WEBVTT - Bedside Manners 8: Heartwrench

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<v Speaker 1>Richard Renaissent returned home from a funeral only to find

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<v Speaker 1>no less than eight anxious young couples waiting to see him.

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<v Speaker 1>Many had ventured the short mile over a newly constructed

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<v Speaker 1>toll road between England and Scotland, gunning for the tiny

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<v Speaker 1>town of Gretna Green as their final destination. They had

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<v Speaker 1>all heard about him. In fact, Richard was somewhat famous,

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<v Speaker 1>a gregarious tall tale teller and yarn spinner who had

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<v Speaker 1>been at his post for decades. He moved here to

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<v Speaker 1>do an important job, and a pretty infamous one at that.

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<v Speaker 1>Richard came to Gretna Green, Scotland in nineteen thirty six

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<v Speaker 1>after hearing about a very special job vacancy. A saddler

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<v Speaker 1>by trade, he took up a post as the town's

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<v Speaker 1>residence Annville Priest, a title and distinction entirely specific to

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<v Speaker 1>this small slice of the world. All of these young

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<v Speaker 1>couples were here to get married, and Richard was going

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<v Speaker 1>to be the one to officiate. They had traveled over

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<v Speaker 1>the border to see him, many of them in secrets,

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<v Speaker 1>and many quickly. This was often the nature of his work.

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<v Speaker 1>To many, he was a hero. To others, he and

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<v Speaker 1>those who came before him were a walking, talking loophole

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<v Speaker 1>that defied the sanctity of marriage and was a thorn

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<v Speaker 1>in the Church of England's side. The Marriage Duty Act

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<v Speaker 1>sixteen ninety five put a stop to the marriages of

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<v Speaker 1>small parish churches that were conducted by local clergy without

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<v Speaker 1>the proper marriage licensing. A legal loophole was found, though,

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<v Speaker 1>and the clergy are those who said they were clergy

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<v Speaker 1>realized they couldn't be prosecuted for shotgun weddings should they

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<v Speaker 1>take place on the grounds of Fleet Prison, and over

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<v Speaker 1>the years these amounted to the thousands. A whole cottage

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<v Speaker 1>industry popped up, and the Church became horrified at the

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<v Speaker 1>potential erosion of personal morals and the country's social fabric.

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<v Speaker 1>These marriages often were without licenses or public announcements, performed

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<v Speaker 1>under the radar on the sly and on the Chief.

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<v Speaker 1>So in seventeen fifty three passed a law popularly known

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<v Speaker 1>as Lord Hardwick's Marriage Act, or by its longer legal name,

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<v Speaker 1>an Act for the Better Prevention of clandestine marriages. With

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<v Speaker 1>the Act, Lord Chancellor Hardwick declared that marriages within the

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<v Speaker 1>walls of the Anglican Church would now be marriage's only

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<v Speaker 1>legal form in England and Wales. Essentially, to be legally

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<v Speaker 1>recognized as wed, unless you were Quaker or Jewish, that is,

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<v Speaker 1>a couple had to do so before the eyes of

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<v Speaker 1>an Anglican clergyman. Scotland, though, was not included on this list.

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<v Speaker 1>In fact, for all of England's recent stringency, Scotland had

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<v Speaker 1>very lax laws around these things. Girls had to be

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<v Speaker 1>older than twelve and boys older than fourteen, but no

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<v Speaker 1>parental blessing was necessary. Enter Richard. Because the village blacksmith

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<v Speaker 1>was historically one of the respected trades in the community,

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<v Speaker 1>it made sense that these young couples would seek him

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<v Speaker 1>out as their stand in priest. A tradition was born,

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<v Speaker 1>and he was number four. Richard met with young lovers

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<v Speaker 1>who came by and night to carry out and consummate

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<v Speaker 1>their affairs of the heart. All he needed from them

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<v Speaker 1>was to be of age and have two witnesses to

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<v Speaker 1>their union. His ceremonies were simple, quick, a few words

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<v Speaker 1>exchanged and the bang of a hammer clinging loudly to

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<v Speaker 1>make it all official. He would then pronounce them man

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<v Speaker 1>and wife before sending them on their way. By the

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<v Speaker 1>time the laws changed. In nineteen forty, he had conducted

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<v Speaker 1>over five thousand marriages. That's an average of three hundred

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<v Speaker 1>and fifty seven marriages per year. But as evidenced on

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<v Speaker 1>his arrival home from his friend's funeral that day, some

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<v Speaker 1>seasons were busier than others. All in all, tens of

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<v Speaker 1>thousands of couples have been married here and continue to

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<v Speaker 1>flock to Gretna Green for the same reason. Today. We

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<v Speaker 1>do a lot of things in the name of love.

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<v Speaker 1>We put ourselves out there. We take chances and were

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<v Speaker 1>asked to endure great tests of faith and courage, and

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<v Speaker 1>hopefully it's worth it. What's also true, though, is that

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<v Speaker 1>love has a dark side, because where there's light, there's

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<v Speaker 1>always shadow. Across the ages or as long as we've

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<v Speaker 1>loved and lost, we've had to sit with the darkness

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<v Speaker 1>that love can bring. And for as long as we

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<v Speaker 1>have been trying to figure out how to cure what

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<v Speaker 1>ails us and cure what's within us, we have been

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<v Speaker 1>trying to understand what love does not just do for us,

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<v Speaker 1>but to us. Yes, love can heal, but it can

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<v Speaker 1>also be deadly. I'm Aaron Manky, and welcome to bedside Manners.

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<v Speaker 1>Every species has the biological imperative to procreate. Humans have

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<v Speaker 1>been working on that project for a very long time,

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<v Speaker 1>but we don't necessarily have a sound biological reason for

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<v Speaker 1>why we fall in love. Now, some researchers believe that

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<v Speaker 1>it's just a trick of our nervous system. The flooding

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<v Speaker 1>of our brains with feel good chemicals might indeed urge

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<v Speaker 1>us toward mixing up our genetic material with someoneman creating

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<v Speaker 1>an offspring. But the flip side of this assumption is

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<v Speaker 1>that we also know that not every pairing that ex

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<v Speaker 1>experiences love has the ability to create new life. So

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<v Speaker 1>if it's not something distinctly biological, what is love and

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<v Speaker 1>where does it come from? Great minds across the ages

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<v Speaker 1>have been asking this very question. We find authors pining

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<v Speaker 1>after love in ancient Sumerian proverbs and the pain of

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<v Speaker 1>love mentioned in the Bible. Sappho, the famous mysterious poet

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<v Speaker 1>from the seventh century, left remnants of some of the

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<v Speaker 1>earliest musings on heartache. It seems that we have always

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<v Speaker 1>loved what we couldn't have for one reason or another.

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<v Speaker 1>These writings speak of pain that is talked about in emotional, physical,

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<v Speaker 1>and spiritual ways all along the way. Over the course

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<v Speaker 1>of this cultural evolution of thousands of years, one thing

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<v Speaker 1>hasn't changed, the idea that love and love sickness are afflictions.

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<v Speaker 1>The direct correlation between passionate love and deep personal disturbance

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<v Speaker 1>has been noted for thousands of years. Our friend Galen

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<v Speaker 1>left behind the story of a woman who was tossing

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<v Speaker 1>and turning and losing sleep with each passing night. When

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<v Speaker 1>Galen visited her, she was reticent. She told him that

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<v Speaker 1>she was ill, but was reluctant to go into many details.

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<v Speaker 1>After spending some time with her, he decided that she

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<v Speaker 1>was suffering from a standard class of melancholy. When a

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<v Speaker 1>friend came to visit and mentioned that they had just

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<v Speaker 1>seen a performance by a particular dancer, the woman came alive.

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<v Speaker 1>At this point, Galen took her wrist between his fingers

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<v Speaker 1>to feel her pulse. It had become irregular and she

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<v Speaker 1>had become flushed. But though these are very physical symptoms,

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<v Speaker 1>he was led to believe that the root of her

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<v Speaker 1>issues weren't just physical, but emotional. Her mind was disturbed.

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<v Speaker 1>Galen concluded that this woman was melancholic, not just because

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<v Speaker 1>her humors were out of balance, but due to the

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<v Speaker 1>affliction of affection. The real origin of her illness, he believed,

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<v Speaker 1>was an offset of melancholy, called specifically love melancholy. Melancholia

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<v Speaker 1>and love sickness both originated from excessive black bile, Galen believed,

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<v Speaker 1>but love sickness was its own kind of psychological disturbance,

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<v Speaker 1>then already required the correct treatment protocol. Others saw it

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<v Speaker 1>as its own illness. The various texts on the subject

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<v Speaker 1>describe an array of symptoms sadness, insomnia, hollow eyes, disturbances

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<v Speaker 1>in the pulse, mental anxiety, dejection, despondency, and physical debility.

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<v Speaker 1>But they all wonder how does one treat a love

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<v Speaker 1>sick patient. Over the years, physicians would go on to

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<v Speaker 1>prescribe everything from blood letting, foreskin clamping, burning a woman's

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<v Speaker 1>thighs with acid inhaling the burned feces of a beloved,

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<v Speaker 1>and therapeutic intercourse. Of course, the terminology and treatments for

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<v Speaker 1>love sickness have evolved across time and place. Today, the

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<v Speaker 1>contemporary field of psychopathology, the study of abnormal cognition, behavior

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<v Speaker 1>and experiences, has broken apart the symptoms of ancients and

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<v Speaker 1>focused on behavior combinations particular to someone in the throes

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<v Speaker 1>of what we might call love sickness, obsession, infatuation, emotional instability,

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<v Speaker 1>and emotional dependency. The idea that love is madness with

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<v Speaker 1>big air quotes there has never been shaken from our

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<v Speaker 1>collective consciousness. In fact, love sickness was a valid diagnosis

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<v Speaker 1>by medical practitioners for almost two thousand years. In recent times,

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<v Speaker 1>as the field of psychiatry has gained momentum, researchers have

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<v Speaker 1>been trying to parse apart where love ends and madness begins.

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<v Speaker 1>Researchers want to know what is normal and abnormal in love,

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<v Speaker 1>if love chemically makes our brain do abnormal things, and

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<v Speaker 1>how do we know when the scales have tipped too far.

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<v Speaker 1>The story we have for you today will leave you

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<v Speaker 1>thinking about all of these things. It's a story that's

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<v Speaker 1>been told for almost a century as a love story,

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<v Speaker 1>but as you'll see, it's something much deeper, much darker,

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<v Speaker 1>and much more sinister. Yes, it's true that perhaps love

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<v Speaker 1>did live here within this narrative frame, but so too

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<v Speaker 1>did obsession, destruction, and death. First of all, I want

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<v Speaker 1>you to remember Elena Miagre Dahias for who she was

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<v Speaker 1>in life. She was a vibrant young woman who was

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<v Speaker 1>part of a tight knit Cuban American clan, with her parents, sisters, aunties,

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<v Speaker 1>all living in Key West, Florida. It was said that

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<v Speaker 1>Elena had a lovely singing voice, enjoyed dancing with her girlfriends,

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<v Speaker 1>going to school, praying at church, keeping a diary, and

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<v Speaker 1>occupying herself with the concerns of the average teenage girl.

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<v Speaker 1>When she and her friends began courting, it was only

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<v Speaker 1>fitting that she dreamt of finding a lasting love, and

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<v Speaker 1>at sixteen, she thought she found one in the person

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<v Speaker 1>who would become her husband, a local boy named Louise.

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<v Speaker 1>They got married and moved in with his family, but

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<v Speaker 1>she was love sick. She became pregnant and then she

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<v Speaker 1>began to cough. She wished for someone to care for her,

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<v Speaker 1>but Louise wasn't up to the task. When she lost

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<v Speaker 1>the baby, he left her. Elena was always described as

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<v Speaker 1>exceptionally beautiful, all raven hair and dark eyes, but there

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<v Speaker 1>was nothing about her life that ever made her feel

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<v Speaker 1>that she was exceptional or destined for fame, and indeed,

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<v Speaker 1>the stories we tell about Elena most often start not

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<v Speaker 1>with the contours of her life but with her corpse.

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<v Speaker 1>And it's here that I implore you not to remember

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<v Speaker 1>her as a specter, or as storytellers would later call her,

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<v Speaker 1>an it, but as a very real, very animated woman

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<v Speaker 1>whose body and story have been taken from her in death.

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<v Speaker 1>Our story today opens in a hospital with Elena very

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<v Speaker 1>much alive. In April of nineteen thirty, twenty one year

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<v Speaker 1>old Elena went to the local marine hospital for X

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<v Speaker 1>rays and blood samples. Her cough had only been worsening

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<v Speaker 1>in recent days, and it was time that she was

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<v Speaker 1>seen by a specialist. Many of us don't recognize important

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<v Speaker 1>life moments for what they are. Elena was no different.

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<v Speaker 1>But the man on the other side of the X

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<v Speaker 1>ray machine knew that upon seeing Elena, his prayers had

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<v Speaker 1>come to pass and his life would never be the same.

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<v Speaker 1>Count Karl von Kosel, the assumed name of Karl Tansler,

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<v Speaker 1>had been chasing his visions for almost five decades. As

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<v Speaker 1>a teenager, he claimed to have been visited by his

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<v Speaker 1>dead aunt, who revealed to him the face of his

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<v Speaker 1>future wife. This charted a course that would take him

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<v Speaker 1>across countries and continents, acquiring fake medical degrees and licenses,

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<v Speaker 1>and growing delusions. As he sought the fulfillment of this

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<v Speaker 1>ghostly promise, he looked for her everywhere. Carl claimed to

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<v Speaker 1>have seen a vision of his future wife for a

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<v Speaker 1>second time at a graveyard in Spain. The third time

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<v Speaker 1>he saw the face of this woman, he later said,

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<v Speaker 1>was when Elena walked into his exam room. Their worlds

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<v Speaker 1>had collided, Elena and Carl's, and there was no turning back.

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<v Speaker 1>Though he was a Charlatan and a confabulist, he was

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<v Speaker 1>undeniably brilliant. Carl was something of a mad scientist, harboring

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<v Speaker 1>a long obsession with matters of electricity, radio waves, and

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<v Speaker 1>other feats of engineering, including the repair of a wingless

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<v Speaker 1>airplane that he kept on the hospital grounds. He was

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<v Speaker 1>as dapper as he was eccentric, a true Key West

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<v Speaker 1>character that had become known on the island for his

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<v Speaker 1>strange ways, and he seemed harmless enough ignosed to Lena

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<v Speaker 1>with a case of tuberculosis, a sickness that had wiped

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<v Speaker 1>out a quarter of Europe's population in the prior century.

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<v Speaker 1>It's one of the world's oldest known illnesses and continued

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<v Speaker 1>to kill more people than any other disease in industrialized

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<v Speaker 1>countries through the early twentieth century, it remained extremely fatal,

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<v Speaker 1>something that Elena, her family, and Carl were well aware of.

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<v Speaker 1>He committed himself then and there to saving this young woman.

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<v Speaker 1>But beyond this being an act of benevolence or dutiful

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<v Speaker 1>adherence to a hippocratic oath that he had never taken,

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<v Speaker 1>because remember, he was no real doctor, this commitment was

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<v Speaker 1>the first moment in an instant in long lasting obsession. Elena,

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<v Speaker 1>for her part, naturally wanted to live. Medicine is supposed

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<v Speaker 1>to help us stave off death, and if she had

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<v Speaker 1>to hang around a strange, bespeckled man three decades her

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<v Speaker 1>senior to have a good shot at it, she was

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<v Speaker 1>going to do it. He seemed grandfatherly to her, a

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<v Speaker 1>concerned scholar, even if he did give her the creeps.

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<v Speaker 1>So he tried everything electricity cures and gold cures, tonics

0:13:02.480 --> 0:13:05.320
<v Speaker 1>and radiation. He saw her at the hospital, but he

0:13:05.520 --> 0:13:08.480
<v Speaker 1>also started to visit her at her family's home. Desperate

0:13:08.520 --> 0:13:11.600
<v Speaker 1>for answers, they let this man come knocking at all hours.

0:13:12.000 --> 0:13:14.880
<v Speaker 1>That is, of course, until he crossed the line. He

0:13:15.000 --> 0:13:18.800
<v Speaker 1>began proposing marriage to Elena, who initially laughed it off,

0:13:19.200 --> 0:13:22.680
<v Speaker 1>but he kept trying, and her admonishments became stronger. But

0:13:22.720 --> 0:13:26.240
<v Speaker 1>he wouldn't take no for an answer. He begged, he pleaded,

0:13:26.360 --> 0:13:30.160
<v Speaker 1>and Elena still refused. Although her husband had long run off,

0:13:30.200 --> 0:13:32.160
<v Speaker 1>there was no way that she could marry this man,

0:13:32.600 --> 0:13:36.040
<v Speaker 1>and as the records show, Carl was still married too,

0:13:36.400 --> 0:13:38.560
<v Speaker 1>but he had no scruples where matters of the heart

0:13:38.640 --> 0:13:42.160
<v Speaker 1>were concerned. Carl's behavior earned him the ire of the family,

0:13:42.640 --> 0:13:44.760
<v Speaker 1>but they were torn for they, or at least some

0:13:44.840 --> 0:13:48.400
<v Speaker 1>of them, believed that with his undivided attention, he could

0:13:48.440 --> 0:13:52.080
<v Speaker 1>save their beloved Elena. His diaries, which he later published,

0:13:52.280 --> 0:13:55.200
<v Speaker 1>paint the portrait of a man obsessed with possession. He

0:13:55.280 --> 0:13:58.640
<v Speaker 1>lived in a strange alternate reality, entirely of his own

0:13:58.679 --> 0:14:02.160
<v Speaker 1>design and imitation version of the real world, where lines

0:14:02.200 --> 0:14:04.760
<v Speaker 1>of fact and fiction are blurred. It's hard to know

0:14:04.840 --> 0:14:07.480
<v Speaker 1>what he believed to be true and what he wished

0:14:07.559 --> 0:14:11.040
<v Speaker 1>to be true. Elena became sicker and sicker, though her

0:14:11.080 --> 0:14:14.960
<v Speaker 1>family became angry with and scared of, Carl, eventually moving

0:14:15.040 --> 0:14:17.600
<v Speaker 1>houses and not leaving a note for him, But he

0:14:17.760 --> 0:14:20.440
<v Speaker 1>still managed to find them through a loose lip neighbor

0:14:20.600 --> 0:14:24.120
<v Speaker 1>and Sensing that the family was emotionally and spiritually exhausted,

0:14:24.280 --> 0:14:27.960
<v Speaker 1>he made his move. He installed himself at Elena's bedside,

0:14:28.240 --> 0:14:31.200
<v Speaker 1>just like a leech that promised to cure but instead

0:14:31.200 --> 0:14:34.560
<v Speaker 1>bled its host to death. The disease finally took Elena

0:14:34.640 --> 0:14:37.560
<v Speaker 1>in October of nineteen thirty one. It said that she

0:14:37.640 --> 0:14:40.680
<v Speaker 1>died tired and angry, refusing to let her family call

0:14:40.760 --> 0:14:43.480
<v Speaker 1>for their doctor. She had had enough of him and

0:14:43.600 --> 0:14:47.480
<v Speaker 1>his lecherous advances. If death is an end, our story

0:14:47.480 --> 0:14:50.880
<v Speaker 1>would stop there. But Elena's demise was just the beginning

0:14:50.960 --> 0:14:54.800
<v Speaker 1>of a much longer, far stranger, and more twisted chapter

0:14:55.240 --> 0:15:05.960
<v Speaker 1>than she had ever experienced in life. Elena's death couldn't

0:15:06.040 --> 0:15:10.359
<v Speaker 1>dissuade Carl van Kozel. In fact, it only encouraged him.

0:15:10.400 --> 0:15:13.200
<v Speaker 1>When word arrived at his lab via her brother in law,

0:15:13.360 --> 0:15:16.200
<v Speaker 1>Carl sprang to action. When he finally made it to

0:15:16.200 --> 0:15:19.600
<v Speaker 1>her family's home, he immediately tried to electrocute her back

0:15:19.640 --> 0:15:22.240
<v Speaker 1>to life. He wrote in his memoir that this was

0:15:22.760 --> 0:15:26.320
<v Speaker 1>what many, perhaps most people, would call the end, but

0:15:26.400 --> 0:15:29.280
<v Speaker 1>a strange kind of new life now began for me.

0:15:29.800 --> 0:15:32.160
<v Speaker 1>Even though she was gone and her family was deep

0:15:32.200 --> 0:15:35.160
<v Speaker 1>in mourning, Carl conned his way into their home. He

0:15:35.280 --> 0:15:38.840
<v Speaker 1>offered to pay rent. They relented, so he moved into

0:15:38.880 --> 0:15:43.360
<v Speaker 1>Elena's room and into her now cold bed. Our phony

0:15:43.480 --> 0:15:46.480
<v Speaker 1>Counts also talked her family into allowing him to construct

0:15:46.480 --> 0:15:49.480
<v Speaker 1>a beautiful stone moss soleum for their daughter, something much

0:15:49.480 --> 0:15:52.840
<v Speaker 1>grander than they could ever have afforded themselves. They agreed,

0:15:52.960 --> 0:15:55.600
<v Speaker 1>and were justly horrified when it was revealed that he

0:15:55.680 --> 0:15:58.680
<v Speaker 1>had engraved both her name and his name on it.

0:15:59.280 --> 0:16:02.360
<v Speaker 1>He visited her every night at sunset, a long and

0:16:02.480 --> 0:16:06.120
<v Speaker 1>limber shadow, skulking through the graveyard. He would unlock the

0:16:06.200 --> 0:16:09.160
<v Speaker 1>three locks he had installed on the door, go inside,

0:16:09.400 --> 0:16:12.200
<v Speaker 1>and sit with her. He spoke of undoing the locks

0:16:12.240 --> 0:16:15.440
<v Speaker 1>of the heavy casket and listening to Elena speak with

0:16:15.520 --> 0:16:18.480
<v Speaker 1>him from her inner coffin. He wrote of hearing Elena

0:16:18.600 --> 0:16:21.880
<v Speaker 1>singing for him, and one night she finally asked him

0:16:22.000 --> 0:16:25.240
<v Speaker 1>to take her home. Carl, who once claimed to have

0:16:25.360 --> 0:16:28.760
<v Speaker 1>died and come back himself, believed death was truly only

0:16:28.800 --> 0:16:32.240
<v Speaker 1>a state of suspended animation. So it's here that we

0:16:32.320 --> 0:16:36.400
<v Speaker 1>now find him, supposedly under the direction of Elena, carting

0:16:36.440 --> 0:16:39.200
<v Speaker 1>her body out of the graveyard in a child's wagon.

0:16:39.520 --> 0:16:42.280
<v Speaker 1>He later claimed that this moment was nothing short of

0:16:42.320 --> 0:16:46.560
<v Speaker 1>their great divine wedding March. That night, he brought Elena's

0:16:46.560 --> 0:16:49.359
<v Speaker 1>corpse to his cottage and began to work on engineering

0:16:49.400 --> 0:16:53.000
<v Speaker 1>her resurrection. Over time, he tried all different things. He

0:16:53.080 --> 0:16:56.280
<v Speaker 1>soaked her body in tubs of chemicals, hoping her cells

0:16:56.320 --> 0:17:00.440
<v Speaker 1>would saturate and she would waken. He waited her, apped her,

0:17:00.640 --> 0:17:03.720
<v Speaker 1>He injected her with vitamins, and he took cultures from

0:17:03.720 --> 0:17:06.680
<v Speaker 1>her body for his microscope. And when her skin began

0:17:06.720 --> 0:17:09.600
<v Speaker 1>to fall off, he replaced it with silk. When her

0:17:09.600 --> 0:17:13.600
<v Speaker 1>eyes putrified, he replaced those two. He sealed her leaking

0:17:13.640 --> 0:17:18.560
<v Speaker 1>orifices with wax. He excavated larva and sprayed her with perfume.

0:17:18.840 --> 0:17:21.320
<v Speaker 1>He dressed her in a wedding gown and brought her

0:17:21.440 --> 0:17:24.400
<v Speaker 1>to bed. Karl thought that he was working in secrets,

0:17:24.480 --> 0:17:29.760
<v Speaker 1>but rumors spread. People saw him frequently hauling chemical solvents, deodorizers,

0:17:30.040 --> 0:17:32.600
<v Speaker 1>reams of silk, and gauze to his home. He was

0:17:32.640 --> 0:17:35.720
<v Speaker 1>a scientist and inventored, though, so who could say what

0:17:35.800 --> 0:17:38.200
<v Speaker 1>he was up to. It was later rumored that late

0:17:38.240 --> 0:17:41.280
<v Speaker 1>at night, neighbors would hear organ music wafting from the

0:17:41.320 --> 0:17:45.280
<v Speaker 1>windows with two bodies seeing joined in dance, and this

0:17:45.320 --> 0:17:50.720
<v Speaker 1>went on for seven long years. One of Elena's sisters, Nana,

0:17:50.840 --> 0:17:53.720
<v Speaker 1>had heard the rumors. She didn't want them to be true,

0:17:54.000 --> 0:17:56.480
<v Speaker 1>but after a rash of break ins at the graveyard,

0:17:56.760 --> 0:17:59.680
<v Speaker 1>she insisted that Karl opened a Lena's coffin and show

0:17:59.760 --> 0:18:03.000
<v Speaker 1>her that her sister was all right. Carl refused, but

0:18:03.119 --> 0:18:06.080
<v Speaker 1>he did offer her something else. Carl brought Nana back

0:18:06.119 --> 0:18:09.080
<v Speaker 1>to his cottage. He opened the door and led her inside.

0:18:09.320 --> 0:18:12.240
<v Speaker 1>He had dressed Elena and Jules and brought Nana over

0:18:12.320 --> 0:18:15.359
<v Speaker 1>to see her. According to his later writings, he was

0:18:15.440 --> 0:18:17.560
<v Speaker 1>proud to show how well he had taken care of

0:18:17.600 --> 0:18:22.160
<v Speaker 1>his beloved. Nana, though was horrified. She couldn't believe her eyes.

0:18:22.440 --> 0:18:25.080
<v Speaker 1>She thought that this had to be a doll. It

0:18:25.160 --> 0:18:28.600
<v Speaker 1>couldn't be true. Carl's account of what transpired in their

0:18:28.600 --> 0:18:33.159
<v Speaker 1>bedside conversation is inconceivable at best. Nana, he claims, just

0:18:33.320 --> 0:18:35.560
<v Speaker 1>walked out and told him to put Elena back where

0:18:35.600 --> 0:18:38.280
<v Speaker 1>he found her. She has been under my care all

0:18:38.320 --> 0:18:40.679
<v Speaker 1>of these years, he said, to have shot back, I

0:18:40.760 --> 0:18:43.320
<v Speaker 1>have paid all of her expenses. You forgot that I

0:18:43.359 --> 0:18:47.800
<v Speaker 1>own the tomb and everything inside. He was subsequently arrested

0:18:47.840 --> 0:18:50.560
<v Speaker 1>on the charge of desecrating a grave and spent a

0:18:50.680 --> 0:18:54.160
<v Speaker 1>night in jail. But since the statute of limitations had expired,

0:18:54.400 --> 0:18:57.320
<v Speaker 1>it had now been years since he had kidnapped Elena's body,

0:18:57.600 --> 0:19:00.439
<v Speaker 1>and because the court determined that he was saying and

0:19:00.560 --> 0:19:04.719
<v Speaker 1>mentally competent, he was free to go. As for Elena's corpse,

0:19:04.840 --> 0:19:07.560
<v Speaker 1>she was taken from the cottage. She was given a

0:19:07.640 --> 0:19:11.440
<v Speaker 1>second funeral, which amounted to an entirely different kind of spectacle.

0:19:11.720 --> 0:19:15.120
<v Speaker 1>Almost seven thousand people lined up to take a look

0:19:15.119 --> 0:19:17.600
<v Speaker 1>at what was left of her. Then her body was

0:19:17.640 --> 0:19:21.040
<v Speaker 1>taken to a secret location and reburied, And for those

0:19:21.080 --> 0:19:23.840
<v Speaker 1>of you who are wondering, even to this day, that

0:19:23.880 --> 0:19:27.480
<v Speaker 1>location is still a mystery. But the Count refused to

0:19:27.520 --> 0:19:29.919
<v Speaker 1>go quietly. If he was going to get charged with

0:19:30.000 --> 0:19:32.840
<v Speaker 1>desecrating a grave, he might as well do it. The

0:19:32.960 --> 0:19:35.879
<v Speaker 1>night he left town, Elena's mausoleum was blown up with

0:19:36.040 --> 0:19:39.000
<v Speaker 1>a time bomb. Today, the cracked edifice can still be

0:19:39.040 --> 0:19:42.040
<v Speaker 1>seen in Key West. Although she and the Count are

0:19:42.040 --> 0:19:46.000
<v Speaker 1>both long gone, whispers of his love and her loathing

0:19:46.280 --> 0:19:57.240
<v Speaker 1>are all that remain. The story of Elena and Count

0:19:57.359 --> 0:20:00.240
<v Speaker 1>van Kozol has gone down over the years framed as

0:20:00.280 --> 0:20:03.080
<v Speaker 1>a macab love story, when in fact it is nothing

0:20:03.080 --> 0:20:06.560
<v Speaker 1>more than a nightmare. Elena was vehemently opposed to Van

0:20:06.640 --> 0:20:09.800
<v Speaker 1>Kozel's advances, and he took her silence by means of

0:20:09.800 --> 0:20:13.600
<v Speaker 1>her death as consent, and recently it's possible that an

0:20:13.600 --> 0:20:17.040
<v Speaker 1>even more sinister epilogue has been uncovered. The folks in

0:20:17.160 --> 0:20:19.520
<v Speaker 1>Key West claimed to have made a discovery in an

0:20:19.520 --> 0:20:23.119
<v Speaker 1>old pulp detective magazine in which a journalist was able

0:20:23.160 --> 0:20:26.159
<v Speaker 1>to recover police records from the case. It was claimed

0:20:26.200 --> 0:20:30.040
<v Speaker 1>that during renovations of von Kozel's home, bottles of potions

0:20:30.320 --> 0:20:33.400
<v Speaker 1>and a confession note were uncovered, and in that note,

0:20:33.520 --> 0:20:37.040
<v Speaker 1>the writer appears to be confessing to murder. Putting two

0:20:37.040 --> 0:20:39.240
<v Speaker 1>and two together, one is left to wonder if the

0:20:39.359 --> 0:20:42.720
<v Speaker 1>count realized that if he couldn't cure and possess her

0:20:42.720 --> 0:20:46.000
<v Speaker 1>in life, a fatal poisoning would help him secure her

0:20:46.200 --> 0:20:49.520
<v Speaker 1>in death. Of course, one should be skeptical of these

0:20:49.600 --> 0:20:53.000
<v Speaker 1>kinds of magazines. They look and tend to read like

0:20:53.119 --> 0:20:56.640
<v Speaker 1>a tabloid, and those police records that could have corroborated

0:20:56.720 --> 0:20:59.840
<v Speaker 1>any of these claims, it seems, have since been destroyed.

0:21:00.240 --> 0:21:02.840
<v Speaker 1>Historians believe the missing records might be due to the

0:21:02.920 --> 0:21:06.080
<v Speaker 1>lack of predigital age storage space. If a case was

0:21:06.160 --> 0:21:09.320
<v Speaker 1>considered closed, well, no sense in keeping it around, right,

0:21:09.760 --> 0:21:12.760
<v Speaker 1>and the article it's been reported otherwise got all of

0:21:12.760 --> 0:21:16.080
<v Speaker 1>the facts right. The journalist who wrote it is long dead,

0:21:16.280 --> 0:21:18.919
<v Speaker 1>so there hasn't been a way forward to report on

0:21:19.000 --> 0:21:23.040
<v Speaker 1>the reporting. Regardless, the story continues to fascinate us. It

0:21:23.240 --> 0:21:26.280
<v Speaker 1>is a very extreme example of what could be understood

0:21:26.320 --> 0:21:29.560
<v Speaker 1>as a deadly love sickness, love that has turned into

0:21:29.600 --> 0:21:33.280
<v Speaker 1>something far darker. The media talks about crimes of passion

0:21:33.480 --> 0:21:35.399
<v Speaker 1>and the lengths that people will go to in the

0:21:35.520 --> 0:21:38.080
<v Speaker 1>name of love, and now scientists have been able to

0:21:38.119 --> 0:21:42.159
<v Speaker 1>identify some really interesting and also alarming things that folks

0:21:42.160 --> 0:21:45.320
<v Speaker 1>have been alluding to for thousands of years. It seems

0:21:45.359 --> 0:21:48.400
<v Speaker 1>that love takes a very physical toll on our bodies.

0:21:48.720 --> 0:21:52.960
<v Speaker 1>The shorthand term for aid to Katsubo cardiomyopathy is broken

0:21:53.000 --> 0:21:56.600
<v Speaker 1>heart syndrome. It presents similar to a heart attack, though

0:21:56.640 --> 0:21:59.000
<v Speaker 1>those who suffer from it tend to make complete and

0:21:59.080 --> 0:22:02.080
<v Speaker 1>full recoveries, and we're also able to see the effects

0:22:02.080 --> 0:22:05.600
<v Speaker 1>of love on neuroimaging of our brains. Scans light up

0:22:05.680 --> 0:22:08.600
<v Speaker 1>much differently when looking at all the different kinds of love,

0:22:08.960 --> 0:22:12.160
<v Speaker 1>romantic love lighting up in the region that suggests personal

0:22:12.200 --> 0:22:16.600
<v Speaker 1>apprehension and social judgment might also be compromised. Scientists have

0:22:16.680 --> 0:22:19.240
<v Speaker 1>also suggested that they may have found an overlap between

0:22:19.280 --> 0:22:24.359
<v Speaker 1>obsessive compulsive disorder and romantic attraction. The term limerins was

0:22:24.440 --> 0:22:28.200
<v Speaker 1>coined to describe a set of all consuming psychological symptoms

0:22:28.440 --> 0:22:32.480
<v Speaker 1>characterized by obsessive, intrusive thoughts about an object of affection.

0:22:32.800 --> 0:22:36.280
<v Speaker 1>We now know that this state isn't just psychologically based,

0:22:36.640 --> 0:22:39.720
<v Speaker 1>but neurologically as well, and it leaves us to wonder

0:22:40.040 --> 0:22:42.399
<v Speaker 1>if this is what we call love, Is it all

0:22:42.440 --> 0:22:45.520
<v Speaker 1>simply another affliction to be treated? How do we tease

0:22:45.560 --> 0:22:49.200
<v Speaker 1>apart what is harmful and keep the stuff that benefits us?

0:22:49.560 --> 0:22:52.520
<v Speaker 1>And even more challenging than all of that, when those

0:22:52.560 --> 0:22:55.800
<v Speaker 1>things live together in the same cognitive stew how do

0:22:55.880 --> 0:22:58.159
<v Speaker 1>we tell them apart when we're deep in it? And

0:22:58.280 --> 0:23:06.160
<v Speaker 1>how can we save our solves? Love, of course, isn't

0:23:06.240 --> 0:23:08.560
<v Speaker 1>just something that happens to us. It's something that we

0:23:08.680 --> 0:23:11.240
<v Speaker 1>as humans do, and love doesn't have to be in

0:23:11.359 --> 0:23:15.000
<v Speaker 1>grand gestures, As count Van Kozo believed, love comes in

0:23:15.080 --> 0:23:17.840
<v Speaker 1>small moments every day. If you stick around through this

0:23:17.880 --> 0:23:21.000
<v Speaker 1>brief sponsor break, my teammates Robin Miniter will tell you

0:23:21.040 --> 0:23:23.360
<v Speaker 1>a story about a love that was lost and then

0:23:23.440 --> 0:23:31.480
<v Speaker 1>found once more. The woman in the window was a

0:23:31.520 --> 0:23:34.840
<v Speaker 1>mystery to so many. She largely kept to herself, a

0:23:34.960 --> 0:23:38.199
<v Speaker 1>specter and white, illuminated by the oil lamp's warm halo.

0:23:38.840 --> 0:23:41.359
<v Speaker 1>For years, Emily was her only company in her bedroom

0:23:41.400 --> 0:23:45.200
<v Speaker 1>on Main Street and Amherst, Massachusetts. Sequestered above and away

0:23:45.200 --> 0:23:48.240
<v Speaker 1>from the outside, she created rich landscapes of her own

0:23:48.280 --> 0:23:51.600
<v Speaker 1>inner world, and with ink she'd penned these internal geographies.

0:23:52.119 --> 0:23:54.960
<v Speaker 1>She was a prolific writer, authoring hundreds of letters and

0:23:54.960 --> 0:23:57.919
<v Speaker 1>poems on bits and shreads and pieces of paper. Emily

0:23:58.000 --> 0:23:59.920
<v Speaker 1>was a dreamer, and she was a lover her word,

0:24:00.160 --> 0:24:03.080
<v Speaker 1>so accurately conveying what her heart was saying, but who

0:24:03.200 --> 0:24:06.320
<v Speaker 1>her heart and she, in turn was saying These things too,

0:24:06.400 --> 0:24:10.240
<v Speaker 1>has long been a source of controversy. Emily Dickinson only

0:24:10.280 --> 0:24:13.359
<v Speaker 1>published ten poems in her lifetime, and when she died

0:24:13.400 --> 0:24:16.720
<v Speaker 1>in eighteen eighty six, she left behind a massive body

0:24:16.760 --> 0:24:20.560
<v Speaker 1>of deeply personal work, almost eighteen hundred poems and hundreds

0:24:20.560 --> 0:24:23.480
<v Speaker 1>of letters to be come through by her family, and

0:24:23.560 --> 0:24:26.199
<v Speaker 1>what they found was astounding for the sheer volume of

0:24:26.200 --> 0:24:29.400
<v Speaker 1>words left behind, but also for the contents of the pages.

0:24:30.040 --> 0:24:32.600
<v Speaker 1>It's believed that whoever took it upon themselves to handle

0:24:32.600 --> 0:24:34.720
<v Speaker 1>her work didn't want the world to see what she

0:24:34.760 --> 0:24:37.520
<v Speaker 1>had written, or at least some of its key parts,

0:24:38.320 --> 0:24:40.800
<v Speaker 1>so began the crossing out of names and the extraction

0:24:40.840 --> 0:24:43.719
<v Speaker 1>of entire lines with a sharp blade. Whoever did this

0:24:43.760 --> 0:24:45.800
<v Speaker 1>thought it would make her work more palatable and more

0:24:45.840 --> 0:24:48.840
<v Speaker 1>saleable to the general public. After all, it would be

0:24:48.920 --> 0:24:51.800
<v Speaker 1>scandalous should the world know that Emily had carried on

0:24:51.840 --> 0:24:55.080
<v Speaker 1>a lifelong relationship with another woman, a woman who was

0:24:55.160 --> 0:24:58.760
<v Speaker 1>not just her neighbor but her brother's wife. Some historians

0:24:58.800 --> 0:25:02.240
<v Speaker 1>believe that Emily's love was unjustly censored and sanitized in

0:25:02.280 --> 0:25:04.960
<v Speaker 1>the wake of her death, But in recent years, with

0:25:05.000 --> 0:25:07.639
<v Speaker 1>some good old fashioned detective work in the benefit of

0:25:07.720 --> 0:25:11.159
<v Speaker 1>modern technology, historians have been working to restore the larger

0:25:11.200 --> 0:25:14.200
<v Speaker 1>story of Emily and Susan's love and cement their story

0:25:14.240 --> 0:25:18.119
<v Speaker 1>in the larger cultural mythos around Emily Dickinson. In the

0:25:18.200 --> 0:25:21.560
<v Speaker 1>nineteen nineties, scholar Martha Nell Smith got to work combing

0:25:21.560 --> 0:25:25.000
<v Speaker 1>over Emily's original work. She carefully studied the impressions on

0:25:25.040 --> 0:25:27.879
<v Speaker 1>the backs of the delicate aging pieces of paper, and

0:25:27.960 --> 0:25:31.400
<v Speaker 1>for the harder cases, she employed infrared technology to detect

0:25:31.440 --> 0:25:35.480
<v Speaker 1>any alterations made to the documents. Using computer, textures and

0:25:35.520 --> 0:25:39.920
<v Speaker 1>tones could be manipulated pixel by pixel restoring attempts at obliteration.

0:25:40.560 --> 0:25:44.800
<v Speaker 1>Think of these tech detectives as restoration specialists, working painstakingly

0:25:44.880 --> 0:25:47.439
<v Speaker 1>to uncover what others have long thought to be lost

0:25:47.480 --> 0:25:50.000
<v Speaker 1>to our eyes. And it's in these letters that we

0:25:50.080 --> 0:25:52.960
<v Speaker 1>find Emily's love and longing for Susan written over the

0:25:53.080 --> 0:25:56.680
<v Speaker 1>arc of four decades. They lived somewhat parallel lives, side

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<v Speaker 1>by side in two separate, stately homes. Their relationships stretched

0:26:00.760 --> 0:26:03.680
<v Speaker 1>back into their early twenties, and whether the intervening years

0:26:03.760 --> 0:26:06.800
<v Speaker 1>and everything they brought it since speculated that Emily had

0:26:06.800 --> 0:26:10.040
<v Speaker 1>other entanglements, but the affection shared between these two women

0:26:10.119 --> 0:26:13.679
<v Speaker 1>burned bright and lifelong. The exact shape of Emily and

0:26:13.720 --> 0:26:16.320
<v Speaker 1>Susan's love may never be known to the world, but

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<v Speaker 1>today we have a best guess at what it meant

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<v Speaker 1>to them. In a world where they could never be

0:26:21.080 --> 0:26:24.560
<v Speaker 1>married nor recognize as domestic partners, they found a way,

0:26:24.720 --> 0:26:27.439
<v Speaker 1>Albeit it secretly to love and to be loved at

0:26:27.440 --> 0:26:29.800
<v Speaker 1>a time when marriage was less about affection and more

0:26:29.800 --> 0:26:33.000
<v Speaker 1>about social strategizing. For all of the heartache and the

0:26:33.040 --> 0:26:36.280
<v Speaker 1>obstacles that the years presented, Emily and Susan continued to

0:26:36.320 --> 0:26:39.640
<v Speaker 1>find their way back to each other, separated only by society,

0:26:39.760 --> 0:26:45.879
<v Speaker 1>scripts and a stone's throw. Grim and Mild Presents Bedside

0:26:45.920 --> 0:26:49.840
<v Speaker 1>Manners was executive produced by Aaron Manky and narrated by

0:26:49.840 --> 0:26:53.320
<v Speaker 1>Aaron Mankie and Robin Miniter. Writing for this season was

0:26:53.400 --> 0:26:57.520
<v Speaker 1>provided by Robin Miniter, with research by Sam Alberty, Taylor

0:26:57.560 --> 0:27:01.479
<v Speaker 1>Haggerdorn and Robin Miniter. Production an assistance was provided by

0:27:01.600 --> 0:27:06.159
<v Speaker 1>Josh Thine, Jesse Funk, Alex Williams, and Matt Frederick. You

0:27:06.200 --> 0:27:08.959
<v Speaker 1>can learn more about this show, the Grim and Mild team,

0:27:08.960 --> 0:27:11.600
<v Speaker 1>and all the other podcasts that we make over at

0:27:11.640 --> 0:27:16.160
<v Speaker 1>Grimm Mild dot com and, as always, thanks for listening.