nice catch? Uh. 823 00:50:31,520 --> 00:50:35,320 Speaker 1: One of Dean's batchelor party friends is played by Max Greenfeld. 824 00:50:35,360 --> 00:50:40,440 Speaker 1: We nice catch again, um, and that was he was 825 00:50:40,480 --> 00:50:42,479 Speaker 1: in A New Girl ran for seven season on Fox 826 00:50:42,520 --> 00:50:45,680 Speaker 1: at eighteen thirty two minutes and eighteen seconds. For a 827 00:50:45,760 --> 00:50:48,280 Speaker 1: very quick second, when the scene at the Dragonfly opens, 828 00:50:48,280 --> 00:50:50,320 Speaker 1: you can see four windows on the second story. But 829 00:50:50,360 --> 00:50:52,600 Speaker 1: back in season one, when Rachel and Laurel I went 830 00:50:52,640 --> 00:50:54,640 Speaker 1: to look at the property, there were only three windows 831 00:50:55,000 --> 00:50:58,520 Speaker 1: on the second floor. And and my team did provide 832 00:50:58,600 --> 00:51:03,480 Speaker 1: photo evidence. So we're going to be going, you know, 833 00:51:03,719 --> 00:51:06,080 Speaker 1: we might dress yea, let's get that, we might haul 834 00:51:06,200 --> 00:51:13,840 Speaker 1: people into court. Uh uh and uh here's a discussion topic. 835 00:51:13,840 --> 00:51:15,880 Speaker 1: Do you think you never realized that when he spent 836 00:51:16,719 --> 00:51:23,319 Speaker 1: the night at Luke's he slept in Jess's bed talk 837 00:51:23,520 --> 00:51:28,759 Speaker 1: about a bomb. I'm so happy you brought that up, 838 00:51:28,800 --> 00:51:30,640 Speaker 1: because it was one thing I thought when I was 839 00:51:30,640 --> 00:51:32,640 Speaker 1: watching but didn't write it down. I was like, this 840 00:51:32,719 --> 00:51:35,200 Speaker 1: is just as turf, Like, is it weird that he's here? 841 00:51:36,040 --> 00:51:40,920 Speaker 1: Oh my god, that's good. That's really good. What else 842 00:51:40,960 --> 00:51:42,680 Speaker 1: do we want to discuss with this episode? Do you 843 00:51:42,719 --> 00:51:44,920 Speaker 1: want to just give it to like how many plates 844 00:51:44,960 --> 00:51:47,440 Speaker 1: of beef? And are you a chicken or beef or 845 00:51:47,560 --> 00:51:55,560 Speaker 1: vegetarian option? Tara, go ahead, how many plates of beef? 846 00:51:55,680 --> 00:51:59,200 Speaker 1: And then are you chicken beef for vegetarian? I liked it. 847 00:51:59,239 --> 00:52:06,120 Speaker 1: I'm going to give it seven chicken plates. Yeah, I'm 848 00:52:06,120 --> 00:52:14,160 Speaker 1: a chicken girl. I'm a chicken girl too, and I'm 849 00:52:14,160 --> 00:52:17,560 Speaker 1: gonna give it seven and a half chicken plates. I 850 00:52:17,600 --> 00:52:20,800 Speaker 1: am going to go for the beef. I love chicken. 851 00:52:21,239 --> 00:52:23,640 Speaker 1: I'll even take a vegetarian option, but just in this case, 852 00:52:24,520 --> 00:52:28,759 Speaker 1: I'm actually giving it seven beef plates, even though I 853 00:52:28,760 --> 00:52:32,759 Speaker 1: had a lot of criticism of it. Seven beef plates. Um, 854 00:52:32,800 --> 00:52:35,840 Speaker 1: I'm gonna give it both. I'm gonna do chicken and 855 00:52:36,000 --> 00:52:39,120 Speaker 1: beef because I love both, and I do love the 856 00:52:39,200 --> 00:52:41,600 Speaker 1: vegetarian option as well, so maybe I'll do all three. 857 00:52:41,640 --> 00:52:46,040 Speaker 1: But unfortunately that's just gonna be one plate each, so 858 00:52:46,080 --> 00:52:51,360 Speaker 1: it's gonna be three three plates. Yeah, yeah, yeah, Sorry, 859 00:52:51,400 --> 00:52:55,239 Speaker 1: this one. I thought were all were gonna like this 860 00:52:58,560 --> 00:53:00,680 Speaker 1: before you guys jumped off and y'all, I were like, well, 861 00:53:00,719 --> 00:53:03,160 Speaker 1: this is a good one. I know, I really really 862 00:53:03,239 --> 00:53:06,040 Speaker 1: enjoyed it. But hey, we all have different lenses and 863 00:53:06,080 --> 00:53:10,400 Speaker 1: that's what makes this fun. Yep. Just you just never know, 864 00:53:10,719 --> 00:53:13,680 Speaker 1: you know, all right, everybody, I hope I hope you 865 00:53:13,800 --> 00:53:18,480 Speaker 1: enjoyed this, uh, this dumpster fire of an episode. Uh, 866 00:53:18,680 --> 00:53:23,560 Speaker 1: at least are our analysis of it. Uh And uh, 867 00:53:23,600 --> 00:53:25,680 Speaker 1: I think we come. We split it right down and 868 00:53:25,800 --> 00:53:30,839 Speaker 1: split the baby right down the middle to pro con 869 00:53:30,960 --> 00:53:34,520 Speaker 1: next episode, Season four, episode five, The fundamental things apply. 870 00:53:35,400 --> 00:53:39,560 Speaker 1: Thank you ladies, Tara Suit, Daniel Romamy, Sugarman. It's always 871 00:53:39,640 --> 00:53:45,640 Speaker 1: unpredictable fun and hilarity and gaidy and uh, keep those 872 00:53:45,680 --> 00:53:50,000 Speaker 1: cards and letters coming. Remember, Uh, we're gonna tell the 873 00:53:50,040 --> 00:53:52,360 Speaker 1: truth over here. We're gonna give your honest opinion of 874 00:53:52,440 --> 00:53:56,359 Speaker 1: how we felt, how it impacted us. Um. And that's 875 00:53:56,360 --> 00:54:02,720 Speaker 1: just what we do here. Uh. And on a side note, listen, UH, 876 00:54:02,960 --> 00:54:08,279 Speaker 1: you know I love this show probably more than most people. Um. 877 00:54:08,320 --> 00:54:12,800 Speaker 1: I was on it. Uh. I put, you know, thousands 878 00:54:12,840 --> 00:54:16,360 Speaker 1: and thousands of hours into portraying this character and and 879 00:54:16,440 --> 00:54:18,240 Speaker 1: being a part of the show and promoting this show. 880 00:54:18,360 --> 00:54:20,799 Speaker 1: And I've never seen the show so and I think 881 00:54:20,840 --> 00:54:23,560 Speaker 1: the point that I made earlier is salient. I think 882 00:54:23,600 --> 00:54:27,520 Speaker 1: that the when this show gets it right, there's nothing 883 00:54:27,560 --> 00:54:30,400 Speaker 1: that can touch it. There's just nothing that can touch it. 884 00:54:30,480 --> 00:54:33,279 Speaker 1: And I'm I so want to see those episodes every week, 885 00:54:33,600 --> 00:54:36,640 Speaker 1: But I think that's asking too much because of the 886 00:54:36,440 --> 00:54:39,960 Speaker 1: the heights that this show has achieved and can achieve 887 00:54:40,080 --> 00:54:43,040 Speaker 1: and usually does achieve. So when there's something that comes 888 00:54:43,120 --> 00:54:45,600 Speaker 1: up a little short, it is maybe a bit of 889 00:54:45,640 --> 00:54:47,600 Speaker 1: a disappointment. But I know, I don't mean to go 890 00:54:48,280 --> 00:54:50,759 Speaker 1: so negative on it. It's just like I just I 891 00:54:50,800 --> 00:54:53,560 Speaker 1: just want them to be better, that's all. So pointing 892 00:54:53,600 --> 00:54:56,280 Speaker 1: these things out, I hope is a little bit enlightening 893 00:54:56,320 --> 00:54:59,440 Speaker 1: instructional for everybody. I don't know, I just see things 894 00:54:59,760 --> 00:55:02,960 Speaker 1: that way. I don't expect everybody to agree with me, 895 00:55:03,000 --> 00:55:05,520 Speaker 1: and I don't think anybody wants to live in a world, 896 00:55:05,840 --> 00:55:10,520 Speaker 1: um where everybody agrees with them. So um, and that's 897 00:55:10,520 --> 00:55:12,120 Speaker 1: why we do the show, and that's why we think 898 00:55:12,120 --> 00:55:15,920 Speaker 1: it's uh having a big effect on people and in 899 00:55:15,960 --> 00:55:19,600 Speaker 1: a positive way. UM. And just sort of keeping this 900 00:55:20,040 --> 00:55:23,160 Speaker 1: the spirit of Gilmore Girls alive since we don't know 901 00:55:23,239 --> 00:55:25,719 Speaker 1: when new episodes are going to common or if they're 902 00:55:25,760 --> 00:55:29,480 Speaker 1: going ever going to come again. UM. But anyway, I 903 00:55:29,520 --> 00:55:31,719 Speaker 1: hope you enjoy it. Um, but we are going to 904 00:55:31,760 --> 00:55:35,440 Speaker 1: give our honest opinions and so but definitely keep the 905 00:55:35,440 --> 00:55:37,640 Speaker 1: cards and letters coming. You You are the podcast. You 906 00:55:37,680 --> 00:55:41,560 Speaker 1: help improve this podcast. We read your feedback a good 907 00:55:41,640 --> 00:55:45,040 Speaker 1: or bad and uh about what we're doing, and we 908 00:55:45,080 --> 00:55:47,560 Speaker 1: do adjust what we're doing based on what you say 909 00:55:48,239 --> 00:55:54,280 Speaker 1: um um. Sometimes other times you go no. But anyway, 910 00:55:54,400 --> 00:56:05,000 Speaker 1: much love and we'll see you next time. Be safety, 911 00:56:27,200 --> 00:56:30,239 Speaker 1: Hey everybody, and don't forget Follow us on Instagram at 912 00:56:30,560 --> 00:56:35,080 Speaker 1: I Am all In podcast and Emailie at Gilmore at 913 00:56:35,080 --> 00:56:38,520 Speaker 1: I heart radio dot com. Oh you Gilmore fans. 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