1 00:00:01,320 --> 00:00:04,240 Speaker 1: Welcome to Stuff You Missed in History Class, A production 2 00:00:04,400 --> 00:00:12,480 Speaker 1: of iHeartRadio, Hello. 3 00:00:12,280 --> 00:00:14,000 Speaker 2: And Happy Friday. I'm Tracy B. 4 00:00:14,160 --> 00:00:19,799 Speaker 1: Wilson, and I'm Holly Frye. Boy did I love talking 5 00:00:20,000 --> 00:00:21,880 Speaker 1: about Helen McNichol this week? 6 00:00:22,239 --> 00:00:25,000 Speaker 2: Yeah? I number one. 7 00:00:25,160 --> 00:00:28,520 Speaker 1: I think it's probably clear to listeners that have been 8 00:00:28,560 --> 00:00:31,760 Speaker 1: listening for a long time. I love impressionist art. I 9 00:00:31,800 --> 00:00:35,040 Speaker 1: love it, and I love the women artists, and I 10 00:00:35,080 --> 00:00:38,400 Speaker 1: love that she and Dorothea Sharp made a space for 11 00:00:38,479 --> 00:00:42,720 Speaker 1: themselves in a world that was not really amenable to 12 00:00:43,920 --> 00:00:51,279 Speaker 1: women living on their own without husbands or you know, 13 00:00:51,600 --> 00:00:57,200 Speaker 1: outside of their family life for you know, specifically white 14 00:00:57,480 --> 00:01:01,240 Speaker 1: middle class, upper middle class in the case of Helen 15 00:01:01,320 --> 00:01:06,319 Speaker 1: McNicol women. I love all of that. It was a 16 00:01:06,440 --> 00:01:12,640 Speaker 1: challenging episode to work on because there's just a not 17 00:01:12,760 --> 00:01:17,160 Speaker 1: a lot of information about details that would be really 18 00:01:17,200 --> 00:01:20,080 Speaker 1: helpful to know more about. For an episode like this, 19 00:01:20,800 --> 00:01:24,720 Speaker 1: those are always tricky because it's like you can know 20 00:01:24,840 --> 00:01:29,640 Speaker 1: what people have said about them, particularly you know, in 21 00:01:29,680 --> 00:01:32,240 Speaker 1: the intervening years. We are recording one coming up that 22 00:01:32,319 --> 00:01:35,520 Speaker 1: I researched. It's very similar in that regard, and it's like, 23 00:01:35,959 --> 00:01:40,280 Speaker 1: but what. 24 00:01:38,120 --> 00:01:43,880 Speaker 2: What was she like? Right? Right? Well, and she lived. 25 00:01:44,680 --> 00:01:47,440 Speaker 1: I mean, she she died more than a century ago, 26 00:01:47,560 --> 00:01:52,800 Speaker 1: but that's still recent enough. Uh. And her you know, 27 00:01:52,960 --> 00:01:57,840 Speaker 1: family was large enough that there may be you know, 28 00:01:58,000 --> 00:02:02,600 Speaker 1: other remembrances, maybe even letters and diaries and things that 29 00:02:02,720 --> 00:02:07,640 Speaker 1: just haven't been made available to historians or art historians. 30 00:02:07,680 --> 00:02:10,280 Speaker 1: So it's like it's possible that there is more information 31 00:02:10,320 --> 00:02:15,560 Speaker 1: about her, but having kind of a big gap in 32 00:02:15,720 --> 00:02:20,640 Speaker 1: things like what she was like as a person, what 33 00:02:20,760 --> 00:02:25,200 Speaker 1: her thoughts were on things like the suffrage movement. There 34 00:02:25,280 --> 00:02:27,160 Speaker 1: was also a ton of stuff that we could have 35 00:02:27,200 --> 00:02:33,240 Speaker 1: gotten into in this episode but didn't, like the role 36 00:02:33,360 --> 00:02:39,600 Speaker 1: of the railroads and Canadian Pacific Railway in particular in 37 00:02:39,720 --> 00:02:44,840 Speaker 1: Canadian history, like hugely monumentally impactful on Canada as a 38 00:02:44,919 --> 00:02:49,160 Speaker 1: nation and on the indigenous peoples of Canada, and like 39 00:02:49,200 --> 00:02:54,320 Speaker 1: that was so far removed from the episode's core that 40 00:02:54,360 --> 00:02:56,240 Speaker 1: I just did. I did not get into a really 41 00:02:56,320 --> 00:02:59,440 Speaker 1: at all. But boy, I love all of her art, 42 00:02:59,600 --> 00:03:02,320 Speaker 1: and I I wish I had a little time machine 43 00:03:02,800 --> 00:03:06,520 Speaker 1: and could have gone to that, Uh that exhibit that 44 00:03:06,720 --> 00:03:10,079 Speaker 1: just closed a couple of weeks before researching this episode. 45 00:03:10,760 --> 00:03:14,560 Speaker 2: All was a trick. All was a trick. Oh, Yes, definitely. 46 00:03:14,600 --> 00:03:20,920 Speaker 1: So there are some really lovely, you know, exhibition catalogs 47 00:03:22,200 --> 00:03:27,799 Speaker 1: that have you know, lovely re recreation representations, recreations prints. 48 00:03:27,880 --> 00:03:32,639 Speaker 1: What am I sign reprints of? Yes, I just lost 49 00:03:32,720 --> 00:03:35,440 Speaker 1: all ability to have language. 50 00:03:35,440 --> 00:03:36,480 Speaker 2: Sometimes it happens. 51 00:03:38,240 --> 00:03:41,360 Speaker 1: I don't have much to say beyond just sort of 52 00:03:41,400 --> 00:03:46,400 Speaker 1: gushing that I love her, I love her artwork. I 53 00:03:46,440 --> 00:03:51,600 Speaker 1: love looking at pictures of the same essential scene h 54 00:03:51,640 --> 00:03:54,480 Speaker 1: that she did and that Dorothy Sharp did, and kind 55 00:03:54,520 --> 00:03:58,640 Speaker 1: of comparing how they're similar and how they're different. Yeah, 56 00:03:58,680 --> 00:04:01,080 Speaker 1: one of the things that I've really liked. We only 57 00:04:01,080 --> 00:04:03,880 Speaker 1: talked about it briefly, but it is important to remember, 58 00:04:03,960 --> 00:04:08,640 Speaker 1: particularly when studying really anything historical, but it does specifically 59 00:04:08,680 --> 00:04:14,600 Speaker 1: relate a lot to things like art history and similar 60 00:04:14,680 --> 00:04:20,479 Speaker 1: creative histories. Is that we ten when discussing history, and 61 00:04:20,520 --> 00:04:23,200 Speaker 1: I say we meaning like humans in general, when we're 62 00:04:23,200 --> 00:04:27,520 Speaker 1: talking about particularly once it gets past a certain point, 63 00:04:28,040 --> 00:04:31,720 Speaker 1: it's like we lose our ability to recognize the wiggliness 64 00:04:31,720 --> 00:04:36,120 Speaker 1: of the timeline, and it'll be like the Renaissance happened 65 00:04:36,120 --> 00:04:38,440 Speaker 1: from this to this, and it's like well in some places, 66 00:04:39,240 --> 00:04:42,680 Speaker 1: but other places were still working it out right like 67 00:04:43,120 --> 00:04:45,560 Speaker 1: well after it, or they came into it later, And 68 00:04:45,600 --> 00:04:48,520 Speaker 1: this is a good example of how, you know, Impressionism 69 00:04:48,720 --> 00:04:51,120 Speaker 1: was kind of like cool hoo, cool, we got it 70 00:04:51,200 --> 00:04:54,359 Speaker 1: in France and in Canada it was still like this 71 00:04:54,400 --> 00:04:54,920 Speaker 1: is new. 72 00:04:55,680 --> 00:04:56,520 Speaker 2: Yeah. 73 00:04:56,800 --> 00:04:59,080 Speaker 1: I always think that's important to remember when you're like 74 00:05:00,000 --> 00:05:03,080 Speaker 1: looking at anybody's work, is where they're from is a 75 00:05:03,160 --> 00:05:07,080 Speaker 1: really important part of where they fit into that bigger 76 00:05:07,960 --> 00:05:13,040 Speaker 1: artistic timeline, right right, anytime we're talking about things like 77 00:05:13,120 --> 00:05:19,159 Speaker 1: Impressionism or the Renaissance, like in some cases there's been 78 00:05:19,400 --> 00:05:24,000 Speaker 1: you know, a sort of manifesto of artists saying this. 79 00:05:23,800 --> 00:05:25,880 Speaker 2: Is what we are doing as artists. 80 00:05:26,600 --> 00:05:28,960 Speaker 1: That becomes kind of a foundational text to the movement, 81 00:05:29,920 --> 00:05:32,919 Speaker 1: but sometimes it's the process of looking back onto that 82 00:05:33,080 --> 00:05:37,520 Speaker 1: time and trying to make sense of it and having 83 00:05:37,600 --> 00:05:41,240 Speaker 1: a name for something as a movement, and that means 84 00:05:41,279 --> 00:05:43,200 Speaker 1: there's a whole lot of stuff that was going on 85 00:05:43,480 --> 00:05:49,080 Speaker 1: at that time that doesn't fit into that descriptor similarly 86 00:05:49,200 --> 00:05:54,919 Speaker 1: to what you were saying, and the fact that Impressionism 87 00:05:55,720 --> 00:05:59,960 Speaker 1: became popularized in Canada so much later than in France, 88 00:06:00,080 --> 00:06:02,760 Speaker 1: that's one of the articles that I was reading about 89 00:06:02,800 --> 00:06:06,520 Speaker 1: It was like, I'm not trying to characterize Canadian art 90 00:06:07,440 --> 00:06:12,719 Speaker 1: as like a sleepy backwater, right because there was other like, 91 00:06:13,200 --> 00:06:18,560 Speaker 1: there was other stuff happening in Canadian art, other other people, 92 00:06:18,640 --> 00:06:22,760 Speaker 1: other movements. Canada itself a young nation as a nation 93 00:06:23,279 --> 00:06:28,440 Speaker 1: at that point. But it did, you know, become kind 94 00:06:28,440 --> 00:06:30,960 Speaker 1: of a later entry into this movement than a lot 95 00:06:31,000 --> 00:06:36,560 Speaker 1: of other similarly connected to you know, the art world 96 00:06:36,640 --> 00:06:41,880 Speaker 1: of Europe and specifically Paris. So anyway, art we always 97 00:06:41,920 --> 00:06:46,320 Speaker 1: love it, we do. I will also confess that when 98 00:06:46,360 --> 00:06:52,160 Speaker 1: I was deciding about things to cover on Unearthed, I 99 00:06:52,200 --> 00:06:55,960 Speaker 1: had no concept of what the BBC TV show Fake 100 00:06:56,080 --> 00:07:00,440 Speaker 1: or Fortune is about beyond the title and the fact 101 00:07:00,520 --> 00:07:06,320 Speaker 1: that they authenticated this painting. It is not like a 102 00:07:06,360 --> 00:07:11,240 Speaker 1: British counterpart to Antiques Roadshow, And I think there is 103 00:07:11,280 --> 00:07:12,960 Speaker 1: an Antiques Roadshow. 104 00:07:12,560 --> 00:07:16,960 Speaker 2: In didn't it start in Britain? I don't remember. 105 00:07:17,520 --> 00:07:21,640 Speaker 1: My association with Antique Roadshow is watching it at my parents' house. 106 00:07:24,480 --> 00:07:27,679 Speaker 1: But Fake Your Fortune is more like it's all about 107 00:07:27,920 --> 00:07:31,840 Speaker 1: art authentication. It is not people finding a piece of 108 00:07:31,960 --> 00:07:35,040 Speaker 1: art in their attic and saying authenticate this. And a 109 00:07:35,080 --> 00:07:37,360 Speaker 1: lot of cases, a lot of cases like looking back 110 00:07:37,440 --> 00:07:41,120 Speaker 1: at big questions about the authenticity of different pieces of artwork. 111 00:07:41,840 --> 00:07:45,720 Speaker 1: So my ignorance about this TV show was a part 112 00:07:45,800 --> 00:07:51,320 Speaker 1: of my decision about whether to put this find into Unearthed. 113 00:07:51,320 --> 00:07:53,720 Speaker 2: But the bigger piece was I just want. 114 00:07:53,520 --> 00:07:56,760 Speaker 1: To do a whole episode about Helen McNichol, because I 115 00:07:56,800 --> 00:08:08,760 Speaker 1: was immediately captivated. Okay, I'm gonna get it out of 116 00:08:08,800 --> 00:08:10,760 Speaker 1: the way and get the yucky thing out so we 117 00:08:10,840 --> 00:08:15,840 Speaker 1: can get to talking about other stuff. In that nineteen 118 00:08:15,840 --> 00:08:18,120 Speaker 1: oh five report from the Joint Committee on the Employment 119 00:08:18,120 --> 00:08:21,360 Speaker 1: of Barmaids, they do the thing that we have talked 120 00:08:21,360 --> 00:08:23,880 Speaker 1: about many times on the show that I absolutely hate 121 00:08:23,880 --> 00:08:27,600 Speaker 1: and you do too. I know I'm paraphrasing, but it 122 00:08:27,680 --> 00:08:33,160 Speaker 1: basically is like white barmaids actually have it much worse 123 00:08:33,679 --> 00:08:38,520 Speaker 1: than black enslaved people because they don't have it. They're 124 00:08:38,679 --> 00:08:40,640 Speaker 1: just stuck in this job and they're going to age 125 00:08:40,640 --> 00:08:43,440 Speaker 1: out of it and those people get treated better. It's 126 00:08:43,520 --> 00:08:47,320 Speaker 1: like one of those horrible things. Just as a reminder 127 00:08:47,320 --> 00:08:50,320 Speaker 1: to any of our listeners, anytime you see that in 128 00:08:50,360 --> 00:08:55,200 Speaker 1: a document, whether modern or old, please know it's wrong. 129 00:08:56,200 --> 00:08:56,640 Speaker 2: That's all. 130 00:08:56,679 --> 00:08:58,720 Speaker 1: It just meane my blood boil when I was reading 131 00:08:58,800 --> 00:09:01,240 Speaker 1: and I was like sewing. I didn't even want to 132 00:09:01,240 --> 00:09:03,840 Speaker 1: put it in the episode. There are a lot of 133 00:09:03,920 --> 00:09:09,120 Speaker 1: cool things about American Bar and the Savoy, one of 134 00:09:09,160 --> 00:09:13,880 Speaker 1: which is that it was incredibly popular during World War 135 00:09:13,920 --> 00:09:19,400 Speaker 1: Two because Winston Churchill would kind of like a headquarter 136 00:09:19,480 --> 00:09:22,120 Speaker 1: there a little bit. Because the Savoy, we talked about 137 00:09:22,160 --> 00:09:25,400 Speaker 1: how it was ultra modern and had electricity before buildings 138 00:09:25,440 --> 00:09:29,360 Speaker 1: normally did, et cetera. They had built their own power supply, 139 00:09:30,320 --> 00:09:35,040 Speaker 1: so when there were bombing raids and you know, the 140 00:09:35,080 --> 00:09:39,040 Speaker 1: Germans bombed London, it was more likely to maintain power 141 00:09:39,240 --> 00:09:44,800 Speaker 1: than any of the other buildings, which is very cool. Yeah, listen, 142 00:09:44,920 --> 00:09:49,000 Speaker 1: I trash talked Cratic a little bit here. He's very 143 00:09:49,000 --> 00:09:51,319 Speaker 1: interesting in his own right. Heaven nose. I've made a 144 00:09:51,320 --> 00:09:56,800 Speaker 1: lot of his drinks. He really did a lot to 145 00:09:57,679 --> 00:10:03,000 Speaker 1: promote the idea of drinking mixed drinks and cocktails as 146 00:10:03,040 --> 00:10:09,320 Speaker 1: an elevated experience and not about drunkenness. He literally wrote 147 00:10:09,320 --> 00:10:11,880 Speaker 1: papers about it. He would write newspaper articles about it. 148 00:10:11,960 --> 00:10:15,320 Speaker 1: He would offer himself up for interviews. And one of 149 00:10:15,320 --> 00:10:17,920 Speaker 1: the things that kept happening we mentioned eight is four 150 00:10:18,120 --> 00:10:21,480 Speaker 1: L's the people that would not allow the Temperance movement 151 00:10:21,520 --> 00:10:24,200 Speaker 1: to pass any loss in England at the time, but 152 00:10:24,400 --> 00:10:27,559 Speaker 1: there were people in England that wanted temperance laws, and 153 00:10:27,760 --> 00:10:31,840 Speaker 1: Kratick would always do this challenge and say like, come 154 00:10:31,880 --> 00:10:34,959 Speaker 1: to the bar, I will make you a cocktail along 155 00:10:34,960 --> 00:10:37,360 Speaker 1: with you know, whatever meal you order, and if you 156 00:10:37,400 --> 00:10:39,959 Speaker 1: can honestly tell me that it did not enhance your 157 00:10:40,040 --> 00:10:42,520 Speaker 1: enjoyment of the meal and of life, he would say, 158 00:10:43,120 --> 00:10:45,160 Speaker 1: then we can have a talk about temperance, but I 159 00:10:45,200 --> 00:10:47,600 Speaker 1: guarantee you're gonna love it. And almost and as far 160 00:10:47,600 --> 00:10:49,560 Speaker 1: as I know, every time they did or they didn't 161 00:10:49,600 --> 00:10:52,280 Speaker 1: take the challenge because they probably knew, but it was 162 00:10:52,360 --> 00:10:54,959 Speaker 1: just kind of interesting. He was a big proponent of it. 163 00:10:55,040 --> 00:10:56,880 Speaker 2: I am very delighted to see that. 164 00:10:58,880 --> 00:11:01,960 Speaker 1: American bars current menu, and I haven't gone back through 165 00:11:02,000 --> 00:11:05,199 Speaker 1: all of their previous menus, but there are not all 166 00:11:05,240 --> 00:11:07,200 Speaker 1: of the drinks, but a lot of their drinks. They're like, 167 00:11:07,280 --> 00:11:10,800 Speaker 1: here's the alcoholic version, here's the mocktail version. Nice, which 168 00:11:10,840 --> 00:11:13,560 Speaker 1: is really cool and something that I am a big 169 00:11:13,600 --> 00:11:16,240 Speaker 1: fan of, because not sometimes people want to have the 170 00:11:16,320 --> 00:11:20,000 Speaker 1: elevated experience of a delicious mixed beverage and they don't 171 00:11:20,080 --> 00:11:23,840 Speaker 1: drink alcohol for any number of completely fine reasons. So 172 00:11:23,880 --> 00:11:26,120 Speaker 1: it's nice to remember that those people deserve to have 173 00:11:26,720 --> 00:11:29,120 Speaker 1: fun times in a bar as well. It doesn't have 174 00:11:29,160 --> 00:11:34,320 Speaker 1: to be about being intox kid but tasting delicious things. 175 00:11:34,880 --> 00:11:37,160 Speaker 1: There is only one picture of Aticle then that I 176 00:11:37,240 --> 00:11:40,000 Speaker 1: know of, and it would have been fairly late in 177 00:11:40,040 --> 00:11:42,400 Speaker 1: her career, because she looks a bit more on the 178 00:11:42,440 --> 00:11:43,880 Speaker 1: mature side at that point. 179 00:11:44,400 --> 00:11:45,520 Speaker 2: And she looks so sweet. 180 00:11:45,640 --> 00:11:50,600 Speaker 1: If I just she just has this great very She's 181 00:11:50,840 --> 00:11:55,360 Speaker 1: cute as a button, and she has this very pleasant expression, 182 00:11:55,520 --> 00:11:59,360 Speaker 1: and I can see why probably people immediately gravitated toward 183 00:11:59,440 --> 00:12:03,400 Speaker 1: her and wanted to spend time with her in addition 184 00:12:03,440 --> 00:12:06,679 Speaker 1: to being their bartender, but also as their friend. There 185 00:12:06,679 --> 00:12:12,079 Speaker 1: are a lot of stories of people who she served 186 00:12:12,160 --> 00:12:16,160 Speaker 1: becoming her friends and in some cases including her and 187 00:12:16,200 --> 00:12:21,720 Speaker 1: their wills and leaving her significant amounts of money, which 188 00:12:21,800 --> 00:12:25,960 Speaker 1: is pretty interesting. I'm always fascinated by the relationship between 189 00:12:26,480 --> 00:12:29,240 Speaker 1: bartenders and their patrons because often there's like a weird 190 00:12:29,760 --> 00:12:31,200 Speaker 1: parasocial thing that goes on. 191 00:12:33,679 --> 00:12:35,120 Speaker 2: I just find the whole thing interesting. 192 00:12:35,400 --> 00:12:37,880 Speaker 1: I want there to be a wild number of studies 193 00:12:37,960 --> 00:12:40,720 Speaker 1: done of it, which is probably not going to happen 194 00:12:40,760 --> 00:12:44,320 Speaker 1: to the degree I would desire. But I have not 195 00:12:44,400 --> 00:12:47,600 Speaker 1: been to American bar. It's on my list one more 196 00:12:47,640 --> 00:12:50,079 Speaker 1: excuse to go to London. I have only been to 197 00:12:50,160 --> 00:12:53,480 Speaker 1: places that were called American bar that are not that one. Yeah, 198 00:12:53,480 --> 00:12:56,719 Speaker 1: there are a number of them, and there were a 199 00:12:56,800 --> 00:12:58,760 Speaker 1: number of them in Europe, as we said in the show, 200 00:12:58,760 --> 00:13:02,120 Speaker 1: that did not rise to prominence. And some of them 201 00:13:02,160 --> 00:13:06,120 Speaker 1: were just like the way you would say you would 202 00:13:06,120 --> 00:13:09,040 Speaker 1: see noodle bar on a menu, right, that is not 203 00:13:09,080 --> 00:13:11,319 Speaker 1: the name of the establishment, but says what it is. 204 00:13:12,400 --> 00:13:14,320 Speaker 1: Some of them were like that that just said that, 205 00:13:14,480 --> 00:13:18,120 Speaker 1: And this one took on the name. I'm honestly not 206 00:13:18,160 --> 00:13:20,640 Speaker 1: one hundred percent clear if that was always intended to 207 00:13:20,679 --> 00:13:25,320 Speaker 1: be its name or not, but there it is one 208 00:13:25,320 --> 00:13:27,000 Speaker 1: of the most famous bars in the world. 209 00:13:27,679 --> 00:13:28,040 Speaker 2: You can. 210 00:13:28,200 --> 00:13:30,160 Speaker 1: I feel like we should also say we mentioned two 211 00:13:30,320 --> 00:13:34,600 Speaker 1: very pricey drinks that are on the menu. They have 212 00:13:35,040 --> 00:13:39,080 Speaker 1: their regular themed menu. The drinks are not cheap, but 213 00:13:39,120 --> 00:13:41,880 Speaker 1: they're not that exorbitant either. They're like in the I 214 00:13:41,880 --> 00:13:45,800 Speaker 1: think I feel like I'm going by memory here. The 215 00:13:45,840 --> 00:13:49,880 Speaker 1: mocktails tended to be in the eighteen pound range, which 216 00:13:49,920 --> 00:13:53,000 Speaker 1: is pricey, but you know, not five thousand, that's for sure. 217 00:13:53,200 --> 00:13:55,400 Speaker 1: And then the cocktails tended to be like in the 218 00:13:55,480 --> 00:13:59,120 Speaker 1: twenty seven to thirty five range depending on the spirit. 219 00:13:59,240 --> 00:14:03,160 Speaker 1: So expensive for sure, but also not like quite as 220 00:14:03,760 --> 00:14:07,800 Speaker 1: eye popping as a five thousand dollars drink. Yeah, this 221 00:14:08,000 --> 00:14:10,079 Speaker 1: was a very fun one to research because as much 222 00:14:10,120 --> 00:14:14,400 Speaker 1: as I hated how condescending that report was, I liked 223 00:14:14,400 --> 00:14:18,480 Speaker 1: picking it apart and reading it being like you digglings, 224 00:14:20,000 --> 00:14:22,920 Speaker 1: all of these problems are problems that are not caused 225 00:14:23,000 --> 00:14:28,640 Speaker 1: by the women in the marketding industry. Why are you 226 00:14:28,720 --> 00:14:31,680 Speaker 1: saying that women should get out rather than making laws 227 00:14:31,680 --> 00:14:33,840 Speaker 1: that would protect them. Why is that the way you 228 00:14:33,880 --> 00:14:38,960 Speaker 1: want to make legislation? Why not protective legislation? Obviously they 229 00:14:39,320 --> 00:14:41,840 Speaker 1: never passed that because women have stayed in the bartending 230 00:14:41,880 --> 00:14:45,440 Speaker 1: industry and in the bar made as they were called. 231 00:14:45,480 --> 00:14:51,640 Speaker 1: Then again, because they were usually aged out pretty when 232 00:14:51,640 --> 00:14:55,280 Speaker 1: they would you know, not be considered a young maid anymore. 233 00:14:55,880 --> 00:15:00,480 Speaker 1: But I'm glad we have aida to guide us. I 234 00:15:00,520 --> 00:15:03,080 Speaker 1: love love the eight O Coolebon project. I think it's 235 00:15:03,080 --> 00:15:06,440 Speaker 1: so cool. Yeah, so I will follow it in the 236 00:15:06,640 --> 00:15:09,640 Speaker 1: ongoing years and see how it does and see if 237 00:15:09,640 --> 00:15:12,840 Speaker 1: I can support it in some way anyway. That is 238 00:15:12,880 --> 00:15:15,440 Speaker 1: that if you are coming up on your weekend and 239 00:15:15,520 --> 00:15:18,160 Speaker 1: you like to have a cocktail, or mocktail. I hope 240 00:15:18,200 --> 00:15:21,720 Speaker 1: you find one that is absolutely delicious and delights your 241 00:15:21,760 --> 00:15:25,120 Speaker 1: palette and taste buds. If you don't have time on 242 00:15:25,320 --> 00:15:27,640 Speaker 1: maybe you can still sneak in something yummy to drink, 243 00:15:28,000 --> 00:15:31,000 Speaker 1: whether that contains alcohol or not. But we hope that 244 00:15:31,080 --> 00:15:33,520 Speaker 1: you do get some rest and relaxation and that everyone 245 00:15:33,560 --> 00:15:35,920 Speaker 1: is kind to one another. We will be right back 246 00:15:35,920 --> 00:15:39,240 Speaker 1: here tomorrow with a classic story, and then on Monday 247 00:15:39,280 --> 00:15:47,160 Speaker 1: we will have a brand new episode. Stuff you Missed 248 00:15:47,160 --> 00:15:50,320 Speaker 1: in History Class is a production of iHeartRadio. For more 249 00:15:50,360 --> 00:15:54,760 Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or 250 00:15:54,760 --> 00:16:01,560 Speaker 1: wherever you listen to your favorite shows.