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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a termino and gage.

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Speaker 1: We want to send you off InStyle.

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Speaker 2: We wanna welcome you back home. Tell us all about it.

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Speaker 1: We scared her? Was it fine? Mal porn? Do you

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Speaker 1: need to ride? Do you need to ride? Do you

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Speaker 1: need to ride? Do you need to ride? Do you

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Speaker 1: need to ride?

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Speaker 2: Do your need to ride?

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Speaker 3: To ride? Do you need with Karen and Chris?

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Speaker 4: Welcome? Do you need to ride?

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Speaker 1: This is Chris Fairbanks and this is Karen Kilgarriff.

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Speaker 4: Hello, my friend Karen, Hello.

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Speaker 1: My friend Chris. What's going down?

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Speaker 4: What's going down? My Oh? Here's the thing.

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Speaker 3: Have you ever, in your singing and songwriting which everyone

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Speaker 3: needs to listen to her album Live at the Bootleg anyway,

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Speaker 3: used any kind of a pedal or modification other than

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Speaker 3: just a microphone? Or were you just fully fully regular?

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Speaker 4: That's see. I think.

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Speaker 3: The reason I wanted to get this pedal that I

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Speaker 3: got on the recommendation of Reggie Watts was it I

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Speaker 3: can have settings in it for each song because I'm

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Speaker 3: doing all those cover songs and I ordered this thing,

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Speaker 3: not knowing if it was the right thing, and then

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Speaker 3: I saw Christian Duguet use it during his live Belly

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Speaker 3: Heat and there is a straight up like Share Believe

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Speaker 3: setting with the auto tune and everything where he sounded

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Speaker 3: like Share. There's a Phil Collins like in the Air

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Speaker 3: Tonight setting. But there's also like garage like it adds

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Speaker 3: texture to your normal voice if not modified or auto

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Speaker 3: tuning or like some background harmonizing.

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Speaker 4: And he has it now. I gave it to.

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Speaker 3: Him and he's listening all Yeah, he's listening to every

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Speaker 3: song I'm covering and modifying, adding the modifications. So I

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Speaker 3: am going into this next show because I'm doing singing

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Speaker 3: with that band again, even though it makes my back sweat,

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Speaker 3: and I now have confidence.

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Speaker 4: Because I have this machine that will have my back.

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Speaker 3: Yes, you have some support, yeah, yeah, so I'm kind

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Speaker 3: of looking forward to it.

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Speaker 2: Yeah, that sounds good, Like you're basically going to do

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Speaker 2: songs that when you start singing them, it'll have.

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Speaker 1: The right effect.

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Speaker 4: Right.

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Speaker 3: I don't think anyone will be offended. My goal is

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Speaker 3: to sound like the songs. I don't want to make

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Speaker 3: the point. Yeah, I'm not a singer I'm for this.

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Speaker 3: I'm an impressionist and I just want to sound like

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Speaker 3: those artists. So I'm very excited about.

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Speaker 4: That coming up.

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Speaker 1: That's cool, that's a fun thing to be excited about.

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Speaker 3: Yeah.

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Speaker 4: And the audience.

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Speaker 3: It's an adult skate camp up in Oregon near Mount Hood,

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Speaker 3: so I think it's the exact audience we need of

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Speaker 3: like forty year old skateboarders. So sure, I'm very excited.

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Speaker 3: It's very fun, but I am nervous already. How many

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Speaker 3: people do you think are going to be at the show?

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Speaker 4: Apparently there's one hundred and twenty campers.

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Speaker 1: Holy shit.

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Speaker 4: So it's and there's probably nothing else to do that night.

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Speaker 1: Yeah. I was gonna say, are all the campers boys?

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Speaker 3: No, it would have been in the nineties, but I

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Speaker 3: bet adult means eighteen and over, which means every That's

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Speaker 3: what's happened with skateboarding now. It's become more diverse than

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Speaker 3: I could ever have predicted. Yeah, because in the nineties, Yeah,

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Speaker 3: it was all boys. Yeah, but now every it's really neat.

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Speaker 3: How that's happened.

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Speaker 2: Yeah, how many more people get to be in it

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Speaker 2: and how welcoming it is?

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Speaker 4: Yeah?

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Speaker 2: I just saw a little girl it was like a

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Speaker 2: TikTok clip. Of course, a little girl did it. I

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Speaker 2: shouldn't say a little girl. I have no idea how

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Speaker 2: she how old she was because she's kind of looks

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Speaker 2: like fifteen, but she could have been thirty five with

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Speaker 2: the action sports people the way they look. But she

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Speaker 2: did a thing where the camera was up at the

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Speaker 2: top of the half pipe thing she was on, and

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Speaker 2: she got up into the air and then flipped the

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Speaker 2: Have you ever seen that where she flipped the board

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Speaker 2: with her foot?

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Speaker 4: Oh, it wrapped around.

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Speaker 1: Yeah, she brought it and made.

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Speaker 3: It go like, yes, I saw if that was a

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Speaker 3: front foot impossible. She did the air and late in

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Speaker 3: the air the board like vertically on a like using

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Speaker 3: her foot as an Axidy's wrapped around it and stopped

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Speaker 3: in mid air and she came down. It was the

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Speaker 3: coolest thing I've seen.

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Speaker 1: It's crazy. Is that was that intentional?

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Speaker 4: Yes, very intentional and it looked amazing.

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Speaker 3: Yeah, there's I don't think when I learned them on

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Speaker 3: the ground, it was the hardest thing I ever learned

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Speaker 3: in skateboarding. Oh yeah, that was the coolest thing I've

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Speaker 3: ever seen. It's funny that you saw that. It made

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Speaker 3: me so happy it was.

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Speaker 1: It was nuts.

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Speaker 2: I love those ones where I'm like, I don't know

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Speaker 2: anything about what we're doing here, and I know that

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Speaker 2: that was very hard and the right.

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Speaker 1: I love it when.

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Speaker 2: That's the girl skaters just impressing the boy skaters, like

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Speaker 2: they can't deny how amazing it is.

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Speaker 1: Yeah, it is not that they would anymore, but like.

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Speaker 3: Right, yeah, that has kind of it's it's just not

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Speaker 3: a thing anymore that I go to skate parks and

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Speaker 3: it's like there are moms there, there are people of

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Speaker 3: all ages, there are all levels.

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Speaker 1: Tony Hawk is there, He's always there.

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Speaker 3: And everyone's making room for each other and unsolicited advice,

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Speaker 3: but not in a man's plaining, phitty way, like hell.

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Speaker 1: Like a supportive way.

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Speaker 3: Yeah it's I love it. Yeah it's and it's pretty

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Speaker 3: consistently cool. I'm there's still parks where you can go

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Speaker 3: and get stabbed, but sure anywhere.

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Speaker 4: Yeah.

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Speaker 3: I think the reaction of her it looked like it

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Speaker 3: was maybe an accident because she was so surprised she

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Speaker 3: landed it, but I think it was because that was

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Speaker 3: a first try in competition and she was like, I'm

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Speaker 3: just going to go for this front foot impossible, and

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Speaker 3: she did it.

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Speaker 1: She did it.

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Speaker 3: It's like, oh my god, I did it. Yeah, it's

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Speaker 3: it's funny the things that make me tear up on

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Speaker 3: my phone. Yeah, uh, military dad coming home, surprising it skid.

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Speaker 1: Things like that, surprising as dog.

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Speaker 3: First time, little little kids doing a kickflip for the

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Speaker 3: first time, little girls landing a kickflip and they're so

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Speaker 3: excited that they start crying. It's the best. Yep, it's

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Speaker 3: so and my phone knows I want to see that,

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Speaker 3: and that's all it sends me.

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Speaker 2: Here's the problem. It's like every once in a while,

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Speaker 2: I'll have like two hours between one meeting and another

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Speaker 2: at work, and if I watch TikTok, that's what happens.

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Speaker 2: I'm sitting at my desk alternately laughing like an idiot

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Speaker 2: and then just starting to sob where it's like, you

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Speaker 2: can't be doing this.

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Speaker 1: In the workplace.

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Speaker 2: You can't like people walk in and be like, hey,

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Speaker 2: what's up, what do you need?

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Speaker 1: Just like tears running down my face.

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Speaker 2: It's like, yeah, the military man just surprised his golden retriever.

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Speaker 3: Yes, yeah, Or about a dog that's been lost for

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Speaker 3: three years reuniting, Like.

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Speaker 4: I rewatched them. Yeah, I'm like.

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Speaker 3: Not in an effort because there's a certain kind of

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Speaker 3: bursting into tears that it's not coming from a healthy place. Sure,

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Speaker 3: but I think seeing something sweet and getting emotional in

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Speaker 3: that way is a good thing. Well.

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Speaker 2: And also I will say this, it helps me a

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Speaker 2: lot with the shame crying, the shame aspect of crying.

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Speaker 2: When you cry, you release cordisol from your body, and

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Speaker 2: you need to release cordisol. So oftentimes it's your body

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Speaker 2: being like it is, I'm too stressed and like there's

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Speaker 2: too much of this energy going on, so you just

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Speaker 2: have to release it. You don't have to like judge

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Speaker 2: yourself about it, just like get this fucking out of

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Speaker 2: my face so I don't have to feel like this anymore.

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Speaker 3: Yeah, Yeah, it's it's cortisol. What is cortisol?

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Speaker 2: I think it's like a hormone if that's my first guess,

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Speaker 2: but I have no idea. But it's like the buzzword

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Speaker 2: of it's the whatever it is that your body makes

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Speaker 2: it when you are in like stress, fight or flight,

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Speaker 2: and it's to keep all your energy up into like

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Speaker 2: you know, gut up and keep going. But then after

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Speaker 2: a while, if you're always in fight or flight. You know,

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Speaker 2: if your nervous system is just regulated, then you're you

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Speaker 2: have that in your system for no reason. You're just

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Speaker 2: like trying to get through your day, but you're like

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Speaker 2: freaking out over nothing, kind of like this card.

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Speaker 4: Yeah, I hit us.

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Speaker 3: I mean, we knew what they were thinking they were doing,

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Speaker 3: but there's a chance that they didn't.

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Speaker 4: And boy, that would have been mad that we're just talking.

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Speaker 2: About another white suv. It's the same every time.

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Speaker 4: I all.

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Speaker 3: The phrase quortas all causes belly fat is something that

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Speaker 3: I from some infomercial somewhere. Yeah, wouldn't it be great

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Speaker 3: if I was referencing books I read.

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Speaker 2: Well, books aren't as easy to read as TV is

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Speaker 2: to watch. Unfortunately, Yes, and here we are in twenty

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Speaker 2: twenty five America.

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Speaker 3: I listened to TV on tape. That's how much I

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Speaker 3: don't like books.

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Speaker 2: I just use TV as a background for me playing

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Speaker 2: my colored ball in a cup game, which is the

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Speaker 2: more pathetic version of what instead of just plain old

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Speaker 2: watching TV. I can't even focus on an episode of TV.

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Speaker 4: Talk about this colored ball and a cup because I

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Speaker 4: know not when.

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Speaker 1: You speak it is the best game.

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Speaker 2: Here's the thing, it's like it Literally, the name of

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Speaker 2: it if you looked it up on a n app

199
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Speaker 2: is something like put put colored ball in cup like

200
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Speaker 2: that is it's a trend. I think a translation.

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Speaker 4: Go hold for.

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Speaker 2: People shouldn't wear t shirts that are very similar to

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Speaker 2: the color of their skin. It looks like they're running

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Speaker 2: around with no shirts shirt but thank.

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Speaker 3: You, And don't know why. Maybe it's because my phone

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Speaker 3: decided I needed to see the night Stalker getting attacked

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Speaker 3: in the middle of the street by civilians the best.

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Speaker 3: It is great, he got incredible ass kicked I did,

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Speaker 3: and he was shirtless and she had the same hair style. Anyway,

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Speaker 3: I don't is it the kind of cup like because

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Speaker 3: there's a cup on us or a ball on a string,

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Speaker 3: it looks.

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Speaker 1: Like a test tube.

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Speaker 2: And so every game there are let's say eight colors

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Speaker 2: of balls and they're all mixed up, stacked up, so

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Speaker 2: it's like red, sage, green, light, green and blue and there,

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Speaker 2: and then it just goes like that and there's like

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Speaker 2: say ten of these test tubes and then there's one

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Speaker 2: empty test tube. So using the one where you can

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Speaker 2: put one in at a time, you have to organize

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Speaker 2: it so it's all just the right colors in the

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Speaker 2: right tubes.

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Speaker 4: Full on like a Rubis type.

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Speaker 2: Yeah, but you're just kind of bouncing them around because

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Speaker 2: you can only move a ball to its own colors,

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Speaker 2: so you can kind of like move these ones over

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Speaker 2: here and then get the one free. And it's just

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Speaker 2: kind of an organization game that I my sister and

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Speaker 2: I I downloaded onto my phone probably five years ago,

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Speaker 2: and then my sister did two and we both obsessively

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Speaker 2: played it. Okay, ever since that's my go to like

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Speaker 2: waiting room game.

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Speaker 3: Okay, I thought it was an actual physical ball in

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Speaker 3: a cup.

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Speaker 4: Now I'm with you.

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Speaker 3: Now it's on the phone, gotcha.

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Speaker 1: What do you What game do you play.

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Speaker 3: On your firest I have been for a couple of

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Speaker 3: years now, and I'm very good. For a while, I

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00:12:35,000 --> 00:12:38,920
Speaker 3: was like two hundred in the world. I guess I

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Speaker 3: played billiards on my phone.

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Speaker 2: And I'm sorry you're saying globally you ranked two hundred

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Speaker 2: on this game.

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Speaker 3: I mean I'm always playing someone at the flag of

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Speaker 3: where you live is usually up there, and it's international,

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Speaker 3: and there's people that are like pool Guru one oh

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Speaker 3: five or whatever, and they're in Italy, and I will

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Speaker 3: kick their ass. I'm very good, but I started putting

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Speaker 3: money into it because you can gamble with that money.

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Speaker 3: And at one point I had like three hundred dollars

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Speaker 3: credit and I sent away to get the check and

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Speaker 3: they never sent the check or it never got to me.

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Speaker 3: So I stopped putting physical money into it. And I

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Speaker 3: only total have put like twenty dollars into this game.

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Speaker 1: But I, oh, you played it up to three hundred.

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Speaker 1: But just using the twenty right nice.

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Speaker 3: Because I got I once I stopped drinking, I stopped

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Speaker 3: playing real pool, and so it was scratching that itch.

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Speaker 3: I hate that phrase. And then but it is a

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Speaker 3: I need a hit of dopamine, and I play three

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Speaker 3: games while I'm just watching. That's why I watch shows.

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Speaker 3: And I haven't really paid attention because I'm doing really

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Speaker 3: good at my phone billiards.

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Speaker 1: Now one billiards.

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Speaker 4: I'm so embarrassed about it.

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Speaker 1: Don't be embarrassed.

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Speaker 2: I mean, I think everyone has a stupid I also

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Speaker 2: have just the most classic solidaire that I love.

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Speaker 1: It just it works.

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00:14:08,200 --> 00:14:10,840
Speaker 2: It clicks my mind off in the best way. But

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Speaker 2: when you do billiards on your phone, is it a flicking?

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Speaker 2: How do you control what you're doing.

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00:14:19,000 --> 00:14:22,360
Speaker 3: Right, There's like a toggle and you have to pull it.

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00:14:23,880 --> 00:14:26,840
Speaker 3: You can't hit too hard, you really. It takes some

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Speaker 3: getting used to that part, but it's mostly the If

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Speaker 3: you want to get a high score, you have to

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Speaker 3: hit combinations and bounce a ball off of a wall.

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Speaker 4: You know.

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Speaker 3: I'm never like just hitting a ball into a hole.

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Speaker 3: Got it's always combination shots. I watch YouTube videos of

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Speaker 3: how to get the highest score. Oh I have I

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Speaker 3: put some research into it, and I've practiced. You can

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00:14:51,520 --> 00:14:54,040
Speaker 3: use a practice mode and I did that for months

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Speaker 3: and then I started playing people. Now I put a

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Speaker 3: lot of hours in.

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Speaker 1: That's good.

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Speaker 2: I think you just thank you, And I would like

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00:15:03,160 --> 00:15:05,600
Speaker 2: to get a class action lawsuit going for your three

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00:15:05,680 --> 00:15:07,200
Speaker 2: hundred dollars that you were never seeing.

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00:15:07,320 --> 00:15:08,800
Speaker 1: Yes, it's clearly a scam.

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Speaker 3: Yeah, it does bother me that if I put more

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Speaker 3: money into it, I would, because they're supposed to mail

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00:15:16,400 --> 00:15:20,080
Speaker 3: you at check. That's already suspect. It's like you're, yeah,

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Speaker 3: I'm at a phone ask for my venmo at least cryptocurrency. Yeah.

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00:15:24,280 --> 00:15:27,440
Speaker 4: Yeah, so that I no longer am doing.

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Speaker 3: But you can still play people and you still win,

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Speaker 3: and you just rack up coins that are redeemable nowhere.

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Speaker 4: But I can say without bragging.

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Speaker 3: Because it's it's ridiculous that I'm very good at it.

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Speaker 1: You're two hundreds in the world.

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Speaker 3: I at one point right now, I'm not at where

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Speaker 3: are you now? I'm not playing daily anymore.

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Speaker 1: Okay.

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00:15:51,440 --> 00:15:56,040
Speaker 3: It was a real like quarantine addiction, and I'm still

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00:15:56,200 --> 00:15:56,720
Speaker 3: doing it.

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00:15:57,080 --> 00:16:03,040
Speaker 2: Yeah, look, judgment, you can't field yourself or something like that,

307
00:16:03,080 --> 00:16:04,680
Speaker 2: because what are you supposed to Is there a better

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00:16:04,720 --> 00:16:05,360
Speaker 2: game to play?

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00:16:05,440 --> 00:16:07,360
Speaker 1: Like, right, there's no bad game.

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Speaker 2: It's just ooh sorry, I just immediately sort of playing

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Speaker 2: with my microphone.

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Speaker 4: The only bad game is play with the mic while driving. Yeah, yeah,

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Speaker 4: it is true.

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Speaker 3: It's like I cannot judge gamers that are adults, which

315
00:16:27,640 --> 00:16:28,640
Speaker 3: I've done my whole life.

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Speaker 4: I'm like, I can't believe that.

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Speaker 3: I I I stopped playing video games with the first Nintendo,

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00:16:37,040 --> 00:16:40,120
Speaker 3: That's what I say. But no, I'm gaming more than

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Speaker 3: anyone on my phone. If I wake up in the

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Speaker 3: middle of the night and have that bizarre three am

321
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Speaker 3: insomnia where it's like, nope, you're awake from now on, Yeah,

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Speaker 3: I play billiards, Yeah for hours?

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Speaker 1: Sure?

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Speaker 4: In bed?

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00:16:54,800 --> 00:17:01,040
Speaker 2: Yeah, I usually open up TikTok, and within several scrolls

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00:17:01,640 --> 00:17:03,840
Speaker 2: sent they're showing me something I could buy, and then

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Speaker 2: I'm like, that's crazy.

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Speaker 1: Of course I wouldn't buy that, and I'm like but

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Speaker 1: and then I just go look.

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Speaker 2: So I do a lot of like in the middle

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Speaker 2: of the night because they're always like, look that this blouse.

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Speaker 2: It's nine dollars, and so I'm just like, well, what's

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00:17:16,600 --> 00:17:20,400
Speaker 2: this about. And it's the craziest like switch for your

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00:17:20,400 --> 00:17:25,280
Speaker 2: brain where you like go from rim sleep to shopping

335
00:17:25,600 --> 00:17:28,320
Speaker 2: for shit you absolutely don't need on TikTok.

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00:17:28,480 --> 00:17:32,800
Speaker 3: Yeah, it's it really is. My nieces had never seen

337
00:17:33,280 --> 00:17:37,639
Speaker 3: Wally and so we want and it man, it holds up.

338
00:17:37,680 --> 00:17:41,200
Speaker 3: It's such a good movie. But much like Idiocracy, it's

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00:17:41,640 --> 00:17:45,080
Speaker 3: kind of scary how much it predicted certain things because

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00:17:45,080 --> 00:17:47,120
Speaker 3: it's a pretty old movie now.

341
00:17:47,880 --> 00:17:49,840
Speaker 4: But everyone is just on.

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00:17:49,760 --> 00:17:53,720
Speaker 3: This spaceship, yeah, with a food coming in from a straw,

343
00:17:53,760 --> 00:17:56,040
Speaker 3: and they're on these hover chairs and they're all on

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00:17:56,800 --> 00:18:02,280
Speaker 3: iPads before iPads existed, uh, and they're ordering stuff and

345
00:18:02,359 --> 00:18:05,720
Speaker 3: shopping and not talking to each other. And this was

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00:18:06,119 --> 00:18:09,520
Speaker 3: that came out during flip phone flip phone days, like

347
00:18:10,400 --> 00:18:13,679
Speaker 3: not watching movies on your phone days. So it's really

348
00:18:13,720 --> 00:18:18,320
Speaker 3: creepy to watch it now, because that's that's what I do.

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00:18:18,600 --> 00:18:22,680
Speaker 3: I look, I kind of shop or window shop on

350
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Speaker 3: my phone, and uh, it's not something I'm proud of.

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00:18:28,000 --> 00:18:30,360
Speaker 1: But it's what we all do. I mean, it's we're

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00:18:30,359 --> 00:18:33,000
Speaker 1: being conditioned to do it. It's what they want us

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Speaker 1: to do.

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00:18:33,880 --> 00:18:34,320
Speaker 2: I know.

355
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Speaker 3: And I'm not one that likes to fight authority.

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Speaker 1: You're a go along, get along kind of guy.

357
00:18:42,280 --> 00:18:48,040
Speaker 3: Yep. But yes, it's Uh, there could be worse things, ye,

358
00:18:48,880 --> 00:18:55,000
Speaker 3: locusts in your phone, there's blood raining.

359
00:18:55,320 --> 00:18:56,679
Speaker 4: I don't know. I haven't read the Bible.

360
00:18:56,720 --> 00:18:58,320
Speaker 3: There's a bunch of bad stuff that can happen.

361
00:18:58,359 --> 00:18:59,879
Speaker 2: There's a bunch of bad stuff at the end that

362
00:19:00,119 --> 00:19:01,960
Speaker 2: could happen but probably won't.

363
00:19:02,160 --> 00:19:04,960
Speaker 3: Frogs raining down Website's a movie that I think you

364
00:19:05,040 --> 00:19:05,360
Speaker 3: were in.

365
00:19:06,960 --> 00:19:08,040
Speaker 4: Were you in Magnolia?

366
00:19:08,119 --> 00:19:08,199
Speaker 2: No?

367
00:19:08,720 --> 00:19:11,240
Speaker 4: Did you talk on the phone in Magnolia?

368
00:19:11,400 --> 00:19:11,520
Speaker 3: No?

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00:19:11,600 --> 00:19:17,040
Speaker 1: It was in Little Adam Sandler.

370
00:19:17,280 --> 00:19:20,080
Speaker 4: Oh yeah, love one of my favorite movies ever of all.

371
00:19:19,960 --> 00:19:21,960
Speaker 1: Time, Sweet Sweet Georgia Brown. What's it called?

372
00:19:22,800 --> 00:19:25,840
Speaker 3: Punch drunk Punch, Punch Club, Punch and Judy, that's it,

373
00:19:25,920 --> 00:19:26,760
Speaker 3: Punch Drunk Club.

374
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Speaker 4: I love that movie.

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00:19:28,680 --> 00:19:30,479
Speaker 3: I went to see it at a theater, and I

376
00:19:30,520 --> 00:19:35,440
Speaker 3: remember young people in the theater that were mad because

377
00:19:36,320 --> 00:19:41,160
Speaker 3: it was not Adam Sandler being happy Gilmore right, that's

378
00:19:41,200 --> 00:19:42,679
Speaker 3: a very sweet love story.

379
00:19:42,840 --> 00:19:45,399
Speaker 2: The same thing happened when I went to see Fox

380
00:19:45,480 --> 00:19:47,480
Speaker 2: Catcher starring Steve Carolla.

381
00:19:47,240 --> 00:19:49,440
Speaker 1: Really yea, And it was a huge, like.

382
00:19:49,520 --> 00:19:52,199
Speaker 2: Sold out crowd at the arc Light on like a

383
00:19:52,240 --> 00:19:55,080
Speaker 2: Friday night, and I think I was supposed to go

384
00:19:55,160 --> 00:19:56,760
Speaker 2: to a show. Say I was supposed to go to

385
00:19:56,800 --> 00:19:59,480
Speaker 2: show at like nine thirty and it was six or something,

386
00:19:59,520 --> 00:20:01,680
Speaker 2: so I'm like, oh, just go to a movie. And

387
00:20:01,800 --> 00:20:03,680
Speaker 2: I was so excited to see this movie because I

388
00:20:03,760 --> 00:20:06,320
Speaker 2: knew the true crime that was it was based on

389
00:20:06,600 --> 00:20:09,000
Speaker 2: right right, But it was like no one else in

390
00:20:09,000 --> 00:20:11,520
Speaker 2: the theater knew, so they were just waiting to laugh

391
00:20:11,640 --> 00:20:14,720
Speaker 2: the entire time. So finally he gave he gives this

392
00:20:14,880 --> 00:20:17,560
Speaker 2: super weird speech at a like slumber party with the

393
00:20:17,600 --> 00:20:20,359
Speaker 2: other wrestlers at his house, and it's super creepy, and

394
00:20:20,400 --> 00:20:23,200
Speaker 2: it's supposed to be super creepy, but people like had

395
00:20:23,240 --> 00:20:24,160
Speaker 2: waited so long to.

396
00:20:24,160 --> 00:20:25,480
Speaker 1: Laugh that they just start laughing.

397
00:20:25,520 --> 00:20:27,960
Speaker 2: They started laughing, and it was but like it was

398
00:20:27,960 --> 00:20:30,520
Speaker 2: almost discomfort It was so hilarious.

399
00:20:30,560 --> 00:20:33,119
Speaker 1: So I'm like, no one looked up this movie to

400
00:20:33,119 --> 00:20:34,359
Speaker 1: see what it was based.

401
00:20:34,119 --> 00:20:39,520
Speaker 4: On, right, Oh that's yeah, that is bizarre.

402
00:20:39,680 --> 00:20:43,960
Speaker 3: It's like you people should get used to, Like, didn't

403
00:20:44,000 --> 00:20:47,879
Speaker 3: Robin Williams let us know that you could do dramatic roles.

404
00:20:48,119 --> 00:20:50,480
Speaker 1: Yeah, that's the whole Like, yeah, turn it, get your

405
00:20:50,520 --> 00:20:51,240
Speaker 1: oscar nom.

406
00:20:51,920 --> 00:20:56,520
Speaker 3: I mean I watched the Jerry's Kid fundraiser last night

407
00:20:56,560 --> 00:21:00,760
Speaker 3: and I didn't laugh a wink. It was just a

408
00:21:00,880 --> 00:21:02,719
Speaker 3: sad thing about donating money.

409
00:21:03,000 --> 00:21:03,919
Speaker 1: Where's the turn?

410
00:21:04,359 --> 00:21:08,280
Speaker 5: Where is the kind of racist undertones?

411
00:21:09,480 --> 00:21:14,359
Speaker 4: Oh? Jerry, Jerry, Jerry, why did you do it?

412
00:21:18,880 --> 00:21:23,800
Speaker 3: I think that was the first movie I saw in

413
00:21:23,840 --> 00:21:24,640
Speaker 3: a theater.

414
00:21:25,040 --> 00:21:28,200
Speaker 4: When I was little. Was the Jerry Lewis.

415
00:21:27,960 --> 00:21:31,440
Speaker 1: Version of The Jerk, The Jerry Lewis version.

416
00:21:31,680 --> 00:21:35,760
Speaker 3: Yeah, there's a Jerry Lewis The Jerk before the Steve

417
00:21:35,800 --> 00:21:36,360
Speaker 3: Martin won.

418
00:21:37,000 --> 00:21:37,800
Speaker 1: Oh I didn't know that.

419
00:21:38,119 --> 00:21:42,920
Speaker 3: Yeah, and it's not the same story but the same title. Yeah,

420
00:21:43,040 --> 00:21:47,280
Speaker 3: similarly like guy that's dumb but does okay in life

421
00:21:47,440 --> 00:21:50,640
Speaker 3: because of the series of events.

422
00:21:50,640 --> 00:21:53,760
Speaker 2: So wait, did Steve Martin intentionally remake that movie?

423
00:21:53,800 --> 00:21:54,239
Speaker 4: I think so?

424
00:21:54,720 --> 00:21:58,159
Speaker 3: Yeah, No one knows about the Jerry Lewis version, but

425
00:21:58,960 --> 00:22:01,920
Speaker 3: like all of our dad like, hey, I want you

426
00:22:02,000 --> 00:22:06,359
Speaker 3: to watch Blazing Saddles, and they changed their mind after

427
00:22:06,400 --> 00:22:09,440
Speaker 3: a while. But my dad when I was young, because

428
00:22:09,440 --> 00:22:12,320
Speaker 3: he got to interview him once on radio and he

429
00:22:12,400 --> 00:22:17,159
Speaker 3: did some of he'd like dipped a comb in his

430
00:22:17,280 --> 00:22:19,719
Speaker 3: drinking water and combed his hair like he did some

431
00:22:19,920 --> 00:22:22,119
Speaker 3: Jerry Lewis things in front of him because he was

432
00:22:22,160 --> 00:22:26,320
Speaker 3: so excited to have it on radio. So he looked

433
00:22:26,359 --> 00:22:28,680
Speaker 3: up to him. But if you ask my dad now,

434
00:22:28,680 --> 00:22:32,200
Speaker 3: he's like, uh, yeah, I don't know what I was thinking.

435
00:22:33,000 --> 00:22:34,440
Speaker 4: A lot of it's pretty offensive.

436
00:22:36,280 --> 00:22:38,200
Speaker 1: Well, also, it just it was of a time.

437
00:22:38,520 --> 00:22:38,720
Speaker 3: Yeah.

438
00:22:38,840 --> 00:22:41,639
Speaker 1: Also, Jerry Lewis was so extreme.

439
00:22:41,720 --> 00:22:45,520
Speaker 2: He was such a like it wasn't just oh, this

440
00:22:45,560 --> 00:22:48,119
Speaker 2: guy's kind of a clown. It was just like I

441
00:22:48,480 --> 00:22:51,359
Speaker 2: would always get so irritated when I had to watch

442
00:22:51,520 --> 00:22:53,359
Speaker 2: like a Lewis and Martin movie or whatever.

443
00:22:53,400 --> 00:22:57,520
Speaker 1: He was just so over the top. Yeah, so like

444
00:22:57,640 --> 00:22:58,480
Speaker 1: it just bugged me.

445
00:22:58,840 --> 00:23:03,359
Speaker 4: Yeah he really he's going for it. Yeah. You and

446
00:23:03,400 --> 00:23:05,439
Speaker 4: I like more subtle, dry humor.

447
00:23:05,720 --> 00:23:08,160
Speaker 1: We're like the British Office.

448
00:23:08,400 --> 00:23:13,359
Speaker 3: But if you show me Martin short acting like Jerry Lewis,

449
00:23:14,560 --> 00:23:17,320
Speaker 3: I can't stop laughing.

450
00:23:17,200 --> 00:23:20,280
Speaker 5: Yeah, did you see the thing where he's gassing up

451
00:23:20,280 --> 00:23:23,760
Speaker 5: a car and talking to mother and daughter and then

452
00:23:24,119 --> 00:23:26,960
Speaker 5: he gets tangled in the gas nozzle and then he

453
00:23:27,119 --> 00:23:29,560
Speaker 5: just starts shooting the gas in his open mouth.

454
00:23:31,800 --> 00:23:35,720
Speaker 3: Was an SCTV sketch that it was like a parody

455
00:23:35,760 --> 00:23:40,639
Speaker 3: of some I don't know what kind of movie, but

456
00:23:41,119 --> 00:23:45,199
Speaker 3: with Jerry Lewis instead of whoever. Yeah, and it was

457
00:23:45,520 --> 00:23:48,760
Speaker 3: he was so funny. He's so funny.

458
00:23:49,800 --> 00:23:52,200
Speaker 2: He's another one that's just like it doesn't really matter

459
00:23:52,240 --> 00:23:54,120
Speaker 2: what he's doing, it's just just do it.

460
00:23:54,400 --> 00:23:54,800
Speaker 4: Yeah.

461
00:23:55,680 --> 00:23:58,320
Speaker 3: Years ago there he even had an HBO special with

462
00:23:58,480 --> 00:24:02,520
Speaker 3: bizarre He was like a picket fence in it, singing

463
00:24:02,560 --> 00:24:05,880
Speaker 3: a song about watching the yard and his arms were

464
00:24:05,920 --> 00:24:11,560
Speaker 3: these giant, like thirty feet of picket fence. Yeah. It

465
00:24:11,760 --> 00:24:18,640
Speaker 3: was the most like non sequitur commitment to bizarre things.

466
00:24:18,880 --> 00:24:21,520
Speaker 3: And it's another thing where I'm like, did I dream

467
00:24:21,600 --> 00:24:23,680
Speaker 3: that up? I've tried to find it on YouTube.

468
00:24:24,240 --> 00:24:24,800
Speaker 1: They killed it.

469
00:24:25,880 --> 00:24:31,600
Speaker 3: It just is out there, like there's a comedy professor

470
00:24:32,880 --> 00:24:37,320
Speaker 3: of he's just such a fan of everything good in

471
00:24:37,440 --> 00:24:41,159
Speaker 3: Austin John Merriman, and he had these VHS tapes and

472
00:24:41,160 --> 00:24:43,520
Speaker 3: he's like, I have the best tape ever. He dusted

473
00:24:43,680 --> 00:24:46,040
Speaker 3: off this and I'm like, please don't be face as

474
00:24:46,040 --> 00:24:49,840
Speaker 3: of death. And it was his Martin Short HBO comedy

475
00:24:49,880 --> 00:24:53,720
Speaker 3: special from back when like Gallagher was doing them and

476
00:24:54,119 --> 00:24:58,919
Speaker 3: comedy was not weird or alternative in any way, and

477
00:24:58,960 --> 00:25:02,080
Speaker 3: it was the craziest thing I'd ever say, But my

478
00:25:02,200 --> 00:25:05,399
Speaker 3: memory of it might be different than I'd love to

479
00:25:05,400 --> 00:25:06,040
Speaker 3: see it again.

480
00:25:06,119 --> 00:25:08,639
Speaker 2: I told you this story when I worked at Rosie

481
00:25:08,640 --> 00:25:13,080
Speaker 2: O'Donnell's ill fated own talk show and Martin Short was

482
00:25:13,080 --> 00:25:16,040
Speaker 2: a guest and I had to go in and I

483
00:25:16,119 --> 00:25:20,120
Speaker 2: was basically like his celebrity well, he had a celebrity producer,

484
00:25:20,160 --> 00:25:22,199
Speaker 2: but I, as the head writer, had to go in

485
00:25:22,240 --> 00:25:25,159
Speaker 2: and pitch him the ideas that we had of like

486
00:25:25,240 --> 00:25:27,360
Speaker 2: here's all the bits that we could that you could

487
00:25:27,440 --> 00:25:29,600
Speaker 2: do with Rosie.

488
00:25:29,240 --> 00:25:32,600
Speaker 4: Right like you were his liaison.

489
00:25:32,800 --> 00:25:34,480
Speaker 2: I was the well I just had to go pitch

490
00:25:34,480 --> 00:25:36,840
Speaker 2: the comedy because no one else knew how to explain it.

491
00:25:36,920 --> 00:25:39,320
Speaker 4: I just wanted to use that word yeah.

492
00:25:39,359 --> 00:25:43,520
Speaker 2: But I went in and there was all these pitches

493
00:25:43,600 --> 00:25:45,560
Speaker 2: and I didn't like any of them, but they were

494
00:25:45,600 --> 00:25:48,239
Speaker 2: like the one she liked, so I had to So

495
00:25:48,280 --> 00:25:49,840
Speaker 2: I was like, you guys could do a thing where

496
00:25:49,880 --> 00:25:52,240
Speaker 2: you sing a song about fucking you know, Chicago, and

497
00:25:52,280 --> 00:25:53,200
Speaker 2: he's like yeah.

498
00:25:53,040 --> 00:25:54,720
Speaker 1: And he's like nah.

499
00:25:54,760 --> 00:25:56,480
Speaker 2: And then I was like, okay, well there's this other

500
00:25:56,520 --> 00:25:58,159
Speaker 2: one where you could do blah blah blah and do

501
00:25:58,200 --> 00:26:01,040
Speaker 2: this and he's like, I don't think so. And I

502
00:26:01,200 --> 00:26:03,679
Speaker 2: do the third one that like she wants to do

503
00:26:03,720 --> 00:26:04,880
Speaker 2: and he's like hmm.

504
00:26:04,920 --> 00:26:07,080
Speaker 1: And then there was no more ideas left.

505
00:26:07,080 --> 00:26:09,119
Speaker 2: But I had already want I had an idea that

506
00:26:09,160 --> 00:26:11,359
Speaker 2: I wanted them to do, and I didn't pitch it

507
00:26:11,400 --> 00:26:12,760
Speaker 2: to her. So I just pitched to him and I go,

508
00:26:13,720 --> 00:26:17,880
Speaker 2: what if what if we say that you guys actually

509
00:26:18,200 --> 00:26:20,560
Speaker 2: like you have beef from long ago, and you start

510
00:26:20,600 --> 00:26:22,680
Speaker 2: off joking about it, but then you actually get mad

511
00:26:22,680 --> 00:26:24,400
Speaker 2: again and you start fighting, which.

512
00:26:24,280 --> 00:26:26,760
Speaker 4: Is something he would do as Jiminy Glick.

513
00:26:26,880 --> 00:26:30,239
Speaker 1: Right, And he goes, So, as I'm pitching this, his

514
00:26:30,359 --> 00:26:33,119
Speaker 1: eyes light up and he goes, That's what I'm talking about.

515
00:26:33,720 --> 00:26:36,800
Speaker 2: And it was the most fucking gratifying moment of my life.

516
00:26:36,920 --> 00:26:38,639
Speaker 4: I'm like, you know you came up with that in

517
00:26:38,640 --> 00:26:39,000
Speaker 4: the moment.

518
00:26:39,080 --> 00:26:40,479
Speaker 1: No, no, no, he didn't know anything.

519
00:26:40,640 --> 00:26:42,520
Speaker 2: It was just like the fourth idea I pitched but

520
00:26:42,560 --> 00:26:44,520
Speaker 2: I was like, we can't have nothing for this man,

521
00:26:45,040 --> 00:26:48,320
Speaker 2: and I knew, I just knew. She just didn't want

522
00:26:48,320 --> 00:26:52,000
Speaker 2: to be doing comedy. She's very like vulnerable on this show.

523
00:26:52,040 --> 00:26:55,200
Speaker 2: And it was very right, very poorly run. The people

524
00:26:55,200 --> 00:26:57,600
Speaker 2: weren't actually supporting her. It was not a good situation.

525
00:26:57,720 --> 00:27:00,280
Speaker 2: So she didn't feel comfortable to do comedy. But we

526
00:27:00,359 --> 00:27:02,320
Speaker 2: had to think of it all the time and try

527
00:27:02,359 --> 00:27:04,320
Speaker 2: to get people like do bits because you had to

528
00:27:04,320 --> 00:27:06,840
Speaker 2: fill time. So it was just hilarious because she was

529
00:27:06,920 --> 00:27:08,960
Speaker 2: kind of trying to do things she was comfortable doing

530
00:27:09,280 --> 00:27:12,560
Speaker 2: that maybe weren't the funniest idea, and he, of course

531
00:27:12,600 --> 00:27:16,200
Speaker 2: has just perfect taste. I'm just like, well, you could

532
00:27:16,280 --> 00:27:18,880
Speaker 2: be play this game where you both guess the thing.

533
00:27:18,920 --> 00:27:22,399
Speaker 2: He's like no. He just kept going like no, no,

534
00:27:23,080 --> 00:27:25,000
Speaker 2: And then I was like, well, then how about you

535
00:27:25,040 --> 00:27:27,119
Speaker 2: fight to the point of your wrestling on the ground

536
00:27:27,400 --> 00:27:28,600
Speaker 2: so happen.

537
00:27:29,440 --> 00:27:32,120
Speaker 4: No, she wouldn't do it, of course, God damn it.

538
00:27:32,280 --> 00:27:32,800
Speaker 4: What's that?

539
00:27:32,880 --> 00:27:37,440
Speaker 3: The what was the show called the Rose O'Donnell Show?

540
00:27:38,080 --> 00:27:40,639
Speaker 2: I don't remember. Yeah, it was just a it was

541
00:27:40,680 --> 00:27:44,119
Speaker 2: a talk show on own, so like very little visibility.

542
00:27:44,600 --> 00:27:47,400
Speaker 2: And then on top of that, it was they told

543
00:27:47,440 --> 00:27:49,720
Speaker 2: her they were giving her like a one hour one

544
00:27:49,760 --> 00:27:52,159
Speaker 2: topic like Oprah. They told her it was going to

545
00:27:52,200 --> 00:27:54,000
Speaker 2: be at four o'clock, and so she was like, oh,

546
00:27:54,080 --> 00:27:56,640
Speaker 2: I'm being taken seriously. It was like after the view,

547
00:27:57,000 --> 00:27:59,199
Speaker 2: and she wanted to do you know, she wanted to

548
00:27:59,200 --> 00:28:03,240
Speaker 2: do cause based conversations, right, and that's what we prepped

549
00:28:03,240 --> 00:28:05,960
Speaker 2: for her. And then truly at the eleventh hour, own

550
00:28:06,080 --> 00:28:08,440
Speaker 2: was like, no, we're putting you on at seven, So

551
00:28:08,480 --> 00:28:11,680
Speaker 2: it has to be top variety because nobody's gonna watch

552
00:28:12,359 --> 00:28:16,040
Speaker 2: single one hour one topic TV at like right before

553
00:28:16,040 --> 00:28:16,680
Speaker 2: they eat dinner.

554
00:28:18,080 --> 00:28:24,200
Speaker 3: Right, Well, what's amazing is I just randomly brought up

555
00:28:24,680 --> 00:28:27,080
Speaker 3: Martin Short and you had a story about how you

556
00:28:27,800 --> 00:28:30,000
Speaker 3: sat in a room with him and pitched him ideas

557
00:28:30,000 --> 00:28:31,200
Speaker 3: and that's fucking great.

558
00:28:31,400 --> 00:28:32,080
Speaker 4: Yeah.

559
00:28:32,200 --> 00:28:34,160
Speaker 1: I also did did you do stand up on his

560
00:28:34,240 --> 00:28:34,680
Speaker 1: talk show?

561
00:28:35,359 --> 00:28:35,800
Speaker 3: Uh?

562
00:28:35,920 --> 00:28:37,320
Speaker 4: No, no, I did.

563
00:28:37,359 --> 00:28:38,720
Speaker 1: He I got to do that twice.

564
00:28:38,960 --> 00:28:42,200
Speaker 2: Oh that's great and he was super nice and super

565
00:28:43,600 --> 00:28:45,920
Speaker 2: But like Blaine was a writer on it, Toby Huss

566
00:28:45,960 --> 00:28:47,600
Speaker 2: was a writer on it. They had this whole like

567
00:28:48,080 --> 00:28:51,240
Speaker 2: posse of people coming up with cool things. So I

568
00:28:51,280 --> 00:28:54,600
Speaker 2: think it's like everybody that that was, you know, my

569
00:28:54,920 --> 00:28:57,239
Speaker 2: group of people. So when they were booking comics, they

570
00:28:57,240 --> 00:28:59,480
Speaker 2: were just like, oh, that's the best best person.

571
00:29:00,160 --> 00:29:04,400
Speaker 3: If you have a relationship with Martin.

572
00:29:04,760 --> 00:29:05,760
Speaker 1: No, not in the least.

573
00:29:05,920 --> 00:29:09,080
Speaker 4: I mean if you saw him, he would maybe say hi,

574
00:29:09,280 --> 00:29:09,800
Speaker 4: I know you.

575
00:29:10,080 --> 00:29:10,880
Speaker 1: Not in the least.

576
00:29:11,000 --> 00:29:14,120
Speaker 4: But what if he has a really good memory.

577
00:29:14,160 --> 00:29:16,760
Speaker 2: I mean, if he has a Mary Lou Henner style memory,

578
00:29:16,760 --> 00:29:20,120
Speaker 2: then yes, I have been in his life more than most.

579
00:29:21,160 --> 00:29:24,080
Speaker 2: And I pitched him one really funny idea that just

580
00:29:24,280 --> 00:29:29,080
Speaker 2: visually alone, the two of them getting into an argument

581
00:29:29,720 --> 00:29:32,760
Speaker 2: about something old and getting so mad that they start

582
00:29:32,760 --> 00:29:34,920
Speaker 2: physically fighting would have been the funniest.

583
00:29:34,560 --> 00:29:35,640
Speaker 1: Fucking thing of all time.

584
00:29:35,920 --> 00:29:40,560
Speaker 4: Oh man, but it's so cool that that happened.

585
00:29:40,720 --> 00:29:42,440
Speaker 1: Millions of dead ideas out there.

586
00:29:42,880 --> 00:29:44,840
Speaker 3: Was that the show though, where she had Donnie and

587
00:29:44,880 --> 00:29:47,880
Speaker 3: Marie osmon on. She was so excited. She had lunchboxes

588
00:29:47,920 --> 00:29:50,600
Speaker 3: and all these memorabilia, and they were like really mean

589
00:29:50,640 --> 00:29:50,960
Speaker 3: to her.

590
00:29:51,760 --> 00:29:55,280
Speaker 2: Yeah no, that was her first talk. Okay in the nineties. Okay,

591
00:29:55,320 --> 00:29:59,200
Speaker 2: that's when she first kicked it off. Okay, right, this

592
00:29:59,400 --> 00:30:03,240
Speaker 2: was a later should have never done it. Nobody really

593
00:30:03,320 --> 00:30:06,120
Speaker 2: knew why we were there. I was hired to write comedy.

594
00:30:06,240 --> 00:30:07,480
Speaker 2: She didn't want comedy.

595
00:30:08,400 --> 00:30:11,120
Speaker 3: Well, I like the old days of Rosie wearing a

596
00:30:11,200 --> 00:30:15,000
Speaker 3: Kangall hat stand up because I liked her stand up voice.

597
00:30:15,120 --> 00:30:16,840
Speaker 3: I know when I was a kid, that was like

598
00:30:16,920 --> 00:30:20,480
Speaker 3: one of the voices where I'm like, Okay, this is

599
00:30:20,520 --> 00:30:21,280
Speaker 3: a neat job.

600
00:30:21,400 --> 00:30:23,480
Speaker 2: Have you heard her tell that story that the first

601
00:30:23,520 --> 00:30:25,600
Speaker 2: time she did stand up she just did a Seinfeld

602
00:30:25,720 --> 00:30:29,000
Speaker 2: act that she memorized from TV. No way, she just

603
00:30:29,080 --> 00:30:31,680
Speaker 2: had seen Seinfeld on TV. So she was like, oh, well,

604
00:30:31,680 --> 00:30:34,560
Speaker 2: now i'll do comedy too, like she thought everyone did

605
00:30:34,640 --> 00:30:36,240
Speaker 2: just like the same jokes or whatever.

606
00:30:36,400 --> 00:30:37,600
Speaker 4: Oh that's insane.

607
00:30:37,800 --> 00:30:41,000
Speaker 2: So she gets up on stage at some club, you know,

608
00:30:41,120 --> 00:30:45,360
Speaker 2: in probably about Brooklyn or I don't know, and then

609
00:30:45,480 --> 00:30:49,120
Speaker 2: she does Seinfeld's act kills, and then of course she

610
00:30:49,160 --> 00:30:50,960
Speaker 2: gets off stage and like yeah, I'm the best, and

611
00:30:51,000 --> 00:30:53,560
Speaker 2: then the other comps are like, you can't do that.

612
00:30:54,280 --> 00:30:55,800
Speaker 4: Oh that's so funny.

613
00:30:55,880 --> 00:30:58,200
Speaker 2: And that's how she learned like, oh I thought this

614
00:30:58,360 --> 00:30:59,160
Speaker 2: was really easy.

615
00:31:00,120 --> 00:31:02,840
Speaker 1: Wow, I just do the jokes I hear other people do.

616
00:31:03,520 --> 00:31:05,840
Speaker 4: Yeah, that's not I think she was very young.

617
00:31:06,440 --> 00:31:10,880
Speaker 3: Yeah, I guess when I first went up, I did

618
00:31:10,920 --> 00:31:16,880
Speaker 3: not know that I would have to have material and

619
00:31:17,120 --> 00:31:20,520
Speaker 3: repeat the same ideas over and over. Yeah, I thought

620
00:31:20,560 --> 00:31:24,040
Speaker 3: that I would just do one man improv and it

621
00:31:24,160 --> 00:31:27,640
Speaker 3: was chaotic, and someone right away told me, like, you

622
00:31:27,720 --> 00:31:31,160
Speaker 3: should talk about that again, but think about it and

623
00:31:31,280 --> 00:31:34,800
Speaker 3: have a joke at the end, not just wride around

624
00:31:34,880 --> 00:31:41,520
Speaker 3: on stage in a panic after seven beers. But yeah,

625
00:31:41,960 --> 00:31:45,920
Speaker 3: it's there's not really anyone to tell you how to

626
00:31:45,960 --> 00:31:49,120
Speaker 3: do it. I guess back then, that's why the kids

627
00:31:49,160 --> 00:31:49,600
Speaker 3: these days.

628
00:31:49,640 --> 00:31:53,720
Speaker 2: I really do think the generations after my generation got

629
00:31:53,760 --> 00:31:57,160
Speaker 2: better and better exponentially is because everyone.

630
00:31:56,760 --> 00:31:57,880
Speaker 1: Could watch people.

631
00:31:58,400 --> 00:32:01,600
Speaker 2: Oh yeah, you know, like I got to watch Ray Romano,

632
00:32:01,840 --> 00:32:08,280
Speaker 2: Jay Leno, John Stuart and like Diane Ford. There's like

633
00:32:08,720 --> 00:32:11,600
Speaker 2: what twenty five people you could probably name right, But

634
00:32:11,640 --> 00:32:13,680
Speaker 2: then it just kept growing and the cool people kept

635
00:32:13,680 --> 00:32:14,440
Speaker 2: getting cooler.

636
00:32:14,720 --> 00:32:18,440
Speaker 3: Yeah, that's why that girl can do a front foot

637
00:32:18,520 --> 00:32:22,360
Speaker 3: impossible on Bert. You are looking at you can see

638
00:32:22,400 --> 00:32:24,800
Speaker 3: what has been done. There's a history of it. And

639
00:32:24,800 --> 00:32:28,680
Speaker 3: when I started skateboarding, like it was happening, the tricks

640
00:32:28,680 --> 00:32:30,240
Speaker 3: were being invented in that moment.

641
00:32:30,480 --> 00:32:31,200
Speaker 4: And yes, you.

642
00:32:31,160 --> 00:32:34,480
Speaker 3: Could order a VHS type and wait for it to

643
00:32:34,520 --> 00:32:38,000
Speaker 3: come and by then the footage is one year old. Yeah,

644
00:32:38,000 --> 00:32:40,880
Speaker 3: and you can try and learn those tricks watching it

645
00:32:40,920 --> 00:32:45,200
Speaker 3: on your VCR. But it's just the immediate access and

646
00:32:45,280 --> 00:32:47,200
Speaker 3: to see what everyone's done.

647
00:32:47,760 --> 00:32:50,720
Speaker 4: At times, I'm with comedy and.

648
00:32:50,800 --> 00:32:53,720
Speaker 3: A lot of things, like jealous of the access young

649
00:32:53,760 --> 00:32:54,240
Speaker 3: people have.

650
00:32:54,440 --> 00:32:56,040
Speaker 4: I know because I see people that.

651
00:32:57,000 --> 00:32:59,200
Speaker 3: Just the other night I did Chatterbox and there's so

652
00:32:59,240 --> 00:33:01,320
Speaker 3: many comics on that I can tell have only been

653
00:33:01,320 --> 00:33:04,640
Speaker 3: doing it a couple of years, and they were so funny. Yeah,

654
00:33:04,680 --> 00:33:05,240
Speaker 3: it's cool.

655
00:33:05,320 --> 00:33:09,880
Speaker 2: Also, it's inspiring, it is, but it is frustrating. It's like, oh,

656
00:33:09,920 --> 00:33:11,840
Speaker 2: I had to get my diamonds. I had to go

657
00:33:11,960 --> 00:33:14,560
Speaker 2: with my hands into this thing of gravel and dig

658
00:33:14,640 --> 00:33:18,360
Speaker 2: fucking through it and essentially like other people got cheat codes.

659
00:33:18,400 --> 00:33:20,880
Speaker 1: The more time passed, the easier it got.

660
00:33:21,240 --> 00:33:23,400
Speaker 4: I learned comedy with blood diamonds.

661
00:33:23,760 --> 00:33:27,480
Speaker 2: I killed children miners so that I can say these

662
00:33:27,640 --> 00:33:28,840
Speaker 2: terrible jokes.

663
00:33:28,960 --> 00:33:33,000
Speaker 3: And when I say that they are young coal mining children,

664
00:33:33,800 --> 00:33:34,880
Speaker 3: they are over eighteen.

665
00:33:35,080 --> 00:33:37,760
Speaker 1: I wasn't being redundant when I was saying that.

666
00:33:39,000 --> 00:33:42,440
Speaker 4: I didn't know Urban Outfitters was still a thing.

667
00:33:42,680 --> 00:33:44,360
Speaker 1: It is so shit in there.

668
00:33:44,560 --> 00:33:47,280
Speaker 2: I am sorry to come down hard against oh really,

669
00:33:47,400 --> 00:33:50,000
Speaker 2: but I went in there to kind of like go, like,

670
00:33:50,240 --> 00:33:52,040
Speaker 2: is there one cute shirt I could find even though

671
00:33:52,080 --> 00:33:54,560
Speaker 2: I'm so old, or get something from my niece.

672
00:33:54,720 --> 00:33:58,160
Speaker 1: And I was just like, what is happening to our world?

673
00:33:58,240 --> 00:33:58,480
Speaker 4: Yeah?

674
00:33:58,560 --> 00:34:02,960
Speaker 2: Quality of everything is shit? Okay, like the quality of ship.

675
00:34:03,200 --> 00:34:04,920
Speaker 2: I thought it's more expensive than ever.

676
00:34:05,120 --> 00:34:08,879
Speaker 4: Oh, I thought it was gone. I don't it feels gone.

677
00:34:08,920 --> 00:34:09,399
Speaker 1: That's fine.

678
00:34:09,640 --> 00:34:11,839
Speaker 4: That store would deceive you, though.

679
00:34:11,960 --> 00:34:15,600
Speaker 3: I remember leaving with like bracelets and stuff. I'm like,

680
00:34:15,640 --> 00:34:17,880
Speaker 3: why am I wearing bracelets.

681
00:34:17,400 --> 00:34:20,120
Speaker 2: And an ashtray and like a bowling pin? And they did,

682
00:34:20,200 --> 00:34:20,839
Speaker 2: they had it all.

683
00:34:21,000 --> 00:34:23,359
Speaker 3: Yeah, they'd have like a young hot person come up

684
00:34:23,400 --> 00:34:25,480
Speaker 3: and be like, oh, you would look so good in that,

685
00:34:25,680 --> 00:34:26,279
Speaker 3: like they did.

686
00:34:26,360 --> 00:34:28,920
Speaker 4: They're actively really.

687
00:34:28,560 --> 00:34:34,279
Speaker 5: Me And then I'm leaving with ridiculous hamp Anklet the

688
00:34:34,360 --> 00:34:35,720
Speaker 5: fucking what have I done?

689
00:34:36,360 --> 00:34:38,040
Speaker 3: Are they flared pants?

690
00:34:38,400 --> 00:34:44,040
Speaker 2: Can I hear Chris being humbly being paid attention to?

691
00:34:44,520 --> 00:34:44,800
Speaker 4: Sure?

692
00:34:44,880 --> 00:34:47,839
Speaker 3: Sure, Well, I'll walk into the store first, and then

693
00:34:47,920 --> 00:34:49,360
Speaker 3: you offer me assistance.

694
00:34:50,239 --> 00:34:52,400
Speaker 4: I guess I'll just do. Oh I wonder if this

695
00:34:52,440 --> 00:34:53,040
Speaker 4: will fit me?

696
00:34:53,960 --> 00:34:57,000
Speaker 2: Hey, oh my god, that color looks so good on you.

697
00:35:00,840 --> 00:35:03,080
Speaker 1: I should ambo ambo ambo.

698
00:35:03,040 --> 00:35:09,879
Speaker 4: Uh oh, follow him and then we'll help ambo. What's

699
00:35:09,920 --> 00:35:12,440
Speaker 4: ambo mean is that my dad was a fireman speak.

700
00:35:12,719 --> 00:35:14,920
Speaker 1: No, I just made it up. It's like short for ambulance.

701
00:35:15,000 --> 00:35:19,200
Speaker 2: You know, people love to do that ambo, you know,

702
00:35:19,280 --> 00:35:23,759
Speaker 2: like everyone has for some reason, like slang wise people know,

703
00:35:24,000 --> 00:35:26,359
Speaker 2: like fifty one fifty type of shit of like what

704
00:35:26,440 --> 00:35:27,520
Speaker 2: cops say to each other.

705
00:35:28,000 --> 00:35:29,040
Speaker 1: So I just made one up.

706
00:35:29,160 --> 00:35:32,480
Speaker 3: Well, ambo makes it sound like the full word is ambulini.

707
00:35:37,400 --> 00:35:40,800
Speaker 3: I guess there are days of helping civil servants.

708
00:35:41,200 --> 00:35:43,320
Speaker 4: No, hey, tattooed Bill Dwyer.

709
00:35:44,640 --> 00:35:47,480
Speaker 2: That's just for Karen tattoo tank top Bildwyer in a

710
00:35:47,560 --> 00:35:48,520
Speaker 2: minivan like him?

711
00:35:48,640 --> 00:35:49,319
Speaker 1: What's he up to?

712
00:35:49,560 --> 00:35:49,759
Speaker 2: Oh?

713
00:35:49,880 --> 00:35:51,120
Speaker 4: Let's call Bill Dwyer.

714
00:35:51,239 --> 00:35:53,279
Speaker 1: Oh my god, There's nothing I'd love more.

715
00:35:53,320 --> 00:35:56,360
Speaker 2: He would laugh so hard in all seriousness, we could

716
00:35:56,560 --> 00:36:00,920
Speaker 2: we could call people on the is that did that

717
00:36:01,040 --> 00:36:01,759
Speaker 2: ever occur to you?

718
00:36:02,160 --> 00:36:05,280
Speaker 4: Let me look like from your dash you're.

719
00:36:05,320 --> 00:36:07,279
Speaker 1: Right, let's see, let's just see.

720
00:36:07,480 --> 00:36:08,880
Speaker 4: How is this just hitting me?

721
00:36:09,719 --> 00:36:11,480
Speaker 1: I know I've never thought of that before.

722
00:36:12,000 --> 00:36:13,560
Speaker 3: You haven't, right, or are you kidding?

723
00:36:13,880 --> 00:36:14,279
Speaker 1: Never have?

724
00:36:14,840 --> 00:36:17,239
Speaker 3: Because there's times your sister is called and it's like, wow,

725
00:36:17,280 --> 00:36:18,200
Speaker 3: we're podcasting.

726
00:36:18,360 --> 00:36:21,120
Speaker 4: Certainly you can't pick up. But what if Bill Dwyer

727
00:36:21,160 --> 00:36:21,640
Speaker 4: had called?

728
00:36:21,920 --> 00:36:25,280
Speaker 2: Yeah, I would have picked up for him, not my sister.

729
00:36:25,680 --> 00:36:28,480
Speaker 3: Is this a thing we should do on solo episodes

730
00:36:28,600 --> 00:36:31,600
Speaker 3: when we run out of gas, which clearly we are,

731
00:36:31,600 --> 00:36:35,879
Speaker 3: and this is one of our best ones. We did

732
00:36:35,920 --> 00:36:38,680
Speaker 3: a classic act out. We haven't done that for a while.

733
00:36:39,680 --> 00:36:42,720
Speaker 3: I mean, uh, we are calling Bill Dwyer.

734
00:36:43,840 --> 00:36:44,680
Speaker 1: See what happens?

735
00:36:44,840 --> 00:37:03,600
Speaker 3: Okay, calling all Dwyers. Oh, this it's gonna be great.

736
00:37:03,719 --> 00:37:07,920
Speaker 3: See that's the problem with it. No one answers phones anymore.

737
00:37:10,160 --> 00:37:13,799
Speaker 3: It would just be a podcast where we leave clever messages.

738
00:37:14,239 --> 00:37:15,840
Speaker 1: I mean, oh, let's.

739
00:37:15,719 --> 00:37:16,720
Speaker 3: As Bill Dwyer.

740
00:37:17,320 --> 00:37:25,680
Speaker 6: Yes, yeah, yeah, Okay, listener, Now you know why we

741
00:37:25,800 --> 00:37:29,240
Speaker 6: called bil dwire If it's anything like it's outgoing message,

742
00:37:29,760 --> 00:37:31,680
Speaker 6: he's a nothing but fun.

743
00:37:32,080 --> 00:37:38,120
Speaker 3: Hey Bill, it's Chris Fairbanks and Karen kilgera thank you.

744
00:37:40,239 --> 00:37:43,680
Speaker 3: We're podcasting. And we thought we saw you driving with

745
00:37:43,760 --> 00:37:46,439
Speaker 3: a tank top and a fresh tattoo, but it wasn't you.

746
00:37:46,800 --> 00:37:48,359
Speaker 2: And then we were like, hey, we can I go.

747
00:37:48,600 --> 00:37:50,480
Speaker 2: I can call Bil Dwyer right now. I have his

748
00:37:50,480 --> 00:37:53,040
Speaker 2: phone number, and clearly this is still your phone number.

749
00:37:53,160 --> 00:37:55,600
Speaker 2: Will you come and do this podcast with us? Bil Dwyer,

750
00:37:55,920 --> 00:37:59,279
Speaker 2: call me back, text me back. Stop pretending that we

751
00:37:59,320 --> 00:38:03,439
Speaker 2: are not friends. We are friends. Stopping so fake talk

752
00:38:03,440 --> 00:38:04,200
Speaker 2: to you soon.

753
00:38:04,200 --> 00:38:06,320
Speaker 4: Yes, and get rid of that tattoo.

754
00:38:06,320 --> 00:38:13,200
Speaker 3: It looks bad. That new segment, this is incredible. All

755
00:38:13,280 --> 00:38:16,360
Speaker 3: comics and invite them on the podcast.

756
00:38:16,520 --> 00:38:21,360
Speaker 2: The segments called the big Invite and we throw it

757
00:38:21,400 --> 00:38:26,160
Speaker 2: out there. It's our big chance to invite someone that's

758
00:38:26,200 --> 00:38:28,800
Speaker 2: also in my contact list on my phone.

759
00:38:29,480 --> 00:38:32,560
Speaker 3: I can't believe we finally have a segment. We we

760
00:38:32,600 --> 00:38:36,000
Speaker 3: did try and launch one back with when we did

761
00:38:36,000 --> 00:38:40,320
Speaker 3: our one live show Downtown LA where Greg Barratt was

762
00:38:40,360 --> 00:38:42,640
Speaker 3: on and for some reason we were just making him

763
00:38:42,640 --> 00:38:46,319
Speaker 3: do his bits. Yeah, that we remembered in and that

764
00:38:46,520 --> 00:38:49,200
Speaker 3: was like, this is a reoccurring segment. We're going to

765
00:38:49,280 --> 00:38:52,640
Speaker 3: do this all the time. And I've forgotten until.

766
00:38:52,360 --> 00:38:55,840
Speaker 2: Now what was But the how could it be a

767
00:38:55,880 --> 00:38:58,720
Speaker 2: reoccurring segment If it's Greg Barrett doing bits.

768
00:38:58,440 --> 00:39:00,840
Speaker 3: We do it for other people that are Greig Parent

769
00:39:01,239 --> 00:39:02,840
Speaker 3: and make them do his bits.

770
00:39:03,200 --> 00:39:05,480
Speaker 1: We could also get Greig Parent to come and do bits.

771
00:39:05,600 --> 00:39:07,320
Speaker 3: Yeah, well let's do that as well.

772
00:39:07,640 --> 00:39:08,720
Speaker 4: I think it.

773
00:39:08,800 --> 00:39:13,320
Speaker 3: Yeah, it is very much contingent upon us remembering that

774
00:39:13,520 --> 00:39:14,680
Speaker 3: person's old jokes.

775
00:39:14,840 --> 00:39:15,520
Speaker 1: Yes, that's right.

776
00:39:15,560 --> 00:39:17,840
Speaker 2: We have to really, we both have to be equal

777
00:39:18,000 --> 00:39:20,480
Speaker 2: sized fans of that first comedy.

778
00:39:20,160 --> 00:39:22,000
Speaker 3: And it has to be from the era where you

779
00:39:22,040 --> 00:39:24,200
Speaker 3: memorize other people's bits. So we could do it with

780
00:39:24,239 --> 00:39:26,279
Speaker 3: Greg We could do it with Robert Hauk, So we

781
00:39:26,320 --> 00:39:29,160
Speaker 3: could do it with a young Dave Hottel.

782
00:39:28,600 --> 00:39:30,760
Speaker 1: Blank Patch. You could do it with Blaine Easy.

783
00:39:31,280 --> 00:39:36,960
Speaker 4: Yes, yeah, but no, I'm excited now for a new segment.

784
00:39:37,480 --> 00:39:40,120
Speaker 3: I'm not kidding when I just realized we're driving around

785
00:39:40,160 --> 00:39:42,520
Speaker 3: in a phone booth and we can call people when

786
00:39:42,560 --> 00:39:43,480
Speaker 3: we don't have guests.

787
00:39:43,719 --> 00:39:46,720
Speaker 2: Also, it doesn't make sense to me why Bill Dwyer's

788
00:39:46,760 --> 00:39:47,320
Speaker 2: not famous.

789
00:39:47,360 --> 00:39:50,959
Speaker 1: He should be a game show fucking host. He should.

790
00:39:51,040 --> 00:39:54,000
Speaker 1: He's one of the funniest comedians. Well he should.

791
00:39:53,960 --> 00:39:56,080
Speaker 4: Addiction, man, I mean his drug.

792
00:39:56,239 --> 00:40:00,719
Speaker 3: I don't know, kidding, No, just to think of it

793
00:40:00,880 --> 00:40:03,560
Speaker 3: because I was drinking and I stopped two and a

794
00:40:03,560 --> 00:40:06,120
Speaker 3: half years ago, and it turns out it's just me.

795
00:40:06,520 --> 00:40:11,839
Speaker 3: But why, Yes, there is no right, there's no rhyme

796
00:40:11,920 --> 00:40:17,000
Speaker 3: or reason. No, Hey, that's right. I've suddenly realized there's

797
00:40:17,040 --> 00:40:19,920
Speaker 3: an insult. Wait a second, Yeah, no, I know we're

798
00:40:19,960 --> 00:40:25,120
Speaker 3: way different. Wait a minute, there are Yeah, there are

799
00:40:25,200 --> 00:40:28,000
Speaker 3: so many people that are so funny and always have

800
00:40:28,120 --> 00:40:28,720
Speaker 3: been funny.

801
00:40:29,000 --> 00:40:32,200
Speaker 4: And honestly, if you look at his.

802
00:40:32,480 --> 00:40:35,600
Speaker 3: Career, he's that battle Bots thing came back.

803
00:40:35,719 --> 00:40:36,920
Speaker 4: I know he loves it.

804
00:40:36,840 --> 00:40:39,719
Speaker 2: He works so much, but I just want everybody to

805
00:40:39,760 --> 00:40:41,760
Speaker 2: know how funny he's right all the time.

806
00:40:42,040 --> 00:40:44,360
Speaker 4: Yeah, and fun fun to be around.

807
00:40:44,560 --> 00:40:46,080
Speaker 3: Yeah, yeah it is.

808
00:40:47,080 --> 00:40:49,359
Speaker 4: Oh, go go, You're right.

809
00:40:49,400 --> 00:40:53,200
Speaker 3: There are a lot of comics that, but more often

810
00:40:53,320 --> 00:40:56,960
Speaker 3: than that, I see comics and I'm like, wait, why

811
00:40:57,080 --> 00:41:00,359
Speaker 3: is this person the household name? So I'm starting to

812
00:41:00,400 --> 00:41:05,480
Speaker 3: think being extra clever and funny it's not what the

813
00:41:05,520 --> 00:41:06,440
Speaker 3: world wants.

814
00:41:06,480 --> 00:41:10,759
Speaker 2: Well, it just doesn't. It's there's so much more to it.

815
00:41:11,080 --> 00:41:13,680
Speaker 2: I'll never forget. When I worked at Ellen and there's

816
00:41:13,800 --> 00:41:18,480
Speaker 2: one day where they have this thing called the Q Rating,

817
00:41:19,000 --> 00:41:22,600
Speaker 2: and it's basically a printed out list of the top

818
00:41:22,640 --> 00:41:29,799
Speaker 2: one hundred most like, most liked celebrities based on like

819
00:41:29,920 --> 00:41:34,640
Speaker 2: basically them testing demographics and having people answer like who

820
00:41:34,680 --> 00:41:38,959
Speaker 2: their favorite celebrity is. And sorry, I'm forcing you guys

821
00:41:38,960 --> 00:41:41,000
Speaker 2: to go with me, but I just realize I'm not

822
00:41:41,000 --> 00:41:44,080
Speaker 2: gonna be able to eat while unless I eat. Now,

823
00:41:44,120 --> 00:41:46,360
Speaker 2: I get food. Now, I have to go get my

824
00:41:46,360 --> 00:41:46,879
Speaker 2: hair done.

825
00:41:47,320 --> 00:41:49,719
Speaker 4: I love it. I'm going to get some neat too.

826
00:41:50,120 --> 00:41:51,400
Speaker 4: We're going to wrap this up now.

827
00:41:51,400 --> 00:41:57,840
Speaker 3: It's Thesmr open mouth smacking. It's yeah, it's amazing what

828
00:41:58,040 --> 00:41:59,920
Speaker 3: judges of what the Q rating is.

829
00:42:00,840 --> 00:42:06,120
Speaker 2: Sorry, it's basically demo testing of asking audiences who they like,

830
00:42:06,200 --> 00:42:09,359
Speaker 2: but they ask like tens of thousands of people. And

831
00:42:09,440 --> 00:42:12,120
Speaker 2: so the number one celebrity on this Q rating list

832
00:42:12,160 --> 00:42:14,880
Speaker 2: was Reba McIntyre and I was like, what are you

833
00:42:15,080 --> 00:42:17,520
Speaker 2: talking about? And I was like, Tina Fey isn't even

834
00:42:17,520 --> 00:42:20,240
Speaker 2: on here, and like, I was so mad, and.

835
00:42:20,400 --> 00:42:22,680
Speaker 4: It was number three is just a bag of Fredo's.

836
00:42:22,880 --> 00:42:25,360
Speaker 2: It truly is the kind of thing where it's just

837
00:42:25,400 --> 00:42:29,560
Speaker 2: taking everyone's taste into account and then being like and like,

838
00:42:29,640 --> 00:42:32,439
Speaker 2: if everybody got to vote, these would be the top

839
00:42:32,480 --> 00:42:35,680
Speaker 2: one hundred celebrities. And it's just very surprising. You know,

840
00:42:35,719 --> 00:42:38,000
Speaker 2: there's a lot of the Mark Harmon vibe in the

841
00:42:38,080 --> 00:42:42,200
Speaker 2: list where you're like, this is it's not about being innovative,

842
00:42:42,239 --> 00:42:45,520
Speaker 2: it's not about when you come to that part of

843
00:42:45,560 --> 00:42:48,520
Speaker 2: the business. They want to make their money back the end,

844
00:42:48,680 --> 00:42:53,040
Speaker 2: So no one's going out on a limb unless they're rich.

845
00:42:53,440 --> 00:42:57,399
Speaker 3: Yeah, that's that's disappointing because then it's like, oh, if

846
00:42:57,400 --> 00:42:59,920
Speaker 3: it's a cross section of America Halfday. It's a pin

847
00:43:00,280 --> 00:43:03,840
Speaker 3: are coming from someone wearing overalls, laying in a hammock

848
00:43:04,680 --> 00:43:06,920
Speaker 3: drinking sweet tea.

849
00:43:07,840 --> 00:43:10,440
Speaker 1: The lazy farmer, the rare lazy farmer.

850
00:43:10,640 --> 00:43:13,640
Speaker 3: Yeah. That it reminds me of when I worked a

851
00:43:13,719 --> 00:43:19,759
Speaker 3: club in Calgary and I was trying so hard but

852
00:43:19,840 --> 00:43:24,000
Speaker 3: it was one of my first time headlining. And when

853
00:43:24,360 --> 00:43:27,520
Speaker 3: they paid me at the end, he was like, I

854
00:43:27,680 --> 00:43:32,840
Speaker 3: just people don't drink during your comedy. Yeah, And I'm like,

855
00:43:33,520 --> 00:43:36,920
Speaker 3: I don't know. See this other guy, Tommy Sabat, people

856
00:43:37,000 --> 00:43:40,160
Speaker 3: drink during his set and I'm like, well, yeah.

857
00:43:39,960 --> 00:43:42,600
Speaker 4: He's drinking on stage and he's talking about drinking.

858
00:43:42,680 --> 00:43:46,160
Speaker 3: Yeah, you should have more jokes about jokes that make

859
00:43:46,160 --> 00:43:51,000
Speaker 3: people thirsty, like a joke about accidentally drinking sand from

860
00:43:51,040 --> 00:43:53,480
Speaker 3: a canteen. How am I going to make people order

861
00:43:53,600 --> 00:43:54,720
Speaker 3: drinks with my comedy?

862
00:43:54,840 --> 00:43:59,719
Speaker 1: The comedy must propel the drinking. He wanted insane.

863
00:44:00,080 --> 00:44:02,680
Speaker 4: I don't care if they're laughing. I want them to

864
00:44:02,719 --> 00:44:03,440
Speaker 4: get thirsty.

865
00:44:04,200 --> 00:44:06,240
Speaker 1: And I'm like, what sur peanuts, sir.

866
00:44:06,239 --> 00:44:08,000
Speaker 3: And when he paid me is like, we'll have you

867
00:44:08,080 --> 00:44:10,279
Speaker 3: back though, and I'm like, oh, I won't be coming back.

868
00:44:10,640 --> 00:44:11,719
Speaker 3: And that felt really good.

869
00:44:12,920 --> 00:44:15,080
Speaker 4: I realized I don't know, that's my name's Canadian.

870
00:44:16,719 --> 00:44:18,440
Speaker 3: And that was two weeks of work.

871
00:44:19,200 --> 00:44:19,439
Speaker 1: Shit.

872
00:44:19,680 --> 00:44:24,880
Speaker 3: Yeah, ship, that was a dark time. But yeah, I

873
00:44:25,200 --> 00:44:31,879
Speaker 3: there are there are different factors other than just who

874
00:44:32,000 --> 00:44:33,600
Speaker 3: comedians think are funny.

875
00:44:34,120 --> 00:44:35,240
Speaker 1: It doesn't even count.

876
00:44:35,480 --> 00:44:39,200
Speaker 3: And yeah, someone like Bill like when sarcasm is that

877
00:44:39,480 --> 00:44:44,800
Speaker 3: much of your comedy? My favorite thing? Uh, it's amazing

878
00:44:44,840 --> 00:44:48,600
Speaker 3: how many people don't get sarcasm.

879
00:44:49,320 --> 00:44:50,960
Speaker 4: But I'm still going to lean into it.

880
00:44:51,680 --> 00:44:53,200
Speaker 1: I can't help but lean into it.

881
00:44:53,600 --> 00:44:55,640
Speaker 4: That's right series right now?

882
00:44:56,640 --> 00:44:58,160
Speaker 1: Yeah, I know what sarcasm is.

883
00:44:58,480 --> 00:45:03,680
Speaker 3: Oh are you what are you gonna? What do you

884
00:45:03,719 --> 00:45:04,239
Speaker 3: get at it?

885
00:45:04,320 --> 00:45:04,759
Speaker 4: In and Out?

886
00:45:04,840 --> 00:45:07,160
Speaker 2: I get a single with cheese with caramelized or with

887
00:45:07,239 --> 00:45:10,000
Speaker 2: the girlled onions and die Coke.

888
00:45:10,239 --> 00:45:13,000
Speaker 3: I'm gonna get an empty cup for the scripture on

889
00:45:13,040 --> 00:45:14,799
Speaker 3: the bottom.

890
00:45:14,280 --> 00:45:16,320
Speaker 4: I think I'll get.

891
00:45:16,160 --> 00:45:17,239
Speaker 3: A h.

892
00:45:18,880 --> 00:45:22,120
Speaker 4: A double. It's a double and double double with cheese,

893
00:45:22,960 --> 00:45:26,239
Speaker 4: just the burger. I think that's okay. He'll have the

894
00:45:26,320 --> 00:45:29,279
Speaker 4: menu on his R clipboard.

895
00:45:30,360 --> 00:45:32,600
Speaker 2: Did you hear the owner of In and Out got

896
00:45:32,640 --> 00:45:34,840
Speaker 2: in a bunch of trouble because she was trying to

897
00:45:34,840 --> 00:45:36,239
Speaker 2: talk about California?

898
00:45:36,360 --> 00:45:36,560
Speaker 1: Yeah?

899
00:45:36,840 --> 00:45:40,839
Speaker 3: I read about it, and I have to say she

900
00:45:40,880 --> 00:45:43,200
Speaker 3: didn't really, it's people say worse.

901
00:45:44,360 --> 00:45:44,640
Speaker 1: Really.

902
00:45:45,280 --> 00:45:48,480
Speaker 3: Her response was like, I just was talking about not

903
00:45:48,600 --> 00:45:52,920
Speaker 3: wanting to raise my kid's hair. I love California and

904
00:45:52,960 --> 00:45:57,600
Speaker 3: it's and the patrons like, I don't know. I bet

905
00:45:57,640 --> 00:46:01,120
Speaker 3: she says way worse thing. We should have waited a

906
00:46:01,200 --> 00:46:01,840
Speaker 3: couple of weeks.

907
00:46:02,200 --> 00:46:05,120
Speaker 2: Yeah, well, I think everybody's looking for, like what's the

908
00:46:05,120 --> 00:46:08,880
Speaker 2: next beef, and I think there's that California. It's like,

909
00:46:08,960 --> 00:46:10,640
Speaker 2: now they're going to try to separate us from in

910
00:46:10,719 --> 00:46:15,200
Speaker 2: and out, like fuck off, We've like funny, you know.

911
00:46:16,000 --> 00:46:18,560
Speaker 1: People off of the street. Can we please have one

912
00:46:18,640 --> 00:46:19,120
Speaker 1: nice thing?

913
00:46:19,239 --> 00:46:23,279
Speaker 3: Yeah? Yeah, oh yeah. It's also it's pretty easy when

914
00:46:23,320 --> 00:46:26,560
Speaker 3: you look at her stats. She's just an heiress born

915
00:46:26,640 --> 00:46:30,239
Speaker 3: into owning this franchise. Yeah, like a forty year old

916
00:46:30,840 --> 00:46:36,680
Speaker 3: daughter of the granddaughter of the original right burger magnates.

917
00:46:37,920 --> 00:46:40,120
Speaker 1: But they cared about us as original people.

918
00:46:40,440 --> 00:46:45,960
Speaker 3: Yeah yeah, but you're right. I'm sure it is. She

919
00:46:46,440 --> 00:46:51,160
Speaker 3: doesn't want her kids to grow up under liberal palm trees,

920
00:46:53,360 --> 00:46:55,319
Speaker 3: democratic spiders.

921
00:46:57,640 --> 00:47:02,040
Speaker 4: But I am eat here only.

922
00:47:03,160 --> 00:47:07,040
Speaker 3: During an lax trip where I'm picking someone up and

923
00:47:07,080 --> 00:47:10,239
Speaker 3: I'm there early, yeah, or at the end of a

924
00:47:10,360 --> 00:47:14,920
Speaker 3: flight where I like forgot to eat that morning. It's

925
00:47:15,120 --> 00:47:17,719
Speaker 3: I only think of the in and out at Lax,

926
00:47:17,800 --> 00:47:21,440
Speaker 3: so I'm very excited. And that's the worst one to

927
00:47:21,480 --> 00:47:23,279
Speaker 3: go to because there are so many people there.

928
00:47:23,520 --> 00:47:26,200
Speaker 2: Which is that the one that's down by the spearmt

929
00:47:26,320 --> 00:47:28,800
Speaker 2: Rhino Gentlemen's Club.

930
00:47:29,560 --> 00:47:35,120
Speaker 3: Yeah, now you're speaking my language. It's about twenty yards

931
00:47:35,160 --> 00:47:36,640
Speaker 3: from the east exit.

932
00:47:38,560 --> 00:47:40,320
Speaker 1: Right where the employees park.

933
00:47:40,400 --> 00:47:45,640
Speaker 2: And Chris Loiter's yes yeah when he says he's going

934
00:47:45,680 --> 00:47:46,480
Speaker 2: to the airport.

935
00:47:46,800 --> 00:47:49,920
Speaker 3: Yes, I've never done comedy on the road. I'm just

936
00:47:50,640 --> 00:47:53,240
Speaker 3: shining shoes outside spearm at Rhino.

937
00:47:53,480 --> 00:47:54,880
Speaker 1: Hey, how was your shift?

938
00:47:55,760 --> 00:47:58,120
Speaker 5: Want me to take your clear shoes and put a

939
00:47:58,120 --> 00:47:59,400
Speaker 5: little fish query minim?

940
00:48:00,760 --> 00:48:03,440
Speaker 4: I did do that once for a lady friend that

941
00:48:03,560 --> 00:48:04,080
Speaker 4: was dancing.

942
00:48:04,280 --> 00:48:06,719
Speaker 3: Really, she had these stall shoes and I'm like, you know,

943
00:48:06,840 --> 00:48:10,319
Speaker 3: you could put gravel in them and a little goldfish

944
00:48:10,320 --> 00:48:12,319
Speaker 3: on a wire and it looked like the inside of

945
00:48:12,320 --> 00:48:15,279
Speaker 3: an aquarium. And then she's like, will you do it?

946
00:48:15,400 --> 00:48:18,040
Speaker 3: I'm like, all right, And so I spent a long

947
00:48:18,120 --> 00:48:21,760
Speaker 3: time doing a aquarium diorama in these shoes.

948
00:48:21,920 --> 00:48:26,080
Speaker 1: Yes, and uh yeah, and you married that woman.

949
00:48:26,239 --> 00:48:27,600
Speaker 3: No, she gave me fifty bucks.

950
00:48:27,719 --> 00:48:29,480
Speaker 4: Oh, she shook on it.

951
00:48:29,640 --> 00:48:33,200
Speaker 7: Was this in Texass No, it was when Fuel TV

952
00:48:33,440 --> 00:48:37,840
Speaker 7: was across the street from a treasure It was island

953
00:48:38,000 --> 00:48:40,799
Speaker 7: themed and we would go there during the day and

954
00:48:41,120 --> 00:48:44,520
Speaker 7: have meetings because you could drink and none of the

955
00:48:44,600 --> 00:48:47,240
Speaker 7: Fox executives knew we were drinking.

956
00:48:47,440 --> 00:48:52,640
Speaker 3: Yeah, so we actually would go there as a bar. Yeah,

957
00:48:52,680 --> 00:48:54,520
Speaker 3: and it wasn't a nude place. It was like a.

958
00:48:56,000 --> 00:48:58,200
Speaker 4: Bathing it's only yes, that kind of a thing.

959
00:48:58,480 --> 00:49:02,920
Speaker 3: I can't remember that Texas. For if they're topless, you

960
00:49:03,040 --> 00:49:06,560
Speaker 3: can't also drink. If you're drinking, they have to have

961
00:49:06,560 --> 00:49:10,239
Speaker 3: their boobs covered. So if you're drinking, the titties make

962
00:49:10,320 --> 00:49:11,239
Speaker 3: it go crazy.

963
00:49:12,239 --> 00:49:14,000
Speaker 4: I don't know. I can't remember what.

964
00:49:14,120 --> 00:49:16,840
Speaker 1: If they're topless, you have to get chicken fingers.

965
00:49:16,640 --> 00:49:20,480
Speaker 3: Right, or maybe it was Yeah, no food around open nipples.

966
00:49:20,840 --> 00:49:21,839
Speaker 4: It was a germ thing.

967
00:49:22,040 --> 00:49:23,880
Speaker 2: Or you have to serve food because people are going

968
00:49:23,960 --> 00:49:27,080
Speaker 2: to get too drunk and go straight into mayhem.

969
00:49:27,360 --> 00:49:29,320
Speaker 4: Right, it's so funny.

970
00:49:29,640 --> 00:49:32,640
Speaker 3: Yeah, I think that's what it was. Yeah, it's just

971
00:49:32,680 --> 00:49:38,000
Speaker 3: growing up in Montana where a strip clubs were like

972
00:49:38,600 --> 00:49:43,600
Speaker 3: something out by where semi trucks stop on the outskirtskirts

973
00:49:43,600 --> 00:49:47,640
Speaker 3: of town. Like there wasn't ever it was like something

974
00:49:47,680 --> 00:49:51,040
Speaker 3: people didn't talk about. Yeah, and then I moved to

975
00:49:51,120 --> 00:49:57,040
Speaker 3: Texas and every commercial on the radio was about strip

976
00:49:57,080 --> 00:50:00,759
Speaker 3: clubs and the football screens and how you can bring

977
00:50:00,800 --> 00:50:04,960
Speaker 3: your kids during the day and uh no, and massage

978
00:50:05,000 --> 00:50:12,359
Speaker 3: parlors like come into lingerie massage parlor in case you're

979
00:50:12,440 --> 00:50:15,040
Speaker 3: driving on the freeway and you want someone to model

980
00:50:15,080 --> 00:50:15,760
Speaker 3: some lingerie.

981
00:50:15,880 --> 00:50:17,840
Speaker 4: You bought something for your wife. You're not sure of

982
00:50:17,880 --> 00:50:21,000
Speaker 4: your size, go to a little lingerie modeling place.

983
00:50:21,440 --> 00:50:25,719
Speaker 3: They were, yes, and it was oh, and there's churches everywhere,

984
00:50:26,239 --> 00:50:29,799
Speaker 3: and that it's just everyone goes to strip clubs. That's

985
00:50:29,880 --> 00:50:33,760
Speaker 3: not It was such a part of Texas, even Austin.

986
00:50:33,960 --> 00:50:36,080
Speaker 1: Can you see that little hummingbird sitting on the fence.

987
00:50:36,200 --> 00:50:38,120
Speaker 3: I thought you were appointing because it was time for

988
00:50:38,160 --> 00:50:39,240
Speaker 3: me to wash the windows.

989
00:50:39,280 --> 00:50:41,680
Speaker 1: It's so filthy. Where was the humming Do you see

990
00:50:41,680 --> 00:50:45,120
Speaker 1: them right there? Oh, he's just hanging out.

991
00:50:45,280 --> 00:50:46,800
Speaker 4: I love when they're not hovering.

992
00:50:46,920 --> 00:50:47,200
Speaker 1: I know.

993
00:50:47,520 --> 00:50:50,600
Speaker 2: It's just like I noticed his beak please fly on

994
00:50:50,640 --> 00:50:52,240
Speaker 2: my finger, and he's so small.

995
00:50:52,360 --> 00:50:56,400
Speaker 3: I have sugar water, it's red. I want this hummingbird.

996
00:50:56,719 --> 00:50:58,920
Speaker 3: It's all I ever wanted is for a hummingbird.

997
00:50:59,080 --> 00:50:59,840
Speaker 4: Please come to me.

998
00:51:01,560 --> 00:51:05,000
Speaker 1: I bet you like that hummingbird eats twenty.

999
00:51:04,640 --> 00:51:09,280
Speaker 2: French fries a day. He is posted up here aware

1000
00:51:09,320 --> 00:51:10,200
Speaker 2: of what he's saying.

1001
00:51:10,480 --> 00:51:12,319
Speaker 4: Yeah, I think.

1002
00:51:12,400 --> 00:51:14,920
Speaker 3: I think there's enough sugar in the in the French

1003
00:51:14,920 --> 00:51:18,200
Speaker 3: fries that they'll they'll get their fixed, because all I

1004
00:51:18,280 --> 00:51:22,440
Speaker 3: know is that red water in a hummingbird feeder is

1005
00:51:22,480 --> 00:51:26,960
Speaker 3: just sugar. That's right. How do they fly around with

1006
00:51:27,040 --> 00:51:29,200
Speaker 3: their heart beating at one hundred beats.

1007
00:51:28,960 --> 00:51:30,520
Speaker 4: A minute or more?

1008
00:51:30,680 --> 00:51:31,480
Speaker 3: I don't remember.

1009
00:51:31,920 --> 00:51:34,759
Speaker 4: They have a rapid heartbeat and a lot of energy. Yeah,

1010
00:51:34,800 --> 00:51:36,280
Speaker 4: they're very small. All just sugar.

1011
00:51:36,520 --> 00:51:40,440
Speaker 2: Yeah, well, I mean not strictly. I guess there's some

1012
00:51:40,520 --> 00:51:41,200
Speaker 2: nectar in there.

1013
00:51:41,560 --> 00:51:45,000
Speaker 4: No, it's just when you mix it. Yeah, there's certainly

1014
00:51:45,239 --> 00:51:45,800
Speaker 4: he's getting.

1015
00:51:46,280 --> 00:51:49,400
Speaker 3: I guess a hummingbird feeder only give some stuff that

1016
00:51:49,440 --> 00:51:54,200
Speaker 3: they shouldn't be eating. That's their nutrients. A perfect flower

1017
00:51:54,880 --> 00:51:57,040
Speaker 3: that is the shape of a hummingbird beak.

1018
00:51:58,080 --> 00:52:01,040
Speaker 1: Nature God make sure at the in and out.

1019
00:52:01,320 --> 00:52:03,440
Speaker 3: But I really want that bird to land on my

1020
00:52:03,480 --> 00:52:07,760
Speaker 3: finger so I can give it a French fry. Well,

1021
00:52:08,280 --> 00:52:12,600
Speaker 3: well I should we wrap it up before we start shoving.

1022
00:52:12,239 --> 00:52:12,919
Speaker 4: Food in our mouth.

1023
00:52:13,040 --> 00:52:14,560
Speaker 2: I think so it's a good idea. I think we

1024
00:52:14,600 --> 00:52:16,640
Speaker 2: should too, but first, can you have me my wallet?

1025
00:52:16,760 --> 00:52:20,160
Speaker 3: I will hand you your wallet and some cash to

1026
00:52:20,160 --> 00:52:25,520
Speaker 3: pay for abreger. This has been a very exciting power

1027
00:52:25,560 --> 00:52:29,960
Speaker 3: pack with our new segment calls to potential guests calls

1028
00:52:30,280 --> 00:52:32,600
Speaker 3: episode of Do You Need a Ride d.

1029
00:52:32,760 --> 00:52:34,440
Speaker 4: Y n aar.

1030
00:52:42,080 --> 00:52:44,560
Speaker 3: This has been an exactly right production.

1031
00:52:45,000 --> 00:52:47,280
Speaker 2: Our senior producer is Annalise Nelson.

1032
00:52:47,640 --> 00:52:49,080
Speaker 4: Mixed by Edson Troy.

1033
00:52:49,520 --> 00:52:51,360
Speaker 1: Our talent booker is Patrick Cottner.

1034
00:52:51,640 --> 00:52:55,480
Speaker 3: Theme song by Karen Kilgareth, artwork by Chris Fairbanks.

1035
00:52:55,719 --> 00:52:58,760
Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

1036
00:52:58,880 --> 00:53:01,960
Speaker 2: podcast That's y y n ar Podcast.

1037
00:53:02,400 --> 00:53:05,960
Speaker 3: For more information, go to exactly Rightmedia dot com.

1038
00:53:06,000 --> 00:53:08,240
Speaker 1: Thank you, Oh You're welcome.