WEBVTT - Of Ms. and Men

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<v Speaker 1>Why uzzy media productions. So you know, let's say a

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<v Speaker 1>woman's places in the home, and I suppose as long

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<v Speaker 1>as she's in the home, she might as well be

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<v Speaker 1>in the kitchen. Welcome to the new wave of feminism.

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<v Speaker 1>Welcome to each other, Welcome home. A new movement for

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<v Speaker 1>women's liberation is launched. This is no simple reform. It

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<v Speaker 1>really is a revolution. It was a simple but bold idea,

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<v Speaker 1>even a radical one, to create a magazine by women

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<v Speaker 1>for women. The first issue hit news stands in July

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<v Speaker 1>nineteen seventy two and sold out in eight days. It

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<v Speaker 1>was called MS Magazine. Thousands of letters poured into the

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<v Speaker 1>magazine's tiny Manhattan office from grateful women across the United States.

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<v Speaker 1>The backlash against MS was just as pronounced, and his

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<v Speaker 1>primary target was one of the magazine's founders, Glorious Dinah

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<v Speaker 1>Steinen was an outspoken thirty eight year old feminist and writer,

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<v Speaker 1>a leader of the growing women's movement in America, and

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<v Speaker 1>she was about to find herself on the pages of

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<v Speaker 1>another magazine. A popular men's tabloid called Screw decided to

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<v Speaker 1>do its own special profile of Steinham. I saw it

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<v Speaker 1>on the news stands, hanging open outside our offer Miss

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<v Speaker 1>magazine offices. It was open to a centerfold which was

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<v Speaker 1>a new drawing of a woman clearly intended to be

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<v Speaker 1>me because it had my hair and my sunglasses. And

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<v Speaker 1>then there was drawing of penis along the side, and

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<v Speaker 1>it said pin pin the cock on the feminist, like

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<v Speaker 1>pin the tail on the donkey. And just in case

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<v Speaker 1>Steina missed her pin up and news stands across New York,

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<v Speaker 1>Screws editor the flamboyant pornographer Al Goldstein made sure that

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<v Speaker 1>copies were posted outside her office. Steinn's lawyer sent a

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<v Speaker 1>letter to Goldstein to protest the demeaning centerfold. In return,

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<v Speaker 1>he sent me back a box of chocolates with a

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<v Speaker 1>note that said eat it. Steinham was humiliated, but she

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<v Speaker 1>wasn't about to eat it. From that point on, I

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<v Speaker 1>just decided, you know, just you just have to ignore

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<v Speaker 1>it and go on. You stand. I'm Sean Braswell, and

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<v Speaker 1>this is the threat. Each season, we unraveled the stories

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<v Speaker 1>behind some of the most important lives and events in

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<v Speaker 1>history to discover essentially how one thing leads to another.

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<v Speaker 1>To do so, we will travel back through history, one

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<v Speaker 1>story at a time to explore the origins of an

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<v Speaker 1>important event, a big idea, or an iconic figure. This

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<v Speaker 1>season how Glorious Steinham became a leading voice for women

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<v Speaker 1>and helps spark a revolution for social change that still

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<v Speaker 1>rages on today. Gloria Steinham has been a foot soldier

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<v Speaker 1>in the fight for social justice and women's rights for

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<v Speaker 1>more than half a century, and she's endured far more

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<v Speaker 1>than just Screw magazine along the way. Steinham was an

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<v Speaker 1>early silence breaker, and her path to feminist icon runs

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<v Speaker 1>through some surprising places. In this episode, we'll hear from

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<v Speaker 1>Steinham about some of those places, including the time she

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<v Speaker 1>went undercover as a playboy bunny and one of Hugh

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<v Speaker 1>Hefner's famous playboy clubs during the nineteen sixties. This season's

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<v Speaker 1>thread is also about much more than Gloria Steinham. In

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<v Speaker 1>the course of six episodes, we will bear witness to

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<v Speaker 1>a remarkable chapter in American history, one that runs from

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<v Speaker 1>the casting couches of early Hollywood to the doorstep of

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<v Speaker 1>the Me Too movement today. It is a tale of power, glamour,

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<v Speaker 1>and coercion. It is also a tale of liberation. Steinhm

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<v Speaker 1>put it best, the truth will set you free, but

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<v Speaker 1>first it will piss you off. The Women's March brought

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<v Speaker 1>nearly half a million people to Washington, d C. In January.

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<v Speaker 1>In Washington, the crowd was so big plans to march

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<v Speaker 1>near the White House had to be canceled by organizers,

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<v Speaker 1>not far from where Trump yesterday took the oath of office.

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<v Speaker 1>Others took to the stage. There were many high profile

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<v Speaker 1>speakers at the Women's March that day, Madonna, Michael Moore,

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<v Speaker 1>Angela Davis, Ashley Judd, Bernie Sanders. But there was one

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<v Speaker 1>who stole the show. You look great. I wish you

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<v Speaker 1>could see yourselves. It's like an ocean. And it was

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<v Speaker 1>that woman, the eight two year old activist Gloria Steine,

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<v Speaker 1>who could put the moment and that ocean in its

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<v Speaker 1>true context. This is the upside of the downside. This

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<v Speaker 1>is an outpouring of energy and true democracy like I

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<v Speaker 1>have never seen in my very long life. Steinham has marched,

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<v Speaker 1>given speeches, and raised money for feminist causes and other

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<v Speaker 1>civil rights issues for much of her life. But to

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<v Speaker 1>discover where Steinham's journey began, we have to first travel

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<v Speaker 1>back back to the nineteen sixties nineteen sixty three. To

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<v Speaker 1>be precise, that's when Betty for Dan Penn The Feminine Mystique,

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<v Speaker 1>the book often credited for launching feminism so called second

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<v Speaker 1>wave in the twentieth century. The National Organization for Women

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<v Speaker 1>Are Now was founded three years later. This is Steinham

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<v Speaker 1>biographer Patricia Marcello. It was starting to be a thing.

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<v Speaker 1>You know, women were burning their bras everybody has heard

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<v Speaker 1>about that um and you know, starting to say, hey,

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<v Speaker 1>you know what, women being mothers and wives is okay

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<v Speaker 1>if that's what you want, But if that's not what

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<v Speaker 1>you want, then there need to be other options. Are

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<v Speaker 1>Glorious Dinham was a reporter and editor for New York

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<v Speaker 1>Magazine at the time. She had her own feminist awakening,

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<v Speaker 1>her big click moment in nineteen sixty nine. This is

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<v Speaker 1>Glorious Dinham for me, it was going as a journalist

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<v Speaker 1>to cover a hearing about abortion. I listened to people

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<v Speaker 1>women stand up and tell the truth about something that

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<v Speaker 1>was unacceptable, illegal, and just tell their stories. She was

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<v Speaker 1>very moved by the women whose stories were told. She

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<v Speaker 1>really took that the heart because that was her, you know,

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<v Speaker 1>she had lived through that same thing. I had had

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<v Speaker 1>an abortion when I was about twenty two, and I

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<v Speaker 1>suddenly thought, wait a minute, if if so many of

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<v Speaker 1>us have had this experience in our lives, and democracy

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<v Speaker 1>should start with controlling our own bodies, what's going on here?

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<v Speaker 1>And she decided then that she was on the path

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<v Speaker 1>to help women do whatever they wanted to do here.

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<v Speaker 1>Steinham addresses a rally for women's liberation in nineteen seventy. Now,

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<v Speaker 1>thanks to the spirit of equality in the air, and

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<v Speaker 1>to the work of many of my more four sighted sisters,

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<v Speaker 1>I no longer accept society's judgment that my group is

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<v Speaker 1>second class. Feminists were often portrayed at the time as

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<v Speaker 1>a motley crew of unattractive, sex starved radicals whose message

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<v Speaker 1>would have a limited appeal to other women in America.

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<v Speaker 1>This is news legend Walter Cronkite in nineteen seventy, on

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<v Speaker 1>the fiftieth anniversary of women earning the right to vote.

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<v Speaker 1>On this anniversary, the modan minority of women's liberationists was

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<v Speaker 1>on the streets across the country to demand equal employment

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<v Speaker 1>for women, care centers, for mother's child abortions running one

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<v Speaker 1>who wants them, and generally equality between women and men.

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<v Speaker 1>Steinen began to write about women's issues. Her male editors

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<v Speaker 1>warned her she was getting too close to the quote

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<v Speaker 1>crazies in the movement. That didn't stop her. Steinham realized

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<v Speaker 1>that ginger equality would never come about and less women

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<v Speaker 1>organized and supported each other and forced it to happen.

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<v Speaker 1>Being an organizer is kind of being an entrepreneur of

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<v Speaker 1>social change. Steinham began criss crossing the country in the

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<v Speaker 1>early nineteen seventies. Her hair was long and streaked. She

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<v Speaker 1>often wore aviator sunglasses, turtlenecks, and blue jeans. Steinham campaigned

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<v Speaker 1>for the Equal Rights Amendment. She worked on behalf of

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<v Speaker 1>Shirley Chisholm, the first black woman to run for president.

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<v Speaker 1>She said what many others were afraid to say. This

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<v Speaker 1>is no simple reform. It really is a revolution. This

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<v Speaker 1>is Steinham addressing the National Women's Political Caucus in nineteen

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<v Speaker 1>seventy one. Sex and race, because they are easy, visible

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<v Speaker 1>differences have been the primary ways of organizing human beings

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<v Speaker 1>into superior and inferior groups. We are talking about a

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<v Speaker 1>society in which there will be no role other than

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<v Speaker 1>those chosen or those earned. We are really talking about humanism.

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<v Speaker 1>Steinham undermine the media's caricature of feminism. She was low key,

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<v Speaker 1>soft spoken and approachable, a very mainstream radical. But how

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<v Speaker 1>Gloria more than anything was her ability to get along

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<v Speaker 1>with folks. She could talk to them intelligently, and they

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<v Speaker 1>loved that about her. But Steinham's colleagues in the media

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<v Speaker 1>zeroed in on another one of her traits. They would

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<v Speaker 1>always focus on her because of her looks. She was

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<v Speaker 1>tall and thin and beautiful, and so they made her

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<v Speaker 1>the face of the women's movement. Steinham's critics also trivialized

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<v Speaker 1>her as glamorous and sexy. They focused on her personal

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<v Speaker 1>life and her relationships with men. They suggested there were

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<v Speaker 1>other reasons for her growing influence. You know, if women

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<v Speaker 1>could sleep their way at the top, there would be

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<v Speaker 1>a lot more women at the top. It just doesn't work.

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<v Speaker 1>So the whole idea of attributing your accomplishments or lack

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<v Speaker 1>of accomplish most to your appearance is not something we

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<v Speaker 1>do with men. Why do we do it with women?

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<v Speaker 1>The focus on Steinham's personal life and appearance didn't stop.

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<v Speaker 1>The Washington Post called her the mini skirted pin up

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<v Speaker 1>girl of the intelligentsia. Elsewhere, she was labeled a manizer,

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<v Speaker 1>an overseex frustrated spinster and much worse. For the most part,

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<v Speaker 1>she was berated in public, just treated like she was

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<v Speaker 1>trying to do something wrong instead of trying to do

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<v Speaker 1>something very right. Esquire magazine published a damning profile of

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<v Speaker 1>Steinham in one called she it transformed Steinham into a

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<v Speaker 1>feminist fim fatale, one whose fame stemmed from her effect

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<v Speaker 1>on men. No man who seeks to know how the

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<v Speaker 1>wind blows, Leonard Levitt wrote, can afford to ignore Gloria.

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<v Speaker 1>The article implied that her methods and motivations were also

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<v Speaker 1>less than noble. He was characterizing me as someone who

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<v Speaker 1>just cynically or self aggrandizing. Lee attached myself to movements

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<v Speaker 1>and came complete with a cartoon strip. As I remember,

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<v Speaker 1>so it was. It was quite painful. Steinham's treatment by

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<v Speaker 1>men in the media only made her more determined to

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<v Speaker 1>change things. She knew there was really nothing for women

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<v Speaker 1>to read on newsstands that was controlled by women, which

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<v Speaker 1>brings us back to Miss magazine. So, you know, we

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<v Speaker 1>just had the revolutionary idea of working for a magazine

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<v Speaker 1>we read because there there were, and I have to

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<v Speaker 1>say there's still are very few publications for women that

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<v Speaker 1>are owned and controlled by women. Then there was absolutely not.

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<v Speaker 1>It was a totally new idea and it was the

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<v Speaker 1>first publication that took us seriously, you know, and said, yes,

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<v Speaker 1>you are a citizen in the world. Yes you are

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<v Speaker 1>equal to men in every way, Wake up and realize it.

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<v Speaker 1>The first issue of Miss carried a petition signed by

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<v Speaker 1>hundreds of women saying they'd had abortions and demanding an

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<v Speaker 1>end to its criminalization. Here is Steinham in a interview

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<v Speaker 1>describing what made MISS magazine special. What makes us different

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<v Speaker 1>from other women's magazines is that, first of all, our

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<v Speaker 1>bottom line is we assume that women are equal human beings.

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<v Speaker 1>We're not still arguing about it like other magazines. Miss

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<v Speaker 1>Magazine published stories about abortions, gender bias in the English language,

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<v Speaker 1>the views of presidential candidates on women's issues, and more.

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<v Speaker 1>It was communal, cooperative, and democratic. Inside the magazine's offices,

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<v Speaker 1>there was no hierarchy. The masthead was an alphabetical list

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<v Speaker 1>of its staff and Steinham and still the organization with

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<v Speaker 1>a deep sense of purpose and intensity. If she didn't

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<v Speaker 1>like the people that were coming in, if they didn't

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<v Speaker 1>have the same mindset as she did, they didn't work there.

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<v Speaker 1>In fact, um. She required that they were to be

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<v Speaker 1>able to say the F bomb, and if they couldn't

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<v Speaker 1>say that, you know, they didn't work at Miss magazine.

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<v Speaker 1>But there were major obstacles to starting a women's magazine.

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<v Speaker 1>The biggest getting advertisers. We UM tried to get ads

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<v Speaker 1>that otherwise we're directed at man cars and insurance and

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<v Speaker 1>wine and so on. Such efforts met with little success,

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<v Speaker 1>and it was nearly impossible to find advertisers who didn't

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<v Speaker 1>want to dictate the editorial content of a women's magazine.

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<v Speaker 1>But after a while we discovered that actually we were

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<v Speaker 1>economically better off if we didn't take any advertising, because

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<v Speaker 1>what readers wanted and what advertisers wanted were two different things.

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<v Speaker 1>And so if you look at Miss magazine to this day,

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<v Speaker 1>you will see there's no commercial advertising. Gloria Steinham and

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<v Speaker 1>Miss faced more than reluctant advertisers. Many critics could not

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<v Speaker 1>see the point of the magazine. One national news anchor

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<v Speaker 1>gave the publication six months before it ran out of

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<v Speaker 1>things to say. MS did not run out of material

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<v Speaker 1>and left its mark on the world. Steinham herself, however,

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<v Speaker 1>left her first big mark nearly a decade for the

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<v Speaker 1>launch of Miss Magazine. Up next, we turned the clock

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<v Speaker 1>back to Steinham's frustrating early years as a journalist and

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<v Speaker 1>a pivotal experience that kick started her journey to feminist icon.

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<v Speaker 1>Gloria Steinem was a voracious reader as a young woman

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<v Speaker 1>in Toledo, Ohio. I mean I would just pick up

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<v Speaker 1>one and keep reading until I finished, regardless of whether

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<v Speaker 1>it was a day and a half later. So I

0:14:36.400 --> 0:14:38.800
<v Speaker 1>think that that's why I wanted so much to be

0:14:38.840 --> 0:14:41.040
<v Speaker 1>a writer. She eventually moved to New York City in

0:14:41.080 --> 0:14:44.400
<v Speaker 1>the late nineteen fifties to start her career in journalism.

0:14:44.520 --> 0:14:48.440
<v Speaker 1>Stein and biographer Patricia Marcello again, and you know, if

0:14:48.440 --> 0:14:51.880
<v Speaker 1>you've watched any TV shows or movies about that period,

0:14:52.400 --> 0:14:54.760
<v Speaker 1>and I lived through it, so I know, women were

0:14:54.840 --> 0:14:57.920
<v Speaker 1>not considered to be equal to men. They didn't want

0:14:58.000 --> 0:15:00.280
<v Speaker 1>women writers, They didn't think we were capable bull of

0:15:00.400 --> 0:15:04.440
<v Speaker 1>producing it, you know, proper news story. At that time,

0:15:04.560 --> 0:15:08.560
<v Speaker 1>female college graduates were considered overqualified for the secretarial pool

0:15:09.000 --> 0:15:12.200
<v Speaker 1>but underqualified for just about everything else. When I first

0:15:12.200 --> 0:15:16.320
<v Speaker 1>graduated from college, I tried to get a job as

0:15:16.360 --> 0:15:20.320
<v Speaker 1>a researcher at Time magazine because there was a system

0:15:20.360 --> 0:15:23.120
<v Speaker 1>there which meant that women researched and men wrote. There

0:15:23.120 --> 0:15:27.760
<v Speaker 1>were no women writing, and uh, I could see therefore

0:15:27.880 --> 0:15:31.240
<v Speaker 1>that it wasn't wasn't going to lead to writing. Steinham

0:15:31.280 --> 0:15:34.400
<v Speaker 1>struggled as a freelance journalist for years. She was the

0:15:34.480 --> 0:15:37.920
<v Speaker 1>quote girl reporter who often settled on penning lightweight women's

0:15:37.960 --> 0:15:42.320
<v Speaker 1>stories for outlets like Glamour and Vogue. Then, in nineteen three,

0:15:42.480 --> 0:15:45.800
<v Speaker 1>at an editorial meeting for Show, an arts magazine, the

0:15:45.880 --> 0:15:48.520
<v Speaker 1>young Steinen was thrust into an assignment that would change

0:15:48.520 --> 0:15:52.320
<v Speaker 1>her life. I was sitting in a magazine editorial meeting,

0:15:52.840 --> 0:15:56.440
<v Speaker 1>and because the Playboy Club was just opening in Manhattan,

0:15:57.920 --> 0:16:01.920
<v Speaker 1>I suggested that Lillian Ross, who was a wonderful New

0:16:02.040 --> 0:16:05.920
<v Speaker 1>Yorker writer, great great writer, go be a bunny. But

0:16:06.000 --> 0:16:08.640
<v Speaker 1>I was kidding, you know, because she was, you know,

0:16:08.760 --> 0:16:12.520
<v Speaker 1>much too old and too smart to ever be a bunny.

0:16:12.600 --> 0:16:17.800
<v Speaker 1>And the editors said, aha, you do it, so she did.

0:16:18.560 --> 0:16:22.120
<v Speaker 1>Playboy clubs strive to entertain and titillate their wealthy male

0:16:22.200 --> 0:16:25.280
<v Speaker 1>members and guests. They were the offspring of Hugh Hefner,

0:16:25.560 --> 0:16:29.240
<v Speaker 1>founder of the popular Playboy magazine. The magazine had become

0:16:29.320 --> 0:16:32.480
<v Speaker 1>famous for its nude centerfolds, known as Playmates of the Month.

0:16:33.160 --> 0:16:36.320
<v Speaker 1>The Playboy clubs were quickly becoming known for another species

0:16:36.360 --> 0:16:40.200
<v Speaker 1>of female sex object, The playboy bunny. Bunny is an

0:16:40.240 --> 0:16:43.520
<v Speaker 1>American creation. She's a cross between a hostess, showgirl and

0:16:43.560 --> 0:16:45.840
<v Speaker 1>the bomb maid waitress, well versed in the art of

0:16:45.920 --> 0:16:49.440
<v Speaker 1>charming the cash customers in a string of plush international clubs.

0:16:49.880 --> 0:16:53.640
<v Speaker 1>Yes it's true, proclaimed the Playboy Club ads. Attractive young

0:16:53.680 --> 0:16:55.880
<v Speaker 1>girls can now earn two hundred three hundred dollars a

0:16:55.880 --> 0:16:58.840
<v Speaker 1>week at the fabulous New York Playboy Club. Please bring

0:16:58.920 --> 0:17:02.080
<v Speaker 1>a swimsuit or leotar it the twenty year olds. Dynham

0:17:02.120 --> 0:17:04.760
<v Speaker 1>did exactly that. She showed up at the Playboy Club

0:17:04.840 --> 0:17:08.239
<v Speaker 1>under an assumed name and with no legal identification. She

0:17:08.320 --> 0:17:10.920
<v Speaker 1>was certain she would be rejected and her undercover assignment

0:17:10.920 --> 0:17:13.280
<v Speaker 1>would soon be over, but it turned out they were

0:17:13.359 --> 0:17:17.560
<v Speaker 1>so desperate for employees that they hired me. Steinham later wrote,

0:17:17.760 --> 0:17:21.600
<v Speaker 1>hippote Hop, I'm a bunny. She soon began her bunny training.

0:17:21.960 --> 0:17:25.080
<v Speaker 1>So they just sort of made you take off your

0:17:25.119 --> 0:17:28.280
<v Speaker 1>coat and walk around and see if you could pronounce

0:17:28.320 --> 0:17:32.199
<v Speaker 1>the name of drinks uh, And then they showed you

0:17:32.280 --> 0:17:36.720
<v Speaker 1>the costume, which it was incredibly barbaric. I mean it

0:17:36.920 --> 0:17:41.320
<v Speaker 1>left welts on your ribs and they stuffed your bosom

0:17:41.440 --> 0:17:46.520
<v Speaker 1>with plastic dry cleaning bags. So they had to be

0:17:46.880 --> 0:17:49.639
<v Speaker 1>packed into a bunny suit, which was more like a

0:17:49.680 --> 0:17:53.560
<v Speaker 1>one piece bathing suit strapless bathing suit. They had to

0:17:53.560 --> 0:17:58.159
<v Speaker 1>work cuffs with cuff links, uh black tights that they

0:17:58.160 --> 0:18:01.200
<v Speaker 1>had to buy for themselves. They had to have shoes

0:18:01.240 --> 0:18:04.639
<v Speaker 1>that matched their costumes, which they had to have died

0:18:04.680 --> 0:18:07.679
<v Speaker 1>to match the same color as their costume, and they

0:18:07.720 --> 0:18:10.800
<v Speaker 1>had to pay for all of that. The bunny is

0:18:10.800 --> 0:18:13.000
<v Speaker 1>paid the best part of two thousand pounds a year.

0:18:13.160 --> 0:18:16.320
<v Speaker 1>She's trained to perfection, the meticulously groomed, and the rules

0:18:16.320 --> 0:18:19.359
<v Speaker 1>are sticked. No dating customers, for instance, is permitted on

0:18:19.400 --> 0:18:29.640
<v Speaker 1>plane of dismissals. Every new Bunny was given the Club Bible,

0:18:29.880 --> 0:18:34.080
<v Speaker 1>the Playboy Club Bunny Manual. It proclaimed you were holding

0:18:34.119 --> 0:18:36.160
<v Speaker 1>the top job in the country for a young girl.

0:18:36.640 --> 0:18:39.440
<v Speaker 1>I remember one part of the Bunny manual said always

0:18:39.480 --> 0:18:43.000
<v Speaker 1>remember your proudest possession is your bunny tail. This is

0:18:43.080 --> 0:18:46.480
<v Speaker 1>Russell Miller, author of Bunny, The Real Story of Playboy

0:18:46.720 --> 0:18:49.320
<v Speaker 1>in These Days, So Fat you lu to Chris. The

0:18:49.400 --> 0:18:53.600
<v Speaker 1>manual also provided detailed instructions on proper bunny protocol and behavior,

0:18:54.080 --> 0:18:58.520
<v Speaker 1>and experienced club trainers showed aspiring bunnies the ropes good,

0:18:58.800 --> 0:19:01.720
<v Speaker 1>I'm your gunny. Izzy. Noticed that she smiles and gives

0:19:01.720 --> 0:19:03.879
<v Speaker 1>eye contact with all four of us. We imagine that

0:19:03.920 --> 0:19:06.560
<v Speaker 1>there's another gentleman sitting there. She places the napkin. Now,

0:19:06.560 --> 0:19:08.439
<v Speaker 1>you noticed that she placed the napkins for the ladies

0:19:08.520 --> 0:19:11.880
<v Speaker 1>first and with the bunny emblem facing the guests. Now

0:19:11.880 --> 0:19:13.840
<v Speaker 1>when she places this one, you notice that she is

0:19:13.880 --> 0:19:16.880
<v Speaker 1>doing what we call a bunny dip. The bunny dip

0:19:16.920 --> 0:19:20.200
<v Speaker 1>was one of several prescribed bunny poses. You leaned back

0:19:20.240 --> 0:19:22.879
<v Speaker 1>when you placed drinks on low tables in parts, so

0:19:22.920 --> 0:19:25.840
<v Speaker 1>you wouldn't fall out of your costume. Bunnies were also

0:19:25.840 --> 0:19:27.919
<v Speaker 1>given to merits if they're tights, head runs, or if

0:19:27.960 --> 0:19:30.960
<v Speaker 1>their ears were bent. They were told that company spies

0:19:30.960 --> 0:19:34.120
<v Speaker 1>were watching them if they fell out of line. Steinham

0:19:34.160 --> 0:19:37.400
<v Speaker 1>shared these inside details and many more with the world. Well,

0:19:37.440 --> 0:19:41.679
<v Speaker 1>she was taking on the playboy bunny image. You know.

0:19:42.119 --> 0:19:44.359
<v Speaker 1>Everybody thought it was so cool and oh, if you

0:19:44.359 --> 0:19:46.760
<v Speaker 1>could work in a club like that, how cool would

0:19:46.800 --> 0:19:49.920
<v Speaker 1>that be? Well, it wasn't cool at all. Steinham served

0:19:50.000 --> 0:19:52.159
<v Speaker 1>drinks as a table bunny, and took coats as a

0:19:52.160 --> 0:19:55.560
<v Speaker 1>hat check bunny. The exclusive club was unlike anything else

0:19:55.560 --> 0:20:00.000
<v Speaker 1>in the city. Smooth orchestra playing, there'd be a dance floor,

0:20:00.000 --> 0:20:04.879
<v Speaker 1>there'll be a bar area. Um, that would be a restaurant.

0:20:05.240 --> 0:20:09.439
<v Speaker 1>But the Playboy Club offered this unique facility of the

0:20:09.480 --> 0:20:15.360
<v Speaker 1>bunny who was always pretty, always smiling, the and um.

0:20:16.200 --> 0:20:19.040
<v Speaker 1>You know, it was the tremendous successful concept, a great

0:20:19.119 --> 0:20:21.720
<v Speaker 1>night out for the lads. Some of the lads, as

0:20:21.720 --> 0:20:25.359
<v Speaker 1>Steinham wrote about, did more than admire the club's costume staff.

0:20:25.840 --> 0:20:30.400
<v Speaker 1>They pinched and pulled tails, they padded and propositioned. You know,

0:20:29.840 --> 0:20:34.400
<v Speaker 1>I was just wanting to show the reality of those

0:20:34.520 --> 0:20:38.680
<v Speaker 1>working women. It was subject to constant what we would

0:20:38.800 --> 0:20:41.760
<v Speaker 1>now term sexual harassment, but there wasn't even a word

0:20:41.800 --> 0:20:45.520
<v Speaker 1>for it then. It was a terrible job. Steinin remembers

0:20:45.520 --> 0:20:47.439
<v Speaker 1>one customer who grabbed a hold of her after his

0:20:47.520 --> 0:20:51.320
<v Speaker 1>fourth martini. When she pulled away, he grew angry. He yelled,

0:20:51.760 --> 0:20:54.080
<v Speaker 1>what do you think I come here for the roast beef.

0:20:57.040 --> 0:20:59.720
<v Speaker 1>Steinham worked less than two weeks at the club. She

0:21:00.200 --> 0:21:03.000
<v Speaker 1>with swollen feet, but also one hell of a story.

0:21:03.600 --> 0:21:06.800
<v Speaker 1>Her subsequent essay about her undercover stint, A Bunny's Tale,

0:21:07.160 --> 0:21:09.960
<v Speaker 1>made a big splash, but it did not receive the

0:21:10.040 --> 0:21:12.880
<v Speaker 1>kind of reception she had hoped for. For the most part,

0:21:12.920 --> 0:21:18.920
<v Speaker 1>it was taken as lighthearted and frivolous. Steinham received suggestions

0:21:18.920 --> 0:21:21.399
<v Speaker 1>from editors at other magazines that she posed as a

0:21:21.440 --> 0:21:25.600
<v Speaker 1>call girl and do an expose on prostitution. They weren't joking.

0:21:25.960 --> 0:21:31.080
<v Speaker 1>I was just beginning to get serious assignments, journalistic assignments,

0:21:31.720 --> 0:21:35.520
<v Speaker 1>and after I did that, I was, you know, getting

0:21:35.680 --> 0:21:40.800
<v Speaker 1>a lot less serious ideas directed at me. For years,

0:21:40.800 --> 0:21:45.199
<v Speaker 1>she regretted the Playboy story. However, in retrospect, you know,

0:21:45.280 --> 0:21:48.159
<v Speaker 1>once the women's wovement got started, I was I was

0:21:48.200 --> 0:21:51.199
<v Speaker 1>glad I did it. The story improved working conditions for

0:21:51.240 --> 0:21:54.359
<v Speaker 1>women at the Playboy clubs, and it also opened Steinham's

0:21:54.359 --> 0:21:57.240
<v Speaker 1>eyes in new ways to how women were treated and perceived.

0:21:57.600 --> 0:22:01.960
<v Speaker 1>Steinham later wrote, eventually feminism made me understand that reporting

0:22:01.960 --> 0:22:05.159
<v Speaker 1>about phony glamor and the exploitative employment policies of the

0:22:05.160 --> 0:22:08.600
<v Speaker 1>Playboy club was a useful thing to do. She says

0:22:08.600 --> 0:22:11.760
<v Speaker 1>she came to realize that in many ways, all women

0:22:11.800 --> 0:22:14.840
<v Speaker 1>are bunnies, and that was one of the reasons that

0:22:14.920 --> 0:22:17.920
<v Speaker 1>she got into feminism. She saw the women were being

0:22:17.960 --> 0:22:21.680
<v Speaker 1>mistreated on a regular basis in all walks of life,

0:22:21.720 --> 0:22:28.320
<v Speaker 1>not just as playboy bunnies. Working at the Playboy Club

0:22:28.359 --> 0:22:30.840
<v Speaker 1>gave Gloria stein Him the chance to challenge the world

0:22:30.840 --> 0:22:33.440
<v Speaker 1>of male privilege for the first time and to break

0:22:33.480 --> 0:22:36.480
<v Speaker 1>the silence on how women were being treated there. It

0:22:36.560 --> 0:22:38.919
<v Speaker 1>was an endeavor that would change her life and with it,

0:22:39.040 --> 0:22:42.520
<v Speaker 1>the lives of countless other women. The playboy world that

0:22:42.600 --> 0:22:46.080
<v Speaker 1>helped transform Steinem and helped her transform the lives of others,

0:22:46.480 --> 0:22:49.760
<v Speaker 1>was the brainchild of a very different kind of American icon.

0:22:50.600 --> 0:22:54.080
<v Speaker 1>Next time on the Thread, Hugh Hefner, the audacious playboy,

0:22:54.119 --> 0:22:56.640
<v Speaker 1>set out to reinvent what it meant to be a worldly,

0:22:56.680 --> 0:23:00.600
<v Speaker 1>sophisticated man, only to become the poster boy for man's

0:23:00.640 --> 0:23:18.600
<v Speaker 1>baser instincts. Thank You Stand, We Must From the Threat

0:23:18.680 --> 0:23:22.119
<v Speaker 1>is produced by Libby Coleman and me Sean Braswell. Chris

0:23:22.119 --> 0:23:25.800
<v Speaker 1>Hoff engineered our show special thanks to Gloria Steinhum, Cindy

0:23:25.840 --> 0:23:29.919
<v Speaker 1>Carpi and Tracy Moran and James Watkins. This episode features

0:23:29.960 --> 0:23:32.680
<v Speaker 1>music by Bill McGarvey, with a song called Standing Next

0:23:32.720 --> 0:23:35.800
<v Speaker 1>To Gloria Stye. To learn more about the thread, visit

0:23:35.840 --> 0:23:39.320
<v Speaker 1>ausi dot com. Slash the thread all one word, and

0:23:39.400 --> 0:23:42.600
<v Speaker 1>make sure to subscribe to the thread on Apple Podcasts.

0:23:42.720 --> 0:23:44.520
<v Speaker 1>Check us out at ausi dot com or on Twitter

0:23:44.560 --> 0:23:48.320
<v Speaker 1>and Facebook. If you love surprising, engaging stories from history,

0:23:48.480 --> 0:23:51.880
<v Speaker 1>look no further than the flashback section of ausi dot com.

0:23:51.960 --> 0:24:00.000
<v Speaker 1>That's o z y dot com.