WEBVTT - Star Wars: Skeleton Crew Episodes 1 and 2

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<v Speaker 1>Warning, today's episode contain's spoilers for the first two episodes

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<v Speaker 1>of the charming Star Wars Skeleton Crew. Oh my name

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<v Speaker 1>is Jason Getzepsion and joining us today, we have some

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<v Speaker 1>special but also comforting guests.

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<v Speaker 2>Okay, I'm Joe Lane.

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<v Speaker 3>And I'm Aaron Kaufman, and.

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<v Speaker 1>Welcome back to the extra vision of the podcast where

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<v Speaker 1>we dive deep bitty of very Joe's movies, comments, and

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<v Speaker 1>pop culture. Coming from Myron Podcasts. We're bringing you three

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<v Speaker 1>episodes week every Tuesday and Thursday, and extra episode every Wednesday.

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<v Speaker 1>Today's episodes we're reacting to the first two episodes, wonderful

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<v Speaker 1>episodes of Disney's latest Star Wars show, Skeleton Crewe and

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<v Speaker 1>it's fantastic. We're gonna be jumping out of the airlock

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<v Speaker 1>to talk about Skeleton Crew episodes one and two coming up. Now,

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<v Speaker 1>all right, let's start. Do we open in the year nine?

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<v Speaker 1>Ab y folks. The Empire is fallen, the New Republic

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<v Speaker 1>is solidifying it's governmental infrastructure across the galaxy, and it's

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<v Speaker 1>a little messy, but that's what democracy is. It's a

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<v Speaker 1>little messier because everybody has a voice, but it is

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<v Speaker 1>messy and in particular intergalactic travel. Intergalactic cargo is being

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<v Speaker 1>preyed upon by piracy, which remains a massive problem in

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<v Speaker 1>the New Republic era. We open in space, a pirate

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<v Speaker 1>vessel attacks a cargo ship. The pirates board. There's a

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<v Speaker 1>big firefight, but the pirates win. They get into the

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<v Speaker 1>vault at the best of apparently their captain. Do we

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<v Speaker 1>do we think that this helmeted gentlemen who spoiler alert

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<v Speaker 1>is Jude Law's character and you can kind of tell

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<v Speaker 1>through the through the yeah, yeah, but he appears to

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<v Speaker 1>be the captain of this of this particular pirate crew, right,

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<v Speaker 1>and he clearly has sold them a bill of goods,

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<v Speaker 1>which is we're going to attack this ship. This ship

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<v Speaker 1>has it purports to be just carrying fruits and vegetables

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<v Speaker 1>and what have you. But there's a magnetic vault on it,

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<v Speaker 1>which can only mean massive, massive wealth within this ship.

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<v Speaker 1>But they cut open the vault and there's one measly

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<v Speaker 1>credit inside. And so now the pirates, including a wolfman

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<v Speaker 1>named Brutus, is first of all awesome, I have we

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<v Speaker 1>have not seen a live action wolfman since Star Wars,

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<v Speaker 1>and only briefly in the CANTEENA correct me some someone

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<v Speaker 1>if I'm wrong. Although he's The Wolfmen have made appearances

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<v Speaker 1>in other formats, including the comics, but awesome, awesome to

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<v Speaker 1>see one and they're all pissed at Jude Law and

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<v Speaker 1>they start just beating the brakes off this guy. We

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<v Speaker 1>go elsewhere to a planet that we don't know the

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<v Speaker 1>name of yet we will eventually, and we meet Whim,

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<v Speaker 1>a young human who is getting ready for school. His father, Wendel,

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<v Speaker 1>is a single dad, played shockingly for fans of mid

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<v Speaker 1>aught indie rock by t Brooklyn's TV on the radio

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<v Speaker 1>Frontman tun Day at a Bimbay Anyone like Me, any

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<v Speaker 1>other TV on the radio.

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<v Speaker 3>Heads out there did not expect a Pitchfork favorite to

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<v Speaker 3>be in the new Star Wars show.

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<v Speaker 1>He's been in other stuff. He was in, Oh, what's

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<v Speaker 1>the Anne Hathaway wedding film? That's very good, Rachel get married.

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<v Speaker 2>He's in that.

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<v Speaker 1>He's been in other stuff, but like it. I was

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<v Speaker 1>like I had to pause and like gather myself. I'm like,

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<v Speaker 1>oh my god.

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<v Speaker 2>The dead.

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<v Speaker 1>Anyway, dad is very very busy, and he leaves his

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<v Speaker 1>son with like a pile of credits and leaves, which

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<v Speaker 1>leads me to ask the group, shouldn't the Republic and

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<v Speaker 1>shouldn't the Empire before them have figured out a more

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<v Speaker 1>efficient currency format, because it just feels like a big

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<v Speaker 1>like pile of dou balloons is not necessarily It was great,

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<v Speaker 1>by the way, for this particular story, absolutely, but I

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<v Speaker 1>don't know if it's I don't know if it's the

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<v Speaker 1>medium for intergalactic trade that you're looking for.

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<v Speaker 3>Yeah, they don't have like a kid's credit card version

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<v Speaker 3>of the visa bucks or whatever.

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<v Speaker 4>They're trading everything else on like little floppy disc esque technology.

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<v Speaker 4>I feel you could absolutely have digital currency at this point.

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<v Speaker 2>Get it together, Star Wars.

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<v Speaker 1>Come on, Yeah, I get it together. Wim lives in

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<v Speaker 1>a really well laid out and picturesque suburban settlement on

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<v Speaker 1>whatever planet this is. He's on his way to school.

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<v Speaker 1>He runs into his friend Neil, who is an Ordolan,

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<v Speaker 1>one of the elephant species of Star Wars. I believe

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<v Speaker 1>the keyboard player in the Max. I believe Max Rebo

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<v Speaker 1>is an Orderland. Is that not the is that?

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<v Speaker 4>So there's there's believe that this is not an Orland.

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<v Speaker 4>Max Fewill is one This that's a little more expressive,

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<v Speaker 4>a little different, and the I believe the creator and

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<v Speaker 4>the showrunner have both confirmed that this is a different species.

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<v Speaker 2>But I don't think we know what this species is yet.

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<v Speaker 3>Okay, I see and thank god he's more expressive because

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<v Speaker 3>Neil's eyes are my MVP of episode one for sure.

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<v Speaker 3>Neil Is is absolutely the runaway MVP of the series

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<v Speaker 3>thus far. Neil and Whim are obsessed with Jedis. They

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<v Speaker 3>get on the bus and out the window, Whim sees

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<v Speaker 3>two girls whip by on a speeder which another fun

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<v Speaker 3>fact about this particular planet is their currency is big

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<v Speaker 3>gold coins, and kids can drive vehicles at excessive rates

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<v Speaker 3>of speed on highways that look like it could just

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<v Speaker 3>be like Houston, Texas. Like the on ramps and off

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<v Speaker 3>ramps feel very like basic metropolitan highway here.

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<v Speaker 1>Listen, school is boring, we get it. Classes boring, the

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<v Speaker 1>teachers are very boring droids but no personalities. Wim gets

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<v Speaker 1>caught dueling instead of paying attention by the guest speaker

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<v Speaker 1>of the class this particular day, and that is Under

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<v Speaker 1>Secretary Pharah of the New Republic. She comes to address

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<v Speaker 1>the class about the Career Assessment Test, which is tomorrow.

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<v Speaker 1>Career Assessment Test just like it sounds. It's like it

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<v Speaker 1>sounds like kind of like O levels. I guess, like

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<v Speaker 1>in England, it's like, this is the test you take

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<v Speaker 1>that will basically set you up for your career and

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<v Speaker 1>lock you in for life.

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<v Speaker 2>Did you guys have to do career aptitude tests?

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<v Speaker 1>No?

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<v Speaker 3>No, I never did, did you know?

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<v Speaker 2>Oh yeah absolutely?

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<v Speaker 4>Right after Squared Dancing, they were like, okay, here's the

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<v Speaker 4>career aptitude test and it'll tell you what jobs you

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<v Speaker 4>should look at in the future. But it's a very

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<v Speaker 4>dumb test. It's sort of like taking a Yahoo test

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<v Speaker 4>where you're like, I kind of know what the answers

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<v Speaker 4>are gonna Do you like writing?

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<v Speaker 2>Do you journal a lot? I was gonna be a writer?

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<v Speaker 3>Is like, which of these answers makes me a Jedi? Yeah,

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<v Speaker 3>I'll answer yes to all that I wish.

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<v Speaker 1>Right, Sofa asks, you know, it goes around the classes

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<v Speaker 1>like what do you want to do? What are you

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<v Speaker 1>interested in? And she calls on whim who's like trying

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<v Speaker 1>to hide from answering, and he basically says like I,

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<v Speaker 1>in not so many words, I would like to be

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<v Speaker 1>a Jedi. I want to help people when they're in danger.

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<v Speaker 1>I want to It's been interesting. This is the first

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<v Speaker 1>Star Wars that I can recall in which Jedis are

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<v Speaker 1>like famous, famous, because it seems to me previously, it

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<v Speaker 1>seems to me previously that it's like Jedi, who what?

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<v Speaker 1>What are they?

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<v Speaker 2>Right?

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<v Speaker 1>They did they even exist? What's going on with them?

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<v Speaker 1>This is super interesting to me, and I hope they

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<v Speaker 1>explain it in detail, right.

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<v Speaker 4>Yeah, I hypothesizing if we're nine years after the Battle

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<v Speaker 4>of Jevan and we understand that Luke eventually goes on

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<v Speaker 4>to build a Jedi school. Okay, at first I was prickly,

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<v Speaker 4>and then I was like, Okay, well it's a little different.

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<v Speaker 2>We haven't really been here before.

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<v Speaker 4>But we'll pick this conversation up when we're recapping the

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<v Speaker 4>second episode, because then there's a wrench, right that makes

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<v Speaker 4>me question all of that then.

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<v Speaker 1>Because I yeah, because there's that, I can't wait to

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<v Speaker 1>get to that wrench, because I think the wrench might

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<v Speaker 1>have something to do with explaining why Jedis are so

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<v Speaker 1>much more well known on this particular planet. Anyway, Wim

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<v Speaker 1>is stressed about the assessment because he completely forgot about it.

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<v Speaker 1>We learned that Neil has a crush on a particular

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<v Speaker 1>student named Runa Neil Roswim for saying he wants to

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<v Speaker 1>be a Jedi. And elsewhere we meet the girls Fern

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<v Speaker 1>and KB. They're on their speeder. They are driving again

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<v Speaker 1>at excessive speed and extremely irresponsibly. They are how they

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<v Speaker 1>are allowed to drive like this, I don't know, but

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<v Speaker 1>their speeder breaks down and they end up having to

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<v Speaker 1>walk it home. Elsewhere, Wim watches Neil get welcomed home

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<v Speaker 1>by his large and loving and very active family, and

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<v Speaker 1>then Wim goes home to an empty house and he's

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<v Speaker 1>very sad. It's wonderful and they all seem to get along.

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<v Speaker 3>Yes, everyone's excited. Neil's home, a parent is home.

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<v Speaker 1>And they're all watching TV together and playing together. And

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<v Speaker 1>then Wim goes home to like his iPad and his

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<v Speaker 1>darkened house. This is like a very gen X coded story,

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<v Speaker 1>not just in the fact that, like we're obviously calling

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<v Speaker 1>on Spielbergian tones et the Goonies, these kinds of kids

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<v Speaker 1>on their bikes alone nobody watching them kind of feel.

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<v Speaker 1>But this latchkey kid thing too feels very specifically gen X.

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<v Speaker 1>I think it's pretty smart.

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<v Speaker 4>Also, the single parent household element, yes, very gen X

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<v Speaker 4>of like my family is not a whole sort of situation.

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<v Speaker 4>Uh yeah, I really feel I feel like we get

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<v Speaker 4>a lot of insight into this little dude. I wim

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<v Speaker 4>is maybe the most charming name for a care character

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<v Speaker 4>like this ever. And the minute they were like yeah,

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<v Speaker 4>he's whom I was like, Oh no, I love the

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<v Speaker 4>sleep Baby. Please protect him at all. Cough, I'm worried

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<v Speaker 4>about him. He's courting danger too much.

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<v Speaker 1>At home. KB, who is the one of the girls

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<v Speaker 1>of the pair who wears the kind of like Jordi

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<v Speaker 1>from Star Trek the next Generation type visor, is trying

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<v Speaker 1>to fix the speeder. More on this later, because it

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<v Speaker 1>feels like KB is the one who knows how to

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<v Speaker 1>do everything, but somehow Fern is always in the lead. Okay,

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<v Speaker 1>but she can't fix it. They need a power converter,

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<v Speaker 1>and apparently they really need it because Fern has a

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<v Speaker 1>upcoming race against like the cool kid Bullies who are

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<v Speaker 1>just like they come by and they're just like, we're

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<v Speaker 1>gonna beat your ass at this race.

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<v Speaker 2>You better be there.

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<v Speaker 3>The cool kid Bullies, who is like one older kid

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<v Speaker 3>and then two little kids in the sidecar too. It's

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<v Speaker 3>the least intimidating look of a bullet, ever, but still

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<v Speaker 3>very charming.

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<v Speaker 1>It seems like the girls are new to the planet. Also,

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<v Speaker 1>Fern goes home late. He convinces she convinces her droid

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<v Speaker 1>to lie to her mom that she was actually home

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<v Speaker 1>all the time and she was just doing homework and

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<v Speaker 1>we learned that her mom is under Secretary of Farah.

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<v Speaker 1>And of course Mom is very much like, Hey, assessment test,

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<v Speaker 1>you got to kill it. Dad returns home to find

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<v Speaker 1>Whim cramming for the test. Wim is like, will you

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<v Speaker 1>read me a bedtime story like mom used to do?

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<v Speaker 1>And Dad is like no, and also, aren't you too

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<v Speaker 1>old for.

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<v Speaker 2>This toxic masculinity? E late this kid, this wasn't spend

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<v Speaker 2>time with you, dad, Jesus.

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<v Speaker 1>I agree with the note that when you just like

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<v Speaker 1>learn to read and read on your own, but also

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<v Speaker 1>hang out with your son you've been not been home

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<v Speaker 1>all day, do something else you don't you know, do

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<v Speaker 1>another thing, but like hang over with your kid.

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<v Speaker 2>What is happening here?

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<v Speaker 1>Anyway? Wim gets on his iPad and reads his Jedi book.

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<v Speaker 1>The next day, Whim misses the bus very bad because

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<v Speaker 1>it's test day. He grabs a speeder from the garage

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<v Speaker 1>and takes the short cut that he saw Fern and

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<v Speaker 1>KB take the previous morning. Neil, a great friend, tries

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<v Speaker 1>to delay the test to no avail. Of course, the

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<v Speaker 1>short cut through the woods is like extremely treacherous, and

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<v Speaker 1>Wim crashes into a gully, tries to climb out of

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<v Speaker 1>the gully, and as he is climbing, he discovers like

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<v Speaker 1>a strange hatch buried in the mud. A school attends

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<v Speaker 1>at Droid finds him because he's within sight of the school.

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<v Speaker 1>He's probably I don't know, judging by like CGI distances,

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<v Speaker 1>I'm guessing he's like a mile and a half from

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<v Speaker 1>the school, but like close enough that a Droid could

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<v Speaker 1>pick up his chain code, I guess, and be like,

0:13:41.559 --> 0:13:46.800
<v Speaker 1>where is this kid? The Droid takes him to school.

0:13:48.080 --> 0:13:50.960
<v Speaker 1>He has to sit in the hallway to talk to

0:13:51.480 --> 0:13:54.120
<v Speaker 1>what is their version of the principal, the procter. He's

0:13:54.160 --> 0:13:57.440
<v Speaker 1>looking through his Jedi book, looking because he feels like

0:13:57.480 --> 0:13:59.800
<v Speaker 1>this must be a Jedi temble. He's looking for symbology

0:13:59.840 --> 0:14:02.480
<v Speaker 1>that could tie what he knows about Jedi to this

0:14:02.520 --> 0:14:04.760
<v Speaker 1>thing that he found. And then Fern comes and sits

0:14:04.760 --> 0:14:06.760
<v Speaker 1>down next to him, and she's in trouble for something.

0:14:08.120 --> 0:14:12.040
<v Speaker 1>Whim missed the test. Fern isn't for racing bikes. Whim

0:14:12.120 --> 0:14:14.280
<v Speaker 1>is like I saw you racing. Fern is like, you know,

0:14:14.320 --> 0:14:16.480
<v Speaker 1>the last kid who missed the test was taken to

0:14:16.480 --> 0:14:18.800
<v Speaker 1>work in the mines and he died down there. And

0:14:18.840 --> 0:14:21.520
<v Speaker 1>we learned from this that Fern is a loves to

0:14:21.560 --> 0:14:24.920
<v Speaker 1>tell these tall tales, big tall tale. Tell her dad

0:14:25.040 --> 0:14:28.600
<v Speaker 1>arrives and he's pissed. He's like, first of all, I

0:14:28.600 --> 0:14:31.800
<v Speaker 1>had to leave work, which is crazy. Second of all,

0:14:33.280 --> 0:14:36.240
<v Speaker 1>you missed the test, and now you're fucked because you

0:14:36.240 --> 0:14:38.200
<v Speaker 1>have to get a perfect score on the test to

0:14:38.280 --> 0:14:39.800
<v Speaker 1>even pass. Do you even just.

0:14:39.840 --> 0:14:43.040
<v Speaker 4>Get like how crazy this is what you're be like,

0:14:43.120 --> 0:14:44.640
<v Speaker 4>you could the best you could hope for is an

0:14:44.760 --> 0:14:49.280
<v Speaker 4>F what like or maybe like a D minus fifty.

0:14:49.400 --> 0:14:51.160
<v Speaker 4>I don't know if you're like grading on a scale

0:14:51.280 --> 0:14:53.120
<v Speaker 4>or what it is, but if if they were using

0:14:53.120 --> 0:14:56.800
<v Speaker 4>American test standards, that would still be considered a failing grade.

0:14:56.920 --> 0:14:58.920
<v Speaker 4>And I was like, why, why said the kid up

0:14:58.960 --> 0:15:00.280
<v Speaker 4>to he can't have a fair shot?

0:15:00.320 --> 0:15:01.560
<v Speaker 2>That's crazy. I don't like it.

0:15:02.320 --> 0:15:06.080
<v Speaker 1>I know this is like extremely I disagree with all

0:15:06.120 --> 0:15:09.520
<v Speaker 1>of this, and not to mention some of the most

0:15:09.520 --> 0:15:13.000
<v Speaker 1>famous people that and successful people that we've seen in

0:15:13.000 --> 0:15:17.280
<v Speaker 1>this universe did not go to school. Unclear, like Luke

0:15:17.360 --> 0:15:19.600
<v Speaker 1>can he read? I don't actually know.

0:15:20.760 --> 0:15:24.120
<v Speaker 4>It's giving empire like this first of all, yeah, and

0:15:24.200 --> 0:15:26.040
<v Speaker 4>I don't know if Luke has ever picked up a

0:15:26.040 --> 0:15:27.600
<v Speaker 4>book and well wait, see he gets the.

0:15:27.600 --> 0:15:28.960
<v Speaker 2>Jedi text later when does.

0:15:28.880 --> 0:15:31.560
<v Speaker 1>He learn once he gets there?

0:15:31.680 --> 0:15:34.200
<v Speaker 4>Yeah, eventually he gets there, but that it might have

0:15:34.240 --> 0:15:38.560
<v Speaker 4>come after saving the galaxy, which is fair. But I

0:15:38.560 --> 0:15:43.440
<v Speaker 4>think like this school system is giving empire and like

0:15:43.560 --> 0:15:46.600
<v Speaker 4>you need to be coded and classified into all of

0:15:46.640 --> 0:15:48.880
<v Speaker 4>the kids that the jobs they shouted out were boring

0:15:48.920 --> 0:15:51.200
<v Speaker 4>as hell to They were like I.

0:15:51.160 --> 0:15:56.720
<v Speaker 1>Want to be an analysts, Like, okay, what's going on?

0:15:56.800 --> 0:15:58.080
<v Speaker 2>Kids? So I having to imagination.

0:15:59.760 --> 0:16:03.280
<v Speaker 1>In a big conversation about the test, Wim is trying

0:16:03.280 --> 0:16:05.320
<v Speaker 1>to tell his dad about this Jedi temple he found,

0:16:05.320 --> 0:16:07.880
<v Speaker 1>and Fern is very curious about this. It's like, wait

0:16:07.920 --> 0:16:11.120
<v Speaker 1>a second, say more about that. And Wim realizing now

0:16:11.160 --> 0:16:14.480
<v Speaker 1>that he may have given up too much information to

0:16:14.560 --> 0:16:18.680
<v Speaker 1>a stranger regarding something that he wants to explore on

0:16:18.680 --> 0:16:22.960
<v Speaker 1>his own with Neil and not with some person that

0:16:23.200 --> 0:16:25.560
<v Speaker 1>he encountered in the hallways like that that wasn't true.

0:16:25.600 --> 0:16:26.120
<v Speaker 2>That was a lie.

0:16:26.360 --> 0:16:28.960
<v Speaker 1>Wim goes to see Neil later, climbs up on the skylight,

0:16:29.040 --> 0:16:33.920
<v Speaker 1>sees Neil bathing, which is crazy, huge bath to that family,

0:16:34.560 --> 0:16:38.720
<v Speaker 1>get a huge math, but also like this is a

0:16:38.760 --> 0:16:42.320
<v Speaker 1>private woman for you. Wim, come down.

0:16:42.240 --> 0:16:42.640
<v Speaker 2>My guy.

0:16:43.880 --> 0:16:45.880
<v Speaker 3>Did you guys have skylights when you're growing up?

0:16:46.800 --> 0:16:47.080
<v Speaker 1>Yes?

0:16:47.360 --> 0:16:49.400
<v Speaker 3>Did anyone ever climb up your roof?

0:16:49.440 --> 0:16:56.240
<v Speaker 1>And so Wim gets Neil to help him, of course,

0:16:56.240 --> 0:16:58.480
<v Speaker 1>investigate the temple. When they arrived there, I guess what.

0:16:58.520 --> 0:17:02.040
<v Speaker 1>Fern and KB are already there and they're like, we're involved

0:17:02.040 --> 0:17:04.280
<v Speaker 1>in this, whether you like it or not. They have

0:17:04.400 --> 0:17:07.040
<v Speaker 1>like a bit of a tussle about whose actual claim

0:17:07.560 --> 0:17:10.119
<v Speaker 1>in a very charming scene holds authority, in which they're like, no,

0:17:10.160 --> 0:17:13.159
<v Speaker 1>I claim it, I claim it. Fern wants to like

0:17:13.240 --> 0:17:16.200
<v Speaker 1>find she needs that power converter. She's hoping one's in there.

0:17:16.280 --> 0:17:19.560
<v Speaker 1>Probably one is in there. She lies though, and says

0:17:19.640 --> 0:17:22.320
<v Speaker 1>that this is probably some kind of like cannibal sewer

0:17:23.119 --> 0:17:26.680
<v Speaker 1>thing absolute queen of tall tales. Eventually they agree to

0:17:26.720 --> 0:17:30.600
<v Speaker 1>a tenuous alliance to explore this. That night Dad comes home,

0:17:30.720 --> 0:17:32.920
<v Speaker 1>it's like the garage is open, the house is dark. Whim,

0:17:32.920 --> 0:17:35.800
<v Speaker 1>where the fuck are you? Where they are is digging

0:17:36.080 --> 0:17:40.760
<v Speaker 1>into the dirt to like unearth this thing. KB gets

0:17:40.760 --> 0:17:43.159
<v Speaker 1>it open, because again, KB is the one who knows

0:17:43.200 --> 0:17:47.639
<v Speaker 1>how to do stuff in this tenuous alliance of four kids.

0:17:48.480 --> 0:17:52.080
<v Speaker 1>And they go inside. But well, they're about to go

0:17:52.160 --> 0:17:56.360
<v Speaker 1>inside when Whim's dad shows up. Inside the hatch, they

0:17:56.400 --> 0:18:00.120
<v Speaker 1>find like a rectroid caught it a booby trap. And

0:18:00.160 --> 0:18:02.800
<v Speaker 1>this is where I'm like, oh, I get it. This

0:18:02.840 --> 0:18:03.800
<v Speaker 1>is goonies in space.

0:18:03.880 --> 0:18:07.080
<v Speaker 4>I love it absolutely fu getting them in the design

0:18:07.080 --> 0:18:09.600
<v Speaker 4>of this bottle is so cool, oh.

0:18:09.440 --> 0:18:14.000
<v Speaker 3>Man with an unlimited supply of little rats to come

0:18:14.040 --> 0:18:14.920
<v Speaker 3>out of its eye too.

0:18:14.960 --> 0:18:19.000
<v Speaker 1>Throughout the next couple episodes, Oh my god, the kids

0:18:19.080 --> 0:18:22.520
<v Speaker 1>accidentally trigger the door. Really Wim does, and now they're trapped.

0:18:22.600 --> 0:18:27.320
<v Speaker 1>KB suggests, like in a video game, follow these wires

0:18:27.400 --> 0:18:31.480
<v Speaker 1>and we will find the source of power. Meanwhile, Wim

0:18:31.600 --> 0:18:34.879
<v Speaker 1>is just dropping Jedi facts as they're exploring. KB and

0:18:34.920 --> 0:18:38.160
<v Speaker 1>Fern are leading the way. Wim is frustrated because Neil

0:18:38.560 --> 0:18:41.280
<v Speaker 1>is like getting nervous and is like, I just kind

0:18:41.320 --> 0:18:43.200
<v Speaker 1>of want to go home, Like this is your idea,

0:18:43.240 --> 0:18:45.879
<v Speaker 1>I'm not into this, and Wim is like what are

0:18:45.920 --> 0:18:47.680
<v Speaker 1>you talking about? This is like the greatest thing that's

0:18:47.720 --> 0:18:50.240
<v Speaker 1>ever happened to any of us. This is like the

0:18:50.240 --> 0:18:54.440
<v Speaker 1>best And he goes off to explore KB. In what

0:18:54.600 --> 0:18:57.280
<v Speaker 1>will again is part of a theme, KB gets the

0:18:57.320 --> 0:19:01.760
<v Speaker 1>power back on, they discover their ship elsewhere, Whim is

0:19:01.800 --> 0:19:06.600
<v Speaker 1>like on the bridge. He is flipping fucking switches and

0:19:06.760 --> 0:19:11.359
<v Speaker 1>pushing buttons and putting on headsets. I prefer it as like, stop,

0:19:11.920 --> 0:19:12.800
<v Speaker 1>don't touch anything.

0:19:12.800 --> 0:19:13.560
<v Speaker 2>What are you doing.

0:19:13.920 --> 0:19:17.200
<v Speaker 1>Let's go back to the hatch and leave. Whim sees

0:19:17.200 --> 0:19:19.600
<v Speaker 1>a fucking blinking light and he presses it because this

0:19:19.720 --> 0:19:25.800
<v Speaker 1>kid like amped up for adventure, and of course the

0:19:25.840 --> 0:19:28.480
<v Speaker 1>ship takes off. They peek out of the hatch, they

0:19:28.520 --> 0:19:31.399
<v Speaker 1>see fucking Whim's dad. He's like waving at them, like

0:19:31.440 --> 0:19:34.119
<v Speaker 1>what do you Wim nearly falls off, the ship almost dies.

0:19:34.359 --> 0:19:36.959
<v Speaker 1>The kids pull them back inside and next thing you know,

0:19:38.240 --> 0:19:42.560
<v Speaker 1>hyperspace is achieved and they are flying away. That is

0:19:42.600 --> 0:19:44.280
<v Speaker 1>the end of Act one. That is the end of

0:19:44.680 --> 0:19:47.239
<v Speaker 1>our little talk. Be back with you after a word

0:19:47.280 --> 0:19:48.040
<v Speaker 1>from our sponsors.

0:19:48.880 --> 0:20:00.159
<v Speaker 4>Yeah, and.

0:20:04.960 --> 0:20:09.000
<v Speaker 1>We're back a charming start. No, Joelle Aaron I say

0:20:09.160 --> 0:20:11.800
<v Speaker 1>like already I'm in.

0:20:12.480 --> 0:20:15.119
<v Speaker 4>Freakingly delightful my huggles were up because Skeleton Crew was

0:20:15.119 --> 0:20:17.359
<v Speaker 4>such a dope name for a show. And then they're like,

0:20:17.400 --> 0:20:19.480
<v Speaker 4>but it's a kid's show, I said, not.

0:20:19.680 --> 0:20:20.960
<v Speaker 2>A horror Star Wars.

0:20:21.000 --> 0:20:23.960
<v Speaker 4>I was okay, so I had to adjusted expectations. Luckily

0:20:24.000 --> 0:20:26.320
<v Speaker 4>they gave me a lot of time to think about it.

0:20:26.400 --> 0:20:28.800
<v Speaker 4>They were like, but Jude Laws here, he's gonna be

0:20:28.960 --> 0:20:32.200
<v Speaker 4>giving bad daddy sort of pirate energy.

0:20:32.359 --> 0:20:32.920
<v Speaker 2>That's fun.

0:20:33.000 --> 0:20:36.720
<v Speaker 4>Okay, I really like the opening sequence here, the right

0:20:37.119 --> 0:20:42.000
<v Speaker 4>number of alien characters all of Star Wars, this number

0:20:42.000 --> 0:20:45.600
<v Speaker 4>of aliens in my shows, okay, correct. And then when

0:20:45.600 --> 0:20:48.480
<v Speaker 4>we get to the kids, I really feel I'm not

0:20:48.480 --> 0:20:52.080
<v Speaker 4>gonna call them out because they're kids, but like most

0:20:52.119 --> 0:20:53.919
<v Speaker 4>of these kids are doing really, really well. One of

0:20:53.920 --> 0:20:56.120
<v Speaker 4>them is a little bit behind, uh, struggling to keep

0:20:56.160 --> 0:20:58.920
<v Speaker 4>up performance wise. I hope they get there by the end.

0:20:59.119 --> 0:21:05.480
<v Speaker 2>But they're that You're like, okay, I'm pretty invested.

0:21:06.080 --> 0:21:08.080
<v Speaker 4>The other thing, j Law gave a quote to star

0:21:08.119 --> 0:21:11.119
<v Speaker 4>wars dot Com about how much he was excited to

0:21:11.119 --> 0:21:15.240
<v Speaker 4>do this project because like everyone plays Star Wars as

0:21:15.280 --> 0:21:18.840
<v Speaker 4>a kid pretty much if you were born mid seventies

0:21:18.880 --> 0:21:22.760
<v Speaker 4>on for short Jedi or whatever, and so seeing it

0:21:23.000 --> 0:21:25.560
<v Speaker 4>you know, not through a sort of broad lends for everybody,

0:21:25.600 --> 0:21:28.920
<v Speaker 4>but very specifically for children that interested him, like as

0:21:28.960 --> 0:21:30.960
<v Speaker 4>an actor and sort of like leading that group.

0:21:31.400 --> 0:21:32.200
<v Speaker 2>And then two like.

0:21:33.240 --> 0:21:35.359
<v Speaker 4>I you forget what it's like to be a kid.

0:21:35.400 --> 0:21:38.280
<v Speaker 4>I'm very divorced from my childhood at this point.

0:21:38.680 --> 0:21:41.240
<v Speaker 2>But like the dad, that's a great yeah.

0:21:41.359 --> 0:21:43.399
<v Speaker 4>Like I was like, man, the dad in this is

0:21:43.480 --> 0:21:46.560
<v Speaker 4>so mean, Like they're not giving any kind of like perspective,

0:21:47.240 --> 0:21:49.480
<v Speaker 4>the kind of like well, because usually any things that

0:21:49.520 --> 0:21:51.600
<v Speaker 4>you're like, oh, the parent's busy, I can really read

0:21:51.640 --> 0:21:52.639
<v Speaker 4>how stressed they are.

0:21:52.520 --> 0:21:55.240
<v Speaker 2>And they're they're giving their best. This dad seems really devoided.

0:21:55.320 --> 0:21:57.080
<v Speaker 4>But if you're a kid, you don't have the nuance

0:21:57.119 --> 0:22:00.119
<v Speaker 4>to understand why dad won't spend time with you. I

0:22:00.160 --> 0:22:03.480
<v Speaker 4>really feel like they nailed like this is a child's perspective.

0:22:04.200 --> 0:22:06.199
<v Speaker 1>It's a great, great point. I spent a lot of

0:22:06.240 --> 0:22:10.480
<v Speaker 1>time thinking and rewatching like scenes from ET the Last

0:22:10.520 --> 0:22:13.480
<v Speaker 1>Starfighter in like different movies with kids perspectives, just to

0:22:13.520 --> 0:22:16.400
<v Speaker 1>be like, oh, yeah, this is what it's like kids.

0:22:16.800 --> 0:22:21.679
<v Speaker 1>From this perspective, kids are going to do adventurous, fun

0:22:22.400 --> 0:22:27.399
<v Speaker 1>novel things that are exciting that engage their curiosity and

0:22:27.880 --> 0:22:30.879
<v Speaker 1>if you were in the adult perspective, this is kids

0:22:30.920 --> 0:22:37.120
<v Speaker 1>doing the dumbest shit yea ever imaginable, flipping random buttons

0:22:37.160 --> 0:22:40.040
<v Speaker 1>on the stars, like and you have to take yourself

0:22:40.040 --> 0:22:42.840
<v Speaker 1>out of that, and when you do that, it's wonderful.

0:22:42.920 --> 0:22:44.840
<v Speaker 1>Like I spend a lot of time thinking about et

0:22:45.040 --> 0:22:48.480
<v Speaker 1>and like all the absolutely idiotic shit that like Elliott

0:22:48.520 --> 0:22:51.480
<v Speaker 1>and his crew do over the and Goonies where it's

0:22:51.520 --> 0:22:55.000
<v Speaker 1>like everybody's dying, like coming very close to death, like

0:22:55.080 --> 0:22:56.639
<v Speaker 1>every thirty seconds in that movie.

0:22:57.320 --> 0:23:00.520
<v Speaker 3>I love how that all four kids have all four

0:23:00.600 --> 0:23:05.680
<v Speaker 3>kids have like really well defined characteristics so far, Yes,

0:23:05.680 --> 0:23:09.560
<v Speaker 3>And you can see your childhood in one or more

0:23:09.640 --> 0:23:11.800
<v Speaker 3>likely a combination of the two of them. And you

0:23:11.920 --> 0:23:16.280
<v Speaker 3>have this brainy like sort of emotionless character who's figuring

0:23:16.320 --> 0:23:19.359
<v Speaker 3>things out and studying things and building things. You have

0:23:19.400 --> 0:23:22.359
<v Speaker 3>this other character who's really bold and adventurous and like

0:23:22.400 --> 0:23:24.480
<v Speaker 3>wants to take charge of a situation. You have the

0:23:24.520 --> 0:23:27.400
<v Speaker 3>other kid who's just like filled with anxiety, like at

0:23:27.440 --> 0:23:30.320
<v Speaker 3>all times filled with anxiety. And then you have the

0:23:30.400 --> 0:23:34.479
<v Speaker 3>kid who's like super curious. And I also, like Joelle

0:23:34.480 --> 0:23:37.560
<v Speaker 3>to your point about like them being kids and seeing

0:23:37.600 --> 0:23:41.760
<v Speaker 3>the world through their eyes. I loved women and Neil

0:23:42.119 --> 0:23:45.560
<v Speaker 3>play fighting with lightsabers the first time to really see

0:23:45.600 --> 0:23:48.239
<v Speaker 3>each other and like, oh, my guts are spilling out.

0:23:48.240 --> 0:23:49.840
<v Speaker 3>Oh wait, hold on, there's something in my eye. I

0:23:49.840 --> 0:23:51.840
<v Speaker 3>think I have an eye latch there. Like, what a

0:23:51.880 --> 0:23:53.880
<v Speaker 3>great little interaction for a Star Wars show.

0:23:54.560 --> 0:23:56.399
<v Speaker 1>It was really really cool. And to your point, Joelle

0:23:56.400 --> 0:24:00.440
<v Speaker 1>about the performances coming off of the show that was

0:24:00.480 --> 0:24:04.360
<v Speaker 1>spotty the accolade and in which I felt like some

0:24:04.440 --> 0:24:08.400
<v Speaker 1>of the weakest parts were the performances of the child

0:24:08.400 --> 0:24:11.920
<v Speaker 1>of the younger actors, this is a show that does

0:24:11.960 --> 0:24:15.359
<v Speaker 1>not have that particular problem that I feel like also,

0:24:15.800 --> 0:24:21.560
<v Speaker 1>and also the characterizations of the writing are pitched to

0:24:22.119 --> 0:24:25.360
<v Speaker 1>the particular bandwidth of childhood.

0:24:25.359 --> 0:24:26.399
<v Speaker 3>So I mean it's working.

0:24:27.280 --> 0:24:31.679
<v Speaker 1>Episode two, Wim gets the ship out of hyperspace. But

0:24:31.800 --> 0:24:34.920
<v Speaker 1>now they're just like randomly in the fucking galaxy somewhere

0:24:35.040 --> 0:24:37.440
<v Speaker 1>right you're the way from wherever funt of her planet.

0:24:38.280 --> 0:24:41.480
<v Speaker 2>They're just literally lost in space. Children. At this point,

0:24:41.520 --> 0:24:45.159
<v Speaker 2>I was like, oh, yes, where are we? What's going on?

0:24:45.320 --> 0:24:48.400
<v Speaker 1>Is their food on this ship? What's happening? Neil is

0:24:48.880 --> 0:24:53.040
<v Speaker 1>absolutely freaking out. He wants to go home. Meanwhile, like

0:24:53.160 --> 0:24:55.000
<v Speaker 1>are we alone on the ship, because now we're hearing

0:24:55.080 --> 0:25:01.439
<v Speaker 1>crazy fucking beast sounds and a hulking with a missing

0:25:01.520 --> 0:25:05.479
<v Speaker 1>eye with a rat living in its head comes like

0:25:06.720 --> 0:25:10.480
<v Speaker 1>lurching out of the darkness. The droid seems very confused

0:25:10.480 --> 0:25:13.240
<v Speaker 1>about where it is, like when it is and who

0:25:13.320 --> 0:25:18.200
<v Speaker 1>he is addressing, and he's like, where's my captain? What's

0:25:18.240 --> 0:25:20.919
<v Speaker 1>going on. Fern, very quick thinking, is like, captain is

0:25:20.960 --> 0:25:24.960
<v Speaker 1>dead and the droid is absolutely now even more confused.

0:25:24.960 --> 0:25:29.879
<v Speaker 1>The droid's name is SM thirty three, and Fern, improvising says,

0:25:31.560 --> 0:25:34.080
<v Speaker 1>guess what, I killed your captain. So, by the laws

0:25:34.119 --> 0:25:38.520
<v Speaker 1>of space piracy and the transitional nature of authority in space,

0:25:39.119 --> 0:25:42.680
<v Speaker 1>I am the captain now. And SM thirty three takes

0:25:42.720 --> 0:25:44.520
<v Speaker 1>a minute to think about it, and it's like, okay,

0:25:45.040 --> 0:25:46.360
<v Speaker 1>what do you want to do with these other three?

0:25:46.440 --> 0:25:48.040
<v Speaker 1>Do we want to launch them in the airlock or

0:25:48.040 --> 0:25:52.160
<v Speaker 1>are we good with them? And Fern is like, teach

0:25:52.200 --> 0:25:54.040
<v Speaker 1>us how to fly the ship. So there's this big

0:25:54.280 --> 0:25:58.399
<v Speaker 1>tutorial that includes mentioning a big self destruct button that

0:25:58.480 --> 0:26:04.480
<v Speaker 1>whim of course wants press. Everybody's like, don't do that,

0:26:04.880 --> 0:26:05.960
<v Speaker 1>it will blow up the ship.

0:26:06.560 --> 0:26:09.080
<v Speaker 4>I love a flashing light too when I get it.

0:26:09.440 --> 0:26:13.280
<v Speaker 4>What does this do is my favorite game? Dangerous to

0:26:13.320 --> 0:26:14.040
<v Speaker 4>play when you're.

0:26:13.960 --> 0:26:16.600
<v Speaker 2>Already lost in space, but I get it.

0:26:17.320 --> 0:26:19.880
<v Speaker 4>I think Nick Frost does such a great job here,

0:26:19.920 --> 0:26:22.520
<v Speaker 4>Like I think a droid is something that's really difficult

0:26:22.520 --> 0:26:23.320
<v Speaker 4>to pull off.

0:26:23.400 --> 0:26:26.520
<v Speaker 2>I love K Twoso, who was our.

0:26:26.480 --> 0:26:29.520
<v Speaker 4>Second to last super chatty bot, and I think maybe

0:26:29.560 --> 0:26:33.440
<v Speaker 4>the greatest robot since like R two and C three po.

0:26:34.560 --> 0:26:39.000
<v Speaker 4>This is fun though, like getting to play their protector slash,

0:26:39.560 --> 0:26:44.560
<v Speaker 4>you know, sort of antagonists, sort of co pilot hulky

0:26:44.640 --> 0:26:47.359
<v Speaker 4>guy to the kids, like, oh gosh, it's really fun,

0:26:47.400 --> 0:26:49.120
<v Speaker 4>and I think his comedy is gonna lend a lot

0:26:49.160 --> 0:26:49.640
<v Speaker 4>to this show.

0:26:50.840 --> 0:26:55.359
<v Speaker 1>Fern orders SM to fly them home, but SM is like, okay,

0:26:55.400 --> 0:26:56.119
<v Speaker 1>where where is that?

0:26:56.240 --> 0:26:56.840
<v Speaker 2>Where are we?

0:26:56.880 --> 0:27:01.000
<v Speaker 1>Where's your planet? Galaxy is absolute too big. They can't

0:27:01.000 --> 0:27:06.240
<v Speaker 1>even point out what star system they are from. And

0:27:07.320 --> 0:27:10.200
<v Speaker 1>they mentioned finally what system they're from, and they say

0:27:10.200 --> 0:27:12.479
<v Speaker 1>it's at At and he has never heard of it.

0:27:13.040 --> 0:27:17.399
<v Speaker 1>They're fully, fully lost in space, but SM is like,

0:27:17.440 --> 0:27:20.199
<v Speaker 1>I know of a spaceport that's kind of nearby. So

0:27:20.320 --> 0:27:22.880
<v Speaker 1>Fern is like, okay, let's go to the spaceport back

0:27:22.920 --> 0:27:26.880
<v Speaker 1>on at At In security droids are investigating this spot

0:27:26.920 --> 0:27:30.000
<v Speaker 1>in the woods where the ship has emerged. WiM's dad

0:27:30.040 --> 0:27:32.200
<v Speaker 1>comes running out. He's like trying to tell them about

0:27:32.200 --> 0:27:35.520
<v Speaker 1>the starship and the kids back on the ship, Neil

0:27:35.560 --> 0:27:38.720
<v Speaker 1>goes looking for Wim. Instead, he finds dead bodies.

0:27:38.400 --> 0:27:39.160
<v Speaker 2>Like everywhere.

0:27:39.200 --> 0:27:44.320
<v Speaker 1>There's been some sort of fight here, and Wim loves it.

0:27:44.400 --> 0:27:45.680
<v Speaker 1>Whim was like, this is cool.

0:27:45.800 --> 0:27:48.760
<v Speaker 3>Is it not the greatest thing that ever happened?

0:27:49.920 --> 0:27:51.400
<v Speaker 2>Yeah?

0:27:51.440 --> 0:27:53.879
<v Speaker 1>He goes. He's like, and by the way, check it out.

0:27:53.920 --> 0:27:56.280
<v Speaker 1>I found the captain's quarters. They go, they're poking around

0:27:56.359 --> 0:27:59.040
<v Speaker 1>the captain's courts, super dusty. He finds the captain's hat.

0:27:59.400 --> 0:28:01.240
<v Speaker 2>Wim is like, you have a sleepover in there.

0:28:01.640 --> 0:28:04.280
<v Speaker 1>Yeah, let's let's not go home right away, Like obviously

0:28:04.320 --> 0:28:06.840
<v Speaker 1>we're gonna go home, but like right now, Neil is,

0:28:07.280 --> 0:28:10.080
<v Speaker 1>who has a wonderful home life, cannot wait to get

0:28:10.080 --> 0:28:10.560
<v Speaker 1>back to it.

0:28:10.760 --> 0:28:13.760
<v Speaker 3>Also, Neil complains that it smells bad on the ship,

0:28:13.920 --> 0:28:15.159
<v Speaker 3>which because.

0:28:14.880 --> 0:28:18.040
<v Speaker 1>There's dead bodies everywhere and he's got the biggest notes.

0:28:18.119 --> 0:28:21.080
<v Speaker 3>Yes, he does so, but he doesn't breathe. He doesn't

0:28:21.119 --> 0:28:23.199
<v Speaker 3>speak through it, which is very important to know.

0:28:23.600 --> 0:28:26.040
<v Speaker 1>But he's smelling things clearly, like on.

0:28:26.000 --> 0:28:27.120
<v Speaker 3>A different at a higher level.

0:28:27.200 --> 0:28:28.040
<v Speaker 2>Yeah. Yes.

0:28:28.280 --> 0:28:31.040
<v Speaker 1>They arrive at the starport and immediately it's like this

0:28:31.119 --> 0:28:36.760
<v Speaker 1>place is distributable, like just on site by looking at

0:28:36.760 --> 0:28:40.400
<v Speaker 1>the ships. Bad neighborhood. The name of the spaceport is

0:28:40.520 --> 0:28:45.080
<v Speaker 1>Ort Borgo. SM thirty three confirms this is a dangerous

0:28:45.120 --> 0:28:48.240
<v Speaker 1>and bad place. I'm going to say on the ship

0:28:48.280 --> 0:28:51.880
<v Speaker 1>to make repairs, which, by the way, what with what parts?

0:28:51.880 --> 0:28:53.479
<v Speaker 1>Why don't you just go with the kids. We can

0:28:53.520 --> 0:28:56.160
<v Speaker 1>start the repairs when you all get back. Anyway, bad idea,

0:28:56.240 --> 0:28:58.720
<v Speaker 1>But kids are making decisions, so what are you gonna do?

0:28:59.520 --> 0:28:59.640
<v Speaker 3>Uh?

0:29:00.320 --> 0:29:04.880
<v Speaker 1>At the port, Wim immediately gets swindled for like some

0:29:04.960 --> 0:29:09.480
<v Speaker 1>of his credits, like instantly by the cab driver gets swindled.

0:29:09.960 --> 0:29:12.560
<v Speaker 1>He is like, okay, smart thing to do. I'm gonna

0:29:12.640 --> 0:29:15.680
<v Speaker 1>hide the rest of my credits in my shoe. Fern

0:29:15.840 --> 0:29:20.040
<v Speaker 1>goes to ask directions to like where they should be headed.

0:29:21.320 --> 0:29:24.600
<v Speaker 1>Curious looks abound. Everybody's like what are children doing here?

0:29:24.960 --> 0:29:28.600
<v Speaker 1>They pass by like a canteena with uh there's an

0:29:29.080 --> 0:29:33.320
<v Speaker 1>interesting looking female alien who is working the door. Wim

0:29:33.440 --> 0:29:39.760
<v Speaker 1>is like, let's go inside. Fern is like, uh no,

0:29:40.240 --> 0:29:43.240
<v Speaker 1>But when she's distracted everybody goes their separate ways. KB

0:29:43.440 --> 0:29:46.360
<v Speaker 1>ends up like an a rare animal shop where Fern

0:29:46.400 --> 0:29:48.600
<v Speaker 1>finds her and she's like, where are these idiot boys?

0:29:49.520 --> 0:29:52.200
<v Speaker 1>No idea. The woman from the canteena runs up and

0:29:52.240 --> 0:29:58.040
<v Speaker 1>she's like, hold on, are you children? And Fern is

0:29:58.080 --> 0:30:01.120
<v Speaker 1>like yes, and she's like you should not be here,

0:30:01.360 --> 0:30:03.800
<v Speaker 1>and she's like, well, I need directions. We're trying to

0:30:03.840 --> 0:30:06.880
<v Speaker 1>get home to at Aton and the lady has never

0:30:06.880 --> 0:30:09.520
<v Speaker 1>heard of it. And we're realizing now that there is

0:30:09.560 --> 0:30:12.680
<v Speaker 1>something strange about the planet that these kids are from.

0:30:13.080 --> 0:30:15.680
<v Speaker 1>More on that in a bit. To continue our discussion

0:30:15.720 --> 0:30:18.000
<v Speaker 1>about the Jedi thing, I think it intersects with the

0:30:18.040 --> 0:30:21.480
<v Speaker 1>mystery around this planet. Maybe the boys are at a

0:30:21.480 --> 0:30:26.040
<v Speaker 1>street food cart. The food is just purely like stuff

0:30:26.120 --> 0:30:32.520
<v Speaker 1>for space rats. It's disgusting, whim pays the shopkeeper. Shopkeeper

0:30:32.600 --> 0:30:34.920
<v Speaker 1>immediately tries to swindle in because it's clear that this

0:30:35.040 --> 0:30:39.040
<v Speaker 1>kid has like a load of like original Republic credits.

0:30:39.600 --> 0:30:42.920
<v Speaker 1>The word immediately gets out there's two little kids on

0:30:43.200 --> 0:30:45.680
<v Speaker 1>orc Borga and they are loaded with fucking coin. The

0:30:45.720 --> 0:30:48.320
<v Speaker 1>kids are now running for it. Fern and KB learned

0:30:48.320 --> 0:30:54.720
<v Speaker 1>that their planet is apparently a legendary treasure spot in

0:30:54.880 --> 0:30:57.520
<v Speaker 1>pirate lore, like it's a forgotten treasure planet.

0:30:58.640 --> 0:30:59.200
<v Speaker 2>Oh my god.

0:30:59.320 --> 0:31:04.080
<v Speaker 1>Okay, let's pause here for a moment. I think that

0:31:04.160 --> 0:31:08.120
<v Speaker 1>this must somehow intersect with the why they know so

0:31:08.200 --> 0:31:10.840
<v Speaker 1>much about Jedis. I think information must be siloed here

0:31:10.840 --> 0:31:13.480
<v Speaker 1>and different in a way than it is for the

0:31:13.520 --> 0:31:18.480
<v Speaker 1>wider galaxy, leading me to believe that these the people

0:31:18.520 --> 0:31:22.840
<v Speaker 1>who populate this planet are like, not necessarily refugees, but

0:31:24.200 --> 0:31:30.320
<v Speaker 1>people directly from the Republic, like middle class republic people

0:31:31.000 --> 0:31:33.920
<v Speaker 1>who had to find a new planet because their planet

0:31:33.920 --> 0:31:36.040
<v Speaker 1>got blowed up or whatever happened. And they know a

0:31:36.080 --> 0:31:38.720
<v Speaker 1>lot about Jedi and I know a lot about events

0:31:38.800 --> 0:31:41.080
<v Speaker 1>during the war and maybe current events as well, and

0:31:41.120 --> 0:31:45.160
<v Speaker 1>then they populated this planet. That is my guess.

0:31:45.400 --> 0:31:48.440
<v Speaker 3>There's also we didn't talk at all about the barrier,

0:31:48.600 --> 0:31:51.200
<v Speaker 3>which they reference multiple times. The kids are like, oh no,

0:31:51.240 --> 0:31:53.040
<v Speaker 3>if we don't get out of the ship, it's going

0:31:53.120 --> 0:31:53.960
<v Speaker 3>to hit the barrier.

0:31:54.200 --> 0:31:56.480
<v Speaker 1>Right that there is some sort of barrier protecting the

0:31:56.520 --> 0:32:01.720
<v Speaker 1>planet clearly from scans and maybe even from from visual location.

0:32:02.240 --> 0:32:05.200
<v Speaker 3>Yeah, And Wendell when he's talking to the droids is

0:32:05.280 --> 0:32:08.400
<v Speaker 3>like that the kids flew out past the barrier. And

0:32:08.440 --> 0:32:10.640
<v Speaker 3>the droids, like no one is allowed past the barrier.

0:32:11.200 --> 0:32:14.680
<v Speaker 3>So having just you know, thought through fallout, is this

0:32:14.720 --> 0:32:18.280
<v Speaker 3>maybe some kind of like nuclear shelter planet. Yes, no

0:32:18.320 --> 0:32:21.040
<v Speaker 3>one knows about. Yeah, Like what is this?

0:32:21.640 --> 0:32:22.480
<v Speaker 2>One hundred percent?

0:32:22.560 --> 0:32:24.960
<v Speaker 4>Aaron I was thinking about, like what we know about

0:32:25.840 --> 0:32:31.040
<v Speaker 4>planetary structures as they applied to like the culturry ard

0:32:31.080 --> 0:32:33.440
<v Speaker 4>to the center of the galaxy, the more like inherently

0:32:33.440 --> 0:32:36.000
<v Speaker 4>involved you were with the republic, right, and then the

0:32:36.040 --> 0:32:39.560
<v Speaker 4>further out you were, the less technology, more secluded you.

0:32:39.880 --> 0:32:42.360
<v Speaker 4>They seem to be somewhere in the middle, right, not

0:32:42.480 --> 0:32:44.640
<v Speaker 4>connected to the larger world so much so that nobody

0:32:44.680 --> 0:32:47.959
<v Speaker 4>knows they're a planet, but they seem to have all

0:32:48.000 --> 0:32:52.880
<v Speaker 4>of the same technology, style of dress, like verbiage that

0:32:53.160 --> 0:32:56.040
<v Speaker 4>everyone that we know in the galaxy has as well.

0:32:56.400 --> 0:32:58.120
<v Speaker 2>Which I was curious because.

0:32:57.920 --> 0:33:00.480
<v Speaker 4>There's really, to me, one of my big criticul of

0:33:00.480 --> 0:33:03.720
<v Speaker 4>Star Wars as like a whole franchise, there's a homogeny

0:33:03.800 --> 0:33:05.200
<v Speaker 4>to the look of a lot of things that a

0:33:05.240 --> 0:33:08.640
<v Speaker 4>galaxy should not have. We're mounting all over the place,

0:33:08.680 --> 0:33:13.000
<v Speaker 4>we should see a drastic difference in styles, and I'm

0:33:13.080 --> 0:33:15.720
<v Speaker 4>curious how that loophole closes here.

0:33:16.000 --> 0:33:19.800
<v Speaker 2>I love the idea that they were recently sequestered themselves

0:33:19.920 --> 0:33:24.360
<v Speaker 2>from the very scary empire and perhaps don't fully know

0:33:24.480 --> 0:33:26.200
<v Speaker 2>that what's happened in the galaxy.

0:33:27.040 --> 0:33:29.720
<v Speaker 1>Do we think where is this planet? Is it in

0:33:29.760 --> 0:33:33.560
<v Speaker 1>the unknown regions? Is in the inner galaxy? Do we

0:33:33.680 --> 0:33:34.480
<v Speaker 1>know where it is?

0:33:35.320 --> 0:33:37.640
<v Speaker 4>I wouldn't even know where to guess it's got It

0:33:37.640 --> 0:33:39.080
<v Speaker 4>feels like it has to be unknown.

0:33:39.600 --> 0:33:42.440
<v Speaker 3>When they ask SM thirty three too, SM thirty three

0:33:42.480 --> 0:33:45.800
<v Speaker 3>has no memory of where its last location was, So

0:33:45.840 --> 0:33:49.760
<v Speaker 3>we don't even have any idea where that that ship

0:33:49.880 --> 0:33:52.680
<v Speaker 3>might have been before it crashed. Uh, so we have

0:33:52.720 --> 0:33:54.960
<v Speaker 3>a full on mystery with it, which I think is great.

0:33:55.360 --> 0:33:58.680
<v Speaker 1>This planet's not going to be star killar base, right, like.

0:33:58.880 --> 0:34:05.400
<v Speaker 4>Oh god, I hope not. But again, there's systems of organization.

0:34:05.480 --> 0:34:08.640
<v Speaker 4>The way they were pushing their kids into very technical jobs.

0:34:08.680 --> 0:34:11.319
<v Speaker 4>It's giving empires, so it absolutely could be.

0:34:12.400 --> 0:34:19.200
<v Speaker 1>Oh my god, Okay, let's continue. So, Uh, there's a

0:34:19.200 --> 0:34:21.480
<v Speaker 1>lot to There's truly a lot to think of. There's

0:34:21.520 --> 0:34:24.359
<v Speaker 1>a lot to think about here. So they learned that

0:34:24.400 --> 0:34:27.720
<v Speaker 1>the their planet is some kind of top secret pirate

0:34:27.840 --> 0:34:30.799
<v Speaker 1>lore treasure spot. Fern has a gun. She pulls a

0:34:30.800 --> 0:34:33.239
<v Speaker 1>blaster on these pirates to make them stop, but she

0:34:33.280 --> 0:34:37.120
<v Speaker 1>immediately gets disarmed because she's a kid and these are hardened,

0:34:37.560 --> 0:34:41.160
<v Speaker 1>fucking pirates. The outlaws are very interested in ad ad.

0:34:41.560 --> 0:34:43.719
<v Speaker 1>They want to know if the kids are telling the

0:34:43.760 --> 0:34:46.879
<v Speaker 1>truth at all. But if four things can go completely left.

0:34:47.000 --> 0:34:50.480
<v Speaker 1>S thirty three shows up to defend the kidsmately maims

0:34:50.520 --> 0:34:54.960
<v Speaker 1>and potentially kills several of the pirates, which, honestly, fine,

0:34:55.000 --> 0:34:59.960
<v Speaker 1>that's good. But then SM gets I'm hoping stun blasts

0:35:00.080 --> 0:35:04.319
<v Speaker 1>did and the rat in its head falls out and

0:35:04.400 --> 0:35:08.120
<v Speaker 1>hopefully doesn't die because that would actually make me really sad.

0:35:09.239 --> 0:35:09.680
<v Speaker 2>Brutus.

0:35:09.719 --> 0:35:13.120
<v Speaker 1>The wolfman arrives and the youngsters all get thrown in

0:35:13.200 --> 0:35:15.279
<v Speaker 1>the brig. No idea. What happens to s M three

0:35:15.360 --> 0:35:20.680
<v Speaker 1>three in the brig? It's just like arguments they Neil

0:35:21.440 --> 0:35:26.200
<v Speaker 1>takes the rat from SM's head and is like, hey,

0:35:26.520 --> 0:35:28.359
<v Speaker 1>through the bars. If you go through the bars and

0:35:28.560 --> 0:35:31.759
<v Speaker 1>there's the key is hanging like on a on a

0:35:31.800 --> 0:35:35.960
<v Speaker 1>fucking nail, like an old West jail, can you go

0:35:36.120 --> 0:35:39.000
<v Speaker 1>out and go get the key? And it doesn't work.

0:35:39.040 --> 0:35:43.279
<v Speaker 1>The rat just fully runs away. Recriminations fly. The kids

0:35:43.320 --> 0:35:46.640
<v Speaker 1>are discussing whether at Aton really is a treasure planet?

0:35:46.719 --> 0:35:49.840
<v Speaker 1>Or what is what does this mean? What is the

0:35:49.840 --> 0:35:53.840
<v Speaker 1>way people reacting this? Is this true? While they're arguing,

0:35:53.880 --> 0:35:57.839
<v Speaker 1>they hear a voice from deeper in the dungeon. It's

0:35:57.880 --> 0:36:02.839
<v Speaker 1>the Captain from episode one, and the Captain's like addresses

0:36:02.880 --> 0:36:04.720
<v Speaker 1>them and is like, I can get us out of here.

0:36:05.000 --> 0:36:11.760
<v Speaker 1>He then uses the Force apparently like is this a trick?

0:36:12.040 --> 0:36:14.520
<v Speaker 1>Is this truly the Force? But it truly does it.

0:36:14.640 --> 0:36:16.640
<v Speaker 1>I was like waiting for this to be a con,

0:36:17.239 --> 0:36:20.520
<v Speaker 1>but it does appear to be the Force and gets

0:36:20.560 --> 0:36:22.920
<v Speaker 1>the key from across the room, and women is like,

0:36:23.000 --> 0:36:28.640
<v Speaker 1>holy shit, wow a real Jedi end of episode two,

0:36:31.280 --> 0:36:37.680
<v Speaker 1>you know or the other one? Yeah, Well, is this

0:36:37.840 --> 0:36:38.960
<v Speaker 1>like a let me ask you?

0:36:39.120 --> 0:36:39.880
<v Speaker 2>Is this a con?

0:36:40.160 --> 0:36:41.120
<v Speaker 1>Is he conning them?

0:36:41.400 --> 0:36:41.520
<v Speaker 2>Like?

0:36:41.640 --> 0:36:45.080
<v Speaker 1>Is this entire thing a setup? We've got this mysterious

0:36:45.160 --> 0:36:48.640
<v Speaker 1>like homing. We've got this like mysterious ship that's on

0:36:48.680 --> 0:36:53.040
<v Speaker 1>a planet that's hidden takes them to where the pirates are.

0:36:53.480 --> 0:36:56.200
<v Speaker 1>I don't know the feeling. There's definitely a deeper mystery

0:36:56.200 --> 0:37:15.759
<v Speaker 1>here to unravel. But what are we thinking about this

0:37:15.880 --> 0:37:16.640
<v Speaker 1>show thus far?

0:37:17.280 --> 0:37:20.319
<v Speaker 4>I'm in on this show. I really love that they're

0:37:20.360 --> 0:37:22.799
<v Speaker 4>like reaching back out to kids. I think they've been

0:37:23.080 --> 0:37:28.680
<v Speaker 4>struggling as a franchise to like get young kids into it.

0:37:28.800 --> 0:37:31.279
<v Speaker 4>You know a lot of kids seems crazy to me,

0:37:31.360 --> 0:37:33.520
<v Speaker 4>but they're like those movies from the seventies. They look

0:37:33.560 --> 0:37:35.680
<v Speaker 4>old and I can't watch it. It hurts my eyes.

0:37:35.800 --> 0:37:38.719
<v Speaker 4>I don't want to see it. Some of the you know,

0:37:39.760 --> 0:37:43.120
<v Speaker 4>old young folks in their twenties who were very very

0:37:43.200 --> 0:37:46.400
<v Speaker 4>young when the preaqules came out, are really dedicated to those.

0:37:46.520 --> 0:37:49.400
<v Speaker 4>But after that, it's been hard to get kids connecting

0:37:49.400 --> 0:37:51.840
<v Speaker 4>to the source material. So I hope that this reaches

0:37:51.880 --> 0:37:53.920
<v Speaker 4>out to them and connects with them. It's really fun.

0:37:54.040 --> 0:37:55.359
<v Speaker 4>I feel like when I was a kid, I would

0:37:55.360 --> 0:37:58.160
<v Speaker 4>have really been vibing with the whole bike's elements of this

0:37:58.280 --> 0:37:59.800
<v Speaker 4>level of freedom and access.

0:38:00.480 --> 0:38:05.680
<v Speaker 2>All that really works Disney they love to be incestuous.

0:38:05.719 --> 0:38:08.120
<v Speaker 4>They got mix Giacchino to do the score for this,

0:38:08.200 --> 0:38:10.400
<v Speaker 4>and I actually have did a really good job.

0:38:10.760 --> 0:38:13.720
<v Speaker 2>It's so whimsical. I gasped a little when the keys moved.

0:38:13.800 --> 0:38:17.200
<v Speaker 4>It was clearly a practical effect instead of CGI, and

0:38:17.280 --> 0:38:20.760
<v Speaker 4>I was like, oh, appeals magical, Like it's it's really happening.

0:38:20.800 --> 0:38:24.279
<v Speaker 4>It weirdly brought up a level of nostalogia in me

0:38:24.320 --> 0:38:26.720
<v Speaker 4>that I haven't had for Star Wars in a minute.

0:38:27.600 --> 0:38:29.719
<v Speaker 2>It's good, guys, I have fun with it.

0:38:30.440 --> 0:38:32.560
<v Speaker 1>I was feeling that as well. I think that to

0:38:34.960 --> 0:38:39.160
<v Speaker 1>kind of elaborate on the the eighties, gen X nineties

0:38:39.239 --> 0:38:44.480
<v Speaker 1>codedness of this show, it's clearly pitched not to appeal

0:38:44.480 --> 0:38:46.360
<v Speaker 1>to kids, but also to appeal to their parents so

0:38:46.400 --> 0:38:48.239
<v Speaker 1>they can all watch it together. I think that there's

0:38:48.280 --> 0:38:51.960
<v Speaker 1>something very notable about the fact that, like we are

0:38:52.000 --> 0:38:58.360
<v Speaker 1>in this highly advanced sci fi setting, but also kids

0:38:58.440 --> 0:39:01.160
<v Speaker 1>have no way to contact their parents on the fly,

0:39:01.320 --> 0:39:04.680
<v Speaker 1>cell phones not existing, Like kids are just on their own,

0:39:05.120 --> 0:39:08.640
<v Speaker 1>and there's that wonderful kind of agency that that creates

0:39:08.680 --> 0:39:13.400
<v Speaker 1>the sense of like getting into the imaginative space of

0:39:14.239 --> 0:39:17.160
<v Speaker 1>the kids themselves, understanding this world through their eyes. I

0:39:17.160 --> 0:39:21.160
<v Speaker 1>think it's like a breath of fresh air and really wonderful.

0:39:21.160 --> 0:39:22.920
<v Speaker 1>And to your point about like connecting kids to it,

0:39:22.960 --> 0:39:26.040
<v Speaker 1>I think that there is like the acolyte like the

0:39:26.080 --> 0:39:28.600
<v Speaker 1>discussions around any of these Star Wars properties that have

0:39:28.680 --> 0:39:32.279
<v Speaker 1>happened over the last couple of years, it feels like

0:39:32.480 --> 0:39:36.040
<v Speaker 1>all of the discourse around them have been dominated and

0:39:36.080 --> 0:39:40.520
<v Speaker 1>even warped by like old head Star Wars fans who

0:39:40.560 --> 0:39:46.120
<v Speaker 1>hate everything and this is like specifically pitched away from them,

0:39:46.360 --> 0:39:50.080
<v Speaker 1>and good great. I think that is awesome.

0:39:50.560 --> 0:39:53.600
<v Speaker 3>I think it's kind of nice too. I after watching

0:39:53.640 --> 0:39:56.759
<v Speaker 3>the first two episodes, no part of me thinks any

0:39:56.800 --> 0:39:59.360
<v Speaker 3>of the four main characters are going to use the Force.

0:40:00.120 --> 0:40:01.759
<v Speaker 3>I don't think any of these kids are going to

0:40:01.960 --> 0:40:05.640
<v Speaker 3>become pot of One and I like that. I like

0:40:05.719 --> 0:40:07.920
<v Speaker 3>that all four of these kids seem to be just

0:40:08.160 --> 0:40:11.480
<v Speaker 3>regular people who will exist and be heroes within this world.

0:40:12.120 --> 0:40:14.600
<v Speaker 3>And it feels like a lot of the newer stuff

0:40:14.640 --> 0:40:17.360
<v Speaker 3>we're getting is very very like, Oh, they have to

0:40:17.360 --> 0:40:19.200
<v Speaker 3>be a Jedi, they have to somehow be using the

0:40:19.239 --> 0:40:21.839
<v Speaker 3>Force in order to make the story worth telling, and

0:40:21.840 --> 0:40:24.480
<v Speaker 3>that's not the case clearly, and we're doing that with

0:40:25.840 --> 0:40:27.239
<v Speaker 3>is Jude Law Jedi? Is he not?

0:40:27.320 --> 0:40:27.520
<v Speaker 2>You know?

0:40:27.680 --> 0:40:30.759
<v Speaker 3>Who knows? I think as someone who's seen Aladdin, I'm

0:40:30.800 --> 0:40:33.479
<v Speaker 3>always suspicious of anyone who's been locked in a jail

0:40:33.520 --> 0:40:35.880
<v Speaker 3>cell but it has the ability to break out but

0:40:35.960 --> 0:40:37.359
<v Speaker 3>hasn't broken themselves out yet.

0:40:37.400 --> 0:40:40.359
<v Speaker 1>Yeah, that's wonder That's what that feels to me the same.

0:40:40.440 --> 0:40:43.120
<v Speaker 1>That's the thing that that also piqued my interests it's like,

0:40:43.200 --> 0:40:45.960
<v Speaker 1>this is something going on here, you were just hanging

0:40:46.000 --> 0:40:46.919
<v Speaker 1>out for a while here.

0:40:49.400 --> 0:40:52.719
<v Speaker 3>I also, like Joelle, you mentioned in the beginning the

0:40:52.840 --> 0:40:56.239
<v Speaker 3>opening of episode one with the perfect amount of alien characters,

0:40:56.320 --> 0:40:59.640
<v Speaker 3>and I thought that that episode, the opening of that

0:40:59.640 --> 0:41:04.279
<v Speaker 3>episodisode and SM thirty three's scene in episode two, the

0:41:04.320 --> 0:41:08.560
<v Speaker 3>show's surprisingly action packed and violent. I mean like SM

0:41:08.600 --> 0:41:12.000
<v Speaker 3>thirty three using his shields on his arms to absorb

0:41:12.080 --> 0:41:15.520
<v Speaker 3>the blaster fire and then burn someone with the heat

0:41:16.000 --> 0:41:17.440
<v Speaker 3>collected is great.

0:41:17.960 --> 0:41:20.520
<v Speaker 4>So this is YI, It's right, and Jason pointed it

0:41:20.560 --> 0:41:23.080
<v Speaker 4>out earlier. There's a very legitimate sense of fear for

0:41:23.160 --> 0:41:25.560
<v Speaker 4>the children in that. Yeah, And I think there's a

0:41:25.640 --> 0:41:29.520
<v Speaker 4>very legitimate like everything. It feels like they're actually in

0:41:29.560 --> 0:41:31.440
<v Speaker 4>this world and it could be bad for them, and

0:41:31.520 --> 0:41:33.880
<v Speaker 4>you're like, oh my god, and they're escaping just by

0:41:33.880 --> 0:41:35.800
<v Speaker 4>the hair of their teeth and that's kind of fine.

0:41:36.360 --> 0:41:38.319
<v Speaker 4>But also I think, yeah, I always felt when I

0:41:38.360 --> 0:41:40.880
<v Speaker 4>was a kid watching shows four kids like I hated

0:41:40.920 --> 0:41:43.680
<v Speaker 4>when I was being talked down to when they were

0:41:43.719 --> 0:41:46.000
<v Speaker 4>like when the world was obviously too safe, but like

0:41:46.400 --> 0:41:48.120
<v Speaker 4>I had some street no how I could get around.

0:41:48.120 --> 0:41:49.440
<v Speaker 4>I knew what to do if I was lost, Like

0:41:49.440 --> 0:41:53.200
<v Speaker 4>there's an element of respect for kids in this and

0:41:53.280 --> 0:41:57.160
<v Speaker 4>like understanding what's going on and being sheltered from the truth.

0:41:57.200 --> 0:42:00.000
<v Speaker 4>That's really interesting. I also think they've built up Mistrey

0:42:00.120 --> 0:42:02.680
<v Speaker 4>You much better than some of our other Star Wars shows.

0:42:03.000 --> 0:42:04.840
<v Speaker 4>I'm like, really, I'm like, what is going on with

0:42:04.880 --> 0:42:06.759
<v Speaker 4>these parents? Because the two parents we spend the most

0:42:06.760 --> 0:42:10.160
<v Speaker 4>time with are so anxious for their children to do well.

0:42:10.239 --> 0:42:13.920
<v Speaker 4>It seems as if there's something out like whatever is

0:42:14.040 --> 0:42:16.839
<v Speaker 4>controlling this planet, ruling this planet will do bad things

0:42:16.840 --> 0:42:18.440
<v Speaker 4>to you if you are not performing and at the

0:42:18.440 --> 0:42:20.520
<v Speaker 4>top of your class. The months is what there's not

0:42:20.680 --> 0:42:22.279
<v Speaker 4>enough room for everybody at the top.

0:42:22.560 --> 0:42:24.719
<v Speaker 2>What does that mean? What happens if you're not at

0:42:24.719 --> 0:42:25.520
<v Speaker 2>the top? Where do you go?

0:42:25.680 --> 0:42:28.480
<v Speaker 4>Is it just regular suburban angs or is it something

0:42:28.520 --> 0:42:31.680
<v Speaker 4>more sinister? Like it's a really compelling show.

0:42:32.760 --> 0:42:37.240
<v Speaker 1>I completely agree, and the mystery to kind of expand

0:42:37.280 --> 0:42:39.960
<v Speaker 1>on that. I mean, it feels like Jude Law got

0:42:40.000 --> 0:42:43.319
<v Speaker 1>thrown in the brig on purpose, right, doesn't it? Like

0:42:43.360 --> 0:42:45.880
<v Speaker 1>from that opening scene thinking about it, like he clearly

0:42:46.000 --> 0:42:50.640
<v Speaker 1>gave this pirate group information about a ship that he

0:42:50.880 --> 0:42:53.640
<v Speaker 1>maybe knew was not true in order to get thrown

0:42:53.640 --> 0:42:56.560
<v Speaker 1>in here? Could he have engineered this whole thing?

0:42:56.719 --> 0:42:56.799
<v Speaker 2>Like?

0:42:56.960 --> 0:43:00.439
<v Speaker 1>Is he trying to get my sense? Is like he's

0:43:00.480 --> 0:43:02.120
<v Speaker 1>from at Aton somehow.

0:43:02.440 --> 0:43:06.960
<v Speaker 4>Mmm okay, okay, I like that He's It's interesting because

0:43:06.960 --> 0:43:11.000
<v Speaker 4>they set him up as sort of the the cocky pilot,

0:43:11.000 --> 0:43:14.280
<v Speaker 4>which was a trope we get a lot throughout Star Wars. Yeah,

0:43:14.320 --> 0:43:17.600
<v Speaker 4>but also if he is one with the fourth how

0:43:17.680 --> 0:43:19.360
<v Speaker 4>smart and how much does he know? Is also a

0:43:19.400 --> 0:43:21.319
<v Speaker 4>thing we get a lot with these guys. Is he

0:43:22.000 --> 0:43:24.200
<v Speaker 4>the Yoda affect? Is he kooky and crazy? Or is

0:43:24.239 --> 0:43:28.399
<v Speaker 4>he whise beyond anybody's comprehension. I think both of those

0:43:28.440 --> 0:43:30.719
<v Speaker 4>elements are sort of at play with this character, which

0:43:31.040 --> 0:43:33.919
<v Speaker 4>again just sort of it makes you want to tune

0:43:33.920 --> 0:43:34.279
<v Speaker 4>in again.

0:43:34.440 --> 0:43:36.040
<v Speaker 2>I have to know where the story's going.

0:43:36.080 --> 0:43:38.799
<v Speaker 4>I don't think we've had anything like, certainly not in

0:43:38.880 --> 0:43:41.080
<v Speaker 4>live action on Star Wars. But I'm struggling even to

0:43:41.080 --> 0:43:43.120
<v Speaker 4>think of like a novel or comic book that comes

0:43:43.120 --> 0:43:48.160
<v Speaker 4>close to this sort of style of storytelling. It's I

0:43:48.239 --> 0:43:50.359
<v Speaker 4>was I was really prepared to be like, oh, Star

0:43:50.400 --> 0:43:52.759
<v Speaker 4>Wars kids show, but man, they really did get me.

0:43:54.239 --> 0:43:56.480
<v Speaker 1>Yeah, no, they they did get They did get me

0:43:56.520 --> 0:43:59.319
<v Speaker 1>as well. I'm I'm super excited to see where this goes.

0:43:59.400 --> 0:44:03.680
<v Speaker 1>I can't wait. I've like this, I've am very excited

0:44:03.719 --> 0:44:08.640
<v Speaker 1>by this show. And the sense of nostalgia is intense.

0:44:09.320 --> 0:44:15.200
<v Speaker 1>It makes you realize, like, how few stories like this

0:44:15.280 --> 0:44:18.120
<v Speaker 1>there really are right now? I mean, I think this

0:44:18.200 --> 0:44:19.920
<v Speaker 1>is part of the reason that Stranger Things when it

0:44:19.960 --> 0:44:24.400
<v Speaker 1>first came out, hits so hard. Yeah, this is pitched

0:44:24.400 --> 0:44:28.200
<v Speaker 1>in that exact space, and it's just feels great. It

0:44:28.200 --> 0:44:29.120
<v Speaker 1>feels you know.

0:44:29.120 --> 0:44:32.120
<v Speaker 4>What, it's giving like Craig of the Creek sort of

0:44:32.200 --> 0:44:36.640
<v Speaker 4>adventure time vibes in that here's a very open world

0:44:36.680 --> 0:44:41.400
<v Speaker 4>with not a lot of adult interaction, where you're allowed

0:44:41.400 --> 0:44:43.719
<v Speaker 4>to sort of dream or be as big as you

0:44:44.160 --> 0:44:47.120
<v Speaker 4>want to be. And that's like that little girl is

0:44:47.160 --> 0:44:48.759
<v Speaker 4>a captain, like immediately, like.

0:44:48.719 --> 0:44:49.600
<v Speaker 2>All of her energy.

0:44:49.840 --> 0:44:55.279
<v Speaker 4>You pointed out earlier, Jason, that KB and what's the

0:44:55.320 --> 0:44:59.920
<v Speaker 4>other girl's name? Uh yeah, okay, I have a theory. Okay,

0:45:00.120 --> 0:45:03.840
<v Speaker 4>so yes, KP's clearly the intelligent one. But if I

0:45:03.880 --> 0:45:06.880
<v Speaker 4>was going to classify her, i'd give her like a

0:45:06.880 --> 0:45:09.520
<v Speaker 4>a Jinkies Velma sort of vibe, you know what I mean,

0:45:09.560 --> 0:45:10.080
<v Speaker 4>Like she's.

0:45:09.920 --> 0:45:14.680
<v Speaker 1>Like, yes, yeah, she's not the she's not the charismatic

0:45:14.719 --> 0:45:15.440
<v Speaker 1>one for sure.

0:45:15.560 --> 0:45:17.600
<v Speaker 2>Yes she's not Fred, and that's okay.

0:45:17.719 --> 0:45:20.160
<v Speaker 4>I think Fern is more of a Fred Daphne hybrid,

0:45:20.480 --> 0:45:21.920
<v Speaker 4>and I really appreciate the.

0:45:22.239 --> 0:45:23.440
<v Speaker 2>Vibes of their friendship.

0:45:23.560 --> 0:45:27.120
<v Speaker 4>They're very you know, girls mature faster than boys, and

0:45:27.200 --> 0:45:29.560
<v Speaker 4>so when you're at the same age, in the same class,

0:45:29.680 --> 0:45:31.680
<v Speaker 4>especially around the sage, which I would guess is between

0:45:31.719 --> 0:45:35.520
<v Speaker 4>like nine and eleven, you know, where are these boys

0:45:35.520 --> 0:45:40.560
<v Speaker 4>and why are they being Let's go like poor poor

0:45:40.560 --> 0:45:42.239
<v Speaker 4>women's never been outside of his house. He has no

0:45:42.280 --> 0:45:45.160
<v Speaker 4>idea how to interact with his zero street credit, like

0:45:45.239 --> 0:45:47.719
<v Speaker 4>no knowledge of how to maneuver through these streets.

0:45:48.120 --> 0:45:50.560
<v Speaker 2>And I really appreciate all the other kids being like

0:45:51.000 --> 0:45:52.200
<v Speaker 2>this one. We have to keep an eye on.

0:45:52.239 --> 0:45:54.279
<v Speaker 4>He's giving youngest child in the class, and I really

0:45:54.280 --> 0:45:55.080
<v Speaker 4>appreciate it.

0:45:56.040 --> 0:45:59.920
<v Speaker 3>Fern is like Louise Joelle like for your Bob's Burg

0:46:00.080 --> 0:46:02.239
<v Speaker 3>or is fandom like Fern reminds me of Louise and

0:46:02.280 --> 0:46:06.520
<v Speaker 3>that she she'll she'll manipulate the situation and she knows

0:46:06.520 --> 0:46:08.719
<v Speaker 3>how to get everyone to do her things for her,

0:46:09.200 --> 0:46:11.160
<v Speaker 3>which is not a bad like, not in a negative way.

0:46:11.280 --> 0:46:15.319
<v Speaker 3>But she's number well, that's true. Yeah, so she is

0:46:15.360 --> 0:46:19.480
<v Speaker 3>also very intelligent and high achieving, even though she's getting

0:46:19.640 --> 0:46:22.520
<v Speaker 3>pulled over by the school droids all the time for

0:46:22.760 --> 0:46:25.719
<v Speaker 3>misbehaving and going to the principal's office. I guess.

0:46:27.160 --> 0:46:31.320
<v Speaker 1>Okay, quick fire rapid predictions. What do we think anything

0:46:31.480 --> 0:46:35.000
<v Speaker 1>anything that's that's peaking your interests. Let's start with you Erin.

0:46:35.080 --> 0:46:37.080
<v Speaker 1>What do you what are some quick predictions?

0:46:37.280 --> 0:46:42.200
<v Speaker 3>I want to know what what at Adam is? My

0:46:42.239 --> 0:46:44.759
<v Speaker 3>biggest thing is like, is this some kind of is

0:46:44.800 --> 0:46:47.960
<v Speaker 3>it a place lost in time? Or are they intentionally

0:46:48.000 --> 0:46:50.680
<v Speaker 3>being kept away from everything going on in the outside.

0:46:50.719 --> 0:46:53.560
<v Speaker 3>So that's my biggest thing. Why are they unaware of

0:46:53.880 --> 0:46:55.920
<v Speaker 3>I mean the kids that when when they fly up

0:46:55.920 --> 0:46:58.360
<v Speaker 3>into space for the first time, Like, are those planets

0:46:58.640 --> 0:47:01.600
<v Speaker 3>know they're stars? Like the kids don't even know about space,

0:47:01.680 --> 0:47:04.640
<v Speaker 3>it seems like. So that's my biggest thing is why

0:47:04.840 --> 0:47:06.239
<v Speaker 3>are they so clueless around this?

0:47:07.080 --> 0:47:08.400
<v Speaker 1>Joelle?

0:47:09.880 --> 0:47:12.760
<v Speaker 4>I'm really interested to see where this intersects with other

0:47:13.000 --> 0:47:18.280
<v Speaker 4>Star Wars if it will, Like are we getting especially

0:47:18.480 --> 0:47:21.200
<v Speaker 4>knowing that Luke is on a path of building the

0:47:21.280 --> 0:47:24.000
<v Speaker 4>Jedi Academy and knowing that this kid wants to be

0:47:24.040 --> 0:47:26.759
<v Speaker 4>a Jedi, And clearly we're dealing with some kind of

0:47:26.800 --> 0:47:29.840
<v Speaker 4>force wielding like I want to see what the intersection

0:47:29.920 --> 0:47:32.480
<v Speaker 4>of that is, but also need are we on star

0:47:32.560 --> 0:47:33.120
<v Speaker 4>Killer Base?

0:47:33.400 --> 0:47:37.480
<v Speaker 2>What is it a lost treasure planet? Are we hopping dimensions?

0:47:37.560 --> 0:47:40.239
<v Speaker 4>Like they're so because of how open Star Wars has

0:47:40.239 --> 0:47:43.439
<v Speaker 4>become in the last like seven years, there's so many

0:47:43.480 --> 0:47:46.880
<v Speaker 4>directions this could go. I love how small they've started

0:47:46.880 --> 0:47:51.320
<v Speaker 4>and how little we know. It really like gives your space,

0:47:51.680 --> 0:47:53.799
<v Speaker 4>your head, a lot of space to imagine. I look

0:47:53.840 --> 0:47:56.440
<v Speaker 4>forward to the forums. Please send us your fan theories

0:47:56.440 --> 0:47:57.160
<v Speaker 4>and stuff I think.

0:47:57.480 --> 0:47:58.680
<v Speaker 1>Please please play the shoulder.

0:47:58.719 --> 0:48:00.879
<v Speaker 2>We can dive into it and under things a lot.

0:48:00.960 --> 0:48:01.920
<v Speaker 2>It's going to be a blast.

0:48:02.480 --> 0:48:06.000
<v Speaker 4>What about you, Jason, what are you looking forward to?

0:48:06.440 --> 0:48:08.799
<v Speaker 1>My big crazy one is that they're on Starcular Base.

0:48:08.840 --> 0:48:13.839
<v Speaker 1>Although I love that theory, I I I guess that's

0:48:13.880 --> 0:48:16.280
<v Speaker 1>not true, but it's I but it would be crazy.

0:48:16.360 --> 0:48:21.600
<v Speaker 1>And then I guess I would predict that Captain Silvo

0:48:22.040 --> 0:48:25.759
<v Speaker 1>Jude Law does cannot use the force. I think it

0:48:25.920 --> 0:48:34.560
<v Speaker 1>the the practicalness of the key draw seemed so like

0:48:36.120 --> 0:48:41.319
<v Speaker 1>uniquely practical that I feel that he is playing some

0:48:41.360 --> 0:48:45.640
<v Speaker 1>sort of con on them, specifically trying to like mystify them.

0:48:45.680 --> 0:48:48.279
<v Speaker 1>He can't use the force and this is all some

0:48:48.480 --> 0:48:51.799
<v Speaker 1>kind of game, part of whatever con scheme that he

0:48:51.880 --> 0:48:54.080
<v Speaker 1>is playing. That's my guess.

0:48:54.719 --> 0:48:57.600
<v Speaker 3>I also want to know will is Neil ever going

0:48:57.640 --> 0:49:00.520
<v Speaker 3>to get a chance speak to runa for the first time.

0:49:02.400 --> 0:49:05.160
<v Speaker 2>Dangie, this ship he's gonna get right back. That's gonna

0:49:05.200 --> 0:49:07.680
<v Speaker 2>be like, you can't believe so much, and now I'm

0:49:07.719 --> 0:49:08.480
<v Speaker 2>ready to talk.

0:49:08.520 --> 0:49:12.759
<v Speaker 1>I'm built to all of the confidence I need to pirates. Yeah,

0:49:13.080 --> 0:49:18.280
<v Speaker 1>you absolutely cannot see that and not have a controversition.

0:49:18.480 --> 0:49:20.000
<v Speaker 1>We love Meal too much.

0:49:20.640 --> 0:49:22.920
<v Speaker 4>Also, if I was a betting person, I'd gamble that

0:49:22.920 --> 0:49:28.920
<v Speaker 4>we see Honda eventually. We're right, We're yeah, we're in

0:49:28.960 --> 0:49:31.640
<v Speaker 4>the pocket area for Honda to still be around.

0:49:32.360 --> 0:49:35.400
<v Speaker 2>Please show up. He's my favorite pirate who has the kids.

0:49:35.719 --> 0:49:37.920
<v Speaker 3>Yeah, this wouldn't be a cad Bane. This would be

0:49:37.960 --> 0:49:41.280
<v Speaker 3>Hondo Like cad Bane's too dark. Honda would be perfect

0:49:41.280 --> 0:49:41.440
<v Speaker 3>for this.

0:49:42.040 --> 0:49:46.759
<v Speaker 1>I think my final prediction is that all these kids

0:49:46.800 --> 0:49:49.040
<v Speaker 1>are gonna be fine. Nothing bad is going to happen

0:49:49.080 --> 0:49:51.400
<v Speaker 1>to them, although they are going to face tremendous danger.

0:49:51.560 --> 0:49:54.040
<v Speaker 1>But we're all going to fall in love with sm

0:49:54.080 --> 0:49:55.360
<v Speaker 1>thirty three and he's gonna die.

0:49:55.800 --> 0:49:59.040
<v Speaker 4>Oh no, I have to say goodbye to so many already.

0:49:59.080 --> 0:50:04.280
<v Speaker 4>I love Kate too, I love the trades.

0:50:07.200 --> 0:50:09.960
<v Speaker 1>Coming up next on episodes of Extra Vision, We're diving

0:50:10.120 --> 0:50:13.160
<v Speaker 1>back into Dune Prophecy episode one on three, and on Wednesday,

0:50:13.480 --> 0:50:15.600
<v Speaker 1>our Books and Comics twenty twenty four round up. That's

0:50:15.600 --> 0:50:16.880
<v Speaker 1>over this episode. Thanks for listening.

0:50:16.920 --> 0:50:26.560
<v Speaker 3>Thank you, Erin, Thank you Joel, thank you, Jason bye x.

0:50:26.600 --> 0:50:30.080
<v Speaker 1>Ray Vision is hosted by Jason Kensepsion and Rosie Knight

0:50:30.760 --> 0:50:34.560
<v Speaker 1>and is a production of iHeart Podcasts. Our executive producers

0:50:34.560 --> 0:50:38.880
<v Speaker 1>are Joelle Smith and Aaron Kaufman. Our supervising producer is

0:50:39.120 --> 0:50:44.200
<v Speaker 1>a Boo Zafar. Our producers are Carmen Laurent and Mia Taylor.

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<v Speaker 1>Our theme song is by Brian Basquez. Special thanks to

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<v Speaker 1>Soul Rubin and Chris Lord, Kenny Goodman and Heidi on

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<v Speaker 1>Disco Modera