1 00:00:02,759 --> 00:00:06,360 Speaker 1: Previously on the Princess of South Beach, Nacho win to 2 00:00:06,440 --> 00:00:09,280 Speaker 1: Lakasa Rosa to confront the person who recorded a sex 3 00:00:09,360 --> 00:00:11,800 Speaker 1: tape of him and Estevan, a tape that is being 4 00:00:11,880 --> 00:00:16,280 Speaker 1: used to blackmail Estevan. He thinks it was Luisa bataliating 5 00:00:16,280 --> 00:00:19,680 Speaker 1: as a jealous wife, but it was actually Estraya, who's 6 00:00:19,720 --> 00:00:23,119 Speaker 1: looking for information about her missing girlfriend Gabby and using 7 00:00:23,120 --> 00:00:26,160 Speaker 1: the tape as leverage. And Maria del Garman broke off 8 00:00:26,160 --> 00:00:28,760 Speaker 1: her engagement with Raoul to get closer to the gorgeous 9 00:00:28,760 --> 00:00:37,199 Speaker 1: asthmatic reporter andres whom she's currently making out with Spicy. Well, 10 00:00:37,200 --> 00:00:41,680 Speaker 1: you move aside. I'm looking for Luisa. Luisa, Yes, Luisa. 11 00:00:41,840 --> 00:00:48,760 Speaker 1: Now tell me where that vindictive, lying, manipulative, hairy snake is. Okay, natcho, 12 00:00:48,880 --> 00:00:51,680 Speaker 1: tell me how you really feel. Where is she? Well? First, 13 00:00:51,720 --> 00:00:56,680 Speaker 1: stop stop yelling. Okay. Secondly, I'm not looking to tell 14 00:00:56,760 --> 00:01:00,680 Speaker 1: you anything, but if you must know, she's at her 15 00:01:00,720 --> 00:01:06,279 Speaker 1: weekly hairdresser appointment. She's at doctor Goldberg's. Yeah. I don't 16 00:01:06,400 --> 00:01:09,000 Speaker 1: believe you. You ain't gotta believe me, But what you 17 00:01:09,080 --> 00:01:12,240 Speaker 1: better believe is that you're gonna lower your damn voice. Okay, 18 00:01:12,280 --> 00:01:14,080 Speaker 1: And I know what to tell you. She ain't here. Well, 19 00:01:14,120 --> 00:01:18,640 Speaker 1: have you ever heard her talk about someone named Gabby? Gabby? No, 20 00:01:19,480 --> 00:01:22,880 Speaker 1: I've never even heard of that name before. Wait, what 21 00:01:22,959 --> 00:01:29,199 Speaker 1: was that she is here? No? That is Gloria. Oh good, 22 00:01:29,240 --> 00:01:32,880 Speaker 1: I have some words for her too. Raoul is in shambles. 23 00:01:33,319 --> 00:01:35,280 Speaker 1: This girl thinks she could just play with his heart 24 00:01:35,280 --> 00:01:37,000 Speaker 1: and get away with her. Oh wait, you just can't 25 00:01:37,040 --> 00:01:40,240 Speaker 1: go all up and here all willingness? She is occupied? 26 00:01:41,400 --> 00:01:43,880 Speaker 1: Is she up there with a man that ain't none 27 00:01:43,880 --> 00:01:47,760 Speaker 1: of your damn business? That little bitch just broke my 28 00:01:47,800 --> 00:01:50,960 Speaker 1: son's heart and she's sleeping around already. Bitch, who are 29 00:01:51,000 --> 00:01:52,680 Speaker 1: you calling a little bit? You know what? I think 30 00:01:52,720 --> 00:01:55,480 Speaker 1: it's time for your little nacho ass. Tillie. You know 31 00:01:55,640 --> 00:01:58,440 Speaker 1: you're really MOUTHI for a maid, You know that, Andy, 32 00:01:58,480 --> 00:02:02,080 Speaker 1: you're really bossy for somebody who ate my boss? Good night? 33 00:02:02,480 --> 00:02:05,559 Speaker 1: You better watch your mouth made. I'm on a short 34 00:02:05,600 --> 00:02:10,600 Speaker 1: fuse and I'll be back. I'll be back. Who you determinating? 35 00:02:10,919 --> 00:02:13,480 Speaker 1: My name is Estraya, and you better watch your mouth 36 00:02:13,480 --> 00:02:16,760 Speaker 1: because I'm on a short field. That's what that No, 37 00:02:16,919 --> 00:02:18,880 Speaker 1: that's what I said. You can't say what I said. 38 00:02:19,480 --> 00:02:21,360 Speaker 1: That's what I said. Well, I couldn't come up with 39 00:02:21,400 --> 00:02:23,120 Speaker 1: anything better on the flat. Well, you gotta come up 40 00:02:23,160 --> 00:02:25,560 Speaker 1: with something better because you can't take my word. Now leave, 41 00:02:25,880 --> 00:02:28,640 Speaker 1: or I call it Stepan and tell him you harassed 42 00:02:28,720 --> 00:02:32,160 Speaker 1: in his family and his maid because they care about 43 00:02:32,160 --> 00:02:34,320 Speaker 1: the maid. Something tells me you're not on his good 44 00:02:34,360 --> 00:02:38,160 Speaker 1: side right now? Really, and why would you say that? 45 00:02:38,440 --> 00:02:46,560 Speaker 1: Mad Maid's intuition? Audios Nacho, whoa estraya? You get more 46 00:02:46,560 --> 00:02:49,560 Speaker 1: about us every day. But I don't think Nacho was 47 00:02:49,600 --> 00:02:59,760 Speaker 1: going to take this lying down. Speaking of lying down, wait, wait, 48 00:03:00,840 --> 00:03:04,200 Speaker 1: oh your asthma, I just want to slow down for 49 00:03:04,240 --> 00:03:06,720 Speaker 1: a second. I don't want to rush things with you. 50 00:03:07,520 --> 00:03:10,120 Speaker 1: I've been taking things slow my whole life. I'm okay 51 00:03:10,200 --> 00:03:13,120 Speaker 1: with going fast. I've I've never felt this way for 52 00:03:13,200 --> 00:03:16,960 Speaker 1: anybody before. I feel like you're the one I've been 53 00:03:17,000 --> 00:03:20,280 Speaker 1: looking for. Remind me of who I am. I can 54 00:03:20,800 --> 00:03:23,040 Speaker 1: I can be my real self when I'm around you. 55 00:03:23,760 --> 00:03:26,280 Speaker 1: I feel the same way. I just I don't know. 56 00:03:26,600 --> 00:03:28,359 Speaker 1: I know we just met, but I don't want to 57 00:03:28,360 --> 00:03:31,959 Speaker 1: be koy and naive or whatever anymore. I like you, 58 00:03:32,240 --> 00:03:35,280 Speaker 1: and I'm ready to start making decisions for what I want, 59 00:03:35,720 --> 00:03:40,040 Speaker 1: not what Gloria Calderon wants. But I want and I 60 00:03:40,120 --> 00:03:46,080 Speaker 1: want you. I want you so bad? Andres you mean 61 00:03:46,800 --> 00:03:52,960 Speaker 1: you want to like like with with me? Yeah? Yeah, 62 00:03:52,480 --> 00:03:55,680 Speaker 1: And I know I have a reputation or whatever, but 63 00:03:56,320 --> 00:04:03,440 Speaker 1: there's something you should know. I'm I'm a virgin and 64 00:04:04,440 --> 00:04:07,600 Speaker 1: I want it to be you. You're the first person 65 00:04:07,680 --> 00:04:10,760 Speaker 1: I've met who sees me, who likes me for me, 66 00:04:10,920 --> 00:04:16,320 Speaker 1: and and you're really hot, like like super hot? Oh? 67 00:04:16,360 --> 00:04:20,080 Speaker 1: What's wrong? Is this too much? Did I make it weird? 68 00:04:20,120 --> 00:04:24,600 Speaker 1: I made it weird? Why do I always make things weird? No? No, no, no, 69 00:04:24,640 --> 00:04:27,800 Speaker 1: you you haven't done anything wrong. You're amazing and I 70 00:04:28,120 --> 00:04:31,240 Speaker 1: would love to like a lot. But um, this is 71 00:04:31,279 --> 00:04:34,840 Speaker 1: just a lot of information to process and I can't 72 00:04:34,880 --> 00:04:39,200 Speaker 1: do this without telling you something first. You're a virgin too, 73 00:04:39,839 --> 00:04:45,560 Speaker 1: Oh no, no, no, no me, Rick, come on? You really? Really? Oh? Okay? Um? 74 00:04:45,680 --> 00:04:49,839 Speaker 1: Do you also like kawaii and pizza? No, Glauria, I'm 75 00:04:49,839 --> 00:04:53,760 Speaker 1: being serious. I never thought we'd end up like this. 76 00:04:53,880 --> 00:04:58,840 Speaker 1: I also didn't imagine that you were you were. Just 77 00:04:58,880 --> 00:05:01,920 Speaker 1: say it and before saying anything else, I just want 78 00:05:02,000 --> 00:05:04,520 Speaker 1: you to know that my feelings towards you are real. 79 00:05:05,320 --> 00:05:08,280 Speaker 1: I also feel like i'm falling in love with you. 80 00:05:08,480 --> 00:05:10,280 Speaker 1: Where are you going with this? You know how I 81 00:05:10,279 --> 00:05:13,159 Speaker 1: always write articles about your family. Usually they're just like 82 00:05:13,200 --> 00:05:16,279 Speaker 1: puff pieces, like nine tips to get cuticles like Gloria Calderon. 83 00:05:16,760 --> 00:05:19,799 Speaker 1: Is that a real article? Yes? Unfortunately. Look the point 84 00:05:19,960 --> 00:05:23,480 Speaker 1: is I want to be a serious reporter, and somehow 85 00:05:23,520 --> 00:05:27,000 Speaker 1: I ended up writing these stupid, gossiplisticals no one cares about. 86 00:05:27,279 --> 00:05:29,360 Speaker 1: And I kept telling my editor that I could do more, 87 00:05:29,400 --> 00:05:32,560 Speaker 1: but they wouldn't let me cover anything important, not until 88 00:05:32,600 --> 00:05:38,080 Speaker 1: I got a scoop, and well I did. Okay, So 89 00:05:38,120 --> 00:05:41,039 Speaker 1: I started investigating your family and I've been writing a 90 00:05:41,040 --> 00:05:44,719 Speaker 1: piece on your dad for months. Why are you writing 91 00:05:44,760 --> 00:05:50,600 Speaker 1: about Gloria? Your father was part of something very ugly. Yeah, 92 00:05:50,279 --> 00:05:53,320 Speaker 1: I know he's done some bad stuff. Why are you 93 00:05:53,360 --> 00:05:56,640 Speaker 1: telling me this? Uncovering the truth is what I've wanted 94 00:05:56,680 --> 00:05:59,200 Speaker 1: to do my whole life, and I promised myself that 95 00:05:59,240 --> 00:06:02,000 Speaker 1: I was going to find the truth by any means possible. 96 00:06:02,800 --> 00:06:04,719 Speaker 1: So when I was assigned to write up the article 97 00:06:04,720 --> 00:06:06,960 Speaker 1: for your wedding and then Raoul didn't show up, I 98 00:06:07,040 --> 00:06:09,840 Speaker 1: just I took the opportunity to get closer to you 99 00:06:09,960 --> 00:06:13,400 Speaker 1: in order to are you saying you made me fall 100 00:06:13,440 --> 00:06:15,240 Speaker 1: in love with you so that you could investigate a 101 00:06:15,279 --> 00:06:18,440 Speaker 1: stay at first only at first I thought you were 102 00:06:18,480 --> 00:06:22,120 Speaker 1: just some vapid, mean influencer with no soul. Is this 103 00:06:22,160 --> 00:06:25,359 Speaker 1: supposed to make me feel better? But you're not. And 104 00:06:25,440 --> 00:06:27,159 Speaker 1: the more I talk to you, the more I started 105 00:06:27,160 --> 00:06:32,279 Speaker 1: to feel things, real things. Is there anyone in this 106 00:06:32,320 --> 00:06:35,359 Speaker 1: world who is who they say they are? Laudia, listen 107 00:06:35,440 --> 00:06:39,760 Speaker 1: to me, no, shut up. You used me. You were 108 00:06:39,760 --> 00:06:42,400 Speaker 1: the only person I thought didn't want something for me, 109 00:06:42,480 --> 00:06:45,320 Speaker 1: the only person who saw me for me, And now 110 00:06:45,360 --> 00:06:47,560 Speaker 1: I find out you're just like the rest of that. Laudia. 111 00:06:47,680 --> 00:06:52,159 Speaker 1: Please listen. I want to help your dad. Your dad 112 00:06:52,400 --> 00:06:56,080 Speaker 1: is involved in some very dark, messed up stuff. He 113 00:06:56,240 --> 00:06:59,520 Speaker 1: is a liar, a liar just like you. Wait, but 114 00:06:59,560 --> 00:07:01,600 Speaker 1: he was on me, a lie at the beginning. What 115 00:07:01,720 --> 00:07:04,719 Speaker 1: I feel for you now is real. To keep one 116 00:07:04,880 --> 00:07:08,200 Speaker 1: lie afloat, you have to drown in a sea of 117 00:07:08,400 --> 00:07:13,680 Speaker 1: countless others. Gloria, I need to talk to you, not now, Estraya, 118 00:07:14,080 --> 00:07:17,480 Speaker 1: it's kind of urgent. Estraya, it's not a good time. 119 00:07:18,080 --> 00:07:21,680 Speaker 1: Nachal just came looking for the whistle, okay, and he 120 00:07:21,800 --> 00:07:29,000 Speaker 1: was asking about Gabby. Gabby, who is Gabby, are you investigating? Now? 121 00:07:29,280 --> 00:07:34,280 Speaker 1: Get out, Gloria, please out? Okay, okay, but do you 122 00:07:34,360 --> 00:07:38,120 Speaker 1: not understand English? You are sitting on my jacket? Why 123 00:07:38,240 --> 00:07:42,520 Speaker 1: am I always sitting on your jacket? Goodbye? I'm really sorry. 124 00:07:48,480 --> 00:07:52,679 Speaker 1: What the hell was that about? Nothing? Okay, I guess 125 00:07:52,880 --> 00:07:59,880 Speaker 1: this department I'm supposed to hold you. I'm fine. Wow, 126 00:08:00,360 --> 00:08:03,920 Speaker 1: that's depressing. Let's switch from one broken hearted mess to another. 127 00:08:07,760 --> 00:08:11,480 Speaker 1: I'm excuse me, aren't your roule Santana? See that's me? 128 00:08:11,960 --> 00:08:13,640 Speaker 1: Oh my god? Is it true that you and Gloria 129 00:08:13,880 --> 00:08:16,720 Speaker 1: broke up? Why is everyone asking me that you've been 130 00:08:16,800 --> 00:08:19,560 Speaker 1: crying all around Miami? There are like photos of you 131 00:08:19,640 --> 00:08:24,160 Speaker 1: trending all over Twitter. See it's true you broke up? 132 00:08:24,200 --> 00:08:28,400 Speaker 1: Now alone, what's up? Live? I'm here at the Room 133 00:08:28,640 --> 00:08:32,480 Speaker 1: cocktail club, and look who's moping right the hunt Raoul Santana, 134 00:08:32,640 --> 00:08:35,000 Speaker 1: the guy who just got dump by Gloria called eron. 135 00:08:35,600 --> 00:08:43,320 Speaker 1: Can a guy get drunk at a crowded bar in peace? Raoul? 136 00:08:43,480 --> 00:08:46,839 Speaker 1: Rule myself? Is it true that Gloria dumped you? Not 137 00:08:46,960 --> 00:08:53,040 Speaker 1: your breast five one ten million wedding? That's true? Do 138 00:08:53,040 --> 00:08:55,200 Speaker 1: you think they're city chess of you? Guys getting back together, 139 00:08:55,400 --> 00:09:05,480 Speaker 1: maybe alone. For God's sake. You people are voters. Can't 140 00:09:05,480 --> 00:09:11,439 Speaker 1: you see that I'm going through something right now? Oh no, 141 00:09:13,920 --> 00:09:28,080 Speaker 1: whatever you want? Oh please now, Imbert, this doesn't comes 142 00:09:28,080 --> 00:09:36,920 Speaker 1: out quickly. There's your puppies. As if he doesn't gives 143 00:09:36,960 --> 00:09:39,439 Speaker 1: up what he also was before six pm on Friday. 144 00:09:39,840 --> 00:09:43,040 Speaker 1: They need the dental records to recognize your path. And 145 00:09:44,720 --> 00:09:51,280 Speaker 1: don't forget the corcodiles. O. Pooroul, it seems like his 146 00:09:51,360 --> 00:09:53,440 Speaker 1: heart isn't the only thing that's gotten a good beating, 147 00:09:54,160 --> 00:09:57,800 Speaker 1: and all of this because of Nacho's little gambling problem. 148 00:09:57,840 --> 00:10:00,240 Speaker 1: But Raoul isn't the only one who'll suffer because of 149 00:10:00,320 --> 00:10:18,480 Speaker 1: NATO's mistakes. Thank you, my loves. Oh I'm nothing without you. 150 00:10:18,800 --> 00:10:25,040 Speaker 1: Thank you. And we're back with Morti with Tatiana. I 151 00:10:25,160 --> 00:10:29,320 Speaker 1: know we've all been excited for today's episode, a conversation 152 00:10:29,440 --> 00:10:36,800 Speaker 1: with Kendall Jenner, but sadly, Kendall canceled last minute, something 153 00:10:36,840 --> 00:10:42,240 Speaker 1: about a floppy eyelash emergency, So instead we have Gloria's 154 00:10:42,440 --> 00:10:54,000 Speaker 1: childhood friend. Please welcome Maria Marcella Martinez. Maria Marcella Martinez, welcome, 155 00:10:54,200 --> 00:10:58,600 Speaker 1: my dear, So tell us a bit about yourself and Gloria, 156 00:10:58,920 --> 00:11:02,120 Speaker 1: but mostly tell us about Gloria Athiana. Thank you so 157 00:11:02,200 --> 00:11:04,560 Speaker 1: much for having me, and you can call me Mari Mada. 158 00:11:04,640 --> 00:11:10,560 Speaker 1: Everyone does well. I'm a law student who so about Gloria. Well. 159 00:11:10,600 --> 00:11:13,520 Speaker 1: To be honest, Glory and I kind of lost touch 160 00:11:13,520 --> 00:11:17,600 Speaker 1: after elementary school. Okay, well, in that case, I think 161 00:11:17,600 --> 00:11:21,600 Speaker 1: we have another guest in the studio. Yes, no, well, 162 00:11:21,760 --> 00:11:23,640 Speaker 1: I guess I do have one story about Gloria I 163 00:11:23,640 --> 00:11:28,480 Speaker 1: could share. Finally, the dirt. Last year, Gloria messaged me 164 00:11:28,520 --> 00:11:29,959 Speaker 1: out of the blue and asked me to go on 165 00:11:30,000 --> 00:11:32,400 Speaker 1: a road trip with her to Saint Augustine. Oh mg, 166 00:11:32,800 --> 00:11:36,640 Speaker 1: and she was awful. Did she scream at you? I 167 00:11:36,760 --> 00:11:41,040 Speaker 1: heard that they modeled Regina George after her. No, she 168 00:11:41,200 --> 00:11:44,760 Speaker 1: was incredibly sweet. We drove down in her Lincoln Aviator 169 00:11:44,800 --> 00:11:47,920 Speaker 1: and had the best time. At one point we stopped 170 00:11:47,920 --> 00:11:51,040 Speaker 1: and start gazed out the panoramic vista roof and reminisced 171 00:11:51,040 --> 00:11:57,400 Speaker 1: and talked about our dreams. Kies. So, no dirt again. Well, 172 00:11:57,480 --> 00:12:03,679 Speaker 1: I'm glad you had a nice time. We're out of time. Oh, 173 00:12:03,679 --> 00:12:09,400 Speaker 1: thanks Mighty Matter for your interesting sweet story. Yeah. Well, 174 00:12:09,480 --> 00:12:12,640 Speaker 1: Tea lovers, We'll see you next time for more gossip. 175 00:12:12,720 --> 00:12:17,200 Speaker 1: On Miami's most Scandalous Family. And remember, if you don't 176 00:12:17,280 --> 00:12:22,120 Speaker 1: post it, how do we know you have fingers? We'll 177 00:12:22,120 --> 00:12:32,760 Speaker 1: be back with more on the next tea with Datiana. 178 00:12:40,040 --> 00:12:43,280 Speaker 1: So so, then he says, he's basically been using me 179 00:12:43,360 --> 00:12:47,680 Speaker 1: this entire time. Anyways, I don't want to talk about 180 00:12:47,720 --> 00:12:50,960 Speaker 1: it anymore. What did Nacho say? Oh? He said he's 181 00:12:51,000 --> 00:12:53,160 Speaker 1: looking for Luisa, and he asked if I heard the 182 00:12:53,240 --> 00:12:56,040 Speaker 1: name Gabby. So at least now we know they got 183 00:12:56,040 --> 00:12:59,439 Speaker 1: an email with the tape. Okay, can you believe I'm 184 00:12:59,440 --> 00:13:02,239 Speaker 1: gonna sit do smell like that all to get information 185 00:13:02,280 --> 00:13:06,360 Speaker 1: on his step? Wait, the information he was using you 186 00:13:06,440 --> 00:13:10,680 Speaker 1: for was about Estemma. Yeah, yeah, he said Stevan wasn't 187 00:13:10,800 --> 00:13:15,679 Speaker 1: evil and then and then he was involved in dark stuff. 188 00:13:15,679 --> 00:13:21,120 Speaker 1: You don't know. My daddy loved me, Oh, Maria, he's 189 00:13:21,120 --> 00:13:26,000 Speaker 1: so stupid. Don't you hear what you're saying? Andres can 190 00:13:26,080 --> 00:13:29,640 Speaker 1: help us? If he used you, why not use him 191 00:13:29,679 --> 00:13:35,200 Speaker 1: to help us cracksigation? No more using people? Oh god, no, wonder. 192 00:13:35,240 --> 00:13:39,640 Speaker 1: Nobody really cares about me. Nobody, everybody, including you, just 193 00:13:39,679 --> 00:13:42,880 Speaker 1: want something from me, and I deserve it because all 194 00:13:42,960 --> 00:13:47,520 Speaker 1: I do is lie and Mona Claudia was right, mari Yah, 195 00:13:47,559 --> 00:13:50,600 Speaker 1: I really do care about you. Come on, we're in 196 00:13:50,640 --> 00:13:53,360 Speaker 1: this together. You only care about me because I'm helping 197 00:13:53,400 --> 00:13:56,680 Speaker 1: you find your girlfriend Gabby. My fake family doesn't know 198 00:13:56,800 --> 00:13:59,160 Speaker 1: the real me, and Andres only cared about me to 199 00:13:59,160 --> 00:14:03,080 Speaker 1: get information. And I don't want to be Gloria. I 200 00:14:03,120 --> 00:14:06,040 Speaker 1: don't even know who I am anymore. Okay, okay, let's 201 00:14:06,120 --> 00:14:08,839 Speaker 1: cheer on the existential crisis for a second. The only 202 00:14:08,880 --> 00:14:11,319 Speaker 1: person that's ever really cared about me is ed Mona Claudia, 203 00:14:11,360 --> 00:14:13,360 Speaker 1: and I basically told her to take a hike that 204 00:14:13,520 --> 00:14:17,000 Speaker 1: I could play detective and eat lobster. I'm done with this. 205 00:14:17,559 --> 00:14:20,240 Speaker 1: I want to see Edmona Claudia. Now, are you insane? 206 00:14:20,280 --> 00:14:23,040 Speaker 1: It's almost midnight. You can't just roll up to a 207 00:14:23,120 --> 00:14:26,720 Speaker 1: convent at midnight. Why, I don't know, because the nuns asleep. 208 00:14:26,920 --> 00:14:29,640 Speaker 1: Take me there. But if you really care about me 209 00:14:29,720 --> 00:14:35,440 Speaker 1: the way you say you do, take me to Edmona Claudia. Now, Ah, 210 00:14:35,480 --> 00:14:38,160 Speaker 1: Maria del Karman is running home to her nun mom 211 00:14:38,640 --> 00:14:41,320 Speaker 1: watch Out says, because your secrets aren't the only thing 212 00:14:41,400 --> 00:14:49,480 Speaker 1: following you wherever you go. Your call it's been forwarded 213 00:14:49,480 --> 00:14:52,920 Speaker 1: to an automatic voice message system at the town. Please 214 00:14:53,000 --> 00:14:57,080 Speaker 1: record your message, Raoul, Raoul, why aren't you picking up 215 00:14:57,080 --> 00:14:59,920 Speaker 1: your phone? You better be asleep and not out and about. 216 00:15:00,080 --> 00:15:02,720 Speaker 1: I warned you we have to keep a low profile. Look, 217 00:15:03,040 --> 00:15:07,000 Speaker 1: I'm outside of Lakasa Rosa right now waiting for Luisa. 218 00:15:07,240 --> 00:15:09,120 Speaker 1: I think she's the one behind all of this. And 219 00:15:11,120 --> 00:15:19,080 Speaker 1: wait a minute, I'll call you back for you two 220 00:15:19,200 --> 00:15:21,200 Speaker 1: doing leaving the house in the middle of the night. 221 00:15:22,480 --> 00:15:29,760 Speaker 1: No no, no, no no, no, something off about this? Where 222 00:15:29,800 --> 00:15:37,920 Speaker 1: are you going? Watch out, ladies, Never underestimate the limits 223 00:15:37,920 --> 00:15:40,880 Speaker 1: of a desperate man. Nacho was on a war path 224 00:15:41,440 --> 00:15:44,000 Speaker 1: and you just skipped your way right into his sights. 225 00:15:48,360 --> 00:15:51,720 Speaker 1: If you're enjoying Princess of South Beach, please subscribe, rate, 226 00:15:51,800 --> 00:15:54,960 Speaker 1: and review our show wherever you're listening. The Princess of 227 00:15:54,960 --> 00:15:57,840 Speaker 1: South Beach is a production of I Hearts Michael Podcast 228 00:15:57,880 --> 00:16:01,720 Speaker 1: Network and So created and directed by Jasmine Romero. Written 229 00:16:01,760 --> 00:16:05,320 Speaker 1: by Jasmine Romero and Joanna Houseman, with help from Daniela Serkis, 230 00:16:05,560 --> 00:16:09,920 Speaker 1: Monisa Heinriz and Christian Jatar. Produced by Luisa ro Castillo. 231 00:16:10,200 --> 00:16:13,600 Speaker 1: Executive produced by Conald Byrne and Giselle Bances for iHeart 232 00:16:13,680 --> 00:16:17,240 Speaker 1: by Joanna Housman and by Jasmine Romero and Joshua Weinstein 233 00:16:17,480 --> 00:16:21,760 Speaker 1: or Sonaro. Performances in this episode by Rachel Zegler, Danny Pino, 234 00:16:22,360 --> 00:16:27,480 Speaker 1: X Mayo, Andy Bustillos, and Alan Eisenberg. Our production manager 235 00:16:27,560 --> 00:16:32,040 Speaker 1: is Guerreenzachitis. Recording and engineering by Emiliano Quintanad, with sound 236 00:16:32,040 --> 00:16:37,600 Speaker 1: designed by Edwin Irigoyen Cassandratinajiro, Andres Bayena, Diego Medina and 237 00:16:37,600 --> 00:16:41,800 Speaker 1: Andres Coronalo. Assistant sound designed by Eric Santeno. Casting and 238 00:16:41,880 --> 00:16:46,280 Speaker 1: coordination by Andres Chaitis Folly by Samantha Gonzalez fam Our 239 00:16:46,360 --> 00:16:49,600 Speaker 1: theme song and original music by Rodrigo Garcia Roles and 240 00:16:49,720 --> 00:16:50,640 Speaker 1: Charlie Hernandez.