1 00:00:04,250 --> 00:00:07,130 Speaker 1: Hey, and welcome to the short stuff. Josh, Chuck, Jerry 2 00:00:07,170 --> 00:00:09,860 Speaker 1: sitting in for Dave. This is short stuff, Chuck. And 3 00:00:09,900 --> 00:00:13,080 Speaker 1: this is a slightly different kind of short stuff, I 4 00:00:13,119 --> 00:00:14,940 Speaker 1: would say, for Halloween. 5 00:00:16,480 --> 00:00:16,900 Speaker 2: That's right. 6 00:00:17,260 --> 00:00:20,160 Speaker 3: Halloween and maybe beyond, everyone, because we had an idea 7 00:00:20,180 --> 00:00:25,070 Speaker 3: a while ago about perhaps adding a episode here and 8 00:00:25,090 --> 00:00:29,260 Speaker 3: there where we do recommendations, because people are always saying, Like, hey, 9 00:00:29,300 --> 00:00:32,630 Speaker 3: when you guys recommend books and movies and recipes and stuff, 10 00:00:33,490 --> 00:00:36,809 Speaker 3: we really like that kind of thing. And this is 11 00:00:36,909 --> 00:00:39,150 Speaker 3: maybe a chance to formalize it. So we're going to 12 00:00:39,250 --> 00:00:42,269 Speaker 3: ask you to let us know what you think about this. 13 00:00:42,490 --> 00:00:45,550 Speaker 3: If maybe once a month in place of the regular Shorty, 14 00:00:46,050 --> 00:00:49,409 Speaker 3: we recommend things that we're watching and reading and eating 15 00:00:49,430 --> 00:00:53,480 Speaker 3: and drinking or whatever. It could be like a new 16 00:00:53,950 --> 00:00:54,720 Speaker 3: sleeping regimen. 17 00:00:56,040 --> 00:00:56,660 Speaker 2: Maybe not that. 18 00:00:56,800 --> 00:00:57,040 Speaker 3: Sure. 19 00:00:57,260 --> 00:00:57,630 Speaker 1: It could be. 20 00:00:59,410 --> 00:01:02,170 Speaker 3: Uh, so maybe we'll just, uh, like one of us 21 00:01:02,220 --> 00:01:04,580 Speaker 3: will take their recommendation and then after the break, the 22 00:01:04,680 --> 00:01:05,520 Speaker 3: other one we'll do theirs. 23 00:01:05,560 --> 00:01:06,120 Speaker 2: How does that sound? 24 00:01:07,600 --> 00:01:08,340 Speaker 1: Uh, sure. 25 00:01:08,360 --> 00:01:08,940 Speaker 2: Yeah. 26 00:01:08,980 --> 00:01:11,760 Speaker 1: We're like, we should say everybody, we're literally figuring this 27 00:01:11,860 --> 00:01:14,959 Speaker 1: out as we go along in stuff you should know fashion. 28 00:01:15,500 --> 00:01:16,700 Speaker 2: Why don't you, why don't you take it away? Let's 29 00:01:16,720 --> 00:01:17,520 Speaker 2: hear what you're recommending. 30 00:01:17,880 --> 00:01:20,920 Speaker 1: Oh, geez. Well, um, you know, I love me some 31 00:01:20,959 --> 00:01:23,250 Speaker 1: good horror movies, so I thought maybe I would just 32 00:01:23,270 --> 00:01:26,490 Speaker 1: recommend a few good horror movies for Halloween. All right. 33 00:01:26,610 --> 00:01:28,009 Speaker 2: Let's, let's chat. Okay. 34 00:01:28,420 --> 00:01:31,709 Speaker 1: Have you ever seen Trick or Treat? Trick-R-Treat? 35 00:01:33,270 --> 00:01:36,890 Speaker 2: I don't think so. Is it the movie from the 80s? 36 00:01:37,230 --> 00:01:41,789 Speaker 1: No, it's from the aughts, I think, the mid-aughts. 37 00:01:42,310 --> 00:01:43,750 Speaker 2: All right, I'm seeing it's from 2007. 38 00:01:43,750 --> 00:01:48,070 Speaker 1: Yeah, bizarrely stars Anna Paquin, the Oscar winner, the youngest 39 00:01:48,150 --> 00:01:49,370 Speaker 1: Oscar winner of all time. 40 00:01:50,090 --> 00:01:50,390 Speaker 2: Okay. 41 00:01:50,770 --> 00:01:55,010 Speaker 1: And it's just this little sleeper movie that flew below 42 00:01:55,130 --> 00:01:58,920 Speaker 1: everybody's radar and But it's actually one of the most 43 00:01:59,080 --> 00:02:04,340 Speaker 1: interesting Halloween anthologies ever. It's really woven together. There's some 44 00:02:04,360 --> 00:02:07,200 Speaker 1: like legitimately scary stuff to it. There's a lot of 45 00:02:07,300 --> 00:02:10,870 Speaker 1: creepy stuff. There's a lot of funny stuff, which to 46 00:02:10,930 --> 00:02:13,630 Speaker 1: me is like if you're able to pull off comedy 47 00:02:13,669 --> 00:02:16,510 Speaker 1: with horror, that's a that's a real trick to do. 48 00:02:16,570 --> 00:02:19,280 Speaker 1: And I think they did that because it wasn't all comedy. 49 00:02:19,310 --> 00:02:21,780 Speaker 1: It was like, you know, kind of here or there. 50 00:02:21,840 --> 00:02:22,799 Speaker 1: There was some funny stuff. 51 00:02:23,630 --> 00:02:25,990 Speaker 2: Now, I'm seeing that it's an anthology film. 52 00:02:26,050 --> 00:02:26,810 Speaker 1: Yeah. 53 00:02:27,310 --> 00:02:30,050 Speaker 3: So it's several stories all by the same person. It's 54 00:02:30,070 --> 00:02:31,989 Speaker 3: not one of those sort of co-directed things? 55 00:02:32,130 --> 00:02:35,330 Speaker 1: No, no, no. It's all the same person. And I 56 00:02:35,490 --> 00:02:38,109 Speaker 1: don't remember who directed it. I think it was a 57 00:02:38,160 --> 00:02:39,400 Speaker 1: writer-director kind of thing. 58 00:02:39,900 --> 00:02:41,380 Speaker 2: Yeah, Michael Dougherty. Okay. 59 00:02:41,800 --> 00:02:47,340 Speaker 1: So he did it all. And the way that it's 60 00:02:47,380 --> 00:02:50,660 Speaker 1: an anthology is, you know, like with a normal anthology, 61 00:02:50,720 --> 00:02:54,970 Speaker 1: there's like somebody telling somebody, a story and then yeah 62 00:02:55,070 --> 00:02:58,010 Speaker 1: in between them you come back to that that present 63 00:02:58,330 --> 00:03:00,310 Speaker 1: you know reality. 64 00:03:00,169 --> 00:03:02,730 Speaker 2: Yeah like the crypt keeper or something yeah. 65 00:03:03,010 --> 00:03:07,600 Speaker 1: Exactly with this everything is all woven together and it 66 00:03:07,639 --> 00:03:09,700 Speaker 1: says like earlier that night or something like that so 67 00:03:09,720 --> 00:03:11,520 Speaker 1: it kind of jumps around a little bit but it's 68 00:03:11,639 --> 00:03:15,620 Speaker 1: not like it's really well done as far as horror 69 00:03:15,660 --> 00:03:17,610 Speaker 1: anthologies go Awesome. 70 00:03:17,730 --> 00:03:21,350 Speaker 3: Well, it says here in my little lookup device that 71 00:03:21,450 --> 00:03:23,950 Speaker 3: it has gained cult status, even though it was not 72 00:03:24,030 --> 00:03:24,970 Speaker 3: very much seen. 73 00:03:25,010 --> 00:03:28,230 Speaker 1: Yeah, I totally buy that. Yeah. I don't want to 74 00:03:28,410 --> 00:03:30,610 Speaker 1: make it sound like it's a high art or cinema. 75 00:03:30,669 --> 00:03:32,990 Speaker 1: It's not supposed to be. So it's just a fun 76 00:03:33,030 --> 00:03:36,570 Speaker 1: little it's very bloody. So don't don't make any mistake 77 00:03:36,620 --> 00:03:39,800 Speaker 1: about that. Basically, if I ever recommend a movie, it's 78 00:03:39,860 --> 00:03:42,320 Speaker 1: either disturbing or bloody or both. 79 00:03:42,860 --> 00:03:43,260 Speaker 2: OK. 80 00:03:44,200 --> 00:03:45,020 Speaker 1: Yeah. 81 00:03:45,260 --> 00:03:46,320 Speaker 2: You got another scary movie? 82 00:03:46,870 --> 00:03:49,850 Speaker 1: Oh, sure. I got a million of them. Let's see 83 00:03:49,890 --> 00:03:53,410 Speaker 1: which one. I will say, I'll tell you one that 84 00:03:53,450 --> 00:04:02,180 Speaker 1: I've seen a couple times now. There's a movie called Moloch. Moloch? Moloch? 85 00:04:03,460 --> 00:04:04,000 Speaker 2: How do you spell it? 86 00:04:04,380 --> 00:04:08,150 Speaker 1: M-O-L-O-C-H. It's the name of a demon. I think like 87 00:04:08,210 --> 00:04:11,330 Speaker 1: a real deal demon. It's not made up. 88 00:04:11,770 --> 00:04:12,190 Speaker 2: Yeah, yeah. 89 00:04:12,590 --> 00:04:14,610 Speaker 1: Although I don't think this is based on a true story. 90 00:04:15,350 --> 00:04:15,950 Speaker 2: This looks scary. 91 00:04:16,330 --> 00:04:20,330 Speaker 1: It is scary. It's not supposed to be funny. And 92 00:04:20,390 --> 00:04:22,540 Speaker 1: it is kind of an attempt at cinema. I think 93 00:04:22,620 --> 00:04:29,599 Speaker 1: it's Dutch. Yeah. Dutch folk horror. And it's about this. 94 00:04:30,540 --> 00:04:32,160 Speaker 1: I don't want to give too much away, but it's 95 00:04:32,220 --> 00:04:38,070 Speaker 1: about this family that's basically being targeted by Moloch the demon. 96 00:04:38,370 --> 00:04:41,990 Speaker 1: And there's all sorts of really interesting reasons why. And 97 00:04:42,010 --> 00:04:46,300 Speaker 1: there's like subtitles and everything. Do subtitles bother most people? 98 00:04:46,360 --> 00:04:48,000 Speaker 1: I know they don't bother you, but do you know 99 00:04:48,040 --> 00:04:50,659 Speaker 1: anyone who are like, I can't watch movies because of subtitles? 100 00:04:51,160 --> 00:04:52,600 Speaker 2: Well, I don't know. 101 00:04:52,620 --> 00:04:55,400 Speaker 3: I mean, back when we were doing Movie Crush, I 102 00:04:55,500 --> 00:04:59,640 Speaker 3: do remember hearing from people that some people like it 103 00:04:59,680 --> 00:05:03,640 Speaker 3: didn't bother them. Some people loved foreign cinema and some 104 00:05:03,680 --> 00:05:07,800 Speaker 3: people like had like really. like solid reasons for not 105 00:05:07,839 --> 00:05:10,839 Speaker 3: liking it. Like either they maybe had dyslexia or, uh, 106 00:05:11,240 --> 00:05:13,880 Speaker 3: it was distracting for them or like in an ADHD 107 00:05:13,920 --> 00:05:15,619 Speaker 3: sort of way. So there's all sorts of reasons someone 108 00:05:15,660 --> 00:05:17,260 Speaker 3: might like them other than like, well, I don't like 109 00:05:17,279 --> 00:05:17,600 Speaker 3: to read. 110 00:05:17,820 --> 00:05:22,550 Speaker 1: Huh? I'd never considered that, but that's really good point. Great. Okay, good. Well, 111 00:05:23,170 --> 00:05:26,230 Speaker 1: if you don't like subtitled movies, I don't think there's 112 00:05:26,270 --> 00:05:31,310 Speaker 1: an English dub to, I think it is all subtitles, unfortunately, but, um, 113 00:05:31,940 --> 00:05:34,500 Speaker 1: There's a movie that I told you about before that 114 00:05:34,520 --> 00:05:39,640 Speaker 1: I loved. It's called Lamb, the A24 movie with the 115 00:05:39,760 --> 00:05:41,860 Speaker 1: girl with the dragon tattoo. Yes. 116 00:05:42,040 --> 00:05:44,160 Speaker 2: The original one. Yes. 117 00:05:45,240 --> 00:05:48,870 Speaker 1: And it is completely bizarre and off the wall, but 118 00:05:48,910 --> 00:05:52,990 Speaker 1: it's also one of the most heart-rending movies I've ever seen. 119 00:05:53,050 --> 00:05:56,830 Speaker 1: It's so, it's just so, there's parts of it that 120 00:05:56,990 --> 00:06:00,570 Speaker 1: you just want to like hug everybody, but it's considered 121 00:06:00,589 --> 00:06:01,309 Speaker 1: a horror movie. 122 00:06:01,650 --> 00:06:02,390 Speaker 2: Oh, really? Yeah. 123 00:06:03,170 --> 00:06:07,110 Speaker 1: It is in Icelandic, I think. And there's subtitles. And 124 00:06:07,170 --> 00:06:10,610 Speaker 1: it's so well done that I watched it once without subtitles. 125 00:06:11,130 --> 00:06:12,730 Speaker 1: I think maybe even the first time. And I knew 126 00:06:12,750 --> 00:06:15,370 Speaker 1: I basically got everything that was going on except for 127 00:06:15,390 --> 00:06:18,130 Speaker 1: like a couple conversations that really didn't matter that much. 128 00:06:18,630 --> 00:06:20,310 Speaker 2: Oh, that's cool. I like that. I think I've had 129 00:06:20,350 --> 00:06:21,230 Speaker 2: that experience before. 130 00:06:21,350 --> 00:06:23,130 Speaker 1: Yeah, it is. It's kind of fun because you're like, 131 00:06:23,270 --> 00:06:27,890 Speaker 1: I'm part of the universal humanity. I don't even need words. Yeah. 132 00:06:28,050 --> 00:06:29,870 Speaker 1: I don't even need to understand what's coming out of 133 00:06:29,890 --> 00:06:30,190 Speaker 1: your mouth. 134 00:06:31,100 --> 00:06:33,800 Speaker 3: Well, this is spooky season for movies for me, you know, 135 00:06:33,880 --> 00:06:36,400 Speaker 3: and I watch a lot during October. And I just 136 00:06:36,460 --> 00:06:38,800 Speaker 3: last night was looking up, like, what are the best 137 00:06:38,880 --> 00:06:41,360 Speaker 3: horror movies of the last, you know, of the 2020s 138 00:06:41,940 --> 00:06:42,990 Speaker 3: and have a short list going. 139 00:06:43,000 --> 00:06:45,070 Speaker 2: So I'll add these to the list, and I appreciate it. 140 00:06:45,170 --> 00:06:46,690 Speaker 1: All right. Well, let's take a break and then come 141 00:06:46,730 --> 00:07:17,050 Speaker 1: back and we'll hear about your stuff. All right. All right. 142 00:07:17,110 --> 00:07:17,730 Speaker 2: We are back. 143 00:07:17,810 --> 00:07:20,610 Speaker 3: And I am going to recommend a couple of spooky books, everyone, 144 00:07:20,670 --> 00:07:24,630 Speaker 3: because I have talked before kind of briefly on the 145 00:07:24,680 --> 00:07:27,220 Speaker 3: show about having never really gotten into horror or fiction. 146 00:07:28,440 --> 00:07:31,400 Speaker 3: But jumped back on the bandwagon when I randomly picked 147 00:07:31,460 --> 00:07:34,580 Speaker 3: up a book that just looked cool from the author 148 00:07:34,620 --> 00:07:40,140 Speaker 3: Keith Rawson. a very great writer from Portland who Stephen King, 149 00:07:40,420 --> 00:07:43,640 Speaker 3: no less than Stephen King, has championed. And I had 150 00:07:43,850 --> 00:07:47,590 Speaker 3: started reading, you know, I read his duology, Devil by 151 00:07:47,650 --> 00:07:49,830 Speaker 3: Name and Fever House, which was a zombie thing, and 152 00:07:49,870 --> 00:07:52,370 Speaker 3: both of those are great. And then I read his 153 00:07:52,430 --> 00:07:55,650 Speaker 3: follow-up to that, which was Coffin Moon, which was about 154 00:07:55,890 --> 00:08:00,530 Speaker 3: a vampire story, which was great. I think all of 155 00:08:00,570 --> 00:08:02,830 Speaker 3: these have been optioned, by the way, so hopefully they'll 156 00:08:03,190 --> 00:08:05,110 Speaker 3: come to a movie or TV screen near you. 157 00:08:06,200 --> 00:08:07,680 Speaker 2: And then I got an advanced copy. 158 00:08:07,700 --> 00:08:09,930 Speaker 3: I know I shouted it out briefly, but I want 159 00:08:09,950 --> 00:08:13,570 Speaker 3: to talk to everyone about his newest book, Crone. As 160 00:08:13,610 --> 00:08:16,350 Speaker 3: we know, a crone is a witch. And this is 161 00:08:16,410 --> 00:08:19,330 Speaker 3: a witchy story. And again, I don't want to give 162 00:08:19,350 --> 00:08:21,830 Speaker 3: too much away, but it is a really great witchy 163 00:08:21,870 --> 00:08:24,420 Speaker 3: story that goes in all sorts of kind of cool directions. 164 00:08:25,510 --> 00:08:29,700 Speaker 3: What I love about Keith's books is that they are, 165 00:08:29,860 --> 00:08:33,059 Speaker 3: first of all, they are expertly written. He's just a really, 166 00:08:33,100 --> 00:08:36,960 Speaker 3: really great writer. And after having written read some lesser 167 00:08:37,150 --> 00:08:39,800 Speaker 3: horror novels since then. I picked up another couple by 168 00:08:39,840 --> 00:08:43,320 Speaker 3: other people. I now really appreciate like how great Keith 169 00:08:43,400 --> 00:08:45,680 Speaker 3: is just with the, with the pen or the thingies 170 00:08:45,740 --> 00:08:48,939 Speaker 3: on the keyboard. Yeah. So he's a great writer and, 171 00:08:49,140 --> 00:08:51,800 Speaker 3: and all of his books had this humanity and this 172 00:08:51,860 --> 00:08:56,459 Speaker 3: heart and they always involve some sort of family story 173 00:08:56,800 --> 00:08:59,120 Speaker 3: going on that. So a lot of it is heartbreaking stories. 174 00:08:59,800 --> 00:09:02,240 Speaker 3: at the same time as being, like, super scary. And 175 00:09:02,440 --> 00:09:04,880 Speaker 3: he has such a way with describing things in such 176 00:09:04,920 --> 00:09:06,110 Speaker 3: a gross, gross way. 177 00:09:06,390 --> 00:09:08,250 Speaker 1: Oh, yeah? That's tough to do, man. 178 00:09:09,150 --> 00:09:10,330 Speaker 2: Yeah, I mean, he uses. 179 00:09:10,230 --> 00:09:14,550 Speaker 3: Words, like, that people don't use anymore, like torpor and 180 00:09:14,710 --> 00:09:16,329 Speaker 3: stuff like that, where, like, I got to look it 181 00:09:16,390 --> 00:09:19,429 Speaker 3: up even to see what that is. And so he's 182 00:09:19,500 --> 00:09:22,559 Speaker 3: just a very great descriptor, which are my favorite kinds 183 00:09:22,600 --> 00:09:26,620 Speaker 3: of writers. So check out Krohn. And all of his books. 184 00:09:26,740 --> 00:09:28,980 Speaker 3: But Krohn is the most recent one. And I'm in 185 00:09:29,000 --> 00:09:31,800 Speaker 3: touch with him via Instagram. And he seems like a 186 00:09:31,820 --> 00:09:33,059 Speaker 3: really good dude as well. 187 00:09:33,120 --> 00:09:36,059 Speaker 1: Well, sure. If you're on somebody's bandwagon, they're probably a 188 00:09:36,100 --> 00:09:36,579 Speaker 1: good dude. 189 00:09:37,100 --> 00:09:40,990 Speaker 2: Yeah. And we're both adoption dads. So we have that 190 00:09:41,000 --> 00:09:41,330 Speaker 2: in common. 191 00:09:41,420 --> 00:09:42,809 Speaker 1: Oh, very cool. Very cool. 192 00:09:43,630 --> 00:09:45,590 Speaker 2: And then the next one, you know, I think I 193 00:09:45,630 --> 00:09:46,109 Speaker 2: told you. 194 00:09:46,170 --> 00:09:47,610 Speaker 3: I'm not going to shout it out because I told 195 00:09:47,630 --> 00:09:49,770 Speaker 3: you on the plane on the way home from the cruise. 196 00:09:49,790 --> 00:09:53,410 Speaker 3: The one I was reading about the theme park wasn't 197 00:09:53,450 --> 00:09:56,410 Speaker 3: very good. But I did read another pretty good one 198 00:09:56,450 --> 00:10:00,110 Speaker 3: called Hidden Pictures. It is a horror fiction novel by... 199 00:10:00,500 --> 00:10:04,980 Speaker 3: Jason Reculac. And it was a New York Times bestseller. 200 00:10:05,200 --> 00:10:07,100 Speaker 3: And I'll just read the description on the back because 201 00:10:07,140 --> 00:10:10,640 Speaker 3: it doesn't give too much away. Mallory Quinn is fresh 202 00:10:10,679 --> 00:10:13,160 Speaker 3: out of rehab when she takes a job babysitting Ted 203 00:10:13,280 --> 00:10:17,460 Speaker 3: and Caroline Maxwell's five-year-old son, Teddy. She immediately bonds with 204 00:10:17,540 --> 00:10:20,290 Speaker 3: a sweet boy who is never without his sketchbook. His 205 00:10:20,309 --> 00:10:23,610 Speaker 3: drawings are the usual fare, trees, rabbits, balloons, but one 206 00:10:23,630 --> 00:10:27,839 Speaker 3: day he draws something different, a man dragging a lifeless body. 207 00:10:28,220 --> 00:10:28,520 Speaker 1: Yikes. 208 00:10:29,679 --> 00:10:34,040 Speaker 3: Then his stick figures evolve into increasingly sophisticated sketches depicting 209 00:10:34,540 --> 00:10:38,219 Speaker 3: one disturbing scene after another. Is Teddy troubled, or is 210 00:10:38,240 --> 00:10:42,180 Speaker 3: he channeling forces he cannot possibly understand? Knowing just how 211 00:10:42,260 --> 00:10:45,870 Speaker 3: crazy it all sounds, Mallory must decipher the images and 212 00:10:45,910 --> 00:10:47,550 Speaker 3: save Teddy before it's too late. 213 00:10:48,470 --> 00:10:49,270 Speaker 1: Nice. Who wrote that? 214 00:10:50,500 --> 00:10:52,860 Speaker 3: His name is Jason Reculac, I guess is how you 215 00:10:52,880 --> 00:11:00,700 Speaker 3: pronounce it. And Stephen King also has a cover quote saying, 216 00:11:00,720 --> 00:11:02,520 Speaker 3: a one-of-a-kind thriller. 217 00:11:02,800 --> 00:11:05,600 Speaker 2: I loved it. And it's good. And kind of one 218 00:11:05,620 --> 00:11:06,579 Speaker 2: of the fun things. 219 00:11:06,380 --> 00:11:11,030 Speaker 3: Here is the author draws these pictures along the way. 220 00:11:11,150 --> 00:11:12,010 Speaker 1: Oh, yeah, that is cool. 221 00:11:12,550 --> 00:11:13,110 Speaker 2: As well. 222 00:11:13,190 --> 00:11:17,370 Speaker 3: So he's drawing these pictures, and it's the first sort 223 00:11:17,390 --> 00:11:20,520 Speaker 3: of creepy one. There's just a a nice impact you 224 00:11:20,540 --> 00:11:23,380 Speaker 3: have when you're seeing these kind of just kid drawings 225 00:11:23,460 --> 00:11:25,040 Speaker 3: and all of a sudden you see the creepy one. 226 00:11:25,780 --> 00:11:27,500 Speaker 3: And the story takes a lot of twists and turns. 227 00:11:27,960 --> 00:11:30,360 Speaker 3: I'm sure this is going to be optioned. I'm sure 228 00:11:30,380 --> 00:11:32,809 Speaker 3: it already has and it's in that pipeline because it 229 00:11:32,850 --> 00:11:34,970 Speaker 3: would make, I think it would make a pretty fun movie. 230 00:11:35,470 --> 00:11:38,450 Speaker 1: You know, I think that a horror story is one 231 00:11:38,490 --> 00:11:42,270 Speaker 1: of the hardest types to carry through an entire novel 232 00:11:43,190 --> 00:11:45,770 Speaker 1: because you have to pay everything out just so or 233 00:11:46,750 --> 00:11:49,860 Speaker 1: you have to go all in and then top every 234 00:11:50,740 --> 00:11:53,579 Speaker 1: scene essentially, or else it's just like, what are you doing? 235 00:11:54,160 --> 00:11:57,560 Speaker 1: I think short stories are the ideal or is the 236 00:11:57,660 --> 00:12:00,140 Speaker 1: ideal format for horror. So if you can pull off 237 00:12:00,160 --> 00:12:04,740 Speaker 1: a horror novel, you're doing something pretty spectacular in my opinion. Not, 238 00:12:05,059 --> 00:12:06,280 Speaker 1: not many people can do that. 239 00:12:06,980 --> 00:12:07,660 Speaker 2: Yeah. I'm with you. 240 00:12:07,679 --> 00:12:10,160 Speaker 3: I'm kind of new to the whole thing, but we 241 00:12:10,179 --> 00:12:12,880 Speaker 3: have read a bunch of short horror for, you know, 242 00:12:12,920 --> 00:12:13,839 Speaker 3: our Halloween episodes. 243 00:12:13,900 --> 00:12:15,500 Speaker 2: So I think I'm with you on that. 244 00:12:15,559 --> 00:12:17,719 Speaker 3: So it's, uh, I'm not sure how much more I'm 245 00:12:17,740 --> 00:12:19,640 Speaker 3: going to go down the horror lane because I'm kind 246 00:12:19,660 --> 00:12:22,420 Speaker 3: of one for two with the non Keith Rawson's when 247 00:12:22,480 --> 00:12:24,240 Speaker 3: he was I was four for four with him. 248 00:12:24,260 --> 00:12:24,580 Speaker 1: Yeah. 249 00:12:25,260 --> 00:12:27,220 Speaker 3: And I'll read every book that Keith puts out like 250 00:12:27,300 --> 00:12:29,679 Speaker 3: as soon as it comes out. I'm like that big 251 00:12:29,700 --> 00:12:30,560 Speaker 3: of a fan at this point. 252 00:12:30,920 --> 00:12:31,959 Speaker 1: Keith spoiled you. 253 00:12:32,700 --> 00:12:34,920 Speaker 2: He has spoiled me. Can't go back. 254 00:12:35,000 --> 00:12:37,040 Speaker 3: I need to read a Stephen King. I know it's 255 00:12:37,160 --> 00:12:38,140 Speaker 3: kind of silly that I haven't. 256 00:12:38,179 --> 00:12:44,300 Speaker 1: So wait, wait, wait, wait, wait, wait. You've never read 257 00:12:44,320 --> 00:12:46,780 Speaker 1: a Stephen King novel of any like none of them. 258 00:12:46,850 --> 00:12:48,550 Speaker 1: Is that what you're saying? Is that what I'm picking up? 259 00:12:48,890 --> 00:12:51,690 Speaker 3: No, I've never read any horror or any Stephen King. 260 00:12:51,870 --> 00:12:56,170 Speaker 3: And so I've had people recommend various ones. I would 261 00:12:56,210 --> 00:12:57,880 Speaker 3: like to read a really scary and maybe maybe I 262 00:12:57,890 --> 00:12:59,580 Speaker 3: should read The Shining. That might be a good one 263 00:12:59,600 --> 00:13:00,179 Speaker 3: to start out with. 264 00:13:00,460 --> 00:13:02,840 Speaker 1: So it is nothing like the movie, you know, right? 265 00:13:02,920 --> 00:13:04,440 Speaker 1: You are. You know that from being. 266 00:13:04,520 --> 00:13:05,740 Speaker 2: I've heard a lot of that. Yeah. Okay. 267 00:13:06,200 --> 00:13:10,420 Speaker 1: Um. I think Stephen King's actually a great example of 268 00:13:10,460 --> 00:13:13,400 Speaker 1: what I'm talking about. My beef with his novels is 269 00:13:13,440 --> 00:13:16,360 Speaker 1: that very rarely by the ending are you just like, man, 270 00:13:16,400 --> 00:13:18,960 Speaker 1: this is a great ending. It's like a great build up. 271 00:13:19,570 --> 00:13:23,050 Speaker 1: The payoff's up there. His short story collections are out 272 00:13:23,090 --> 00:13:24,030 Speaker 1: of this world, though. 273 00:13:24,050 --> 00:13:25,209 Speaker 2: All right. 274 00:13:25,870 --> 00:13:27,290 Speaker 1: So, yeah, maybe consider that. 275 00:13:27,309 --> 00:13:27,949 Speaker 2: Maybe I should do that. 276 00:13:28,690 --> 00:13:31,650 Speaker 1: Yeah. Yeah. But let me know what you think of 277 00:13:31,710 --> 00:13:33,290 Speaker 1: whatever Stephen King book you read. 278 00:13:33,929 --> 00:13:37,170 Speaker 3: Do you have a particular short story or anthology of 279 00:13:37,210 --> 00:13:38,189 Speaker 3: his that you can recommend? 280 00:13:38,210 --> 00:13:42,199 Speaker 1: I like the earlier ones like Skeleton Crew or whatever 281 00:13:42,240 --> 00:13:44,459 Speaker 1: the other one is. I can't remember. It had like 282 00:13:44,500 --> 00:13:47,240 Speaker 1: a bandaged hand with an eye in the middle of 283 00:13:47,280 --> 00:13:47,760 Speaker 1: the palm. 284 00:13:47,840 --> 00:13:48,120 Speaker 2: Ooh. 285 00:13:48,700 --> 00:13:52,110 Speaker 1: Yeah. Creepy stuff. But he had some really good, like 286 00:13:52,210 --> 00:13:57,150 Speaker 1: genuinely scary short stories. And then his son, Owen, whose 287 00:13:57,210 --> 00:14:01,070 Speaker 1: pen name is Joe Hill. He has a great story collection, 288 00:14:01,110 --> 00:14:04,430 Speaker 1: short story collection called 20th Century Ghosts that I think 289 00:14:04,510 --> 00:14:06,090 Speaker 1: blows his dad out of the water. 290 00:14:07,309 --> 00:14:07,750 Speaker 2: Oh, OK. 291 00:14:07,770 --> 00:14:09,650 Speaker 3: Well, he has a quote on here, too, from Joe Hill. 292 00:14:09,690 --> 00:14:11,520 Speaker 3: One of the best and most inventive ghost stories I 293 00:14:11,540 --> 00:14:13,560 Speaker 3: read in years. The beautiful dark rush of a novel. 294 00:14:14,260 --> 00:14:15,939 Speaker 3: I didn't realize that was his son. I guess he 295 00:14:16,420 --> 00:14:18,880 Speaker 3: he did that to keep from appearing as a nepo baby. 296 00:14:19,020 --> 00:14:19,180 Speaker 2: Yep. 297 00:14:19,620 --> 00:14:22,000 Speaker 1: And I think that was a great move. And yeah, 298 00:14:22,040 --> 00:14:25,120 Speaker 1: even if his dad's calling publishers to get his stuff published, 299 00:14:25,260 --> 00:14:26,920 Speaker 1: he deserves it. He's that good. 300 00:14:27,790 --> 00:14:30,390 Speaker 2: All right, well, I'll check those out. This was kind 301 00:14:30,410 --> 00:14:30,670 Speaker 2: of fun. 302 00:14:30,840 --> 00:14:31,190 Speaker 1: I liked it. 303 00:14:31,220 --> 00:14:32,180 Speaker 2: I hope everyone else did. 304 00:14:33,180 --> 00:14:35,180 Speaker 1: Yeah, I liked it too, Chuck. I hope I didn't 305 00:14:35,220 --> 00:14:36,700 Speaker 1: hog too many recommendations. 306 00:14:37,420 --> 00:14:39,960 Speaker 3: No, this is great. I thought it was well-balanced and 307 00:14:40,080 --> 00:14:42,220 Speaker 3: went down smooth, like a fine scotch. 308 00:14:42,360 --> 00:14:44,830 Speaker 1: Well, let us know if you took this like a 309 00:14:44,870 --> 00:14:46,690 Speaker 1: fine scotch or if you're just like, guys, don't ever 310 00:14:46,730 --> 00:14:49,430 Speaker 1: do this again. We want to hear all of it. 311 00:14:50,390 --> 00:14:53,370 Speaker 1: And I think short stuff is out. Happy Halloween. 312 00:14:53,750 --> 00:14:59,110 Speaker 2: Happy Halloween. Stuff You Should Know is a production of iHeartRadio. 313 00:14:59,590 --> 00:15:03,860 Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 314 00:15:04,020 --> 00:15:05,780 Speaker 1: or wherever you listen to your favorite shows.