WEBVTT - Thursday Post Show (09-16-21)

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<v Speaker 1>It's time for the Bobby Bones post show. Here's your host,

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<v Speaker 1>Bobby Bone. I was reading a story about long movies

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<v Speaker 1>that are worth their run time, and if you know me,

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<v Speaker 1>you know I hate a long movie, disgusted by it.

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<v Speaker 1>When I see a movie over an hour and forty

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<v Speaker 1>five minutes, I have to start debating, okay, this is

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<v Speaker 1>even worth it. I start to go. I start to

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<v Speaker 1>think of the reasons I shouldn't watch the movie if

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<v Speaker 1>it's over one five And most of them now are

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<v Speaker 1>over two hours, like they feel the need to just

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<v Speaker 1>put in scenes that we don't give a crap about,

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<v Speaker 1>like let's turn it down. And so I have and

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<v Speaker 1>they have twenty. I'm not gonna go through all of them.

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<v Speaker 1>But long movies that are mostly close to three hours,

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<v Speaker 1>they say are worth the watch. Can you guys think

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<v Speaker 1>of a long movie that's good. I can shoshack Redemption,

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<v Speaker 1>that's it. Those are the two No no no, no, Titanic, Braveheart,

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<v Speaker 1>I don't Braveheart overrated. Over Braveheart overrated. I thought it

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<v Speaker 1>was good, Maybe you need to watch it again. I

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<v Speaker 1>thought it was good. I thought it was that was good.

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<v Speaker 1>I didn't think it was like one of the Greatest

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<v Speaker 1>of all time and Titanic. You don't think it's not

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<v Speaker 1>worth the three hours with my buddy Scotty, Yeah, nineteen

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<v Speaker 1>ninety seven. It's different my buddy Scotty. Maybe just don't

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<v Speaker 1>have a good feeling about it in general. Top ten

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<v Speaker 1>The Leopard nineteen sixty three, two hours and forty one minutes,

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<v Speaker 1>No Idea, Boyhood, which was interesting, twenty fourteen. I don't

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<v Speaker 1>think it's worth the link. But they shot it over

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<v Speaker 1>like ten years, right, yes, because he had to get older,

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<v Speaker 1>the boy, so they literally shot a little bit of

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<v Speaker 1>this movie over. It may not be ten years exactly,

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<v Speaker 1>but it's something around there. Yeah, how many twelve years?

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<v Speaker 1>Maybe they shot this movie really cool, a little long.

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<v Speaker 1>I'm fine with watching some of those when they show

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<v Speaker 1>like the sun come up and it's like the super

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<v Speaker 1>Qui laps do that with the kid him in the room.

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<v Speaker 1>Time laps say it was half an hour on that thing.

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<v Speaker 1>Pretty good movie though, but really interesting concept. Hoop dreams.

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<v Speaker 1>I don't let's see the Lagan once up my time India,

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<v Speaker 1>don't no idea. It's a mad, bad mad World nineteen

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<v Speaker 1>sixty three, No Idea. A Touch of Zin no Idea,

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<v Speaker 1>Titanic comes in at number four, three hours in fourteen minutes.

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<v Speaker 1>Totally worth it. They should have broken up in two

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<v Speaker 1>movies because you want to know if they're gonna make

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<v Speaker 1>it or not, because some people did. By the way, Titanic,

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<v Speaker 1>everybody didn't die, right, there were survivors Malcolm X in

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<v Speaker 1>nineteen ninety two three hours and twenty minutes and Hamlet

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<v Speaker 1>in nineteen ninety six four hours and two. Oh, no,

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<v Speaker 1>way remember that one Hamlet in ninety six. No, the

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<v Speaker 1>Godfather makes it over three hours. Did you watch The

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<v Speaker 1>Godfather's Morgan? Was that one of those sets you watched? Yeah?

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<v Speaker 1>I did you? Remember? You guys made me watch it.

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<v Speaker 1>I did not apologize. Now I feel bad about it. Yeah,

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<v Speaker 1>am I bad? You sent me in as the Canary

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<v Speaker 1>and I did not like them. I think you were

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<v Speaker 1>watching a lot of movies anyway. Yeah. No, like I've

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<v Speaker 1>been to watch movies hardcore, but yeah, Godfather, it was

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<v Speaker 1>not good. Lord of the Rings, Return of the King.

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<v Speaker 1>I watched the Lord of the Rings movie and it's

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<v Speaker 1>the same fashion. It was Christmas and I was alone,

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<v Speaker 1>and I'm like, I'm gonna see if these are worth

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<v Speaker 1>what everybody says and I watched every Lord of the

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<v Speaker 1>Rings movie and I thought, yeah, and that is not

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<v Speaker 1>a popular thing to say. I like Game of Thrones,

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<v Speaker 1>so I'm not anti what Lord of the Rings was about.

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<v Speaker 1>But I was like the first one, they finished it

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<v Speaker 1>and there wasn't even an ending. They're just walking because

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<v Speaker 1>they knew they're gonna make another one. I knew there.

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<v Speaker 1>Imagine we're gonna make a bunch. Yeah, Mike Deed your

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<v Speaker 1>movie guy. Did you like Lord of the Rings. No,

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<v Speaker 1>I think they're overrated. Nice. Well, if everybody hates them,

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<v Speaker 1>they're not overrated anymore. Slowly getting back to rated normally.

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<v Speaker 1>The Avenger's Endgame was three hours in one minute. That

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<v Speaker 1>was worth it so good. I liked it, but I

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<v Speaker 1>remember leaving going I was a little long, really, yeah,

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<v Speaker 1>a little long there. I think that's it that I

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<v Speaker 1>would know, Mike. Did you watch The Five Bloods on Netflix? Yeah?

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<v Speaker 1>That was pretty good. It's three hours long. Yeah, Kadrick

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<v Speaker 1>Boseman um The Irishman, it was really long. Seen. It

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<v Speaker 1>was pretty good. No, it wasn't. It was like that

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<v Speaker 1>they got older, right, yeah, like de Niro and they

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<v Speaker 1>talked about their gang days back in the day, and

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<v Speaker 1>they were old men used that daging effect. Yeah, younger yeah, yeah, yeah, yeah,

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<v Speaker 1>can I remember that? I thought that was pretty good. Yeah,

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<v Speaker 1>and I think I watched it in two parts. Yeah,

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<v Speaker 1>break it up to watch it. It's the TV shows

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<v Speaker 1>now are the lengths of movies what movies should be.

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<v Speaker 1>Sometimes wherever, it just seems like in the good old days,

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<v Speaker 1>you'd go into the movie an hour and fifteen minutes

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<v Speaker 1>and you'd go home. But I don't know though, because

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<v Speaker 1>Gone and Gone with the Wind is like really long too. Yeah,

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<v Speaker 1>but they just they just figured out cameras then, dude,

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<v Speaker 1>they were just milking it. They just left it on. Sometimes.

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<v Speaker 1>This is awesome. Yeah, Lunchbox thinks I need it. When

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<v Speaker 1>we go to Vegas this weekend. His idea for me

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<v Speaker 1>is to gamble a lot to show off in front

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<v Speaker 1>of Caitlin. Yeah you want to if you want to

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<v Speaker 1>get her like wow, wide eyed and really good turned

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<v Speaker 1>on and everything. No, no no, no, guys. If he pulls

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<v Speaker 1>out those money, throws it on the crafts table and

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<v Speaker 1>he grabs those dice and he starts whoo and he

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<v Speaker 1>throws those dice, you are going to see her light

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<v Speaker 1>up like a Christmas tree and it is gonna be like, Wow,

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<v Speaker 1>that's my man, and trust me good times in Vegas.

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<v Speaker 1>I don't think that now that we're married, it's gonna

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<v Speaker 1>be like, why are you wasting her money. I don't

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<v Speaker 1>even think she'll be like that. I think she'll be like, okay,

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<v Speaker 1>just let me know when you're done. Yeah, I'll be

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<v Speaker 1>at the room. No. No. If you go to a

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<v Speaker 1>craps table, you got the guy standing there and the

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<v Speaker 1>woman is usually there on his arm, just like, oh

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<v Speaker 1>my gosh, so cool. I'm just telling you, if you

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<v Speaker 1>want her to be impressed, throw some bucks down on

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<v Speaker 1>the gamble in this weekend. But I don't think that's

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<v Speaker 1>true because if I lose money, she could be like, hey,

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<v Speaker 1>you know we could have done with that. Yeah exactly.

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<v Speaker 1>But because you look so powerful with those dice in

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<v Speaker 1>your hands when you're at the craps table and you

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<v Speaker 1>are in control of all that money on the table,

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<v Speaker 1>that is power. Everyone gets a turn, though, I understand,

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<v Speaker 1>but she looks at you special. Okay, But the thing is,

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<v Speaker 1>do a case study. Here's what I think early in

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<v Speaker 1>a dating relationship, that could be kind of a fun

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<v Speaker 1>little baller move. If you're tossing chips being good at something.

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<v Speaker 1>He's like, oh wow, it could be you're in Vegas. Hey,

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<v Speaker 1>let's go. You got a few hundred bucks down there?

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<v Speaker 1>Oh splash, splash seven twenty two good hood. I don't know.

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<v Speaker 1>You call them football plays out there? I have no idea. Right,

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<v Speaker 1>it could back fire, it could because but then you

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<v Speaker 1>just drop. Do you want to be with that girl though?

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<v Speaker 1>If she like her grip gets tighter when you're winning,

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<v Speaker 1>but then when you're losing, if you don't want that.

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<v Speaker 1>I do see though, where she would think it was

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<v Speaker 1>fun that you know how to play really well, not winning,

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<v Speaker 1>but if you're like, if you're like, let me get

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<v Speaker 1>twelve on the six, twelve on the eight, let me

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<v Speaker 1>get impressive. Yes, it's absolutely with the wife. I just

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<v Speaker 1>don't think that's a thing. Has she ever seen you

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<v Speaker 1>do it before? No, I don't really do it much.

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<v Speaker 1>And that's what I mean, think about it. You definitely

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<v Speaker 1>haven't been to Vegas with her before. Exactly, Guys. I'm

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<v Speaker 1>telling you, I'm telling maybe trying welcome guys. I'm telling

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<v Speaker 1>you I'll help you with the ladies. Okay, this is

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<v Speaker 1>his wife you're talking about, and I don't need help right, like,

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<v Speaker 1>I'm all good, yea um, but we are. I don't

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<v Speaker 1>know that I'm even gonna gambles without gambling. This is

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<v Speaker 1>what This is the kind of talk she doesn't want

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<v Speaker 1>to hear. But I'll tell you this. We had to

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<v Speaker 1>get uh COVID tested. Yeah, I got my result yesterday.

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<v Speaker 1>We did a wrap upload into an app. You know,

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<v Speaker 1>everything is super COVID controlled and if you work for

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<v Speaker 1>the company, you had to be vaccinated. Then you got

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<v Speaker 1>to COVID test as well. Because there are breakthrough cases.

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<v Speaker 1>And I went to the Arkansas game on Saturday. If

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<v Speaker 1>there was a chance that I was going to get COVID,

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<v Speaker 1>it was there no doubt about it. I'm talking about

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<v Speaker 1>there's no rule. Elevators were fifteen deep. Like now, I

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<v Speaker 1>understand when I go to a situation like that and

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<v Speaker 1>people want to take pictures and stuff, it's that, That's

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<v Speaker 1>what it is. And if people are like putting their

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<v Speaker 1>arms just spitting on me. If I was going to

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<v Speaker 1>get COVID, and I don't want to jinx myself and

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<v Speaker 1>get it in Vegas, but I just think I would

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<v Speaker 1>have got it then and I didn't. Now I kind

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<v Speaker 1>of feel like iron Man. I'll be honest with you. Yeah,

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<v Speaker 1>because I have a couple of friends who had them,

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<v Speaker 1>who was vaccinated and still got it, had very light symptoms,

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<v Speaker 1>but they were like I got like a no thing.

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<v Speaker 1>They got like a little short throat and went away

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<v Speaker 1>the next day and they got tested and they're like,

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<v Speaker 1>I have COVID. Didn't lose their smell or taste. You know.

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<v Speaker 1>It seems like the vaccinated folks are getting much lighter

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<v Speaker 1>if they get it. But we got tested it. We

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<v Speaker 1>were in the game Saturday, Sunday, Monday, Tuesday, yesterday was Wednesday.

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<v Speaker 1>We should have had it by then. That's there's enough

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<v Speaker 1>incubation time for that to and went was negative. And

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<v Speaker 1>we were medical miracles, kayling gos Fauty shit study, but

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<v Speaker 1>we don't. We're good, like we're good. We don't have it.

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<v Speaker 1>So now I feel kind of a little more comfortable

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<v Speaker 1>to even going to gamble in Vegas. If we do

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<v Speaker 1>decide to gamble, Do you have to wear a mask

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<v Speaker 1>in the casino? You don't have to, It's up to you.

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<v Speaker 1>Maybe they've changed it. I went back in July and

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<v Speaker 1>it was it was. It says the CDC recommends you

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<v Speaker 1>wear a mask inside it's up to you, and what

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<v Speaker 1>do I need one? Oh? Yeah, right, iron right, now

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<v Speaker 1>watch me get it in. Um. But yeah, we were

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<v Speaker 1>worried yesterday, not because we had any symptom, but because

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<v Speaker 1>if we had it, we probably were going to get

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<v Speaker 1>it from that experience. Um, but it was worth it.

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<v Speaker 1>It's what I mean. If you would have told me, oh,

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<v Speaker 1>don't get me started, I've been I've done more interviews

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<v Speaker 1>this week about that game than I have for any

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<v Speaker 1>project I've ever had coming out. People are like, hey,

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<v Speaker 1>we come on the show and talk about that game,

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<v Speaker 1>and so every day about a couple of interviews, but

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<v Speaker 1>they've been interviewed me about that game. Um. Raymond has

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<v Speaker 1>some radio hacks. If you're an artist listening to this

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<v Speaker 1>to get your song actually played on the air, you

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<v Speaker 1>so you've been watching house doelling how the business is

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<v Speaker 1>done correct over the last ten years, and so people

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<v Speaker 1>that are like, how do I get my song played?

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<v Speaker 1>You're actually gonna give them a few tips. Yeah, I

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<v Speaker 1>got four of them. Okay, here we go, stand on

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<v Speaker 1>music row with the title of your song. All the

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<v Speaker 1>labels are here, all the radio stations. All it takes

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<v Speaker 1>is one person to see the title and look it up,

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<v Speaker 1>like hold a sign up. Yes, I've not seen anyone

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<v Speaker 1>do that. I've seen billboards gay and I can't see

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<v Speaker 1>how that would work. And now if I see a

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<v Speaker 1>billboard as somebody with it's a new artist with a

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<v Speaker 1>new song. Mostly I'm just like I've seen it ten

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<v Speaker 1>times and I'm driving. I'm not gonna get on my

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<v Speaker 1>phone and look. We did one time. I think Eddie

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<v Speaker 1>brought someone to the table. Wasn't a billboard artist you saw?

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<v Speaker 1>Oh yeah, yeah, I don't even remember his name me either,

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<v Speaker 1>but I remember listening and it was good. We played

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<v Speaker 1>it on the air. Um, but holding a sign you say, okay,

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<v Speaker 1>what else? Get the email of presidents of labels or

0:10:38.600 --> 0:10:42.320
<v Speaker 1>DJ's and email them your song. That's what Chris Jansen

0:10:42.360 --> 0:10:46.040
<v Speaker 1>did with you. I knew Chris though already. Oh yeah,

0:10:46.120 --> 0:10:48.360
<v Speaker 1>Chris and I were already friendly when Buy Me a

0:10:48.360 --> 0:10:50.760
<v Speaker 1>Boat when he first recorded it. Oh and by DJs,

0:10:50.800 --> 0:10:53.840
<v Speaker 1>you meant Bobby I was seeing. I thought you were

0:10:53.840 --> 0:10:56.600
<v Speaker 1>talking like a DJ. Anyone calls me a DJ, like,

0:10:56.679 --> 0:11:00.480
<v Speaker 1>I'm just he just did Yeah, he really, he did it.

0:11:00.720 --> 0:11:04.120
<v Speaker 1>But people actually get DJ songs to play in clubs. Yeah,

0:11:05.240 --> 0:11:07.240
<v Speaker 1>like that is a thing. It's like, hey, would you

0:11:07.240 --> 0:11:09.080
<v Speaker 1>play my song? Here's twenty bucks and they'll kind of

0:11:09.080 --> 0:11:12.360
<v Speaker 1>mix it in. Here's why I hate being called a DJ. One,

0:11:12.720 --> 0:11:16.360
<v Speaker 1>there are no discs. Two. I don't pick music. I'm

0:11:16.360 --> 0:11:18.680
<v Speaker 1>not a dish jocket. Three. They don't care what I

0:11:18.720 --> 0:11:20.320
<v Speaker 1>do with the music. As long as I play one

0:11:20.400 --> 0:11:22.200
<v Speaker 1>or two songs an hour they have scheduled in here,

0:11:22.280 --> 0:11:24.840
<v Speaker 1>they don't give a crap. No, I can't. Occasionally, and

0:11:24.920 --> 0:11:26.280
<v Speaker 1>I do just pick songs and be like, this is

0:11:26.280 --> 0:11:29.480
<v Speaker 1>a good song, let's play it. But I'm not a DJ.

0:11:30.240 --> 0:11:31.640
<v Speaker 1>Back in the day, I think I used to be

0:11:31.679 --> 0:11:34.440
<v Speaker 1>a DJ when in nineteen ninety eight, when I'd be like,

0:11:34.679 --> 0:11:36.959
<v Speaker 1>coming in at number four on the countdown, is Chumbawamba

0:11:37.120 --> 0:11:38.480
<v Speaker 1>all right? Here? It is the hot hits of five.

0:11:38.800 --> 0:11:42.040
<v Speaker 1>That's a DJ. Yeah, and you actually DJ parties, and

0:11:42.160 --> 0:11:46.000
<v Speaker 1>I would DJ parties. I would, Now, what's the term?

0:11:46.040 --> 0:11:49.319
<v Speaker 1>I would be a personality. They don't pay. They don't pay.

0:11:49.960 --> 0:11:52.679
<v Speaker 1>They don't pay me to play music. They don't pay

0:11:52.760 --> 0:11:54.440
<v Speaker 1>us to play music. We could come in here and

0:11:54.440 --> 0:11:57.880
<v Speaker 1>play no music. A matter of fact, I would love that. Well,

0:11:57.920 --> 0:12:01.400
<v Speaker 1>that's not gonna happen. Nothing would make me feel better

0:12:01.559 --> 0:12:03.080
<v Speaker 1>than be able to come in here again and play

0:12:03.160 --> 0:12:05.439
<v Speaker 1>no music and just do a full five hour talk

0:12:05.440 --> 0:12:06.679
<v Speaker 1>show like we used to be back in the day,

0:12:06.720 --> 0:12:08.760
<v Speaker 1>except for I'm going to need a bathroom break, and

0:12:08.840 --> 0:12:10.599
<v Speaker 1>that's normally when we get to we take them on

0:12:10.640 --> 0:12:12.600
<v Speaker 1>the air. We take a microphone with you. But if

0:12:12.600 --> 0:12:15.319
<v Speaker 1>we like a song like but we play songs. This

0:12:15.360 --> 0:12:16.760
<v Speaker 1>is what I think I should. This is what I

0:12:16.760 --> 0:12:19.400
<v Speaker 1>think the future of this is. I'm gonna tell you

0:12:19.440 --> 0:12:21.480
<v Speaker 1>right now, the future of this is what the future

0:12:21.480 --> 0:12:25.280
<v Speaker 1>of this is actually the past of this. WHOA bear

0:12:25.360 --> 0:12:27.720
<v Speaker 1>with me. You have a few folks get in my

0:12:27.800 --> 0:12:29.680
<v Speaker 1>time machine. I should be able to pick all the

0:12:29.760 --> 0:12:32.199
<v Speaker 1>music I don't want to. I'd er the talk and

0:12:32.240 --> 0:12:34.320
<v Speaker 1>then play a few songs that I like in the

0:12:34.360 --> 0:12:37.360
<v Speaker 1>morning because for the most part, you know, it's tough

0:12:37.360 --> 0:12:39.080
<v Speaker 1>because there's a lot of places you can get music.

0:12:40.160 --> 0:12:42.200
<v Speaker 1>I should be able to program the whole morning show

0:12:42.200 --> 0:12:43.920
<v Speaker 1>if I want it to. Okay, And now you don't

0:12:44.000 --> 0:12:46.520
<v Speaker 1>write no, and some of those crap I'd never play,

0:12:47.160 --> 0:12:48.720
<v Speaker 1>and some of the crap I'd play a lot more.

0:12:49.960 --> 0:12:51.840
<v Speaker 1>And basically, I guess everything's crapped to me. But I

0:12:51.840 --> 0:12:54.800
<v Speaker 1>still like somebody I still do like you would, but

0:12:55.000 --> 0:12:56.520
<v Speaker 1>there would be some of the artists that I would

0:12:56.520 --> 0:13:00.640
<v Speaker 1>play two that don't get played, and it's I think

0:13:00.760 --> 0:13:03.880
<v Speaker 1>people would come for the whole experience. But what do

0:13:03.920 --> 0:13:05.800
<v Speaker 1>I know? But I do think because that's back in

0:13:05.840 --> 0:13:09.840
<v Speaker 1>the day, that's like Wolfman Jack type stuff. Yeah, the artists,

0:13:09.880 --> 0:13:11.480
<v Speaker 1>but there was also very illegal because he's to pay

0:13:11.480 --> 0:13:13.400
<v Speaker 1>the DJs to play songs and he was broadcasting out

0:13:13.400 --> 0:13:19.640
<v Speaker 1>of Mexico. So yes, very illegal. But I think that

0:13:19.679 --> 0:13:21.760
<v Speaker 1>they should just go, you know what, this is your

0:13:21.800 --> 0:13:24.960
<v Speaker 1>five hours. You program it how you see fit. So

0:13:25.000 --> 0:13:27.360
<v Speaker 1>when will that future come into play next week? I

0:13:27.360 --> 0:13:30.480
<v Speaker 1>don't know. I don't know because I don't want to.

0:13:32.200 --> 0:13:33.720
<v Speaker 1>Even if there was some kind of deal, like you

0:13:33.720 --> 0:13:35.640
<v Speaker 1>know what, you can program the music from the five

0:13:35.760 --> 0:13:38.400
<v Speaker 1>am hour because we're Central time six am Eastern. You

0:13:38.480 --> 0:13:42.839
<v Speaker 1>program the music five and six, and then you give

0:13:42.920 --> 0:13:44.760
<v Speaker 1>me seven, eight and nine to do whatever I want

0:13:45.160 --> 0:13:47.040
<v Speaker 1>little and let's do it for a year and see

0:13:47.080 --> 0:13:49.600
<v Speaker 1>what happened. Let's see which which part has you know

0:13:49.679 --> 0:13:52.360
<v Speaker 1>better ratings, although don't get me started the rating system either.

0:13:53.520 --> 0:14:02.959
<v Speaker 1>Everything's flawed. But I think that I would win after

0:14:03.120 --> 0:14:05.040
<v Speaker 1>everything's said and done and results they can't do it

0:14:05.080 --> 0:14:07.800
<v Speaker 1>on like a one month basis, but even six month

0:14:07.840 --> 0:14:12.160
<v Speaker 1>at a time, I think you would see better results

0:14:12.880 --> 0:14:15.800
<v Speaker 1>because you know what, I would play my Maria by

0:14:15.800 --> 0:14:19.440
<v Speaker 1>Brooks and done. Come on, you know, do you know

0:14:19.480 --> 0:14:22.160
<v Speaker 1>what I would play that wouldn't be where I'm jumping

0:14:22.160 --> 0:14:24.040
<v Speaker 1>all over formats. I'm not going to throw in some

0:14:24.080 --> 0:14:28.200
<v Speaker 1>biggie I could I do them the dance party, but

0:14:28.320 --> 0:14:31.800
<v Speaker 1>there would be some what they call Americana music now,

0:14:31.840 --> 0:14:34.560
<v Speaker 1>which is basically just country music. They just had to

0:14:34.600 --> 0:14:36.320
<v Speaker 1>find a different name for it because it wasn't getting

0:14:36.320 --> 0:14:37.640
<v Speaker 1>played on the radio, so they needed to create a

0:14:37.640 --> 0:14:39.520
<v Speaker 1>format for it, which I think a lot of American

0:14:39.640 --> 0:14:43.480
<v Speaker 1>is actually what you know, it's it's what traditions, what

0:14:43.520 --> 0:14:46.480
<v Speaker 1>people consider traditional country music, and there's room for everything.

0:14:47.520 --> 0:14:49.120
<v Speaker 1>But you know, there'd be a little bit of that

0:14:49.320 --> 0:14:53.400
<v Speaker 1>on there. I'd probably play some Tyler Shoulders a little more.

0:14:54.720 --> 0:14:57.600
<v Speaker 1>I probably play probably artists that can't really find a

0:14:57.680 --> 0:14:59.480
<v Speaker 1>home because there's not like a radio format. They don't

0:14:59.520 --> 0:15:02.440
<v Speaker 1>need a radi a format because they found success in

0:15:02.480 --> 0:15:06.040
<v Speaker 1>their own ways. But then I would I'd play Sam Hunt.

0:15:06.160 --> 0:15:10.400
<v Speaker 1>I love Sam Hunt. Didn't follow that up? Maybe there's

0:15:10.400 --> 0:15:12.800
<v Speaker 1>a tear in my beer. Yeah, the version with Hank

0:15:12.880 --> 0:15:17.200
<v Speaker 1>Junior and Senior. Can you play Willie too? It just depends.

0:15:17.200 --> 0:15:18.400
<v Speaker 1>But those old songs I have to tell a little

0:15:18.400 --> 0:15:21.600
<v Speaker 1>story about so the new listeners wouldn't know. Okay, we

0:15:21.640 --> 0:15:24.200
<v Speaker 1>can come up with a story and punching on Lefty sure,

0:15:24.520 --> 0:15:26.200
<v Speaker 1>and it wouldn't be all classic all the time. Maybe

0:15:26.240 --> 0:15:28.800
<v Speaker 1>one or two a day. Love it, But I just

0:15:28.840 --> 0:15:33.240
<v Speaker 1>think that's the future when music is so readily available

0:15:33.240 --> 0:15:36.360
<v Speaker 1>everywhere all the time, like you gotta do something slightly different.

0:15:37.160 --> 0:15:39.560
<v Speaker 1>So but that's old school though, that's old school where

0:15:39.680 --> 0:15:43.000
<v Speaker 1>the DJs then would pick in an essence, I'd kind

0:15:43.000 --> 0:15:45.240
<v Speaker 1>of be back to being a DJ and a personality.

0:15:45.360 --> 0:15:47.200
<v Speaker 1>But right now I hate being called a DJ. I

0:15:47.240 --> 0:15:48.920
<v Speaker 1>hate being called a DJ more than I hate being

0:15:48.920 --> 0:15:53.280
<v Speaker 1>called Bobby Jones. YEA, mark that down in your book,

0:15:53.360 --> 0:15:57.040
<v Speaker 1>write that in your journal. Got it. I will go

0:15:57.040 --> 0:15:58.840
<v Speaker 1>on some shows. I'll be like, here's here's Bobby. We're

0:15:58.800 --> 0:16:02.040
<v Speaker 1>gonna vie Bobby Jones today, and I'm like, hmm, that stinks.

0:16:02.080 --> 0:16:04.280
<v Speaker 1>But if they're like, we're gonna talk to DJ Bobby Bells,

0:16:04.720 --> 0:16:06.920
<v Speaker 1>take me here a butt out and walk off. You

0:16:07.080 --> 0:16:09.520
<v Speaker 1>ever had a double like we're gonna have on DJ

0:16:09.640 --> 0:16:16.160
<v Speaker 1>Bobby Job might explode. Yeah you know it could happen. Yeah, okay, um,

0:16:16.240 --> 0:16:18.600
<v Speaker 1>but that's what I would think that this the future

0:16:18.720 --> 0:16:22.160
<v Speaker 1>of this is, you know, on this level where we're

0:16:22.160 --> 0:16:24.560
<v Speaker 1>just playing it, it's it's all about personalities and what

0:16:24.600 --> 0:16:26.440
<v Speaker 1>did they provide to you? Not just talking, not just

0:16:26.480 --> 0:16:29.840
<v Speaker 1>compelling content. But why are they picking these songs? I

0:16:29.840 --> 0:16:34.000
<v Speaker 1>don't think anybody has it exactly right yet, but I'll

0:16:34.040 --> 0:16:35.800
<v Speaker 1>give it a try, the boss of listening. I'll take

0:16:35.800 --> 0:16:36.840
<v Speaker 1>two and a half hours. You take two and a

0:16:36.840 --> 0:16:38.600
<v Speaker 1>half hours. I'll meet you back in a year. What's

0:16:38.640 --> 0:16:44.000
<v Speaker 1>up so sending the president email? Okay? Oh yeah, Ray

0:16:44.080 --> 0:16:46.440
<v Speaker 1>was sharing he's only on number two. Oh we're still

0:16:46.440 --> 0:16:49.960
<v Speaker 1>doing yeah, but are you taking down number two? What

0:16:50.040 --> 0:16:53.280
<v Speaker 1>is number two? Email to President? I got an email

0:16:53.320 --> 0:16:55.680
<v Speaker 1>yesterday about somebody, and noise the crap out of me

0:16:55.720 --> 0:16:57.280
<v Speaker 1>when they send it my personally right, like I have

0:16:57.320 --> 0:17:00.320
<v Speaker 1>a work email, like hit me there about what they

0:17:00.360 --> 0:17:02.680
<v Speaker 1>get your personal email? I don't know. And that's what

0:17:02.800 --> 0:17:04.920
<v Speaker 1>irritates to piss out of me. You know how how

0:17:05.000 --> 0:17:07.080
<v Speaker 1>they asked someone who has it, okay, well, don't don't

0:17:07.119 --> 0:17:10.399
<v Speaker 1>give it. Artists like showing up to my house knocking

0:17:10.400 --> 0:17:12.280
<v Speaker 1>on my front door, going I'd like to play you

0:17:12.320 --> 0:17:14.679
<v Speaker 1>the CD. That'll be the last time I give them

0:17:14.840 --> 0:17:16.879
<v Speaker 1>your email. Sorry, wait, do you know who it was?

0:17:17.600 --> 0:17:18.960
<v Speaker 1>I don't want to say who exactly, but it was

0:17:18.960 --> 0:17:22.360
<v Speaker 1>a viral TikTok artist okay, and their manager was like, oh,

0:17:22.520 --> 0:17:23.959
<v Speaker 1>we need you to play And I was like, how

0:17:23.960 --> 0:17:26.560
<v Speaker 1>do you even have my email? I like foote email

0:17:26.560 --> 0:17:28.040
<v Speaker 1>addresses at the public, but how do you have like

0:17:28.040 --> 0:17:29.720
<v Speaker 1>the one where I only talked to my friends on

0:17:29.800 --> 0:17:33.480
<v Speaker 1>with Weird Weird. I think of Scoop Steve, I'll be

0:17:33.480 --> 0:17:36.320
<v Speaker 1>on I know, or it's just a really good manager.

0:17:38.000 --> 0:17:41.000
<v Speaker 1>I know it wasn't I know? It wasn't Scooba Steve

0:17:41.000 --> 0:17:43.639
<v Speaker 1>actually like my bodyguard in many places. He She'll ever

0:17:43.720 --> 0:17:46.879
<v Speaker 1>watch Succession where the main guy is like, hey, listen,

0:17:46.880 --> 0:17:48.520
<v Speaker 1>I just want to thank you guys, because I don't

0:17:48.520 --> 0:17:50.760
<v Speaker 1>even know the crap that you've keeping me out of,

0:17:51.320 --> 0:17:54.000
<v Speaker 1>Like that's what Scooba Steve. I don't even know what

0:17:54.000 --> 0:17:56.320
<v Speaker 1>the craps to Scooba Steeve keeps me out of. But

0:17:56.400 --> 0:17:57.840
<v Speaker 1>I know Scooba see to keep me out of a

0:17:57.840 --> 0:18:03.119
<v Speaker 1>lot of crap and me being just going either getting sad, angry, annoyed,

0:18:03.520 --> 0:18:06.159
<v Speaker 1>like he's always he's again, he's my fullback. He's just

0:18:06.200 --> 0:18:08.159
<v Speaker 1>blocking away. It's like I just try to come in

0:18:08.160 --> 0:18:11.280
<v Speaker 1>and do this show and sometimes there's stuff and I'm like,

0:18:11.280 --> 0:18:14.440
<v Speaker 1>oh god, dang, And I know Scubacy hates to tell

0:18:14.480 --> 0:18:18.240
<v Speaker 1>me about it. Yeah, but that's yes, I got a

0:18:18.240 --> 0:18:19.440
<v Speaker 1>few things that I want to tell you about it.

0:18:19.760 --> 0:18:24.080
<v Speaker 1>That's for another day. Um ray, what's number three? Yeah?

0:18:24.119 --> 0:18:28.360
<v Speaker 1>It was, um send food and an interesting angle like

0:18:28.440 --> 0:18:30.800
<v Speaker 1>Aaron Goodvin. How he got He just said, hey, can

0:18:30.840 --> 0:18:32.920
<v Speaker 1>I get it played during the dance party. Nobody'd ever

0:18:32.960 --> 0:18:36.000
<v Speaker 1>asked that before. And he brought Chick fil A. No,

0:18:36.160 --> 0:18:38.560
<v Speaker 1>he did that when he showed up. Yeah, the food.

0:18:38.600 --> 0:18:41.960
<v Speaker 1>I don't think he got in the studio at that point. Yeah,

0:18:41.960 --> 0:18:44.720
<v Speaker 1>but he okay, so he's already in, but he's still

0:18:45.080 --> 0:18:46.960
<v Speaker 1>But the point is how to get okay, Like he

0:18:47.000 --> 0:18:49.080
<v Speaker 1>just brought that because he got you being nice. He

0:18:49.240 --> 0:18:52.920
<v Speaker 1>did send cookies when he said that, Oh yeah with

0:18:52.960 --> 0:18:56.120
<v Speaker 1>the Yeah he did, like decorated cookies. But yeah, yeah,

0:18:56.119 --> 0:18:58.560
<v Speaker 1>he didn't. He didn't give the ask of hey will

0:18:58.560 --> 0:19:00.359
<v Speaker 1>you playing my song and add it to a play list?

0:19:00.760 --> 0:19:03.199
<v Speaker 1>He was like, just play it in that twenty seconds

0:19:03.200 --> 0:19:05.600
<v Speaker 1>you do the dance party. No one's ever done that.

0:19:06.359 --> 0:19:09.960
<v Speaker 1>And this guy, first of all, if the song suck,

0:19:10.040 --> 0:19:11.480
<v Speaker 1>it wouldn't have been played. But I would have never

0:19:11.480 --> 0:19:13.639
<v Speaker 1>even listened to it. I get so many people. I

0:19:13.640 --> 0:19:16.720
<v Speaker 1>could people leaving stuff on my car sometimes and you

0:19:16.760 --> 0:19:19.440
<v Speaker 1>could tell he's probably trot I mean, and he's he's

0:19:19.960 --> 0:19:22.479
<v Speaker 1>trying everything like a lot of artists do that. Went

0:19:22.520 --> 0:19:25.400
<v Speaker 1>they're stuff out there. Because even he was like, oh man,

0:19:25.440 --> 0:19:29.240
<v Speaker 1>this pitch actually worked, so like that's I think. I

0:19:29.240 --> 0:19:31.320
<v Speaker 1>thought it was cool to hear him say that, because

0:19:31.760 --> 0:19:34.000
<v Speaker 1>is like he's not scared to throw stuff out there.

0:19:34.000 --> 0:19:35.760
<v Speaker 1>And I'm sure he's done a lot that hasn't stuck,

0:19:35.800 --> 0:19:39.119
<v Speaker 1>but this one worked. And he went specific at this show,

0:19:39.880 --> 0:19:42.280
<v Speaker 1>like nobody else is doing a Friday morning dance party. Yeah,

0:19:42.280 --> 0:19:45.520
<v Speaker 1>there are shows now that implement other types of music

0:19:45.840 --> 0:19:48.080
<v Speaker 1>because they know that we do it and it's been

0:19:48.200 --> 0:19:53.280
<v Speaker 1>extremely successful for us, but nobody does this. And he

0:19:53.320 --> 0:19:55.879
<v Speaker 1>had to know this happens on this exact show and

0:19:55.920 --> 0:19:57.760
<v Speaker 1>then create a pitch right for it, Like he went

0:19:57.760 --> 0:20:00.960
<v Speaker 1>into the niche nailed it, loved it. Here's performance on

0:20:00.960 --> 0:20:03.240
<v Speaker 1>the show today it was, and he's really good. Had

0:20:03.320 --> 0:20:06.080
<v Speaker 1>no idea. Sometimes I will have. I don't know if

0:20:06.080 --> 0:20:08.240
<v Speaker 1>i'd meted this on the show before. If I'm on

0:20:08.280 --> 0:20:10.320
<v Speaker 1>the fence about I guess I have Mike Dego and

0:20:10.760 --> 0:20:13.640
<v Speaker 1>scour YouTube and listen to some live performances, and he'd

0:20:13.680 --> 0:20:16.040
<v Speaker 1>be like, hey, are they good? And sometimes he's like no,

0:20:16.080 --> 0:20:17.480
<v Speaker 1>and I'm like, let's not book them. Then I don't

0:20:17.480 --> 0:20:20.639
<v Speaker 1>want to be I don't want everybody to lose because

0:20:20.640 --> 0:20:23.840
<v Speaker 1>if they're not good live, I don't want them to

0:20:23.840 --> 0:20:27.520
<v Speaker 1>look bad to our audience. I don't want me to

0:20:27.560 --> 0:20:30.200
<v Speaker 1>feel embarrassed because sometimes it's it's uncomfortable for me and

0:20:30.200 --> 0:20:33.080
<v Speaker 1>I don't even want to look up. And I don't

0:20:33.160 --> 0:20:35.080
<v Speaker 1>like that. It's hard for me to watch somebody when

0:20:35.080 --> 0:20:37.919
<v Speaker 1>they're it's not that good in this room when we

0:20:37.920 --> 0:20:39.560
<v Speaker 1>get to see everybody good all the time I'm in

0:20:39.600 --> 0:20:41.960
<v Speaker 1>a bar or something great, like everybody's learning, but in

0:20:42.080 --> 0:20:46.000
<v Speaker 1>here it's tough sometimes. Who are some of those people?

0:20:46.400 --> 0:20:48.560
<v Speaker 1>I'm glad you asked. I'm made a list of seven,

0:20:49.600 --> 0:20:51.479
<v Speaker 1>but I know I'll say this. There was an artist once.

0:20:51.520 --> 0:20:53.560
<v Speaker 1>I'm not gonna say who was. I remember who came

0:20:53.600 --> 0:20:56.800
<v Speaker 1>in and was really bad, and he walked out and

0:20:56.840 --> 0:21:00.399
<v Speaker 1>we were like, oh, or she this one was a heat. No,

0:21:00.520 --> 0:21:03.320
<v Speaker 1>I know, I know who it is. And now he's

0:21:03.359 --> 0:21:08.359
<v Speaker 1>awesome and he's a star. Oh and he live is

0:21:08.440 --> 0:21:10.440
<v Speaker 1>really good. I know exactly what you were talking about.

0:21:10.680 --> 0:21:13.359
<v Speaker 1>And it was one of those instances where we should

0:21:13.359 --> 0:21:15.640
<v Speaker 1>have looked and then we would have been like no.

0:21:15.960 --> 0:21:17.400
<v Speaker 1>But if we had checked back later, he had room

0:21:17.440 --> 0:21:19.440
<v Speaker 1>to grow, and he grew and he's so good. Now

0:21:20.720 --> 0:21:23.280
<v Speaker 1>who are you talking about? Oh? You don't remember? You

0:21:23.280 --> 0:21:25.120
<v Speaker 1>and I talked about it, and then we were doing

0:21:25.160 --> 0:21:26.800
<v Speaker 1>I know, I know, and now I'm trying to think

0:21:26.800 --> 0:21:28.480
<v Speaker 1>who it is because the person I had in mind

0:21:28.800 --> 0:21:35.040
<v Speaker 1>never got better. But my point is I probably went

0:21:35.080 --> 0:21:37.320
<v Speaker 1>a little too early on this person as they were

0:21:37.359 --> 0:21:40.840
<v Speaker 1>still developing live, because he had some good recorded music

0:21:41.520 --> 0:21:44.160
<v Speaker 1>and if I would have waited, they would have come

0:21:44.160 --> 0:21:46.880
<v Speaker 1>in and they're so good. Now that's good. I mean,

0:21:46.880 --> 0:21:56.879
<v Speaker 1>they're just I've seen them perform live as well. I

0:21:56.920 --> 0:21:59.879
<v Speaker 1>don't know. I got a message about some other drama

0:22:00.200 --> 0:22:04.399
<v Speaker 1>great from an artist. Yeah, let's read it. No, no,

0:22:06.280 --> 0:22:08.359
<v Speaker 1>not yet? Can you say who then artist was? I

0:22:08.400 --> 0:22:11.159
<v Speaker 1>don't think so. I like right, I like the I

0:22:11.160 --> 0:22:12.399
<v Speaker 1>don't want to talk about how bad they were when

0:22:12.440 --> 0:22:14.240
<v Speaker 1>they first came in, and I liked them a lot too.

0:22:15.240 --> 0:22:17.280
<v Speaker 1>M A, you really think you know what it is? Oh?

0:22:17.280 --> 0:22:20.000
<v Speaker 1>I know who it is? I mean, yes, I yes,

0:22:20.600 --> 0:22:23.520
<v Speaker 1>say it Amy No, No, I'm not gonna say it

0:22:23.560 --> 0:22:26.679
<v Speaker 1>because I don't wanna. Yeah, it was a weird, really weird,

0:22:26.800 --> 0:22:29.480
<v Speaker 1>unfortunate thing. I have a friend that's friends with them.

0:22:29.720 --> 0:22:33.520
<v Speaker 1>Write it down, don't even tell lunch Bucks is passing

0:22:33.520 --> 0:22:34.760
<v Speaker 1>a piece of paper around the room to try to

0:22:34.800 --> 0:22:38.160
<v Speaker 1>get what are he's saying. You and I have hung

0:22:38.160 --> 0:22:40.520
<v Speaker 1>out with a lot of people together. But you're right, yep,

0:22:40.600 --> 0:22:44.480
<v Speaker 1>thank you, Yeah, you're right. The person is. I'm gonna

0:22:44.560 --> 0:22:47.000
<v Speaker 1>leave it there. My only point is, Mike d will

0:22:47.040 --> 0:22:50.760
<v Speaker 1>now go and look and if we're get like a

0:22:51.040 --> 0:22:53.119
<v Speaker 1>perfect example of someone, we did that too, and we're like,

0:22:53.160 --> 0:22:56.480
<v Speaker 1>we gotta bring her in on the show. Was tiera

0:22:57.040 --> 0:22:59.440
<v Speaker 1>research when I was like, I really like her music,

0:23:00.320 --> 0:23:03.719
<v Speaker 1>Mike please because she was so new and she had

0:23:03.760 --> 0:23:05.280
<v Speaker 1>him been signed to a record label yet, and I

0:23:05.280 --> 0:23:06.959
<v Speaker 1>was like, Mike, will you please go do a YouTube

0:23:06.960 --> 0:23:08.840
<v Speaker 1>dive on her? And he did. He was like, yeah,

0:23:08.880 --> 0:23:11.800
<v Speaker 1>she's she's really good. So she came in and crushed it.

0:23:12.119 --> 0:23:14.240
<v Speaker 1>And then I was so moved and how good and

0:23:14.280 --> 0:23:17.760
<v Speaker 1>how great she was to talk to, Like I had

0:23:17.760 --> 0:23:19.760
<v Speaker 1>her over at my house and we did the talk show.

0:23:19.920 --> 0:23:21.520
<v Speaker 1>I tried to hire her for Bobby Feast. She was

0:23:21.600 --> 0:23:24.600
<v Speaker 1>unlike her Bachelotte party. I think because she's getting married,

0:23:25.040 --> 0:23:27.719
<v Speaker 1>Like she's my favorite new artist is Tiera. I just

0:23:27.760 --> 0:23:32.000
<v Speaker 1>think she's the Bee's needs. But that's somebody we did

0:23:32.000 --> 0:23:35.320
<v Speaker 1>and it worked out well with. But I can tell

0:23:35.359 --> 0:23:38.200
<v Speaker 1>you off the air, you don't know. I just forgot

0:23:38.280 --> 0:23:41.600
<v Speaker 1>because I know we had that conversation recently. M Ashley

0:23:41.680 --> 0:23:44.240
<v Speaker 1>McBride is on my podcast. That's somebody who can sing

0:23:44.440 --> 0:23:48.080
<v Speaker 1>the walls off this boy. Tomorrow. We actually did the

0:23:48.200 --> 0:23:52.399
<v Speaker 1>interview yesterday. And why I said yesterday like that, I

0:23:52.440 --> 0:23:56.960
<v Speaker 1>don't know, but yesterday, yesterday, yesterday, Um, but she came

0:23:57.000 --> 0:23:58.800
<v Speaker 1>back for an hour. We don't have a lot of

0:23:58.800 --> 0:24:02.560
<v Speaker 1>experience hanging out. We just our pads have a crossed um.

0:24:04.800 --> 0:24:07.520
<v Speaker 1>But she came by and it was great. We talked

0:24:07.520 --> 0:24:09.840
<v Speaker 1>about let's have a few clips here and go subscribe

0:24:09.880 --> 0:24:12.280
<v Speaker 1>to the Bobby Cast into land right on your podcast

0:24:12.359 --> 0:24:16.080
<v Speaker 1>feed tomorrow. But this is one night standard's her song

0:24:17.080 --> 0:24:27.400
<v Speaker 1>It's Just You. She's the sixth of six kids all

0:24:27.440 --> 0:24:30.800
<v Speaker 1>played music from a really small town in Arkansas. She

0:24:30.920 --> 0:24:33.600
<v Speaker 1>also has that new duet with Carly Pierce called never

0:24:33.600 --> 0:24:37.200
<v Speaker 1>Wanted to be that girl. I Never wanted to be there.

0:24:37.480 --> 0:24:40.359
<v Speaker 1>They wrote it together and then they were like, well,

0:24:40.359 --> 0:24:42.920
<v Speaker 1>who's cutting first? Then Carly cut it first because her

0:24:43.080 --> 0:24:45.679
<v Speaker 1>she was cutting music first. But she talked about her

0:24:45.720 --> 0:24:48.080
<v Speaker 1>first instrument and she loved music so much, but her

0:24:48.200 --> 0:24:50.520
<v Speaker 1>hands aren't big enough for a guitar, and her dad

0:24:50.520 --> 0:24:53.400
<v Speaker 1>played people play music in her family, so she had

0:24:53.400 --> 0:24:57.320
<v Speaker 1>to get a small guitar akaa mandolin to learn that. Well,

0:24:57.359 --> 0:24:59.200
<v Speaker 1>they wouldn't let me play guitar at first because I

0:24:59.240 --> 0:25:01.560
<v Speaker 1>was too small to hold it safely, so they let

0:25:01.560 --> 0:25:04.120
<v Speaker 1>me bang on a mandolin. I remember I was probably

0:25:04.160 --> 0:25:07.000
<v Speaker 1>in kindergartener first, right going outside of the driveway and

0:25:07.080 --> 0:25:09.080
<v Speaker 1>rubbing my fingers on the concrete because I thought that

0:25:09.080 --> 0:25:11.080
<v Speaker 1>would help me get callus's. I was tired of my

0:25:11.119 --> 0:25:14.000
<v Speaker 1>fingers being sore. But it did teach my right hand

0:25:14.400 --> 0:25:17.119
<v Speaker 1>a lot about rhythm and making it hit the strings

0:25:17.160 --> 0:25:19.640
<v Speaker 1>I wanted to hit, so I didn't have to struggle

0:25:19.920 --> 0:25:22.760
<v Speaker 1>when it came to guitar with how do I strum?

0:25:22.760 --> 0:25:24.320
<v Speaker 1>And what are the patterns? So I think that that

0:25:24.400 --> 0:25:27.280
<v Speaker 1>was probably beneficial, but I was just terrible. It's really

0:25:27.320 --> 0:25:28.639
<v Speaker 1>cool to hear a story too about when she was

0:25:28.640 --> 0:25:30.400
<v Speaker 1>in college and want a professor said, and I was like, well,

0:25:30.400 --> 0:25:32.320
<v Speaker 1>that's weird he said that, but he kind of kicked

0:25:32.359 --> 0:25:33.400
<v Speaker 1>her on the button. It was like, het to quit

0:25:33.440 --> 0:25:37.399
<v Speaker 1>school to pursue music. He's quit school. It's it's a

0:25:37.400 --> 0:25:40.199
<v Speaker 1>great it's a great story. Yeah, so check that out.

0:25:40.240 --> 0:25:44.439
<v Speaker 1>That's tomorrow on the Bobby Cast. Anything else that I

0:25:44.480 --> 0:25:46.080
<v Speaker 1>need to do? Did we get to raise number one?

0:25:46.200 --> 0:25:49.159
<v Speaker 1>I don't know, Ray, what's number one? Um? There's a

0:25:49.240 --> 0:25:54.200
<v Speaker 1>thing called oh boy, I SRC code and it costs money,

0:25:54.200 --> 0:25:57.399
<v Speaker 1>but that's how radio stations download the best quality for free.

0:25:57.960 --> 0:26:02.400
<v Speaker 1>I s RC code, asked or google it. I don't understand.

0:26:02.480 --> 0:26:04.760
<v Speaker 1>I fell asleep. I understand what that means. All the

0:26:04.760 --> 0:26:06.960
<v Speaker 1>songs we play on our show during it have an

0:26:06.960 --> 0:26:10.359
<v Speaker 1>I system, yeah, and you have to upload it into

0:26:10.359 --> 0:26:12.920
<v Speaker 1>the system. So if you're a new artist, you do

0:26:14.000 --> 0:26:16.840
<v Speaker 1>like I mean, for example, Aaron Goodvin, he had an

0:26:16.840 --> 0:26:19.200
<v Speaker 1>IRC coat, so I just went there download it. Boom

0:26:19.200 --> 0:26:21.080
<v Speaker 1>we played on the show the next day. So it's

0:26:21.080 --> 0:26:23.080
<v Speaker 1>easy because raised the one you know, getting the music,

0:26:23.119 --> 0:26:24.959
<v Speaker 1>putting it in. So it's like, oh, if you make

0:26:25.000 --> 0:26:28.040
<v Speaker 1>it easy on people and its quality is up there,

0:26:28.160 --> 0:26:30.000
<v Speaker 1>right Yeah, well, I mean I think that's how it

0:26:30.040 --> 0:26:32.040
<v Speaker 1>makes it legit, right, was taking credit for a new

0:26:32.119 --> 0:26:35.480
<v Speaker 1>artist the other day, fishing on a boat or something,

0:26:35.600 --> 0:26:38.080
<v Speaker 1>my boy Eric Eric Dodd No, no no, no, no no, no.

0:26:39.400 --> 0:26:44.120
<v Speaker 1>L L. Shane. Yes. So on TikTok I posted even

0:26:44.200 --> 0:26:46.840
<v Speaker 1>Christmas Time almost a year ago. It was me and

0:26:46.880 --> 0:26:49.000
<v Speaker 1>my cat because I'm the stepfather to my cat and

0:26:49.040 --> 0:26:52.720
<v Speaker 1>the song almost is about the animal to person not

0:26:52.840 --> 0:26:54.800
<v Speaker 1>being your blood. And I was saying, my cat is

0:26:54.840 --> 0:26:57.679
<v Speaker 1>my stepson. He's not my son, but I still treat him.

0:26:57.720 --> 0:26:59.920
<v Speaker 1>I wasn't there for the first steps, but he's still

0:27:00.080 --> 0:27:01.760
<v Speaker 1>my boy. And so I was like, I did that

0:27:01.800 --> 0:27:04.199
<v Speaker 1>thing on TikTok. I believe other radio people saw it,

0:27:04.200 --> 0:27:06.400
<v Speaker 1>and that's why it's now trending to be a number

0:27:06.400 --> 0:27:09.680
<v Speaker 1>one song because my TikTok a year ago, that's sad work.

0:27:09.720 --> 0:27:11.680
<v Speaker 1>I think you're giving yourself a little too much influenced there.

0:27:11.800 --> 0:27:13.080
<v Speaker 1>I was just throwing it out there to see if

0:27:13.080 --> 0:27:15.800
<v Speaker 1>anybody agreed. Saw the TikTok. I will say that when

0:27:15.840 --> 0:27:18.159
<v Speaker 1>he Ray posted it, Muskos and was like, look at

0:27:18.240 --> 0:27:20.879
<v Speaker 1>Ray being way ahead of things. This was last Christmas.

0:27:21.200 --> 0:27:23.760
<v Speaker 1>I had that thought, Well, didn't you also take credit

0:27:23.800 --> 0:27:27.920
<v Speaker 1>for Parker McCollum. Yes, that was a fishing boat thing

0:27:27.960 --> 0:27:29.679
<v Speaker 1>in the Gulf. And my buddy said, there's a guy

0:27:29.720 --> 0:27:32.360
<v Speaker 1>named Parker McCollum. If you play his song, it'll help

0:27:32.400 --> 0:27:34.240
<v Speaker 1>out with the business deal. It'll make it seem like

0:27:34.280 --> 0:27:36.800
<v Speaker 1>I have PA And we actually never even did the bit,

0:27:36.920 --> 0:27:38.880
<v Speaker 1>but I kind of talked about it a little bit.

0:27:39.000 --> 0:27:41.240
<v Speaker 1>But you never even mentioned him, did you. I wanted to,

0:27:41.320 --> 0:27:44.080
<v Speaker 1>but yeah, never did. That's my point. Yeah, so you

0:27:44.080 --> 0:27:46.639
<v Speaker 1>can't take credits and nothing ever. But I have the

0:27:46.720 --> 0:27:50.680
<v Speaker 1>notes of when I proposed it, like four or five

0:27:50.760 --> 0:27:53.639
<v Speaker 1>years ago, before Parker McCollum was even a breath, and

0:27:53.720 --> 0:27:56.160
<v Speaker 1>I mean now he's massive, he's huge. But I mean

0:27:56.280 --> 0:27:58.200
<v Speaker 1>I have all the documentation that shows that I was.

0:27:58.280 --> 0:28:00.600
<v Speaker 1>How does that have any effect on it? That didn't

0:28:00.600 --> 0:28:03.000
<v Speaker 1>have a fact, but it shows, Hey, I sometimes have

0:28:03.119 --> 0:28:05.600
<v Speaker 1>some good insight on artists. So next time he has

0:28:05.640 --> 0:28:07.320
<v Speaker 1>something like this, we should listen to him as what

0:28:07.400 --> 0:28:09.400
<v Speaker 1>I bring a new artists. All the time, and he's like, listen,

0:28:09.400 --> 0:28:10.960
<v Speaker 1>if you can play this, my carpets can clean for

0:28:11.000 --> 0:28:13.640
<v Speaker 1>half off. And I'm like, what are you talking about? No,

0:28:14.320 --> 0:28:17.320
<v Speaker 1>so listen hey, Like I say, a broken clock is

0:28:17.400 --> 0:28:23.320
<v Speaker 1>right twice a day. But good job. Where's the cat's dad? Am?

0:28:23.320 --> 0:28:26.080
<v Speaker 1>I A? No? If he went around? Hey, he went

0:28:26.119 --> 0:28:31.120
<v Speaker 1>to buy pack sets, never came back. You stepped in, though, Ray,

0:28:31.359 --> 0:28:33.320
<v Speaker 1>I know, yeah, I didn't see his first steps, but

0:28:33.359 --> 0:28:42.440
<v Speaker 1>he's still my boy. I love him the same. Old

0:28:42.520 --> 0:28:47.680
<v Speaker 1>is your step son? Like fourteen doesn't fourteen? I tried

0:28:47.680 --> 0:28:50.720
<v Speaker 1>to see because I want to raise cat Pablo and

0:28:50.800 --> 0:28:53.000
<v Speaker 1>my cat Maggie to get together for a play date.

0:28:53.080 --> 0:28:56.280
<v Speaker 1>But apparently Pablo has gotten grumpy in old age. Yes,

0:28:57.760 --> 0:29:00.560
<v Speaker 1>he has dementia, so yes, oh we die. Yeah, he

0:29:00.640 --> 0:29:02.320
<v Speaker 1>started mewing and we looked it up and that means

0:29:02.360 --> 0:29:03.800
<v Speaker 1>that your cat's starting to go a little bit, but

0:29:03.960 --> 0:29:11.280
<v Speaker 1>or that it's a cato. We googled it to Danny.

0:29:11.360 --> 0:29:14.400
<v Speaker 1>Thing's purring, it's on its last breath. No, normally that

0:29:14.480 --> 0:29:21.960
<v Speaker 1>means mine wants water. He ate his dog food. Oh okay,

0:29:22.600 --> 0:29:24.680
<v Speaker 1>I was rating in the who writes the descriptions for

0:29:24.680 --> 0:29:27.480
<v Speaker 1>the post show? You do? I was reading the description

0:29:27.520 --> 0:29:28.600
<v Speaker 1>of the post show. I was laughing, do you write

0:29:28.600 --> 0:29:31.120
<v Speaker 1>the scriptions of everything? Oh? You do? I was the

0:29:31.120 --> 0:29:33.400
<v Speaker 1>post show. I was like, Bobby describes his vagina bone,

0:29:33.560 --> 0:29:35.560
<v Speaker 1>and I read the whole description. I was laughing out loud.

0:29:35.840 --> 0:29:38.440
<v Speaker 1>This show might be better than the real show. Sometimes

0:29:38.440 --> 0:29:41.040
<v Speaker 1>it squirts off into places where we're like, it's ridiculous

0:29:41.000 --> 0:29:42.400
<v Speaker 1>and there's no need for us to talk about it.

0:29:42.600 --> 0:29:44.200
<v Speaker 1>But we can be a bit more experimental in this

0:29:44.200 --> 0:29:46.440
<v Speaker 1>show to find out what works. But I think pound

0:29:46.440 --> 0:29:49.120
<v Speaker 1>for pound, there are more lols in this show than

0:29:49.200 --> 0:29:51.480
<v Speaker 1>there are in the other show because we just are free.

0:29:51.480 --> 0:29:53.440
<v Speaker 1>I'm looking the clock going, I gotta hit a quarter hour.

0:29:53.600 --> 0:29:58.560
<v Speaker 1>I gotta, you know, do a benchmark those type things.

0:30:00.320 --> 0:30:02.280
<v Speaker 1>All right, that's it. That's it. That's all you Got's

0:30:02.320 --> 0:30:04.440
<v Speaker 1>wrap it up. I got it. Look at this packet here?

0:30:04.960 --> 0:30:08.560
<v Speaker 1>You see this? Yeah? Is that all commercials? After? It

0:30:08.600 --> 0:30:12.200
<v Speaker 1>looks like munday? Why is that on white? Parshould be

0:30:12.200 --> 0:30:17.800
<v Speaker 1>on green? So it's I don't look, here's the thing.

0:30:17.960 --> 0:30:20.160
<v Speaker 1>Not really, No, I don't get paid for everybody all

0:30:20.240 --> 0:30:23.040
<v Speaker 1>these No, So no, it's not like I read one.

0:30:23.120 --> 0:30:24.880
<v Speaker 1>It's different from you guys. That's that's not how my

0:30:24.960 --> 0:30:27.640
<v Speaker 1>deal works, okay. And then secondly, have this big packet here,

0:30:28.160 --> 0:30:32.840
<v Speaker 1>Margarine that looks like a lawsuit. What is that subpoena?

0:30:33.000 --> 0:30:35.080
<v Speaker 1>That doesn't look good. It's the countdown for this weekend,

0:30:35.280 --> 0:30:39.160
<v Speaker 1>got it? And so I gotta do that. Um, that's it,

0:30:39.480 --> 0:30:44.280
<v Speaker 1>you guys, look at the top of the countdown. Okay,

0:30:44.520 --> 0:30:49.440
<v Speaker 1>it's it's that. We gotta go. You guys, have a

0:30:49.480 --> 0:30:51.720
<v Speaker 1>great day. Uh see you tomorrow. Buy Friends.