1 00:00:01,200 --> 00:00:05,520 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:06,000 --> 00:00:15,520 Speaker 1: Bobby Bone. I was reading a story about long movies 3 00:00:15,560 --> 00:00:17,919 Speaker 1: that are worth their run time, and if you know me, 4 00:00:17,960 --> 00:00:21,000 Speaker 1: you know I hate a long movie, disgusted by it. 5 00:00:21,560 --> 00:00:23,239 Speaker 1: When I see a movie over an hour and forty 6 00:00:23,239 --> 00:00:26,480 Speaker 1: five minutes, I have to start debating, okay, this is 7 00:00:26,560 --> 00:00:28,440 Speaker 1: even worth it. I start to go. I start to 8 00:00:28,440 --> 00:00:29,960 Speaker 1: think of the reasons I shouldn't watch the movie if 9 00:00:29,960 --> 00:00:31,960 Speaker 1: it's over one five And most of them now are 10 00:00:31,960 --> 00:00:33,519 Speaker 1: over two hours, like they feel the need to just 11 00:00:34,400 --> 00:00:36,040 Speaker 1: put in scenes that we don't give a crap about, 12 00:00:36,440 --> 00:00:40,800 Speaker 1: like let's turn it down. And so I have and 13 00:00:40,840 --> 00:00:42,800 Speaker 1: they have twenty. I'm not gonna go through all of them. 14 00:00:42,840 --> 00:00:45,920 Speaker 1: But long movies that are mostly close to three hours, 15 00:00:45,920 --> 00:00:48,680 Speaker 1: they say are worth the watch. Can you guys think 16 00:00:48,680 --> 00:00:51,200 Speaker 1: of a long movie that's good. I can shoshack Redemption, 17 00:00:51,200 --> 00:00:53,440 Speaker 1: that's it. Those are the two No no no, no, Titanic, Braveheart, 18 00:00:53,960 --> 00:00:59,000 Speaker 1: I don't Braveheart overrated. Over Braveheart overrated. I thought it 19 00:00:59,040 --> 00:01:01,640 Speaker 1: was good, Maybe you need to watch it again. I 20 00:01:01,680 --> 00:01:05,319 Speaker 1: thought it was good. I thought it was that was good. 21 00:01:06,319 --> 00:01:07,679 Speaker 1: I didn't think it was like one of the Greatest 22 00:01:07,680 --> 00:01:09,480 Speaker 1: of all time and Titanic. You don't think it's not 23 00:01:09,520 --> 00:01:12,319 Speaker 1: worth the three hours with my buddy Scotty, Yeah, nineteen 24 00:01:12,400 --> 00:01:16,039 Speaker 1: ninety seven. It's different my buddy Scotty. Maybe just don't 25 00:01:16,040 --> 00:01:18,560 Speaker 1: have a good feeling about it in general. Top ten 26 00:01:20,040 --> 00:01:22,959 Speaker 1: The Leopard nineteen sixty three, two hours and forty one minutes, 27 00:01:23,040 --> 00:01:27,440 Speaker 1: No Idea, Boyhood, which was interesting, twenty fourteen. I don't 28 00:01:27,480 --> 00:01:29,640 Speaker 1: think it's worth the link. But they shot it over 29 00:01:29,760 --> 00:01:32,120 Speaker 1: like ten years, right, yes, because he had to get older, 30 00:01:32,360 --> 00:01:34,240 Speaker 1: the boy, so they literally shot a little bit of 31 00:01:34,240 --> 00:01:36,759 Speaker 1: this movie over. It may not be ten years exactly, 32 00:01:36,800 --> 00:01:40,560 Speaker 1: but it's something around there. Yeah, how many twelve years? 33 00:01:40,560 --> 00:01:43,759 Speaker 1: Maybe they shot this movie really cool, a little long. 34 00:01:44,560 --> 00:01:46,200 Speaker 1: I'm fine with watching some of those when they show 35 00:01:46,240 --> 00:01:49,360 Speaker 1: like the sun come up and it's like the super 36 00:01:49,440 --> 00:01:53,120 Speaker 1: Qui laps do that with the kid him in the room. 37 00:01:53,680 --> 00:01:55,880 Speaker 1: Time laps say it was half an hour on that thing. 38 00:01:56,160 --> 00:01:59,960 Speaker 1: Pretty good movie though, but really interesting concept. Hoop dreams. 39 00:02:00,760 --> 00:02:05,760 Speaker 1: I don't let's see the Lagan once up my time India, 40 00:02:05,800 --> 00:02:08,400 Speaker 1: don't no idea. It's a mad, bad mad World nineteen 41 00:02:08,480 --> 00:02:11,120 Speaker 1: sixty three, No Idea. A Touch of Zin no Idea, 42 00:02:11,320 --> 00:02:14,799 Speaker 1: Titanic comes in at number four, three hours in fourteen minutes. 43 00:02:14,919 --> 00:02:16,760 Speaker 1: Totally worth it. They should have broken up in two 44 00:02:16,800 --> 00:02:19,200 Speaker 1: movies because you want to know if they're gonna make 45 00:02:19,240 --> 00:02:23,000 Speaker 1: it or not, because some people did. By the way, Titanic, 46 00:02:23,200 --> 00:02:28,000 Speaker 1: everybody didn't die, right, there were survivors Malcolm X in 47 00:02:28,120 --> 00:02:30,680 Speaker 1: nineteen ninety two three hours and twenty minutes and Hamlet 48 00:02:30,680 --> 00:02:33,600 Speaker 1: in nineteen ninety six four hours and two. Oh, no, 49 00:02:33,680 --> 00:02:38,880 Speaker 1: way remember that one Hamlet in ninety six. No, the 50 00:02:39,000 --> 00:02:42,480 Speaker 1: Godfather makes it over three hours. Did you watch The 51 00:02:42,520 --> 00:02:45,040 Speaker 1: Godfather's Morgan? Was that one of those sets you watched? Yeah? 52 00:02:45,040 --> 00:02:46,800 Speaker 1: I did you? Remember? You guys made me watch it. 53 00:02:47,960 --> 00:02:50,840 Speaker 1: I did not apologize. Now I feel bad about it. Yeah, 54 00:02:50,840 --> 00:02:52,840 Speaker 1: am I bad? You sent me in as the Canary 55 00:02:52,880 --> 00:02:54,720 Speaker 1: and I did not like them. I think you were 56 00:02:54,720 --> 00:02:56,919 Speaker 1: watching a lot of movies anyway. Yeah. No, like I've 57 00:02:56,919 --> 00:03:00,239 Speaker 1: been to watch movies hardcore, but yeah, Godfather, it was 58 00:03:00,360 --> 00:03:02,600 Speaker 1: not good. Lord of the Rings, Return of the King. 59 00:03:04,320 --> 00:03:06,040 Speaker 1: I watched the Lord of the Rings movie and it's 60 00:03:06,160 --> 00:03:08,560 Speaker 1: the same fashion. It was Christmas and I was alone, 61 00:03:08,560 --> 00:03:10,040 Speaker 1: and I'm like, I'm gonna see if these are worth 62 00:03:10,240 --> 00:03:12,880 Speaker 1: what everybody says and I watched every Lord of the 63 00:03:12,919 --> 00:03:16,960 Speaker 1: Rings movie and I thought, yeah, and that is not 64 00:03:17,000 --> 00:03:20,480 Speaker 1: a popular thing to say. I like Game of Thrones, 65 00:03:20,600 --> 00:03:23,640 Speaker 1: so I'm not anti what Lord of the Rings was about. 66 00:03:24,600 --> 00:03:27,760 Speaker 1: But I was like the first one, they finished it 67 00:03:27,760 --> 00:03:31,919 Speaker 1: and there wasn't even an ending. They're just walking because 68 00:03:31,960 --> 00:03:34,320 Speaker 1: they knew they're gonna make another one. I knew there. 69 00:03:34,440 --> 00:03:37,080 Speaker 1: Imagine we're gonna make a bunch. Yeah, Mike Deed your 70 00:03:37,200 --> 00:03:39,120 Speaker 1: movie guy. Did you like Lord of the Rings. No, 71 00:03:39,240 --> 00:03:42,720 Speaker 1: I think they're overrated. Nice. Well, if everybody hates them, 72 00:03:42,760 --> 00:03:45,440 Speaker 1: they're not overrated anymore. Slowly getting back to rated normally. 73 00:03:46,400 --> 00:03:48,600 Speaker 1: The Avenger's Endgame was three hours in one minute. That 74 00:03:48,680 --> 00:03:51,400 Speaker 1: was worth it so good. I liked it, but I 75 00:03:51,480 --> 00:03:53,560 Speaker 1: remember leaving going I was a little long, really, yeah, 76 00:03:53,800 --> 00:03:57,920 Speaker 1: a little long there. I think that's it that I 77 00:03:57,960 --> 00:04:01,680 Speaker 1: would know, Mike. Did you watch The Five Bloods on Netflix? Yeah? 78 00:04:01,720 --> 00:04:04,760 Speaker 1: That was pretty good. It's three hours long. Yeah, Kadrick 79 00:04:04,840 --> 00:04:09,240 Speaker 1: Boseman um The Irishman, it was really long. Seen. It 80 00:04:09,280 --> 00:04:11,440 Speaker 1: was pretty good. No, it wasn't. It was like that 81 00:04:11,600 --> 00:04:15,760 Speaker 1: they got older, right, yeah, like de Niro and they 82 00:04:15,760 --> 00:04:17,599 Speaker 1: talked about their gang days back in the day, and 83 00:04:17,600 --> 00:04:21,719 Speaker 1: they were old men used that daging effect. Yeah, younger yeah, yeah, yeah, yeah, 84 00:04:21,720 --> 00:04:24,159 Speaker 1: can I remember that? I thought that was pretty good. Yeah, 85 00:04:24,200 --> 00:04:26,640 Speaker 1: and I think I watched it in two parts. Yeah, 86 00:04:26,880 --> 00:04:28,920 Speaker 1: break it up to watch it. It's the TV shows 87 00:04:28,960 --> 00:04:30,919 Speaker 1: now are the lengths of movies what movies should be. 88 00:04:30,960 --> 00:04:33,760 Speaker 1: Sometimes wherever, it just seems like in the good old days, 89 00:04:33,760 --> 00:04:35,280 Speaker 1: you'd go into the movie an hour and fifteen minutes 90 00:04:35,279 --> 00:04:37,920 Speaker 1: and you'd go home. But I don't know though, because 91 00:04:37,960 --> 00:04:40,520 Speaker 1: Gone and Gone with the Wind is like really long too. Yeah, 92 00:04:40,600 --> 00:04:43,000 Speaker 1: but they just they just figured out cameras then, dude, 93 00:04:43,000 --> 00:04:47,080 Speaker 1: they were just milking it. They just left it on. Sometimes. 94 00:04:47,120 --> 00:04:49,760 Speaker 1: This is awesome. Yeah, Lunchbox thinks I need it. When 95 00:04:49,760 --> 00:04:51,919 Speaker 1: we go to Vegas this weekend. His idea for me 96 00:04:52,040 --> 00:04:54,800 Speaker 1: is to gamble a lot to show off in front 97 00:04:54,800 --> 00:04:57,479 Speaker 1: of Caitlin. Yeah you want to if you want to 98 00:04:57,520 --> 00:05:00,400 Speaker 1: get her like wow, wide eyed and really good turned 99 00:05:00,440 --> 00:05:04,760 Speaker 1: on and everything. No, no no, no, guys. If he pulls 100 00:05:04,800 --> 00:05:07,320 Speaker 1: out those money, throws it on the crafts table and 101 00:05:07,360 --> 00:05:10,159 Speaker 1: he grabs those dice and he starts whoo and he 102 00:05:10,240 --> 00:05:12,599 Speaker 1: throws those dice, you are going to see her light 103 00:05:12,680 --> 00:05:16,000 Speaker 1: up like a Christmas tree and it is gonna be like, Wow, 104 00:05:16,120 --> 00:05:19,000 Speaker 1: that's my man, and trust me good times in Vegas. 105 00:05:19,120 --> 00:05:21,600 Speaker 1: I don't think that now that we're married, it's gonna 106 00:05:21,600 --> 00:05:23,839 Speaker 1: be like, why are you wasting her money. I don't 107 00:05:23,839 --> 00:05:25,320 Speaker 1: even think she'll be like that. I think she'll be like, okay, 108 00:05:25,360 --> 00:05:27,039 Speaker 1: just let me know when you're done. Yeah, I'll be 109 00:05:27,040 --> 00:05:29,599 Speaker 1: at the room. No. No. If you go to a 110 00:05:29,640 --> 00:05:32,039 Speaker 1: craps table, you got the guy standing there and the 111 00:05:32,080 --> 00:05:34,080 Speaker 1: woman is usually there on his arm, just like, oh 112 00:05:34,120 --> 00:05:38,080 Speaker 1: my gosh, so cool. I'm just telling you, if you 113 00:05:38,120 --> 00:05:40,760 Speaker 1: want her to be impressed, throw some bucks down on 114 00:05:40,800 --> 00:05:43,360 Speaker 1: the gamble in this weekend. But I don't think that's 115 00:05:43,400 --> 00:05:45,640 Speaker 1: true because if I lose money, she could be like, hey, 116 00:05:45,680 --> 00:05:47,880 Speaker 1: you know we could have done with that. Yeah exactly. 117 00:05:48,000 --> 00:05:50,560 Speaker 1: But because you look so powerful with those dice in 118 00:05:50,600 --> 00:05:52,760 Speaker 1: your hands when you're at the craps table and you 119 00:05:52,800 --> 00:05:55,080 Speaker 1: are in control of all that money on the table, 120 00:05:55,640 --> 00:05:58,640 Speaker 1: that is power. Everyone gets a turn, though, I understand, 121 00:05:58,680 --> 00:06:02,880 Speaker 1: but she looks at you special. Okay, But the thing is, 122 00:06:04,240 --> 00:06:06,359 Speaker 1: do a case study. Here's what I think early in 123 00:06:06,400 --> 00:06:08,760 Speaker 1: a dating relationship, that could be kind of a fun 124 00:06:08,839 --> 00:06:12,320 Speaker 1: little baller move. If you're tossing chips being good at something. 125 00:06:13,360 --> 00:06:17,159 Speaker 1: He's like, oh wow, it could be you're in Vegas. Hey, 126 00:06:17,240 --> 00:06:20,000 Speaker 1: let's go. You got a few hundred bucks down there? 127 00:06:20,000 --> 00:06:24,279 Speaker 1: Oh splash, splash seven twenty two good hood. I don't know. 128 00:06:24,320 --> 00:06:28,800 Speaker 1: You call them football plays out there? I have no idea. Right, 129 00:06:29,920 --> 00:06:32,280 Speaker 1: it could back fire, it could because but then you 130 00:06:32,360 --> 00:06:35,159 Speaker 1: just drop. Do you want to be with that girl though? 131 00:06:35,200 --> 00:06:37,719 Speaker 1: If she like her grip gets tighter when you're winning, 132 00:06:37,720 --> 00:06:41,039 Speaker 1: but then when you're losing, if you don't want that. 133 00:06:41,920 --> 00:06:43,800 Speaker 1: I do see though, where she would think it was 134 00:06:43,839 --> 00:06:45,839 Speaker 1: fun that you know how to play really well, not winning, 135 00:06:46,240 --> 00:06:47,880 Speaker 1: but if you're like, if you're like, let me get 136 00:06:47,920 --> 00:06:50,320 Speaker 1: twelve on the six, twelve on the eight, let me 137 00:06:50,360 --> 00:06:55,720 Speaker 1: get impressive. Yes, it's absolutely with the wife. I just 138 00:06:55,760 --> 00:06:57,720 Speaker 1: don't think that's a thing. Has she ever seen you 139 00:06:57,760 --> 00:07:00,600 Speaker 1: do it before? No, I don't really do it much. 140 00:07:00,600 --> 00:07:03,400 Speaker 1: And that's what I mean, think about it. You definitely 141 00:07:03,480 --> 00:07:06,840 Speaker 1: haven't been to Vegas with her before. Exactly, Guys. I'm 142 00:07:06,920 --> 00:07:12,240 Speaker 1: telling you, I'm telling maybe trying welcome guys. I'm telling 143 00:07:12,240 --> 00:07:15,680 Speaker 1: you I'll help you with the ladies. Okay, this is 144 00:07:15,720 --> 00:07:19,320 Speaker 1: his wife you're talking about, and I don't need help right, like, 145 00:07:19,360 --> 00:07:22,720 Speaker 1: I'm all good, yea um, but we are. I don't 146 00:07:22,720 --> 00:07:27,000 Speaker 1: know that I'm even gonna gambles without gambling. This is 147 00:07:27,040 --> 00:07:28,520 Speaker 1: what This is the kind of talk she doesn't want 148 00:07:28,520 --> 00:07:31,200 Speaker 1: to hear. But I'll tell you this. We had to 149 00:07:31,240 --> 00:07:35,280 Speaker 1: get uh COVID tested. Yeah, I got my result yesterday. 150 00:07:35,320 --> 00:07:37,640 Speaker 1: We did a wrap upload into an app. You know, 151 00:07:37,680 --> 00:07:41,800 Speaker 1: everything is super COVID controlled and if you work for 152 00:07:41,840 --> 00:07:43,640 Speaker 1: the company, you had to be vaccinated. Then you got 153 00:07:43,640 --> 00:07:45,760 Speaker 1: to COVID test as well. Because there are breakthrough cases. 154 00:07:45,800 --> 00:07:48,680 Speaker 1: And I went to the Arkansas game on Saturday. If 155 00:07:48,680 --> 00:07:50,880 Speaker 1: there was a chance that I was going to get COVID, 156 00:07:51,720 --> 00:07:55,239 Speaker 1: it was there no doubt about it. I'm talking about 157 00:07:56,120 --> 00:08:00,160 Speaker 1: there's no rule. Elevators were fifteen deep. Like now, I 158 00:08:00,240 --> 00:08:01,640 Speaker 1: understand when I go to a situation like that and 159 00:08:01,640 --> 00:08:03,960 Speaker 1: people want to take pictures and stuff, it's that, That's 160 00:08:04,000 --> 00:08:05,640 Speaker 1: what it is. And if people are like putting their 161 00:08:05,720 --> 00:08:09,200 Speaker 1: arms just spitting on me. If I was going to 162 00:08:09,240 --> 00:08:11,280 Speaker 1: get COVID, and I don't want to jinx myself and 163 00:08:11,320 --> 00:08:13,480 Speaker 1: get it in Vegas, but I just think I would 164 00:08:13,480 --> 00:08:16,960 Speaker 1: have got it then and I didn't. Now I kind 165 00:08:16,960 --> 00:08:18,880 Speaker 1: of feel like iron Man. I'll be honest with you. Yeah, 166 00:08:19,880 --> 00:08:21,600 Speaker 1: because I have a couple of friends who had them, 167 00:08:21,720 --> 00:08:24,120 Speaker 1: who was vaccinated and still got it, had very light symptoms, 168 00:08:24,280 --> 00:08:26,680 Speaker 1: but they were like I got like a no thing. 169 00:08:27,160 --> 00:08:28,680 Speaker 1: They got like a little short throat and went away 170 00:08:28,720 --> 00:08:30,040 Speaker 1: the next day and they got tested and they're like, 171 00:08:30,160 --> 00:08:32,959 Speaker 1: I have COVID. Didn't lose their smell or taste. You know. 172 00:08:33,000 --> 00:08:36,200 Speaker 1: It seems like the vaccinated folks are getting much lighter 173 00:08:36,240 --> 00:08:39,000 Speaker 1: if they get it. But we got tested it. We 174 00:08:39,000 --> 00:08:42,560 Speaker 1: were in the game Saturday, Sunday, Monday, Tuesday, yesterday was Wednesday. 175 00:08:42,679 --> 00:08:44,440 Speaker 1: We should have had it by then. That's there's enough 176 00:08:44,480 --> 00:08:48,240 Speaker 1: incubation time for that to and went was negative. And 177 00:08:48,800 --> 00:08:53,280 Speaker 1: we were medical miracles, kayling gos Fauty shit study, but 178 00:08:53,400 --> 00:08:55,880 Speaker 1: we don't. We're good, like we're good. We don't have it. 179 00:08:55,920 --> 00:08:58,079 Speaker 1: So now I feel kind of a little more comfortable 180 00:08:58,080 --> 00:09:00,360 Speaker 1: to even going to gamble in Vegas. If we do 181 00:09:00,480 --> 00:09:02,880 Speaker 1: decide to gamble, Do you have to wear a mask 182 00:09:02,920 --> 00:09:04,800 Speaker 1: in the casino? You don't have to, It's up to you. 183 00:09:06,000 --> 00:09:08,080 Speaker 1: Maybe they've changed it. I went back in July and 184 00:09:08,120 --> 00:09:11,240 Speaker 1: it was it was. It says the CDC recommends you 185 00:09:11,280 --> 00:09:13,920 Speaker 1: wear a mask inside it's up to you, and what 186 00:09:14,000 --> 00:09:17,920 Speaker 1: do I need one? Oh? Yeah, right, iron right, now 187 00:09:18,000 --> 00:09:21,920 Speaker 1: watch me get it in. Um. But yeah, we were 188 00:09:22,000 --> 00:09:24,000 Speaker 1: worried yesterday, not because we had any symptom, but because 189 00:09:24,000 --> 00:09:25,440 Speaker 1: if we had it, we probably were going to get 190 00:09:25,440 --> 00:09:28,840 Speaker 1: it from that experience. Um, but it was worth it. 191 00:09:28,840 --> 00:09:31,320 Speaker 1: It's what I mean. If you would have told me, oh, 192 00:09:31,360 --> 00:09:33,959 Speaker 1: don't get me started, I've been I've done more interviews 193 00:09:33,960 --> 00:09:35,480 Speaker 1: this week about that game than I have for any 194 00:09:35,480 --> 00:09:37,720 Speaker 1: project I've ever had coming out. People are like, hey, 195 00:09:37,720 --> 00:09:39,199 Speaker 1: we come on the show and talk about that game, 196 00:09:39,480 --> 00:09:41,000 Speaker 1: and so every day about a couple of interviews, but 197 00:09:41,000 --> 00:09:44,520 Speaker 1: they've been interviewed me about that game. Um. Raymond has 198 00:09:44,559 --> 00:09:47,040 Speaker 1: some radio hacks. If you're an artist listening to this 199 00:09:47,080 --> 00:09:48,920 Speaker 1: to get your song actually played on the air, you 200 00:09:49,480 --> 00:09:51,719 Speaker 1: so you've been watching house doelling how the business is 201 00:09:51,760 --> 00:09:54,480 Speaker 1: done correct over the last ten years, and so people 202 00:09:54,559 --> 00:09:56,000 Speaker 1: that are like, how do I get my song played? 203 00:09:56,000 --> 00:09:57,599 Speaker 1: You're actually gonna give them a few tips. Yeah, I 204 00:09:57,640 --> 00:10:00,280 Speaker 1: got four of them. Okay, here we go, stand on 205 00:10:00,440 --> 00:10:03,320 Speaker 1: music row with the title of your song. All the 206 00:10:03,400 --> 00:10:06,000 Speaker 1: labels are here, all the radio stations. All it takes 207 00:10:06,040 --> 00:10:08,040 Speaker 1: is one person to see the title and look it up, 208 00:10:08,120 --> 00:10:10,720 Speaker 1: like hold a sign up. Yes, I've not seen anyone 209 00:10:10,760 --> 00:10:12,760 Speaker 1: do that. I've seen billboards gay and I can't see 210 00:10:12,760 --> 00:10:14,000 Speaker 1: how that would work. And now if I see a 211 00:10:14,000 --> 00:10:15,640 Speaker 1: billboard as somebody with it's a new artist with a 212 00:10:15,679 --> 00:10:18,800 Speaker 1: new song. Mostly I'm just like I've seen it ten 213 00:10:18,840 --> 00:10:20,840 Speaker 1: times and I'm driving. I'm not gonna get on my 214 00:10:20,840 --> 00:10:23,040 Speaker 1: phone and look. We did one time. I think Eddie 215 00:10:23,040 --> 00:10:25,760 Speaker 1: brought someone to the table. Wasn't a billboard artist you saw? 216 00:10:25,920 --> 00:10:28,480 Speaker 1: Oh yeah, yeah, I don't even remember his name me either, 217 00:10:28,559 --> 00:10:30,200 Speaker 1: but I remember listening and it was good. We played 218 00:10:30,200 --> 00:10:33,880 Speaker 1: it on the air. Um, but holding a sign you say, okay, 219 00:10:33,880 --> 00:10:38,480 Speaker 1: what else? Get the email of presidents of labels or 220 00:10:38,600 --> 00:10:42,320 Speaker 1: DJ's and email them your song. That's what Chris Jansen 221 00:10:42,360 --> 00:10:46,040 Speaker 1: did with you. I knew Chris though already. Oh yeah, 222 00:10:46,120 --> 00:10:48,360 Speaker 1: Chris and I were already friendly when Buy Me a 223 00:10:48,360 --> 00:10:50,760 Speaker 1: Boat when he first recorded it. Oh and by DJs, 224 00:10:50,800 --> 00:10:53,840 Speaker 1: you meant Bobby I was seeing. I thought you were 225 00:10:53,840 --> 00:10:56,600 Speaker 1: talking like a DJ. Anyone calls me a DJ, like, 226 00:10:56,679 --> 00:11:00,480 Speaker 1: I'm just he just did Yeah, he really, he did it. 227 00:11:00,720 --> 00:11:04,120 Speaker 1: But people actually get DJ songs to play in clubs. Yeah, 228 00:11:05,240 --> 00:11:07,240 Speaker 1: like that is a thing. It's like, hey, would you 229 00:11:07,240 --> 00:11:09,080 Speaker 1: play my song? Here's twenty bucks and they'll kind of 230 00:11:09,080 --> 00:11:12,360 Speaker 1: mix it in. Here's why I hate being called a DJ. One, 231 00:11:12,720 --> 00:11:16,360 Speaker 1: there are no discs. Two. I don't pick music. I'm 232 00:11:16,360 --> 00:11:18,680 Speaker 1: not a dish jocket. Three. They don't care what I 233 00:11:18,720 --> 00:11:20,320 Speaker 1: do with the music. As long as I play one 234 00:11:20,400 --> 00:11:22,200 Speaker 1: or two songs an hour they have scheduled in here, 235 00:11:22,280 --> 00:11:24,840 Speaker 1: they don't give a crap. No, I can't. Occasionally, and 236 00:11:24,920 --> 00:11:26,280 Speaker 1: I do just pick songs and be like, this is 237 00:11:26,280 --> 00:11:29,480 Speaker 1: a good song, let's play it. But I'm not a DJ. 238 00:11:30,240 --> 00:11:31,640 Speaker 1: Back in the day, I think I used to be 239 00:11:31,679 --> 00:11:34,440 Speaker 1: a DJ when in nineteen ninety eight, when I'd be like, 240 00:11:34,679 --> 00:11:36,959 Speaker 1: coming in at number four on the countdown, is Chumbawamba 241 00:11:37,120 --> 00:11:38,480 Speaker 1: all right? Here? It is the hot hits of five. 242 00:11:38,800 --> 00:11:42,040 Speaker 1: That's a DJ. Yeah, and you actually DJ parties, and 243 00:11:42,160 --> 00:11:46,000 Speaker 1: I would DJ parties. I would, Now, what's the term? 244 00:11:46,040 --> 00:11:49,319 Speaker 1: I would be a personality. They don't pay. They don't pay. 245 00:11:49,960 --> 00:11:52,679 Speaker 1: They don't pay me to play music. They don't pay 246 00:11:52,760 --> 00:11:54,440 Speaker 1: us to play music. We could come in here and 247 00:11:54,440 --> 00:11:57,880 Speaker 1: play no music. A matter of fact, I would love that. Well, 248 00:11:57,920 --> 00:12:01,400 Speaker 1: that's not gonna happen. Nothing would make me feel better 249 00:12:01,559 --> 00:12:03,080 Speaker 1: than be able to come in here again and play 250 00:12:03,160 --> 00:12:05,439 Speaker 1: no music and just do a full five hour talk 251 00:12:05,440 --> 00:12:06,679 Speaker 1: show like we used to be back in the day, 252 00:12:06,720 --> 00:12:08,760 Speaker 1: except for I'm going to need a bathroom break, and 253 00:12:08,840 --> 00:12:10,599 Speaker 1: that's normally when we get to we take them on 254 00:12:10,640 --> 00:12:12,600 Speaker 1: the air. We take a microphone with you. But if 255 00:12:12,600 --> 00:12:15,319 Speaker 1: we like a song like but we play songs. This 256 00:12:15,360 --> 00:12:16,760 Speaker 1: is what I think I should. This is what I 257 00:12:16,760 --> 00:12:19,400 Speaker 1: think the future of this is. I'm gonna tell you 258 00:12:19,440 --> 00:12:21,480 Speaker 1: right now, the future of this is what the future 259 00:12:21,480 --> 00:12:25,280 Speaker 1: of this is actually the past of this. WHOA bear 260 00:12:25,360 --> 00:12:27,720 Speaker 1: with me. You have a few folks get in my 261 00:12:27,800 --> 00:12:29,680 Speaker 1: time machine. I should be able to pick all the 262 00:12:29,760 --> 00:12:32,199 Speaker 1: music I don't want to. I'd er the talk and 263 00:12:32,240 --> 00:12:34,320 Speaker 1: then play a few songs that I like in the 264 00:12:34,360 --> 00:12:37,360 Speaker 1: morning because for the most part, you know, it's tough 265 00:12:37,360 --> 00:12:39,080 Speaker 1: because there's a lot of places you can get music. 266 00:12:40,160 --> 00:12:42,200 Speaker 1: I should be able to program the whole morning show 267 00:12:42,200 --> 00:12:43,920 Speaker 1: if I want it to. Okay, And now you don't 268 00:12:44,000 --> 00:12:46,520 Speaker 1: write no, and some of those crap I'd never play, 269 00:12:47,160 --> 00:12:48,720 Speaker 1: and some of the crap I'd play a lot more. 270 00:12:49,960 --> 00:12:51,840 Speaker 1: And basically, I guess everything's crapped to me. But I 271 00:12:51,840 --> 00:12:54,800 Speaker 1: still like somebody I still do like you would, but 272 00:12:55,000 --> 00:12:56,520 Speaker 1: there would be some of the artists that I would 273 00:12:56,520 --> 00:13:00,640 Speaker 1: play two that don't get played, and it's I think 274 00:13:00,760 --> 00:13:03,880 Speaker 1: people would come for the whole experience. But what do 275 00:13:03,920 --> 00:13:05,800 Speaker 1: I know? But I do think because that's back in 276 00:13:05,840 --> 00:13:09,840 Speaker 1: the day, that's like Wolfman Jack type stuff. Yeah, the artists, 277 00:13:09,880 --> 00:13:11,480 Speaker 1: but there was also very illegal because he's to pay 278 00:13:11,480 --> 00:13:13,400 Speaker 1: the DJs to play songs and he was broadcasting out 279 00:13:13,400 --> 00:13:19,640 Speaker 1: of Mexico. So yes, very illegal. But I think that 280 00:13:19,679 --> 00:13:21,760 Speaker 1: they should just go, you know what, this is your 281 00:13:21,800 --> 00:13:24,960 Speaker 1: five hours. You program it how you see fit. So 282 00:13:25,000 --> 00:13:27,360 Speaker 1: when will that future come into play next week? I 283 00:13:27,360 --> 00:13:30,480 Speaker 1: don't know. I don't know because I don't want to. 284 00:13:32,200 --> 00:13:33,720 Speaker 1: Even if there was some kind of deal, like you 285 00:13:33,720 --> 00:13:35,640 Speaker 1: know what, you can program the music from the five 286 00:13:35,760 --> 00:13:38,400 Speaker 1: am hour because we're Central time six am Eastern. You 287 00:13:38,480 --> 00:13:42,839 Speaker 1: program the music five and six, and then you give 288 00:13:42,920 --> 00:13:44,760 Speaker 1: me seven, eight and nine to do whatever I want 289 00:13:45,160 --> 00:13:47,040 Speaker 1: little and let's do it for a year and see 290 00:13:47,080 --> 00:13:49,600 Speaker 1: what happened. Let's see which which part has you know 291 00:13:49,679 --> 00:13:52,360 Speaker 1: better ratings, although don't get me started the rating system either. 292 00:13:53,520 --> 00:14:02,959 Speaker 1: Everything's flawed. But I think that I would win after 293 00:14:03,120 --> 00:14:05,040 Speaker 1: everything's said and done and results they can't do it 294 00:14:05,080 --> 00:14:07,800 Speaker 1: on like a one month basis, but even six month 295 00:14:07,840 --> 00:14:12,160 Speaker 1: at a time, I think you would see better results 296 00:14:12,880 --> 00:14:15,800 Speaker 1: because you know what, I would play my Maria by 297 00:14:15,800 --> 00:14:19,440 Speaker 1: Brooks and done. Come on, you know, do you know 298 00:14:19,480 --> 00:14:22,160 Speaker 1: what I would play that wouldn't be where I'm jumping 299 00:14:22,160 --> 00:14:24,040 Speaker 1: all over formats. I'm not going to throw in some 300 00:14:24,080 --> 00:14:28,200 Speaker 1: biggie I could I do them the dance party, but 301 00:14:28,320 --> 00:14:31,800 Speaker 1: there would be some what they call Americana music now, 302 00:14:31,840 --> 00:14:34,560 Speaker 1: which is basically just country music. They just had to 303 00:14:34,600 --> 00:14:36,320 Speaker 1: find a different name for it because it wasn't getting 304 00:14:36,320 --> 00:14:37,640 Speaker 1: played on the radio, so they needed to create a 305 00:14:37,640 --> 00:14:39,520 Speaker 1: format for it, which I think a lot of American 306 00:14:39,640 --> 00:14:43,480 Speaker 1: is actually what you know, it's it's what traditions, what 307 00:14:43,520 --> 00:14:46,480 Speaker 1: people consider traditional country music, and there's room for everything. 308 00:14:47,520 --> 00:14:49,120 Speaker 1: But you know, there'd be a little bit of that 309 00:14:49,320 --> 00:14:53,400 Speaker 1: on there. I'd probably play some Tyler Shoulders a little more. 310 00:14:54,720 --> 00:14:57,600 Speaker 1: I probably play probably artists that can't really find a 311 00:14:57,680 --> 00:14:59,480 Speaker 1: home because there's not like a radio format. They don't 312 00:14:59,520 --> 00:15:02,440 Speaker 1: need a radi a format because they found success in 313 00:15:02,480 --> 00:15:06,040 Speaker 1: their own ways. But then I would I'd play Sam Hunt. 314 00:15:06,160 --> 00:15:10,400 Speaker 1: I love Sam Hunt. Didn't follow that up? Maybe there's 315 00:15:10,400 --> 00:15:12,800 Speaker 1: a tear in my beer. Yeah, the version with Hank 316 00:15:12,880 --> 00:15:17,200 Speaker 1: Junior and Senior. Can you play Willie too? It just depends. 317 00:15:17,200 --> 00:15:18,400 Speaker 1: But those old songs I have to tell a little 318 00:15:18,400 --> 00:15:21,600 Speaker 1: story about so the new listeners wouldn't know. Okay, we 319 00:15:21,640 --> 00:15:24,200 Speaker 1: can come up with a story and punching on Lefty sure, 320 00:15:24,520 --> 00:15:26,200 Speaker 1: and it wouldn't be all classic all the time. Maybe 321 00:15:26,240 --> 00:15:28,800 Speaker 1: one or two a day. Love it, But I just 322 00:15:28,840 --> 00:15:33,240 Speaker 1: think that's the future when music is so readily available 323 00:15:33,240 --> 00:15:36,360 Speaker 1: everywhere all the time, like you gotta do something slightly different. 324 00:15:37,160 --> 00:15:39,560 Speaker 1: So but that's old school though, that's old school where 325 00:15:39,680 --> 00:15:43,000 Speaker 1: the DJs then would pick in an essence, I'd kind 326 00:15:43,000 --> 00:15:45,240 Speaker 1: of be back to being a DJ and a personality. 327 00:15:45,360 --> 00:15:47,200 Speaker 1: But right now I hate being called a DJ. I 328 00:15:47,240 --> 00:15:48,920 Speaker 1: hate being called a DJ more than I hate being 329 00:15:48,920 --> 00:15:53,280 Speaker 1: called Bobby Jones. YEA, mark that down in your book, 330 00:15:53,360 --> 00:15:57,040 Speaker 1: write that in your journal. Got it. I will go 331 00:15:57,040 --> 00:15:58,840 Speaker 1: on some shows. I'll be like, here's here's Bobby. We're 332 00:15:58,800 --> 00:16:02,040 Speaker 1: gonna vie Bobby Jones today, and I'm like, hmm, that stinks. 333 00:16:02,080 --> 00:16:04,280 Speaker 1: But if they're like, we're gonna talk to DJ Bobby Bells, 334 00:16:04,720 --> 00:16:06,920 Speaker 1: take me here a butt out and walk off. You 335 00:16:07,080 --> 00:16:09,520 Speaker 1: ever had a double like we're gonna have on DJ 336 00:16:09,640 --> 00:16:16,160 Speaker 1: Bobby Job might explode. Yeah you know it could happen. Yeah, okay, um, 337 00:16:16,240 --> 00:16:18,600 Speaker 1: but that's what I would think that this the future 338 00:16:18,720 --> 00:16:22,160 Speaker 1: of this is, you know, on this level where we're 339 00:16:22,160 --> 00:16:24,560 Speaker 1: just playing it, it's it's all about personalities and what 340 00:16:24,600 --> 00:16:26,440 Speaker 1: did they provide to you? Not just talking, not just 341 00:16:26,480 --> 00:16:29,840 Speaker 1: compelling content. But why are they picking these songs? I 342 00:16:29,840 --> 00:16:34,000 Speaker 1: don't think anybody has it exactly right yet, but I'll 343 00:16:34,040 --> 00:16:35,800 Speaker 1: give it a try, the boss of listening. I'll take 344 00:16:35,800 --> 00:16:36,840 Speaker 1: two and a half hours. You take two and a 345 00:16:36,840 --> 00:16:38,600 Speaker 1: half hours. I'll meet you back in a year. What's 346 00:16:38,640 --> 00:16:44,000 Speaker 1: up so sending the president email? Okay? Oh yeah, Ray 347 00:16:44,080 --> 00:16:46,440 Speaker 1: was sharing he's only on number two. Oh we're still 348 00:16:46,440 --> 00:16:49,960 Speaker 1: doing yeah, but are you taking down number two? What 349 00:16:50,040 --> 00:16:53,280 Speaker 1: is number two? Email to President? I got an email 350 00:16:53,320 --> 00:16:55,680 Speaker 1: yesterday about somebody, and noise the crap out of me 351 00:16:55,720 --> 00:16:57,280 Speaker 1: when they send it my personally right, like I have 352 00:16:57,320 --> 00:17:00,320 Speaker 1: a work email, like hit me there about what they 353 00:17:00,360 --> 00:17:02,680 Speaker 1: get your personal email? I don't know. And that's what 354 00:17:02,800 --> 00:17:04,920 Speaker 1: irritates to piss out of me. You know how how 355 00:17:05,000 --> 00:17:07,080 Speaker 1: they asked someone who has it, okay, well, don't don't 356 00:17:07,119 --> 00:17:10,399 Speaker 1: give it. Artists like showing up to my house knocking 357 00:17:10,400 --> 00:17:12,280 Speaker 1: on my front door, going I'd like to play you 358 00:17:12,320 --> 00:17:14,679 Speaker 1: the CD. That'll be the last time I give them 359 00:17:14,840 --> 00:17:16,879 Speaker 1: your email. Sorry, wait, do you know who it was? 360 00:17:17,600 --> 00:17:18,960 Speaker 1: I don't want to say who exactly, but it was 361 00:17:18,960 --> 00:17:22,360 Speaker 1: a viral TikTok artist okay, and their manager was like, oh, 362 00:17:22,520 --> 00:17:23,959 Speaker 1: we need you to play And I was like, how 363 00:17:23,960 --> 00:17:26,560 Speaker 1: do you even have my email? I like foote email 364 00:17:26,560 --> 00:17:28,040 Speaker 1: addresses at the public, but how do you have like 365 00:17:28,040 --> 00:17:29,720 Speaker 1: the one where I only talked to my friends on 366 00:17:29,800 --> 00:17:33,480 Speaker 1: with Weird Weird. I think of Scoop Steve, I'll be 367 00:17:33,480 --> 00:17:36,320 Speaker 1: on I know, or it's just a really good manager. 368 00:17:38,000 --> 00:17:41,000 Speaker 1: I know it wasn't I know? It wasn't Scooba Steve 369 00:17:41,000 --> 00:17:43,639 Speaker 1: actually like my bodyguard in many places. He She'll ever 370 00:17:43,720 --> 00:17:46,879 Speaker 1: watch Succession where the main guy is like, hey, listen, 371 00:17:46,880 --> 00:17:48,520 Speaker 1: I just want to thank you guys, because I don't 372 00:17:48,520 --> 00:17:50,760 Speaker 1: even know the crap that you've keeping me out of, 373 00:17:51,320 --> 00:17:54,000 Speaker 1: Like that's what Scooba Steve. I don't even know what 374 00:17:54,000 --> 00:17:56,320 Speaker 1: the craps to Scooba Steeve keeps me out of. But 375 00:17:56,400 --> 00:17:57,840 Speaker 1: I know Scooba see to keep me out of a 376 00:17:57,840 --> 00:18:03,119 Speaker 1: lot of crap and me being just going either getting sad, angry, annoyed, 377 00:18:03,520 --> 00:18:06,159 Speaker 1: like he's always he's again, he's my fullback. He's just 378 00:18:06,200 --> 00:18:08,159 Speaker 1: blocking away. It's like I just try to come in 379 00:18:08,160 --> 00:18:11,280 Speaker 1: and do this show and sometimes there's stuff and I'm like, 380 00:18:11,280 --> 00:18:14,440 Speaker 1: oh god, dang, And I know Scubacy hates to tell 381 00:18:14,480 --> 00:18:18,240 Speaker 1: me about it. Yeah, but that's yes, I got a 382 00:18:18,240 --> 00:18:19,440 Speaker 1: few things that I want to tell you about it. 383 00:18:19,760 --> 00:18:24,080 Speaker 1: That's for another day. Um ray, what's number three? Yeah? 384 00:18:24,119 --> 00:18:28,360 Speaker 1: It was, um send food and an interesting angle like 385 00:18:28,440 --> 00:18:30,800 Speaker 1: Aaron Goodvin. How he got He just said, hey, can 386 00:18:30,840 --> 00:18:32,920 Speaker 1: I get it played during the dance party. Nobody'd ever 387 00:18:32,960 --> 00:18:36,000 Speaker 1: asked that before. And he brought Chick fil A. No, 388 00:18:36,160 --> 00:18:38,560 Speaker 1: he did that when he showed up. Yeah, the food. 389 00:18:38,600 --> 00:18:41,960 Speaker 1: I don't think he got in the studio at that point. Yeah, 390 00:18:41,960 --> 00:18:44,720 Speaker 1: but he okay, so he's already in, but he's still 391 00:18:45,080 --> 00:18:46,960 Speaker 1: But the point is how to get okay, Like he 392 00:18:47,000 --> 00:18:49,080 Speaker 1: just brought that because he got you being nice. He 393 00:18:49,240 --> 00:18:52,920 Speaker 1: did send cookies when he said that, Oh yeah with 394 00:18:52,960 --> 00:18:56,120 Speaker 1: the Yeah he did, like decorated cookies. But yeah, yeah, 395 00:18:56,119 --> 00:18:58,560 Speaker 1: he didn't. He didn't give the ask of hey will 396 00:18:58,560 --> 00:19:00,359 Speaker 1: you playing my song and add it to a play list? 397 00:19:00,760 --> 00:19:03,199 Speaker 1: He was like, just play it in that twenty seconds 398 00:19:03,200 --> 00:19:05,600 Speaker 1: you do the dance party. No one's ever done that. 399 00:19:06,359 --> 00:19:09,960 Speaker 1: And this guy, first of all, if the song suck, 400 00:19:10,040 --> 00:19:11,480 Speaker 1: it wouldn't have been played. But I would have never 401 00:19:11,480 --> 00:19:13,639 Speaker 1: even listened to it. I get so many people. I 402 00:19:13,640 --> 00:19:16,720 Speaker 1: could people leaving stuff on my car sometimes and you 403 00:19:16,760 --> 00:19:19,440 Speaker 1: could tell he's probably trot I mean, and he's he's 404 00:19:19,960 --> 00:19:22,479 Speaker 1: trying everything like a lot of artists do that. Went 405 00:19:22,520 --> 00:19:25,400 Speaker 1: they're stuff out there. Because even he was like, oh man, 406 00:19:25,440 --> 00:19:29,240 Speaker 1: this pitch actually worked, so like that's I think. I 407 00:19:29,240 --> 00:19:31,320 Speaker 1: thought it was cool to hear him say that, because 408 00:19:31,760 --> 00:19:34,000 Speaker 1: is like he's not scared to throw stuff out there. 409 00:19:34,000 --> 00:19:35,760 Speaker 1: And I'm sure he's done a lot that hasn't stuck, 410 00:19:35,800 --> 00:19:39,119 Speaker 1: but this one worked. And he went specific at this show, 411 00:19:39,880 --> 00:19:42,280 Speaker 1: like nobody else is doing a Friday morning dance party. Yeah, 412 00:19:42,280 --> 00:19:45,520 Speaker 1: there are shows now that implement other types of music 413 00:19:45,840 --> 00:19:48,080 Speaker 1: because they know that we do it and it's been 414 00:19:48,200 --> 00:19:53,280 Speaker 1: extremely successful for us, but nobody does this. And he 415 00:19:53,320 --> 00:19:55,879 Speaker 1: had to know this happens on this exact show and 416 00:19:55,920 --> 00:19:57,760 Speaker 1: then create a pitch right for it, Like he went 417 00:19:57,760 --> 00:20:00,960 Speaker 1: into the niche nailed it, loved it. Here's performance on 418 00:20:00,960 --> 00:20:03,240 Speaker 1: the show today it was, and he's really good. Had 419 00:20:03,320 --> 00:20:06,080 Speaker 1: no idea. Sometimes I will have. I don't know if 420 00:20:06,080 --> 00:20:08,240 Speaker 1: i'd meted this on the show before. If I'm on 421 00:20:08,280 --> 00:20:10,320 Speaker 1: the fence about I guess I have Mike Dego and 422 00:20:10,760 --> 00:20:13,640 Speaker 1: scour YouTube and listen to some live performances, and he'd 423 00:20:13,680 --> 00:20:16,040 Speaker 1: be like, hey, are they good? And sometimes he's like no, 424 00:20:16,080 --> 00:20:17,480 Speaker 1: and I'm like, let's not book them. Then I don't 425 00:20:17,480 --> 00:20:20,639 Speaker 1: want to be I don't want everybody to lose because 426 00:20:20,640 --> 00:20:23,840 Speaker 1: if they're not good live, I don't want them to 427 00:20:23,840 --> 00:20:27,520 Speaker 1: look bad to our audience. I don't want me to 428 00:20:27,560 --> 00:20:30,200 Speaker 1: feel embarrassed because sometimes it's it's uncomfortable for me and 429 00:20:30,200 --> 00:20:33,080 Speaker 1: I don't even want to look up. And I don't 430 00:20:33,160 --> 00:20:35,080 Speaker 1: like that. It's hard for me to watch somebody when 431 00:20:35,080 --> 00:20:37,919 Speaker 1: they're it's not that good in this room when we 432 00:20:37,920 --> 00:20:39,560 Speaker 1: get to see everybody good all the time I'm in 433 00:20:39,600 --> 00:20:41,960 Speaker 1: a bar or something great, like everybody's learning, but in 434 00:20:42,080 --> 00:20:46,000 Speaker 1: here it's tough sometimes. Who are some of those people? 435 00:20:46,400 --> 00:20:48,560 Speaker 1: I'm glad you asked. I'm made a list of seven, 436 00:20:49,600 --> 00:20:51,479 Speaker 1: but I know I'll say this. There was an artist once. 437 00:20:51,520 --> 00:20:53,560 Speaker 1: I'm not gonna say who was. I remember who came 438 00:20:53,600 --> 00:20:56,800 Speaker 1: in and was really bad, and he walked out and 439 00:20:56,840 --> 00:21:00,399 Speaker 1: we were like, oh, or she this one was a heat. No, 440 00:21:00,520 --> 00:21:03,320 Speaker 1: I know, I know who it is. And now he's 441 00:21:03,359 --> 00:21:08,359 Speaker 1: awesome and he's a star. Oh and he live is 442 00:21:08,440 --> 00:21:10,440 Speaker 1: really good. I know exactly what you were talking about. 443 00:21:10,680 --> 00:21:13,359 Speaker 1: And it was one of those instances where we should 444 00:21:13,359 --> 00:21:15,640 Speaker 1: have looked and then we would have been like no. 445 00:21:15,960 --> 00:21:17,400 Speaker 1: But if we had checked back later, he had room 446 00:21:17,440 --> 00:21:19,440 Speaker 1: to grow, and he grew and he's so good. Now 447 00:21:20,720 --> 00:21:23,280 Speaker 1: who are you talking about? Oh? You don't remember? You 448 00:21:23,280 --> 00:21:25,120 Speaker 1: and I talked about it, and then we were doing 449 00:21:25,160 --> 00:21:26,800 Speaker 1: I know, I know, and now I'm trying to think 450 00:21:26,800 --> 00:21:28,480 Speaker 1: who it is because the person I had in mind 451 00:21:28,800 --> 00:21:35,040 Speaker 1: never got better. But my point is I probably went 452 00:21:35,080 --> 00:21:37,320 Speaker 1: a little too early on this person as they were 453 00:21:37,359 --> 00:21:40,840 Speaker 1: still developing live, because he had some good recorded music 454 00:21:41,520 --> 00:21:44,160 Speaker 1: and if I would have waited, they would have come 455 00:21:44,160 --> 00:21:46,880 Speaker 1: in and they're so good. Now that's good. I mean, 456 00:21:46,880 --> 00:21:56,879 Speaker 1: they're just I've seen them perform live as well. I 457 00:21:56,920 --> 00:21:59,879 Speaker 1: don't know. I got a message about some other drama 458 00:22:00,200 --> 00:22:04,399 Speaker 1: great from an artist. Yeah, let's read it. No, no, 459 00:22:06,280 --> 00:22:08,359 Speaker 1: not yet? Can you say who then artist was? I 460 00:22:08,400 --> 00:22:11,159 Speaker 1: don't think so. I like right, I like the I 461 00:22:11,160 --> 00:22:12,399 Speaker 1: don't want to talk about how bad they were when 462 00:22:12,440 --> 00:22:14,240 Speaker 1: they first came in, and I liked them a lot too. 463 00:22:15,240 --> 00:22:17,280 Speaker 1: M A, you really think you know what it is? Oh? 464 00:22:17,280 --> 00:22:20,000 Speaker 1: I know who it is? I mean, yes, I yes, 465 00:22:20,600 --> 00:22:23,520 Speaker 1: say it Amy No, No, I'm not gonna say it 466 00:22:23,560 --> 00:22:26,679 Speaker 1: because I don't wanna. Yeah, it was a weird, really weird, 467 00:22:26,800 --> 00:22:29,480 Speaker 1: unfortunate thing. I have a friend that's friends with them. 468 00:22:29,720 --> 00:22:33,520 Speaker 1: Write it down, don't even tell lunch Bucks is passing 469 00:22:33,520 --> 00:22:34,760 Speaker 1: a piece of paper around the room to try to 470 00:22:34,800 --> 00:22:38,160 Speaker 1: get what are he's saying. You and I have hung 471 00:22:38,160 --> 00:22:40,520 Speaker 1: out with a lot of people together. But you're right, yep, 472 00:22:40,600 --> 00:22:44,480 Speaker 1: thank you, Yeah, you're right. The person is. I'm gonna 473 00:22:44,560 --> 00:22:47,000 Speaker 1: leave it there. My only point is, Mike d will 474 00:22:47,040 --> 00:22:50,760 Speaker 1: now go and look and if we're get like a 475 00:22:51,040 --> 00:22:53,119 Speaker 1: perfect example of someone, we did that too, and we're like, 476 00:22:53,160 --> 00:22:56,480 Speaker 1: we gotta bring her in on the show. Was tiera 477 00:22:57,040 --> 00:22:59,440 Speaker 1: research when I was like, I really like her music, 478 00:23:00,320 --> 00:23:03,719 Speaker 1: Mike please because she was so new and she had 479 00:23:03,760 --> 00:23:05,280 Speaker 1: him been signed to a record label yet, and I 480 00:23:05,280 --> 00:23:06,959 Speaker 1: was like, Mike, will you please go do a YouTube 481 00:23:06,960 --> 00:23:08,840 Speaker 1: dive on her? And he did. He was like, yeah, 482 00:23:08,880 --> 00:23:11,800 Speaker 1: she's she's really good. So she came in and crushed it. 483 00:23:12,119 --> 00:23:14,240 Speaker 1: And then I was so moved and how good and 484 00:23:14,280 --> 00:23:17,760 Speaker 1: how great she was to talk to, Like I had 485 00:23:17,760 --> 00:23:19,760 Speaker 1: her over at my house and we did the talk show. 486 00:23:19,920 --> 00:23:21,520 Speaker 1: I tried to hire her for Bobby Feast. She was 487 00:23:21,600 --> 00:23:24,600 Speaker 1: unlike her Bachelotte party. I think because she's getting married, 488 00:23:25,040 --> 00:23:27,719 Speaker 1: Like she's my favorite new artist is Tiera. I just 489 00:23:27,760 --> 00:23:32,000 Speaker 1: think she's the Bee's needs. But that's somebody we did 490 00:23:32,000 --> 00:23:35,320 Speaker 1: and it worked out well with. But I can tell 491 00:23:35,359 --> 00:23:38,200 Speaker 1: you off the air, you don't know. I just forgot 492 00:23:38,280 --> 00:23:41,600 Speaker 1: because I know we had that conversation recently. M Ashley 493 00:23:41,680 --> 00:23:44,240 Speaker 1: McBride is on my podcast. That's somebody who can sing 494 00:23:44,440 --> 00:23:48,080 Speaker 1: the walls off this boy. Tomorrow. We actually did the 495 00:23:48,200 --> 00:23:52,399 Speaker 1: interview yesterday. And why I said yesterday like that, I 496 00:23:52,440 --> 00:23:56,960 Speaker 1: don't know, but yesterday, yesterday, yesterday, Um, but she came 497 00:23:57,000 --> 00:23:58,800 Speaker 1: back for an hour. We don't have a lot of 498 00:23:58,800 --> 00:24:02,560 Speaker 1: experience hanging out. We just our pads have a crossed um. 499 00:24:04,800 --> 00:24:07,520 Speaker 1: But she came by and it was great. We talked 500 00:24:07,520 --> 00:24:09,840 Speaker 1: about let's have a few clips here and go subscribe 501 00:24:09,880 --> 00:24:12,280 Speaker 1: to the Bobby Cast into land right on your podcast 502 00:24:12,359 --> 00:24:16,080 Speaker 1: feed tomorrow. But this is one night standard's her song 503 00:24:17,080 --> 00:24:27,400 Speaker 1: It's Just You. She's the sixth of six kids all 504 00:24:27,440 --> 00:24:30,800 Speaker 1: played music from a really small town in Arkansas. She 505 00:24:30,920 --> 00:24:33,600 Speaker 1: also has that new duet with Carly Pierce called never 506 00:24:33,600 --> 00:24:37,200 Speaker 1: Wanted to be that girl. I Never wanted to be there. 507 00:24:37,480 --> 00:24:40,359 Speaker 1: They wrote it together and then they were like, well, 508 00:24:40,359 --> 00:24:42,920 Speaker 1: who's cutting first? Then Carly cut it first because her 509 00:24:43,080 --> 00:24:45,679 Speaker 1: she was cutting music first. But she talked about her 510 00:24:45,720 --> 00:24:48,080 Speaker 1: first instrument and she loved music so much, but her 511 00:24:48,200 --> 00:24:50,520 Speaker 1: hands aren't big enough for a guitar, and her dad 512 00:24:50,520 --> 00:24:53,400 Speaker 1: played people play music in her family, so she had 513 00:24:53,400 --> 00:24:57,320 Speaker 1: to get a small guitar akaa mandolin to learn that. Well, 514 00:24:57,359 --> 00:24:59,200 Speaker 1: they wouldn't let me play guitar at first because I 515 00:24:59,240 --> 00:25:01,560 Speaker 1: was too small to hold it safely, so they let 516 00:25:01,560 --> 00:25:04,120 Speaker 1: me bang on a mandolin. I remember I was probably 517 00:25:04,160 --> 00:25:07,000 Speaker 1: in kindergartener first, right going outside of the driveway and 518 00:25:07,080 --> 00:25:09,080 Speaker 1: rubbing my fingers on the concrete because I thought that 519 00:25:09,080 --> 00:25:11,080 Speaker 1: would help me get callus's. I was tired of my 520 00:25:11,119 --> 00:25:14,000 Speaker 1: fingers being sore. But it did teach my right hand 521 00:25:14,400 --> 00:25:17,119 Speaker 1: a lot about rhythm and making it hit the strings 522 00:25:17,160 --> 00:25:19,640 Speaker 1: I wanted to hit, so I didn't have to struggle 523 00:25:19,920 --> 00:25:22,760 Speaker 1: when it came to guitar with how do I strum? 524 00:25:22,760 --> 00:25:24,320 Speaker 1: And what are the patterns? So I think that that 525 00:25:24,400 --> 00:25:27,280 Speaker 1: was probably beneficial, but I was just terrible. It's really 526 00:25:27,320 --> 00:25:28,639 Speaker 1: cool to hear a story too about when she was 527 00:25:28,640 --> 00:25:30,400 Speaker 1: in college and want a professor said, and I was like, well, 528 00:25:30,400 --> 00:25:32,320 Speaker 1: that's weird he said that, but he kind of kicked 529 00:25:32,359 --> 00:25:33,400 Speaker 1: her on the button. It was like, het to quit 530 00:25:33,440 --> 00:25:37,399 Speaker 1: school to pursue music. He's quit school. It's it's a 531 00:25:37,400 --> 00:25:40,199 Speaker 1: great it's a great story. Yeah, so check that out. 532 00:25:40,240 --> 00:25:44,439 Speaker 1: That's tomorrow on the Bobby Cast. Anything else that I 533 00:25:44,480 --> 00:25:46,080 Speaker 1: need to do? Did we get to raise number one? 534 00:25:46,200 --> 00:25:49,159 Speaker 1: I don't know, Ray, what's number one? Um? There's a 535 00:25:49,240 --> 00:25:54,200 Speaker 1: thing called oh boy, I SRC code and it costs money, 536 00:25:54,200 --> 00:25:57,399 Speaker 1: but that's how radio stations download the best quality for free. 537 00:25:57,960 --> 00:26:02,400 Speaker 1: I s RC code, asked or google it. I don't understand. 538 00:26:02,480 --> 00:26:04,760 Speaker 1: I fell asleep. I understand what that means. All the 539 00:26:04,760 --> 00:26:06,960 Speaker 1: songs we play on our show during it have an 540 00:26:06,960 --> 00:26:10,359 Speaker 1: I system, yeah, and you have to upload it into 541 00:26:10,359 --> 00:26:12,920 Speaker 1: the system. So if you're a new artist, you do 542 00:26:14,000 --> 00:26:16,840 Speaker 1: like I mean, for example, Aaron Goodvin, he had an 543 00:26:16,840 --> 00:26:19,200 Speaker 1: IRC coat, so I just went there download it. Boom 544 00:26:19,200 --> 00:26:21,080 Speaker 1: we played on the show the next day. So it's 545 00:26:21,080 --> 00:26:23,080 Speaker 1: easy because raised the one you know, getting the music, 546 00:26:23,119 --> 00:26:24,959 Speaker 1: putting it in. So it's like, oh, if you make 547 00:26:25,000 --> 00:26:28,040 Speaker 1: it easy on people and its quality is up there, 548 00:26:28,160 --> 00:26:30,000 Speaker 1: right Yeah, well, I mean I think that's how it 549 00:26:30,040 --> 00:26:32,040 Speaker 1: makes it legit, right, was taking credit for a new 550 00:26:32,119 --> 00:26:35,480 Speaker 1: artist the other day, fishing on a boat or something, 551 00:26:35,600 --> 00:26:38,080 Speaker 1: my boy Eric Eric Dodd No, no no, no, no no, no. 552 00:26:39,400 --> 00:26:44,120 Speaker 1: L L. Shane. Yes. So on TikTok I posted even 553 00:26:44,200 --> 00:26:46,840 Speaker 1: Christmas Time almost a year ago. It was me and 554 00:26:46,880 --> 00:26:49,000 Speaker 1: my cat because I'm the stepfather to my cat and 555 00:26:49,040 --> 00:26:52,720 Speaker 1: the song almost is about the animal to person not 556 00:26:52,840 --> 00:26:54,800 Speaker 1: being your blood. And I was saying, my cat is 557 00:26:54,840 --> 00:26:57,679 Speaker 1: my stepson. He's not my son, but I still treat him. 558 00:26:57,720 --> 00:26:59,920 Speaker 1: I wasn't there for the first steps, but he's still 559 00:27:00,080 --> 00:27:01,760 Speaker 1: my boy. And so I was like, I did that 560 00:27:01,800 --> 00:27:04,199 Speaker 1: thing on TikTok. I believe other radio people saw it, 561 00:27:04,200 --> 00:27:06,400 Speaker 1: and that's why it's now trending to be a number 562 00:27:06,400 --> 00:27:09,680 Speaker 1: one song because my TikTok a year ago, that's sad work. 563 00:27:09,720 --> 00:27:11,680 Speaker 1: I think you're giving yourself a little too much influenced there. 564 00:27:11,800 --> 00:27:13,080 Speaker 1: I was just throwing it out there to see if 565 00:27:13,080 --> 00:27:15,800 Speaker 1: anybody agreed. Saw the TikTok. I will say that when 566 00:27:15,840 --> 00:27:18,159 Speaker 1: he Ray posted it, Muskos and was like, look at 567 00:27:18,240 --> 00:27:20,879 Speaker 1: Ray being way ahead of things. This was last Christmas. 568 00:27:21,200 --> 00:27:23,760 Speaker 1: I had that thought, Well, didn't you also take credit 569 00:27:23,800 --> 00:27:27,920 Speaker 1: for Parker McCollum. Yes, that was a fishing boat thing 570 00:27:27,960 --> 00:27:29,679 Speaker 1: in the Gulf. And my buddy said, there's a guy 571 00:27:29,720 --> 00:27:32,360 Speaker 1: named Parker McCollum. If you play his song, it'll help 572 00:27:32,400 --> 00:27:34,240 Speaker 1: out with the business deal. It'll make it seem like 573 00:27:34,280 --> 00:27:36,800 Speaker 1: I have PA And we actually never even did the bit, 574 00:27:36,920 --> 00:27:38,880 Speaker 1: but I kind of talked about it a little bit. 575 00:27:39,000 --> 00:27:41,240 Speaker 1: But you never even mentioned him, did you. I wanted to, 576 00:27:41,320 --> 00:27:44,080 Speaker 1: but yeah, never did. That's my point. Yeah, so you 577 00:27:44,080 --> 00:27:46,639 Speaker 1: can't take credits and nothing ever. But I have the 578 00:27:46,720 --> 00:27:50,680 Speaker 1: notes of when I proposed it, like four or five 579 00:27:50,760 --> 00:27:53,639 Speaker 1: years ago, before Parker McCollum was even a breath, and 580 00:27:53,720 --> 00:27:56,160 Speaker 1: I mean now he's massive, he's huge. But I mean 581 00:27:56,280 --> 00:27:58,200 Speaker 1: I have all the documentation that shows that I was. 582 00:27:58,280 --> 00:28:00,600 Speaker 1: How does that have any effect on it? That didn't 583 00:28:00,600 --> 00:28:03,000 Speaker 1: have a fact, but it shows, Hey, I sometimes have 584 00:28:03,119 --> 00:28:05,600 Speaker 1: some good insight on artists. So next time he has 585 00:28:05,640 --> 00:28:07,320 Speaker 1: something like this, we should listen to him as what 586 00:28:07,400 --> 00:28:09,400 Speaker 1: I bring a new artists. All the time, and he's like, listen, 587 00:28:09,400 --> 00:28:10,960 Speaker 1: if you can play this, my carpets can clean for 588 00:28:11,000 --> 00:28:13,640 Speaker 1: half off. And I'm like, what are you talking about? No, 589 00:28:14,320 --> 00:28:17,320 Speaker 1: so listen hey, Like I say, a broken clock is 590 00:28:17,400 --> 00:28:23,320 Speaker 1: right twice a day. But good job. Where's the cat's dad? Am? 591 00:28:23,320 --> 00:28:26,080 Speaker 1: I A? No? If he went around? Hey, he went 592 00:28:26,119 --> 00:28:31,120 Speaker 1: to buy pack sets, never came back. You stepped in, though, Ray, 593 00:28:31,359 --> 00:28:33,320 Speaker 1: I know, yeah, I didn't see his first steps, but 594 00:28:33,359 --> 00:28:42,440 Speaker 1: he's still my boy. I love him the same. Old 595 00:28:42,520 --> 00:28:47,680 Speaker 1: is your step son? Like fourteen doesn't fourteen? I tried 596 00:28:47,680 --> 00:28:50,720 Speaker 1: to see because I want to raise cat Pablo and 597 00:28:50,800 --> 00:28:53,000 Speaker 1: my cat Maggie to get together for a play date. 598 00:28:53,080 --> 00:28:56,280 Speaker 1: But apparently Pablo has gotten grumpy in old age. Yes, 599 00:28:57,760 --> 00:29:00,560 Speaker 1: he has dementia, so yes, oh we die. Yeah, he 600 00:29:00,640 --> 00:29:02,320 Speaker 1: started mewing and we looked it up and that means 601 00:29:02,360 --> 00:29:03,800 Speaker 1: that your cat's starting to go a little bit, but 602 00:29:03,960 --> 00:29:11,280 Speaker 1: or that it's a cato. We googled it to Danny. 603 00:29:11,360 --> 00:29:14,400 Speaker 1: Thing's purring, it's on its last breath. No, normally that 604 00:29:14,480 --> 00:29:21,960 Speaker 1: means mine wants water. He ate his dog food. Oh okay, 605 00:29:22,600 --> 00:29:24,680 Speaker 1: I was rating in the who writes the descriptions for 606 00:29:24,680 --> 00:29:27,480 Speaker 1: the post show? You do? I was reading the description 607 00:29:27,520 --> 00:29:28,600 Speaker 1: of the post show. I was laughing, do you write 608 00:29:28,600 --> 00:29:31,120 Speaker 1: the scriptions of everything? Oh? You do? I was the 609 00:29:31,120 --> 00:29:33,400 Speaker 1: post show. I was like, Bobby describes his vagina bone, 610 00:29:33,560 --> 00:29:35,560 Speaker 1: and I read the whole description. I was laughing out loud. 611 00:29:35,840 --> 00:29:38,440 Speaker 1: This show might be better than the real show. Sometimes 612 00:29:38,440 --> 00:29:41,040 Speaker 1: it squirts off into places where we're like, it's ridiculous 613 00:29:41,000 --> 00:29:42,400 Speaker 1: and there's no need for us to talk about it. 614 00:29:42,600 --> 00:29:44,200 Speaker 1: But we can be a bit more experimental in this 615 00:29:44,200 --> 00:29:46,440 Speaker 1: show to find out what works. But I think pound 616 00:29:46,440 --> 00:29:49,120 Speaker 1: for pound, there are more lols in this show than 617 00:29:49,200 --> 00:29:51,480 Speaker 1: there are in the other show because we just are free. 618 00:29:51,480 --> 00:29:53,440 Speaker 1: I'm looking the clock going, I gotta hit a quarter hour. 619 00:29:53,600 --> 00:29:58,560 Speaker 1: I gotta, you know, do a benchmark those type things. 620 00:30:00,320 --> 00:30:02,280 Speaker 1: All right, that's it. That's it. That's all you Got's 621 00:30:02,320 --> 00:30:04,440 Speaker 1: wrap it up. I got it. Look at this packet here? 622 00:30:04,960 --> 00:30:08,560 Speaker 1: You see this? Yeah? Is that all commercials? After? It 623 00:30:08,600 --> 00:30:12,200 Speaker 1: looks like munday? Why is that on white? Parshould be 624 00:30:12,200 --> 00:30:17,800 Speaker 1: on green? So it's I don't look, here's the thing. 625 00:30:17,960 --> 00:30:20,160 Speaker 1: Not really, No, I don't get paid for everybody all 626 00:30:20,240 --> 00:30:23,040 Speaker 1: these No, So no, it's not like I read one. 627 00:30:23,120 --> 00:30:24,880 Speaker 1: It's different from you guys. That's that's not how my 628 00:30:24,960 --> 00:30:27,640 Speaker 1: deal works, okay. And then secondly, have this big packet here, 629 00:30:28,160 --> 00:30:32,840 Speaker 1: Margarine that looks like a lawsuit. What is that subpoena? 630 00:30:33,000 --> 00:30:35,080 Speaker 1: That doesn't look good. It's the countdown for this weekend, 631 00:30:35,280 --> 00:30:39,160 Speaker 1: got it? And so I gotta do that. Um, that's it, 632 00:30:39,480 --> 00:30:44,280 Speaker 1: you guys, look at the top of the countdown. Okay, 633 00:30:44,520 --> 00:30:49,440 Speaker 1: it's it's that. We gotta go. You guys, have a 634 00:30:49,480 --> 00:30:51,720 Speaker 1: great day. Uh see you tomorrow. Buy Friends.